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Speaker 1: It's with Jenny Garth and Tori Spelling. Hello, welcome to

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Speaker 1: another episode of nine O two one O MG. I'm

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Speaker 1: one of your hosts, Jenny Garth, joined by my friends.

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Speaker 1: Go ahead and introduce yourself, ladies. I'm one of the

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Speaker 1: other hosts. Tori Spelling. So sultry and it's saysny. Hello.

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Speaker 1: Where the hostesses with the mostess? Oh I wish it

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Speaker 1: was Mimoses instead Smoses. Don't get jealsis. I'm so ready

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Speaker 1: to drink. We're so happy to be with you guys.

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Speaker 1: Another week of season two, Beverly Hills, Nina two. No,

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Speaker 1: that's what we're here for, right, It is a big show.

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Speaker 1: Everybody thoughts at the Beach Club Love and the Beach

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Speaker 1: Club episodes. Yes, makes me feel happy, ready for summer.

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Speaker 1: It makes me feel like it makes you feel Hey,

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Speaker 1: you had a birthday this last week. Don't you speak

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Speaker 1: of that? No, we will speak of it because you're

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Speaker 1: older now. There was a second, like maybe a few

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Speaker 1: weeks a month. I don't know where you were two

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Speaker 1: years younger than me, and I did not like that

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Speaker 1: because it just gives you too much to be happy about.

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Speaker 1: I didn't even realize that because you know, I'm always

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Speaker 1: the first to point out that when you're older than me.

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Speaker 1: So I would have relished in that if I had

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Speaker 1: remembered it. Okay, I glad I didn't remember, like a

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Speaker 1: little more than a month. Darn, that would have been

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Speaker 1: good to rub that in. Now you're the big four eight,

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Speaker 1: I am, Yeah, And I gotta tell you, forty eight

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Speaker 1: fields a lot worse than because what do you mean worse? Like? Okay,

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Speaker 1: because it's one year closer to the young Voh, if

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Speaker 1: you know what I'm talking about. I know what you're

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Speaker 1: gonna say. One of your clothes are the grave? Uh?

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Speaker 1: Well you looking for I mean forty eight? Who do

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Speaker 1: you know what? That's the thing they always say, Oh,

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Speaker 1: you look so good for forty you look so great

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Speaker 1: for fifty years. Like what, what does that even imply?

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Speaker 1: You look so good for your age? Yeah? Always they

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Speaker 1: say that. I don't know that. I like that. It's

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Speaker 1: people are being nice, but it sounds like a backhanded compliment, right,

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Speaker 1: But it's not. They think they're being nice, but you

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Speaker 1: don't want to hear that. I don't think I would

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Speaker 1: ever say that to someone. No, you know what, I

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Speaker 1: think I have said that I just said it to you.

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Speaker 1: I'm sorry if you were offended by that, but I

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Speaker 1: meant it as compliment. Nothing you say can offend me. Well,

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Speaker 1: I feel like, um, we all look damn good for

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Speaker 1: our age there? How about that looking? I'm just staring

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Speaker 1: at our young co host since you said host today? Wait,

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Speaker 1: says how old did you turn this year? I turned

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Speaker 1: thirty seven? Oh, must be nice, but Jen remember thirty seven.

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Speaker 1: It was a good year's keeping it consistent. Don't remember

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Speaker 1: it at all. I'm excited for my forties, though usually

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Speaker 1: i'll be. I feel like be smarter, and I have

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Speaker 1: a better head on my shoulders, both classics. She said,

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Speaker 1: I'm excited for my forties, and I said you should be,

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Speaker 1: and you said don't be Yep. For once I was

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Speaker 1: the ray of optimism and you were dead be downer.

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Speaker 1: It's true we switched roles for a second. We should

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Speaker 1: do that more often. So. This episode is episode four

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Speaker 1: of season two. It's called Anaconda, which I don't even

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Speaker 1: understand why, but it aired on August first, nineteen one. Synopsis.

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Speaker 1: Brenda gets heated after a bad sun burned, but Brandon

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Speaker 1: and friends are in hot water when they're after hours

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Speaker 1: poker game at the beach club is followed by a

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Speaker 1: burglary who don't done. I'm sorry. Even back in the

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Speaker 1: day when we did this episode, every time I hear anaconda,

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Speaker 1: I want to go anaconda, don't go unless I knew

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Speaker 1: you were going to sing that, and I was excited.

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Speaker 1: Directed by Daniel Addius, written by Darren Starr and Jonathan Roberts,

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Speaker 1: who was a new is a new name for us.

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Speaker 1: This is a new writer, I guess for season two.

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Speaker 1: That's right, I do you remember that writer? I don't either,

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Speaker 1: I wonder now, but we had lots of ones that

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Speaker 1: went on to be like recurring writers or consistent writers

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Speaker 1: throughout the seasons. Even uh. And I actually sad to say,

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Speaker 1: I don't know Jonathan Roberts. I wonder if he this

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Speaker 1: was his one hit wonder. I don't know with us.

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Speaker 1: With us, we should really look into those details before

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Speaker 1: we go on a radio program and talk about them

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Speaker 1: or not a dio program. But you know, doesn't it

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Speaker 1: feel like we're doing a radio show. It does the

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Speaker 1: live radio show. I heart we want to do a

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Speaker 1: radio show next because because we know so much about music,

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Speaker 1: you both should fill in for me. When I'm on

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Speaker 1: maternity leave. How fun would that be? Oh my gosh,

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Speaker 1: how how how long are you gone from majority leave?

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Speaker 1: Before I commit to that? It would be a few months.

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Speaker 1: I don't know about that. You got wake a real early.

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Speaker 1: We should do it for a day. Well, see if

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Speaker 1: anyone notices. I don't think they notice. Why was this

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Speaker 1: episode called Anaconda though? Does anybody have any insight on that? Yes, okay,

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Speaker 1: I know there's a story. I don't have it, but

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Speaker 1: I know there's a story. There's a reference somewhere in

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Speaker 1: the show. It was the name of the card game.

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Speaker 1: Anaconda is a seven card stud poker game. It is

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Speaker 1: played with the same roles except for a few exceptions.

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Speaker 1: There we interesting, It's okay, that's where the title of

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Speaker 1: the show. I love how we're just learning about it

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Speaker 1: all together in real time. But just for people like

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Speaker 1: that are listening, we have like ten pages of preps,

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Speaker 1: like we're really prepared when we come in to do

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Speaker 1: this podcast. We just didn't know the un contact. I

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Speaker 1: don't know why. I don't know the writer, don't know

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Speaker 1: the why it's called them conduct? What else so far

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Speaker 1: that we're discovering because we're rediscovering the show together. So

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Speaker 1: why not discover the details of the show together. And

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Speaker 1: if we're just watching as fans, Literally we just watched

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Speaker 1: the show, and then we come together and we talk

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Speaker 1: about it and we go, what do you remember? What

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Speaker 1: don't you remember? And I love that about this podcast

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Speaker 1: because you know, we don't sensor ourselves. No, no, no,

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Speaker 1: we don't sense ourselves, and we don't pretend to be experts.

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Speaker 1: We only can give you our version of the story,

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Speaker 1: our memories from from it. So why weren't you in

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Speaker 1: this episode? That? Is this another thing I don't know.

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Speaker 1: I didn't even know that one. I really thought she

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Speaker 1: was in all episodes produced. Isn't that crazy? I even

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Speaker 1: asked my manager, who's so my manager from from then,

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Speaker 1: Mr Showbiz, and he has no recollection of me not

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Speaker 1: being in any episodes. He thought I was in all

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Speaker 1: episodes as well. I thought I was in all episodes.

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Speaker 1: Apparently I wasn't because I didn't see myself in this one.

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Speaker 1: But that doesn't mean I didn't enjoy watching it. I

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Speaker 1: honestly I liked watching it without me in it. No,

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Speaker 1: that's just no, I like I relaxed, and I wasn't

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Speaker 1: nervous for when when I was gonna be on or

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Speaker 1: what I was gonna say, or do you know what

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Speaker 1: I mean? Like, I wasn't so caught up in my

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Speaker 1: own head about it. I was able to like submerse

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Speaker 1: myself in the story. And I really enjoyed watching Brenda

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Speaker 1: and Donna's scenes, Like I thought they were great and

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Speaker 1: I was like, well, I don't need Kelly. There we

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Speaker 1: were in that, like, you guys are so good together.

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Speaker 1: I really felt like this episode, Donna, you you had

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Speaker 1: the most to say, especially that scene like at the

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Speaker 1: beach with Brenda. You were so cute and so real,

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Speaker 1: like authentic in that scene, and I just wanted to

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Speaker 1: be friends with you. I wanted I wanted to hang

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Speaker 1: out on the beach with you. Maybe you saw a

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Speaker 1: little bit of the show back then, and maybe that's

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Speaker 1: the reason you wanted to be my friend real life.

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Speaker 1: Who knows. Maybe maybe I was home watching the show

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Speaker 1: that's where I was, And maybe you were sick, like

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Speaker 1: and you couldn't work, maybe lost your voice. I don't know. No,

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Speaker 1: The only thing I can think of would be that,

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Speaker 1: um my dad was struggled a lot with his health

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Speaker 1: and they my parents lived in Arizona, and he had

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Speaker 1: um there were occasions when he would have heart attacks

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Speaker 1: and end up in the hospital. And this to me

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Speaker 1: sort of feels like I might have made an emergency,

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Speaker 1: you know, flee to go be with him. That's all

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Speaker 1: I can really, that sounds likely. I bet we could

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Speaker 1: look up the script somewhere online, someone has it and

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Speaker 1: put the pieces together, because I bet you're right. I

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Speaker 1: bet you were in it and they had to take

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Speaker 1: you out because there was an emergency. If anyone knows

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Speaker 1: the answer to it out there, please let us know. Yes,

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Speaker 1: let us know any fact seekers about n why I

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Speaker 1: wasn't But it was a really good episode, not because

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Speaker 1: you weren't in it, anybody, that's okay, that's all right.

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Speaker 1: So should we talk about Poker? Yes, Poker. Ok I

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Speaker 1: don't even know her. That is so not okay to

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Speaker 1: say anymore. But it's remember what was the other one,

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Speaker 1: Poker in the front, liquor in the rear that I can't.

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Speaker 1: I just said that, but it came to my mind

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Speaker 1: because whenever I wish, these are the things you learn

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Speaker 1: on the set. People pretty old school, you could say,

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Speaker 1: poke him in the front, like him in the rear,

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Speaker 1: it doesn't have to be about a woman, and that's

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Speaker 1: your problem. You can poke some that would hurt. Poke

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Speaker 1: poked him in the front. I never heard poker. I

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Speaker 1: don't even know her. You never heard that. These are

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Speaker 1: now our old lady jokes. And then we laugh and laugh.

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Speaker 1: I mean it's funny. And the young people just like, like,

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Speaker 1: what are they saying? I'm laughing with you, Poker, I

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Speaker 1: don't even know her. Oh yeah, I thought Brian was

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Speaker 1: extra cute in this episode. He was. He was so cute,

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Speaker 1: this little poker faces that he was making, and those

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Speaker 1: were just like those remind like the faces he was

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Speaker 1: making at the poker table remind me of just him now,

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Speaker 1: Like he makes those faces just like for no reason.

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Speaker 1: And I don't know. This must be where they originated from,

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Speaker 1: except he was a lot shorter and I had a

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Speaker 1: higher voice. But it's him now, Yep, it's the same

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Speaker 1: bran different hairline. Brian had such a low hairline like

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Speaker 1: Eddie Monster. Right, yeah, we'll look at it now. He's

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Speaker 1: got great hair stills, he's got great hair. Yeah. I

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Speaker 1: ended up perfect, like settled in, settled in its settled in, Yeah,

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Speaker 1: settled into his face, into his hairline. He grew into

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Speaker 1: everything you know that came out wrong. Well, I felt

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Speaker 1: like the poker stuff was really fun to see, like

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Speaker 1: the whole sneaking into the beach club at night, which

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Speaker 1: I was like, Brandon, what are you doing? You're gonna

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Speaker 1: get fired? Peer pressure, peer pressure totally. I feel like

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Speaker 1: he is what the second time he's succumbed to peer pressure. Yeah,

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Speaker 1: it seems like Steve Sanders can get him to do

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Speaker 1: anything anything, But Steve is pretty convincing and kind of fun,

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Speaker 1: and you want to join in on the shenanigans when

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Speaker 1: he comes up with something like yeah, you know, you

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Speaker 1: get real convinced by him. Yeah, it's true. He's very

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Speaker 1: he's a good salesman. And that storyline is just so

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Speaker 1: relatable because I think in every friend group with high

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Speaker 1: school kids especially, there's always that one friend that the instigator,

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Speaker 1: the wild one. Oh my gosh, I had one of

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Speaker 1: those in high school. I had one of those on

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Speaker 1: set And it wasn't me, It wasn't gen Who was

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Speaker 1: it Shannon? Okay, because she like she was cool and

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Speaker 1: like was always going out and doing things, and I

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Speaker 1: was just like, she's so cool, Like I want to

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Speaker 1: hang out with her, so I would end up doing

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Speaker 1: things that, yeah, that's not bad, just like that you

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Speaker 1: shouldn't have done. Not like nothing bad, but just like

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Speaker 1: peer pressure, like oh no, because I like I felt

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Speaker 1: like when we started this show, I was still living

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Speaker 1: at home. Obviously, I was in my teens. I had

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Speaker 1: a curfew, which is so lame. And she'd be like,

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Speaker 1: let's go out on Friday night and don't worry, we

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Speaker 1: don't have to have an I D. And I'd be like,

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Speaker 1: I have a curfew, and I'm so embarrassed I couldn't

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Speaker 1: tell Shan Doherty I had a curfew. I love that

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Speaker 1: about you so like and early, like like right before

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Speaker 1: my eighteenth birthday, I think my curfew was still eleven thirty.

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Speaker 1: That is so crazy. You guys are like major TV

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Speaker 1: stars on like one of the biggest shows on the planet,

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Speaker 1: and you have a curfew. Just it's so relatable. It's interesting, though, Beau, Yes,

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Speaker 1: you add a curfew, and so you were obviously you know,

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Speaker 1: being parented. But then we would go to work and

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Speaker 1: be treated like adults and have absolutely no like um

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Speaker 1: like guardianship at work. We were just thrown into this

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Speaker 1: situation and had to make all our own decisions and

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Speaker 1: know how to act and know how to handle all

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Speaker 1: the things and know how to do everything on our own,

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Speaker 1: Like there was nobody there telling us yes, no, maybe

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Speaker 1: you know it was. There was never one adult that

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Speaker 1: was like, hey, if you guys need anything, you're young girls, like, come,

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Speaker 1: you can confide in me. That would have been nice

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Speaker 1: to have, huh. I wonder if they had that now

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Speaker 1: for teenagers. I mean when you're when you're a teenager

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Speaker 1: on a set now, you have usually your parents with you,

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Speaker 1: or your teacher or something like some sort of person

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Speaker 1: your parents didn't have have to be. I guess your

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Speaker 1: parents was there technically Tori, or was there but not there.

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Speaker 1: I took I took the g D so that I

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Speaker 1: didn't have to have a teacher on set because I

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Speaker 1: wanted to fit in with everybody else. We both the

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Speaker 1: g e D, which is like, so we could graduate

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Speaker 1: from high school earlier. Yeah, But then my mom said,

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Speaker 1: since she was so strict, if I took the g

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Speaker 1: D on my days off from filming, I still had

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Speaker 1: to go to high school and graduate from my high school.

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Speaker 1: Like that was our deal really, yeah, which was really

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Speaker 1: super hard to work these hours and then be like, oh,

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Speaker 1: I have the next day off, and I'd be like,

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Speaker 1: do I really have to go to my senior classes?

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Speaker 1: Like oh I would suck. Oh my goodness, high class problems.

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Speaker 1: But it's still and it's not that did you guys

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Speaker 1: feel that you were missing out? Like I mean, for me,

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Speaker 1: it's like I loved high school for that reason, like

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Speaker 1: just all you know, homecoming, the dances, being a cheerleader,

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Speaker 1: all that. Did you feel like you missed that on

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Speaker 1: any of that? But you basically were playing that on TV,

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Speaker 1: so you know, like I think tour you got to

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Speaker 1: experience a lot of that. Yeah, mm hmm I did

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Speaker 1: and the stuff. But once I was on nine O

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Speaker 1: two O, it was like my world transitioned and I

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Speaker 1: wanted to just be immersed into this world, um and

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Speaker 1: just act and be with these friends. So it just

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Speaker 1: it transitioned really fast. Yeah, because you didn't have anybody

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Speaker 1: watching over, you didn't have any teachers telling you what

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Speaker 1: to do. We were like, whoa, Yeah, it was yeah,

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Speaker 1: it's true. Oh my gosh, I would want I want

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Speaker 1: I would want that too. Yeah, But um, I don't

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Speaker 1: feel like I I mean, I did a little bit

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Speaker 1: of high school I only stayed in high school through

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Speaker 1: my sophomore year, and then I left and got my

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Speaker 1: g D as well, and then didn't ever look back,

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Speaker 1: never worried about it again. And look at me now,

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Speaker 1: guys stay in school kids. Well, I think it's does

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Speaker 1: it feel weird that like you still kind of in

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Speaker 1: a weird way acted it out, like yeah, you still

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Speaker 1: got to wear like the cap and gown dances and

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Speaker 1: got together football games and all the things. It just

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Speaker 1: was but as Kelly for not as someone way better,

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Speaker 1: because yeah, it was just I don't know, we were

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Speaker 1: doing it as adults kind of it was fun. Yeah,

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Speaker 1: That's how I felt more about, like the college years

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Speaker 1: when we get to the college years, because I felt

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Speaker 1: really like missing out when I had friends like that

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Speaker 1: would call me from college and they were having parties

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Speaker 1: and sororities, and I was like, wow, but we really

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Speaker 1: got to live all that. So I feel more about

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Speaker 1: that when we get there. Um went back to the episode.

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Speaker 1: One of the things that I was enjoying when I

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Speaker 1: every time I watched the show, I feel like I

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Speaker 1: really enjoyed the not just the opening credits, but like

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Speaker 1: the opening sequence where they owe you all of the

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Speaker 1: the they call it be roll or establishing shots of

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Speaker 1: Beverly Hills in California and all the glorious scenery that

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Speaker 1: is out here, you know, And I love that about

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Speaker 1: just for a second, it kind of sucked me in

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Speaker 1: and thought, oh my gosh. If I was living in

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Speaker 1: you know, Uruguay or whatever and watching this, think that's

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Speaker 1: so cool. That's what Beverly Hills looks like. That's what

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Speaker 1: the rich and famous live like. You know, that's California.

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Speaker 1: I think that was such a lure, such a an

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Speaker 1: important part of our show was all of that stock

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Speaker 1: footage and and and like establishing shots. I lived in

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Speaker 1: Orange County and I thought it was amazing. You lived

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Speaker 1: like a beautiful place as well. But I'm just saying

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Speaker 1: like I never you know, I didn't go up to Hell,

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Speaker 1: even going up to l A. Growing up in Orange County.

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Speaker 1: It was like you didn't needn't do it often. So

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Speaker 1: to us to see like the palm trees and Beverly

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Speaker 1: Hills and all the shops and all that stuff, it

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Speaker 1: was and something that we saw every day. Either come

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Speaker 1: on down see how two percent live Like that's more

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Speaker 1: than that. But I think every episode they would repeat

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Speaker 1: a lot of the shots of certain things like Rodeo

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Speaker 1: Drive and the palm trees and the beach, but there

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00:19:16,320 --> 00:19:19,119
Speaker 1: were also a lot of new stuff, so that they

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00:19:19,160 --> 00:19:22,840
Speaker 1: must have had, like, um, a whole second unit that

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00:19:22,880 --> 00:19:27,840
Speaker 1: would go out and shoot these, um just beautiful scenes

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Speaker 1: like landscapes of the beauty of California. I want I

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Speaker 1: would want to be on that crew where you just

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Speaker 1: go around and there's no actors, just the beautiful scenery

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Speaker 1: and the real people. I love. That was that fan.

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Speaker 1: But right out of the gate, I felt like this

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Speaker 1: episode starts really tapping into uh Dylan's emotional trauma and

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Speaker 1: pain more than even more than before. Like, yeah, they

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Speaker 1: kind of talk about his problems with his dad, and

329
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Speaker 1: but this is the episode where I felt like we

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Speaker 1: really dove into his the dark parts of his psyche.

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Speaker 1: And I think this was like a a pivotal moment

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Speaker 1: for his character and like the trajectory of the importance

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Speaker 1: of Dylan McKay on the show greed, because he wasn't

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Speaker 1: just Brenda's boyfriend, he wasn't just you know this guy

335
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Speaker 1: that surfs he was he had all these layers and

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00:20:22,160 --> 00:20:25,919
Speaker 1: we sort of start to unpack all start to figure out.

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Speaker 1: So interesting to see nowadays. I feel like they do

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Speaker 1: shows a bit different back then. There really is, and

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00:20:33,480 --> 00:20:36,520
Speaker 1: like they didn't just drop little nuggets. It's like they

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00:20:36,520 --> 00:20:38,879
Speaker 1: always put it all in one episode. They pack it

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00:20:38,880 --> 00:20:42,919
Speaker 1: in kind of like big nuggets about somebody's character. It

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00:20:42,960 --> 00:20:45,560
Speaker 1: happens all at once. I mean, not that we haven't

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Speaker 1: seen little things along the way with Dylan, but this

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00:20:48,040 --> 00:20:51,560
Speaker 1: episode was very Dylan heavy about his backstory. This whole

345
00:20:51,560 --> 00:20:55,960
Speaker 1: season is more dramatic already. I'm realizing it's not that

346
00:20:56,040 --> 00:21:00,240
Speaker 1: after school special type of vibe that season one was. Yeah,

347
00:21:00,240 --> 00:21:03,639
Speaker 1: you're starting to really get invested in in each individual

348
00:21:03,720 --> 00:21:09,520
Speaker 1: character and their specific journey, and that's that's what's so cool. Like,

349
00:21:09,520 --> 00:21:11,840
Speaker 1: like I was saying that scene with Brenda and Donna

350
00:21:12,080 --> 00:21:15,520
Speaker 1: at the beach, like I started to care and and

351
00:21:15,720 --> 00:21:20,760
Speaker 1: understand and like kind of relate more to Donna and

352
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Speaker 1: to Brenda. I mean, first of all, I thought Brenda

353
00:21:24,480 --> 00:21:27,159
Speaker 1: looks super cut in this episode. Her hair and makeup

354
00:21:27,280 --> 00:21:32,840
Speaker 1: was on fuego, so just but um, I just felt like,

355
00:21:32,920 --> 00:21:36,760
Speaker 1: I you start to really want to be with these characters.

356
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Speaker 1: You start to want to hang out with these characters

357
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Speaker 1: and like help them with their problems and be there

358
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Speaker 1: for it all, you know. And also going into second season,

359
00:21:45,240 --> 00:21:47,480
Speaker 1: I think they were starting to know us as actors

360
00:21:47,520 --> 00:21:50,639
Speaker 1: more and that was helping them to start to guide

361
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Speaker 1: the characters. M What do you mean by that starting

362
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Speaker 1: to get you to know you as actors? Because we

363
00:21:58,920 --> 00:22:01,040
Speaker 1: always feel like we're like did they have like some

364
00:22:01,119 --> 00:22:05,120
Speaker 1: hidden microphone somewhere because they like the character attributes, Like

365
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Speaker 1: I feel like a lot of the stuff you see,

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Speaker 1: especially like for my character's Donna, Like that's very tory

367
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Speaker 1: and at that age that they were writing for me

368
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Speaker 1: um personality wise. So it's interesting that they were getting

369
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Speaker 1: to know us by spending time with us on set

370
00:22:22,440 --> 00:22:25,960
Speaker 1: and they were starting to write more personality traits of

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Speaker 1: the real actors into the characters. I think. But it's weird.

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Speaker 1: I didn't. I didn't never feel like they were spending

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Speaker 1: more time with us on set. I honestly felt like

374
00:22:34,720 --> 00:22:39,600
Speaker 1: they were watching us from Afar and like like make

375
00:22:39,680 --> 00:22:45,399
Speaker 1: taking notes about the the animals and the enclosures. Well, wait,

376
00:22:45,440 --> 00:22:47,800
Speaker 1: weren't you miked up? Like if you were miked up

377
00:22:48,440 --> 00:22:52,000
Speaker 1: or No, Well, with all those booms and every shot,

378
00:22:52,040 --> 00:22:55,680
Speaker 1: I don't think we were wearing body mikes, but you learn,

379
00:22:55,840 --> 00:22:59,119
Speaker 1: you learn very young, like we learned this on to

380
00:22:59,320 --> 00:23:01,080
Speaker 1: know that when you have your body mic on, it's

381
00:23:01,119 --> 00:23:03,480
Speaker 1: taped inside. We don't want them to hear it. You

382
00:23:03,520 --> 00:23:05,800
Speaker 1: just tap it and they continue to have a conversation

383
00:23:06,119 --> 00:23:11,000
Speaker 1: like keep doing it. Yeah, it sounds like the soundman

384
00:23:11,160 --> 00:23:14,160
Speaker 1: probably loved that because whenever we would talk about stuff

385
00:23:14,160 --> 00:23:15,800
Speaker 1: we didn't want to when to hear, we'd be like

386
00:23:15,920 --> 00:23:17,480
Speaker 1: tap tup tup, tup, tup, tup, tup, tup tup and

387
00:23:17,800 --> 00:23:21,680
Speaker 1: probably really hurt their ears, breaking punk kids. But like

388
00:23:21,800 --> 00:23:24,760
Speaker 1: I think producers and writers were like banking on us,

389
00:23:24,920 --> 00:23:27,960
Speaker 1: just like talking out of school and not like knowing

390
00:23:28,040 --> 00:23:30,840
Speaker 1: that we had our mics on, and which happens all

391
00:23:30,880 --> 00:23:33,639
Speaker 1: the time. Yeah, we went there was stuff would happen

392
00:23:33,760 --> 00:23:35,440
Speaker 1: and we'd be like, oh shoot, I forgot to go

393
00:23:35,560 --> 00:23:37,880
Speaker 1: like this, and you have just told like some really

394
00:23:37,960 --> 00:23:41,800
Speaker 1: juicy stuff. Um, but have you gone on in your

395
00:23:41,880 --> 00:23:44,399
Speaker 1: career jen to be on a set and work with

396
00:23:44,560 --> 00:23:46,840
Speaker 1: younger people or anyone and you do that and they

397
00:23:46,920 --> 00:23:49,399
Speaker 1: look at you like what are you doing and they

398
00:23:49,440 --> 00:23:53,080
Speaker 1: think you're crazy. I don't know if I've really noticed that. Now,

399
00:23:53,840 --> 00:23:57,480
Speaker 1: Oh it happened to me. Someone was like what you

400
00:23:57,480 --> 00:23:59,840
Speaker 1: are you? Okay, what are you doing? And I was like, Oh,

401
00:24:00,119 --> 00:24:02,639
Speaker 1: it's like a have it you don't. I guess it's

402
00:24:02,640 --> 00:24:04,600
Speaker 1: an old school thing. You like this so that sound

403
00:24:04,680 --> 00:24:07,800
Speaker 1: doesn't hear what the youngsters do now when they don't

404
00:24:07,800 --> 00:24:10,359
Speaker 1: want the sound man to hear what they're saying, they

405
00:24:10,440 --> 00:24:14,119
Speaker 1: just don't care. They don't care. I don't think you

406
00:24:14,200 --> 00:24:17,080
Speaker 1: can't unplug it. There's no off button. Well you can

407
00:24:17,240 --> 00:24:20,280
Speaker 1: unplug it, but it's not that easy because it's usually like, um,

408
00:24:20,400 --> 00:24:22,760
Speaker 1: when they put a body mic on you, it's it's

409
00:24:22,840 --> 00:24:25,720
Speaker 1: wrapped under a packaging thing, like you're wrapped up in

410
00:24:25,760 --> 00:24:28,359
Speaker 1: a belt and it's in the belt, in your pants,

411
00:24:28,560 --> 00:24:32,040
Speaker 1: in your clothes, on your thigh there's like a thi

412
00:24:32,200 --> 00:24:35,600
Speaker 1: wrap with velcrowdon. So it's like, you know, it's usually

413
00:24:35,680 --> 00:24:38,040
Speaker 1: like an ordeal to get to it, which is also

414
00:24:38,920 --> 00:24:41,359
Speaker 1: pretty embarrassing when the sound man is putting that on

415
00:24:41,560 --> 00:24:45,479
Speaker 1: you on set, like digging through your clothes, lifting up

416
00:24:45,520 --> 00:24:48,000
Speaker 1: your skirt, pulling up your everything just to get to

417
00:24:48,080 --> 00:24:55,320
Speaker 1: your mic, to change your batteries, batteries, just coping a

418
00:24:55,400 --> 00:25:00,760
Speaker 1: field right now, Oh my god. Pretty invasive. It's and

419
00:25:00,920 --> 00:25:03,320
Speaker 1: everybody's standing there waiting while the sound man is like

420
00:25:03,440 --> 00:25:06,640
Speaker 1: literally lifting your shirt up and basically putting his head

421
00:25:06,720 --> 00:25:12,879
Speaker 1: under their likes. They usually hand it to me and

422
00:25:12,880 --> 00:25:19,800
Speaker 1: they just go through. Now, So we grew up like

423
00:25:20,080 --> 00:25:23,679
Speaker 1: just being like on new shows they would be like okay,

424
00:25:23,760 --> 00:25:26,160
Speaker 1: they would always say that, we would just stand yeah,

425
00:25:26,560 --> 00:25:30,440
Speaker 1: just text here's my body put the same you need it?

426
00:25:31,880 --> 00:25:38,960
Speaker 1: That basically PTSD from that from being fondled. Do you

427
00:25:39,119 --> 00:25:42,919
Speaker 1: enjoy for play? Does it bring back? It's kind of numbing,

428
00:25:43,119 --> 00:25:49,359
Speaker 1: Like we're like Janice explained so much about my life

429
00:25:49,640 --> 00:25:55,119
Speaker 1: an epiphany. Lord, what is that? Well, there's still more

430
00:25:55,200 --> 00:25:58,680
Speaker 1: than cover from this episode. Let's take a break and

431
00:25:58,760 --> 00:26:13,640
Speaker 1: you guys can think about that and we'll come back. Okay,

432
00:26:13,720 --> 00:26:19,440
Speaker 1: you guys, we are back, and it's Anaconda don't want

433
00:26:19,960 --> 00:26:22,960
Speaker 1: if you ain't got buns hunts. Sorry, I love it

434
00:26:23,080 --> 00:26:26,600
Speaker 1: so much. We're at the Beach Club. We are what

435
00:26:26,840 --> 00:26:30,600
Speaker 1: they're play coker and the big thing is they're going

436
00:26:30,640 --> 00:26:34,720
Speaker 1: to do the you know, Ross Weener Black version of

437
00:26:34,800 --> 00:26:37,640
Speaker 1: Poker Night, which I just couldn't get past the name.

438
00:26:37,760 --> 00:26:40,960
Speaker 1: Sorry for anybody out there who's named Ross Weener Black,

439
00:26:41,040 --> 00:26:44,119
Speaker 1: But I mean I'm really sorry if your name is

440
00:26:44,200 --> 00:26:47,160
Speaker 1: Ross Win are black, But I'm sorry to be making

441
00:26:47,200 --> 00:26:48,840
Speaker 1: fun of it right now, but it just made me laugh.

442
00:26:50,119 --> 00:26:53,320
Speaker 1: One more time, say it one more time, a black, yes,

443
00:26:54,080 --> 00:26:56,720
Speaker 1: one more time to say it one more time. What

444
00:26:56,880 --> 00:26:59,800
Speaker 1: movies that from? I don't know, you and I always do.

445
00:27:00,119 --> 00:27:01,720
Speaker 1: I don't know. We got it from some movie. It's

446
00:27:01,760 --> 00:27:10,200
Speaker 1: from Elf on the Conversable and um, and Will Ferrell's

447
00:27:10,280 --> 00:27:14,840
Speaker 1: character is calling him an elf room. He's like, say more,

448
00:27:14,960 --> 00:27:16,520
Speaker 1: one more time, to say it one more time and

449
00:27:16,640 --> 00:27:22,080
Speaker 1: then you scrap out of left. Sorry, but it was

450
00:27:22,160 --> 00:27:24,600
Speaker 1: also funny when they're doing the poker stuff and they're

451
00:27:24,760 --> 00:27:30,359
Speaker 1: um talking about their fancy fifty inch rear projection TV.

452
00:27:31,480 --> 00:27:36,119
Speaker 1: I was like, that was like high tech in that

453
00:27:36,320 --> 00:27:41,640
Speaker 1: at that time. That dated us, didn't it? And it did,

454
00:27:41,760 --> 00:27:44,320
Speaker 1: But I loved it. It was pretty big TV for

455
00:27:44,440 --> 00:27:48,040
Speaker 1: that time, and rear projection TVs were the thing to have.

456
00:27:49,280 --> 00:27:51,600
Speaker 1: Now you wouldn't really want one, but they were good.

457
00:27:51,720 --> 00:27:53,720
Speaker 1: One of my favorite lines, I'm just going to jump

458
00:27:53,840 --> 00:27:57,760
Speaker 1: right ahead because that's what I do, uh, was when um,

459
00:27:58,440 --> 00:28:02,120
Speaker 1: the guy that they're playing poker with, says, Hey, Brandon,

460
00:28:02,280 --> 00:28:07,520
Speaker 1: don't be such a squeef what's a squeef? What's a squeef?

461
00:28:07,880 --> 00:28:11,320
Speaker 1: I thought he said squeak, but I thought I heard

462
00:28:11,359 --> 00:28:15,480
Speaker 1: squeef squeak squeef, Like, don't be such a squeak who

463
00:28:15,520 --> 00:28:19,359
Speaker 1: says that, Yeah, it's weird. Was a squeef? Like like

464
00:28:19,440 --> 00:28:22,479
Speaker 1: a loser? Sounds not fun? And then the girls come

465
00:28:22,560 --> 00:28:25,520
Speaker 1: to the poker party and they look so stink and cute.

466
00:28:26,040 --> 00:28:30,040
Speaker 1: I love your outfits. I always try to find pictures

467
00:28:30,080 --> 00:28:34,480
Speaker 1: from that episode really cute, and I loved those outfits.

468
00:28:35,200 --> 00:28:37,080
Speaker 1: It looks so fun. I wanted to go to that

469
00:28:37,160 --> 00:28:39,520
Speaker 1: poker game and smoke, well, I didn't want to smoke

470
00:28:39,560 --> 00:28:42,400
Speaker 1: the cigars. I could not believe you guys were smoking cigars.

471
00:28:43,360 --> 00:28:45,800
Speaker 1: I felt like such a stud you guys, I'm sure

472
00:28:45,840 --> 00:28:47,840
Speaker 1: I felt like I was going to throw up afterwards,

473
00:28:47,960 --> 00:28:53,040
Speaker 1: But I was like feeling cool as could be. I

474
00:28:53,120 --> 00:28:57,920
Speaker 1: don't see some cigars smoking as really making you cool,

475
00:28:59,240 --> 00:29:02,120
Speaker 1: but I guess it's the opposite. But imagine being what

476
00:29:02,280 --> 00:29:08,360
Speaker 1: were we seventeen then eighteen? Like you know, I was like, Okay,

477
00:29:08,840 --> 00:29:10,880
Speaker 1: it's just first scene, so I'm not doing it. But

478
00:29:10,960 --> 00:29:13,440
Speaker 1: it's like, I don't know. I thought I was in

479
00:29:13,480 --> 00:29:18,440
Speaker 1: the big leagues. Don't judge me. You were and you

480
00:29:18,560 --> 00:29:21,120
Speaker 1: looked great doing it. I really loved it. I was

481
00:29:21,200 --> 00:29:23,480
Speaker 1: there for that whole poker thing, the lighting and the

482
00:29:24,120 --> 00:29:29,080
Speaker 1: just it looks so Needo Neto, I said, Neto better

483
00:29:29,160 --> 00:29:34,160
Speaker 1: than squeef. It was a very interesting theme. Like I

484
00:29:34,320 --> 00:29:36,960
Speaker 1: was wondering, did the writers come up with that? Was

485
00:29:37,040 --> 00:29:40,960
Speaker 1: that your dad's idea to do the whole like Frank

486
00:29:41,040 --> 00:29:45,280
Speaker 1: Sinatra theme scene? Where do you guys think it came from?

487
00:29:46,320 --> 00:29:49,320
Speaker 1: I wonder. I mean, my dad was really good friends

488
00:29:49,360 --> 00:29:52,440
Speaker 1: with the rat Pack. I wonder if that was something

489
00:29:52,680 --> 00:29:55,000
Speaker 1: he was like, Oh, let's make it this kind of idea,

490
00:29:55,840 --> 00:29:59,760
Speaker 1: bring that back. I don't know. It was fun to

491
00:29:59,800 --> 00:30:04,760
Speaker 1: get see James Pickens jr. Um do some more scenes

492
00:30:04,880 --> 00:30:07,880
Speaker 1: in this episode. Did you guys like that? He's such

493
00:30:07,880 --> 00:30:11,240
Speaker 1: a good actor. It's funny. I wonder if people remember

494
00:30:11,320 --> 00:30:13,600
Speaker 1: him from this, because obviously everyone knows him from Gray's

495
00:30:13,640 --> 00:30:18,040
Speaker 1: Anatomy Richard on Grey's Anatomy, But we've crossover audiences, right, Yeah, sure,

496
00:30:18,160 --> 00:30:21,240
Speaker 1: Before that, he was he was Henry Thomas. He was

497
00:30:21,360 --> 00:30:24,000
Speaker 1: like the guy at the Beach Club, and he was

498
00:30:24,200 --> 00:30:27,240
Speaker 1: so great. He was I just loved whenever he was

499
00:30:27,400 --> 00:30:33,000
Speaker 1: on screen. And I mean, to be quite honest, the

500
00:30:33,040 --> 00:30:37,640
Speaker 1: show was not that diverse in in the nineties. We

501
00:30:37,920 --> 00:30:40,880
Speaker 1: that wasn't something that they really focused on. It was

502
00:30:40,920 --> 00:30:43,760
Speaker 1: a once in a while thing that they would say, oh,

503
00:30:43,880 --> 00:30:46,440
Speaker 1: we we should do this. But I loved seeing the

504
00:30:46,520 --> 00:30:49,960
Speaker 1: diversity and just feeling that, you know, just the difference

505
00:30:50,240 --> 00:30:54,080
Speaker 1: of of having him there. And I thought that he

506
00:30:54,200 --> 00:30:56,520
Speaker 1: added a lot to our show. I liked him a lot.

507
00:30:56,960 --> 00:31:00,440
Speaker 1: He was watching TV on the balcony agan man favorite

508
00:31:00,480 --> 00:31:02,920
Speaker 1: thing to do, and he had like the best mullet,

509
00:31:03,160 --> 00:31:05,600
Speaker 1: Like did you guys notice he had like the best

510
00:31:06,280 --> 00:31:10,600
Speaker 1: tightest mullet there is tight the tight mullet. But it

511
00:31:10,760 --> 00:31:12,440
Speaker 1: was a moment you had to really like sneak a

512
00:31:12,520 --> 00:31:16,840
Speaker 1: peek to see it. And I was like, what, he's cute.

513
00:31:20,160 --> 00:31:22,640
Speaker 1: So he appears in ten episodes of Nanotu and O

514
00:31:23,400 --> 00:31:26,480
Speaker 1: and then that was it. What what happened after this

515
00:31:26,600 --> 00:31:28,640
Speaker 1: season Greys Anatomy starts is that when he went there

516
00:31:29,680 --> 00:31:32,440
Speaker 1: maybe a year. I guess we'll find out, But didn't

517
00:31:32,440 --> 00:31:33,840
Speaker 1: we come back to the Beach Club or this was

518
00:31:33,920 --> 00:31:36,640
Speaker 1: it after this season? I feel like it was just

519
00:31:36,800 --> 00:31:40,680
Speaker 1: one season. Whoa we don't know in anything like like

520
00:31:40,800 --> 00:31:43,440
Speaker 1: we said, We're going to learn right along with you,

521
00:31:43,520 --> 00:31:45,760
Speaker 1: guys while we're watching this. The thing about this is,

522
00:31:45,840 --> 00:31:47,959
Speaker 1: if you're a super fan of the show, you've watched

523
00:31:48,000 --> 00:31:50,719
Speaker 1: every episode and you know what's happened and what's going

524
00:31:50,800 --> 00:31:54,240
Speaker 1: to happen for us. We literally don't know what's going

525
00:31:54,280 --> 00:31:57,600
Speaker 1: to happen next week. This is true just because we

526
00:31:57,680 --> 00:32:00,760
Speaker 1: acted it and lived it. Don't think we remember it.

527
00:32:02,240 --> 00:32:04,080
Speaker 1: We had a great we had a great song in

528
00:32:04,160 --> 00:32:07,320
Speaker 1: this episode, though, I did notice um was kind of

529
00:32:07,480 --> 00:32:12,920
Speaker 1: another one of those um foreshadowing weird nine O two

530
00:32:13,000 --> 00:32:15,040
Speaker 1: on Oh Moments, because there was a song called what

531
00:32:15,120 --> 00:32:18,560
Speaker 1: I Like About You by The Romantics in the scene

532
00:32:18,560 --> 00:32:23,160
Speaker 1: with Brendan Donna when they're doing their tams. I don't

533
00:32:23,200 --> 00:32:24,720
Speaker 1: know if you guys heard it, but I did because

534
00:32:24,760 --> 00:32:29,040
Speaker 1: that song was later became pretty significant to me because

535
00:32:29,080 --> 00:32:32,200
Speaker 1: I did the show What I Like About You? Yeah, yeah,

536
00:32:32,320 --> 00:32:35,960
Speaker 1: So I thought that was a neat little foreshadowing. Another

537
00:32:36,040 --> 00:32:40,480
Speaker 1: one of those things. That's so cool. Those things keep happening, coming,

538
00:32:40,640 --> 00:32:43,360
Speaker 1: keep them coming. I love it. Do you guys have

539
00:32:43,520 --> 00:32:46,840
Speaker 1: that happen? I mean, you notice, like the things that

540
00:32:46,920 --> 00:32:51,000
Speaker 1: happened like little signs. This is totally off topic. But

541
00:32:51,040 --> 00:32:55,760
Speaker 1: I'll just tell you. Um my daughter her school picked

542
00:32:55,800 --> 00:33:01,000
Speaker 1: a new mascot this last week and they, for whatever reason,

543
00:33:01,120 --> 00:33:03,920
Speaker 1: that it wasn't politically correct their old mascot. They wanted

544
00:33:03,960 --> 00:33:08,360
Speaker 1: to change it. So they changed it to the Owls

545
00:33:08,920 --> 00:33:11,320
Speaker 1: and they announced it yesterday and it was big news,

546
00:33:11,440 --> 00:33:14,880
Speaker 1: you know, for us. And that the night before they

547
00:33:14,920 --> 00:33:18,200
Speaker 1: announced it, I had a dream about a giant owl

548
00:33:18,600 --> 00:33:23,600
Speaker 1: swooping through and I didn't know where that came from.

549
00:33:23,880 --> 00:33:26,840
Speaker 1: Then then then they announced that their show their mascots

550
00:33:26,880 --> 00:33:30,480
Speaker 1: called the Owls. And then last night we were watching

551
00:33:31,400 --> 00:33:35,440
Speaker 1: um Queen's Gambit again. I guess we love that show,

552
00:33:36,080 --> 00:33:38,880
Speaker 1: and there was like an owl reference. I don't even

553
00:33:38,920 --> 00:33:41,280
Speaker 1: know why I'm telling you this, but it's about the

554
00:33:41,440 --> 00:33:48,240
Speaker 1: signs people. It's about noticing the universe, like synchronicity. Synchronicity, yes,

555
00:33:48,640 --> 00:33:52,240
Speaker 1: and I'm just gonna say it, I think. Okay. So,

556
00:33:53,000 --> 00:33:55,520
Speaker 1: so she told me this yesterday and I was like, oh,

557
00:33:55,720 --> 00:33:58,680
Speaker 1: she had this premonition about the owl being picked as

558
00:33:58,720 --> 00:34:02,080
Speaker 1: the mascot. But I think the overall theme is you

559
00:34:02,160 --> 00:34:05,720
Speaker 1: need to look deeper. The album means something else for you.

560
00:34:06,280 --> 00:34:09,839
Speaker 1: It's coming like something wei to figure it out. Well,

561
00:34:09,920 --> 00:34:13,120
Speaker 1: owls are wise. Maybe there's wisdom coming your way or

562
00:34:13,400 --> 00:34:19,520
Speaker 1: please go and she is a hoot. But I feel

563
00:34:19,560 --> 00:34:25,520
Speaker 1: like it means something little people. Maybe it'll be revealed

564
00:34:25,560 --> 00:34:29,520
Speaker 1: on the next episode. Maybe. Well, let's get into fashion

565
00:34:29,760 --> 00:34:32,320
Speaker 1: our favorite lines, and we have a few questions from listeners.

566
00:34:32,440 --> 00:34:47,080
Speaker 1: Let's take a break and we'll come back with that. Okay,

567
00:34:47,160 --> 00:34:49,879
Speaker 1: so let's talk fashion, ladies, because we love to talk

568
00:34:49,920 --> 00:34:53,120
Speaker 1: about fashion on the show. Um, I'll just kick it

569
00:34:53,280 --> 00:34:58,320
Speaker 1: right off. I was really digging Steve's outfits in this episode.

570
00:35:00,000 --> 00:35:04,320
Speaker 1: They were They were just fun and so perfectly Steve Sanders.

571
00:35:04,840 --> 00:35:09,000
Speaker 1: I loved the completely buttoned up shirt, blue shirt with

572
00:35:09,080 --> 00:35:15,320
Speaker 1: the white like docer shorts, but equally uh, the dolphin

573
00:35:15,400 --> 00:35:21,040
Speaker 1: shorts he was wearing with yet another tank top. His

574
00:35:21,200 --> 00:35:25,800
Speaker 1: tank top closet is just going nuts. We have to

575
00:35:25,880 --> 00:35:28,440
Speaker 1: ask him if he has any of those tank tops

576
00:35:28,640 --> 00:35:31,759
Speaker 1: and if he would be willing to wear them one day.

577
00:35:32,880 --> 00:35:35,759
Speaker 1: Oh yeah, then and now I want to do yeah,

578
00:35:35,840 --> 00:35:38,080
Speaker 1: like I want to see him in those now. I

579
00:35:38,160 --> 00:35:41,400
Speaker 1: want to see that so bad. Um. I loved my

580
00:35:41,560 --> 00:35:43,880
Speaker 1: outfit in the Poker Game. That was one of my

581
00:35:43,960 --> 00:35:46,839
Speaker 1: favorite outfits ever on this whole series that I wore

582
00:35:47,120 --> 00:35:52,719
Speaker 1: because I love the twenties, so mine was kind of esque. Yeah,

583
00:35:52,760 --> 00:35:55,560
Speaker 1: you were both kind of dolled up like retro like that,

584
00:35:55,680 --> 00:35:59,640
Speaker 1: and I loved it. Brenda's she looked every bit a

585
00:36:00,160 --> 00:36:03,560
Speaker 1: roaring twenties lady, just as you did, but a little

586
00:36:03,600 --> 00:36:07,160
Speaker 1: different take on it. Right, you were more of a flapper.

587
00:36:08,400 --> 00:36:12,040
Speaker 1: He was more of like, um, the cigarette girl, you know,

588
00:36:12,120 --> 00:36:17,160
Speaker 1: the girl that would a cigarette cigarette cigarette. Well, I'm

589
00:36:17,160 --> 00:36:24,359
Speaker 1: really dating myself. Everybody gets did you like anything since? Yeah,

590
00:36:24,400 --> 00:36:27,160
Speaker 1: it's funny that they were considered the babes that we're

591
00:36:27,200 --> 00:36:29,080
Speaker 1: going to be at the poke game. Brandon was so

592
00:36:29,239 --> 00:36:31,520
Speaker 1: disappointed that one of them was his sister. He's like,

593
00:36:31,760 --> 00:36:35,520
Speaker 1: this does not count. We get some fresh girls. Fresh girlfriend,

594
00:36:35,560 --> 00:36:40,200
Speaker 1: He's a fresh babe. Um. I liked Donna's hair in um,

595
00:36:41,320 --> 00:36:43,719
Speaker 1: like half a half down when you came into the

596
00:36:43,760 --> 00:36:46,080
Speaker 1: WASH's house. It's just like that was my go to

597
00:36:46,200 --> 00:36:48,160
Speaker 1: hair sound in the nineties because like, if you don't

598
00:36:48,160 --> 00:36:49,680
Speaker 1: want to do point out, you just like the half

599
00:36:49,719 --> 00:36:52,360
Speaker 1: of half down with like a huge scrunch, yeah, or

600
00:36:52,600 --> 00:36:55,759
Speaker 1: like a clip, like a little clips what were they

601
00:36:55,800 --> 00:36:58,920
Speaker 1: called the banana clips? No, that was a different one.

602
00:37:00,040 --> 00:37:03,000
Speaker 1: They were like, yeah, small, like just one and they

603
00:37:03,000 --> 00:37:06,440
Speaker 1: were flat, yeah, and it just would hold it. I

604
00:37:06,520 --> 00:37:08,200
Speaker 1: don't I don't know. It's so funny for me because

605
00:37:08,200 --> 00:37:10,880
Speaker 1: I feel like that hair do was like not a

606
00:37:10,960 --> 00:37:14,200
Speaker 1: TV hair do. I feel like it was just real life. Yes.

607
00:37:14,680 --> 00:37:16,600
Speaker 1: I think that's why I liked it really Like I

608
00:37:16,719 --> 00:37:18,200
Speaker 1: look at it and I'm like, oh my god, why

609
00:37:18,239 --> 00:37:21,759
Speaker 1: didn't they do my hair that day? Like, oh my god,

610
00:37:21,880 --> 00:37:23,880
Speaker 1: what was happening? Was I like late and they were

611
00:37:23,920 --> 00:37:26,320
Speaker 1: like got to get to said skip hair. No. I

612
00:37:26,440 --> 00:37:29,440
Speaker 1: feel like it goes back to being you, being authentic

613
00:37:29,560 --> 00:37:33,800
Speaker 1: and relatable. I feel like you and Brenda both looked

614
00:37:34,080 --> 00:37:37,320
Speaker 1: just really normal, like girls you would want to be

615
00:37:37,480 --> 00:37:39,320
Speaker 1: hang out with, like you, girls that you actually do

616
00:37:39,440 --> 00:37:43,040
Speaker 1: hair out with. How about lines? Best lines from the episode?

617
00:37:43,560 --> 00:37:46,880
Speaker 1: I know to one? No. One of mine was from David.

618
00:37:47,960 --> 00:37:50,480
Speaker 1: Uh he was He said, hey, little lady, can I

619
00:37:50,600 --> 00:37:57,759
Speaker 1: buy you a snack? Donna hot snack? Right here? He

620
00:37:57,920 --> 00:38:01,719
Speaker 1: was not feeling his vibe now not Yeah. Um of

621
00:38:01,840 --> 00:38:04,839
Speaker 1: course going back to that, UM, seeing I liked my line,

622
00:38:05,000 --> 00:38:08,919
Speaker 1: I uh, I had a cigar. I threw up. Yeah

623
00:38:11,640 --> 00:38:15,399
Speaker 1: that's so cute. Um, I already told you my favorite line.

624
00:38:15,440 --> 00:38:18,640
Speaker 1: Brandon don't be such a squeef. I plan on using

625
00:38:18,719 --> 00:38:22,399
Speaker 1: that reference later. I'm gonna call somebody a squeef today

626
00:38:22,440 --> 00:38:27,399
Speaker 1: and see how it goes. And that's that's it, you guys.

627
00:38:27,480 --> 00:38:29,160
Speaker 1: This is this was We don't have a lot to

628
00:38:29,200 --> 00:38:31,279
Speaker 1: say about this episode. I feel like we kind of

629
00:38:31,400 --> 00:38:36,040
Speaker 1: like didn't really go too deep. But that's okay because

630
00:38:36,040 --> 00:38:39,000
Speaker 1: we have some great questions I think from from listeners.

631
00:38:39,040 --> 00:38:42,920
Speaker 1: Don't we sist? We sure do? A Maya is asking

632
00:38:43,560 --> 00:38:46,920
Speaker 1: why do y'all keep picking and or shading the boys?

633
00:38:47,640 --> 00:38:50,719
Speaker 1: This other week it was about Jason and his height

634
00:38:50,960 --> 00:38:54,400
Speaker 1: and everything, and then Tori was sarcastic about how Jason

635
00:38:54,520 --> 00:38:58,080
Speaker 1: loves to rehash Nano toun o stuff. What did they

636
00:38:58,160 --> 00:39:02,120
Speaker 1: do to you? Wow, my gosh, what did they do

637
00:39:02,320 --> 00:39:06,040
Speaker 1: to us? Okay, here's what you guys need to understand,

638
00:39:06,560 --> 00:39:11,680
Speaker 1: Like these are like our brothers and sisters. Like anything

639
00:39:11,800 --> 00:39:14,239
Speaker 1: we say here we would say right to their face

640
00:39:14,320 --> 00:39:17,240
Speaker 1: and probably do. Like you hear how Jan and I talked.

641
00:39:17,360 --> 00:39:19,960
Speaker 1: This is how we all talked to each other. Um

642
00:39:20,120 --> 00:39:23,000
Speaker 1: and we we always were in contact stone we're all

643
00:39:23,040 --> 00:39:26,839
Speaker 1: still friends. So they didn't do anything. Does we love them?

644
00:39:26,880 --> 00:39:28,360
Speaker 1: It's our family. This is how you talk about your

645
00:39:28,400 --> 00:39:31,320
Speaker 1: best friends and family, right, yeah, but even so, like

646
00:39:31,520 --> 00:39:35,560
Speaker 1: I get what there's this Amaya is saying, like from

647
00:39:35,800 --> 00:39:38,279
Speaker 1: people that love the show, and you know, but the

648
00:39:38,400 --> 00:39:42,200
Speaker 1: thing is, this is our this is these are our recollections,

649
00:39:42,239 --> 00:39:45,560
Speaker 1: these are our memories. This is was our experience, and

650
00:39:46,000 --> 00:39:49,000
Speaker 1: you know, it was probably much different than their experience,

651
00:39:49,040 --> 00:39:51,960
Speaker 1: so the guy's experience or anyone else's experience, but we

652
00:39:52,080 --> 00:39:54,360
Speaker 1: can tell our side of the story. And I think that,

653
00:39:55,080 --> 00:40:00,400
Speaker 1: um so often we fall into the trap of trying

654
00:40:00,440 --> 00:40:04,799
Speaker 1: to tell a story that everybody is gonna digest, well,

655
00:40:05,040 --> 00:40:07,120
Speaker 1: like that it's going to be politically correct to say,

656
00:40:07,360 --> 00:40:09,400
Speaker 1: or it's gonna people are going to still like us

657
00:40:09,440 --> 00:40:11,600
Speaker 1: even when we say it. But there are some parts

658
00:40:11,800 --> 00:40:17,320
Speaker 1: of our experience that weren't great, and and that's okay,

659
00:40:17,520 --> 00:40:19,520
Speaker 1: and it's okay for us to talk about it now too,

660
00:40:19,960 --> 00:40:22,920
Speaker 1: and it's okay for for other people to share their experiences.

661
00:40:23,000 --> 00:40:26,800
Speaker 1: But you know, when you ask what did they do

662
00:40:27,120 --> 00:40:32,480
Speaker 1: to you, it's not necessarily what they did to us,

663
00:40:32,760 --> 00:40:36,080
Speaker 1: but what we as young people did to ourselves, like

664
00:40:36,280 --> 00:40:40,919
Speaker 1: our interpretation of what was happening at that time because

665
00:40:41,000 --> 00:40:43,319
Speaker 1: we were all so young and so like I said,

666
00:40:43,440 --> 00:40:46,600
Speaker 1: so unguided at that in that environment, that grown up,

667
00:40:46,680 --> 00:40:51,360
Speaker 1: mature environment, being completely left on our own for you know,

668
00:40:51,719 --> 00:40:55,400
Speaker 1: days full days of whatever happened, you know. And so

669
00:40:55,640 --> 00:40:59,200
Speaker 1: there's so much that happened that sort of taught us

670
00:40:59,320 --> 00:41:03,640
Speaker 1: and and shaped us as women, as young girls, as

671
00:41:03,719 --> 00:41:06,640
Speaker 1: now as women, and not all of it was great.

672
00:41:06,880 --> 00:41:12,040
Speaker 1: And you know, Tory and I do try to um

673
00:41:12,600 --> 00:41:16,239
Speaker 1: tell the truth, but at the same time not you know,

674
00:41:16,840 --> 00:41:20,080
Speaker 1: let people in too far to see like the you know,

675
00:41:20,760 --> 00:41:24,160
Speaker 1: the sordid parts, because we want everybody to love the

676
00:41:24,280 --> 00:41:27,040
Speaker 1: characters and love the show, and but we also have

677
00:41:27,120 --> 00:41:29,960
Speaker 1: our own experiences, so sometimes that stuff comes out of us,

678
00:41:30,080 --> 00:41:32,719
Speaker 1: like when we're joking and when we're like making fun.

679
00:41:32,880 --> 00:41:36,520
Speaker 1: But I don't think that it's not about what they

680
00:41:36,600 --> 00:41:40,520
Speaker 1: did to us. Well, but what she said, um, but

681
00:41:40,600 --> 00:41:44,719
Speaker 1: am also I believe I'm the person that the entire

682
00:41:44,800 --> 00:41:48,880
Speaker 1: first season I kept saying, Look how dreamy Jason's eyes are.

683
00:41:49,040 --> 00:41:53,359
Speaker 1: Oh my god, he's so hot. Like I acknowledge that too.

684
00:41:53,560 --> 00:41:56,360
Speaker 1: I think. I mean, I'll say to you if you

685
00:41:56,440 --> 00:41:58,680
Speaker 1: wore something like what were you wearing that week? Like

686
00:41:58,840 --> 00:42:00,919
Speaker 1: that's the same thing, Like why did they say something

687
00:42:00,920 --> 00:42:05,759
Speaker 1: about Jason Tite, like we were just referencing things that

688
00:42:06,360 --> 00:42:08,360
Speaker 1: we're in the script and happened. I don't think you

689
00:42:08,440 --> 00:42:10,080
Speaker 1: have to defend yourself, but I think that way you

690
00:42:10,120 --> 00:42:12,840
Speaker 1: said it makes a lot of sense. I know, I

691
00:42:12,880 --> 00:42:15,040
Speaker 1: don't feel like we pick on them, though I don't like,

692
00:42:15,120 --> 00:42:17,200
Speaker 1: I don't feel like we have different I haven't gotten

693
00:42:17,239 --> 00:42:19,120
Speaker 1: that vibe either. I think it is kind of like

694
00:42:19,280 --> 00:42:21,960
Speaker 1: you guys are all, you know, related in a in

695
00:42:22,040 --> 00:42:26,120
Speaker 1: a sense, these are our high school friends. Like we

696
00:42:27,520 --> 00:42:29,680
Speaker 1: I mean family picks on each other. It's like I

697
00:42:29,800 --> 00:42:32,280
Speaker 1: still have the same jokes with my high school friends

698
00:42:32,320 --> 00:42:33,840
Speaker 1: that like, and we still when we see each other

699
00:42:33,880 --> 00:42:35,440
Speaker 1: we pick up, but we left off and it's the

700
00:42:35,480 --> 00:42:38,719
Speaker 1: same stupid jokes that like, you know, sound mean, but

701
00:42:38,840 --> 00:42:41,440
Speaker 1: they're not me because it's us and we were in

702
00:42:41,560 --> 00:42:45,320
Speaker 1: those were, like like we've said before, those were formative years.

703
00:42:45,520 --> 00:42:49,520
Speaker 1: We were young girls. We were very very impressionable, and

704
00:42:51,719 --> 00:42:55,480
Speaker 1: I mean Tory and I've talked about this before. Back

705
00:42:55,520 --> 00:42:57,960
Speaker 1: to the whole major concept of why why am I

706
00:42:58,040 --> 00:42:59,799
Speaker 1: the way I am? And who how did I get

707
00:42:59,880 --> 00:43:02,040
Speaker 1: the way? And why do I have these issues or

708
00:43:02,120 --> 00:43:04,040
Speaker 1: these hang ups or you know, all that you ask

709
00:43:04,120 --> 00:43:07,719
Speaker 1: yourselves as you grow into an adult and you when

710
00:43:07,760 --> 00:43:10,960
Speaker 1: you start to look and sort of look at yourself

711
00:43:11,080 --> 00:43:14,080
Speaker 1: in the mirror and ask those questions. Yeah, a lot

712
00:43:14,160 --> 00:43:17,440
Speaker 1: of a lot of what happened on that set um

713
00:43:18,239 --> 00:43:22,880
Speaker 1: shaped us in all directions. But I think as a

714
00:43:22,960 --> 00:43:26,239
Speaker 1: young girl, maybe I was like, what blamed it on

715
00:43:26,320 --> 00:43:28,640
Speaker 1: the guys to like, you know, it was all their fault,

716
00:43:28,680 --> 00:43:32,080
Speaker 1: But it was how I saw it, like, you know,

717
00:43:32,200 --> 00:43:36,000
Speaker 1: brought out a super competitive part of me. Being in

718
00:43:36,120 --> 00:43:40,320
Speaker 1: that environment of being you know, uh, judge by because

719
00:43:40,360 --> 00:43:42,400
Speaker 1: of my looks or how I looked in an outfit

720
00:43:42,600 --> 00:43:46,800
Speaker 1: or you know. It was such a it was. It

721
00:43:46,960 --> 00:43:50,000
Speaker 1: was just a different day and age um and it

722
00:43:50,080 --> 00:43:53,280
Speaker 1: and it gave us young girls a lot of mixed messages,

723
00:43:53,360 --> 00:43:58,080
Speaker 1: and I for many years struggled with um, I think

724
00:43:58,120 --> 00:44:00,319
Speaker 1: that if I'm honest, like I think it, it kind

725
00:44:00,360 --> 00:44:04,520
Speaker 1: of taught me two be threatened by other girls, be

726
00:44:04,600 --> 00:44:09,600
Speaker 1: threatened by other women, be more competitive because I wanted there.

727
00:44:10,000 --> 00:44:13,560
Speaker 1: I wanted our co stars approval or attention, you know.

728
00:44:13,640 --> 00:44:16,239
Speaker 1: And it was it messed with me on a on

729
00:44:16,320 --> 00:44:18,759
Speaker 1: a deeper level. And not until later in life did

730
00:44:18,800 --> 00:44:22,920
Speaker 1: I kind of think it wasn't ever about the other girls,

731
00:44:23,080 --> 00:44:25,320
Speaker 1: and why did I ever make the other girls the

732
00:44:25,440 --> 00:44:30,759
Speaker 1: enemy in my mind? You know, it wasn't it. And

733
00:44:31,040 --> 00:44:33,239
Speaker 1: so it gives you different messages that you have to

734
00:44:33,320 --> 00:44:34,799
Speaker 1: work through. And I think that Tory and I are

735
00:44:34,840 --> 00:44:37,360
Speaker 1: always working through those messages as we grow older and

736
00:44:38,680 --> 00:44:41,160
Speaker 1: trying to be better people and figure it all out.

737
00:44:41,239 --> 00:44:46,839
Speaker 1: You know, absolutely all right, We'll go to the next question. Um.

738
00:44:47,760 --> 00:44:53,160
Speaker 1: This question is from Stephanie to Jenny. Through the seasons,

739
00:44:53,239 --> 00:44:58,160
Speaker 1: Kelly endured such traumatic experiences and eating disorder, the fire, drugs,

740
00:44:58,280 --> 00:45:00,879
Speaker 1: getting shot, and the cold, just to name a few.

741
00:45:01,840 --> 00:45:04,600
Speaker 1: Did you ever get tired of such terrible things happening

742
00:45:04,680 --> 00:45:08,560
Speaker 1: to your character and ask for something happier or easier

743
00:45:08,640 --> 00:45:12,360
Speaker 1: to play? In those ten seasons? I can ask this

744
00:45:12,520 --> 00:45:15,239
Speaker 1: question a lot, because yeah, you do. Because a lot

745
00:45:15,280 --> 00:45:18,040
Speaker 1: of bad things happen to Kelly. It's like a weird

746
00:45:18,520 --> 00:45:21,839
Speaker 1: I don't know why. They just love to do bad

747
00:45:21,920 --> 00:45:25,000
Speaker 1: things to her. I don't know why they did, but

748
00:45:25,960 --> 00:45:27,480
Speaker 1: I mean I did my best with it. When they

749
00:45:27,520 --> 00:45:30,480
Speaker 1: would give me a storyline that was dramatic on the

750
00:45:30,560 --> 00:45:32,879
Speaker 1: heels of another story and it was dramatic, I did

751
00:45:32,960 --> 00:45:37,440
Speaker 1: my best. Yeah, I got I got tired of the

752
00:45:37,520 --> 00:45:40,440
Speaker 1: heaviness of it sometimes for sure, and it was, you know,

753
00:45:40,719 --> 00:45:42,759
Speaker 1: That's why I love the scenes on the show where

754
00:45:42,760 --> 00:45:44,920
Speaker 1: it's like that everybody hanging out the group and we're

755
00:45:44,920 --> 00:45:48,279
Speaker 1: having fun. I love that stuff because it's like a

756
00:45:48,400 --> 00:45:50,759
Speaker 1: pleasant break for me. But it's interesting to see like

757
00:45:51,239 --> 00:45:54,800
Speaker 1: I did so many of those you know, dramatic things,

758
00:45:55,000 --> 00:45:58,839
Speaker 1: and I'm developed into a pretty dramatic person, like I'm

759
00:45:59,280 --> 00:46:01,799
Speaker 1: I'm not you know, Tory and I always joke she's

760
00:46:01,840 --> 00:46:06,520
Speaker 1: Pollyanna and I'm the opposite of whatever Pollyanna is. We

761
00:46:06,640 --> 00:46:08,560
Speaker 1: have to think of what that is. Didn't we figure

762
00:46:08,560 --> 00:46:12,280
Speaker 1: it out once? I don't remember. You think it's because

763
00:46:12,320 --> 00:46:14,200
Speaker 1: you played all these crazy roles when you were younger.

764
00:46:14,800 --> 00:46:19,120
Speaker 1: I feel like you're like, it's definitely shaded my life experience.

765
00:46:19,600 --> 00:46:22,520
Speaker 1: I feel like, no, not only did I have so

766
00:46:22,680 --> 00:46:28,399
Speaker 1: many traumatic experiences on camera, those those sink in, those

767
00:46:28,800 --> 00:46:33,879
Speaker 1: those sink into your bones, you know, and your experiences,

768
00:46:34,040 --> 00:46:36,480
Speaker 1: but I also have had, you know, a lot of

769
00:46:36,560 --> 00:46:38,640
Speaker 1: things in my real life. So and we all have

770
00:46:38,840 --> 00:46:42,480
Speaker 1: a lot of trauma and ups and downs in our lives.

771
00:46:42,600 --> 00:46:46,400
Speaker 1: But combining the two, I think it's a lot for

772
00:46:46,880 --> 00:46:52,520
Speaker 1: one lady. So I definitely think that it's it's made

773
00:46:52,600 --> 00:46:56,200
Speaker 1: me probably a more of a serious person. But it's

774
00:46:56,239 --> 00:47:00,680
Speaker 1: funny because my I call myself a blue person. I

775
00:47:00,719 --> 00:47:02,480
Speaker 1: don't know if you guys have ever heard that expression,

776
00:47:02,880 --> 00:47:06,200
Speaker 1: Like I I think you're not a blue person tour

777
00:47:06,520 --> 00:47:08,600
Speaker 1: I don't know would be you're more of like a

778
00:47:08,680 --> 00:47:12,680
Speaker 1: yellow person, like you air more on the light higher,

779
00:47:12,840 --> 00:47:18,600
Speaker 1: like a lighter, happier, sunnier side of the spectrum. And

780
00:47:18,800 --> 00:47:22,040
Speaker 1: I'm more a blue person like I've always struggled with depression,

781
00:47:22,200 --> 00:47:26,400
Speaker 1: and I've always uh, you know, had things that in

782
00:47:26,560 --> 00:47:28,200
Speaker 1: my mind that were harder for me to deal with

783
00:47:28,360 --> 00:47:30,279
Speaker 1: and and kind of cloud in my experience and made

784
00:47:30,280 --> 00:47:31,920
Speaker 1: me more on the blue side. I remember my dad

785
00:47:32,000 --> 00:47:36,000
Speaker 1: used to say, um, you would say are you feeling blue?

786
00:47:36,640 --> 00:47:39,759
Speaker 1: And that was I would I would say yeah, and

787
00:47:39,840 --> 00:47:41,719
Speaker 1: I didn't know why. I was a little girl, and

788
00:47:41,920 --> 00:47:43,399
Speaker 1: he would take me for ice cream and then everything

789
00:47:43,400 --> 00:47:47,440
Speaker 1: would be better. But but I think that people are

790
00:47:47,520 --> 00:47:52,759
Speaker 1: just kind of wired how they're wired. And I think

791
00:47:52,840 --> 00:47:55,960
Speaker 1: that I think all of our experiences, throughout all of

792
00:47:56,000 --> 00:48:00,480
Speaker 1: our journeys in life, like they accumulate, they kind of

793
00:48:00,520 --> 00:48:03,719
Speaker 1: add up and make you who you are. And I

794
00:48:03,880 --> 00:48:08,600
Speaker 1: know I love my blueness. I mean, I I love it.

795
00:48:08,680 --> 00:48:12,040
Speaker 1: I embrace it, and I it's something that I've learned

796
00:48:12,080 --> 00:48:15,080
Speaker 1: to live with and and that i love about myself.

797
00:48:15,200 --> 00:48:19,000
Speaker 1: I've I'm a I remember some people used to call me,

798
00:48:19,280 --> 00:48:24,840
Speaker 1: in a negative connotation, you're too emotion emotion emotional. That

799
00:48:24,960 --> 00:48:27,640
Speaker 1: was what I was saying, you're so emotional. And yeah,

800
00:48:27,719 --> 00:48:29,640
Speaker 1: maybe as a younger person, I was more dramatic and

801
00:48:29,719 --> 00:48:34,160
Speaker 1: more emotional because that's usually what happens. But I remember saying,

802
00:48:34,200 --> 00:48:39,080
Speaker 1: you know what, I'm not emotional. I'm emotion ful. Mm hmmm,

803
00:48:39,400 --> 00:48:42,680
Speaker 1: And I'm okay with that. So maybe I got it

804
00:48:42,719 --> 00:48:45,000
Speaker 1: from Kelly and also people telling you that when you're

805
00:48:45,040 --> 00:48:48,279
Speaker 1: so young, like there's something wrong even if you're even

806
00:48:48,320 --> 00:48:50,960
Speaker 1: if you're not that, then you start believing that you are,

807
00:48:51,280 --> 00:48:53,680
Speaker 1: and so then you carry that, you carry that. I've

808
00:48:53,719 --> 00:48:58,720
Speaker 1: done this thing called the landmark forum. Okay, it's a bracket,

809
00:48:58,960 --> 00:49:01,200
Speaker 1: and so it's a bracket that was given to you

810
00:49:01,520 --> 00:49:04,000
Speaker 1: in your adolescence or when you're young, and it may

811
00:49:04,080 --> 00:49:06,319
Speaker 1: not be true at all, and you carry it into adulthood.

812
00:49:07,040 --> 00:49:09,360
Speaker 1: And you know, it's like someone telling you, like you

813
00:49:09,440 --> 00:49:11,160
Speaker 1: can't draw, you're not a good artist. You know, like

814
00:49:11,280 --> 00:49:12,960
Speaker 1: when you're a little kid in preschool or like, and

815
00:49:13,000 --> 00:49:14,719
Speaker 1: then so then you go into elementary school, you're like,

816
00:49:14,760 --> 00:49:16,359
Speaker 1: I'm just not a good drawer, and you just start

817
00:49:16,400 --> 00:49:18,880
Speaker 1: believing that you know and has nothing to do with

818
00:49:19,520 --> 00:49:22,000
Speaker 1: who you really are. So it's just it's crazy for that.

819
00:49:22,239 --> 00:49:24,319
Speaker 1: And then I had no idea that doing these roles

820
00:49:24,400 --> 00:49:27,399
Speaker 1: would would really penetrate into like your actual real life

821
00:49:27,440 --> 00:49:32,160
Speaker 1: as well. Yeah, I mean I think for sure for me,

822
00:49:32,440 --> 00:49:34,960
Speaker 1: definitely doing all this stuff and then going home and

823
00:49:35,520 --> 00:49:37,520
Speaker 1: because you want to stay in that mindset right as

824
00:49:37,560 --> 00:49:40,160
Speaker 1: an actor assuming, I mean, yeah, it's hard to break

825
00:49:40,200 --> 00:49:41,480
Speaker 1: it off at the end of the day and the

826
00:49:41,600 --> 00:49:43,399
Speaker 1: day and then like turn it right back on. It's

827
00:49:43,400 --> 00:49:45,520
Speaker 1: to say them the next day. So it's it kind

828
00:49:45,560 --> 00:49:48,719
Speaker 1: of lingers. You're like, I'm just gonna stay a bit

829
00:49:48,880 --> 00:49:51,240
Speaker 1: on that because I have to be that tomorrow morning.

830
00:49:52,440 --> 00:49:54,040
Speaker 1: But I think I also to what you're saying, like

831
00:49:54,160 --> 00:49:56,520
Speaker 1: people label you you, we label ourselves like I do

832
00:49:56,640 --> 00:49:58,920
Speaker 1: that all the time. I say, oh, I'm not a

833
00:49:59,080 --> 00:50:01,000
Speaker 1: I'm not a writer. I how to write this, But

834
00:50:01,080 --> 00:50:03,400
Speaker 1: if I really sat down and applied myself, I probably

835
00:50:03,440 --> 00:50:07,640
Speaker 1: could write something. So it's it's the messages that we

836
00:50:07,800 --> 00:50:11,040
Speaker 1: hear from other people it's but for me, it's the

837
00:50:11,120 --> 00:50:14,600
Speaker 1: messages that I hear from myself, and they're probably from

838
00:50:14,840 --> 00:50:17,440
Speaker 1: those outer messages, and then I sort of internalized them

839
00:50:17,480 --> 00:50:21,279
Speaker 1: and keep reiterating to myself, like my the things that

840
00:50:21,320 --> 00:50:23,480
Speaker 1: aren't so great about myself. And I think that that's

841
00:50:23,520 --> 00:50:26,640
Speaker 1: something that we should all try to not do. Stop

842
00:50:26,719 --> 00:50:30,239
Speaker 1: listening to ourselves when it comes to those negative messagings.

843
00:50:31,920 --> 00:50:33,920
Speaker 1: I know, I wish we could just all live like

844
00:50:34,320 --> 00:50:36,480
Speaker 1: the innocent lives that children live, you know, and you're like,

845
00:50:37,320 --> 00:50:39,840
Speaker 1: you don't second guess anything when you're a child. I

846
00:50:39,880 --> 00:50:43,560
Speaker 1: think you're great. Yeah. I look at my kids and

847
00:50:43,560 --> 00:50:45,040
Speaker 1: I'm just like, gosh, if I can just have your

848
00:50:45,120 --> 00:50:49,600
Speaker 1: mind for a day, they're confidence because no one's torn

849
00:50:49,680 --> 00:50:54,719
Speaker 1: it down yet. I know, we could just keep them

850
00:50:54,760 --> 00:50:59,839
Speaker 1: in a bubble. I know. I wonder what I would

851
00:50:59,840 --> 00:51:01,920
Speaker 1: be like. I thought this before, Like what would I'd

852
00:51:01,920 --> 00:51:06,480
Speaker 1: be like if I hadn't been colored by all the experience,

853
00:51:06,520 --> 00:51:08,800
Speaker 1: like all the negative stuff, you know, and all the

854
00:51:09,160 --> 00:51:12,360
Speaker 1: messages out there, Like what would little Jenny look be

855
00:51:12,560 --> 00:51:18,960
Speaker 1: like if if none of that had happened. Well, it's

856
00:51:19,040 --> 00:51:21,080
Speaker 1: part of your journey, so you wouldn't be you if

857
00:51:21,120 --> 00:51:24,640
Speaker 1: it didn't happen. No, I wouldn't and you wouldn't love me,

858
00:51:26,040 --> 00:51:28,520
Speaker 1: and I would always love you no matter what. Do

859
00:51:28,640 --> 00:51:31,040
Speaker 1: you think you've carried some of Donna's traits into your

860
00:51:31,200 --> 00:51:37,800
Speaker 1: real life, Tori? I mean I've definitely carried being cast

861
00:51:37,840 --> 00:51:40,640
Speaker 1: as Donna being the producer's daughter through my whole life.

862
00:51:40,760 --> 00:51:46,640
Speaker 1: I mean, I definitely I'm the type. Like when Jen

863
00:51:46,760 --> 00:51:50,520
Speaker 1: says she shows emotions a lot when she was younger,

864
00:51:50,560 --> 00:51:54,600
Speaker 1: I didn't show any emotions because I didn't want to

865
00:51:54,680 --> 00:51:56,719
Speaker 1: be labeled anything. I just wanted to be perfect. Like

866
00:51:57,320 --> 00:51:59,560
Speaker 1: you know, they already have preconceived notions because I'm the

867
00:51:59,600 --> 00:52:01,880
Speaker 1: producer daughter. So going into that job, I was like,

868
00:52:02,000 --> 00:52:03,799
Speaker 1: I have to be sweet, I have to be nice,

869
00:52:03,840 --> 00:52:06,439
Speaker 1: I have to be kind, and I was all those things.

870
00:52:07,040 --> 00:52:10,279
Speaker 1: But it's carried over into my adult life that I

871
00:52:10,400 --> 00:52:13,840
Speaker 1: don't have a voice to be strong or brave or

872
00:52:14,280 --> 00:52:16,880
Speaker 1: the confident woman I want to be because I'm spending

873
00:52:17,040 --> 00:52:20,400
Speaker 1: so much time focusing on being just so sweet and

874
00:52:20,520 --> 00:52:24,319
Speaker 1: wanting everyone to like me. Yeah, so I wish, Yeah,

875
00:52:24,320 --> 00:52:28,799
Speaker 1: I wish that was different too. I feel like things

876
00:52:28,840 --> 00:52:32,880
Speaker 1: would be different. Everybody has their own like thing, you know,

877
00:52:34,080 --> 00:52:38,680
Speaker 1: like it's so interesting when you look at people. Yeah,

878
00:52:38,719 --> 00:52:40,520
Speaker 1: I think we all want to please people to an extent.

879
00:52:40,840 --> 00:52:43,200
Speaker 1: You know, it'd been dumb stuff Like when I was

880
00:52:43,239 --> 00:52:45,080
Speaker 1: planning my wedding, It's like I kept thinking about like

881
00:52:45,120 --> 00:52:47,520
Speaker 1: what everybody else was going to think. And it's supposed

882
00:52:47,520 --> 00:52:48,960
Speaker 1: to be the happiest day of my life, and I

883
00:52:49,200 --> 00:52:51,520
Speaker 1: was like worried about like are they gonna like this

884
00:52:51,800 --> 00:52:54,320
Speaker 1: or my guests gonna like that? And it's just you

885
00:52:54,440 --> 00:52:57,239
Speaker 1: have to be able to be a little selfish at times.

886
00:52:58,360 --> 00:53:00,480
Speaker 1: That's the great thing about getting older, I think, is

887
00:53:00,560 --> 00:53:03,520
Speaker 1: that you start to realize that it's not being selfish,

888
00:53:03,680 --> 00:53:08,279
Speaker 1: it's just honoring yourself and like giving yourself as much

889
00:53:08,520 --> 00:53:14,040
Speaker 1: love and acceptance as you do to other people. Mm hmm.

890
00:53:14,600 --> 00:53:17,200
Speaker 1: And that's it's hard, but it's part of the journey.

891
00:53:18,400 --> 00:53:21,399
Speaker 1: We're all still works in progress. Well, I just met

892
00:53:21,440 --> 00:53:23,080
Speaker 1: you guys not too long ago, and I think you're

893
00:53:23,120 --> 00:53:26,560
Speaker 1: both lovely and I don't get any negative vibes from

894
00:53:26,560 --> 00:53:29,520
Speaker 1: either one of you, So you're doing something right. No

895
00:53:29,680 --> 00:53:38,800
Speaker 1: shades of blue, No shades. Yes, you need sarcasm, please

896
00:53:39,360 --> 00:53:43,640
Speaker 1: be so boring without it. So what is our next episode.

897
00:53:43,680 --> 00:53:45,560
Speaker 1: Those were great questions you guys, By the way, keep

898
00:53:45,640 --> 00:53:48,600
Speaker 1: them coming because like obviously we're not afraid to talk

899
00:53:48,600 --> 00:53:53,200
Speaker 1: about anything. Um, if anything, I tend to talk about

900
00:53:53,239 --> 00:53:56,839
Speaker 1: stuff too much, but about like the real deal. But um,

901
00:53:57,320 --> 00:54:00,720
Speaker 1: keep them coming because we love them. Yes, next episode

902
00:54:00,800 --> 00:54:05,319
Speaker 1: is a season two episode five. It's called play it Again. David. Oh,

903
00:54:05,360 --> 00:54:11,520
Speaker 1: what an eyebrows tour again? David. Hm, I'm so curious.

904
00:54:11,719 --> 00:54:16,000
Speaker 1: What's David going to play? I have no idea. I

905
00:54:16,120 --> 00:54:23,160
Speaker 1: just excited because it's Davidson, you can remember, very excited. Well,

906
00:54:23,200 --> 00:54:24,560
Speaker 1: we'll see you guys next week.