WEBVTT - Deadpool Comics (ft. Cody Ziglar)

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<v Speaker 1>Warning warning.

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<v Speaker 2>Today's episode contains spoilers for the current Marvel Deadpool series,

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<v Speaker 2>as well as some of the Mark with the Mouth's

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<v Speaker 2>previous appearances.

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<v Speaker 1>Hello, I am not Jason Concepcion.

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<v Speaker 2>I am Rosie Knight and welcome back to x ray Vision.

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<v Speaker 2>This week is Deadpool Kills the X ray Universe, where

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<v Speaker 2>luckily he doesn't kill us. But we are going to

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<v Speaker 2>have one new episode every single day of the week,

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<v Speaker 2>adding up to five episodes this week, all about Deadpool

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<v Speaker 2>versus Wolverine. Today, it's just me and I'm talking to

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<v Speaker 2>Cody Ziggler, the current Deadpool head writer and previous co

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<v Speaker 2>founder of x ray Vision, one of the original hosts,

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<v Speaker 2>and it's going to be a delightful chat about Depol's

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<v Speaker 2>comic book history and about making comics with Cody Ziggler.

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<v Speaker 1>Let's get into it.

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<v Speaker 2>Cody Ziggler is one of the original hosts of Extra

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<v Speaker 2>Vision and a superstar TV writer on shows like Futurama,

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<v Speaker 2>Rick and Morty, and She Hulk.

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<v Speaker 1>But that's not all.

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<v Speaker 2>He's also a fantastic comic book writer behind the Smash

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<v Speaker 2>It Spider Punk mini series and its sequel, which we

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<v Speaker 2>love deeply. Here and he's the current, as we say

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<v Speaker 2>in comics headwriter on Deadpool.

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<v Speaker 1>How are you doing, zig?

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<v Speaker 3>I am good. It's always a pleasure coming back in,

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<v Speaker 3>Like just honestly talking about nerd stuff for an hour?

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<v Speaker 3>Is that the best way to spend a Friday.

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<v Speaker 1>Just so happy to have you back on here. So

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<v Speaker 1>how have you been? I mean that's the first thing, Like,

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<v Speaker 1>everyone who listens to this show knows you. So how's

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<v Speaker 1>it going.

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<v Speaker 3>I've been good, and as you can, as you sort

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<v Speaker 3>of said, a little busy. The big thing that I

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<v Speaker 3>did was like when the writer's trick was happening, I

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<v Speaker 3>was like, I got nothing but free time. I'm going

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<v Speaker 3>to sign up for all my favorite comic books. And

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<v Speaker 3>then and then when the strike was settled, I was like,

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<v Speaker 3>oh wow, I do all these and write for future.

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<v Speaker 3>So I've been very busy for the past six months.

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<v Speaker 3>But it's a great problem to have. And also I

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<v Speaker 3>want to say congrats to you, like I've been loving

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<v Speaker 3>the Godzilla stuff you've been putting out, Like it's been

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<v Speaker 3>so fun.

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<v Speaker 1>Thank you so much. That means a lot.

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<v Speaker 2>Yeah, very excited I have that we've got that first

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<v Speaker 2>Godzilla Kids graphic novel coming out soon in August, so

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<v Speaker 2>that's going to be rad. And yeah, I'm feeling very excited.

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<v Speaker 2>You know, we're very lucky to get to do this,

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<v Speaker 2>to get to two stories in this space. I mean,

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<v Speaker 2>I was stoked because I saw all those crazy the

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<v Speaker 2>Godzilla like crossover Marvel covers. Yeah, yeah, yeah, Pilla Venom

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<v Speaker 2>and stuff. So yeah, it's been a good time. So

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<v Speaker 2>this is our week. We're doing a week of all

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<v Speaker 2>Deadpool and Wolverine coverage. We're gonna have a new episode

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<v Speaker 2>every single day, and having you here is a.

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<v Speaker 1>Big part of that.

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<v Speaker 2>So I would just start by asking you, like, what's

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<v Speaker 2>your first memory of Deadpool?

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<v Speaker 1>Like coming across Deadpool?

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<v Speaker 3>My first memory of Deadpool was I think. I mean,

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<v Speaker 3>I think it's like everyone's like I saw the panel

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<v Speaker 3>where he does sure you can on some random characters

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<v Speaker 3>like hey, you ever played street Fighter? And they're like

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<v Speaker 3>what and then he does like a street Fighter cont.

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<v Speaker 3>I was like, what the hell is this? And then

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<v Speaker 3>when I was in college, I was very broke, but

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<v Speaker 3>I found I found online through a various bay full

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<v Speaker 3>of pirates, every every single issue that Deadpool had been

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<v Speaker 3>up until that point. So up until like twenty I'm

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<v Speaker 3>like I guess twenty thirteen, twenty twelve, so like his

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<v Speaker 3>original run, like his random weird cameo when like a

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<v Speaker 3>Batman Superman story where like we're like Slade Wilson is

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<v Speaker 3>there and like Wade Wilson shows up like truly everything.

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<v Speaker 3>I was like, oh, this is great, Like I've never

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<v Speaker 3>read I didn't know combooks could be like funny, So

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<v Speaker 3>like he was super funny. Like also like he had

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<v Speaker 3>heart like his earlier nineties stuff when he was you know,

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<v Speaker 3>when Rob Leifeld was doing him, it was like very

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<v Speaker 3>like nineties, very grady pouches everywhere, a lot of like

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<v Speaker 3>huge cool guns. So like seeing his transition from that

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<v Speaker 3>to like, oh he can be like a comedic character. Yeah,

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<v Speaker 3>and then seeing how he was used in other books,

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<v Speaker 3>like I always talk about the I believe It's X Force.

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<v Speaker 1>Can we talk about that one?

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<v Speaker 3>Yeah? Yeah, yeah, it's so good. It's so cool, like

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<v Speaker 3>you get to serve both worlds for like where like

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<v Speaker 3>there's a point where they're on the moon as it

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<v Speaker 3>happens and like Angel has been ravaged with this special

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<v Speaker 3>mutant power that makes him like basically started death. So

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<v Speaker 3>Deadpool is like slicing off that part of feed Them.

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<v Speaker 3>It's so funny. And then at the end of it

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<v Speaker 3>you realize that Deadpool hasn't really been cashing any checks

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<v Speaker 3>because he's been doing this for like the good reason

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<v Speaker 3>he never wanted to cook. It's like just everything I

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<v Speaker 3>loved all that, So, like, I just love Deadpool and

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<v Speaker 3>like Cable and Deadpool was like my absolute favorite series. Yeah,

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<v Speaker 3>I was like I didn't know you could do. It

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<v Speaker 3>was just everything I wanted. A character, combo character like

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<v Speaker 3>he had. He was like Spider Man but also like

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<v Speaker 3>he had guns and he had like really really weird

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<v Speaker 3>fourth wall breaking jokes, which I've never seen in comics

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<v Speaker 3>before either up until like you know, a little bit

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<v Speaker 3>of she Hulk.

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<v Speaker 2>Oh, that was definitely I think that was really like, yeah,

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<v Speaker 2>she Hulk, and then Deadpool kind of took it to

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<v Speaker 2>that next level.

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<v Speaker 1>I mean that Uncanny Exoss book.

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<v Speaker 2>We had pretty Chibber on your your Marvel colleague, who

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<v Speaker 2>is also just so wonderful, and that was one that

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<v Speaker 2>me and her and Jason all brought up, like Rickrimmender,

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<v Speaker 2>Jerome Apena, that is just it's up there with like

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<v Speaker 2>Grant Morrison and Frank Quietly's New Eca and like it's

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<v Speaker 2>so weird, it's so good, and that same scene him,

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<v Speaker 2>it's a perfect mix of like the gritty and the hilarious.

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<v Speaker 2>Yeah you know, which is kind of what I think

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<v Speaker 2>Deadpool does so well. I think we touched on this,

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<v Speaker 2>but as like, now you're in this really interesting position

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<v Speaker 2>as a creator and a fan and just like a

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<v Speaker 2>massive nerd like me, what do you think it is

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<v Speaker 2>that makes people like Deadpool, especially like see because that

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<v Speaker 2>his fantom's grown so much since the movies came out?

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<v Speaker 1>But what is it? What are those touch points that

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<v Speaker 1>people love?

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<v Speaker 3>I think one, they like the comedy aspect of it.

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<v Speaker 3>But he's also such a unique character, I think at Marvel,

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<v Speaker 3>because there's no one really else like him, Like, yeah,

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<v Speaker 3>you have characters that you have tons of mercenary characters

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<v Speaker 3>and tons of like you know, gun for higher characters,

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<v Speaker 3>but like you know, there's really no one else that

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<v Speaker 3>does what he does. And also his stories spans such

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<v Speaker 3>a different vast type of storytelling that you have like

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<v Speaker 3>the gritty, you know, nineties sort of like neo noir

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<v Speaker 3>type stories, and you have like the sort of like

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<v Speaker 3>slapsticky like oh, I love Chimmy Chong's which is like

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<v Speaker 3>the whole thing, but he's also a good I think

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<v Speaker 3>I was thinking about this today before starting the unitew

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<v Speaker 3>like he's such a good utility character, like, oh yeah,

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<v Speaker 3>he can plug so many different things that you need

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<v Speaker 3>in a team. I think that's why he really thrives

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<v Speaker 3>in like team books, like particularly in books that aren't Deadpool,

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<v Speaker 3>because you can see like, yeah, he could be like

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<v Speaker 3>the funny guy, but he can also be like the

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<v Speaker 3>heart of the team. And like you know, Marvel has

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<v Speaker 3>like Pillars of the Marvel, which I think is Spider Man,

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<v Speaker 3>I think the Fantastic four X Men, X Men Captain America,

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<v Speaker 3>and I think Deadpool sort of rides as like that

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<v Speaker 3>four of fourth pillar for like Marvel.

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<v Speaker 1>Yeah, I would agree, it's kind of interesting.

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<v Speaker 2>He kind of him and Halloquin kind of fill this

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<v Speaker 2>interesting space because that was like it used to always

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<v Speaker 2>be that the trinity at DC was you know, Wonder Woman, Superman,

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<v Speaker 2>and Batman. But then around like ten years ago they

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<v Speaker 2>started saying, well, the fourth pillar is Harley Quinn because

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<v Speaker 2>like people love her so much.

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<v Speaker 1>She's so weird. People cause players her and in a

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<v Speaker 1>weird way.

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<v Speaker 2>I guess Deadpool kind of has that, yeah, that similar

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<v Speaker 2>vibe because it's like you said, he can just be

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<v Speaker 2>plugged in anywhere.

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<v Speaker 3>That just reminded me that, you know, Harley's also like

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<v Speaker 3>a newer character, like she creates to him, and like

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<v Speaker 3>Deadpool's been around for a while, but like he wasn't

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<v Speaker 3>really popular until, like from my perspective, until like the

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<v Speaker 3>Deadpool movie, So like, yeah, you had a character that's

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<v Speaker 3>been around for a while and then you're like, oh,

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<v Speaker 3>I like this character, but like now you see people

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<v Speaker 3>with like the Deadpool logo or like m he's in

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<v Speaker 3>like tons of video games and like that's sort of

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<v Speaker 3>the same energy I get from from Harley Quinn, which

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<v Speaker 3>is like, yeah, she's like on the posters now, like

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<v Speaker 3>she's like, if you want to sell a DC movie,

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<v Speaker 3>like you need to have not just a joker, Like

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<v Speaker 3>people don't really care about the joke anymore, Like you

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<v Speaker 3>want to see Harley Quinn.

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<v Speaker 2>Yeah, no, no, no, you're so, you're so right because

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<v Speaker 2>New Mutant's ninety eight first appearance Fabian the Cheezer and

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<v Speaker 2>brob Leifeld, right, and you're right like that also, people

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<v Speaker 2>will be surprised because when you read that he's like

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<v Speaker 2>a super villain. He's definitely in that Slade Wilson mold.

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<v Speaker 2>He's like, he's very gritty, the artist super abstract. But

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<v Speaker 2>the version we know is really like the Daniel Way

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<v Speaker 2>version where like he's cracking jokes, or the Jerry Duggan version.

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<v Speaker 1>There's so many different creators, so he definitely.

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<v Speaker 2>Fills that slot of like a comedic new character.

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<v Speaker 1>I mean, he was so the movie.

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<v Speaker 2>I think they had a feeling, even though they always

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<v Speaker 2>say they're not sure if it was gonna make money,

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<v Speaker 2>but they reprinted New Mutant's ninety eight when I was

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<v Speaker 2>working at the comic shop, which was in the lead

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<v Speaker 2>up to the Deadpool movie, and I just so distinctly

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<v Speaker 2>remember how everyone wanted that reprint. It was one of

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<v Speaker 2>the Duller Marvel reprints, but everyone needed to have it,

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<v Speaker 2>and ironically they were right. I mean we used to

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<v Speaker 2>laugh because we'd be like, guys, it's not gonna be

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<v Speaker 2>worth any money. But ironically now they actually sell those

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<v Speaker 2>reprints as collectible, so I was wrong.

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<v Speaker 3>Yeah, people yearned for it.

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<v Speaker 2>Yeah, they they yearned to touch, and number one, you

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<v Speaker 2>know I understand the people. Yeah, people love to touch

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<v Speaker 2>a valuable comic. Also I actually didn't know this till

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<v Speaker 2>I was prepping for this. But in the cable Depool

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<v Speaker 2>series that you were talking about, which is I definitely

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<v Speaker 2>think like very distinct moment for them both, he actually

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<v Speaker 2>like refers to himself as like Ryan Reynolds crossed with

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<v Speaker 2>a Sharpei.

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<v Speaker 3>Yeah.

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<v Speaker 1>So you set up.

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<v Speaker 2>That kind of like Nick Fury esque yeah, yeah, situation

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<v Speaker 2>there where it suddenly becomes like you're you're making.

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<v Speaker 3>You're like manifesting, manifesting who you want to Yeah.

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<v Speaker 2>And then I guess it was only a year later,

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<v Speaker 2>Like we were talking about kind of the long history

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<v Speaker 2>of Deadpool in another episode, and I think it was

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<v Speaker 2>like a year later that Bryan Reynolds met Avi rad

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<v Speaker 2>for the first time Deadpool.

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<v Speaker 1>So it really did manifest it.

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<v Speaker 3>Yeah. Even like the how that movie came about is

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<v Speaker 3>so crazy and like it was in development hell forever.

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<v Speaker 3>I remember reading the original script with like most of

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<v Speaker 3>it was there, but like that third act was completely different,

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<v Speaker 3>and then they were just like, oh no, we leaked

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<v Speaker 3>this test footage, which is like.

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<v Speaker 4>I know, make who could have leaked it? And now

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<v Speaker 4>everybody loves the movie.

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<v Speaker 2>Okay, So you are in a really interesting position because

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<v Speaker 2>you mentioned this, Like, so in the nineties, he's kind

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<v Speaker 2>of like a weird character.

0:10:10.720 --> 0:10:12.320
<v Speaker 1>He's one of those characters where people are.

0:10:12.160 --> 0:10:14.280
<v Speaker 2>Like, he has no feet, rob Ifelk, can't ri your feet,

0:10:14.320 --> 0:10:17.560
<v Speaker 2>Like he's like a cult character. Then the movie happens.

0:10:18.160 --> 0:10:21.439
<v Speaker 2>Before that, you've had some like distinct Deadpool runs like

0:10:21.520 --> 0:10:24.120
<v Speaker 2>Daniel Way's round, different people who've given him that voice.

0:10:24.840 --> 0:10:27.840
<v Speaker 2>But then you know, now the movie comes out.

0:10:28.160 --> 0:10:29.000
<v Speaker 1>One movie comes.

0:10:28.880 --> 0:10:31.520
<v Speaker 2>Out huge smash it, second movie comes out huge slash it,

0:10:31.640 --> 0:10:34.360
<v Speaker 2>leading into this third movie, which we know everyone's very

0:10:34.400 --> 0:10:36.720
<v Speaker 2>excited about because it brings back Hu Jackmin. It's, well,

0:10:37.160 --> 0:10:39.199
<v Speaker 2>what does it feel like to be writing Deadpool at

0:10:39.240 --> 0:10:41.680
<v Speaker 2>the time where he is one of those pillar characters.

0:10:41.720 --> 0:10:44.280
<v Speaker 2>This isn't a cult character anymore, Like how did it

0:10:44.280 --> 0:10:45.319
<v Speaker 2>feel approaching that?

0:10:45.760 --> 0:10:49.599
<v Speaker 3>It was a little bit surreal because you know, I

0:10:49.679 --> 0:10:50.880
<v Speaker 3>don't know if you feel the same way, But I

0:10:50.880 --> 0:10:53.280
<v Speaker 3>don't even think about that, like you forget oh me neither.

0:10:53.400 --> 0:10:55.240
<v Speaker 1>When I write Godzilla, I'm just like, this is just

0:10:55.240 --> 0:10:56.359
<v Speaker 1>my little story.

0:10:57.040 --> 0:10:59.280
<v Speaker 2>He's like, it's a seventieth anniversary and he's like a

0:10:59.360 --> 0:11:00.720
<v Speaker 2>hugely poppy like characters.

0:11:01.040 --> 0:11:03.360
<v Speaker 3>Yeah, tell me some movies come out last year like

0:11:03.400 --> 0:11:04.120
<v Speaker 3>that's how big he is?

0:11:04.280 --> 0:11:05.000
<v Speaker 4>Why an Oscar?

0:11:05.440 --> 0:11:07.320
<v Speaker 3>Yeah, yeah, it's It's one of those things where like

0:11:07.679 --> 0:11:11.000
<v Speaker 3>you forget how big it is because like I grew

0:11:11.080 --> 0:11:14.720
<v Speaker 3>up again, like when when Deadpool wasn't like huge, like

0:11:14.760 --> 0:11:16.560
<v Speaker 3>he was like a character that Marvel had, but like

0:11:16.559 --> 0:11:19.160
<v Speaker 3>it was before like the MCU was a thing, so like, yeah,

0:11:19.320 --> 0:11:22.520
<v Speaker 3>no one really was like super into comic book characters

0:11:22.520 --> 0:11:25.199
<v Speaker 3>outside of like maybe spider Man and the Fantastic Four,

0:11:25.320 --> 0:11:27.320
<v Speaker 3>like maybe the whole, but like no one was like

0:11:27.360 --> 0:11:31.120
<v Speaker 3>Clamoran for like four or like or like Black Widow

0:11:31.280 --> 0:11:34.000
<v Speaker 3>or like especially like Deadpool, so you could get away

0:11:34.000 --> 0:11:35.880
<v Speaker 3>with a bunch of stuff. So like that was that

0:11:35.960 --> 0:11:38.000
<v Speaker 3>was kind of like my mindset going into it. And

0:11:38.040 --> 0:11:40.560
<v Speaker 3>then as I'm like writing the book, You'm like looking

0:11:40.600 --> 0:11:41.960
<v Speaker 3>around my apartment and say like, oh, there's like a

0:11:41.960 --> 0:11:44.400
<v Speaker 3>Deadpool game I have, or like yeah, there's like you

0:11:44.440 --> 0:11:45.120
<v Speaker 3>know the Deep.

0:11:45.040 --> 0:11:47.200
<v Speaker 2>Bluid talking about that suit as well, because I feel

0:11:47.200 --> 0:11:49.400
<v Speaker 2>like people don't really know, they don't remember the Deadpool game,

0:11:49.440 --> 0:11:52.319
<v Speaker 2>but I feel like it was like a secretly big

0:11:52.360 --> 0:11:53.360
<v Speaker 2>deal when it came out.

0:11:53.400 --> 0:11:55.800
<v Speaker 1>Like if you see when it came out, you were like, oh,

0:11:55.800 --> 0:11:56.079
<v Speaker 1>I go.

0:11:56.080 --> 0:11:58.199
<v Speaker 3>To play this like yeah, because like you were like,

0:11:58.240 --> 0:12:00.200
<v Speaker 3>there's no reality in which you thought Deadpool was going

0:12:00.240 --> 0:12:03.080
<v Speaker 3>to get his own games as well. But writing the comic,

0:12:03.120 --> 0:12:06.000
<v Speaker 3>it was like as I was like writing it, and

0:12:06.040 --> 0:12:07.800
<v Speaker 3>like once the first couple of issues came out and

0:12:07.800 --> 0:12:10.400
<v Speaker 3>you're like, wow, people like I didn't realize, like how

0:12:10.760 --> 0:12:12.560
<v Speaker 3>that Pool seems so much bigger now that he was

0:12:12.880 --> 0:12:14.800
<v Speaker 3>I guess fifteen years ago when I was like first

0:12:14.800 --> 0:12:16.920
<v Speaker 3>reading him. So like you have like people that are

0:12:16.920 --> 0:12:20.200
<v Speaker 3>cosplaying him, people that are into like his deep lore now,

0:12:20.280 --> 0:12:22.040
<v Speaker 3>like thing that I thought was going to be fun

0:12:22.120 --> 0:12:25.200
<v Speaker 3>to bring back was like one of his daughters, Ellie. Yeah,

0:12:25.240 --> 0:12:27.000
<v Speaker 3>And like just seeing the response from that, people like

0:12:27.120 --> 0:12:29.240
<v Speaker 3>finally Ellie's coming back, and like, oh wow, I didn't

0:12:29.800 --> 0:12:33.319
<v Speaker 3>I didn't realize that people love the Dugan and Brian

0:12:33.360 --> 0:12:34.360
<v Speaker 3>Posaye run.

0:12:34.320 --> 0:12:37.040
<v Speaker 2>Like yeah, I think for some people that's the definitive

0:12:38.000 --> 0:12:40.520
<v Speaker 2>run that gave him that voice, which is funny because

0:12:40.559 --> 0:12:42.800
<v Speaker 2>it's so far off that he was bought like kind

0:12:42.800 --> 0:12:45.960
<v Speaker 2>of created, But yeah, that is definitely.

0:12:45.520 --> 0:12:46.240
<v Speaker 1>One of those ones.

0:12:46.280 --> 0:12:48.640
<v Speaker 2>And also so something really unique that I found out

0:12:48.679 --> 0:12:50.840
<v Speaker 2>when I was working at the comic shop. They obviously

0:12:50.920 --> 0:12:53.480
<v Speaker 2>knew Deadpool was a character that was selling, so they

0:12:53.559 --> 0:12:57.840
<v Speaker 2>started putting out these like telephone sized collections of like

0:12:57.960 --> 0:13:01.680
<v Speaker 2>Deadpool classics. It's really funny because it's like I was

0:13:01.679 --> 0:13:03.760
<v Speaker 2>working at the comic shop. I on a twenty sixteen

0:13:03.840 --> 0:13:06.120
<v Speaker 2>or twenty fifteen, right, and some of those books had

0:13:06.120 --> 0:13:07.880
<v Speaker 2>only come out like three years ago, so we were

0:13:07.920 --> 0:13:10.079
<v Speaker 2>all cracking up on them, like is this a classic?

0:13:10.160 --> 0:13:10.840
<v Speaker 1>Is this a classic?

0:13:11.120 --> 0:13:14.280
<v Speaker 2>But actually that meant that for a lot of people

0:13:14.280 --> 0:13:16.600
<v Speaker 2>who saw the movie and wanted to buy Deport, it

0:13:16.679 --> 0:13:18.760
<v Speaker 2>wasn't like, oh, this book's out of print, they could

0:13:18.760 --> 0:13:20.440
<v Speaker 2>go into a comic shop and just pick up one

0:13:20.480 --> 0:13:23.160
<v Speaker 2>of these volumes. And I think that the dug And

0:13:23.200 --> 0:13:25.000
<v Speaker 2>one was definitely one of those ones. And I think

0:13:25.040 --> 0:13:28.520
<v Speaker 2>it enabled Deppo to have this really unique fan base

0:13:28.520 --> 0:13:32.360
<v Speaker 2>of people who are actually exceptionally well read in his

0:13:32.520 --> 0:13:35.600
<v Speaker 2>law and kind of in his history and these kind

0:13:35.640 --> 0:13:38.520
<v Speaker 2>of like you think things that are you think are

0:13:38.559 --> 0:13:40.400
<v Speaker 2>kind of oh, this is just something I thought was cool,

0:13:40.440 --> 0:13:41.280
<v Speaker 2>and then people are like.

0:13:41.480 --> 0:13:43.880
<v Speaker 1>Na, man, like we needed Ellen a back, like Ellie

0:13:43.920 --> 0:13:44.680
<v Speaker 1>come back. Man.

0:13:44.800 --> 0:13:47.440
<v Speaker 3>Yeah, it was yeah. And also I remember being really

0:13:47.600 --> 0:13:50.040
<v Speaker 3>that was sort of when I think right towards the telling,

0:13:50.120 --> 0:13:51.960
<v Speaker 3>when I stopped having a lot of free time to

0:13:51.920 --> 0:13:53.480
<v Speaker 3>read because I was a graduating college like, no, I'm

0:13:53.520 --> 0:13:54.880
<v Speaker 3>gonna be broke for a living bit. But I remember

0:13:54.880 --> 0:13:58.120
<v Speaker 3>being really invested in the Brian Pussain run because he

0:13:58.200 --> 0:14:00.640
<v Speaker 3>was a comedian. Oh wow, ye write comics, So I

0:14:00.679 --> 0:14:02.240
<v Speaker 3>knew it was gonna be like because I love Mister

0:14:02.280 --> 0:14:02.800
<v Speaker 3>Show and.

0:14:02.720 --> 0:14:05.400
<v Speaker 1>Like all that stuff, so like I mean so good.

0:14:05.559 --> 0:14:07.520
<v Speaker 3>Yeah. I think that that was like sort of around

0:14:07.559 --> 0:14:09.320
<v Speaker 3>the air where they started like sort of taking in

0:14:09.760 --> 0:14:12.240
<v Speaker 3>comedic people and like having them writ in the comics.

0:14:12.240 --> 0:14:14.079
<v Speaker 3>And I think that's when Also, like I think it

0:14:14.120 --> 0:14:17.199
<v Speaker 3>also helped Deadpool sort of solidify his voice for that

0:14:17.840 --> 0:14:18.840
<v Speaker 3>era of Deadpool.

0:14:19.280 --> 0:14:22.080
<v Speaker 2>Yeah, I think so completely, Like you know, Daniel Way

0:14:22.120 --> 0:14:24.360
<v Speaker 2>gave him that third voice in his head. But I

0:14:24.400 --> 0:14:26.400
<v Speaker 2>think that a lot of what we really know comes,

0:14:26.520 --> 0:14:30.200
<v Speaker 2>especially like the Chimney changa s. Yeah, let's just like

0:14:30.280 --> 0:14:33.080
<v Speaker 2>I'm gonna eat this delicious Mexican food and then like

0:14:33.160 --> 0:14:34.120
<v Speaker 2>chop off my own arm.

0:14:34.680 --> 0:14:36.760
<v Speaker 1>You know, there's not enough topics or as the kind.

0:14:36.640 --> 0:14:53.920
<v Speaker 2>Of wild stuff that Pool's lays day. You know, people

0:14:53.960 --> 0:14:56.600
<v Speaker 2>love it, there's an unexpected love. But did you feel

0:14:56.600 --> 0:14:58.960
<v Speaker 2>like there's a lot of freedom writing the character because

0:14:58.960 --> 0:15:01.440
<v Speaker 2>it's just like suck a wild character.

0:15:02.480 --> 0:15:06.720
<v Speaker 3>Yeah, I had Surprisingly, there's like sort of two answers

0:15:06.760 --> 0:15:09.520
<v Speaker 3>like this, there's a lot of freedom because the character

0:15:09.680 --> 0:15:12.680
<v Speaker 3>has been around for a while, but because he sort

0:15:12.720 --> 0:15:16.400
<v Speaker 3>of built in with like, oh he's like crazy, he

0:15:16.400 --> 0:15:18.320
<v Speaker 3>has voices. He like you don't know what's real and

0:15:18.400 --> 0:15:20.600
<v Speaker 3>what's not real. Like you've had some freedom with that.

0:15:20.960 --> 0:15:24.680
<v Speaker 3>Also because I had that, like I read like fifteen

0:15:24.760 --> 0:15:27.880
<v Speaker 3>twenty years of Deadpool, like that's where my inspiration come from.

0:15:27.920 --> 0:15:30.400
<v Speaker 3>So like I pulled from that. Actually, when I was

0:15:30.440 --> 0:15:31.960
<v Speaker 3>writing it, I was I didn't know that they had

0:15:32.000 --> 0:15:34.120
<v Speaker 3>gotten rid of the third voice. So like one of

0:15:34.120 --> 0:15:35.880
<v Speaker 3>my first notes in the editor was like, hey, we

0:15:35.880 --> 0:15:37.880
<v Speaker 3>haven't done this in like ten years. So I was like, oh,

0:15:37.920 --> 0:15:39.800
<v Speaker 3>I guess that's how out of out of it I am.

0:15:39.680 --> 0:15:42.240
<v Speaker 1>By you know, like that's my error of dead poot.

0:15:42.360 --> 0:15:45.360
<v Speaker 3>Yeah, yeah, I need the three caption boxes to really

0:15:45.360 --> 0:15:46.920
<v Speaker 3>make it sing. But I found that I had a

0:15:46.920 --> 0:15:48.120
<v Speaker 3>lot of freedom, Like I said, this is what I

0:15:48.120 --> 0:15:50.640
<v Speaker 3>wanted to do, Like I love Alyssa Wong's run a

0:15:50.680 --> 0:15:53.480
<v Speaker 3>letter that they just made a mom com for yeah,

0:15:53.480 --> 0:15:55.360
<v Speaker 3>ten twelve issues, however long it was. I thought that

0:15:55.400 --> 0:15:57.640
<v Speaker 3>was cool. So like I was like, yeah, I want

0:15:57.640 --> 0:16:00.800
<v Speaker 3>to do like, you know, a an off of comedy

0:16:00.960 --> 0:16:04.880
<v Speaker 3>with Deadpool in his two kids. And you know, it's like, oh, yeah,

0:16:04.920 --> 0:16:08.120
<v Speaker 3>that sounds fun. So like I think also because again

0:16:08.200 --> 0:16:10.280
<v Speaker 3>Deadpool has been around for a while, like he has

0:16:10.400 --> 0:16:13.680
<v Speaker 3>relationships with people like that Gel Simone run where like

0:16:13.840 --> 0:16:16.880
<v Speaker 3>Agent X or whatever takes over the Deadpool run a

0:16:16.920 --> 0:16:19.320
<v Speaker 3>road task Master. I can't remember who takes over, but

0:16:19.720 --> 0:16:21.800
<v Speaker 3>I was like, oh, he has relationships like it made

0:16:21.840 --> 0:16:23.680
<v Speaker 3>it easy to like sort of do that. So, like

0:16:23.880 --> 0:16:25.360
<v Speaker 3>you know, I was I was actually surprised at a

0:16:25.440 --> 0:16:27.680
<v Speaker 3>character that big had that much freedom when it came

0:16:27.720 --> 0:16:29.720
<v Speaker 3>to like doing all I want to do with this story.

0:16:30.680 --> 0:16:31.480
<v Speaker 1>Yeah, exactly.

0:16:31.520 --> 0:16:33.880
<v Speaker 2>And I think that in a way, it's kind of

0:16:33.920 --> 0:16:37.240
<v Speaker 2>funny because people do we do when we think of Deadpool,

0:16:37.320 --> 0:16:39.920
<v Speaker 2>like we think of the wild stuff and yeah, the

0:16:40.000 --> 0:16:42.520
<v Speaker 2>gross stuff. Batch you you make a really good point,

0:16:42.640 --> 0:16:45.280
<v Speaker 2>and I think this is something the movies translated really well.

0:16:45.600 --> 0:16:48.080
<v Speaker 2>There's actually like a lot of heart, and it's actually

0:16:48.080 --> 0:16:51.320
<v Speaker 2>about how when you're this kind of weird immortal like

0:16:51.480 --> 0:16:55.880
<v Speaker 2>constantly yeah, you know, your body's constantly making new cells

0:16:55.920 --> 0:16:58.080
<v Speaker 2>and kind of living in this life but you live

0:16:58.160 --> 0:16:59.520
<v Speaker 2>for such a long time, of course you're going to

0:16:59.560 --> 0:17:03.920
<v Speaker 2>have important relationships. Yeah, Like the humanity is actually really vital, Yeah,

0:17:04.040 --> 0:17:08.320
<v Speaker 2>to kind of keep alive when you're so infinitely overpowered.

0:17:08.440 --> 0:17:10.199
<v Speaker 3>Yeah. And also it comes back to like again my

0:17:10.280 --> 0:17:13.400
<v Speaker 3>favorite scene from almost any Deadpool stories that the uncunny

0:17:13.720 --> 0:17:16.880
<v Speaker 3>X Men were like mm hm. Wolverine is like, you're

0:17:17.160 --> 0:17:18.879
<v Speaker 3>we know what you are. You're a bad person, Like

0:17:18.920 --> 0:17:20.280
<v Speaker 3>you're only in this for the money, Like why you

0:17:20.400 --> 0:17:22.520
<v Speaker 3>pretend to have a soul, And He's like, no, I

0:17:22.880 --> 0:17:25.160
<v Speaker 3>do bad things. I never I've never made any illusions

0:17:25.160 --> 0:17:27.119
<v Speaker 3>to otherwise, but like these this is the line that

0:17:27.160 --> 0:17:28.919
<v Speaker 3>I draw on the sand, which is like in this

0:17:28.960 --> 0:17:31.359
<v Speaker 3>book like killing kids and I'm never going to do it.

0:17:31.400 --> 0:17:33.359
<v Speaker 3>And like, once Deadpool leaves, you realize that he has

0:17:33.400 --> 0:17:36.400
<v Speaker 3>never cash any checks for those missions because he wasn't

0:17:36.400 --> 0:17:37.920
<v Speaker 3>about it for the money. He was trying to save

0:17:37.960 --> 0:17:39.760
<v Speaker 3>this kid. And like, oh that's what I like. I

0:17:39.840 --> 0:17:42.399
<v Speaker 3>like that duality of Deadpool. Like yeah, I think I

0:17:42.520 --> 0:17:44.679
<v Speaker 3>like the idea of like you know, the quote unquote

0:17:44.720 --> 0:17:46.719
<v Speaker 3>sad clown like that to me is very interesting as

0:17:46.720 --> 0:17:47.840
<v Speaker 3>a character. And like, I think there's a lot of

0:17:47.840 --> 0:17:49.679
<v Speaker 3>stuff you can mind from that when you're writing it.

0:17:50.359 --> 0:17:51.200
<v Speaker 1>Oh, yeah, for sure.

0:17:51.240 --> 0:17:54.080
<v Speaker 2>And I think that's part of the reason why your

0:17:54.240 --> 0:17:57.120
<v Speaker 2>iteration of Deadpool's been like very well received, because even

0:17:57.200 --> 0:18:01.359
<v Speaker 2>like subtly the first Deadpool movie especially, it definitely plays

0:18:01.400 --> 0:18:05.119
<v Speaker 2>on that. Yeah, he's definitely that sad kind. Also, he

0:18:05.119 --> 0:18:06.480
<v Speaker 2>always wants to help a kid.

0:18:06.680 --> 0:18:06.880
<v Speaker 3>Yeah.

0:18:06.920 --> 0:18:09.320
<v Speaker 2>Yeah, yeah, he's got like a teen you know, I

0:18:09.920 --> 0:18:12.240
<v Speaker 2>still am so grateful. If there's one thing I'm most

0:18:12.240 --> 0:18:15.160
<v Speaker 2>grateful for for the dead Pool movies, it's probably their

0:18:15.240 --> 0:18:19.919
<v Speaker 2>version of Negasonic teenage. She's just so utterly fantastic and

0:18:20.000 --> 0:18:22.919
<v Speaker 2>like that definitely comes from that space of oh, like

0:18:23.040 --> 0:18:24.359
<v Speaker 2>he's a found family guy.

0:18:24.520 --> 0:18:24.680
<v Speaker 1>Yeah.

0:18:24.760 --> 0:18:27.120
<v Speaker 2>Yeah, like his life's so messed up, like he needs

0:18:27.160 --> 0:18:28.320
<v Speaker 2>this funny found family.

0:18:28.640 --> 0:18:30.720
<v Speaker 1>I guess. Actually that's something you know.

0:18:30.680 --> 0:18:32.879
<v Speaker 2>You did so well with Spider Punk and the band

0:18:32.960 --> 0:18:35.600
<v Speaker 2>and everything. It's something you're coming back to here, even though.

0:18:35.440 --> 0:18:36.399
<v Speaker 1>It's like his real family.

0:18:36.440 --> 0:18:39.080
<v Speaker 2>But also could you talk a little bit about found

0:18:39.080 --> 0:18:42.720
<v Speaker 2>family stories and kind of why they're so appealing to

0:18:42.920 --> 0:18:44.120
<v Speaker 2>us in general?

0:18:44.359 --> 0:18:45.840
<v Speaker 3>Yeah, I mean, I don't know, I've never thought of

0:18:45.920 --> 0:18:48.240
<v Speaker 3>like the deep seated reason, but now you're instead of singing.

0:18:48.400 --> 0:18:49.760
<v Speaker 3>I think it's I mean, I don't know, Like I

0:18:49.800 --> 0:18:51.560
<v Speaker 3>have a lot of friends that mean a lot to me.

0:18:51.960 --> 0:18:54.560
<v Speaker 2>Right, that's kind of I feel like our generation, it's

0:18:54.640 --> 0:18:56.919
<v Speaker 2>like it's something we can relate to because we have

0:18:57.000 --> 0:18:59.680
<v Speaker 2>found families, Yeah, friendship groups as we grow older.

0:18:59.520 --> 0:19:00.880
<v Speaker 1>We are in them that way.

0:19:01.080 --> 0:19:04.399
<v Speaker 3>Yeah, like we're constant communication. Like I have at least

0:19:04.760 --> 0:19:07.359
<v Speaker 3>three group chats where I maybe haven't seen some of

0:19:07.400 --> 0:19:09.600
<v Speaker 3>these people in years, but like we literally talk every

0:19:09.640 --> 0:19:12.320
<v Speaker 3>single day and I've talked every single day four years.

0:19:12.320 --> 0:19:15.119
<v Speaker 3>So like I think that that's not a unique experience

0:19:15.160 --> 0:19:16.480
<v Speaker 3>to me, and I think that's something that a lot

0:19:16.480 --> 0:19:18.679
<v Speaker 3>of people have. And I think also like, yeah, there

0:19:18.720 --> 0:19:20.280
<v Speaker 3>was a lot of power being like you know, sometimes

0:19:20.359 --> 0:19:22.479
<v Speaker 3>you're not dealt good family members. So being able to

0:19:22.480 --> 0:19:24.760
<v Speaker 3>like have the choice and the agency to choose those

0:19:24.760 --> 0:19:27.439
<v Speaker 3>people that you surround you with. I think it's also, like,

0:19:27.600 --> 0:19:29.840
<v Speaker 3>you know, a very powerful thing. And like I think,

0:19:29.880 --> 0:19:31.919
<v Speaker 3>particularly when you're that age, in the age of like

0:19:31.960 --> 0:19:34.680
<v Speaker 3>someone like young teenager, like being able to surround yourself

0:19:34.680 --> 0:19:36.480
<v Speaker 3>with the people that you want to Yeah, it's like

0:19:36.480 --> 0:19:38.080
<v Speaker 3>one of the most powerful feelings in the world. And

0:19:38.160 --> 0:19:40.600
<v Speaker 3>also like you can like let your freak flag fly

0:19:40.840 --> 0:19:42.760
<v Speaker 3>and like that's that's part of the fun, like warts

0:19:42.760 --> 0:19:44.639
<v Speaker 3>and all, Like particularly with Wade, who was full of

0:19:45.040 --> 0:19:47.320
<v Speaker 3>warts and all, so like being able to be himself

0:19:47.359 --> 0:19:50.640
<v Speaker 3>around people, I think is something that he really much admires.

0:19:50.640 --> 0:19:52.119
<v Speaker 3>And I think that's something that just happened to like

0:19:52.240 --> 0:19:53.200
<v Speaker 3>writing in books.

0:19:53.480 --> 0:19:55.560
<v Speaker 2>Yeah, I think you're so right actually, because I was

0:19:55.600 --> 0:19:58.880
<v Speaker 2>just thinking about this is like that there's something about

0:19:59.640 --> 0:20:03.840
<v Speaker 2>moving outside of like the traditional you know, family set up,

0:20:03.880 --> 0:20:06.040
<v Speaker 2>though honestly we are not necessarily people who are just

0:20:06.080 --> 0:20:09.120
<v Speaker 2>like writing about a nuclear family anyway, but like I'm

0:20:09.119 --> 0:20:12.040
<v Speaker 2>thinking about that too. Like with Montst Island Summer Camp.

0:20:12.840 --> 0:20:15.199
<v Speaker 2>I was literally just on a different podcast like before this,

0:20:15.280 --> 0:20:18.280
<v Speaker 2>with some really rad librarians called Turn the Page, but

0:20:18.880 --> 0:20:21.480
<v Speaker 2>talking about like where did the idea for these characters

0:20:21.520 --> 0:20:22.040
<v Speaker 2>come from?

0:20:22.119 --> 0:20:23.119
<v Speaker 1>And what do you do?

0:20:23.320 --> 0:20:25.440
<v Speaker 2>And that's a because it's set in a summer camp.

0:20:25.440 --> 0:20:28.919
<v Speaker 2>There's no parents, and it's about these three kids who

0:20:29.920 --> 0:20:32.240
<v Speaker 2>end up making this connection and you kind of build

0:20:32.320 --> 0:20:35.600
<v Speaker 2>that relationship and you want to give them those moments

0:20:35.640 --> 0:20:38.119
<v Speaker 2>of like that they're going to remember forever, they're going

0:20:38.160 --> 0:20:40.000
<v Speaker 2>to kind of like define them for the rest of

0:20:40.040 --> 0:20:44.439
<v Speaker 2>their lives. Those important kind of rad memories that you

0:20:44.600 --> 0:20:46.960
<v Speaker 2>have with these friends that you make, And I think

0:20:47.000 --> 0:20:50.040
<v Speaker 2>there is a definite freedom to just being like, well,

0:20:50.080 --> 0:20:53.480
<v Speaker 2>you can put three totally different characters together and get

0:20:53.480 --> 0:20:56.520
<v Speaker 2>to write three totally different people and then just kind

0:20:56.520 --> 0:21:00.159
<v Speaker 2>of imagine how they would exist in this space, in

0:21:00.200 --> 0:21:02.360
<v Speaker 2>this case, like a summer camp that's on Monster.

0:21:02.080 --> 0:21:05.480
<v Speaker 1>Island or in your case, the Marvel universe with Dimple.

0:21:05.760 --> 0:21:07.720
<v Speaker 1>But there's also it's not just because.

0:21:07.520 --> 0:21:10.320
<v Speaker 2>It's like relatable, because I feel that like my friendship

0:21:10.320 --> 0:21:11.360
<v Speaker 2>group is my family.

0:21:11.400 --> 0:21:12.720
<v Speaker 1>I love them so much.

0:21:13.160 --> 0:21:15.800
<v Speaker 2>But also I think as right as it is, there's

0:21:15.800 --> 0:21:18.440
<v Speaker 2>a certain amount of freedom to just saying like, well,

0:21:18.480 --> 0:21:20.600
<v Speaker 2>what if these three people met and like, yeah, if

0:21:20.640 --> 0:21:23.679
<v Speaker 2>I wanted to make them happy, yeah, and that it's

0:21:23.800 --> 0:21:24.840
<v Speaker 2>it's important you know.

0:21:25.240 --> 0:21:25.320
<v Speaker 5>So.

0:21:25.440 --> 0:21:27.399
<v Speaker 2>I guess when you were coming up with this idea

0:21:27.400 --> 0:21:30.480
<v Speaker 2>for your Deadpool story, how did you kind of go

0:21:30.600 --> 0:21:33.320
<v Speaker 2>about making those choices to kind of build this little

0:21:33.320 --> 0:21:35.640
<v Speaker 2>family around him for this workplace comedy.

0:21:35.760 --> 0:21:38.399
<v Speaker 3>Yeah, well I knew. I definitely, like I loved Princess

0:21:38.640 --> 0:21:40.840
<v Speaker 3>from the previous run. I love Valentine too, but that

0:21:40.920 --> 0:21:42.480
<v Speaker 3>was the only thing. More was like, well, let's we

0:21:42.680 --> 0:21:44.720
<v Speaker 3>just sort of had this like love story, let's have

0:21:44.760 --> 0:21:46.200
<v Speaker 3>something a little bit different. So I was like, okay,

0:21:46.280 --> 0:21:47.919
<v Speaker 3>i'll do that. I'll take that note, but like a

0:21:47.920 --> 0:21:50.240
<v Speaker 3>lot of princess like and I also loved Ellie, Like

0:21:50.280 --> 0:21:53.080
<v Speaker 3>I love the idea of like this other daughter character

0:21:53.160 --> 0:21:56.120
<v Speaker 3>that like is out there and like she presumably will

0:21:56.119 --> 0:21:58.399
<v Speaker 3>have powers, which she ended up developing it. So I

0:21:58.440 --> 0:22:01.520
<v Speaker 3>was like, yeah, it'd be fun to like watch Deadpool

0:22:01.560 --> 0:22:03.600
<v Speaker 3>be two different types of dad, like a dad to

0:22:03.680 --> 0:22:07.800
<v Speaker 3>like a weird symbio wolf daughter into like a daughter.

0:22:08.440 --> 0:22:10.720
<v Speaker 3>And you know, I like the idea of like I

0:22:10.720 --> 0:22:12.560
<v Speaker 3>think we've seen this in so many different types of comics,

0:22:12.600 --> 0:22:15.000
<v Speaker 3>for like you know, father with the dark passes like

0:22:15.040 --> 0:22:16.680
<v Speaker 3>I can't let you be a part of this world,

0:22:16.760 --> 0:22:20.000
<v Speaker 3>but here's my here's my card, or here's my phone

0:22:20.080 --> 0:22:22.000
<v Speaker 3>or whatever, and like you just sort of the kid

0:22:22.119 --> 0:22:24.520
<v Speaker 3>just like waits around forever to be contacted. So like

0:22:24.880 --> 0:22:26.520
<v Speaker 3>I like the idea of taking that and sort of

0:22:26.560 --> 0:22:28.520
<v Speaker 3>subverting it and have her being like no, fuck that,

0:22:28.680 --> 0:22:30.720
<v Speaker 3>Like I'm not going to be a damsel on the

0:22:30.720 --> 0:22:33.359
<v Speaker 3>stress to my own dad. That's crazy. So like I

0:22:33.400 --> 0:22:35.359
<v Speaker 3>like the idea of her making him be a father,

0:22:35.680 --> 0:22:37.760
<v Speaker 3>which like fun to me. And then having that just

0:22:37.760 --> 0:22:40.040
<v Speaker 3>set like an office place where like he's a not

0:22:40.080 --> 0:22:41.919
<v Speaker 3>only a bad boss, but also he's trying to be

0:22:41.960 --> 0:22:43.520
<v Speaker 3>a good dad. Seemed like very fun to me.

0:22:44.440 --> 0:22:48.080
<v Speaker 1>That's really good bad boss, good dad. That's the T shirt.

0:22:48.280 --> 0:22:48.560
<v Speaker 2>Yeah.

0:22:48.760 --> 0:22:50.199
<v Speaker 1>So I love this idea of kind of like the

0:22:50.280 --> 0:22:51.359
<v Speaker 1>Doors of Deadpool.

0:22:51.520 --> 0:22:52.160
<v Speaker 3>Yeah.

0:22:51.760 --> 0:22:54.240
<v Speaker 1>Yeah, it's like Doors in the Dragon. I'm like, that's

0:22:54.280 --> 0:22:58.119
<v Speaker 1>the next spinoff. So what was it like? Your books

0:22:58.119 --> 0:22:59.320
<v Speaker 1>are always like full of humila.

0:22:59.400 --> 0:23:01.840
<v Speaker 2>I remember the time I read spider Punk number one

0:23:01.880 --> 0:23:04.679
<v Speaker 2>and I was just like screaming, as you know, a

0:23:04.800 --> 0:23:07.240
<v Speaker 2>cool thirty something year old who used to be like

0:23:07.240 --> 0:23:08.919
<v Speaker 2>a punk. I was like, Oh, this is like so

0:23:09.119 --> 0:23:14.960
<v Speaker 2>designed towards me. What was it like bringing now, like

0:23:15.359 --> 0:23:19.240
<v Speaker 2>years later and you've written on Futurama sheehol Grick and Morty,

0:23:19.320 --> 0:23:22.680
<v Speaker 2>like you've got this huge roster now of experience as

0:23:22.720 --> 0:23:27.080
<v Speaker 2>a TV writer on comedies, on really high profile shows.

0:23:27.640 --> 0:23:30.760
<v Speaker 2>Did you feel like that gave you like more insight

0:23:30.840 --> 0:23:32.359
<v Speaker 2>into how to write a funny comic?

0:23:32.880 --> 0:23:36.679
<v Speaker 3>Yeah, one thousand percent. Yeah, well yeah absolutely, because all

0:23:36.680 --> 0:23:40.199
<v Speaker 3>those rooms were so different. She York was probably maybe

0:23:40.640 --> 0:23:42.920
<v Speaker 3>the closer one to one because it was based off

0:23:42.920 --> 0:23:47.159
<v Speaker 3>also a similar sort of comedy comic. But yeah, like

0:23:47.240 --> 0:23:48.960
<v Speaker 3>I think the swimming that you learn when you're in

0:23:49.080 --> 0:23:51.600
<v Speaker 3>TV shows because it's I guess it's not too dissimilar

0:23:51.600 --> 0:23:53.960
<v Speaker 3>from comic book universes, is that, like you have a

0:23:53.960 --> 0:23:57.760
<v Speaker 3>bunch of characters, particularly shows like Futurama that's been on forever, like,

0:23:58.320 --> 0:24:00.960
<v Speaker 3>so every character has a very specific voice, so it's

0:24:01.040 --> 0:24:02.800
<v Speaker 3>sort of you sort of get trained to tap into

0:24:02.840 --> 0:24:05.320
<v Speaker 3>like a voice like oh, Wade probably talks like this

0:24:05.800 --> 0:24:07.760
<v Speaker 3>task Master is gonna be this type of character, and

0:24:07.840 --> 0:24:10.240
<v Speaker 3>Ellie and Princess will be like this distant character. But

0:24:10.280 --> 0:24:13.919
<v Speaker 3>also I think as I've gotten more experience in shows,

0:24:13.960 --> 0:24:16.040
<v Speaker 3>like I think also that's how I've sort of learned

0:24:16.040 --> 0:24:18.280
<v Speaker 3>to lean more into like the drama or the character

0:24:18.359 --> 0:24:20.840
<v Speaker 3>of it all. Like I think, particularly in Rick and Morty,

0:24:20.880 --> 0:24:23.520
<v Speaker 3>they would always talk about like this, like seventy thirty

0:24:23.560 --> 0:24:26.960
<v Speaker 3>split with like seventy percent comedy thirty percent drama, which

0:24:26.960 --> 0:24:29.159
<v Speaker 3>is how you can get an episode where you know,

0:24:29.240 --> 0:24:31.159
<v Speaker 3>Rick turns himself into a pickle, he makes a Mex

0:24:31.240 --> 0:24:33.520
<v Speaker 3>suit out of like rats, and like he fights like

0:24:33.640 --> 0:24:35.359
<v Speaker 3>Danny Trejo. But then at the end you just have

0:24:35.400 --> 0:24:39.400
<v Speaker 3>a very real, grounded scene between family and their therapist

0:24:39.560 --> 0:24:41.840
<v Speaker 3>or a show like Game of Thrones, which is like

0:24:42.240 --> 0:24:45.320
<v Speaker 3>maybe abris drama, but like Cheering is such a funny

0:24:45.440 --> 0:24:48.800
<v Speaker 3>Like there's so many funny scenes, like about once a week,

0:24:48.880 --> 0:24:53.119
<v Speaker 3>I'll rewatch the scene where Chierran confronts Jeoffrey and like

0:24:53.160 --> 0:24:54.879
<v Speaker 3>the town has been like they've been mutinating, Like he

0:24:54.920 --> 0:24:56.800
<v Speaker 3>just slaps the kid. He's like, that's my hand and

0:24:56.800 --> 0:24:58.320
<v Speaker 3>fult from my wrist. Like all that stuff is like

0:24:58.400 --> 0:25:01.120
<v Speaker 3>so funny, or like Breaking Back and there's super funny show.

0:25:01.119 --> 0:25:02.760
<v Speaker 3>It's like I think part of it was just like

0:25:02.800 --> 0:25:06.080
<v Speaker 3>sort of finding that balance, so like I really go

0:25:06.119 --> 0:25:08.720
<v Speaker 3>towards character stuff now, like I like exploring who Deadpool

0:25:08.800 --> 0:25:10.280
<v Speaker 3>is and then getting your jokes in when you can.

0:25:10.359 --> 0:25:12.440
<v Speaker 3>But like I think all of it's more just based

0:25:12.480 --> 0:25:15.480
<v Speaker 3>off like character stuff, and like the funny just happens

0:25:15.520 --> 0:25:17.440
<v Speaker 3>to like flow from that because we're surrounded by a

0:25:17.440 --> 0:25:18.960
<v Speaker 3>bunch of bizarre characters.

0:25:19.240 --> 0:25:21.879
<v Speaker 2>No, I feel that I actually think it's really interesting

0:25:22.359 --> 0:25:25.200
<v Speaker 2>to go into those comedy series and then you come

0:25:25.200 --> 0:25:27.600
<v Speaker 2>out and you're like, actually it's all about character, baby.

0:25:27.680 --> 0:25:29.159
<v Speaker 2>You're like that's why they can do it. But you

0:25:29.240 --> 0:25:31.480
<v Speaker 2>make so much sense. I mean everyone has their favorite

0:25:31.640 --> 0:25:35.040
<v Speaker 2>Futurama Rick and Morty episode where you're like, oh, this

0:25:35.119 --> 0:25:37.000
<v Speaker 2>is my favorite because it's like deeply haunting.

0:25:37.320 --> 0:25:39.119
<v Speaker 3>Yeah. Actually it's like, yeah.

0:25:39.280 --> 0:25:41.400
<v Speaker 1>Stuck with me for so many years.

0:25:41.680 --> 0:25:43.640
<v Speaker 2>Yeah, I mean everyone told you know, with Rick and Morty,

0:25:43.720 --> 0:25:46.440
<v Speaker 2>I think a lot about like mister me Si. Yeah,

0:25:46.520 --> 0:25:49.680
<v Speaker 2>you know, everyone brings up because my niece and.

0:25:49.640 --> 0:25:51.720
<v Speaker 1>Nephew love it because obviously kids watch.

0:25:51.640 --> 0:25:54.679
<v Speaker 2>Rick and Morty thanks to the Internet and like, but

0:25:54.840 --> 0:25:59.120
<v Speaker 2>as my nephew gets older, he started to like understand.

0:25:58.560 --> 0:25:59.359
<v Speaker 1>How bleak it is.

0:25:59.600 --> 0:26:01.440
<v Speaker 3>Yeah, just this funny thing.

0:26:01.480 --> 0:26:04.960
<v Speaker 2>It's actually like this deeply existential, like grim thing.

0:26:05.400 --> 0:26:08.000
<v Speaker 1>And I think that's that thing that comes from, you know,

0:26:08.119 --> 0:26:09.000
<v Speaker 1>writing character.

0:26:09.240 --> 0:26:11.960
<v Speaker 2>Yeah, you can balance these like laugh out loud moments,

0:26:12.000 --> 0:26:14.119
<v Speaker 2>and I think that makes so much sense as to

0:26:14.160 --> 0:26:18.520
<v Speaker 2>why your Deadpool feels so whole simple is actually incredibly

0:26:18.640 --> 0:26:21.920
<v Speaker 2>haunting character. Yeah, Like if you really lay it all out,

0:26:22.000 --> 0:26:26.600
<v Speaker 2>it's just completely yeah, ridiculous and grotesque, but actually so

0:26:26.760 --> 0:26:29.879
<v Speaker 2>often you still get those moments that hit you and

0:26:30.240 --> 0:26:31.560
<v Speaker 2>make you care about Wade.

0:26:32.040 --> 0:26:34.639
<v Speaker 3>Yeah, it's who's the Ito was a Prometheus that was

0:26:34.680 --> 0:26:35.640
<v Speaker 3>tied to the rock.

0:26:35.480 --> 0:26:39.480
<v Speaker 2>For GIVINGTHEUS and just cutting the lunge, Tommy's getting it.

0:26:39.560 --> 0:26:41.600
<v Speaker 3>And everything, Like I think that's sort of Deadpool. Is

0:26:41.600 --> 0:26:44.520
<v Speaker 3>this mix of like Prometheus and like Sissyphis, where like

0:26:44.920 --> 0:26:47.560
<v Speaker 3>he's in constant like literally a constant state of decay

0:26:47.640 --> 0:26:51.640
<v Speaker 3>and regeneration, and at some point he was like curse

0:26:51.720 --> 0:26:54.120
<v Speaker 3>where like he could never die, so like the whole

0:26:54.200 --> 0:26:56.600
<v Speaker 3>universe will die. It's like just very interesting, like sort

0:26:56.640 --> 0:26:58.080
<v Speaker 3>of I mean, I sound like such a pretentious like

0:26:58.119 --> 0:27:00.800
<v Speaker 3>writer now, but like something je could you know that

0:27:00.960 --> 0:27:01.800
<v Speaker 3>really resonatd No.

0:27:01.960 --> 0:27:04.280
<v Speaker 1>But we do always say like and this is not

0:27:04.440 --> 0:27:06.760
<v Speaker 1>just us, you know, people like Mike Kerry, like there's

0:27:07.160 --> 0:27:08.119
<v Speaker 1>fantastic creatives.

0:27:08.680 --> 0:27:12.560
<v Speaker 2>It might sound like ostentatious or pretentious whatever, but there

0:27:12.600 --> 0:27:14.399
<v Speaker 2>is a version of the world. I went to a

0:27:14.440 --> 0:27:17.399
<v Speaker 2>comic book class taught by Mike Kerry years ago in London,

0:27:17.760 --> 0:27:19.720
<v Speaker 2>and like he said, you know, there's a version of

0:27:19.720 --> 0:27:23.719
<v Speaker 2>the world where in two thousand years somebody finds like

0:27:23.800 --> 0:27:26.879
<v Speaker 2>a full collection of the X Men, right that something,

0:27:26.880 --> 0:27:29.960
<v Speaker 2>and they're like, whoa, this is like sixty seventy eighty

0:27:30.040 --> 0:27:33.240
<v Speaker 2>years of storytelling, and so they assume that those are

0:27:33.280 --> 0:27:36.440
<v Speaker 2>like myths of our time. Oh yeah, yeah, they don't

0:27:36.480 --> 0:27:39.520
<v Speaker 2>necessarily have the context. So even though the whole idea

0:27:39.560 --> 0:27:41.359
<v Speaker 2>of like these are our gods, like we kind of

0:27:41.359 --> 0:27:44.080
<v Speaker 2>sometimes we rag on it or we laugh about how pretentious.

0:27:43.640 --> 0:27:44.840
<v Speaker 1>It is in a way.

0:27:45.080 --> 0:27:47.040
<v Speaker 2>You know, these are stories that we've been telling for

0:27:47.160 --> 0:27:51.080
<v Speaker 2>eighty years, and that's that does have like an impact

0:27:51.240 --> 0:27:53.919
<v Speaker 2>on you know, how people will see us in the

0:27:53.960 --> 0:27:56.480
<v Speaker 2>future or what kind of stories we're telling. You know,

0:27:56.520 --> 0:27:59.040
<v Speaker 2>there's a reason that these stories are so analogous. So

0:27:59.119 --> 0:28:00.919
<v Speaker 2>I think that you should you should keep that one

0:28:00.960 --> 0:28:03.479
<v Speaker 2>in your pocket. This is the first Prometheus combo.

0:28:03.560 --> 0:28:04.480
<v Speaker 1>That's a good one.

0:28:04.680 --> 0:28:07.520
<v Speaker 2>I'm like, that'll be poll quoting you on that because

0:28:07.560 --> 0:28:10.640
<v Speaker 2>it's true. And also like he is always on some

0:28:10.760 --> 0:28:14.359
<v Speaker 2>like unending mission to prove that he's like a good person,

0:28:15.000 --> 0:28:17.320
<v Speaker 2>but it doesn't really matter that he has work that

0:28:17.359 --> 0:28:20.080
<v Speaker 2>he's not like awful, And that's.

0:28:19.920 --> 0:28:22.040
<v Speaker 1>Really I think relatable for all of us.

0:28:23.359 --> 0:28:25.080
<v Speaker 3>All Right, So Rosie gave me the coat sign I'm

0:28:25.119 --> 0:28:26.919
<v Speaker 3>going in with that now, that's my new go in,

0:28:27.040 --> 0:28:27.320
<v Speaker 3>go in.

0:28:27.480 --> 0:28:31.320
<v Speaker 4>That's that's it's happening, you'll be saying, and like every interviews,

0:28:31.359 --> 0:28:33.440
<v Speaker 4>like emailing you, they're like please something.

0:28:34.320 --> 0:29:05.720
<v Speaker 5>Pick a new Greek theater or icon plete.

0:28:51.520 --> 0:28:54.360
<v Speaker 2>Okay, So as a person who loves hip hop and

0:28:54.440 --> 0:28:56.880
<v Speaker 2>like weird shit, I have to and your music stuff

0:28:56.920 --> 0:28:58.840
<v Speaker 2>that you build into comics is always so great. So

0:28:58.920 --> 0:29:02.600
<v Speaker 2>I did want to ask you, aut you know death Grip? Yeah,

0:29:02.640 --> 0:29:04.680
<v Speaker 2>and I know that is like there is an old

0:29:04.880 --> 0:29:07.920
<v Speaker 2>Marvel character called death Grip, but like what about your

0:29:08.000 --> 0:29:08.960
<v Speaker 2>version of death Grip?

0:29:09.000 --> 0:29:10.720
<v Speaker 1>And also do you love death Grips?

0:29:10.760 --> 0:29:12.600
<v Speaker 2>Like I just want to could you talk a little

0:29:12.600 --> 0:29:13.880
<v Speaker 2>bit about your villain creation.

0:29:14.280 --> 0:29:16.320
<v Speaker 3>Yeah, I you know, I love the concept of death Grip.

0:29:16.400 --> 0:29:17.800
<v Speaker 3>Like some of their songs I can get into, So

0:29:17.800 --> 0:29:19.440
<v Speaker 3>I mean they're not the easiest man to get into,

0:29:19.560 --> 0:29:21.680
<v Speaker 3>but like I love I love what they're about, and

0:29:21.720 --> 0:29:25.239
<v Speaker 3>I like their front Yeah, I love their vibes. Are

0:29:25.760 --> 0:29:27.800
<v Speaker 3>you know no notes in their vibes? Death Grip was

0:29:28.240 --> 0:29:31.640
<v Speaker 3>sort of born out of like a lot of I

0:29:31.640 --> 0:29:36.240
<v Speaker 3>always found villains for characters, like particularly like Deadpool or Punisher,

0:29:36.240 --> 0:29:38.280
<v Speaker 3>where they can like just straight up kill their bad guys.

0:29:38.440 --> 0:29:41.320
<v Speaker 3>Is always very interesting because they never really stick around,

0:29:41.320 --> 0:29:43.760
<v Speaker 3>Like there aren't like a lot of Punisher rogue galleries

0:29:43.800 --> 0:29:45.920
<v Speaker 3>because he just looked forty five in the between their

0:29:45.920 --> 0:29:48.560
<v Speaker 3>eyes and they're done, like you know, and like even

0:29:48.560 --> 0:29:51.920
<v Speaker 3>like earlier Deadpool stuff with like was it t Ray

0:29:51.960 --> 0:29:54.680
<v Speaker 3>and Francis and all those guys, like they stuck around

0:29:54.720 --> 0:29:57.160
<v Speaker 3>for a while, but eventually like he just kills them.

0:29:57.200 --> 0:29:59.080
<v Speaker 3>So like, yeah, I thought it'd be fun to like

0:29:59.520 --> 0:30:02.080
<v Speaker 3>take a care that sort of is upsets with death. Also,

0:30:02.480 --> 0:30:04.560
<v Speaker 3>I was watching a lot of avatars. I was like,

0:30:04.600 --> 0:30:06.560
<v Speaker 3>I love the idea, like a miss. I like the

0:30:06.600 --> 0:30:09.640
<v Speaker 3>idea that they combined like magic with like just martial arts,

0:30:09.640 --> 0:30:11.840
<v Speaker 3>like a guy that My whole idea was like, this

0:30:11.880 --> 0:30:13.880
<v Speaker 3>is a guy that maybe he he went to like

0:30:13.920 --> 0:30:16.120
<v Speaker 3>two years of like magic school for like you know,

0:30:16.400 --> 0:30:19.600
<v Speaker 3>the comotage or whatever the version of that is. And

0:30:19.680 --> 0:30:20.960
<v Speaker 3>he was like, you know, this isn't for me. I'm

0:30:20.960 --> 0:30:22.440
<v Speaker 3>not built for this, but I am really good at

0:30:22.480 --> 0:30:23.720
<v Speaker 3>martial arts. They gonna make my own.

0:30:23.960 --> 0:30:28.000
<v Speaker 2>I've got like mild commentage magic martial art.

0:30:28.120 --> 0:30:28.280
<v Speaker 5>Yeah.

0:30:28.360 --> 0:30:29.880
<v Speaker 3>Yeah, so I'm gonna build a cold around this. So

0:30:29.960 --> 0:30:31.320
<v Speaker 3>like that's where it came from, like a guy that

0:30:31.360 --> 0:30:34.240
<v Speaker 3>I think looked cool, had fun powers, and also that

0:30:34.640 --> 0:30:36.800
<v Speaker 3>it's this weird line between like you don't want him

0:30:36.800 --> 0:30:38.640
<v Speaker 3>to be disposable, but like you, I don't think you

0:30:38.680 --> 0:30:42.560
<v Speaker 3>want to hinge Like twenty four issues on like this one,

0:30:42.640 --> 0:30:44.600
<v Speaker 3>like don't, I don't. I think it's very rare. For

0:30:44.880 --> 0:30:46.040
<v Speaker 3>what I mean I'm saying is like I don't know

0:30:46.080 --> 0:30:48.320
<v Speaker 3>if Deadpool is going to have like a green goblin.

0:30:48.120 --> 0:30:51.240
<v Speaker 1>Or Yeah, it's odd because of the nature of Deadpool.

0:30:51.360 --> 0:30:53.120
<v Speaker 3>Yeah, so it's like I think a lot of his

0:30:53.200 --> 0:30:55.880
<v Speaker 3>demons have to be internal, So like death Grip was

0:30:55.880 --> 0:30:57.480
<v Speaker 3>a fun way to sort of play with that with

0:30:57.560 --> 0:30:59.920
<v Speaker 3>like a character that's like maybe quasi immortal, but also

0:31:00.040 --> 0:31:02.560
<v Speaker 3>so he does magic, and like it's always fun seeing

0:31:02.600 --> 0:31:04.080
<v Speaker 3>people do like funning like weird.

0:31:04.640 --> 0:31:06.680
<v Speaker 2>Yeah, he doesn't want to see cool hand signs in

0:31:06.720 --> 0:31:07.600
<v Speaker 2>the Marvel universe.

0:31:07.640 --> 0:31:11.360
<v Speaker 3>That's like yeah, yeah, so like that's where he came from,

0:31:11.360 --> 0:31:14.480
<v Speaker 3>and he just sort of gets us into having more

0:31:14.840 --> 0:31:17.120
<v Speaker 3>staple Marvel villain show up later, which I think is

0:31:17.160 --> 0:31:19.280
<v Speaker 3>also really fun, like I'll have a big Goofy villain,

0:31:19.400 --> 0:31:21.880
<v Speaker 3>and death Grip I think is an inch way into

0:31:21.880 --> 0:31:23.000
<v Speaker 3>like Goofy.

0:31:22.640 --> 0:31:27.520
<v Speaker 2>Marvel Magic is a great opening attle to that kind

0:31:27.560 --> 0:31:30.040
<v Speaker 2>of stuff. Also, I just I love that he's called

0:31:30.080 --> 0:31:33.120
<v Speaker 2>death Grip because I think a lot about the picture

0:31:33.240 --> 0:31:35.040
<v Speaker 2>that it's like Beyonce death.

0:31:34.840 --> 0:31:37.280
<v Speaker 1>Grips and Robert Pattinson and it's like just.

0:31:37.240 --> 0:31:42.480
<v Speaker 2>This absolutely unsettling wild Why does this exist? Yeah? Yeah, yeah,

0:31:42.480 --> 0:31:44.640
<v Speaker 2>and I feel like that channels a lot of Deathpool energy.

0:31:44.960 --> 0:31:49.720
<v Speaker 2>Yeah well yeah, so Zig it was so wonderful to

0:31:49.720 --> 0:31:51.520
<v Speaker 2>have you here. We're going to do one more little bit.

0:31:51.720 --> 0:31:54.800
<v Speaker 2>But first, where can people find you? Where can they

0:31:54.840 --> 0:31:56.640
<v Speaker 2>follow you? Do you have anything else you want to plug?

0:31:56.880 --> 0:31:59.320
<v Speaker 3>Oh yeah, check me out on Instagram if you want

0:31:59.320 --> 0:32:02.320
<v Speaker 3>to see mostly pictures of comic book stuff, because I

0:32:02.320 --> 0:32:04.600
<v Speaker 3>think it's really cool to get art in. That's where.

0:32:04.720 --> 0:32:05.600
<v Speaker 3>That's where you'll find me.

0:32:05.920 --> 0:32:08.520
<v Speaker 2>Oh yeah, shout out your Deadpool lowed a terrible thing

0:32:08.560 --> 0:32:08.960
<v Speaker 2>I've messed.

0:32:09.040 --> 0:32:12.360
<v Speaker 3>Oh no, yeah, so Oj is fantastic. He's every email

0:32:12.480 --> 0:32:14.760
<v Speaker 3>is like very affectionate, very loving and like like this

0:32:14.800 --> 0:32:16.280
<v Speaker 3>is the cool thing I've ever seen, or like I

0:32:16.320 --> 0:32:18.200
<v Speaker 3>want to draw this. So he's very very fun. I

0:32:18.240 --> 0:32:20.360
<v Speaker 3>love working with him. I love the whole team in general.

0:32:20.480 --> 0:32:22.480
<v Speaker 3>The big fun thing have coming out this year is

0:32:22.800 --> 0:32:26.920
<v Speaker 3>my first creator own graphic novel yeah called Goobers from

0:32:27.000 --> 0:32:30.480
<v Speaker 3>Vault Comics, Hard Comedy. Thank you. It's very fun. It

0:32:30.560 --> 0:32:32.840
<v Speaker 3>was very fun to write, very fun to see the

0:32:32.840 --> 0:32:34.560
<v Speaker 3>pages out, and I think it turned out pretty fun,

0:32:34.600 --> 0:32:37.360
<v Speaker 3>which I'm excited about. So check those things out and

0:32:37.400 --> 0:32:39.320
<v Speaker 3>you know, follow me on Instagram at Yafer Zig.

0:32:40.200 --> 0:32:44.600
<v Speaker 1>Whoo, doude follow Zig. He's very fun. Okay.

0:32:44.640 --> 0:32:48.040
<v Speaker 2>We love to finish every episode with a fast moving segment.

0:32:48.480 --> 0:32:50.479
<v Speaker 2>So today we're gonna do Who's Who, and it's going

0:32:50.520 --> 0:32:54.400
<v Speaker 2>to be me and Zig talking about our favorite Deadpool variants,

0:32:55.600 --> 0:32:57.800
<v Speaker 2>which if you don't know, Deadpool has, like there's a

0:32:57.840 --> 0:33:00.680
<v Speaker 2>lot of Pools. Yeah, and you know you're gonna get

0:33:00.680 --> 0:33:03.880
<v Speaker 2>to see a few of them in the movie. I'm

0:33:03.920 --> 0:33:06.880
<v Speaker 2>gonna go because I am as predictable as ever. I'm

0:33:06.880 --> 0:33:11.000
<v Speaker 2>gonna go with Deadpool Dinosaur slash Dinosaur Deadpool because it's

0:33:11.320 --> 0:33:13.600
<v Speaker 2>it's like a t Rex but who has all of

0:33:13.640 --> 0:33:18.040
<v Speaker 2>Deadpool's powers and I just love dinosaurs. I also want

0:33:18.080 --> 0:33:20.160
<v Speaker 2>to give a shout out to Headpool.

0:33:20.600 --> 0:33:21.920
<v Speaker 3>Yeah it's just a head.

0:33:21.840 --> 0:33:23.960
<v Speaker 1>Yeah, those are two of my favorites.

0:33:24.760 --> 0:33:27.320
<v Speaker 3>I want to give a shout out to dog Pool,

0:33:27.360 --> 0:33:30.440
<v Speaker 3>of course, who is oh very famously. Yeah, he's the legend.

0:33:30.480 --> 0:33:31.960
<v Speaker 3>He did he did a lot for the community, the

0:33:32.000 --> 0:33:36.680
<v Speaker 3>lot of dog Deadpool community also one that seems sort

0:33:36.680 --> 0:33:38.920
<v Speaker 3>of anthethetical to the dead Pool idea. Maybe it's not

0:33:39.080 --> 0:33:41.440
<v Speaker 3>is kid Pool? Like, I love the idea that little mini.

0:33:41.480 --> 0:33:43.080
<v Speaker 1>Dead always makes me laugh.

0:33:43.200 --> 0:33:46.160
<v Speaker 4>I'm like, sure the evil I would love to read

0:33:46.280 --> 0:33:49.640
<v Speaker 4>like a kick cass level like R rated comic.

0:33:49.960 --> 0:33:50.160
<v Speaker 3>Yeah.

0:33:50.320 --> 0:33:52.680
<v Speaker 2>Maybe maybe now we're doing them with the kind of

0:33:52.720 --> 0:33:55.480
<v Speaker 2>blood Hunt variants you know, yeah, man variants, maybe we

0:33:55.560 --> 0:33:58.360
<v Speaker 2>could get a little kid Pool going around killing everyone.

0:34:00.280 --> 0:34:00.760
<v Speaker 1>Wonderful.

0:34:00.880 --> 0:34:03.120
<v Speaker 2>Thank you again, Zig, so great to have you here.

0:34:03.520 --> 0:34:05.520
<v Speaker 2>So stoke for Goober has definitely come back and talk

0:34:05.560 --> 0:34:05.840
<v Speaker 2>to us.

0:34:05.880 --> 0:34:07.800
<v Speaker 3>Oh yes, I'll definitely send you a copy. I think

0:34:07.840 --> 0:34:08.600
<v Speaker 3>you'll really dig it.

0:34:08.880 --> 0:34:09.640
<v Speaker 1>Yeah, I can't wait.

0:34:11.080 --> 0:34:13.600
<v Speaker 2>Thank you for joining us for our Deadpool and Wolverine

0:34:13.640 --> 0:34:15.760
<v Speaker 2>week and now get out there and see the movie

0:34:16.080 --> 0:34:19.799
<v Speaker 2>and Saturday morning, after you've watched the movie on opening night,

0:34:19.840 --> 0:34:22.280
<v Speaker 2>which I'm sure you will, make sure to come back

0:34:22.320 --> 0:34:25.880
<v Speaker 2>and listen to our reaction on dead Pool and Wolverine,

0:34:25.880 --> 0:34:28.880
<v Speaker 2>and we'll be back to our regularly schedule programming Tuesday

0:34:28.960 --> 0:34:31.600
<v Speaker 2>with our House of the Dragon season two episode seven

0:34:31.680 --> 0:34:41.880
<v Speaker 2>recap with Me and your favorite Master, Jason bye x.

0:34:41.920 --> 0:34:45.399
<v Speaker 6>Ray Vision is hosted by Jason Ecepsion and Rosie Knight

0:34:46.080 --> 0:34:49.880
<v Speaker 6>and is a production of iHeart podcasts Our executive producers

0:34:49.880 --> 0:34:54.239
<v Speaker 6>are Joelle Smith and Aaron Kaufman. Our supervising producer is

0:34:54.440 --> 0:34:59.480
<v Speaker 6>a Boo Zafar. Our producers are Carmen Laurent and Mea Taylor.

0:35:00.239 --> 0:35:02.360
<v Speaker 6>Our theme song is by Brian Basquez.

0:35:02.840 --> 0:35:07.160
<v Speaker 2>Special thanks to Soul Rubin and Chris Lord. Kenny Goodman

0:35:07.480 --> 0:35:09.560
<v Speaker 2>and Heidi are Discord moderator