1 00:00:00,920 --> 00:00:01,760 Speaker 1: Are you leaving? 2 00:00:01,960 --> 00:00:04,720 Speaker 2: I you wanna way back home? 3 00:00:05,000 --> 00:00:07,880 Speaker 1: Either way, we want to be there. 4 00:00:09,000 --> 00:00:11,480 Speaker 3: Doesn't matter how much baggage you. 5 00:00:11,440 --> 00:00:12,400 Speaker 1: Claim to give us. 6 00:00:12,600 --> 00:00:16,640 Speaker 4: Time and a turmano and gay. 7 00:00:17,200 --> 00:00:22,360 Speaker 1: We want to send you off inside. We wanna welcome 8 00:00:22,440 --> 00:00:27,639 Speaker 1: you back home. Tell us all about it. We scared her? 9 00:00:27,840 --> 00:00:31,160 Speaker 1: Was it fine? Malforn? 10 00:00:47,120 --> 00:00:48,440 Speaker 2: Do you need to ride? 11 00:00:49,120 --> 00:00:52,360 Speaker 1: Do you need to ride? Do you need to ride? 12 00:00:53,040 --> 00:00:56,400 Speaker 1: Do you need to ride? Do you need to ride? 13 00:00:57,000 --> 00:01:00,360 Speaker 1: Do you need ride? 14 00:01:00,960 --> 00:01:10,800 Speaker 2: Do you need with Karen and Chris. Welcome to another 15 00:01:10,840 --> 00:01:13,320 Speaker 2: episode of Do You Need a Ride? I'm Chris Fairbanks, 16 00:01:13,319 --> 00:01:17,720 Speaker 2: I'm Garath and today we are picking up Chris. 17 00:01:18,319 --> 00:01:21,800 Speaker 1: Is there. I just texted him to say come down. 18 00:01:21,880 --> 00:01:23,039 Speaker 1: He's watching us from. 19 00:01:22,920 --> 00:01:26,520 Speaker 2: His apartment, very mysteriously. He's watching us in the car. 20 00:01:27,880 --> 00:01:28,959 Speaker 2: Whereas you know, we. 21 00:01:28,880 --> 00:01:32,800 Speaker 1: Record setting up our all of our very high end equipment. 22 00:01:33,360 --> 00:01:36,440 Speaker 1: I'm sortainly. I'm leaning into this mic. There is it 23 00:01:36,440 --> 00:01:36,720 Speaker 1: all right? 24 00:01:37,000 --> 00:01:37,760 Speaker 2: Got a little hot? 25 00:01:37,840 --> 00:01:40,759 Speaker 1: Didn't go too hot? It is a little I put 26 00:01:40,760 --> 00:01:41,679 Speaker 1: it all the way in my mouth. 27 00:01:42,160 --> 00:01:44,520 Speaker 2: Okay, sorry, it's a good test. 28 00:01:45,000 --> 00:01:47,200 Speaker 1: It's a good test to do that. They're here. That's 29 00:01:47,200 --> 00:01:47,720 Speaker 1: about it, right? 30 00:01:47,800 --> 00:01:50,680 Speaker 2: Oh wow, No, I don't know. It's hard to. I'll 31 00:01:50,720 --> 00:01:51,960 Speaker 2: just turn you down a little. 32 00:01:52,240 --> 00:01:53,600 Speaker 1: Oh, I moved it down. 33 00:01:53,680 --> 00:01:58,360 Speaker 2: I thought we're good. Okay, here he's coming down. 34 00:01:58,640 --> 00:02:01,840 Speaker 1: And should I say sorry right at the beginning, because 35 00:02:01,920 --> 00:02:04,640 Speaker 1: especially I don't know what that podcast is going to 36 00:02:04,680 --> 00:02:06,520 Speaker 1: turn out. Like the one we did last night. 37 00:02:06,560 --> 00:02:07,840 Speaker 2: It was great, was it? Yeah? 38 00:02:07,880 --> 00:02:11,120 Speaker 1: Okay it was. It makes me nervous to be the 39 00:02:11,160 --> 00:02:14,440 Speaker 1: guest of my own podcast. Yes, But what I was 40 00:02:14,440 --> 00:02:18,280 Speaker 1: going to say is, oh, that's true. But I felt 41 00:02:18,400 --> 00:02:20,120 Speaker 1: responsible for I don't know. 42 00:02:20,760 --> 00:02:24,000 Speaker 2: It just was a funny way of wording the description. Oka, 43 00:02:24,000 --> 00:02:27,520 Speaker 2: Actually we have guests last the last show with Karen 44 00:02:27,560 --> 00:02:30,560 Speaker 2: Kilgear with the guest and Henry Phillips was the co host. 45 00:02:30,600 --> 00:02:34,880 Speaker 2: But once you got in the car quickly you took over. Yeah. 46 00:02:34,960 --> 00:02:38,600 Speaker 1: Yeah, of course, in both giving you directions and conversation. 47 00:02:38,720 --> 00:02:40,880 Speaker 2: I just thought it was funny to say it that way. 48 00:02:41,120 --> 00:02:41,680 Speaker 1: Oh, I see. 49 00:02:41,800 --> 00:02:43,280 Speaker 2: Instead, it was very confusing. 50 00:02:43,720 --> 00:02:47,320 Speaker 1: I felt the I didn't. I felt whatever, it doesn't matter. 51 00:02:47,320 --> 00:02:48,920 Speaker 1: I have a lot of problems. What I was going 52 00:02:49,000 --> 00:02:51,080 Speaker 1: to say is we need to start remembering to say 53 00:02:51,680 --> 00:02:54,200 Speaker 1: if you like this podcast, please review us on iTunes 54 00:02:54,240 --> 00:02:57,040 Speaker 1: so that we get good reviews and stuff, and thank 55 00:02:57,080 --> 00:02:59,680 Speaker 1: you for listening because we're so excited to be doing it. 56 00:03:00,080 --> 00:03:05,320 Speaker 2: Don't base your review on our show strictly on the 57 00:03:05,360 --> 00:03:07,080 Speaker 2: intro of this episode. 58 00:03:07,160 --> 00:03:09,440 Speaker 1: No, no, no, this episode has nothing to do with the 59 00:03:09,560 --> 00:03:10,640 Speaker 1: quality of our show. 60 00:03:10,720 --> 00:03:15,200 Speaker 2: Talk too much about the past, the past. They live 61 00:03:15,240 --> 00:03:17,600 Speaker 2: in the past too much, and then they go straight 62 00:03:17,680 --> 00:03:20,120 Speaker 2: to iTunes reviews. There he is, there he is, with 63 00:03:20,200 --> 00:03:22,520 Speaker 2: a fresh haircut and it's actual bag and a. 64 00:03:22,480 --> 00:03:28,639 Speaker 1: Fresh attitude of the young and the youth. Hi, Chris there, Hi, Hi, come. 65 00:03:28,520 --> 00:03:35,440 Speaker 2: On in, Hi. There's a microphone for your mouth, your wordhole. 66 00:03:35,240 --> 00:03:42,560 Speaker 1: Than you are we starting, We're starting skateboarding. Skateboarder went 67 00:03:42,560 --> 00:03:43,560 Speaker 1: by you, mister Chris. 68 00:03:43,560 --> 00:03:46,040 Speaker 2: Oh, I get excited like a like a like a 69 00:03:46,120 --> 00:03:48,440 Speaker 2: dog does when he sees a skateboard. I just run 70 00:03:48,520 --> 00:03:50,440 Speaker 2: up and I'm like, I do that too, and I 71 00:03:50,600 --> 00:03:51,600 Speaker 2: bite him on the ankles. 72 00:03:52,320 --> 00:03:53,280 Speaker 1: Chris there, how are you? 73 00:03:53,520 --> 00:03:55,960 Speaker 4: I'm good? How are you? How are you? Too good? 74 00:03:56,000 --> 00:03:56,480 Speaker 1: To see you? 75 00:03:57,240 --> 00:03:59,400 Speaker 4: Thanks for picking me up. I'm driving my pleasure. 76 00:03:59,560 --> 00:04:04,840 Speaker 2: Oh it's doesn't stop here, it stops at LA specifically, is. 77 00:04:04,840 --> 00:04:06,160 Speaker 4: This your first LA extrip? 78 00:04:06,480 --> 00:04:11,920 Speaker 2: Oh? No, no, we're old. We're old hands at lax 79 00:04:12,040 --> 00:04:13,240 Speaker 2: drop offs. 80 00:04:13,360 --> 00:04:14,440 Speaker 1: Do you think I should do. 81 00:04:14,720 --> 00:04:16,000 Speaker 4: This is your second lax strip. 82 00:04:16,600 --> 00:04:18,440 Speaker 2: We've done mostly lax scripts. 83 00:04:18,520 --> 00:04:19,919 Speaker 1: I'd say it's our seventh. 84 00:04:20,240 --> 00:04:21,960 Speaker 4: Oh I thought you guys were Burbank only. 85 00:04:22,440 --> 00:04:24,560 Speaker 1: Oh no, did I tell that to you? 86 00:04:25,560 --> 00:04:27,120 Speaker 4: I was under the impression for some reason. 87 00:04:27,320 --> 00:04:31,279 Speaker 2: Yeah, no, no, I lie a lot. If not, Usually, 88 00:04:31,320 --> 00:04:33,920 Speaker 2: if we're at Burbank, we're dropping off a magician or 89 00:04:33,960 --> 00:04:36,799 Speaker 2: some other kind of older Vegas entertainer. 90 00:04:37,640 --> 00:04:38,960 Speaker 1: Danny gans has been in the car. 91 00:04:39,040 --> 00:04:42,240 Speaker 2: But God rest his soul, Danny Gance passed away. Of 92 00:04:42,279 --> 00:04:46,120 Speaker 2: course he was master entertainer, but quoted two thousand and six, 93 00:04:46,200 --> 00:04:49,640 Speaker 2: we lost him in seven. I realize as the peak 94 00:04:49,680 --> 00:04:53,360 Speaker 2: of his career. Not only Chris did he do impressions, 95 00:04:53,400 --> 00:04:56,560 Speaker 2: which I don't know if you have any love, He 96 00:04:56,640 --> 00:05:02,520 Speaker 2: did impersonations and in tations, as well as celebrity copies 97 00:05:02,680 --> 00:05:07,480 Speaker 2: and very good at sleight of hand, close up magistry. 98 00:05:09,360 --> 00:05:10,800 Speaker 4: Celebrity. 99 00:05:11,240 --> 00:05:14,039 Speaker 1: He would run off some dittos of celebrities that you 100 00:05:14,080 --> 00:05:16,000 Speaker 1: would think were the original doctors. 101 00:05:15,800 --> 00:05:20,160 Speaker 2: To almost smell the carbon from the copies that he made. 102 00:05:20,279 --> 00:05:22,120 Speaker 1: Chris, when's the last time you went to Las Vegas? 103 00:05:22,240 --> 00:05:26,599 Speaker 4: Yeah? Uh, last year maybe, But it was also the 104 00:05:26,640 --> 00:05:27,880 Speaker 4: first time I've been to Las. 105 00:05:27,839 --> 00:05:29,960 Speaker 1: Vegas first and most recent. 106 00:05:30,240 --> 00:05:32,320 Speaker 4: Yeah, and I will. I don't ever want to go back. 107 00:05:32,440 --> 00:05:33,640 Speaker 2: I could hear your heart rate. 108 00:05:35,000 --> 00:05:35,880 Speaker 1: I'm really excited. 109 00:05:36,040 --> 00:05:40,400 Speaker 2: Well, you're in bad luck then, because we're taking you 110 00:05:40,480 --> 00:05:41,480 Speaker 2: to Vegas. 111 00:05:42,160 --> 00:05:43,799 Speaker 1: Like one of those Travelosity commercials. 112 00:05:44,040 --> 00:05:45,440 Speaker 4: We are going to the Burbank Airport. 113 00:05:45,600 --> 00:05:50,200 Speaker 1: Y that guy honked for hell, there's a lot going on. 114 00:05:50,320 --> 00:05:53,599 Speaker 2: There is a lot. Do you feel scared yet in 115 00:05:53,680 --> 00:05:56,120 Speaker 2: our podcast because it's it's very dangerous. 116 00:05:56,240 --> 00:05:59,920 Speaker 4: No, not at all. I drive these mean streets every day. 117 00:06:00,160 --> 00:06:03,960 Speaker 2: I gotta make sure. I mean, look at that tagger 118 00:06:04,040 --> 00:06:06,680 Speaker 2: right there. That guy is ready to spray paint something. 119 00:06:06,480 --> 00:06:09,000 Speaker 1: That's racist or the white guy. 120 00:06:08,960 --> 00:06:12,159 Speaker 2: Yes, the old white guy, not the actual kid holding 121 00:06:12,200 --> 00:06:14,520 Speaker 2: a spray can I'm not racist? 122 00:06:14,839 --> 00:06:18,520 Speaker 1: Chris? Did you Chris there? Did you go to Vegas 123 00:06:18,520 --> 00:06:21,360 Speaker 1: for fun? For work? And did you win any money? 124 00:06:21,680 --> 00:06:25,400 Speaker 4: I did not win any money. I went for fun 125 00:06:26,080 --> 00:06:28,799 Speaker 4: and it wasn't that fun. 126 00:06:28,120 --> 00:06:33,560 Speaker 2: I'm with you, Chris. Vegas is just a showcase of 127 00:06:33,640 --> 00:06:38,840 Speaker 2: the bottom feeders of our society. I went with They're 128 00:06:38,880 --> 00:06:40,120 Speaker 2: there for all the wrong reasons. 129 00:06:40,200 --> 00:06:44,039 Speaker 4: Whoes that's why I was there? 130 00:06:44,400 --> 00:06:49,000 Speaker 1: Uh horror around Yeah, I guess that's for one second. 131 00:06:49,040 --> 00:06:52,120 Speaker 1: While we go over the original Roman road. 132 00:06:52,200 --> 00:06:53,760 Speaker 4: Here your heart. 133 00:06:54,520 --> 00:06:56,680 Speaker 2: Some of the roads in la are so old. There's 134 00:06:56,720 --> 00:07:01,440 Speaker 2: still cobblestone. That's the history of wherever we are. 135 00:07:01,520 --> 00:07:03,760 Speaker 1: Okay, wait, and where are you going to dig? 136 00:07:03,880 --> 00:07:04,040 Speaker 4: Chris? 137 00:07:04,120 --> 00:07:06,559 Speaker 1: There, I'm going to New York, New York City. Yes, 138 00:07:07,000 --> 00:07:07,680 Speaker 1: for comedy. 139 00:07:08,400 --> 00:07:10,240 Speaker 4: Yeah, I have like nine or ten shows. 140 00:07:10,360 --> 00:07:12,840 Speaker 2: Isn't it fun? And probably in the span of five 141 00:07:12,920 --> 00:07:13,800 Speaker 2: days you could do that. 142 00:07:14,120 --> 00:07:16,160 Speaker 4: I was last time I was there. I booked it 143 00:07:16,200 --> 00:07:17,960 Speaker 4: like that. But I'm there for two weeks. 144 00:07:18,040 --> 00:07:18,720 Speaker 2: Oh that's great. 145 00:07:18,800 --> 00:07:20,160 Speaker 4: So I tried to give myself a little bit of 146 00:07:20,160 --> 00:07:22,640 Speaker 4: free time so I could go to the Apollo. Nice 147 00:07:22,760 --> 00:07:24,480 Speaker 4: catch a show, of course. 148 00:07:24,800 --> 00:07:25,880 Speaker 2: Good, that's great. 149 00:07:25,960 --> 00:07:28,000 Speaker 4: Hope they asked me to perform. You know how it 150 00:07:28,040 --> 00:07:28,600 Speaker 4: is to sit. 151 00:07:28,480 --> 00:07:31,760 Speaker 1: In an audience yep, and like you there, you got 152 00:07:31,760 --> 00:07:32,240 Speaker 1: what it takes. 153 00:07:32,320 --> 00:07:34,040 Speaker 4: Yeah, I recognize you. 154 00:07:34,160 --> 00:07:35,840 Speaker 2: Do you know what you're saying at the Apollo? 155 00:07:37,840 --> 00:07:39,360 Speaker 4: I bet he's not really, I'm not really. 156 00:07:40,600 --> 00:07:50,240 Speaker 2: I sometimes I get tricked, and those times, but now 157 00:07:50,280 --> 00:07:53,080 Speaker 2: it just makes me nostalgic for the days I was 158 00:07:53,120 --> 00:07:58,000 Speaker 2: always tricked. What shows are you? Are you excited about 159 00:07:58,040 --> 00:07:59,720 Speaker 2: anyone in particular? 160 00:07:59,840 --> 00:08:03,240 Speaker 4: I'm excited about all of them. They're all pretty good. 161 00:08:03,520 --> 00:08:06,200 Speaker 4: I think I'm doing Night Train, which I've heard good 162 00:08:06,240 --> 00:08:09,320 Speaker 4: things about doing Cabin. I have a bunch of shows 163 00:08:09,320 --> 00:08:10,320 Speaker 4: at U see BE East. 164 00:08:10,640 --> 00:08:14,680 Speaker 2: Yeah, yeah, those are all good shows. They're fun and 165 00:08:14,800 --> 00:08:18,680 Speaker 2: people there, do you agree they listen a little more 166 00:08:19,040 --> 00:08:19,880 Speaker 2: the audiences. 167 00:08:20,080 --> 00:08:22,440 Speaker 4: I don't know. I haven't been in like two and 168 00:08:22,520 --> 00:08:26,560 Speaker 4: a half years, so UCB East wasn't open at that time. 169 00:08:26,960 --> 00:08:28,480 Speaker 4: The only one of those shows I mentioned that I've 170 00:08:28,480 --> 00:08:30,240 Speaker 4: done so far as Cabin a couple of years ago. 171 00:08:30,480 --> 00:08:35,360 Speaker 2: Yeah, I just like it seems like New York crowds. 172 00:08:35,600 --> 00:08:39,080 Speaker 2: I don't want to slight Los Angeles people, but they're 173 00:08:39,080 --> 00:08:41,520 Speaker 2: a little smarter, a lot of not a lot of 174 00:08:41,720 --> 00:08:46,480 Speaker 2: Like I moved here to be an improv actor. Yeah, 175 00:08:46,520 --> 00:08:50,480 Speaker 2: and books are for squares. It seems like in New 176 00:08:50,559 --> 00:08:53,480 Speaker 2: York people think books are cool. That being said, I never. 177 00:08:53,360 --> 00:08:56,800 Speaker 1: Read people in New York. I also think have lives 178 00:08:56,840 --> 00:09:02,160 Speaker 1: outside of the media's And that's what so respectable to me. 179 00:09:02,600 --> 00:09:03,400 Speaker 2: That's what I mean. 180 00:09:03,640 --> 00:09:04,760 Speaker 1: It really seems. 181 00:09:05,360 --> 00:09:08,120 Speaker 2: Yeah, that's what I meant to say. 182 00:09:08,160 --> 00:09:10,160 Speaker 1: It's just like you could be sitting next to a 183 00:09:10,280 --> 00:09:14,200 Speaker 1: college professor, you know whatever. There just seems to be 184 00:09:14,200 --> 00:09:14,720 Speaker 1: a real it. 185 00:09:14,720 --> 00:09:16,199 Speaker 4: Feels like a media studies professor. 186 00:09:16,240 --> 00:09:19,360 Speaker 1: Then you're like, fuck off, palace nerd. 187 00:09:19,559 --> 00:09:23,360 Speaker 2: Yeah, I've heard you're a bartender. Now make me let. 188 00:09:24,640 --> 00:09:27,680 Speaker 1: I picked the worst street to drive down. We started 189 00:09:27,720 --> 00:09:33,920 Speaker 1: and immediately stopped in traffic and road repairs. This is 190 00:09:34,000 --> 00:09:35,400 Speaker 1: this perfect for a Friday afternoon. 191 00:09:35,440 --> 00:09:38,319 Speaker 2: Yeah, this is the street where Michael Douglas lost lost 192 00:09:38,360 --> 00:09:41,560 Speaker 2: his mind and falling down? Is it all the just 193 00:09:41,600 --> 00:09:44,840 Speaker 2: where all the construction was. I like to reference well movie. 194 00:09:45,160 --> 00:09:47,360 Speaker 4: I actually don't even live over there. I just wanted 195 00:09:47,400 --> 00:09:48,679 Speaker 4: more time on the podcast. 196 00:09:48,840 --> 00:09:51,600 Speaker 1: Oh that's great that you're going to do great. I 197 00:09:51,640 --> 00:09:56,600 Speaker 1: live right by l a X, so could we drop 198 00:09:56,600 --> 00:09:58,520 Speaker 1: you off at your apartment right before? 199 00:09:58,679 --> 00:10:00,240 Speaker 4: Yeah, I planned on walking. I was just open. You 200 00:10:00,280 --> 00:10:01,240 Speaker 4: can get me right back home. 201 00:10:01,559 --> 00:10:05,120 Speaker 2: I live by LAX and I that's it's very inconvenient 202 00:10:06,080 --> 00:10:09,400 Speaker 2: for being a comedian. Or I live in Venice Beach, 203 00:10:10,040 --> 00:10:14,160 Speaker 2: so I'm driving all the time at night, and it's 204 00:10:14,320 --> 00:10:16,439 Speaker 2: I regret it all the time until I have to 205 00:10:16,440 --> 00:10:18,880 Speaker 2: go to the airport. Then it's pretty sweet. 206 00:10:19,080 --> 00:10:19,800 Speaker 1: Yeah, then you love it. 207 00:10:19,840 --> 00:10:20,760 Speaker 4: How often is that. 208 00:10:21,520 --> 00:10:25,280 Speaker 2: The old airport? How often am I gigging? Yes? Oh 209 00:10:26,400 --> 00:10:26,640 Speaker 2: you know? 210 00:10:26,840 --> 00:10:28,559 Speaker 4: How often? Is it worth it? To live where you live. 211 00:10:28,640 --> 00:10:32,120 Speaker 2: I'm a bit of a road dough now it's yeah, 212 00:10:32,200 --> 00:10:34,640 Speaker 2: once a month, I'm like, well, here I go again. 213 00:10:34,760 --> 00:10:37,480 Speaker 2: That's a lot with it, I guess you know. 214 00:10:37,720 --> 00:10:40,640 Speaker 1: And also the clean air with the negative ions, which 215 00:10:40,679 --> 00:10:42,920 Speaker 1: is very good for your brain and spirit. 216 00:10:44,760 --> 00:10:45,559 Speaker 4: Do I have those? 217 00:10:46,000 --> 00:10:47,280 Speaker 1: No, we don't have any heir. 218 00:10:47,120 --> 00:10:48,280 Speaker 4: In the I'm negative. 219 00:10:48,920 --> 00:10:53,760 Speaker 1: Oh that's true. Wait, let's think about it. Person, I 220 00:10:53,840 --> 00:10:58,280 Speaker 1: think that I am negative? Can I say this? Chris 221 00:10:58,559 --> 00:11:00,640 Speaker 1: Thayer and I just worked on the Peat Home Show together, 222 00:11:01,200 --> 00:11:03,840 Speaker 1: recently canceled heartbreaking. 223 00:11:03,440 --> 00:11:05,000 Speaker 4: Sometimes your best isn't good enough. 224 00:11:06,320 --> 00:11:08,319 Speaker 1: And here we are back where we were before. 225 00:11:09,360 --> 00:11:14,040 Speaker 2: But remembering lyrics didn't beating. 226 00:11:13,760 --> 00:11:18,880 Speaker 1: You at that Chris Thayer was our digital content writer. Yes, 227 00:11:18,920 --> 00:11:21,440 Speaker 1: and I loved it because the few things that I 228 00:11:21,480 --> 00:11:23,840 Speaker 1: ever had to check that he wrote, I didn't have 229 00:11:23,880 --> 00:11:25,560 Speaker 1: to check. When I looked at them, I was like 230 00:11:25,960 --> 00:11:31,280 Speaker 1: word perfect, perfectly spelled, perfectly put together, very solid writing, 231 00:11:31,800 --> 00:11:34,199 Speaker 1: very very funny but non intrusive. 232 00:11:34,400 --> 00:11:35,000 Speaker 4: There we go. 233 00:11:35,320 --> 00:11:37,280 Speaker 1: So yeah, I should have said. 234 00:11:37,160 --> 00:11:39,360 Speaker 4: That first spelling. 235 00:11:42,120 --> 00:11:46,199 Speaker 1: I want you to become a typographer or maybe an editor. 236 00:11:46,320 --> 00:11:51,880 Speaker 1: Do when to indent, he will not put He is 237 00:11:51,920 --> 00:11:53,960 Speaker 1: against doctford commas just like I am. 238 00:11:54,240 --> 00:11:56,679 Speaker 4: He puts in semi Collins, but he's not flashy about it. 239 00:11:56,800 --> 00:11:59,280 Speaker 1: Yeah, just he really wants to break that phrase. 240 00:12:00,000 --> 00:12:03,640 Speaker 2: A lot of people overuse commas just every time they 241 00:12:03,640 --> 00:12:04,360 Speaker 2: want to pause. 242 00:12:04,480 --> 00:12:05,520 Speaker 4: I'm kind of like that. 243 00:12:05,840 --> 00:12:07,800 Speaker 2: Yeah, me too. I love comments. 244 00:12:08,200 --> 00:12:10,160 Speaker 4: I actually am bad about semi collins and I just 245 00:12:10,200 --> 00:12:12,600 Speaker 4: read a quote from Kurt Vonaga yesterday where he was 246 00:12:12,600 --> 00:12:16,960 Speaker 4: saying that they're complete bullshit. They don't signify anything. They're 247 00:12:16,960 --> 00:12:17,600 Speaker 4: just to show that you. 248 00:12:17,520 --> 00:12:19,400 Speaker 1: Went to college semi collins. 249 00:12:19,440 --> 00:12:22,920 Speaker 4: Oh yeah, funny, but I didn't go to college, so oh. 250 00:12:22,800 --> 00:12:27,439 Speaker 2: Yeah, take off, Kurt. Yeah, Vonna gout, Yeah, dead bitch, 251 00:12:27,720 --> 00:12:29,440 Speaker 2: Vonna gut comma, Kurt. 252 00:12:29,559 --> 00:12:32,520 Speaker 1: I thought that started as a respectful homage turned into 253 00:12:32,520 --> 00:12:35,040 Speaker 1: a total We scorched that motherfucker. 254 00:12:35,200 --> 00:12:36,640 Speaker 4: I felt bad when I read. 255 00:12:36,480 --> 00:12:39,200 Speaker 1: It because because I've. 256 00:12:39,040 --> 00:12:41,600 Speaker 4: Been using them like crazy. I love using semi colons. 257 00:12:41,640 --> 00:12:45,040 Speaker 4: I thought about that, like, if I ever was like it, 258 00:12:45,160 --> 00:12:46,720 Speaker 4: I don't think I could get away with a crime 259 00:12:46,920 --> 00:12:50,680 Speaker 4: because I use semi colons so often. They could easily 260 00:12:50,720 --> 00:12:52,280 Speaker 4: trace back anything written to me. 261 00:12:54,640 --> 00:12:57,200 Speaker 1: That's good, Give me all your money, pause. 262 00:12:57,280 --> 00:12:58,920 Speaker 2: What's your alibi? Fees? 263 00:13:00,240 --> 00:13:03,000 Speaker 1: It's a series, so you're trying to prove you went 264 00:13:03,040 --> 00:13:07,319 Speaker 1: to college by using them, just like I'm. 265 00:13:07,120 --> 00:13:08,120 Speaker 4: Just trying to save money. 266 00:13:08,160 --> 00:13:12,160 Speaker 2: Kurt. Come on, God, Kurt just got a text. We're 267 00:13:12,280 --> 00:13:14,840 Speaker 2: multimedia podcast speaking a digital writing. 268 00:13:14,880 --> 00:13:19,200 Speaker 1: Oh yeah, don't forget to text us. 269 00:13:19,600 --> 00:13:23,240 Speaker 4: Why do we keep getting in wrecks in your questions? 270 00:13:23,360 --> 00:13:28,240 Speaker 2: The other though, the uh, Mike Fleno posts our episode, 271 00:13:28,640 --> 00:13:32,160 Speaker 2: posts them onto the interweb. He uploads them. I don't know. 272 00:13:32,240 --> 00:13:34,680 Speaker 1: Technically, we just call him Mike. 273 00:13:34,800 --> 00:13:37,839 Speaker 2: He's very happy with the last episode. O good, very 274 00:13:37,880 --> 00:13:38,760 Speaker 2: great episode. 275 00:13:39,320 --> 00:13:40,440 Speaker 4: Has he gone up yet? 276 00:13:41,080 --> 00:13:43,200 Speaker 2: I think it just went up. Usually we like to 277 00:13:43,240 --> 00:13:47,120 Speaker 2: do them for Friday morning. That one will be on 278 00:13:47,520 --> 00:13:48,480 Speaker 2: next Friday morning. 279 00:13:48,760 --> 00:13:51,760 Speaker 4: Nice. But I'll still be in New York. I have shows. 280 00:13:51,800 --> 00:13:53,400 Speaker 4: If people want to come, I'll wait till the end. 281 00:13:53,440 --> 00:13:54,839 Speaker 4: I wait till the end. I get it. I get 282 00:13:54,880 --> 00:13:58,040 Speaker 4: it and look it up. 283 00:13:58,160 --> 00:14:01,000 Speaker 2: I guess we can throw our whole format to the 284 00:14:01,000 --> 00:14:03,560 Speaker 2: wind and talk about what shows you're doing now. 285 00:14:03,800 --> 00:14:06,520 Speaker 4: I love a podcast that hides the plugs in the middle. 286 00:14:06,760 --> 00:14:06,920 Speaker 2: Yeah. 287 00:14:07,000 --> 00:14:08,640 Speaker 1: I think that's smart because they're. 288 00:14:08,480 --> 00:14:10,319 Speaker 4: Only for the fans. You know, that's right. 289 00:14:10,559 --> 00:14:12,000 Speaker 2: You can see him at cabin. 290 00:14:14,600 --> 00:14:18,360 Speaker 1: He thinks, what go then, dude, Yeah, you've got it 291 00:14:18,520 --> 00:14:19,480 Speaker 1: you've got the floor. 292 00:14:19,600 --> 00:14:24,640 Speaker 2: They're not injured enough. Now that wasn't I'd say, do 293 00:14:24,640 --> 00:14:28,160 Speaker 2: you say bad things, Chris when you're in a car? Oh? Yeah, 294 00:14:28,320 --> 00:14:30,160 Speaker 2: I just say unspeakable things. 295 00:14:30,760 --> 00:14:33,520 Speaker 4: I said a real hurtful thing the other day. 296 00:14:33,680 --> 00:14:34,160 Speaker 1: Let's hear it. 297 00:14:34,280 --> 00:14:35,120 Speaker 2: Yeah, let's hear it. 298 00:14:35,880 --> 00:14:37,680 Speaker 4: I was driving behind a car that was going really 299 00:14:38,000 --> 00:14:43,360 Speaker 4: slow and uh. And normally I'd be like, are you 300 00:14:43,440 --> 00:14:45,520 Speaker 4: fucking kidding me? Like if somebody cuts me off or something, 301 00:14:45,600 --> 00:14:47,880 Speaker 4: or like you're a fucking asshole, you know, and then 302 00:14:47,920 --> 00:14:49,960 Speaker 4: I get over it. Yeah, but the guy was going slow, 303 00:14:50,000 --> 00:14:52,640 Speaker 4: which is pretty uncommon. It was on the freeway, and 304 00:14:52,680 --> 00:14:57,520 Speaker 4: I was like, I thought you're a loser. Yeah, like it, 305 00:14:57,600 --> 00:15:00,960 Speaker 4: which was a more pointed thing, like you'll never amount 306 00:15:01,000 --> 00:15:04,680 Speaker 4: to anything because you drive slow. It's like a character flaw. 307 00:15:05,320 --> 00:15:06,800 Speaker 1: It's the worst thing you can say to someone in 308 00:15:06,840 --> 00:15:09,120 Speaker 1: Los Angeles where everyone's trying to be a winner. 309 00:15:09,400 --> 00:15:10,960 Speaker 2: Was it ausible to him? 310 00:15:11,760 --> 00:15:12,800 Speaker 4: No, I didn't even say that. 311 00:15:13,160 --> 00:15:15,920 Speaker 2: Oh well you just thought it. Yeah, Well that's not 312 00:15:16,080 --> 00:15:19,360 Speaker 2: I mean, you're I already know you're a nicer person 313 00:15:19,400 --> 00:15:19,600 Speaker 2: than I. 314 00:15:19,800 --> 00:15:25,440 Speaker 4: Oh sometime, Yeah, I can control myself. 315 00:15:26,920 --> 00:15:30,880 Speaker 2: I don't burp every other contest I thought about I 316 00:15:30,920 --> 00:15:33,920 Speaker 2: thought of a burp a minute ago and let it out. 317 00:15:34,200 --> 00:15:36,160 Speaker 2: So you think about the bad things, you don't let 318 00:15:36,240 --> 00:15:39,000 Speaker 2: them fly out your mouth like me and the word 319 00:15:39,000 --> 00:15:43,840 Speaker 2: cocksucker and then burps. No, no, man, I really, I'm sorry. 320 00:15:44,000 --> 00:15:47,560 Speaker 1: I actually I was on San Fernando and there were 321 00:15:47,600 --> 00:15:51,480 Speaker 1: people I almost saw a train car wreck. You know 322 00:15:51,480 --> 00:15:53,200 Speaker 1: how they always warn you of, like don't stop on 323 00:15:53,240 --> 00:15:55,120 Speaker 1: the tracks, where you're like, who would ever do that? 324 00:15:55,120 --> 00:15:55,880 Speaker 1: That's so stupid. 325 00:15:55,920 --> 00:15:58,840 Speaker 2: Yeah, there's bells and sounds also the sound of a train. 326 00:15:59,080 --> 00:16:01,200 Speaker 1: But I saw a person and stop on the tracks 327 00:16:01,720 --> 00:16:05,800 Speaker 1: and the bar come down, a white lexus, and then 328 00:16:05,840 --> 00:16:08,360 Speaker 1: the person not back up like they thought they were 329 00:16:08,360 --> 00:16:12,680 Speaker 1: gonna gun it through, and then the people behind that 330 00:16:12,720 --> 00:16:16,320 Speaker 1: person getting so close that he couldn't back up. So 331 00:16:16,480 --> 00:16:18,800 Speaker 1: I rolled my window down. This is how controlling and 332 00:16:18,880 --> 00:16:21,240 Speaker 1: what a lunatic I am. I rolled my window down 333 00:16:21,280 --> 00:16:23,960 Speaker 1: and yelled back up, and then they all backed up. 334 00:16:24,000 --> 00:16:25,720 Speaker 4: But it was like, oh, you sad. 335 00:16:26,440 --> 00:16:28,400 Speaker 1: I like to think it was about me. I'm positive 336 00:16:28,440 --> 00:16:31,520 Speaker 1: it wasn't, but just the idea that it's like that's 337 00:16:31,520 --> 00:16:34,320 Speaker 1: so that's an LA driver where they just stay right 338 00:16:34,320 --> 00:16:37,000 Speaker 1: behind you, even if a train is coming. If you 339 00:16:37,080 --> 00:16:40,600 Speaker 1: move up, they'll just fill that empty space instead of 340 00:16:40,640 --> 00:16:41,920 Speaker 1: like looking at the whole picture. 341 00:16:42,400 --> 00:16:44,480 Speaker 4: Wouldn't you would any part of you have felt okay 342 00:16:44,480 --> 00:16:47,240 Speaker 4: with the fact that it was Alexis though, Yeah. 343 00:16:46,880 --> 00:16:49,040 Speaker 1: Yeah, I kind of wanted to see that train if 344 00:16:49,640 --> 00:16:50,320 Speaker 1: over when the. 345 00:16:50,360 --> 00:16:52,520 Speaker 2: Train hit the car, would you have said under your breath, 346 00:16:52,560 --> 00:16:56,480 Speaker 2: what a loser? Because that's the ultimate and loss. 347 00:16:56,520 --> 00:16:58,360 Speaker 1: It's loss of life. 348 00:16:58,640 --> 00:17:02,280 Speaker 2: Yes, you're a user of your life. Yeah, and then 349 00:17:02,640 --> 00:17:03,880 Speaker 2: some sort of song. 350 00:17:03,920 --> 00:17:05,199 Speaker 4: All dead people are losers and. 351 00:17:05,240 --> 00:17:07,439 Speaker 2: They really are right if you really think about it. 352 00:17:07,480 --> 00:17:09,480 Speaker 2: Breaking down language styles. 353 00:17:09,240 --> 00:17:10,840 Speaker 1: I'm gonna move that so I can see your face. 354 00:17:11,040 --> 00:17:15,000 Speaker 2: Oh hi, hey, yeah, sorry, not make an eye contact 355 00:17:15,680 --> 00:17:18,919 Speaker 2: kind of it. Usually I like to, but uh, the 356 00:17:19,000 --> 00:17:22,480 Speaker 2: nature of our podcast. You're in a Honda fit. I 357 00:17:22,640 --> 00:17:24,040 Speaker 2: love you do. 358 00:17:24,359 --> 00:17:27,800 Speaker 4: I came to l A in an fit. Well color shit, 359 00:17:28,400 --> 00:17:31,040 Speaker 4: Oh it's like no, I think it might have been orange. 360 00:17:31,160 --> 00:17:32,440 Speaker 4: Oh okay, yeah, shit. 361 00:17:32,280 --> 00:17:34,920 Speaker 1: Orange like it looked like a little penny. 362 00:17:34,720 --> 00:17:38,080 Speaker 4: Only yeah, like a coppery. I think I could be 363 00:17:38,119 --> 00:17:40,040 Speaker 4: completely wrong, by the way, but I think it was 364 00:17:40,040 --> 00:17:40,520 Speaker 4: a fit. 365 00:17:40,680 --> 00:17:42,280 Speaker 1: And how long ago did you come here? 366 00:17:42,920 --> 00:17:45,919 Speaker 4: I came to LA in July of twenty twelve and 367 00:17:46,000 --> 00:17:49,520 Speaker 4: I was driven by Megan Keister and Alan Strickland Williams. 368 00:17:49,600 --> 00:17:50,560 Speaker 4: Two very funny. 369 00:17:51,080 --> 00:17:54,040 Speaker 1: Yeah, like those I love them. They're so funny. And 370 00:17:54,080 --> 00:17:55,880 Speaker 1: they're dating, which is the greatest. 371 00:17:56,000 --> 00:17:59,840 Speaker 4: They have a hand a fit. I think you guys 372 00:17:59,840 --> 00:18:01,480 Speaker 4: have I think. 373 00:18:01,320 --> 00:18:04,159 Speaker 1: Wait, were either of them City of San Francisco Comics 374 00:18:04,240 --> 00:18:05,320 Speaker 1: or we're just coming back down. 375 00:18:05,400 --> 00:18:07,000 Speaker 4: They're just coming back down and they took me and 376 00:18:07,040 --> 00:18:10,360 Speaker 4: all my stuff, so awesome. Yeah, that's great. 377 00:18:10,760 --> 00:18:13,879 Speaker 1: I really love Megan Keister. She gives me hope for 378 00:18:14,560 --> 00:18:15,840 Speaker 1: girl comedy in the future. 379 00:18:16,080 --> 00:18:17,600 Speaker 2: I sure like her name women. 380 00:18:18,000 --> 00:18:20,120 Speaker 4: Yeah, they prefer the term women. 381 00:18:20,200 --> 00:18:23,359 Speaker 1: The sketch group women like them. God damn it. 382 00:18:23,520 --> 00:18:26,280 Speaker 2: You're a part of the problem, Karen. I know, it's 383 00:18:26,320 --> 00:18:33,639 Speaker 2: so ironic because you are a comedian, comedian. 384 00:18:33,400 --> 00:18:39,960 Speaker 4: Comedian like Raggedy Ann, Raggedy Andy, comedian Andy. He's a comedian, Andy, Chris. 385 00:18:39,960 --> 00:18:42,840 Speaker 1: What's the difference between San Francisco and Los Angeles? 386 00:18:42,920 --> 00:18:45,760 Speaker 4: Yes, Oh, like it's like three hundred miles away. 387 00:18:45,920 --> 00:18:46,320 Speaker 1: Uh huh. 388 00:18:46,520 --> 00:18:48,439 Speaker 2: Yeah, so it's more north. 389 00:18:48,560 --> 00:18:49,879 Speaker 4: Yeah, it's further north. 390 00:18:50,080 --> 00:18:53,719 Speaker 2: And San Francisco politically. 391 00:18:53,520 --> 00:18:58,280 Speaker 4: Yeah, I well, I mean it's so much more compact. 392 00:18:58,400 --> 00:19:05,080 Speaker 4: It's like seven by seven miles, and public transportation is 393 00:19:05,920 --> 00:19:08,800 Speaker 4: used by everyone. You're down in the streets, you're around people, 394 00:19:08,880 --> 00:19:10,040 Speaker 4: You're not so isolated. 395 00:19:10,320 --> 00:19:13,120 Speaker 2: Yes, you're really It sounds like you really prefer San 396 00:19:13,119 --> 00:19:14,600 Speaker 2: Francisco to Los Angeles. 397 00:19:14,600 --> 00:19:16,199 Speaker 4: Well, those are the things I miss about it. I 398 00:19:16,200 --> 00:19:19,120 Speaker 4: don't know I like la I don't know that I've 399 00:19:19,160 --> 00:19:21,200 Speaker 4: fallen in love with it. And I don't know what 400 00:19:21,240 --> 00:19:23,080 Speaker 4: I would say that I like about it to someone. 401 00:19:23,240 --> 00:19:25,480 Speaker 2: It's that's understandable. 402 00:19:25,520 --> 00:19:26,320 Speaker 1: Don't fall in love. 403 00:19:26,480 --> 00:19:28,840 Speaker 2: Don't. Don't If you fall in love with this city, 404 00:19:28,880 --> 00:19:29,800 Speaker 2: it makes you harsh. 405 00:19:29,920 --> 00:19:31,600 Speaker 1: She'll break your heart twice. 406 00:19:31,680 --> 00:19:34,239 Speaker 2: Yeah, the minute you're in love, she turns on you. 407 00:19:34,960 --> 00:19:36,760 Speaker 4: Have you guys been through something? 408 00:19:37,040 --> 00:19:40,720 Speaker 1: Also, it's I don't I think there's nothing to love 409 00:19:40,760 --> 00:19:44,199 Speaker 1: on purpose, Like I think people keep it lucy goosey 410 00:19:44,280 --> 00:19:46,840 Speaker 1: so that people leave because there's too many people here. 411 00:19:47,400 --> 00:19:49,399 Speaker 4: I just tell people, like when people are thinking of 412 00:19:49,440 --> 00:19:53,280 Speaker 4: moving or whatever, I say like, yeah, you should. A 413 00:19:53,280 --> 00:19:54,919 Speaker 4: lot of people that have moved here or seem to 414 00:19:54,920 --> 00:19:58,520 Speaker 4: really like it. I really don't know what to say. 415 00:20:00,040 --> 00:20:02,520 Speaker 4: I'm like, yeah, the weather's nice, and a lot of 416 00:20:02,560 --> 00:20:04,240 Speaker 4: the other people who've moved here from where you're from 417 00:20:04,320 --> 00:20:08,000 Speaker 4: really enjoy it. Yeah, so you probably will too. 418 00:20:08,600 --> 00:20:11,359 Speaker 1: And what you're not saying is there's this kind of 419 00:20:12,040 --> 00:20:15,120 Speaker 1: a psychic miasma you're about to enter into that you 420 00:20:15,280 --> 00:20:18,360 Speaker 1: can't understand and won't, but you will just be in it. 421 00:20:18,680 --> 00:20:20,440 Speaker 1: And that's what living in la is all about. 422 00:20:21,040 --> 00:20:22,359 Speaker 4: If I had thought of that, I would have just 423 00:20:22,359 --> 00:20:24,639 Speaker 4: said that, would you, Yeah, it's not that I'm not 424 00:20:24,840 --> 00:20:25,400 Speaker 4: saying that. 425 00:20:25,640 --> 00:20:27,120 Speaker 2: Would you say psychics? 426 00:20:28,200 --> 00:20:29,679 Speaker 1: Sorry, I don't know what that is. 427 00:20:29,760 --> 00:20:32,399 Speaker 4: That's one of the semi that's one of them semiculon words. 428 00:20:32,520 --> 00:20:36,119 Speaker 1: It is cat org I bet and you looked it 429 00:20:36,200 --> 00:20:38,120 Speaker 1: up and it doesn't mean anything. But I just meant 430 00:20:38,119 --> 00:20:40,720 Speaker 1: it as like when you're just having this is the 431 00:20:40,800 --> 00:20:42,960 Speaker 1: kind of place where you, if you are a certain 432 00:20:43,000 --> 00:20:45,840 Speaker 1: kind of person, you will doubt everything about yourself. 433 00:20:46,040 --> 00:20:47,200 Speaker 4: Oh I'm that kind of person. 434 00:20:47,359 --> 00:20:49,840 Speaker 1: Yeah, I think most people are, unless you're I just. 435 00:20:49,800 --> 00:20:51,640 Speaker 4: Referred to it as negative ions. 436 00:20:53,600 --> 00:20:54,879 Speaker 1: That's what people on the West Side do. 437 00:20:55,040 --> 00:20:58,760 Speaker 2: I just call it rods and cones firing. That's your eyes. 438 00:20:59,840 --> 00:21:04,960 Speaker 2: I like San Franny. I did my comedy album there 439 00:21:05,320 --> 00:21:10,920 Speaker 2: and I found that that city is very, of course liberal, 440 00:21:11,000 --> 00:21:15,400 Speaker 2: which I like. I'm a liberal person. I like when 441 00:21:15,440 --> 00:21:18,080 Speaker 2: people are open minded, but I felt like during a 442 00:21:18,080 --> 00:21:22,280 Speaker 2: lot of jokes there, I would get groans if something 443 00:21:22,560 --> 00:21:27,679 Speaker 2: was even touching on something that you know, liberal folks 444 00:21:27,680 --> 00:21:30,639 Speaker 2: are known are supposed to be a trigger to where 445 00:21:30,720 --> 00:21:34,159 Speaker 2: they're reacting and kind of being closed minded as a result. 446 00:21:34,600 --> 00:21:36,960 Speaker 2: So they're so liberal they're being conservative. 447 00:21:37,359 --> 00:21:39,280 Speaker 4: I see that happening where it's a lot of like 448 00:21:40,200 --> 00:21:43,320 Speaker 4: it's they would rather it's like throwing out the baby 449 00:21:43,359 --> 00:21:45,480 Speaker 4: with the bathwater kind of thing, right, No, there's no 450 00:21:45,520 --> 00:21:47,200 Speaker 4: attention to contact sometimes. 451 00:21:47,480 --> 00:21:49,120 Speaker 2: Yeah, so it's. 452 00:21:49,000 --> 00:21:52,560 Speaker 4: Like, oh, you're talking about this at all, so it 453 00:21:52,640 --> 00:21:54,120 Speaker 4: must be in a way that it's going to offend 454 00:21:54,160 --> 00:21:57,760 Speaker 4: my sensibilities. Exact comedians are patently offensive or something. 455 00:21:58,040 --> 00:22:00,840 Speaker 1: Well, and also those people that have themselves to be 456 00:22:00,920 --> 00:22:03,880 Speaker 1: the police of everybody else. There's lots of police people 457 00:22:04,000 --> 00:22:06,360 Speaker 1: up there that are like, oh, you clearly don't know 458 00:22:06,440 --> 00:22:08,120 Speaker 1: that that's not the way we do it here. 459 00:22:10,160 --> 00:22:12,160 Speaker 2: And then if you do a show of hands here 460 00:22:12,359 --> 00:22:16,080 Speaker 2: who here likes San Francisco, Everyone's like yay because they 461 00:22:16,280 --> 00:22:19,560 Speaker 2: the houses and it's pretty and there's public transit and 462 00:22:19,600 --> 00:22:22,560 Speaker 2: people are nice. But if you go there, they're like boo, 463 00:22:22,960 --> 00:22:23,720 Speaker 2: we hate la. 464 00:22:24,000 --> 00:22:24,200 Speaker 1: Yeah. 465 00:22:24,240 --> 00:22:25,560 Speaker 2: I never understood that. 466 00:22:25,480 --> 00:22:28,280 Speaker 1: It's because LA doesn't give a shit about flee Cisco. Yeah, 467 00:22:28,320 --> 00:22:31,320 Speaker 1: I guess, and Sancisco, Like when I lived there, everyone 468 00:22:31,440 --> 00:22:35,439 Speaker 1: feared living there. There's a lot of fear involved, at 469 00:22:35,520 --> 00:22:37,679 Speaker 1: least for me. But then there's it's also the thing 470 00:22:37,680 --> 00:22:39,879 Speaker 1: that they're so superficial and this and this and this, 471 00:22:40,000 --> 00:22:42,520 Speaker 1: and it's like, well, basically, it's like it's like trying 472 00:22:42,560 --> 00:22:46,159 Speaker 1: to say the big leagues in baseball, are they're just 473 00:22:46,359 --> 00:22:47,200 Speaker 1: using you or whatever? 474 00:22:47,520 --> 00:22:48,879 Speaker 4: I mean, are you taking about the one like the 475 00:22:48,880 --> 00:22:52,600 Speaker 4: one way rivalry between Yes, Okay, yeah I got lost 476 00:22:52,640 --> 00:22:55,440 Speaker 4: for a second, but I totally see that for sure. 477 00:22:55,600 --> 00:22:57,000 Speaker 2: Yeah, yeah, there's a one way. 478 00:22:57,520 --> 00:23:01,359 Speaker 4: But I I don't know, it's it's weird comedically, I 479 00:23:01,359 --> 00:23:07,040 Speaker 4: feel like I have been having to adjust because audiences 480 00:23:07,040 --> 00:23:09,119 Speaker 4: are a lot more patient up there though. For sure. 481 00:23:09,359 --> 00:23:13,120 Speaker 2: Yeah, I think you'll find while you're in New York 482 00:23:13,800 --> 00:23:17,240 Speaker 2: patients will be given to you. Yeah, and you'll love it. 483 00:23:17,600 --> 00:23:19,720 Speaker 4: But I don't know. I mean, i'd like to, you know, 484 00:23:19,760 --> 00:23:23,040 Speaker 4: I want to be good performing in both kinds of places. 485 00:23:23,119 --> 00:23:25,840 Speaker 2: Yeah, none of these none of these shitholes are Boise, Idaho. 486 00:23:26,040 --> 00:23:28,080 Speaker 2: That's the best place you could ever tell jokes. 487 00:23:28,200 --> 00:23:28,640 Speaker 1: Is that true? 488 00:23:28,720 --> 00:23:32,360 Speaker 2: Be town I used to like, I don't know, I'm 489 00:23:32,440 --> 00:23:37,280 Speaker 2: kind of kidding, but there are random little non city 490 00:23:37,560 --> 00:23:41,920 Speaker 2: spots that are really terrific to format. That's all I'm saying. Yeah, 491 00:23:42,359 --> 00:23:43,800 Speaker 2: defending the old road. 492 00:23:43,880 --> 00:23:45,200 Speaker 4: Bloomington is really fun. 493 00:23:45,920 --> 00:23:46,200 Speaker 2: Yeah. 494 00:23:46,400 --> 00:23:49,440 Speaker 4: No, smaller town, but I mean those are like college place. 495 00:23:49,560 --> 00:23:52,840 Speaker 2: Yeah. Yeah. Madison is one of my favorite places. It's 496 00:23:52,920 --> 00:23:56,080 Speaker 2: just like, look at all these happy young people that 497 00:23:56,119 --> 00:24:00,320 Speaker 2: are like the people I grew up around being a Montana. 498 00:24:00,880 --> 00:24:03,760 Speaker 1: Every show I've ever done in Canada has been incredible. 499 00:24:03,920 --> 00:24:08,320 Speaker 2: Isn't Canada just a great trucking greatest? Are you in Canada? Chris? 500 00:24:08,440 --> 00:24:11,920 Speaker 4: I've never been? I uh, I want, I would really 501 00:24:11,960 --> 00:24:15,000 Speaker 4: like to go. I feel like I'm gonna have some 502 00:24:15,080 --> 00:24:16,679 Speaker 4: trouble though, I got it. Do you I like ten 503 00:24:16,760 --> 00:24:19,479 Speaker 4: years ago? Oh okay, and I think they're pretty strict 504 00:24:19,520 --> 00:24:19,840 Speaker 4: on that. 505 00:24:19,920 --> 00:24:23,160 Speaker 2: But after seven years, doesn't it kind of Yeah? 506 00:24:23,200 --> 00:24:26,400 Speaker 1: I think there's a there's an old time lapse thing. 507 00:24:26,720 --> 00:24:30,720 Speaker 4: I'm glad I made that public. Jesus too. 508 00:24:31,760 --> 00:24:34,600 Speaker 2: Out our Canadian. 509 00:24:34,119 --> 00:24:36,199 Speaker 1: Fans, Let's tell them about all the times we've been 510 00:24:36,240 --> 00:24:36,639 Speaker 1: in jail. 511 00:24:37,880 --> 00:24:43,800 Speaker 2: We keep getting tweeted by their border patrol so don't bother. 512 00:24:43,640 --> 00:24:48,000 Speaker 1: Going now they Oh god, they're huge fans of the border. 513 00:24:48,920 --> 00:24:50,360 Speaker 4: I love just the border. 514 00:24:50,520 --> 00:24:53,720 Speaker 2: I love any kind of boundary. Anytime there's an imaginary 515 00:24:53,760 --> 00:24:56,680 Speaker 2: line and I shouldn't cross it, I love it. 516 00:24:56,520 --> 00:24:59,160 Speaker 1: Is you get your blood pumpin, Yeah, get into it. 517 00:24:59,440 --> 00:25:03,040 Speaker 2: Yeah. Oh that line? You mean that one that decides 518 00:25:03,080 --> 00:25:05,400 Speaker 2: which one of us is mice and which is men? 519 00:25:06,240 --> 00:25:08,760 Speaker 2: And then I either I usually don't cross it. 520 00:25:09,840 --> 00:25:11,879 Speaker 4: I like to hop back and forth between the tle 521 00:25:11,960 --> 00:25:15,080 Speaker 4: I'm a mice man, I mean I'm a mouse. 522 00:25:14,920 --> 00:25:17,960 Speaker 2: Man would if I don't want to decide between those 523 00:25:18,000 --> 00:25:20,919 Speaker 2: and I'm a bunny rabbit, And then you just hop around. 524 00:25:21,080 --> 00:25:23,280 Speaker 4: It's kind of like or like a kangaroo would be 525 00:25:23,280 --> 00:25:25,159 Speaker 4: like between the two, right, it kind of looks like 526 00:25:25,200 --> 00:25:28,720 Speaker 4: a mouse looks like you were shaking your head. 527 00:25:28,840 --> 00:25:32,200 Speaker 2: No, like my bunny rabbit. 528 00:25:34,080 --> 00:25:36,520 Speaker 1: That's why I can't be in an improv class. 529 00:25:36,560 --> 00:25:40,160 Speaker 2: So much negation, yell you do no end me quite 530 00:25:40,160 --> 00:25:40,440 Speaker 2: a bit. 531 00:25:44,359 --> 00:25:44,399 Speaker 4: No. 532 00:25:44,520 --> 00:25:47,840 Speaker 1: Actually, I was thinking, man has a phrase. I liked it. 533 00:25:48,920 --> 00:25:52,240 Speaker 1: Something about it that's super appealing. He's a plural singular. 534 00:25:52,600 --> 00:25:53,560 Speaker 4: Yes, it's good. 535 00:25:53,800 --> 00:25:55,639 Speaker 1: Like he's got a lot of mice on him. 536 00:25:55,760 --> 00:25:58,119 Speaker 2: Oh that would be cool because everyone else was just 537 00:25:58,160 --> 00:26:00,000 Speaker 2: thinking of a guy in a suit that just had 538 00:26:00,680 --> 00:26:00,960 Speaker 2: not me. 539 00:26:01,160 --> 00:26:02,560 Speaker 1: I'm super different. 540 00:26:04,000 --> 00:26:07,119 Speaker 2: A man. I'm a mouse man, and he's covered in mice. 541 00:26:07,680 --> 00:26:09,119 Speaker 2: A man made of mice. 542 00:26:09,880 --> 00:26:16,720 Speaker 1: Because a rat king, yes, yeah, do you know what 543 00:26:16,720 --> 00:26:18,879 Speaker 1: a rat king is? You might see a rat king 544 00:26:18,920 --> 00:26:19,760 Speaker 1: while you're in New York? 545 00:26:19,840 --> 00:26:22,280 Speaker 4: What I hope? So, I honestly get so excited when 546 00:26:22,280 --> 00:26:25,480 Speaker 4: I see rats in the subway right, because. 547 00:26:25,680 --> 00:26:28,399 Speaker 2: It's really real. This is New York is real. 548 00:26:28,680 --> 00:26:31,800 Speaker 1: All those movies I saw are real. A rat king 549 00:26:31,920 --> 00:26:35,480 Speaker 1: is when a bunch of rats gets tangled up in 550 00:26:35,520 --> 00:26:37,600 Speaker 1: each other. You've never heard of that? 551 00:26:38,119 --> 00:26:39,760 Speaker 2: You know by their tails? 552 00:26:40,080 --> 00:26:42,520 Speaker 1: Yeah, I guess yeah, they get all stuck together. 553 00:26:42,880 --> 00:26:47,320 Speaker 2: And then it forms a larger like a transformer. 554 00:26:46,960 --> 00:26:49,160 Speaker 1: Into the shape of one big mouth, like. 555 00:26:49,480 --> 00:26:53,200 Speaker 2: One big rat. I forget it's a transformer name. He's 556 00:26:53,240 --> 00:26:57,360 Speaker 2: made up of many robots. Oh nuts, that's what would 557 00:26:57,400 --> 00:26:57,640 Speaker 2: be the. 558 00:26:57,600 --> 00:26:58,840 Speaker 1: Most you watch Transformers. 559 00:26:59,000 --> 00:27:03,000 Speaker 2: No, it turns out none of us. I respect everyone 560 00:27:03,040 --> 00:27:05,959 Speaker 2: in the car for not knowing Optimist Prime. Oh that 561 00:27:06,080 --> 00:27:09,119 Speaker 2: is it is Optimis Prime. Thank you. Yeah, he's like 562 00:27:09,680 --> 00:27:12,760 Speaker 2: he is a robot that is comprised of other robots 563 00:27:12,760 --> 00:27:16,240 Speaker 2: with their own personalities. But then they get together and 564 00:27:16,320 --> 00:27:23,440 Speaker 2: they fight the septicons as one unit, and together they 565 00:27:23,440 --> 00:27:25,359 Speaker 2: can turn into a semi truck. 566 00:27:26,600 --> 00:27:30,560 Speaker 1: Written by a genius boys, stuff is so dumb. 567 00:27:31,560 --> 00:27:31,919 Speaker 4: Rats. 568 00:27:32,960 --> 00:27:36,600 Speaker 1: This is the story about rats, rats into one big rat. 569 00:27:36,720 --> 00:27:40,000 Speaker 2: I think the time I lived in Texas and then 570 00:27:40,040 --> 00:27:46,560 Speaker 2: I would see many armadillos and possums, and possums look 571 00:27:46,600 --> 00:27:48,600 Speaker 2: a lot like a giant rat. So then when you 572 00:27:48,640 --> 00:27:50,520 Speaker 2: go to New York and you finally see a big 573 00:27:50,560 --> 00:27:56,159 Speaker 2: one scurrying on the tracks, it's not as impressive because, hey, 574 00:27:56,600 --> 00:27:59,439 Speaker 2: you're the same guy that's been digging in my plumb garden. 575 00:28:00,720 --> 00:28:01,760 Speaker 1: You're no armadilla. 576 00:28:03,960 --> 00:28:05,760 Speaker 4: Oh yeah, last time I was in New York, there 577 00:28:05,800 --> 00:28:09,359 Speaker 4: was a rat on the subway platform, terrorizing people, and 578 00:28:09,480 --> 00:28:11,800 Speaker 4: in the summertimes when people were in flip flops and stuff, 579 00:28:11,920 --> 00:28:15,200 Speaker 4: just freaking the fuck out running away from this rat. 580 00:28:15,440 --> 00:28:18,040 Speaker 4: And my friend and I were watching, and you know, 581 00:28:18,119 --> 00:28:22,080 Speaker 4: kind of amused at what was going on, and then 582 00:28:22,560 --> 00:28:24,719 Speaker 4: I'm looking at my friend we're talking about it, and 583 00:28:24,760 --> 00:28:27,080 Speaker 4: he just he screamed in my face, and it scared 584 00:28:27,119 --> 00:28:29,160 Speaker 4: me so bad. I just screamed back. And it turned 585 00:28:29,200 --> 00:28:31,399 Speaker 4: out that the rat had like run across his feet 586 00:28:31,840 --> 00:28:35,040 Speaker 4: as we were talking about other people like encountering this rat. 587 00:28:35,920 --> 00:28:39,040 Speaker 1: Then it happened to him. Yeah, that's easy to point 588 00:28:39,080 --> 00:28:39,560 Speaker 1: the finger. 589 00:28:39,840 --> 00:28:40,280 Speaker 4: Yeah, I know. 590 00:28:41,880 --> 00:28:45,200 Speaker 2: And before Karen tells her rat story, I'll tell mine. 591 00:28:45,680 --> 00:28:49,680 Speaker 2: It was Halloween. Halloween. It happened maybe two weeks prior, 592 00:28:50,400 --> 00:28:52,560 Speaker 2: and I had this jack a lantern that I had 593 00:28:52,600 --> 00:28:55,800 Speaker 2: carved and it was just droopy and rotten. 594 00:28:55,760 --> 00:28:56,520 Speaker 4: Ready for fuck. 595 00:28:56,600 --> 00:29:01,360 Speaker 2: It was really ready to just American tie my dick 596 00:29:01,440 --> 00:29:05,280 Speaker 2: into Well you. 597 00:29:08,320 --> 00:29:10,280 Speaker 1: That's why you love Halloween so much. 598 00:29:10,840 --> 00:29:13,040 Speaker 2: And I have a black cat, and my black cat 599 00:29:13,080 --> 00:29:15,720 Speaker 2: was standing there and this is all stuff that you 600 00:29:15,760 --> 00:29:18,520 Speaker 2: see on a Halloween greeting card. I went to pick 601 00:29:18,600 --> 00:29:20,920 Speaker 2: up the jack lantern it's like at time to put 602 00:29:21,040 --> 00:29:24,080 Speaker 2: him in the trash, and my fingers just sunk into 603 00:29:24,080 --> 00:29:26,880 Speaker 2: the side of it a lot like my dick would have. Yeah, 604 00:29:26,920 --> 00:29:32,280 Speaker 2: all right, we had and it ripped, it ripped open, 605 00:29:32,400 --> 00:29:34,400 Speaker 2: and there was a fucking mouse in there. 606 00:29:35,160 --> 00:29:37,920 Speaker 1: And he went and the mouse was having a birthday party. 607 00:29:38,600 --> 00:29:42,040 Speaker 2: Well, nobody was wearing a hat because as he propped up, 608 00:29:42,120 --> 00:29:44,880 Speaker 2: he was wearing the top of the pumpkin like a 609 00:29:44,920 --> 00:29:46,680 Speaker 2: little Jack lannern top hat. 610 00:29:46,960 --> 00:29:49,800 Speaker 1: And then it said happy birthday, grandson, and. 611 00:29:49,840 --> 00:29:53,120 Speaker 2: Right then my cat was like rot and he jumped. 612 00:29:53,240 --> 00:29:57,520 Speaker 2: A black cat jumped in the air and silhouetted in 613 00:29:57,560 --> 00:30:00,400 Speaker 2: front of the moon with a perfect arch mat Yeah, 614 00:30:00,720 --> 00:30:03,560 Speaker 2: also seen on Halloween cards. 615 00:30:04,360 --> 00:30:06,880 Speaker 1: It was much of the story was true my cat. 616 00:30:07,200 --> 00:30:10,720 Speaker 2: Okay. What is true is the mouse was inside there. 617 00:30:10,760 --> 00:30:13,240 Speaker 2: It was not true that the jack lantern was being 618 00:30:13,280 --> 00:30:15,520 Speaker 2: worn like part of a hat. It is true that 619 00:30:15,600 --> 00:30:18,560 Speaker 2: the cat leapt into the air. It is not true 620 00:30:18,600 --> 00:30:22,120 Speaker 2: that he art froze in front of the moon, causing 621 00:30:22,160 --> 00:30:25,440 Speaker 2: a silhouette that beckoned back man, back man. 622 00:30:26,000 --> 00:30:30,040 Speaker 1: Fuck, Who's there's a really good chance that both of 623 00:30:30,160 --> 00:30:32,480 Speaker 1: us every podcast have strokes. 624 00:30:32,800 --> 00:30:35,320 Speaker 2: I think I'm having the heat variety right now. 625 00:30:35,480 --> 00:30:36,520 Speaker 1: Yeah, there's a good chance. 626 00:30:36,600 --> 00:30:38,000 Speaker 2: Why am I wearing layers? 627 00:30:38,400 --> 00:30:39,080 Speaker 1: You always do? 628 00:30:40,600 --> 00:30:44,000 Speaker 2: Anyway, the mouse scared me, and I scared the cat. 629 00:30:44,160 --> 00:30:47,160 Speaker 2: I just like it when cats react in a human 630 00:30:47,200 --> 00:30:50,120 Speaker 2: way to something. The one time my cat walked through 631 00:30:50,120 --> 00:30:53,680 Speaker 2: a spider web and then he stopped and he's like 632 00:30:53,880 --> 00:30:56,280 Speaker 2: h and he was like looking at his podyssey if 633 00:30:56,280 --> 00:30:59,200 Speaker 2: the spider wed was on him, which proved that he 634 00:30:59,280 --> 00:31:01,880 Speaker 2: scared us by And I just I missed that cat 635 00:31:01,960 --> 00:31:03,880 Speaker 2: so much yeah. 636 00:31:03,320 --> 00:31:07,080 Speaker 1: My cat Angus, who's also dead. I used to we 637 00:31:07,160 --> 00:31:09,400 Speaker 1: used to have a trick, like a dog trick. He 638 00:31:09,440 --> 00:31:11,560 Speaker 1: would sit down and if I got a certain distance 639 00:31:11,600 --> 00:31:13,400 Speaker 1: away from him and pointed at him, he would me 640 00:31:13,480 --> 00:31:17,200 Speaker 1: owt And it was he was hilarious. He was so 641 00:31:17,360 --> 00:31:18,120 Speaker 1: not like a cat. 642 00:31:18,280 --> 00:31:19,640 Speaker 2: That's like a dog style trick. 643 00:31:19,720 --> 00:31:20,360 Speaker 4: Yeah that is. 644 00:31:20,720 --> 00:31:22,560 Speaker 1: And it was a trick that he showed me he 645 00:31:22,600 --> 00:31:24,720 Speaker 1: could do like I didn't. I one time was like, 646 00:31:24,760 --> 00:31:27,440 Speaker 1: stop doing that and pointed at him and he mowed 647 00:31:27,480 --> 00:31:29,960 Speaker 1: back like he was assassing me. Oh wow, this is 648 00:31:30,000 --> 00:31:31,240 Speaker 1: the dumbest story I've ever told. 649 00:31:31,520 --> 00:31:33,920 Speaker 4: So he turned it into turned his bad behavior into 650 00:31:33,960 --> 00:31:34,240 Speaker 4: a game. 651 00:31:34,640 --> 00:31:35,840 Speaker 2: Yes, yeah, that's great. 652 00:31:36,040 --> 00:31:38,160 Speaker 1: And then we'd literally at parties be like, come in here, 653 00:31:38,160 --> 00:31:41,920 Speaker 1: I show you this thing. Oh it's so terrible. And 654 00:31:41,960 --> 00:31:43,600 Speaker 1: then uh, and then he died. 655 00:31:44,240 --> 00:31:46,640 Speaker 2: My cat. I didn't want everyone to think my cat's dead. 656 00:31:46,680 --> 00:31:49,040 Speaker 2: He just is in Montana. He's retired at night. 657 00:31:49,200 --> 00:31:50,760 Speaker 1: That's your cat that has feline age. 658 00:31:50,840 --> 00:31:53,240 Speaker 2: Yeah yeah, eight cat eight. 659 00:31:54,360 --> 00:31:55,720 Speaker 4: Wait is he really in Montana? 660 00:31:55,960 --> 00:31:57,640 Speaker 2: Yeah? Yeah, I flew him on an airplane. 661 00:31:57,840 --> 00:31:59,600 Speaker 4: That sounds like a thing that like a parent would 662 00:31:59,600 --> 00:32:08,000 Speaker 4: tell their kid. A farm ranch in Montana can we 663 00:32:08,040 --> 00:32:09,920 Speaker 4: go to Montana? No, there's no way to get there. 664 00:32:11,400 --> 00:32:12,720 Speaker 2: It's all rural. 665 00:32:12,920 --> 00:32:18,320 Speaker 4: You'll go there one day. 666 00:32:16,240 --> 00:32:20,000 Speaker 2: Will That's how everyone if they're like kind of agnostic, 667 00:32:20,160 --> 00:32:23,080 Speaker 2: just tell your kid one day they go to Montana. 668 00:32:23,800 --> 00:32:27,000 Speaker 4: It's weird to think that your cat is a loser. 669 00:32:29,280 --> 00:32:30,600 Speaker 1: He's such a loser. 670 00:32:30,880 --> 00:32:34,400 Speaker 2: Mine's not a loser yet. He's just really really skinny 671 00:32:34,440 --> 00:32:34,840 Speaker 2: and weak. 672 00:32:35,040 --> 00:32:37,120 Speaker 4: We're all we're all losing every day. 673 00:32:37,520 --> 00:32:39,360 Speaker 1: We lose every day. That's why we have to live, 674 00:32:39,520 --> 00:32:40,040 Speaker 1: live live. 675 00:32:40,800 --> 00:32:44,240 Speaker 2: I think we know what the tagline of this episode 676 00:32:44,320 --> 00:32:44,840 Speaker 2: is going to be. 677 00:32:45,440 --> 00:32:48,560 Speaker 4: Fuck off, loser, Kurt dead bitch. 678 00:32:49,800 --> 00:32:53,959 Speaker 1: There's so many possibilities. Chris, what when you go to 679 00:32:53,960 --> 00:32:54,640 Speaker 1: New York. 680 00:32:56,320 --> 00:32:58,200 Speaker 4: One second? Do you think it's indicative of stand up 681 00:32:58,200 --> 00:33:01,200 Speaker 4: temperament to only like quote yourself in the tagline of 682 00:33:01,240 --> 00:33:02,120 Speaker 4: what the episode will be? 683 00:33:02,640 --> 00:33:02,880 Speaker 2: Yes? 684 00:33:03,360 --> 00:33:04,680 Speaker 1: You mean like we all pick our own lines. 685 00:33:04,760 --> 00:33:06,800 Speaker 4: Yeah, we're like, what was my best thing that I said? 686 00:33:06,880 --> 00:33:11,040 Speaker 1: What was the best thing? It's definitely something I said, Mmm. 687 00:33:11,000 --> 00:33:13,400 Speaker 4: I don't know if these other guys said something aids something. 688 00:33:13,400 --> 00:33:16,120 Speaker 2: I liked it when I said Batman or back man 689 00:33:16,200 --> 00:33:18,520 Speaker 2: back man instead of Batman back man. 690 00:33:18,680 --> 00:33:23,680 Speaker 1: YEP, A great night out for you in New York? 691 00:33:24,040 --> 00:33:26,800 Speaker 1: What is it? You're up till four, then you get 692 00:33:26,800 --> 00:33:29,480 Speaker 1: a slice, then you drink twenty five beers? 693 00:33:29,640 --> 00:33:30,800 Speaker 4: Is this the intro to Louis? 694 00:33:31,560 --> 00:33:35,000 Speaker 2: That's what I wanted to fuck you got me. I 695 00:33:35,040 --> 00:33:37,120 Speaker 2: was gonna say another thing from the intro. 696 00:33:38,600 --> 00:33:41,040 Speaker 1: Do you stand at the comedy cellar doing a set 697 00:33:41,080 --> 00:33:42,760 Speaker 1: and touching the back wall with your hand? 698 00:33:43,000 --> 00:33:43,320 Speaker 4: Yeah? 699 00:33:43,520 --> 00:33:47,440 Speaker 2: You you let Todd Berry be grumpy in a scene? Yeah, 700 00:33:47,480 --> 00:33:48,760 Speaker 2: that's right, calling people. 701 00:33:48,520 --> 00:33:50,040 Speaker 1: Out fuck by names. 702 00:33:50,160 --> 00:33:55,200 Speaker 2: Sometimes Tod Berry's grumpy and he's sometimes on Louis. 703 00:33:55,880 --> 00:33:58,240 Speaker 1: Tell me about what you're looking forward to going to 704 00:33:58,280 --> 00:34:00,920 Speaker 1: that city. That's a que I'm trying to get out there. 705 00:34:00,920 --> 00:34:03,760 Speaker 4: I'm trying to figure out what to do. I I'll 706 00:34:03,800 --> 00:34:05,080 Speaker 4: have a lot of I want to do a lot 707 00:34:05,080 --> 00:34:08,000 Speaker 4: of stuff in the daytime because I stopped drinking since 708 00:34:08,040 --> 00:34:10,719 Speaker 4: last time I went there, So like going out at 709 00:34:10,800 --> 00:34:12,920 Speaker 4: night is not as enticing anything because of that. Do 710 00:34:12,960 --> 00:34:15,440 Speaker 4: you want No, that was like ten years ago. Okay, 711 00:34:15,440 --> 00:34:16,759 Speaker 4: I start drinking like a year and a half ago. 712 00:34:17,360 --> 00:34:20,280 Speaker 1: The details, Yeah. 713 00:34:20,160 --> 00:34:23,000 Speaker 4: I appreciate it. I now have to edit that out too. 714 00:34:23,719 --> 00:34:24,400 Speaker 2: No, I'm glad. 715 00:34:24,520 --> 00:34:26,280 Speaker 4: I'm glad I quit drinking that's a theme. 716 00:34:26,560 --> 00:34:29,239 Speaker 2: Well, then go to the park. I it's it's not 717 00:34:29,400 --> 00:34:33,080 Speaker 2: overrated Central Park. I think it's cool that it's there. 718 00:34:33,120 --> 00:34:34,640 Speaker 2: It's really I. 719 00:34:34,600 --> 00:34:35,680 Speaker 4: Want to do. I don't know. I just have a 720 00:34:35,719 --> 00:34:36,840 Speaker 4: bunch of friends that I want to see. I have 721 00:34:36,880 --> 00:34:39,000 Speaker 4: friends that are visiting while I'm out there, which is 722 00:34:39,040 --> 00:34:43,319 Speaker 4: great also convenient for me. I'm excited to do all 723 00:34:43,320 --> 00:34:48,200 Speaker 4: the shows that I'm doing and I actually get mugged. 724 00:34:48,920 --> 00:34:52,080 Speaker 1: Yeah you want. It's so nice there now boring. 725 00:34:53,080 --> 00:34:55,960 Speaker 2: I like new experiences and I've never been stabbed. 726 00:34:57,800 --> 00:34:59,960 Speaker 1: Well, then take the train to one hundred and sixth Street. 727 00:35:00,880 --> 00:35:04,400 Speaker 2: Is that the l I don't know. I like to pretend. 728 00:35:04,480 --> 00:35:09,279 Speaker 2: I know. Oh, on thirty eighth and thirty ninth, that 729 00:35:09,400 --> 00:35:13,560 Speaker 2: corner Avenue and straight not Boulevard. 730 00:35:14,360 --> 00:35:16,680 Speaker 1: I really when I lived there, which was a couple 731 00:35:16,640 --> 00:35:18,680 Speaker 1: of years ago, but and for a short amount of time. 732 00:35:18,719 --> 00:35:21,520 Speaker 1: But I really, I just love that city so much. 733 00:35:22,080 --> 00:35:24,359 Speaker 1: It's such it feels like fun things are happening when 734 00:35:24,480 --> 00:35:27,080 Speaker 1: nothing's happening at all. Yeah, which it's the opposite of. 735 00:35:27,120 --> 00:35:30,040 Speaker 2: La It's just a bunch of people rushing to grab 736 00:35:30,200 --> 00:35:32,759 Speaker 2: groceries at the last minute. But it just if you 737 00:35:32,840 --> 00:35:34,680 Speaker 2: glance over it them. They're all solving crimes. 738 00:35:34,800 --> 00:35:38,320 Speaker 1: You're like Broadway Broadway, but you're just at CBS. 739 00:35:38,440 --> 00:35:42,440 Speaker 4: Last time I went there, there was like a line 740 00:35:42,480 --> 00:35:45,239 Speaker 4: to get into Trader Joe's with like a one in, 741 00:35:45,320 --> 00:35:49,320 Speaker 4: one out policy, like a bouncer. I was like trying 742 00:35:49,360 --> 00:35:51,239 Speaker 4: to go to Trader Joe's. But I saw that. 743 00:35:51,600 --> 00:35:55,360 Speaker 2: Oh wow, you know what, I've heard that about Trader 744 00:35:55,440 --> 00:35:57,960 Speaker 2: Joe's there. That's like a common thing. 745 00:35:58,320 --> 00:35:59,680 Speaker 4: They so weird. 746 00:36:00,040 --> 00:36:01,879 Speaker 2: I get that. Yeah, one in, one out. 747 00:36:01,960 --> 00:36:04,680 Speaker 4: Yeah, it makes a lot like sunders to go there 748 00:36:05,160 --> 00:36:08,239 Speaker 4: that it makes me feel so ashamed that I shot there. 749 00:36:08,480 --> 00:36:11,279 Speaker 4: Oh no, god, it feels like a cult, you know. 750 00:36:11,400 --> 00:36:13,120 Speaker 4: I mean it feels like that. 751 00:36:13,160 --> 00:36:15,560 Speaker 2: Everyone there's happy and wearing a Hawaiian shirt. 752 00:36:15,719 --> 00:36:18,440 Speaker 1: Yeah, it's just what's the thing you always get the 753 00:36:18,480 --> 00:36:21,000 Speaker 1: Trader Joe's item made by Trader Joe's that you always 754 00:36:21,040 --> 00:36:23,920 Speaker 1: get like some kind of an empanada. 755 00:36:24,160 --> 00:36:27,279 Speaker 4: Or I actually eat pretty boring at Trader Joe's. It's 756 00:36:27,320 --> 00:36:30,560 Speaker 4: always like raw unsalted nuts. 757 00:36:32,600 --> 00:36:32,880 Speaker 1: Happy. 758 00:36:33,480 --> 00:36:36,480 Speaker 4: Yeah, it's never really like it's not fun snacks anymore. 759 00:36:36,520 --> 00:36:39,640 Speaker 4: Oh you know what, though, there's a there's like these 760 00:36:40,120 --> 00:36:46,920 Speaker 4: rosemary raisin crackers that are like they sound bad, but 761 00:36:47,160 --> 00:36:50,520 Speaker 4: it's hard to eat. Not a whole box in one sitting. Wow, 762 00:36:50,760 --> 00:36:55,880 Speaker 4: they're really like tread the line between sweet and savory. Ah, 763 00:36:56,000 --> 00:36:57,239 Speaker 4: they're so fucking good. 764 00:36:57,360 --> 00:36:59,240 Speaker 2: That's a line I do like to cross. 765 00:37:00,480 --> 00:37:01,160 Speaker 4: That's a border. 766 00:37:01,200 --> 00:37:05,200 Speaker 2: I am familiar with sweet and savory state line. 767 00:37:05,520 --> 00:37:07,200 Speaker 4: I will go into mice territory. 768 00:37:07,440 --> 00:37:09,600 Speaker 2: I'm sheriff of both these counties. 769 00:37:10,440 --> 00:37:14,920 Speaker 1: Raisins and rosemary sounds like, yeah, so you want stuffed quail, 770 00:37:15,040 --> 00:37:17,200 Speaker 1: but you don't want to deal with the bird itself. 771 00:37:18,080 --> 00:37:19,319 Speaker 1: Here's all the shit you love. 772 00:37:19,680 --> 00:37:22,279 Speaker 2: Is it raisin flavored or is there raisins in it? 773 00:37:22,360 --> 00:37:23,600 Speaker 4: There's little raisins. 774 00:37:23,680 --> 00:37:27,120 Speaker 1: Oh wow, maybe we need to have a trader. Joe's 775 00:37:27,160 --> 00:37:31,120 Speaker 1: my favorite item. Party fun and that's all that's there. 776 00:37:31,320 --> 00:37:32,000 Speaker 4: They're so good. 777 00:37:32,080 --> 00:37:33,560 Speaker 1: Then you have to defend what you brought. 778 00:37:34,080 --> 00:37:36,279 Speaker 4: I'm looking at pictures right now, and you are. 779 00:37:36,400 --> 00:37:37,920 Speaker 2: You're looking at My mouth is. 780 00:37:37,920 --> 00:37:41,200 Speaker 4: Watering, So I think you gotta give them a chance. 781 00:37:41,440 --> 00:37:44,520 Speaker 1: Okay, Sharen, you have pictures of those crackers on your fee. 782 00:37:44,560 --> 00:37:46,520 Speaker 2: You just brought them up. They're jpeggs. 783 00:37:47,280 --> 00:37:49,680 Speaker 4: Their gifts actually animated gifts. 784 00:37:49,719 --> 00:37:51,799 Speaker 1: It's you really fascinating those. 785 00:37:53,280 --> 00:37:56,280 Speaker 4: It's the time lapse of them being baked into perfection. 786 00:37:56,800 --> 00:37:59,920 Speaker 2: By little keydler Ill. That used to work for Keith, 787 00:38:00,160 --> 00:38:01,160 Speaker 2: but now they work for Trader. 788 00:38:01,320 --> 00:38:03,640 Speaker 4: I think they still probably work for Keebler and then 789 00:38:03,880 --> 00:38:07,320 Speaker 4: Trader Joe's buys a bowl, come out and then re labels. 790 00:38:07,600 --> 00:38:08,319 Speaker 1: That's their trick. 791 00:38:08,560 --> 00:38:10,120 Speaker 2: That is what they do, right, They do that with 792 00:38:10,239 --> 00:38:15,279 Speaker 2: tequila and stuff. You can get tequila. They do that. 793 00:38:15,320 --> 00:38:19,160 Speaker 4: But there, but like I sincerely did that. But that 794 00:38:19,280 --> 00:38:22,719 Speaker 4: is like a real morning radio thing to do. I guess, yeah, 795 00:38:22,880 --> 00:38:25,560 Speaker 4: just like yo, what's the relevant sort of cultural reference 796 00:38:25,600 --> 00:38:25,840 Speaker 4: to that? 797 00:38:26,200 --> 00:38:34,239 Speaker 2: Yeah, tequila? From this point forward, let's act like we 798 00:38:34,360 --> 00:38:36,880 Speaker 2: have a little sample button for those moments. 799 00:38:37,040 --> 00:38:44,400 Speaker 4: Oh, I'm so glad we're close to the airport. 800 00:38:43,680 --> 00:38:47,520 Speaker 1: Wait, why is that guy selling flowers? Is it a holiday? 801 00:38:47,560 --> 00:38:47,960 Speaker 1: Coming up? 802 00:38:49,960 --> 00:38:50,920 Speaker 2: Holiday? 803 00:38:51,239 --> 00:39:02,880 Speaker 4: Yeah? Make time, it's a different time on purpose. You 804 00:39:02,920 --> 00:39:05,360 Speaker 4: can't celebrate a holiday, Karen, for's sake. 805 00:39:05,239 --> 00:39:07,320 Speaker 1: Come on, good times. 806 00:39:07,400 --> 00:39:13,239 Speaker 2: Oh that didn't get enough laughter, tell a great good time? 807 00:39:13,360 --> 00:39:18,480 Speaker 2: Wrong song o God? Why is that what I enjoy it? 808 00:39:19,000 --> 00:39:20,880 Speaker 2: At age forty almost. 809 00:39:21,920 --> 00:39:24,200 Speaker 1: It's always fun to ship on your friends. 810 00:39:24,520 --> 00:39:24,960 Speaker 2: It is. 811 00:39:25,080 --> 00:39:27,480 Speaker 4: We're friends, Chris. 812 00:39:27,520 --> 00:39:29,520 Speaker 1: Not only were we friends, but I would like to 813 00:39:29,520 --> 00:39:36,040 Speaker 1: brag that Chris is one of my first real Twitter friends. Yeah, 814 00:39:36,239 --> 00:39:42,080 Speaker 1: we met on Twitter. I knew followed him and your 815 00:39:42,120 --> 00:39:46,040 Speaker 1: picture got me. Your picture sold me outright, which his 816 00:39:46,200 --> 00:39:49,440 Speaker 1: picture is this weird thing. It's so crazy, like all 817 00:39:49,480 --> 00:39:50,480 Speaker 1: your hairs brushed. 818 00:39:50,239 --> 00:39:53,359 Speaker 4: Down, toure of me, Karen, But you look like your eyes, 819 00:39:54,080 --> 00:39:56,400 Speaker 4: you look like I was actually singing in that photo. 820 00:39:56,520 --> 00:39:57,000 Speaker 1: Were you really? 821 00:39:57,200 --> 00:39:59,440 Speaker 4: Yeah, I'm in a photo booth in Berlin, not bragging, 822 00:39:59,520 --> 00:40:03,520 Speaker 4: and and I was singing a Temptation song and I 823 00:40:03,600 --> 00:40:05,600 Speaker 4: just had it take pictures of me while I was singing. Oh, 824 00:40:05,920 --> 00:40:07,839 Speaker 4: you look like I was really feeling it. 825 00:40:08,160 --> 00:40:10,719 Speaker 1: And then you did something about a guy on a 826 00:40:10,760 --> 00:40:12,799 Speaker 1: motorcycle peeling out that made me laugh. 827 00:40:13,120 --> 00:40:14,200 Speaker 4: Yeah, and then. 828 00:40:14,080 --> 00:40:16,080 Speaker 1: We just were friends on Twitter. And then when you 829 00:40:16,320 --> 00:40:17,040 Speaker 1: came here. 830 00:40:17,360 --> 00:40:20,040 Speaker 4: You took me out to breakfast to breakfast and I 831 00:40:20,080 --> 00:40:21,480 Speaker 4: had a fried chicken and waffles. 832 00:40:21,760 --> 00:40:23,920 Speaker 1: I did so many bits with your face to me. 833 00:40:24,400 --> 00:40:25,520 Speaker 1: It's so enjoyable. 834 00:40:25,680 --> 00:40:25,839 Speaker 2: Yeah. 835 00:40:25,880 --> 00:40:29,080 Speaker 4: I kept pretending to having trouble finding the straw in 836 00:40:29,160 --> 00:40:33,680 Speaker 4: my drink without looking at it, like a lot of times. 837 00:40:34,000 --> 00:40:36,239 Speaker 4: And actually I remember this. At the time, you were 838 00:40:36,320 --> 00:40:38,080 Speaker 4: like I was about to start working on the pilot 839 00:40:38,120 --> 00:40:41,399 Speaker 4: for the show, and you were like, I'm a big 840 00:40:41,440 --> 00:40:44,520 Speaker 4: fan of Pete's. If anything ever opens up, let me know. 841 00:40:45,440 --> 00:40:48,200 Speaker 4: And it's really interesting that you wound up became full 842 00:40:48,200 --> 00:40:49,399 Speaker 4: circle ended up working on the show. 843 00:40:49,560 --> 00:40:52,360 Speaker 1: I know that was actually very exciting to me because 844 00:40:53,040 --> 00:40:55,360 Speaker 1: I went you got me into that pilot taping that 845 00:40:55,440 --> 00:40:58,239 Speaker 1: I went to think Matt Kneedson was with me and 846 00:40:58,320 --> 00:41:01,840 Speaker 1: who we saw last night, and and I watched that 847 00:41:01,920 --> 00:41:03,160 Speaker 1: thing and I was like, Oh, I want to be 848 00:41:03,200 --> 00:41:05,160 Speaker 1: on a so bad. This is all I know, all 849 00:41:05,160 --> 00:41:06,880 Speaker 1: these things, this is what I do, and this is 850 00:41:06,920 --> 00:41:08,560 Speaker 1: what I know how to do. And then like a 851 00:41:08,640 --> 00:41:11,320 Speaker 1: year later, my agent's like, hey, do you want to 852 00:41:11,320 --> 00:41:12,960 Speaker 1: go in for the Petle Show? And I was just 853 00:41:13,000 --> 00:41:17,280 Speaker 1: like that secret even though I didn't make a vision 854 00:41:17,280 --> 00:41:19,440 Speaker 1: board or try at all, I just was like, I 855 00:41:19,560 --> 00:41:21,080 Speaker 1: want that one time. 856 00:41:21,600 --> 00:41:25,879 Speaker 2: I keep imagining Chris doing that straw thing. Yeah, work 857 00:41:25,920 --> 00:41:26,919 Speaker 2: on the Pete Holmes Show. 858 00:41:27,200 --> 00:41:30,239 Speaker 1: So do you feel alienated just now? 859 00:41:30,440 --> 00:41:30,760 Speaker 4: Well? 860 00:41:30,880 --> 00:41:34,200 Speaker 2: I mean you guys could talk about stuff. I like, we. 861 00:41:34,160 --> 00:41:35,719 Speaker 1: Already talked about mice men. 862 00:41:36,239 --> 00:41:44,120 Speaker 2: Okay. My brother in law's a fireman and he went 863 00:41:44,200 --> 00:41:47,960 Speaker 2: to a wedding like in Washington somewhere, and one of 864 00:41:48,000 --> 00:41:51,560 Speaker 2: the Foo Fighters was there, I think the least popular, 865 00:41:52,040 --> 00:41:54,480 Speaker 2: the one that's always smiling in their videos, face player, 866 00:41:54,920 --> 00:41:57,799 Speaker 2: and my brother in law went up and said, hey, 867 00:41:59,080 --> 00:42:02,359 Speaker 2: you're a food fighter. I'm a firefighter, and the guy 868 00:42:02,520 --> 00:42:04,879 Speaker 2: he was just staring at him, and then he tried 869 00:42:04,920 --> 00:42:07,279 Speaker 2: to do that thing with his straw where he wasn't 870 00:42:07,320 --> 00:42:11,480 Speaker 2: looking at it, and went up. He knows so badly 871 00:42:11,520 --> 00:42:13,800 Speaker 2: that when he pulled it out it's it started bleeding. 872 00:42:15,719 --> 00:42:18,080 Speaker 2: And then the food fighter guys like, oh wow, you're 873 00:42:18,280 --> 00:42:20,360 Speaker 2: you're bleeding and he ran to get napkin. He was 874 00:42:20,400 --> 00:42:24,240 Speaker 2: like first respond sponder or whatever he like, gave him napkins. 875 00:42:24,280 --> 00:42:25,560 Speaker 4: He's a firefighter, now. 876 00:42:25,560 --> 00:42:27,919 Speaker 2: Yeah, exactly, that's right. 877 00:42:28,080 --> 00:42:36,280 Speaker 1: Who's the fire said, that's embarrassing. Story? 878 00:42:36,320 --> 00:42:39,640 Speaker 2: Now I just did a sound sample. 879 00:42:41,520 --> 00:42:42,640 Speaker 1: You say a songscape? 880 00:42:42,840 --> 00:42:45,440 Speaker 2: A songscape? I pushed another songscape. 881 00:42:46,239 --> 00:42:47,920 Speaker 1: Do you want me to tell my girls story? 882 00:42:48,040 --> 00:42:49,439 Speaker 2: I do? I do, I really do. 883 00:42:49,600 --> 00:42:52,000 Speaker 1: I find it on podcasts if you ask permission to 884 00:42:52,040 --> 00:42:56,640 Speaker 1: tell stories, it really gums up the rhythm. So that's 885 00:42:56,640 --> 00:43:02,440 Speaker 1: what I do all the time. When I worked on 886 00:43:02,880 --> 00:43:05,400 Speaker 1: the Whitney Cummings talk show, Love you mean. 887 00:43:05,280 --> 00:43:09,120 Speaker 2: It a bigger. 888 00:43:09,800 --> 00:43:14,560 Speaker 1: Being Berlin Dave Grohl was co hosting or was guest 889 00:43:14,560 --> 00:43:18,120 Speaker 1: hosting Chelsea Lately. So he was upstairs writing with the writers, 890 00:43:18,160 --> 00:43:20,120 Speaker 1: and he came down to say hi to Whitney because 891 00:43:20,120 --> 00:43:23,000 Speaker 1: they're friends. And he walked into our writer's room and 892 00:43:23,000 --> 00:43:24,560 Speaker 1: looked around and said hi to everybody, and then he 893 00:43:24,600 --> 00:43:28,200 Speaker 1: looked at me and goes, it's you. And I was 894 00:43:28,280 --> 00:43:29,840 Speaker 1: like just staring at him, and he goes, it's you, 895 00:43:30,000 --> 00:43:34,040 Speaker 1: the girl with the thing doing a guitar gesture, And 896 00:43:34,640 --> 00:43:37,520 Speaker 1: come to find out, I literally got dizzy because, like 897 00:43:37,680 --> 00:43:39,680 Speaker 1: Nirvana was a very big deal to me. I was 898 00:43:39,880 --> 00:43:42,080 Speaker 1: completely in that generation. 899 00:43:42,160 --> 00:43:44,239 Speaker 2: It was like eighteen everyone worships day. 900 00:43:44,320 --> 00:43:45,920 Speaker 4: I am still hoping they'll do a reunion tour. 901 00:43:46,200 --> 00:43:51,440 Speaker 1: He's amazing. He's amazing, and he's more amazing in real life. 902 00:43:51,360 --> 00:43:53,000 Speaker 4: Yeah, only when he recognizes you. 903 00:43:53,719 --> 00:43:56,040 Speaker 1: Yeah, it's pretty good. Was I supposed to go in there? 904 00:43:56,719 --> 00:44:01,719 Speaker 1: I was, Girl, we're lost, We're lost. 905 00:44:02,480 --> 00:44:04,879 Speaker 2: She's driving directly to Dave, girl's beach house. 906 00:44:06,320 --> 00:44:08,279 Speaker 4: If you're listening to this next week, I'm still in LA. 907 00:44:08,440 --> 00:44:10,040 Speaker 4: Don't go to my shows in. 908 00:44:10,000 --> 00:44:12,400 Speaker 1: New York's rude. 909 00:44:12,440 --> 00:44:15,480 Speaker 2: Do not go to a few times to UCBS yet? 910 00:44:16,160 --> 00:44:18,080 Speaker 4: Wait, so he what was the rest of the story. 911 00:44:18,239 --> 00:44:22,000 Speaker 1: Sorry, no, it's all right. I feel stupid for telling it. No, 912 00:44:22,160 --> 00:44:24,000 Speaker 1: he just recognized he apparently. 913 00:44:24,000 --> 00:44:27,360 Speaker 4: Sorry we made you bring it up because. 914 00:44:27,120 --> 00:44:29,200 Speaker 1: You always think things are gonna work out, don't you. 915 00:44:29,280 --> 00:44:33,560 Speaker 2: Yeah, well you hope they do time. It's more important 916 00:44:33,560 --> 00:44:34,879 Speaker 2: than Karen. They don't. 917 00:44:36,600 --> 00:44:38,280 Speaker 1: And sometimes you know enough to bail. 918 00:44:45,000 --> 00:44:49,719 Speaker 4: Wait, go ahead, we all want to hear the rest 919 00:44:49,719 --> 00:44:50,640 Speaker 4: of the story. 920 00:44:50,920 --> 00:44:53,040 Speaker 1: On the Food Fighters tour bus. They used to watch 921 00:44:53,080 --> 00:44:56,520 Speaker 1: the Girls Guitar Club short film. He recognized me from. 922 00:44:56,640 --> 00:45:00,280 Speaker 2: That's funny because I saw that short film in the 923 00:45:00,280 --> 00:45:02,800 Speaker 2: green room at the left stop in like two thousand 924 00:45:02,840 --> 00:45:04,120 Speaker 2: and two before. 925 00:45:03,880 --> 00:45:07,839 Speaker 1: We knew each other. Yeah, so there you goucking Mark 926 00:45:07,960 --> 00:45:10,440 Speaker 1: Mark Babbitt. God bless that man. Yeah, he did a 927 00:45:10,440 --> 00:45:12,000 Speaker 1: lot for me, and God rest his soul. 928 00:45:12,480 --> 00:45:16,800 Speaker 4: He Also, he's in Montana now celebrity copies. But he 929 00:45:16,880 --> 00:45:17,120 Speaker 4: has to. 930 00:45:17,080 --> 00:45:17,879 Speaker 1: Put him down in. 931 00:45:19,680 --> 00:45:20,880 Speaker 2: It's not true. 932 00:45:21,840 --> 00:45:23,839 Speaker 4: I don't know who he is. Also, if he's if 933 00:45:23,880 --> 00:45:25,839 Speaker 4: he books shows, I would love to perform at. 934 00:45:26,040 --> 00:45:28,640 Speaker 2: I think he's in the hotel business, now go ahead 935 00:45:28,640 --> 00:45:29,200 Speaker 2: and talk shit. 936 00:45:29,320 --> 00:45:31,319 Speaker 4: If he books hotel rooms, I would love to stay 937 00:45:31,360 --> 00:45:32,120 Speaker 4: in the hotel to day. 938 00:45:32,239 --> 00:45:36,160 Speaker 2: And I think he repairs them with him, and he's like, 939 00:45:36,760 --> 00:45:41,319 Speaker 2: I'm kind of out of the comedy Bison biscuits. And 940 00:45:41,360 --> 00:45:44,600 Speaker 2: I looked back and he had like a grout and 941 00:45:44,640 --> 00:45:48,239 Speaker 2: some wallsiding for like you for a hotel room. So 942 00:45:48,360 --> 00:45:50,040 Speaker 2: he was deep in the hotel biz. 943 00:45:50,160 --> 00:45:51,520 Speaker 1: Yeah, he's making it work. 944 00:45:51,640 --> 00:45:54,200 Speaker 2: Once you have pieces of hotel in your back seat, 945 00:45:54,520 --> 00:45:58,760 Speaker 2: you know you're not getting out, you know what I mean? Hm, Karen, 946 00:45:58,800 --> 00:45:59,759 Speaker 2: I'm sorry about the dave. 947 00:46:00,200 --> 00:46:02,120 Speaker 1: No, no, no, I'm I'm sorry. That was all on me. 948 00:46:02,480 --> 00:46:05,120 Speaker 1: There's nothing worse than trying to do a brag and 949 00:46:05,239 --> 00:46:06,359 Speaker 1: just having it flopped there. 950 00:46:06,600 --> 00:46:13,920 Speaker 2: Look a pimp man where he was tall BMW with 951 00:46:14,000 --> 00:46:17,840 Speaker 2: those thin chariot wheels, which is my favorite lowrider wheel. 952 00:46:18,000 --> 00:46:19,880 Speaker 1: Yeah, it's like cool. 953 00:46:20,160 --> 00:46:24,160 Speaker 2: I'm a guess, is this? What is this? 954 00:46:24,840 --> 00:46:26,919 Speaker 4: Derrick's Derek's Jamaican food? 955 00:46:28,239 --> 00:46:29,520 Speaker 2: You know, Derek man. 956 00:46:32,160 --> 00:46:36,400 Speaker 4: No, I'm not in exile from my regular country. I 957 00:46:36,480 --> 00:46:37,560 Speaker 4: did not break the law. 958 00:46:37,760 --> 00:46:43,959 Speaker 2: My name is Derek Johnson. Bought this from a I'm 959 00:46:44,000 --> 00:46:46,960 Speaker 2: from Wisconsin. I'm sorry, you guys. My throat gets sore 960 00:46:47,040 --> 00:46:47,560 Speaker 2: when I do that. 961 00:46:47,719 --> 00:46:52,440 Speaker 4: No, mine sounded like Dracula. My name is Derek Johnson. 962 00:46:56,080 --> 00:47:02,480 Speaker 2: One one order of Jack Chicken mine and then we're good. 963 00:47:02,520 --> 00:47:05,080 Speaker 2: We're no Danny Gans in this car. I'll tell you 964 00:47:05,120 --> 00:47:08,320 Speaker 2: that right now. You mean with celebrity copies you saved 965 00:47:08,320 --> 00:47:12,759 Speaker 2: do a Jamaican guy? He says, which village? Oh my, yeah? 966 00:47:12,840 --> 00:47:14,799 Speaker 2: He was amazing, Dan. 967 00:47:15,400 --> 00:47:17,480 Speaker 4: That's like that Andrey Hepburn movie. I can't remember. 968 00:47:17,920 --> 00:47:21,480 Speaker 2: Did I also mention that he sang as different people. 969 00:47:23,280 --> 00:47:26,840 Speaker 2: He was a dance man. He did dance numbers. He 970 00:47:27,040 --> 00:47:29,080 Speaker 2: was such a good dancer that on its own that 971 00:47:29,160 --> 00:47:37,760 Speaker 2: could have been a Vegas spotlighted. Go to his website. 972 00:47:38,280 --> 00:47:40,480 Speaker 2: When you go to his website, I was going to 973 00:47:40,520 --> 00:47:43,120 Speaker 2: it because for a while I was obsessed with him, 974 00:47:43,120 --> 00:47:44,920 Speaker 2: and then he died and then I felt sad. But 975 00:47:45,960 --> 00:47:53,480 Speaker 2: ossion over another line. But he did have the cursor 976 00:47:53,560 --> 00:47:56,080 Speaker 2: of you went over the little Lost in Powers guy 977 00:47:56,200 --> 00:48:00,960 Speaker 2: he did it would go yeah baby, and so you 978 00:48:01,000 --> 00:48:03,200 Speaker 2: could do it over and over, and that was not 979 00:48:03,239 --> 00:48:05,600 Speaker 2: that long ago. 980 00:48:04,360 --> 00:48:07,560 Speaker 4: There's no real way to add a morning radio thing 981 00:48:07,640 --> 00:48:09,719 Speaker 4: to that. It's already baked in. 982 00:48:11,080 --> 00:48:13,840 Speaker 1: Look at that cute fan family, That's what I was 983 00:48:13,880 --> 00:48:16,680 Speaker 1: staring at, where there are three three kids and the 984 00:48:16,680 --> 00:48:18,359 Speaker 1: mom and a dad and they're all about to walk 985 00:48:18,360 --> 00:48:19,520 Speaker 1: that baby, they're. 986 00:48:19,320 --> 00:48:21,879 Speaker 2: All yeah, yeah, they're all you you know what. 987 00:48:23,560 --> 00:48:25,319 Speaker 4: Okay, that's not appropriate. 988 00:48:26,360 --> 00:48:26,680 Speaker 2: Family. 989 00:48:26,800 --> 00:48:29,040 Speaker 1: It was a supportive honk of we love your family. 990 00:48:29,200 --> 00:48:31,520 Speaker 4: Yeah, but there's some other elements you didn't mention, and 991 00:48:31,560 --> 00:48:32,440 Speaker 4: it's a little weird. 992 00:48:32,680 --> 00:48:36,600 Speaker 2: What no one has to know? No one in that 993 00:48:36,760 --> 00:48:41,560 Speaker 2: family had both arms. No, I'm just kidding, all single arm. 994 00:48:41,640 --> 00:48:44,319 Speaker 1: It was a single arm family, very common these days 995 00:48:44,320 --> 00:48:49,799 Speaker 1: in America. Oh man, Chris, maybe you could do a 996 00:48:49,840 --> 00:48:50,560 Speaker 1: brag right now? 997 00:48:50,719 --> 00:48:53,800 Speaker 2: Yeah? Yeah, other than your all of your stories of 998 00:48:53,920 --> 00:48:54,440 Speaker 2: birdle in. 999 00:48:55,080 --> 00:48:57,040 Speaker 1: Yeah, what's a good celebrity brag that you have? 1000 00:48:57,560 --> 00:49:05,880 Speaker 4: Yeah, I don't know if I have any everyone's. 1001 00:49:03,960 --> 00:49:04,960 Speaker 2: Got one or two. 1002 00:49:05,040 --> 00:49:08,680 Speaker 4: Well, I mean, I've seen how those kind of things 1003 00:49:08,680 --> 00:49:10,360 Speaker 4: can work out if you try to brag about a 1004 00:49:10,360 --> 00:49:11,160 Speaker 4: celebrity thing. 1005 00:49:11,280 --> 00:49:15,680 Speaker 2: Oh and between you and I, Chris, was your example 1006 00:49:15,760 --> 00:49:17,080 Speaker 2: fairly recent? Yeah? 1007 00:49:17,120 --> 00:49:18,960 Speaker 4: It was quite recent. 1008 00:49:20,239 --> 00:49:22,520 Speaker 2: I think I I think I know which one you're 1009 00:49:22,560 --> 00:49:23,160 Speaker 2: talking about. 1010 00:49:23,400 --> 00:49:26,920 Speaker 4: You know, you learned by seeing someone get burned. That's 1011 00:49:26,960 --> 00:49:28,520 Speaker 4: what my mom always. 1012 00:49:28,160 --> 00:49:33,760 Speaker 1: Said as she died in a fire loser. 1013 00:49:34,200 --> 00:49:41,680 Speaker 4: She said that as she was saying like that, I 1014 00:49:41,719 --> 00:49:47,239 Speaker 4: spent the night at Danny DeVito's house. No, twice, what 1015 00:49:49,160 --> 00:49:54,439 Speaker 4: two different houses, his regular house and his beach house 1016 00:49:54,480 --> 00:49:59,920 Speaker 4: in Malibu. 1017 00:49:59,480 --> 00:50:03,480 Speaker 1: Break come on, I have the nice beach house in Malibu? 1018 00:50:03,640 --> 00:50:07,200 Speaker 4: Was that the best? It was? But there was an 1019 00:50:07,320 --> 00:50:09,279 Speaker 4: ordeal before where a friend of mine got arrested on 1020 00:50:09,320 --> 00:50:12,680 Speaker 4: the way there. Oh, and so I had to find 1021 00:50:12,719 --> 00:50:14,560 Speaker 4: other people to like pick up his car and drive 1022 00:50:14,600 --> 00:50:15,840 Speaker 4: me the rest of the way. And then I was 1023 00:50:15,920 --> 00:50:19,880 Speaker 4: just like on the phone with him figuring out like 1024 00:50:20,000 --> 00:50:24,840 Speaker 4: jail stuff. Oh wow, I was like, arrested for drug possession? 1025 00:50:25,400 --> 00:50:27,279 Speaker 4: Do you have like a secret little problem that I 1026 00:50:27,239 --> 00:50:28,160 Speaker 4: don't nobody knew about? 1027 00:50:28,280 --> 00:50:28,760 Speaker 1: Oh? 1028 00:50:28,800 --> 00:50:31,200 Speaker 4: And so I was like on the phone like in 1029 00:50:31,280 --> 00:50:33,840 Speaker 4: hysterics for most of the night. And then after I 1030 00:50:33,840 --> 00:50:35,439 Speaker 4: got off the phone with him, I like just got 1031 00:50:35,480 --> 00:50:40,120 Speaker 4: super wasted and spent the night at Danny's house kick it. 1032 00:50:40,160 --> 00:50:43,560 Speaker 4: But they uh, he had like paraphernalia and stuff that 1033 00:50:43,640 --> 00:50:48,680 Speaker 4: the cops decided to not take his evidence, and they 1034 00:50:48,680 --> 00:50:51,560 Speaker 4: were like, Okay, put that stuff back in the trunk 1035 00:50:51,560 --> 00:50:53,080 Speaker 4: of the car and you know, get rid of it 1036 00:50:53,080 --> 00:50:55,200 Speaker 4: when you get to where you're going. And I was like, 1037 00:50:55,280 --> 00:50:56,839 Speaker 4: I don't really want to touch any of this stuff 1038 00:50:56,880 --> 00:50:58,640 Speaker 4: or have anything to do with it, and they were like, 1039 00:50:58,760 --> 00:51:00,759 Speaker 4: just do it. And I forgot about it, and then 1040 00:51:00,760 --> 00:51:02,360 Speaker 4: the next morning I had to throw all these like 1041 00:51:03,120 --> 00:51:07,080 Speaker 4: drug bags and like craft pipes and Danny Vidos track. 1042 00:51:07,239 --> 00:51:09,600 Speaker 2: It's a weird thing for them to demand of you, 1043 00:51:09,960 --> 00:51:12,760 Speaker 2: we don't have room in our storage locker rough drug. 1044 00:51:12,960 --> 00:51:15,759 Speaker 4: Well it's because they were gonna, excuse it. It was 1045 00:51:15,800 --> 00:51:18,400 Speaker 4: like empty bags. So they were like if there was 1046 00:51:18,480 --> 00:51:20,480 Speaker 4: drugs in any of these, there's so many of them 1047 00:51:20,520 --> 00:51:23,480 Speaker 4: that you would go to jail with possession with intent 1048 00:51:23,560 --> 00:51:25,600 Speaker 4: to distribute. Oh wow, she's just crazy. 1049 00:51:25,719 --> 00:51:28,680 Speaker 2: But friends with that guy or is he in rehab? Uh? 1050 00:51:28,719 --> 00:51:31,680 Speaker 4: He has, he's gotten his stuff together. 1051 00:51:31,920 --> 00:51:32,880 Speaker 1: Good. 1052 00:51:33,040 --> 00:51:33,880 Speaker 2: Yeah, I know. 1053 00:51:33,960 --> 00:51:38,400 Speaker 4: I did not like where your tone was is in Montana? 1054 00:51:38,920 --> 00:51:43,680 Speaker 1: Oh no, he's a winner. He's a winner. 1055 00:51:43,840 --> 00:51:46,160 Speaker 2: Please at least tell me it's in the Rocky Mountains. 1056 00:51:47,040 --> 00:51:50,040 Speaker 2: So the guy that forgets never mind. 1057 00:51:50,239 --> 00:51:51,200 Speaker 1: Where Montana is. 1058 00:51:51,840 --> 00:51:54,040 Speaker 2: No, they never and in this car is against me. 1059 00:51:55,120 --> 00:51:56,440 Speaker 4: Are the Rockies in Montana? 1060 00:51:56,719 --> 00:51:56,919 Speaker 2: Yeah? 1061 00:51:56,960 --> 00:51:58,280 Speaker 4: Yeah, see I think that was the problem. 1062 00:51:58,440 --> 00:51:59,880 Speaker 2: They go through the western edge. 1063 00:52:00,080 --> 00:52:02,280 Speaker 4: It was like a geographical issue. 1064 00:52:02,400 --> 00:52:05,800 Speaker 2: There's a little beautiful movie that is a great story 1065 00:52:05,840 --> 00:52:08,600 Speaker 2: called A River Runs through It. Oh, I've seen that 1066 00:52:08,960 --> 00:52:11,400 Speaker 2: was a shot in my town. 1067 00:52:12,040 --> 00:52:13,360 Speaker 1: Are you kidding me a. 1068 00:52:13,600 --> 00:52:15,879 Speaker 2: He was a preacher at the church where I used 1069 00:52:15,880 --> 00:52:19,359 Speaker 2: to pretend to believe, and I was a youth group 1070 00:52:19,480 --> 00:52:24,359 Speaker 2: leader at Tom Skarett. It was a lot like the 1071 00:52:24,400 --> 00:52:25,680 Speaker 2: real pastor there. 1072 00:52:26,239 --> 00:52:29,400 Speaker 4: The overachieving non believer youth group leader. 1073 00:52:33,360 --> 00:52:35,520 Speaker 2: Well, I'm not a leader. I mean the kids lucked 1074 00:52:35,560 --> 00:52:39,120 Speaker 2: up to me. I think they put me in some sort. 1075 00:52:38,880 --> 00:52:42,680 Speaker 4: Of a leaderships a celebrity brag coming in. 1076 00:52:42,760 --> 00:52:45,960 Speaker 2: He went on a few trips. We went to Toronto. 1077 00:52:46,040 --> 00:52:48,760 Speaker 4: Once, we went to the mall up there and wow, 1078 00:52:48,840 --> 00:52:55,319 Speaker 4: and that takes care of my Berlin. So one we 1079 00:52:55,480 --> 00:52:56,600 Speaker 4: got fired. 1080 00:52:56,280 --> 00:52:58,200 Speaker 2: The old but one wall in Mexico. 1081 00:52:58,719 --> 00:53:04,080 Speaker 4: Wow, border part even killing your own references here, Yes, but. 1082 00:53:04,000 --> 00:53:07,400 Speaker 2: I think it's what we did in Washington State where. 1083 00:53:07,200 --> 00:53:10,520 Speaker 4: Oh, my god, we had a free one convert just 1084 00:53:10,640 --> 00:53:11,399 Speaker 4: tossing them out. 1085 00:53:11,520 --> 00:53:14,080 Speaker 2: There's these guys that were out of prison up in 1086 00:53:14,120 --> 00:53:15,879 Speaker 2: a beautiful helping the. 1087 00:53:17,440 --> 00:53:17,919 Speaker 4: My god. 1088 00:53:18,160 --> 00:53:20,680 Speaker 2: But we were supposed to scare them with They were like, oh, 1089 00:53:20,719 --> 00:53:23,000 Speaker 2: we'll have kids visit them and talk about the Bible. 1090 00:53:23,040 --> 00:53:24,680 Speaker 2: And I'd never read the Bible. 1091 00:53:24,840 --> 00:53:26,440 Speaker 4: You had to scare straight the prisoners. 1092 00:53:26,520 --> 00:53:30,440 Speaker 2: Yeah, yeah, So they were well revers motherfuckers. 1093 00:53:30,680 --> 00:53:34,719 Speaker 1: The kids, right, the prisoner. No, you could end up 1094 00:53:34,760 --> 00:53:38,560 Speaker 1: like these kids. Yeah, and this boring church group. 1095 00:53:38,719 --> 00:53:41,320 Speaker 4: Yeah, you get your ship too far together? 1096 00:53:41,440 --> 00:53:41,720 Speaker 1: Sorry? 1097 00:53:41,719 --> 00:53:45,040 Speaker 2: Sorry, how dare you boring? We were? We listen to 1098 00:53:45,160 --> 00:53:46,200 Speaker 2: Chili Peppers and we. 1099 00:53:47,840 --> 00:53:52,600 Speaker 1: So torturous, horrifying, not at the time of nightmare in 1100 00:53:52,760 --> 00:53:55,319 Speaker 1: retroch back to asked, but at the time it was 1101 00:53:55,400 --> 00:53:56,319 Speaker 1: some funky ship. 1102 00:53:59,160 --> 00:54:01,600 Speaker 4: Hey, is that the new Chili Peppers? I think I'm 1103 00:54:01,600 --> 00:54:02,279 Speaker 4: want to stay in prison. 1104 00:54:04,760 --> 00:54:08,080 Speaker 1: You know what, I'm gonna go straight to solitary confinement. 1105 00:54:08,239 --> 00:54:13,400 Speaker 4: Huh. Regular life is a prison too, are everywhere. 1106 00:54:13,200 --> 00:54:16,320 Speaker 2: But more of an ear prison with a lot of guitar. 1107 00:54:16,719 --> 00:54:18,359 Speaker 4: I already got my bunk set up, so You'm gonna 1108 00:54:18,360 --> 00:54:19,319 Speaker 4: stay here. 1109 00:54:21,600 --> 00:54:23,200 Speaker 2: Okay, I didn't make a difference. 1110 00:54:25,400 --> 00:54:28,919 Speaker 4: You turn those kids onto the PEPs, bro. You did 1111 00:54:28,960 --> 00:54:32,560 Speaker 4: make a difference, that's right, PEPs. The other day we 1112 00:54:32,600 --> 00:54:34,680 Speaker 4: had I had nothing to do at work and I 1113 00:54:34,719 --> 00:54:40,040 Speaker 4: watched a long segment of a based tutorial. It was 1114 00:54:40,120 --> 00:54:46,120 Speaker 4: just flee Oh wow. Uh it was like from square 1115 00:54:46,160 --> 00:54:48,600 Speaker 4: one about bass. So I don't even know if we 1116 00:54:48,680 --> 00:54:49,919 Speaker 4: got really to slapping yet. 1117 00:54:50,040 --> 00:54:51,760 Speaker 2: That's so great? Are you trying to learn? Basically? 1118 00:54:51,800 --> 00:54:54,600 Speaker 4: I don't think he slaps I think he plucks maybe, Yeah, 1119 00:54:55,200 --> 00:54:56,200 Speaker 4: I don't know. He's not a. 1120 00:54:56,160 --> 00:54:58,480 Speaker 1: Slapper who cares about the bass? Oh you do? 1121 00:55:00,040 --> 00:55:02,600 Speaker 4: I have a guitar. Really, I have two guitars. 1122 00:55:02,760 --> 00:55:05,720 Speaker 2: Really, it's one a regular guitar and one a bass guitar. 1123 00:55:05,840 --> 00:55:07,440 Speaker 4: One is an acoustic, one is electric. 1124 00:55:07,640 --> 00:55:08,120 Speaker 2: Oh wow. 1125 00:55:09,120 --> 00:55:10,000 Speaker 1: And then you have a basis. 1126 00:55:10,040 --> 00:55:12,160 Speaker 4: Oh my god. I love that sound so much and 1127 00:55:12,200 --> 00:55:14,600 Speaker 4: I can't do it. It really bumps me out. Pete 1128 00:55:14,680 --> 00:55:15,360 Speaker 4: is really good at it. 1129 00:55:15,480 --> 00:55:18,400 Speaker 2: Yeah, it really. 1130 00:55:18,480 --> 00:55:20,719 Speaker 4: I'm so jealous. I wish that I could do it, 1131 00:55:20,760 --> 00:55:23,120 Speaker 4: and I really I don't have any right. 1132 00:55:23,840 --> 00:55:26,800 Speaker 2: Yeah, I learned this from Danny Gans. This is a trumpet. 1133 00:55:29,800 --> 00:55:34,000 Speaker 4: God rest his soul. Yeah, his talents live on. 1134 00:55:35,760 --> 00:55:38,120 Speaker 2: Even though his body is in Montana. 1135 00:55:39,480 --> 00:55:43,560 Speaker 1: The Danny Gams references are just you can't be faking this. 1136 00:55:43,760 --> 00:55:47,640 Speaker 1: You're a fan of Sorry, no, don't apologize. I like it. 1137 00:55:47,880 --> 00:55:51,120 Speaker 2: Vegas came up, Vegas, Danny. They're synonymous. 1138 00:55:51,280 --> 00:55:53,560 Speaker 1: When you first started talking about Danny Gans, I thought 1139 00:55:53,560 --> 00:55:56,080 Speaker 1: you were totally lying, and I was like, well, how 1140 00:55:56,160 --> 00:55:57,200 Speaker 1: far can he go with it? 1141 00:55:58,760 --> 00:56:01,080 Speaker 4: All the way to the end of the podcast, we're 1142 00:56:01,120 --> 00:56:02,080 Speaker 4: pulling into the airport. 1143 00:56:02,200 --> 00:56:05,200 Speaker 2: Just now, we are pulling in l a and we're 1144 00:56:05,239 --> 00:56:11,719 Speaker 2: going through past these. That was pretty good. 1145 00:56:12,480 --> 00:56:16,920 Speaker 4: That was a clarinet. 1146 00:56:16,920 --> 00:56:23,800 Speaker 2: Clarinet with lips like an elderly chicken from the Muppets. 1147 00:56:23,880 --> 00:56:26,280 Speaker 2: But it's. 1148 00:56:31,080 --> 00:56:33,120 Speaker 4: I love that song. Anytime I hear that song, I 1149 00:56:33,160 --> 00:56:34,440 Speaker 4: really get very happy. 1150 00:56:34,560 --> 00:56:38,759 Speaker 2: Yeah, yeah, nostalgic. Everything's fun. It makes you want to 1151 00:56:39,080 --> 00:56:40,240 Speaker 2: what airline? 1152 00:56:40,320 --> 00:56:45,880 Speaker 4: It makes you want to plod No, no, you know, 1153 00:56:45,920 --> 00:56:47,439 Speaker 4: like plodding along like. 1154 00:56:47,600 --> 00:56:53,680 Speaker 2: Okay, I thought you meant plod against someone. You guys, do. 1155 00:56:53,600 --> 00:56:56,439 Speaker 1: You know his airline? 1156 00:56:58,719 --> 00:57:03,440 Speaker 2: Oh? That the word is not part of my vocabulary. 1157 00:57:03,800 --> 00:57:04,319 Speaker 1: I get it. 1158 00:57:04,520 --> 00:57:11,040 Speaker 2: Christmas supposed to. He didn't. Won't high I'm that I'm 1159 00:57:11,040 --> 00:57:13,279 Speaker 2: not a wurgin. No, he didn't. He didn't give me 1160 00:57:13,320 --> 00:57:25,880 Speaker 2: a little work. That's right. Lots of you people sound California. 1161 00:57:27,320 --> 00:57:29,600 Speaker 2: And then I'm gonna sing. 1162 00:57:31,320 --> 00:57:31,840 Speaker 1: Torture. 1163 00:57:32,600 --> 00:57:35,520 Speaker 2: I used to have a chili pepper sticker on my 1164 00:57:35,640 --> 00:57:38,720 Speaker 2: Ford Escort. That was the entire back window. I used 1165 00:57:38,760 --> 00:57:39,440 Speaker 2: to get pulled over. 1166 00:57:40,000 --> 00:57:42,040 Speaker 4: It's the entire band. 1167 00:57:43,040 --> 00:57:45,400 Speaker 1: They're all standing on my suits, their faces. 1168 00:57:45,600 --> 00:57:47,520 Speaker 4: It was flee but it used to get pulled over 1169 00:57:48,240 --> 00:57:50,040 Speaker 4: old Ferrel high five by the cops. 1170 00:57:51,120 --> 00:57:51,760 Speaker 1: The other guy. 1171 00:57:52,200 --> 00:57:55,480 Speaker 2: They would they would, you know, pull me over and 1172 00:57:55,560 --> 00:57:57,440 Speaker 2: say that sticker is taking up too much of your 1173 00:57:58,080 --> 00:58:00,600 Speaker 2: your view, and I'm like, I'll peel it up, sir. 1174 00:58:01,480 --> 00:58:03,840 Speaker 2: In a set in a town of sixty thousand. I 1175 00:58:03,920 --> 00:58:06,600 Speaker 2: didn't give a fuck and I kept it on. Yeah, 1176 00:58:06,760 --> 00:58:07,960 Speaker 2: because it's the PEPs. 1177 00:58:12,000 --> 00:58:12,480 Speaker 1: Did you see that? 1178 00:58:12,880 --> 00:58:16,360 Speaker 4: Was it seth Myers or fallon? They did the drum off? 1179 00:58:16,800 --> 00:58:20,760 Speaker 2: Yeah, that was fine. I actually thoroughly enjoyed that. And 1180 00:58:21,240 --> 00:58:25,680 Speaker 2: because you know, I like comedy and I just. 1181 00:58:25,800 --> 00:58:33,240 Speaker 4: Like drums, I was like, hell yeah, going together. Well 1182 00:58:33,280 --> 00:58:35,919 Speaker 4: they look alike though, it was where all Ferrell because 1183 00:58:35,960 --> 00:58:39,280 Speaker 4: they look the same and they dressed the same. 1184 00:58:39,320 --> 00:58:41,640 Speaker 2: They really looked a lot like they look. It was 1185 00:58:41,800 --> 00:58:43,760 Speaker 2: very funny. It was hard not to very much think 1186 00:58:43,800 --> 00:58:47,000 Speaker 2: it was funny. And I'm not I'm not a big 1187 00:58:47,360 --> 00:58:53,120 Speaker 2: Will Ferrell guy. Wow. Yeah, sorry man. 1188 00:58:53,400 --> 00:58:57,080 Speaker 1: He was our first subscriber. But what else I don't 1189 00:58:57,120 --> 00:58:57,640 Speaker 1: give a fuck. 1190 00:58:57,840 --> 00:58:59,800 Speaker 4: Yeah, sorry, that's how we are. 1191 00:59:00,320 --> 00:59:03,040 Speaker 2: Yeah, this isn't a Funnier Die thing where you can 1192 00:59:03,120 --> 00:59:04,880 Speaker 2: just say no and get rid of it, because you 1193 00:59:05,000 --> 00:59:05,800 Speaker 2: are here to stay. 1194 00:59:05,920 --> 00:59:07,120 Speaker 4: Gun's blazing right now. 1195 00:59:07,520 --> 00:59:09,640 Speaker 2: It's part of Funnier Die. That's why I said, that's right. 1196 00:59:09,840 --> 00:59:12,320 Speaker 4: Not just bringing funnier die into it, but clarifying the 1197 00:59:12,360 --> 00:59:16,400 Speaker 4: connection between the two in the interest of insulting will 1198 00:59:16,440 --> 00:59:18,920 Speaker 4: fer that's clarity. 1199 00:59:19,120 --> 00:59:20,360 Speaker 2: I show my work. 1200 00:59:22,080 --> 00:59:23,560 Speaker 1: Is virgin Atlantic what we're looking for. 1201 00:59:24,240 --> 00:59:28,600 Speaker 4: It's virgin America. Okay, Atlantic is for the British people. 1202 00:59:28,800 --> 00:59:29,280 Speaker 1: Is that true? 1203 00:59:29,600 --> 00:59:36,400 Speaker 2: You know England? One month ago? Yes, I was in Buxton, 1204 00:59:37,040 --> 00:59:42,520 Speaker 2: and then Brixton and then West just Shia. That's in 1205 00:59:42,640 --> 00:59:46,240 Speaker 2: the UK, part of Great Britain, but mostly Britain and 1206 00:59:46,400 --> 00:59:50,840 Speaker 2: also in the United Kingdom. Those are all when I 1207 00:59:51,240 --> 00:59:52,440 Speaker 2: was there, because I really was there. 1208 00:59:52,520 --> 00:59:53,560 Speaker 4: Okay, there we go, that's what I was. 1209 00:59:53,840 --> 00:59:55,920 Speaker 1: Yeah, he was just looking for an American voice to 1210 00:59:56,000 --> 00:59:57,280 Speaker 1: tell what was really happening. 1211 00:59:57,360 --> 01:00:00,600 Speaker 2: And that's my British voice is a liar can voices 1212 01:00:00,640 --> 01:00:04,560 Speaker 2: didn't and uh and uh everyone. I didn't know the 1213 01:00:04,640 --> 01:00:09,440 Speaker 2: difference between Great Britain and the United Kingdom, and there 1214 01:00:09,640 --> 01:00:14,200 Speaker 2: isn't a difference as far as I go ahead, superstar, Yeah, 1215 01:00:14,680 --> 01:00:18,880 Speaker 2: why did you get more family members tattooed on your elbow? Oh? Yeah, 1216 01:00:19,440 --> 01:00:20,880 Speaker 2: this is my Montana arm. 1217 01:00:22,080 --> 01:00:24,200 Speaker 4: Did you get in trouble because of the Great Britain 1218 01:00:24,280 --> 01:00:24,720 Speaker 4: UK thing? 1219 01:00:25,240 --> 01:00:29,320 Speaker 2: No? No, I did ask it hesitantly. I almost got 1220 01:00:29,360 --> 01:00:30,400 Speaker 2: in trouble when I said. 1221 01:00:30,240 --> 01:00:30,959 Speaker 1: So woo woo woo. 1222 01:00:31,040 --> 01:00:36,520 Speaker 2: What's the difference, you guys? How's a pound different from 1223 01:00:36,600 --> 01:00:40,880 Speaker 2: a cuckoo quid? And there is no difference, by the way. 1224 01:00:41,920 --> 01:00:45,520 Speaker 2: But yeah, United Kingdom, you would think. But Great Britain 1225 01:00:45,680 --> 01:00:48,240 Speaker 2: same thing. If someone disagrees with me, go ahead and 1226 01:00:48,280 --> 01:00:48,960 Speaker 2: tweet at us. 1227 01:00:49,320 --> 01:00:50,160 Speaker 4: What is the difference. 1228 01:00:51,040 --> 01:00:54,280 Speaker 2: Maybe Scotland is involved with the United Kingdom and Great 1229 01:00:54,320 --> 01:00:56,800 Speaker 2: Britain is just the English England part. 1230 01:00:57,120 --> 01:01:00,080 Speaker 4: Because it's just England. Yeah, oh so Great Britain and 1231 01:01:00,240 --> 01:01:01,440 Speaker 4: is like a masturbatory thing. 1232 01:01:01,680 --> 01:01:06,760 Speaker 2: Yeah, yeah, like Britain weren't great. Yeah, in the United 1233 01:01:06,880 --> 01:01:09,040 Speaker 2: Kingdom is like what you say when you're wearing a 1234 01:01:09,080 --> 01:01:10,280 Speaker 2: suit and not jerking off. 1235 01:01:13,480 --> 01:01:16,600 Speaker 1: I just got back into this conversation that brought me 1236 01:01:16,680 --> 01:01:17,080 Speaker 1: back to you. 1237 01:01:18,720 --> 01:01:22,480 Speaker 2: Are we that is it not fun for you? Karen? 1238 01:01:23,200 --> 01:01:24,160 Speaker 2: What do you have a date? 1239 01:01:24,920 --> 01:01:29,000 Speaker 1: This van putting his arm out, his tattooed arm out 1240 01:01:29,440 --> 01:01:33,040 Speaker 1: with his slicked back hair to stop me, instead of 1241 01:01:33,160 --> 01:01:35,600 Speaker 1: like going can I get in? But instead of like here, 1242 01:01:35,800 --> 01:01:38,360 Speaker 1: let me in because it's me with the tattooed. 1243 01:01:40,040 --> 01:01:41,200 Speaker 4: He's attracted to him. 1244 01:01:41,440 --> 01:01:42,520 Speaker 2: Karen likes a rebel. 1245 01:01:42,760 --> 01:01:45,640 Speaker 1: I do I hate him? For I hate him for 1246 01:01:45,720 --> 01:01:47,360 Speaker 1: being so beautiful that white. 1247 01:01:47,200 --> 01:01:50,120 Speaker 4: Van even more attractive to you about him, isn't it. 1248 01:01:50,640 --> 01:01:54,680 Speaker 4: He bossed me around and his I love a slightly 1249 01:01:54,760 --> 01:01:56,240 Speaker 4: larger vehicle than mine. Sticker. 1250 01:02:00,000 --> 01:02:03,120 Speaker 2: I could see the sticker. I'll describe it. It says, iHeart. 1251 01:02:03,280 --> 01:02:05,640 Speaker 2: And there's a picture of a school bu and this 1252 01:02:05,800 --> 01:02:10,640 Speaker 2: guy's driving a white Uh. Oh, that's so great. God, 1253 01:02:10,800 --> 01:02:15,280 Speaker 2: damn it, God, Chris, you're all right? Yes? Yeah. 1254 01:02:15,720 --> 01:02:18,080 Speaker 1: Also it's hot, but it's hot as fuck. 1255 01:02:18,440 --> 01:02:21,120 Speaker 2: Turn it up. Yeah, I can turn down the mic 1256 01:02:21,200 --> 01:02:24,240 Speaker 2: that is aimed exactly at the thing. It doesn't matter. 1257 01:02:24,680 --> 01:02:26,600 Speaker 2: We have the sights and sounds of the road. 1258 01:02:26,760 --> 01:02:28,360 Speaker 1: It's so true. We should roll a windows down. 1259 01:02:28,800 --> 01:02:32,200 Speaker 2: Chris, you want to, I don't care it. Yeah. 1260 01:02:32,360 --> 01:02:36,600 Speaker 4: Those Jackhammer birthday August first, August first. 1261 01:02:36,760 --> 01:02:37,439 Speaker 1: So you're a leo? 1262 01:02:37,680 --> 01:02:39,200 Speaker 4: Yes I am. Do you know anything about that? 1263 01:02:39,800 --> 01:02:44,440 Speaker 1: My sister's leo. My sisters really bossy, really large and 1264 01:02:44,520 --> 01:02:44,960 Speaker 1: in charge. 1265 01:02:45,720 --> 01:02:48,640 Speaker 2: My sisters room really mine. 1266 01:02:48,800 --> 01:02:49,720 Speaker 1: That's what you guys are like. 1267 01:02:50,200 --> 01:02:52,880 Speaker 2: My sister is a leo, and I she would totally 1268 01:02:53,040 --> 01:02:55,200 Speaker 2: thank god. She let me into her room, taught me 1269 01:02:55,280 --> 01:02:59,160 Speaker 2: all about music and even in uh, in their twenties, 1270 01:02:59,520 --> 01:03:01,600 Speaker 2: you know I she's older than me. We'd like to 1271 01:03:01,640 --> 01:03:03,400 Speaker 2: sleep in the same bed on Christmas Eve. 1272 01:03:03,560 --> 01:03:04,440 Speaker 4: So wake up. 1273 01:03:05,640 --> 01:03:08,360 Speaker 2: Yeah, it's fun. Yeah, just the two of you, just 1274 01:03:08,520 --> 01:03:10,880 Speaker 2: the two UBOs. Sorry I was gonna do that. 1275 01:03:12,240 --> 01:03:14,959 Speaker 4: What uh wait? So I'm like your sister. 1276 01:03:15,240 --> 01:03:16,480 Speaker 1: Oh yeah, Virgin America. 1277 01:03:16,640 --> 01:03:19,000 Speaker 2: You're like my sister. Her sister's bossy. 1278 01:03:19,160 --> 01:03:21,720 Speaker 4: Yes, Virgin America America. Well, whose sister am I like? 1279 01:03:21,840 --> 01:03:22,920 Speaker 4: Before I get out, I want to know. 1280 01:03:23,120 --> 01:03:25,320 Speaker 1: I feel like, no, I don't think you're like my sister. 1281 01:03:26,960 --> 01:03:30,080 Speaker 1: I don't really believe in horoscopes. I just like to 1282 01:03:30,320 --> 01:03:31,280 Speaker 1: think about Oh. 1283 01:03:31,360 --> 01:03:32,520 Speaker 4: I like to think about it too. 1284 01:03:32,640 --> 01:03:34,760 Speaker 1: I like to think about people because it hurts my feelings. 1285 01:03:35,080 --> 01:03:39,680 Speaker 4: It does to be Leo, well sometimes it does. I'm like, oh, 1286 01:03:39,840 --> 01:03:42,760 Speaker 4: that is like me, I gotta change or whatever. And 1287 01:03:42,800 --> 01:03:44,360 Speaker 4: those are the times where I'm like this stuff is 1288 01:03:44,440 --> 01:03:47,920 Speaker 4: true right when they're like you're confident and self assured 1289 01:03:48,000 --> 01:03:51,040 Speaker 4: and like, this stuff's bullshit, it's not right right. This 1290 01:03:51,200 --> 01:03:51,880 Speaker 4: is for goofing. 1291 01:03:51,960 --> 01:03:55,120 Speaker 2: If it's you have trouble organizing things and you need 1292 01:03:55,200 --> 01:03:56,080 Speaker 2: to make more lists. 1293 01:03:56,200 --> 01:03:57,960 Speaker 4: I read this book that was like the Sink The 1294 01:03:58,040 --> 01:04:01,360 Speaker 4: Secret Language of Birthdays, and it tells you it's not 1295 01:04:01,440 --> 01:04:04,840 Speaker 4: even your sign, it's specifically your actual birthdate. And it 1296 01:04:05,040 --> 01:04:09,080 Speaker 4: was like, you don't feel comfortable being a leader or 1297 01:04:09,160 --> 01:04:12,360 Speaker 4: a follower, so you're just kind of stuck in life. 1298 01:04:12,680 --> 01:04:15,200 Speaker 4: Oh wow, And I was like, oh my god, we're back. 1299 01:04:15,440 --> 01:04:16,480 Speaker 4: I gotta get this book. 1300 01:04:16,800 --> 01:04:19,520 Speaker 1: Yeah, I definitely think again because I have both of 1301 01:04:19,600 --> 01:04:22,640 Speaker 1: those books. Now. I have the sacret language of birthdays 1302 01:04:22,680 --> 01:04:25,320 Speaker 1: and the and the sacred language of relationships, where you 1303 01:04:25,400 --> 01:04:27,440 Speaker 1: can look the person that you like, you can look 1304 01:04:27,480 --> 01:04:29,200 Speaker 1: up their birthday and your birthday and see if you're 1305 01:04:29,240 --> 01:04:32,960 Speaker 1: a match. It's such bullshit, but it's just fun and dumb. 1306 01:04:33,040 --> 01:04:35,320 Speaker 4: Yeah, it's fine, but I don't like the fun part. 1307 01:04:35,400 --> 01:04:37,040 Speaker 4: I'm like, tell me why I'm. 1308 01:04:37,000 --> 01:04:41,520 Speaker 1: Bad and wrong, fix me with things I don't need fixing. Oh, 1309 01:04:41,600 --> 01:04:42,440 Speaker 1: there's my brain. We are. 1310 01:04:42,640 --> 01:04:45,560 Speaker 2: There is your brush curbside like you left it. What 1311 01:04:45,640 --> 01:04:47,560 Speaker 2: do you mean I can't hold this as a carry on? 1312 01:04:48,160 --> 01:04:49,840 Speaker 4: Well fine, I'll just throw it in the street. 1313 01:04:50,640 --> 01:04:51,920 Speaker 1: Goodbye brush. 1314 01:04:52,440 --> 01:04:54,240 Speaker 2: Chris. You're great, This is great. 1315 01:04:54,360 --> 01:04:55,320 Speaker 4: Thank you everybody. 1316 01:04:55,560 --> 01:04:58,080 Speaker 2: Yeah, yeah, Trip, you have everything. 1317 01:04:57,880 --> 01:05:01,560 Speaker 4: You need non stop. Baby, I want to plug anything. 1318 01:05:02,320 --> 01:05:03,560 Speaker 2: You're going to be in New York and. 1319 01:05:03,720 --> 01:05:06,360 Speaker 4: Uh yeah, I'll be in New York until July fifth. 1320 01:05:06,560 --> 01:05:08,480 Speaker 4: So even when this comes out, I still have a 1321 01:05:08,520 --> 01:05:09,440 Speaker 4: bunch of shows coming up. 1322 01:05:10,640 --> 01:05:13,000 Speaker 2: People could just go to your website or maybe your Twitter. 1323 01:05:13,160 --> 01:05:16,120 Speaker 4: Yes, my website this is Christhayer dot com, or on 1324 01:05:16,200 --> 01:05:19,680 Speaker 4: Twitter at Chris Thayer says, and that's it. 1325 01:05:19,920 --> 01:05:21,080 Speaker 2: That sounds great, that's it. 1326 01:05:21,200 --> 01:05:22,120 Speaker 4: Thanks so much you guys. 1327 01:05:22,240 --> 01:05:24,400 Speaker 2: Thanks by Chris, Bye Chris. 1328 01:05:25,440 --> 01:05:26,320 Speaker 1: Then you throw that down. 1329 01:05:26,480 --> 01:05:30,640 Speaker 2: Oh and that's been another You watch another episode. 1330 01:05:30,880 --> 01:05:32,160 Speaker 4: That's been another episode. 1331 01:05:32,960 --> 01:05:33,800 Speaker 2: Do you need a ride? 1332 01:05:33,880 --> 01:05:34,440 Speaker 4: Do you need it? 1333 01:05:34,560 --> 01:05:35,880 Speaker 2: Why aar? 1334 01:05:45,320 --> 01:05:47,720 Speaker 3: This has been an Exactly Right production. 1335 01:05:48,240 --> 01:05:52,400 Speaker 1: Produced by Annalise Nelson, mixed by Edson Troy. Our talent 1336 01:05:52,480 --> 01:05:53,840 Speaker 1: booker is Patrick Cottner. 1337 01:05:54,120 --> 01:05:56,040 Speaker 3: Theme song by Karen Kilgarrett. 1338 01:05:56,480 --> 01:05:59,919 Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter, 1339 01:06:00,080 --> 01:06:04,400 Speaker 1: and Facebook at dinar podcast That's d y n R podcast. 1340 01:06:04,880 --> 01:06:08,080 Speaker 3: For more information, go to Exactly Rightmedia dot com. 1341 01:06:08,440 --> 01:06:10,680 Speaker 1: Thank you, Oh you're welcome.