WEBVTT - The Brooklyn Boys SLICE TIME for Ep. #342

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<v Speaker 1>Brooklyn Boys reactions.

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<v Speaker 2>This podcast all depends on you, baby.

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<v Speaker 3>Yeah, it's Brooklyn Boys Slice Time for episode three forty two.

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<v Speaker 3>And beyond what's going on, it's prody, scary, scary, brody,

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<v Speaker 3>and yeah, don't don't, don't kill us, don't blame us.

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<v Speaker 2>But Brody, I'm gonna tell you right now.

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<v Speaker 3>I looked at I looked at the the old slice

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<v Speaker 3>time uh talk back looking pages. All I'm gonna say

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<v Speaker 3>here is we warned you folks not to leave your

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<v Speaker 3>slice times until the week we get back, which was

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<v Speaker 3>last week, and we did episode three forty two.

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<v Speaker 2>Many of them have been erased. They're gone.

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<v Speaker 4>So unless unless you were listening to three forty one

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<v Speaker 4>and left to talk back because you didn't hear us

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<v Speaker 4>say on three forty two to be careful.

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<v Speaker 2>Yeah.

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<v Speaker 3>So, and what's in the past is in the past.

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<v Speaker 3>We want to kind of move forward. Let's start commenting

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<v Speaker 3>on episode three forty two.

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<v Speaker 4>All right, remember a reminder, we're back from vacation. This

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<v Speaker 4>is our first Lifetime in a couple of weeks. Yeah,

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<v Speaker 4>and this is the show about the show. This is

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<v Speaker 4>the show where our listeners we call the slices, leave

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<v Speaker 4>talkbacks to the iHeart Radio App about their thoughts, comments

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<v Speaker 4>and opinions on the episode previous and the couple before that.

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<v Speaker 2>That's what's their show.

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<v Speaker 3>Yes, and then this is by listening to the iHeartRadio App.

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<v Speaker 3>Only you cannot do this if you listen through other means.

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<v Speaker 3>So there's no little microphone, no, only on the iHeart app.

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<v Speaker 2>Okay, this is uh, here we go, Here we go, folks.

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<v Speaker 5>I know this is from an old episode, but I've

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<v Speaker 5>been listening to all your guys' episodes. I love your Guys' show.

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<v Speaker 5>You guys are funny. You make light of everything. The

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<v Speaker 5>bicker and back and forth. That's all great works a

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<v Speaker 5>good podcast. I listen to you guys every day. I'm

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<v Speaker 5>a pizza delivery driver.

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<v Speaker 2>Nice and I listen.

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<v Speaker 5>To you guys while I'm delivering pizza.

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<v Speaker 2>I hope it's good pizza.

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<v Speaker 5>It's pizza delivery driver again. Now back to the episode

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<v Speaker 5>I was referring to. Its scary is allowed to have

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<v Speaker 5>his feelings and thoughts on what is going on with

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<v Speaker 5>the big corporations in big pharma. A lot of people

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<v Speaker 5>are starting to open their eyes and they're starting to

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<v Speaker 5>see what is really going on all your and I

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<v Speaker 5>just listened to some more of the episode. Brody, you

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<v Speaker 5>said they wouldn't sell the cereal of it is going

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<v Speaker 5>to kill this not kill you. What it is killing people?

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<v Speaker 5>The high fructose corn syrup, the oil that they put

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<v Speaker 5>into the cereals completely is bad for your body. Your

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<v Speaker 5>body can't barely even dia chest and break one more

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<v Speaker 5>thing real quick, Why don't use any deodorant? Scary is

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<v Speaker 5>exactly right on that they put aluminum in that stuff,

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<v Speaker 5>and guess what, your body gets filled with aluminum. I

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<v Speaker 5>had my heavy metals tested and my aluminum was very

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<v Speaker 5>high inside my body. We're not supposed to have illuminum

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<v Speaker 5>hold our body.

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<v Speaker 2>I didn't say you lost Scary, you.

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<v Speaker 3>Lost me on that. No deodorant, Now, listen, there are alternatives.

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<v Speaker 3>Look up there. There's some great stuff out there. You

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<v Speaker 3>could use charcoal deodorant, but there's also these natural ingredient

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<v Speaker 3>deodorant that don't have parabins and aluminum. Minute google it,

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<v Speaker 3>you'll find them. There's some great ones out there. Uh,

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<v Speaker 3>they just old sponsored the podcast. I had this like

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<v Speaker 3>three different ones I use. They're phenomenal, but they're not

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<v Speaker 3>your traditional ones by any means.

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<v Speaker 4>But yeah, and again you know I don't like to

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<v Speaker 4>get into conversations about science and medicine, so I'm not

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<v Speaker 4>going to. Here's what I'll say. What is the point

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<v Speaker 4>of living a long, healthy life if you stink?

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<v Speaker 6>Next caller, Brooklyn Boys is Tea White. I got a

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<v Speaker 6>couple of talkbacks today. So my family is from Jamaica.

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<v Speaker 6>So I hope while while Scary is on his twenty

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<v Speaker 6>seventh vacation this year in Jamaica, he does get the

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<v Speaker 6>mind blow of an Asian with a Jamaican accent. There's

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<v Speaker 6>a very large Asian population in Jamaica and it is

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<v Speaker 6>very jarring to hear them pop out with a Jamaican accent.

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<v Speaker 6>Tea White again. Another Scary related situation. I am from CT.

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<v Speaker 6>Shout out to Will, Shout out to Donnie. But a

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<v Speaker 6>guy at the gas station the other day asked me

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<v Speaker 6>if I could spare a couple bucks because he ran

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<v Speaker 6>out of gas. He said, I'm from South Carolina and

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<v Speaker 6>I ran out of gas and someone stole my wallet.

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<v Speaker 7>Can you give me some money?

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<v Speaker 2>Did you?

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<v Speaker 6>I don't know how he got from South Carolina to

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<v Speaker 6>Connecticut and ran out of gas without his wallet, But Scary,

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<v Speaker 6>if you want to send a couple of bucks.

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<v Speaker 7>I could give it to.

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<v Speaker 2>Him, So you didn't. I'm assuming he didn't, Oh Scamboni.

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<v Speaker 3>Yeah and all right, well, thank you t White for

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<v Speaker 3>those appreciate you.

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<v Speaker 6>It's Tee White back again. Usually I'm against slices going

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<v Speaker 6>at each other, but in three hundred and forty one episodes.

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<v Speaker 6>I know slice time didn't start at episode one or

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<v Speaker 6>episode zero, but three hundred and forty one episodes, you've

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<v Speaker 6>never been moved to leave a talkback until now to

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<v Speaker 6>say that white people can't get away with what black

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<v Speaker 6>people can and Cardi B and Nicki Minaj get away

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<v Speaker 6>with whatever, like Cardi B got destroyed overwhaped and it

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<v Speaker 6>didn't even play on the radio.

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<v Speaker 2>Like stop that's true.

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<v Speaker 6>It's just a wild stance to take people who have

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<v Speaker 6>a problem, whether are going to have a problem with it,

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<v Speaker 6>whether black or white or whatever, has nothing to do

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<v Speaker 6>with that. Bring in Cardi B and Nicki Minaj into

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<v Speaker 6>it shows the type of prison that you art. That's

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<v Speaker 6>a wild stance to take. Sobrina Carpenter is an adult

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<v Speaker 6>who makes music for adults. I don't want to be

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<v Speaker 6>that person, but it's on the parents to decide and

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<v Speaker 6>to look into what their kids are into. I'm into

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<v Speaker 6>Marvel when I let my five and six year old

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<v Speaker 6>watch Deadpool and Wolverine. No, but can they watch Captain America. Sure,

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<v Speaker 6>it's up to you to look into It has nothing

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<v Speaker 6>to do a race.

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<v Speaker 2>Correct. Thank He's right, Thank you, Tee White. Very insightful.

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<v Speaker 8>So my question is like, why, like why do they

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<v Speaker 8>feel like they need to do that to get attention?

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<v Speaker 8>Why can't like adults didn't have to do that, Like

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<v Speaker 8>there's tons of artists that didn't have to do that,

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<v Speaker 8>especially in the past, Like why did they Today we

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<v Speaker 8>have all these artists that feel like they need to

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<v Speaker 8>sube like women specifically need to subject themselves to be

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<v Speaker 8>submissive to men and make these cover covers and shit

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<v Speaker 8>to get attention.

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<v Speaker 7>So he's just a question.

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<v Speaker 2>I don't know way that came from.

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<v Speaker 3>But he's talking about the the Sabrina Carpenter cover of

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<v Speaker 3>her new album where she's literally a dog on a

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<v Speaker 3>leash on all fours up against a guy's like pants,

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<v Speaker 3>like like I got his zipper and general area, not

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<v Speaker 3>that general area. Let me respond to that.

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<v Speaker 4>I think female artists have been again, handful of female

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<v Speaker 4>artists if every generation for the last forty years. Yeah,

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<v Speaker 4>have been have been sexual in different ways. Madonna did it,

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<v Speaker 4>wasn't the first Grace Slick uh, Grace Jones rather, uh,

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<v Speaker 4>There's lots of female artists that have been sexual in

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<v Speaker 4>their art. Was Barbara Streiss and sexual, not not quite

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<v Speaker 4>like Lady Gaga, but she was more sexual than Shirley

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<v Speaker 4>Bassey of her time. So there's different levels of men

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<v Speaker 4>being sexual. Enrique Iglesias guys taking the shirts off. Elvis

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<v Speaker 4>Presley gyrated his hips. He almost people had heart ATTACKSI

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<v Speaker 4>that has show him from the waist up on television

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<v Speaker 4>because he was gyrating his hips. That was like, oh

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<v Speaker 4>my god, he's gyrating his hips. So I don't think

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<v Speaker 4>it's any more or less.

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<v Speaker 2>I don't.

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<v Speaker 4>I don't think you can compare uh Sabrina Carpenter and say,

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<v Speaker 4>how come Adele doesn't do it. First of all, Adell

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<v Speaker 4>doesn't consider herself to be a sex symbol.

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<v Speaker 2>She's not.

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<v Speaker 4>Musically, she's more of a stand there and belt it

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<v Speaker 4>out kind of singer. Yeah, and also she doesn't flaunt

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<v Speaker 4>her body for different reasons.

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<v Speaker 3>So Sabrina Carpenter has been on that path, so you

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<v Speaker 3>can't really blame her for having an album, a breakthrough

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<v Speaker 3>album where she is doing something like this. She was

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<v Speaker 3>she's going to the next level. She's it's a new phase.

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<v Speaker 3>It's a new it's it's a new form of art.

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<v Speaker 2>In my opinion. You don't believe, you don't agree with

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<v Speaker 2>that probory but yourself.

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<v Speaker 4>Yeah, it's it's the it's the way, it's the type

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<v Speaker 4>of artist that she is, the same way that Beyonce

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<v Speaker 4>is not Nicki Minaj right themselves differently now Beyonce. Sometimes

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<v Speaker 4>we're outfits that people were like, oh my god. It's

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<v Speaker 4>also a phase and a concept. Like Sabrina wanted this

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<v Speaker 4>album to be this way, so she needed a visual,

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<v Speaker 4>she needed certain you know, certain metaphors and certain things

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<v Speaker 4>and certain themes that she's she's following. So as a result,

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<v Speaker 4>that's the album and that's the art she's creating. What

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<v Speaker 4>right do we have to criticize it.

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<v Speaker 2>That's not what we're talking about.

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<v Speaker 9>It's part of it.

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<v Speaker 2>Actually, here's part one, Part one. I found.

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<v Speaker 3>Part one I found Part one. We should probably will. Yeah,

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<v Speaker 3>we're going back. Why why I was like, why why

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<v Speaker 3>did that come out of nowhere?

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<v Speaker 2>But here here was the first one that's gonna make

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<v Speaker 2>much more sense.

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<v Speaker 10>Okay, we'll see Brody in heigre.

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<v Speaker 8>Isn't all these talkbacks as a bring carpenter? I just

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<v Speaker 8>have a question, why do women feel like they have

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<v Speaker 8>to make covers like that? And you know, I don't

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<v Speaker 8>care what she thinks about, like, oh, her decision. The

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<v Speaker 8>point is a girl in all fours with her head

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<v Speaker 8>near someone's dick is degrading to her. I'm sorry, how

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<v Speaker 8>is it not? It's she's submissive, But.

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<v Speaker 3>That's it again, that's her art and she's going for that.

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<v Speaker 3>She's going for that. Look that sound on the album,

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<v Speaker 3>this is what she wants. The whole album is sexualized.

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<v Speaker 3>Listen to some of the songs on there.

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<v Speaker 4>You know, I also would say that a woman in

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<v Speaker 4>that position is not necessarily submissive. If you're that man,

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<v Speaker 4>if I'm that man, she's got all the power.

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<v Speaker 2>She does have all the power.

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<v Speaker 11>Right.

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<v Speaker 4>It's like it's like the old argument when you go

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<v Speaker 4>to a strip club and the guys are handing dollar

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<v Speaker 4>bills to the strippers. Right, does the guy have the

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<v Speaker 4>power because he's throwing money at her and she's doing

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<v Speaker 4>what he wants, or does she have the power because

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<v Speaker 4>simply being alive and being her showing her body makes

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<v Speaker 4>a man melt and give money.

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<v Speaker 3>So who has the power subjection? She's the one being

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<v Speaker 3>manipulative manipula.

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<v Speaker 4>If I was the guy in that picture and I

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<v Speaker 4>was single, I'd be like, oh manhamahamahamed right right, She'd be.

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<v Speaker 2>Like, whatever you want.

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<v Speaker 4>So I don't know if it's submissive as much as

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<v Speaker 4>it is a statement of our self confidence.

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<v Speaker 2>I don't.

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<v Speaker 4>I mean, I guess it's a matter of interpretation. But

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<v Speaker 4>don't lose sleep over it for her. And if you're

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<v Speaker 4>worried about not, you so flow. But if you're worried

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<v Speaker 4>about it for your daughters, don't show it to them

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<v Speaker 4>or have a conversation with them when they're old enough

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<v Speaker 4>to have a conversation with them about what that represents

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<v Speaker 4>and how they should interpret its confluence.

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<v Speaker 2>Was there morey Nope, before we get the genie, Hey.

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<v Speaker 12>So conclusion shamy, So Queen's here. It's scary you were

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<v Speaker 12>talking about the year old kid and prevented his mom

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<v Speaker 12>from giving her number to the guy. Guys kids today

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<v Speaker 12>are fucking savages. I've spent some time recently with my nephews.

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<v Speaker 12>One is eight, one is twelve, and they were playing

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<v Speaker 12>this video game together that's sort of like a kid

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<v Speaker 12>friendly murder mystery game where you discuss clues and you

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<v Speaker 12>figure out who the killers. So the eight year old

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<v Speaker 12>sees on his older brother's game screen as older brother

0:12:10.080 --> 0:12:12.120
<v Speaker 12>is one of the killers, and it's telling his brother,

0:12:12.520 --> 0:12:15.800
<v Speaker 12>I promise I won't tell on you first, meaning that

0:12:15.920 --> 0:12:18.679
<v Speaker 12>gets called to discuss clues and talk about who they

0:12:18.679 --> 0:12:21.800
<v Speaker 12>think the killer is. The eight year old rats out

0:12:21.800 --> 0:12:25.800
<v Speaker 12>his brother and I'm sitting there watching this like are

0:12:25.880 --> 0:12:26.720
<v Speaker 12>you serious?

0:12:26.720 --> 0:12:28.240
<v Speaker 7>And I said to the eight year old, I'm like,

0:12:28.520 --> 0:12:28.920
<v Speaker 7>did you.

0:12:28.920 --> 0:12:29.959
<v Speaker 12>Really just write him out?

0:12:29.960 --> 0:12:33.679
<v Speaker 7>And he's like yes. I'm like, kids are savage, man.

0:12:35.120 --> 0:12:39.160
<v Speaker 2>I agree they are. Certainly this kid is savage. Or

0:12:39.200 --> 0:12:43.000
<v Speaker 2>you just can't keep a secret. Yeah, all right, let's

0:12:43.000 --> 0:12:47.960
<v Speaker 2>take our first break. All right, the Brooklyn Boys Podcast.

0:12:48.280 --> 0:12:49.360
<v Speaker 1>We will be right.

0:12:49.200 --> 0:12:52.200
<v Speaker 2>Back once again. I have a complaint.

0:12:52.280 --> 0:12:52.520
<v Speaker 13>Yep.

0:12:54.640 --> 0:12:57.680
<v Speaker 4>If this was radio mm, we were still you know,

0:12:57.720 --> 0:13:02.000
<v Speaker 4>we were doing the Office Rand Morning Show. Okay, when

0:13:02.040 --> 0:13:04.120
<v Speaker 4>you go to commercial, you play a little bumper that

0:13:04.160 --> 0:13:07.760
<v Speaker 4>goes Elvis Duran in the Morning Show into spots yep.

0:13:07.800 --> 0:13:10.280
<v Speaker 4>And what happens when the commercials are over scary and

0:13:10.320 --> 0:13:11.359
<v Speaker 4>the song ends.

0:13:12.360 --> 0:13:17.120
<v Speaker 3>We come back with another bumper with with a rejoin,

0:13:17.320 --> 0:13:20.120
<v Speaker 3>A rejoin, I feel like we should do that. I

0:13:20.120 --> 0:13:22.240
<v Speaker 3>think we're coming in cold from the commercials. I think

0:13:22.280 --> 0:13:24.240
<v Speaker 3>we should have a rejoin element. You want to bring

0:13:24.280 --> 0:13:26.760
<v Speaker 3>a rejoin element back to us, That's what I'm saying.

0:13:26.840 --> 0:13:29.079
<v Speaker 4>I feel like we're missing It's been bothering me for

0:13:29.080 --> 0:13:31.200
<v Speaker 4>a while, and I kept forgetting to say it. I

0:13:31.240 --> 0:13:33.320
<v Speaker 4>think we don't realize it because we sit here with

0:13:33.360 --> 0:13:35.719
<v Speaker 4>a Brooklyn Boys podcast. We will be right back and

0:13:35.720 --> 0:13:37.520
<v Speaker 4>then all of a sudden we're talking again because we

0:13:37.559 --> 0:13:39.719
<v Speaker 4>don't live through the commercials. But I think if the

0:13:39.720 --> 0:13:42.160
<v Speaker 4>commercials end and you just hear us talk, I think

0:13:42.160 --> 0:13:43.280
<v Speaker 4>there should be a sounder again.

0:13:43.679 --> 0:13:46.760
<v Speaker 2>This is like the Brooklyn Boys are back. So i'll AI,

0:13:47.240 --> 0:13:50.240
<v Speaker 2>We'll do some AI, some high tech, some high tech

0:13:50.280 --> 0:13:51.640
<v Speaker 2>re re entries. I like that.

0:13:51.920 --> 0:13:55.320
<v Speaker 3>Yeah, okay, you know that's that's cool. That's building on

0:13:55.360 --> 0:13:56.040
<v Speaker 3>the podcast.

0:13:56.160 --> 0:13:57.120
<v Speaker 2>That's yeah.

0:13:57.160 --> 0:13:58.880
<v Speaker 4>I think we need that. Taking it next, let a

0:13:58.920 --> 0:14:01.719
<v Speaker 4>little little little AI. Speaking of AI, and I know

0:14:01.800 --> 0:14:03.480
<v Speaker 4>I talked about on the podcast. Let's week I'll talk

0:14:03.559 --> 0:14:05.559
<v Speaker 4>more about it on the Brooklyn Boys.

0:14:06.920 --> 0:14:07.240
<v Speaker 2>Again.

0:14:07.440 --> 0:14:13.880
<v Speaker 4>I saw examples this morning of AI bits that are

0:14:13.960 --> 0:14:20.800
<v Speaker 4>clearly like offensive or political, over the top, racist, over

0:14:20.840 --> 0:14:25.240
<v Speaker 4>the top, and it's clearly AI. And the comments are

0:14:25.280 --> 0:14:31.640
<v Speaker 4>all like, well, these people are assholes. No, it's not,

0:14:31.760 --> 0:14:34.760
<v Speaker 4>it's AI. How can they not tell? It's so obviously AI.

0:14:35.200 --> 0:14:37.800
<v Speaker 3>Yes, it's great, it looks great, it looks really good,

0:14:38.040 --> 0:14:40.800
<v Speaker 3>but it's still like ninety three percent it's you could

0:14:40.800 --> 0:14:43.360
<v Speaker 3>tell it's not perfect. And they're not real people, so

0:14:43.400 --> 0:14:46.600
<v Speaker 3>that how can they be assholes? They it was computer generated?

0:14:47.200 --> 0:14:49.040
<v Speaker 4>Yeah, like, oh, I can't believe people think this way.

0:14:49.360 --> 0:14:50.920
<v Speaker 4>Well they might, but these people don't.

0:14:51.000 --> 0:14:53.200
<v Speaker 3>I can't believe that guy decided that he was going

0:14:53.280 --> 0:14:56.240
<v Speaker 3>to act in that sketch and say those things.

0:14:56.400 --> 0:15:01.080
<v Speaker 4>Right by the way the McDonald's sketches, Oh my god

0:15:02.120 --> 0:15:04.680
<v Speaker 4>on TikTok. I think it's real customers that McDonald's is

0:15:04.720 --> 0:15:08.960
<v Speaker 4>the account, I think, and it's people at McDonald's just

0:15:09.000 --> 0:15:12.720
<v Speaker 4>saying the most offensive ship to larger customers.

0:15:14.040 --> 0:15:17.000
<v Speaker 3>But it's not real. I mean, somebody wrote it, but

0:15:17.080 --> 0:15:19.520
<v Speaker 3>it's not real people in this. It's just very funny

0:15:19.880 --> 0:15:21.120
<v Speaker 3>if you like offensive.

0:15:20.960 --> 0:15:27.880
<v Speaker 14>Yes, scary, respect, respect, big ups bigs for going to

0:15:27.920 --> 0:15:33.200
<v Speaker 14>my hometown. Yes, spending some of the tourist money. Oh yeah,

0:15:33.280 --> 0:15:38.440
<v Speaker 14>I'm smoking some of that natural grown pushes did big ups,

0:15:39.120 --> 0:15:40.680
<v Speaker 14>Jimmy and Carresta be a cut.

0:15:40.920 --> 0:15:43.360
<v Speaker 3>We try to support local as much as we we

0:15:43.760 --> 0:15:44.720
<v Speaker 3>could could have there.

0:15:44.800 --> 0:15:46.320
<v Speaker 2>And by the way, no Asians.

0:15:46.320 --> 0:15:50.040
<v Speaker 3>That sounded Jamaican or vice versa, vice versa, and I

0:15:50.040 --> 0:15:52.320
<v Speaker 3>didn't see I didn't see that. To answer t White's

0:15:52.400 --> 0:15:56.120
<v Speaker 3>question from before, didn't notice any of that, but I

0:15:56.160 --> 0:15:57.320
<v Speaker 3>probably didn't look hard enough.

0:15:57.920 --> 0:16:02.520
<v Speaker 13>Frock them ball from your Yes, Sary's so thirty eight

0:16:02.520 --> 0:16:04.760
<v Speaker 13>in the morning, I know, I know it's a weird hour.

0:16:05.920 --> 0:16:12.000
<v Speaker 13>Fuck you anyway, scary. So you are worried about parvans

0:16:12.880 --> 0:16:16.680
<v Speaker 13>and you know, too much gluten, too much grease. But

0:16:16.760 --> 0:16:21.400
<v Speaker 13>you're okay with some stranger licking your joint? Yes, thank

0:16:21.400 --> 0:16:24.400
<v Speaker 13>you rolling them that makes.

0:16:24.240 --> 0:16:25.280
<v Speaker 2>That could have hurt bees.

0:16:25.800 --> 0:16:28.440
<v Speaker 3>I'm okay with that because it just it burns up

0:16:28.800 --> 0:16:30.800
<v Speaker 3>before I get to it. You put a piece in

0:16:30.840 --> 0:16:34.320
<v Speaker 3>your mouth, but the pot in your mouth isn't on fire. Yes,

0:16:34.440 --> 0:16:36.560
<v Speaker 3>Now you put filters there. You put a filter in there.

0:16:37.240 --> 0:16:41.280
<v Speaker 3>There's a filter before the paper. Come on, we weren't

0:16:41.320 --> 0:16:43.680
<v Speaker 3>touching his mouth, Salida.

0:16:43.280 --> 0:16:45.760
<v Speaker 4>You're practically made out with the guy.

0:16:46.280 --> 0:16:47.560
<v Speaker 15>Hey, guys, welcome back.

0:16:47.880 --> 0:16:49.240
<v Speaker 16>Hope you had a nice vacation.

0:16:49.400 --> 0:16:53.560
<v Speaker 2>Pay for me, uh it, sterry.

0:16:53.800 --> 0:16:57.560
<v Speaker 9>Good on you that you enjoyed some gimbo with your family.

0:16:58.640 --> 0:17:01.160
<v Speaker 2>I'd like to do the same, giv but.

0:17:01.400 --> 0:17:08.119
<v Speaker 15>Uh, Brody, that fucking chat peat GPP fucking conversation was hysterically.

0:17:08.560 --> 0:17:11.600
<v Speaker 15>I personally never used any of the ais because I

0:17:12.200 --> 0:17:13.480
<v Speaker 15>think they're fucking crazy.

0:17:13.760 --> 0:17:14.920
<v Speaker 1>Not you.

0:17:14.920 --> 0:17:20.320
<v Speaker 2>You really should, you really should, Buddy is Higan the boys? No, No,

0:17:20.720 --> 0:17:21.000
<v Speaker 2>he's not.

0:17:21.320 --> 0:17:23.880
<v Speaker 17>The boys are back in town. The boys are back

0:17:23.920 --> 0:17:24.399
<v Speaker 17>in town.

0:17:24.600 --> 0:17:25.040
<v Speaker 2>That's us.

0:17:26.119 --> 0:17:28.879
<v Speaker 17>What up guys as well? From CT, I fucking missed you,

0:17:28.920 --> 0:17:32.119
<v Speaker 17>filthy animals. I hope you guys in Georgia vacation. I

0:17:32.200 --> 0:17:37.160
<v Speaker 17>know Scary did up in the villa. He definitely enjoyed it. Anyways,

0:17:37.200 --> 0:17:40.160
<v Speaker 17>I'll listen to your story about well, scary story about

0:17:40.200 --> 0:17:43.760
<v Speaker 17>the test smoking weed with Elvis back in the day,

0:17:44.320 --> 0:17:47.199
<v Speaker 17>and all I could think about, and you guys, you know,

0:17:47.280 --> 0:17:50.479
<v Speaker 17>take AI or make this. I feel like MJ from

0:17:50.560 --> 0:17:53.760
<v Speaker 17>NJ right now. I try to send the same message

0:17:53.800 --> 0:17:55.840
<v Speaker 17>like four or five times to keep getting errors. But

0:17:56.680 --> 0:17:59.080
<v Speaker 17>hopefully you guys get this. Scary this is like the

0:17:59.080 --> 0:18:01.760
<v Speaker 17>fifth time you heard that. I'm sorry to skip over it.

0:18:02.440 --> 0:18:06.840
<v Speaker 17>If not do AI video, but from walking hard the

0:18:06.880 --> 0:18:08.560
<v Speaker 17>dewey Cock stories on facewops.

0:18:08.840 --> 0:18:09.480
<v Speaker 2>You walk in and.

0:18:09.480 --> 0:18:12.920
<v Speaker 17>Your Das's like, get out of here, Anthony, we're smoking reefook.

0:18:13.000 --> 0:18:14.680
<v Speaker 2>You know what, no parts of this shit.

0:18:14.960 --> 0:18:16.840
<v Speaker 17>Back when he was smoking with Elvis. That would be

0:18:16.880 --> 0:18:18.000
<v Speaker 17>the best video ever.

0:18:19.840 --> 0:18:22.359
<v Speaker 3>You know what, we can't croisee any video at this point.

0:18:23.440 --> 0:18:26.320
<v Speaker 3>We could really think we could ask AI to do anything. Now,

0:18:26.320 --> 0:18:28.720
<v Speaker 3>whether it completes the project or not is a whole

0:18:28.720 --> 0:18:33.439
<v Speaker 3>other story. It may just, you know, put procrastinate and

0:18:33.440 --> 0:18:37.240
<v Speaker 3>then tell you after three days sorry and apologize profusely

0:18:37.359 --> 0:18:38.359
<v Speaker 3>if you're not getting it done.

0:18:38.359 --> 0:18:40.119
<v Speaker 2>To the truth. Yeah, I wish I had told you

0:18:40.160 --> 0:18:41.000
<v Speaker 2>the truth, but I didn't.

0:18:42.840 --> 0:18:43.760
<v Speaker 18>Lean from Ohio.

0:18:44.200 --> 0:18:48.920
<v Speaker 19>Check out Goolu four thousand car charger and he gets

0:18:48.960 --> 0:18:51.840
<v Speaker 19>charge your phone to laptop and stuff. This thing is

0:18:51.840 --> 0:18:57.119
<v Speaker 19>extremely powerful. And actually they tested it and jumped an

0:18:57.480 --> 0:19:02.000
<v Speaker 19>actual tractor and the tractor up for two minutes. That's

0:19:02.000 --> 0:19:05.520
<v Speaker 19>how powerful this thing is. Check it out all right.

0:19:05.320 --> 0:19:08.160
<v Speaker 2>I think I'm happy with my jackery. What if I need?

0:19:08.200 --> 0:19:12.520
<v Speaker 2>What am I? Have you jackeried by yourself? Have you?

0:19:12.880 --> 0:19:14.399
<v Speaker 2>By the way, I got an ad for the.

0:19:14.440 --> 0:19:18.159
<v Speaker 3>Jaquerie during prime days of course it's like three hundred. No,

0:19:18.640 --> 0:19:20.639
<v Speaker 3>I mine was one hundred and fifty and it was

0:19:20.720 --> 0:19:23.359
<v Speaker 3>one hundred dollars off something like that.

0:19:24.359 --> 0:19:29.200
<v Speaker 2>You only wasted fifty, you.

0:19:29.119 --> 0:19:32.600
<v Speaker 20>Know, Brody back to the guy who didn't get back

0:19:32.600 --> 0:19:34.439
<v Speaker 20>to you when you were typing the thing and he

0:19:34.560 --> 0:19:37.240
<v Speaker 20>was typing. And it's a good thing not to leave

0:19:37.320 --> 0:19:42.000
<v Speaker 20>a sarcastic comment. It's better to just follow up because

0:19:42.280 --> 0:19:46.800
<v Speaker 20>you know, of actually what happened. You know, better to

0:19:46.840 --> 0:19:49.280
<v Speaker 20>not be snarky about it, because then that could have

0:19:49.320 --> 0:19:52.320
<v Speaker 20>thrown things off. Another one for Brody.

0:19:53.560 --> 0:19:55.040
<v Speaker 2>You want to comment on that one before we go

0:19:55.040 --> 0:19:55.360
<v Speaker 2>to the next.

0:19:55.359 --> 0:19:55.600
<v Speaker 8>I don't.

0:19:55.600 --> 0:19:57.359
<v Speaker 2>I don't recall what he's talking about.

0:20:00.200 --> 0:20:03.280
<v Speaker 20>Driving. And I saw a bumper sticker that said I'd

0:20:03.400 --> 0:20:06.280
<v Speaker 20>rather be driving a titleist. Made me think of the

0:20:06.320 --> 0:20:11.040
<v Speaker 20>guy at the airport. The story are the titles got titles?

0:20:11.600 --> 0:20:14.280
<v Speaker 20>And it's not a grammar police, because titles is a ball.

0:20:14.400 --> 0:20:16.879
<v Speaker 20>You do drive a titleists.

0:20:17.080 --> 0:20:21.560
<v Speaker 3>Yes, you drive it in the sense of driving it

0:20:21.600 --> 0:20:21.840
<v Speaker 3>with a.

0:20:23.320 --> 0:20:24.480
<v Speaker 2>Yep. Nice.

0:20:26.520 --> 0:20:29.560
<v Speaker 20>Also, Brodie says he's the man of the people, but

0:20:30.280 --> 0:20:33.360
<v Speaker 20>Scared did plice time on his vacation. Thank you Scary

0:20:33.440 --> 0:20:36.800
<v Speaker 20>Jones for doing that. Scary Jones, man of the people. Also,

0:20:37.440 --> 0:20:41.920
<v Speaker 20>what is up with iHeart? Now? I gotta use three

0:20:41.960 --> 0:20:46.440
<v Speaker 20>different iPads to send these messages. I'm getting an error message.

0:20:46.480 --> 0:20:51.200
<v Speaker 20>I can't send two from the same phone. What did

0:20:51.240 --> 0:20:52.720
<v Speaker 20>something change? What's going on here?

0:20:53.200 --> 0:20:55.200
<v Speaker 4>I have no idea what You're the second person that

0:20:55.240 --> 0:20:55.920
<v Speaker 4>had a problem.

0:20:56.000 --> 0:20:58.919
<v Speaker 2>Yeah, they need to be updated. Check the app, make

0:20:58.920 --> 0:21:01.080
<v Speaker 2>sure it's updated. Yeah, we have to figure this out.

0:21:01.280 --> 0:21:02.720
<v Speaker 2>I'm not so sure what happened there?

0:21:06.359 --> 0:21:11.439
<v Speaker 14>A c from the Bronx over there, always scary and

0:21:11.520 --> 0:21:15.160
<v Speaker 14>Brody never Brody is scary.

0:21:15.400 --> 0:21:18.480
<v Speaker 6>So I hate to do this, but Mon Valve does.

0:21:18.520 --> 0:21:21.440
<v Speaker 15>His voice is like fingernails on a fucking cho upboard.

0:21:21.960 --> 0:21:23.119
<v Speaker 2>Jesus can't do it.

0:21:24.200 --> 0:21:25.760
<v Speaker 17>Ever, he comes on as I do right here, I

0:21:25.760 --> 0:21:28.159
<v Speaker 17>make it talk back, so I have to hear his

0:21:28.240 --> 0:21:28.960
<v Speaker 17>fucking voice.

0:21:29.200 --> 0:21:31.080
<v Speaker 2>Oh my god, O.

0:21:31.320 --> 0:21:33.760
<v Speaker 5>Scary and Brody you rock and see from the Bronx

0:21:33.800 --> 0:21:34.320
<v Speaker 5>over there.

0:21:35.200 --> 0:21:36.480
<v Speaker 2>So go back to episode three, p.

0:21:36.600 --> 0:21:36.879
<v Speaker 20>Forty.

0:21:36.920 --> 0:21:39.320
<v Speaker 2>I believe it was. But he told the guy.

0:21:39.520 --> 0:21:43.080
<v Speaker 3>The guys said that any number divided by nine on

0:21:43.200 --> 0:21:46.560
<v Speaker 3>more than one ten and all the biggest ups comes

0:21:46.640 --> 0:21:47.360
<v Speaker 3>nine was right.

0:21:48.440 --> 0:21:53.280
<v Speaker 6>So one thousand and two times nine, it's niney eighteen, right,

0:21:54.400 --> 0:21:56.400
<v Speaker 6>so they're nine and one is ten.

0:21:56.960 --> 0:22:01.720
<v Speaker 2>Ten, Plase eight is eighteen one, pase eight is nine.

0:22:01.960 --> 0:22:04.159
<v Speaker 2>Uh where were where was he going with that? I

0:22:04.160 --> 0:22:07.359
<v Speaker 2>think nope, nine times any number.

0:22:07.480 --> 0:22:11.239
<v Speaker 4>If you add all the digits up total, then the

0:22:11.280 --> 0:22:13.120
<v Speaker 4>digits of that total will still equal nine.

0:22:13.200 --> 0:22:16.879
<v Speaker 20>Oh okay, gotcha, gotcha, gotch Hey brook and boys J

0:22:17.000 --> 0:22:19.080
<v Speaker 20>from J episode four two.

0:22:19.400 --> 0:22:20.000
<v Speaker 2>Can you hear you?

0:22:20.359 --> 0:22:21.560
<v Speaker 12>Oh boy Brodie?

0:22:21.600 --> 0:22:22.760
<v Speaker 2>Sorry about that check.

0:22:23.240 --> 0:22:25.760
<v Speaker 21>Rept thing that they couldn't help you.

0:22:25.920 --> 0:22:27.480
<v Speaker 12>That is crazy.

0:22:28.440 --> 0:22:30.080
<v Speaker 7>That's like in real life when.

0:22:29.840 --> 0:22:34.720
<v Speaker 21>You order stuff, they string you along. That was terrible

0:22:35.119 --> 0:22:39.080
<v Speaker 21>and by the time you know you could get something else, the.

0:22:39.560 --> 0:22:40.400
<v Speaker 2>Fad was over.

0:22:41.200 --> 0:22:41.480
<v Speaker 11>Ah.

0:22:42.320 --> 0:22:43.040
<v Speaker 6>I feel bad.

0:22:43.880 --> 0:22:47.680
<v Speaker 2>Thanks m J A Part two Noble Messages.

0:22:48.600 --> 0:22:51.080
<v Speaker 21>Yeah, it sounds like it can be good, beneficial, but

0:22:51.200 --> 0:22:54.520
<v Speaker 21>then it also would it happened it didn't work out

0:22:54.600 --> 0:22:58.560
<v Speaker 21>for you. You had to find other alternatives and AI

0:23:00.200 --> 0:23:02.520
<v Speaker 21>something like God, that damn thing was real. I almost

0:23:02.680 --> 0:23:03.720
<v Speaker 21>ordered something online.

0:23:04.119 --> 0:23:05.240
<v Speaker 2>Thank god I stopped.

0:23:05.840 --> 0:23:08.320
<v Speaker 21>But mat we've all got to be careful and you know,

0:23:08.480 --> 0:23:09.399
<v Speaker 21>have all feelers up.

0:23:09.680 --> 0:23:13.840
<v Speaker 2>All right, Love you guys, I love you too, Love you, MJ.

0:23:15.040 --> 0:23:19.240
<v Speaker 2>Hugs and kisses. Let's take another break.

0:23:20.720 --> 0:23:21.320
<v Speaker 5>Podcast.

0:23:23.000 --> 0:23:25.720
<v Speaker 2>Yeah, I would like to take a moment. Yes, sir,

0:23:26.880 --> 0:23:28.520
<v Speaker 2>m H scary.

0:23:28.600 --> 0:23:28.840
<v Speaker 3>Have you?

0:23:29.080 --> 0:23:33.040
<v Speaker 4>Have you heard of the streaming service called scream Box. No,

0:23:34.400 --> 0:23:37.680
<v Speaker 4>I would imagine some of our slices have. It is

0:23:37.760 --> 0:23:42.159
<v Speaker 4>the streaming service for horror movies and horror shows and

0:23:42.240 --> 0:23:45.679
<v Speaker 4>blood and gore and all kinds of scary stuff if

0:23:45.720 --> 0:23:48.359
<v Speaker 4>you like all of that, and and you know, just

0:23:48.640 --> 0:23:52.240
<v Speaker 4>blood and slaughtering and slicing and horror and scary and

0:23:52.320 --> 0:23:54.640
<v Speaker 4>wishes and my favorite genre.

0:23:55.359 --> 0:23:58.320
<v Speaker 2>Yeah, scream It is not a commercial for screen Box.

0:23:58.359 --> 0:23:59.320
<v Speaker 2>I'm more of a comedy guy.

0:23:59.560 --> 0:24:03.359
<v Speaker 4>However, However, there is a show that is premiering on

0:24:03.480 --> 0:24:07.280
<v Speaker 4>July fifteenth, which is tomorrow as we record this, called

0:24:07.640 --> 0:24:09.240
<v Speaker 4>The Trouble with Tessa.

0:24:09.760 --> 0:24:11.440
<v Speaker 2>Now, I don't know what the trouble with Tessa is.

0:24:11.840 --> 0:24:15.359
<v Speaker 2>I have no idea. I can't imagine that her problem

0:24:15.440 --> 0:24:16.359
<v Speaker 2>is she eats too many cookies.

0:24:16.480 --> 0:24:18.760
<v Speaker 3>Sure, it's not the trouble with Matla, because I'm I

0:24:18.880 --> 0:24:20.480
<v Speaker 3>got a litany problem.

0:24:21.520 --> 0:24:23.440
<v Speaker 2>I would have. No, it's Tessa Tessa.

0:24:24.359 --> 0:24:26.040
<v Speaker 3>I don't know what the problem is, but I'm sure

0:24:26.080 --> 0:24:29.560
<v Speaker 3>it's something bloody and awful, yep, and psychological and crazy.

0:24:30.400 --> 0:24:32.359
<v Speaker 3>The reason I bring this up, and I'm sorry if

0:24:32.359 --> 0:24:35.160
<v Speaker 3>I get some of the facts wrong. But my good

0:24:35.240 --> 0:24:37.480
<v Speaker 3>friend Bethany Watson, who was a member of the Elvistrand

0:24:37.520 --> 0:24:39.359
<v Speaker 3>Morning Show for many years. Those of you who've been

0:24:39.359 --> 0:24:40.800
<v Speaker 3>listening for a while, and if you haven't, you don't

0:24:40.800 --> 0:24:42.280
<v Speaker 3>know who she is. She's my friend.

0:24:42.720 --> 0:24:48.320
<v Speaker 4>She is the nicest, sweetest, doe eyed midwestern girl from Wisconsin. However,

0:24:50.320 --> 0:24:53.720
<v Speaker 4>that sweet innocent, little blonde girl not little, she's taller

0:24:53.720 --> 0:24:57.399
<v Speaker 4>than me, is into horror and blood and guts and

0:24:57.480 --> 0:25:00.639
<v Speaker 4>all kinds of crazy shit. You follow on Instagram at

0:25:00.720 --> 0:25:03.600
<v Speaker 4>ms Bethany wantson. You see the crazy outfits she puts on,

0:25:03.800 --> 0:25:04.719
<v Speaker 4>and she's cuckoo.

0:25:04.760 --> 0:25:06.040
<v Speaker 2>I love it. Anyway.

0:25:06.440 --> 0:25:10.280
<v Speaker 4>She and her man Dennis write and direct and produce

0:25:10.720 --> 0:25:14.280
<v Speaker 4>TV shows and short films and podcasts and whatnot. Anyway,

0:25:14.400 --> 0:25:17.240
<v Speaker 4>they created this show, The Trouble with Tessa, and it's

0:25:17.359 --> 0:25:19.440
<v Speaker 4>premiering or may have premiered by the time you hear this.

0:25:19.560 --> 0:25:22.080
<v Speaker 4>So I'm very proud of my little b Watts. If

0:25:22.119 --> 0:25:25.280
<v Speaker 4>you like scary, crazy shit, check out The Trouble with Tessa.

0:25:25.920 --> 0:25:28.600
<v Speaker 4>But those of you who are like, oh, what's she

0:25:28.720 --> 0:25:31.119
<v Speaker 4>doing these days? She's making crazy horror shows.

0:25:31.359 --> 0:25:32.160
<v Speaker 2>That's what she's doing.

0:25:32.840 --> 0:25:33.159
<v Speaker 9>I'm too.

0:25:33.240 --> 0:25:35.520
<v Speaker 4>I'm afraid of shit, like I'm scared. I'm a scaredy cat.

0:25:35.720 --> 0:25:39.159
<v Speaker 4>I like comedies and Marvel shows and DC movies and stuff.

0:25:39.200 --> 0:25:40.880
<v Speaker 4>But if you like that, check it out.

0:25:40.960 --> 0:25:42.080
<v Speaker 2>That's it. That's my two cents.

0:25:42.200 --> 0:25:45.840
<v Speaker 4>All right, congratulations, next calling, Yeah, scared eyed aren't are

0:25:45.920 --> 0:25:47.320
<v Speaker 4>for the harror, but I have to check it out

0:25:47.400 --> 0:25:47.719
<v Speaker 4>just for her.

0:25:48.320 --> 0:25:50.480
<v Speaker 2>Reggie would watch, Regie would love that shit.

0:25:51.000 --> 0:25:54.200
<v Speaker 11>Who is paying fifty dollars to get moved up to

0:25:54.320 --> 0:25:57.040
<v Speaker 11>first class? Does no one give anyone head anymore?

0:25:57.600 --> 0:25:58.040
<v Speaker 8>Ahead?

0:26:00.119 --> 0:26:02.200
<v Speaker 4>Okay, that's a good point, but my friend Ronnie's not

0:26:02.280 --> 0:26:04.040
<v Speaker 4>doing that for anybody, no matter how good the seat is.

0:26:04.640 --> 0:26:05.600
<v Speaker 2>He's not that Wow.

0:26:05.840 --> 0:26:08.480
<v Speaker 11>I can't remember a time I was giving head to

0:26:08.520 --> 0:26:12.480
<v Speaker 11>this flight attendant who wasn't even into women, so he

0:26:12.640 --> 0:26:14.920
<v Speaker 11>wasn't even enjoying it that much. But I was insisting

0:26:15.000 --> 0:26:17.359
<v Speaker 11>on it, insisting on it, And then after it was

0:26:17.359 --> 0:26:19.640
<v Speaker 11>all over, I realized I forgot to even ask if

0:26:19.640 --> 0:26:21.359
<v Speaker 11>I could move up to the first class.

0:26:22.920 --> 0:26:26.800
<v Speaker 2>Thank you, Reggie. Yeah hate when that happens. I's out.

0:26:26.800 --> 0:26:28.080
<v Speaker 2>The guy didn't even work for the airline.

0:26:28.640 --> 0:26:37.359
<v Speaker 16>Yeah, come again, heybird is scarist. Joe from California Brody.

0:26:37.640 --> 0:26:40.159
<v Speaker 16>As far as your Amazon return where you got your

0:26:40.160 --> 0:26:42.800
<v Speaker 16>eight dollars back, I had a similar situation like that

0:26:42.960 --> 0:26:46.480
<v Speaker 16>last year where I bought an Aura ring and three

0:26:46.520 --> 0:26:49.960
<v Speaker 16>weeks later they dropped the price one hundred dollars. And

0:26:50.160 --> 0:26:55.200
<v Speaker 16>since Amazon doesn't price match, well, I found that out

0:26:55.240 --> 0:26:57.160
<v Speaker 16>when I try to call them and get the difference,

0:26:57.280 --> 0:26:58.800
<v Speaker 16>but they wouldn't do that, so.

0:27:00.400 --> 0:27:03.240
<v Speaker 2>Part two. So then I had to.

0:27:03.520 --> 0:27:03.639
<v Speaker 8>Uh.

0:27:03.960 --> 0:27:06.359
<v Speaker 16>I went and bought a new ring at the new price,

0:27:06.480 --> 0:27:09.399
<v Speaker 16>at the lower price, and when that one came, I

0:27:09.520 --> 0:27:12.480
<v Speaker 16>just stuck the return label on that same one and

0:27:12.560 --> 0:27:16.080
<v Speaker 16>set that right back since YEP, already had my ring

0:27:16.200 --> 0:27:17.920
<v Speaker 16>set up and I didn't want to go through that again.

0:27:18.119 --> 0:27:20.159
<v Speaker 16>So yeah, but I sent it back save me one

0:27:20.200 --> 0:27:20.760
<v Speaker 16>hundred dollars.

0:27:22.160 --> 0:27:26.480
<v Speaker 4>Yeah, that's listen, And it cost them shipping. So they

0:27:26.600 --> 0:27:29.399
<v Speaker 4>really should just do the adjustment with a certain amount

0:27:29.400 --> 0:27:32.000
<v Speaker 4>of days. If you have thirty days to return something

0:27:32.040 --> 0:27:34.280
<v Speaker 4>and the price drops within that thirty days, yeah, do

0:27:34.359 --> 0:27:34.760
<v Speaker 4>the right thing.

0:27:35.720 --> 0:27:39.560
<v Speaker 3>Oh absolutely. And I've called them out on it with products.

0:27:40.160 --> 0:27:42.719
<v Speaker 3>I've done it with airline tickets. I've got it, had

0:27:42.760 --> 0:27:46.359
<v Speaker 3>it readjusted. Always keep an eye on the sky, Hey.

0:27:46.320 --> 0:27:51.880
<v Speaker 9>Broken Bunsy bahamad, Oh it's brod, Scary Jones. You mean

0:27:52.000 --> 0:27:53.159
<v Speaker 9>to tell me you have.

0:27:54.760 --> 0:27:59.200
<v Speaker 22>Four to six, maybe ten pot smokers and your family tree.

0:28:00.119 --> 0:28:01.840
<v Speaker 22>We're not gonna name them because that's not what we

0:28:01.920 --> 0:28:05.960
<v Speaker 22>do here. But you mean to tell me none of

0:28:06.040 --> 0:28:09.600
<v Speaker 22>them are capable of rolling a joint. Is that's what

0:28:09.720 --> 0:28:10.240
<v Speaker 22>you're telling me?

0:28:10.600 --> 0:28:12.720
<v Speaker 9>Because if that is what you're telling me, then you

0:28:12.880 --> 0:28:14.560
<v Speaker 9>have some black ass.

0:28:15.720 --> 0:28:16.200
<v Speaker 2>Well hold on.

0:28:16.320 --> 0:28:18.200
<v Speaker 3>My father used to smoke out of a bong, My

0:28:18.680 --> 0:28:21.439
<v Speaker 3>brother used to do a weed pant like, yeah, they

0:28:21.560 --> 0:28:22.040
<v Speaker 3>all take it.

0:28:22.280 --> 0:28:25.600
<v Speaker 2>And I'm an edibles guy, so no, I don't really

0:28:26.240 --> 0:28:27.280
<v Speaker 2>jets keep Bryan.

0:28:27.119 --> 0:28:29.760
<v Speaker 3>Rolls anything that I've ever smoked. So you know, I've

0:28:29.800 --> 0:28:31.280
<v Speaker 3>got my personal roller.

0:28:31.400 --> 0:28:33.600
<v Speaker 2>I got my personal Ryan Rolls for you, and he

0:28:33.720 --> 0:28:36.400
<v Speaker 2>follows virtual hot girls. Yes he does.

0:28:36.480 --> 0:28:39.720
<v Speaker 22>What you're saying is all of these people, including you,

0:28:40.720 --> 0:28:44.960
<v Speaker 22>are never the ones who buy the pot, roll the joints,

0:28:45.120 --> 0:28:48.120
<v Speaker 22>never and actually provide the You just get there for

0:28:48.360 --> 0:28:51.720
<v Speaker 22>the entertainment when you light it up and puff buff

0:28:51.760 --> 0:28:57.880
<v Speaker 22>pass And sorry, Scary Jones, but uh, it's a frownie face.

0:28:58.160 --> 0:28:59.960
<v Speaker 22>Frownie face upon you and your family.

0:29:00.240 --> 0:29:02.920
<v Speaker 2>Well, I smoke it recreationally. I don't have it regularly

0:29:03.000 --> 0:29:05.400
<v Speaker 2>in the house. To me, it's a traditionally as opposed

0:29:05.400 --> 0:29:06.040
<v Speaker 2>to professionally.

0:29:06.240 --> 0:29:08.760
<v Speaker 3>No, I mean I have it like a on occasion,

0:29:09.320 --> 0:29:12.240
<v Speaker 3>like almost like you know when some people just drink

0:29:12.960 --> 0:29:17.360
<v Speaker 3>for you know, on a random occasion or special I

0:29:17.440 --> 0:29:18.680
<v Speaker 3>mean I don't do it every day.

0:29:18.720 --> 0:29:21.280
<v Speaker 2>I don't do it even every week. It's just if

0:29:21.320 --> 0:29:22.200
<v Speaker 2>it's a special time.

0:29:22.400 --> 0:29:25.080
<v Speaker 3>Yeah, and then there's some in the house, someone's rolling it,

0:29:25.200 --> 0:29:28.480
<v Speaker 3>somebody's like smoking it, they're passing it around some in

0:29:28.520 --> 0:29:32.000
<v Speaker 3>your house. No, I don't, but if but if there's

0:29:32.080 --> 0:29:35.200
<v Speaker 3>some around and I'm in the mood, sure I'll take

0:29:35.240 --> 0:29:36.240
<v Speaker 3>a toke a.

0:29:36.400 --> 0:29:40.719
<v Speaker 9>Broken posy Bohoma desk. And he's oldis Bernie is scary Brody?

0:29:41.080 --> 0:29:44.440
<v Speaker 9>Berdy Berdie. I want to hear those excuses. I'm sorry.

0:29:44.480 --> 0:29:47.680
<v Speaker 22>I'm being the project manager of this operation. I do

0:29:47.960 --> 0:29:50.280
<v Speaker 22>not want to hear any excuses. I want to see

0:29:50.320 --> 0:29:55.600
<v Speaker 22>baby Scary Jones. I'm baby Brody on tik Took arguing

0:29:55.640 --> 0:29:58.720
<v Speaker 22>it out. Let's go give me some sugar, baby.

0:29:59.320 --> 0:29:59.640
<v Speaker 7>You know what.

0:29:59.840 --> 0:30:01.280
<v Speaker 9>The fat's not over until it's over.

0:30:01.840 --> 0:30:05.400
<v Speaker 22>Hey, broken boof hold this and is always Brodie's carry

0:30:05.920 --> 0:30:09.240
<v Speaker 22>senior Brody. I am the project manager of this operation.

0:30:09.400 --> 0:30:11.800
<v Speaker 22>And you're gonna give me some AI babies. Oh you

0:30:11.920 --> 0:30:17.160
<v Speaker 22>know what, give me some AI sasquatch and a bomb

0:30:17.200 --> 0:30:18.320
<v Speaker 22>in the moon snowman.

0:30:18.520 --> 0:30:19.720
<v Speaker 9>I don't know how to say the word.

0:30:19.960 --> 0:30:23.800
<v Speaker 22>Any who come on, give me some AI s I

0:30:23.840 --> 0:30:26.440
<v Speaker 22>can watch on taketook and I come.

0:30:26.320 --> 0:30:28.600
<v Speaker 9>On, Brody, we have all the time in the world.

0:30:30.000 --> 0:30:33.200
<v Speaker 23>Hey, Broken booold this and it's always Brodie's cary all right,

0:30:33.320 --> 0:30:39.920
<v Speaker 23>last last talk back. He's another one, wish okay, Senior Brody,

0:30:40.440 --> 0:30:42.480
<v Speaker 23>you want an AI in flord say all right, give

0:30:42.520 --> 0:30:47.840
<v Speaker 23>me a hot blonde girl in a poll and she

0:30:48.080 --> 0:30:51.520
<v Speaker 23>peas in it and then she looks into the camera

0:30:52.000 --> 0:30:55.600
<v Speaker 23>and says, hey, hot girl, pay are you in it?

0:30:57.080 --> 0:30:59.480
<v Speaker 9>Hey, Broken Boys, booo on this and it is always

0:30:59.560 --> 0:31:02.760
<v Speaker 9>Brodie's scary last one, after the last one, after the

0:31:02.840 --> 0:31:05.280
<v Speaker 9>last one. Okay, Brodie, focus on me, focus on b Brody.

0:31:06.400 --> 0:31:11.080
<v Speaker 22>Hot brunette just bulging out of her bathing suit, sitting

0:31:11.120 --> 0:31:15.360
<v Speaker 22>at a bar eating hot roastby pastrami whatever, she's sandwich,

0:31:16.360 --> 0:31:20.720
<v Speaker 22>just jumping it down, looks dead into the comment, says

0:31:21.760 --> 0:31:22.120
<v Speaker 22>fuck you.

0:31:22.280 --> 0:31:26.160
<v Speaker 9>Age seventy seven. Listen to the Broken Boys podcast. Oh

0:31:26.240 --> 0:31:26.720
<v Speaker 9>I hat Rady.

0:31:26.840 --> 0:31:29.080
<v Speaker 2>That's a nice promo. He's got a very vivid imagination.

0:31:29.360 --> 0:31:29.960
<v Speaker 2>Thank you there.

0:31:30.840 --> 0:31:32.920
<v Speaker 4>Although he said we have plenty of time, I did

0:31:33.000 --> 0:31:35.160
<v Speaker 4>have plenty of time at the beginning of your five messages,

0:31:35.520 --> 0:31:37.280
<v Speaker 4>but now that after the fight had a time times,

0:31:37.560 --> 0:31:39.120
<v Speaker 4>I have no time to get have no time.

0:31:39.880 --> 0:31:44.120
<v Speaker 24>Hi, Brody and Scary. This is Megan from Philly. I'm first.

0:31:44.200 --> 0:31:46.760
<v Speaker 24>This is my first time calling in. I just wanted

0:31:46.800 --> 0:31:49.920
<v Speaker 24>to say I agree with Scary about the uh the charger.

0:31:50.160 --> 0:31:52.800
<v Speaker 24>I actually bought one and we've had our lights go

0:31:52.880 --> 0:31:55.480
<v Speaker 24>out multiple times and that came to the rescue. So

0:31:56.080 --> 0:31:58.960
<v Speaker 24>I agree it's a good investment either way to have

0:31:59.160 --> 0:32:01.000
<v Speaker 24>it and just make sure to charge.

0:32:01.040 --> 0:32:01.800
<v Speaker 7>It's scary all right.

0:32:02.120 --> 0:32:05.520
<v Speaker 2>Oh yeah, there's that. Okay, thank you? All right, Hey,

0:32:06.000 --> 0:32:06.600
<v Speaker 2>what's going on?

0:32:06.800 --> 0:32:09.080
<v Speaker 9>And t how Moore took her here?

0:32:09.200 --> 0:32:13.200
<v Speaker 25>One more time? Yes, Siri Barbarino, welcome back there, mister

0:32:13.360 --> 0:32:17.200
<v Speaker 25>Scuty and mister Brudie. Good the heavy back after so

0:32:17.400 --> 0:32:20.120
<v Speaker 25>many days. You know, without you guys, we were lost.

0:32:20.200 --> 0:32:22.720
<v Speaker 25>You know, I was wondering off and you know, listen

0:32:22.800 --> 0:32:25.080
<v Speaker 25>to the other podcast, you know, but you know I

0:32:25.160 --> 0:32:27.120
<v Speaker 25>always come back to you guys, because you guys are

0:32:27.120 --> 0:32:30.560
<v Speaker 25>the greatest. But anyway, you know, I want to open

0:32:30.720 --> 0:32:34.400
<v Speaker 25>up the fittings on the self chip and I know it,

0:32:34.800 --> 0:32:38.600
<v Speaker 25>old Scooty, you ain't gonna use that. That's just unnecessary.

0:32:37.960 --> 0:32:38.760
<v Speaker 2>Story, you know.

0:32:39.080 --> 0:32:41.120
<v Speaker 25>And to tell you the truth, I can use it

0:32:41.600 --> 0:32:45.080
<v Speaker 25>when I'm outside barbecuing, you know. And that that reminds

0:32:45.120 --> 0:32:47.719
<v Speaker 25>me going back to the conversation about barbecuing.

0:32:48.000 --> 0:32:49.560
<v Speaker 9>You know, uh, down here.

0:32:49.840 --> 0:32:52.680
<v Speaker 2>Where I'm from, you know, do we just call that anything?

0:32:52.800 --> 0:32:55.520
<v Speaker 25>Anytime we cook outside, we call it a barbecue, you know,

0:32:55.880 --> 0:32:58.600
<v Speaker 25>But there are different kinds of barbecuing.

0:32:58.680 --> 0:33:01.760
<v Speaker 2>There's indirect method and then the direct Yeah.

0:33:01.840 --> 0:33:06.600
<v Speaker 25>So you know, when you cook a pork pork butter,

0:33:06.800 --> 0:33:10.920
<v Speaker 25>or brisket or some spare riffs indirectly, you would call

0:33:10.960 --> 0:33:15.520
<v Speaker 25>that barbecue, okay. And then anytime you're cooking hamburgers or

0:33:15.560 --> 0:33:18.400
<v Speaker 25>hot dogs riding directly over the heat grill, called that grilling,

0:33:18.480 --> 0:33:21.320
<v Speaker 25>you know. But like I say, anytime we're outside cooking

0:33:21.400 --> 0:33:24.840
<v Speaker 25>on a grill, uh, we call that a barbecue. Okay,

0:33:24.920 --> 0:33:27.840
<v Speaker 25>So you're you're fine calling it a barbecue. But you know, anyway,

0:33:28.120 --> 0:33:32.040
<v Speaker 25>I want us for the self checkery. I'm gonna starting

0:33:32.080 --> 0:33:35.960
<v Speaker 25>to bidding off at ten dollars, okay, because I can

0:33:36.120 --> 0:33:38.160
<v Speaker 25>use it. You know, it's got all kinds of ports

0:33:38.200 --> 0:33:40.720
<v Speaker 25>and you know it sounds mighty interesting there. I won't

0:33:40.760 --> 0:33:43.480
<v Speaker 25>see what all those ports do. And uh, you know

0:33:43.600 --> 0:33:46.160
<v Speaker 25>I could use it because you know, I listen to

0:33:46.320 --> 0:33:49.200
<v Speaker 25>music outside when I'm barbecuing and then you know a

0:33:49.280 --> 0:33:51.960
<v Speaker 25>lot of times my phone goes did so that would

0:33:52.000 --> 0:33:54.120
<v Speaker 25>be great for me. Okay, all right, guys, So that's

0:33:54.200 --> 0:33:55.520
<v Speaker 25>my first that's my bed.

0:33:55.600 --> 0:33:58.240
<v Speaker 9>Okay, all right, after Scooty, how do.

0:33:58.240 --> 0:34:01.520
<v Speaker 3>You ten dollars following me on my jackery?

0:34:03.040 --> 0:34:05.680
<v Speaker 4>Listen, you take what you can get. You're gonna you're

0:34:05.720 --> 0:34:07.320
<v Speaker 4>not gonna use it. Eventually, You'll be like, if I

0:34:07.360 --> 0:34:09.080
<v Speaker 4>can get ten bucks for this thing, I'll get rid

0:34:09.120 --> 0:34:09.640
<v Speaker 4>of it right now.

0:34:10.600 --> 0:34:11.640
<v Speaker 9>Hey guy, that's me again.

0:34:11.680 --> 0:34:13.000
<v Speaker 25>You know I had to come back on here and

0:34:13.080 --> 0:34:15.400
<v Speaker 25>say something. You know, I got to thinking and and

0:34:15.600 --> 0:34:19.520
<v Speaker 25>I can't short change Goody. You know, he's got another

0:34:19.640 --> 0:34:23.160
<v Speaker 25>vacation coming up in December. It's probably gonna want to

0:34:23.160 --> 0:34:25.680
<v Speaker 25>rent an igloo and he needs somebody to lick his

0:34:25.840 --> 0:34:28.800
<v Speaker 25>joint trim and somebody to clean his toilet seats before

0:34:28.840 --> 0:34:31.840
<v Speaker 25>he sits down and take it dump, you know, calling

0:34:32.080 --> 0:34:36.800
<v Speaker 25>up my bid from ten dollars to eleven dollars and

0:34:36.960 --> 0:34:38.800
<v Speaker 25>fifty one cents. How about that?

0:34:39.000 --> 0:34:42.000
<v Speaker 3>Alright, let me know, thanks for the fifty one cents.

0:34:42.719 --> 0:34:44.080
<v Speaker 3>He's driving a hard bag in there.

0:34:44.680 --> 0:34:47.120
<v Speaker 9>Hey, scooty, good news, good news.

0:34:47.239 --> 0:34:49.320
<v Speaker 25>I just got off the horn with my little lady

0:34:49.400 --> 0:34:53.360
<v Speaker 25>and she authorized me to up the bid for the

0:34:53.560 --> 0:34:58.640
<v Speaker 25>selfs checkery at Brattice all the way up to seventeen

0:34:58.840 --> 0:35:02.960
<v Speaker 25>dollars and fifty this sixth sense. Yes, Surrey Barbarino.

0:35:02.640 --> 0:35:03.840
<v Speaker 9>You know, she said it was okay.

0:35:03.920 --> 0:35:06.040
<v Speaker 25>I just have to eat ram and noodles, you know,

0:35:06.200 --> 0:35:08.359
<v Speaker 25>for the next couple of weeks from my lunch. I said,

0:35:08.400 --> 0:35:10.279
<v Speaker 25>that's all right. Just along as we take care of

0:35:10.400 --> 0:35:13.040
<v Speaker 25>scud It. You need somebody to lick the joint for him, you.

0:35:13.080 --> 0:35:17.080
<v Speaker 2>Know, Thank you, Thank you so much, Trucker. I appreciate you.

0:35:17.200 --> 0:35:19.400
<v Speaker 2>Looking at Scary tried to lick his own joint a

0:35:19.440 --> 0:35:22.759
<v Speaker 2>few times. Yeah, but I will not. I will let

0:35:22.800 --> 0:35:25.520
<v Speaker 2>the guy who rolled it lick it. Let that person

0:35:25.600 --> 0:35:25.880
<v Speaker 2>lick the.

0:35:25.920 --> 0:35:32.520
<v Speaker 10>Joint or canal soflo jew Brodian Scary about prime day,

0:35:33.280 --> 0:35:34.960
<v Speaker 10>I see, really the prime day. But then I figured

0:35:35.000 --> 0:35:37.080
<v Speaker 10>out that like I could have, I found items actually

0:35:37.120 --> 0:35:41.960
<v Speaker 10>cheaper a month or two afterwards, and uh yeah, I

0:35:42.000 --> 0:35:45.279
<v Speaker 10>think Friday so turned into like black Black Friday, where

0:35:45.320 --> 0:35:46.840
<v Speaker 10>you know, on Black Friday, you don't even get the

0:35:46.840 --> 0:35:49.279
<v Speaker 10>best deals on Black Friday, like a yeck you used to.

0:35:50.080 --> 0:35:53.279
<v Speaker 10>So I keep your eyes out for just good deals

0:35:53.320 --> 0:35:56.080
<v Speaker 10>because sometimes they go see lowest price in thirty days,

0:35:56.480 --> 0:35:56.680
<v Speaker 10>you know.

0:35:58.200 --> 0:35:59.960
<v Speaker 2>All right, sounds like a scambony.

0:36:03.200 --> 0:36:05.440
<v Speaker 4>You put this stuff in your wish list, and sometimes

0:36:05.480 --> 0:36:07.279
<v Speaker 4>you can put stuff in your cart but don't buy it,

0:36:07.719 --> 0:36:09.080
<v Speaker 4>and then like you're getting all that, we have a

0:36:09.160 --> 0:36:11.880
<v Speaker 4>discount on that thing in your cart like that it's

0:36:12.120 --> 0:36:12.440
<v Speaker 4>too long.

0:36:12.840 --> 0:36:17.040
<v Speaker 7>Yeah, scary and brody, Brody and scary Scarody the knee

0:36:17.160 --> 0:36:20.239
<v Speaker 7>from ct I hope Scary Jones had a blast in

0:36:20.280 --> 0:36:23.800
<v Speaker 7>his fiftieth vacation of the year, but seriously made no

0:36:23.920 --> 0:36:27.759
<v Speaker 7>more getaways your Jamaican All the Slice is crazy with

0:36:27.880 --> 0:36:31.120
<v Speaker 7>the amount of vacations you take. My bougie friend.

0:36:33.800 --> 0:36:40.600
<v Speaker 18>Laying from use apparently his treammate is single. That yeah,

0:36:41.360 --> 0:36:49.320
<v Speaker 18>and thens gotta be dating. The forces's gotta explain themselves.

0:36:50.719 --> 0:36:51.200
<v Speaker 2>Yeah, I don't know.

0:36:51.560 --> 0:36:54.040
<v Speaker 3>Yeah, n Nate announced on The Big Show today that's

0:36:54.080 --> 0:36:56.600
<v Speaker 3>what he's referring to. Nate made a declaration that he

0:36:56.719 --> 0:36:59.960
<v Speaker 3>is officially single and he's back in the dating scene again.

0:37:00.320 --> 0:37:04.400
<v Speaker 3>So Nate divorced, and he's also referring to Scottie B.

0:37:05.360 --> 0:37:09.000
<v Speaker 3>Which that's the follow up on that from several months ago.

0:37:09.160 --> 0:37:11.640
<v Speaker 3>Scottie B now is a new girlfriend. So yeah, so

0:37:12.080 --> 0:37:13.840
<v Speaker 3>I don't know what the answer to that is. I

0:37:13.880 --> 0:37:17.840
<v Speaker 3>don't have We don't really you know, we don't have

0:37:17.920 --> 0:37:18.840
<v Speaker 3>answers to questions.

0:37:18.880 --> 0:37:21.279
<v Speaker 4>I mean it's kind of a you know, well, that

0:37:21.400 --> 0:37:23.960
<v Speaker 4>leaves Garrett is the only happily married straight guy on

0:37:24.040 --> 0:37:24.279
<v Speaker 4>the show.

0:37:24.360 --> 0:37:29.640
<v Speaker 2>Correct, Froggy. Oh, I'm sorry, now he's on the show.

0:37:29.719 --> 0:37:32.879
<v Speaker 4>Sorry, I forgot Froggy because he's in Florida and I'm

0:37:32.920 --> 0:37:36.040
<v Speaker 4>just not yep, Froggy and Garrett, all right, so guys.

0:37:36.160 --> 0:37:38.840
<v Speaker 2>Yeah, so well anyway, thank you for all your talkbacks.

0:37:38.920 --> 0:37:42.000
<v Speaker 2>That's the end. That was a little bit wow. I

0:37:42.040 --> 0:37:43.759
<v Speaker 2>didn't even say it, didn't say here's the last one.

0:37:43.800 --> 0:37:44.920
<v Speaker 2>There was no build up. I didn't do.

0:37:46.680 --> 0:37:48.680
<v Speaker 3>That, didn't do like an end finally, and that was

0:37:48.719 --> 0:37:52.200
<v Speaker 3>an inn finally right there. And uh yeah, right before that,

0:37:52.480 --> 0:37:55.000
<v Speaker 3>we heard from I thought there was Orange Canal.

0:37:55.440 --> 0:37:55.800
<v Speaker 2>Who was that?

0:37:56.760 --> 0:37:56.800
<v Speaker 7>No?

0:37:57.120 --> 0:37:57.239
<v Speaker 6>Was it?

0:37:57.520 --> 0:37:57.560
<v Speaker 7>No?

0:37:58.160 --> 0:38:04.160
<v Speaker 2>No, I need honey. Yeah. No, we're talking about my vacations. Listen.

0:38:04.520 --> 0:38:06.960
<v Speaker 3>Uh, we're given certain amount of weeks a year we

0:38:07.080 --> 0:38:09.600
<v Speaker 3>have to take them. And that's that's it.

0:38:09.800 --> 0:38:15.720
<v Speaker 2>About his vacations. There is always on another one talking

0:38:15.800 --> 0:38:20.279
<v Speaker 2>about by Smelling Ai song coming up. I can't wait

0:38:20.320 --> 0:38:25.480
<v Speaker 2>for that. Brook Anyway, great to be back. We'll catch

0:38:25.520 --> 0:38:27.560
<v Speaker 2>you later this week on the Brookly Boards.

0:38:30.840 --> 0:38:31.560
<v Speaker 1>Reactions.

0:38:33.920 --> 0:38:38.120
<v Speaker 2>This podcast all depends on you, baby,