WEBVTT - There’s No Place Like…  (“Home” S1 E16)

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<v Speaker 1>And that's what you really missed with Jenna and Kevin

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<v Speaker 1>an iHeartRadio podcast really missed Welcome to you. No Jenna, No,

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<v Speaker 1>this is and that's what you really missed the Glee

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<v Speaker 1>Rewatch podcast. I'm Jenna, I'm Kevin, and this week we

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<v Speaker 1>are talking about season one episode sixteen, Home Home, directed

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<v Speaker 1>by Paris Barclay, his second episode of season one that

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<v Speaker 1>he directs. It's very exciting. I love Paris. It originally

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<v Speaker 1>aired on April twenty seventh, twenty ten, the day before

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<v Speaker 1>my twenty fourth birthday. Oh my god, it was so

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<v Speaker 1>long ago, and the day before Harry's twenty eight. That's right,

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<v Speaker 1>and so Jenna, Jenna and Harry have the same birthday,

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<v Speaker 1>along with many other people that I know. Is a

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<v Speaker 1>very popular day for twenty It's very popular. Okay, the

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<v Speaker 1>number one do anything for your birthday? We went to

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<v Speaker 1>were you there? We went to Tokyo delve Um. It's

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<v Speaker 1>a sushi restaurant in North Hollywood and they have like

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<v Speaker 1>dancers that dress up like and they sing sync and

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<v Speaker 1>they lit like yeah exactly yeah, and we got a

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<v Speaker 1>sushi boat and Telly was there. I think you were there, Kevin.

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<v Speaker 1>I think I was and it's it was just really

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<v Speaker 1>fun and low key. So that was you, um, what

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<v Speaker 1>was going on in the world. The number one song

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<v Speaker 1>was nothing on You? How does that? Bob? Nothing on You?

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<v Speaker 1>Oh right, okay, nothing You? Oh you? And this was

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<v Speaker 1>Bob's I think it was his first single and Bruno Mars.

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<v Speaker 1>Oh really yes, and this was a big thing for

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<v Speaker 1>Bruno Mars. Yeah, How to Train Your Dragon was the

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<v Speaker 1>number one movie in the country. I have seen that. UM.

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<v Speaker 1>The day before this episode came out, we went to

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<v Speaker 1>UM evening with Glee, a special screening and panel for

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<v Speaker 1>the Television Academy and North Hollywood. Do you remember that.

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<v Speaker 1>I remember going to that big, long panel. We talked

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<v Speaker 1>about the show was moderated, we talked about lots of

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<v Speaker 1>fun stuff, and then at the end of it, all

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<v Speaker 1>the people who are there who could buy tickets come

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<v Speaker 1>bum rushing the stage and I remember thinking like feeling like,

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<v Speaker 1>oh my god, all these people want our autograph and

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<v Speaker 1>our photos. It was like overwhelming. It was pretty crazy. Yeah,

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<v Speaker 1>and this was also our first TV Academy event. So

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<v Speaker 1>you do these things, you hope that TV Academy members

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<v Speaker 1>are in the audience, and so therefore you know the

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<v Speaker 1>aspiration is that we get nominated for Emmy's Coming Out. Yes, right, Okay,

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<v Speaker 1>so this one is a lot of guest stars. We

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<v Speaker 1>have Christian Channowith, John Gruff, Romi Rose momd and Mike O'Malley.

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<v Speaker 1>Oh what a great stacked lineup of guest stars. Curly,

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<v Speaker 1>we are so so lucky. There's a couple of fun

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<v Speaker 1>facts about this episode. Okay, this, um, this is this

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<v Speaker 1>one isn't fun. There's no jama that's not fun. We

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<v Speaker 1>need jamak. But it's the first episode where the title

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<v Speaker 1>is the actual name of a song. There's the first

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<v Speaker 1>episode where there wasn't like a Rachel centric storyline. Wow,

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<v Speaker 1>that's crazy. And already we are at our one hundredth performance.

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<v Speaker 1>Good lord, Yeah, crazy beautiful. When Amber sings Beautiful towards

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<v Speaker 1>the end of this episode, that's our one hundred Wow

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<v Speaker 1>Wow wow wow wow pretty wid Yeah. So the songs

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<v Speaker 1>in this episode are Fire by Bruce Springsteen. A House

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<v Speaker 1>Is Not at Home by Dion Warwick. B Backrock just

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<v Speaker 1>recently passed away and one of the greatest songwriters of

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<v Speaker 1>all time, and it felt nice to watch this episode

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<v Speaker 1>and hear some of his music and this um one,

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<v Speaker 1>Let's spelled to answer by Barbara full By Christina and

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<v Speaker 1>Home from the Whiz. You know, wow, big episode. These

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<v Speaker 1>are legends, legendary songs and songwriters and singers. Get We

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<v Speaker 1>have Dion Warwick, Barbara Streiss and Bruce Springsteen, Dame and

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<v Speaker 1>Bert Backreck in one episode. That's this is when we're

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<v Speaker 1>starting to get like the bigger artists, the bigger songs,

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<v Speaker 1>like the catalogs are just being kind of like given

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<v Speaker 1>gifted to us a you know, alamadonna. Um let's get

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<v Speaker 1>into it. This is a fun episode. Yeah, I really

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<v Speaker 1>enjoyed this episode. Um So. The eppisode summary. First of all,

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<v Speaker 1>everyone is feeling displaced from their homes in some way

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<v Speaker 1>or another, whether metaphorically or physically. New directions. Finn, Jesse,

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<v Speaker 1>Saint James, Mercedes and Kurt Will April Rhodes. So one

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<v Speaker 1>of the main storylines is that Mercedes, Um and Kurt

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<v Speaker 1>joined the Cheerios and Mercedes is asked by Sue in

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<v Speaker 1>preparation for their big magazine interview where Sue is named

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<v Speaker 1>coach of the past two thousand years, that Mercedes has

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<v Speaker 1>to drop ten pounds. The whole Cheerios team has to

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<v Speaker 1>lose pounds weight, but Mercedes has given an assignment of

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<v Speaker 1>ten pounds, and so we start out with Sue saying

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<v Speaker 1>that Mercedes, your chords have had more fantastic runs than

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<v Speaker 1>a Kenyan track team, but that look will simply not

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<v Speaker 1>do oh yeah, oh indeed, and then she says that

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<v Speaker 1>she wants Mercedes to lose weight so she can be

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<v Speaker 1>wearing a gender appropriate costume by the end of the week.

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<v Speaker 1>When Tracy Pendergrass gets there for the interview, not great.

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<v Speaker 1>So they're in the cafeteria and Mercedes is eating a

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<v Speaker 1>salad and some grilled chicken and you know, waters, I think.

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<v Speaker 1>Kurt says, that's what you're eating. You have a week

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<v Speaker 1>to lose ten pounds. It's like having to lose one

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<v Speaker 1>of my butt cheeks. And Kurt says, look, Mercedes, this

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<v Speaker 1>is not Please, don't mess up our chance to finally

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<v Speaker 1>fit in and be with the cool crowd. So Mercedes

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<v Speaker 1>is feeling the stakes of this and not wanting to

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<v Speaker 1>disappoint Kurt. So Mercedes then goes and asks Brittany and

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<v Speaker 1>Becky and Santana how they stay so skinny and they

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<v Speaker 1>share the master cletons. Do you remember that this cleans

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<v Speaker 1>was like all the rage at that time. Kevin. We're like,

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<v Speaker 1>you're whole Foods at January first of the new year,

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<v Speaker 1>and they had like all of the things set out

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<v Speaker 1>for pepper thing where you just drank that in water

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<v Speaker 1>for a week. I had so many I think I

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<v Speaker 1>was the only person not doing that. We did a

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<v Speaker 1>lot of cleanses on set. Yeah. Um, and we see

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<v Speaker 1>Quinn like kind of from a far sea Mercedes and like,

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<v Speaker 1>you know, longingly, like knowing what she's going through. Um,

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<v Speaker 1>So Mercedes is at this way in right, and she

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<v Speaker 1>she gains two pounds and Sue is like, no, you

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<v Speaker 1>have four days to lose the waiter. You're out and

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<v Speaker 1>threatens her by saying, yeah, you have to do other

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<v Speaker 1>thing like you like soon you'll be like like Becky

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<v Speaker 1>has a way in as well. Right right, It's like, oh,

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<v Speaker 1>you're gonna be like every other American teenaged girl and

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<v Speaker 1>start hiding bags of bile and vomit around your parents'

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<v Speaker 1>house like it's in your living your parents living room

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<v Speaker 1>or something like that. Yeah, it's not not good, but

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<v Speaker 1>this is one of my favorite things we ever did.

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<v Speaker 1>I didn't realize it happened this soon oh, yes, season two.

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<v Speaker 1>In my head, this is this is it? Well back nine. Honestly,

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<v Speaker 1>the back nine kind of feels a season two. Yeah,

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<v Speaker 1>so I was gonna say what I because we had

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<v Speaker 1>such a big gap in real life between the first thirteen.

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<v Speaker 1>In the back nine, the back nine feels like a

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<v Speaker 1>completely different, Yes, experience, it does, it does. There was

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<v Speaker 1>a time off, there was it steels separate. Okay, So

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<v Speaker 1>we're in the cafeteria and Mercedes is with Tina and

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<v Speaker 1>Artie and she is starving herself because obviously she has

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<v Speaker 1>four days till these ten pounds, which is wild, and

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<v Speaker 1>she starts hallucinating and she starts to see us as

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<v Speaker 1>food and Amber gives such a wonderful performance in this

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<v Speaker 1>whole episode. I was so excited for her, so proud

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<v Speaker 1>of her. Um this was like her big storyline. I

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<v Speaker 1>remember her really taking this super seriously and you know, really,

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<v Speaker 1>you know, just doing doing the deed. She is amazing.

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<v Speaker 1>So but I remember us coming out in these outfits

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<v Speaker 1>and try to laugh at her and ruin her takes

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<v Speaker 1>because she was, you know, she had to kind of

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<v Speaker 1>be serious and this was so ridiculous that we looked

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<v Speaker 1>like this. Kevin and It's one of those things where

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<v Speaker 1>Paris is very serious. He can be fun and silly,

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<v Speaker 1>but like, yeah, you know, Amber had a really serious

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<v Speaker 1>thing to portray her and just don't screw this up.

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<v Speaker 1>And you and I and Leah and John. I was

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<v Speaker 1>sitting in that back room in these costumes looking a fool. Yeah,

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<v Speaker 1>and like we couldn't look at each other. So like

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<v Speaker 1>I remember and this actual scene sitting around the table,

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<v Speaker 1>you and I could not make eye contact with one another.

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<v Speaker 1>We had to just like the only one we can

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<v Speaker 1>stay in this is to look at Amber and just

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<v Speaker 1>remember we have to give it to her and not

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<v Speaker 1>mess this up. Lines. I'm literally a piece of cake.

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<v Speaker 1>I also how cool this was because this person that

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<v Speaker 1>had made costumes for like Katy Perry or something that's

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<v Speaker 1>right and had to build it around your wheelchair. Yes,

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<v Speaker 1>they had to get like three people to lift the

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<v Speaker 1>piece of Like when the take was over, I couldn't

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<v Speaker 1>just get up. I had like zero arms. It's so funny.

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<v Speaker 1>I'm sorry, Oh god, it was one of my favorite

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<v Speaker 1>things we ever did, truly. Yeah, Okay, so basically during

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<v Speaker 1>all of this, we're just saying that we love her

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<v Speaker 1>the way she is in these cleanses. People don't it

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<v Speaker 1>doesn't work and you know, blah blah blah, and then

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<v Speaker 1>she um she runs away and we see Leah and

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<v Speaker 1>Croff in their ridiculous costumes. This is Groff's second episode also,

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<v Speaker 1>and he's in a bird her and she passes out

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<v Speaker 1>in the cafeteria and we so she ends up should

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<v Speaker 1>we cut to her in the nurse's office, right, and

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<v Speaker 1>such a sweet scene. I think the scene is beautiful, beautiful,

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<v Speaker 1>And we haven't seen Quinn and Mercedes together either. It's

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<v Speaker 1>like the budding relationship and friendship that they have. And

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<v Speaker 1>Quinn tells her that she's like, eat the granilla bar.

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<v Speaker 1>She's like, I'm not hungry, and she's like, yes, yes

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<v Speaker 1>you are. I've been there. And then she says, M,

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<v Speaker 1>did they start looking like food before you passed down?

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<v Speaker 1>She's like, M, been there. And Quinn tells her that

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<v Speaker 1>her relationship to food changed when she got pregnant because

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<v Speaker 1>she's realizing she's doing everything she can to fuel her

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<v Speaker 1>body for this little thing. Then why can't she do

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<v Speaker 1>that for herself? And I thought that was really beautiful.

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<v Speaker 1>I think that's an incredibly well written line. Yes, I've

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<v Speaker 1>been thinking about that line all day because how that

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<v Speaker 1>translates to a lot of us when we get cut

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<v Speaker 1>up in fad diets and things about if you're willing

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<v Speaker 1>to do this for somebody else and make sure everybody

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<v Speaker 1>else is eating correctly, like why aren't we yeah doing

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<v Speaker 1>that or caring about ourselves. It's one of those moments

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<v Speaker 1>where we were just addressed as desserts and then all

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<v Speaker 1>of a sudden, you have Amber sitting there, Mercedes sitting

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<v Speaker 1>there crying right talking about her body, and then Quinn

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<v Speaker 1>saying yeah, like yeah, I get it, And here's why.

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<v Speaker 1>It was a really powerful moment and one that because

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<v Speaker 1>you know, I think Paris made a point of doing

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<v Speaker 1>this in every episode to balance that out perfectly. Yeah,

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<v Speaker 1>where you still believed both realities. Yeah, and like again,

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<v Speaker 1>we're now tackling eating disorders, we're tackling kind of weight loss,

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<v Speaker 1>we're tackling all of this. Like Quinn's line about saying

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<v Speaker 1>like she's lucky because she's always been home in her

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<v Speaker 1>body and don't not to let suit take that away

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<v Speaker 1>from her. I mean, it was so beautiful and it

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<v Speaker 1>really resonated with me because, like I obviously in this industry,

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<v Speaker 1>like I've struggled with my body and just seeing yourself

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<v Speaker 1>on camera every day it's like jarring, and um, you know,

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<v Speaker 1>having Emma like my body, my body has changed my

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<v Speaker 1>mentality in the fueling of my body and also like

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<v Speaker 1>nutrition wise, like wanting to eat well, not for weight loss,

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<v Speaker 1>but to eat to fuel myself so that like I

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<v Speaker 1>can have I can live a long life. That's really

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<v Speaker 1>like the way I look at it now, it's just

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<v Speaker 1>so crazy but very existential. But um, it's really it

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<v Speaker 1>was really beautifully done. As you said. Now we get

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<v Speaker 1>to we're cutting, we're cutting a head a bit, but

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<v Speaker 1>we're just getting through this whole Mercedes beautiful Mercedes storyline

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<v Speaker 1>where Tracy Pendergrass shows up and Sue was expecting a woman,

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<v Speaker 1>right and he shows up with the PEP rally and

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<v Speaker 1>the interview and Mercedes switches up the plan and she

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<v Speaker 1>decides to come out and take Quinn's advice and sing,

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<v Speaker 1>you know, says, cherios aren't about you know, looking caught

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<v Speaker 1>and you know, being cool, but like actually just really

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<v Speaker 1>loving each other and loving ourselves and learning how to

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<v Speaker 1>do that every day. So meanwhile, Sue's freaking out because

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<v Speaker 1>Tracy Pendergrass said that this is going to be like

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<v Speaker 1>a hard hitting expose, and then the number that she

0:14:44.320 --> 0:14:48.280
<v Speaker 1>had planned doesn't happen. Mercedes comes out and god yeah

0:14:48.320 --> 0:14:51.800
<v Speaker 1>and sings this number and gets the glee club and

0:14:51.840 --> 0:14:55.560
<v Speaker 1>some fellow classmates to come up and sing with her

0:14:56.200 --> 0:15:00.440
<v Speaker 1>and this, and then Amber does this beautiful one hundred number.

0:15:00.840 --> 0:15:05.480
<v Speaker 1>Beautiful huh see what I did there? And I remember

0:15:05.480 --> 0:15:07.840
<v Speaker 1>shooting this and just being so proud of Amber. I

0:15:07.840 --> 0:15:09.720
<v Speaker 1>think we shot this towards the end of the episode,

0:15:09.760 --> 0:15:13.680
<v Speaker 1>maybe that this at home, and just watching Amber kind

0:15:13.680 --> 0:15:16.400
<v Speaker 1>of do this whole performance was really It's just fun

0:15:16.440 --> 0:15:18.880
<v Speaker 1>to be able to watch your friends do things that

0:15:18.920 --> 0:15:22.680
<v Speaker 1>like stretched them. And you know, Amber can wail and

0:15:22.800 --> 0:15:25.440
<v Speaker 1>do sing about just about anything, but like to watch

0:15:25.440 --> 0:15:29.640
<v Speaker 1>her actually act and hold this episode was like really beautiful. Yeah, tears,

0:15:29.760 --> 0:15:33.000
<v Speaker 1>she was providing tears. She was providing tears, and I

0:15:33.040 --> 0:15:36.760
<v Speaker 1>know she was nervous about that too, so um. And

0:15:36.800 --> 0:15:38.880
<v Speaker 1>then we get to the office the next day where

0:15:38.920 --> 0:15:41.520
<v Speaker 1>Tracy says she's going to continue this interview next the

0:15:41.560 --> 0:15:46.200
<v Speaker 1>next day and she's office and you know, it says

0:15:46.280 --> 0:15:48.800
<v Speaker 1>that he admitted that he hadn't liked Sue since in

0:15:48.920 --> 0:15:51.800
<v Speaker 1>that minuting matter, and the fact that she called him

0:15:51.840 --> 0:15:54.320
<v Speaker 1>rerun twice made him think that she was a little

0:15:54.360 --> 0:16:01.240
<v Speaker 1>bit racist. Moving on and then yeah, and then she

0:16:01.880 --> 0:16:07.040
<v Speaker 1>realizes he realizes that he was wrong, right, and says

0:16:07.080 --> 0:16:10.400
<v Speaker 1>that seeing that performance and seeing how he's she's teaching

0:16:10.680 --> 0:16:16.800
<v Speaker 1>her cheerios to be inclusive and positive about these things

0:16:16.800 --> 0:16:20.040
<v Speaker 1>that are not always respected and thought positively of in

0:16:20.160 --> 0:16:25.240
<v Speaker 1>that cheerio cheerio world. And she's like, well, yeah, m

0:16:26.280 --> 0:16:29.880
<v Speaker 1>I did that on purpose. Yeah, And then we have

0:16:29.960 --> 0:16:32.760
<v Speaker 1>this moment of her admitting that he was wrong to

0:16:32.840 --> 0:16:35.920
<v Speaker 1>Mercedes about the cheerios, and we know the stakes of

0:16:36.080 --> 0:16:38.520
<v Speaker 1>trying to fit in right, which is really nice. They

0:16:38.520 --> 0:16:41.200
<v Speaker 1>have such a great friendship, do they really? Do? We

0:16:41.600 --> 0:16:49.040
<v Speaker 1>fall in love with Marchine? So meanwhile, Sue has blocked

0:16:49.040 --> 0:16:53.200
<v Speaker 1>out the entire auditorium just to I don't know, mess

0:16:53.320 --> 0:16:56.960
<v Speaker 1>with Shoe because it's too cold outside her cheeros to

0:16:57.000 --> 0:17:00.920
<v Speaker 1>be rehearsing. So she has a sign up sheet in

0:17:00.960 --> 0:17:07.239
<v Speaker 1>her waistband and says that Will can't use the auditorium

0:17:07.280 --> 0:17:10.920
<v Speaker 1>after he confronts her about it, and the whole week

0:17:11.000 --> 0:17:15.600
<v Speaker 1>is reserved just for the cheerios taken away from their home.

0:17:16.320 --> 0:17:22.080
<v Speaker 1>If you exactly displacing them. So when Will shares us

0:17:22.080 --> 0:17:25.400
<v Speaker 1>with the Glee Club, Rachel recommends a sit in, Puck

0:17:25.480 --> 0:17:29.120
<v Speaker 1>recommends that they torched the place, but mister Shoe takes

0:17:29.160 --> 0:17:31.800
<v Speaker 1>upon himself to make a promise that he's going to

0:17:31.840 --> 0:17:34.800
<v Speaker 1>find them a new home for the week. Shoe goes

0:17:34.840 --> 0:17:39.119
<v Speaker 1>to the roller roller Rink, which in real life in

0:17:39.240 --> 0:17:43.560
<v Speaker 1>La Moonlight Rollerway that we It's in every movie you see,

0:17:43.800 --> 0:17:47.120
<v Speaker 1>every TV show you see. If there's all, that's the one.

0:17:47.640 --> 0:17:50.680
<v Speaker 1>They have a great LGBT and Iron Wednesdays. You should

0:17:50.720 --> 0:17:53.040
<v Speaker 1>go check it out. Yeah, it's great. I've been several times. Yes,

0:17:53.760 --> 0:17:58.600
<v Speaker 1>um and lo and behold who's at the roller rink?

0:17:59.200 --> 0:18:03.520
<v Speaker 1>Pulling focus on the main stage. But Kristen Chenno with

0:18:03.680 --> 0:18:07.960
<v Speaker 1>aka April Rhodes And she's like, well, Schuster, I just

0:18:08.000 --> 0:18:11.080
<v Speaker 1>had a sex stream about you, and then queues up

0:18:11.680 --> 0:18:14.720
<v Speaker 1>a song Fire by Bruce Springsteen, hands him a mic

0:18:14.840 --> 0:18:19.840
<v Speaker 1>that's bedazzled, bedazzled with flames, ready for the song, and

0:18:19.920 --> 0:18:22.800
<v Speaker 1>they sing this great number. I would just like to

0:18:22.840 --> 0:18:27.719
<v Speaker 1>point out again how good Christen Chenno is as a singer.

0:18:28.160 --> 0:18:32.600
<v Speaker 1>I mean, I will say there are a lot of

0:18:32.720 --> 0:18:36.800
<v Speaker 1>musical theater people I mean she has her master's an opera. Yeah,

0:18:36.800 --> 0:18:41.960
<v Speaker 1>she's classically trained who cannot do everything what she does,

0:18:42.400 --> 0:18:44.560
<v Speaker 1>she can adapt to any style of song. She is

0:18:44.600 --> 0:18:47.280
<v Speaker 1>singing on that Bruce Springsteen song, she cut out her

0:18:47.400 --> 0:18:51.800
<v Speaker 1>vibrato entirely. Yeah, she's like Jesse Mahler. Yeah, she's just

0:18:52.040 --> 0:18:54.720
<v Speaker 1>singing this like pop rock song. Yeah, she made it

0:18:54.720 --> 0:18:57.440
<v Speaker 1>a pop song, but it's, you know, rock song. And

0:18:58.640 --> 0:19:02.159
<v Speaker 1>it's just very very very very impressive. She sings so

0:19:02.160 --> 0:19:05.119
<v Speaker 1>many different genres in this one episode, and she sings

0:19:05.119 --> 0:19:08.760
<v Speaker 1>them differently each time. Yes, she does what is called

0:19:08.800 --> 0:19:13.040
<v Speaker 1>for in the song she called. We call that versatility. Yeah,

0:19:12.720 --> 0:19:15.800
<v Speaker 1>it's just so I'll never get over it because it's

0:19:15.840 --> 0:19:17.840
<v Speaker 1>so hard to be able to do that. Yeah, she

0:19:17.880 --> 0:19:21.000
<v Speaker 1>can do anything with her voice. Yeah, yeah, Plato. It's

0:19:21.080 --> 0:19:23.439
<v Speaker 1>really crazy. And she's a great actress as well. Because

0:19:23.680 --> 0:19:26.040
<v Speaker 1>we get into this scene where Will sees April and

0:19:26.200 --> 0:19:31.080
<v Speaker 1>this like hero, I thought you were getting sober. She says,

0:19:31.240 --> 0:19:33.439
<v Speaker 1>I was so chatted about so bring up and studying

0:19:33.440 --> 0:19:34.800
<v Speaker 1>a new life that I had to stop at a

0:19:34.800 --> 0:19:37.879
<v Speaker 1>bar and get a drink just to calm down. And

0:19:37.920 --> 0:19:40.320
<v Speaker 1>then she lived at the bar for four months, right,

0:19:40.960 --> 0:19:44.000
<v Speaker 1>and then she admits that she's actually running this roller

0:19:44.080 --> 0:19:48.600
<v Speaker 1>rink because she's a new mistress of Buddy Leewwitz, who

0:19:49.240 --> 0:19:53.600
<v Speaker 1>is a strip mall tycoon, and Wills like, oh, well

0:19:53.640 --> 0:19:56.040
<v Speaker 1>we need I'm a temporary space for the glee club.

0:19:56.840 --> 0:20:00.320
<v Speaker 1>And she's like, oh, bring him here, no big deal.

0:20:00.720 --> 0:20:02.560
<v Speaker 1>And then Will tells April that he has to sublet

0:20:02.560 --> 0:20:06.960
<v Speaker 1>his apartment because he's getting divorced. And this divorce, does

0:20:06.960 --> 0:20:09.199
<v Speaker 1>that mean you're free to date? And by date I

0:20:09.200 --> 0:20:11.439
<v Speaker 1>mean sleep with people, and by sleep with I mean

0:20:11.520 --> 0:20:14.680
<v Speaker 1>have sex with people people like me. Kidding, not really,

0:20:16.200 --> 0:20:20.879
<v Speaker 1>And so she's offering, it's so good, she's offering to

0:20:21.680 --> 0:20:25.000
<v Speaker 1>sublet his place. And it's like, I'm gonna need to

0:20:25.040 --> 0:20:28.960
<v Speaker 1>come see the funk Hua or fing fong whatever it's called. Oh,

0:20:31.960 --> 0:20:35.800
<v Speaker 1>and so she is gonna weazle her way into going

0:20:35.840 --> 0:20:40.320
<v Speaker 1>to his home. Then mister Shu was like, Hey, new directions.

0:20:40.560 --> 0:20:45.840
<v Speaker 1>I got the roller rink and we're gonna go perform there.

0:20:46.240 --> 0:20:50.399
<v Speaker 1>Rehearse there, right, And then Kurt addresses the glee club.

0:20:50.560 --> 0:20:54.600
<v Speaker 1>He says, mister Shu has something to say, and he

0:20:54.680 --> 0:20:56.600
<v Speaker 1>just says that we all need to find a sense

0:20:56.640 --> 0:20:59.080
<v Speaker 1>of place and that everybody's feeling. He's kind of like

0:20:59.200 --> 0:21:02.600
<v Speaker 1>naming it all, Like, you know, Finn is feeling upset

0:21:02.680 --> 0:21:06.679
<v Speaker 1>that their their parents are dating and you know, um,

0:21:06.880 --> 0:21:09.040
<v Speaker 1>well we'll get into that. Yeah, yeah, yeah, and he

0:21:09.080 --> 0:21:12.600
<v Speaker 1>breaks into the song. Well he goes through Brad and

0:21:13.280 --> 0:21:17.359
<v Speaker 1>uh sings houses not at home? Do you actually just

0:21:17.400 --> 0:21:19.560
<v Speaker 1>have the sheet music sitting there on the piano ready?

0:21:19.720 --> 0:21:25.800
<v Speaker 1>But he knew, Yeah, that's how it works, say, and

0:21:25.800 --> 0:21:29.000
<v Speaker 1>it's it's an uncomfortable performance. He's emotional, he's like working

0:21:29.000 --> 0:21:32.360
<v Speaker 1>through things and Finn's like, what is happening? Right? But

0:21:32.400 --> 0:21:37.120
<v Speaker 1>then which I forgot about, we cut to Finn singing

0:21:37.160 --> 0:21:41.359
<v Speaker 1>in this number, Finn singing, his tradition of singing to

0:21:41.440 --> 0:21:45.920
<v Speaker 1>enimate objects continues, and he somehow makes it work for

0:21:46.000 --> 0:21:49.000
<v Speaker 1>him because God blessed Scory, like you you know, he

0:21:49.040 --> 0:21:51.320
<v Speaker 1>can make anything work. But of course he had to

0:21:51.359 --> 0:21:55.480
<v Speaker 1>sing to the chair and to the urn of his

0:21:55.480 --> 0:22:00.640
<v Speaker 1>his late father. Um, it was weird. It was weirder

0:22:00.640 --> 0:22:04.199
<v Speaker 1>than him singing to the ultrasound. Definitely, at least it

0:22:04.200 --> 0:22:06.560
<v Speaker 1>was quick. It was really quick. No, no, yeah, I

0:22:06.600 --> 0:22:08.960
<v Speaker 1>would also say I in this episode, I noticed a

0:22:08.960 --> 0:22:13.920
<v Speaker 1>lot Corey's physicality and he was a twenty something year

0:22:13.960 --> 0:22:17.600
<v Speaker 1>old man playing a sixteen year old right, and I

0:22:17.640 --> 0:22:20.879
<v Speaker 1>feel like he does such a good job of embodying

0:22:21.160 --> 0:22:25.159
<v Speaker 1>the physicality of like a teenager. Okay, Golden Retriever, I

0:22:25.160 --> 0:22:29.040
<v Speaker 1>don't know how my body moves yet. Yeah, goofy, goofyman Coverston,

0:22:30.320 --> 0:22:33.480
<v Speaker 1>You're right, Yes he didn't. He didn't quite inhabit his body,

0:22:33.520 --> 0:22:38.080
<v Speaker 1>but Corey did so exactly. Finn didn't. All right, So

0:22:38.119 --> 0:22:40.760
<v Speaker 1>we get to April. Okay, you take this, Kevin, because

0:22:40.760 --> 0:22:45.560
<v Speaker 1>this is your favorite. This is maybe my favorite song

0:22:45.720 --> 0:22:53.879
<v Speaker 1>ever in this show. I know nobody understands this. Maybe

0:22:53.880 --> 0:22:57.960
<v Speaker 1>it's top three, I don't know, it might be number one.

0:22:58.119 --> 0:23:04.040
<v Speaker 1>I love this number. I love it because I think

0:23:04.080 --> 0:23:09.639
<v Speaker 1>it is such an excellent mashup and the arrangement of

0:23:09.680 --> 0:23:14.359
<v Speaker 1>the song, the harmonies of this number are I don't know,

0:23:14.440 --> 0:23:16.040
<v Speaker 1>I don't know what it is. And I will also

0:23:16.200 --> 0:23:21.879
<v Speaker 1>say watching this um actual number in the show, Paris's

0:23:22.000 --> 0:23:27.040
<v Speaker 1>music video directing fully comes in handy here. Yeah, because yes,

0:23:27.480 --> 0:23:31.239
<v Speaker 1>the way this is so simple but yet choreographed so perfectly, Like,

0:23:31.280 --> 0:23:34.480
<v Speaker 1>never did I ever think I would be so enthralled

0:23:34.480 --> 0:23:36.959
<v Speaker 1>with people laying in bed belting for their lives. Yea

0:23:38.400 --> 0:23:42.280
<v Speaker 1>and it's beautiful and how it cuts together. It's fully

0:23:42.359 --> 0:23:45.840
<v Speaker 1>music video. This is absolutely someone who knows musicality and

0:23:45.960 --> 0:23:48.600
<v Speaker 1>music video. Yes, that's all I kept thinking, I haven't

0:23:48.640 --> 0:23:51.240
<v Speaker 1>but I haven't heard this song in a long time,

0:23:51.280 --> 0:23:55.800
<v Speaker 1>like unlike you, And so I was reminded with a

0:23:55.840 --> 0:23:58.399
<v Speaker 1>slap in the face with how good number. That's how

0:23:58.440 --> 0:24:00.960
<v Speaker 1>good it is? Yeah, you get struck with it across

0:24:01.000 --> 0:24:05.440
<v Speaker 1>the face. Yep, it is a masterclass. And I think

0:24:05.480 --> 0:24:08.119
<v Speaker 1>this scene too, right before leading up to it, when

0:24:08.160 --> 0:24:11.440
<v Speaker 1>April shows up at Will's house, it's like, I'm gonna

0:24:11.520 --> 0:24:13.479
<v Speaker 1>check it out, and he's like, you can sleep on

0:24:13.520 --> 0:24:15.439
<v Speaker 1>the couch. I'm not really cool with this, but no

0:24:15.520 --> 0:24:18.680
<v Speaker 1>funny business sleeping on the couch, and she's like dressed

0:24:18.680 --> 0:24:21.199
<v Speaker 1>in this crazy outfit, bought her bag. She brings out

0:24:21.200 --> 0:24:23.399
<v Speaker 1>a bottle of wine, and then it goes into this

0:24:23.520 --> 0:24:26.240
<v Speaker 1>really obviously it's weird. They're singing to each other in

0:24:26.280 --> 0:24:31.240
<v Speaker 1>the house. Whatever, well, right, we'll buy it. And then

0:24:32.359 --> 0:24:35.840
<v Speaker 1>it's this really beautiful moment for both of them feeling

0:24:36.160 --> 0:24:38.760
<v Speaker 1>displaced and this house. They're both around people, they're not

0:24:38.800 --> 0:24:45.360
<v Speaker 1>that comfortable within this house, but lonely and how they

0:24:45.359 --> 0:24:48.080
<v Speaker 1>can find It's also one of those things too, where

0:24:48.160 --> 0:24:52.640
<v Speaker 1>this song the lyrics really don't apply to their situation,

0:24:52.920 --> 0:24:56.080
<v Speaker 1>but the power of music, of how you can pull

0:24:56.359 --> 0:24:59.480
<v Speaker 1>from a song what you need to to apply to

0:24:59.520 --> 0:25:04.359
<v Speaker 1>your life is what's happening. And I just think, you know,

0:25:04.440 --> 0:25:10.280
<v Speaker 1>Adam Andrews some crazy work on the arrangement. Yeah yeah

0:25:10.400 --> 0:25:16.440
<v Speaker 1>it Um, Kristen and Matt just sounds so good together.

0:25:16.800 --> 0:25:19.680
<v Speaker 1>I mean, two Broadway stars right there. Yeah, but that's

0:25:19.920 --> 0:25:22.439
<v Speaker 1>like it doesn't necessarily sound like no, no, a musical

0:25:22.440 --> 0:25:27.760
<v Speaker 1>theater song singing is you're right between? Yeah, it is

0:25:27.800 --> 0:25:30.640
<v Speaker 1>somewhere between, and it is theatrical. It's over the top,

0:25:30.760 --> 0:25:34.960
<v Speaker 1>but there you just put that song on. You just oh,

0:25:35.400 --> 0:25:38.480
<v Speaker 1>that's so funny. I an't about watching the video at

0:25:38.480 --> 0:25:42.760
<v Speaker 1>some point because I think that also will inform me

0:25:42.960 --> 0:25:46.399
<v Speaker 1>in a different um anyway. Okay, so so after this

0:25:46.560 --> 0:25:50.560
<v Speaker 1>beautiful number, that's one of three. Now, I know we

0:25:50.600 --> 0:25:56.760
<v Speaker 1>can break it down if you want. The April tells well,

0:25:56.840 --> 0:25:59.600
<v Speaker 1>Will says that um at the roller rank that they

0:25:59.600 --> 0:26:02.840
<v Speaker 1>shouldn't a habit of sleeping in the bed together. And

0:26:02.880 --> 0:26:04.639
<v Speaker 1>then Will says, what do you do in April? Like

0:26:04.720 --> 0:26:08.280
<v Speaker 1>you deserve more than being someone's mistress and deserves to

0:26:08.320 --> 0:26:11.400
<v Speaker 1>find happiness and hope, and you know he really has.

0:26:11.440 --> 0:26:14.000
<v Speaker 1>I hoped for her. And so April tells Will that

0:26:14.040 --> 0:26:16.840
<v Speaker 1>she's going to go break up with buddy. Is this

0:26:16.880 --> 0:26:19.320
<v Speaker 1>where Chris got injured at the roller rink? By the way,

0:26:19.520 --> 0:26:22.040
<v Speaker 1>everybody's explained his wrist or something. I think you're right.

0:26:22.080 --> 0:26:25.320
<v Speaker 1>I think you're right. The new directions are not rehearsing,

0:26:25.359 --> 0:26:29.120
<v Speaker 1>they're just skating. Well, we're trying to stay alive. Yea,

0:26:29.480 --> 0:26:32.119
<v Speaker 1>his reality and I at least had big wheels. I

0:26:32.160 --> 0:26:35.919
<v Speaker 1>had you to hold on to, whereas other people didn't.

0:26:36.320 --> 0:26:38.080
<v Speaker 1>And do you see Harry go down? I don't think

0:26:38.119 --> 0:26:41.360
<v Speaker 1>that was fake. I was very appreciative that I got

0:26:41.359 --> 0:26:43.960
<v Speaker 1>to sit in the chair. I hate roller skating because

0:26:44.000 --> 0:26:47.639
<v Speaker 1>I'm so bad. It's hard. It's hard, and I was

0:26:47.680 --> 0:26:50.440
<v Speaker 1>scared um, but I was laughing because it was such

0:26:50.480 --> 0:26:52.399
<v Speaker 1>a It was a fun day for us because we

0:26:52.440 --> 0:26:54.280
<v Speaker 1>get we weren't had no lines. It just got to

0:26:54.320 --> 0:26:57.120
<v Speaker 1>like be there and actidally and do some physical comedy

0:26:57.200 --> 0:27:02.040
<v Speaker 1>and not die. I love too that this was sort

0:27:02.080 --> 0:27:06.160
<v Speaker 1>of Groff's introduction to being part of the league club.

0:27:06.200 --> 0:27:08.480
<v Speaker 1>We're like welcome to not having any lines, and you're

0:27:08.520 --> 0:27:12.239
<v Speaker 1>just an all DC. You're just hanging You're just saying um.

0:27:12.480 --> 0:27:16.399
<v Speaker 1>So okay. So then we cut to April showing up

0:27:16.400 --> 0:27:19.639
<v Speaker 1>at Will's office and she's like what. He's like, what

0:27:19.720 --> 0:27:25.800
<v Speaker 1>you're doing here? And she she told him that she

0:27:25.880 --> 0:27:28.440
<v Speaker 1>broke up with Buddy or she and then and then

0:27:28.480 --> 0:27:30.840
<v Speaker 1>he had a stroke in front of her and died.

0:27:32.280 --> 0:27:37.680
<v Speaker 1>And she's rich. She got two million dollars. So she's

0:27:37.720 --> 0:27:40.400
<v Speaker 1>sobering up and heading to the Broadway where she's gonna

0:27:40.440 --> 0:27:47.160
<v Speaker 1>Mount Mount, the first all white Productional I didn't know

0:27:47.400 --> 0:27:51.320
<v Speaker 1>April was racist? Is the turn of events, and the

0:27:51.480 --> 0:27:57.120
<v Speaker 1>turn a dark turn of events. April is not it's

0:27:57.160 --> 0:28:04.360
<v Speaker 1>not good. It's not. Um. But but in in in

0:28:05.080 --> 0:28:08.720
<v Speaker 1>April Roses roses defense and I'm not defending her. I'm

0:28:08.760 --> 0:28:14.640
<v Speaker 1>just saying she is offensive. Yeah, there are character is offensive. Yeah,

0:28:14.640 --> 0:28:17.920
<v Speaker 1>but again, I don't think that would fly. We wouldn't

0:28:17.920 --> 0:28:21.119
<v Speaker 1>be making that joke now, No, no, because it's not

0:28:21.160 --> 0:28:25.080
<v Speaker 1>a joke. Um. And then and then she's not a

0:28:25.160 --> 0:28:29.000
<v Speaker 1>Rachel's I did you tell them that? Um? April Rhodes

0:28:29.040 --> 0:28:31.640
<v Speaker 1>has bought the auditorium, she has bought our home back

0:28:31.680 --> 0:28:35.320
<v Speaker 1>for us, and it is named the April Rhodes Civic Pavilion.

0:28:35.760 --> 0:28:40.120
<v Speaker 1>Um fun fact, I think Kristen actually has a theater

0:28:40.440 --> 0:28:45.280
<v Speaker 1>named after her in her hometown or surrounding town nearby.

0:28:45.400 --> 0:28:48.480
<v Speaker 1>That's awesome. Um, and then we'll get to that last

0:28:48.560 --> 0:28:52.600
<v Speaker 1>number yeah later, but um. So the other storyline happening

0:28:52.640 --> 0:28:57.600
<v Speaker 1>in this is the good old storyline Kurt and love

0:28:57.640 --> 0:29:06.000
<v Speaker 1>with Fenn thing. So what happens is Kurt Kurt rolls

0:29:06.080 --> 0:29:07.960
<v Speaker 1>up to Finn after leagu club one day and ask

0:29:08.000 --> 0:29:14.480
<v Speaker 1>for advice for redecorating his bedroom and Finn's like, I

0:29:14.600 --> 0:29:16.640
<v Speaker 1>have no idea, like why are you asking me? In

0:29:16.680 --> 0:29:22.640
<v Speaker 1>like points to something. Meanwhile, Finn's mom, Carol, is all

0:29:22.640 --> 0:29:26.560
<v Speaker 1>of a sudden selling Finn's late dad's stuff, and when

0:29:26.600 --> 0:29:29.240
<v Speaker 1>it comes to recliner, Finn freaks out and it's like, no,

0:29:29.280 --> 0:29:31.880
<v Speaker 1>that's not for sale, Like why are you doing this?

0:29:31.880 --> 0:29:35.040
<v Speaker 1>This is dad's chair. It's the only picture I have

0:29:35.080 --> 0:29:37.840
<v Speaker 1>of him with me. He's holding me in that chair,

0:29:37.880 --> 0:29:42.240
<v Speaker 1>and Carol's like, it's not it's a chair, it's not him.

0:29:42.240 --> 0:29:46.360
<v Speaker 1>And then Carol says like, look, also, Carol's dressed completely differently.

0:29:46.400 --> 0:29:52.200
<v Speaker 1>All of a sudden, she's she's no longer in the

0:29:52.240 --> 0:29:58.160
<v Speaker 1>acid washed jeans and best and Carol's says, I've been

0:29:58.200 --> 0:30:01.600
<v Speaker 1>seeing someone and I'm in love and the person I've

0:30:01.600 --> 0:30:07.560
<v Speaker 1>been seeing is Kurt's dad Bert, and so Finn then

0:30:07.640 --> 0:30:09.960
<v Speaker 1>confronts Kurt about it, and it's like, what's going on

0:30:10.000 --> 0:30:13.000
<v Speaker 1>with our parents? And then Kurt says, like, didn't you

0:30:13.040 --> 0:30:16.520
<v Speaker 1>notice anything's different about your mom her look? Before? You know,

0:30:16.840 --> 0:30:20.800
<v Speaker 1>like they'll be living together and redecorating their room together,

0:30:20.960 --> 0:30:24.680
<v Speaker 1>hence why he was asking this. So Kurt has been

0:30:25.520 --> 0:30:28.800
<v Speaker 1>planning this whole thing as a way to, you know,

0:30:28.960 --> 0:30:32.360
<v Speaker 1>get closer to Finn, Jenna, do you I don't know

0:30:33.240 --> 0:30:38.320
<v Speaker 1>what I was doing, But I don't remember Kurt being

0:30:38.320 --> 0:30:41.160
<v Speaker 1>in love with Finn being such a huge storyline. I

0:30:41.200 --> 0:30:44.600
<v Speaker 1>don't know why I have no recollection of this. Yes,

0:30:45.040 --> 0:30:48.600
<v Speaker 1>I agree, it does become short lived because of Kurt,

0:30:48.720 --> 0:30:52.560
<v Speaker 1>Carol and Burt, I think, and it no longer flies

0:30:52.640 --> 0:30:55.880
<v Speaker 1>when like their parents are actually together. But you're right,

0:30:56.120 --> 0:30:59.280
<v Speaker 1>I don't quite And maybe it's because they were just

0:30:59.320 --> 0:31:01.840
<v Speaker 1>shooting so much off to the side. We were never

0:31:01.880 --> 0:31:04.120
<v Speaker 1>really there, like we weren't at the breadsticks scene, like

0:31:04.160 --> 0:31:08.720
<v Speaker 1>we didn't watch these things until we saw them when

0:31:08.880 --> 0:31:11.600
<v Speaker 1>the episodes came out, So maybe it's just because we

0:31:11.600 --> 0:31:14.840
<v Speaker 1>weren't part of it. I think I also like thought

0:31:14.920 --> 0:31:19.480
<v Speaker 1>this whole Kurt, I mean this Carol and oh god, Carol, Kurt, Bert,

0:31:19.600 --> 0:31:22.560
<v Speaker 1>I know, I know, I know Carol and Burt think

0:31:22.600 --> 0:31:27.200
<v Speaker 1>happened later in season two. Agreed also, but they they

0:31:27.240 --> 0:31:30.000
<v Speaker 1>do live on So that's why I think we set

0:31:30.160 --> 0:31:33.240
<v Speaker 1>you know, Burton Carroll quite a bit. So. But yes,

0:31:33.320 --> 0:31:35.680
<v Speaker 1>I think a lot of this feels like the back

0:31:35.800 --> 0:31:38.720
<v Speaker 1>nine feels like a far off dream from the first

0:31:38.800 --> 0:31:46.920
<v Speaker 1>thirteen day we did. Um and so mad. Yeah, He's like,

0:31:47.000 --> 0:31:49.560
<v Speaker 1>I like my house, I'm not moving, I'm not selling

0:31:49.600 --> 0:31:54.960
<v Speaker 1>that damn chair. And and Finn's very resistant towards all

0:31:54.960 --> 0:31:57.520
<v Speaker 1>of this, but they obviously he's a kid, so he

0:31:57.520 --> 0:31:59.080
<v Speaker 1>has to go do what his mom says. And they

0:31:59.160 --> 0:32:01.800
<v Speaker 1>go to breadsticks on a double date with Kurt, Finn

0:32:01.800 --> 0:32:04.120
<v Speaker 1>and their parents, and we were moving to bread sticks.

0:32:05.320 --> 0:32:10.200
<v Speaker 1>So glad I didn't have to do breadsticks. Um, Finn says,

0:32:10.280 --> 0:32:12.240
<v Speaker 1>you know, makes this off kind of like, oh, we're

0:32:12.280 --> 0:32:15.160
<v Speaker 1>not a family, and you know, in response to like

0:32:15.360 --> 0:32:19.160
<v Speaker 1>I think Bert saying something, and and then Burt and

0:32:19.600 --> 0:32:24.040
<v Speaker 1>Finn like Bert wins Finn over with his charm talking

0:32:24.040 --> 0:32:28.080
<v Speaker 1>about sports, and you can see that like Kurt is

0:32:28.200 --> 0:32:31.200
<v Speaker 1>commenting on Carol's clothes and you know, the thing that

0:32:31.280 --> 0:32:36.720
<v Speaker 1>they kind of bonded over and her makeover, and now

0:32:36.800 --> 0:32:42.040
<v Speaker 1>Kurt's very hurt about Finn and Bert getting along, and

0:32:42.200 --> 0:32:47.280
<v Speaker 1>we see this beautiful scene between Kurt and Burt where

0:32:47.280 --> 0:32:49.640
<v Speaker 1>he's like, I feel, you know, I left felt left

0:32:49.640 --> 0:32:54.120
<v Speaker 1>out and sad, and Bert's like, of course, I love

0:32:54.160 --> 0:32:57.280
<v Speaker 1>you like you're my son. Like we don't try to

0:32:57.360 --> 0:33:00.200
<v Speaker 1>change each other. That's our relationship. They have a very

0:33:00.200 --> 0:33:04.520
<v Speaker 1>open and communicative, communicative relationship, as we've learned, and a

0:33:04.560 --> 0:33:06.320
<v Speaker 1>little guy talk with some other kid isn't going to

0:33:06.440 --> 0:33:10.360
<v Speaker 1>change that. And then Kurt says guy talk, I'm a guy,

0:33:11.440 --> 0:33:16.680
<v Speaker 1>and Bert says, you know what I think. But I

0:33:16.720 --> 0:33:18.880
<v Speaker 1>thought that was really powerful though, like Kurt's saying like,

0:33:19.000 --> 0:33:22.360
<v Speaker 1>I'm a guy. Yeah. I think it's important that these

0:33:22.360 --> 0:33:26.320
<v Speaker 1>scenes are a little messy, like yeah, yeah, not everybody's

0:33:26.320 --> 0:33:29.160
<v Speaker 1>saying the perfect thing all the time, but there's an understanding.

0:33:29.200 --> 0:33:32.240
<v Speaker 1>Really their intentions are in the right place. And then

0:33:32.320 --> 0:33:35.040
<v Speaker 1>Bert says, suddenly, I'm not the guy who sat through

0:33:35.120 --> 0:33:40.040
<v Speaker 1>River Dance three in a row. It's so cute though,

0:33:40.080 --> 0:33:42.840
<v Speaker 1>because they do think the best of each other most

0:33:42.880 --> 0:33:45.880
<v Speaker 1>of the time, and they do bring out like that

0:33:46.560 --> 0:33:50.760
<v Speaker 1>that really deep good part of each other. So and

0:33:50.840 --> 0:33:53.680
<v Speaker 1>that's why I think it's very sweet. Um. And then

0:33:53.880 --> 0:33:56.880
<v Speaker 1>Kurt's like, maybe it is too soon that you started dating,

0:33:57.080 --> 0:34:00.040
<v Speaker 1>and Bert says it's been eight years. And then the

0:34:00.280 --> 0:34:02.959
<v Speaker 1>really kind of questions, which because he can see right

0:34:03.000 --> 0:34:06.320
<v Speaker 1>through his son obviously in question why he set him

0:34:06.360 --> 0:34:08.399
<v Speaker 1>up with Carol in the first place. That was good.

0:34:08.560 --> 0:34:13.000
<v Speaker 1>Wasn't it to make me happy? M hmm. Kurt tells

0:34:13.040 --> 0:34:16.000
<v Speaker 1>Finn that, mmmm, this isn't gonna work. We need to

0:34:16.000 --> 0:34:18.440
<v Speaker 1>break them up, and Finn could tell it hurt. Kurt

0:34:18.480 --> 0:34:20.520
<v Speaker 1>admits he doesn't like seeing his mom move on either,

0:34:21.800 --> 0:34:24.919
<v Speaker 1>and Finn agrees, and they shake hands and like, okay,

0:34:25.000 --> 0:34:29.080
<v Speaker 1>let's put an end to them. Right Then Finn threatens

0:34:29.080 --> 0:34:31.239
<v Speaker 1>to throw his dad's ashes down the toilet. He takes

0:34:31.239 --> 0:34:34.279
<v Speaker 1>the ash. He's like, oh, I'm just gonna like I

0:34:34.320 --> 0:34:36.400
<v Speaker 1>can do this too. You've been doing it, and so

0:34:36.640 --> 0:34:41.440
<v Speaker 1>it's great. Yeah, I think Carol, oh my gosh, just roam, gosh,

0:34:41.840 --> 0:34:46.799
<v Speaker 1>just really going says that they can do what they've

0:34:46.800 --> 0:34:48.840
<v Speaker 1>been doing for the past ten years, which is pretending,

0:34:49.440 --> 0:34:51.920
<v Speaker 1>and she reveals she hasn't felt this way about anyone

0:34:51.960 --> 0:34:55.480
<v Speaker 1>since his dad and he's being selfish, tells Finn that

0:34:55.920 --> 0:34:58.640
<v Speaker 1>she loves him and that they need a family and

0:34:58.800 --> 0:35:05.280
<v Speaker 1>a home. And I thought it was really powerful when Finn,

0:35:05.600 --> 0:35:07.480
<v Speaker 1>you know, says this isn't what dad would want, and

0:35:07.520 --> 0:35:12.520
<v Speaker 1>she's like, you don't know him, and that's tough, Like

0:35:13.960 --> 0:35:16.320
<v Speaker 1>it's it's still crazy to me. This is the same show,

0:35:16.600 --> 0:35:22.400
<v Speaker 1>yeah that you know, not that we're dressed in cupcakes

0:35:22.400 --> 0:35:26.640
<v Speaker 1>and cupcakes and things, and a really powerful, I think

0:35:27.200 --> 0:35:30.719
<v Speaker 1>hard to articulate thing that people go through all the time. Well,

0:35:30.719 --> 0:35:33.279
<v Speaker 1>that's dealing with the parents that's passed away at an

0:35:33.280 --> 0:35:36.080
<v Speaker 1>early age, right. I think that's really what's so powerful

0:35:36.160 --> 0:35:38.760
<v Speaker 1>Luckley though, is like you hit these really hard hitting

0:35:38.960 --> 0:35:44.239
<v Speaker 1>situations and it's you know, like social issues and um,

0:35:44.280 --> 0:35:48.360
<v Speaker 1>you know, eating disorders and you know, loss and grief

0:35:48.480 --> 0:35:52.279
<v Speaker 1>and and then you break into song into Madonna and

0:35:52.360 --> 0:35:55.920
<v Speaker 1>Bruce Springsteen and like, no studio these days if you

0:35:56.000 --> 0:35:58.719
<v Speaker 1>pitched a show like that, unless you're Ran Reffe would

0:35:58.760 --> 0:36:01.200
<v Speaker 1>be like, yeah, I get that, Like you'd be like,

0:36:01.239 --> 0:36:03.799
<v Speaker 1>that's two different shows, right. I think even then they

0:36:03.800 --> 0:36:09.600
<v Speaker 1>were like Ryan being like believe me, no. Yes. So

0:36:09.760 --> 0:36:13.279
<v Speaker 1>the storyline starts to wrap up when Bert all of

0:36:13.320 --> 0:36:16.839
<v Speaker 1>a sudden, is at Finn's house and they have this

0:36:16.960 --> 0:36:20.480
<v Speaker 1>man to man in the kitchen and it's very tense

0:36:20.520 --> 0:36:21.680
<v Speaker 1>and they're both like I have a lot to say.

0:36:21.840 --> 0:36:25.920
<v Speaker 1>I have a lot to say, and m Bert's like,

0:36:25.960 --> 0:36:28.000
<v Speaker 1>well I don't have that much to say, so I'll start.

0:36:28.760 --> 0:36:33.400
<v Speaker 1>And he's like, I will never hurt your mom. I

0:36:33.520 --> 0:36:35.520
<v Speaker 1>love her. Your dad was a hero. I would like

0:36:35.600 --> 0:36:38.640
<v Speaker 1>to be a hero for your mom as long as

0:36:38.680 --> 0:36:43.479
<v Speaker 1>she wants me to be. Michael Malley Man, Yeah, there's

0:36:43.520 --> 0:36:46.560
<v Speaker 1>just there's something beautiful about the simplicity with Romy and

0:36:46.600 --> 0:36:51.440
<v Speaker 1>Mike doing these scenes where it's let me just let

0:36:51.440 --> 0:36:55.319
<v Speaker 1>me just say these words because you know they're not

0:36:55.400 --> 0:37:00.600
<v Speaker 1>doing some huge, um extravagant let me show you how

0:37:00.640 --> 0:37:03.160
<v Speaker 1>good of an actor I am. They're good because it's

0:37:03.239 --> 0:37:07.960
<v Speaker 1>true how they're saying it. Yeah. So then Finn just

0:37:08.120 --> 0:37:10.600
<v Speaker 1>sort of wraps it up. He's like, oh, okay, well

0:37:10.600 --> 0:37:11.799
<v Speaker 1>I was just gonna ask if you want to watch

0:37:11.800 --> 0:37:14.320
<v Speaker 1>a game. Yeah. I mean he hears it, he doesn't

0:37:14.320 --> 0:37:16.880
<v Speaker 1>have to admit it. But he hears, you know, Burt

0:37:17.000 --> 0:37:21.440
<v Speaker 1>in what he says, and and then um, you know

0:37:21.680 --> 0:37:23.719
<v Speaker 1>they He's like, no, you wait, you can sit here

0:37:23.920 --> 0:37:27.400
<v Speaker 1>in the chair. He moves. The scene is almost completely perfect,

0:37:27.480 --> 0:37:33.760
<v Speaker 1>almost and then almost too Kurt standing outside the window.

0:37:34.400 --> 0:37:39.160
<v Speaker 1>I'm surprised wasn't raining on the on the window raining? Yes, right,

0:37:39.680 --> 0:37:46.560
<v Speaker 1>Kurt standing at Finn's house, crying like he might as

0:37:46.560 --> 0:37:49.799
<v Speaker 1>well have been an adjacent mask, like what what is

0:37:50.000 --> 0:37:52.960
<v Speaker 1>what is happening? Why? That like sweet moment, and then

0:37:53.000 --> 0:37:56.920
<v Speaker 1>it just pans to him in this gigantic windows. Very

0:37:57.160 --> 0:37:59.800
<v Speaker 1>do you not see him? He's very funny. It's very funny.

0:38:00.760 --> 0:38:13.680
<v Speaker 1>It's so creepy. It's so creepy. So we get to

0:38:14.160 --> 0:38:17.120
<v Speaker 1>the final moment of this episode is us in the

0:38:17.160 --> 0:38:20.920
<v Speaker 1>auditorium behind Chris and Chennewith where she sings home in

0:38:20.960 --> 0:38:26.080
<v Speaker 1>the new April World Civic Pavilion. That's right, and she

0:38:26.160 --> 0:38:30.920
<v Speaker 1>comes on in this beautiful gown. Now she's rich done jewels,

0:38:31.000 --> 0:38:34.200
<v Speaker 1>and we're all we're all her choir, which happily we are,

0:38:34.480 --> 0:38:36.960
<v Speaker 1>you know, swaying and singing with her in her backup

0:38:37.000 --> 0:38:39.960
<v Speaker 1>singers that beautiful scrim lifts and you see this beautiful

0:38:41.080 --> 0:38:45.880
<v Speaker 1>clouded sky in the background that is lit beautifully. It

0:38:45.960 --> 0:38:49.600
<v Speaker 1>look stunning. I think it looks so good. Are you

0:38:49.719 --> 0:38:52.360
<v Speaker 1>just it makes me uncomfortable having like a white person

0:38:52.400 --> 0:38:59.640
<v Speaker 1>sing this song right right? It feels weird, right it's

0:38:59.719 --> 0:39:03.440
<v Speaker 1>it's so beautifully done. And I wasn't even thinking of that.

0:39:03.640 --> 0:39:07.399
<v Speaker 1>Thank you for that? Um right. I don't know why.

0:39:07.600 --> 0:39:11.719
<v Speaker 1>Maybe I'm wrong, maybe I'm I don't but I I

0:39:11.760 --> 0:39:14.600
<v Speaker 1>mean so yeah, Okay. When I think of this, I

0:39:14.640 --> 0:39:19.560
<v Speaker 1>think of Amber at the White House and Michelle Obama

0:39:20.239 --> 0:39:23.000
<v Speaker 1>singing this song. It's an incredibly written song. Are the

0:39:23.000 --> 0:39:25.919
<v Speaker 1>Wiz is incredible? This is an incredible song, right, Um?

0:39:25.960 --> 0:39:31.680
<v Speaker 1>But it just feels it feels so fair enough, strange,

0:39:31.760 --> 0:39:36.240
<v Speaker 1>fair enough? Um but I do love this song. Also,

0:39:36.400 --> 0:39:41.399
<v Speaker 1>if anyone hasn't seen Jasmine Sullivan singing this song on

0:39:41.440 --> 0:39:44.920
<v Speaker 1>YouTube at eleven years old in the A Whiz production

0:39:44.960 --> 0:39:49.440
<v Speaker 1>of her at her school, go look it up. Have

0:39:49.520 --> 0:39:51.800
<v Speaker 1>you seen it, Jenna? No, but I saw you storied

0:39:51.800 --> 0:39:57.719
<v Speaker 1>about it. I watch it monthly. O Jasmine Sullivan at

0:39:57.760 --> 0:40:04.880
<v Speaker 1>eleven years old done. It's unbelievable. I don't understand. But

0:40:05.000 --> 0:40:07.400
<v Speaker 1>she's a prodigy. Obviously, it was a prodigy like I

0:40:07.480 --> 0:40:13.360
<v Speaker 1>just whatever anyway, Okay, that's home. That Okay, let's do

0:40:13.440 --> 0:40:17.760
<v Speaker 1>it so cringe moments aka special shout out to Paris

0:40:18.520 --> 0:40:23.640
<v Speaker 1>for Auchiese. This episode, there's a couple lines. I mean,

0:40:23.640 --> 0:40:26.520
<v Speaker 1>I would say the whole mounting and all white production

0:40:26.560 --> 0:40:29.080
<v Speaker 1>of the Whiz, right. I think that was the one.

0:40:29.400 --> 0:40:35.160
<v Speaker 1>Not a great look. I think the um the line

0:40:35.200 --> 0:40:39.480
<v Speaker 1>with Becky earlier in the episode about vombiting and having

0:40:39.920 --> 0:40:43.920
<v Speaker 1>an eating disorder, it's not great, you know. I think

0:40:44.880 --> 0:40:48.320
<v Speaker 1>having Mercedes lose weight there's great things. Well, yeah, I

0:40:48.360 --> 0:40:51.600
<v Speaker 1>mean her Sue talking about, you know, Becky gonna be

0:40:52.160 --> 0:40:56.279
<v Speaker 1>you know, a volimic. It's it's like, we're not. Yeah,

0:40:56.320 --> 0:41:02.120
<v Speaker 1>we're not. That's not really how we handle things anymore. Um.

0:41:02.440 --> 0:41:05.520
<v Speaker 1>Been singing to the chair? Oh did you say that one? Yeah?

0:41:05.560 --> 0:41:10.160
<v Speaker 1>That's that's a good one. That's the one. UM. Worse

0:41:10.320 --> 0:41:14.719
<v Speaker 1>dance move. Um, I don't know, And I don't think.

0:41:14.719 --> 0:41:16.920
<v Speaker 1>There wasn't a lot of dancing, right. We weren't a

0:41:16.920 --> 0:41:21.120
<v Speaker 1>lot of group numbers either, So no, okay, UM, I

0:41:21.160 --> 0:41:23.480
<v Speaker 1>think maybe singing to the Urn still counts in that

0:41:23.680 --> 0:41:30.479
<v Speaker 1>category as well. M M. Best song home, but now

0:41:30.560 --> 0:41:33.440
<v Speaker 1>you made me rethink it. No, because the song is

0:41:33.440 --> 0:41:36.000
<v Speaker 1>good and christ and Chenowitz is but beautiful. Also, I mean,

0:41:36.040 --> 0:41:40.239
<v Speaker 1>like anything ever sing is obviously is wins. I mean,

0:41:40.280 --> 0:41:43.040
<v Speaker 1>obviously I'm going to pick my favorite number of all

0:41:43.080 --> 0:41:50.240
<v Speaker 1>the time. Oh, I have been embarrassing things to admit. Yes,

0:41:50.680 --> 0:41:52.920
<v Speaker 1>I had never heard the song home before we filmed

0:41:52.920 --> 0:41:55.759
<v Speaker 1>this episode. Oh no, I feel like there's a lot

0:41:55.760 --> 0:41:59.440
<v Speaker 1>of edumicating happening here. Well I must have. I had

0:41:59.440 --> 0:42:02.320
<v Speaker 1>seen the win, so I must have, but I didn't

0:42:02.440 --> 0:42:05.640
<v Speaker 1>know it, like it was not on my radar sort

0:42:05.640 --> 0:42:08.840
<v Speaker 1>of thing. Fair enough, Yeah, best performance by a prop,

0:42:09.320 --> 0:42:12.600
<v Speaker 1>the arn, the arned, the arn is good. I also

0:42:12.600 --> 0:42:15.600
<v Speaker 1>have to say the bedazzled nikes really stood out to me.

0:42:16.320 --> 0:42:19.279
<v Speaker 1>They were beautiful. They reminded me of like of course

0:42:19.400 --> 0:42:26.200
<v Speaker 1>Christens on TOURZ. Yeah. Okay, and then the best line. Okay,

0:42:26.239 --> 0:42:30.120
<v Speaker 1>So in the last last episode, I thought the line

0:42:30.160 --> 0:42:33.480
<v Speaker 1>about the you know curtain Mercedes having their own Bravo

0:42:33.600 --> 0:42:36.440
<v Speaker 1>show was in Madonna, but it's actually in this episode.

0:42:37.880 --> 0:42:44.080
<v Speaker 1>How do you guys not have your own Bravo show? Say? Um,

0:42:44.120 --> 0:42:46.480
<v Speaker 1>what else is there, Kevin? What there's a I'm just

0:42:46.480 --> 0:42:50.239
<v Speaker 1>gonna rattle off a couple of incredible ones Britney saying

0:42:50.280 --> 0:42:53.279
<v Speaker 1>I think my cat is reading my diary. It's a

0:42:53.320 --> 0:42:58.719
<v Speaker 1>good one. Um Puck mouthing, defend you're gay, oh Bert

0:42:58.840 --> 0:43:01.160
<v Speaker 1>saying I hate Duke like a hate the Nazis. Yeah,

0:43:01.600 --> 0:43:06.880
<v Speaker 1>I think is absolutely incredible. Yea, and then Kurt saying

0:43:06.880 --> 0:43:09.200
<v Speaker 1>I feel like the guy who set up Liza David guest.

0:43:12.960 --> 0:43:17.000
<v Speaker 1>You know it's very niche and specific, but that's right. Delicious,

0:43:17.080 --> 0:43:23.960
<v Speaker 1>delicious yummy. Okay. So Jenna, um shit we found on

0:43:24.040 --> 0:43:28.720
<v Speaker 1>the tiktoks this week, tell me um this incredible video.

0:43:29.200 --> 0:43:32.960
<v Speaker 1>I just it's how Glee would sound in real life.

0:43:33.520 --> 0:43:37.200
<v Speaker 1>Glee thing posted it, okay, And it's one of those

0:43:37.280 --> 0:43:41.120
<v Speaker 1>videos where you just you have random clips of the

0:43:41.160 --> 0:43:46.280
<v Speaker 1>show and then you have the real sounds. It's silent,

0:43:46.360 --> 0:43:49.680
<v Speaker 1>basically like it's like splashes in the pool. No, it's

0:43:49.960 --> 0:43:52.120
<v Speaker 1>it's very good. You have pulled it up and watch

0:43:52.200 --> 0:43:59.480
<v Speaker 1>this thing. I'm pulling it up like some music playing

0:43:59.480 --> 0:44:09.360
<v Speaker 1>in the hallway. You have no because like kids randomly

0:44:09.400 --> 0:44:14.760
<v Speaker 1>seeing in the hallway just like yeah, kids talking around

0:44:14.840 --> 0:44:18.400
<v Speaker 1>them like what is happening? No, this is so awkward.

0:44:18.960 --> 0:44:24.600
<v Speaker 1>It's so good. Yeah, you have to the sneakers, you

0:44:24.600 --> 0:44:30.479
<v Speaker 1>guys got We'll go to the Glee thing TikTok um

0:44:30.520 --> 0:44:33.880
<v Speaker 1>and watch it. How Glee that sounded real life. It's excellent.

0:44:33.920 --> 0:44:38.400
<v Speaker 1>Thank you for tagging us in that. It's it's a

0:44:38.440 --> 0:44:41.960
<v Speaker 1>minute of pure joy. Very good, very very good. It's

0:44:42.040 --> 0:44:47.960
<v Speaker 1>very funny. Well that's home. That is home. Um you guys,

0:44:48.000 --> 0:44:52.920
<v Speaker 1>don't forget the walkathon for Alexandria House um I Transitional

0:44:52.920 --> 0:44:55.240
<v Speaker 1>Home for Women and children and many many other supportive

0:44:55.280 --> 0:44:57.440
<v Speaker 1>services here in La. They're having a walk withth on

0:44:57.520 --> 0:45:01.320
<v Speaker 1>so um. If you can't be there, you can donate

0:45:01.360 --> 0:45:03.560
<v Speaker 1>if you can, or find other ways that you can help.

0:45:03.600 --> 0:45:09.839
<v Speaker 1>Alexandra House dot org. And that is Home. Join us

0:45:09.840 --> 0:45:15.120
<v Speaker 1>next week for bad review Days. There's so much to

0:45:15.360 --> 0:45:20.200
<v Speaker 1>on back, so much too on time. We've had such

0:45:20.200 --> 0:45:24.880
<v Speaker 1>a good run. I can't wait to talk about this episode. Well,

0:45:24.920 --> 0:45:29.560
<v Speaker 1>thanks for joining us. This has been and That's what

0:45:29.600 --> 0:45:34.560
<v Speaker 1>you really miss ye see. Thanks for listening and follow

0:45:34.640 --> 0:45:37.480
<v Speaker 1>us on Instagram at and That's what you really miss pod.

0:45:37.760 --> 0:45:39.600
<v Speaker 1>Make sure to write us a review and leave us

0:45:39.640 --> 0:45:41.120
<v Speaker 1>five stars. See you next time.