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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party, the bridge to get from one full episode

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Speaker 1: of Disgraceland to the other. The backyard, to dig into

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Speaker 1: the dirt, our mission to uncover the truth, to confront

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Speaker 1: the myth, to reclaim the story. On this bonus episode

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Speaker 1: was a mysterious count responsible for the deaths of Jim

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Speaker 1: Morrison and Janis Joplin. Who's Gerdo? And the Mary Tyler

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Speaker 1: Moore Show, What New Song recommendations and more old song

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Speaker 1: Italian Disco Don't Blame Me? Plus your voicemails, text emails,

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Speaker 1: calm dms, and as always a whole lot of Rosie.

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Speaker 1: This is the podcast for the musically obsessed, the outsiders,

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Speaker 1: the independent thinkers who know that the best history is

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Speaker 1: the history that gets buried. Disgraceland is where I tell

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Speaker 1: the stories they didn't want told, the kind you'll end

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Speaker 1: up telling someone else. All right, this goes. Let's get

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Speaker 1: into it, all right, disc goes. Listen, my hair is

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Speaker 1: on fire. This morning, as I'm putting together this after

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Speaker 1: party bonus episode for you, I woke up thinking about

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Speaker 1: Taylor Hawkins and the fact that we still don't have

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Speaker 1: an official cause of death for the iconic drummer, as

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Speaker 1: discussed in our recent episode on the Foo Fighters. And

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Speaker 1: so I made myself an espresso, I popped on my

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Speaker 1: noise canceling headphones, crawled back into bed with my laptop though,

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Speaker 1: and I googled famous rock stars with unknown causes of death,

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Speaker 1: and surprise, there are literally none, zilch, not a zero.

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Speaker 1: But I don't want to beat a dead horse. I

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Speaker 1: want to beat an entirely different horse, actually horse as

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Speaker 1: an h as an heroin. So somehow that Google search

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Speaker 1: that led me into this Jim Morrison wormhole. Now I know,

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Speaker 1: well trodden territory over here for us at disgrace in

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Speaker 1: a new horse on a beaten path, so to speak.

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Speaker 1: But really what I found is fascinating. I think I

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Speaker 1: knew I think I knew this. I think I knew

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Speaker 1: that there was never an autopsy for Jim Morrison. And

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Speaker 1: I'm pretty sure, I knew that it was close casket,

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Speaker 1: and that the burial happened super quick after Jim died,

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Speaker 1: and that his family had little to do with the

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Speaker 1: final arrangements. And none of these facts are all that

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Speaker 1: revelatory or shocking on their own, and they're all used

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Speaker 1: as fodder for the conspiracy theorists who claimed that Jim

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Speaker 1: Morrison faked his own death, that the heroin overdose never happened,

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Speaker 1: and that Jim you pretended to off himself so that

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Speaker 1: he could or pretended to die, I should say, so

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Speaker 1: that he could live in peace. He's outside of the

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Speaker 1: glare of fame and retire and live the quiet life

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Speaker 1: of a poet in the French countryside or whatever, and

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Speaker 1: no longer have to live the loud, drunk, drug addicted

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Speaker 1: rock star life that he was living. But here's the thing,

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Speaker 1: I didn't really realize until now, Or maybe I did

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Speaker 1: and I just forgot, or I just let this fact

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Speaker 1: exist in plain sight and I ignored it, or maybe

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Speaker 1: I just bought the line of bullshit that had been

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Speaker 1: fed to me, to all of us anyways, until now,

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Speaker 1: that Jim Morrison died from a heroin overdose. Because here's

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Speaker 1: the thing. Jim Morrison didn't use heroin, or at least

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Speaker 1: many of his friends were counted over the years about

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Speaker 1: how Jim hated the drug and that he actively spoke

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Speaker 1: out against using heroin in the company of his friends,

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Speaker 1: and that he hated the fact that his girlfriend Pamela

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Speaker 1: Corson aka Pamela Morrison she wasn't really his wife common

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Speaker 1: law wife somehow, sometimes I went by Pamela Corson, sometimes

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Speaker 1: by Pamela Morrison. I'll probably probably refer to her as

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Speaker 1: both in the course of this episode. Anyhow, he hated

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Speaker 1: that his girlfriend pam actively used heroin and that this

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Speaker 1: was a subject her heroin use was a subject, a

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Speaker 1: common subject of disagreement between the two between the couple.

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Speaker 1: This is pretty interesting. So Jim Morrison supposedly dies of

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Speaker 1: a heroin overdose, but he didn't use heroin. Obviously, this

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Speaker 1: doesn't prove anything. Doesn't prove that Jim Morrison, I guess,

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Speaker 1: didn't die from heroin, they didn't take heroin, that they

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Speaker 1: didn't die into Paris bathtub. Jim Morrison could of course

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Speaker 1: just tried heroin and died. Of course, his official cause

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Speaker 1: of death heart failure. The sort of understood to be

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Speaker 1: cause of death for Jim Morrison heroin overdose, but for

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Speaker 1: a guy who didn't use heroin anyhow, following this line

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Speaker 1: of thinking, following this little bit of research I was

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Speaker 1: doing this morning, if he were to do this, it

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Speaker 1: would inevitably bring you to a fascinating character from the

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Speaker 1: late nineteen sixties and early seventies jet set, a friend

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Speaker 1: not of Morrison's, but of his girlfriend Pam's, and also

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Speaker 1: a friend of Graham Parsons and a friend of Janis Joplin,

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Speaker 1: Keith Richards and Marianne Faithful and Miss Mercy from the GTOs,

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Speaker 1: and a whole lot of other famous rock stars who

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Speaker 1: regularly used heroin. This guy was their buddy, their pal,

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Speaker 1: their friend, and some of these folks died from heroin.

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Speaker 1: That friend was a French aristocrat, an actual count, a

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Speaker 1: handsome jet setting playboy in his early twenties named damn It, Matt,

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Speaker 1: I lost your text messages. Okay, this guy's name. I

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Speaker 1: texted Matt this morning at like seven thirty in the morning.

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Speaker 1: Because Matt, Matt's French, or at least understands French better

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Speaker 1: than I do. To get a correct pronunciation, I want

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Speaker 1: to butcher it here and then Matt, you can you

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Speaker 1: can correct me. I'm only going to say his name

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Speaker 1: once or twice here, Count Jean des bruteul bruteul Okay,

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Speaker 1: the Count, all right, listen, I've read about the Count before.

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Speaker 1: I nearly forgot about the Count though. Okay, the Count

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Speaker 1: came up in research for our Jim Morrison season of

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Speaker 1: The twenty seven Club that we that we produced a

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Speaker 1: couple of years back, and I made a mental note

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Speaker 1: to do more research on the Count eventually, which I

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Speaker 1: never did until now by accident. Now, the Count, the

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Speaker 1: Count here is shadowy. The Count is glamorous. The Count

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Speaker 1: is like Jim and Janie and Jim's girlfriend Pam dead.

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Speaker 1: The Count was also Jim's girlfriend's boyfriend. And the Count

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Speaker 1: was the supplier of high grade heroin to the stars

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Speaker 1: in the sixties and the seventies. And the Count may

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Speaker 1: have not only inadvertently killed Jim Morrison, but also Janis

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Speaker 1: Joplin as well. So check this out. The Count was

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Speaker 1: a good looking, rich aristocrat in his early twenties. His

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Speaker 1: family had a literal fortune. His father's businesses were located

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Speaker 1: in Africa, so the young Count had diplomatic connections in Morocco.

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Speaker 1: Morocco in the nineteen sixties was a hotbed of drug trafficking,

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Speaker 1: specifically the trafficking of hashish and heroin, to drugs that

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Speaker 1: many many rock stars were hyper fixated on in the

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Speaker 1: late nineteen sixties and early nineteen seventies. Now not only

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Speaker 1: was the Count tied into diplomats and drug traffickers in Morocco,

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Speaker 1: he was also, as part of the jet set, tied

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Speaker 1: into many individuals from the Paris Again he was French

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Speaker 1: and London. Again, he was a count high societies. Now

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Speaker 1: in nineteen sixty seven, the Count enrolled at UCLA, all

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Speaker 1: right in California, in Los Angeles, Okay, But UCLA did

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Speaker 1: not have access to good drugs at the time, so

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Speaker 1: the Count fixed that he started moving pounds of hashish

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Speaker 1: through the Moroccan consulate into Los Angeles to his campus apartment. Now,

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Speaker 1: the hash and apparently the Count's good looks and money

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Speaker 1: attracted young women. One of them was a girl named

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Speaker 1: Pamela Corson. A woman named Pamela Corson, and the two

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Speaker 1: began seeing each other. And even though pam was seeing

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Speaker 1: the new singer for the Doors, one of the hottest

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Speaker 1: bands at the time, his name being, of course, Jim Morrison.

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Speaker 1: Now Jim hated the Count, and Jim he hated the

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Speaker 1: Count's heroin. But Pam she dug the Count, and you know,

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Speaker 1: to be honest, she liked this heroin too. Jim got

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Speaker 1: drunk and yelled, Pam got high and took off with

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Speaker 1: the Count Amrrakesh to Europe to hang out with Brian

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Speaker 1: Jones and Jimmy Hendricks. Pam and the Count would eventually

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Speaker 1: end up back in Los Angeles, and Pam would end

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Speaker 1: up back with Jim. But the Count kept slinging his

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Speaker 1: heroin the whole time, and in the fall of nineteen seventy,

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Speaker 1: the Count had a particularly strong batch of heroin. He

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Speaker 1: hooked up his friend Janis Joplin. He also hooked up

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Speaker 1: a musician named Mercy Fontino. I'm probably pronouncing that incorrectly.

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Speaker 1: She goes by Miss Mercy. She was from the GTOs, Yes,

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Speaker 1: Frank Zappa's GTOs. Okay. Miss Mercy felt herself slipping into

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Speaker 1: a drug coma when she used the Count's heroin, and

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Speaker 1: somehow she pulled herself out of it and survived this

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Speaker 1: bad batch. Now, this survival of the Count's bad batch

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Speaker 1: of Heroin happened on the exact same day that Janis

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Speaker 1: Joplin did. Not so the Count's bad batch. Okay, On

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Speaker 1: that day, October fourth, nineteen seventy, the Count hooked up

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Speaker 1: Janis Chropplin with Heroin, just like he did Miss Mercy

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Speaker 1: from the GTOs. Miss Mercy survived. Janis Joplin died on

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Speaker 1: October fourth, nineteen seventy. Miss Mercy lived and she gave

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Speaker 1: the rest of her batch of Heroin to her friend

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Speaker 1: Graham Parsons. Somehow Graham survived too, until he didn't in

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Speaker 1: overdosed and died later in nineteen seventy three. But back

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Speaker 1: to that weekend in nineteen seventy, the weekend that Janis

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Speaker 1: Joplin died. Over that weekend, nine other people who weren't

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Speaker 1: rock stars also died in the Los Angeles area from

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Speaker 1: heroin overdoses. Jimmy Hendricks had already died that year. Now

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Speaker 1: Janis Joplin was gone, and Jim Morrison was aware of

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Speaker 1: all of it. Okay. He was nursing his beer at

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Speaker 1: Bernie's Beanery in Hollywood, and he told his friends that

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Speaker 1: they were drinking with Number three. Jim Morrison didn't know it,

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Speaker 1: but his joke was dead on. Jim had one more

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Speaker 1: album to deliver to the record label. The album was

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Speaker 1: Once that album was done, Jim split to Paris to

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Speaker 1: meet Pam, who was already there hanging out with you

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Speaker 1: guessed it, the Count. Pam was in bad shape. She

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Speaker 1: and the Count were consumed with heroin. They were sunk

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Speaker 1: deep into the Paris underground with a whole assortment of

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Speaker 1: low life, high class junkies and deadbeats. Paris was drowning

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Speaker 1: in that French connection, intensely pure heroin, the same heroin

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Speaker 1: William Freakin would put at the center of his incredible

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Speaker 1: film The French Connection. This was the heroin that the

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Speaker 1: Count was dealing, and now the Count was counting Rolling

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Speaker 1: Stones as his customers, namely Grand Parsons's buddy Keith Richards.

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Speaker 1: Those two were also in France at the time at Nelcott,

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Speaker 1: while Keith was hiding out from British tax collectors and

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Speaker 1: making the Stones heroin induced masterpiece exile on Main Street.

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Speaker 1: Through his connections with the Rolling Stones, the Count started

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Speaker 1: seeing Mary Anne Faithful and the two wound up in

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Speaker 1: Paris in July nineteen seventy one where the Count went

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Speaker 1: to work slinging that friend connection heroin again in France

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Speaker 1: at the time in nineteen seventy one, You've got the Count,

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Speaker 1: Marianne Faithful, Pamela Corson, Jim Morrison, Keith Richards, Grand Parsons,

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Speaker 1: and the French connection. Now, on the night of July third,

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Speaker 1: mary Anne Faithful says that she was with the Count

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Speaker 1: in bed and they got a call in the middle

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Speaker 1: of the night from Pamela Corson again, Jim Morrison's girlfriend,

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Speaker 1: who at that moment was freaked out. Pamela absolutely needed

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Speaker 1: to see the Count, Okay. Now, Maryann Faithful, she was

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Speaker 1: stoked at this. She was psyched because she wanted to

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Speaker 1: meet the singer of the Doors. But the Count said

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Speaker 1: that that wasn't gonna happen and he split to go

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Speaker 1: rescue pam and he left mary Anne behind because Jim

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Speaker 1: Morrison was dead from heroin. The Count's heroin, according to

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Speaker 1: Marianne Faithful, anyways, from heroin that was most definitely yes,

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Speaker 1: the Count's. But here's the thing. Jim Morrison didn't use

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Speaker 1: heroin right, right, but he did use cocaine and the

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Speaker 1: French connection. Heroin was also called cotton candy because of

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Speaker 1: its light color a lot of heroin depending on how

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Speaker 1: it's cut, how its process is brown. The French connection

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Speaker 1: stuff was like a pinkish white. Jim Morrison, according to

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Speaker 1: those in the know, mistook his girlfriend's heroin for cocaine

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Speaker 1: and snorted too much of the incredibly pure drug and died.

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Speaker 1: Jim Morrison's girlfriend, who was also the girlfriend of the

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Speaker 1: most infamous heroin dealer in the music industry, who himself

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Speaker 1: the Count, died less than a year later of an overdose.

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Speaker 1: Maybe some suspect the Count did himself in over his guilt,

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Speaker 1: other suspect murder. We don't know. I'm looking to find

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Speaker 1: out sooner or later, though I'm telling you right now. Anyways,

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Speaker 1: back to our story. Pamela Morrison. She overdosed and died

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Speaker 1: a couple of years later, a couple of years after

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Speaker 1: the Count. And nearly everyone connected to this dude, everyone,

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Speaker 1: nearly everyone connected to the fucking Count guy, Pamela Morrison,

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Speaker 1: Janis Joplin, Some say Jimmy HENDRICKX, Jim Morrison, Graham Parsons

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Speaker 1: dead dead dead dead dead Mary unfaithful. She survived, and

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Speaker 1: she flat out accused her ex the Count of killing

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Speaker 1: Jim Morrison. The details around Jim Morrison's cause of death

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Speaker 1: are hazy, just like they are for Taylor Hawkins's death.

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Speaker 1: Completely different context, of course, but still you can see

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Speaker 1: some sort of rock and roll historical parallel here. We

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Speaker 1: don't know, we don't know how Taylor died, and I

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Speaker 1: don't think we know how Jim died. Really. Officially he

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Speaker 1: died of heart failure, unofficially of a heroin overdose. But again,

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Speaker 1: there was no autopsy. Did I say that earlier? I

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Speaker 1: probably should have. There is no autopsy, and there was

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Speaker 1: no history of Jim using heroin. There was, in fact,

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Speaker 1: a history of Jim hating heroin. The story this story,

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Speaker 1: not just the story of Jim Morrison's death, but the

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Speaker 1: story of the Count. It is fascinating and it is

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Speaker 1: coming in a full episode of the Disgrace m podcast soon,

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Speaker 1: probably in a Doors episode. I did one sat satirical

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Speaker 1: episode on Jim Morrison. I'm gonna do a Doors episode,

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Speaker 1: and this is gonna be my angle, and this is

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Speaker 1: gonna be most of the story, to be perfectly honest,

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Speaker 1: because this is just the surface and most of what

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Speaker 1: I just told you, I researched this morning. By researched,

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Speaker 1: I mean I read one People Magazine article. Incredibly, this

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Speaker 1: is all everything I just gave you is from a

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Speaker 1: People magazine article. Pretty much, not everything, but a good

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Speaker 1: portion of it. There's but there's a ton more out there,

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Speaker 1: and there's a lot more research I'm gonna do, and

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Speaker 1: I'm gonna put together an incredible story for you guys

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Speaker 1: in a full episode of Disgrace Slam that'll be coming

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Speaker 1: in a couple months. I guess it'll be a Doors episode,

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Speaker 1: all right. But before that, we're gonna dive a little

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Speaker 1: bit deeper into the count and more specifically into the

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Speaker 1: shady details behind Jim Morrison's death and the claims that

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Speaker 1: he wasn't a heroin user. In today's exclusive episode of

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Speaker 1: the After Party. Go to disgracelampod dot com. Sign up

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Speaker 1: to become a Disgrace Sland All Access member and unlock

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Speaker 1: exclusive and ad free content just like this US on

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Speaker 1: a weekly basis. All right, this week in the feed,

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Speaker 1: as we've been discussing our new episode on the Foo

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Speaker 1: Fighters now coming up right after this ONUS episode here

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Speaker 1: right after this in the rewind slot on Sunday, our

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Speaker 1: episode on b York and the dranged psychopath who wanted

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Speaker 1: her dead, who attempted to murder the Icelandic princess, who

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Speaker 1: set off an international scramble by the FBI in New

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Speaker 1: Scotland yard to save Byorke's life. You don't want to

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Speaker 1: miss this episode. And then next week on Tuesday, Tuesday

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Speaker 1: May fifth, we're releasing a new episode on Ian Watkins

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Speaker 1: for Lost Profits. And when you're listening to that episode,

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Speaker 1: be thinking about what story from music history has upset

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Speaker 1: you the most, because this might be it. This might

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Speaker 1: be the most upsetting story from any rock star we've covered.

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Speaker 1: This Ian Walkins story is so damn upsetting, not only

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Speaker 1: because of the horrendous crimes that this lost prophit singer

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Speaker 1: committed by also because some of these crimes could have

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Speaker 1: been prevented. So how upset were you when you learned

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Speaker 1: about the Ian Watkins crimes? But you know it can

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Speaker 1: be anything. What's the most angered you've ever been, most

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Speaker 1: angry you've ever been from news that you heard from

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Speaker 1: music history? Six one seven nine oh six six six

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Speaker 1: three eight voicemail texts let me know at disgrace lampod

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Speaker 1: on the Socialist disgrace lampod at gmail dot com. All right, guys,

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Speaker 1: I want to talk to y'all. I want to hear

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Speaker 1: your thoughts on Taylor Hawkins and the Foo Fighters and

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Speaker 1: everything else that we got going on to Disgraceland. Unlikely

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Speaker 1: cover songs, more music, memoirs, whatever, new songs, old songs.

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Speaker 1: We're digging into all of it and more with your voicemails, texts, emails,

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Speaker 1: dms and more coming up right after this. All right,

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Speaker 1: me and Debbie Harry, we have escaped Ted Bundy'svolkswagen and

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Speaker 1: we are in the phone booth. It's the one across

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Speaker 1: the hall. Hanging on the telephone six one seven nine

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Speaker 1: oh six six six three eight. Beth in the six

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Speaker 1: four six tell us about one of the Taylor Swift

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Speaker 1: creeps that you got living in your hometown.

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Speaker 2: Hey, this is Beth from the six six to two,

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Speaker 2: originally from the six four to six calling about a

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Speaker 2: few things. One the scandalous DJ from your Taylor Swift

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Speaker 2: episode lives in Mississippi and works in the supermarket after

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Speaker 2: having a failed attempt being a morning DJ show of

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Speaker 2: conservative talk morning show. He's got a baby now and

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Speaker 2: is just living a very quiet life.

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Speaker 3: Also on the.

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Speaker 2: New York nightlife scene back in the nineties. Bear Jones

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Speaker 2: used to be this club promoter and you would call

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Speaker 2: his everybody got a card and you would call the number,

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Speaker 2: which was a voicemail or an answering machine, and they

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Speaker 2: would let you know where the party was that night.

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Speaker 2: And he went on Bear Jones, I think he died

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Speaker 2: in two thousand and eight, but he went on, I think,

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Speaker 2: to be a gossip columnist for the Daily News, and

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Speaker 2: was on the circuit, the media circuit, in the night

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Speaker 2: life circuit through at least two thousand and six and

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Speaker 2: more stuff on in Access. I just can't get enough

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Speaker 2: of it. And thanks for all the good work you

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Speaker 2: guys do, and stay punk, love it bye all.

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Speaker 1: Right, Beth, thank you very much, love love the Taylor

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Speaker 1: Swift recon there, thank you. And in excess. As for

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Speaker 1: in Excess, we got a two parter a on in Access,

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Speaker 1: two parts in the archive, parts one and two. Bear

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Speaker 1: Jones that phone that phone thing you just shared. I

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Speaker 1: didn't know about this at all, and I was hanging

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Speaker 1: out in New York in the nineties, assuming nineties is

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Speaker 1: when you're talking about it. I don't know if you

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Speaker 1: said that or not, but this reminds me of this

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Speaker 1: whole Black Keys thing they got going on now. The

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Speaker 1: record hangs, and I'm not sure how people are getting

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Speaker 1: invited to that, but this sounds like a good way

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Speaker 1: to do it. Anyways, I would like to get invited

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Speaker 1: to one of these, So let me know if anyone

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Speaker 1: has some Black Keys hook ups, let me know. All right,

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Speaker 1: let's check out D in Dallas.

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Speaker 4: Hey, Jake, it's d from Dallas again, and I just

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Speaker 4: heard you a little blurb at the closing of your

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Speaker 4: most recent podcasts that I listened to on Disgraced Land,

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Speaker 4: and you questioned whether or not Billy Gordon had actually

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Speaker 4: actually seen a shapegister. I one hundred percent agree, and

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Speaker 4: I have a theory on exactly who it is. I

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Speaker 4: believe that he actually saw a shapegister, and it's somebody

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Speaker 4: that we all know. My gift is that it's Maynard.

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Speaker 4: Last name not required. You know how I'm talking about.

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Speaker 4: And right now you're thinking to yourself, you know what,

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Speaker 4: if there are aliens, and Maynard probably is one of them,

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Speaker 4: along with Trent, probably also an alien to neither one

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Speaker 4: of them. Age I don't understand, except that like they're

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Speaker 4: not from this world. None of Tool's music makes sense.

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Speaker 4: You could show someone on paper and like, hey, this

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Speaker 4: is it would say no, that that does not work.

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Speaker 1: But you know why, let's alien d uh shape shifting

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Speaker 1: into Maynard from Tool, Right, that's what you're saying. And uh,

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Speaker 1: Trent Reznor as well, I don't know. I don't know

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Speaker 1: about that. I need more of this Maynard from Tool,

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Speaker 1: Trent Reznor Alien theory? Do you hit us back? All right,

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Speaker 1: let's check out. Let's see JC in the six five

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Speaker 1: to one.

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Speaker 5: Hey, Jake j C in the six five I have

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Speaker 5: won Minneapolis Saint Paul Lucky Longtime Disco was lucky enough

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Speaker 5: to find you guys. In January twenty nineteen, I tell

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Speaker 5: everybody I know about your shows.

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Speaker 2: You asked about a stranger peculiar.

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Speaker 5: Unlikely cover song. I'm gonna nominate Whosker Dude doing Love

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Speaker 5: is all around the theme of the Mary Tyler Moore Show.

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Speaker 5: They even did it on the Today Show. Oh there's

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Speaker 5: a film, you can go find it. Hey. Lastly, I'm

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Speaker 5: been a big fan of lot of your shows. You

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Speaker 5: turned me on. We've done some discussion about Manson and

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Speaker 5: chaos and all that. I think you should package up

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Speaker 5: all your Manson episodes that we you do with Beetles, Stones, etc.

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Speaker 5: I think that'd work out great man, Hey, thanks for everything.

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Speaker 1: Who's Kerdoo and Mary Tyler Moore? I didn't know this.

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Speaker 1: I did not know. This is Mary Tyler Moore set

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Speaker 1: in Minneapolis. That would make sense. That would make sense.

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Speaker 1: I like your idea about packaging all of our Manson

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Speaker 1: episodes together. For those who don't know, we had this

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Speaker 1: long history with the Helter Skelter story here Gray Santa.

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Speaker 1: All the new listeners started way back and I don't

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Speaker 1: know season two or three or something like that, maybe four,

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Speaker 1: when we did the Beach Boys episodes, which is the

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Speaker 1: traditional Helter Skelter story that you may have probably heard.

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Speaker 1: It's one of the biggest true crime books of all time,

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Speaker 1: and the connection to the Beach Boys Dennis Wilson gave

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Speaker 1: us our in later. A couple of years after that,

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Speaker 1: I realized that Helter Skelter had it all wrong, and

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Speaker 1: therefore I had it all wrong. We released a couple

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Speaker 1: other episodes that are updates. We did a Charles Manson

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Speaker 1: episode based on the music that he made and his

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Speaker 1: life and how it related to the killings, and we

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Speaker 1: did a two parter on Mama cass Elliott because she

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Speaker 1: was intimately involved with the players who get swept up

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Speaker 1: in and around the Helter Skelter story and what I

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Speaker 1: believe is the truth that disrupts the Helter Skelter story.

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Speaker 1: So anyways, there's about what four or five and then

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Speaker 1: if you count the Sharon Tate hollywood Land episodes we've done,

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Speaker 1: there's probably about seven Manson related episodes that we've done.

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Speaker 1: And I like JC in the sixty five ones suggestion

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Speaker 1: about packaging them all together. Maybe we'll do that, I

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Speaker 1: don't know, maybe make a nice little, uh animated book

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Speaker 1: or something. I don't know. All right, let's go to

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Speaker 1: the five to three.

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Speaker 3: I don't know what you just said, but all of

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Speaker 3: a sudden, I feel nostalgia for micro machines.

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Speaker 2: Just kidding, I got all the legal stuff.

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Speaker 3: This is actually in reference to my very first listen

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Speaker 3: of hollywood Land long time just Graceland listener. This is

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Speaker 3: my first hollywood Land listen with Sigourney Weaver and then

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Speaker 3: the after show and I just my heart fluttered when

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Speaker 3: Bob from Twin Peaks was mentioned, because he is just

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Speaker 3: the absolute my hands are shaking right now.

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Speaker 2: He is so scary.

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Speaker 3: And that scene where he's crawling over the back of

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Speaker 3: the couch these there's nothing scarier. There's no blood, gore,

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Speaker 3: tense scene in movies that are like suspend anything. Nothing

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Speaker 3: is this terrifying?

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Speaker 2: Is that moment when.

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Speaker 3: He's creeping over that fucking joke?

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Speaker 4: Anyway.

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Speaker 3: I just was really happy to hear somebody else was

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Speaker 3: traumatized by Bob as well.

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Speaker 5: So rock rolla.

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Speaker 1: That's what you say, right see that people be like

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Speaker 1: the five oh three. Check out Hollywood Land. Get in there,

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Speaker 1: get in there, and get after it. You will not

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Speaker 1: be disappointed. Okay, there's a whole other world of content

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Speaker 1: happening in the Hollywood Land feed right now. That is

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Speaker 1: Disgraceland adjacent. It's Hollywood and true crime. It's not music

426
00:24:35,400 --> 00:24:37,199
Speaker 1: and true crime. You're not going to be disappointed. Be

427
00:24:37,280 --> 00:24:39,760
Speaker 1: like the five oh three, six one seven nine oh

428
00:24:39,800 --> 00:24:41,359
Speaker 1: six six six three. You guys want to leave me

429
00:24:41,359 --> 00:24:44,240
Speaker 1: a voicemail. I want to hear about the most disturbed

430
00:24:44,359 --> 00:24:47,000
Speaker 1: news you've ever heard from music history, the most upset

431
00:24:47,160 --> 00:24:50,640
Speaker 1: that any news, or any research or any story from

432
00:24:50,640 --> 00:24:52,520
Speaker 1: the world of music has made you. Six one seven

433
00:24:52,600 --> 00:24:54,080
Speaker 1: nine h sixty sixty sixty three. I don't want to

434
00:24:54,080 --> 00:24:56,640
Speaker 1: get into that next week with you, but in the meantime,

435
00:24:56,680 --> 00:24:58,840
Speaker 1: let's do some text. Let's talk about this week's episode

436
00:24:58,920 --> 00:25:02,919
Speaker 1: on the Foo Fighters, This one from the seven seven eight,

437
00:25:02,920 --> 00:25:05,560
Speaker 1: who writes in, hey, just listen to the Foods Hawkins

438
00:25:05,640 --> 00:25:09,440
Speaker 1: Grol episode. I never connected the dots together about insurance battles,

439
00:25:09,440 --> 00:25:12,320
Speaker 1: but regarding the lack of an official cause of death,

440
00:25:12,440 --> 00:25:16,600
Speaker 1: this explains everything. And yeah, looking now at a whole

441
00:25:16,640 --> 00:25:18,840
Speaker 1: different wave of Gen X drummers who have quit or

442
00:25:18,840 --> 00:25:22,560
Speaker 1: taken hiatus to deal with health. Wow, mind blown. I

443
00:25:22,560 --> 00:25:24,879
Speaker 1: think this is my favorite episode so far, and the

444
00:25:24,880 --> 00:25:27,240
Speaker 1: first time I felt compelled to text thanks for all

445
00:25:27,280 --> 00:25:29,560
Speaker 1: you do. Thank you seven seven eight. I appreciate the

446
00:25:29,640 --> 00:25:33,080
Speaker 1: kind words, appreciate the nice message. But with the nice

447
00:25:33,119 --> 00:25:34,920
Speaker 1: you got to take the not so nice as well.

448
00:25:35,000 --> 00:25:37,280
Speaker 1: So let's go to the nine to one seven nine

449
00:25:37,400 --> 00:25:40,600
Speaker 1: one seven writes in, and here we are listen here

450
00:25:40,640 --> 00:25:42,359
Speaker 1: it goes nine one seven. You don't want to hear

451
00:25:42,400 --> 00:25:44,760
Speaker 1: about Dave Grohl's problems. I don't want to hear a

452
00:25:44,840 --> 00:25:47,360
Speaker 1: hypocrite who lied to everyone by putting on a persona

453
00:25:47,400 --> 00:25:51,280
Speaker 1: that is not truthful. The audacity to only apologize because

454
00:25:51,320 --> 00:25:53,480
Speaker 1: he got caught shows that he doesn't give a shit

455
00:25:53,560 --> 00:25:56,439
Speaker 1: about being faithful to his family. He only cares that

456
00:25:56,520 --> 00:25:59,760
Speaker 1: his carefully crafted image has been ousted as fake to

457
00:25:59,800 --> 00:26:03,600
Speaker 1: its core. What a great example to the already fucked

458
00:26:03,640 --> 00:26:07,480
Speaker 1: up manisphere. You are sucking his dick. This entire episode,

459
00:26:07,560 --> 00:26:10,880
Speaker 1: like what he did is just personal family issues. No,

460
00:26:11,240 --> 00:26:14,800
Speaker 1: it's uncovering decades of lies. He is now not only

461
00:26:14,880 --> 00:26:17,080
Speaker 1: a piece of shit rock star that sleeps around with

462
00:26:17,119 --> 00:26:19,840
Speaker 1: young women while having a family which consists of only women,

463
00:26:20,000 --> 00:26:23,000
Speaker 1: but he now depicts a guy with questionable morals willing

464
00:26:23,040 --> 00:26:25,800
Speaker 1: to lie for his own benefit if he can easily

465
00:26:25,840 --> 00:26:28,720
Speaker 1: lie about having an affair to only show remorse once

466
00:26:28,760 --> 00:26:31,199
Speaker 1: word got out, What else about his image is he

467
00:26:31,280 --> 00:26:34,480
Speaker 1: feeding us as a quote genuine connection with a genuine

468
00:26:34,600 --> 00:26:38,160
Speaker 1: nice guy unquote is bullshit? Just made up to sell

469
00:26:38,200 --> 00:26:42,120
Speaker 1: more records, stay relevant, make the maximum profit. It goes

470
00:26:42,160 --> 00:26:45,840
Speaker 1: against everything Kurt Cobaine and Ravana stood for a legacy

471
00:26:45,920 --> 00:26:49,239
Speaker 1: his modern day persona depends on to stay standing on

472
00:26:49,280 --> 00:26:52,400
Speaker 1: the shoulders of giants. Love the show by the way,

473
00:26:55,560 --> 00:26:57,240
Speaker 1: I love the way the nine to one seven ends

474
00:26:57,280 --> 00:27:00,120
Speaker 1: it there, and I love the passion. Listen, I get it,

475
00:27:00,280 --> 00:27:03,240
Speaker 1: I really truly do. I'm not sucking his dick, though.

476
00:27:03,400 --> 00:27:06,760
Speaker 1: Come on, man, that's that's a little harsh. I addressed

477
00:27:06,840 --> 00:27:09,880
Speaker 1: all the issues with Dave Grohl. I might not have

478
00:27:09,960 --> 00:27:13,720
Speaker 1: the same take you have. Here's the thing is thatth

479
00:27:13,720 --> 00:27:15,359
Speaker 1: and I talked about this in more detail in the

480
00:27:15,359 --> 00:27:18,400
Speaker 1: exclusive section of this after party coming up. You gotta

481
00:27:18,400 --> 00:27:20,240
Speaker 1: be an all access member for that. But for those

482
00:27:20,240 --> 00:27:22,320
Speaker 1: who aren't, I'm gonna I'll address it here too, a

483
00:27:22,320 --> 00:27:25,640
Speaker 1: little bit not and not so much detail. Honestly, when

484
00:27:25,680 --> 00:27:29,040
Speaker 1: the news of Dave Grohl's infidelity broke, I was pissed,

485
00:27:29,880 --> 00:27:32,439
Speaker 1: and my wife and I were talking about it, and

486
00:27:32,480 --> 00:27:35,120
Speaker 1: I was really I was really upset, much much more

487
00:27:35,240 --> 00:27:40,520
Speaker 1: upset than you would think by listening to the way

488
00:27:40,560 --> 00:27:44,280
Speaker 1: I spoke about it in the episode, and my wife

489
00:27:44,280 --> 00:27:47,600
Speaker 1: and I were talking about this and the reason this

490
00:27:47,680 --> 00:27:51,560
Speaker 1: one was so upsetting, and maybe this is this is

491
00:27:51,600 --> 00:27:56,159
Speaker 1: why the Texter is so upset, is because Dave grole.

492
00:27:56,840 --> 00:27:58,160
Speaker 1: At least for me, I don't want I don't want

493
00:27:58,160 --> 00:27:59,800
Speaker 1: to I don't want to presume this is why the

494
00:27:59,840 --> 00:28:02,320
Speaker 1: time was upset. I take that back, but at least

495
00:28:02,320 --> 00:28:04,359
Speaker 1: for me and for my wife and for a lot

496
00:28:04,400 --> 00:28:07,960
Speaker 1: of people I know, Dave Grohl's like one of us.

497
00:28:08,440 --> 00:28:10,879
Speaker 1: He's roughly our age, comes from the same scene that

498
00:28:10,920 --> 00:28:15,400
Speaker 1: we come from, the hardcore scene, nineties gen X, and

499
00:28:15,440 --> 00:28:19,520
Speaker 1: he's he really when he started to come out, step

500
00:28:19,560 --> 00:28:21,320
Speaker 1: out into the spotlight and he was doing all these

501
00:28:21,320 --> 00:28:24,280
Speaker 1: interviews and the Food Fighters first launch, he was just

502
00:28:25,240 --> 00:28:29,680
Speaker 1: ultra real, ultra charismatic in a lot of ways. I

503
00:28:29,720 --> 00:28:33,040
Speaker 1: don't mean to glorify, you know, a rock star here,

504
00:28:33,160 --> 00:28:35,800
Speaker 1: but he was. He was like the best version of us.

505
00:28:35,800 --> 00:28:37,840
Speaker 1: He was funnier than us, he was more talented than us,

506
00:28:37,880 --> 00:28:40,479
Speaker 1: he was more charismatic, you know what I'm saying, And

507
00:28:40,520 --> 00:28:43,240
Speaker 1: he just he spoke like we did, and he seemed

508
00:28:43,280 --> 00:28:45,080
Speaker 1: to like the same things and care about the same

509
00:28:45,080 --> 00:28:46,800
Speaker 1: things that we did. And he sort of carried a

510
00:28:46,920 --> 00:28:51,920
Speaker 1: version of that of that personality, that persona with him

511
00:28:52,160 --> 00:28:54,720
Speaker 1: the entire run of the Foo Fighters. And yeah, I

512
00:28:54,720 --> 00:28:56,600
Speaker 1: know there's people who are up there it's all an act.

513
00:28:56,640 --> 00:28:58,360
Speaker 1: He's full of shit. He's never been a nice I

514
00:28:58,360 --> 00:29:00,200
Speaker 1: don't buy that. I know people who know him, know

515
00:29:00,200 --> 00:29:02,920
Speaker 1: people who who know him well, I know people who

516
00:29:04,320 --> 00:29:07,320
Speaker 1: have have met him just you know, one offs etcetera.

517
00:29:07,360 --> 00:29:09,000
Speaker 1: And they all say the same thing, that he really

518
00:29:09,120 --> 00:29:12,160
Speaker 1: is a great guy. I've never met him, but anyways,

519
00:29:12,160 --> 00:29:14,400
Speaker 1: it just stung. It just hit. It just it hit

520
00:29:14,520 --> 00:29:17,800
Speaker 1: more than now to the caller's criticism, the texters criticism,

521
00:29:17,840 --> 00:29:22,520
Speaker 1: which is it's valid, I didn't express a lot of

522
00:29:22,560 --> 00:29:25,880
Speaker 1: the anger that I felt in the full episode. You

523
00:29:25,920 --> 00:29:27,560
Speaker 1: might have heard it back in some of the disgrace

524
00:29:27,640 --> 00:29:30,320
Speaker 1: and after party episodes when it when this news broke,

525
00:29:31,000 --> 00:29:32,800
Speaker 1: but in the full episode this week, I did not.

526
00:29:33,400 --> 00:29:37,560
Speaker 1: I did not express my anger toward Dave in that moment.

527
00:29:38,320 --> 00:29:43,880
Speaker 1: And here's why we talk about rock stars every single

528
00:29:43,960 --> 00:29:47,320
Speaker 1: week that are that that have infidelity in their life,

529
00:29:47,320 --> 00:29:51,760
Speaker 1: that are shitty in relationships to their wives, and and

530
00:29:51,960 --> 00:29:56,280
Speaker 1: oftentimes we don't even mention it. And yeah, that's on me.

531
00:29:56,400 --> 00:29:59,360
Speaker 1: It's my job, I guess to bring this stuff up.

532
00:29:59,480 --> 00:30:02,960
Speaker 1: But it's so common in the music industry, cheating on

533
00:30:03,040 --> 00:30:05,600
Speaker 1: your wife, cheating on your girl. What, It's so fucking common.

534
00:30:05,640 --> 00:30:09,040
Speaker 1: It's just boring. It's like, yeah, no shit. So I

535
00:30:09,040 --> 00:30:14,080
Speaker 1: didn't want to be entirely hypocritical about it. And even

536
00:30:14,120 --> 00:30:17,200
Speaker 1: though it upset me, I didn't want to just dive

537
00:30:17,240 --> 00:30:20,120
Speaker 1: into it. Now if Dave girl operated in a really

538
00:30:20,160 --> 00:30:23,920
Speaker 1: different way. Maybe I would have treated this differently, but

539
00:30:24,120 --> 00:30:27,400
Speaker 1: he does seem Look, he's with his wife, they're trying

540
00:30:27,400 --> 00:30:29,200
Speaker 1: to work it out, you know what I mean. And

541
00:30:29,240 --> 00:30:31,800
Speaker 1: I didn't get into this to be all fucking tabloidy

542
00:30:31,840 --> 00:30:33,880
Speaker 1: and sensationally and all that shit like that's not what

543
00:30:33,960 --> 00:30:36,160
Speaker 1: I do. Like it comes up, it comes up, we'll

544
00:30:36,200 --> 00:30:38,520
Speaker 1: deal with it. And this is a really interesting not interesting.

545
00:30:38,560 --> 00:30:42,000
Speaker 1: This is a really not interesting, I should say, uh

546
00:30:42,080 --> 00:30:45,479
Speaker 1: example of this, and it's it is I thought of,

547
00:30:45,560 --> 00:30:47,320
Speaker 1: you know, what would his daughter? What do his daughters

548
00:30:47,360 --> 00:30:49,840
Speaker 1: think about this? Some dude on a microphone like op

549
00:30:49,880 --> 00:30:53,040
Speaker 1: hining on Dave Grohl's infidelity with their mom. And it's

550
00:30:53,120 --> 00:30:56,040
Speaker 1: finally whatever, it's all out there. You can go elsewhere

551
00:30:56,040 --> 00:30:58,920
Speaker 1: to get it. I do get your criticism, but that's

552
00:30:58,960 --> 00:31:02,800
Speaker 1: just my point of you on how I treated this situation.

553
00:31:03,320 --> 00:31:05,800
Speaker 1: Take it as you will. All right, Let's go to

554
00:31:05,840 --> 00:31:09,720
Speaker 1: the nine to two on the same subject. Listen, the

555
00:31:10,120 --> 00:31:15,040
Speaker 1: opinions from the listeners here are not necessarily my own,

556
00:31:15,560 --> 00:31:18,760
Speaker 1: and I'm not suggesting that they are, and they're solely

557
00:31:18,840 --> 00:31:25,240
Speaker 1: the opinions of the texters and the callers. Okay, let's

558
00:31:25,240 --> 00:31:27,479
Speaker 1: see here. Nine O two says, hey, love the show

559
00:31:27,720 --> 00:31:31,560
Speaker 1: bias up front. I'm a big Foos fan, But regarding

560
00:31:31,560 --> 00:31:34,080
Speaker 1: the Rolling Stone article, the text was talking about the

561
00:31:34,160 --> 00:31:36,840
Speaker 1: Rolling Stone article that I mentioned in the episode. Unlike

562
00:31:36,840 --> 00:31:39,400
Speaker 1: a lot of fans, I didn't really find it that scandalous.

563
00:31:39,520 --> 00:31:41,680
Speaker 1: It had some interesting insight, and I've always thought it

564
00:31:41,840 --> 00:31:44,920
Speaker 1: very possible that no one was lying. I think Taylor

565
00:31:45,520 --> 00:31:49,000
Speaker 1: did vent to his friends and probably even talk to Dave,

566
00:31:49,480 --> 00:31:51,360
Speaker 1: but he and Dave were best friends. If they needed

567
00:31:51,360 --> 00:31:53,440
Speaker 1: to talk, they probably didn't have an official meeting with

568
00:31:53,560 --> 00:31:57,360
Speaker 1: management to formally express concerns. They probably just talked, and

569
00:31:57,360 --> 00:32:00,200
Speaker 1: who knows what they did or didn't agree to. So

570
00:32:00,240 --> 00:32:02,400
Speaker 1: the timeline I think is important. Taylor collapsed on the

571
00:32:02,400 --> 00:32:04,840
Speaker 1: plane in December twenty twenty one, and it seems like

572
00:32:04,920 --> 00:32:07,480
Speaker 1: Chad and Matt that's Chad Smith from the Chili Peppers

573
00:32:07,480 --> 00:32:10,760
Speaker 1: and Matt Cameron from Pearl Jam's Soundgarden. We're saying that he,

574
00:32:11,000 --> 00:32:14,520
Speaker 1: Taylor and Dave Grohl talked after that. This is all

575
00:32:14,520 --> 00:32:17,400
Speaker 1: in the article, okay, and I'm just going to say

576
00:32:17,400 --> 00:32:22,000
Speaker 1: it here. Dave Grohl's management denies this, Okay, they deny

577
00:32:22,120 --> 00:32:25,080
Speaker 1: what Chad and Matt had said, all right, the caller

578
00:32:25,200 --> 00:32:27,040
Speaker 1: is saying. This caller goes on to say, at that

579
00:32:27,040 --> 00:32:30,280
Speaker 1: point in twenty twenty two, after Taylor Hawkins collapsed on

580
00:32:30,280 --> 00:32:33,000
Speaker 1: a plane in December twenty twenty one, tour dates were

581
00:32:33,040 --> 00:32:35,240
Speaker 1: already announced and tickets were sold. And Taylor was a

582
00:32:35,240 --> 00:32:37,000
Speaker 1: consuming professional, and I don't think he would have been

583
00:32:37,040 --> 00:32:40,680
Speaker 1: down with canceling already scheduled shows. If they Taylor and

584
00:32:40,760 --> 00:32:43,120
Speaker 1: Dave agreed to something, it most likely would have gone

585
00:32:43,160 --> 00:32:45,880
Speaker 1: into effect after those existing commitments. I also think it's

586
00:32:45,920 --> 00:32:49,520
Speaker 1: possible Taylor was not aware if he had something seriously

587
00:32:49,600 --> 00:32:51,800
Speaker 1: medically wrong with him, because I do not believe that

588
00:32:51,840 --> 00:32:54,200
Speaker 1: if he said to Dave, we have so down or

589
00:32:54,200 --> 00:32:56,560
Speaker 1: I could die, the Dave would have taken that lightly.

590
00:32:56,720 --> 00:32:59,840
Speaker 1: Taylor could have downplayed it accidentally or on purpose, even

591
00:32:59,840 --> 00:33:02,600
Speaker 1: if he did know. I agree with you here. I'm

592
00:33:02,600 --> 00:33:05,760
Speaker 1: not saying that Dave grol knew Taylor Hawkins was in

593
00:33:05,800 --> 00:33:09,200
Speaker 1: some sort of medical decline, health decline, what have you?

594
00:33:09,400 --> 00:33:11,920
Speaker 1: And Dave was like, you must play these shows, damn you.

595
00:33:12,160 --> 00:33:14,120
Speaker 1: I don't think that's what was going on. Coler was

596
00:33:14,120 --> 00:33:16,400
Speaker 1: on to say, I'll also say the Foo Fighters had

597
00:33:16,480 --> 00:33:19,320
Speaker 1: in recent years started factoring their age into their schedule.

598
00:33:19,520 --> 00:33:21,360
Speaker 1: They played a lot, but only went out for two

599
00:33:21,360 --> 00:33:22,959
Speaker 1: to three weeks at a time before taking a two

600
00:33:23,000 --> 00:33:25,600
Speaker 1: to four week break, and they had to stop playing

601
00:33:25,640 --> 00:33:27,800
Speaker 1: consecutive nights, which you can see if you look into

602
00:33:27,800 --> 00:33:30,000
Speaker 1: their past tour dates. Anyway, I really like your thoughts

603
00:33:30,040 --> 00:33:33,360
Speaker 1: about entering uncharted territory with rock bands, and the insurance

604
00:33:33,400 --> 00:33:35,719
Speaker 1: angle is a good one interesting episode. The band has

605
00:33:35,760 --> 00:33:38,080
Speaker 1: just started dipping their toes back into talking about difficult

606
00:33:38,080 --> 00:33:40,560
Speaker 1: subjects lately, so maybe at some point we'll learn more.

607
00:33:41,360 --> 00:33:43,960
Speaker 1: That's from the nine oh two. Appreciate you nine oh two.

608
00:33:44,040 --> 00:33:46,640
Speaker 1: I agree a lot. I agree with a lot of

609
00:33:46,680 --> 00:33:49,160
Speaker 1: what you're saying here, and I just want to state

610
00:33:49,240 --> 00:33:55,920
Speaker 1: that again, Taylor's depiction, as voiced in that Rolling Stone

611
00:33:56,000 --> 00:34:02,640
Speaker 1: article of the events with Dave Grohl around his workload

612
00:34:02,720 --> 00:34:05,280
Speaker 1: with the food Fighters, as depicted in the Rolling Stone

613
00:34:05,360 --> 00:34:09,560
Speaker 1: article by Chad Smith and Mack Cameron, are adamantly denied

614
00:34:10,239 --> 00:34:14,480
Speaker 1: by food fighters and food Fighters management. So there we

615
00:34:14,520 --> 00:34:16,800
Speaker 1: go two seven zero rights And hey, Jake, this is

616
00:34:16,920 --> 00:34:19,680
Speaker 1: Kate from the two seven zero here in western Kentucky,

617
00:34:20,160 --> 00:34:24,280
Speaker 1: having worked in healthcare and varying positions from pharmacy to billing,

618
00:34:24,320 --> 00:34:27,239
Speaker 1: to urgent care to dispatch. I honestly think that the

619
00:34:27,280 --> 00:34:31,400
Speaker 1: combination of over exertion, perhaps not being fully transparent with

620
00:34:31,440 --> 00:34:34,880
Speaker 1: his doctor about any non prescription drug usage, self medication

621
00:34:35,040 --> 00:34:40,000
Speaker 1: with prescription medications, and probably an underlying undiagnosed genetic factor,

622
00:34:40,400 --> 00:34:43,360
Speaker 1: that that is the official cause of death for Taylor Hawkins.

623
00:34:43,719 --> 00:34:47,440
Speaker 1: It's likely listed as natural causes, maybe death by misadventure

624
00:34:47,480 --> 00:34:50,239
Speaker 1: with underlying causes, but it's been covered up to keep

625
00:34:50,239 --> 00:34:53,880
Speaker 1: the insurance company from refusing to pay. The insurance company

626
00:34:53,960 --> 00:34:56,560
Speaker 1: is the biggest villain in the whole story. That's who

627
00:34:56,560 --> 00:34:58,920
Speaker 1: will refuse to pay out on death if they can

628
00:34:58,960 --> 00:35:02,279
Speaker 1: find a loophole. So nothing nefarious, just an attempt to

629
00:35:02,320 --> 00:35:04,919
Speaker 1: make sure insurance actually pays. Anyway, that's my nearly four

630
00:35:04,960 --> 00:35:08,319
Speaker 1: am thought, working Overnights and Ambulance Dispatch, Rock a rolla

631
00:35:08,400 --> 00:35:13,000
Speaker 1: Baby two seven zero. Appreciate you. You know what's up?

632
00:35:13,719 --> 00:35:16,000
Speaker 1: Six four six real quick? Hey, hope you're doing well.

633
00:35:16,000 --> 00:35:18,000
Speaker 1: I was wondering if you're interested in maybe doing a

634
00:35:18,040 --> 00:35:22,399
Speaker 1: Donnie Hathaway show six four six. We are where we were,

635
00:35:22,480 --> 00:35:24,600
Speaker 1: I should say, because we did. There's a Donnie Hathaway

636
00:35:24,600 --> 00:35:27,279
Speaker 1: episode in the archive for you guys. Thanks for your calls,

637
00:35:27,280 --> 00:35:29,399
Speaker 1: Thanks for your text six one seven nine oh six

638
00:35:29,440 --> 00:35:31,239
Speaker 1: six six three eight. You guys want to come at

639
00:35:31,280 --> 00:35:33,480
Speaker 1: me with this week's question of the week on the

640
00:35:34,120 --> 00:35:37,399
Speaker 1: event from music history that just pissed you off the most,

641
00:35:37,440 --> 00:35:39,040
Speaker 1: that's what we want to know. Six one seven nine

642
00:35:39,080 --> 00:35:40,920
Speaker 1: oh six six six three eight. Get at us. You

643
00:35:41,000 --> 00:35:43,800
Speaker 1: might hear yourself on next week's after party. I'll be

644
00:35:43,840 --> 00:35:46,719
Speaker 1: back right after this with your emails, DMS and some

645
00:35:46,920 --> 00:36:03,480
Speaker 1: music in perhaps the television recommendation. All right, we are back.

646
00:36:03,520 --> 00:36:06,040
Speaker 1: Thanks for joining us in another after party. Man, you

647
00:36:06,040 --> 00:36:09,360
Speaker 1: know we just this cool thing just happened. I'm in

648
00:36:09,400 --> 00:36:14,800
Speaker 1: the middle of recording and Chad from Canada called. People

649
00:36:14,800 --> 00:36:18,120
Speaker 1: don't usually call when I'm recording. I have a bank

650
00:36:18,200 --> 00:36:21,520
Speaker 1: of voicemails and texts that accumulate that I just go

651
00:36:21,560 --> 00:36:24,960
Speaker 1: in and I grab and I play. The phone just

652
00:36:25,000 --> 00:36:27,759
Speaker 1: started ringing. It's not actually a phone. I mean, it

653
00:36:27,840 --> 00:36:30,239
Speaker 1: is a phone, but it's online. I don't know how

654
00:36:30,239 --> 00:36:31,640
Speaker 1: to answer it, and I figured it out and I

655
00:36:31,719 --> 00:36:33,320
Speaker 1: just started talking to this guy, Chad, and all of

656
00:36:33,320 --> 00:36:35,759
Speaker 1: a sudden, I was recording a phone call. Our conversation.

657
00:36:35,880 --> 00:36:37,360
Speaker 1: It was all cool, it's all great, and then my

658
00:36:37,560 --> 00:36:44,640
Speaker 1: fucking pro tools just died. Chad, I was planning on

659
00:36:44,719 --> 00:36:49,719
Speaker 1: playing the whole thing. Dude, call us back. Maybe we'll

660
00:36:49,760 --> 00:36:51,520
Speaker 1: figure out a way to do this live. That'd be fun,

661
00:36:51,520 --> 00:36:55,080
Speaker 1: wouldn't it take the calls live. I could get into that.

662
00:36:55,560 --> 00:36:57,320
Speaker 1: I could get into that. I suppose I'd have to

663
00:36:57,360 --> 00:37:00,000
Speaker 1: tell you at what time I'm recording. I record on Wednesdays,

664
00:37:00,960 --> 00:37:05,800
Speaker 1: Eastern Standard Time, usually in the usually in the late mornings,

665
00:37:07,400 --> 00:37:10,120
Speaker 1: recording a little later today. Anyways, six one seven nine

666
00:37:10,160 --> 00:37:12,880
Speaker 1: oh six six six three eight, you want to leave

667
00:37:12,920 --> 00:37:14,279
Speaker 1: me a voicemallion, I want to send me a text.

668
00:37:14,320 --> 00:37:16,160
Speaker 1: We're back and I want to real quick. I want

669
00:37:16,160 --> 00:37:18,680
Speaker 1: to talk. I want to play a little new song,

670
00:37:18,719 --> 00:37:20,680
Speaker 1: old song. Okay. The new song of the week that

671
00:37:20,760 --> 00:37:24,840
Speaker 1: I'm recommending is might See You There from Weird Nightmare.

672
00:37:24,960 --> 00:37:28,920
Speaker 1: This is the Mets Dude, me Etz, That Mets Alex

673
00:37:29,000 --> 00:37:34,440
Speaker 1: Atkins again, me Etz, not the eighty six me Ets

674
00:37:34,560 --> 00:37:37,760
Speaker 1: who broke my heart in campine Win these days. Anyways,

675
00:37:37,920 --> 00:37:40,160
Speaker 1: I dig this tune by Weird Nightmare from the Mets

676
00:37:40,239 --> 00:37:43,239
Speaker 1: Dude again. It's called might See You There comes highly

677
00:37:43,280 --> 00:37:45,560
Speaker 1: recommended from our friend Brett from MEF and Good Music.

678
00:37:45,600 --> 00:37:47,719
Speaker 1: Brett has great taste. I listen to everything that he

679
00:37:47,800 --> 00:37:51,000
Speaker 1: sends me anyway. Might see you there by. Weird Nightmare,

680
00:37:51,800 --> 00:37:57,640
Speaker 1: modern rock pop alt, kind of Lemons, lemonhead Z, kind

681
00:37:57,640 --> 00:38:01,200
Speaker 1: of Blake baby Z, kind of eighties nineties Boston college

682
00:38:01,280 --> 00:38:03,279
Speaker 1: rocky is what I'm saying, and I highly recommend it.

683
00:38:03,880 --> 00:38:07,280
Speaker 1: Old song recommendation for this week. I Need You Tonight

684
00:38:07,600 --> 00:38:13,160
Speaker 1: by Punkin Machine. Okay, not in excess, Yes, punkin Machine,

685
00:38:13,239 --> 00:38:17,680
Speaker 1: p U n ki n punkin Machine. I'm back on

686
00:38:17,719 --> 00:38:21,880
Speaker 1: my eighties Italian disco bullshit. Here, guys find disco guitars

687
00:38:21,880 --> 00:38:24,840
Speaker 1: that sound better than the disco guitars in this track

688
00:38:25,120 --> 00:38:29,480
Speaker 1: that weren't recorded by Nile Rodgers. Okay, this shit rules

689
00:38:29,560 --> 00:38:33,239
Speaker 1: and it will improve your springtime vibes immeasurably. I Need

690
00:38:33,280 --> 00:38:36,439
Speaker 1: You Tonight by Punkin Machine. My eight year old asked,

691
00:38:36,480 --> 00:38:38,239
Speaker 1: how does he get his voice to sound like that? Dad?

692
00:38:38,239 --> 00:38:39,880
Speaker 1: And I wanted to say cocaine, but I didn't. But

693
00:38:39,920 --> 00:38:41,960
Speaker 1: now you know a little bit more about how awesome

694
00:38:42,000 --> 00:38:45,040
Speaker 1: this song sounds. All right, Disgray Sam pod at gmail

695
00:38:45,080 --> 00:38:47,080
Speaker 1: dot com on the email machine. This one comes from

696
00:38:47,120 --> 00:38:51,040
Speaker 1: Tyler Whitmore suggestion for rewind episodes. I like the pod

697
00:38:51,600 --> 00:38:54,200
Speaker 1: and started listening back when you did the My Favorite

698
00:38:54,239 --> 00:38:58,320
Speaker 1: Murder crossover. Glad that you landed with exactly right media.

699
00:38:58,800 --> 00:39:00,600
Speaker 1: I hadn't listened in a minute, as I think I

700
00:39:00,719 --> 00:39:04,680
Speaker 1: wasn't subscribed between some earlier seasons. And my suggestion is

701
00:39:04,719 --> 00:39:07,399
Speaker 1: that if you are releasing an episode or mixing in

702
00:39:07,600 --> 00:39:10,600
Speaker 1: rewind episodes per week, it might be useful to label

703
00:39:10,640 --> 00:39:13,960
Speaker 1: them as rewinds it maybe provide any updates to the

704
00:39:14,000 --> 00:39:16,840
Speaker 1: story if any exists. This is the format that My

705
00:39:16,880 --> 00:39:19,279
Speaker 1: Favorite Murder uses, and I think it's pretty nice. I

706
00:39:19,360 --> 00:39:22,280
Speaker 1: was slightly confused because I was listening to that Selena

707
00:39:22,320 --> 00:39:25,239
Speaker 1: episode and thought it was a new episode as it

708
00:39:25,280 --> 00:39:28,120
Speaker 1: was a recent release. But I read the description and

709
00:39:28,160 --> 00:39:32,360
Speaker 1: it says released November twenty twenty. Also in that episode

710
00:39:32,400 --> 00:39:34,400
Speaker 1: they mentioned that there was a parole hearing set for

711
00:39:34,440 --> 00:39:37,080
Speaker 1: twenty twenty five, so it would have been cool after

712
00:39:37,120 --> 00:39:39,680
Speaker 1: the episode if you gave an update. Now. I understand

713
00:39:39,719 --> 00:39:42,000
Speaker 1: if you don't want to copy what My Favorite Murder

714
00:39:42,000 --> 00:39:43,759
Speaker 1: is doing, or if you have your own system, but

715
00:39:43,760 --> 00:39:46,040
Speaker 1: I think other listeners would enjoy this. Thank you for

716
00:39:46,160 --> 00:39:48,880
Speaker 1: listening all right. That comes from Uh who did I

717
00:39:48,880 --> 00:39:55,279
Speaker 1: say that come from? Came from Taylor Whitmore. Taylor, I

718
00:39:55,320 --> 00:39:59,160
Speaker 1: love your suggestion. I love it so much. We're gonna

719
00:39:59,160 --> 00:40:02,760
Speaker 1: do it all right from now on, starting this Sunday,

720
00:40:03,400 --> 00:40:06,319
Speaker 1: there will be a parenthetical in the title of each

721
00:40:06,360 --> 00:40:10,160
Speaker 1: of the Rewind episodes that says rewind and it should

722
00:40:10,160 --> 00:40:13,320
Speaker 1: be clear to everybody that this is a previously released

723
00:40:13,360 --> 00:40:16,719
Speaker 1: piece of content. That doesn't mean you shouldn't listen to it. People, Okay,

724
00:40:16,840 --> 00:40:20,320
Speaker 1: our shit is evergreen, all right, So make sure just

725
00:40:20,360 --> 00:40:22,400
Speaker 1: because we're putting Rewind in there, you're not being like,

726
00:40:22,480 --> 00:40:23,839
Speaker 1: I don't need to listen to this and came up.

727
00:40:23,920 --> 00:40:27,279
Speaker 1: But no, no, I don't care if you heard that

728
00:40:27,480 --> 00:40:30,880
Speaker 1: Byork episode back when it was released. It's coming again

729
00:40:31,200 --> 00:40:32,920
Speaker 1: and you should listen to it this weekend. You're not

730
00:40:32,960 --> 00:40:35,319
Speaker 1: going to be disappointed. And Taylor, to your point on

731
00:40:35,440 --> 00:40:39,000
Speaker 1: the updates, I never thought of that, but uh yeah,

732
00:40:39,120 --> 00:40:40,800
Speaker 1: we'll figure out a way to do that. We'll figure

733
00:40:40,800 --> 00:40:43,440
Speaker 1: out a way. I'll figure out a way. I'll probably

734
00:40:43,440 --> 00:40:45,160
Speaker 1: talk to Karen and Georgia see how they do it,

735
00:40:45,200 --> 00:40:47,759
Speaker 1: and see how they get themselves ready for any of

736
00:40:47,800 --> 00:40:51,520
Speaker 1: the updating, and we'll incorporate that into our rewind releases

737
00:40:51,560 --> 00:40:55,359
Speaker 1: as well. Thank you for the suggestion. Julio Escovar right saying, Hey,

738
00:40:55,440 --> 00:40:58,160
Speaker 1: Jake or whoever checks the email. My name is Julio

739
00:40:58,600 --> 00:41:02,680
Speaker 1: Sesar Escovar. I'm a journalist with over twenty years of experience,

740
00:41:02,719 --> 00:41:05,040
Speaker 1: and I was the director of a rock radio station

741
00:41:05,160 --> 00:41:08,200
Speaker 1: in Colombia when Taylor Hawkins died. Plus I was at

742
00:41:08,239 --> 00:41:11,640
Speaker 1: the festival Estero Picnic waiting for them to perform when

743
00:41:11,640 --> 00:41:14,280
Speaker 1: we all saw the announcement on the Food's Instagram account.

744
00:41:14,760 --> 00:41:17,920
Speaker 1: It all was very chaotic, with little or any information

745
00:41:18,080 --> 00:41:20,600
Speaker 1: at all, and we did a special broadcast from Estero

746
00:41:20,680 --> 00:41:23,040
Speaker 1: Picnic with some of the attendees who were at the festival.

747
00:41:23,040 --> 00:41:26,319
Speaker 1: People in Colombia love the Foo Fighters, so it is

748
00:41:26,320 --> 00:41:29,000
Speaker 1: a moment in history that we will always remember. I

749
00:41:29,040 --> 00:41:30,759
Speaker 1: just wanted to let you know that I agree with

750
00:41:30,800 --> 00:41:33,200
Speaker 1: everything you said in the FOOS episode on Taylor's death.

751
00:41:33,280 --> 00:41:36,399
Speaker 1: All the best, Julio c ESCOVARPS. I'm a big, big

752
00:41:36,440 --> 00:41:40,080
Speaker 1: fan of Disgraceland. Julio, thank you very much. I appreciate

753
00:41:40,120 --> 00:41:42,600
Speaker 1: the perspective from Columbia from somebody who was there when

754
00:41:42,640 --> 00:41:46,520
Speaker 1: this happened, and I know that the listeners appreciate it

755
00:41:46,560 --> 00:41:50,080
Speaker 1: as well. Disgracelampod at gmail dot com. Guys, you want

756
00:41:50,080 --> 00:41:52,759
Speaker 1: to get at me via email at disgracelam pod. On

757
00:41:52,840 --> 00:41:58,440
Speaker 1: the socials over on Instagram, James Buckley writes in Unexpected

758
00:41:58,480 --> 00:42:02,080
Speaker 1: Covers a most excellent push Mode narrative Jake, as far

759
00:42:02,120 --> 00:42:06,360
Speaker 1: as Unexpected Covers, Tori Amos taking on Slayer's Raining Blood

760
00:42:06,960 --> 00:42:09,080
Speaker 1: was definitely a hard hit in the left field. All

761
00:42:09,120 --> 00:42:12,239
Speaker 1: the best, James Buckley. Damn man, I've never heard that.

762
00:42:12,440 --> 00:42:20,160
Speaker 1: I've never heard Tori Amos doing Slayer. That's just incredible, incredible.

763
00:42:20,560 --> 00:42:22,319
Speaker 1: I was listening to Cornflake earlier other day. I think

764
00:42:22,320 --> 00:42:24,080
Speaker 1: as one of you guys recommended it. I'm not sure

765
00:42:25,440 --> 00:42:27,319
Speaker 1: or reminded me of it. I've known that song forever.

766
00:42:27,400 --> 00:42:32,080
Speaker 1: It's a great song. Love Tori Amos. All right, guys,

767
00:42:32,120 --> 00:42:33,520
Speaker 1: I'm gonna get out of here. I'm gonna go head

768
00:42:33,520 --> 00:42:36,120
Speaker 1: out into the exclusive part of the after party. Okay,

769
00:42:36,120 --> 00:42:38,160
Speaker 1: that's the room in the back back. You gotta know

770
00:42:38,160 --> 00:42:39,520
Speaker 1: where that part of the party is. You gotta know

771
00:42:39,520 --> 00:42:41,080
Speaker 1: how to get into it. You can go to disgrace

772
00:42:41,120 --> 00:42:44,120
Speaker 1: lampod dot com to figure that out. Gotta pay a

773
00:42:44,160 --> 00:42:46,040
Speaker 1: little bit more, but not much, and I'll be talking

774
00:42:46,040 --> 00:42:48,359
Speaker 1: to Zeth in there. Zeth, as you may or may

775
00:42:48,400 --> 00:42:52,759
Speaker 1: not know, is my partner in true crimes. He likes

776
00:42:52,800 --> 00:42:55,000
Speaker 1: to call himself. He's also not a real doctor, though

777
00:42:55,000 --> 00:42:59,360
Speaker 1: he's sometimes referred to as doctor Lundy. Zeth Helm's the

778
00:42:59,360 --> 00:43:03,520
Speaker 1: Hollywoodland feed for us, which if you're not subscribed, I

779
00:43:03,560 --> 00:43:06,960
Speaker 1: invite you come on in the waters. Great this is

780
00:43:07,200 --> 00:43:09,160
Speaker 1: These are Hollywood and true crime stories, just like our

781
00:43:09,280 --> 00:43:11,920
Speaker 1: music and true crime stories. We're talking Drew Barrymore this

782
00:43:12,000 --> 00:43:15,920
Speaker 1: week got our Drew Barrymore episode archive episode that's out

783
00:43:16,320 --> 00:43:19,440
Speaker 1: in addition to the scripted episode on Drew Barrymore. In

784
00:43:19,520 --> 00:43:22,439
Speaker 1: the Rap Party, we're talking and we hate this term

785
00:43:22,719 --> 00:43:28,120
Speaker 1: Nepo babies, but we're doing some recommendations of From my standpoint,

786
00:43:28,120 --> 00:43:31,439
Speaker 1: away was great music by and this is all kicked

787
00:43:31,440 --> 00:43:34,560
Speaker 1: off by the Drew Barrymore stuff, great music from musicians,

788
00:43:35,760 --> 00:43:39,160
Speaker 1: from the parents of famous people basically, and I had

789
00:43:39,160 --> 00:43:40,680
Speaker 1: a couple of good ones in there. And then Zeth

790
00:43:40,760 --> 00:43:44,160
Speaker 1: gave us some film recommendations again from quote unquote Nepple babies,

791
00:43:44,200 --> 00:43:46,480
Speaker 1: and we talk about why we hate that term. In

792
00:43:46,960 --> 00:43:51,400
Speaker 1: the Hollywood Land Rap Party, screening Room from Hollywoodland is

793
00:43:51,400 --> 00:43:55,160
Speaker 1: happening end of this week and the movie that we're

794
00:43:55,200 --> 00:43:57,719
Speaker 1: talking about is A Gun Crazy from nineteen ninety two

795
00:43:57,760 --> 00:44:01,280
Speaker 1: by Tamra Davis, who was once married to a beastie

796
00:44:01,280 --> 00:44:04,160
Speaker 1: boy Mike Die I believe, starring Drew Barrymore. That's what

797
00:44:04,200 --> 00:44:05,719
Speaker 1: we'll be watching this week. So if you want to

798
00:44:05,719 --> 00:44:07,879
Speaker 1: get in on the conversation with us there, check out

799
00:44:07,880 --> 00:44:09,920
Speaker 1: the screening room. Just go to Hollywood Land and subscribe

800
00:44:09,920 --> 00:44:12,840
Speaker 1: if you're not subscribed already. Anyways, more from me and

801
00:44:12,920 --> 00:44:15,960
Speaker 1: Zeth right now in the all access portion of the

802
00:44:16,040 --> 00:44:31,440
Speaker 1: Disgraced Land after Party, I'll the back in the flash.

803
00:44:31,600 --> 00:44:33,680
Speaker 1: All right, we are back. Thank you for joining me

804
00:44:33,719 --> 00:44:37,719
Speaker 1: in another after party episode. So many artists mentioned in

805
00:44:37,760 --> 00:44:41,120
Speaker 1: this episode from our archive. Jim Morrison got a classic

806
00:44:41,160 --> 00:44:43,239
Speaker 1: Jim Morrison episode. Check that out if you haven't heard it.

807
00:44:43,680 --> 00:44:45,480
Speaker 1: I guarantee you. If you have not heard it, you

808
00:44:45,480 --> 00:44:48,400
Speaker 1: will be surprised, very shocked by the time you get

809
00:44:48,440 --> 00:44:51,239
Speaker 1: to the end of that episode. I guarantee it. We

810
00:44:51,320 --> 00:44:54,160
Speaker 1: don't have a Janis Joplin episode, though I need to

811
00:44:54,200 --> 00:44:57,120
Speaker 1: fix that. Definitely have a Jimmy Hendrix and Graham Parsons

812
00:44:57,200 --> 00:45:01,560
Speaker 1: episodes Taylor Swift in Excess. It's all there. It's all there.

813
00:45:01,680 --> 00:45:03,920
Speaker 1: You'll find it. Let me know if you need help

814
00:45:04,000 --> 00:45:06,719
Speaker 1: navigating the archive. Matt'll have some episode notes for some

815
00:45:06,760 --> 00:45:08,759
Speaker 1: of these classic episodes in the show notes of this

816
00:45:08,840 --> 00:45:11,240
Speaker 1: after party for you as well. All right, let's recap

817
00:45:11,320 --> 00:45:13,600
Speaker 1: number one. This week our Foo Fighters episode is available

818
00:45:13,600 --> 00:45:15,239
Speaker 1: for you to listen to right now. Number two. We

819
00:45:15,280 --> 00:45:18,480
Speaker 1: are rewinding with a classic episode from the Disgraceland archive

820
00:45:18,520 --> 00:45:22,000
Speaker 1: this week with our episode on B York. Number three.

821
00:45:22,120 --> 00:45:26,080
Speaker 1: Next week Ian walkins from Lost Profits and is Unspeakable

822
00:45:26,239 --> 00:45:29,440
Speaker 1: True Crimes. Number four. Zeth is giving you those Hollywood

823
00:45:29,440 --> 00:45:32,200
Speaker 1: and true crime vibes in the Hollywood Land feed. Make

824
00:45:32,239 --> 00:45:34,920
Speaker 1: sure you are subscribed. I'm gonna give you some music

825
00:45:34,960 --> 00:45:37,959
Speaker 1: Rex over there in the Hollywood Land Rap Party. Number five.

826
00:45:38,120 --> 00:45:41,000
Speaker 1: This film should be played loud. Our new video podcasts

827
00:45:41,160 --> 00:45:43,840
Speaker 1: I didn't even mentioned this today. My goodness got a

828
00:45:43,840 --> 00:45:46,840
Speaker 1: brand new one for you on high fidelity that's available

829
00:45:46,840 --> 00:45:49,480
Speaker 1: to our Patreon listeners. Go to disgracelamdpod dot com or

830
00:45:49,520 --> 00:45:51,680
Speaker 1: to Patreon to sign out. Number six six one seven

831
00:45:51,800 --> 00:45:54,000
Speaker 1: nine oh six six six three eight. Your voice keeps

832
00:45:54,080 --> 00:45:56,040
Speaker 1: us digging into the dark corners of music history. So

833
00:45:56,440 --> 00:45:58,799
Speaker 1: keep calling, keep texting, with your answers to this week's question,

834
00:45:58,840 --> 00:46:00,680
Speaker 1: the week, or with whatever else want to talk about.

835
00:46:00,760 --> 00:46:02,840
Speaker 1: Number seven, don't forget, just goes. This isn't just content.

836
00:46:02,880 --> 00:46:05,640
Speaker 1: It's a community, a community of the obsessed. No one

837
00:46:05,640 --> 00:46:08,240
Speaker 1: cares about music, books, records, and the crime and crime

838
00:46:08,320 --> 00:46:10,040
Speaker 1: that ties them all together like you do. And well

839
00:46:10,480 --> 00:46:13,799
Speaker 1: that's a disgrace, all right. On July fourth, nineteen ninety four,

840
00:46:13,840 --> 00:46:16,640
Speaker 1: Dave Girl marked his independence with a bang and released

841
00:46:16,640 --> 00:46:19,600
Speaker 1: the first Food Fighters album. Here is what America was

842
00:46:19,640 --> 00:46:23,440
Speaker 1: listening to on that day, according to the Billboard Charts.

843
00:46:25,280 --> 00:46:31,680
Speaker 1: Number one Waterfalls TLC last week one peak position one

844
00:46:32,120 --> 00:46:37,080
Speaker 1: weeks on chart six, number two one more Chance, stay

845
00:46:37,120 --> 00:46:42,440
Speaker 1: with the Notorious Big last week just peak position day

846
00:46:42,480 --> 00:46:45,160
Speaker 1: two weeks on chart, last week four, to your friend,

847
00:46:45,280 --> 00:46:48,319
Speaker 1: number three, don't take it personal chart just one of

848
00:46:48,360 --> 00:46:52,879
Speaker 1: them days, Monica last week six two peak position two,

849
00:46:53,080 --> 00:46:57,160
Speaker 1: last week's on charts twelve position and number four, Water Runs,

850
00:46:57,280 --> 00:47:02,200
Speaker 1: Dry Voice two men last week six peak position number two,

851
00:47:02,400 --> 00:47:05,320
Speaker 1: last week's twelve position, number.

852
00:47:05,120 --> 00:47:06,080
Speaker 4: Five, to.

853
00:47:18,680 --> 00:47:22,600
Speaker 1: Quit talking and start mixing. Hello, I was trying to

854
00:47:22,640 --> 00:47:23,360
Speaker 1: reach the disgrace.

855
00:47:23,440 --> 00:47:24,600
Speaker 4: Then maybe I have the wrong number.

856
00:47:24,680 --> 00:47:26,360
Speaker 1: No, no, you got him. This is Jake. Who's this

857
00:47:27,400 --> 00:47:28,040
Speaker 1: Jake Brennan.

858
00:47:28,160 --> 00:47:31,120
Speaker 3: Wow, it's Chap home from up in By.

859
00:47:31,120 --> 00:47:31,919
Speaker 5: Vancouver, BC.

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00:47:32,280 --> 00:47:34,040
Speaker 1: Oh right now, what's up chat? How are you man,