WEBVTT - Funny or Die

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb, and I'm Julie Douglas. Julie.

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<v Speaker 1>What are some words that, to you are inherently funny

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<v Speaker 1>or words and or things that just just say the

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<v Speaker 1>word instantly? It italystits black monkey, all right, that's a

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<v Speaker 1>good one. Pickle is good. Later hosing later hosing is

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<v Speaker 1>really good. Poppy cock, poppy cock, that's a good one.

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<v Speaker 1>To sueech squeechy. Yeah you, um, well, let's see you

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<v Speaker 1>already took later hosing. I think later hos is a

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<v Speaker 1>good one. Cheese cheese is very funny. Um, you said monkey, Um,

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<v Speaker 1>you stole a lot of underwear. Underwear is always hilarious. Um.

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<v Speaker 1>And it's funny because a lot of these words will

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<v Speaker 1>pop up in children's books, which, of course I'm knee

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<v Speaker 1>deep in with my toddler, so you know, I'm pretty

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<v Speaker 1>schooled in the funny words. Bugle is yeah, curious, George,

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<v Speaker 1>that one comes up, but you're talking about like an

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<v Speaker 1>obnoxious instrument or some sort of ridiculous corn snack. It's pretty,

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<v Speaker 1>which can be tasty, but also there are some words

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<v Speaker 1>that have a kind of joke within them or something likecalyptian,

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<v Speaker 1>which which means well formed buttocks. I had not heard

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<v Speaker 1>that one. Yeah, yeah, it's it's a great word. So

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<v Speaker 1>you know, you can say the ecalyptian so and so.

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<v Speaker 1>Uh if you're trying to get someone to compliment. I

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<v Speaker 1>suppose what is it an adjective? Yes, okay, yeah, and

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<v Speaker 1>calie from Greek beautiful and pig. I think that's how

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<v Speaker 1>you pronounce it is means buttocks or rump. Rump is

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<v Speaker 1>another good one. Rump is funny. Yeah. Yeah, So when

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<v Speaker 1>we're talking about what makes yeah right, I mean that

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<v Speaker 1>that spells fun right there. But talking about the funny

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<v Speaker 1>like what why are things funny? I don't know, because yeah,

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<v Speaker 1>because we're talking about the words that we're talking. What

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<v Speaker 1>are some words that are just not funny at all? Yes,

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<v Speaker 1>And the big one that came to mind that you

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<v Speaker 1>you came up with was table table, Like there's just

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<v Speaker 1>no way to make the word table funny, Like even

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<v Speaker 1>if you throw um other words onto it, like you could,

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<v Speaker 1>you know, sex, table, clown table, clown table, it's still

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<v Speaker 1>sounds kind of It's like alright, well, clowns kind of funny.

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<v Speaker 1>But yeah, they're just for elements, which is part of

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<v Speaker 1>what we found out in our research about what makes

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<v Speaker 1>things funny. You have to have sometimes desperate elements like that,

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<v Speaker 1>but still it's not funny. And it was It's interesting

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<v Speaker 1>because I was looking back at an episode from This

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<v Speaker 1>American Life in which it's called Tough Room, in which

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<v Speaker 1>they visited the editorial offices of The Onion, which is,

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<v Speaker 1>you know, spoof magazine, which is incredibly funny, at least

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<v Speaker 1>to me. Um, And what they found out is that

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<v Speaker 1>during the editorial meeting whether mock headlines are pitched, that

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<v Speaker 1>there's only one laugh for every one hundred jokes that

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<v Speaker 1>are told. This out here they are pitching this and

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<v Speaker 1>maybe that's part of it because you know, this is

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<v Speaker 1>their job and they're doing it every week and so

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<v Speaker 1>but still, yeah, they're seriously jaded. But um, you know,

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<v Speaker 1>they published sixteen stories a week with sixteen mock headlines,

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<v Speaker 1>and to get to those sixteen headlines, they go through

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<v Speaker 1>six hundred possible headlines to figure out what is funny.

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<v Speaker 1>And I was like, you know, I wonder why why

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<v Speaker 1>that is? Like why are some combinations funnier? Than other

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<v Speaker 1>and others, and then I looked into it and I

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<v Speaker 1>was looking at some of their best off and one

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<v Speaker 1>of their best ofs was kitten thinks of nothing but

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<v Speaker 1>murder all day. See now that one didn't do much

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<v Speaker 1>for me. I don't know really, well they have. Part

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<v Speaker 1>of it was that the cute photo of the kitten,

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<v Speaker 1>which you you know again desperate elements murder kitten, No, no,

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<v Speaker 1>not really all right, Well, in that episode two, they

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<v Speaker 1>were talking about how the headline local girlfriend always wants

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<v Speaker 1>to do stuff. Okay, that makes the cut, but you

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<v Speaker 1>know it doesn't make the cut. In the same session,

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<v Speaker 1>is Nation's Girlfriends all for more quality time? Funny? No, no,

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<v Speaker 1>it's the first one got the laugh and everybody the

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<v Speaker 1>second one actually got jeers. But kittens was a hit.

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<v Speaker 1>Kittens obviously was a hit. Made it it's it's it's

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<v Speaker 1>a hit. A lot of people's top ten lists. Interesting, yeah, yeah,

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<v Speaker 1>um but just to throw some stats at this and

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<v Speaker 1>why we're looking at this, um uh, it's just it's

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<v Speaker 1>very interesting to think about why we laugh from evolutionary sense, right, yeah,

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<v Speaker 1>like what why why don't we do it? Why is

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<v Speaker 1>it such a phenomenon? Like what purpose does it serve?

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<v Speaker 1>We do it all the time. We love it. Some

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<v Speaker 1>people live for it, some people live to make other

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<v Speaker 1>people laugh. But what is what is actually going on? Semantically?

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<v Speaker 1>What's going on neutologically? Yeah, so that's what we're going

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<v Speaker 1>to discuss. That's what we're gonna talk about today. And

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<v Speaker 1>here are your stats too that we're gonna throw at you.

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<v Speaker 1>Only about eleven of daily laughter as a result of jokes. Now,

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<v Speaker 1>when you say jokes, do you mean because like we

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<v Speaker 1>we joke around in this podcast a lot, but it's

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<v Speaker 1>very rare that you go, hey, Julie, um not not.

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<v Speaker 1>You know, we don't do a lot of that. So

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<v Speaker 1>are we talking about strict joke jokes joking? Yeah, we're

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<v Speaker 1>talking about the formula jokes. So if you're sitting around

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<v Speaker 1>the water color and someone says, hey, you know, a

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<v Speaker 1>rabbi and a priest and whatever walks through a bar,

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<v Speaker 1>that kind of joke. So that only eleven percent, which

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<v Speaker 1>kind of makes sense, right because a lot of us

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<v Speaker 1>aren't sitting around the water cooler telling those kind of jokes,

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<v Speaker 1>the porched belt jokes. And then another seventeen is prompted

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<v Speaker 1>by media, you know, sort of like Hey, did you

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<v Speaker 1>see the clo l cator? Did you read the Sunion headline?

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<v Speaker 1>Did you watch this episode of thirty? Yeah? I did

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<v Speaker 1>you see this YouTube video? Or so on and so forth.

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<v Speaker 1>And the remaining seventy two percent arises spontaneously in social interactions.

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<v Speaker 1>So like you and I sitting here and talking the

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<v Speaker 1>talking the pooh here, okay, talking the poo? Is that

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<v Speaker 1>the shouting the shoe? Shouting the shoes? Yeah, true shot.

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<v Speaker 1>I'm trying to avoid the expletip. But you know, I'm

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<v Speaker 1>saying just in um. And it turns out that that

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<v Speaker 1>we're not the only creatures that laugh. Eight and rats

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<v Speaker 1>lack too. Although I'm a little bit dubious about this,

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<v Speaker 1>this rats part, I have to say, um, this is

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<v Speaker 1>uh this This article says that like children, apes laugh

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<v Speaker 1>during chasing, wrestling and tickling games. Oh I guess I

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<v Speaker 1>have seen videos where you know, it looks like they're

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<v Speaker 1>wrestling around and it lives. It does look like the

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<v Speaker 1>yeah yeah. And it says chimps and gorillas who have

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<v Speaker 1>learned sign language have used it for punning and congruous

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<v Speaker 1>word use, which is interesting and playful insults. Intriguingly, it

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<v Speaker 1>seems that rats may laugh too. This is this is

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<v Speaker 1>where I get dubious. A team of researchers at Bowling

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<v Speaker 1>Green State University reported in two thousand that rats produce

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<v Speaker 1>an ultrasonic chirping during play and went tickled by humans.

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<v Speaker 1>These chirps appear to be contagious, and young rats prefer

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<v Speaker 1>older rats who produce more of them. So, you know, again,

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<v Speaker 1>dubious there, But there's this idea of that, you know,

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<v Speaker 1>it's not just us that are sitting there having a chuckle,

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<v Speaker 1>and then it's necessary to our existence on some level.

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<v Speaker 1>And we'll get back to more about tickling and in

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<v Speaker 1>a little bit. Tickling is very key. It's kind of

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<v Speaker 1>like the most simple version of a joke. Yes, but

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<v Speaker 1>but we'll we'll get to that in a minute. First,

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<v Speaker 1>let's let's talk about what's going on at the cognitive level. Yeah,

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<v Speaker 1>what's happening in the head to our brains when we're

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<v Speaker 1>having a laugh. Turns out that when we hear a joke,

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<v Speaker 1>our brains began to process that sequentially. Yeah, and I

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<v Speaker 1>found it interesting that you can when it when it's

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<v Speaker 1>following when your brain begins to to process this. They're

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<v Speaker 1>really sort of two types of jokes that and uh,

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<v Speaker 1>and those are on one hand, you have a semantic

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<v Speaker 1>jokes which relate to the meaning of words, and then

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<v Speaker 1>you have phonological or jokes or puns, which relate to

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<v Speaker 1>the way something sounds. And like the puns the example

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<v Speaker 1>I kept finding like it seems like everybody uses the

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<v Speaker 1>same pun joke in the scientific literature, which goes as follows,

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<v Speaker 1>Hey Julie, Hey Robert, why did the all for wear

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<v Speaker 1>two pairs of pants because they had a hole in one? Seeing? Yeah,

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<v Speaker 1>But the semantic jokes, that's where you get into like

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<v Speaker 1>a lot deeper area, um and where you end up

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<v Speaker 1>having onres like double andres and triple andres, which I've

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<v Speaker 1>always found really fascinating. Like here, like here's an example

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<v Speaker 1>of a of a triple on andre if I bother

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<v Speaker 1>to print out the full joke, Nope, I didn't drip

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<v Speaker 1>print out the full joke, So I'm just gonna try

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<v Speaker 1>and remember here, but a triple on andre Uh would

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<v Speaker 1>be like the joke where um, ladies pulled over by

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<v Speaker 1>highway patrolman and uh, and you know he comes up

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<v Speaker 1>to get her ticket and shoes like, oh, I bet

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<v Speaker 1>you're going to try and sell me a ticket to

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<v Speaker 1>the policeman's ball, and then the like a you know,

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<v Speaker 1>like a ball, like a gala okay, and then the

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<v Speaker 1>cop gets you know, your tat's like, policemen don't have balls.

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<v Speaker 1>So this is a triple on Andre because on one

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<v Speaker 1>one see, and I was already laughing because you said ball,

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<v Speaker 1>and I was already made the association, to be quite honest,

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<v Speaker 1>but it's but here I'm I'm a dirty bird. Well

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<v Speaker 1>I'm gonna explain the joke and take all the humor

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<v Speaker 1>out of it. Um, policemen don't have balls, So you

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<v Speaker 1>can say that policemen do not and we're not making

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<v Speaker 1>any judgment. Great, but policemen don't have balls. One interpretation

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<v Speaker 1>presumably mails them. Yeah, well yeah, but policemen don't have

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<v Speaker 1>balls in the sense that they do not actually hold balls.

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<v Speaker 1>They don't have to have like masked events and like

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<v Speaker 1>yeah big masks. Yeah. But then it's also a shot

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<v Speaker 1>on the policeman's masculinity and also on his like his virility,

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<v Speaker 1>you know, and also on his courage. So um, there's

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<v Speaker 1>some also really good examples of triple and andres in

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<v Speaker 1>uh in Canterbury Tales. But I think they're all, oh, yeah,

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<v Speaker 1>that's yes. Yes, they're like, yeah, they're just too gross

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<v Speaker 1>to drag out. In this particular. I think they're on

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<v Speaker 1>the Millers shale or something. Yeah, but we'll have to

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<v Speaker 1>remember that because that's an important joke to come back

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<v Speaker 1>to later when we talk a little bit more about

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<v Speaker 1>philosophy behind jokes. Yeah, but but this is this is

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<v Speaker 1>interesting because like it it's kind of like a language

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<v Speaker 1>bomb where it's like three meanings roll up into wine,

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<v Speaker 1>hit your brain, and then your brain has to figure

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<v Speaker 1>it out. Yeah, especially when when you're talking about like

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<v Speaker 1>the double entendres um, your brain is trying to square

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<v Speaker 1>all these different ideas together. And so what you're seeing,

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<v Speaker 1>let me, let's just walk you really quickly through what's

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<v Speaker 1>actually happening in your head. Uh. So, the left hemisphere

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<v Speaker 1>begins to light up with language processing right, and this

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<v Speaker 1>includes the left and right posterior middle temporal gyrus and

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<v Speaker 1>the left posterior inferior temporal gyrus for semantic jokes as

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<v Speaker 1>you spoke about, and the left posterior inferior temporal gyrus

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<v Speaker 1>and left inferior frontal gyrus, which are associated with the puns.

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<v Speaker 1>The phonetic processing. Then the joke is processed through the

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<v Speaker 1>nucleus accumbents in the ventral tegmental area. Both are part

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<v Speaker 1>of the mesa limbic pathway, which is associated with aggression, fear, laughter, addiction, pleasure,

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<v Speaker 1>and it also is connected, among other things, to the hippocampus,

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<v Speaker 1>which we know deals with memories. So there's a lot.

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<v Speaker 1>It's like when this word bomb blows up, it really

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<v Speaker 1>ricochets through all the neural architecture. Yeah yeah, and then

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<v Speaker 1>it's hanging out to you in the magdala, which we

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<v Speaker 1>know is associated with the emotions. So what I think

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<v Speaker 1>it is most interesting about this is just really hitting

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<v Speaker 1>that reward center of the brain. And so we're you know,

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<v Speaker 1>we're talking about the reward circuits of the brain getting

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<v Speaker 1>in on the joke, which makes sense with some of

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<v Speaker 1>these philosophical theories about what's going on when we hear

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<v Speaker 1>a good like say, toilet humor joke. Right, yeah, So

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<v Speaker 1>let's talk about some of these philosophies because I think

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<v Speaker 1>it's interesting. Oh yeah, yeah, But but real quick, this

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<v Speaker 1>also makes makes sense. You know if you're hear like

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<v Speaker 1>a really long drawn out joke and you're you're like,

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<v Speaker 1>get to the punch line. I want to, you know,

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<v Speaker 1>because I guess it's the reward center. You know, it's

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<v Speaker 1>like it's your rang Yeah, give it to me. Yeah yeah,

0:11:44.120 --> 0:11:46.599
<v Speaker 1>I need a little dopamine release right now from them.

0:11:46.760 --> 0:11:48.640
<v Speaker 1>All right, So let's look at Yeah, it's the different

0:11:48.840 --> 0:11:53.240
<v Speaker 1>philosophical theories on jokes. Um. First of all, there's this

0:11:53.360 --> 0:11:56.560
<v Speaker 1>superiority theory of humor. Yes, and this is one that

0:11:56.960 --> 0:12:01.920
<v Speaker 1>has been a champion by Plato, Aristotle, uh, Thomas, Thomas

0:12:01.920 --> 0:12:04.360
<v Speaker 1>Hobbs and uh. And this is basically where we find

0:12:04.640 --> 0:12:07.920
<v Speaker 1>the misfortune of others really amusing. This is like slapstick

0:12:08.000 --> 0:12:10.280
<v Speaker 1>guys getting hit in the head. This is on a

0:12:10.320 --> 0:12:14.560
<v Speaker 1>more well slightly cerebral level. You have like cringe comedies

0:12:14.840 --> 0:12:18.000
<v Speaker 1>where where people are making all sorts of either they're

0:12:18.000 --> 0:12:20.840
<v Speaker 1>not falling on their face literally, then they're doing so

0:12:20.920 --> 0:12:24.840
<v Speaker 1>figuratively in say an episode of the Office or something. Right, Okay,

0:12:25.080 --> 0:12:27.600
<v Speaker 1>yeah yeah yeah yeah. That can make you really uncomfortable,

0:12:27.679 --> 0:12:31.559
<v Speaker 1>right right. Uh And speaking of uncomfortable, the next kind

0:12:31.679 --> 0:12:34.520
<v Speaker 1>is relief theory. And of course Sigmund Freud is a

0:12:34.600 --> 0:12:36.840
<v Speaker 1>big champion, was a big champion of this, and this

0:12:36.880 --> 0:12:39.120
<v Speaker 1>states that comedy is a way for people to release

0:12:39.360 --> 0:12:44.199
<v Speaker 1>suppress thoughts and emotions safely. Yeah. I actually read something

0:12:44.240 --> 0:12:48.000
<v Speaker 1>about the game Peekaboo that kids play toddler's play, and

0:12:48.080 --> 0:12:51.079
<v Speaker 1>about how this is sort of like a mastering your

0:12:51.120 --> 0:12:53.640
<v Speaker 1>own uncertainty. And it's the same sort of aspect of

0:12:54.000 --> 0:12:57.080
<v Speaker 1>you keep playing Peekaboo with someone and they disappear, and

0:12:57.120 --> 0:12:59.240
<v Speaker 1>that's this object permanence thinking that all this stuff with

0:12:59.320 --> 0:13:01.520
<v Speaker 1>child development. But basically what it's saying is that you

0:13:01.880 --> 0:13:05.080
<v Speaker 1>feel you're you're playing the game with someone disappearing in

0:13:05.120 --> 0:13:08.840
<v Speaker 1>this uncertainty and then coming back and there's the relief, right,

0:13:09.240 --> 0:13:12.000
<v Speaker 1>So you're sort of working out all these feelings in

0:13:12.040 --> 0:13:16.040
<v Speaker 1>a safe environment. Right. And it also allows like the

0:13:16.080 --> 0:13:19.400
<v Speaker 1>exploration of taboo subjects or just sort of crude things

0:13:19.480 --> 0:13:23.160
<v Speaker 1>like fart, jokes, good stuff. And then we have incongruity

0:13:23.200 --> 0:13:27.040
<v Speaker 1>theory UM, which is generally associated with Immanuel Kent, and

0:13:27.160 --> 0:13:30.480
<v Speaker 1>it suggests that jokes happen because people notice the disconnect

0:13:30.559 --> 0:13:36.240
<v Speaker 1>between their expectations and the actual payoff. Yeah, and um,

0:13:36.880 --> 0:13:40.320
<v Speaker 1>like like nonsense humor tends to fall into this where

0:13:40.360 --> 0:13:43.360
<v Speaker 1>something something happens that that doesn't make a lick of sense,

0:13:43.440 --> 0:13:46.880
<v Speaker 1>and it's it creates ambiguity creates ambiguity, like like Monty

0:13:46.880 --> 0:13:50.080
<v Speaker 1>Python is often put up as an example of this. Yeah,

0:13:50.200 --> 0:13:52.040
<v Speaker 1>or a simple set up like a woman and a

0:13:52.120 --> 0:13:54.920
<v Speaker 1>duck walk into a bar. Right, there's two disparate elements.

0:13:54.920 --> 0:13:56.400
<v Speaker 1>I don't know the end of that joke, and I

0:13:56.440 --> 0:14:00.760
<v Speaker 1>apologize if I know, right, see, sorry about that. No

0:14:00.880 --> 0:14:03.880
<v Speaker 1>dopamine for you. But um, but I mean that's the setup,

0:14:03.920 --> 0:14:06.000
<v Speaker 1>Like your brain is automatically like what a woman, a

0:14:06.080 --> 0:14:10.560
<v Speaker 1>duck a bar. That's that's the ambiguity. But going back

0:14:10.600 --> 0:14:15.959
<v Speaker 1>to your your policeman ball balls joke, Um there, I

0:14:16.000 --> 0:14:20.640
<v Speaker 1>thought was interesting that the whole superiority there, Stottle that

0:14:20.640 --> 0:14:24.560
<v Speaker 1>that type of joke, because here you have, uh, it's

0:14:24.600 --> 0:14:28.320
<v Speaker 1>an authority, right, a policeman, and you're sort of leveling

0:14:28.360 --> 0:14:32.880
<v Speaker 1>the playing field by making fun of this policeman's masculinity. Yeah,

0:14:32.960 --> 0:14:35.000
<v Speaker 1>and he's the one who's tricked into saying he has

0:14:35.000 --> 0:14:38.120
<v Speaker 1>no ball, so it's yeah, it's he's he's made a

0:14:38.120 --> 0:14:40.400
<v Speaker 1>fool out of himself as well. Yeah. So I mean,

0:14:40.800 --> 0:14:42.760
<v Speaker 1>I just think these philosophers are really interesting when you

0:14:42.760 --> 0:14:44.280
<v Speaker 1>start to you know, of course we're taking part of

0:14:44.280 --> 0:14:46.880
<v Speaker 1>the joke, which is never funny. Um. I mean, I

0:14:46.880 --> 0:14:50.600
<v Speaker 1>think there's there's a quote about like dissecting humors about

0:14:50.600 --> 0:14:54.080
<v Speaker 1>as funny as dissecting a frog, you know, uh, and

0:14:54.160 --> 0:14:58.000
<v Speaker 1>the frog dies. So but there is this one guy.

0:14:58.400 --> 0:15:00.640
<v Speaker 1>There's always going to be that one guy, that one

0:15:00.680 --> 0:15:03.720
<v Speaker 1>gal who is looking for the reason why we do

0:15:03.760 --> 0:15:07.120
<v Speaker 1>what we do. And in this instance, there's a man

0:15:07.200 --> 0:15:10.200
<v Speaker 1>named Peter McGraw. He's a professor of marketing and psychology

0:15:10.240 --> 0:15:13.000
<v Speaker 1>at the University of Colorado, Boulder, and he heads up

0:15:13.040 --> 0:15:18.000
<v Speaker 1>the Humor Research Lab or HURL for short, um, and

0:15:18.200 --> 0:15:21.720
<v Speaker 1>he's trying to create a grand unified theory of humor.

0:15:22.120 --> 0:15:24.440
<v Speaker 1>And we'll talk about that in a moment right after

0:15:24.440 --> 0:15:32.080
<v Speaker 1>this break. This presentation is brought to you by Intel

0:15:32.240 --> 0:15:38.960
<v Speaker 1>Sponsors of Tomorrow. All Right, we're back with the with

0:15:39.040 --> 0:15:43.400
<v Speaker 1>the Grand Unified Theory of humor, which which I just

0:15:43.480 --> 0:15:46.080
<v Speaker 1>I just imagine like these uh, these different scientists like

0:15:46.120 --> 0:15:49.680
<v Speaker 1>standing around like in clown wigs and uh and and

0:15:49.760 --> 0:15:54.360
<v Speaker 1>like just is furiously working in laboratories with site gags. Well,

0:15:54.400 --> 0:15:56.640
<v Speaker 1>what is funny about this is that this research lab

0:15:56.640 --> 0:15:59.080
<v Speaker 1>they pretty much do everything that you could ever think

0:15:59.120 --> 0:16:02.080
<v Speaker 1>of to asked out what makes something funny like they

0:16:02.120 --> 0:16:06.400
<v Speaker 1>actually even get some of their subjects high on mary

0:16:06.480 --> 0:16:08.720
<v Speaker 1>Jouanna and these are people who are in who are

0:16:08.800 --> 0:16:12.480
<v Speaker 1>using it legally for medical purposes. Yeah yeah, yeah, So UM,

0:16:12.800 --> 0:16:14.800
<v Speaker 1>that's important to talk about so that that doesn't get

0:16:14.880 --> 0:16:17.960
<v Speaker 1>rated after someone ss the podcast UM or people start

0:16:18.000 --> 0:16:20.280
<v Speaker 1>calling up saying, dude, they're not really any be part

0:16:20.280 --> 0:16:23.000
<v Speaker 1>of this experiment. Um, but yeah. I mean they're sitting

0:16:23.000 --> 0:16:26.360
<v Speaker 1>there playing like hot tub time machine with you know,

0:16:26.400 --> 0:16:29.480
<v Speaker 1>the control group which is not high, and the medical

0:16:30.040 --> 0:16:33.880
<v Speaker 1>marijuana UM subjects, and trying to figure out if duh,

0:16:33.920 --> 0:16:36.400
<v Speaker 1>you know, if this this drug would make something funnier.

0:16:36.640 --> 0:16:40.040
<v Speaker 1>And they're actually even like having some people watch it

0:16:40.200 --> 0:16:43.280
<v Speaker 1>from you know, a certain distance and then another distance

0:16:43.600 --> 0:16:45.640
<v Speaker 1>from the TV to the two the eyes to see

0:16:45.640 --> 0:16:48.840
<v Speaker 1>if that makes it funnier. So every single thing that

0:16:48.880 --> 0:16:50.840
<v Speaker 1>you could think of, their trying to test about what

0:16:51.000 --> 0:16:54.280
<v Speaker 1>makes something funny, including like the distance in which you

0:16:54.320 --> 0:16:57.720
<v Speaker 1>watch an action unfold, which is kind of nuts. So

0:16:57.760 --> 0:16:59.840
<v Speaker 1>like if you watch somebody do something stupid if you're

0:17:00.000 --> 0:17:02.640
<v Speaker 1>and close to them versus we watching them far away. Well,

0:17:02.640 --> 0:17:06.600
<v Speaker 1>and this is more for UM for for media, right,

0:17:06.680 --> 0:17:08.720
<v Speaker 1>so for if you're watching something on the internet or

0:17:08.760 --> 0:17:11.240
<v Speaker 1>something on the TV, and again this is you know,

0:17:11.280 --> 0:17:12.440
<v Speaker 1>you have to look at this. This is a guy

0:17:12.480 --> 0:17:15.080
<v Speaker 1>who is professor of marketing and psychology, so obviously he's

0:17:15.080 --> 0:17:19.159
<v Speaker 1>going to be using whatever findings he has for marketing purposes.

0:17:19.720 --> 0:17:22.399
<v Speaker 1>And since you know, internet is a huge part of

0:17:22.520 --> 0:17:25.840
<v Speaker 1>the way that we consume our comedy these days, you know,

0:17:25.880 --> 0:17:28.359
<v Speaker 1>obviously they're going to be some people who are going

0:17:28.400 --> 0:17:31.440
<v Speaker 1>to buy into this research eventually. So that means, you know,

0:17:31.440 --> 0:17:33.680
<v Speaker 1>I'm just trying to talk about the bottom line here.

0:17:33.720 --> 0:17:36.600
<v Speaker 1>It's usually money that's motivating this, but they're big work

0:17:36.640 --> 0:17:39.119
<v Speaker 1>is this unit unified theory. This unified theory is just

0:17:39.119 --> 0:17:41.399
<v Speaker 1>funny because it's almost like the theory of everything when

0:17:41.400 --> 0:17:43.600
<v Speaker 1>we talk about string theory, because because like in that,

0:17:43.640 --> 0:17:45.440
<v Speaker 1>we're talking about all these different theories about how the

0:17:45.520 --> 0:17:49.080
<v Speaker 1>universe works, and they don't all work in unison. They

0:17:49.080 --> 0:17:51.240
<v Speaker 1>can each sort of they can describe aspects of the

0:17:51.320 --> 0:17:53.880
<v Speaker 1>universe and on the full picture. So the argument here

0:17:53.960 --> 0:17:57.840
<v Speaker 1>is like the superiority theory, the relief theory, the incongruity theory,

0:17:57.920 --> 0:18:00.960
<v Speaker 1>these are all great and they can describe large sections

0:18:01.000 --> 0:18:03.720
<v Speaker 1>of humor, and they can describe like whole um, you know,

0:18:03.760 --> 0:18:06.600
<v Speaker 1>whole TV shows, but they're not a unified theory of

0:18:06.640 --> 0:18:09.560
<v Speaker 1>what's going on. Yeah, they're not. There's not everything wrapped

0:18:09.600 --> 0:18:11.640
<v Speaker 1>up into one. But this dude says that there there

0:18:11.720 --> 0:18:15.800
<v Speaker 1>is this unified theory and is called the benign violation theory. Yeah,

0:18:15.880 --> 0:18:20.040
<v Speaker 1>and like most things, it seems it relates. Uh, it

0:18:20.200 --> 0:18:24.679
<v Speaker 1>manages to explain everything through a Venn diagram, which if

0:18:24.680 --> 0:18:26.160
<v Speaker 1>you're if you're not familiar with the I'm sure you've

0:18:26.160 --> 0:18:29.159
<v Speaker 1>seen them in infographics on not really infographics or just

0:18:29.240 --> 0:18:33.040
<v Speaker 1>graphics on the internet. Um, but it's like two big

0:18:33.040 --> 0:18:36.920
<v Speaker 1>circles and they're overlapping just a little bit, and where

0:18:36.960 --> 0:18:39.639
<v Speaker 1>the two circles overlap, that's where the magic happens and

0:18:39.680 --> 0:18:42.080
<v Speaker 1>whatever is being described. Yeah, and actually there's a great

0:18:42.160 --> 0:18:44.879
<v Speaker 1>visual on why are this is one of one of

0:18:44.920 --> 0:18:48.080
<v Speaker 1>the pieces of research that led us to this and

0:18:48.200 --> 0:18:50.920
<v Speaker 1>the article is called One Professor's Attempt to Explain Every

0:18:50.960 --> 0:18:53.240
<v Speaker 1>Joke Ever told. And that's that's where you can actually

0:18:53.240 --> 0:18:55.919
<v Speaker 1>see this diagram, which is you know, again funny that

0:18:55.920 --> 0:18:58.560
<v Speaker 1>they're even applying a Venn diagram to it. Yeah, but

0:18:58.560 --> 0:18:59.920
<v Speaker 1>but it but it sums it up really nicely. Be

0:19:00.040 --> 0:19:01.639
<v Speaker 1>is in this then diagram like you don't have to

0:19:01.640 --> 0:19:03.159
<v Speaker 1>look at it. In fact, don't look at it. Just

0:19:03.200 --> 0:19:07.080
<v Speaker 1>listen to me. Um. Two big circles walk into a bar,

0:19:08.000 --> 0:19:12.200
<v Speaker 1>two big circles. One is labeled um violation and one

0:19:12.280 --> 0:19:15.439
<v Speaker 1>is labeled benign. Now, when we're talking benign, we're talking

0:19:15.600 --> 0:19:20.520
<v Speaker 1>like the word table um um table table is the

0:19:20.520 --> 0:19:22.480
<v Speaker 1>most benign thing we could come up with. But things

0:19:22.520 --> 0:19:26.639
<v Speaker 1>that are not threatening to us, things that are maybe

0:19:26.680 --> 0:19:28.639
<v Speaker 1>just you know, they're normal, they're not even, they're not

0:19:28.680 --> 0:19:33.399
<v Speaker 1>really funny. And the nothing in each circle is funny harm, right,

0:19:33.600 --> 0:19:36.080
<v Speaker 1>you're not gonna create any harm. They're just benign, all right.

0:19:36.119 --> 0:19:39.399
<v Speaker 1>Then you have the violation um circle and not everything

0:19:39.400 --> 0:19:43.120
<v Speaker 1>in the in the violation circle is inherently funny, but

0:19:43.119 --> 0:19:46.240
<v Speaker 1>but can become funny. Um. So these are things like

0:19:46.320 --> 0:19:50.560
<v Speaker 1>violations of personal dignity, of linguistic norms, like somebody has

0:19:50.560 --> 0:19:53.560
<v Speaker 1>an unusual accent, you know, in personal dignity would be

0:19:53.600 --> 0:19:58.119
<v Speaker 1>like slapstick physical deformities, you know, and like slapsticking in

0:19:58.119 --> 0:20:00.679
<v Speaker 1>like banana peel jokes, right, like slipping out of an

0:20:00.680 --> 0:20:03.920
<v Speaker 1>an appeal. Social norms like you know, just anybody behaving

0:20:04.000 --> 0:20:09.960
<v Speaker 1>strangely moral norms people doing things that are entirely disrespectful

0:20:10.040 --> 0:20:15.479
<v Speaker 1>or or just outrageously awful. Um and uh and and

0:20:15.520 --> 0:20:19.959
<v Speaker 1>so that's the violation sphere. And when these two overlap,

0:20:20.640 --> 0:20:23.200
<v Speaker 1>well you have something that is that is at once

0:20:23.359 --> 0:20:28.520
<v Speaker 1>benign and a violation. That's where the humor happens. So

0:20:28.560 --> 0:20:31.119
<v Speaker 1>you could have something that in life where it truly

0:20:31.240 --> 0:20:34.359
<v Speaker 1>is threatening, but when you overlay it with something that's benign,

0:20:34.400 --> 0:20:35.920
<v Speaker 1>you take the threat out of it, and you still

0:20:35.960 --> 0:20:38.600
<v Speaker 1>have the taboo, and then you get the funny, right right, okay.

0:20:38.760 --> 0:20:42.199
<v Speaker 1>And so they use the example of Sarah Silverman, you know,

0:20:42.400 --> 0:20:44.800
<v Speaker 1>to say this is a perfect example of b VT,

0:20:44.960 --> 0:20:47.199
<v Speaker 1>which I thought was funny because she really deals in

0:20:47.280 --> 0:20:52.240
<v Speaker 1>some very awkward territory in which she talks about sexual abuse, incest,

0:20:52.440 --> 0:20:55.080
<v Speaker 1>so on and so forth. Best reality with I mean,

0:20:55.160 --> 0:20:58.920
<v Speaker 1>she has a cute little dog that oftentimes she makes

0:20:58.960 --> 0:21:03.600
<v Speaker 1>some inferences that are awful. It's disgusting. Sometimes she's really

0:21:03.640 --> 0:21:05.959
<v Speaker 1>into toilet humor too, but she gets away with it

0:21:06.000 --> 0:21:08.840
<v Speaker 1>because she's cute and she comes off I mean, her

0:21:09.080 --> 0:21:12.360
<v Speaker 1>persona anyway is one of kind of a dunce. Well, yeah,

0:21:12.440 --> 0:21:16.000
<v Speaker 1>they they say the the professor says that she can

0:21:16.000 --> 0:21:19.440
<v Speaker 1>say these appalling things because it registers has been known

0:21:19.480 --> 0:21:24.480
<v Speaker 1>because she she seems so oblivious to their offensiveness, so

0:21:24.680 --> 0:21:27.560
<v Speaker 1>she's downplaying in a sense. And then he says, because

0:21:27.560 --> 0:21:32.560
<v Speaker 1>she's so darn cute. Yeah. So, um, it's really interesting

0:21:32.560 --> 0:21:35.560
<v Speaker 1>to look at it that way. And what's like like

0:21:35.560 --> 0:21:38.320
<v Speaker 1>like even things that are truly horrible like cancer. You know,

0:21:38.880 --> 0:21:41.600
<v Speaker 1>it's like in the it's definitely in the violations sphere

0:21:41.600 --> 0:21:45.160
<v Speaker 1>of things. But but but it can cross over into

0:21:45.200 --> 0:21:48.119
<v Speaker 1>that area where it can in theory. I mean, I

0:21:48.160 --> 0:21:50.240
<v Speaker 1>don't have any examples, but I mean you hear comedians

0:21:50.320 --> 0:21:52.800
<v Speaker 1>joke about cancer, You hear them joke about I mean,

0:21:52.960 --> 0:21:56.399
<v Speaker 1>you name it, and no matter how horrible it is,

0:21:56.440 --> 0:21:58.840
<v Speaker 1>I guarantee somebody has made a joke about it. Well

0:21:59.600 --> 0:22:01.760
<v Speaker 1>what do you allen? Who said once or something like

0:22:01.800 --> 0:22:05.480
<v Speaker 1>tragedy plus time equals comedy. So there has to be

0:22:05.560 --> 0:22:09.320
<v Speaker 1>that distance, yes, And and I think that's that's what

0:22:09.520 --> 0:22:11.320
<v Speaker 1>really is we're going to continue to discuss here. I

0:22:11.359 --> 0:22:14.480
<v Speaker 1>think that's what's really awesome about about comedy and about

0:22:14.480 --> 0:22:19.040
<v Speaker 1>what this this theory um seems to to point to

0:22:19.160 --> 0:22:22.439
<v Speaker 1>as far as this, this this convergence area, this be

0:22:22.560 --> 0:22:26.679
<v Speaker 1>nine violation area. But but real quick back to table

0:22:27.359 --> 0:22:29.600
<v Speaker 1>one thing. You are so intrigued the table. Well, it's

0:22:29.640 --> 0:22:32.520
<v Speaker 1>like like, like I said, everything in the violation area

0:22:33.000 --> 0:22:36.760
<v Speaker 1>can conceivably become comedy. I think, but can, but I don't.

0:22:36.800 --> 0:22:39.040
<v Speaker 1>I have this feeling that not everything in the benign

0:22:39.440 --> 0:22:42.560
<v Speaker 1>can become comedy. Yeah, yeah, Like what would you have

0:22:42.640 --> 0:22:45.879
<v Speaker 1>to start out funny? Well, you'd have to be tickled

0:22:45.880 --> 0:22:49.920
<v Speaker 1>on a table, right, I don't know. Maybe Okay, if

0:22:50.000 --> 0:22:52.800
<v Speaker 1>we're a gurney, Yes, a gurney could be funny, but

0:22:52.840 --> 0:22:56.680
<v Speaker 1>a gurney is no longer at has tragedy associated with Yeah, right,

0:22:56.920 --> 0:22:59.119
<v Speaker 1>so that's the violation where a table is just to

0:22:59.720 --> 0:23:02.359
<v Speaker 1>just empty of meaning. Yeah, and you and you're right,

0:23:02.359 --> 0:23:03.960
<v Speaker 1>you always are going to have to go to the

0:23:04.000 --> 0:23:06.680
<v Speaker 1>to the violation category first and then overlay the line

0:23:06.960 --> 0:23:09.440
<v Speaker 1>I think. I don't know, I say always, not being

0:23:09.480 --> 0:23:13.720
<v Speaker 1>a humorologist, but yeah, like like table not funny, sex,

0:23:13.760 --> 0:23:17.760
<v Speaker 1>table not funny sex, gurney funny sex, gurnee awesome and

0:23:18.000 --> 0:23:22.080
<v Speaker 1>a good name for a band. But let's talk about tickling, Okay, Yes,

0:23:22.119 --> 0:23:26.040
<v Speaker 1>tickling is is a great example of violation in benign

0:23:27.320 --> 0:23:32.120
<v Speaker 1>hitting each other because you're being tickled and you're laughing

0:23:32.359 --> 0:23:35.000
<v Speaker 1>if you're ticklish. If you're not ticklish, you're something's wrong

0:23:35.080 --> 0:23:38.280
<v Speaker 1>with you. But but you're being tickled and you're just

0:23:38.400 --> 0:23:40.840
<v Speaker 1>laughing your face off. But at the same time you're like,

0:23:40.920 --> 0:23:43.520
<v Speaker 1>don't do it. Stop it tickled me anymore. But like,

0:23:43.600 --> 0:23:46.080
<v Speaker 1>so what's going on there? Because I'm I'm enjoying it

0:23:46.160 --> 0:23:50.160
<v Speaker 1>yet I'm hating it. It's it's this weird um combination

0:23:50.200 --> 0:23:52.720
<v Speaker 1>of things. Okay, well this this is from the article.

0:23:52.760 --> 0:23:55.600
<v Speaker 1>They say that even tickling, longest stumbling block for humor theorists,

0:23:55.600 --> 0:23:58.879
<v Speaker 1>appears to fit into this BBT. Tickling yourself can't be

0:23:58.920 --> 0:24:02.880
<v Speaker 1>a violation because you can't take yourself by surprise. Being

0:24:02.880 --> 0:24:05.600
<v Speaker 1>tickled by a stranger and a trench coat isn't benign.

0:24:05.680 --> 0:24:09.360
<v Speaker 1>It's creepy. I would agree with that. Only tickling by

0:24:09.400 --> 0:24:12.800
<v Speaker 1>someone you know and trust can be of a nine violation. Yeah,

0:24:13.040 --> 0:24:15.000
<v Speaker 1>all right, so that makes sense, right because you already

0:24:15.040 --> 0:24:18.960
<v Speaker 1>have this sort of um communication between each other or

0:24:19.000 --> 0:24:22.200
<v Speaker 1>trust level. It's not creepy. And that reminds me, wasn't there.

0:24:23.160 --> 0:24:26.679
<v Speaker 1>There's a politician who I think the last year or

0:24:26.720 --> 0:24:29.359
<v Speaker 1>so got some hot water because he tickled one of

0:24:29.440 --> 0:24:33.760
<v Speaker 1>his aids, which was, that's a situation we're sure you

0:24:33.800 --> 0:24:38.440
<v Speaker 1>know that someone, that's someone, but you're not completely inappropriate

0:24:38.560 --> 0:24:44.520
<v Speaker 1>in the workplace in case ticklegate and they really Yeah,

0:24:44.600 --> 0:24:47.400
<v Speaker 1>it got a lot of traction actually because I mean

0:24:47.640 --> 0:24:51.880
<v Speaker 1>tis well no, but really a meaning just coming by

0:24:51.880 --> 0:24:54.760
<v Speaker 1>and tickling us. Yeah, that would be weird. Or if

0:24:54.760 --> 0:24:57.040
<v Speaker 1>you saw you have you were to see your boss

0:24:57.080 --> 0:25:00.520
<v Speaker 1>tickle somebody work, you'd be like, what kind of relationship

0:25:00.560 --> 0:25:02.240
<v Speaker 1>is that? And I did have a boss actually, but

0:25:02.280 --> 0:25:04.600
<v Speaker 1>that's for an entirely that's not even for the podcast.

0:25:04.840 --> 0:25:08.439
<v Speaker 1>Um yeah, well he did. Yeah, he tickled people. He

0:25:08.560 --> 0:25:11.879
<v Speaker 1>actually asked people to smell his milk to to make

0:25:11.920 --> 0:25:15.560
<v Speaker 1>sure it hadn't gone rancid. Wait I didn't last there

0:25:15.680 --> 0:25:20.480
<v Speaker 1>very long. Um So anyway, what this all ties into

0:25:20.520 --> 0:25:23.840
<v Speaker 1>this whole violation thing and this benign violation and trust

0:25:23.960 --> 0:25:26.600
<v Speaker 1>and not trust ties into what they say the ultimate

0:25:26.600 --> 0:25:30.639
<v Speaker 1>takeaway of McGraw's um studies are is that the evolutionary

0:25:30.680 --> 0:25:33.439
<v Speaker 1>purpose of laughter and amusement is to signal to the

0:25:33.480 --> 0:25:36.760
<v Speaker 1>world that a violation is indeed okay. Building on the

0:25:36.800 --> 0:25:41.280
<v Speaker 1>work of behavioral neurologists vs. Ramachandran, we talked about him before.

0:25:41.280 --> 0:25:43.719
<v Speaker 1>It's a lot of really interesting stuff. Mc graw believes

0:25:43.760 --> 0:25:46.800
<v Speaker 1>that laughter developed as an instinctual way to signal that

0:25:46.840 --> 0:25:49.879
<v Speaker 1>a threat is actually a false. Alarmed say that a

0:25:49.960 --> 0:25:52.600
<v Speaker 1>rustle in the bushes is in the wind, but not

0:25:52.680 --> 0:25:54.960
<v Speaker 1>a saber tooth tiger, right, so it's the wind, not

0:25:55.119 --> 0:25:57.560
<v Speaker 1>not a tiger. Well like that. The classic example that

0:25:57.600 --> 0:25:59.960
<v Speaker 1>comes to mind isn't you're you're watching a horror movie. Yeah,

0:26:00.080 --> 0:26:02.399
<v Speaker 1>and they do the typical like something jumps out and

0:26:02.440 --> 0:26:05.560
<v Speaker 1>you're like, everybody already freaks out, and then you see, oh,

0:26:05.640 --> 0:26:07.480
<v Speaker 1>it was just the wind blowing, and it's a really

0:26:07.560 --> 0:26:09.919
<v Speaker 1>cheap horror movie effect. But then everybody laughs be like,

0:26:09.920 --> 0:26:12.119
<v Speaker 1>oh that was nothing. It's the relief part, right, So

0:26:12.119 --> 0:26:15.520
<v Speaker 1>which is the Freudian film you know, philosophy behind that.

0:26:15.600 --> 0:26:18.800
<v Speaker 1>But you can imagine like some primordial hunters like out

0:26:18.880 --> 0:26:22.680
<v Speaker 1>you know, on on the grass and something, some they're

0:26:22.680 --> 0:26:25.320
<v Speaker 1>selling this movement and they freak out and they lift

0:26:25.359 --> 0:26:28.560
<v Speaker 1>their stone weapons to to to to beat it away,

0:26:28.640 --> 0:26:31.080
<v Speaker 1>to hack it to pieces, and it's just you know,

0:26:31.119 --> 0:26:33.400
<v Speaker 1>it's just the wind. It's it's where it's their their

0:26:33.440 --> 0:26:36.080
<v Speaker 1>scout coming back from the other side of the hill

0:26:36.119 --> 0:26:40.439
<v Speaker 1>and they're like, oh, you know, sort of laughing at yourself.

0:26:40.440 --> 0:26:43.359
<v Speaker 1>So it's laughing the situation, laughing at yourself. UM. But

0:26:43.400 --> 0:26:45.199
<v Speaker 1>one of the things that we thought was really interesting

0:26:45.200 --> 0:26:49.920
<v Speaker 1>about it is, particularly in this instance of UM an

0:26:49.960 --> 0:26:54.040
<v Speaker 1>evolutionary sense, is how is it you socially? I mean,

0:26:54.080 --> 0:26:56.399
<v Speaker 1>we've seen arguments before. I'm sure you've seen it to

0:26:56.520 --> 0:27:02.240
<v Speaker 1>where where something escalates between two people, and it's pretty

0:27:02.280 --> 0:27:06.280
<v Speaker 1>common that one person will say something humorous to sort

0:27:06.280 --> 0:27:10.080
<v Speaker 1>of try to negate the escalation of the argument. So

0:27:10.160 --> 0:27:13.000
<v Speaker 1>humor is definitely used in a social way as a

0:27:13.040 --> 0:27:15.360
<v Speaker 1>sort of social contract to say, you know what, this

0:27:15.400 --> 0:27:17.320
<v Speaker 1>is a false threat. Don't worry. I'm not going to

0:27:17.400 --> 0:27:20.280
<v Speaker 1>hurt you. You're not going to hurt me. Um. But

0:27:20.359 --> 0:27:22.679
<v Speaker 1>we also wanted to look at it in a wider sense,

0:27:23.359 --> 0:27:26.880
<v Speaker 1>and it reminded us of this bit in the book

0:27:26.880 --> 0:27:29.840
<v Speaker 1>called Freaking Omics that sort of examines you know, the

0:27:29.920 --> 0:27:32.159
<v Speaker 1>underlying um this is the thing having to do with

0:27:33.240 --> 0:27:37.320
<v Speaker 1>clu Klux Klan And what they found is that, uh,

0:27:37.359 --> 0:27:39.440
<v Speaker 1>well it's kind of a long story, but basically there's

0:27:39.440 --> 0:27:41.600
<v Speaker 1>just one guy who infiltrated the k k K and

0:27:41.600 --> 0:27:44.240
<v Speaker 1>the nineteen forties, Yeah, and everybody sing with Clux Klan,

0:27:44.320 --> 0:27:47.560
<v Speaker 1>I would imagine, But this is the white supremacist group

0:27:47.600 --> 0:27:52.719
<v Speaker 1>that grew out of a right right And actually they

0:27:52.760 --> 0:27:54.640
<v Speaker 1>got the idea for the sheets over the head from

0:27:54.720 --> 0:27:59.199
<v Speaker 1>the film Presive Nation. Okay, but anyway, this guy, he

0:27:59.280 --> 0:28:01.560
<v Speaker 1>sort of went under cover and he hung out with

0:28:01.600 --> 0:28:03.600
<v Speaker 1>klu Klux Klan for a very long time and he

0:28:03.720 --> 0:28:06.480
<v Speaker 1>figured out all of their passwords and all of their

0:28:06.480 --> 0:28:09.199
<v Speaker 1>different secrets with secret handshakes. And by the way, this

0:28:09.240 --> 0:28:11.960
<v Speaker 1>is a really goofy organization. Yeah. I was looking through

0:28:12.000 --> 0:28:14.760
<v Speaker 1>one of their manuals once because like an old manual

0:28:14.880 --> 0:28:18.840
<v Speaker 1>that like, yeah, my family came from the South, so

0:28:18.880 --> 0:28:21.520
<v Speaker 1>at some point in the past, like some old uncle

0:28:21.800 --> 0:28:25.440
<v Speaker 1>or great great uncle was involved in it. And yeah,

0:28:25.440 --> 0:28:27.119
<v Speaker 1>so so I ended up getting to touch this like

0:28:27.119 --> 0:28:29.920
<v Speaker 1>crumbling manual and it is the goofiest thing you ever saw.

0:28:29.920 --> 0:28:32.520
<v Speaker 1>I mean not to dis that. That's the thing about

0:28:32.680 --> 0:28:34.879
<v Speaker 1>goofy and humor that because because at one level you

0:28:34.920 --> 0:28:39.479
<v Speaker 1>can't discount that these guys terrists. But on the other hand,

0:28:39.520 --> 0:28:41.640
<v Speaker 1>they were calling themselves the clu Klux Klan, and they

0:28:41.640 --> 0:28:45.040
<v Speaker 1>had words like that, something like the grand Clue clay Gold.

0:28:45.080 --> 0:28:48.760
<v Speaker 1>They all have these ridiculous titles. And I've subsequently read

0:28:48.800 --> 0:28:52.320
<v Speaker 1>that like words that have the clock sound in it

0:28:52.440 --> 0:28:55.720
<v Speaker 1>or the cuss sound are inherently funny. That's why clown

0:28:55.760 --> 0:28:59.560
<v Speaker 1>is inherently funny. Um, And that's why. And you've got clocks. Yeah,

0:28:59.600 --> 0:29:02.200
<v Speaker 1>cloths was like a cluck and I mean that's just right.

0:29:02.280 --> 0:29:04.680
<v Speaker 1>So they were really asking for it. They were completely

0:29:04.720 --> 0:29:07.840
<v Speaker 1>asking for it in the sense to be made fun of, um,

0:29:08.080 --> 0:29:11.160
<v Speaker 1>and also to be brought down. Really, but they even

0:29:11.240 --> 0:29:13.080
<v Speaker 1>had like a secret handshake that had like a fish

0:29:13.080 --> 0:29:16.400
<v Speaker 1>wiggle or something. I mean, really, it doesn't get any

0:29:16.480 --> 0:29:19.800
<v Speaker 1>any sillier than that anyway. So this insider found out

0:29:19.840 --> 0:29:22.200
<v Speaker 1>all this information. Um, he was trying to figure out

0:29:22.280 --> 0:29:24.200
<v Speaker 1>what do I do with this information to make it

0:29:24.320 --> 0:29:27.200
<v Speaker 1>most effective. He did a couple of different things, but

0:29:27.280 --> 0:29:30.120
<v Speaker 1>then he figured out, what, you know, the only way

0:29:30.160 --> 0:29:34.160
<v Speaker 1>to really bring them to their knees as an organization

0:29:34.320 --> 0:29:36.360
<v Speaker 1>is to take the secrecy out of what they were doing.

0:29:36.760 --> 0:29:38.920
<v Speaker 1>And so he fed all the information that he had

0:29:38.920 --> 0:29:43.280
<v Speaker 1>amassed the producers of a radio show Superman actually, and

0:29:43.320 --> 0:29:47.120
<v Speaker 1>it was the Superman, the Superman radio show in the forties,

0:29:47.280 --> 0:29:49.440
<v Speaker 1>and he said, why don't we do a series that's

0:29:49.480 --> 0:29:52.440
<v Speaker 1>called Superman versus the Clan, and they were like, yeah,

0:29:52.520 --> 0:29:55.040
<v Speaker 1>let's let's go for it. And so he wove all

0:29:55.080 --> 0:29:57.720
<v Speaker 1>of those secrets, the handshakes, the passwords, so on and

0:29:57.760 --> 0:30:03.880
<v Speaker 1>so forth, the coding into the narrative. And so what

0:30:04.080 --> 0:30:07.120
<v Speaker 1>ultimately was their demise is that all of a sudden

0:30:07.160 --> 0:30:09.760
<v Speaker 1>they heard this being broadcast and they realized that they

0:30:09.760 --> 0:30:13.120
<v Speaker 1>were not a super secret organization anymore. They could not

0:30:13.680 --> 0:30:16.080
<v Speaker 1>um move in the ways that they had moved before,

0:30:16.160 --> 0:30:18.880
<v Speaker 1>and so that essentially sort of grounded them. But not

0:30:18.960 --> 0:30:22.320
<v Speaker 1>only that, but they saw was that their kids were

0:30:22.360 --> 0:30:27.120
<v Speaker 1>playing out the drama of what they were doing, and

0:30:27.200 --> 0:30:30.000
<v Speaker 1>some of them were pretending to be Superman vanquishing the

0:30:30.040 --> 0:30:32.520
<v Speaker 1>klu Klux Klan, and that you know, some of them

0:30:32.560 --> 0:30:34.640
<v Speaker 1>are tending to be the klu Klux Klan members with

0:30:34.760 --> 0:30:37.560
<v Speaker 1>sheets over their heads, and they were they basically are

0:30:37.600 --> 0:30:41.120
<v Speaker 1>making a mockery of the klu Klux Klan, which again

0:30:41.240 --> 0:30:43.560
<v Speaker 1>they were begging to be mocked right with, with all

0:30:43.640 --> 0:30:48.280
<v Speaker 1>of their myriad silly silliness there. But uh, this was

0:30:48.320 --> 0:30:52.000
<v Speaker 1>just really greatly um sort of hamstrong what they were

0:30:52.000 --> 0:30:54.880
<v Speaker 1>trying to do. And it's fascinating, it's it's it's indirect,

0:30:55.080 --> 0:30:58.880
<v Speaker 1>but it's humor that leveled the playing field. So you

0:30:59.000 --> 0:31:01.880
<v Speaker 1>drag something horrible out of this uh, out of the

0:31:01.920 --> 0:31:06.680
<v Speaker 1>sphere of of violation, bring it into that crossover between

0:31:06.760 --> 0:31:11.240
<v Speaker 1>violation and benign, and you can remove the terror from it.

0:31:11.320 --> 0:31:13.640
<v Speaker 1>You can remove the fear from it. Yes, because even

0:31:13.640 --> 0:31:16.640
<v Speaker 1>though yes, they did kill people absolutely um, and they

0:31:16.640 --> 0:31:19.240
<v Speaker 1>didn't do it very often, but they did it enough

0:31:19.400 --> 0:31:21.760
<v Speaker 1>to to make it a real threat to people. Right,

0:31:21.880 --> 0:31:25.400
<v Speaker 1>so they were a real threat. But you know what

0:31:25.440 --> 0:31:28.880
<v Speaker 1>was happening is that people were saying, really, these are

0:31:28.880 --> 0:31:31.280
<v Speaker 1>a bunch of cowards who put sheets over their heads

0:31:31.360 --> 0:31:35.239
<v Speaker 1>and they're doing horrible things. And you know, they were

0:31:35.240 --> 0:31:36.840
<v Speaker 1>sort of calling them for what they were, and that

0:31:36.960 --> 0:31:41.080
<v Speaker 1>really took the power out of the structure. It reminds

0:31:41.120 --> 0:31:44.480
<v Speaker 1>me like anytime I hear conversations about humor and get

0:31:44.520 --> 0:31:47.360
<v Speaker 1>into discussions of the nature of humor, I think back

0:31:47.400 --> 0:31:49.840
<v Speaker 1>to m Berto Eco's book The Name of the Rose,

0:31:50.440 --> 0:31:54.600
<v Speaker 1>which which deeply concerns humor. Um. They're like, there's the

0:31:54.680 --> 0:31:59.440
<v Speaker 1>whole plot about this missing UH book post Aristotle's the

0:31:59.480 --> 0:32:02.120
<v Speaker 1>Second Book of Poetics, and UH, it contains all this

0:32:02.160 --> 0:32:05.360
<v Speaker 1>stuff about humor and there's a character in the book

0:32:05.360 --> 0:32:07.920
<v Speaker 1>that's very concerned about such a book falling into the

0:32:08.200 --> 0:32:10.400
<v Speaker 1>into the hands of the general population, or at least

0:32:10.440 --> 0:32:15.280
<v Speaker 1>the general monastic population. This monastery, this medieval monastery. Because

0:32:15.480 --> 0:32:19.280
<v Speaker 1>it if someone like Aristotle were to say humor is great,

0:32:19.560 --> 0:32:21.520
<v Speaker 1>then then where it is it? In do you end up?

0:32:21.520 --> 0:32:23.160
<v Speaker 1>You know, because when you laugh at something, you take

0:32:23.160 --> 0:32:25.800
<v Speaker 1>away its power. And so what what if what happens

0:32:25.800 --> 0:32:28.200
<v Speaker 1>when you when you laugh at at the church? What

0:32:28.240 --> 0:32:31.000
<v Speaker 1>happens when you laugh at God? Uh? That you know,

0:32:31.120 --> 0:32:36.240
<v Speaker 1>the power of humor to change society is uh is

0:32:36.280 --> 0:32:39.400
<v Speaker 1>pretty phenomenal. Um I was, I was running across looking

0:32:39.440 --> 0:32:42.080
<v Speaker 1>for other examples of this, and uh, I found an

0:32:42.080 --> 0:32:45.640
<v Speaker 1>interesting essay. They don't have to link in the accompanying

0:32:45.760 --> 0:32:50.440
<v Speaker 1>blog post for this podcast, but they found that cartoons

0:32:50.560 --> 0:32:54.080
<v Speaker 1>mocking capitalism played a huge role in the rise of

0:32:54.120 --> 0:32:56.640
<v Speaker 1>socialism in the United States in the early twentieth century

0:32:57.000 --> 0:32:59.400
<v Speaker 1>because they're all these political cartoons and they were, you know,

0:32:59.440 --> 0:33:02.080
<v Speaker 1>they'd show the capitalist you know, creating all these like

0:33:02.120 --> 0:33:06.400
<v Speaker 1>fat cat capitalist, um, you know icons in the in

0:33:06.640 --> 0:33:08.720
<v Speaker 1>the in the political cartoons, and they were and they

0:33:08.760 --> 0:33:11.800
<v Speaker 1>were using this to to drag this topic into the

0:33:12.160 --> 0:33:15.400
<v Speaker 1>into the comedic area, and and it helped, you know,

0:33:15.920 --> 0:33:18.680
<v Speaker 1>helped the rise of socialism. Well, we talked to you

0:33:18.720 --> 0:33:24.360
<v Speaker 1>about just even sitcom's Jefferson's or a family Archie Bunker.

0:33:24.400 --> 0:33:29.240
<v Speaker 1>I mean, you know, he presented some horrible violations, right, um,

0:33:29.280 --> 0:33:32.040
<v Speaker 1>and yet there there was a benign factor because they

0:33:32.040 --> 0:33:34.400
<v Speaker 1>were making fun of Archie Bunker, you know, I mean

0:33:34.440 --> 0:33:37.520
<v Speaker 1>in a sense they were you know, he his he

0:33:37.600 --> 0:33:40.560
<v Speaker 1>had a sort of certain personal truth, but that truth

0:33:40.680 --> 0:33:43.520
<v Speaker 1>was sometimes silly. I mean, you know, obviously a lot

0:33:43.520 --> 0:33:46.960
<v Speaker 1>of times silly when they shown that light on him. Yeah,

0:33:47.120 --> 0:33:48.920
<v Speaker 1>and so it sort of broke some of the barriers

0:33:49.000 --> 0:33:52.160
<v Speaker 1>that you might not talk about in civilized conversation. Yeah.

0:33:52.200 --> 0:33:54.840
<v Speaker 1>And it also I think you do see examples too

0:33:54.840 --> 0:33:58.240
<v Speaker 1>of of what appears to be take up perceived violations

0:33:58.280 --> 0:34:01.000
<v Speaker 1>by some like things that it's some segments of the

0:34:01.000 --> 0:34:03.400
<v Speaker 1>population don't don't agree with. Like we were talking about

0:34:03.880 --> 0:34:07.000
<v Speaker 1>Modern Family, which is a current sitcom I think, and

0:34:07.000 --> 0:34:09.480
<v Speaker 1>I think it just wrapped up its second season, and

0:34:09.480 --> 0:34:13.920
<v Speaker 1>and this shows some some traditionally non traditional families. I

0:34:13.920 --> 0:34:16.759
<v Speaker 1>mean that I think each model is a lot more

0:34:16.800 --> 0:34:19.360
<v Speaker 1>common now, but but non traditional in the TV sense

0:34:19.719 --> 0:34:22.680
<v Speaker 1>because you have you have a gay couple that's adopted

0:34:22.680 --> 0:34:24.920
<v Speaker 1>a child, so in that you have both both a

0:34:25.320 --> 0:34:29.520
<v Speaker 1>gay couple and an adoptive family which are both under reference.

0:34:29.800 --> 0:34:32.160
<v Speaker 1>Child is Vietnamese too. Yeah, so it's multily. It's also

0:34:32.239 --> 0:34:34.840
<v Speaker 1>multi racial. Then you have like you know, then you

0:34:34.880 --> 0:34:37.439
<v Speaker 1>have more you have another multi racial couple where there's

0:34:37.480 --> 0:34:41.040
<v Speaker 1>also a big age difference, and and so you you

0:34:41.080 --> 0:34:45.200
<v Speaker 1>take these ideas which to some segments of the population

0:34:45.719 --> 0:34:49.239
<v Speaker 1>would be considered violations and you but you move into

0:34:49.280 --> 0:34:54.000
<v Speaker 1>a mainstream comedic area and we're suddenly we can find

0:34:54.080 --> 0:34:57.200
<v Speaker 1>humor in these situations and it and it removes the sting.

0:34:57.440 --> 0:35:00.720
<v Speaker 1>Right well, yeah, you you move lest from um looking

0:35:00.719 --> 0:35:05.200
<v Speaker 1>at something objectively and more to humanizing it right now. Um, now,

0:35:05.239 --> 0:35:07.400
<v Speaker 1>of course with all this so you have to you

0:35:07.440 --> 0:35:08.919
<v Speaker 1>have to keep it. There's also sort of a chicken

0:35:08.960 --> 0:35:11.440
<v Speaker 1>and egg thing with any of these topics because you you,

0:35:11.600 --> 0:35:14.719
<v Speaker 1>on one hand, you can't say, oh, well, uh, the

0:35:14.840 --> 0:35:18.200
<v Speaker 1>Jefferson's changed, you know, changed the way we think about

0:35:18.239 --> 0:35:21.360
<v Speaker 1>race or something like that. I mean, that would be ridiculous. Um.

0:35:21.400 --> 0:35:24.000
<v Speaker 1>There's also a lot of mirroring where the the show

0:35:24.120 --> 0:35:27.359
<v Speaker 1>is mirroring changing attitudes. So so it was so we're

0:35:27.360 --> 0:35:30.680
<v Speaker 1>not arguing that these shows are are have just tremendous,

0:35:30.760 --> 0:35:33.960
<v Speaker 1>unparalleled power, but but I do think they tie into

0:35:34.040 --> 0:35:37.239
<v Speaker 1>into the role comedy plays in social change. Yeah, and

0:35:37.320 --> 0:35:40.440
<v Speaker 1>just one quick sort of science note here too, is

0:35:41.400 --> 0:35:44.360
<v Speaker 1>we came across this research. It was a dot com

0:35:44.400 --> 0:35:48.800
<v Speaker 1>talk on humor and smiling specifically, and it was really interesting.

0:35:48.840 --> 0:35:50.759
<v Speaker 1>It was this study they had a control group of

0:35:50.800 --> 0:35:53.919
<v Speaker 1>people watching things that were funny and they would rate

0:35:53.960 --> 0:35:55.800
<v Speaker 1>them from like one to five what they thought was funny.

0:35:56.120 --> 0:35:58.800
<v Speaker 1>And then they had another group that had a pencil

0:35:58.880 --> 0:36:00.880
<v Speaker 1>in their mouth, holding a pen in their mouth while

0:36:00.960 --> 0:36:03.759
<v Speaker 1>they watched and rated what they found. People with a

0:36:03.800 --> 0:36:07.279
<v Speaker 1>pencil in their mouth, we're rating things less funny. The

0:36:07.360 --> 0:36:10.640
<v Speaker 1>reason is because of you're talking about this mirroring. Is

0:36:10.960 --> 0:36:15.160
<v Speaker 1>you know your mirror neurons. You're you're watching something and

0:36:15.160 --> 0:36:19.680
<v Speaker 1>there's a really deep connection to mirroring other people's behaviors.

0:36:19.680 --> 0:36:21.719
<v Speaker 1>So when you're watching something that's funny, you're going to

0:36:21.800 --> 0:36:24.840
<v Speaker 1>start to smile, you start get to engage those muscles.

0:36:25.080 --> 0:36:28.279
<v Speaker 1>When those muscles are inhibited, whether it's a pencil or

0:36:28.280 --> 0:36:32.279
<v Speaker 1>botox injections, by the way, you're less able to empathize.

0:36:33.040 --> 0:36:36.080
<v Speaker 1>So again you've got comedy is something which is you

0:36:36.120 --> 0:36:39.959
<v Speaker 1>know this this uh, this great unifier that really can

0:36:40.000 --> 0:36:44.200
<v Speaker 1>allow people to better understand different perspectives and sort of

0:36:44.680 --> 0:36:48.240
<v Speaker 1>you know. Also, do not trust a superhero who covers

0:36:48.280 --> 0:36:50.439
<v Speaker 1>up his mouth like Batman. You can see his mouth

0:36:50.520 --> 0:36:52.640
<v Speaker 1>so you can be able to he's going to be

0:36:52.680 --> 0:36:55.920
<v Speaker 1>able to understand people more. But Spider Man, I don't

0:36:55.960 --> 0:36:58.279
<v Speaker 1>know what's going on. You What about a joker? He's

0:36:58.320 --> 0:37:00.920
<v Speaker 1>smiling all the time. You can't tell what's going on, right,

0:37:00.960 --> 0:37:04.680
<v Speaker 1>It's it's like botox in a way. Yeah, um, but

0:37:04.719 --> 0:37:07.160
<v Speaker 1>there you go. That's that's that's a well. It makes

0:37:07.160 --> 0:37:10.359
<v Speaker 1>me think too of laughter yoga, which you're opposed to, right,

0:37:10.440 --> 0:37:13.800
<v Speaker 1>I'm absolutely opposed to laughter. I have practice yoga for

0:37:13.800 --> 0:37:16.759
<v Speaker 1>a number of years, but yes, laughter yoga. And my

0:37:16.800 --> 0:37:19.400
<v Speaker 1>wife also is uh. I think she's at least on

0:37:19.440 --> 0:37:21.680
<v Speaker 1>the fence about it or she doesn't like it, one

0:37:21.719 --> 0:37:24.600
<v Speaker 1>or the other. But laughter yoga is where you where

0:37:24.600 --> 0:37:27.959
<v Speaker 1>a yoga group will will we'll start laughing. And again

0:37:28.040 --> 0:37:30.000
<v Speaker 1>it's fake at first. I mean it's very fake because

0:37:30.000 --> 0:37:32.600
<v Speaker 1>there's generally not that much funny in a yoga class,

0:37:32.680 --> 0:37:38.360
<v Speaker 1>unless you know somebody farts, right, but but because we

0:37:38.400 --> 0:37:41.320
<v Speaker 1>can normally and I'm not going to talk about farts

0:37:41.360 --> 0:37:43.960
<v Speaker 1>in in this podcast, but you know it's a human podcast.

0:37:45.040 --> 0:37:48.160
<v Speaker 1>But anyway, um, yoga people will suddenly they'll start laughing.

0:37:48.160 --> 0:37:51.000
<v Speaker 1>They'll be like ha ha ha ha, and then everybody's laughing,

0:37:51.080 --> 0:37:54.800
<v Speaker 1>and then eventually the laughing laughter becomes real laughter because

0:37:54.840 --> 0:37:57.680
<v Speaker 1>it's awful. That's why there's no other choice but to laugh.

0:37:57.800 --> 0:37:59.319
<v Speaker 1>It's like, you know what I don't like about it.

0:37:59.320 --> 0:38:03.200
<v Speaker 1>It's like tickling yourself. Yeah, it's just not it's weird

0:38:04.400 --> 0:38:06.800
<v Speaker 1>and I don't like to be forced into tickling myself

0:38:06.880 --> 0:38:10.720
<v Speaker 1>or laughter. I have to tell you just for the record, Okay,

0:38:10.800 --> 0:38:12.640
<v Speaker 1>just just for the record, got you, And now you're

0:38:12.680 --> 0:38:15.680
<v Speaker 1>not gonna make me take a tickling or tickling yoga class,

0:38:15.680 --> 0:38:18.680
<v Speaker 1>a laughing yoga class. But just should started kick it off?

0:38:20.000 --> 0:38:23.480
<v Speaker 1>All right? Well, hey, um, I guess it's time for

0:38:23.640 --> 0:38:26.920
<v Speaker 1>listener mail hull. The first thing I'm actually going to

0:38:27.080 --> 0:38:29.600
<v Speaker 1>hit here is not really listener mail per se, but

0:38:30.640 --> 0:38:34.360
<v Speaker 1>I listener feedback. Well, well that they haven't listened to

0:38:34.360 --> 0:38:37.160
<v Speaker 1>the podcast yet, so I don't know. This is we're

0:38:37.160 --> 0:38:41.319
<v Speaker 1>really playing with causality all right, mysterio. But since I've

0:38:41.960 --> 0:38:45.799
<v Speaker 1>along with Holly Frey, one of our our tech editor here,

0:38:45.920 --> 0:38:49.160
<v Speaker 1>I've started contributing to the main house stuff works Twitter

0:38:49.200 --> 0:38:52.200
<v Speaker 1>and Facebook accounts, which are just how stuff works on Twitter,

0:38:52.680 --> 0:38:55.799
<v Speaker 1>how stuff works on Facebook, and I'll label those with

0:38:55.880 --> 0:38:58.480
<v Speaker 1>my name. But I was researching, we were researching for

0:38:58.480 --> 0:39:00.520
<v Speaker 1>this podcast yesterday, so I decided to call out to

0:39:01.200 --> 0:39:03.080
<v Speaker 1>the readers there. It's like, hey, guys, what are some

0:39:03.120 --> 0:39:07.080
<v Speaker 1>words that you words or things that you find inherently funny?

0:39:07.400 --> 0:39:17.880
<v Speaker 1>And that's so I'm gonna read a few of them. Uh, pigeonhole, bush, ugly, bald, nostril, nut, laugh, groin.

0:39:18.640 --> 0:39:22.120
<v Speaker 1>I would like to add the groin itches is even funnier. Cheeks,

0:39:22.760 --> 0:39:34.960
<v Speaker 1>Harry Duke, feces, chipmunk, milk, toast, male slot, pumpernickel, spoon, garbonzo.

0:39:35.200 --> 0:39:37.560
<v Speaker 1>I think carbonzo is especially funny, and that it's such

0:39:37.600 --> 0:39:40.360
<v Speaker 1>a it sounds really elegant for what it is, you know,

0:39:40.440 --> 0:39:42.120
<v Speaker 1>it's like just like a little I don't know, it

0:39:42.120 --> 0:39:44.080
<v Speaker 1>seems like a character, like a Tom and Jerry character

0:39:44.120 --> 0:39:49.440
<v Speaker 1>to me, Like, I don't know, hob nob Schnitzel. Schinzel

0:39:49.560 --> 0:39:52.919
<v Speaker 1>is pretty funny. There is a Chnitzel. The German food

0:39:52.960 --> 0:39:55.279
<v Speaker 1>is really big and hunts fill Alabama because of like

0:39:55.640 --> 0:39:59.279
<v Speaker 1>the NASA there and German population that moved there after

0:39:59.320 --> 0:40:01.960
<v Speaker 1>the war. And uh, and there there was actually was

0:40:02.040 --> 0:40:04.880
<v Speaker 1>like a former dairy queen like fast food restaurant that

0:40:05.000 --> 0:40:07.640
<v Speaker 1>had been turned into a fast food schnitzel restaurant. It's

0:40:07.640 --> 0:40:09.680
<v Speaker 1>called the Schnitzel Farm. And they're like, that's a great

0:40:09.680 --> 0:40:12.759
<v Speaker 1>combination of words right there. Uh, muck is another one

0:40:12.760 --> 0:40:17.680
<v Speaker 1>that was suggested. Banana poop, moose and moist. Is ointment

0:40:17.800 --> 0:40:20.839
<v Speaker 1>just awkward or is it funny? Ointment is funny? Okay, well, yeah,

0:40:20.880 --> 0:40:24.560
<v Speaker 1>it's a violation, right awkward? Kume quiet is also pretty funny. Yeah,

0:40:24.719 --> 0:40:27.320
<v Speaker 1>there's a lot of good ones there. Uh. We should

0:40:27.320 --> 0:40:29.880
<v Speaker 1>probably hear from people to about what they think is

0:40:29.880 --> 0:40:33.160
<v Speaker 1>the funniest words. Uh, yeah that they've heard. Yeah that

0:40:33.200 --> 0:40:35.480
<v Speaker 1>I would be Yeah, if I would, I would read

0:40:35.520 --> 0:40:38.840
<v Speaker 1>one more list of of of words after you know,

0:40:38.880 --> 0:40:42.600
<v Speaker 1>a couple of podcasts. Yeah, um, well, let's read one

0:40:42.800 --> 0:40:44.920
<v Speaker 1>one quick listener mail before we close it out. Here

0:40:45.160 --> 0:40:48.279
<v Speaker 1>an actual listener mail. Eric writes then and says, uh,

0:40:48.840 --> 0:40:51.799
<v Speaker 1>your in your intro to your Dad's podcast, we did

0:40:51.800 --> 0:40:55.440
<v Speaker 1>a Dad's of The Animal Kingdom episode for Claud's Day. Um,

0:40:55.520 --> 0:40:57.560
<v Speaker 1>you made me think of this joke. I hope you

0:40:57.600 --> 0:40:59.920
<v Speaker 1>like it. So this is very timely beca this joke. Right.

0:41:00.560 --> 0:41:02.440
<v Speaker 1>A dog walks into a bar in Texas with a

0:41:02.440 --> 0:41:07.319
<v Speaker 1>heavy bandage on his foot. The bartender, played by Randy Jackson, says, yo, dog,

0:41:07.360 --> 0:41:10.440
<v Speaker 1>what's up? The dog replies, I'm looking for the man

0:41:10.480 --> 0:41:15.479
<v Speaker 1>who shot my paw. Ah, Eric, I hope you liked it.

0:41:15.719 --> 0:41:18.879
<v Speaker 1>If not us, If not, say so, I'll send you

0:41:18.920 --> 0:41:22.960
<v Speaker 1>no more jokes. No, no, send them them. But I can't.

0:41:23.000 --> 0:41:27.040
<v Speaker 1>I mean, yes, that made me kind of, that made

0:41:27.040 --> 0:41:29.399
<v Speaker 1>me GoF, But still I love it. Yeah, there's nothing

0:41:29.440 --> 0:41:31.280
<v Speaker 1>like a that's a weird thing. It's like the jokes

0:41:31.320 --> 0:41:35.600
<v Speaker 1>that I generally don't get to hear, actual joke jokes

0:41:35.680 --> 0:41:38.560
<v Speaker 1>unless they're really bad jokes. Like those are the Those

0:41:38.600 --> 0:41:40.520
<v Speaker 1>are the jokes actually want to hear. They're really cringe

0:41:40.520 --> 0:41:43.200
<v Speaker 1>worthy bad jokes. Yeah, yeah, it's good stuff. I have

0:41:43.239 --> 0:41:44.560
<v Speaker 1>to say I have a soft spot my heart for

0:41:44.640 --> 0:41:47.839
<v Speaker 1>John Riggles because awful if he is he really is. Yeah,

0:41:48.280 --> 0:41:51.200
<v Speaker 1>but anyway, that's he's a really nice man in life.

0:41:52.320 --> 0:41:55.560
<v Speaker 1>He's not, he's not he's not my dad. Long story,

0:41:55.560 --> 0:41:57.040
<v Speaker 1>but my dad had dinner with him and he said

0:41:57.040 --> 0:42:01.120
<v Speaker 1>it was it's like, you know, getting grilled, and yeah,

0:42:01.280 --> 0:42:03.200
<v Speaker 1>I roasted. I love the bid where he talks about

0:42:03.200 --> 0:42:06.319
<v Speaker 1>the night Frank Sinatra saved his life. Oh, I've not

0:42:06.440 --> 0:42:08.640
<v Speaker 1>heard that. Well, he was. He was doing the stand

0:42:08.680 --> 0:42:10.120
<v Speaker 1>up bit and this was played back in the day,

0:42:10.160 --> 0:42:12.880
<v Speaker 1>you know, the rat pack days though, and U and

0:42:13.000 --> 0:42:15.920
<v Speaker 1>he sees Frank is sitting there with his cronies, you know,

0:42:15.920 --> 0:42:18.480
<v Speaker 1>on the front front row. So Don rickles as an

0:42:18.520 --> 0:42:21.759
<v Speaker 1>insult comedian, so he cares into Frank a little bit

0:42:22.200 --> 0:42:24.880
<v Speaker 1>and uh, and he says, and you know, he's like,

0:42:25.080 --> 0:42:26.560
<v Speaker 1>you know, I guess he'll have he'll be a good sport,

0:42:26.560 --> 0:42:28.400
<v Speaker 1>don't know, tear into about bit. So he makes fun

0:42:28.480 --> 0:42:30.600
<v Speaker 1>and Frank a little bit. But after the show, Frank

0:42:30.600 --> 0:42:34.279
<v Speaker 1>Sinatra ends up saving his life because some he goes

0:42:34.280 --> 0:42:36.760
<v Speaker 1>out into the alley and these guys start just beating

0:42:36.760 --> 0:42:39.399
<v Speaker 1>the crap out of him, and Frank Sinatra comes out

0:42:39.400 --> 0:42:41.680
<v Speaker 1>and he's like, that's enough, boys, he's had enough, or

0:42:41.719 --> 0:42:44.680
<v Speaker 1>that's good boys, he's had enough. Yeah, okay, So I'm

0:42:44.719 --> 0:42:48.600
<v Speaker 1>not gonna say mafia or anything or planned to have

0:42:48.680 --> 0:42:51.680
<v Speaker 1>him beat up an alley or anything like that and

0:42:51.719 --> 0:42:54.880
<v Speaker 1>then save life. But I'm sorry, Frank Sinatra. You know

0:42:54.960 --> 0:42:56.640
<v Speaker 1>he had a couple of boys go out there. Yeah.

0:42:56.680 --> 0:42:59.760
<v Speaker 1>Well yeah, that's that's why it's funny, because he clearly

0:42:59.760 --> 0:43:04.160
<v Speaker 1>he had somebody beat up down racles. Yeah. Yeah. Anyway,

0:43:04.640 --> 0:43:08.160
<v Speaker 1>if you have any thoughts on humor, um what you

0:43:08.200 --> 0:43:10.880
<v Speaker 1>find funny and and certainly just trying to figure out

0:43:11.680 --> 0:43:14.600
<v Speaker 1>how humor works? Uh, do let us know. You can

0:43:14.600 --> 0:43:17.080
<v Speaker 1>find us on Facebook and Twitter as blow the Mind.

0:43:18.160 --> 0:43:20.000
<v Speaker 1>We're on there all the time. Yeah. And do you

0:43:20.080 --> 0:43:22.719
<v Speaker 1>agree with this benign violation theory? Do you think that

0:43:22.760 --> 0:43:25.239
<v Speaker 1>it is the grand unified theory of humor? Let us

0:43:25.320 --> 0:43:32.960
<v Speaker 1>know at below the Mind at how stuff works dot com.

0:43:33.040 --> 0:43:35.600
<v Speaker 1>Be sure to check out our new video podcast, Stuff

0:43:35.640 --> 0:43:38.279
<v Speaker 1>from the Future. Join how Stuff Work staff as we

0:43:38.320 --> 0:43:41.880
<v Speaker 1>explore the most promising and perplexing possibilities of tomorrow.