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Speaker 1: We are Morning Studio Morning.

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Speaker 2: Okay, We're going to start with this next person who

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Speaker 2: wishes he did better in high school, but it seemed

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Speaker 2: to work out pretty well for him because his life

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Speaker 2: right now is pretty cool. There is our video producer producer.

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Speaker 3: Ready, Guys, I found a discipline that I do with

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Speaker 3: my kids and it's amazing. So whenever they act up,

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Speaker 3: I say, keep it up. I'll talk about it on

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Speaker 3: the radio. And they immediate, what do you mean.

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Speaker 2: I don't think that's healthy. What do you mean You're

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Speaker 2: making them see your job as possibly a punishment for them.

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Speaker 2: Here's what happens.

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Speaker 3: Sometimes I talk about on the radio and they're like,

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Speaker 3: why did you talk about that on the radio?

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Speaker 2: Now all my friends hear about it.

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Speaker 3: So I said, oh, you know what, I want your right,

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Speaker 3: I won't do that, And then when they act up,

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Speaker 3: I'm like, you want me to talk about it on

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Speaker 3: the right here?

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Speaker 2: You I just don't think that's a healthy relationship with

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Speaker 2: your job. Bones. You should do that with your wife, Amy,

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Speaker 2: you should do that with your kids.

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Speaker 4: It's like a threat.

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Speaker 2: It's a threat. It's not healthy.

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Speaker 5: It's like fear. Parenting out of fear, creating.

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Speaker 2: Fear and with something that you do every single day,

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Speaker 2: which they're going to associate that fear with which they're

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Speaker 2: gonna hate that you check it out.

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Speaker 3: Look, you got an f What'm if you don't pick

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Speaker 3: up these grades and make the I want this into

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Speaker 3: a beat by next week or I'm gonna talk about

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Speaker 3: on the radio.

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Speaker 2: They're pretty good. It's so serious, it's awesome. I don't

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Speaker 2: like it, but you do what you gotta do. Everybody

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Speaker 2: next up. We rejected his bit called win a date

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Speaker 2: with Amy recently, and some would question his moral decency.

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Speaker 2: Here's lunchbox, everybody.

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Speaker 6: Yeah, I just appreciate how much our listeners have our backs,

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Speaker 6: Like I mean to the rescue. This girl, Heather Gun

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Speaker 6: on Instagram hits me up. She goes just a reminder,

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Speaker 6: today is your anniversary. It's the same as mine. And

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Speaker 6: I'm like, oh crap, it is my anniversary. Because let

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Speaker 6: me tell you, I don't look at a calendar. I

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Speaker 6: don't know dates. And I was like, well, better do

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Speaker 6: something for my wife. And so I had already ordered

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Speaker 6: myself at lunch, and so when I was at the

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Speaker 6: sandwich shop, I picked up her favorite sub.

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Speaker 2: Also, you don't know dates.

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Speaker 7: Who lives in the calendar. What's says date.

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Speaker 8: I don't know exactly.

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Speaker 2: It's the eighteenth, but I look at the cant I

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Speaker 2: mean I have to live by my calendar. Yeah, I don't,

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Speaker 2: I know, but you said who That's what I'm telling you.

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Speaker 2: I have all my out I mean most my hours

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Speaker 2: are it's purple, so I'm covered.

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Speaker 8: But yeah, I use a calendar.

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Speaker 7: See, I don't use a calendar. I don't look at dates.

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Speaker 2: Nothing. You don't have anything to keep anything reminder and no,

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Speaker 2: nothing I have. There's a beauty to that.

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Speaker 6: Oh yeah, I keep it in my head, man, like

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Speaker 6: I know I got to be somewhere on this day.

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Speaker 7: Okay, it's in my head. That's it.

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Speaker 8: You just must not have that many things.

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Speaker 5: Then do you have the date or sometimes you're like, okay,

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Speaker 5: that's on a Thursday.

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Speaker 6: I just know it's in two wednesdays or something, because

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Speaker 6: my god, it's like, oh, we have five sleeps.

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Speaker 7: I don't right now. I don't look at a calendar.

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Speaker 7: I don't look at day.

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Speaker 6: So I mean, thank you to our listeners and happy

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Speaker 6: anniversary of my wife.

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Speaker 9: Wow.

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Speaker 2: This next person adopted her two children from Haiti, and

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Speaker 2: she provides the show with her pile of stories.

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Speaker 8: I'm the daily here.

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Speaker 2: She has Amy everybody.

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Speaker 8: Okay, So my.

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Speaker 5: Daughter's sixteen, she's in high school and a couple of

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Speaker 5: these guys that she goes to school with came over.

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Speaker 5: My car was picking her up and they came over

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Speaker 5: and they introduced themselves and I was like, oh, Hi,

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Speaker 5: nice to meet you. And then they walked away, and

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Speaker 5: so Shir gets in and I said, oh, that was

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Speaker 5: nice to your friends to come introduce themselves, and she goes, oh, no,

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Speaker 5: they're doing it to all the moms. The boys these days,

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Speaker 5: this is their generation. They think they can get the

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Speaker 5: moms and then they walk around school telling all of

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Speaker 5: us that they're going to be our stepdads.

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Speaker 8: And I was like, what.

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Speaker 2: Are well? This is layer? This is layer.

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Speaker 8: First of all, lunchbox is one thinks it's hilarious.

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Speaker 7: Man, one of my friends had a hot mom. We

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Speaker 7: used to tell them all the time.

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Speaker 2: But secondly, I feel like this is also on Amy Bragg.

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Speaker 2: I feel like Amy position a little bit here.

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Speaker 5: No, she said they're doing it to all my moms.

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Speaker 5: It wasn't exclusive to me.

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Speaker 8: I bet you there's some moms ain't doing it.

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Speaker 5: Okay, Well, listen That was not meant to be a brag.

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Speaker 5: It was more so that soher was telling me like

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Speaker 5: it is with boys these days, and they think they

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Speaker 5: have a shot with moms, and they're.

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Speaker 8: Telling us like it is that some young teenage voice.

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Speaker 5: You were Hut, I don't think that's They didn't even

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Speaker 5: know what when they walked it was the car. They

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Speaker 5: just knew that I was the mom picking her up whatever.

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Speaker 5: That wasn't the point, okay, now, I just okay, not

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Speaker 5: the point of the story. I thought it was funny too,

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Speaker 5: that they're walking around. I'm gonna be your step.

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Speaker 9: Down Ali right from Mountain Pine, Arkansas. He's great at

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Speaker 9: coming up with topics on the fly from the starts.

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Speaker 9: When we say bye, Bobby Bones, thank you. I've got

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Speaker 9: a few housekeeping notes. But first of all, want to

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Speaker 9: tell you this. I don't know if it got to

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Speaker 9: you got.

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Speaker 2: Oh, you probably saw it pop up. We're getting a.

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Speaker 8: Prison call from Joe Exotic.

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Speaker 2: I saw, I saw it. Was like, what from prison?

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Speaker 2: That's a amazing And I don't know how he timed

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Speaker 2: this out. Scuba does does he use a calendar and lunchbox?

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Speaker 2: Doesn't Joe Exotic from prison use account to know when

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Speaker 2: he's gonna call us.

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Speaker 10: So I think we're fit into a schedule of like

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Speaker 10: your one call a day. And that's how it's all

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Speaker 10: put together through someone who's handling his schedule.

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Speaker 8: And why are we what's he promoting?

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Speaker 10: Nothing, It's just we've been trying to get him on

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Speaker 10: for three years, so I figured it's a good bookend

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Speaker 10: from having what's your name on and then him as well,

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Speaker 10: it is awesome.

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Speaker 2: Well, just that he's calling from prison is awesome. Maybe

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Speaker 2: from we go yes, right, and then we get wow,

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Speaker 2: we have to pay for is a collect I don't know.

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Speaker 2: I think it comes out of his commissary of dues.

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Speaker 2: The company gets mad at us because we take a

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Speaker 2: collect call. So a little bit of that. So I

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Speaker 2: wanted to mention that forget you guys see the guests

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Speaker 2: that are book on the calend, but there's a calendar lunchbox.

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Speaker 2: How did you see that?

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Speaker 7: Oh no, it's just an email.

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Speaker 2: It's an email pops up my calendar. You guys just

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Speaker 2: get an email about it.

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Speaker 7: I don't have account.

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Speaker 4: We get both.

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Speaker 7: If you accept it, it.

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Speaker 5: Pops up on your calendar.

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Speaker 2: Gonna do that, so we're gonna have Chris from Dashboard

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Speaker 2: Professional in but he got sick and wasn't able to

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Speaker 2: come in. Is that still happening Scuba. Yeah, so he's

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Speaker 2: coming in at the end of the month, okay. And

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Speaker 2: then Adam Dirretz from County Crows, he's still coming in.

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Speaker 10: He's coming in, yeah, I think next week or the

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Speaker 10: week after.

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Speaker 2: He's in person. He's oh, it's my favorite person, one

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Speaker 2: of my favorite people of all time in the history

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Speaker 2: of time. You met him before? Never? Oh never, It's

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Speaker 2: gonna be amazing of all time, one of my favorite

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Speaker 2: of all time. So that's a weird one for me

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Speaker 2: because I'm such a fan that I'm kind of nervous

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Speaker 2: about it not going wonderfully. I've seen interviews with him

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Speaker 2: recently and he.

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Speaker 3: Seems a lot more open. Like back in the day

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Speaker 3: he was very like shy, wouldn't answer question. I think

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Speaker 3: now he's more open and we'll get you'll get more

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Speaker 3: out of him.

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Speaker 2: So we get Joe Exotic from Prison Dashboard Professional, Counting Crows.

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Speaker 8: Come on, that's pretty good. That's very good.

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Speaker 2: All right, So that's all happening here, we hope. But

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Speaker 2: the Joe Exotic, when I think I'm just because it's in.

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Speaker 5: There.

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Speaker 8: Any rules and we can talk about with him.

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Speaker 10: There's one rule I have to check through my email.

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Speaker 10: We can't talk about the death of his husband. His

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Speaker 10: husband died, I think so. Yeah, I got to confirm

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Speaker 10: my notes. But there was one off limits thing, and

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Speaker 10: I believe it was that.

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Speaker 2: But other than that, we're good. Other than that, we

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Speaker 2: should be good. Next up to Chris Li's Oh, come on,

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Speaker 2: let's go. Time for the mail bag.

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Speaker 11: Do you spend the gamemail?

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Speaker 2: And we read it all the air to get.

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Speaker 1: Something we call Bobby's mail bag.

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Speaker 2: Yeah, hello, Bobby Bones. I know this is petty, but

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Speaker 2: something that really bothers me is on my mind. My

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Speaker 2: wife's been dropping hints for birthday gifts all over the house.

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Speaker 2: It's far from subtle, though I'm seriously considering ignoring it

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Speaker 2: this year. Over the last five years, I've got her jewelry,

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Speaker 2: we go on a vacation, dinners, spall packages, I bought

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Speaker 2: stuff for the kids that they give her, and it's

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Speaker 2: been wonderful. You know why, because she deserves it. That said,

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Speaker 2: over the last five years for my birthday, I've gotten

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Speaker 2: an annual of chores that need to be done around

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Speaker 2: the house. Complaints that she's too tired to do anything,

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Speaker 2: socks underwear on a dart board, which I'm not allowed

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Speaker 2: to hang in the house because holes might get in

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Speaker 2: the wall. I'm just not feeling it this year. Does

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Speaker 2: that make me a total jerk? Or do you have

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Speaker 2: a point here? Signed? Husband? Tired of gift giving. I

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Speaker 2: don't feel like she does very good his birthday though.

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Speaker 2: Huh right, it sounds like she wants a lot of

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Speaker 2: nice things but doesn't give a lot of nice things.

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Speaker 2: Let's word again what he got for his birthday over

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Speaker 2: the last five years. For my birthday, I've gotten chores

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Speaker 2: that need to be done, an annual list, complaints that

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Speaker 2: she's too tired to do anything, socks underwear and a

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Speaker 2: dart board. Those are the gifts. But I feel like

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Speaker 2: too tired to do anything. This means too tired to

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Speaker 2: do anything? You know anything? Okay, I see that I'm

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Speaker 2: just not feeling it this year.

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Speaker 8: Does that make me a total jerk? Or to have

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Speaker 8: a point?

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Speaker 2: So he's thinking about not getting her anything?

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Speaker 8: Well, it could be both. You can be both. You

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Speaker 8: can be a jerk and you can have a point.

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Speaker 5: Sure, I know what he should get her couple's therapy.

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Speaker 2: That's what really, because I get to be a blender

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Speaker 2: or a membership to a gym.

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Speaker 5: No, that sounds like they need a little communication.

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Speaker 2: Can you not leave Let's just address the thing you

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Speaker 2: didn't ask about. Can you not leave hints about your

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Speaker 2: birthday to her? Exactly? Because it sounds like you're not

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Speaker 2: because us as dudes, we try to downplay our birthdays

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Speaker 2: because we don't want to be like, oh he loves

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Speaker 2: his birthday, you get made fun of. But if it's

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Speaker 2: bothering you, you should also leave hints about your birthday

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Speaker 2: and I don't know, that's not what you asked about,

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Speaker 2: or just ask her for what you want, because it's

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Speaker 2: basically what she's doing. This is what I would do.

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Speaker 2: I'd get her what she wants. She'll leave in hints,

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Speaker 2: get it for her, and then you just leave the

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Speaker 2: crap out of hints next time. And then if she

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Speaker 2: doesn't get you that, say hey, look I saw your hants.

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Speaker 2: I got it for you. You did not get this for me.

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Speaker 2: Now this is not fair and that conversation can actually

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Speaker 2: happen after her birthday then your birthday then, so yes,

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Speaker 2: get her what she wants to make her happy. It's

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Speaker 2: her birthday. She deserves it. She doesn't deserve to be

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Speaker 2: penalized for her birthday because she sucks at yours.

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Speaker 8: Maybe you suck at communicating what you want for your birthday.

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Speaker 4: It could be it.

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Speaker 8: This could be a bit of a mirror situation looking one.

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Speaker 5: Maybe she literally thought you love sucks.

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Speaker 2: Maybe she thinks you love your list of annual chores.

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Speaker 2: So the best way to make this happen is not

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Speaker 2: to don't aggressively push your agenda in your get her

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Speaker 2: her amazing gift, but you have to also do what

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Speaker 2: she's doing to you on your birthday and let her

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Speaker 2: know what you want.

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Speaker 8: And I got a good feeling about it.

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Speaker 2: But that whole I'm too tired of doing anything for

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Speaker 2: your birthday because she might be she might have a headache,

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Speaker 2: you know. But here's here's one pass. Here's one pass.

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Speaker 5: It could be too tired to go out to dinner.

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Speaker 8: That's you know what anything is? Anything?

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Speaker 2: Did he put it in quotes? Uh huh, Okay, she's

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Speaker 2: too tired to do? Gotcha make her feel special and

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Speaker 2: then let her know you want to feel special. And

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Speaker 2: I do think that just by communicating that this will

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Speaker 2: be all better.

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Speaker 8: That's what's up. Thank you.

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Speaker 2: Close the mail bag. We got your team mail and.

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Speaker 5: We lay it on your Now let's find the clothes.

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Speaker 5: Bobby failed back.

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Speaker 2: Jim, Hello, everybody. This is a segment we do where

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Speaker 2: sixty percent of the time after the segment is over,

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Speaker 2: people are still upsets, like, ha ha, you got me.

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Speaker 2: Sixty percent people are still upset for a little bit much.

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Speaker 7: Just spill the tea.

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Speaker 2: It's just a tittle tattle tattletoe segment. Whatever. Somebody's like,

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Speaker 2: I want to say this, but I need some kind

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Speaker 2: of cover if I say it. I'm gonna give the

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Speaker 2: cover today to Lunchbox. He wants to spill the tea

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Speaker 2: on somebody, of course, but she probably spills the tea

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Speaker 2: more than anybody him and Eddie.

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Speaker 8: Yeah, yeah, so Lunchbox spill the tea.

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Speaker 2: So uh.

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Speaker 6: Someone on the show almost pulled an Amy and I'm

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Speaker 6: talking about wrecking their car. I'm sitting at a stopwhy,

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Speaker 6: and there's jeep in front of me, and there's a

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Speaker 6: little blonde girl sitting behind the wheel and it's Morgan

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Speaker 6: and she's sitting there jamming out to her radio. And

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Speaker 6: the light turns green. No left arrow, just a green circle,

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Speaker 6: and what's Morgan do?

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Speaker 7: She goes left.

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Speaker 6: Only problem is there's a car coming straight across the intersection.

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Speaker 6: Both cars swerve and they both look at each other,

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Speaker 6: and Morgan's like, oh, I'm sorry. The car swerve around

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Speaker 6: her and go on and I called Morgan immediately she goes, oh,

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Speaker 6: I thought that car was parked.

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Speaker 2: Wait, bad driver alert, parked down the road.

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Speaker 8: Okay, let me.

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Speaker 5: Get let's flip her.

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Speaker 2: Okay, Morgan, go ahead.

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Speaker 4: So lunchbox is fair to spill the tea.

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Speaker 9: I did.

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Speaker 2: I did mess up, I really did.

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Speaker 12: But in my fairness, we were at a stop sign

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Speaker 12: where there were parked cars on both sides of the street.

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Speaker 12: It was like a narrow It wasn't like a regular stoplight.

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Speaker 12: It was very different, and so I just it was

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Speaker 12: a long.

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Speaker 2: Day straight up. Thought this car was far.

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Speaker 7: Okay, I can see it.

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Speaker 2: No, no, because it had been doubled, meaning if there's

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Speaker 2: a street parking, there's also a car car beside it

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Speaker 2: because that's in the road. So they had to been

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Speaker 2: parked two by two. It had been like animals walking

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Speaker 2: in Noah's ark, right, But I also can understand turning

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Speaker 2: left on a green without an error. I haven't done it,

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Speaker 2: knock on wood, but I can see where it's like,

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Speaker 2: oh green, I'll just go but thank god, Yeah, I just.

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Speaker 4: Like panic turned. I wasn't really paying attention.

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Speaker 12: It's been a long day.

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Speaker 2: But I yeah, I own it. I said to it.

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Speaker 2: I almost wrecked a car.

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Speaker 8: Did the car and the driver of that car make

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Speaker 8: solid eye contact as you after?

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Speaker 6: Oh?

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Speaker 11: Yeah.

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Speaker 4: They were not happy with me.

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Speaker 7: They threw their hands in the air like what are

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Speaker 7: you doing?

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Speaker 12: And it was one of those very awkward where I

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Speaker 12: was worried that they were gonna like get out of

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Speaker 12: their car and fight me.

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Speaker 2: They were that mad.

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Speaker 8: But they couldn't stopped right, You couldn't. You could just

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Speaker 8: drove off.

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Speaker 1: I mean, yeah, yeah, they were.

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Speaker 7: They kind of blocked my way.

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Speaker 2: It was.

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Speaker 12: It was just a perfect spot on the intersection that

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Speaker 12: I would have been toast either way.

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Speaker 7: Why are you laughing?

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Speaker 2: Nervous for her?

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Speaker 7: I wouldn't nerves where I was like, oh what an idiot?

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Speaker 8: Oh my god? What if she would have gotten to

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Speaker 8: it right though?

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Speaker 6: Oh I wanted to pull out the phone and started

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Speaker 6: filming it, like got out an interview roll.

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Speaker 1: So what happened?

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Speaker 12: You wouldn't have not have helped me at all. He

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Speaker 12: would have probably filmed and drove off.

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Speaker 5: Are we sure he would have filmed or called nine.

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Speaker 2: One one, or filmed himself calling nine on one and

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Speaker 2: then filmed it. Yes, his favorite thing. Okay, Morgan, what

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Speaker 2: do we learn? What can we all take from this

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Speaker 2: spilling of the tea here that I need.

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Speaker 7: Before I started driving my vehicle.

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Speaker 12: I just need to take a deep breath and just

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Speaker 12: drive the car and focus on driving to get home

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Speaker 12: instead of like paying attention to eighty million other things

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Speaker 12: at the same time.

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Speaker 2: Will that work with a judge? If you go in

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Speaker 2: and they're like, so, what happened and you're like, it's

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Speaker 2: just a bad day, not guilty, that won't work. I mean,

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Speaker 2: I'm a little sympathetic towards her way.

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Speaker 3: She said, like owned it one, She owned it, and too,

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Speaker 3: she said, I had a hard day, like I felt it.

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Speaker 5: She had a lot going on in her mind, and

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Speaker 5: she's gonna concentrate because of it. It's like, you know,

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Speaker 5: she's thankful that she didn't have the wreck, but also

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Speaker 5: thankful for the opportunity.

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Speaker 2: To be woken up.

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Speaker 5: So she focuses while she drives to prevent her from

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Speaker 5: a future wreck.

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Speaker 2: And then that what life's all about. Yes, yeah, all right,

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Speaker 2: spelling of the tea. It's valid, valid tea spilled Morgan,

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Speaker 2: You're very fortunate. This is one of those where you

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Speaker 2: put in your pocket and you go, you know what,

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Speaker 2: I got very lucky. Something good happened to me, even

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Speaker 2: though nothing happened. That's good. And I'm gonna chalk this

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Speaker 2: up to a victory sometimes.

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Speaker 12: And you know, I felt that way until I realized

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Speaker 12: lunchbox was behind me.

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Speaker 7: And then I was like, dang it, you know, yes,

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Speaker 7: that's the worst part.

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Speaker 2: All right, that is spell the tea?

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Speaker 7: What just spill the tea.

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Speaker 1: It's time for the good news.

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Speaker 5: There's a fifth grader in Wisconson. His name is Noah

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00:16:01,600 --> 00:16:05,080
Speaker 5: Maine and he's a published author. He wrote a book

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Speaker 5: called Somebody's Got a Root for the Underdog and he's

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Speaker 5: actually making money from it, but he's donating money to

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Speaker 5: the youth football program in his area seven hundred and

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Speaker 5: thirty seven dollars. He's only in the fifth grade. That's

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Speaker 5: going to feel like a million bucks to him, you know.

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Speaker 5: And he said he discovered his passion for writing at

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Speaker 5: a young age and he is.

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Speaker 8: Still a young age because it's funny.

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Speaker 2: Yeah, as I I was on an itel and maybe

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Speaker 2: sixteen or seventeen year old kids.

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Speaker 8: Yeah, Bobby, I waited my whole life to get here, Bro,

394
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Speaker 8: your life has been that long.

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Speaker 2: Yeah.

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Speaker 5: He enjoys playing football, the teamwork and being able to

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Speaker 5: help them buy new equipment that will inspire more people

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Speaker 5: to sign up to play the game. And he said,

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Speaker 5: it just feels really good to make a difference.

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Speaker 8: Hey, go, that is what it's all about.

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00:16:50,080 --> 00:16:51,520
Speaker 7: That was telling me something good.

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Speaker 2: So Bobby Bones Show interviews in case you didn't know.

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Speaker 2: When it comes to artists who I'm just a massive

404
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Speaker 2: fan of personally to Neil town is one of those

405
00:17:00,640 --> 00:17:08,159
Speaker 2: artists you would know her from somebody's daughter, somebody's or

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00:17:08,320 --> 00:17:09,240
Speaker 2: Jersey on the wall.

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00:17:10,480 --> 00:17:11,720
Speaker 4: Have kids, you have.

408
00:17:13,280 --> 00:17:17,480
Speaker 2: Got She got the train track work tapes where she

409
00:17:17,560 --> 00:17:19,359
Speaker 2: was on the train. She recorded them all. She'll tell

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Speaker 2: us about that. I mean, I'm such a massive fan

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Speaker 2: that I took her on the road with me and

412
00:17:23,760 --> 00:17:25,840
Speaker 2: was just like, I know you're better than me, but

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Speaker 2: go and just destroy the audiences. And she did. Big

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Speaker 2: fan Here she is Tanil Towns.

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Speaker 1: On the Bobby Bone Show.

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Speaker 2: Now Townsanil how are you?

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Speaker 4: I'm good, how are you?

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Speaker 2: It's good to see this new guitar is Nancy?

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Speaker 4: Oh? Thank you?

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Speaker 2: Did you? Is that art you drew? Or is that

421
00:17:43,040 --> 00:17:45,360
Speaker 2: because it's like there's like a river or something on it? Yeah?

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00:17:45,359 --> 00:17:47,879
Speaker 13: Okay, Well, the straight lines of the sun rays are

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00:17:48,000 --> 00:17:50,560
Speaker 13: the extent of my artistic painting ability.

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Speaker 4: The rest was my friend Lewis who did it. He's

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Speaker 4: pretty awesome.

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Speaker 2: What happened to the other guitar that you were doing

427
00:17:54,880 --> 00:17:55,359
Speaker 2: all the work on.

428
00:17:55,560 --> 00:17:58,119
Speaker 13: Well, that one was for the Lemonade stand so that

429
00:17:58,280 --> 00:18:01,000
Speaker 13: was like for that record and now this for Masquerades

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00:18:01,000 --> 00:18:03,040
Speaker 13: and it's got some empty spaces on here to keep

431
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Speaker 13: filling it up with the next stuff.

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Speaker 2: So every project you do a new guitar.

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Speaker 4: That's the plan. Every record, full record will get a

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Speaker 4: little time capsule guitar to.

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Speaker 2: Go with it. And that's pretty cool. What's the guitar

436
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Speaker 2: you're making for this show appearance?

437
00:18:19,320 --> 00:18:21,280
Speaker 4: It gets you a pen and you guys can all

438
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Speaker 4: we don't want to be a.

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Speaker 2: Part of your art there. So I'm a massive to

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Speaker 2: Neil Town's fan. And with you coming in, would you

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Speaker 2: briefly before you play a song, would you tell us

442
00:18:31,760 --> 00:18:34,840
Speaker 2: about this train trip and kind of how this whole

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Speaker 2: project came together.

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Speaker 4: Yes, thank you for having me today. Okay, so I

445
00:18:39,359 --> 00:18:40,040
Speaker 4: rode this train.

446
00:18:40,280 --> 00:18:41,560
Speaker 2: Now do that while you're talking.

447
00:18:41,600 --> 00:18:42,000
Speaker 5: No, we like it.

448
00:18:42,040 --> 00:18:42,800
Speaker 2: You started to play music.

449
00:18:43,040 --> 00:18:43,280
Speaker 5: You like.

450
00:18:46,080 --> 00:18:49,720
Speaker 4: A little vibe going here? Okay. So I got on

451
00:18:49,800 --> 00:18:52,560
Speaker 4: the train in Montreal and I wrote it all the

452
00:18:52,600 --> 00:18:53,400
Speaker 4: way to Calgary.

453
00:18:53,840 --> 00:18:54,359
Speaker 2: How far is that?

454
00:18:54,800 --> 00:18:58,560
Speaker 13: So it's a couple thousand miles and we played. So

455
00:18:58,880 --> 00:19:01,159
Speaker 13: we lived on this train for fifth days and we

456
00:19:01,280 --> 00:19:02,520
Speaker 13: played sixty five shows.

457
00:19:02,760 --> 00:19:05,600
Speaker 2: So some days where you lived on a train, yeah,

458
00:19:06,080 --> 00:19:07,440
Speaker 2: was it like where you had this stick on a

459
00:19:08,040 --> 00:19:10,320
Speaker 2: bag on a stick and you jumped off it was going.

460
00:19:10,440 --> 00:19:12,120
Speaker 13: And then you lived in a car which we could

461
00:19:12,160 --> 00:19:14,080
Speaker 13: have done the run and jump on like that's what

462
00:19:14,160 --> 00:19:16,520
Speaker 13: I wanted, but that was not with safety protocols.

463
00:19:16,560 --> 00:19:19,360
Speaker 2: So no, But how do you play shows on a train?

464
00:19:19,640 --> 00:19:22,800
Speaker 13: So literally one of the stage cars was or one

465
00:19:22,840 --> 00:19:24,400
Speaker 13: of the box cars was a stage. So it would

466
00:19:24,440 --> 00:19:27,240
Speaker 13: roll into the town and everybody would gather around and

467
00:19:27,320 --> 00:19:29,200
Speaker 13: they knew when the train was coming through their town,

468
00:19:29,240 --> 00:19:31,800
Speaker 13: and like the door would just fold down and then

469
00:19:31,840 --> 00:19:33,600
Speaker 13: we'd put the mic stands out there and we'd go

470
00:19:33,720 --> 00:19:37,000
Speaker 13: play and then we would like say goodbye and the

471
00:19:37,440 --> 00:19:39,320
Speaker 13: door would fold back up and we'd roll to the

472
00:19:39,359 --> 00:19:41,320
Speaker 13: next town, like twenty minutes down the track. So some

473
00:19:41,440 --> 00:19:43,400
Speaker 13: days we were playing five or six shows a day,

474
00:19:44,080 --> 00:19:46,520
Speaker 13: and a lot of these shows were in like minus

475
00:19:46,680 --> 00:19:51,240
Speaker 13: thirty one degree Celsia's weather, and like people were so resilient.

476
00:19:51,320 --> 00:19:52,479
Speaker 4: It was the most incredible thing.

477
00:19:52,520 --> 00:19:55,040
Speaker 13: And everyone it was a free show, but everyone who

478
00:19:55,119 --> 00:19:57,480
Speaker 13: came brought a donation for their local food bank. So

479
00:19:57,600 --> 00:20:00,760
Speaker 13: it was like witnessing the best parts of the human spirit.

480
00:20:00,880 --> 00:20:03,840
Speaker 13: And I'm standing up there seeing everyone bundled up and

481
00:20:04,040 --> 00:20:06,439
Speaker 13: the freezing cold weather, just like showing up for their

482
00:20:06,440 --> 00:20:08,119
Speaker 13: friends and neighbors. And I was so inspired I had

483
00:20:08,160 --> 00:20:10,639
Speaker 13: to start writing. So I wrote a bunch of songs

484
00:20:10,680 --> 00:20:13,280
Speaker 13: in the mornings before the shows would start, and then

485
00:20:13,480 --> 00:20:15,200
Speaker 13: a couple of days into it, I was like, we

486
00:20:15,320 --> 00:20:17,159
Speaker 13: got a couple laptops and like we could borrow some

487
00:20:17,359 --> 00:20:19,200
Speaker 13: some gear from the stage car. What if we figured

488
00:20:19,200 --> 00:20:21,480
Speaker 13: out how to like record some stuff on this train

489
00:20:21,520 --> 00:20:23,160
Speaker 13: while we're moving down the tracks.

490
00:20:23,240 --> 00:20:25,920
Speaker 2: So the whole purpose of this was to give back. Yeah,

491
00:20:26,800 --> 00:20:29,000
Speaker 2: now you said some things that I don't understand. First

492
00:20:29,000 --> 00:20:32,480
Speaker 2: of all, Celsi, guess, first of.

493
00:20:32,480 --> 00:20:35,720
Speaker 4: All, Okay, I don't know it starts to even out.

494
00:20:35,880 --> 00:20:38,360
Speaker 13: I can't remember what degree, but I want to say

495
00:20:38,400 --> 00:20:41,440
Speaker 13: it was like minus twenty five or something fahrenheit.

496
00:20:41,520 --> 00:20:41,760
Speaker 2: Okay.

497
00:20:42,200 --> 00:20:42,400
Speaker 4: Yeah.

498
00:20:42,440 --> 00:20:45,520
Speaker 2: Second thing was you said two places, and I like

499
00:20:45,560 --> 00:20:47,480
Speaker 2: apologize to all of our Canadian listeners because we're on

500
00:20:47,520 --> 00:20:49,320
Speaker 2: in a lot of places in Canada too, But you

501
00:20:49,720 --> 00:20:51,760
Speaker 2: said two places from this place to that place. So

502
00:20:51,800 --> 00:20:52,720
Speaker 2: what were the two places again?

503
00:20:52,840 --> 00:20:54,320
Speaker 4: Montreal to Calgary?

504
00:20:54,560 --> 00:20:57,320
Speaker 2: Do that America though? Distance wise?

505
00:20:57,720 --> 00:20:58,680
Speaker 4: Distance wise? Okay?

506
00:20:58,800 --> 00:21:02,359
Speaker 13: So Calgary's like north of Montana, okay, and Montreal is

507
00:21:02,560 --> 00:21:04,120
Speaker 13: like New York Ish.

508
00:21:04,280 --> 00:21:06,160
Speaker 2: Okay, up a little more too, but up.

509
00:21:06,440 --> 00:21:06,680
Speaker 4: Yeah.

510
00:21:06,920 --> 00:21:08,440
Speaker 2: So okay, it's a long train ride.

511
00:21:08,520 --> 00:21:09,520
Speaker 4: It's a long train ride.

512
00:21:09,680 --> 00:21:12,000
Speaker 2: Is it like a tour bus? Because whenever we have

513
00:21:12,080 --> 00:21:13,320
Speaker 2: to go back on the road and a bus. The

514
00:21:13,359 --> 00:21:14,920
Speaker 2: first couple of days, I don't like it because I

515
00:21:14,960 --> 00:21:16,840
Speaker 2: feel like I'm shaking as we're driving and I'm sleeping.

516
00:21:17,280 --> 00:21:21,280
Speaker 2: Sometimes we had the sidebar. It's hard to sleep on

517
00:21:21,359 --> 00:21:23,679
Speaker 2: a train, so it was it was.

518
00:21:23,960 --> 00:21:25,920
Speaker 13: Very shaky, but you got used to it a couple

519
00:21:25,920 --> 00:21:28,119
Speaker 13: of days, and same kind of thing. The difference between

520
00:21:28,160 --> 00:21:29,840
Speaker 13: a tour bus is there was a lot more space

521
00:21:30,280 --> 00:21:32,280
Speaker 13: to like for all of us to spread out. They

522
00:21:32,320 --> 00:21:34,200
Speaker 13: were like there was a lounge car, there was a

523
00:21:34,280 --> 00:21:36,560
Speaker 13: caboose where we set up a little recording studio, but

524
00:21:37,240 --> 00:21:40,159
Speaker 13: then everyone had their own tiny little room, which was

525
00:21:40,200 --> 00:21:42,879
Speaker 13: a lot more spacious than like a bunk. So we

526
00:21:43,000 --> 00:21:45,520
Speaker 13: didn't get as stir crazy as we were nervous getting

527
00:21:45,560 --> 00:21:47,320
Speaker 13: on that thing, because you don't really get off the train.

528
00:21:47,400 --> 00:21:49,280
Speaker 13: We got off once to go to like a legion,

529
00:21:50,119 --> 00:21:52,520
Speaker 13: like after the last show at night, but other than that,

530
00:21:52,640 --> 00:21:54,680
Speaker 13: you're pretty much kind of just on the train. One day,

531
00:21:54,760 --> 00:21:58,240
Speaker 13: I think we clocked like like nine thousand steps or

532
00:21:58,280 --> 00:21:59,720
Speaker 13: something just going on the train.

533
00:22:00,119 --> 00:22:01,879
Speaker 2: The train you have to jump from cart to car

534
00:22:02,040 --> 00:22:03,399
Speaker 2: and there's a chance you fall off, you know, in

535
00:22:03,440 --> 00:22:05,440
Speaker 2: the middle of the carts. You know, I have to

536
00:22:05,520 --> 00:22:08,000
Speaker 2: jump over and there's the ground below you.

537
00:22:08,400 --> 00:22:10,800
Speaker 4: Yeah, it was like they say, like mind gap. Yeah, no,

538
00:22:10,960 --> 00:22:12,639
Speaker 4: there was definitely you had to.

539
00:22:13,400 --> 00:22:15,560
Speaker 13: It would be a greater risk of slipping on the

540
00:22:15,680 --> 00:22:18,359
Speaker 13: ice and the snow that was blowing between the cars,

541
00:22:18,800 --> 00:22:20,000
Speaker 13: but it was closed.

542
00:22:19,680 --> 00:22:21,640
Speaker 4: Off, so you wouldn't. You weren't going to fall off

543
00:22:21,680 --> 00:22:24,560
Speaker 4: the train, but you could. You could definitely trip.

544
00:22:25,040 --> 00:22:27,760
Speaker 2: And how would they yell all aboard in Canada into

545
00:22:27,760 --> 00:22:29,520
Speaker 2: the yelling in French when you're in the French party.

546
00:22:29,600 --> 00:22:32,680
Speaker 4: I wish they yelled it at all time.

547
00:22:34,040 --> 00:22:36,600
Speaker 13: Not one time did they say all aboard, which felt

548
00:22:36,760 --> 00:22:37,919
Speaker 13: very like misleading.

549
00:22:38,440 --> 00:22:41,240
Speaker 8: Okay, so now that we know the story, that's the story.

550
00:22:41,320 --> 00:22:43,320
Speaker 2: Think about this. She goes and she lives on a

551
00:22:43,400 --> 00:22:47,959
Speaker 2: train all to get food for people that are less fortunate.

552
00:22:48,080 --> 00:22:49,720
Speaker 2: And now if I were to go like, I'm so surprised,

553
00:22:49,720 --> 00:22:52,960
Speaker 2: I'll be lying because to Nil's what she's about is

554
00:22:53,000 --> 00:22:55,840
Speaker 2: helping others constantly. So I'm not surprised by any of this.

555
00:22:55,920 --> 00:22:57,119
Speaker 2: I think I'd have been surprised. She was like, I

556
00:22:57,160 --> 00:22:58,560
Speaker 2: did a train that got paid ten grand a night.

557
00:22:58,600 --> 00:23:03,400
Speaker 2: It was awesome. Like what, that's crazy? So what song

558
00:23:03,480 --> 00:23:04,159
Speaker 2: are you going to do here?

559
00:23:04,400 --> 00:23:08,040
Speaker 13: Okay, I'm gonna do a song called Wheels, which is

560
00:23:08,119 --> 00:23:11,240
Speaker 13: the last song on this EP called Train Track Work Tapes,

561
00:23:11,280 --> 00:23:14,400
Speaker 13: and so all these are pretty acoustic, stripped down.

562
00:23:14,920 --> 00:23:15,960
Speaker 4: This is the last song.

563
00:23:16,000 --> 00:23:18,520
Speaker 13: And as we recorded this song in motion, so as

564
00:23:18,560 --> 00:23:20,879
Speaker 13: you're listening, you can hear all of the creeks and

565
00:23:21,000 --> 00:23:23,240
Speaker 13: like at one point we hit some kind of bump,

566
00:23:23,760 --> 00:23:26,159
Speaker 13: you could definitely hear that in the track, and at

567
00:23:26,200 --> 00:23:29,080
Speaker 13: the end. We did it all in one complete pass,

568
00:23:29,160 --> 00:23:32,800
Speaker 13: and we passed by the crossing and the bells happened,

569
00:23:33,040 --> 00:23:33,600
Speaker 13: thank God.

570
00:23:33,920 --> 00:23:36,920
Speaker 4: Like just at the end of the last note, we

571
00:23:37,000 --> 00:23:38,920
Speaker 4: all looked at each other. We were like, we're not

572
00:23:39,000 --> 00:23:39,600
Speaker 4: doing that again.

573
00:23:39,680 --> 00:23:40,760
Speaker 13: Like that was it. This is it.

574
00:23:40,880 --> 00:23:41,320
Speaker 2: We got it.

575
00:23:41,480 --> 00:23:44,600
Speaker 13: So this song is kind of like this one is

576
00:23:44,720 --> 00:23:48,040
Speaker 13: very honest to me in the sense of I struggle

577
00:23:48,160 --> 00:23:50,240
Speaker 13: very much with the high of being on the road

578
00:23:50,440 --> 00:23:53,080
Speaker 13: and then coming home and doing laundry and being in

579
00:23:53,160 --> 00:23:56,200
Speaker 13: the quiet of that. And I was in the middle

580
00:23:56,240 --> 00:23:58,120
Speaker 13: of this train trip, literally having the time of my life,

581
00:23:58,160 --> 00:23:59,480
Speaker 13: and I was just dreading the ending.

582
00:23:59,520 --> 00:23:59,720
Speaker 2: You know what.

583
00:23:59,760 --> 00:24:01,800
Speaker 4: You like look forward to something, and it's me.

584
00:24:01,840 --> 00:24:05,280
Speaker 2: At work every day you're just I get here to over,

585
00:24:05,760 --> 00:24:06,400
Speaker 2: I know, right.

586
00:24:06,840 --> 00:24:09,640
Speaker 13: Yeah, that's honestly, that's a great sign that you're doing

587
00:24:09,680 --> 00:24:12,359
Speaker 13: the thing you love. But it's it's definitely a weird,

588
00:24:13,000 --> 00:24:15,040
Speaker 13: weird feeling to dread the end. So that's what this

589
00:24:15,119 --> 00:24:15,640
Speaker 13: song is about.

590
00:24:15,760 --> 00:24:16,920
Speaker 2: So this is called Wheels.

591
00:24:16,960 --> 00:24:17,719
Speaker 4: It's called Wheels.

592
00:24:18,080 --> 00:24:21,639
Speaker 2: This is from the Train track Work tapes. Yeah, I

593
00:24:21,680 --> 00:24:22,760
Speaker 2: just want to make sure but he knows it before

594
00:24:22,760 --> 00:24:25,080
Speaker 2: you start again, thank you for that wheel Train track

595
00:24:25,160 --> 00:24:30,680
Speaker 2: Work Tapes. Here is Neil Towns Onanil Towns and studio

596
00:24:31,320 --> 00:24:34,520
Speaker 2: that's called Wheels. It is on her new project that's

597
00:24:34,560 --> 00:24:37,680
Speaker 2: out now called Train Track Work Tapes. Go stream it.

598
00:24:38,680 --> 00:24:40,920
Speaker 2: I have another segment that I want to do with you. Sure,

599
00:24:41,160 --> 00:24:43,200
Speaker 2: I don't even mind like throwing stuff at you, because

600
00:24:43,200 --> 00:24:44,480
Speaker 2: I feel like we know each other at this point

601
00:24:44,520 --> 00:24:47,760
Speaker 2: pretty well. When we come back. I know there's a

602
00:24:47,840 --> 00:24:51,080
Speaker 2: cover on this Train Tracks Work Tapes. Yeah, I don't

603
00:24:51,080 --> 00:24:52,320
Speaker 2: want say what it is yet. Will you do that

604
00:24:52,400 --> 00:24:52,639
Speaker 2: for us?

605
00:24:52,640 --> 00:24:53,680
Speaker 4: I would love to be cool?

606
00:24:53,800 --> 00:24:56,840
Speaker 2: All right, you're you don't love it? What it is?

607
00:24:57,359 --> 00:24:58,840
Speaker 2: It's one of the great songs ever of all time.

608
00:24:58,880 --> 00:25:00,680
Speaker 2: And she crushes like because I've heard her do it

609
00:25:00,720 --> 00:25:02,080
Speaker 2: before on.

610
00:25:02,160 --> 00:25:03,200
Speaker 1: The Bobby Bones Show.

611
00:25:03,280 --> 00:25:06,920
Speaker 2: Now Tanil has the Train Track Work Tapes, which you

612
00:25:07,040 --> 00:25:10,760
Speaker 2: really recorded and wrote while on a train traveling across

613
00:25:11,160 --> 00:25:13,719
Speaker 2: the land to help other people eat. That's literally now

614
00:25:15,320 --> 00:25:17,720
Speaker 2: she was collecting food for food banks. And so this

615
00:25:17,920 --> 00:25:24,240
Speaker 2: is a home to me, how much traveling so black?

616
00:25:24,800 --> 00:25:30,280
Speaker 2: This is Pieces in my Heart that's probably my favorite one.

617
00:25:30,520 --> 00:25:36,200
Speaker 2: Pieces in my Heart makes me feel like I'm so

618
00:25:36,880 --> 00:25:38,760
Speaker 2: And track three I'm just gonna have you play for

619
00:25:38,760 --> 00:25:40,880
Speaker 2: You're cool? With it, and the first time I heard

620
00:25:40,880 --> 00:25:42,960
Speaker 2: Tanil play this, I think we were all backstage because

621
00:25:43,000 --> 00:25:44,440
Speaker 2: Tanil came on the road with me for a while

622
00:25:44,440 --> 00:25:47,360
Speaker 2: where we did shows and remember Tanil being so good

623
00:25:47,400 --> 00:25:51,639
Speaker 2: and she would like tear the crowd their hearts out

624
00:25:51,640 --> 00:25:53,000
Speaker 2: and then had gone to be funny. And I was like,

625
00:25:53,280 --> 00:25:54,879
Speaker 2: it's the best and more decision ever made, because the

626
00:25:54,880 --> 00:25:56,959
Speaker 2: best decision is Tanil just murders the crowd and they

627
00:25:57,400 --> 00:25:58,680
Speaker 2: fall in love with her and how good she is.

628
00:25:58,760 --> 00:26:00,679
Speaker 2: But then she's got them so emotion that I come

629
00:26:00,720 --> 00:26:02,040
Speaker 2: on to tell jokes and they're just not in the

630
00:26:02,119 --> 00:26:06,320
Speaker 2: right basically, so but we set back me Eddie, yes,

631
00:26:07,240 --> 00:26:10,920
Speaker 2: I think whoever, I don't know, Garth's back there, George, Yeah, yeah.

632
00:26:10,960 --> 00:26:12,080
Speaker 4: They were all our buddies, you.

633
00:26:12,119 --> 00:26:14,600
Speaker 2: Know, and just passing a guitar around the tail plays

634
00:26:14,800 --> 00:26:16,960
Speaker 2: really fun. That was that was like a really fun time.

635
00:26:17,320 --> 00:26:19,320
Speaker 13: I really that that's kind of like one of those

636
00:26:19,400 --> 00:26:21,520
Speaker 13: rare magic moments in a dressing room that I feel

637
00:26:21,520 --> 00:26:22,880
Speaker 13: like you can kind of count on one hand.

638
00:26:22,960 --> 00:26:24,760
Speaker 4: And I loved that we just passed the guitar around.

639
00:26:24,800 --> 00:26:27,119
Speaker 2: It was so awesome and she played this and I

640
00:26:27,160 --> 00:26:29,120
Speaker 2: remember going, oh man one day I'm gonna ever play

641
00:26:29,119 --> 00:26:30,639
Speaker 2: it here, so I'm not even gonna say what it

642
00:26:30,720 --> 00:26:32,000
Speaker 2: is to you know you played here is? This is

643
00:26:32,080 --> 00:26:34,320
Speaker 2: track three on the train Track Work tapes, but here

644
00:26:34,400 --> 00:26:40,960
Speaker 2: is Taneil Town's. Okay, let me ask you a question

645
00:26:41,359 --> 00:26:43,399
Speaker 2: before we do uncomfortable questions. Okay, this is kind of

646
00:26:43,440 --> 00:26:47,159
Speaker 2: inside baseball. But so of all these songs on the

647
00:26:47,359 --> 00:26:50,040
Speaker 2: train track Work tapes, which I hope everybody goes in streams, thanks,

648
00:26:50,119 --> 00:26:53,000
Speaker 2: I'm gonna put one as like our national countdown song,

649
00:26:53,040 --> 00:26:54,400
Speaker 2: and then I'm gonna put it on a different show

650
00:26:54,400 --> 00:26:55,920
Speaker 2: that I do a national show. Which one do you

651
00:26:56,000 --> 00:26:56,719
Speaker 2: want feature?

652
00:26:57,200 --> 00:26:57,240
Speaker 12: No?

653
00:26:57,480 --> 00:27:00,280
Speaker 2: Not thank you? Which one do you want? Picture everyone

654
00:27:00,359 --> 00:27:02,960
Speaker 2: you like? You get to pick one. I get to

655
00:27:03,000 --> 00:27:04,960
Speaker 2: pick one, and I'll put it on both the national shows.

656
00:27:05,040 --> 00:27:07,800
Speaker 2: Do you want Home to Me? Pieces of My Heart

657
00:27:08,840 --> 00:27:10,960
Speaker 2: Coming Together wheels? Which one?

658
00:27:11,400 --> 00:27:12,280
Speaker 4: Let's do home to Me?

659
00:27:12,400 --> 00:27:15,960
Speaker 2: Okay, so Mike got that? Put that on both of them?

660
00:27:16,080 --> 00:27:16,399
Speaker 4: Thank you?

661
00:27:16,600 --> 00:27:16,879
Speaker 2: Okay?

662
00:27:17,040 --> 00:27:17,240
Speaker 13: Cool?

663
00:27:17,520 --> 00:27:19,679
Speaker 2: Now, uncomfortable questions I give, But then I take.

664
00:27:20,200 --> 00:27:21,760
Speaker 4: All right, well I'm buckling up.

665
00:27:22,280 --> 00:27:24,760
Speaker 2: Then I take they're not that uncomfortable for you because

666
00:27:24,760 --> 00:27:28,040
Speaker 2: everybody likes you. One is Tanil Town sad all the time.

667
00:27:30,640 --> 00:27:31,560
Speaker 4: Yes, always.

668
00:27:32,200 --> 00:27:35,600
Speaker 13: Ok, it's like, you know, underneath and at the same

669
00:27:35,680 --> 00:27:38,600
Speaker 13: time as absolute joy everywhere I go, it's just.

670
00:27:38,680 --> 00:27:39,480
Speaker 4: Kind of underneath.

671
00:27:39,960 --> 00:27:42,879
Speaker 2: How tall is Tanil Town's five to two on a

672
00:27:42,960 --> 00:27:46,119
Speaker 2: good day. Yeah, when you wear boots, that's more.

673
00:27:46,040 --> 00:27:47,880
Speaker 4: Like five four maybe. Yeah.

674
00:27:48,280 --> 00:27:50,520
Speaker 2: Doesan Neil Towns have any secret talents?

675
00:27:52,040 --> 00:27:52,560
Speaker 4: It's kind of.

676
00:27:52,560 --> 00:27:55,679
Speaker 13: Weird, But I grew up water skiing with my family

677
00:27:55,920 --> 00:27:58,240
Speaker 13: and my dad was kind of like a competitive water skier,

678
00:27:58,400 --> 00:28:01,760
Speaker 13: so therefore I can like Slomsky kind of half decently.

679
00:28:01,880 --> 00:28:04,760
Speaker 2: That's pretty good. Yeah, Okay, there are two more. What's

680
00:28:04,840 --> 00:28:07,840
Speaker 2: the worst part of being a country singer? Like, what's

681
00:28:07,840 --> 00:28:09,520
Speaker 2: worst part of the job of being a country singer?

682
00:28:09,920 --> 00:28:12,359
Speaker 13: Photo shoots, getting your picture taken all the time? I

683
00:28:12,480 --> 00:28:13,879
Speaker 13: just want to sing songs for people.

684
00:28:14,200 --> 00:28:17,320
Speaker 4: Cameras are like the worst thing ever and.

685
00:28:17,359 --> 00:28:19,040
Speaker 2: The final one. And I tell you I didn't know

686
00:28:19,040 --> 00:28:20,800
Speaker 2: this un till I was looking at Hey, Ray, can

687
00:28:20,840 --> 00:28:22,960
Speaker 2: you play a clip of the thing that wrecks you?

688
00:28:23,080 --> 00:28:25,320
Speaker 2: It's Neil and Bryan Adams. Play a clip of that please.

689
00:28:30,119 --> 00:28:32,280
Speaker 2: So this question is based off somebody who I who

690
00:28:32,359 --> 00:28:35,800
Speaker 2: saw the writing credits where your last name is not

691
00:28:35,880 --> 00:28:38,680
Speaker 2: listed as Towns. Interesting, did you know that.

692
00:28:38,960 --> 00:28:40,760
Speaker 4: I didn't know that, but wow, good to know.

693
00:28:40,920 --> 00:28:42,560
Speaker 2: And the question was how does she pronounce.

694
00:28:43,800 --> 00:28:48,160
Speaker 13: Yeah, it's basically yeah, it's it's nad Kranishni, which sounds

695
00:28:48,200 --> 00:28:51,200
Speaker 13: like a sneeze, but yeah, it's it's got enough letters

696
00:28:51,240 --> 00:28:52,760
Speaker 13: for the Mickey Mouse theme song.

697
00:28:53,600 --> 00:28:54,720
Speaker 8: Nad Kanishi.

698
00:28:54,920 --> 00:28:56,400
Speaker 4: That's right, Yes, that was my name.

699
00:28:58,440 --> 00:29:00,440
Speaker 2: Thanks any of it.

700
00:29:00,520 --> 00:29:01,080
Speaker 8: That's awesome.

701
00:29:01,800 --> 00:29:04,240
Speaker 2: You know you are the best. I love you always.

702
00:29:04,800 --> 00:29:06,560
Speaker 2: Whatever you got going on, you can always come in here.

703
00:29:06,640 --> 00:29:08,040
Speaker 8: I appreciate and you're the best.

704
00:29:08,120 --> 00:29:11,040
Speaker 2: And okay, so everybody go and check out train track

705
00:29:11,160 --> 00:29:15,400
Speaker 2: work tapes and follow tanil at neil Town's t O

706
00:29:15,640 --> 00:29:18,320
Speaker 2: W N E S. And I think we've said it

707
00:29:18,360 --> 00:29:19,560
Speaker 2: all am, anything you want to say.

708
00:29:19,640 --> 00:29:22,600
Speaker 5: Just recording on a train like, has it inspired you

709
00:29:22,680 --> 00:29:24,920
Speaker 5: to think we're else? Literally?

710
00:29:26,320 --> 00:29:34,040
Speaker 2: River skydiving, river sessions, plane sessions, modes of transportation? Are there?

711
00:29:34,440 --> 00:29:41,800
Speaker 2: The uber tapes next, let's go anything else, the scooter sessions,

712
00:29:42,040 --> 00:29:48,240
Speaker 2: submarine sounds. Now we're really all right you guysil Towns

713
00:29:48,280 --> 00:29:49,440
Speaker 2: check it out til Thank you very much.

714
00:29:50,000 --> 00:29:55,920
Speaker 8: Nice voicemail from James and Texas.

715
00:29:56,080 --> 00:29:57,800
Speaker 2: Got a family of five here.

716
00:29:58,120 --> 00:29:59,880
Speaker 8: We listened to you in the morning on the way

717
00:29:59,880 --> 00:30:03,640
Speaker 8: to school and kids love it. We love your radio program.

718
00:30:04,000 --> 00:30:06,320
Speaker 8: Keep up the good work. Appreciate that, James. This is

719
00:30:06,400 --> 00:30:08,800
Speaker 8: Thomas in Indiana, just calling.

720
00:30:08,880 --> 00:30:11,440
Speaker 9: To give you a documentary recommendation.

721
00:30:11,640 --> 00:30:14,160
Speaker 2: It's called Moment of Contact. It's about aliens.

722
00:30:14,320 --> 00:30:15,560
Speaker 9: I think you're really gonna.

723
00:30:15,400 --> 00:30:18,480
Speaker 2: Love it once I get in, though I can't get out,

724
00:30:19,160 --> 00:30:20,600
Speaker 2: and I go through these phases of the show where

725
00:30:20,600 --> 00:30:23,240
Speaker 2: I just want talk about aliens all the time, so

726
00:30:23,360 --> 00:30:23,680
Speaker 2: I don't.

727
00:30:23,880 --> 00:30:26,000
Speaker 8: Right now, I'm trying to. It's a ninety positive.

728
00:30:26,920 --> 00:30:30,360
Speaker 2: I'm gonna have to watch that that we're just not

729
00:30:30,480 --> 00:30:32,800
Speaker 2: being told everything. And I don't think we should always

730
00:30:32,800 --> 00:30:36,760
Speaker 2: be told everything because people would freak out. But if

731
00:30:36,800 --> 00:30:38,160
Speaker 2: I watch this, then you have to have a month

732
00:30:38,200 --> 00:30:40,320
Speaker 2: of me talking about it. We don't want that, or

733
00:30:40,440 --> 00:30:42,080
Speaker 2: like going through different rabbit holes of it.

734
00:30:42,200 --> 00:30:45,640
Speaker 8: So I'm right out. Moment of Contact. What's it on, Mike?

735
00:30:45,720 --> 00:30:47,600
Speaker 2: What does it say?

736
00:30:48,400 --> 00:30:48,440
Speaker 11: So?

737
00:30:48,600 --> 00:30:50,720
Speaker 8: Probably like Amazon? Then you'd buy or rent it?

738
00:30:51,880 --> 00:30:54,040
Speaker 2: Or does it come to you through a secret chip

739
00:30:54,080 --> 00:30:56,160
Speaker 2: in your brain that aliens plan when you're asleep, you

740
00:30:56,680 --> 00:30:59,160
Speaker 2: aliens could be we can't just be see here we go.

741
00:31:00,160 --> 00:31:02,160
Speaker 2: Just because we can't see them doesn't mean they're not

742
00:31:02,240 --> 00:31:04,080
Speaker 2: real either. They could be here amongst us. Our eyes

743
00:31:04,080 --> 00:31:06,320
Speaker 2: can only see certain things. I've said this before. Dogs

744
00:31:06,400 --> 00:31:08,840
Speaker 2: can see things we can't see because the cones in

745
00:31:08,880 --> 00:31:11,360
Speaker 2: their eyes like colors. Different animals can hear things we

746
00:31:11,360 --> 00:31:13,200
Speaker 2: can't hear because of how they How do we know

747
00:31:13,240 --> 00:31:14,479
Speaker 2: if there's not an alien right in front of us?

748
00:31:14,480 --> 00:31:16,800
Speaker 8: We just can't see it because what our eyes aren't

749
00:31:16,800 --> 00:31:17,840
Speaker 8: able to trans you.

750
00:31:17,840 --> 00:31:18,440
Speaker 1: Know what I'm saying.

751
00:31:18,520 --> 00:31:19,640
Speaker 2: Yeah, we don't know that. How do we know that

752
00:31:19,720 --> 00:31:20,920
Speaker 2: I coming from the bottom of the ocean. We've never

753
00:31:20,920 --> 00:31:21,960
Speaker 2: We don't know what's at the bottom of the ocean.

754
00:31:22,000 --> 00:31:22,600
Speaker 8: We can't get that far.

755
00:31:22,680 --> 00:31:23,920
Speaker 5: They could be using echo location.

756
00:31:24,480 --> 00:31:25,360
Speaker 8: Well they're not offphins Amy.

757
00:31:25,400 --> 00:31:29,200
Speaker 1: That not us it too motion.

758
00:31:29,920 --> 00:31:31,320
Speaker 2: Amy's pile of stories.

759
00:31:31,520 --> 00:31:34,840
Speaker 5: There's a new trend in botox. It's called trap talks

760
00:31:35,120 --> 00:31:39,239
Speaker 5: and it's becoming really popular thanks to TikTok and it's

761
00:31:39,320 --> 00:31:44,000
Speaker 5: getting botox in your shoulder trap area. Apparently women are

762
00:31:44,080 --> 00:31:46,720
Speaker 5: liking that. It makes them look more contoured, but also

763
00:31:46,880 --> 00:31:49,800
Speaker 5: it eases tension and they just feel more relaxed.

764
00:31:50,040 --> 00:31:53,040
Speaker 2: The traps it's kind of like the next shoulder right, Yes,

765
00:31:53,680 --> 00:31:55,320
Speaker 2: does that make sense some raphizoids?

766
00:31:55,560 --> 00:31:58,680
Speaker 8: Yeah, but some like wrestlers or bodybuilders or me. They've

767
00:31:58,720 --> 00:31:59,720
Speaker 8: wed these huge muscles.

768
00:32:00,880 --> 00:32:01,960
Speaker 4: Yeah yeah, yours is thick.

769
00:32:02,080 --> 00:32:06,720
Speaker 2: Yeah yeah, I guess I got botox in my jaws

770
00:32:06,760 --> 00:32:08,840
Speaker 2: for all my teeth work. It didn't really help me

771
00:32:08,920 --> 00:32:10,800
Speaker 2: do much. Oh, I don't know that it helped me

772
00:32:10,880 --> 00:32:12,920
Speaker 2: at all, But maybe it did. I just didn't notice

773
00:32:12,960 --> 00:32:15,840
Speaker 2: it because I did it once. I felt no difference

774
00:32:15,880 --> 00:32:17,880
Speaker 2: at all. Like a month and a half later, I

775
00:32:17,920 --> 00:32:21,360
Speaker 2: went back. They did it again double. I don't Maybe

776
00:32:21,400 --> 00:32:24,120
Speaker 2: I'm just allergic to or maybe I just don't respond

777
00:32:24,240 --> 00:32:24,440
Speaker 2: to that.

778
00:32:25,280 --> 00:32:27,000
Speaker 5: I was thinking, maybe you need to go for triple

779
00:32:27,000 --> 00:32:27,680
Speaker 5: because that's what was sinking.

780
00:32:27,720 --> 00:32:29,680
Speaker 8: Maybe you're I didn't keep going.

781
00:32:30,320 --> 00:32:31,719
Speaker 5: I feel like they're so strong.

782
00:32:31,920 --> 00:32:37,080
Speaker 2: Maybe they they don't know my jaws, the traps, these doors.

783
00:32:37,240 --> 00:32:39,320
Speaker 2: But yeah, I just can't could stop clenching them. I

784
00:32:39,440 --> 00:32:42,720
Speaker 2: was breaking my teeth. I tried everything I thought. I

785
00:32:43,200 --> 00:32:45,960
Speaker 2: had a lot of things, and so I don't know

786
00:32:46,080 --> 00:32:46,880
Speaker 2: that hasn't helped me.

787
00:32:47,120 --> 00:32:49,959
Speaker 5: Well, those grow too. The when you clench right there,

788
00:32:50,040 --> 00:32:51,959
Speaker 5: that part of your jaw expands as well. So if

789
00:32:52,000 --> 00:32:53,880
Speaker 5: you do get botox there and it does relax it,

790
00:32:54,000 --> 00:32:56,400
Speaker 5: that muscle goes down because it's one of my press

791
00:32:56,440 --> 00:32:56,880
Speaker 5: with my jaws.

792
00:32:58,440 --> 00:32:58,800
Speaker 2: What else?

793
00:32:59,120 --> 00:33:02,600
Speaker 5: There's a sign back reason or multiple that you should

794
00:33:02,720 --> 00:33:07,200
Speaker 5: take a lunch break. Some people were tracked no like

795
00:33:07,440 --> 00:33:10,360
Speaker 5: to actually leave your desk, leave your office, go.

796
00:33:10,560 --> 00:33:11,520
Speaker 8: Away, electrician.

797
00:33:12,200 --> 00:33:14,760
Speaker 5: More and more people are just working through their lunch

798
00:33:14,800 --> 00:33:15,760
Speaker 5: break and kind of eating on.

799
00:33:15,760 --> 00:33:17,120
Speaker 8: The got efficiency.

800
00:33:17,160 --> 00:33:18,920
Speaker 5: I see Scooba Steve do it every day. He goes

801
00:33:18,960 --> 00:33:20,400
Speaker 5: to the microwave, heats it up, and then goes back

802
00:33:20,400 --> 00:33:20,880
Speaker 5: to his desk.

803
00:33:21,120 --> 00:33:22,560
Speaker 8: You tay you what that gets a lot of stuff done.

804
00:33:22,840 --> 00:33:24,040
Speaker 8: He does gets paid pretty well.

805
00:33:25,360 --> 00:33:25,560
Speaker 11: Well.

806
00:33:25,920 --> 00:33:28,200
Speaker 5: What you should do is take a real lunch break,

807
00:33:28,280 --> 00:33:30,520
Speaker 5: one away from your desk. And this has mental and

808
00:33:30,600 --> 00:33:33,920
Speaker 5: physical health benefits, like it'll improve your digestion, it'll boost

809
00:33:33,960 --> 00:33:37,320
Speaker 5: your productivity, and it'll lower your stress level and then

810
00:33:37,320 --> 00:33:38,680
Speaker 5: you'll avoid the afternoon slump.

811
00:33:39,600 --> 00:33:42,920
Speaker 2: I don't believe Scooba Steve has an afternoon slump, do you, Scuba?

812
00:33:43,360 --> 00:33:43,840
Speaker 2: I don't think so.

813
00:33:43,880 --> 00:33:45,920
Speaker 10: I think I'm pretty much always the same from beginning

814
00:33:45,960 --> 00:33:47,440
Speaker 10: to always on stressed out.

815
00:33:48,160 --> 00:33:48,320
Speaker 2: Yeah.

816
00:33:49,600 --> 00:33:51,600
Speaker 5: I think what he does to pump himself up in

817
00:33:51,680 --> 00:33:54,360
Speaker 5: the afternoon because I was here later than usual yesterday,

818
00:33:54,480 --> 00:33:56,560
Speaker 5: is he blasts.

819
00:33:56,360 --> 00:33:58,080
Speaker 8: Music like death metal, like weird stuff.

820
00:33:58,680 --> 00:34:02,560
Speaker 7: Yeah, hip hop and stuff that too.

821
00:34:02,760 --> 00:34:04,160
Speaker 2: Yeah, I had a hip hop day yesterday.

822
00:34:04,240 --> 00:34:06,200
Speaker 8: He's a weird guy for sure. Ye all right, what else?

823
00:34:06,640 --> 00:34:10,400
Speaker 5: Dolly Parton has now turned down two presidential Medal of

824
00:34:10,480 --> 00:34:13,120
Speaker 5: Freedom offers. She said no to President Trump a few

825
00:34:13,160 --> 00:34:17,160
Speaker 5: years ago, and she turned down President Biden. And in

826
00:34:17,320 --> 00:34:21,279
Speaker 5: her rock song Rolled on Fire, she calls out greedy politicians,

827
00:34:21,320 --> 00:34:23,480
Speaker 5: and on the Today Show they were asking her who

828
00:34:23,640 --> 00:34:25,640
Speaker 5: she was talking about specifically.

829
00:34:25,680 --> 00:34:27,000
Speaker 8: What politicians you're talking about?

830
00:34:27,040 --> 00:34:27,520
Speaker 2: All of them?

831
00:34:28,200 --> 00:34:28,879
Speaker 8: Any of them?

832
00:34:29,360 --> 00:34:32,160
Speaker 11: I don't think any of them are trying hard enough.

833
00:34:32,239 --> 00:34:34,759
Speaker 11: I'm sure we're all trying, but I just really think

834
00:34:34,840 --> 00:34:37,960
Speaker 11: that I think often that they were more about the

835
00:34:38,080 --> 00:34:40,800
Speaker 11: party than they do about the people. If we just

836
00:34:40,920 --> 00:34:43,239
Speaker 11: do what it was the right thing, rhythm, who's going

837
00:34:43,280 --> 00:34:45,400
Speaker 11: to lose or who's going to win this or who's

838
00:34:45,440 --> 00:34:48,640
Speaker 11: gonna look better if they do this better than working

839
00:34:48,680 --> 00:34:49,279
Speaker 11: from the heart?

840
00:34:49,719 --> 00:34:51,799
Speaker 2: I completely agree. I've said it many times. I think

841
00:34:51,800 --> 00:34:54,400
Speaker 2: all politicians are terrible, and occasionally one surprises me. But

842
00:34:54,480 --> 00:34:56,319
Speaker 2: I just the general rule is all politics are terrible.

843
00:34:56,320 --> 00:34:58,200
Speaker 2: Wh would you even go into that? And the problem

844
00:34:58,320 --> 00:35:01,239
Speaker 2: is that most most politicians come from the ability to

845
00:35:01,280 --> 00:35:02,879
Speaker 2: be a politician, which means they don't have to work

846
00:35:03,120 --> 00:35:04,959
Speaker 2: and they come from money, so they only represent people

847
00:35:04,960 --> 00:35:06,719
Speaker 2: that never had money. So you have a bunch of

848
00:35:06,719 --> 00:35:08,440
Speaker 2: people voting for a party, voting for people that have

849
00:35:08,480 --> 00:35:10,359
Speaker 2: been rich their whole life. Think they're gonna take care

850
00:35:10,360 --> 00:35:13,080
Speaker 2: of them, but they don't. I'm with you, Dolly, but

851
00:35:13,239 --> 00:35:15,719
Speaker 2: except I get yelled at for it, and she's like,

852
00:35:16,160 --> 00:35:18,359
Speaker 2: that's dollar. Yes, there's a difference from when she says

853
00:35:18,520 --> 00:35:21,319
Speaker 2: when I say it, Okay, that's it, Amy, that's my file.

854
00:35:22,160 --> 00:35:24,160
Speaker 7: That was Amy's pile of stories.

855
00:35:24,200 --> 00:35:26,960
Speaker 2: So it's time for the good news UBox.

856
00:35:31,280 --> 00:35:35,520
Speaker 6: Alisa owns a haircut corner barbershop in Lafayette, Louisiana, and

857
00:35:35,600 --> 00:35:37,399
Speaker 6: then they were like, you know what, we should open

858
00:35:37,480 --> 00:35:39,399
Speaker 6: a lounge, you know, attached to the barber shop.

859
00:35:39,480 --> 00:35:41,960
Speaker 7: So they named it Chilling and Styles Lounge.

860
00:35:42,320 --> 00:35:45,640
Speaker 6: And their first customer comes in orders a four dollars

861
00:35:45,760 --> 00:35:48,920
Speaker 6: drink and then says, oh, can I get the bill please?

862
00:35:49,560 --> 00:35:54,440
Speaker 6: He tips one thousand dollars wow, and she's like, no, no, sir,

863
00:35:54,560 --> 00:35:56,480
Speaker 6: like it was only four dollars. He goes, yeah, I'm

864
00:35:56,520 --> 00:35:58,480
Speaker 6: just trying to do something good, he said, tell me

865
00:35:58,719 --> 00:35:59,359
Speaker 6: something good.

866
00:36:00,120 --> 00:36:01,600
Speaker 2: He said that, he said that's weird.

867
00:36:01,719 --> 00:36:03,600
Speaker 7: And then what you say and then she said.

868
00:36:03,480 --> 00:36:06,560
Speaker 6: Are you serious, that's a twenty two thousand percent tip.

869
00:36:06,800 --> 00:36:09,360
Speaker 2: There's no way she knew the percentage of Okay, he's embellishing.

870
00:36:09,760 --> 00:36:11,319
Speaker 2: There's no way she knew the percentage of the tip.

871
00:36:11,360 --> 00:36:13,160
Speaker 2: And they didn't say, tell me something good. So you're

872
00:36:13,200 --> 00:36:14,680
Speaker 2: taking away from the real story, which was the guy

873
00:36:14,760 --> 00:36:15,960
Speaker 2: after a thousand dollars tip.

874
00:36:16,440 --> 00:36:17,839
Speaker 7: No, he said, I'm trying to do something good.

875
00:36:17,920 --> 00:36:18,080
Speaker 2: Yeah.

876
00:36:18,120 --> 00:36:20,600
Speaker 8: Yeah, yeah, But then and then you said tell me

877
00:36:20,680 --> 00:36:21,239
Speaker 8: something good.

878
00:36:22,400 --> 00:36:24,960
Speaker 2: Yeah yeah, and that didn't really make sense. Go ahead, yeah, And.

879
00:36:25,360 --> 00:36:27,399
Speaker 6: That's what's crazy. And she was like, it just made

880
00:36:27,440 --> 00:36:29,640
Speaker 6: my day. He's like my angel. And I won't reveal

881
00:36:29,719 --> 00:36:32,680
Speaker 6: his name, Like question, you won't reveal his name? No,

882
00:36:32,960 --> 00:36:34,000
Speaker 6: he didn't want it, right, he.

883
00:36:34,000 --> 00:36:36,040
Speaker 7: Didn't want his name out there. But my question, is

884
00:36:36,080 --> 00:36:36,680
Speaker 7: he hitting on her?

885
00:36:37,360 --> 00:36:40,440
Speaker 8: No, that's a great question, and I mean my initial

886
00:36:40,560 --> 00:36:41,560
Speaker 8: instinct is no.

887
00:36:43,520 --> 00:36:45,919
Speaker 2: But she don't know a thousand dollars tip that's hitting

888
00:36:45,920 --> 00:36:46,320
Speaker 2: on someone.

889
00:36:46,440 --> 00:36:47,680
Speaker 7: Yeah, Oh my goodness, Oh my god.

890
00:36:47,800 --> 00:36:48,200
Speaker 8: It's a great.

891
00:36:48,520 --> 00:36:49,160
Speaker 2: Somebody hit on me.

892
00:36:51,320 --> 00:36:53,319
Speaker 6: More tender and a dude sitting there having one dream,

893
00:36:54,680 --> 00:36:57,920
Speaker 6: you're not thinking, hey, like, that's a great question. I

894
00:36:57,960 --> 00:36:58,560
Speaker 6: would say no.

895
00:36:59,080 --> 00:37:01,480
Speaker 2: However, if you were to say no, he was, I

896
00:37:01,520 --> 00:37:04,640
Speaker 2: wouldn't argue with you because it's kind of a cheesy,

897
00:37:04,800 --> 00:37:07,040
Speaker 2: losory way to hit on someone. But it's still a

898
00:37:07,080 --> 00:37:10,239
Speaker 2: way to hit on someone. It's baller sometimes though, because

899
00:37:10,239 --> 00:37:12,440
Speaker 2: there's a story in Arkansas where somebody did this and

900
00:37:12,520 --> 00:37:16,000
Speaker 2: then they canceled their credit card and then so then

901
00:37:17,440 --> 00:37:20,560
Speaker 2: it's terrible. Well, no, everybody got the money, but then

902
00:37:20,600 --> 00:37:22,200
Speaker 2: the restaurant wanted it back because the restaurant had to

903
00:37:22,239 --> 00:37:24,279
Speaker 2: pay for it through the credit and the restaurants like,

904
00:37:24,320 --> 00:37:28,839
Speaker 2: need our money back. Oh that's that's not good man.

905
00:37:28,880 --> 00:37:31,759
Speaker 2: I want to leave a thousand dollars two, what's hold

906
00:37:31,840 --> 00:37:34,200
Speaker 2: you not having it? What's hold your back?

907
00:37:34,239 --> 00:37:34,520
Speaker 1: Buddy?

908
00:37:35,360 --> 00:37:36,600
Speaker 7: I want to leave a ten thousand dollars.

909
00:37:37,800 --> 00:37:40,040
Speaker 2: I want to drive a new Ferrari into the front

910
00:37:40,080 --> 00:37:41,120
Speaker 2: of the store and to put a bow on it

911
00:37:41,120 --> 00:37:41,560
Speaker 2: and say, this is.

912
00:37:43,680 --> 00:37:43,919
Speaker 1: Eddie.

913
00:37:44,440 --> 00:37:50,279
Speaker 6: How he says all this stuff that he wants to do. Yeah,

914
00:37:50,600 --> 00:37:54,800
Speaker 6: I want to go to space and right, I don't.

915
00:37:54,640 --> 00:37:56,080
Speaker 7: Want to get a Brazilian butt lit.

916
00:37:56,600 --> 00:37:58,360
Speaker 2: But Eddie does say a lot of like good stuff

917
00:37:58,400 --> 00:37:59,800
Speaker 2: that he wants to do, like to get credit for it.

918
00:37:59,880 --> 00:38:01,040
Speaker 8: Like I want to donate a kidney.

919
00:38:01,080 --> 00:38:03,239
Speaker 2: We're like, oh, that's so cool, and then we're like, okay,

920
00:38:03,400 --> 00:38:05,400
Speaker 2: well someone's called and there he's like, oh.

921
00:38:05,440 --> 00:38:07,520
Speaker 3: Maybe what I'm saying I want to have that much

922
00:38:07,560 --> 00:38:09,480
Speaker 3: money that I can leave a thousand dollars tip.

923
00:38:09,800 --> 00:38:11,839
Speaker 2: Okay, Yeah, I don't want to leave a thousand dollars

924
00:38:11,840 --> 00:38:13,680
Speaker 2: ten and be like dang, I'm broke. But we've noticed

925
00:38:13,719 --> 00:38:16,799
Speaker 2: a trend here. Yeah, for a lot of the stuff

926
00:38:16,840 --> 00:38:19,680
Speaker 2: that you say that you want to do are super positive,

927
00:38:19,800 --> 00:38:22,359
Speaker 2: like give back things. So hopefully we go, oh, that's

928
00:38:22,360 --> 00:38:24,600
Speaker 2: really cool that Eddie wants to do that thoughtful. Hey

929
00:38:24,680 --> 00:38:27,360
Speaker 2: I did inquire about that kidney. Oh you didn't.

930
00:38:27,400 --> 00:38:29,440
Speaker 3: I asked a little bit of more questions about, like

931
00:38:29,480 --> 00:38:30,960
Speaker 3: and will I'd be okay with the one kidney if

932
00:38:30,960 --> 00:38:33,200
Speaker 3: I donate answers. Yes, Yeah, so you got the answers

933
00:38:33,239 --> 00:38:35,120
Speaker 3: that you needed to get to continue on still thinking

934
00:38:35,120 --> 00:38:35,400
Speaker 3: about it.

935
00:38:35,560 --> 00:38:39,600
Speaker 2: Right, great point, Amy, Anyway, what this whole situation is good.

936
00:38:39,600 --> 00:38:41,319
Speaker 2: He left a thousand bucks, she could use it at

937
00:38:41,320 --> 00:38:44,000
Speaker 2: the end. Right, that's a great story. Anything else you

938
00:38:44,040 --> 00:38:46,160
Speaker 2: want to do today, maybe working at a soup kitchen.

939
00:38:46,200 --> 00:38:47,440
Speaker 2: I really love to work at a super kit, I

940
00:38:47,440 --> 00:38:48,000
Speaker 2: don't want to do that.

941
00:38:48,080 --> 00:38:50,240
Speaker 8: I'd loved it, Okay, that's what it's all about.

942
00:38:51,040 --> 00:38:52,480
Speaker 7: That was tell me something good.