1 00:00:00,520 --> 00:00:05,080 Speaker 1: Lucasfilm, Twilight eight twenty four investment. 2 00:00:05,120 --> 00:00:30,960 Speaker 2: It's news news and I'm Rosie Knight and welcome back 3 00:00:31,000 --> 00:00:33,839 Speaker 2: to x ray Vision, the podcast where we dived be 4 00:00:33,920 --> 00:00:36,080 Speaker 2: your favorite shows, movies, coments and pop culture. 5 00:00:36,520 --> 00:00:39,080 Speaker 1: Coming to you from our art podcast where we're bringing 6 00:00:39,080 --> 00:00:43,000 Speaker 1: you three episodes of weekless News. It's news news. 7 00:00:43,040 --> 00:00:46,280 Speaker 3: In today's previously on episode, we are as always catching 8 00:00:46,440 --> 00:00:49,200 Speaker 3: up on the biggest ninety news of the week, including 9 00:00:50,080 --> 00:00:52,440 Speaker 3: Lucasfilm announced full very. 10 00:00:52,360 --> 00:00:57,080 Speaker 4: Very stacks maybe maybe two stacks, question Mark cost the 11 00:00:57,160 --> 00:01:01,240 Speaker 4: Star Wars star Fighter, which has officially gun shooting off 12 00:01:01,280 --> 00:01:03,360 Speaker 4: a Star Wars movie in a very long time. 13 00:01:03,840 --> 00:01:07,800 Speaker 3: The Twilight saga Guys is gonna return to theaters in October, 14 00:01:07,800 --> 00:01:10,240 Speaker 3: so obviously we will be talking about that and more. 15 00:01:11,560 --> 00:01:15,840 Speaker 1: Let's go to it. First up, Star Wars Boom bomb 16 00:01:15,880 --> 00:01:18,200 Speaker 1: ba ba bomb bomb blab ba bom ba ba ba 17 00:01:18,280 --> 00:01:24,600 Speaker 1: ba ba. Because it's Star Wars Starfighter news. That's right. 18 00:01:24,680 --> 00:01:28,240 Speaker 1: Where's the where have the Star Wars movies been? Here's 19 00:01:28,240 --> 00:01:33,160 Speaker 1: your answer. It's in production. Casting information is hitting the 20 00:01:33,160 --> 00:01:34,240 Speaker 1: streets and here we go. 21 00:01:35,040 --> 00:01:35,319 Speaker 5: We know. 22 00:01:35,520 --> 00:01:40,240 Speaker 1: Directed by Sean Levy starring Get this Folks, Ryan Gosling, 23 00:01:40,280 --> 00:01:42,959 Speaker 1: We knew that, but that's pretty huge. Alongside Flynn Gray 24 00:01:43,360 --> 00:01:44,360 Speaker 1: Matt Smith. 25 00:01:44,920 --> 00:01:48,360 Speaker 3: He is the villain the report we are we love 26 00:01:48,400 --> 00:01:48,760 Speaker 3: to hear it. 27 00:01:49,560 --> 00:01:57,240 Speaker 1: Uh Mia Goff, Aaron Pierre Love, Cylenberg, Jamael Westman, Danielings 28 00:01:57,560 --> 00:02:01,120 Speaker 1: and Aby Adams. 29 00:02:00,320 --> 00:02:02,680 Speaker 3: And Amy Adams. I feel like that should have been 30 00:02:02,760 --> 00:02:06,520 Speaker 3: higher up there. I hate to put a heteronormative spin 31 00:02:06,640 --> 00:02:08,720 Speaker 3: on things, but would be nice if Ryan Gosling had 32 00:02:08,760 --> 00:02:12,480 Speaker 3: an age appropriate love interest in this movie like Amy Adams. Also, 33 00:02:12,600 --> 00:02:15,000 Speaker 3: I feel like anytime a redhead comes up, we all 34 00:02:15,000 --> 00:02:17,480 Speaker 3: have to say, is she gonna be Mara Jade? The 35 00:02:17,520 --> 00:02:21,200 Speaker 3: answer is no. It expanded universe fans, but I am 36 00:02:21,200 --> 00:02:25,560 Speaker 3: interested in this. It's gonna be allegedly from what we've 37 00:02:25,600 --> 00:02:29,960 Speaker 3: been seeing in general reports set around five years after 38 00:02:30,160 --> 00:02:34,480 Speaker 3: the episode nine, so after the sequel lay new era 39 00:02:34,639 --> 00:02:40,440 Speaker 3: we haven't seen before, allegedly again, and I'm intrigued. I 40 00:02:40,480 --> 00:02:42,400 Speaker 3: was hoping for something a little bit further out, but 41 00:02:42,520 --> 00:02:45,520 Speaker 3: five years, you know, let's take it. Also, wasn't expecting 42 00:02:45,600 --> 00:02:48,360 Speaker 3: to see Simon Bird from the in Between. 43 00:02:48,040 --> 00:02:51,000 Speaker 6: Us fame in a Star Wars movie. 44 00:02:51,480 --> 00:02:52,360 Speaker 4: Sure he's great. 45 00:02:52,800 --> 00:02:54,160 Speaker 1: Yeah, I'm intrigued. 46 00:02:54,520 --> 00:02:57,840 Speaker 3: It looks like it's gonna be a classic Sean Levy 47 00:02:58,040 --> 00:03:01,880 Speaker 3: kid adult team up. Fling Gray and Ryan Gosling were 48 00:03:01,880 --> 00:03:04,720 Speaker 3: pictured sitting on kind of an old school looking X wing. 49 00:03:05,200 --> 00:03:06,840 Speaker 3: So I think we're going to get another one of 50 00:03:06,840 --> 00:03:10,960 Speaker 3: these kind of like Mando style stories, which makes sense. 51 00:03:11,000 --> 00:03:14,040 Speaker 3: This will actually come out a year after it's gonna 52 00:03:14,040 --> 00:03:18,120 Speaker 3: come out May twenty twenty seven, and it will as 53 00:03:18,160 --> 00:03:21,280 Speaker 3: in the year twenty twenty seven, which is allegedly about 54 00:03:21,320 --> 00:03:24,080 Speaker 3: a year after the Mandalorian movie will come out next 55 00:03:24,160 --> 00:03:28,320 Speaker 3: year supposedly. So yeah, I'm intrigued, intriguing. 56 00:03:28,000 --> 00:03:33,120 Speaker 1: I'm I'm kind of this is an incredible cast list. 57 00:03:33,919 --> 00:03:36,760 Speaker 1: It's a crazy cast. It's a crazy cast. I'm a 58 00:03:36,840 --> 00:03:39,840 Speaker 1: little I'm kind of more interested in who they don't 59 00:03:40,360 --> 00:03:44,240 Speaker 1: mention here, because you have to feel like, set five 60 00:03:44,320 --> 00:03:48,320 Speaker 1: years after the end of the sequel trilogy, that some 61 00:03:48,400 --> 00:03:55,120 Speaker 1: of our phaves from those stories simply must appear in 62 00:03:55,320 --> 00:03:57,120 Speaker 1: this well, especially. 63 00:03:56,640 --> 00:03:58,880 Speaker 3: If they are still going to go forward with this 64 00:03:59,080 --> 00:04:02,760 Speaker 3: Ray kind of as a Jedi teacher, I was, I 65 00:04:02,800 --> 00:04:05,840 Speaker 3: was not sure that this was that close, but people 66 00:04:05,840 --> 00:04:08,080 Speaker 3: were able to find reporting that. I guess maybe at 67 00:04:08,120 --> 00:04:11,200 Speaker 3: celebration or someone they'd said, we're all we get the 68 00:04:11,280 --> 00:04:14,200 Speaker 3: description here in the trades that it is an all new, 69 00:04:14,280 --> 00:04:18,360 Speaker 3: standalone adventure fingers crossed, an entirely original story set in 70 00:04:18,400 --> 00:04:20,919 Speaker 3: a period of time never before exploreding Star Wars. So 71 00:04:20,960 --> 00:04:23,159 Speaker 3: technically five years after that would make sense. 72 00:04:23,040 --> 00:04:25,159 Speaker 1: If you just yet a Daisy rid like. 73 00:04:25,279 --> 00:04:28,520 Speaker 3: Sure, five years, ten years like a Daisy Ridley makes sense. 74 00:04:28,920 --> 00:04:33,159 Speaker 3: I want more than anything for John Boyega to come back, 75 00:04:33,240 --> 00:04:35,880 Speaker 3: getzlick back, like, get that money from Disney. 76 00:04:36,360 --> 00:04:38,760 Speaker 4: Enjoy a good, meaty role. 77 00:04:38,880 --> 00:04:41,160 Speaker 3: I don't know if it's gonna happen, but you know what, 78 00:04:41,320 --> 00:04:47,240 Speaker 3: I'm intrigued. I can't visualize Sean Levy's sense of humor 79 00:04:47,960 --> 00:04:50,160 Speaker 3: in the Star Wars universe. I think of it as 80 00:04:50,200 --> 00:04:54,479 Speaker 3: something far more contemporary, you know, but especially you know, 81 00:04:54,640 --> 00:04:58,359 Speaker 3: post de be Wolverine. But obviously that movie made a 82 00:04:58,360 --> 00:05:00,599 Speaker 3: billion dollars when a lot of those are making that, 83 00:05:00,800 --> 00:05:02,080 Speaker 3: so of course they go for him. 84 00:05:02,880 --> 00:05:03,400 Speaker 1: Let's see. 85 00:05:03,520 --> 00:05:05,760 Speaker 3: I mean, I feel like we know so little about it. 86 00:05:05,800 --> 00:05:08,520 Speaker 3: But Ryan Gosling in a X Wing is great. 87 00:05:08,839 --> 00:05:13,080 Speaker 1: I'll take it is great. Up next in semi embarrassing news, 88 00:05:13,480 --> 00:05:20,800 Speaker 1: The Twilight Sun, embarrassing for every oct Why other things? Money? 89 00:05:20,839 --> 00:05:21,159 Speaker 3: Money? 90 00:05:21,200 --> 00:05:21,520 Speaker 1: Tell me? 91 00:05:21,600 --> 00:05:21,800 Speaker 3: Why? 92 00:05:21,920 --> 00:05:22,120 Speaker 1: Yes? 93 00:05:22,640 --> 00:05:25,640 Speaker 3: So I'm going to tell you why. This is part 94 00:05:25,920 --> 00:05:30,320 Speaker 3: of Lionsgate waking up to the fact that their buying 95 00:05:30,440 --> 00:05:34,040 Speaker 3: market are now adults with adult jobs. This has really 96 00:05:34,080 --> 00:05:37,960 Speaker 3: been a during the pandemic especially. There are a couple 97 00:05:37,960 --> 00:05:42,280 Speaker 3: of different meme accounts, the perfectly named Twilight Hoe and 98 00:05:42,360 --> 00:05:46,240 Speaker 3: Twilight Memes and stuff like that that basically kind of 99 00:05:46,680 --> 00:05:49,280 Speaker 3: almost started, like I would say, a kind of like 100 00:05:49,320 --> 00:05:53,359 Speaker 3: an ironic reclamation of the franchise, where a lot of 101 00:05:53,480 --> 00:05:55,240 Speaker 3: people who grew up with it were like, Yeah, I 102 00:05:55,279 --> 00:05:57,840 Speaker 3: still enjoy watching it, but let's talk about how it sucks. 103 00:05:57,880 --> 00:06:00,880 Speaker 3: It's kind of taken over. It's gone into that kind 104 00:06:00,920 --> 00:06:04,240 Speaker 3: of B movie cult space now. I mean the funny 105 00:06:04,240 --> 00:06:06,400 Speaker 3: thing about this is, guess what if you live in 106 00:06:06,560 --> 00:06:09,760 Speaker 3: LA they play in Twilight in the theater, you can 107 00:06:09,800 --> 00:06:14,400 Speaker 3: go plays them regularly because they are now those kind 108 00:06:14,400 --> 00:06:15,480 Speaker 3: of call them respects. 109 00:06:15,520 --> 00:06:17,800 Speaker 1: You're the rocky horror of our zaar. 110 00:06:18,480 --> 00:06:23,839 Speaker 3: Yes, and I'm gonna say hilariously, a great great film critic, 111 00:06:24,200 --> 00:06:27,279 Speaker 3: Jenyamato had actually said like, oh, I hope that they 112 00:06:27,440 --> 00:06:30,000 Speaker 3: bring in like a shadow cast or something kind of 113 00:06:30,080 --> 00:06:32,599 Speaker 3: rocky horror show style. But what I will say is 114 00:06:32,720 --> 00:06:37,160 Speaker 3: I did the Twilight fifteenth anniversary screening at the Los 115 00:06:37,240 --> 00:06:41,080 Speaker 3: Fhlees three so very much in that la space of 116 00:06:41,360 --> 00:06:44,039 Speaker 3: you know, people who love these movies, but it was 117 00:06:44,160 --> 00:06:46,839 Speaker 3: an absolute riot. People showed up in costumes. 118 00:06:47,000 --> 00:06:49,400 Speaker 5: I think that they usually. 119 00:06:50,600 --> 00:06:53,640 Speaker 3: Throughout history have released these every so often. Again, I 120 00:06:53,680 --> 00:06:56,560 Speaker 3: think Cinema did something like this, But this is essentially 121 00:06:56,600 --> 00:06:59,680 Speaker 3: a wide release and you can buy tickets now. It's 122 00:06:59,720 --> 00:07:03,240 Speaker 3: gonna be from October. I don't know if they're gonna 123 00:07:03,279 --> 00:07:05,359 Speaker 3: do marathons or if they'll be doing one a week, 124 00:07:05,400 --> 00:07:07,919 Speaker 3: which is what they did in the past. But the 125 00:07:08,000 --> 00:07:11,560 Speaker 3: fact that Lionsgate like made a new poster for it 126 00:07:11,600 --> 00:07:13,600 Speaker 3: makes me think that this is no longer like a 127 00:07:13,640 --> 00:07:18,280 Speaker 3: fan screening. This is probably gonna be a surprising money maker, 128 00:07:18,360 --> 00:07:20,400 Speaker 3: kind of in the vein of a Revenge of the Sith, 129 00:07:20,680 --> 00:07:23,520 Speaker 3: because there's also kids who have never seen them in 130 00:07:23,520 --> 00:07:25,680 Speaker 3: the movie theaters who now love them or who know 131 00:07:25,720 --> 00:07:28,400 Speaker 3: them through the memes. When I went when I did 132 00:07:28,440 --> 00:07:31,040 Speaker 3: the one in Los Philes at the American Cinematique, like, 133 00:07:31,520 --> 00:07:36,120 Speaker 3: people were cheering when Carlisle Cullen came on. They were 134 00:07:36,160 --> 00:07:42,360 Speaker 3: singing along. They were, oh, you know, and Carlile Cullen 135 00:07:42,400 --> 00:07:45,120 Speaker 3: comes on they're all cheering, like Thanos entered the stage, 136 00:07:45,160 --> 00:07:48,480 Speaker 3: So I think it's gonna be fun. This also does 137 00:07:48,520 --> 00:07:51,600 Speaker 3: seem like a reason for us to finally maybe delve 138 00:07:51,640 --> 00:07:55,200 Speaker 3: into this this mess of Twilight. But yeah, it's interesting. 139 00:07:55,480 --> 00:07:57,480 Speaker 3: I think a lot of people were hoping for a 140 00:07:57,520 --> 00:08:00,880 Speaker 3: different kind of announcement because the official Twilight account posted 141 00:08:00,920 --> 00:08:02,240 Speaker 3: you know, tomorrow, and. 142 00:08:02,200 --> 00:08:05,120 Speaker 1: I think it was like forever begins. Now, let me 143 00:08:05,160 --> 00:08:12,320 Speaker 1: tell you something, that announcement of new Twilight stuff movie whatever. 144 00:08:12,800 --> 00:08:16,840 Speaker 1: M I I'm not going to guarantee you, but I 145 00:08:16,880 --> 00:08:20,200 Speaker 1: feel like it will happen off the off the momentum. 146 00:08:20,240 --> 00:08:24,120 Speaker 1: I agree, either it's in planning now or this will 147 00:08:24,160 --> 00:08:27,440 Speaker 1: seal the deal. The success of this will seal the deal. 148 00:08:27,480 --> 00:08:30,520 Speaker 1: As a look, here's a proof positive that there is 149 00:08:30,680 --> 00:08:34,760 Speaker 1: a tremendous momentum behind whatever the case may be. I 150 00:08:34,800 --> 00:08:37,200 Speaker 1: think we will get that news on the on the 151 00:08:37,280 --> 00:08:38,040 Speaker 1: back end of this. 152 00:08:38,559 --> 00:08:40,440 Speaker 3: I think you're right. I think they wanted to come in. 153 00:08:40,480 --> 00:08:42,800 Speaker 3: They want it to make like ten million dollars or 154 00:08:42,840 --> 00:08:45,720 Speaker 3: fifteen million dollars, like I think Revenge of the SIF 155 00:08:45,800 --> 00:08:48,319 Speaker 3: ended up making around twenty and they want to say, look, 156 00:08:48,360 --> 00:08:50,960 Speaker 3: there's still an audience They had announced a while back 157 00:08:51,080 --> 00:08:53,800 Speaker 3: a Twilight animated series that was like going to be 158 00:08:53,840 --> 00:08:56,840 Speaker 3: an adult animated Twilight series that was going to adapt 159 00:08:56,920 --> 00:08:59,760 Speaker 3: Midnight Sun, but that was at Netflix, Netflix known for 160 00:08:59,800 --> 00:09:02,480 Speaker 3: counting animation. I think this is a push to get 161 00:09:02,520 --> 00:09:03,640 Speaker 3: them to make something new. 162 00:09:04,080 --> 00:09:05,560 Speaker 1: And four years. 163 00:09:05,679 --> 00:09:10,640 Speaker 3: Pretty much every main anniversary year so far, like ten, fifteen, twenty, 164 00:09:11,040 --> 00:09:14,560 Speaker 3: Stephanie Meyer has released or announced something new, which is 165 00:09:14,559 --> 00:09:18,480 Speaker 3: always a cursed announcement. We got Midas, which revealed that 166 00:09:19,600 --> 00:09:24,839 Speaker 3: Edward is essentially like a psychotic school shooter in form, 167 00:09:25,040 --> 00:09:28,440 Speaker 3: absolutely cursed. But the one that's even more cursed that 168 00:09:28,480 --> 00:09:30,880 Speaker 3: everyone is super worried she's going to announce is the 169 00:09:31,320 --> 00:09:37,000 Speaker 3: long promised Jacob brynesme romance novel, which absolutely nobody needs. 170 00:09:37,040 --> 00:09:39,800 Speaker 3: So please Stephanie, do not do that. But I will 171 00:09:39,840 --> 00:09:42,480 Speaker 3: be going to see Twilight in theaters again. 172 00:09:43,480 --> 00:09:49,160 Speaker 1: Listen, this story in and of itself exists because of 173 00:09:49,240 --> 00:09:55,280 Speaker 1: various bad ideas promulgated by see So what's a few 174 00:09:55,320 --> 00:10:00,520 Speaker 1: more bad ideas more between friends time, Let's take a 175 00:10:00,559 --> 00:10:14,160 Speaker 1: quick break and we'll be right back. Yeah, and we're back. 176 00:10:14,600 --> 00:10:19,240 Speaker 1: A twenty four gets an AI investor. It's Legacy Studios 177 00:10:19,240 --> 00:10:20,120 Speaker 1: here's the announcement. 178 00:10:21,360 --> 00:10:24,520 Speaker 3: This is part of a big New Yorker I Yeah, 179 00:10:24,559 --> 00:10:29,199 Speaker 3: they did about their version of autas and why they're different. 180 00:10:29,480 --> 00:10:32,360 Speaker 1: Here's a snippet from that New Yorker article quote Legacy 181 00:10:32,400 --> 00:10:34,920 Speaker 1: studios such as Sony have attempted to buy a stake 182 00:10:34,920 --> 00:10:37,160 Speaker 1: in A twenty four. Instead, the company has opted to 183 00:10:37,200 --> 00:10:40,240 Speaker 1: take Wall Street money, preferring not to be drawn into 184 00:10:40,280 --> 00:10:43,840 Speaker 1: what one executive called Hollywood's one hundred years of doing 185 00:10:43,880 --> 00:10:48,200 Speaker 1: things a certain way. So what actually kind of a 186 00:10:48,400 --> 00:10:54,800 Speaker 1: regime of Wall Street driven innovation going to mean? Well? 187 00:10:55,679 --> 00:10:59,000 Speaker 1: The article continues that one of the backers will be 188 00:10:59,040 --> 00:11:01,640 Speaker 1: Thrived Capital, which helped secure twenty four to three point 189 00:11:01,640 --> 00:11:05,160 Speaker 1: five billion dollar valuation and is also a major backer 190 00:11:05,200 --> 00:11:08,200 Speaker 1: of Open AI and A twenty four court of the 191 00:11:08,200 --> 00:11:12,960 Speaker 1: firm specifically to figure out how AI could help it 192 00:11:13,240 --> 00:11:18,000 Speaker 1: make movies. Whether that's making the process more efficient, whether 193 00:11:18,080 --> 00:11:26,160 Speaker 1: that's creating visual effects, story points. Who knows. The kind 194 00:11:26,200 --> 00:11:28,960 Speaker 1: of road is wide open, but certainly A twenty four 195 00:11:29,040 --> 00:11:33,200 Speaker 1: is looking at ways that AI can help it streamline 196 00:11:33,240 --> 00:11:38,120 Speaker 1: its business. Scott Belski, head of A twenty four Labs, 197 00:11:36,760 --> 00:11:44,880 Speaker 1: is spearheading this and ari Astra recently said two letterbocks quote. 198 00:11:44,960 --> 00:11:47,040 Speaker 1: If you talk to these engineers and the people ushering 199 00:11:47,080 --> 00:11:49,960 Speaker 1: this AI in, they don't talk about AI as this 200 00:11:50,000 --> 00:11:53,319 Speaker 1: great new medium. They talk about it as a god. Well, 201 00:11:53,679 --> 00:11:56,000 Speaker 1: I'll just say that, like we are certainly at the 202 00:11:56,080 --> 00:12:00,320 Speaker 1: point in the kind of AI narrative continue war people 203 00:12:00,360 --> 00:12:03,240 Speaker 1: are beginning to realize, oh shit, like this is a 204 00:12:03,240 --> 00:12:06,840 Speaker 1: powerful tool. But it's not that it's not like godlike. 205 00:12:06,920 --> 00:12:09,920 Speaker 1: And it certainly seems as though we're farther and farther 206 00:12:10,040 --> 00:12:14,400 Speaker 1: away if we were ever approaching a truly sentient computer 207 00:12:14,760 --> 00:12:16,360 Speaker 1: that is going to do all the things that it's 208 00:12:16,400 --> 00:12:19,319 Speaker 1: counted as being. And I would also say to Ari 209 00:12:19,480 --> 00:12:25,000 Speaker 1: Astor that the people who draw their paychecks from the 210 00:12:25,080 --> 00:12:28,880 Speaker 1: AI industry are probably going to be the most biased 211 00:12:28,920 --> 00:12:33,840 Speaker 1: people in terms of exactly what AI will be. So 212 00:12:33,880 --> 00:12:35,920 Speaker 1: we'll see. But this is this is interesting. 213 00:12:36,160 --> 00:12:40,640 Speaker 3: It's interesting, and I think like it's funny because obviously, 214 00:12:40,760 --> 00:12:43,440 Speaker 3: really famously we had Daniel Kwan come out that one 215 00:12:43,480 --> 00:12:45,720 Speaker 3: of the co directors of everything over once and talking 216 00:12:45,720 --> 00:12:48,439 Speaker 3: about how it kind of like doesn't work alongside it. 217 00:12:48,679 --> 00:12:51,199 Speaker 3: So I think this is going to be as A 218 00:12:51,320 --> 00:12:54,200 Speaker 3: twenty four grows and tries to make those Michael Bay 219 00:12:54,840 --> 00:12:57,320 Speaker 3: level big blockbuster movies that they have said they wanted 220 00:12:57,360 --> 00:12:59,079 Speaker 3: to make. This was always going to be part of 221 00:12:59,120 --> 00:13:01,360 Speaker 3: the conversation and always going to be part of the 222 00:13:01,440 --> 00:13:07,559 Speaker 3: kind of the stress and intrigue and confusion of making 223 00:13:07,640 --> 00:13:10,280 Speaker 3: movies in this era. It will be interesting to see 224 00:13:10,720 --> 00:13:12,960 Speaker 3: what they mean because also, like, isn't everyone who's an 225 00:13:13,040 --> 00:13:16,280 Speaker 3: investor capital probably some kind of has some kind of 226 00:13:16,280 --> 00:13:18,600 Speaker 3: connection to AI right now, Like I feel like that's 227 00:13:18,640 --> 00:13:21,440 Speaker 3: where all the money is. So let's see with this one. 228 00:13:21,480 --> 00:13:23,880 Speaker 3: But yeah, I mean, when some of your biggest filmmakers 229 00:13:23,920 --> 00:13:26,400 Speaker 3: are saying they don't love it, it's probably gonna end 230 00:13:26,480 --> 00:13:28,600 Speaker 3: up getting messy. We'll see who makes the first AI 231 00:13:28,720 --> 00:13:29,960 Speaker 3: movie at A twenty four. 232 00:13:30,240 --> 00:13:35,760 Speaker 1: I think that's because people are seeing now that is 233 00:13:35,800 --> 00:13:37,920 Speaker 1: it really powerful? Is it a powerful tool? Yes? Is 234 00:13:37,960 --> 00:13:42,280 Speaker 1: it all that it's been touted to be? No, just 235 00:13:42,440 --> 00:13:46,800 Speaker 1: look at the some of the very recent obvious AI 236 00:13:47,120 --> 00:13:51,000 Speaker 1: generated footage that is kind of like embarrassingly been revealed 237 00:13:51,600 --> 00:13:56,880 Speaker 1: on social media and elsewhere. Is AI footage? Okay, let's 238 00:13:56,880 --> 00:13:59,880 Speaker 1: go back to the UK slang corner because I was 239 00:14:01,200 --> 00:14:03,959 Speaker 1: so I have just become aware of the of the 240 00:14:05,040 --> 00:14:12,439 Speaker 1: of the UK phrase piss boil. This is like something 241 00:14:12,559 --> 00:14:17,120 Speaker 1: one of my soccer podcast Football Classics, Thank You. The 242 00:14:17,880 --> 00:14:22,160 Speaker 1: hosts were of the opinion that piss boil actually exists 243 00:14:22,200 --> 00:14:25,680 Speaker 1: online more than in real life. I have. I don't know, 244 00:14:25,760 --> 00:14:28,200 Speaker 1: you tell me piss boil. What is piss boil? 245 00:14:28,440 --> 00:14:31,400 Speaker 3: So I would say, I would say it's more if 246 00:14:31,440 --> 00:14:35,920 Speaker 3: you're using it and use it in character, you'd be like, 247 00:14:36,600 --> 00:14:38,800 Speaker 3: I'm ari Asta and the idea that I have to 248 00:14:38,880 --> 00:14:42,760 Speaker 3: use AI on my movies really boils my piss, Like 249 00:14:42,800 --> 00:14:45,520 Speaker 3: it means like you're like so fucking pissed off that 250 00:14:45,680 --> 00:14:48,479 Speaker 3: like it's angry, it's boiling in your guts. 251 00:14:48,240 --> 00:14:50,480 Speaker 1: It's boiling and boiling and the guts. 252 00:14:51,040 --> 00:14:54,280 Speaker 3: The funny thing is this is, I would say, an 253 00:14:54,360 --> 00:15:01,360 Speaker 3: interesting crossroads of a traditional like organic, weird British slang, 254 00:15:01,400 --> 00:15:04,520 Speaker 3: which is like up North. For example, I heard people 255 00:15:04,560 --> 00:15:07,200 Speaker 3: say boil my piss. That boils my piss. She's really 256 00:15:07,200 --> 00:15:09,080 Speaker 3: boiling my piss. But I hadn't heard it for a 257 00:15:09,120 --> 00:15:09,600 Speaker 3: long time. 258 00:15:09,800 --> 00:15:11,040 Speaker 1: But over the last couple. 259 00:15:10,920 --> 00:15:14,320 Speaker 3: Of years read it especially, I started to see it 260 00:15:14,360 --> 00:15:17,040 Speaker 3: popping up again, So I think it is. It is 261 00:15:17,120 --> 00:15:19,920 Speaker 3: definitely real British slang. I've heard people say it, but 262 00:15:20,000 --> 00:15:24,280 Speaker 3: it is now taking on more of an existence in 263 00:15:24,320 --> 00:15:31,360 Speaker 3: the cultural kind of you know, language, by being such 264 00:15:31,360 --> 00:15:33,840 Speaker 3: a funny slang that people have started to use online. 265 00:15:33,880 --> 00:15:37,040 Speaker 1: It does certainly seem like there's a morphing of the 266 00:15:37,080 --> 00:15:41,040 Speaker 1: form going on because the the I have encountered this 267 00:15:41,360 --> 00:15:45,120 Speaker 1: particular slang as in this format like oh what a 268 00:15:45,640 --> 00:15:49,160 Speaker 1: what a piss boiler? Or that guy's such a piss 269 00:15:49,200 --> 00:15:52,080 Speaker 1: boil rather than this is. 270 00:15:52,080 --> 00:15:56,360 Speaker 3: Like I'm like, I'm like, maybe he is stressed, Like 271 00:15:56,480 --> 00:15:59,280 Speaker 3: if he's stressed, like or if you say, I could understand, 272 00:15:59,320 --> 00:16:02,160 Speaker 3: like that game was such a piss boiler, Like that 273 00:16:02,240 --> 00:16:05,200 Speaker 3: game really pissed everyone off. Like I get that maybe, 274 00:16:05,600 --> 00:16:08,320 Speaker 3: or maybe something along the lines of, like you know, 275 00:16:09,520 --> 00:16:11,960 Speaker 3: that guy, he's always fuck piss is always fucking boiling, 276 00:16:12,080 --> 00:16:13,320 Speaker 3: He's always fucking pissed off. 277 00:16:13,440 --> 00:16:14,040 Speaker 1: But I don't know. 278 00:16:14,160 --> 00:16:18,120 Speaker 6: The funniest thing of it, though, is like people hate 279 00:16:18,120 --> 00:16:20,400 Speaker 6: it online. That was one of the funniest things when 280 00:16:20,440 --> 00:16:23,240 Speaker 6: you brought up I'm like, there's like so many threads 281 00:16:23,280 --> 00:16:24,840 Speaker 6: on Reddit that I found where people. 282 00:16:24,640 --> 00:16:27,520 Speaker 3: Are like, this is like the most disgusting phrase I've 283 00:16:27,560 --> 00:16:29,800 Speaker 3: ever heard in my whole life. But yeah, this is 284 00:16:29,800 --> 00:16:31,760 Speaker 3: a this is an old one. You can find stuff 285 00:16:31,800 --> 00:16:34,640 Speaker 3: about it, like it's Urban Dictionary. It was included on 286 00:16:34,640 --> 00:16:36,840 Speaker 3: an Urban Dictionary in around two thousand and eight, so 287 00:16:36,920 --> 00:16:40,800 Speaker 3: that usually means that it was like a long, long 288 00:16:41,040 --> 00:16:44,400 Speaker 3: long before slang, and then when the Internet and Urban 289 00:16:44,400 --> 00:16:47,480 Speaker 3: Dictionary really came about, people wanted to put it on there. 290 00:16:47,640 --> 00:16:51,360 Speaker 3: But yeah, good job, Wayne, exactly the name that I 291 00:16:51,360 --> 00:16:54,600 Speaker 3: would have expected to put this on Urban Dictionary. And 292 00:16:54,720 --> 00:16:57,320 Speaker 3: guess what, thanks to Urban Dictionary, you can get a 293 00:16:57,640 --> 00:17:03,080 Speaker 3: boils my piss mug. Apparently that's just advertising that this 294 00:17:03,080 --> 00:17:08,320 Speaker 3: thing is actually so incredible. Well, thank you, we're all 295 00:17:08,359 --> 00:17:11,240 Speaker 3: getting them. But yeah, if you got any questions about slang, 296 00:17:11,520 --> 00:17:15,840 Speaker 3: ask me. UK explains that, Oh, UK slang Corner, I've 297 00:17:15,880 --> 00:17:17,160 Speaker 3: got the slang for you. 298 00:17:18,359 --> 00:17:20,200 Speaker 1: Let's seek a quick break and we'll be right back 299 00:17:20,240 --> 00:17:36,760 Speaker 1: with our interview with Twisted Metals Mike Mitchell. We're back 300 00:17:36,800 --> 00:17:39,600 Speaker 1: and we're delighted to be joined by Mike Mitchell. Mike 301 00:17:39,640 --> 00:17:43,520 Speaker 1: Mitchell is a writer, a producer, and actor. You may 302 00:17:43,640 --> 00:17:49,520 Speaker 1: know him for his hysterical and long running fast food 303 00:17:49,560 --> 00:17:52,760 Speaker 1: review podcast doll Boise, he co host with Nick Wiger, 304 00:17:52,920 --> 00:17:56,320 Speaker 1: or his work in the Tomorrow War, or his his 305 00:17:56,680 --> 00:18:00,720 Speaker 1: writing and parks and rec and other places. We're so 306 00:18:00,800 --> 00:18:02,879 Speaker 1: delighted to have Mike Mitchell with us. Mike, thanks for 307 00:18:02,960 --> 00:18:03,679 Speaker 1: joining the program. 308 00:18:03,960 --> 00:18:04,879 Speaker 5: Thank you for having me. 309 00:18:05,440 --> 00:18:05,640 Speaker 1: Yeah. 310 00:18:05,760 --> 00:18:08,680 Speaker 3: Great, delightful to have you so happy with it. 311 00:18:09,080 --> 00:18:09,480 Speaker 5: After that. 312 00:18:10,960 --> 00:18:13,280 Speaker 3: Set up, what you would just like, boom, I'm a 313 00:18:13,320 --> 00:18:16,840 Speaker 3: podcast that everything's great, easiest set out, incredible. 314 00:18:17,400 --> 00:18:22,600 Speaker 1: We must discuss your turn as Stu the professional Lackey 315 00:18:23,160 --> 00:18:24,199 Speaker 1: professional Minion. 316 00:18:25,520 --> 00:18:29,879 Speaker 3: Yes, I would say he's like a kind kind killers. 317 00:18:29,520 --> 00:18:33,199 Speaker 1: Kind hearted killer who's like evolving a sense of morality. Yes, 318 00:18:33,240 --> 00:18:35,600 Speaker 1: how would you describe Stu. 319 00:18:35,920 --> 00:18:39,120 Speaker 5: Professional Minion is a great way to put That's also 320 00:18:39,200 --> 00:18:41,680 Speaker 5: kind of how I describe myself in general as a 321 00:18:41,720 --> 00:18:46,760 Speaker 5: professional Minia. Yeah. I think he's like, you know, a 322 00:18:46,840 --> 00:18:49,880 Speaker 5: kind hearted guy who's trying to survive in a crazy 323 00:18:49,920 --> 00:18:53,359 Speaker 5: apocalypse and uh, he's managed to do it. You know, 324 00:18:53,440 --> 00:18:55,639 Speaker 5: he has a big heart and maybe not you know, 325 00:18:55,720 --> 00:18:58,800 Speaker 5: the biggest brain, but uh, but he's he's lovable and 326 00:18:58,840 --> 00:19:01,200 Speaker 5: I and in he's I think he's I think he's 327 00:19:01,200 --> 00:19:04,120 Speaker 5: so lovable that even you know, psychopaths are like, I'll 328 00:19:04,160 --> 00:19:05,720 Speaker 5: keep this guy around for a little bit. 329 00:19:07,040 --> 00:19:09,520 Speaker 3: A very useful thing to have in the world of 330 00:19:09,520 --> 00:19:10,320 Speaker 3: Twisted Maw. 331 00:19:12,160 --> 00:19:18,120 Speaker 1: Character season one, Stu is spending a lot of time 332 00:19:18,119 --> 00:19:22,600 Speaker 1: with He's He's I'll say this, Stu has experienced multiple 333 00:19:23,200 --> 00:19:28,400 Speaker 1: different kind of leadership styles through Agent Stone and then 334 00:19:29,560 --> 00:19:34,040 Speaker 1: Everybody's like Murderer's Favorite Murders clown and star of multiple 335 00:19:34,720 --> 00:19:37,359 Speaker 1: editions of the Twisted Mail video am Sweet Tooth, Sweet Tooth. 336 00:19:37,720 --> 00:19:41,119 Speaker 1: How would you describe the those leadership styles and and 337 00:19:41,240 --> 00:19:43,359 Speaker 1: what does to take away? What are the pros and 338 00:19:43,400 --> 00:19:44,240 Speaker 1: cons of either? 339 00:19:44,920 --> 00:19:49,720 Speaker 5: I think that the leadership, you know, the Agent Stone 340 00:19:49,880 --> 00:19:52,639 Speaker 5: was a bit of a you know, a kind of 341 00:19:53,119 --> 00:19:56,399 Speaker 5: had a bit of a fascist that seemed he was 342 00:19:56,480 --> 00:19:58,520 Speaker 5: running some sort of police state. He was. He was 343 00:19:58,640 --> 00:20:01,360 Speaker 5: very strict, and Stu is Stu is a guy who 344 00:20:01,359 --> 00:20:05,960 Speaker 5: like doesn't want to see anyone get hurt. And he 345 00:20:06,080 --> 00:20:08,479 Speaker 5: saw it with both. He saw it with both leaders 346 00:20:08,520 --> 00:20:09,920 Speaker 5: that he was with. You know, he just want to 347 00:20:09,920 --> 00:20:12,560 Speaker 5: hang with his buddy Mike, who's this uh Taj Bahms, 348 00:20:12,560 --> 00:20:16,280 Speaker 5: who's great, He's my bestie. And then the great Thomas 349 00:20:16,320 --> 00:20:20,720 Speaker 5: Hayden Church played Agent Stone, who I loved on and offset, 350 00:20:20,840 --> 00:20:23,640 Speaker 5: but he is you know, it's I guess it's kind 351 00:20:23,640 --> 00:20:26,439 Speaker 5: of like which direction of psychopath you want? To go with, 352 00:20:26,560 --> 00:20:30,879 Speaker 5: and I think for for for Stu's Sweet Tooth is like, 353 00:20:30,960 --> 00:20:34,280 Speaker 5: you know, he's killing other psychos, and and Agent Stone 354 00:20:34,320 --> 00:20:37,159 Speaker 5: is kind of killing innocent people, and Stu is like, 355 00:20:37,320 --> 00:20:40,159 Speaker 5: I'm more with the psychopath who kills the bad people. 356 00:20:40,840 --> 00:20:42,200 Speaker 5: But he doesn't want any of it, you know what 357 00:20:42,240 --> 00:20:44,000 Speaker 5: I mean. He wants a way out. He he doesn't 358 00:20:44,000 --> 00:20:45,720 Speaker 5: he doesn't want to exist in that world at all. 359 00:20:45,840 --> 00:20:48,960 Speaker 5: But uh, in season two, he kind of is trying 360 00:20:48,960 --> 00:20:51,280 Speaker 5: to become his own man and be like, can I 361 00:20:51,320 --> 00:20:54,920 Speaker 5: survive in the apocalypse and not be a murderous psychopath? 362 00:20:54,960 --> 00:20:57,680 Speaker 5: And it's kind of it's hard. It's it's a hard 363 00:20:57,720 --> 00:21:00,959 Speaker 5: thing to do. And you know, I'm never I've luckily 364 00:21:01,000 --> 00:21:03,359 Speaker 5: never had to live in a post apocalypse where you 365 00:21:03,400 --> 00:21:04,000 Speaker 5: have to kill. 366 00:21:05,160 --> 00:21:07,520 Speaker 1: Like, let's well get to ahead of ourselves. 367 00:21:10,920 --> 00:21:14,680 Speaker 5: Yeah, I hope. I hope that my charm can pay off, 368 00:21:14,720 --> 00:21:17,399 Speaker 5: like Stu if we have some sort of apocalypse scenario. 369 00:21:17,520 --> 00:21:21,520 Speaker 5: But uh, but yeah no, uh, I think sweet Tooth 370 00:21:21,640 --> 00:21:23,399 Speaker 5: is more fun to be around. And sweet Tooth also 371 00:21:24,440 --> 00:21:27,240 Speaker 5: he sees the good and Stu he sees him as 372 00:21:27,240 --> 00:21:30,240 Speaker 5: a survivor, and and Agent Stone is you know, in 373 00:21:30,320 --> 00:21:33,640 Speaker 5: season one, Stu is very close to being thrown off 374 00:21:33,680 --> 00:21:37,480 Speaker 5: the hoover dam as you know, he's he's he's going 375 00:21:37,560 --> 00:21:40,359 Speaker 5: to be killed at one point, and he just you know, 376 00:21:40,560 --> 00:21:42,280 Speaker 5: you have to be heartless with him and and with 377 00:21:42,320 --> 00:21:44,360 Speaker 5: sweet Tooth, you can still have heart and that's what's 378 00:21:44,480 --> 00:21:45,280 Speaker 5: that's all Stu is. 379 00:21:45,520 --> 00:21:49,680 Speaker 3: So yeah, which is very fun. I think is really 380 00:21:51,080 --> 00:21:54,199 Speaker 3: a unique role to play. I was gonna say, like, 381 00:21:54,560 --> 00:21:57,000 Speaker 3: there's a lot of post apocalyptic stories, but there's not 382 00:21:57,119 --> 00:22:00,320 Speaker 3: a lot of characters like Stu. So what did you 383 00:22:00,359 --> 00:22:02,800 Speaker 3: do to prepare when you were going into this, Because 384 00:22:02,840 --> 00:22:05,320 Speaker 3: you can't really look for other characters like Stu, because 385 00:22:05,359 --> 00:22:09,560 Speaker 3: there's no kind of sweethearted guys who just survive by 386 00:22:09,560 --> 00:22:11,960 Speaker 3: their charm. That's a pretty unique role. 387 00:22:13,320 --> 00:22:15,879 Speaker 5: You know. I looked at some of the Twisted I 388 00:22:15,960 --> 00:22:18,760 Speaker 5: played Twisted Metal, you know, back in the day when 389 00:22:18,800 --> 00:22:21,600 Speaker 5: I was a kid, but I was a Nintendo kid, 390 00:22:21,960 --> 00:22:24,399 Speaker 5: so I was always playing Twisted Metal over people's houses 391 00:22:24,400 --> 00:22:27,040 Speaker 5: and stuff like that. So I played it, and you know, 392 00:22:27,200 --> 00:22:29,679 Speaker 5: it's like, you know, a twenty I mean, like a 393 00:22:29,720 --> 00:22:32,399 Speaker 5: thirty year old game at this point, so kind of 394 00:22:32,440 --> 00:22:35,560 Speaker 5: hard to play. But I was messing around with Mike 395 00:22:35,640 --> 00:22:38,920 Speaker 5: and Stu and Twisted Metal two and I tried to 396 00:22:38,920 --> 00:22:42,000 Speaker 5: get as much. There's not much story there. Michael jonthan Smith, 397 00:22:43,000 --> 00:22:46,760 Speaker 5: there's not a different He's very much a bro. Like 398 00:22:46,800 --> 00:22:49,040 Speaker 5: at the end of If You Win, with Mike and Steu, 399 00:22:49,320 --> 00:22:51,960 Speaker 5: they they wished to fly and then they jump off 400 00:22:52,000 --> 00:22:54,840 Speaker 5: a building and then Sweet Tooth is I'm sorry, Calypso 401 00:22:54,880 --> 00:22:58,119 Speaker 5: has bought them plane tickets. That's the big twist with 402 00:22:58,359 --> 00:23:00,720 Speaker 5: Mike and Steu. And there's not my just besides that 403 00:23:00,760 --> 00:23:03,520 Speaker 5: they like like babes. That was kind of their uh 404 00:23:03,880 --> 00:23:06,080 Speaker 5: that was their whole thing, is like we love babes, 405 00:23:06,119 --> 00:23:09,720 Speaker 5: and so I was like, okay, all right, So you know, 406 00:23:09,960 --> 00:23:11,520 Speaker 5: Michael John this Smith did a great job and he 407 00:23:11,560 --> 00:23:14,960 Speaker 5: actually he wrote the role with me and mine which 408 00:23:15,000 --> 00:23:18,200 Speaker 5: is so which is so kind. Uh. And so there's 409 00:23:18,240 --> 00:23:20,600 Speaker 5: a lot of me in stew which is probably embarrassing 410 00:23:20,600 --> 00:23:24,840 Speaker 5: to admit, but uh, I think it is just uh, 411 00:23:24,880 --> 00:23:27,960 Speaker 5: but you know, playing off, playing off Samoa Joe who 412 00:23:28,000 --> 00:23:31,239 Speaker 5: is he he's he? And and TODs Bonds, who's an 413 00:23:31,240 --> 00:23:33,960 Speaker 5: awesome actor and I love playing with Taj and then 414 00:23:34,359 --> 00:23:37,159 Speaker 5: and then samo Joe is is is so great on 415 00:23:37,240 --> 00:23:39,000 Speaker 5: set and he's doing the voice and then Will Arnett, 416 00:23:39,440 --> 00:23:42,520 Speaker 5: you know, dubs over Joe. But Joe is on set 417 00:23:42,640 --> 00:23:45,119 Speaker 5: just giving a great performance and I'm I'm with him. 418 00:23:45,119 --> 00:23:48,120 Speaker 5: And it's just such a fun dynamic of a psycho 419 00:23:48,359 --> 00:23:50,960 Speaker 5: and kind of a dummy just playing along with each other. 420 00:23:51,000 --> 00:23:52,840 Speaker 5: And it's it's such a it's such a blast to 421 00:23:52,880 --> 00:23:55,280 Speaker 5: play for for two seasons. And I hope, I hope 422 00:23:55,280 --> 00:23:56,560 Speaker 5: we get to do more of it. I hope there. 423 00:23:56,680 --> 00:23:59,360 Speaker 5: I hope there's a third because because I've I've had 424 00:23:59,480 --> 00:24:01,320 Speaker 5: it's it's like the most fun I've ever had on 425 00:24:01,359 --> 00:24:03,560 Speaker 5: set and doing stuff that I never thought I would do. 426 00:24:03,800 --> 00:24:06,439 Speaker 1: Really, Oh man, I was That's what I was going 427 00:24:06,520 --> 00:24:09,280 Speaker 1: to ask you, because it's like, this is a Walt 428 00:24:09,480 --> 00:24:13,919 Speaker 1: wall action show with a cast that is kind of 429 00:24:13,960 --> 00:24:16,800 Speaker 1: like unbelievably stack tell us about how fun it is 430 00:24:16,840 --> 00:24:18,760 Speaker 1: to be on set. 431 00:24:19,080 --> 00:24:21,560 Speaker 5: It's I mean, it's it's the best. I mean, first 432 00:24:21,560 --> 00:24:24,960 Speaker 5: of all the Captain America. Of course, it's crazy. Anthony Matthews, 433 00:24:27,040 --> 00:24:30,800 Speaker 5: he's the best. But Stephanie Beatrice is one of the 434 00:24:30,840 --> 00:24:33,560 Speaker 5: best people in the world. I love Stephanie. She's so funny, 435 00:24:33,600 --> 00:24:36,520 Speaker 5: and she's so great in the show and just such 436 00:24:36,520 --> 00:24:39,879 Speaker 5: a leader, and and and she's she's awesome and she 437 00:24:39,920 --> 00:24:42,960 Speaker 5: includes you in everything, and she's I can't say enough 438 00:24:43,280 --> 00:24:45,360 Speaker 5: kind things about her. And and then yeah, this year 439 00:24:45,400 --> 00:24:49,040 Speaker 5: we added so many funny people. Uh there was, I 440 00:24:49,040 --> 00:24:51,560 Speaker 5: mean there was the cast last year was great, and 441 00:24:51,560 --> 00:24:53,639 Speaker 5: and then this year we added like so many comedy pros, 442 00:24:53,680 --> 00:24:55,040 Speaker 5: and I was like, I gotta step my game up. 443 00:24:55,040 --> 00:24:57,360 Speaker 5: I'm not this funny. There's too many funny. 444 00:24:57,160 --> 00:24:59,919 Speaker 1: You don't consider you don't consider yourself a comedy pro. 445 00:25:00,240 --> 00:25:05,119 Speaker 1: With this point, with a fage stretching back to Parks 446 00:25:05,160 --> 00:25:10,840 Speaker 1: and rec and other other widely beloved program. 447 00:25:10,480 --> 00:25:13,280 Speaker 5: I think there's something inside of me. I don't know 448 00:25:13,280 --> 00:25:16,439 Speaker 5: if this is Stu like or my Irish catholicness or 449 00:25:16,480 --> 00:25:19,639 Speaker 5: something that I can't ever call myself a pro and anything. 450 00:25:19,680 --> 00:25:25,120 Speaker 5: I'm a comedy doer, I guess, or a comedy attempter. 451 00:25:25,680 --> 00:25:28,800 Speaker 5: I've I've been around. I've been around the game for 452 00:25:28,840 --> 00:25:31,320 Speaker 5: a while now. But then look this year, you got 453 00:25:31,320 --> 00:25:35,000 Speaker 5: Lisa Gilroy, you got Patty Guggenheim, and you got John o' 454 00:25:35,040 --> 00:25:39,360 Speaker 5: wilson and oh so she's so funny and so good. 455 00:25:39,960 --> 00:25:43,760 Speaker 5: Richard de Clerk there, like who plays grim Anthony Kerrigan? 456 00:25:43,800 --> 00:25:45,480 Speaker 5: Got I didn't even get to Karragan yet. There's so 457 00:25:45,520 --> 00:25:49,159 Speaker 5: many a lot of heavy hitters coming in. So I 458 00:25:49,280 --> 00:25:51,000 Speaker 5: was just, you know, I was I was excited to 459 00:25:51,040 --> 00:25:52,960 Speaker 5: be a part of the part of the party. I was. 460 00:25:53,000 --> 00:25:54,600 Speaker 5: I was happy to be there, you know what I mean. 461 00:25:54,640 --> 00:25:57,280 Speaker 5: And and uh, it was so fun playing off all 462 00:25:57,320 --> 00:25:59,520 Speaker 5: those people. I'm me and Taj and and John O 463 00:25:59,560 --> 00:26:04,080 Speaker 5: Wilson like specifically had so much fun together there. You know, 464 00:26:04,160 --> 00:26:08,080 Speaker 5: their best they Johno takes over the best bud role 465 00:26:08,560 --> 00:26:12,480 Speaker 5: for me with Taj for for Mike and Dame. And 466 00:26:12,520 --> 00:26:15,080 Speaker 5: it was just so fun playing jealous of like, well 467 00:26:15,160 --> 00:26:17,760 Speaker 5: what was going on with those two and my best 468 00:26:17,800 --> 00:26:20,879 Speaker 5: friend and stuff like that. So uh, and and and 469 00:26:21,040 --> 00:26:24,800 Speaker 5: Johno's hilarious. He's like he's he Dave. He just plays 470 00:26:25,640 --> 00:26:30,520 Speaker 5: He's so good at playing an asshole that still is likable, 471 00:26:30,640 --> 00:26:33,679 Speaker 5: Like he still is likable no matter what. But you're like, 472 00:26:34,320 --> 00:26:37,000 Speaker 5: I shouldn't like this guy. I shouldn't like him at all, 473 00:26:37,560 --> 00:26:39,720 Speaker 5: but he but he pulled it. But he pulls it off. 474 00:26:39,880 --> 00:26:41,840 Speaker 5: And like I think when they were casting it, they 475 00:26:41,880 --> 00:26:44,520 Speaker 5: were like, he's like the only guy that could deliver 476 00:26:44,680 --> 00:26:47,600 Speaker 5: these shitty lines and be this like annoying guy that 477 00:26:47,680 --> 00:26:51,200 Speaker 5: people still liked, so so I tip my cap to Johno. 478 00:26:51,680 --> 00:26:55,240 Speaker 5: He's he's fantastic again. And Lisa Gilroy just being like 479 00:26:55,240 --> 00:27:00,080 Speaker 5: an insane bug lady. She's like, uh as Vermin and 480 00:27:00,080 --> 00:27:03,160 Speaker 5: and yeah, Patty Gugenheim came in as Raven and killed it. 481 00:27:03,160 --> 00:27:05,880 Speaker 5: It's just every day was so fun. And I mean, 482 00:27:06,760 --> 00:27:10,240 Speaker 5: Karrigan's Calypso is just so good. Carrigan is is so 483 00:27:10,240 --> 00:27:13,120 Speaker 5: so so good. It's it's so fun to watch that 484 00:27:13,160 --> 00:27:16,119 Speaker 5: guy do his thing. He's he's fantastic. And I and 485 00:27:16,200 --> 00:27:18,359 Speaker 5: I I hadn't watched Barry and now I'm I'm I 486 00:27:18,400 --> 00:27:19,560 Speaker 5: started Barry. 487 00:27:19,200 --> 00:27:22,680 Speaker 3: And oh wow, wow, what's that been like because that's 488 00:27:22,720 --> 00:27:25,080 Speaker 3: such a huge experience as a watcher. 489 00:27:25,720 --> 00:27:27,760 Speaker 5: Yeah, it's I mean, it's it's been a blast so far. 490 00:27:27,800 --> 00:27:29,400 Speaker 5: And I and I and I and I love the guy, 491 00:27:29,560 --> 00:27:31,440 Speaker 5: you know what I mean. I became a I became 492 00:27:31,480 --> 00:27:33,760 Speaker 5: a fan on set and now I'm now I'm catching 493 00:27:33,840 --> 00:27:36,040 Speaker 5: up on everything he's done. So I'm gonna be all 494 00:27:36,040 --> 00:27:38,080 Speaker 5: nervous around him in season three if if. 495 00:27:37,960 --> 00:27:41,280 Speaker 1: It happens, do you get to do you ever get 496 00:27:41,320 --> 00:27:44,639 Speaker 1: to mess around in the vehicles? Like how is the action? 497 00:27:44,760 --> 00:27:47,840 Speaker 1: I mean this is there is so much wild action 498 00:27:48,000 --> 00:27:51,760 Speaker 1: and violence in this in this very riginating television show, 499 00:27:52,280 --> 00:27:55,120 Speaker 1: and I'm just thinking, gosh, Mike actually get to get 500 00:27:55,160 --> 00:27:55,480 Speaker 1: in the bus. 501 00:27:56,640 --> 00:28:00,159 Speaker 5: Yeah too much. I mean, like it is like it 502 00:28:02,520 --> 00:28:06,200 Speaker 5: it's terrifying. The so Sweet Tooth ice cream truck is 503 00:28:07,320 --> 00:28:09,800 Speaker 5: in the show. We drive around this big, crazy ice 504 00:28:09,840 --> 00:28:13,760 Speaker 5: cream truck that has like weapons on the wall, and 505 00:28:14,040 --> 00:28:17,399 Speaker 5: I so in the show, Sweet Tooth's best friend is 506 00:28:17,440 --> 00:28:20,040 Speaker 5: a paper bag because the show is insane, and he 507 00:28:20,200 --> 00:28:23,960 Speaker 5: sits and the paper bag is sitting in the front seat. 508 00:28:24,000 --> 00:28:26,680 Speaker 5: So I'm always standing in the back of this ice 509 00:28:26,720 --> 00:28:30,000 Speaker 5: cream truck, which is a mail truck that has has 510 00:28:30,080 --> 00:28:34,040 Speaker 5: been converted into this like death ice cream truck, and 511 00:28:34,720 --> 00:28:37,919 Speaker 5: it is it's a horrible vehicle. I mean, they do 512 00:28:37,960 --> 00:28:40,840 Speaker 5: such a great job. It looks great. It looks fantastic. 513 00:28:41,480 --> 00:28:45,120 Speaker 5: And I tip my cap to to everyone, every male 514 00:28:45,160 --> 00:28:48,360 Speaker 5: person in the United States of America and everywhere in 515 00:28:48,400 --> 00:28:52,120 Speaker 5: the world because this this the mail truck was when 516 00:28:52,160 --> 00:28:55,600 Speaker 5: we shot season one in New Orleans. It there's no 517 00:28:55,680 --> 00:28:57,920 Speaker 5: air conditioning, so there were and and it's not even 518 00:28:57,960 --> 00:28:59,280 Speaker 5: I guess it's like not even that old of a 519 00:28:59,320 --> 00:29:02,400 Speaker 5: mail truck, but just no air conditioning gets so so 520 00:29:02,600 --> 00:29:05,120 Speaker 5: hot it's like an oven immediately. And then I'm just 521 00:29:05,160 --> 00:29:07,000 Speaker 5: standing in the back there and they're whipping this thing 522 00:29:07,040 --> 00:29:09,720 Speaker 5: around and there's weapons on the and there's like rusty 523 00:29:09,760 --> 00:29:12,280 Speaker 5: weapons on the wall. It's it's crazy, and we were 524 00:29:12,360 --> 00:29:14,080 Speaker 5: just you know, they'd be like, all right, throw yourself 525 00:29:14,080 --> 00:29:17,200 Speaker 5: this way in that way. And then eventually Samoa Joe 526 00:29:17,240 --> 00:29:19,920 Speaker 5: who plays Sweet Tooth and I would be like, would 527 00:29:19,960 --> 00:29:22,080 Speaker 5: be like, can we like plug up like the some 528 00:29:22,160 --> 00:29:26,200 Speaker 5: of the weapons. We'd just be like bouncing into the weapons. 529 00:29:26,240 --> 00:29:28,120 Speaker 5: We went like the hooks on the wall. It was 530 00:29:28,440 --> 00:29:30,840 Speaker 5: it was insane. And you know, of course they're like 531 00:29:31,400 --> 00:29:34,160 Speaker 5: driving this truck at at fifty miles per hour and 532 00:29:34,160 --> 00:29:36,960 Speaker 5: stuff like that, like like it's shaking the truck like 533 00:29:37,000 --> 00:29:39,080 Speaker 5: you know what I mean. But the stunt people are 534 00:29:39,120 --> 00:29:41,960 Speaker 5: so good and so professional and you're safe the entire time. 535 00:29:42,080 --> 00:29:43,960 Speaker 5: But you know, there'd be a stunt guy who's just 536 00:29:44,000 --> 00:29:46,720 Speaker 5: wearing like a black hood to and he's driving in 537 00:29:46,760 --> 00:29:48,880 Speaker 5: the other seat. He's driving on the where the actual 538 00:29:48,960 --> 00:29:51,800 Speaker 5: the mail carriers drive and he's just you know, wearing 539 00:29:51,840 --> 00:29:53,360 Speaker 5: a black hood. You just see his eyes and then 540 00:29:53,400 --> 00:29:55,520 Speaker 5: he's like this one's gonna be fast and he goes 541 00:29:55,560 --> 00:29:58,720 Speaker 5: fifty miles per hour down a little alleyway is terrifying. 542 00:29:58,760 --> 00:30:01,560 Speaker 5: And then they had pod cars, which is you know, 543 00:30:02,720 --> 00:30:04,520 Speaker 5: when you were in when I wasn't in the mail truck, 544 00:30:04,720 --> 00:30:06,360 Speaker 5: you would be in a car and then there would 545 00:30:06,360 --> 00:30:09,160 Speaker 5: be a professional driver on top of your carsal they 546 00:30:09,200 --> 00:30:10,880 Speaker 5: were in charge of the brakes and the wheel and 547 00:30:10,920 --> 00:30:14,320 Speaker 5: everything like that. And it's like the scariest you know, 548 00:30:14,440 --> 00:30:16,760 Speaker 5: theme park ride. It's it's it's crazy. Those guys have 549 00:30:16,800 --> 00:30:19,719 Speaker 5: an all rehearsed and they're and they're all pros, you know. 550 00:30:19,800 --> 00:30:22,640 Speaker 5: And and uh, the person who's driving our car was 551 00:30:22,680 --> 00:30:26,720 Speaker 5: a former NASCAR driver and just so it's it's insane. 552 00:30:26,760 --> 00:30:28,640 Speaker 5: And after we do taste it, you have fun. And 553 00:30:28,680 --> 00:30:36,040 Speaker 5: I was like, no, crazy, this is terrible, terrifying. And 554 00:30:36,080 --> 00:30:37,680 Speaker 5: we did so much of it and I like all 555 00:30:37,760 --> 00:30:39,640 Speaker 5: of it is, which I love. All of it is real, 556 00:30:39,840 --> 00:30:42,080 Speaker 5: you know what I mean? Like, uh, you know, they 557 00:30:42,400 --> 00:30:45,400 Speaker 5: they shot so much stuff practically, which was so which 558 00:30:45,480 --> 00:30:48,480 Speaker 5: is so cool, you know, like uh and and uh, 559 00:30:48,560 --> 00:30:50,760 Speaker 5: you know, I think the fans of the game are 560 00:30:50,800 --> 00:30:53,160 Speaker 5: always like, we want like as much driving as we can. 561 00:30:53,240 --> 00:30:54,880 Speaker 5: We did it, and we did like a ton of it. 562 00:30:54,880 --> 00:30:57,520 Speaker 5: It's it's that sort of thing of like you can't like, 563 00:30:57,600 --> 00:30:58,680 Speaker 5: you know, I don't know if you can have a 564 00:30:58,720 --> 00:31:01,960 Speaker 5: show that's just entirely on wheels or whatever. But we 565 00:31:01,960 --> 00:31:05,680 Speaker 5: we shot so much car stuff, and uh yeah, just 566 00:31:05,760 --> 00:31:08,160 Speaker 5: it's it's terrifying. But it looks so cool. And and 567 00:31:08,200 --> 00:31:09,960 Speaker 5: those guys are such pros. And I hope that they, 568 00:31:10,000 --> 00:31:12,400 Speaker 5: you know, I hope they I hope they get acknowledged 569 00:31:12,400 --> 00:31:13,840 Speaker 5: for it, and I hope people see that in the 570 00:31:13,880 --> 00:31:16,720 Speaker 5: show and and and realize that there's like awesome stunt 571 00:31:16,720 --> 00:31:17,640 Speaker 5: people doing that stuff. 572 00:31:17,680 --> 00:31:19,480 Speaker 1: It looks incredibly dangerous. 573 00:31:19,600 --> 00:31:21,640 Speaker 3: It does that doesn't seem like. 574 00:31:23,080 --> 00:31:25,720 Speaker 5: It really is, I mean. And also like things are 575 00:31:25,720 --> 00:31:27,360 Speaker 5: blowing up as you're driving, you know what I mean. 576 00:31:27,400 --> 00:31:30,320 Speaker 5: It's just is it is. It's it's just things. I 577 00:31:30,360 --> 00:31:32,560 Speaker 5: never thought that I would. I thought that I would 578 00:31:32,560 --> 00:31:35,800 Speaker 5: play like the lumpy boyfriend or husband or something and stuff, 579 00:31:35,840 --> 00:31:37,280 Speaker 5: you know what I mean, like a loser guy. But 580 00:31:37,280 --> 00:31:39,560 Speaker 5: I didn't think I played a loser in the Apocalypse. 581 00:31:39,640 --> 00:31:41,800 Speaker 5: So it's it's a blast. I mean, I love doing it. 582 00:31:43,280 --> 00:31:44,680 Speaker 3: Very long time, Yeah. 583 00:31:44,600 --> 00:31:45,520 Speaker 5: Much longer than you think. 584 00:31:45,880 --> 00:31:51,440 Speaker 3: Stu shit, Yeah, like for sure, Well seeing as you know, 585 00:31:52,560 --> 00:31:55,160 Speaker 3: we might not be too far from the apocalypse ourselves. Well, 586 00:31:55,240 --> 00:31:57,360 Speaker 3: like the three things you've learned from Stu that you 587 00:31:57,360 --> 00:32:00,480 Speaker 3: would take into like a real world apocalypse. 588 00:32:00,320 --> 00:32:03,640 Speaker 5: Man, I think the biggest one is just like personal 589 00:32:03,760 --> 00:32:10,320 Speaker 5: hygiene and we lot we I mean, the first thing 590 00:32:10,360 --> 00:32:12,520 Speaker 5: I learned is that there was just I'm done for 591 00:32:12,640 --> 00:32:15,600 Speaker 5: because there's like no air conditioning in apocalypse and I 592 00:32:15,680 --> 00:32:18,240 Speaker 5: just am I'm I'm too babied and pampered. I'm just 593 00:32:18,320 --> 00:32:20,960 Speaker 5: done for, you know what I mean. Like they don't 594 00:32:20,960 --> 00:32:23,800 Speaker 5: need they don't need podcasters in the in the post apocalypse, 595 00:32:24,200 --> 00:32:30,120 Speaker 5: post apocalyptic world, which I know, there's not even fast food. 596 00:32:30,280 --> 00:32:32,480 Speaker 5: So that's the other thing is like so I have 597 00:32:32,480 --> 00:32:36,440 Speaker 5: a fast food of review podcast, do boys? And I'm like, so, 598 00:32:37,040 --> 00:32:41,080 Speaker 5: you know there's I have no purpose in the post apocalypse, 599 00:32:41,080 --> 00:32:43,600 Speaker 5: but no a c. And then just every day, I 600 00:32:43,600 --> 00:32:45,880 Speaker 5: mean every day we would go to set, they are 601 00:32:45,920 --> 00:32:47,480 Speaker 5: like all right, and they just like time to like 602 00:32:47,520 --> 00:32:49,520 Speaker 5: dirt you up, and they just start covering you in 603 00:32:49,560 --> 00:32:52,720 Speaker 5: dirt and then putting dirt under your fingernails, you know 604 00:32:52,760 --> 00:32:56,160 Speaker 5: what I mean. And so like it was just and 605 00:32:56,240 --> 00:32:58,840 Speaker 5: it's just like you just felt covered in filth, every 606 00:32:58,920 --> 00:33:00,760 Speaker 5: day and then you just you just embrace it, you 607 00:33:00,800 --> 00:33:03,000 Speaker 5: know what I mean. And there's an episode where I 608 00:33:03,040 --> 00:33:05,200 Speaker 5: was running around in my underwear and then they were like, 609 00:33:05,320 --> 00:33:07,480 Speaker 5: let's go outside and they would just start throwing blood 610 00:33:07,480 --> 00:33:10,640 Speaker 5: at me at like you know, six am, and uh 611 00:33:11,440 --> 00:33:13,120 Speaker 5: and then you know, like I'm just in my trailer 612 00:33:13,160 --> 00:33:15,920 Speaker 5: in my underwear, sitting there covered in blood with my phone, 613 00:33:16,000 --> 00:33:18,160 Speaker 5: just being like I don't know what to do with myself. 614 00:33:18,600 --> 00:33:22,520 Speaker 5: I'm like, uh, you know, just so I think personal hygiene, 615 00:33:22,560 --> 00:33:25,440 Speaker 5: like it's just another reason I couldn't, like you know, 616 00:33:25,920 --> 00:33:27,840 Speaker 5: at the end of the day, I couldn't in the 617 00:33:27,960 --> 00:33:30,600 Speaker 5: post apocalypse, you can't take a shower. And luckily with 618 00:33:30,800 --> 00:33:33,160 Speaker 5: just a metal I I was, you know, they would 619 00:33:33,160 --> 00:33:34,719 Speaker 5: they would have me come into the trailer and they 620 00:33:34,720 --> 00:33:37,240 Speaker 5: would spray me down with a down powerwash. They would 621 00:33:37,240 --> 00:33:41,720 Speaker 5: just and then you you know, if you went out 622 00:33:41,720 --> 00:33:44,040 Speaker 5: to eat your your fingernails would be like just like 623 00:33:44,640 --> 00:33:46,520 Speaker 5: you know, like there would just be dirt under them 624 00:33:46,680 --> 00:33:49,920 Speaker 5: for throughout the entire week. So it was like, so, 625 00:33:50,040 --> 00:33:52,200 Speaker 5: you know, I like, I just all I learned is 626 00:33:52,200 --> 00:33:53,840 Speaker 5: that I can't I wouldn't be able to live in 627 00:33:53,880 --> 00:33:56,480 Speaker 5: the post apocalypse. So you know, it's good. 628 00:33:56,280 --> 00:33:59,040 Speaker 3: To know for myself too. I mean I can't I 629 00:33:59,160 --> 00:34:02,240 Speaker 3: can't like for more than a minute, so I would 630 00:34:02,280 --> 00:34:04,680 Speaker 3: be deadening for me. 631 00:34:05,320 --> 00:34:07,720 Speaker 5: We ran and I wore like big clunky boots, and 632 00:34:07,720 --> 00:34:10,000 Speaker 5: we would always be that was the thing with with 633 00:34:10,160 --> 00:34:14,200 Speaker 5: and Joe was a professional wrestler, and yeah, and I've 634 00:34:14,239 --> 00:34:18,680 Speaker 5: said this before, Joe, I'm a big guy, and it's 635 00:34:18,719 --> 00:34:22,239 Speaker 5: it was kind of fun to have a man there 636 00:34:22,239 --> 00:34:25,080 Speaker 5: who could just toss me around and like lift me up, 637 00:34:26,200 --> 00:34:28,040 Speaker 5: like made me feel like a child. It was I 638 00:34:28,080 --> 00:34:30,759 Speaker 5: was like like like I think like in takes where 639 00:34:30,800 --> 00:34:32,120 Speaker 5: like he would throw me. I probably had like a 640 00:34:32,120 --> 00:34:33,840 Speaker 5: little smile at first, and like, all right, cut, you 641 00:34:33,880 --> 00:34:35,200 Speaker 5: need to like be scared. 642 00:34:34,880 --> 00:34:37,320 Speaker 1: And again looking serious. 643 00:34:37,840 --> 00:34:42,120 Speaker 5: But but but Joe and I like halfway through season 644 00:34:42,120 --> 00:34:43,839 Speaker 5: one and then halfway through season two, we're like, hey, 645 00:34:44,080 --> 00:34:46,160 Speaker 5: we're in it again. Where this is like twisted metal, 646 00:34:46,160 --> 00:34:48,520 Speaker 5: where like we got to run or crawl on our 647 00:34:48,640 --> 00:34:51,520 Speaker 5: knees or be in our underwear and run around and 648 00:34:51,600 --> 00:34:54,040 Speaker 5: like it is it's a very physical show. And so 649 00:34:54,760 --> 00:34:56,120 Speaker 5: we were all at the end of the season like 650 00:34:56,160 --> 00:34:58,760 Speaker 5: we're all limping. Joe, like I think Joe broke something 651 00:34:59,160 --> 00:35:01,680 Speaker 5: like my knee got all messed up, and it just 652 00:35:01,840 --> 00:35:03,919 Speaker 5: is it just as you know, it's the way it goes. 653 00:35:03,960 --> 00:35:06,000 Speaker 5: It's like it's you know, it's a it's an action show, 654 00:35:06,040 --> 00:35:08,640 Speaker 5: and and all that stuff sort of happens. You're fighting people. 655 00:35:09,320 --> 00:35:11,360 Speaker 5: Joe is throwing me this way and that way. It is. 656 00:35:11,440 --> 00:35:13,760 Speaker 5: It's it's very physical and he does way more physical 657 00:35:13,760 --> 00:35:17,080 Speaker 5: stuff than I do. So but but yeah, no, it's 658 00:35:17,120 --> 00:35:20,040 Speaker 5: it's it's it's exhausting, but it's so much it's so 659 00:35:20,160 --> 00:35:21,719 Speaker 5: much fun to shoot. 660 00:35:22,040 --> 00:35:24,839 Speaker 1: Well, Mike, thank you so much for joining us, and 661 00:35:25,000 --> 00:35:26,000 Speaker 1: thank you for having me. 662 00:35:26,560 --> 00:35:28,839 Speaker 3: Yeah, come back anytime. It was great, it was a 663 00:35:28,960 --> 00:35:29,520 Speaker 3: great chat. 664 00:35:29,719 --> 00:35:33,200 Speaker 5: I loved being here. Yeah, I hope people really liked 665 00:35:33,239 --> 00:35:37,359 Speaker 5: the last few episodes. There's a lot of surprises that 666 00:35:37,400 --> 00:35:40,399 Speaker 5: with my character specifically, so uh, I don't know if 667 00:35:40,400 --> 00:35:41,879 Speaker 5: you guys have been able to see it yet, but 668 00:35:41,880 --> 00:35:43,360 Speaker 5: but I'm excited for you guys to see it. 669 00:35:43,440 --> 00:35:46,200 Speaker 1: I didn't want to ask you about the cliffhanger, but 670 00:35:47,120 --> 00:35:47,359 Speaker 1: we can. 671 00:35:47,600 --> 00:35:50,120 Speaker 3: We're gonna be post toilot, So do you want to tease. 672 00:35:50,239 --> 00:35:52,360 Speaker 1: Anything that you want to that you want to tease 673 00:35:52,360 --> 00:35:53,440 Speaker 1: and talk about, please do. 674 00:35:54,920 --> 00:35:56,920 Speaker 5: It would be very interesting to see what happens with 675 00:35:57,000 --> 00:36:00,359 Speaker 5: me in in season three because I'm now I there's 676 00:36:00,440 --> 00:36:02,680 Speaker 5: there's just a lot, there's a there's a there's a 677 00:36:02,719 --> 00:36:04,920 Speaker 5: lot that happens with the end of the tournament and 678 00:36:04,960 --> 00:36:07,520 Speaker 5: then what happens with my character, which is just say 679 00:36:08,160 --> 00:36:12,360 Speaker 5: I get sent somewhere to not spoil it for people, 680 00:36:12,440 --> 00:36:15,560 Speaker 5: and then and then uh, I come I come back 681 00:36:15,600 --> 00:36:17,840 Speaker 5: as a as a as a you know, with a 682 00:36:17,920 --> 00:36:20,279 Speaker 5: with a with I guess, as a new man. I 683 00:36:20,480 --> 00:36:23,319 Speaker 5: come back, and I'm like, I'm ready to like take 684 00:36:23,360 --> 00:36:26,120 Speaker 5: on the world, and uh and I'm excited, you know, 685 00:36:26,160 --> 00:36:28,360 Speaker 5: I'm excited to see I want to pair up with 686 00:36:28,360 --> 00:36:30,600 Speaker 5: with Joe again because I love working with Joe. But 687 00:36:31,000 --> 00:36:33,000 Speaker 5: I'm excited to see where they take Stu now that 688 00:36:33,080 --> 00:36:36,680 Speaker 5: he's he's a fighter. Now I think he's a fighter now. 689 00:36:37,920 --> 00:36:39,840 Speaker 5: That was my request of the showrunner. I was like, 690 00:36:39,880 --> 00:36:40,400 Speaker 5: can you make me? 691 00:36:40,480 --> 00:36:41,560 Speaker 1: Make me an? 692 00:36:43,120 --> 00:36:44,920 Speaker 5: I said, can you make me strong? And that's that's 693 00:36:44,920 --> 00:36:46,360 Speaker 5: what I said. I was like. He was like, he's like, 694 00:36:46,360 --> 00:36:47,520 Speaker 5: what do you want to do? He's like, what do 695 00:36:47,560 --> 00:36:49,239 Speaker 5: you want for season two? And I was like, make 696 00:36:49,320 --> 00:36:51,279 Speaker 5: Stu strong? And it was a joke and then he 697 00:36:51,320 --> 00:36:53,120 Speaker 5: did literally kind of do that at the end of. 698 00:36:58,920 --> 00:37:01,080 Speaker 1: Well, Mike, thanks again for your Thank. 699 00:37:00,960 --> 00:37:01,680 Speaker 5: You so much for having me. 700 00:37:01,760 --> 00:37:01,920 Speaker 2: Guys. 701 00:37:02,000 --> 00:37:02,800 Speaker 5: Yeah, this is a blast. 702 00:37:04,320 --> 00:37:06,960 Speaker 1: That's it for this episode. On next week's episode of 703 00:37:07,080 --> 00:37:09,680 Speaker 1: X ray Vision, we're diving into the Foundation, Peacemaker and 704 00:37:09,920 --> 00:37:12,720 Speaker 1: more and more. That's it for news. 705 00:37:13,360 --> 00:37:14,120 Speaker 2: Thanks for listening. 706 00:37:14,440 --> 00:37:17,480 Speaker 5: Bye. 707 00:37:20,880 --> 00:37:23,520 Speaker 1: X ray Vision is hosted by Jason Sepsion and Rosie 708 00:37:23,600 --> 00:37:25,680 Speaker 1: Knight and is a production of iHeart Podcasts. 709 00:37:26,000 --> 00:37:29,600 Speaker 3: Our executive producers are Joel Monique and Aaron Kaufman. 710 00:37:29,840 --> 00:37:31,879 Speaker 1: Our supervising producer is Abusafar. 711 00:37:32,239 --> 00:37:36,200 Speaker 3: Our producers are Common Laurent Dean Jonathan and Fay Wag. 712 00:37:36,320 --> 00:37:39,080 Speaker 1: A theme song is by Brian Vasquez, with alternate theme 713 00:37:39,160 --> 00:37:40,400 Speaker 1: songs by Aaron Kaufman. 714 00:37:40,600 --> 00:37:43,960 Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and 715 00:37:44,040 --> 00:37:45,879 Speaker 3: Heidi Our disc called Moderate Thom