1 00:00:01,760 --> 00:00:05,240 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,519 --> 00:00:12,800 Speaker 1: an iHeartRadio podcast really missed Welcome to you. No Jenna, No, 3 00:00:13,880 --> 00:00:15,760 Speaker 1: this is and that's what you really missed the Glee 4 00:00:15,800 --> 00:00:23,280 Speaker 1: Rewatch podcast. I'm Jenna, I'm Kevin, and this week we 5 00:00:23,320 --> 00:00:29,600 Speaker 1: are talking about season one episode sixteen, Home Home, directed 6 00:00:29,640 --> 00:00:33,960 Speaker 1: by Paris Barclay, his second episode of season one that 7 00:00:34,040 --> 00:00:37,519 Speaker 1: he directs. It's very exciting. I love Paris. It originally 8 00:00:37,520 --> 00:00:41,879 Speaker 1: aired on April twenty seventh, twenty ten, the day before 9 00:00:42,120 --> 00:00:45,000 Speaker 1: my twenty fourth birthday. Oh my god, it was so 10 00:00:45,040 --> 00:00:48,839 Speaker 1: long ago, and the day before Harry's twenty eight. That's right, 11 00:00:49,280 --> 00:00:52,760 Speaker 1: and so Jenna, Jenna and Harry have the same birthday, 12 00:00:52,960 --> 00:00:55,240 Speaker 1: along with many other people that I know. Is a 13 00:00:55,320 --> 00:00:59,320 Speaker 1: very popular day for twenty It's very popular. Okay, the 14 00:00:59,400 --> 00:01:02,240 Speaker 1: number one do anything for your birthday? We went to 15 00:01:03,000 --> 00:01:05,320 Speaker 1: were you there? We went to Tokyo delve Um. It's 16 00:01:05,360 --> 00:01:08,400 Speaker 1: a sushi restaurant in North Hollywood and they have like 17 00:01:08,840 --> 00:01:11,800 Speaker 1: dancers that dress up like and they sing sync and 18 00:01:11,840 --> 00:01:15,360 Speaker 1: they lit like yeah exactly yeah, and we got a 19 00:01:15,400 --> 00:01:18,560 Speaker 1: sushi boat and Telly was there. I think you were there, Kevin. 20 00:01:18,959 --> 00:01:22,040 Speaker 1: I think I was and it's it was just really 21 00:01:22,040 --> 00:01:26,600 Speaker 1: fun and low key. So that was you, um, what 22 00:01:26,640 --> 00:01:29,559 Speaker 1: was going on in the world. The number one song 23 00:01:29,640 --> 00:01:33,760 Speaker 1: was nothing on You? How does that? Bob? Nothing on You? 24 00:01:35,319 --> 00:01:40,440 Speaker 1: Oh right, okay, nothing You? Oh you? And this was 25 00:01:40,480 --> 00:01:44,200 Speaker 1: Bob's I think it was his first single and Bruno Mars. 26 00:01:44,360 --> 00:01:47,600 Speaker 1: Oh really yes, and this was a big thing for 27 00:01:47,640 --> 00:01:50,160 Speaker 1: Bruno Mars. Yeah, How to Train Your Dragon was the 28 00:01:50,240 --> 00:01:53,800 Speaker 1: number one movie in the country. I have seen that. UM. 29 00:01:53,800 --> 00:01:55,960 Speaker 1: The day before this episode came out, we went to 30 00:01:56,560 --> 00:02:00,600 Speaker 1: UM evening with Glee, a special screening and panel for 31 00:02:00,760 --> 00:02:04,560 Speaker 1: the Television Academy and North Hollywood. Do you remember that. 32 00:02:04,600 --> 00:02:06,680 Speaker 1: I remember going to that big, long panel. We talked 33 00:02:06,680 --> 00:02:10,080 Speaker 1: about the show was moderated, we talked about lots of 34 00:02:10,120 --> 00:02:13,560 Speaker 1: fun stuff, and then at the end of it, all 35 00:02:13,600 --> 00:02:15,720 Speaker 1: the people who are there who could buy tickets come 36 00:02:16,240 --> 00:02:20,640 Speaker 1: bum rushing the stage and I remember thinking like feeling like, 37 00:02:20,680 --> 00:02:22,880 Speaker 1: oh my god, all these people want our autograph and 38 00:02:22,919 --> 00:02:26,640 Speaker 1: our photos. It was like overwhelming. It was pretty crazy. Yeah, 39 00:02:26,680 --> 00:02:29,520 Speaker 1: and this was also our first TV Academy event. So 40 00:02:29,560 --> 00:02:32,560 Speaker 1: you do these things, you hope that TV Academy members 41 00:02:32,560 --> 00:02:37,560 Speaker 1: are in the audience, and so therefore you know the 42 00:02:37,760 --> 00:02:43,000 Speaker 1: aspiration is that we get nominated for Emmy's Coming Out. Yes, right, Okay, 43 00:02:43,000 --> 00:02:45,440 Speaker 1: so this one is a lot of guest stars. We 44 00:02:45,560 --> 00:02:50,639 Speaker 1: have Christian Channowith, John Gruff, Romi Rose momd and Mike O'Malley. 45 00:02:51,040 --> 00:02:54,840 Speaker 1: Oh what a great stacked lineup of guest stars. Curly, 46 00:02:55,240 --> 00:02:59,360 Speaker 1: we are so so lucky. There's a couple of fun 47 00:02:59,400 --> 00:03:02,880 Speaker 1: facts about this episode. Okay, this, um, this is this 48 00:03:02,919 --> 00:03:05,440 Speaker 1: one isn't fun. There's no jama that's not fun. We 49 00:03:05,520 --> 00:03:08,000 Speaker 1: need jamak. But it's the first episode where the title 50 00:03:08,120 --> 00:03:11,799 Speaker 1: is the actual name of a song. There's the first 51 00:03:11,800 --> 00:03:16,080 Speaker 1: episode where there wasn't like a Rachel centric storyline. Wow, 52 00:03:16,560 --> 00:03:23,160 Speaker 1: that's crazy. And already we are at our one hundredth performance. 53 00:03:23,720 --> 00:03:29,360 Speaker 1: Good lord, Yeah, crazy beautiful. When Amber sings Beautiful towards 54 00:03:29,360 --> 00:03:31,680 Speaker 1: the end of this episode, that's our one hundred Wow 55 00:03:31,720 --> 00:03:35,200 Speaker 1: Wow wow wow wow pretty wid Yeah. So the songs 56 00:03:35,200 --> 00:03:38,800 Speaker 1: in this episode are Fire by Bruce Springsteen. A House 57 00:03:38,920 --> 00:03:42,800 Speaker 1: Is Not at Home by Dion Warwick. B Backrock just 58 00:03:42,880 --> 00:03:47,160 Speaker 1: recently passed away and one of the greatest songwriters of 59 00:03:47,320 --> 00:03:52,320 Speaker 1: all time, and it felt nice to watch this episode 60 00:03:52,480 --> 00:03:56,480 Speaker 1: and hear some of his music and this um one, 61 00:03:56,560 --> 00:04:02,480 Speaker 1: Let's spelled to answer by Barbara full By Christina and 62 00:04:03,120 --> 00:04:07,200 Speaker 1: Home from the Whiz. You know, wow, big episode. These 63 00:04:07,200 --> 00:04:11,400 Speaker 1: are legends, legendary songs and songwriters and singers. Get We 64 00:04:11,560 --> 00:04:15,600 Speaker 1: have Dion Warwick, Barbara Streiss and Bruce Springsteen, Dame and 65 00:04:15,680 --> 00:04:19,200 Speaker 1: Bert Backreck in one episode. That's this is when we're 66 00:04:19,240 --> 00:04:22,640 Speaker 1: starting to get like the bigger artists, the bigger songs, 67 00:04:22,680 --> 00:04:25,279 Speaker 1: like the catalogs are just being kind of like given 68 00:04:25,560 --> 00:04:31,240 Speaker 1: gifted to us a you know, alamadonna. Um let's get 69 00:04:31,279 --> 00:04:33,960 Speaker 1: into it. This is a fun episode. Yeah, I really 70 00:04:34,000 --> 00:04:38,320 Speaker 1: enjoyed this episode. Um So. The eppisode summary. First of all, 71 00:04:38,360 --> 00:04:42,400 Speaker 1: everyone is feeling displaced from their homes in some way 72 00:04:42,480 --> 00:04:47,560 Speaker 1: or another, whether metaphorically or physically. New directions. Finn, Jesse, 73 00:04:47,680 --> 00:04:53,640 Speaker 1: Saint James, Mercedes and Kurt Will April Rhodes. So one 74 00:04:53,640 --> 00:04:57,400 Speaker 1: of the main storylines is that Mercedes, Um and Kurt 75 00:04:57,480 --> 00:05:03,520 Speaker 1: joined the Cheerios and Mercedes is asked by Sue in 76 00:05:03,600 --> 00:05:07,919 Speaker 1: preparation for their big magazine interview where Sue is named 77 00:05:07,960 --> 00:05:11,040 Speaker 1: coach of the past two thousand years, that Mercedes has 78 00:05:11,040 --> 00:05:13,560 Speaker 1: to drop ten pounds. The whole Cheerios team has to 79 00:05:13,560 --> 00:05:16,560 Speaker 1: lose pounds weight, but Mercedes has given an assignment of 80 00:05:16,560 --> 00:05:24,800 Speaker 1: ten pounds, and so we start out with Sue saying 81 00:05:24,839 --> 00:05:29,120 Speaker 1: that Mercedes, your chords have had more fantastic runs than 82 00:05:29,160 --> 00:05:32,400 Speaker 1: a Kenyan track team, but that look will simply not 83 00:05:32,520 --> 00:05:39,560 Speaker 1: do oh yeah, oh indeed, and then she says that 84 00:05:39,680 --> 00:05:43,279 Speaker 1: she wants Mercedes to lose weight so she can be 85 00:05:43,320 --> 00:05:46,200 Speaker 1: wearing a gender appropriate costume by the end of the week. 86 00:05:46,440 --> 00:05:51,719 Speaker 1: When Tracy Pendergrass gets there for the interview, not great. 87 00:05:52,240 --> 00:05:55,400 Speaker 1: So they're in the cafeteria and Mercedes is eating a 88 00:05:55,440 --> 00:06:00,200 Speaker 1: salad and some grilled chicken and you know, waters, I think. 89 00:06:00,240 --> 00:06:03,919 Speaker 1: Kurt says, that's what you're eating. You have a week 90 00:06:03,960 --> 00:06:06,440 Speaker 1: to lose ten pounds. It's like having to lose one 91 00:06:06,440 --> 00:06:12,360 Speaker 1: of my butt cheeks. And Kurt says, look, Mercedes, this 92 00:06:12,400 --> 00:06:16,159 Speaker 1: is not Please, don't mess up our chance to finally 93 00:06:16,200 --> 00:06:19,080 Speaker 1: fit in and be with the cool crowd. So Mercedes 94 00:06:19,160 --> 00:06:22,240 Speaker 1: is feeling the stakes of this and not wanting to 95 00:06:22,279 --> 00:06:27,560 Speaker 1: disappoint Kurt. So Mercedes then goes and asks Brittany and 96 00:06:27,560 --> 00:06:30,400 Speaker 1: Becky and Santana how they stay so skinny and they 97 00:06:30,520 --> 00:06:34,839 Speaker 1: share the master cletons. Do you remember that this cleans 98 00:06:35,080 --> 00:06:38,640 Speaker 1: was like all the rage at that time. Kevin. We're like, 99 00:06:39,400 --> 00:06:43,320 Speaker 1: you're whole Foods at January first of the new year, 100 00:06:43,440 --> 00:06:45,680 Speaker 1: and they had like all of the things set out 101 00:06:45,680 --> 00:06:49,800 Speaker 1: for pepper thing where you just drank that in water 102 00:06:50,000 --> 00:06:52,680 Speaker 1: for a week. I had so many I think I 103 00:06:52,720 --> 00:06:54,920 Speaker 1: was the only person not doing that. We did a 104 00:06:54,960 --> 00:06:59,360 Speaker 1: lot of cleanses on set. Yeah. Um, and we see 105 00:06:59,400 --> 00:07:03,400 Speaker 1: Quinn like kind of from a far sea Mercedes and like, 106 00:07:04,680 --> 00:07:11,920 Speaker 1: you know, longingly, like knowing what she's going through. Um, 107 00:07:12,280 --> 00:07:15,720 Speaker 1: So Mercedes is at this way in right, and she 108 00:07:16,440 --> 00:07:23,160 Speaker 1: she gains two pounds and Sue is like, no, you 109 00:07:23,200 --> 00:07:25,920 Speaker 1: have four days to lose the waiter. You're out and 110 00:07:26,920 --> 00:07:30,160 Speaker 1: threatens her by saying, yeah, you have to do other 111 00:07:30,200 --> 00:07:33,960 Speaker 1: thing like you like soon you'll be like like Becky 112 00:07:34,000 --> 00:07:36,000 Speaker 1: has a way in as well. Right right, It's like, oh, 113 00:07:36,040 --> 00:07:39,520 Speaker 1: you're gonna be like every other American teenaged girl and 114 00:07:39,560 --> 00:07:44,960 Speaker 1: start hiding bags of bile and vomit around your parents' 115 00:07:45,000 --> 00:07:47,400 Speaker 1: house like it's in your living your parents living room 116 00:07:47,480 --> 00:07:51,800 Speaker 1: or something like that. Yeah, it's not not good, but 117 00:07:52,640 --> 00:07:54,760 Speaker 1: this is one of my favorite things we ever did. 118 00:07:56,600 --> 00:07:59,440 Speaker 1: I didn't realize it happened this soon oh, yes, season two. 119 00:07:59,440 --> 00:08:04,560 Speaker 1: In my head, this is this is it? Well back nine. Honestly, 120 00:08:04,560 --> 00:08:06,880 Speaker 1: the back nine kind of feels a season two. Yeah, 121 00:08:06,920 --> 00:08:09,400 Speaker 1: so I was gonna say what I because we had 122 00:08:09,440 --> 00:08:12,560 Speaker 1: such a big gap in real life between the first thirteen. 123 00:08:12,760 --> 00:08:15,680 Speaker 1: In the back nine, the back nine feels like a 124 00:08:15,720 --> 00:08:19,640 Speaker 1: completely different, Yes, experience, it does, it does. There was 125 00:08:19,680 --> 00:08:22,680 Speaker 1: a time off, there was it steels separate. Okay, So 126 00:08:22,840 --> 00:08:25,920 Speaker 1: we're in the cafeteria and Mercedes is with Tina and 127 00:08:26,080 --> 00:08:30,640 Speaker 1: Artie and she is starving herself because obviously she has 128 00:08:30,760 --> 00:08:35,120 Speaker 1: four days till these ten pounds, which is wild, and 129 00:08:35,200 --> 00:08:37,880 Speaker 1: she starts hallucinating and she starts to see us as 130 00:08:37,960 --> 00:08:42,160 Speaker 1: food and Amber gives such a wonderful performance in this 131 00:08:42,200 --> 00:08:45,120 Speaker 1: whole episode. I was so excited for her, so proud 132 00:08:45,160 --> 00:08:47,679 Speaker 1: of her. Um this was like her big storyline. I 133 00:08:47,640 --> 00:08:50,920 Speaker 1: remember her really taking this super seriously and you know, really, 134 00:08:51,320 --> 00:08:55,520 Speaker 1: you know, just doing doing the deed. She is amazing. 135 00:08:55,720 --> 00:08:59,240 Speaker 1: So but I remember us coming out in these outfits 136 00:09:00,320 --> 00:09:05,559 Speaker 1: and try to laugh at her and ruin her takes 137 00:09:05,679 --> 00:09:07,560 Speaker 1: because she was, you know, she had to kind of 138 00:09:07,600 --> 00:09:12,520 Speaker 1: be serious and this was so ridiculous that we looked 139 00:09:12,520 --> 00:09:14,840 Speaker 1: like this. Kevin and It's one of those things where 140 00:09:16,960 --> 00:09:20,080 Speaker 1: Paris is very serious. He can be fun and silly, 141 00:09:20,120 --> 00:09:24,000 Speaker 1: but like, yeah, you know, Amber had a really serious 142 00:09:24,040 --> 00:09:27,200 Speaker 1: thing to portray her and just don't screw this up. 143 00:09:27,240 --> 00:09:33,079 Speaker 1: And you and I and Leah and John. I was 144 00:09:33,200 --> 00:09:40,560 Speaker 1: sitting in that back room in these costumes looking a fool. Yeah, 145 00:09:40,559 --> 00:09:42,440 Speaker 1: and like we couldn't look at each other. So like 146 00:09:42,520 --> 00:09:45,720 Speaker 1: I remember and this actual scene sitting around the table, 147 00:09:46,160 --> 00:09:48,560 Speaker 1: you and I could not make eye contact with one another. 148 00:09:48,679 --> 00:09:51,000 Speaker 1: We had to just like the only one we can 149 00:09:51,040 --> 00:09:54,199 Speaker 1: stay in this is to look at Amber and just 150 00:09:54,320 --> 00:09:57,880 Speaker 1: remember we have to give it to her and not 151 00:09:58,080 --> 00:10:04,000 Speaker 1: mess this up. Lines. I'm literally a piece of cake. 152 00:10:08,360 --> 00:10:13,080 Speaker 1: I also how cool this was because this person that 153 00:10:13,120 --> 00:10:16,280 Speaker 1: had made costumes for like Katy Perry or something that's 154 00:10:16,400 --> 00:10:19,559 Speaker 1: right and had to build it around your wheelchair. Yes, 155 00:10:21,520 --> 00:10:23,520 Speaker 1: they had to get like three people to lift the 156 00:10:23,600 --> 00:10:28,800 Speaker 1: piece of Like when the take was over, I couldn't 157 00:10:28,840 --> 00:10:36,160 Speaker 1: just get up. I had like zero arms. It's so funny. 158 00:10:36,240 --> 00:10:39,800 Speaker 1: I'm sorry, Oh god, it was one of my favorite 159 00:10:39,840 --> 00:10:45,120 Speaker 1: things we ever did, truly. Yeah, Okay, so basically during 160 00:10:45,120 --> 00:10:46,840 Speaker 1: all of this, we're just saying that we love her 161 00:10:46,880 --> 00:10:49,160 Speaker 1: the way she is in these cleanses. People don't it 162 00:10:49,200 --> 00:10:51,760 Speaker 1: doesn't work and you know, blah blah blah, and then 163 00:10:51,800 --> 00:10:55,480 Speaker 1: she um she runs away and we see Leah and 164 00:10:55,600 --> 00:10:59,200 Speaker 1: Croff in their ridiculous costumes. This is Groff's second episode also, 165 00:10:59,240 --> 00:11:02,360 Speaker 1: and he's in a bird her and she passes out 166 00:11:02,360 --> 00:11:08,600 Speaker 1: in the cafeteria and we so she ends up should 167 00:11:08,600 --> 00:11:11,439 Speaker 1: we cut to her in the nurse's office, right, and 168 00:11:12,320 --> 00:11:16,400 Speaker 1: such a sweet scene. I think the scene is beautiful, beautiful, 169 00:11:16,920 --> 00:11:21,079 Speaker 1: And we haven't seen Quinn and Mercedes together either. It's 170 00:11:21,120 --> 00:11:24,760 Speaker 1: like the budding relationship and friendship that they have. And 171 00:11:25,679 --> 00:11:30,240 Speaker 1: Quinn tells her that she's like, eat the granilla bar. 172 00:11:30,600 --> 00:11:32,600 Speaker 1: She's like, I'm not hungry, and she's like, yes, yes 173 00:11:32,640 --> 00:11:35,880 Speaker 1: you are. I've been there. And then she says, M, 174 00:11:36,440 --> 00:11:39,080 Speaker 1: did they start looking like food before you passed down? 175 00:11:39,160 --> 00:11:43,880 Speaker 1: She's like, M, been there. And Quinn tells her that 176 00:11:43,920 --> 00:11:47,840 Speaker 1: her relationship to food changed when she got pregnant because 177 00:11:48,000 --> 00:11:50,559 Speaker 1: she's realizing she's doing everything she can to fuel her 178 00:11:50,559 --> 00:11:53,680 Speaker 1: body for this little thing. Then why can't she do 179 00:11:53,720 --> 00:11:56,880 Speaker 1: that for herself? And I thought that was really beautiful. 180 00:11:57,320 --> 00:12:01,160 Speaker 1: I think that's an incredibly well written line. Yes, I've 181 00:12:01,160 --> 00:12:03,840 Speaker 1: been thinking about that line all day because how that 182 00:12:04,520 --> 00:12:06,200 Speaker 1: translates to a lot of us when we get cut 183 00:12:06,280 --> 00:12:09,600 Speaker 1: up in fad diets and things about if you're willing 184 00:12:09,600 --> 00:12:11,400 Speaker 1: to do this for somebody else and make sure everybody 185 00:12:11,440 --> 00:12:14,600 Speaker 1: else is eating correctly, like why aren't we yeah doing 186 00:12:14,600 --> 00:12:17,920 Speaker 1: that or caring about ourselves. It's one of those moments 187 00:12:17,920 --> 00:12:22,560 Speaker 1: where we were just addressed as desserts and then all 188 00:12:22,600 --> 00:12:25,880 Speaker 1: of a sudden, you have Amber sitting there, Mercedes sitting 189 00:12:25,880 --> 00:12:30,679 Speaker 1: there crying right talking about her body, and then Quinn 190 00:12:30,880 --> 00:12:34,960 Speaker 1: saying yeah, like yeah, I get it, And here's why. 191 00:12:35,280 --> 00:12:38,640 Speaker 1: It was a really powerful moment and one that because 192 00:12:39,600 --> 00:12:42,400 Speaker 1: you know, I think Paris made a point of doing 193 00:12:42,400 --> 00:12:46,600 Speaker 1: this in every episode to balance that out perfectly. Yeah, 194 00:12:46,840 --> 00:12:50,600 Speaker 1: where you still believed both realities. Yeah, and like again, 195 00:12:50,640 --> 00:12:54,440 Speaker 1: we're now tackling eating disorders, we're tackling kind of weight loss, 196 00:12:54,440 --> 00:12:57,440 Speaker 1: we're tackling all of this. Like Quinn's line about saying 197 00:12:57,440 --> 00:12:59,640 Speaker 1: like she's lucky because she's always been home in her 198 00:12:59,679 --> 00:13:02,640 Speaker 1: body and don't not to let suit take that away 199 00:13:02,679 --> 00:13:05,400 Speaker 1: from her. I mean, it was so beautiful and it 200 00:13:05,400 --> 00:13:09,079 Speaker 1: really resonated with me because, like I obviously in this industry, 201 00:13:09,160 --> 00:13:13,040 Speaker 1: like I've struggled with my body and just seeing yourself 202 00:13:13,040 --> 00:13:17,480 Speaker 1: on camera every day it's like jarring, and um, you know, 203 00:13:17,600 --> 00:13:20,959 Speaker 1: having Emma like my body, my body has changed my 204 00:13:21,040 --> 00:13:25,120 Speaker 1: mentality in the fueling of my body and also like 205 00:13:25,920 --> 00:13:29,360 Speaker 1: nutrition wise, like wanting to eat well, not for weight loss, 206 00:13:29,400 --> 00:13:32,000 Speaker 1: but to eat to fuel myself so that like I 207 00:13:32,040 --> 00:13:33,959 Speaker 1: can have I can live a long life. That's really 208 00:13:33,960 --> 00:13:35,400 Speaker 1: like the way I look at it now, it's just 209 00:13:35,440 --> 00:13:40,400 Speaker 1: so crazy but very existential. But um, it's really it 210 00:13:40,480 --> 00:13:53,920 Speaker 1: was really beautifully done. As you said. Now we get 211 00:13:53,960 --> 00:13:56,920 Speaker 1: to we're cutting, we're cutting a head a bit, but 212 00:13:57,200 --> 00:14:01,280 Speaker 1: we're just getting through this whole Mercedes beautiful Mercedes storyline 213 00:14:01,840 --> 00:14:05,360 Speaker 1: where Tracy Pendergrass shows up and Sue was expecting a woman, 214 00:14:06,400 --> 00:14:10,160 Speaker 1: right and he shows up with the PEP rally and 215 00:14:10,240 --> 00:14:16,280 Speaker 1: the interview and Mercedes switches up the plan and she 216 00:14:16,400 --> 00:14:22,520 Speaker 1: decides to come out and take Quinn's advice and sing, 217 00:14:22,520 --> 00:14:26,800 Speaker 1: you know, says, cherios aren't about you know, looking caught 218 00:14:26,840 --> 00:14:29,960 Speaker 1: and you know, being cool, but like actually just really 219 00:14:30,000 --> 00:14:33,360 Speaker 1: loving each other and loving ourselves and learning how to 220 00:14:33,400 --> 00:14:37,000 Speaker 1: do that every day. So meanwhile, Sue's freaking out because 221 00:14:37,040 --> 00:14:39,640 Speaker 1: Tracy Pendergrass said that this is going to be like 222 00:14:39,680 --> 00:14:44,280 Speaker 1: a hard hitting expose, and then the number that she 223 00:14:44,320 --> 00:14:48,280 Speaker 1: had planned doesn't happen. Mercedes comes out and god yeah 224 00:14:48,320 --> 00:14:51,800 Speaker 1: and sings this number and gets the glee club and 225 00:14:51,840 --> 00:14:55,560 Speaker 1: some fellow classmates to come up and sing with her 226 00:14:56,200 --> 00:15:00,440 Speaker 1: and this, and then Amber does this beautiful one hundred number. 227 00:15:00,840 --> 00:15:05,480 Speaker 1: Beautiful huh see what I did there? And I remember 228 00:15:05,480 --> 00:15:07,840 Speaker 1: shooting this and just being so proud of Amber. I 229 00:15:07,840 --> 00:15:09,720 Speaker 1: think we shot this towards the end of the episode, 230 00:15:09,760 --> 00:15:13,680 Speaker 1: maybe that this at home, and just watching Amber kind 231 00:15:13,680 --> 00:15:16,400 Speaker 1: of do this whole performance was really It's just fun 232 00:15:16,440 --> 00:15:18,880 Speaker 1: to be able to watch your friends do things that 233 00:15:18,920 --> 00:15:22,680 Speaker 1: like stretched them. And you know, Amber can wail and 234 00:15:22,800 --> 00:15:25,440 Speaker 1: do sing about just about anything, but like to watch 235 00:15:25,440 --> 00:15:29,640 Speaker 1: her actually act and hold this episode was like really beautiful. Yeah, tears, 236 00:15:29,760 --> 00:15:33,000 Speaker 1: she was providing tears. She was providing tears, and I 237 00:15:33,040 --> 00:15:36,760 Speaker 1: know she was nervous about that too, so um. And 238 00:15:36,800 --> 00:15:38,880 Speaker 1: then we get to the office the next day where 239 00:15:38,920 --> 00:15:41,520 Speaker 1: Tracy says she's going to continue this interview next the 240 00:15:41,560 --> 00:15:46,200 Speaker 1: next day and she's office and you know, it says 241 00:15:46,280 --> 00:15:48,800 Speaker 1: that he admitted that he hadn't liked Sue since in 242 00:15:48,920 --> 00:15:51,800 Speaker 1: that minuting matter, and the fact that she called him 243 00:15:51,840 --> 00:15:54,320 Speaker 1: rerun twice made him think that she was a little 244 00:15:54,360 --> 00:16:01,240 Speaker 1: bit racist. Moving on and then yeah, and then she 245 00:16:01,880 --> 00:16:07,040 Speaker 1: realizes he realizes that he was wrong, right, and says 246 00:16:07,080 --> 00:16:10,400 Speaker 1: that seeing that performance and seeing how he's she's teaching 247 00:16:10,680 --> 00:16:16,800 Speaker 1: her cheerios to be inclusive and positive about these things 248 00:16:16,800 --> 00:16:20,040 Speaker 1: that are not always respected and thought positively of in 249 00:16:20,160 --> 00:16:25,240 Speaker 1: that cheerio cheerio world. And she's like, well, yeah, m 250 00:16:26,280 --> 00:16:29,880 Speaker 1: I did that on purpose. Yeah, And then we have 251 00:16:29,960 --> 00:16:32,760 Speaker 1: this moment of her admitting that he was wrong to 252 00:16:32,840 --> 00:16:35,920 Speaker 1: Mercedes about the cheerios, and we know the stakes of 253 00:16:36,080 --> 00:16:38,520 Speaker 1: trying to fit in right, which is really nice. They 254 00:16:38,520 --> 00:16:41,200 Speaker 1: have such a great friendship, do they really? Do? We 255 00:16:41,600 --> 00:16:49,040 Speaker 1: fall in love with Marchine? So meanwhile, Sue has blocked 256 00:16:49,040 --> 00:16:53,200 Speaker 1: out the entire auditorium just to I don't know, mess 257 00:16:53,320 --> 00:16:56,960 Speaker 1: with Shoe because it's too cold outside her cheeros to 258 00:16:57,000 --> 00:17:00,920 Speaker 1: be rehearsing. So she has a sign up sheet in 259 00:17:00,960 --> 00:17:07,239 Speaker 1: her waistband and says that Will can't use the auditorium 260 00:17:07,280 --> 00:17:10,920 Speaker 1: after he confronts her about it, and the whole week 261 00:17:11,000 --> 00:17:15,600 Speaker 1: is reserved just for the cheerios taken away from their home. 262 00:17:16,320 --> 00:17:22,080 Speaker 1: If you exactly displacing them. So when Will shares us 263 00:17:22,080 --> 00:17:25,400 Speaker 1: with the Glee Club, Rachel recommends a sit in, Puck 264 00:17:25,480 --> 00:17:29,120 Speaker 1: recommends that they torched the place, but mister Shoe takes 265 00:17:29,160 --> 00:17:31,800 Speaker 1: upon himself to make a promise that he's going to 266 00:17:31,840 --> 00:17:34,800 Speaker 1: find them a new home for the week. Shoe goes 267 00:17:34,840 --> 00:17:39,119 Speaker 1: to the roller roller Rink, which in real life in 268 00:17:39,240 --> 00:17:43,560 Speaker 1: La Moonlight Rollerway that we It's in every movie you see, 269 00:17:43,800 --> 00:17:47,120 Speaker 1: every TV show you see. If there's all, that's the one. 270 00:17:47,640 --> 00:17:50,680 Speaker 1: They have a great LGBT and Iron Wednesdays. You should 271 00:17:50,720 --> 00:17:53,040 Speaker 1: go check it out. Yeah, it's great. I've been several times. Yes, 272 00:17:53,760 --> 00:17:58,600 Speaker 1: um and lo and behold who's at the roller rink? 273 00:17:59,200 --> 00:18:03,520 Speaker 1: Pulling focus on the main stage. But Kristen Chenno with 274 00:18:03,680 --> 00:18:07,960 Speaker 1: aka April Rhodes And she's like, well, Schuster, I just 275 00:18:08,000 --> 00:18:11,080 Speaker 1: had a sex stream about you, and then queues up 276 00:18:11,680 --> 00:18:14,720 Speaker 1: a song Fire by Bruce Springsteen, hands him a mic 277 00:18:14,840 --> 00:18:19,840 Speaker 1: that's bedazzled, bedazzled with flames, ready for the song, and 278 00:18:19,920 --> 00:18:22,800 Speaker 1: they sing this great number. I would just like to 279 00:18:22,840 --> 00:18:27,719 Speaker 1: point out again how good Christen Chenno is as a singer. 280 00:18:28,160 --> 00:18:32,600 Speaker 1: I mean, I will say there are a lot of 281 00:18:32,720 --> 00:18:36,800 Speaker 1: musical theater people I mean she has her master's an opera. Yeah, 282 00:18:36,800 --> 00:18:41,960 Speaker 1: she's classically trained who cannot do everything what she does, 283 00:18:42,400 --> 00:18:44,560 Speaker 1: she can adapt to any style of song. She is 284 00:18:44,600 --> 00:18:47,280 Speaker 1: singing on that Bruce Springsteen song, she cut out her 285 00:18:47,400 --> 00:18:51,800 Speaker 1: vibrato entirely. Yeah, she's like Jesse Mahler. Yeah, she's just 286 00:18:52,040 --> 00:18:54,720 Speaker 1: singing this like pop rock song. Yeah, she made it 287 00:18:54,720 --> 00:18:57,440 Speaker 1: a pop song, but it's, you know, rock song. And 288 00:18:58,640 --> 00:19:02,159 Speaker 1: it's just very very very very impressive. She sings so 289 00:19:02,160 --> 00:19:05,119 Speaker 1: many different genres in this one episode, and she sings 290 00:19:05,119 --> 00:19:08,760 Speaker 1: them differently each time. Yes, she does what is called 291 00:19:08,800 --> 00:19:13,040 Speaker 1: for in the song she called. We call that versatility. Yeah, 292 00:19:12,720 --> 00:19:15,800 Speaker 1: it's just so I'll never get over it because it's 293 00:19:15,840 --> 00:19:17,840 Speaker 1: so hard to be able to do that. Yeah, she 294 00:19:17,880 --> 00:19:21,000 Speaker 1: can do anything with her voice. Yeah, yeah, Plato. It's 295 00:19:21,080 --> 00:19:23,439 Speaker 1: really crazy. And she's a great actress as well. Because 296 00:19:23,680 --> 00:19:26,040 Speaker 1: we get into this scene where Will sees April and 297 00:19:26,200 --> 00:19:31,080 Speaker 1: this like hero, I thought you were getting sober. She says, 298 00:19:31,240 --> 00:19:33,439 Speaker 1: I was so chatted about so bring up and studying 299 00:19:33,440 --> 00:19:34,800 Speaker 1: a new life that I had to stop at a 300 00:19:34,800 --> 00:19:37,879 Speaker 1: bar and get a drink just to calm down. And 301 00:19:37,920 --> 00:19:40,320 Speaker 1: then she lived at the bar for four months, right, 302 00:19:40,960 --> 00:19:44,000 Speaker 1: and then she admits that she's actually running this roller 303 00:19:44,080 --> 00:19:48,600 Speaker 1: rink because she's a new mistress of Buddy Leewwitz, who 304 00:19:49,240 --> 00:19:53,600 Speaker 1: is a strip mall tycoon, and Wills like, oh, well 305 00:19:53,640 --> 00:19:56,040 Speaker 1: we need I'm a temporary space for the glee club. 306 00:19:56,840 --> 00:20:00,320 Speaker 1: And she's like, oh, bring him here, no big deal. 307 00:20:00,720 --> 00:20:02,560 Speaker 1: And then Will tells April that he has to sublet 308 00:20:02,560 --> 00:20:06,960 Speaker 1: his apartment because he's getting divorced. And this divorce, does 309 00:20:06,960 --> 00:20:09,199 Speaker 1: that mean you're free to date? And by date I 310 00:20:09,200 --> 00:20:11,439 Speaker 1: mean sleep with people, and by sleep with I mean 311 00:20:11,520 --> 00:20:14,680 Speaker 1: have sex with people people like me. Kidding, not really, 312 00:20:16,200 --> 00:20:20,879 Speaker 1: And so she's offering, it's so good, she's offering to 313 00:20:21,680 --> 00:20:25,000 Speaker 1: sublet his place. And it's like, I'm gonna need to 314 00:20:25,040 --> 00:20:28,960 Speaker 1: come see the funk Hua or fing fong whatever it's called. Oh, 315 00:20:31,960 --> 00:20:35,800 Speaker 1: and so she is gonna weazle her way into going 316 00:20:35,840 --> 00:20:40,320 Speaker 1: to his home. Then mister Shu was like, Hey, new directions. 317 00:20:40,560 --> 00:20:45,840 Speaker 1: I got the roller rink and we're gonna go perform there. 318 00:20:46,240 --> 00:20:50,399 Speaker 1: Rehearse there, right, And then Kurt addresses the glee club. 319 00:20:50,560 --> 00:20:54,600 Speaker 1: He says, mister Shu has something to say, and he 320 00:20:54,680 --> 00:20:56,600 Speaker 1: just says that we all need to find a sense 321 00:20:56,640 --> 00:20:59,080 Speaker 1: of place and that everybody's feeling. He's kind of like 322 00:20:59,200 --> 00:21:02,600 Speaker 1: naming it all, Like, you know, Finn is feeling upset 323 00:21:02,680 --> 00:21:06,679 Speaker 1: that their their parents are dating and you know, um, 324 00:21:06,880 --> 00:21:09,040 Speaker 1: well we'll get into that. Yeah, yeah, yeah, and he 325 00:21:09,080 --> 00:21:12,600 Speaker 1: breaks into the song. Well he goes through Brad and 326 00:21:13,280 --> 00:21:17,359 Speaker 1: uh sings houses not at home? Do you actually just 327 00:21:17,400 --> 00:21:19,560 Speaker 1: have the sheet music sitting there on the piano ready? 328 00:21:19,720 --> 00:21:25,800 Speaker 1: But he knew, Yeah, that's how it works, say, and 329 00:21:25,800 --> 00:21:29,000 Speaker 1: it's it's an uncomfortable performance. He's emotional, he's like working 330 00:21:29,000 --> 00:21:32,360 Speaker 1: through things and Finn's like, what is happening? Right? But 331 00:21:32,400 --> 00:21:37,120 Speaker 1: then which I forgot about, we cut to Finn singing 332 00:21:37,160 --> 00:21:41,359 Speaker 1: in this number, Finn singing, his tradition of singing to 333 00:21:41,440 --> 00:21:45,920 Speaker 1: enimate objects continues, and he somehow makes it work for 334 00:21:46,000 --> 00:21:49,000 Speaker 1: him because God blessed Scory, like you you know, he 335 00:21:49,040 --> 00:21:51,320 Speaker 1: can make anything work. But of course he had to 336 00:21:51,359 --> 00:21:55,480 Speaker 1: sing to the chair and to the urn of his 337 00:21:55,480 --> 00:22:00,640 Speaker 1: his late father. Um, it was weird. It was weirder 338 00:22:00,640 --> 00:22:04,199 Speaker 1: than him singing to the ultrasound. Definitely, at least it 339 00:22:04,200 --> 00:22:06,560 Speaker 1: was quick. It was really quick. No, no, yeah, I 340 00:22:06,600 --> 00:22:08,960 Speaker 1: would also say I in this episode, I noticed a 341 00:22:08,960 --> 00:22:13,920 Speaker 1: lot Corey's physicality and he was a twenty something year 342 00:22:13,960 --> 00:22:17,600 Speaker 1: old man playing a sixteen year old right, and I 343 00:22:17,640 --> 00:22:20,879 Speaker 1: feel like he does such a good job of embodying 344 00:22:21,160 --> 00:22:25,159 Speaker 1: the physicality of like a teenager. Okay, Golden Retriever, I 345 00:22:25,160 --> 00:22:29,040 Speaker 1: don't know how my body moves yet. Yeah, goofy, goofyman Coverston, 346 00:22:30,320 --> 00:22:33,480 Speaker 1: You're right, Yes he didn't. He didn't quite inhabit his body, 347 00:22:33,520 --> 00:22:38,080 Speaker 1: but Corey did so exactly. Finn didn't. All right, So 348 00:22:38,119 --> 00:22:40,760 Speaker 1: we get to April. Okay, you take this, Kevin, because 349 00:22:40,760 --> 00:22:45,560 Speaker 1: this is your favorite. This is maybe my favorite song 350 00:22:45,720 --> 00:22:53,879 Speaker 1: ever in this show. I know nobody understands this. Maybe 351 00:22:53,880 --> 00:22:57,960 Speaker 1: it's top three, I don't know, it might be number one. 352 00:22:58,119 --> 00:23:04,040 Speaker 1: I love this number. I love it because I think 353 00:23:04,080 --> 00:23:09,639 Speaker 1: it is such an excellent mashup and the arrangement of 354 00:23:09,680 --> 00:23:14,359 Speaker 1: the song, the harmonies of this number are I don't know, 355 00:23:14,440 --> 00:23:16,040 Speaker 1: I don't know what it is. And I will also 356 00:23:16,200 --> 00:23:21,879 Speaker 1: say watching this um actual number in the show, Paris's 357 00:23:22,000 --> 00:23:27,040 Speaker 1: music video directing fully comes in handy here. Yeah, because yes, 358 00:23:27,480 --> 00:23:31,239 Speaker 1: the way this is so simple but yet choreographed so perfectly, Like, 359 00:23:31,280 --> 00:23:34,480 Speaker 1: never did I ever think I would be so enthralled 360 00:23:34,480 --> 00:23:36,959 Speaker 1: with people laying in bed belting for their lives. Yea 361 00:23:38,400 --> 00:23:42,280 Speaker 1: and it's beautiful and how it cuts together. It's fully 362 00:23:42,359 --> 00:23:45,840 Speaker 1: music video. This is absolutely someone who knows musicality and 363 00:23:45,960 --> 00:23:48,600 Speaker 1: music video. Yes, that's all I kept thinking, I haven't 364 00:23:48,640 --> 00:23:51,240 Speaker 1: but I haven't heard this song in a long time, 365 00:23:51,280 --> 00:23:55,800 Speaker 1: like unlike you, And so I was reminded with a 366 00:23:55,840 --> 00:23:58,399 Speaker 1: slap in the face with how good number. That's how 367 00:23:58,440 --> 00:24:00,960 Speaker 1: good it is? Yeah, you get struck with it across 368 00:24:01,000 --> 00:24:05,440 Speaker 1: the face. Yep, it is a masterclass. And I think 369 00:24:05,480 --> 00:24:08,119 Speaker 1: this scene too, right before leading up to it, when 370 00:24:08,160 --> 00:24:11,440 Speaker 1: April shows up at Will's house, it's like, I'm gonna 371 00:24:11,520 --> 00:24:13,479 Speaker 1: check it out, and he's like, you can sleep on 372 00:24:13,520 --> 00:24:15,439 Speaker 1: the couch. I'm not really cool with this, but no 373 00:24:15,520 --> 00:24:18,680 Speaker 1: funny business sleeping on the couch, and she's like dressed 374 00:24:18,680 --> 00:24:21,199 Speaker 1: in this crazy outfit, bought her bag. She brings out 375 00:24:21,200 --> 00:24:23,399 Speaker 1: a bottle of wine, and then it goes into this 376 00:24:23,520 --> 00:24:26,240 Speaker 1: really obviously it's weird. They're singing to each other in 377 00:24:26,280 --> 00:24:31,240 Speaker 1: the house. Whatever, well, right, we'll buy it. And then 378 00:24:32,359 --> 00:24:35,840 Speaker 1: it's this really beautiful moment for both of them feeling 379 00:24:36,160 --> 00:24:38,760 Speaker 1: displaced and this house. They're both around people, they're not 380 00:24:38,800 --> 00:24:45,360 Speaker 1: that comfortable within this house, but lonely and how they 381 00:24:45,359 --> 00:24:48,080 Speaker 1: can find It's also one of those things too, where 382 00:24:48,160 --> 00:24:52,640 Speaker 1: this song the lyrics really don't apply to their situation, 383 00:24:52,920 --> 00:24:56,080 Speaker 1: but the power of music, of how you can pull 384 00:24:56,359 --> 00:24:59,480 Speaker 1: from a song what you need to to apply to 385 00:24:59,520 --> 00:25:04,359 Speaker 1: your life is what's happening. And I just think, you know, 386 00:25:04,440 --> 00:25:10,280 Speaker 1: Adam Andrews some crazy work on the arrangement. Yeah yeah 387 00:25:10,400 --> 00:25:16,440 Speaker 1: it Um, Kristen and Matt just sounds so good together. 388 00:25:16,800 --> 00:25:19,680 Speaker 1: I mean, two Broadway stars right there. Yeah, but that's 389 00:25:19,920 --> 00:25:22,439 Speaker 1: like it doesn't necessarily sound like no, no, a musical 390 00:25:22,440 --> 00:25:27,760 Speaker 1: theater song singing is you're right between? Yeah, it is 391 00:25:27,800 --> 00:25:30,640 Speaker 1: somewhere between, and it is theatrical. It's over the top, 392 00:25:30,760 --> 00:25:34,960 Speaker 1: but there you just put that song on. You just oh, 393 00:25:35,400 --> 00:25:38,480 Speaker 1: that's so funny. I an't about watching the video at 394 00:25:38,480 --> 00:25:42,760 Speaker 1: some point because I think that also will inform me 395 00:25:42,960 --> 00:25:46,399 Speaker 1: in a different um anyway. Okay, so so after this 396 00:25:46,560 --> 00:25:50,560 Speaker 1: beautiful number, that's one of three. Now, I know we 397 00:25:50,600 --> 00:25:56,760 Speaker 1: can break it down if you want. The April tells well, 398 00:25:56,840 --> 00:25:59,600 Speaker 1: Will says that um at the roller rank that they 399 00:25:59,600 --> 00:26:02,840 Speaker 1: shouldn't a habit of sleeping in the bed together. And 400 00:26:02,880 --> 00:26:04,639 Speaker 1: then Will says, what do you do in April? Like 401 00:26:04,720 --> 00:26:08,280 Speaker 1: you deserve more than being someone's mistress and deserves to 402 00:26:08,320 --> 00:26:11,400 Speaker 1: find happiness and hope, and you know he really has. 403 00:26:11,440 --> 00:26:14,000 Speaker 1: I hoped for her. And so April tells Will that 404 00:26:14,040 --> 00:26:16,840 Speaker 1: she's going to go break up with buddy. Is this 405 00:26:16,880 --> 00:26:19,320 Speaker 1: where Chris got injured at the roller rink? By the way, 406 00:26:19,520 --> 00:26:22,040 Speaker 1: everybody's explained his wrist or something. I think you're right. 407 00:26:22,080 --> 00:26:25,320 Speaker 1: I think you're right. The new directions are not rehearsing, 408 00:26:25,359 --> 00:26:29,120 Speaker 1: they're just skating. Well, we're trying to stay alive. Yea, 409 00:26:29,480 --> 00:26:32,119 Speaker 1: his reality and I at least had big wheels. I 410 00:26:32,160 --> 00:26:35,919 Speaker 1: had you to hold on to, whereas other people didn't. 411 00:26:36,320 --> 00:26:38,080 Speaker 1: And do you see Harry go down? I don't think 412 00:26:38,119 --> 00:26:41,360 Speaker 1: that was fake. I was very appreciative that I got 413 00:26:41,359 --> 00:26:43,960 Speaker 1: to sit in the chair. I hate roller skating because 414 00:26:44,000 --> 00:26:47,639 Speaker 1: I'm so bad. It's hard. It's hard, and I was 415 00:26:47,680 --> 00:26:50,440 Speaker 1: scared um, but I was laughing because it was such 416 00:26:50,480 --> 00:26:52,399 Speaker 1: a It was a fun day for us because we 417 00:26:52,440 --> 00:26:54,280 Speaker 1: get we weren't had no lines. It just got to 418 00:26:54,320 --> 00:26:57,120 Speaker 1: like be there and actidally and do some physical comedy 419 00:26:57,200 --> 00:27:02,040 Speaker 1: and not die. I love too that this was sort 420 00:27:02,080 --> 00:27:06,160 Speaker 1: of Groff's introduction to being part of the league club. 421 00:27:06,200 --> 00:27:08,480 Speaker 1: We're like welcome to not having any lines, and you're 422 00:27:08,520 --> 00:27:12,239 Speaker 1: just an all DC. You're just hanging You're just saying um. 423 00:27:12,480 --> 00:27:16,399 Speaker 1: So okay. So then we cut to April showing up 424 00:27:16,400 --> 00:27:19,639 Speaker 1: at Will's office and she's like what. He's like, what 425 00:27:19,720 --> 00:27:25,800 Speaker 1: you're doing here? And she she told him that she 426 00:27:25,880 --> 00:27:28,440 Speaker 1: broke up with Buddy or she and then and then 427 00:27:28,480 --> 00:27:30,840 Speaker 1: he had a stroke in front of her and died. 428 00:27:32,280 --> 00:27:37,680 Speaker 1: And she's rich. She got two million dollars. So she's 429 00:27:37,720 --> 00:27:40,400 Speaker 1: sobering up and heading to the Broadway where she's gonna 430 00:27:40,440 --> 00:27:47,160 Speaker 1: Mount Mount, the first all white Productional I didn't know 431 00:27:47,400 --> 00:27:51,320 Speaker 1: April was racist? Is the turn of events, and the 432 00:27:51,480 --> 00:27:57,120 Speaker 1: turn a dark turn of events. April is not it's 433 00:27:57,160 --> 00:28:04,360 Speaker 1: not good. It's not. Um. But but in in in 434 00:28:05,080 --> 00:28:08,720 Speaker 1: April Roses roses defense and I'm not defending her. I'm 435 00:28:08,760 --> 00:28:14,640 Speaker 1: just saying she is offensive. Yeah, there are character is offensive. Yeah, 436 00:28:14,640 --> 00:28:17,920 Speaker 1: but again, I don't think that would fly. We wouldn't 437 00:28:17,920 --> 00:28:21,119 Speaker 1: be making that joke now, No, no, because it's not 438 00:28:21,160 --> 00:28:25,080 Speaker 1: a joke. Um. And then and then she's not a 439 00:28:25,160 --> 00:28:29,000 Speaker 1: Rachel's I did you tell them that? Um? April Rhodes 440 00:28:29,040 --> 00:28:31,640 Speaker 1: has bought the auditorium, she has bought our home back 441 00:28:31,680 --> 00:28:35,320 Speaker 1: for us, and it is named the April Rhodes Civic Pavilion. 442 00:28:35,760 --> 00:28:40,120 Speaker 1: Um fun fact, I think Kristen actually has a theater 443 00:28:40,440 --> 00:28:45,280 Speaker 1: named after her in her hometown or surrounding town nearby. 444 00:28:45,400 --> 00:28:48,480 Speaker 1: That's awesome. Um, and then we'll get to that last 445 00:28:48,560 --> 00:28:52,600 Speaker 1: number yeah later, but um. So the other storyline happening 446 00:28:52,640 --> 00:28:57,600 Speaker 1: in this is the good old storyline Kurt and love 447 00:28:57,640 --> 00:29:06,000 Speaker 1: with Fenn thing. So what happens is Kurt Kurt rolls 448 00:29:06,080 --> 00:29:07,960 Speaker 1: up to Finn after leagu club one day and ask 449 00:29:08,000 --> 00:29:14,480 Speaker 1: for advice for redecorating his bedroom and Finn's like, I 450 00:29:14,600 --> 00:29:16,640 Speaker 1: have no idea, like why are you asking me? In 451 00:29:16,680 --> 00:29:22,640 Speaker 1: like points to something. Meanwhile, Finn's mom, Carol, is all 452 00:29:22,640 --> 00:29:26,560 Speaker 1: of a sudden selling Finn's late dad's stuff, and when 453 00:29:26,600 --> 00:29:29,240 Speaker 1: it comes to recliner, Finn freaks out and it's like, no, 454 00:29:29,280 --> 00:29:31,880 Speaker 1: that's not for sale, Like why are you doing this? 455 00:29:31,880 --> 00:29:35,040 Speaker 1: This is dad's chair. It's the only picture I have 456 00:29:35,080 --> 00:29:37,840 Speaker 1: of him with me. He's holding me in that chair, 457 00:29:37,880 --> 00:29:42,240 Speaker 1: and Carol's like, it's not it's a chair, it's not him. 458 00:29:42,240 --> 00:29:46,360 Speaker 1: And then Carol says like, look, also, Carol's dressed completely differently. 459 00:29:46,400 --> 00:29:52,200 Speaker 1: All of a sudden, she's she's no longer in the 460 00:29:52,240 --> 00:29:58,160 Speaker 1: acid washed jeans and best and Carol's says, I've been 461 00:29:58,200 --> 00:30:01,600 Speaker 1: seeing someone and I'm in love and the person I've 462 00:30:01,600 --> 00:30:07,560 Speaker 1: been seeing is Kurt's dad Bert, and so Finn then 463 00:30:07,640 --> 00:30:09,960 Speaker 1: confronts Kurt about it, and it's like, what's going on 464 00:30:10,000 --> 00:30:13,000 Speaker 1: with our parents? And then Kurt says, like, didn't you 465 00:30:13,040 --> 00:30:16,520 Speaker 1: notice anything's different about your mom her look? Before? You know, 466 00:30:16,840 --> 00:30:20,800 Speaker 1: like they'll be living together and redecorating their room together, 467 00:30:20,960 --> 00:30:24,680 Speaker 1: hence why he was asking this. So Kurt has been 468 00:30:25,520 --> 00:30:28,800 Speaker 1: planning this whole thing as a way to, you know, 469 00:30:28,960 --> 00:30:32,360 Speaker 1: get closer to Finn, Jenna, do you I don't know 470 00:30:33,240 --> 00:30:38,320 Speaker 1: what I was doing, But I don't remember Kurt being 471 00:30:38,320 --> 00:30:41,160 Speaker 1: in love with Finn being such a huge storyline. I 472 00:30:41,200 --> 00:30:44,600 Speaker 1: don't know why I have no recollection of this. Yes, 473 00:30:45,040 --> 00:30:48,600 Speaker 1: I agree, it does become short lived because of Kurt, 474 00:30:48,720 --> 00:30:52,560 Speaker 1: Carol and Burt, I think, and it no longer flies 475 00:30:52,640 --> 00:30:55,880 Speaker 1: when like their parents are actually together. But you're right, 476 00:30:56,120 --> 00:30:59,280 Speaker 1: I don't quite And maybe it's because they were just 477 00:30:59,320 --> 00:31:01,840 Speaker 1: shooting so much off to the side. We were never 478 00:31:01,880 --> 00:31:04,120 Speaker 1: really there, like we weren't at the breadsticks scene, like 479 00:31:04,160 --> 00:31:08,720 Speaker 1: we didn't watch these things until we saw them when 480 00:31:08,880 --> 00:31:11,600 Speaker 1: the episodes came out, So maybe it's just because we 481 00:31:11,600 --> 00:31:14,840 Speaker 1: weren't part of it. I think I also like thought 482 00:31:14,920 --> 00:31:19,480 Speaker 1: this whole Kurt, I mean this Carol and oh god, Carol, Kurt, Bert, 483 00:31:19,600 --> 00:31:22,560 Speaker 1: I know, I know, I know Carol and Burt think 484 00:31:22,600 --> 00:31:27,200 Speaker 1: happened later in season two. Agreed also, but they they 485 00:31:27,240 --> 00:31:30,000 Speaker 1: do live on So that's why I think we set 486 00:31:30,160 --> 00:31:33,240 Speaker 1: you know, Burton Carroll quite a bit. So. But yes, 487 00:31:33,320 --> 00:31:35,680 Speaker 1: I think a lot of this feels like the back 488 00:31:35,800 --> 00:31:38,720 Speaker 1: nine feels like a far off dream from the first 489 00:31:38,800 --> 00:31:46,920 Speaker 1: thirteen day we did. Um and so mad. Yeah, He's like, 490 00:31:47,000 --> 00:31:49,560 Speaker 1: I like my house, I'm not moving, I'm not selling 491 00:31:49,600 --> 00:31:54,960 Speaker 1: that damn chair. And and Finn's very resistant towards all 492 00:31:54,960 --> 00:31:57,520 Speaker 1: of this, but they obviously he's a kid, so he 493 00:31:57,520 --> 00:31:59,080 Speaker 1: has to go do what his mom says. And they 494 00:31:59,160 --> 00:32:01,800 Speaker 1: go to breadsticks on a double date with Kurt, Finn 495 00:32:01,800 --> 00:32:04,120 Speaker 1: and their parents, and we were moving to bread sticks. 496 00:32:05,320 --> 00:32:10,200 Speaker 1: So glad I didn't have to do breadsticks. Um, Finn says, 497 00:32:10,280 --> 00:32:12,240 Speaker 1: you know, makes this off kind of like, oh, we're 498 00:32:12,280 --> 00:32:15,160 Speaker 1: not a family, and you know, in response to like 499 00:32:15,360 --> 00:32:19,160 Speaker 1: I think Bert saying something, and and then Burt and 500 00:32:19,600 --> 00:32:24,040 Speaker 1: Finn like Bert wins Finn over with his charm talking 501 00:32:24,040 --> 00:32:28,080 Speaker 1: about sports, and you can see that like Kurt is 502 00:32:28,200 --> 00:32:31,200 Speaker 1: commenting on Carol's clothes and you know, the thing that 503 00:32:31,280 --> 00:32:36,720 Speaker 1: they kind of bonded over and her makeover, and now 504 00:32:36,800 --> 00:32:42,040 Speaker 1: Kurt's very hurt about Finn and Bert getting along, and 505 00:32:42,200 --> 00:32:47,280 Speaker 1: we see this beautiful scene between Kurt and Burt where 506 00:32:47,280 --> 00:32:49,640 Speaker 1: he's like, I feel, you know, I left felt left 507 00:32:49,640 --> 00:32:54,120 Speaker 1: out and sad, and Bert's like, of course, I love 508 00:32:54,160 --> 00:32:57,280 Speaker 1: you like you're my son. Like we don't try to 509 00:32:57,360 --> 00:33:00,200 Speaker 1: change each other. That's our relationship. They have a very 510 00:33:00,200 --> 00:33:04,520 Speaker 1: open and communicative, communicative relationship, as we've learned, and a 511 00:33:04,560 --> 00:33:06,320 Speaker 1: little guy talk with some other kid isn't going to 512 00:33:06,440 --> 00:33:10,360 Speaker 1: change that. And then Kurt says guy talk, I'm a guy, 513 00:33:11,440 --> 00:33:16,680 Speaker 1: and Bert says, you know what I think. But I 514 00:33:16,720 --> 00:33:18,880 Speaker 1: thought that was really powerful though, like Kurt's saying like, 515 00:33:19,000 --> 00:33:22,360 Speaker 1: I'm a guy. Yeah. I think it's important that these 516 00:33:22,360 --> 00:33:26,320 Speaker 1: scenes are a little messy, like yeah, yeah, not everybody's 517 00:33:26,320 --> 00:33:29,160 Speaker 1: saying the perfect thing all the time, but there's an understanding. 518 00:33:29,200 --> 00:33:32,240 Speaker 1: Really their intentions are in the right place. And then 519 00:33:32,320 --> 00:33:35,040 Speaker 1: Bert says, suddenly, I'm not the guy who sat through 520 00:33:35,120 --> 00:33:40,040 Speaker 1: River Dance three in a row. It's so cute though, 521 00:33:40,080 --> 00:33:42,840 Speaker 1: because they do think the best of each other most 522 00:33:42,880 --> 00:33:45,880 Speaker 1: of the time, and they do bring out like that 523 00:33:46,560 --> 00:33:50,760 Speaker 1: that really deep good part of each other. So and 524 00:33:50,840 --> 00:33:53,680 Speaker 1: that's why I think it's very sweet. Um. And then 525 00:33:53,880 --> 00:33:56,880 Speaker 1: Kurt's like, maybe it is too soon that you started dating, 526 00:33:57,080 --> 00:34:00,040 Speaker 1: and Bert says it's been eight years. And then the 527 00:34:00,280 --> 00:34:02,959 Speaker 1: really kind of questions, which because he can see right 528 00:34:03,000 --> 00:34:06,320 Speaker 1: through his son obviously in question why he set him 529 00:34:06,360 --> 00:34:08,399 Speaker 1: up with Carol in the first place. That was good. 530 00:34:08,560 --> 00:34:13,000 Speaker 1: Wasn't it to make me happy? M hmm. Kurt tells 531 00:34:13,040 --> 00:34:16,000 Speaker 1: Finn that, mmmm, this isn't gonna work. We need to 532 00:34:16,000 --> 00:34:18,440 Speaker 1: break them up, and Finn could tell it hurt. Kurt 533 00:34:18,480 --> 00:34:20,520 Speaker 1: admits he doesn't like seeing his mom move on either, 534 00:34:21,800 --> 00:34:24,919 Speaker 1: and Finn agrees, and they shake hands and like, okay, 535 00:34:25,000 --> 00:34:29,080 Speaker 1: let's put an end to them. Right Then Finn threatens 536 00:34:29,080 --> 00:34:31,239 Speaker 1: to throw his dad's ashes down the toilet. He takes 537 00:34:31,239 --> 00:34:34,279 Speaker 1: the ash. He's like, oh, I'm just gonna like I 538 00:34:34,320 --> 00:34:36,400 Speaker 1: can do this too. You've been doing it, and so 539 00:34:36,640 --> 00:34:41,440 Speaker 1: it's great. Yeah, I think Carol, oh my gosh, just roam, gosh, 540 00:34:41,840 --> 00:34:46,799 Speaker 1: just really going says that they can do what they've 541 00:34:46,800 --> 00:34:48,840 Speaker 1: been doing for the past ten years, which is pretending, 542 00:34:49,440 --> 00:34:51,920 Speaker 1: and she reveals she hasn't felt this way about anyone 543 00:34:51,960 --> 00:34:55,480 Speaker 1: since his dad and he's being selfish, tells Finn that 544 00:34:55,920 --> 00:34:58,640 Speaker 1: she loves him and that they need a family and 545 00:34:58,800 --> 00:35:05,280 Speaker 1: a home. And I thought it was really powerful when Finn, 546 00:35:05,600 --> 00:35:07,480 Speaker 1: you know, says this isn't what dad would want, and 547 00:35:07,520 --> 00:35:12,520 Speaker 1: she's like, you don't know him, and that's tough, Like 548 00:35:13,960 --> 00:35:16,320 Speaker 1: it's it's still crazy to me. This is the same show, 549 00:35:16,600 --> 00:35:22,400 Speaker 1: yeah that you know, not that we're dressed in cupcakes 550 00:35:22,400 --> 00:35:26,640 Speaker 1: and cupcakes and things, and a really powerful, I think 551 00:35:27,200 --> 00:35:30,719 Speaker 1: hard to articulate thing that people go through all the time. Well, 552 00:35:30,719 --> 00:35:33,279 Speaker 1: that's dealing with the parents that's passed away at an 553 00:35:33,280 --> 00:35:36,080 Speaker 1: early age, right. I think that's really what's so powerful 554 00:35:36,160 --> 00:35:38,760 Speaker 1: Luckley though, is like you hit these really hard hitting 555 00:35:38,960 --> 00:35:44,239 Speaker 1: situations and it's you know, like social issues and um, 556 00:35:44,280 --> 00:35:48,360 Speaker 1: you know, eating disorders and you know, loss and grief 557 00:35:48,480 --> 00:35:52,279 Speaker 1: and and then you break into song into Madonna and 558 00:35:52,360 --> 00:35:55,920 Speaker 1: Bruce Springsteen and like, no studio these days if you 559 00:35:56,000 --> 00:35:58,719 Speaker 1: pitched a show like that, unless you're Ran Reffe would 560 00:35:58,760 --> 00:36:01,200 Speaker 1: be like, yeah, I get that, Like you'd be like, 561 00:36:01,239 --> 00:36:03,799 Speaker 1: that's two different shows, right. I think even then they 562 00:36:03,800 --> 00:36:09,600 Speaker 1: were like Ryan being like believe me, no. Yes. So 563 00:36:09,760 --> 00:36:13,279 Speaker 1: the storyline starts to wrap up when Bert all of 564 00:36:13,320 --> 00:36:16,839 Speaker 1: a sudden, is at Finn's house and they have this 565 00:36:16,960 --> 00:36:20,480 Speaker 1: man to man in the kitchen and it's very tense 566 00:36:20,520 --> 00:36:21,680 Speaker 1: and they're both like I have a lot to say. 567 00:36:21,840 --> 00:36:25,920 Speaker 1: I have a lot to say, and m Bert's like, 568 00:36:25,960 --> 00:36:28,000 Speaker 1: well I don't have that much to say, so I'll start. 569 00:36:28,760 --> 00:36:33,400 Speaker 1: And he's like, I will never hurt your mom. I 570 00:36:33,520 --> 00:36:35,520 Speaker 1: love her. Your dad was a hero. I would like 571 00:36:35,600 --> 00:36:38,640 Speaker 1: to be a hero for your mom as long as 572 00:36:38,680 --> 00:36:43,479 Speaker 1: she wants me to be. Michael Malley Man, Yeah, there's 573 00:36:43,520 --> 00:36:46,560 Speaker 1: just there's something beautiful about the simplicity with Romy and 574 00:36:46,600 --> 00:36:51,440 Speaker 1: Mike doing these scenes where it's let me just let 575 00:36:51,440 --> 00:36:55,319 Speaker 1: me just say these words because you know they're not 576 00:36:55,400 --> 00:37:00,600 Speaker 1: doing some huge, um extravagant let me show you how 577 00:37:00,640 --> 00:37:03,160 Speaker 1: good of an actor I am. They're good because it's 578 00:37:03,239 --> 00:37:07,960 Speaker 1: true how they're saying it. Yeah. So then Finn just 579 00:37:08,120 --> 00:37:10,600 Speaker 1: sort of wraps it up. He's like, oh, okay, well 580 00:37:10,600 --> 00:37:11,799 Speaker 1: I was just gonna ask if you want to watch 581 00:37:11,800 --> 00:37:14,320 Speaker 1: a game. Yeah. I mean he hears it, he doesn't 582 00:37:14,320 --> 00:37:16,880 Speaker 1: have to admit it. But he hears, you know, Burt 583 00:37:17,000 --> 00:37:21,440 Speaker 1: in what he says, and and then um, you know 584 00:37:21,680 --> 00:37:23,719 Speaker 1: they He's like, no, you wait, you can sit here 585 00:37:23,920 --> 00:37:27,400 Speaker 1: in the chair. He moves. The scene is almost completely perfect, 586 00:37:27,480 --> 00:37:33,760 Speaker 1: almost and then almost too Kurt standing outside the window. 587 00:37:34,400 --> 00:37:39,160 Speaker 1: I'm surprised wasn't raining on the on the window raining? Yes, right, 588 00:37:39,680 --> 00:37:46,560 Speaker 1: Kurt standing at Finn's house, crying like he might as 589 00:37:46,560 --> 00:37:49,799 Speaker 1: well have been an adjacent mask, like what what is 590 00:37:50,000 --> 00:37:52,960 Speaker 1: what is happening? Why? That like sweet moment, and then 591 00:37:53,000 --> 00:37:56,920 Speaker 1: it just pans to him in this gigantic windows. Very 592 00:37:57,160 --> 00:37:59,800 Speaker 1: do you not see him? He's very funny. It's very funny. 593 00:38:00,760 --> 00:38:13,680 Speaker 1: It's so creepy. It's so creepy. So we get to 594 00:38:14,160 --> 00:38:17,120 Speaker 1: the final moment of this episode is us in the 595 00:38:17,160 --> 00:38:20,920 Speaker 1: auditorium behind Chris and Chennewith where she sings home in 596 00:38:20,960 --> 00:38:26,080 Speaker 1: the new April World Civic Pavilion. That's right, and she 597 00:38:26,160 --> 00:38:30,920 Speaker 1: comes on in this beautiful gown. Now she's rich done jewels, 598 00:38:31,000 --> 00:38:34,200 Speaker 1: and we're all we're all her choir, which happily we are, 599 00:38:34,480 --> 00:38:36,960 Speaker 1: you know, swaying and singing with her in her backup 600 00:38:37,000 --> 00:38:39,960 Speaker 1: singers that beautiful scrim lifts and you see this beautiful 601 00:38:41,080 --> 00:38:45,880 Speaker 1: clouded sky in the background that is lit beautifully. It 602 00:38:45,960 --> 00:38:49,600 Speaker 1: look stunning. I think it looks so good. Are you 603 00:38:49,719 --> 00:38:52,360 Speaker 1: just it makes me uncomfortable having like a white person 604 00:38:52,400 --> 00:38:59,640 Speaker 1: sing this song right right? It feels weird, right it's 605 00:38:59,719 --> 00:39:03,440 Speaker 1: it's so beautifully done. And I wasn't even thinking of that. 606 00:39:03,640 --> 00:39:07,399 Speaker 1: Thank you for that? Um right. I don't know why. 607 00:39:07,600 --> 00:39:11,719 Speaker 1: Maybe I'm wrong, maybe I'm I don't but I I 608 00:39:11,760 --> 00:39:14,600 Speaker 1: mean so yeah, Okay. When I think of this, I 609 00:39:14,640 --> 00:39:19,560 Speaker 1: think of Amber at the White House and Michelle Obama 610 00:39:20,239 --> 00:39:23,000 Speaker 1: singing this song. It's an incredibly written song. Are the 611 00:39:23,000 --> 00:39:25,919 Speaker 1: Wiz is incredible? This is an incredible song, right, Um? 612 00:39:25,960 --> 00:39:31,680 Speaker 1: But it just feels it feels so fair enough, strange, 613 00:39:31,760 --> 00:39:36,240 Speaker 1: fair enough? Um but I do love this song. Also, 614 00:39:36,400 --> 00:39:41,399 Speaker 1: if anyone hasn't seen Jasmine Sullivan singing this song on 615 00:39:41,440 --> 00:39:44,920 Speaker 1: YouTube at eleven years old in the A Whiz production 616 00:39:44,960 --> 00:39:49,440 Speaker 1: of her at her school, go look it up. Have 617 00:39:49,520 --> 00:39:51,800 Speaker 1: you seen it, Jenna? No, but I saw you storied 618 00:39:51,800 --> 00:39:57,719 Speaker 1: about it. I watch it monthly. O Jasmine Sullivan at 619 00:39:57,760 --> 00:40:04,880 Speaker 1: eleven years old done. It's unbelievable. I don't understand. But 620 00:40:05,000 --> 00:40:07,400 Speaker 1: she's a prodigy. Obviously, it was a prodigy like I 621 00:40:07,480 --> 00:40:13,360 Speaker 1: just whatever anyway, Okay, that's home. That Okay, let's do 622 00:40:13,440 --> 00:40:17,760 Speaker 1: it so cringe moments aka special shout out to Paris 623 00:40:18,520 --> 00:40:23,640 Speaker 1: for Auchiese. This episode, there's a couple lines. I mean, 624 00:40:23,640 --> 00:40:26,520 Speaker 1: I would say the whole mounting and all white production 625 00:40:26,560 --> 00:40:29,080 Speaker 1: of the Whiz, right. I think that was the one. 626 00:40:29,400 --> 00:40:35,160 Speaker 1: Not a great look. I think the um the line 627 00:40:35,200 --> 00:40:39,480 Speaker 1: with Becky earlier in the episode about vombiting and having 628 00:40:39,920 --> 00:40:43,920 Speaker 1: an eating disorder, it's not great, you know. I think 629 00:40:44,880 --> 00:40:48,320 Speaker 1: having Mercedes lose weight there's great things. Well, yeah, I 630 00:40:48,360 --> 00:40:51,600 Speaker 1: mean her Sue talking about, you know, Becky gonna be 631 00:40:52,160 --> 00:40:56,279 Speaker 1: you know, a volimic. It's it's like, we're not. Yeah, 632 00:40:56,320 --> 00:41:02,120 Speaker 1: we're not. That's not really how we handle things anymore. Um. 633 00:41:02,440 --> 00:41:05,520 Speaker 1: Been singing to the chair? Oh did you say that one? Yeah? 634 00:41:05,560 --> 00:41:10,160 Speaker 1: That's that's a good one. That's the one. UM. Worse 635 00:41:10,320 --> 00:41:14,719 Speaker 1: dance move. Um, I don't know, And I don't think. 636 00:41:14,719 --> 00:41:16,920 Speaker 1: There wasn't a lot of dancing, right. We weren't a 637 00:41:16,920 --> 00:41:21,120 Speaker 1: lot of group numbers either, So no, okay, UM, I 638 00:41:21,160 --> 00:41:23,480 Speaker 1: think maybe singing to the Urn still counts in that 639 00:41:23,680 --> 00:41:30,479 Speaker 1: category as well. M M. Best song home, but now 640 00:41:30,560 --> 00:41:33,440 Speaker 1: you made me rethink it. No, because the song is 641 00:41:33,440 --> 00:41:36,000 Speaker 1: good and christ and Chenowitz is but beautiful. Also, I mean, 642 00:41:36,040 --> 00:41:40,239 Speaker 1: like anything ever sing is obviously is wins. I mean, 643 00:41:40,280 --> 00:41:43,040 Speaker 1: obviously I'm going to pick my favorite number of all 644 00:41:43,080 --> 00:41:50,240 Speaker 1: the time. Oh, I have been embarrassing things to admit. Yes, 645 00:41:50,680 --> 00:41:52,920 Speaker 1: I had never heard the song home before we filmed 646 00:41:52,920 --> 00:41:55,759 Speaker 1: this episode. Oh no, I feel like there's a lot 647 00:41:55,760 --> 00:41:59,440 Speaker 1: of edumicating happening here. Well I must have. I had 648 00:41:59,440 --> 00:42:02,320 Speaker 1: seen the win, so I must have, but I didn't 649 00:42:02,440 --> 00:42:05,640 Speaker 1: know it, like it was not on my radar sort 650 00:42:05,640 --> 00:42:08,840 Speaker 1: of thing. Fair enough, Yeah, best performance by a prop, 651 00:42:09,320 --> 00:42:12,600 Speaker 1: the arn, the arned, the arn is good. I also 652 00:42:12,600 --> 00:42:15,600 Speaker 1: have to say the bedazzled nikes really stood out to me. 653 00:42:16,320 --> 00:42:19,279 Speaker 1: They were beautiful. They reminded me of like of course 654 00:42:19,400 --> 00:42:26,200 Speaker 1: Christens on TOURZ. Yeah. Okay, and then the best line. Okay, 655 00:42:26,239 --> 00:42:30,120 Speaker 1: So in the last last episode, I thought the line 656 00:42:30,160 --> 00:42:33,480 Speaker 1: about the you know curtain Mercedes having their own Bravo 657 00:42:33,600 --> 00:42:36,440 Speaker 1: show was in Madonna, but it's actually in this episode. 658 00:42:37,880 --> 00:42:44,080 Speaker 1: How do you guys not have your own Bravo show? Say? Um, 659 00:42:44,120 --> 00:42:46,480 Speaker 1: what else is there, Kevin? What there's a I'm just 660 00:42:46,480 --> 00:42:50,239 Speaker 1: gonna rattle off a couple of incredible ones Britney saying 661 00:42:50,280 --> 00:42:53,279 Speaker 1: I think my cat is reading my diary. It's a 662 00:42:53,320 --> 00:42:58,719 Speaker 1: good one. Um Puck mouthing, defend you're gay, oh Bert 663 00:42:58,840 --> 00:43:01,160 Speaker 1: saying I hate Duke like a hate the Nazis. Yeah, 664 00:43:01,600 --> 00:43:06,880 Speaker 1: I think is absolutely incredible. Yea, and then Kurt saying 665 00:43:06,880 --> 00:43:09,200 Speaker 1: I feel like the guy who set up Liza David guest. 666 00:43:12,960 --> 00:43:17,000 Speaker 1: You know it's very niche and specific, but that's right. Delicious, 667 00:43:17,080 --> 00:43:23,960 Speaker 1: delicious yummy. Okay. So Jenna, um shit we found on 668 00:43:24,040 --> 00:43:28,720 Speaker 1: the tiktoks this week, tell me um this incredible video. 669 00:43:29,200 --> 00:43:32,960 Speaker 1: I just it's how Glee would sound in real life. 670 00:43:33,520 --> 00:43:37,200 Speaker 1: Glee thing posted it, okay, And it's one of those 671 00:43:37,280 --> 00:43:41,120 Speaker 1: videos where you just you have random clips of the 672 00:43:41,160 --> 00:43:46,280 Speaker 1: show and then you have the real sounds. It's silent, 673 00:43:46,360 --> 00:43:49,680 Speaker 1: basically like it's like splashes in the pool. No, it's 674 00:43:49,960 --> 00:43:52,120 Speaker 1: it's very good. You have pulled it up and watch 675 00:43:52,200 --> 00:43:59,480 Speaker 1: this thing. I'm pulling it up like some music playing 676 00:43:59,480 --> 00:44:09,360 Speaker 1: in the hallway. You have no because like kids randomly 677 00:44:09,400 --> 00:44:14,760 Speaker 1: seeing in the hallway just like yeah, kids talking around 678 00:44:14,840 --> 00:44:18,400 Speaker 1: them like what is happening? No, this is so awkward. 679 00:44:18,960 --> 00:44:24,600 Speaker 1: It's so good. Yeah, you have to the sneakers, you 680 00:44:24,600 --> 00:44:30,479 Speaker 1: guys got We'll go to the Glee thing TikTok um 681 00:44:30,520 --> 00:44:33,880 Speaker 1: and watch it. How Glee that sounded real life. It's excellent. 682 00:44:33,920 --> 00:44:38,400 Speaker 1: Thank you for tagging us in that. It's it's a 683 00:44:38,440 --> 00:44:41,960 Speaker 1: minute of pure joy. Very good, very very good. It's 684 00:44:42,040 --> 00:44:47,960 Speaker 1: very funny. Well that's home. That is home. Um you guys, 685 00:44:48,000 --> 00:44:52,920 Speaker 1: don't forget the walkathon for Alexandria House um I Transitional 686 00:44:52,920 --> 00:44:55,240 Speaker 1: Home for Women and children and many many other supportive 687 00:44:55,280 --> 00:44:57,440 Speaker 1: services here in La. They're having a walk withth on 688 00:44:57,520 --> 00:45:01,320 Speaker 1: so um. If you can't be there, you can donate 689 00:45:01,360 --> 00:45:03,560 Speaker 1: if you can, or find other ways that you can help. 690 00:45:03,600 --> 00:45:09,839 Speaker 1: Alexandra House dot org. And that is Home. Join us 691 00:45:09,840 --> 00:45:15,120 Speaker 1: next week for bad review Days. There's so much to 692 00:45:15,360 --> 00:45:20,200 Speaker 1: on back, so much too on time. We've had such 693 00:45:20,200 --> 00:45:24,880 Speaker 1: a good run. I can't wait to talk about this episode. Well, 694 00:45:24,920 --> 00:45:29,560 Speaker 1: thanks for joining us. This has been and That's what 695 00:45:29,600 --> 00:45:34,560 Speaker 1: you really miss ye see. Thanks for listening and follow 696 00:45:34,640 --> 00:45:37,480 Speaker 1: us on Instagram at and That's what you really miss pod. 697 00:45:37,760 --> 00:45:39,600 Speaker 1: Make sure to write us a review and leave us 698 00:45:39,640 --> 00:45:41,120 Speaker 1: five stars. See you next time.