WEBVTT - Selects: How Publicists Work

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<v Speaker 1>Hi, everyone. We're going to jump back in podcast time

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<v Speaker 1>to September fifteenth, twenty fifteen, for this week's selection, How

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<v Speaker 1>Publicists Work. We've never had a publicist, you know why,

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<v Speaker 1>because nobody cares that much about us. So it's really

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<v Speaker 1>not a job that would get a lot of billable hours,

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<v Speaker 1>if you know what I mean. But anyway, it's a

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<v Speaker 1>pretty fascinating, weird job. And we heard from a few publicists,

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<v Speaker 1>I believe when we recorded this, so maybe we'll hear

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<v Speaker 1>from some again. How publicists, publicists, publicists work. Welcome to

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<v Speaker 1>Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh Clarks, Charlte

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<v Speaker 2>w Chuck Bryant, there's Jerry so Stuff you should know.

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<v Speaker 1>This is it? That sounded like you're introducing the final

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<v Speaker 1>episode my voice?

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<v Speaker 2>This is it feels like it's the final episode.

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<v Speaker 1>You won't be able to talk anymore.

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<v Speaker 2>No, I'm getting there.

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<v Speaker 1>That's not true. You don't know that. How's it going?

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<v Speaker 2>It's going pretty well? Man? How about with you?

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<v Speaker 1>I think both of us had a bit of a

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<v Speaker 1>dark time researching this article. Why well, because and we're

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<v Speaker 1>going to get well, we're going to get flack. That's

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<v Speaker 1>a teaser from publicists, because what I learned is that

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<v Speaker 1>publicists are professional liars.

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<v Speaker 2>I would say that depends on the circumstance.

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<v Speaker 1>Well, what do you mean, Well, you're saying there are

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<v Speaker 1>publicists who don't lie.

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<v Speaker 2>No, I'm saying it depends on whether the publicist is

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<v Speaker 2>going to the media or the media is coming to

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<v Speaker 2>the publicist, depending on the circumstance.

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<v Speaker 1>What I am saying is, no matter what who you

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<v Speaker 1>work for, if you are a publicist, then a percentage

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<v Speaker 1>of your job will be lying.

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<v Speaker 2>Right, Okay, depending on the circumstance.

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<v Speaker 1>Yeah, so Billy lie about something good.

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<v Speaker 2>Billy ray Cyrus is like, I am going to donate

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<v Speaker 2>a bunch of time and money to a local homeless shelter.

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<v Speaker 1>Yeah, you don't have to lie about that.

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<v Speaker 2>The publicist gets on the horn starts letting everybody know

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<v Speaker 2>you guys should come cover this. Billy ray Cyrus goes

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<v Speaker 2>and does that, and everything's good. Then on the way home,

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<v Speaker 2>Billy ray Cyrus decides to celebrate by drinking a bucket

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<v Speaker 2>of tequila and runs his car into a whatever.

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<v Speaker 1>Okay.

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<v Speaker 2>The publicist then starts getting calls and says.

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<v Speaker 1>He didn't drink a bucket of tequila.

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<v Speaker 2>That wasn't even him.

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<v Speaker 1>That's overstated. What really happened was this.

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<v Speaker 2>So the circumstances depend on the whether the publicist is

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<v Speaker 2>fibbing or not.

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<v Speaker 1>Oh yeah, I'm not saying that all publicists do is lie.

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<v Speaker 1>But I'm saying if you work as a publicist, part

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<v Speaker 1>of your job is to cover tracks and to lie. Gotcha,

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<v Speaker 1>and you know that. Don't hate the publicist, Hate the system,

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<v Speaker 1>is what I say.

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<v Speaker 2>Yeah, they're definitely a part of a larger system.

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<v Speaker 1>Yeah, a larger system which includes all of us who

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<v Speaker 1>digest news.

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<v Speaker 2>Yeah, especially say like entertainment news. Yeah, that kind of thing.

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<v Speaker 2>There's like a there's a whole. There's two from my understanding,

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<v Speaker 2>there's two routes a person can take as a celebrity.

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<v Speaker 2>You can either just go off and be a normal person,

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<v Speaker 2>and depending on your level, you might have paparazzi following

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<v Speaker 2>her that kind of stuff. There's once you get to

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<v Speaker 2>a certain level, it doesn't matter what your decision is,

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<v Speaker 2>or you can hire a publicist and feed yourself right

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<v Speaker 2>into that machine to get as much publicity and as

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<v Speaker 2>much press as you possibly can.

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<v Speaker 1>Yeah, well, I think any celebrity is going to have

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<v Speaker 1>a publicist, but it's really a matter of your directive

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<v Speaker 1>and your goal. I think some of those people like

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<v Speaker 1>to be like that, the old adage there's no such

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<v Speaker 1>thing as bad publicity.

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<v Speaker 2>Yeah, I ran into that that that's more of a

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<v Speaker 2>PR term, where like so, if you're in a PR

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<v Speaker 2>you're probably representing a company or an organization or something

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<v Speaker 2>like that. A publicist is somebody who typically represents a

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<v Speaker 2>single person, an artist and author, a musician, something like that.

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<v Speaker 2>That's really the only definition I can find for a publicist,

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<v Speaker 2>and the job. The goal of the publicist is to

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<v Speaker 2>help maintain and promote the public image of that person

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<v Speaker 2>that they represent.

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<v Speaker 1>That's right.

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<v Speaker 2>Bye, having a good relationship with the media.

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<v Speaker 1>Yes, that's where it starts.

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<v Speaker 2>That's the publicist.

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<v Speaker 1>And by the way, that no such thing as bad publicity.

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<v Speaker 1>I tried to find the origin of that, and the

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<v Speaker 1>closest thing I could find was P. T. Barnum. But

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<v Speaker 1>I don't know if that's true. I don't think that's verified.

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<v Speaker 2>Well then say Mark Twain.

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<v Speaker 1>Yeah, PT Varnember Mark Twain.

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<v Speaker 2>Everybody says, oh it was a Mark Twain saying.

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<v Speaker 1>And I don't think that's even true anyway. I think

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<v Speaker 1>maybe that.

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<v Speaker 2>Used to be true, that it was a Mark Twain saying.

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<v Speaker 1>No, that no such thing as bad publicity. I think

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<v Speaker 1>at one point that may have been sort of true. Yeah,

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<v Speaker 1>these days there's clearly bad publicity. Sure, So you I

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<v Speaker 1>said the word flak earlier as a teaser. Apparently two

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<v Speaker 1>flak or a flack is a term originating from Gene Flak,

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<v Speaker 1>early movie publicist Hollywood.

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<v Speaker 2>And that's with the ck that's right flak to take.

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<v Speaker 2>Flack is named after a type of German gun in

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<v Speaker 2>World War Two, a German anti aircraft gun.

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<v Speaker 1>Two different things, but in this case it is a

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<v Speaker 1>pejorative term for publicists. They don't like it.

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<v Speaker 2>A PR flack.

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<v Speaker 1>Yeah, you shouldn't say that to someone that works in PR. No,

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<v Speaker 1>or call them a liar. They don't like that either. Yeah, yeah,

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<v Speaker 1>I looked it up. Apparently it means that, like, you

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<v Speaker 1>can't be trusted, you'll you'll do anything for money. That's

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<v Speaker 1>what a flack is to them. That's like they One

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<v Speaker 1>article I read said that's like calling a personal injury

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<v Speaker 1>attorney an ambulance chaser.

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<v Speaker 2>Yeah, just not a nice term, gotcha.

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<v Speaker 1>So there you have it. So a publicist, like you said,

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<v Speaker 1>works for their client to make them to get their

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<v Speaker 1>good deeds out and to if they don't have good deeds,

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<v Speaker 1>to spin things to make it look like they do.

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<v Speaker 2>Right. You know, here hold this baby lamb. Yeah, oh,

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<v Speaker 2>we take your.

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<v Speaker 1>Picture exactly, and then they get photographed later eating euros

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<v Speaker 1>down the block.

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<v Speaker 2>The two events were totally not connected.

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<v Speaker 1>No, So what they do is they pitch ideas to

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<v Speaker 1>the media and they probably have to be good writers themselves,

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<v Speaker 1>because a press release oftentimes is a starting point. But

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<v Speaker 1>press releases, as we know, can get lost in the

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<v Speaker 1>shuffle and never see the light of day.

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<v Speaker 2>Yeah, it seems like a huge wasted time.

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<v Speaker 1>It can be. But if you have a good publicist,

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<v Speaker 1>they will be well connected to the media to ensure

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<v Speaker 1>that that publicity blast is not lost.

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<v Speaker 2>Right exactly. So there's direction one, which is from the

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<v Speaker 2>publicist to the media, and the publicist is going to

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<v Speaker 2>have all these contacts with different entertainment reporters and business

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<v Speaker 2>reporters and anybody that could possibly run a story. Yeah,

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<v Speaker 2>anybody that could possibly run a story on their client, Right,

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<v Speaker 2>that's right. And they'll say, Billy Ray is going to

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<v Speaker 2>donate some money.

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<v Speaker 1>Why we pick it on him.

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<v Speaker 2>He just seems like the type who would donate a

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<v Speaker 2>bunch of money to a homeless shelter. Okay, and go

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<v Speaker 2>down there himself and help out. Great, so Billy Ray's

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<v Speaker 2>going to be down there. Plus it rolls off the

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<v Speaker 2>tongue Billy Ray. Sure, so why don't you send one

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<v Speaker 2>of your cover reporters down and let's get some coverage

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<v Speaker 2>for this. And since their friends, since these people have

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<v Speaker 2>worked together for decades, now this reporter and your publicist,

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<v Speaker 2>the reporter actually might respond and show up, or the

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<v Speaker 2>editor or the news producer, whoever the contact is. That's great, Like,

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<v Speaker 2>that's you hired a good publicist and now this story

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<v Speaker 2>is going to make it out there. That's right, because

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<v Speaker 2>they didn't just write up a press release with a

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<v Speaker 2>bunch of exclamation points in the headline and facts it

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<v Speaker 2>to every media outlet they can find a zero response.

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<v Speaker 1>Yes, so good. A publicist is only as good as

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<v Speaker 1>their relationships. I think the other way on that street

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<v Speaker 1>that you were talking about is from the journalists back

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<v Speaker 1>to the publicist. If they hear heard Billy Ray sires

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<v Speaker 1>Drenk a bucket a tequila and ran over a prostitute

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<v Speaker 1>with his car. They will then get in touch with

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<v Speaker 1>the publicist and then they go buddy, hey, we go

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<v Speaker 1>back a long way.

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<v Speaker 2>Would I lie to you?

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<v Speaker 1>What I lie to you? Uh So that's how that goes,

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<v Speaker 1>and they want they will be more forthcoming with people

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<v Speaker 1>who have It's a scratch your back, you scratch mind

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<v Speaker 1>type of scenario.

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<v Speaker 2>Yeah, like that reporter that actually showed up at the

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<v Speaker 2>homeless shelter and covered it and made a nice piece

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<v Speaker 2>and everything.

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<v Speaker 1>I'll give you the scoop.

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<v Speaker 2>When that guy calls, he's he's going to get the

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<v Speaker 2>better treatment from the publicist than somebody who ignored the

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<v Speaker 2>pitch before.

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<v Speaker 1>That's right, a lot of backscratching, a lot of backscratching.

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<v Speaker 2>He's in the machine.

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<v Speaker 1>I've seen a lot more women as publicists than men,

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<v Speaker 1>and I've always wondered why that's true.

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<v Speaker 2>I don't know that that is true. In researching this,

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<v Speaker 2>I saw about an equal amount. I really that as well,

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<v Speaker 2>but it seems like there's an equal amount these days.

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<v Speaker 1>It seems like every publicist I've ever known has been

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<v Speaker 1>a woman. And I just figured it's because women may

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<v Speaker 1>be more level headed and uh were able to like

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<v Speaker 1>smooth out a situation. It's some big dumb guy. Yeah,

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<v Speaker 1>but I guess the guys who were publicist aren't big

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<v Speaker 1>dumb guys like me. I'd be a bad publicist.

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<v Speaker 2>Oh yeah, So what would your response be if somebody

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<v Speaker 2>called to find out what stupid thing your your client

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<v Speaker 2>did or why they did some stupid thing.

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<v Speaker 1>Let's say, you know what, it's really none of your

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<v Speaker 1>business or bothers. Bad publicist?

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<v Speaker 2>Yeah, well that was something I ran across, as you know,

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<v Speaker 2>saying something like my client needs their privacy respected right now?

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<v Speaker 2>Sure would just immediately shut down a relationship that you've

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<v Speaker 2>cultivated over the years that you have to give as

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<v Speaker 2>a publicist. You are like, there has to be something

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<v Speaker 2>that you give, so you better have something that will

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<v Speaker 2>placate the reporter, but will also is probably not the truth,

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<v Speaker 2>because that reporter will go off and write the truth

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<v Speaker 2>about your client, and your client will have just gotten

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<v Speaker 2>horrible publicity because of you. So it's a balancing act.

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<v Speaker 1>Yeah, or they'll just say let me send you over

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<v Speaker 1>gift back from Fred Siegel. You like the last one, right,

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<v Speaker 1>But publish may also and it depends people that have

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<v Speaker 1>a staff of people working for them. Sometimes the lines

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<v Speaker 1>are blurred on who does what. But a publicist can

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<v Speaker 1>arrange interview requests and set all that stuff up. If

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<v Speaker 1>you have like a book tour, or you're a politician,

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<v Speaker 1>or your band with a new album coming out, they

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<v Speaker 1>might arrange all those interviews, in which case they are

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<v Speaker 1>prepping two things. They are prepping the interviewer saying you

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<v Speaker 1>can't ask about the bucket of tequila. If you want

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<v Speaker 1>this interview, i'll give it to you, but this is

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<v Speaker 1>off limits all these things. And then, as we've learned,

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<v Speaker 1>when we've had people work with us in publicity, they'll

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<v Speaker 1>be prepping you on as the interviewee. If they ask this,

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<v Speaker 1>this is how you should probably deal with it.

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<v Speaker 2>Don't answer that, Yeah, don't ridge back to what you

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<v Speaker 2>were saying before.

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<v Speaker 1>And my favorite thing ever are videos where celebrities walk

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<v Speaker 1>out of interviews because the interviewer has asked something they

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<v Speaker 1>weren't supposed to ask.

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<v Speaker 2>Yeah.

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<v Speaker 1>Those are great. Yeah, I just sit around watch those

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<v Speaker 1>all day.

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<v Speaker 2>Yeah, you can probably find a pretty good super cut

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<v Speaker 2>of them.

0:12:16.080 --> 0:12:19.199
<v Speaker 1>Yeah. Probably. So all right, well let's take a break

0:12:19.240 --> 0:12:21.760
<v Speaker 1>and when we come back, we will talk a little

0:12:21.800 --> 0:12:44.600
<v Speaker 1>bit about the skills you need as a publicist. All right,

0:12:44.880 --> 0:12:49.960
<v Speaker 1>we've mentioned lying, and you know, I joke, but for real,

0:12:50.040 --> 0:12:52.600
<v Speaker 1>if you want to be a publicist, you better have

0:12:52.640 --> 0:12:56.680
<v Speaker 1>a certain comfort level with stretching the truth and lying. Yeah,

0:12:56.679 --> 0:12:58.040
<v Speaker 1>because you're gonna have to do that. If you're not

0:12:58.040 --> 0:13:00.840
<v Speaker 1>comfortable with that, you shouldn't go into that line of work. Yeah,

0:13:01.000 --> 0:13:01.880
<v Speaker 1>is that safe to say?

0:13:02.040 --> 0:13:02.720
<v Speaker 2>I think very.

0:13:03.640 --> 0:13:07.040
<v Speaker 1>You need to be good with people and cultivate those relationships.

0:13:07.480 --> 0:13:08.400
<v Speaker 1>You need to be a good writer.

0:13:09.160 --> 0:13:10.880
<v Speaker 2>Well, not only do you have to be a good writer,

0:13:10.960 --> 0:13:12.840
<v Speaker 2>you have to be a good journalist. And a lot

0:13:12.880 --> 0:13:18.400
<v Speaker 2>of publicists have a background in journalism. Because I kept

0:13:18.480 --> 0:13:22.079
<v Speaker 2>running into this in this article and another article you sent.

0:13:23.080 --> 0:13:25.600
<v Speaker 2>The number one rule of being a publicist is to

0:13:25.679 --> 0:13:29.280
<v Speaker 2>think like a journalist. Even better than that is to

0:13:29.360 --> 0:13:31.200
<v Speaker 2>not only think like a journalist, but be able to

0:13:31.200 --> 0:13:34.360
<v Speaker 2>write like a journalist too, because as we kind of

0:13:34.400 --> 0:13:39.640
<v Speaker 2>demonstrated that, the publicist media relationship is a two way street.

0:13:40.880 --> 0:13:44.240
<v Speaker 2>The publicist needs the media to publicize in a flattering

0:13:44.280 --> 0:13:48.520
<v Speaker 2>manner their client, but the media needs a publicist because

0:13:48.840 --> 0:13:50.840
<v Speaker 2>they've got deadlines and they need to come up with

0:13:50.920 --> 0:13:55.000
<v Speaker 2>story ideas, and if something is brought to them, that's great,

0:13:55.080 --> 0:14:00.200
<v Speaker 2>that's good, But that media professional has a reputation to protect.

0:14:00.240 --> 0:14:04.200
<v Speaker 2>Be like, you know, Billy Ray Cyrus got off of

0:14:04.240 --> 0:14:06.520
<v Speaker 2>his couch and mailed a check for five hundred dollars

0:14:06.520 --> 0:14:07.920
<v Speaker 2>to a local homeless shelter.

0:14:08.120 --> 0:14:08.760
<v Speaker 1>Yeah, boring.

0:14:09.200 --> 0:14:11.040
<v Speaker 2>Yeah, and it came in a pressure release in a

0:14:11.080 --> 0:14:13.520
<v Speaker 2>fax machine. Yeah, that reporter is not going to have

0:14:13.559 --> 0:14:16.560
<v Speaker 2>a very good reputation. But if a publicist comes to

0:14:16.600 --> 0:14:20.720
<v Speaker 2>this reporter with a great headline, creative pitch a good

0:14:20.880 --> 0:14:24.720
<v Speaker 2>story that's tailored to that reporter, and they're beat and

0:14:25.200 --> 0:14:29.200
<v Speaker 2>even more than that, tailored to that reporter's audience. Yes,

0:14:29.400 --> 0:14:33.480
<v Speaker 2>there's a good likelihood the reporter will say I'm listening, right,

0:14:33.640 --> 0:14:35.840
<v Speaker 2>and that's just music to a publicist.

0:14:35.400 --> 0:14:37.160
<v Speaker 1>Hears sure, just to be listened to.

0:14:37.320 --> 0:14:39.320
<v Speaker 2>Yeah, that's when you throw it into fifth gear.

0:14:40.240 --> 0:14:43.360
<v Speaker 1>You can't be afraid of rejection. You've got to be

0:14:43.400 --> 0:14:46.760
<v Speaker 1>outgoing and you've got to take your licks because a

0:14:46.800 --> 0:14:49.080
<v Speaker 1>lot of your attempts are going to fail just by

0:14:49.160 --> 0:14:51.360
<v Speaker 1>nature of the job. So you can't get your feelings

0:14:51.360 --> 0:14:53.520
<v Speaker 1>all hurt. Yeah, you guess you could, but you don't

0:14:53.520 --> 0:14:55.760
<v Speaker 1>want to show that because then the journalists will be

0:14:55.800 --> 0:14:58.280
<v Speaker 1>like geez, Chuck's such a baby.

0:14:58.520 --> 0:14:59.920
<v Speaker 2>You are going to be eating a lot.

0:15:00.080 --> 0:15:02.560
<v Speaker 1>I didn't run the story, and he's complaining.

0:15:02.360 --> 0:15:05.440
<v Speaker 2>Crying when I saw him choking up in the bathroom.

0:15:06.120 --> 0:15:07.680
<v Speaker 1>While they may get a good laugh out of that,

0:15:07.920 --> 0:15:11.480
<v Speaker 1>probably won't want to work with you as much. You

0:15:11.560 --> 0:15:13.600
<v Speaker 1>got to be very patient, and you have to be

0:15:13.800 --> 0:15:18.360
<v Speaker 1>very flexible because if you're working for celebrities, it is

0:15:18.440 --> 0:15:19.680
<v Speaker 1>a very tough job.

0:15:19.800 --> 0:15:25.280
<v Speaker 2>That's another thing too, So you are your hours are basically.

0:15:24.880 --> 0:15:26.840
<v Speaker 1>All hours whenever you're needed.

0:15:27.120 --> 0:15:32.640
<v Speaker 2>Right, So, not only does your publicists frequently also have

0:15:32.760 --> 0:15:35.400
<v Speaker 2>to do other stuff or people associated with the publicist,

0:15:36.360 --> 0:15:39.280
<v Speaker 2>I have to do things like pick up things for

0:15:39.480 --> 0:15:43.280
<v Speaker 2>the client system. Yeah.

0:15:43.320 --> 0:15:43.640
<v Speaker 1>Sure.

0:15:45.280 --> 0:15:47.080
<v Speaker 2>In addition to that, like the higher up you go

0:15:47.120 --> 0:15:48.840
<v Speaker 2>on the food cham which you'll talk about in a minute.

0:15:50.160 --> 0:15:54.840
<v Speaker 2>The more that that client feels a okay with emailing

0:15:54.880 --> 0:15:58.480
<v Speaker 2>you at three in the morning saying like I need

0:15:58.520 --> 0:16:02.720
<v Speaker 2>to be reassured about my celebrity status or whatever, yeah,

0:16:02.760 --> 0:16:05.320
<v Speaker 2>and the publicist needs to respond, you're basically on call

0:16:05.360 --> 0:16:08.040
<v Speaker 2>all the time. Also, at three in the morning, your

0:16:08.080 --> 0:16:12.840
<v Speaker 2>client may have done something really horrifically stupid. Yes, and

0:16:13.120 --> 0:16:15.680
<v Speaker 2>some paparazzi caught it and now words starting to spread

0:16:15.760 --> 0:16:17.960
<v Speaker 2>and you're fielding calls from reporters at three in the

0:16:18.000 --> 0:16:21.480
<v Speaker 2>morning to get a statement on what your client did.

0:16:22.000 --> 0:16:24.880
<v Speaker 1>Yeah, I mean when Twitter came out, I remember thinking

0:16:24.880 --> 0:16:27.680
<v Speaker 1>at the time, like publicists aren't going to be around

0:16:27.680 --> 0:16:29.600
<v Speaker 1>anymore because people are doing this themselves.

0:16:30.040 --> 0:16:33.160
<v Speaker 2>Well, they've actually figured out ways to use Twitter.

0:16:32.960 --> 0:16:36.040
<v Speaker 1>Well, ways to use Twitter, but Twitter is also their

0:16:36.080 --> 0:16:40.600
<v Speaker 1>biggest security blanket as well. Because of Twitter, more and

0:16:40.640 --> 0:16:44.160
<v Speaker 1>more celebrities are saying really stupid things that the publicist

0:16:44.240 --> 0:16:45.640
<v Speaker 1>is then going to have to cover their tracks.

0:16:45.680 --> 0:16:46.480
<v Speaker 2>Yeah, that's a good point.

0:16:46.560 --> 0:16:48.200
<v Speaker 1>So they'll take down the tweet and then try and

0:16:48.200 --> 0:16:53.320
<v Speaker 1>spend that or just you know, the apology is always

0:16:53.400 --> 0:16:54.080
<v Speaker 1>very funny to me.

0:16:55.120 --> 0:16:57.000
<v Speaker 2>Awkward, Well, it's never like.

0:16:57.120 --> 0:17:00.920
<v Speaker 1>Did you hear about Chris Carter, the NFL guy. He's

0:17:00.960 --> 0:17:07.920
<v Speaker 1>a former NFL player wide receiver. Yeah, he is in

0:17:08.000 --> 0:17:11.840
<v Speaker 1>hot water this week because he spoke. Was hired by

0:17:11.840 --> 0:17:13.800
<v Speaker 1>the NFL to come in and speak to the rookies.

0:17:13.840 --> 0:17:16.000
<v Speaker 1>They often do that for guys that had been in

0:17:16.040 --> 0:17:17.600
<v Speaker 1>trouble to come in and say, don't do what I did.

0:17:17.880 --> 0:17:21.439
<v Speaker 1>It's scared straight, Yeah, sort of. And he said in

0:17:21.520 --> 0:17:24.800
<v Speaker 1>his talk to the Rookie Symposium said something about, you know,

0:17:24.840 --> 0:17:26.399
<v Speaker 1>if you get caught with you know, da da da

0:17:26.440 --> 0:17:28.600
<v Speaker 1>da da, just make sure you have a fall guy

0:17:28.800 --> 0:17:31.439
<v Speaker 1>on your team, like the guy in the car that's like,

0:17:31.520 --> 0:17:35.160
<v Speaker 1>it's my weed, wowly, And he got in big trouble

0:17:35.200 --> 0:17:40.399
<v Speaker 1>for that and his apology. His apology was like that

0:17:40.560 --> 0:17:42.720
<v Speaker 1>that's not the kind of advice I would ever give

0:17:42.800 --> 0:17:46.240
<v Speaker 1>young people. It's like, but that's the advice you exactly

0:17:46.320 --> 0:17:49.680
<v Speaker 1>gave young people, Like, how can you say that days later?

0:17:50.200 --> 0:17:54.520
<v Speaker 1>It's just so obvious. It's a forced, insincere apology.

0:17:54.960 --> 0:17:57.800
<v Speaker 2>So he either had a bad publicist, yeah, didn't listen

0:17:57.800 --> 0:18:01.000
<v Speaker 2>to his publicist, because part of the publicist job is

0:18:01.320 --> 0:18:04.680
<v Speaker 2>when you're going to make the statement, the public statement,

0:18:04.760 --> 0:18:08.639
<v Speaker 2>the public apology or whatever. Sure, the reasoning behind it,

0:18:08.720 --> 0:18:14.280
<v Speaker 2>the rationale, the wording of it, just the logic behind

0:18:14.320 --> 0:18:17.919
<v Speaker 2>the apology is probably going to be crafted by your publicists.

0:18:18.000 --> 0:18:20.800
<v Speaker 2>At least help they're going to help you with it.

0:18:21.119 --> 0:18:22.920
<v Speaker 2>At the very least they're going to want to help

0:18:22.960 --> 0:18:27.480
<v Speaker 2>you with it because they're probably scared stupid that you're

0:18:27.520 --> 0:18:28.440
<v Speaker 2>going to make it worse.

0:18:29.320 --> 0:18:31.560
<v Speaker 1>Right, And it sounds like there's a lot of crisis

0:18:31.600 --> 0:18:34.760
<v Speaker 1>management and that is a part of it. But publicists

0:18:34.840 --> 0:18:37.159
<v Speaker 1>also are just trying to cook up opportunities.

0:18:37.760 --> 0:18:39.960
<v Speaker 2>I think that that's way more the day to day.

0:18:40.040 --> 0:18:43.080
<v Speaker 1>Yeah, yeah, for sure, depending on the client, of course.

0:18:43.200 --> 0:18:43.440
<v Speaker 2>Sure.

0:18:43.960 --> 0:18:48.000
<v Speaker 1>But I remember our former boss Connell was in a

0:18:48.040 --> 0:18:52.600
<v Speaker 1>band years ago and I read online somewhere that his

0:18:52.800 --> 0:18:57.320
<v Speaker 1>band was went to Elton John's. Do you remember the story,

0:18:57.760 --> 0:19:01.200
<v Speaker 1>went to Elton John's house and spelled out their band

0:19:01.359 --> 0:19:03.440
<v Speaker 1>name and fire on his tennis court.

0:19:03.880 --> 0:19:04.000
<v Speaker 2>No.

0:19:04.160 --> 0:19:05.879
<v Speaker 1>I hadn't heard to try and get on his label

0:19:05.960 --> 0:19:06.359
<v Speaker 1>or something.

0:19:06.800 --> 0:19:08.320
<v Speaker 2>That's a great way to do it, I know.

0:19:08.359 --> 0:19:09.480
<v Speaker 1>And I went and asked him. I was like, dude,

0:19:09.520 --> 0:19:10.879
<v Speaker 1>I can't believe you guys did that, and he went,

0:19:11.000 --> 0:19:12.960
<v Speaker 1>we didn't do that. I was like no, and he

0:19:13.000 --> 0:19:15.400
<v Speaker 1>was like no, these are publicists made that up. It's

0:19:15.440 --> 0:19:17.800
<v Speaker 1>like nothing true about it. And he's like, no, they

0:19:17.840 --> 0:19:21.919
<v Speaker 1>completely fabricated that story. Huh as a publicity stunt that

0:19:22.080 --> 0:19:22.760
<v Speaker 1>never happened.

0:19:23.119 --> 0:19:25.639
<v Speaker 2>Huh. Yeah, So why even go to the trouble of

0:19:25.680 --> 0:19:28.240
<v Speaker 2>it where you can just release a story that says

0:19:28.240 --> 0:19:28.760
<v Speaker 2>that you did that.

0:19:28.920 --> 0:19:31.480
<v Speaker 1>Yeah. Isn't that amazing when something like that could so

0:19:31.560 --> 0:19:35.200
<v Speaker 1>easily be fact checked, like by calling Elton John.

0:19:35.720 --> 0:19:37.800
<v Speaker 2>Well, that's the other thing, like I don't have him

0:19:37.840 --> 0:19:40.320
<v Speaker 2>to call Elton John. You know, I don't know. So

0:19:40.480 --> 0:19:43.879
<v Speaker 2>I'm curious. I wonder how many media stories are just

0:19:43.920 --> 0:19:47.200
<v Speaker 2>totally fabricated matter of fact. I'd be you out there

0:19:47.200 --> 0:19:50.520
<v Speaker 2>in podcasts. Let us know if you know a media

0:19:50.600 --> 0:19:53.200
<v Speaker 2>story that was just totally fabricated that everybody takes his

0:19:53.320 --> 0:19:56.359
<v Speaker 2>fact right, we want to hear it. I love stuff

0:19:56.400 --> 0:19:56.720
<v Speaker 2>like that.

0:19:56.800 --> 0:19:59.840
<v Speaker 1>I do too, all right. We mentioned earlier that you

0:20:00.240 --> 0:20:03.640
<v Speaker 1>end up getting the laundry or dry cleaning as a publicist.

0:20:03.280 --> 0:20:05.120
<v Speaker 2>If you're the publicist intern.

0:20:05.320 --> 0:20:07.239
<v Speaker 1>Yeah, that's probably what's going to happen. Is you might

0:20:07.280 --> 0:20:08.879
<v Speaker 1>get asked to go get the laundry, and then you

0:20:08.880 --> 0:20:10.520
<v Speaker 1>will say, sure, I'll take care of that for you,

0:20:10.920 --> 0:20:12.520
<v Speaker 1>And then you will go down the chain until you

0:20:12.560 --> 0:20:15.760
<v Speaker 1>find the underling who was trying to be a publicist

0:20:15.880 --> 0:20:17.040
<v Speaker 1>who still does things like that.

0:20:17.760 --> 0:20:20.320
<v Speaker 2>Right. This person may or may not be in college,

0:20:20.359 --> 0:20:23.760
<v Speaker 2>but it's probably college age. That's something that I ran across.

0:20:24.119 --> 0:20:29.520
<v Speaker 2>If you want a career as a publicist, you do

0:20:29.600 --> 0:20:32.840
<v Speaker 2>not need to spend a single penny on higher education. Now,

0:20:33.200 --> 0:20:40.600
<v Speaker 2>the entire career of publicists begins as a hands on experience. Yeah,

0:20:40.600 --> 0:20:42.640
<v Speaker 2>you need to be in you need to be literate,

0:20:43.160 --> 0:20:46.719
<v Speaker 2>you need to probably have a knack for writing in

0:20:46.760 --> 0:20:51.080
<v Speaker 2>a journalistic way sure, and crafting good headlines and by

0:20:51.160 --> 0:20:55.080
<v Speaker 2>proxy good email subject lines. But you don't if you

0:20:55.160 --> 0:20:58.119
<v Speaker 2>have that already before college, you don't need to go

0:20:58.160 --> 0:20:58.760
<v Speaker 2>to college.

0:20:58.960 --> 0:21:01.760
<v Speaker 1>No, Like you can go in major in journalism or

0:21:01.760 --> 0:21:05.160
<v Speaker 1>communications or PR. But it's not like you get that diploma,

0:21:05.320 --> 0:21:06.760
<v Speaker 1>that PR diploma.

0:21:06.320 --> 0:21:08.560
<v Speaker 2>And you're going to get like some entry level job

0:21:08.600 --> 0:21:10.520
<v Speaker 2>as a publicist. Now you're still gonna have to work

0:21:10.520 --> 0:21:10.879
<v Speaker 2>your way out.

0:21:10.920 --> 0:21:13.000
<v Speaker 1>See it says right here, I have a PR degree,

0:21:13.040 --> 0:21:13.840
<v Speaker 1>So where's my job?

0:21:13.960 --> 0:21:14.160
<v Speaker 2>Right?

0:21:14.840 --> 0:21:18.560
<v Speaker 1>My advice is to skip college and go straight into

0:21:18.560 --> 0:21:21.760
<v Speaker 1>the workforce as early as you can, if this is

0:21:21.800 --> 0:21:22.439
<v Speaker 1>what you want to do.

0:21:22.640 --> 0:21:24.880
<v Speaker 2>You know, I feel and I hope that there is

0:21:24.960 --> 0:21:29.240
<v Speaker 2>becoming a bigger understanding that there are certain fields out there.

0:21:29.280 --> 0:21:32.000
<v Speaker 2>There are careers out there where you don't have to

0:21:32.040 --> 0:21:35.440
<v Speaker 2>go to college, and there are careers out there where

0:21:35.480 --> 0:21:37.920
<v Speaker 2>like you should go to a vocational school to learn

0:21:37.960 --> 0:21:41.680
<v Speaker 2>that trade. Yes, that college is not necessarily this end

0:21:41.680 --> 0:21:44.880
<v Speaker 2>all be all, that you have to spend money after

0:21:44.920 --> 0:21:47.280
<v Speaker 2>money after money to get a degree that might even

0:21:47.520 --> 0:21:49.320
<v Speaker 2>not be used in your field.

0:21:49.720 --> 0:21:51.399
<v Speaker 1>But I mean that didn't need a degree to do

0:21:51.440 --> 0:21:54.159
<v Speaker 1>what I'm doing. No one ever has to see it, right.

0:21:54.040 --> 0:21:56.480
<v Speaker 2>And this is a perfect example of that, Chuck, Like,

0:21:56.960 --> 0:21:59.320
<v Speaker 2>to be a publicist, you do not need a degree.

0:21:59.440 --> 0:22:02.479
<v Speaker 2>You need hands on experience. You need basically what amounts

0:22:02.520 --> 0:22:03.879
<v Speaker 2>to an apprenticeship.

0:22:04.080 --> 0:22:06.399
<v Speaker 1>That's right, Yeah, good way to say it. So go

0:22:06.480 --> 0:22:08.920
<v Speaker 1>in and get that job in the mailroom or as

0:22:08.960 --> 0:22:11.080
<v Speaker 1>an assistant or as an intern.

0:22:12.160 --> 0:22:13.879
<v Speaker 2>And it would be great if you still live at

0:22:13.880 --> 0:22:15.760
<v Speaker 2>your parents' house at this point, because you're going to

0:22:15.800 --> 0:22:18.600
<v Speaker 2>get paid like next to nothing, yes, and you're going

0:22:18.640 --> 0:22:19.880
<v Speaker 2>to be doing all the grunt work.

0:22:20.200 --> 0:22:20.520
<v Speaker 1>Yes.

0:22:20.560 --> 0:22:23.359
<v Speaker 2>But if you are, if you go in there with

0:22:23.440 --> 0:22:26.160
<v Speaker 2>your mindset to I'm going to learn this. I want

0:22:26.200 --> 0:22:28.879
<v Speaker 2>to learn this and move up, you're going to be

0:22:28.880 --> 0:22:30.120
<v Speaker 2>in the right environment for that.

0:22:30.200 --> 0:22:33.480
<v Speaker 1>Absolutely. Like we said, you might be picking up dry cleaning,

0:22:33.520 --> 0:22:37.000
<v Speaker 1>you're going to be returning a lot of phone calls,

0:22:37.119 --> 0:22:42.119
<v Speaker 1>drafting a lot of probably not so fun press releases.

0:22:42.440 --> 0:22:44.639
<v Speaker 2>That is graduated from the intern.

0:22:45.600 --> 0:22:48.400
<v Speaker 1>Yeah. Well, I'm talking about being like a junior assistant.

0:22:48.080 --> 0:22:49.800
<v Speaker 2>Right after you get hired on.

0:22:50.359 --> 0:22:52.840
<v Speaker 1>Yeah, yeah, yeah, and press releases that aren't like the

0:22:52.920 --> 0:22:56.080
<v Speaker 1>sexy ones. You know, you're not going to be writing

0:22:56.119 --> 0:22:58.760
<v Speaker 1>like the press releases for Billy Ray Cyrus. In other words, no,

0:22:58.960 --> 0:22:59.600
<v Speaker 1>those are sexy.

0:22:59.720 --> 0:23:02.439
<v Speaker 2>You'll be writing them for his dog.

0:23:03.080 --> 0:23:09.439
<v Speaker 1>Okay, you know sure, Freddy Freddie Cyrus, Freddy Freddy Cyrus.

0:23:09.480 --> 0:23:10.040
<v Speaker 2>Yeah, okay.

0:23:11.480 --> 0:23:15.000
<v Speaker 1>You are going to be handling your publicists that you

0:23:15.040 --> 0:23:19.399
<v Speaker 1>work for, their schedule, their contacts. You're going to be

0:23:20.359 --> 0:23:24.199
<v Speaker 1>putting together press kits and epk's electronic press kits and

0:23:24.240 --> 0:23:30.760
<v Speaker 1>blasting those out. Basically all of the nuts and bolts

0:23:30.880 --> 0:23:33.600
<v Speaker 1>of the job you're going to be doing as a

0:23:33.680 --> 0:23:38.280
<v Speaker 1>junior staff publicist or an assistant. Not a bad gig.

0:23:38.320 --> 0:23:40.240
<v Speaker 1>If that's what you want to do now, and if

0:23:40.240 --> 0:23:41.960
<v Speaker 1>you stick to it and you're get at it, you're

0:23:41.960 --> 0:23:43.880
<v Speaker 1>going to end up being a publicist. Right.

0:23:44.000 --> 0:23:46.520
<v Speaker 2>Not only are you getting the experience you need on

0:23:46.560 --> 0:23:50.040
<v Speaker 2>the job, you're also in a place where you're networking too,

0:23:50.280 --> 0:23:53.760
<v Speaker 2>because that is probably tied for first as far as

0:23:53.800 --> 0:23:55.960
<v Speaker 2>like thinking like a journalist goes. You need to be

0:23:56.040 --> 0:23:57.080
<v Speaker 2>a pretty good networker.

0:23:57.960 --> 0:23:59.639
<v Speaker 1>That's right, And you know what, let's take a break.

0:24:00.119 --> 0:24:04.000
<v Speaker 1>We will talk more about networking and some of the

0:24:04.040 --> 0:24:05.520
<v Speaker 1>skills you still need.

0:24:24.800 --> 0:24:29.760
<v Speaker 2>Can I make a confession. Yes, I'm possibly the worst

0:24:29.840 --> 0:24:34.320
<v Speaker 2>networker on the planet. You didn't have to tell me

0:24:34.440 --> 0:24:36.359
<v Speaker 2>that I'm really bad at it.

0:24:36.600 --> 0:24:37.639
<v Speaker 1>Yeah, it's not your bag.

0:24:38.040 --> 0:24:40.200
<v Speaker 2>It isn't Some people are good at networking.

0:24:40.320 --> 0:24:41.119
<v Speaker 1>That's pretty good at it.

0:24:41.160 --> 0:24:43.119
<v Speaker 2>You're good at networking, Yeah, because I enjoy it.

0:24:44.440 --> 0:24:49.800
<v Speaker 1>Yeah, And I don't consider it networking sounds like just

0:24:49.880 --> 0:24:53.160
<v Speaker 1>doing something to serve you in the end. I don't

0:24:53.200 --> 0:24:54.760
<v Speaker 1>look at it that way. I look at it as

0:24:54.800 --> 0:25:00.199
<v Speaker 1>like I enjoy making professional colleague, enjoy meeting and and

0:25:00.640 --> 0:25:04.119
<v Speaker 1>getting to know professional colleagues. Yeah, and then later on

0:25:04.240 --> 0:25:05.800
<v Speaker 1>if I can hit them up for something, If they

0:25:05.880 --> 0:25:07.840
<v Speaker 1>hit me up, that's great. But if not, it's just

0:25:08.160 --> 0:25:09.919
<v Speaker 1>something like gotcha, you know.

0:25:10.280 --> 0:25:14.400
<v Speaker 2>So, So the proper response to somebody when they come

0:25:14.440 --> 0:25:16.359
<v Speaker 2>and ask you for something, you're like, oh, I saw

0:25:16.440 --> 0:25:19.400
<v Speaker 2>this coming. Yeah, that's not the way to respond.

0:25:19.640 --> 0:25:20.119
<v Speaker 1>Probably not.

0:25:21.480 --> 0:25:23.680
<v Speaker 2>I'm trying to put myself out there a little more.

0:25:24.600 --> 0:25:26.440
<v Speaker 1>Oh yeah, yeah, why's that just?

0:25:27.320 --> 0:25:30.399
<v Speaker 2>I think that's a skill that everybody should have. Yeah, right,

0:25:30.600 --> 0:25:34.240
<v Speaker 2>instead of being like a misanthropic recluse, you know.

0:25:34.800 --> 0:25:38.119
<v Speaker 1>Put yourself out there. I agree. Well, one of the

0:25:38.160 --> 0:25:41.280
<v Speaker 1>skills that I don't think we pinpointed was networking without

0:25:41.320 --> 0:25:43.840
<v Speaker 1>seeming like you're networking, which is sort of the key

0:25:44.000 --> 0:25:45.119
<v Speaker 1>what I was just talking about.

0:25:45.240 --> 0:25:47.280
<v Speaker 2>And I think maybe that is it too, Like I

0:25:47.280 --> 0:25:49.800
<v Speaker 2>feel like networking is a task, whereas if I just

0:25:49.880 --> 0:25:55.760
<v Speaker 2>relaxed and enjoyed it and like just you know, communing

0:25:55.800 --> 0:25:59.200
<v Speaker 2>with a fellow human being, is that what it's all about.

0:25:58.960 --> 0:26:00.919
<v Speaker 1>That's all it is. That's so scary.

0:26:00.960 --> 0:26:02.920
<v Speaker 2>If I just took it like that, then I'm sure

0:26:02.920 --> 0:26:04.440
<v Speaker 2>it would be much more relaxing.

0:26:06.200 --> 0:26:10.480
<v Speaker 1>I read a blog and I sent it to you,

0:26:11.160 --> 0:26:14.120
<v Speaker 1>and I want to shout them out because they sonic

0:26:14.160 --> 0:26:20.280
<v Speaker 1>bids s and ic b id S. It's a blog

0:26:20.680 --> 0:26:23.160
<v Speaker 1>where they did an interview that was pretty insightful.

0:26:23.200 --> 0:26:26.359
<v Speaker 2>Actually they did a double interview, a.

0:26:26.400 --> 0:26:29.520
<v Speaker 1>Dual interview with Julie Lichtenstein of thirty seven Media and

0:26:29.560 --> 0:26:33.160
<v Speaker 1>Lily Golightly of Golightly Media. And I think they work

0:26:33.200 --> 0:26:37.560
<v Speaker 1>with bands and musical artists mainly. But it was super

0:26:37.600 --> 0:26:42.199
<v Speaker 1>insightful and they said just some little tidbits here, like

0:26:42.240 --> 0:26:46.040
<v Speaker 1>I was always curious how they get paid, and I

0:26:46.040 --> 0:26:49.800
<v Speaker 1>think if you're a publicist for a person and like

0:26:49.920 --> 0:26:52.400
<v Speaker 1>you were on retainer, then you just get a salary

0:26:53.480 --> 0:26:54.840
<v Speaker 1>or if you're a part of a firm that just

0:26:54.880 --> 0:26:57.320
<v Speaker 1>works with that person. But you can also just be

0:26:57.440 --> 0:26:58.440
<v Speaker 1>hired for a campaign.

0:26:58.920 --> 0:27:01.560
<v Speaker 2>Right, So, if you're a and you have gone to

0:27:01.600 --> 0:27:05.080
<v Speaker 2>the trouble of like going in and hiring a producer

0:27:05.160 --> 0:27:07.639
<v Speaker 2>to produce your albums, and like you've made a studio

0:27:07.760 --> 0:27:10.600
<v Speaker 2>quality album that you're proud of, you might want to

0:27:10.720 --> 0:27:14.639
<v Speaker 2>hit everybody up or gather around another two grand to

0:27:14.720 --> 0:27:18.480
<v Speaker 2>hire a publicist for a month to release that album. Correctly,

0:27:18.760 --> 0:27:21.960
<v Speaker 2>not a bad idea, no, And like just hiring a

0:27:21.960 --> 0:27:25.399
<v Speaker 2>publicist isn't going to automatically make it great. Like you

0:27:25.480 --> 0:27:27.920
<v Speaker 2>need to say, can we see some of the other

0:27:27.960 --> 0:27:31.200
<v Speaker 2>campaigns you've run, what are your ideas for this campaign?

0:27:32.080 --> 0:27:35.840
<v Speaker 2>Who have some of your clients been in the past,

0:27:36.359 --> 0:27:38.359
<v Speaker 2>what are what are what's some of the press that

0:27:38.400 --> 0:27:41.399
<v Speaker 2>you've gotten? You want? Yeah, you don't want to just

0:27:41.440 --> 0:27:44.920
<v Speaker 2>be like throw a darted a phone book. Do your

0:27:44.920 --> 0:27:47.200
<v Speaker 2>research because it's two grand and you're an up and

0:27:47.240 --> 0:27:50.080
<v Speaker 2>coming band and that's just that's not chump change. But

0:27:50.960 --> 0:27:53.600
<v Speaker 2>if you if you look at it as a wise investment,

0:27:53.640 --> 0:27:55.840
<v Speaker 2>and you do invest it wisely in a good publicist,

0:27:55.880 --> 0:27:57.920
<v Speaker 2>it could make a huge difference.

0:27:57.480 --> 0:28:02.840
<v Speaker 1>For you agreed this. Julie said that they try and

0:28:02.880 --> 0:28:06.560
<v Speaker 1>get out for major artists, three or four months ahead

0:28:06.560 --> 0:28:08.280
<v Speaker 1>of the release of the album is when they want

0:28:08.320 --> 0:28:10.520
<v Speaker 1>to start their job. So it's not like, hey, it

0:28:10.600 --> 0:28:13.800
<v Speaker 1>drops next week, let's think of some good ideas, you know,

0:28:13.800 --> 0:28:16.679
<v Speaker 1>they want some good lead time. And they said that

0:28:16.720 --> 0:28:22.200
<v Speaker 1>they like to work around goals if there if it's

0:28:22.200 --> 0:28:24.680
<v Speaker 1>like a tour, like for us going on our tour,

0:28:25.720 --> 0:28:30.200
<v Speaker 1>we don't have a publicist, no, but we have promoters

0:28:30.400 --> 0:28:32.800
<v Speaker 1>working with venues that sort of do the job of

0:28:32.840 --> 0:28:37.399
<v Speaker 1>a publicist as far as trying to sell tickets. But

0:28:37.600 --> 0:28:40.280
<v Speaker 1>if you are booking a tour and you have a publicist,

0:28:40.320 --> 0:28:42.400
<v Speaker 1>they're going to be the ones that are getting you

0:28:42.560 --> 0:28:46.320
<v Speaker 1>on the local radio stations, morning TV, getting you in

0:28:46.360 --> 0:28:51.240
<v Speaker 1>the local newspaper or alternative newspaper to get you some press.

0:28:52.400 --> 0:28:55.680
<v Speaker 2>And this is I mean, if you have like, this

0:28:55.760 --> 0:28:58.200
<v Speaker 2>is stuff you can do yourself. But one of the

0:28:58.240 --> 0:29:00.760
<v Speaker 2>things that you are hiring when you ira a publicist

0:29:00.840 --> 0:29:03.960
<v Speaker 2>is their context. Yeah, absolutely, Like you don't have the context,

0:29:04.080 --> 0:29:06.640
<v Speaker 2>you're just the band. One of the problems is you

0:29:06.840 --> 0:29:09.400
<v Speaker 2>are it's going to be tough for you to think

0:29:09.440 --> 0:29:13.080
<v Speaker 2>objectively like, you're not going to understand why every journalist

0:29:13.160 --> 0:29:15.480
<v Speaker 2>you talk to doesn't want to automatically do a long

0:29:15.520 --> 0:29:18.440
<v Speaker 2>form piece on how great your band is. Right, publicist

0:29:18.560 --> 0:29:23.080
<v Speaker 2>is going to be dispassionate enough, yeah, and removed enough

0:29:23.120 --> 0:29:26.120
<v Speaker 2>that they can see it objectively through a journalist's size,

0:29:26.120 --> 0:29:28.560
<v Speaker 2>and then pitch it in a way that's probably going

0:29:28.600 --> 0:29:31.960
<v Speaker 2>to get better more bites.

0:29:32.200 --> 0:29:33.880
<v Speaker 1>Yeah, that's a good way to put it. Because the

0:29:34.000 --> 0:29:36.840
<v Speaker 1>artist we've even experienced this as the ones who gets

0:29:36.880 --> 0:29:39.880
<v Speaker 1>their feelings hurt, saying like, oh man, you know they

0:29:39.960 --> 0:29:41.800
<v Speaker 1>interviewed us last time, why did they do it this time?

0:29:41.840 --> 0:29:44.720
<v Speaker 1>And they're always great about massaging the ego a little bit,

0:29:44.760 --> 0:29:46.560
<v Speaker 1>saying like it's okay, guys, it's no big deal. Yeah,

0:29:46.600 --> 0:29:52.080
<v Speaker 1>because that doesn't do much for us anyway. Lie, we

0:29:52.160 --> 0:29:53.959
<v Speaker 1>got this other thing that's better. Lie.

0:29:54.280 --> 0:29:54.440
<v Speaker 2>Right.

0:29:56.080 --> 0:29:57.880
<v Speaker 1>The other thing they're gonna be doing if they work

0:29:57.880 --> 0:30:00.200
<v Speaker 1>for you, they are going to be sending you weekly

0:30:00.320 --> 0:30:04.280
<v Speaker 1>or bi weekly reports on what's lined up, who passed

0:30:04.320 --> 0:30:09.040
<v Speaker 1>on stuff, who bit stuff like that, like they're keeping

0:30:09.040 --> 0:30:11.680
<v Speaker 1>you informed. Yeah, you're not just like in a black hole.

0:30:11.920 --> 0:30:13.920
<v Speaker 1>And some artists like to be well in touch on

0:30:13.960 --> 0:30:17.680
<v Speaker 1>that stuff, and some probably don't care about being bothered.

0:30:17.480 --> 0:30:22.520
<v Speaker 2>Right, you know, they just want to be on Conan Man.

0:30:23.440 --> 0:30:28.480
<v Speaker 1>Conan shot in Atlanta, fifteen minutes from our house where

0:30:28.520 --> 0:30:32.040
<v Speaker 1>we live. Yeah, and we couldn't get on Conan. And

0:30:32.120 --> 0:30:34.200
<v Speaker 1>it was while our TV show was debuting.

0:30:34.320 --> 0:30:38.520
<v Speaker 2>I know, you know, if you remind me, let's talk

0:30:38.600 --> 0:30:39.000
<v Speaker 2>Penny C.

0:30:39.240 --> 0:30:43.360
<v Speaker 1>Sansy Vieri, Yeah, from HuffPo. She is the author and

0:30:43.480 --> 0:30:47.480
<v Speaker 1>CEO of Marketing Experts, Inc. And she listed out nine

0:30:47.480 --> 0:30:49.480
<v Speaker 1>things that a good publicist does.

0:30:50.160 --> 0:30:53.280
<v Speaker 2>What's number one, Chuck, can you guess think like a journalist?

0:30:53.280 --> 0:30:55.840
<v Speaker 1>That's right, you already said that and you were right.

0:30:56.040 --> 0:30:59.120
<v Speaker 2>It's the number one rule. Number two rule is no

0:30:59.240 --> 0:30:59.760
<v Speaker 2>the rules.

0:31:00.840 --> 0:31:04.080
<v Speaker 1>Right, got to play within the game if you start,

0:31:04.360 --> 0:31:06.680
<v Speaker 1>and you can bend rules, but if you start breaking them,

0:31:07.240 --> 0:31:08.320
<v Speaker 1>people have a long memory.

0:31:08.720 --> 0:31:12.520
<v Speaker 2>Well here, yeah, if you go on and read, just

0:31:12.600 --> 0:31:18.320
<v Speaker 2>type the phrase rules of pitching and Publicity into your

0:31:18.320 --> 0:31:21.800
<v Speaker 2>favorite search engine and it will bring up apparently one

0:31:21.800 --> 0:31:23.920
<v Speaker 2>of the journalists. Things journalists like to do in their

0:31:23.960 --> 0:31:28.920
<v Speaker 2>downtime is write lengthy blog posts mocking pr and publicists

0:31:29.760 --> 0:31:33.360
<v Speaker 2>don't follow the rules of pitching. So one of the

0:31:33.440 --> 0:31:35.560
<v Speaker 2>rules is no phone calls.

0:31:36.480 --> 0:31:39.160
<v Speaker 1>You just don't use the phone all email.

0:31:39.400 --> 0:31:42.760
<v Speaker 2>Yeah, especially if you're cold calling people like I guess

0:31:42.800 --> 0:31:44.440
<v Speaker 2>if you have a relationship with somebody, you can pick

0:31:44.520 --> 0:31:47.480
<v Speaker 2>up the phone and call them, But you don't send

0:31:47.480 --> 0:31:52.200
<v Speaker 2>an email blast and then a day later follow up

0:31:52.240 --> 0:31:56.240
<v Speaker 2>on the email by phone. Apparently that's the worst thing

0:31:56.320 --> 0:31:56.840
<v Speaker 2>you can do.

0:31:57.200 --> 0:31:58.760
<v Speaker 1>Yeah, you don't want to bug people.

0:31:58.640 --> 0:32:01.640
<v Speaker 2>No, And it's very easy to come off as like

0:32:02.240 --> 0:32:04.400
<v Speaker 2>pestering a reporter as your publicist.

0:32:04.480 --> 0:32:04.840
<v Speaker 1>I bet.

0:32:05.040 --> 0:32:07.600
<v Speaker 2>So you need to know the rules, or your publicist

0:32:07.680 --> 0:32:08.600
<v Speaker 2>needs to know the rules.

0:32:09.040 --> 0:32:11.120
<v Speaker 1>Here's a good one that I didn't think about reading

0:32:11.160 --> 0:32:14.080
<v Speaker 1>outside of your market. I'm sure it's pretty easy to

0:32:14.240 --> 0:32:17.120
<v Speaker 1>just think of New York and LA, like, what else

0:32:17.160 --> 0:32:18.240
<v Speaker 1>do I need to know about?

0:32:18.320 --> 0:32:20.880
<v Speaker 2>Well, not even that. It's like if you're a.

0:32:20.800 --> 0:32:23.400
<v Speaker 1>Band outside of your industry, yeah, yeah, you.

0:32:23.360 --> 0:32:26.440
<v Speaker 2>Know, and just start to think of like, oh, well,

0:32:26.560 --> 0:32:30.320
<v Speaker 2>we actually sing this song about the oil industry, and

0:32:30.360 --> 0:32:33.600
<v Speaker 2>oil prices are going through the roofs, so maybe the

0:32:33.600 --> 0:32:35.560
<v Speaker 2>Today Show would want to talk to us about our song.

0:32:35.840 --> 0:32:37.200
<v Speaker 1>If it didn't think about that.

0:32:37.240 --> 0:32:41.840
<v Speaker 2>I'd be a great publicist a songwriter. I'm terrible at networking.

0:32:43.160 --> 0:32:45.680
<v Speaker 1>Google alerts. That's kind of a no brainer. I would

0:32:45.720 --> 0:32:50.120
<v Speaker 1>think understanding the importance of local media. That's a good

0:32:50.120 --> 0:32:52.800
<v Speaker 1>one because while your artist is not going to be

0:32:52.840 --> 0:32:57.840
<v Speaker 1>super stoked about appearing on Good Morning Toledo, Hey, if

0:32:57.840 --> 0:33:01.120
<v Speaker 1>there's a tie like you're from Toledo, you yeah, then

0:33:01.280 --> 0:33:03.320
<v Speaker 1>that's probably a smart thing to do because the local

0:33:03.400 --> 0:33:06.840
<v Speaker 1>media loves people that were from there that moved away.

0:33:06.800 --> 0:33:12.800
<v Speaker 2>Right, plus they still live there. Plus missus san Cvieri

0:33:13.080 --> 0:33:16.000
<v Speaker 2>makes this point, or miss sansy Vier sorry, makes this

0:33:16.120 --> 0:33:19.800
<v Speaker 2>point that you never know where a local contact is

0:33:19.800 --> 0:33:22.120
<v Speaker 2>going to end up. Sure might hit the big time.

0:33:22.200 --> 0:33:24.200
<v Speaker 1>It might work for USA today in a couple of months.

0:33:24.320 --> 0:33:27.720
<v Speaker 2>Yeah, it doesn't get bigger than that. And if they

0:33:27.760 --> 0:33:30.160
<v Speaker 2>if they hit the big time on their end and

0:33:30.240 --> 0:33:32.840
<v Speaker 2>they have you as like a contact, it could help

0:33:32.880 --> 0:33:33.640
<v Speaker 2>you out big time.

0:33:33.800 --> 0:33:36.800
<v Speaker 1>That's right. And then earlier you mentioned something about subject

0:33:36.800 --> 0:33:39.840
<v Speaker 1>lines for emails. I never really thought about this, but

0:33:41.440 --> 0:33:45.280
<v Speaker 1>Penny says, Can I call her Penny? You can't in

0:33:45.320 --> 0:33:46.720
<v Speaker 1>a first name basis.

0:33:46.360 --> 0:33:48.600
<v Speaker 2>I call her Miss SANSAVIERI okay.

0:33:48.880 --> 0:33:51.440
<v Speaker 1>Well, she says that crafting a subject line is one

0:33:51.440 --> 0:33:54.160
<v Speaker 1>of the most important things that you can do as

0:33:54.160 --> 0:33:57.960
<v Speaker 1>a publicist, and that they agonize over this and it

0:33:58.040 --> 0:34:02.040
<v Speaker 1>makes total sense with a glow of emails that people receive,

0:34:02.160 --> 0:34:07.360
<v Speaker 1>especially journalists, you want to grab their attention otherwise it's

0:34:07.360 --> 0:34:09.120
<v Speaker 1>just going to be bye by time.

0:34:09.280 --> 0:34:09.680
<v Speaker 2>Yeah.

0:34:10.120 --> 0:34:13.480
<v Speaker 1>So, but you also have to be redrafting, editing, tweaking,

0:34:13.600 --> 0:34:15.880
<v Speaker 1>she says. It's just like maddening how much you have

0:34:15.920 --> 0:34:16.239
<v Speaker 1>to do that.

0:34:16.360 --> 0:34:18.000
<v Speaker 2>Yeah, that would drive me crazy.

0:34:18.920 --> 0:34:22.239
<v Speaker 1>Yeah, because it's the minutia. So much importance on the minutia.

0:34:22.360 --> 0:34:25.319
<v Speaker 2>Yeah, but it's true, and you have to you have

0:34:25.400 --> 0:34:27.520
<v Speaker 2>to put a lot of thought into it. But you

0:34:27.640 --> 0:34:30.000
<v Speaker 2>also probably can't come off as having put too much

0:34:30.040 --> 0:34:32.719
<v Speaker 2>thought into it else it seems desperate, which you'll turn

0:34:32.760 --> 0:34:33.359
<v Speaker 2>somebody off.

0:34:33.719 --> 0:34:34.239
<v Speaker 1>Journalists.

0:34:34.280 --> 0:34:37.040
<v Speaker 2>Publicists want to kill journalists and vice versa.

0:34:37.280 --> 0:34:40.960
<v Speaker 1>Yeah, it sounds like a weird relationship for sure. Yeah,

0:34:41.000 --> 0:34:41.239
<v Speaker 1>you know.

0:34:41.600 --> 0:34:44.360
<v Speaker 2>And then also do you look up media leads? No,

0:34:44.800 --> 0:34:49.040
<v Speaker 2>So basically there's services out there where journalists say I

0:34:49.160 --> 0:34:52.840
<v Speaker 2>need a quote on I'm doing a piece on nuclear

0:34:52.880 --> 0:34:55.720
<v Speaker 2>fusion and I don't even know what that is, so yeah, source.

0:34:56.400 --> 0:35:01.440
<v Speaker 2>And then this this service that the the journalist calls

0:35:01.920 --> 0:35:04.680
<v Speaker 2>puts out like a daily or you know, maybe even

0:35:04.719 --> 0:35:08.120
<v Speaker 2>more than once a day newsletter blast to pr people

0:35:08.120 --> 0:35:11.439
<v Speaker 2>who pay for the service and then they go through

0:35:11.480 --> 0:35:13.920
<v Speaker 2>and say, oh, I've actually got a nuclear physicist on

0:35:13.920 --> 0:35:17.120
<v Speaker 2>my payroll, Yeah, and I'm going to connect him.

0:35:17.480 --> 0:35:22.520
<v Speaker 1>We've been connected that way before. Who when we had

0:35:22.520 --> 0:35:27.080
<v Speaker 1>different PR firms working for with us. At times they've

0:35:27.080 --> 0:35:28.919
<v Speaker 1>gotten in touch and say it said so and so

0:35:29.040 --> 0:35:32.319
<v Speaker 1>at SpaceX wants to know if you want to come

0:35:32.360 --> 0:35:34.080
<v Speaker 1>on and talk about this or when we did that

0:35:34.160 --> 0:35:37.279
<v Speaker 1>stuff on ABC about when the housing crisis hit.

0:35:37.480 --> 0:35:40.040
<v Speaker 2>Yeah, because we're financial experts.

0:35:40.200 --> 0:35:42.239
<v Speaker 1>Yeah, so stuff like that. Yeah, I guess it used

0:35:42.239 --> 0:35:43.719
<v Speaker 1>to come across our desk every now and then.

0:35:43.840 --> 0:35:48.719
<v Speaker 2>Well, there's subscription services that connect people through leads. From

0:35:48.719 --> 0:35:52.720
<v Speaker 2>what I'm seeing is Twitter is now filling that void

0:35:52.760 --> 0:35:55.400
<v Speaker 2>a lot where you can just search Twitter for the

0:35:55.480 --> 0:35:59.120
<v Speaker 2>hashtag h A ro O, help a reporter out, Yeah,

0:35:59.200 --> 0:36:02.440
<v Speaker 2>the reporters. And then also I guess there's a lot

0:36:02.480 --> 0:36:06.160
<v Speaker 2>of PR taste makers out there sure that are just

0:36:06.239 --> 0:36:10.279
<v Speaker 2>super connected and will basically tweet a lead And you

0:36:10.280 --> 0:36:12.000
<v Speaker 2>don't have to pay a thousand dollars a month for

0:36:12.040 --> 0:36:15.000
<v Speaker 2>that subscription service. You just follow certain people on Twitter,

0:36:15.320 --> 0:36:18.200
<v Speaker 2>and as a PR person, you might have somebody that's

0:36:18.239 --> 0:36:19.320
<v Speaker 2>a client that you connect.

0:36:20.160 --> 0:36:23.719
<v Speaker 1>Yeah, that whole new job of being an aggregator, a

0:36:23.800 --> 0:36:27.160
<v Speaker 1>curator like that. Yeah, like people do that and that's

0:36:27.200 --> 0:36:27.640
<v Speaker 1>all they do.

0:36:27.880 --> 0:36:30.799
<v Speaker 2>But we also live in an age where people are

0:36:30.800 --> 0:36:33.240
<v Speaker 2>famous for being famous.

0:36:33.680 --> 0:36:36.120
<v Speaker 1>Man, I need to take back a little bit my

0:36:36.480 --> 0:36:41.040
<v Speaker 1>tirade about liars. I think that what I'm talking about

0:36:41.040 --> 0:36:46.160
<v Speaker 1>are people publicists for like big celebrities and stuff like that. Like,

0:36:46.200 --> 0:36:50.440
<v Speaker 1>we've had publicists work with us, and about eighty percent

0:36:50.520 --> 0:36:53.280
<v Speaker 1>of the clients that they work with are like people

0:36:53.320 --> 0:36:55.240
<v Speaker 1>like us, where you don't have to like lie and spend.

0:36:55.320 --> 0:36:56.760
<v Speaker 2>Yeah, we're always on our best behavior.

0:36:56.840 --> 0:36:58.880
<v Speaker 1>Yeah, it's just you know, regular stuff like let me

0:36:58.920 --> 0:37:00.759
<v Speaker 1>find a good opportunity for you and connect you. And

0:37:01.440 --> 0:37:04.440
<v Speaker 1>so it's I was overstating, and I think that's just

0:37:04.520 --> 0:37:07.600
<v Speaker 1>the far edge of the celebrity end of things. Gotcha,

0:37:09.120 --> 0:37:11.200
<v Speaker 1>because I just got to thinking about what if they're listening.

0:37:11.239 --> 0:37:12.880
<v Speaker 1>I don't want them to think I didn't think they

0:37:12.880 --> 0:37:15.120
<v Speaker 1>were doing a good job. He did a great job.

0:37:15.520 --> 0:37:17.240
<v Speaker 2>We'll wait to back off of that one, Chuck.

0:37:17.640 --> 0:37:20.400
<v Speaker 1>I got one more little thing on Jim Moran.

0:37:20.760 --> 0:37:27.720
<v Speaker 2>Moran Jesus said moron m o n I think Moran, Well,

0:37:28.200 --> 0:37:29.680
<v Speaker 2>not the way the friends say Moron.

0:37:30.800 --> 0:37:33.960
<v Speaker 1>He is was known as the master of the publicity

0:37:34.040 --> 0:37:37.200
<v Speaker 1>stunt back in the day, like he did things. What

0:37:37.239 --> 0:37:40.160
<v Speaker 1>his big thing was to take a saying and try

0:37:40.200 --> 0:37:44.040
<v Speaker 1>and disprove it, like for a company. So he literally

0:37:44.040 --> 0:37:46.360
<v Speaker 1>went to Alaska on behalf of ge to sell a

0:37:46.400 --> 0:37:49.799
<v Speaker 1>refrigerator to well, it says an Eskimo, but I guess

0:37:49.800 --> 0:37:53.560
<v Speaker 1>an Inuit just what you would say today. He walked

0:37:53.560 --> 0:37:56.040
<v Speaker 1>a bowl through a china shop in New York City.

0:37:56.239 --> 0:37:58.600
<v Speaker 1>How that go is a stunt? I think they broke

0:37:58.640 --> 0:38:02.000
<v Speaker 1>some things. He got on a horse for a politician

0:38:02.160 --> 0:38:06.520
<v Speaker 1>and changed directions mid stream on the horse, like rode

0:38:06.520 --> 0:38:08.680
<v Speaker 1>it through a river and changed directions. Yeah, like you

0:38:08.760 --> 0:38:13.000
<v Speaker 1>can do this. And then in nineteen fifty nine, for

0:38:13.040 --> 0:38:15.640
<v Speaker 1>the premiere of The Mouse that Roared, the Great Peter

0:38:15.760 --> 0:38:19.440
<v Speaker 1>Sellers movie, he opened an embassy. Remember the movie was

0:38:19.440 --> 0:38:23.120
<v Speaker 1>about a small country that declared war in a big country.

0:38:23.000 --> 0:38:25.799
<v Speaker 2>Because they wanted to declare war on the US and

0:38:25.840 --> 0:38:28.160
<v Speaker 2>then surrender and then get financial aid from around the

0:38:28.280 --> 0:38:30.000
<v Speaker 2>world because their economy.

0:38:30.080 --> 0:38:32.480
<v Speaker 1>But they ended up winning or something. Wasn't that it?

0:38:33.280 --> 0:38:35.840
<v Speaker 1>He opened an embassy in Washington for a mythical country.

0:38:35.920 --> 0:38:39.160
<v Speaker 2>Yeah. Nice, speaking of By the way, I finally saw

0:38:39.280 --> 0:38:42.400
<v Speaker 2>doctor Strangelove. Oh, really great movie.

0:38:42.160 --> 0:38:46.000
<v Speaker 1>One of the best. It's up there for sure, one

0:38:46.040 --> 0:38:46.960
<v Speaker 1>of the best satires.

0:38:47.040 --> 0:38:48.400
<v Speaker 2>Let's say it is a great movie.

0:38:48.640 --> 0:38:51.640
<v Speaker 1>Great movie. And Peter Seller's man.

0:38:51.600 --> 0:38:55.000
<v Speaker 2>Just he did great. But also I mean, like George C.

0:38:55.160 --> 0:38:56.120
<v Speaker 2>Scott was amazing.

0:38:56.360 --> 0:38:58.080
<v Speaker 1>He was amazing. And the guy I can't remember his

0:38:58.160 --> 0:39:00.200
<v Speaker 1>name that played the colonel or whatever.

0:39:00.320 --> 0:39:01.640
<v Speaker 2>The one who lost his marbles.

0:39:01.719 --> 0:39:03.239
<v Speaker 1>Yeah, yeah, he was. He was so good.

0:39:03.719 --> 0:39:09.000
<v Speaker 2>Everybody was, uh, slim Slim Chills or Slim Pickens, Slim

0:39:09.040 --> 0:39:13.960
<v Speaker 2>Pickens Chills. Yeah, there's chili. Chill Wills was another, Like

0:39:14.120 --> 0:39:19.640
<v Speaker 2>what country Western actor Chill Wills? I think is his name,

0:39:19.840 --> 0:39:22.320
<v Speaker 2>Chill Wills. You'd recognize him if you saw his face, Okay,

0:39:23.360 --> 0:39:27.440
<v Speaker 2>Chill Wills, All right, of course. Chill Wills makes an

0:39:27.440 --> 0:39:30.560
<v Speaker 2>appearance in the How Publicist episode.

0:39:30.280 --> 0:39:32.240
<v Speaker 1>You got anything else? No, I got nothing else.

0:39:32.080 --> 0:39:35.200
<v Speaker 2>Thank goodness. If you want to know more about publicists,

0:39:35.280 --> 0:39:36.960
<v Speaker 2>you can type this word in the search bar at

0:39:37.000 --> 0:39:40.200
<v Speaker 2>HowStuffWorks dot com. And I said search parts was time

0:39:40.239 --> 0:39:40.959
<v Speaker 2>for listening to mail.

0:39:43.400 --> 0:39:45.279
<v Speaker 1>I did have one more thing, Well, what was it

0:39:45.400 --> 0:39:48.359
<v Speaker 1>that movie America's Sweethearts? Did you ever see that? With

0:39:48.480 --> 0:39:49.120
<v Speaker 1>John Cusack?

0:39:49.239 --> 0:39:50.880
<v Speaker 2>And I know what you're talking about.

0:39:50.800 --> 0:39:53.840
<v Speaker 1>Billy Crystal has played a publicist, a pain in the

0:39:53.920 --> 0:39:55.240
<v Speaker 1>butt Hollywood couple.

0:39:55.680 --> 0:40:00.960
<v Speaker 2>Oh best, best portrayal of a publicist on Seinfeld? The

0:40:01.000 --> 0:40:04.440
<v Speaker 2>mom from that seventies show, Remember she played Seinfeld's publicist.

0:40:05.120 --> 0:40:05.799
<v Speaker 1>Oh she was.

0:40:06.120 --> 0:40:09.040
<v Speaker 2>Yeah, she tried to get the airline pilot kicked out

0:40:09.040 --> 0:40:11.480
<v Speaker 2>of Jerry's show and he ended up getting right. Right.

0:40:12.239 --> 0:40:17.160
<v Speaker 2>I think it's the one where Kramer's at JFK or LaGuardia.

0:40:17.200 --> 0:40:19.560
<v Speaker 2>He's making bets on arrivals and he ends up using

0:40:19.560 --> 0:40:21.719
<v Speaker 2>the son of Sam Mailbag as collateral.

0:40:22.239 --> 0:40:22.439
<v Speaker 1>Right.

0:40:23.320 --> 0:40:26.040
<v Speaker 2>Great episode. But the mom from that seventies show played

0:40:26.080 --> 0:40:27.440
<v Speaker 2>Jerry's publicist.

0:40:27.120 --> 0:40:30.160
<v Speaker 1>Kitty Yeah, who was also in Friends?

0:40:31.080 --> 0:40:31.919
<v Speaker 2>What was she friend?

0:40:32.080 --> 0:40:37.360
<v Speaker 1>She played Phoebe's half brother. Giovanni Ribisi played his girlfriend

0:40:37.440 --> 0:40:40.400
<v Speaker 1>or wife. Oh yeah, which is a weird, fucking mismatched couple.

0:40:40.520 --> 0:40:44.080
<v Speaker 1>That's odd, and I think they were. They got her

0:40:44.120 --> 0:40:48.280
<v Speaker 1>to be a surrogate for them, Okay, when Lisa Kudro

0:40:48.360 --> 0:40:49.680
<v Speaker 1>got pregnant in real life. I think that's how they

0:40:49.680 --> 0:40:50.160
<v Speaker 1>handled it.

0:40:50.400 --> 0:40:51.840
<v Speaker 2>We have watched a lot of teams.

0:40:54.160 --> 0:40:59.600
<v Speaker 1>All right, I'm gonna call this one. We were actually right,

0:40:59.800 --> 0:41:02.719
<v Speaker 1>and this lady was nice at a gender party. How's

0:41:02.760 --> 0:41:05.319
<v Speaker 1>that for a subject life? Okay, hey, guys, have a

0:41:05.320 --> 0:41:07.040
<v Speaker 1>little story. I was at a small dinner party where

0:41:07.040 --> 0:41:12.360
<v Speaker 1>the host was making his own sea salt. The topic

0:41:12.360 --> 0:41:15.400
<v Speaker 1>about It's one of those dinner parties. The topic of

0:41:15.480 --> 0:41:17.319
<v Speaker 1>kosher salt came up, so I dropped a fact from

0:41:17.320 --> 0:41:20.400
<v Speaker 1>Your Salt episode that kocher salt is actually just salt

0:41:20.440 --> 0:41:22.400
<v Speaker 1>used for drawing blood out of meat to make it kosher,

0:41:22.440 --> 0:41:25.680
<v Speaker 1>not salt blasts by a rabbi, and the fellow guest disagreed,

0:41:25.680 --> 0:41:28.400
<v Speaker 1>to which I responded, I'm quite sure about this. The

0:41:28.400 --> 0:41:30.960
<v Speaker 1>host then said raise your hand if you're Jewish, and

0:41:31.000 --> 0:41:33.799
<v Speaker 1>the guy that disputed me raised his hand felt rather

0:41:33.840 --> 0:41:37.640
<v Speaker 1>embarrassed while he explained to me what kosher means and

0:41:37.680 --> 0:41:40.880
<v Speaker 1>that salt also goes through the same kosher process that

0:41:40.920 --> 0:41:44.239
<v Speaker 1>would ever explain how I backed down and didn't try

0:41:44.320 --> 0:41:46.200
<v Speaker 1>to defend the fact that I just told. It's not

0:41:46.239 --> 0:41:48.759
<v Speaker 1>that I doubted you, guys, though I jokingly said I'd

0:41:48.800 --> 0:41:51.160
<v Speaker 1>write an email to complain, but it's because a peel

0:41:51.280 --> 0:41:55.080
<v Speaker 1>is disrespectful to correct someone on their own heritage. Good move. Yeah,

0:41:55.160 --> 0:41:58.120
<v Speaker 1>I also didn't want to start any petty debate with

0:41:58.160 --> 0:42:00.960
<v Speaker 1>someone at someone else's dinner party also a good move,

0:42:01.880 --> 0:42:03.840
<v Speaker 1>So I decided to take in the embarrassment while he

0:42:03.880 --> 0:42:06.319
<v Speaker 1>was explaining what koscher is at the same time eating

0:42:06.360 --> 0:42:09.919
<v Speaker 1>a spite of pasta with turizo. I hope you find

0:42:09.920 --> 0:42:11.759
<v Speaker 1>this amusing. Please keep up the good work. If you

0:42:11.800 --> 0:42:13.200
<v Speaker 1>read on the show, please give a shout out to

0:42:13.280 --> 0:42:15.359
<v Speaker 1>my friend Amber who introduced me to the show. And

0:42:15.360 --> 0:42:19.440
<v Speaker 1>that is from Chloe to say, so.

0:42:19.440 --> 0:42:22.160
<v Speaker 2>Wait a minute, Chuck, were we right and the guy

0:42:22.239 --> 0:42:22.600
<v Speaker 2>was wrong?

0:42:22.920 --> 0:42:25.120
<v Speaker 1>We were right? The Jewish guy was wrong because I

0:42:25.120 --> 0:42:27.360
<v Speaker 1>looked it up today just to be sure. Yeah, and

0:42:27.520 --> 0:42:31.480
<v Speaker 1>apparently kosher salt is kosher because in fact, they said

0:42:31.520 --> 0:42:33.560
<v Speaker 1>it should be called koshering salt.

0:42:33.640 --> 0:42:33.799
<v Speaker 2>Yeah.

0:42:33.880 --> 0:42:35.800
<v Speaker 1>Yeah, because it's used to make things kosher. It is

0:42:35.840 --> 0:42:37.120
<v Speaker 1>not the salt itself that's kosher.

0:42:37.239 --> 0:42:39.960
<v Speaker 2>It would have kept Chloe out of that kind of situation. Chloe,

0:42:40.000 --> 0:42:43.719
<v Speaker 2>it sounds like you have a lot of tact and dignity. Yes,

0:42:43.760 --> 0:42:46.120
<v Speaker 2>and exratulations on that. It sounds like, yeah, the guy's

0:42:46.160 --> 0:42:48.000
<v Speaker 2>a bit of a blow hard. I'm not ruining the

0:42:48.040 --> 0:42:48.720
<v Speaker 2>dinner party.

0:42:49.360 --> 0:42:54.000
<v Speaker 1>So that is from Chloe in Sydney, Australia.

0:42:54.200 --> 0:42:56.640
<v Speaker 2>Thank you if you want to get in touch with us.

0:42:57.040 --> 0:42:59.120
<v Speaker 2>We want to hear about all of your misadventures out

0:42:59.160 --> 0:43:01.680
<v Speaker 2>there based on Stuff you Should Know. You can send

0:43:01.760 --> 0:43:04.840
<v Speaker 2>us an email to Stuff Podcast at HowStuffWorks dot com and,

0:43:04.920 --> 0:43:06.759
<v Speaker 2>as always, joined us at our home on the web,

0:43:07.000 --> 0:43:10.920
<v Speaker 2>Stuff Youshould Know dot com.

0:43:11.040 --> 0:43:13.920
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0:43:14.000 --> 0:43:18.200
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