WEBVTT - A Dramatic Turn (S2, E4 “Anaconda”)

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. Hello, welcome to

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<v Speaker 1>another episode of nine O two one O MG. I'm

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<v Speaker 1>one of your hosts, Jenny Garth, joined by my friends.

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<v Speaker 1>Go ahead and introduce yourself, ladies. I'm one of the

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<v Speaker 1>other hosts. Tori Spelling. So sultry and it's saysny. Hello.

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<v Speaker 1>Where the hostesses with the mostess? Oh I wish it

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<v Speaker 1>was Mimoses instead Smoses. Don't get jealsis. I'm so ready

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<v Speaker 1>to drink. We're so happy to be with you guys.

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<v Speaker 1>Another week of season two, Beverly Hills, Nina two. No,

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<v Speaker 1>that's what we're here for, right, It is a big show.

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<v Speaker 1>Everybody thoughts at the Beach Club Love and the Beach

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<v Speaker 1>Club episodes. Yes, makes me feel happy, ready for summer.

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<v Speaker 1>It makes me feel like it makes you feel Hey,

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<v Speaker 1>you had a birthday this last week. Don't you speak

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<v Speaker 1>of that? No, we will speak of it because you're

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<v Speaker 1>older now. There was a second, like maybe a few

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<v Speaker 1>weeks a month. I don't know where you were two

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<v Speaker 1>years younger than me, and I did not like that

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<v Speaker 1>because it just gives you too much to be happy about.

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<v Speaker 1>I didn't even realize that because you know, I'm always

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<v Speaker 1>the first to point out that when you're older than me.

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<v Speaker 1>So I would have relished in that if I had

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<v Speaker 1>remembered it. Okay, I glad I didn't remember, like a

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<v Speaker 1>little more than a month. Darn, that would have been

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<v Speaker 1>good to rub that in. Now you're the big four eight,

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<v Speaker 1>I am, Yeah, And I gotta tell you, forty eight

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<v Speaker 1>fields a lot worse than because what do you mean worse? Like? Okay,

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<v Speaker 1>because it's one year closer to the young Voh, if

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<v Speaker 1>you know what I'm talking about. I know what you're

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<v Speaker 1>gonna say. One of your clothes are the grave? Uh?

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<v Speaker 1>Well you looking for I mean forty eight? Who do

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<v Speaker 1>you know what? That's the thing they always say, Oh,

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<v Speaker 1>you look so good for forty you look so great

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<v Speaker 1>for fifty years. Like what, what does that even imply?

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<v Speaker 1>You look so good for your age? Yeah? Always they

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<v Speaker 1>say that. I don't know that. I like that. It's

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<v Speaker 1>people are being nice, but it sounds like a backhanded compliment, right,

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<v Speaker 1>But it's not. They think they're being nice, but you

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<v Speaker 1>don't want to hear that. I don't think I would

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<v Speaker 1>ever say that to someone. No, you know what, I

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<v Speaker 1>think I have said that I just said it to you.

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<v Speaker 1>I'm sorry if you were offended by that, but I

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<v Speaker 1>meant it as compliment. Nothing you say can offend me. Well,

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<v Speaker 1>I feel like, um, we all look damn good for

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<v Speaker 1>our age there? How about that looking? I'm just staring

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<v Speaker 1>at our young co host since you said host today? Wait,

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<v Speaker 1>says how old did you turn this year? I turned

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<v Speaker 1>thirty seven? Oh, must be nice, but Jen remember thirty seven.

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<v Speaker 1>It was a good year's keeping it consistent. Don't remember

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<v Speaker 1>it at all. I'm excited for my forties, though usually

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<v Speaker 1>i'll be. I feel like be smarter, and I have

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<v Speaker 1>a better head on my shoulders, both classics. She said,

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<v Speaker 1>I'm excited for my forties, and I said you should be,

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<v Speaker 1>and you said don't be Yep. For once I was

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<v Speaker 1>the ray of optimism and you were dead be downer.

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<v Speaker 1>It's true we switched roles for a second. We should

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<v Speaker 1>do that more often. So. This episode is episode four

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<v Speaker 1>of season two. It's called Anaconda, which I don't even

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<v Speaker 1>understand why, but it aired on August first, nineteen one. Synopsis.

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<v Speaker 1>Brenda gets heated after a bad sun burned, but Brandon

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<v Speaker 1>and friends are in hot water when they're after hours

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<v Speaker 1>poker game at the beach club is followed by a

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<v Speaker 1>burglary who don't done. I'm sorry. Even back in the

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<v Speaker 1>day when we did this episode, every time I hear anaconda,

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<v Speaker 1>I want to go anaconda, don't go unless I knew

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<v Speaker 1>you were going to sing that, and I was excited.

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<v Speaker 1>Directed by Daniel Addius, written by Darren Starr and Jonathan Roberts,

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<v Speaker 1>who was a new is a new name for us.

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<v Speaker 1>This is a new writer, I guess for season two.

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<v Speaker 1>That's right, I do you remember that writer? I don't either,

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<v Speaker 1>I wonder now, but we had lots of ones that

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<v Speaker 1>went on to be like recurring writers or consistent writers

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<v Speaker 1>throughout the seasons. Even uh. And I actually sad to say,

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<v Speaker 1>I don't know Jonathan Roberts. I wonder if he this

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<v Speaker 1>was his one hit wonder. I don't know with us.

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<v Speaker 1>With us, we should really look into those details before

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<v Speaker 1>we go on a radio program and talk about them

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<v Speaker 1>or not a dio program. But you know, doesn't it

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<v Speaker 1>feel like we're doing a radio show. It does the

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<v Speaker 1>live radio show. I heart we want to do a

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<v Speaker 1>radio show next because because we know so much about music,

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<v Speaker 1>you both should fill in for me. When I'm on

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<v Speaker 1>maternity leave. How fun would that be? Oh my gosh,

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<v Speaker 1>how how how long are you gone from majority leave?

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<v Speaker 1>Before I commit to that? It would be a few months.

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<v Speaker 1>I don't know about that. You got wake a real early.

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<v Speaker 1>We should do it for a day. Well, see if

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<v Speaker 1>anyone notices. I don't think they notice. Why was this

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<v Speaker 1>episode called Anaconda though? Does anybody have any insight on that? Yes, okay,

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<v Speaker 1>I know there's a story. I don't have it, but

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<v Speaker 1>I know there's a story. There's a reference somewhere in

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<v Speaker 1>the show. It was the name of the card game.

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<v Speaker 1>Anaconda is a seven card stud poker game. It is

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<v Speaker 1>played with the same roles except for a few exceptions.

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<v Speaker 1>There we interesting, It's okay, that's where the title of

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<v Speaker 1>the show. I love how we're just learning about it

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<v Speaker 1>all together in real time. But just for people like

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<v Speaker 1>that are listening, we have like ten pages of preps,

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<v Speaker 1>like we're really prepared when we come in to do

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<v Speaker 1>this podcast. We just didn't know the un contact. I

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<v Speaker 1>don't know why. I don't know the writer, don't know

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<v Speaker 1>the why it's called them conduct? What else so far

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<v Speaker 1>that we're discovering because we're rediscovering the show together. So

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<v Speaker 1>why not discover the details of the show together. And

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<v Speaker 1>if we're just watching as fans, Literally we just watched

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<v Speaker 1>the show, and then we come together and we talk

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<v Speaker 1>about it and we go, what do you remember? What

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<v Speaker 1>don't you remember? And I love that about this podcast

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<v Speaker 1>because you know, we don't sensor ourselves. No, no, no,

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<v Speaker 1>we don't sense ourselves, and we don't pretend to be experts.

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<v Speaker 1>We only can give you our version of the story,

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<v Speaker 1>our memories from from it. So why weren't you in

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<v Speaker 1>this episode? That? Is this another thing I don't know.

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<v Speaker 1>I didn't even know that one. I really thought she

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<v Speaker 1>was in all episodes produced. Isn't that crazy? I even

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<v Speaker 1>asked my manager, who's so my manager from from then,

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<v Speaker 1>Mr Showbiz, and he has no recollection of me not

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<v Speaker 1>being in any episodes. He thought I was in all

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<v Speaker 1>episodes as well. I thought I was in all episodes.

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<v Speaker 1>Apparently I wasn't because I didn't see myself in this one.

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<v Speaker 1>But that doesn't mean I didn't enjoy watching it. I

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<v Speaker 1>honestly I liked watching it without me in it. No,

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<v Speaker 1>that's just no, I like I relaxed, and I wasn't

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<v Speaker 1>nervous for when when I was gonna be on or

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<v Speaker 1>what I was gonna say, or do you know what

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<v Speaker 1>I mean? Like, I wasn't so caught up in my

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<v Speaker 1>own head about it. I was able to like submerse

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<v Speaker 1>myself in the story. And I really enjoyed watching Brenda

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<v Speaker 1>and Donna's scenes, Like I thought they were great and

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<v Speaker 1>I was like, well, I don't need Kelly. There we

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<v Speaker 1>were in that, like, you guys are so good together.

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<v Speaker 1>I really felt like this episode, Donna, you you had

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<v Speaker 1>the most to say, especially that scene like at the

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<v Speaker 1>beach with Brenda. You were so cute and so real,

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<v Speaker 1>like authentic in that scene, and I just wanted to

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<v Speaker 1>be friends with you. I wanted I wanted to hang

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<v Speaker 1>out on the beach with you. Maybe you saw a

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<v Speaker 1>little bit of the show back then, and maybe that's

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<v Speaker 1>the reason you wanted to be my friend real life.

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<v Speaker 1>Who knows. Maybe maybe I was home watching the show

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<v Speaker 1>that's where I was, And maybe you were sick, like

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<v Speaker 1>and you couldn't work, maybe lost your voice. I don't know. No,

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<v Speaker 1>The only thing I can think of would be that,

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<v Speaker 1>um my dad was struggled a lot with his health

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<v Speaker 1>and they my parents lived in Arizona, and he had

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<v Speaker 1>um there were occasions when he would have heart attacks

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<v Speaker 1>and end up in the hospital. And this to me

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<v Speaker 1>sort of feels like I might have made an emergency,

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<v Speaker 1>you know, flee to go be with him. That's all

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<v Speaker 1>I can really, that sounds likely. I bet we could

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<v Speaker 1>look up the script somewhere online, someone has it and

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<v Speaker 1>put the pieces together, because I bet you're right. I

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<v Speaker 1>bet you were in it and they had to take

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<v Speaker 1>you out because there was an emergency. If anyone knows

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<v Speaker 1>the answer to it out there, please let us know. Yes,

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<v Speaker 1>let us know any fact seekers about n why I

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<v Speaker 1>wasn't But it was a really good episode, not because

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<v Speaker 1>you weren't in it, anybody, that's okay, that's all right.

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<v Speaker 1>So should we talk about Poker? Yes, Poker. Ok I

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<v Speaker 1>don't even know her. That is so not okay to

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<v Speaker 1>say anymore. But it's remember what was the other one,

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<v Speaker 1>Poker in the front, liquor in the rear that I can't.

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<v Speaker 1>I just said that, but it came to my mind

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<v Speaker 1>because whenever I wish, these are the things you learn

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<v Speaker 1>on the set. People pretty old school, you could say,

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<v Speaker 1>poke him in the front, like him in the rear,

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<v Speaker 1>it doesn't have to be about a woman, and that's

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<v Speaker 1>your problem. You can poke some that would hurt. Poke

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<v Speaker 1>poked him in the front. I never heard poker. I

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<v Speaker 1>don't even know her. You never heard that. These are

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<v Speaker 1>now our old lady jokes. And then we laugh and laugh.

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<v Speaker 1>I mean it's funny. And the young people just like, like,

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<v Speaker 1>what are they saying? I'm laughing with you, Poker, I

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<v Speaker 1>don't even know her. Oh yeah, I thought Brian was

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<v Speaker 1>extra cute in this episode. He was. He was so cute,

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<v Speaker 1>this little poker faces that he was making, and those

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<v Speaker 1>were just like those remind like the faces he was

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<v Speaker 1>making at the poker table remind me of just him now,

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<v Speaker 1>Like he makes those faces just like for no reason.

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<v Speaker 1>And I don't know. This must be where they originated from,

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<v Speaker 1>except he was a lot shorter and I had a

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<v Speaker 1>higher voice. But it's him now, Yep, it's the same

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<v Speaker 1>bran different hairline. Brian had such a low hairline like

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<v Speaker 1>Eddie Monster. Right, yeah, we'll look at it now. He's

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<v Speaker 1>got great hair stills, he's got great hair. Yeah. I

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<v Speaker 1>ended up perfect, like settled in, settled in its settled in, Yeah,

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<v Speaker 1>settled into his face, into his hairline. He grew into

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<v Speaker 1>everything you know that came out wrong. Well, I felt

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<v Speaker 1>like the poker stuff was really fun to see, like

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<v Speaker 1>the whole sneaking into the beach club at night, which

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<v Speaker 1>I was like, Brandon, what are you doing? You're gonna

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<v Speaker 1>get fired? Peer pressure, peer pressure totally. I feel like

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<v Speaker 1>he is what the second time he's succumbed to peer pressure. Yeah,

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<v Speaker 1>it seems like Steve Sanders can get him to do

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<v Speaker 1>anything anything, But Steve is pretty convincing and kind of fun,

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<v Speaker 1>and you want to join in on the shenanigans when

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<v Speaker 1>he comes up with something like yeah, you know, you

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<v Speaker 1>get real convinced by him. Yeah, it's true. He's very

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<v Speaker 1>he's a good salesman. And that storyline is just so

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<v Speaker 1>relatable because I think in every friend group with high

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<v Speaker 1>school kids especially, there's always that one friend that the instigator,

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<v Speaker 1>the wild one. Oh my gosh, I had one of

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<v Speaker 1>those in high school. I had one of those on

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<v Speaker 1>set And it wasn't me, It wasn't gen Who was

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<v Speaker 1>it Shannon? Okay, because she like she was cool and

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<v Speaker 1>like was always going out and doing things, and I

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<v Speaker 1>was just like, she's so cool, Like I want to

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<v Speaker 1>hang out with her, so I would end up doing

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<v Speaker 1>things that, yeah, that's not bad, just like that you

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<v Speaker 1>shouldn't have done. Not like nothing bad, but just like

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<v Speaker 1>peer pressure, like oh no, because I like I felt

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<v Speaker 1>like when we started this show, I was still living

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<v Speaker 1>at home. Obviously, I was in my teens. I had

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<v Speaker 1>a curfew, which is so lame. And she'd be like,

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<v Speaker 1>let's go out on Friday night and don't worry, we

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<v Speaker 1>don't have to have an I D. And I'd be like,

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<v Speaker 1>I have a curfew, and I'm so embarrassed I couldn't

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<v Speaker 1>tell Shan Doherty I had a curfew. I love that

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<v Speaker 1>about you so like and early, like like right before

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<v Speaker 1>my eighteenth birthday, I think my curfew was still eleven thirty.

0:13:45.960 --> 0:13:49.120
<v Speaker 1>That is so crazy. You guys are like major TV

0:13:49.240 --> 0:13:52.360
<v Speaker 1>stars on like one of the biggest shows on the planet,

0:13:52.720 --> 0:14:00.559
<v Speaker 1>and you have a curfew. Just it's so relatable. It's interesting, though, Beau, Yes,

0:14:00.920 --> 0:14:04.640
<v Speaker 1>you add a curfew, and so you were obviously you know,

0:14:04.880 --> 0:14:08.320
<v Speaker 1>being parented. But then we would go to work and

0:14:08.360 --> 0:14:16.000
<v Speaker 1>be treated like adults and have absolutely no like um

0:14:16.400 --> 0:14:20.600
<v Speaker 1>like guardianship at work. We were just thrown into this

0:14:20.800 --> 0:14:24.480
<v Speaker 1>situation and had to make all our own decisions and

0:14:24.640 --> 0:14:26.840
<v Speaker 1>know how to act and know how to handle all

0:14:26.920 --> 0:14:31.000
<v Speaker 1>the things and know how to do everything on our own,

0:14:31.080 --> 0:14:34.560
<v Speaker 1>Like there was nobody there telling us yes, no, maybe

0:14:35.080 --> 0:14:38.040
<v Speaker 1>you know it was. There was never one adult that

0:14:38.240 --> 0:14:41.120
<v Speaker 1>was like, hey, if you guys need anything, you're young girls, like, come,

0:14:41.360 --> 0:14:44.080
<v Speaker 1>you can confide in me. That would have been nice

0:14:44.120 --> 0:14:47.080
<v Speaker 1>to have, huh. I wonder if they had that now

0:14:47.160 --> 0:14:51.920
<v Speaker 1>for teenagers. I mean when you're when you're a teenager

0:14:52.800 --> 0:14:56.040
<v Speaker 1>on a set now, you have usually your parents with you,

0:14:56.240 --> 0:14:58.960
<v Speaker 1>or your teacher or something like some sort of person

0:14:59.160 --> 0:15:00.800
<v Speaker 1>your parents didn't have have to be. I guess your

0:15:00.840 --> 0:15:06.880
<v Speaker 1>parents was there technically Tori, or was there but not there.

0:15:08.840 --> 0:15:10.880
<v Speaker 1>I took I took the g D so that I

0:15:10.920 --> 0:15:12.800
<v Speaker 1>didn't have to have a teacher on set because I

0:15:12.800 --> 0:15:17.760
<v Speaker 1>wanted to fit in with everybody else. We both the

0:15:17.880 --> 0:15:20.320
<v Speaker 1>g e D, which is like, so we could graduate

0:15:20.360 --> 0:15:23.880
<v Speaker 1>from high school earlier. Yeah, But then my mom said,

0:15:23.920 --> 0:15:25.960
<v Speaker 1>since she was so strict, if I took the g

0:15:26.160 --> 0:15:28.320
<v Speaker 1>D on my days off from filming, I still had

0:15:28.320 --> 0:15:30.800
<v Speaker 1>to go to high school and graduate from my high school.

0:15:30.920 --> 0:15:33.920
<v Speaker 1>Like that was our deal really, yeah, which was really

0:15:34.040 --> 0:15:36.360
<v Speaker 1>super hard to work these hours and then be like, oh,

0:15:36.400 --> 0:15:37.680
<v Speaker 1>I have the next day off, and I'd be like,

0:15:37.800 --> 0:15:39.680
<v Speaker 1>do I really have to go to my senior classes?

0:15:39.800 --> 0:15:44.920
<v Speaker 1>Like oh I would suck. Oh my goodness, high class problems.

0:15:44.960 --> 0:15:47.480
<v Speaker 1>But it's still and it's not that did you guys

0:15:47.520 --> 0:15:51.080
<v Speaker 1>feel that you were missing out? Like I mean, for me,

0:15:51.120 --> 0:15:53.680
<v Speaker 1>it's like I loved high school for that reason, like

0:15:53.800 --> 0:15:57.840
<v Speaker 1>just all you know, homecoming, the dances, being a cheerleader,

0:15:57.880 --> 0:16:00.280
<v Speaker 1>all that. Did you feel like you missed that on

0:16:00.280 --> 0:16:02.520
<v Speaker 1>any of that? But you basically were playing that on TV,

0:16:02.720 --> 0:16:05.960
<v Speaker 1>so you know, like I think tour you got to

0:16:06.000 --> 0:16:10.200
<v Speaker 1>experience a lot of that. Yeah, mm hmm I did

0:16:10.480 --> 0:16:12.360
<v Speaker 1>and the stuff. But once I was on nine O

0:16:12.440 --> 0:16:14.960
<v Speaker 1>two O, it was like my world transitioned and I

0:16:15.000 --> 0:16:18.440
<v Speaker 1>wanted to just be immersed into this world, um and

0:16:18.480 --> 0:16:20.520
<v Speaker 1>just act and be with these friends. So it just

0:16:21.000 --> 0:16:25.680
<v Speaker 1>it transitioned really fast. Yeah, because you didn't have anybody

0:16:25.720 --> 0:16:27.760
<v Speaker 1>watching over, you didn't have any teachers telling you what

0:16:27.840 --> 0:16:33.320
<v Speaker 1>to do. We were like, whoa, Yeah, it was yeah,

0:16:33.400 --> 0:16:36.240
<v Speaker 1>it's true. Oh my gosh, I would want I want

0:16:36.280 --> 0:16:41.000
<v Speaker 1>I would want that too. Yeah, But um, I don't

0:16:41.000 --> 0:16:44.160
<v Speaker 1>feel like I I mean, I did a little bit

0:16:44.160 --> 0:16:46.520
<v Speaker 1>of high school I only stayed in high school through

0:16:46.520 --> 0:16:50.000
<v Speaker 1>my sophomore year, and then I left and got my

0:16:50.120 --> 0:16:53.520
<v Speaker 1>g D as well, and then didn't ever look back,

0:16:54.560 --> 0:16:59.720
<v Speaker 1>never worried about it again. And look at me now,

0:17:02.200 --> 0:17:05.960
<v Speaker 1>guys stay in school kids. Well, I think it's does

0:17:06.000 --> 0:17:08.280
<v Speaker 1>it feel weird that like you still kind of in

0:17:08.320 --> 0:17:11.200
<v Speaker 1>a weird way acted it out, like yeah, you still

0:17:11.240 --> 0:17:14.359
<v Speaker 1>got to wear like the cap and gown dances and

0:17:14.440 --> 0:17:17.840
<v Speaker 1>got together football games and all the things. It just

0:17:18.000 --> 0:17:20.720
<v Speaker 1>was but as Kelly for not as someone way better,

0:17:20.840 --> 0:17:24.520
<v Speaker 1>because yeah, it was just I don't know, we were

0:17:24.560 --> 0:17:27.840
<v Speaker 1>doing it as adults kind of it was fun. Yeah,

0:17:28.280 --> 0:17:30.520
<v Speaker 1>That's how I felt more about, like the college years

0:17:30.560 --> 0:17:34.359
<v Speaker 1>when we get to the college years, because I felt

0:17:34.480 --> 0:17:37.480
<v Speaker 1>really like missing out when I had friends like that

0:17:37.560 --> 0:17:39.879
<v Speaker 1>would call me from college and they were having parties

0:17:39.920 --> 0:17:43.159
<v Speaker 1>and sororities, and I was like, wow, but we really

0:17:43.200 --> 0:17:45.920
<v Speaker 1>got to live all that. So I feel more about

0:17:45.920 --> 0:17:49.879
<v Speaker 1>that when we get there. Um went back to the episode.

0:17:49.920 --> 0:17:52.320
<v Speaker 1>One of the things that I was enjoying when I

0:17:52.720 --> 0:17:54.320
<v Speaker 1>every time I watched the show, I feel like I

0:17:54.359 --> 0:17:57.960
<v Speaker 1>really enjoyed the not just the opening credits, but like

0:17:58.000 --> 0:18:02.440
<v Speaker 1>the opening sequence where they owe you all of the

0:18:02.440 --> 0:18:05.399
<v Speaker 1>the they call it be roll or establishing shots of

0:18:05.440 --> 0:18:10.080
<v Speaker 1>Beverly Hills in California and all the glorious scenery that

0:18:10.280 --> 0:18:13.399
<v Speaker 1>is out here, you know, And I love that about

0:18:13.760 --> 0:18:15.560
<v Speaker 1>just for a second, it kind of sucked me in

0:18:15.600 --> 0:18:18.240
<v Speaker 1>and thought, oh my gosh. If I was living in

0:18:18.359 --> 0:18:23.359
<v Speaker 1>you know, Uruguay or whatever and watching this, think that's

0:18:23.400 --> 0:18:26.199
<v Speaker 1>so cool. That's what Beverly Hills looks like. That's what

0:18:26.840 --> 0:18:30.160
<v Speaker 1>the rich and famous live like. You know, that's California.

0:18:30.800 --> 0:18:33.680
<v Speaker 1>I think that was such a lure, such a an

0:18:33.680 --> 0:18:36.080
<v Speaker 1>important part of our show was all of that stock

0:18:36.119 --> 0:18:41.040
<v Speaker 1>footage and and and like establishing shots. I lived in

0:18:41.080 --> 0:18:44.520
<v Speaker 1>Orange County and I thought it was amazing. You lived

0:18:44.560 --> 0:18:47.320
<v Speaker 1>like a beautiful place as well. But I'm just saying

0:18:47.359 --> 0:18:49.239
<v Speaker 1>like I never you know, I didn't go up to Hell,

0:18:49.440 --> 0:18:51.879
<v Speaker 1>even going up to l A. Growing up in Orange County.

0:18:52.080 --> 0:18:55.639
<v Speaker 1>It was like you didn't needn't do it often. So

0:18:55.880 --> 0:18:57.959
<v Speaker 1>to us to see like the palm trees and Beverly

0:18:58.040 --> 0:18:59.800
<v Speaker 1>Hills and all the shops and all that stuff, it

0:18:59.880 --> 0:19:02.720
<v Speaker 1>was and something that we saw every day. Either come

0:19:02.760 --> 0:19:07.480
<v Speaker 1>on down see how two percent live Like that's more

0:19:07.520 --> 0:19:10.640
<v Speaker 1>than that. But I think every episode they would repeat

0:19:10.680 --> 0:19:13.399
<v Speaker 1>a lot of the shots of certain things like Rodeo

0:19:13.520 --> 0:19:16.280
<v Speaker 1>Drive and the palm trees and the beach, but there

0:19:16.320 --> 0:19:19.119
<v Speaker 1>were also a lot of new stuff, so that they

0:19:19.160 --> 0:19:22.840
<v Speaker 1>must have had, like, um, a whole second unit that

0:19:22.880 --> 0:19:27.840
<v Speaker 1>would go out and shoot these, um just beautiful scenes

0:19:27.920 --> 0:19:31.680
<v Speaker 1>like landscapes of the beauty of California. I want I

0:19:31.680 --> 0:19:33.439
<v Speaker 1>would want to be on that crew where you just

0:19:33.480 --> 0:19:36.800
<v Speaker 1>go around and there's no actors, just the beautiful scenery

0:19:36.880 --> 0:19:41.200
<v Speaker 1>and the real people. I love. That was that fan.

0:19:41.680 --> 0:19:43.239
<v Speaker 1>But right out of the gate, I felt like this

0:19:43.280 --> 0:19:49.560
<v Speaker 1>episode starts really tapping into uh Dylan's emotional trauma and

0:19:49.640 --> 0:19:53.560
<v Speaker 1>pain more than even more than before. Like, yeah, they

0:19:53.760 --> 0:19:56.760
<v Speaker 1>kind of talk about his problems with his dad, and

0:19:57.040 --> 0:19:58.760
<v Speaker 1>but this is the episode where I felt like we

0:19:58.880 --> 0:20:02.480
<v Speaker 1>really dove into his the dark parts of his psyche.

0:20:03.320 --> 0:20:06.200
<v Speaker 1>And I think this was like a a pivotal moment

0:20:06.200 --> 0:20:10.359
<v Speaker 1>for his character and like the trajectory of the importance

0:20:10.359 --> 0:20:14.320
<v Speaker 1>of Dylan McKay on the show greed, because he wasn't

0:20:14.359 --> 0:20:19.359
<v Speaker 1>just Brenda's boyfriend, he wasn't just you know this guy

0:20:19.400 --> 0:20:22.119
<v Speaker 1>that surfs he was he had all these layers and

0:20:22.160 --> 0:20:25.919
<v Speaker 1>we sort of start to unpack all start to figure out.

0:20:26.240 --> 0:20:29.480
<v Speaker 1>So interesting to see nowadays. I feel like they do

0:20:29.600 --> 0:20:33.119
<v Speaker 1>shows a bit different back then. There really is, and

0:20:33.480 --> 0:20:36.520
<v Speaker 1>like they didn't just drop little nuggets. It's like they

0:20:36.520 --> 0:20:38.879
<v Speaker 1>always put it all in one episode. They pack it

0:20:38.880 --> 0:20:42.919
<v Speaker 1>in kind of like big nuggets about somebody's character. It

0:20:42.960 --> 0:20:45.560
<v Speaker 1>happens all at once. I mean, not that we haven't

0:20:45.600 --> 0:20:48.000
<v Speaker 1>seen little things along the way with Dylan, but this

0:20:48.040 --> 0:20:51.560
<v Speaker 1>episode was very Dylan heavy about his backstory. This whole

0:20:51.560 --> 0:20:55.960
<v Speaker 1>season is more dramatic already. I'm realizing it's not that

0:20:56.040 --> 0:21:00.240
<v Speaker 1>after school special type of vibe that season one was. Yeah,

0:21:00.240 --> 0:21:03.639
<v Speaker 1>you're starting to really get invested in in each individual

0:21:03.720 --> 0:21:09.520
<v Speaker 1>character and their specific journey, and that's that's what's so cool. Like,

0:21:09.520 --> 0:21:11.840
<v Speaker 1>like I was saying that scene with Brenda and Donna

0:21:12.080 --> 0:21:15.520
<v Speaker 1>at the beach, like I started to care and and

0:21:15.720 --> 0:21:20.760
<v Speaker 1>understand and like kind of relate more to Donna and

0:21:20.800 --> 0:21:24.480
<v Speaker 1>to Brenda. I mean, first of all, I thought Brenda

0:21:24.480 --> 0:21:27.159
<v Speaker 1>looks super cut in this episode. Her hair and makeup

0:21:27.280 --> 0:21:32.840
<v Speaker 1>was on fuego, so just but um, I just felt like,

0:21:32.920 --> 0:21:36.760
<v Speaker 1>I you start to really want to be with these characters.

0:21:36.800 --> 0:21:38.480
<v Speaker 1>You start to want to hang out with these characters

0:21:38.520 --> 0:21:42.160
<v Speaker 1>and like help them with their problems and be there

0:21:42.160 --> 0:21:45.200
<v Speaker 1>for it all, you know. And also going into second season,

0:21:45.240 --> 0:21:47.480
<v Speaker 1>I think they were starting to know us as actors

0:21:47.520 --> 0:21:50.639
<v Speaker 1>more and that was helping them to start to guide

0:21:50.640 --> 0:21:54.920
<v Speaker 1>the characters. M What do you mean by that starting

0:21:54.960 --> 0:21:58.879
<v Speaker 1>to get you to know you as actors? Because we

0:21:58.920 --> 0:22:01.040
<v Speaker 1>always feel like we're like did they have like some

0:22:01.119 --> 0:22:05.120
<v Speaker 1>hidden microphone somewhere because they like the character attributes, Like

0:22:06.160 --> 0:22:07.760
<v Speaker 1>I feel like a lot of the stuff you see,

0:22:08.400 --> 0:22:11.119
<v Speaker 1>especially like for my character's Donna, Like that's very tory

0:22:11.680 --> 0:22:14.240
<v Speaker 1>and at that age that they were writing for me

0:22:14.720 --> 0:22:19.439
<v Speaker 1>um personality wise. So it's interesting that they were getting

0:22:19.440 --> 0:22:21.560
<v Speaker 1>to know us by spending time with us on set

0:22:22.440 --> 0:22:25.960
<v Speaker 1>and they were starting to write more personality traits of

0:22:26.000 --> 0:22:30.120
<v Speaker 1>the real actors into the characters. I think. But it's weird.

0:22:30.200 --> 0:22:32.359
<v Speaker 1>I didn't. I didn't never feel like they were spending

0:22:32.359 --> 0:22:34.639
<v Speaker 1>more time with us on set. I honestly felt like

0:22:34.720 --> 0:22:39.600
<v Speaker 1>they were watching us from Afar and like like make

0:22:39.680 --> 0:22:45.399
<v Speaker 1>taking notes about the the animals and the enclosures. Well, wait,

0:22:45.440 --> 0:22:47.800
<v Speaker 1>weren't you miked up? Like if you were miked up

0:22:48.440 --> 0:22:52.000
<v Speaker 1>or No, Well, with all those booms and every shot,

0:22:52.040 --> 0:22:55.680
<v Speaker 1>I don't think we were wearing body mikes, but you learn,

0:22:55.840 --> 0:22:59.119
<v Speaker 1>you learn very young, like we learned this on to

0:22:59.320 --> 0:23:01.080
<v Speaker 1>know that when you have your body mic on, it's

0:23:01.119 --> 0:23:03.480
<v Speaker 1>taped inside. We don't want them to hear it. You

0:23:03.520 --> 0:23:05.800
<v Speaker 1>just tap it and they continue to have a conversation

0:23:06.119 --> 0:23:11.000
<v Speaker 1>like keep doing it. Yeah, it sounds like the soundman

0:23:11.160 --> 0:23:14.160
<v Speaker 1>probably loved that because whenever we would talk about stuff

0:23:14.160 --> 0:23:15.800
<v Speaker 1>we didn't want to when to hear, we'd be like

0:23:15.920 --> 0:23:17.480
<v Speaker 1>tap tup tup, tup, tup, tup, tup, tup tup and

0:23:17.800 --> 0:23:21.680
<v Speaker 1>probably really hurt their ears, breaking punk kids. But like

0:23:21.800 --> 0:23:24.760
<v Speaker 1>I think producers and writers were like banking on us,

0:23:24.920 --> 0:23:27.960
<v Speaker 1>just like talking out of school and not like knowing

0:23:28.040 --> 0:23:30.840
<v Speaker 1>that we had our mics on, and which happens all

0:23:30.880 --> 0:23:33.639
<v Speaker 1>the time. Yeah, we went there was stuff would happen

0:23:33.760 --> 0:23:35.440
<v Speaker 1>and we'd be like, oh shoot, I forgot to go

0:23:35.560 --> 0:23:37.880
<v Speaker 1>like this, and you have just told like some really

0:23:37.960 --> 0:23:41.800
<v Speaker 1>juicy stuff. Um, but have you gone on in your

0:23:41.880 --> 0:23:44.399
<v Speaker 1>career jen to be on a set and work with

0:23:44.560 --> 0:23:46.840
<v Speaker 1>younger people or anyone and you do that and they

0:23:46.920 --> 0:23:49.399
<v Speaker 1>look at you like what are you doing and they

0:23:49.440 --> 0:23:53.080
<v Speaker 1>think you're crazy. I don't know if I've really noticed that. Now,

0:23:53.840 --> 0:23:57.480
<v Speaker 1>Oh it happened to me. Someone was like what you

0:23:57.480 --> 0:23:59.840
<v Speaker 1>are you? Okay, what are you doing? And I was like, Oh,

0:24:00.119 --> 0:24:02.639
<v Speaker 1>it's like a have it you don't. I guess it's

0:24:02.640 --> 0:24:04.600
<v Speaker 1>an old school thing. You like this so that sound

0:24:04.680 --> 0:24:07.800
<v Speaker 1>doesn't hear what the youngsters do now when they don't

0:24:07.800 --> 0:24:10.359
<v Speaker 1>want the sound man to hear what they're saying, they

0:24:10.440 --> 0:24:14.119
<v Speaker 1>just don't care. They don't care. I don't think you

0:24:14.200 --> 0:24:17.080
<v Speaker 1>can't unplug it. There's no off button. Well you can

0:24:17.240 --> 0:24:20.280
<v Speaker 1>unplug it, but it's not that easy because it's usually like, um,

0:24:20.400 --> 0:24:22.760
<v Speaker 1>when they put a body mic on you, it's it's

0:24:22.840 --> 0:24:25.720
<v Speaker 1>wrapped under a packaging thing, like you're wrapped up in

0:24:25.760 --> 0:24:28.359
<v Speaker 1>a belt and it's in the belt, in your pants,

0:24:28.560 --> 0:24:32.040
<v Speaker 1>in your clothes, on your thigh there's like a thi

0:24:32.200 --> 0:24:35.600
<v Speaker 1>wrap with velcrowdon. So it's like, you know, it's usually

0:24:35.680 --> 0:24:38.040
<v Speaker 1>like an ordeal to get to it, which is also

0:24:38.920 --> 0:24:41.359
<v Speaker 1>pretty embarrassing when the sound man is putting that on

0:24:41.560 --> 0:24:45.479
<v Speaker 1>you on set, like digging through your clothes, lifting up

0:24:45.520 --> 0:24:48.000
<v Speaker 1>your skirt, pulling up your everything just to get to

0:24:48.080 --> 0:24:55.320
<v Speaker 1>your mic, to change your batteries, batteries, just coping a

0:24:55.400 --> 0:25:00.760
<v Speaker 1>field right now, Oh my god. Pretty invasive. It's and

0:25:00.920 --> 0:25:03.320
<v Speaker 1>everybody's standing there waiting while the sound man is like

0:25:03.440 --> 0:25:06.640
<v Speaker 1>literally lifting your shirt up and basically putting his head

0:25:06.720 --> 0:25:12.879
<v Speaker 1>under their likes. They usually hand it to me and

0:25:12.880 --> 0:25:19.800
<v Speaker 1>they just go through. Now, So we grew up like

0:25:20.080 --> 0:25:23.679
<v Speaker 1>just being like on new shows they would be like okay,

0:25:23.760 --> 0:25:26.160
<v Speaker 1>they would always say that, we would just stand yeah,

0:25:26.560 --> 0:25:30.440
<v Speaker 1>just text here's my body put the same you need it?

0:25:31.880 --> 0:25:38.960
<v Speaker 1>That basically PTSD from that from being fondled. Do you

0:25:39.119 --> 0:25:42.919
<v Speaker 1>enjoy for play? Does it bring back? It's kind of numbing,

0:25:43.119 --> 0:25:49.359
<v Speaker 1>Like we're like Janice explained so much about my life

0:25:49.640 --> 0:25:55.119
<v Speaker 1>an epiphany. Lord, what is that? Well, there's still more

0:25:55.200 --> 0:25:58.680
<v Speaker 1>than cover from this episode. Let's take a break and

0:25:58.760 --> 0:26:13.640
<v Speaker 1>you guys can think about that and we'll come back. Okay,

0:26:13.720 --> 0:26:19.440
<v Speaker 1>you guys, we are back, and it's Anaconda don't want

0:26:19.960 --> 0:26:22.960
<v Speaker 1>if you ain't got buns hunts. Sorry, I love it

0:26:23.080 --> 0:26:26.600
<v Speaker 1>so much. We're at the Beach Club. We are what

0:26:26.840 --> 0:26:30.600
<v Speaker 1>they're play coker and the big thing is they're going

0:26:30.640 --> 0:26:34.720
<v Speaker 1>to do the you know, Ross Weener Black version of

0:26:34.800 --> 0:26:37.640
<v Speaker 1>Poker Night, which I just couldn't get past the name.

0:26:37.760 --> 0:26:40.960
<v Speaker 1>Sorry for anybody out there who's named Ross Weener Black,

0:26:41.040 --> 0:26:44.119
<v Speaker 1>But I mean I'm really sorry if your name is

0:26:44.200 --> 0:26:47.160
<v Speaker 1>Ross Win are black, But I'm sorry to be making

0:26:47.200 --> 0:26:48.840
<v Speaker 1>fun of it right now, but it just made me laugh.

0:26:50.119 --> 0:26:53.320
<v Speaker 1>One more time, say it one more time, a black, yes,

0:26:54.080 --> 0:26:56.720
<v Speaker 1>one more time to say it one more time. What

0:26:56.880 --> 0:26:59.800
<v Speaker 1>movies that from? I don't know, you and I always do.

0:27:00.119 --> 0:27:01.720
<v Speaker 1>I don't know. We got it from some movie. It's

0:27:01.760 --> 0:27:10.200
<v Speaker 1>from Elf on the Conversable and um, and Will Ferrell's

0:27:10.280 --> 0:27:14.840
<v Speaker 1>character is calling him an elf room. He's like, say more,

0:27:14.960 --> 0:27:16.520
<v Speaker 1>one more time, to say it one more time and

0:27:16.640 --> 0:27:22.080
<v Speaker 1>then you scrap out of left. Sorry, but it was

0:27:22.160 --> 0:27:24.600
<v Speaker 1>also funny when they're doing the poker stuff and they're

0:27:24.760 --> 0:27:30.359
<v Speaker 1>um talking about their fancy fifty inch rear projection TV.

0:27:31.480 --> 0:27:36.119
<v Speaker 1>I was like, that was like high tech in that

0:27:36.320 --> 0:27:41.640
<v Speaker 1>at that time. That dated us, didn't it? And it did,

0:27:41.760 --> 0:27:44.320
<v Speaker 1>But I loved it. It was pretty big TV for

0:27:44.440 --> 0:27:48.040
<v Speaker 1>that time, and rear projection TVs were the thing to have.

0:27:49.280 --> 0:27:51.600
<v Speaker 1>Now you wouldn't really want one, but they were good.

0:27:51.720 --> 0:27:53.720
<v Speaker 1>One of my favorite lines, I'm just going to jump

0:27:53.840 --> 0:27:57.760
<v Speaker 1>right ahead because that's what I do, uh, was when um,

0:27:58.440 --> 0:28:02.120
<v Speaker 1>the guy that they're playing poker with, says, Hey, Brandon,

0:28:02.280 --> 0:28:07.520
<v Speaker 1>don't be such a squeef what's a squeef? What's a squeef?

0:28:07.880 --> 0:28:11.320
<v Speaker 1>I thought he said squeak, but I thought I heard

0:28:11.359 --> 0:28:15.480
<v Speaker 1>squeef squeak squeef, Like, don't be such a squeak who

0:28:15.520 --> 0:28:19.359
<v Speaker 1>says that, Yeah, it's weird. Was a squeef? Like like

0:28:19.440 --> 0:28:22.479
<v Speaker 1>a loser? Sounds not fun? And then the girls come

0:28:22.560 --> 0:28:25.520
<v Speaker 1>to the poker party and they look so stink and cute.

0:28:26.040 --> 0:28:30.040
<v Speaker 1>I love your outfits. I always try to find pictures

0:28:30.080 --> 0:28:34.480
<v Speaker 1>from that episode really cute, and I loved those outfits.

0:28:35.200 --> 0:28:37.080
<v Speaker 1>It looks so fun. I wanted to go to that

0:28:37.160 --> 0:28:39.520
<v Speaker 1>poker game and smoke, well, I didn't want to smoke

0:28:39.560 --> 0:28:42.400
<v Speaker 1>the cigars. I could not believe you guys were smoking cigars.

0:28:43.360 --> 0:28:45.800
<v Speaker 1>I felt like such a stud you guys, I'm sure

0:28:45.840 --> 0:28:47.840
<v Speaker 1>I felt like I was going to throw up afterwards,

0:28:47.960 --> 0:28:53.040
<v Speaker 1>But I was like feeling cool as could be. I

0:28:53.120 --> 0:28:57.920
<v Speaker 1>don't see some cigars smoking as really making you cool,

0:28:59.240 --> 0:29:02.120
<v Speaker 1>but I guess it's the opposite. But imagine being what

0:29:02.280 --> 0:29:08.360
<v Speaker 1>were we seventeen then eighteen? Like you know, I was like, Okay,

0:29:08.840 --> 0:29:10.880
<v Speaker 1>it's just first scene, so I'm not doing it. But

0:29:10.960 --> 0:29:13.440
<v Speaker 1>it's like, I don't know. I thought I was in

0:29:13.480 --> 0:29:18.440
<v Speaker 1>the big leagues. Don't judge me. You were and you

0:29:18.560 --> 0:29:21.120
<v Speaker 1>looked great doing it. I really loved it. I was

0:29:21.200 --> 0:29:23.480
<v Speaker 1>there for that whole poker thing, the lighting and the

0:29:24.120 --> 0:29:29.080
<v Speaker 1>just it looks so Needo Neto, I said, Neto better

0:29:29.160 --> 0:29:34.160
<v Speaker 1>than squeef. It was a very interesting theme. Like I

0:29:34.320 --> 0:29:36.960
<v Speaker 1>was wondering, did the writers come up with that? Was

0:29:37.040 --> 0:29:40.960
<v Speaker 1>that your dad's idea to do the whole like Frank

0:29:41.040 --> 0:29:45.280
<v Speaker 1>Sinatra theme scene? Where do you guys think it came from?

0:29:46.320 --> 0:29:49.320
<v Speaker 1>I wonder. I mean, my dad was really good friends

0:29:49.360 --> 0:29:52.440
<v Speaker 1>with the rat Pack. I wonder if that was something

0:29:52.680 --> 0:29:55.000
<v Speaker 1>he was like, Oh, let's make it this kind of idea,

0:29:55.840 --> 0:29:59.760
<v Speaker 1>bring that back. I don't know. It was fun to

0:29:59.800 --> 0:30:04.760
<v Speaker 1>get see James Pickens jr. Um do some more scenes

0:30:04.880 --> 0:30:07.880
<v Speaker 1>in this episode. Did you guys like that? He's such

0:30:07.880 --> 0:30:11.240
<v Speaker 1>a good actor. It's funny. I wonder if people remember

0:30:11.320 --> 0:30:13.600
<v Speaker 1>him from this, because obviously everyone knows him from Gray's

0:30:13.640 --> 0:30:18.040
<v Speaker 1>Anatomy Richard on Grey's Anatomy, But we've crossover audiences, right, Yeah, sure,

0:30:18.160 --> 0:30:21.240
<v Speaker 1>Before that, he was he was Henry Thomas. He was

0:30:21.360 --> 0:30:24.000
<v Speaker 1>like the guy at the Beach Club, and he was

0:30:24.200 --> 0:30:27.240
<v Speaker 1>so great. He was I just loved whenever he was

0:30:27.400 --> 0:30:33.000
<v Speaker 1>on screen. And I mean, to be quite honest, the

0:30:33.040 --> 0:30:37.640
<v Speaker 1>show was not that diverse in in the nineties. We

0:30:37.920 --> 0:30:40.880
<v Speaker 1>that wasn't something that they really focused on. It was

0:30:40.920 --> 0:30:43.760
<v Speaker 1>a once in a while thing that they would say, oh,

0:30:43.880 --> 0:30:46.440
<v Speaker 1>we we should do this. But I loved seeing the

0:30:46.520 --> 0:30:49.960
<v Speaker 1>diversity and just feeling that, you know, just the difference

0:30:50.240 --> 0:30:54.080
<v Speaker 1>of of having him there. And I thought that he

0:30:54.200 --> 0:30:56.520
<v Speaker 1>added a lot to our show. I liked him a lot.

0:30:56.960 --> 0:31:00.440
<v Speaker 1>He was watching TV on the balcony agan man favorite

0:31:00.480 --> 0:31:02.920
<v Speaker 1>thing to do, and he had like the best mullet,

0:31:03.160 --> 0:31:05.600
<v Speaker 1>Like did you guys notice he had like the best

0:31:06.280 --> 0:31:10.600
<v Speaker 1>tightest mullet there is tight the tight mullet. But it

0:31:10.760 --> 0:31:12.440
<v Speaker 1>was a moment you had to really like sneak a

0:31:12.520 --> 0:31:16.840
<v Speaker 1>peek to see it. And I was like, what, he's cute.

0:31:20.160 --> 0:31:22.640
<v Speaker 1>So he appears in ten episodes of Nanotu and O

0:31:23.400 --> 0:31:26.480
<v Speaker 1>and then that was it. What what happened after this

0:31:26.600 --> 0:31:28.640
<v Speaker 1>season Greys Anatomy starts is that when he went there

0:31:29.680 --> 0:31:32.440
<v Speaker 1>maybe a year. I guess we'll find out, But didn't

0:31:32.440 --> 0:31:33.840
<v Speaker 1>we come back to the Beach Club or this was

0:31:33.920 --> 0:31:36.640
<v Speaker 1>it after this season? I feel like it was just

0:31:36.800 --> 0:31:40.680
<v Speaker 1>one season. Whoa we don't know in anything like like

0:31:40.800 --> 0:31:43.440
<v Speaker 1>we said, We're going to learn right along with you,

0:31:43.520 --> 0:31:45.760
<v Speaker 1>guys while we're watching this. The thing about this is,

0:31:45.840 --> 0:31:47.959
<v Speaker 1>if you're a super fan of the show, you've watched

0:31:48.000 --> 0:31:50.719
<v Speaker 1>every episode and you know what's happened and what's going

0:31:50.800 --> 0:31:54.240
<v Speaker 1>to happen for us. We literally don't know what's going

0:31:54.280 --> 0:31:57.600
<v Speaker 1>to happen next week. This is true just because we

0:31:57.680 --> 0:32:00.760
<v Speaker 1>acted it and lived it. Don't think we remember it.

0:32:02.240 --> 0:32:04.080
<v Speaker 1>We had a great we had a great song in

0:32:04.160 --> 0:32:07.320
<v Speaker 1>this episode, though, I did notice um was kind of

0:32:07.480 --> 0:32:12.920
<v Speaker 1>another one of those um foreshadowing weird nine O two

0:32:13.000 --> 0:32:15.040
<v Speaker 1>on Oh Moments, because there was a song called what

0:32:15.120 --> 0:32:18.560
<v Speaker 1>I Like About You by The Romantics in the scene

0:32:18.560 --> 0:32:23.160
<v Speaker 1>with Brendan Donna when they're doing their tams. I don't

0:32:23.200 --> 0:32:24.720
<v Speaker 1>know if you guys heard it, but I did because

0:32:24.760 --> 0:32:29.040
<v Speaker 1>that song was later became pretty significant to me because

0:32:29.080 --> 0:32:32.200
<v Speaker 1>I did the show What I Like About You? Yeah, yeah,

0:32:32.320 --> 0:32:35.960
<v Speaker 1>So I thought that was a neat little foreshadowing. Another

0:32:36.040 --> 0:32:40.480
<v Speaker 1>one of those things. That's so cool. Those things keep happening, coming,

0:32:40.640 --> 0:32:43.360
<v Speaker 1>keep them coming. I love it. Do you guys have

0:32:43.520 --> 0:32:46.840
<v Speaker 1>that happen? I mean, you notice, like the things that

0:32:46.920 --> 0:32:51.000
<v Speaker 1>happened like little signs. This is totally off topic. But

0:32:51.040 --> 0:32:55.760
<v Speaker 1>I'll just tell you. Um my daughter her school picked

0:32:55.800 --> 0:33:01.000
<v Speaker 1>a new mascot this last week and they, for whatever reason,

0:33:01.120 --> 0:33:03.920
<v Speaker 1>that it wasn't politically correct their old mascot. They wanted

0:33:03.960 --> 0:33:08.360
<v Speaker 1>to change it. So they changed it to the Owls

0:33:08.920 --> 0:33:11.320
<v Speaker 1>and they announced it yesterday and it was big news,

0:33:11.440 --> 0:33:14.880
<v Speaker 1>you know, for us. And that the night before they

0:33:14.920 --> 0:33:18.200
<v Speaker 1>announced it, I had a dream about a giant owl

0:33:18.600 --> 0:33:23.600
<v Speaker 1>swooping through and I didn't know where that came from.

0:33:23.880 --> 0:33:26.840
<v Speaker 1>Then then then they announced that their show their mascots

0:33:26.880 --> 0:33:30.480
<v Speaker 1>called the Owls. And then last night we were watching

0:33:31.400 --> 0:33:35.440
<v Speaker 1>um Queen's Gambit again. I guess we love that show,

0:33:36.080 --> 0:33:38.880
<v Speaker 1>and there was like an owl reference. I don't even

0:33:38.920 --> 0:33:41.280
<v Speaker 1>know why I'm telling you this, but it's about the

0:33:41.440 --> 0:33:48.240
<v Speaker 1>signs people. It's about noticing the universe, like synchronicity. Synchronicity, yes,

0:33:48.640 --> 0:33:52.240
<v Speaker 1>and I'm just gonna say it, I think. Okay. So,

0:33:53.000 --> 0:33:55.520
<v Speaker 1>so she told me this yesterday and I was like, oh,

0:33:55.720 --> 0:33:58.680
<v Speaker 1>she had this premonition about the owl being picked as

0:33:58.720 --> 0:34:02.080
<v Speaker 1>the mascot. But I think the overall theme is you

0:34:02.160 --> 0:34:05.720
<v Speaker 1>need to look deeper. The album means something else for you.

0:34:06.280 --> 0:34:09.839
<v Speaker 1>It's coming like something wei to figure it out. Well,

0:34:09.920 --> 0:34:13.120
<v Speaker 1>owls are wise. Maybe there's wisdom coming your way or

0:34:13.400 --> 0:34:19.520
<v Speaker 1>please go and she is a hoot. But I feel

0:34:19.560 --> 0:34:25.520
<v Speaker 1>like it means something little people. Maybe it'll be revealed

0:34:25.560 --> 0:34:29.520
<v Speaker 1>on the next episode. Maybe. Well, let's get into fashion

0:34:29.760 --> 0:34:32.320
<v Speaker 1>our favorite lines, and we have a few questions from listeners.

0:34:32.440 --> 0:34:47.080
<v Speaker 1>Let's take a break and we'll come back with that. Okay,

0:34:47.160 --> 0:34:49.879
<v Speaker 1>so let's talk fashion, ladies, because we love to talk

0:34:49.920 --> 0:34:53.120
<v Speaker 1>about fashion on the show. Um, I'll just kick it

0:34:53.280 --> 0:34:58.320
<v Speaker 1>right off. I was really digging Steve's outfits in this episode.

0:35:00.000 --> 0:35:04.320
<v Speaker 1>They were They were just fun and so perfectly Steve Sanders.

0:35:04.840 --> 0:35:09.000
<v Speaker 1>I loved the completely buttoned up shirt, blue shirt with

0:35:09.080 --> 0:35:15.320
<v Speaker 1>the white like docer shorts, but equally uh, the dolphin

0:35:15.400 --> 0:35:21.040
<v Speaker 1>shorts he was wearing with yet another tank top. His

0:35:21.200 --> 0:35:25.800
<v Speaker 1>tank top closet is just going nuts. We have to

0:35:25.880 --> 0:35:28.440
<v Speaker 1>ask him if he has any of those tank tops

0:35:28.640 --> 0:35:31.759
<v Speaker 1>and if he would be willing to wear them one day.

0:35:32.880 --> 0:35:35.759
<v Speaker 1>Oh yeah, then and now I want to do yeah,

0:35:35.840 --> 0:35:38.080
<v Speaker 1>like I want to see him in those now. I

0:35:38.160 --> 0:35:41.400
<v Speaker 1>want to see that so bad. Um. I loved my

0:35:41.560 --> 0:35:43.880
<v Speaker 1>outfit in the Poker Game. That was one of my

0:35:43.960 --> 0:35:46.839
<v Speaker 1>favorite outfits ever on this whole series that I wore

0:35:47.120 --> 0:35:52.719
<v Speaker 1>because I love the twenties, so mine was kind of esque. Yeah,

0:35:52.760 --> 0:35:55.560
<v Speaker 1>you were both kind of dolled up like retro like that,

0:35:55.680 --> 0:35:59.640
<v Speaker 1>and I loved it. Brenda's she looked every bit a

0:36:00.160 --> 0:36:03.560
<v Speaker 1>roaring twenties lady, just as you did, but a little

0:36:03.600 --> 0:36:07.160
<v Speaker 1>different take on it. Right, you were more of a flapper.

0:36:08.400 --> 0:36:12.040
<v Speaker 1>He was more of like, um, the cigarette girl, you know,

0:36:12.120 --> 0:36:17.160
<v Speaker 1>the girl that would a cigarette cigarette cigarette. Well, I'm

0:36:17.160 --> 0:36:24.359
<v Speaker 1>really dating myself. Everybody gets did you like anything since? Yeah,

0:36:24.400 --> 0:36:27.160
<v Speaker 1>it's funny that they were considered the babes that we're

0:36:27.200 --> 0:36:29.080
<v Speaker 1>going to be at the poke game. Brandon was so

0:36:29.239 --> 0:36:31.520
<v Speaker 1>disappointed that one of them was his sister. He's like,

0:36:31.760 --> 0:36:35.520
<v Speaker 1>this does not count. We get some fresh girls. Fresh girlfriend,

0:36:35.560 --> 0:36:40.200
<v Speaker 1>He's a fresh babe. Um. I liked Donna's hair in um,

0:36:41.320 --> 0:36:43.719
<v Speaker 1>like half a half down when you came into the

0:36:43.760 --> 0:36:46.080
<v Speaker 1>WASH's house. It's just like that was my go to

0:36:46.200 --> 0:36:48.160
<v Speaker 1>hair sound in the nineties because like, if you don't

0:36:48.160 --> 0:36:49.680
<v Speaker 1>want to do point out, you just like the half

0:36:49.719 --> 0:36:52.360
<v Speaker 1>of half down with like a huge scrunch, yeah, or

0:36:52.600 --> 0:36:55.759
<v Speaker 1>like a clip, like a little clips what were they

0:36:55.800 --> 0:36:58.920
<v Speaker 1>called the banana clips? No, that was a different one.

0:37:00.040 --> 0:37:03.000
<v Speaker 1>They were like, yeah, small, like just one and they

0:37:03.000 --> 0:37:06.440
<v Speaker 1>were flat, yeah, and it just would hold it. I

0:37:06.520 --> 0:37:08.200
<v Speaker 1>don't I don't know. It's so funny for me because

0:37:08.200 --> 0:37:10.880
<v Speaker 1>I feel like that hair do was like not a

0:37:10.960 --> 0:37:14.200
<v Speaker 1>TV hair do. I feel like it was just real life. Yes.

0:37:14.680 --> 0:37:16.600
<v Speaker 1>I think that's why I liked it really Like I

0:37:16.719 --> 0:37:18.200
<v Speaker 1>look at it and I'm like, oh my god, why

0:37:18.239 --> 0:37:21.759
<v Speaker 1>didn't they do my hair that day? Like, oh my god,

0:37:21.880 --> 0:37:23.880
<v Speaker 1>what was happening? Was I like late and they were

0:37:23.920 --> 0:37:26.320
<v Speaker 1>like got to get to said skip hair. No. I

0:37:26.440 --> 0:37:29.440
<v Speaker 1>feel like it goes back to being you, being authentic

0:37:29.560 --> 0:37:33.800
<v Speaker 1>and relatable. I feel like you and Brenda both looked

0:37:34.080 --> 0:37:37.320
<v Speaker 1>just really normal, like girls you would want to be

0:37:37.480 --> 0:37:39.320
<v Speaker 1>hang out with, like you, girls that you actually do

0:37:39.440 --> 0:37:43.040
<v Speaker 1>hair out with. How about lines? Best lines from the episode?

0:37:43.560 --> 0:37:46.880
<v Speaker 1>I know to one? No. One of mine was from David.

0:37:47.960 --> 0:37:50.480
<v Speaker 1>Uh he was He said, hey, little lady, can I

0:37:50.600 --> 0:37:57.759
<v Speaker 1>buy you a snack? Donna hot snack? Right here? He

0:37:57.920 --> 0:38:01.719
<v Speaker 1>was not feeling his vibe now not Yeah. Um of

0:38:01.840 --> 0:38:04.839
<v Speaker 1>course going back to that, UM, seeing I liked my line,

0:38:05.000 --> 0:38:08.919
<v Speaker 1>I uh, I had a cigar. I threw up. Yeah

0:38:11.640 --> 0:38:15.399
<v Speaker 1>that's so cute. Um, I already told you my favorite line.

0:38:15.440 --> 0:38:18.640
<v Speaker 1>Brandon don't be such a squeef. I plan on using

0:38:18.719 --> 0:38:22.399
<v Speaker 1>that reference later. I'm gonna call somebody a squeef today

0:38:22.440 --> 0:38:27.399
<v Speaker 1>and see how it goes. And that's that's it, you guys.

0:38:27.480 --> 0:38:29.160
<v Speaker 1>This is this was We don't have a lot to

0:38:29.200 --> 0:38:31.279
<v Speaker 1>say about this episode. I feel like we kind of

0:38:31.400 --> 0:38:36.040
<v Speaker 1>like didn't really go too deep. But that's okay because

0:38:36.040 --> 0:38:39.000
<v Speaker 1>we have some great questions I think from from listeners.

0:38:39.040 --> 0:38:42.920
<v Speaker 1>Don't we sist? We sure do? A Maya is asking

0:38:43.560 --> 0:38:46.920
<v Speaker 1>why do y'all keep picking and or shading the boys?

0:38:47.640 --> 0:38:50.719
<v Speaker 1>This other week it was about Jason and his height

0:38:50.960 --> 0:38:54.400
<v Speaker 1>and everything, and then Tori was sarcastic about how Jason

0:38:54.520 --> 0:38:58.080
<v Speaker 1>loves to rehash Nano toun o stuff. What did they

0:38:58.160 --> 0:39:02.120
<v Speaker 1>do to you? Wow, my gosh, what did they do

0:39:02.320 --> 0:39:06.040
<v Speaker 1>to us? Okay, here's what you guys need to understand,

0:39:06.560 --> 0:39:11.680
<v Speaker 1>Like these are like our brothers and sisters. Like anything

0:39:11.800 --> 0:39:14.239
<v Speaker 1>we say here we would say right to their face

0:39:14.320 --> 0:39:17.240
<v Speaker 1>and probably do. Like you hear how Jan and I talked.

0:39:17.360 --> 0:39:19.960
<v Speaker 1>This is how we all talked to each other. Um

0:39:20.120 --> 0:39:23.000
<v Speaker 1>and we we always were in contact stone we're all

0:39:23.040 --> 0:39:26.839
<v Speaker 1>still friends. So they didn't do anything. Does we love them?

0:39:26.880 --> 0:39:28.360
<v Speaker 1>It's our family. This is how you talk about your

0:39:28.400 --> 0:39:31.320
<v Speaker 1>best friends and family, right, yeah, but even so, like

0:39:31.520 --> 0:39:35.560
<v Speaker 1>I get what there's this Amaya is saying, like from

0:39:35.800 --> 0:39:38.279
<v Speaker 1>people that love the show, and you know, but the

0:39:38.400 --> 0:39:42.200
<v Speaker 1>thing is, this is our this is these are our recollections,

0:39:42.239 --> 0:39:45.560
<v Speaker 1>these are our memories. This is was our experience, and

0:39:46.000 --> 0:39:49.000
<v Speaker 1>you know, it was probably much different than their experience,

0:39:49.040 --> 0:39:51.960
<v Speaker 1>so the guy's experience or anyone else's experience, but we

0:39:52.080 --> 0:39:54.360
<v Speaker 1>can tell our side of the story. And I think that,

0:39:55.080 --> 0:40:00.400
<v Speaker 1>um so often we fall into the trap of trying

0:40:00.440 --> 0:40:04.799
<v Speaker 1>to tell a story that everybody is gonna digest, well,

0:40:05.040 --> 0:40:07.120
<v Speaker 1>like that it's going to be politically correct to say,

0:40:07.360 --> 0:40:09.400
<v Speaker 1>or it's gonna people are going to still like us

0:40:09.440 --> 0:40:11.600
<v Speaker 1>even when we say it. But there are some parts

0:40:11.800 --> 0:40:17.320
<v Speaker 1>of our experience that weren't great, and and that's okay,

0:40:17.520 --> 0:40:19.520
<v Speaker 1>and it's okay for us to talk about it now too,

0:40:19.960 --> 0:40:22.920
<v Speaker 1>and it's okay for for other people to share their experiences.

0:40:23.000 --> 0:40:26.800
<v Speaker 1>But you know, when you ask what did they do

0:40:27.120 --> 0:40:32.480
<v Speaker 1>to you, it's not necessarily what they did to us,

0:40:32.760 --> 0:40:36.080
<v Speaker 1>but what we as young people did to ourselves, like

0:40:36.280 --> 0:40:40.919
<v Speaker 1>our interpretation of what was happening at that time because

0:40:41.000 --> 0:40:43.319
<v Speaker 1>we were all so young and so like I said,

0:40:43.440 --> 0:40:46.600
<v Speaker 1>so unguided at that in that environment, that grown up,

0:40:46.680 --> 0:40:51.360
<v Speaker 1>mature environment, being completely left on our own for you know,

0:40:51.719 --> 0:40:55.400
<v Speaker 1>days full days of whatever happened, you know. And so

0:40:55.640 --> 0:40:59.200
<v Speaker 1>there's so much that happened that sort of taught us

0:40:59.320 --> 0:41:03.640
<v Speaker 1>and and shaped us as women, as young girls, as

0:41:03.719 --> 0:41:06.640
<v Speaker 1>now as women, and not all of it was great.

0:41:06.880 --> 0:41:12.040
<v Speaker 1>And you know, Tory and I do try to um

0:41:12.600 --> 0:41:16.239
<v Speaker 1>tell the truth, but at the same time not you know,

0:41:16.840 --> 0:41:20.080
<v Speaker 1>let people in too far to see like the you know,

0:41:20.760 --> 0:41:24.160
<v Speaker 1>the sordid parts, because we want everybody to love the

0:41:24.280 --> 0:41:27.040
<v Speaker 1>characters and love the show, and but we also have

0:41:27.120 --> 0:41:29.960
<v Speaker 1>our own experiences, so sometimes that stuff comes out of us,

0:41:30.080 --> 0:41:32.719
<v Speaker 1>like when we're joking and when we're like making fun.

0:41:32.880 --> 0:41:36.520
<v Speaker 1>But I don't think that it's not about what they

0:41:36.600 --> 0:41:40.520
<v Speaker 1>did to us. Well, but what she said, um, but

0:41:40.600 --> 0:41:44.719
<v Speaker 1>am also I believe I'm the person that the entire

0:41:44.800 --> 0:41:48.880
<v Speaker 1>first season I kept saying, Look how dreamy Jason's eyes are.

0:41:49.040 --> 0:41:53.359
<v Speaker 1>Oh my god, he's so hot. Like I acknowledge that too.

0:41:53.560 --> 0:41:56.360
<v Speaker 1>I think. I mean, I'll say to you if you

0:41:56.440 --> 0:41:58.680
<v Speaker 1>wore something like what were you wearing that week? Like

0:41:58.840 --> 0:42:00.919
<v Speaker 1>that's the same thing, Like why did they say something

0:42:00.920 --> 0:42:05.759
<v Speaker 1>about Jason Tite, like we were just referencing things that

0:42:06.360 --> 0:42:08.360
<v Speaker 1>we're in the script and happened. I don't think you

0:42:08.440 --> 0:42:10.080
<v Speaker 1>have to defend yourself, but I think that way you

0:42:10.120 --> 0:42:12.840
<v Speaker 1>said it makes a lot of sense. I know, I

0:42:12.880 --> 0:42:15.040
<v Speaker 1>don't feel like we pick on them, though I don't like,

0:42:15.120 --> 0:42:17.200
<v Speaker 1>I don't feel like we have different I haven't gotten

0:42:17.239 --> 0:42:19.120
<v Speaker 1>that vibe either. I think it is kind of like

0:42:19.280 --> 0:42:21.960
<v Speaker 1>you guys are all, you know, related in a in

0:42:22.040 --> 0:42:26.120
<v Speaker 1>a sense, these are our high school friends. Like we

0:42:27.520 --> 0:42:29.680
<v Speaker 1>I mean family picks on each other. It's like I

0:42:29.800 --> 0:42:32.280
<v Speaker 1>still have the same jokes with my high school friends

0:42:32.320 --> 0:42:33.840
<v Speaker 1>that like, and we still when we see each other

0:42:33.880 --> 0:42:35.440
<v Speaker 1>we pick up, but we left off and it's the

0:42:35.480 --> 0:42:38.719
<v Speaker 1>same stupid jokes that like, you know, sound mean, but

0:42:38.840 --> 0:42:41.440
<v Speaker 1>they're not me because it's us and we were in

0:42:41.560 --> 0:42:45.320
<v Speaker 1>those were, like like we've said before, those were formative years.

0:42:45.520 --> 0:42:49.520
<v Speaker 1>We were young girls. We were very very impressionable, and

0:42:51.719 --> 0:42:55.480
<v Speaker 1>I mean Tory and I've talked about this before. Back

0:42:55.520 --> 0:42:57.960
<v Speaker 1>to the whole major concept of why why am I

0:42:58.040 --> 0:42:59.799
<v Speaker 1>the way I am? And who how did I get

0:42:59.880 --> 0:43:02.040
<v Speaker 1>the way? And why do I have these issues or

0:43:02.120 --> 0:43:04.040
<v Speaker 1>these hang ups or you know, all that you ask

0:43:04.120 --> 0:43:07.719
<v Speaker 1>yourselves as you grow into an adult and you when

0:43:07.760 --> 0:43:10.960
<v Speaker 1>you start to look and sort of look at yourself

0:43:11.080 --> 0:43:14.080
<v Speaker 1>in the mirror and ask those questions. Yeah, a lot

0:43:14.160 --> 0:43:17.440
<v Speaker 1>of a lot of what happened on that set um

0:43:18.239 --> 0:43:22.880
<v Speaker 1>shaped us in all directions. But I think as a

0:43:22.960 --> 0:43:26.239
<v Speaker 1>young girl, maybe I was like, what blamed it on

0:43:26.320 --> 0:43:28.640
<v Speaker 1>the guys to like, you know, it was all their fault,

0:43:28.680 --> 0:43:32.080
<v Speaker 1>But it was how I saw it, like, you know,

0:43:32.200 --> 0:43:36.000
<v Speaker 1>brought out a super competitive part of me. Being in

0:43:36.120 --> 0:43:40.320
<v Speaker 1>that environment of being you know, uh, judge by because

0:43:40.360 --> 0:43:42.400
<v Speaker 1>of my looks or how I looked in an outfit

0:43:42.600 --> 0:43:46.800
<v Speaker 1>or you know. It was such a it was. It

0:43:46.960 --> 0:43:50.000
<v Speaker 1>was just a different day and age um and it

0:43:50.080 --> 0:43:53.280
<v Speaker 1>and it gave us young girls a lot of mixed messages,

0:43:53.360 --> 0:43:58.080
<v Speaker 1>and I for many years struggled with um, I think

0:43:58.120 --> 0:44:00.319
<v Speaker 1>that if I'm honest, like I think it, it kind

0:44:00.360 --> 0:44:04.520
<v Speaker 1>of taught me two be threatened by other girls, be

0:44:04.600 --> 0:44:09.600
<v Speaker 1>threatened by other women, be more competitive because I wanted there.

0:44:10.000 --> 0:44:13.560
<v Speaker 1>I wanted our co stars approval or attention, you know.

0:44:13.640 --> 0:44:16.239
<v Speaker 1>And it was it messed with me on a on

0:44:16.320 --> 0:44:18.759
<v Speaker 1>a deeper level. And not until later in life did

0:44:18.800 --> 0:44:22.920
<v Speaker 1>I kind of think it wasn't ever about the other girls,

0:44:23.080 --> 0:44:25.320
<v Speaker 1>and why did I ever make the other girls the

0:44:25.440 --> 0:44:30.759
<v Speaker 1>enemy in my mind? You know, it wasn't it. And

0:44:31.040 --> 0:44:33.239
<v Speaker 1>so it gives you different messages that you have to

0:44:33.320 --> 0:44:34.799
<v Speaker 1>work through. And I think that Tory and I are

0:44:34.840 --> 0:44:37.360
<v Speaker 1>always working through those messages as we grow older and

0:44:38.680 --> 0:44:41.160
<v Speaker 1>trying to be better people and figure it all out.

0:44:41.239 --> 0:44:46.839
<v Speaker 1>You know, absolutely all right, We'll go to the next question. Um.

0:44:47.760 --> 0:44:53.160
<v Speaker 1>This question is from Stephanie to Jenny. Through the seasons,

0:44:53.239 --> 0:44:58.160
<v Speaker 1>Kelly endured such traumatic experiences and eating disorder, the fire, drugs,

0:44:58.280 --> 0:45:00.879
<v Speaker 1>getting shot, and the cold, just to name a few.

0:45:01.840 --> 0:45:04.600
<v Speaker 1>Did you ever get tired of such terrible things happening

0:45:04.680 --> 0:45:08.560
<v Speaker 1>to your character and ask for something happier or easier

0:45:08.640 --> 0:45:12.360
<v Speaker 1>to play? In those ten seasons? I can ask this

0:45:12.520 --> 0:45:15.239
<v Speaker 1>question a lot, because yeah, you do. Because a lot

0:45:15.280 --> 0:45:18.040
<v Speaker 1>of bad things happen to Kelly. It's like a weird

0:45:18.520 --> 0:45:21.839
<v Speaker 1>I don't know why. They just love to do bad

0:45:21.920 --> 0:45:25.000
<v Speaker 1>things to her. I don't know why they did, but

0:45:25.960 --> 0:45:27.480
<v Speaker 1>I mean I did my best with it. When they

0:45:27.520 --> 0:45:30.480
<v Speaker 1>would give me a storyline that was dramatic on the

0:45:30.560 --> 0:45:32.879
<v Speaker 1>heels of another story and it was dramatic, I did

0:45:32.960 --> 0:45:37.440
<v Speaker 1>my best. Yeah, I got I got tired of the

0:45:37.520 --> 0:45:40.440
<v Speaker 1>heaviness of it sometimes for sure, and it was, you know,

0:45:40.719 --> 0:45:42.759
<v Speaker 1>That's why I love the scenes on the show where

0:45:42.760 --> 0:45:44.920
<v Speaker 1>it's like that everybody hanging out the group and we're

0:45:44.920 --> 0:45:48.279
<v Speaker 1>having fun. I love that stuff because it's like a

0:45:48.400 --> 0:45:50.759
<v Speaker 1>pleasant break for me. But it's interesting to see like

0:45:51.239 --> 0:45:54.800
<v Speaker 1>I did so many of those you know, dramatic things,

0:45:55.000 --> 0:45:58.839
<v Speaker 1>and I'm developed into a pretty dramatic person, like I'm

0:45:59.280 --> 0:46:01.799
<v Speaker 1>I'm not you know, Tory and I always joke she's

0:46:01.840 --> 0:46:06.520
<v Speaker 1>Pollyanna and I'm the opposite of whatever Pollyanna is. We

0:46:06.640 --> 0:46:08.560
<v Speaker 1>have to think of what that is. Didn't we figure

0:46:08.560 --> 0:46:12.280
<v Speaker 1>it out once? I don't remember. You think it's because

0:46:12.320 --> 0:46:14.200
<v Speaker 1>you played all these crazy roles when you were younger.

0:46:14.800 --> 0:46:19.120
<v Speaker 1>I feel like you're like, it's definitely shaded my life experience.

0:46:19.600 --> 0:46:22.520
<v Speaker 1>I feel like, no, not only did I have so

0:46:22.680 --> 0:46:28.399
<v Speaker 1>many traumatic experiences on camera, those those sink in, those

0:46:28.800 --> 0:46:33.879
<v Speaker 1>those sink into your bones, you know, and your experiences,

0:46:34.040 --> 0:46:36.480
<v Speaker 1>but I also have had, you know, a lot of

0:46:36.560 --> 0:46:38.640
<v Speaker 1>things in my real life. So and we all have

0:46:38.840 --> 0:46:42.480
<v Speaker 1>a lot of trauma and ups and downs in our lives.

0:46:42.600 --> 0:46:46.400
<v Speaker 1>But combining the two, I think it's a lot for

0:46:46.880 --> 0:46:52.520
<v Speaker 1>one lady. So I definitely think that it's it's made

0:46:52.600 --> 0:46:56.200
<v Speaker 1>me probably a more of a serious person. But it's

0:46:56.239 --> 0:47:00.680
<v Speaker 1>funny because my I call myself a blue person. I

0:47:00.719 --> 0:47:02.480
<v Speaker 1>don't know if you guys have ever heard that expression,

0:47:02.880 --> 0:47:06.200
<v Speaker 1>Like I I think you're not a blue person tour

0:47:06.520 --> 0:47:08.600
<v Speaker 1>I don't know would be you're more of like a

0:47:08.680 --> 0:47:12.680
<v Speaker 1>yellow person, like you air more on the light higher,

0:47:12.840 --> 0:47:18.600
<v Speaker 1>like a lighter, happier, sunnier side of the spectrum. And

0:47:18.800 --> 0:47:22.040
<v Speaker 1>I'm more a blue person like I've always struggled with depression,

0:47:22.200 --> 0:47:26.400
<v Speaker 1>and I've always uh, you know, had things that in

0:47:26.560 --> 0:47:28.200
<v Speaker 1>my mind that were harder for me to deal with

0:47:28.360 --> 0:47:30.279
<v Speaker 1>and and kind of cloud in my experience and made

0:47:30.280 --> 0:47:31.920
<v Speaker 1>me more on the blue side. I remember my dad

0:47:32.000 --> 0:47:36.000
<v Speaker 1>used to say, um, you would say are you feeling blue?

0:47:36.640 --> 0:47:39.759
<v Speaker 1>And that was I would I would say yeah, and

0:47:39.840 --> 0:47:41.719
<v Speaker 1>I didn't know why. I was a little girl, and

0:47:41.920 --> 0:47:43.399
<v Speaker 1>he would take me for ice cream and then everything

0:47:43.400 --> 0:47:47.440
<v Speaker 1>would be better. But but I think that people are

0:47:47.520 --> 0:47:52.759
<v Speaker 1>just kind of wired how they're wired. And I think

0:47:52.840 --> 0:47:55.960
<v Speaker 1>that I think all of our experiences, throughout all of

0:47:56.000 --> 0:48:00.480
<v Speaker 1>our journeys in life, like they accumulate, they kind of

0:48:00.520 --> 0:48:03.719
<v Speaker 1>add up and make you who you are. And I

0:48:03.880 --> 0:48:08.600
<v Speaker 1>know I love my blueness. I mean, I I love it.

0:48:08.680 --> 0:48:12.040
<v Speaker 1>I embrace it, and I it's something that I've learned

0:48:12.080 --> 0:48:15.080
<v Speaker 1>to live with and and that i love about myself.

0:48:15.200 --> 0:48:19.000
<v Speaker 1>I've I'm a I remember some people used to call me,

0:48:19.280 --> 0:48:24.840
<v Speaker 1>in a negative connotation, you're too emotion emotion emotional. That

0:48:24.960 --> 0:48:27.640
<v Speaker 1>was what I was saying, you're so emotional. And yeah,

0:48:27.719 --> 0:48:29.640
<v Speaker 1>maybe as a younger person, I was more dramatic and

0:48:29.719 --> 0:48:34.160
<v Speaker 1>more emotional because that's usually what happens. But I remember saying,

0:48:34.200 --> 0:48:39.080
<v Speaker 1>you know what, I'm not emotional. I'm emotion ful. Mm hmmm,

0:48:39.400 --> 0:48:42.680
<v Speaker 1>And I'm okay with that. So maybe I got it

0:48:42.719 --> 0:48:45.000
<v Speaker 1>from Kelly and also people telling you that when you're

0:48:45.040 --> 0:48:48.279
<v Speaker 1>so young, like there's something wrong even if you're even

0:48:48.320 --> 0:48:50.960
<v Speaker 1>if you're not that, then you start believing that you are,

0:48:51.280 --> 0:48:53.680
<v Speaker 1>and so then you carry that, you carry that. I've

0:48:53.719 --> 0:48:58.720
<v Speaker 1>done this thing called the landmark forum. Okay, it's a bracket,

0:48:58.960 --> 0:49:01.200
<v Speaker 1>and so it's a bracket that was given to you

0:49:01.520 --> 0:49:04.000
<v Speaker 1>in your adolescence or when you're young, and it may

0:49:04.080 --> 0:49:06.319
<v Speaker 1>not be true at all, and you carry it into adulthood.

0:49:07.040 --> 0:49:09.360
<v Speaker 1>And you know, it's like someone telling you, like you

0:49:09.440 --> 0:49:11.160
<v Speaker 1>can't draw, you're not a good artist. You know, like

0:49:11.280 --> 0:49:12.960
<v Speaker 1>when you're a little kid in preschool or like, and

0:49:13.000 --> 0:49:14.719
<v Speaker 1>then so then you go into elementary school, you're like,

0:49:14.760 --> 0:49:16.359
<v Speaker 1>I'm just not a good drawer, and you just start

0:49:16.400 --> 0:49:18.880
<v Speaker 1>believing that you know and has nothing to do with

0:49:19.520 --> 0:49:22.000
<v Speaker 1>who you really are. So it's just it's crazy for that.

0:49:22.239 --> 0:49:24.319
<v Speaker 1>And then I had no idea that doing these roles

0:49:24.400 --> 0:49:27.399
<v Speaker 1>would would really penetrate into like your actual real life

0:49:27.440 --> 0:49:32.160
<v Speaker 1>as well. Yeah, I mean I think for sure for me,

0:49:32.440 --> 0:49:34.960
<v Speaker 1>definitely doing all this stuff and then going home and

0:49:35.520 --> 0:49:37.520
<v Speaker 1>because you want to stay in that mindset right as

0:49:37.560 --> 0:49:40.160
<v Speaker 1>an actor assuming, I mean, yeah, it's hard to break

0:49:40.200 --> 0:49:41.480
<v Speaker 1>it off at the end of the day and the

0:49:41.600 --> 0:49:43.399
<v Speaker 1>day and then like turn it right back on. It's

0:49:43.400 --> 0:49:45.520
<v Speaker 1>to say them the next day. So it's it kind

0:49:45.560 --> 0:49:48.719
<v Speaker 1>of lingers. You're like, I'm just gonna stay a bit

0:49:48.880 --> 0:49:51.240
<v Speaker 1>on that because I have to be that tomorrow morning.

0:49:52.440 --> 0:49:54.040
<v Speaker 1>But I think I also to what you're saying, like

0:49:54.160 --> 0:49:56.520
<v Speaker 1>people label you you, we label ourselves like I do

0:49:56.640 --> 0:49:58.920
<v Speaker 1>that all the time. I say, oh, I'm not a

0:49:59.080 --> 0:50:01.000
<v Speaker 1>I'm not a writer. I how to write this, But

0:50:01.080 --> 0:50:03.400
<v Speaker 1>if I really sat down and applied myself, I probably

0:50:03.440 --> 0:50:07.640
<v Speaker 1>could write something. So it's it's the messages that we

0:50:07.800 --> 0:50:11.040
<v Speaker 1>hear from other people it's but for me, it's the

0:50:11.120 --> 0:50:14.600
<v Speaker 1>messages that I hear from myself, and they're probably from

0:50:14.840 --> 0:50:17.440
<v Speaker 1>those outer messages, and then I sort of internalized them

0:50:17.480 --> 0:50:21.279
<v Speaker 1>and keep reiterating to myself, like my the things that

0:50:21.320 --> 0:50:23.480
<v Speaker 1>aren't so great about myself. And I think that that's

0:50:23.520 --> 0:50:26.640
<v Speaker 1>something that we should all try to not do. Stop

0:50:26.719 --> 0:50:30.239
<v Speaker 1>listening to ourselves when it comes to those negative messagings.

0:50:31.920 --> 0:50:33.920
<v Speaker 1>I know, I wish we could just all live like

0:50:34.320 --> 0:50:36.480
<v Speaker 1>the innocent lives that children live, you know, and you're like,

0:50:37.320 --> 0:50:39.840
<v Speaker 1>you don't second guess anything when you're a child. I

0:50:39.880 --> 0:50:43.560
<v Speaker 1>think you're great. Yeah. I look at my kids and

0:50:43.560 --> 0:50:45.040
<v Speaker 1>I'm just like, gosh, if I can just have your

0:50:45.120 --> 0:50:49.600
<v Speaker 1>mind for a day, they're confidence because no one's torn

0:50:49.680 --> 0:50:54.719
<v Speaker 1>it down yet. I know, we could just keep them

0:50:54.760 --> 0:50:59.839
<v Speaker 1>in a bubble. I know. I wonder what I would

0:50:59.840 --> 0:51:01.920
<v Speaker 1>be like. I thought this before, Like what would I'd

0:51:01.920 --> 0:51:06.480
<v Speaker 1>be like if I hadn't been colored by all the experience,

0:51:06.520 --> 0:51:08.800
<v Speaker 1>like all the negative stuff, you know, and all the

0:51:09.160 --> 0:51:12.360
<v Speaker 1>messages out there, Like what would little Jenny look be

0:51:12.560 --> 0:51:18.960
<v Speaker 1>like if if none of that had happened. Well, it's

0:51:19.040 --> 0:51:21.080
<v Speaker 1>part of your journey, so you wouldn't be you if

0:51:21.120 --> 0:51:24.640
<v Speaker 1>it didn't happen. No, I wouldn't and you wouldn't love me,

0:51:26.040 --> 0:51:28.520
<v Speaker 1>and I would always love you no matter what. Do

0:51:28.640 --> 0:51:31.040
<v Speaker 1>you think you've carried some of Donna's traits into your

0:51:31.200 --> 0:51:37.800
<v Speaker 1>real life, Tori? I mean I've definitely carried being cast

0:51:37.840 --> 0:51:40.640
<v Speaker 1>as Donna being the producer's daughter through my whole life.

0:51:40.760 --> 0:51:46.640
<v Speaker 1>I mean, I definitely I'm the type. Like when Jen

0:51:46.760 --> 0:51:50.520
<v Speaker 1>says she shows emotions a lot when she was younger,

0:51:50.560 --> 0:51:54.600
<v Speaker 1>I didn't show any emotions because I didn't want to

0:51:54.680 --> 0:51:56.719
<v Speaker 1>be labeled anything. I just wanted to be perfect. Like

0:51:57.320 --> 0:51:59.560
<v Speaker 1>you know, they already have preconceived notions because I'm the

0:51:59.600 --> 0:52:01.880
<v Speaker 1>producer daughter. So going into that job, I was like,

0:52:02.000 --> 0:52:03.799
<v Speaker 1>I have to be sweet, I have to be nice,

0:52:03.840 --> 0:52:06.439
<v Speaker 1>I have to be kind, and I was all those things.

0:52:07.040 --> 0:52:10.279
<v Speaker 1>But it's carried over into my adult life that I

0:52:10.400 --> 0:52:13.840
<v Speaker 1>don't have a voice to be strong or brave or

0:52:14.280 --> 0:52:16.880
<v Speaker 1>the confident woman I want to be because I'm spending

0:52:17.040 --> 0:52:20.400
<v Speaker 1>so much time focusing on being just so sweet and

0:52:20.520 --> 0:52:24.319
<v Speaker 1>wanting everyone to like me. Yeah, so I wish, Yeah,

0:52:24.320 --> 0:52:28.799
<v Speaker 1>I wish that was different too. I feel like things

0:52:28.840 --> 0:52:32.880
<v Speaker 1>would be different. Everybody has their own like thing, you know,

0:52:34.080 --> 0:52:38.680
<v Speaker 1>like it's so interesting when you look at people. Yeah,

0:52:38.719 --> 0:52:40.520
<v Speaker 1>I think we all want to please people to an extent.

0:52:40.840 --> 0:52:43.200
<v Speaker 1>You know, it'd been dumb stuff Like when I was

0:52:43.239 --> 0:52:45.080
<v Speaker 1>planning my wedding, It's like I kept thinking about like

0:52:45.120 --> 0:52:47.520
<v Speaker 1>what everybody else was going to think. And it's supposed

0:52:47.520 --> 0:52:48.960
<v Speaker 1>to be the happiest day of my life, and I

0:52:49.200 --> 0:52:51.520
<v Speaker 1>was like worried about like are they gonna like this

0:52:51.800 --> 0:52:54.320
<v Speaker 1>or my guests gonna like that? And it's just you

0:52:54.440 --> 0:52:57.239
<v Speaker 1>have to be able to be a little selfish at times.

0:52:58.360 --> 0:53:00.480
<v Speaker 1>That's the great thing about getting older, I think, is

0:53:00.560 --> 0:53:03.520
<v Speaker 1>that you start to realize that it's not being selfish,

0:53:03.680 --> 0:53:08.279
<v Speaker 1>it's just honoring yourself and like giving yourself as much

0:53:08.520 --> 0:53:14.040
<v Speaker 1>love and acceptance as you do to other people. Mm hmm.

0:53:14.600 --> 0:53:17.200
<v Speaker 1>And that's it's hard, but it's part of the journey.

0:53:18.400 --> 0:53:21.399
<v Speaker 1>We're all still works in progress. Well, I just met

0:53:21.440 --> 0:53:23.080
<v Speaker 1>you guys not too long ago, and I think you're

0:53:23.120 --> 0:53:26.560
<v Speaker 1>both lovely and I don't get any negative vibes from

0:53:26.560 --> 0:53:29.520
<v Speaker 1>either one of you, So you're doing something right. No

0:53:29.680 --> 0:53:38.800
<v Speaker 1>shades of blue, No shades. Yes, you need sarcasm, please

0:53:39.360 --> 0:53:43.640
<v Speaker 1>be so boring without it. So what is our next episode.

0:53:43.680 --> 0:53:45.560
<v Speaker 1>Those were great questions you guys, By the way, keep

0:53:45.640 --> 0:53:48.600
<v Speaker 1>them coming because like obviously we're not afraid to talk

0:53:48.600 --> 0:53:53.200
<v Speaker 1>about anything. Um, if anything, I tend to talk about

0:53:53.239 --> 0:53:56.839
<v Speaker 1>stuff too much, but about like the real deal. But um,

0:53:57.320 --> 0:54:00.720
<v Speaker 1>keep them coming because we love them. Yes, next episode

0:54:00.800 --> 0:54:05.319
<v Speaker 1>is a season two episode five. It's called play it Again. David. Oh,

0:54:05.360 --> 0:54:11.520
<v Speaker 1>what an eyebrows tour again? David. Hm, I'm so curious.

0:54:11.719 --> 0:54:16.000
<v Speaker 1>What's David going to play? I have no idea. I

0:54:16.120 --> 0:54:23.160
<v Speaker 1>just excited because it's Davidson, you can remember, very excited. Well,

0:54:23.200 --> 0:54:24.560
<v Speaker 1>we'll see you guys next week.