WEBVTT - Building Eternity

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<v Speaker 1>From how stuff works dot com. This is the Stuff

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<v Speaker 1>of Life. I'm Julie Douglas, host of the Stuff of Life,

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<v Speaker 1>a podcast that teases a part the tales we tell,

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<v Speaker 1>because when we crack open a story and look inside,

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<v Speaker 1>we see the seeds of what make our world so maddening,

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<v Speaker 1>so strange, and so achingly beautiful and at times ridiculous.

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<v Speaker 1>The Stuff of Life is a podcast about how we're

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<v Speaker 1>all just getting by, learning and surviving through stories we share.

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<v Speaker 1>Today's story is about achieving immortality, the idea that in

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<v Speaker 1>stories we transcend death, whether it's an I was here,

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<v Speaker 1>graffiti scrawl, or an epic length autobiography. In this way,

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<v Speaker 1>we humans try to build out eternity. We pass on

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<v Speaker 1>our genes, we record our stories, and we make and

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<v Speaker 1>collect objects as evidence of our existence. For our first

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<v Speaker 1>look into building as Trinity will time travel back to

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<v Speaker 1>historian Paul Hudson to the Crypt of Civilization, the most

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<v Speaker 1>famous time capsule You've never heard of, which holds, among

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<v Speaker 1>other things, these objects, one container of beer, about one quarter,

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<v Speaker 1>one plastic bird, one plastic ash train, one beetle, plastic ornament, ample,

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<v Speaker 1>one benny makeup mirror. There's controversy about these things that

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<v Speaker 1>I've never thought about. Some people didn't want Donald Duck

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<v Speaker 1>in there because well, Donald Duck is not wearing pants.

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<v Speaker 1>Then we'll meet Marius Ursake, the co founder of the

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<v Speaker 1>site Eternomy, a site where you can preserve your memories, photos,

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<v Speaker 1>your social media footprint in an eternal avatar. Right now,

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<v Speaker 1>the only way to donod our memories is by actually

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<v Speaker 1>writing these if we don't have get a cable to

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<v Speaker 1>blog into our heads and bollowed everything. And finally we'll

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<v Speaker 1>talk to our crew here at how stuff works about

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<v Speaker 1>what they want to be remembered for an instagram of

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<v Speaker 1>the pancakes they made. Probably not, I mean, we certainly

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<v Speaker 1>narrativise our own lives. We we organized the events in

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<v Speaker 1>our lives into a coherent story that we sort of

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<v Speaker 1>model on the arcs of characters and the stories that

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<v Speaker 1>we read and watching movies. When I think of time capsules,

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<v Speaker 1>I think back to grade school in Michigan one cold

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<v Speaker 1>spring morning, when our class gathered around the school flagpole

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<v Speaker 1>and ceremoniously lowered a container filled with lucky rabbits, foots,

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<v Speaker 1>school portraits, and scraps of paper documenting our hopes and dreams.

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<v Speaker 1>It seemed like a momentous occasion, like one day we

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<v Speaker 1>would be discovered. Little did my third grade self know

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<v Speaker 1>that I was participating in a ritual popularized by Thornwell Jacobs,

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<v Speaker 1>the father of the modern time capsule and the creator

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<v Speaker 1>of the Crypt of Civilization. Jacobs wasn't just forward thinking,

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<v Speaker 1>but a millenarian, someone who stared deep into the future,

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<v Speaker 1>hoping someday someone may stare back, specifically someone in the

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<v Speaker 1>year who stumbles upon the crypt of Civilization, a possibility

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<v Speaker 1>simply because Jacobs thought this that nothing is too beautiful

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<v Speaker 1>to happen in life, and um so he didn't know,

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<v Speaker 1>but he hoped that somehow someone would open the you know,

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<v Speaker 1>the Crypto Civilization and really get a good idea of

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<v Speaker 1>just what things were like. I am Paul Stephen Hudson.

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<v Speaker 1>I am professor of history at Georgia Perimeter College in Atlanta,

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<v Speaker 1>and also I'm co founder of the International Time Capsule Society.

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<v Speaker 1>For Paul, the discovery of the crypt led to a

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<v Speaker 1>lifelong passion for the things that people preserve of I

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<v Speaker 1>first encountered it around nineteen seventy. I was an undergraduate

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<v Speaker 1>at Oldthorpe University in nineteen seventy. It was kind of

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<v Speaker 1>a distressed university. The buildings were almost these beautiful shells,

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<v Speaker 1>but that particular building where the crypt was, there was

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<v Speaker 1>only one story operational in the other stories, and the

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<v Speaker 1>basement where the crypt is we're sealed off. But I

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<v Speaker 1>was exploring and really in a place I shouldn't have been.

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<v Speaker 1>I'm not sure how I got there, but I got

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<v Speaker 1>to where the crypt was, and it was a sealed

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<v Speaker 1>off area. It was dark, and I had a flashlight

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<v Speaker 1>and I was just looking at things, and um, then

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<v Speaker 1>I saw this stainless steel door with this message on

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<v Speaker 1>it about I really didn't quite know what it was.

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<v Speaker 1>And there were cobwebs on the door and so forth,

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<v Speaker 1>and I thought, what is this? The crypt is located

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<v Speaker 1>on the bottom floor of a phoebe Hearst Hall, gone

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<v Speaker 1>or the cobwebs. There even a plaque with an explanation

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<v Speaker 1>that the content is placed inside in Ny will remain

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<v Speaker 1>hermetically sealed until the year. But still there's little fanfare

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<v Speaker 1>about this subterranean time capsule, and the casual visitor could

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<v Speaker 1>easily glide by jacobs heroic attempt to catalog civilization. He

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<v Speaker 1>was inspired by the Pyramids. Um, we have pictures of it.

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<v Speaker 1>That's a sealed chamber. It looks the way you would

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<v Speaker 1>imagine a pyramid chamber to look like. It's just literally

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<v Speaker 1>cluttered with artifacts. But there's a kind of order, you know,

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<v Speaker 1>in the storage of them. But Dr Jacobs and he

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<v Speaker 1>um he was a millinarian. He thought in terms of

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<v Speaker 1>thousands of years, and to him, six thousand years really

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<v Speaker 1>wasn't that long. There was six thousand years ago with

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<v Speaker 1>the Pyramids, why not six thousand years into the future.

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<v Speaker 1>Like red we are all interested in the future. All

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<v Speaker 1>that is where you and I are going to spend

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<v Speaker 1>the rest. Imagine a room twenty feet long, ten ft

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<v Speaker 1>high and ten ft wide stuffed with artifacts. We're talking

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<v Speaker 1>about painstakingly preserved micro films of eight hundred works of literature,

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<v Speaker 1>more than six hundred and forty pages, including the Koran,

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<v Speaker 1>the Bible, and the Iliad, not to mention musical and

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<v Speaker 1>historical recordings and films. And then there are the objects themselves.

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<v Speaker 1>One set, Lionel, model train, six cars, one track, one

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<v Speaker 1>cigarette holder, one model air things that would represent a

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<v Speaker 1>cross section of daily life for someone living in everything

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<v Speaker 1>from dental floss and false eyelashes, two shot glasses, and

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<v Speaker 1>typewriters and toasters. But the most important object inside is

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<v Speaker 1>something called the language integrator. The idea is that six

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<v Speaker 1>thousand years from now, English will be obsolete, and the

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<v Speaker 1>language integrator will help decode the contents of the crypt

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<v Speaker 1>You turn a wheel and then it plays a record,

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<v Speaker 1>and the very first item you see as apple, and

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<v Speaker 1>then you hear the word apple, and it's It's based

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<v Speaker 1>on an old cryptographical language from World War One called

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<v Speaker 1>Basic English. It has about five thousand words. But what

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<v Speaker 1>Dr Jacobs and the organizers hoped is that would be

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<v Speaker 1>the key to the English language. And like the Rosetta Stone,

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<v Speaker 1>you know, that's what helped archaeologists really understand what the

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<v Speaker 1>pyramids were all about. The problem is, you know, whoever

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<v Speaker 1>opens this time capsule or finds it, they probably won't

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<v Speaker 1>know what it's all about. Because we're also complex, and

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<v Speaker 1>it's really kind of scatter shot. You might ask yourself,

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<v Speaker 1>if you were doing a time capsule, what what would

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<v Speaker 1>you put in it? Or you might give one answer

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<v Speaker 1>today in a different answer tomorrow. You're just sort of

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<v Speaker 1>defining yourself and and where you are, unless, of course,

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<v Speaker 1>the item is so recognizable, so valuable, that it transcends

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<v Speaker 1>the ages with that good taste or a good time

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<v Speaker 1>go ahead. The one thing that he was pretty sure

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<v Speaker 1>of though, and this was during the time of the

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<v Speaker 1>Egyptians as well, is that people would be drinking beer.

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<v Speaker 1>You know, the Egyptians were great beer drinkers. And everything

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<v Speaker 1>in the crypt was donated, and it was the Anheuser

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<v Speaker 1>Busch company that donated an ampule. If it is open

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<v Speaker 1>by an archaeologist or historian or someone else, um that

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<v Speaker 1>bud would be for them. The fascinating thing about time

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<v Speaker 1>capsules is that in an attempt to document our interest,

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<v Speaker 1>they also unwittingly document our anxieties. Among recordings about engineering

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<v Speaker 1>feats like the Panama Canal, there's a preoccupation with Adolf

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<v Speaker 1>Hitler in the rise of fascism, and while the Crypt

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<v Speaker 1>has frozen in time, many of the Harme works of

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<v Speaker 1>this particular era, it's hardly a true reflection of that society.

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<v Speaker 1>In fact, the Portrait of America in nine contains a

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<v Speaker 1>very large gap in knowledge. There are very few contributions

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<v Speaker 1>from African Americans, and one lone black doll becomes a

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<v Speaker 1>stand in for the rich multicultural heritage of the United States.

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<v Speaker 1>But all of this may be a moot point. After all,

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<v Speaker 1>how likely is it that when arrives the crypt will

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<v Speaker 1>actually be opened? He said he could no more imagine

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<v Speaker 1>that than chro magnant Man could comprehend the skyline in

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<v Speaker 1>New York, so he really didn't didn't know. Um Now,

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<v Speaker 1>I do think the artifacts will be preserved. I mean,

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<v Speaker 1>I'm just sort of guessing here. For one thing, I

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<v Speaker 1>doubt if there will. I hate to say it that

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<v Speaker 1>there will be in Atlanta or United States. I mean

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<v Speaker 1>it will be. It's an archaeological site, you know, projected,

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<v Speaker 1>you know, six thousand years into the future. So I

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<v Speaker 1>think the big question is not so much if the

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<v Speaker 1>artifacts will be preserved, but the big question is who

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<v Speaker 1>will know to open it, Which makes you wonder why

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<v Speaker 1>we extend ourselves into the future in the first place.

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<v Speaker 1>There's a kind of a naive optimism that someone who

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<v Speaker 1>does a time capsule has. I think no noble effort

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<v Speaker 1>is in vain. That was one of Dr Jacob's favorite

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<v Speaker 1>things here. You know, whether it's opened or not, it

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<v Speaker 1>does show that you really care about your fellow men

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<v Speaker 1>and woman. And and somehow you want to reach out

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<v Speaker 1>to them. Paul has been all over the world and

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<v Speaker 1>he's seen a lot of time capsules, but his idea

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<v Speaker 1>of a time capsule isn't just a container stored away,

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<v Speaker 1>but other ways that we reach into the future. A

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<v Speaker 1>grandparents letter, the voyage are golden records hurling out to

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<v Speaker 1>space containing the sounds and images of life on Earth.

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<v Speaker 1>A pregnant woman carrying a genetic code, one that can

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<v Speaker 1>move backward and forward in time. And it's this idea,

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<v Speaker 1>the ability to move forward and backward in time, that's

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<v Speaker 1>at the heart of what some e death companies are

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<v Speaker 1>trying to do. As artists in Hamilton's says, technology amplifies

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<v Speaker 1>human presence at a distance, and the company Attornemy aims

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<v Speaker 1>to amplify your data, your memories, thoughts, and emotions across time,

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<v Speaker 1>creating an immortal avatar of yourself, a digital simulacrum that

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<v Speaker 1>can exist in the past, present, in future. My name

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<v Speaker 1>is Mariossake, and I'm the CEO and founder of Attornemy,

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<v Speaker 1>and what we're trying to build at Atternomy is a

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<v Speaker 1>network of artificial intelligent avatars that would preserve people's thoughts,

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<v Speaker 1>stories and memories ideally forever. Mary has co founded the

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<v Speaker 1>site euternomy for a very personal reason, one we can

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<v Speaker 1>all relate to. My grandmother died after farting Alzheimer's for

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<v Speaker 1>three years, and her memories started fading the way during

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<v Speaker 1>those three years. But after she passed away, and after

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<v Speaker 1>we so I went to the whole reading process, I

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<v Speaker 1>realized that the only things I had left from her

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<v Speaker 1>were like plenty pictures more or less, ninety years of joy,

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<v Speaker 1>of sorrows, and experiences of various things that happened in

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<v Speaker 1>person's life are reduced to just a couple of photos

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<v Speaker 1>and memories that are eventually lost. Marius drew a major

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<v Speaker 1>influences from his life, from his love of sci fi

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<v Speaker 1>to whose experiments and technology to ask the question, what

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<v Speaker 1>if you could preserve someone's memories using artificial intelligence, allowing

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<v Speaker 1>people to access those memories, but also do it in

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<v Speaker 1>a meaningful way because differences like the ability to first

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<v Speaker 1>of all like informational person about the person during their lifetime,

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<v Speaker 1>So acting like a biographer. Because right now the problem

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<v Speaker 1>with other websites websites have collect your memories is that

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<v Speaker 1>you have to do a lot of like manual work,

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<v Speaker 1>uploading photos and do everything by yourself, or writing your biography,

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<v Speaker 1>which usually it's a pretty big task that people always

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<v Speaker 1>live for tomorrow. And in this way, a constellation of

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<v Speaker 1>data points begin to coalesce and tell a recognizable version

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<v Speaker 1>of you emerges all through your digital footprint and conversations

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<v Speaker 1>with your avatar. Think of the ability to timeline your life,

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<v Speaker 1>to have your avatar recalls specific memories for you. Marius

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<v Speaker 1>likens this avatar relationship to Tomagotchi, the handheld digital pet

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<v Speaker 1>that you interact with every day. The idea is the same.

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<v Speaker 1>The more you interact with your avatar, the more you

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<v Speaker 1>nurture it, and the more it begins to truly reflect

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<v Speaker 1>you and your thoughts in ten years and twenty years,

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<v Speaker 1>or you know, for the younger generation forty fifty years,

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<v Speaker 1>the amount of information that's going to be gathered on

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<v Speaker 1>top on everything that you already post on Facebook or

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<v Speaker 1>an email is going to be huge, and it's going

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<v Speaker 1>to be very useful in uh preserving as much of

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<v Speaker 1>that person's UH consciousness of personality or thoughts as possible. Also,

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<v Speaker 1>because I know some of you are wondering eternomy does

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<v Speaker 1>not want to build a robot out of your memories

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<v Speaker 1>and let it loose. We're not trying to create like

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<v Speaker 1>a clone, like a very lifelike clone. We're trying to

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<v Speaker 1>create something that offers a very easy interface to access

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<v Speaker 1>those memories. But it's going to be very clear that

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<v Speaker 1>that's not a copy of the person. It termly launched

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<v Speaker 1>its beta site in two thousand and fourteen and more

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<v Speaker 1>than thirty thousand people signed up. So who are they?

0:15:01.680 --> 0:15:04.840
<v Speaker 1>More than half of them are millennials and English speaking.

0:15:05.560 --> 0:15:07.440
<v Speaker 1>I think that first of all, these people have a

0:15:07.600 --> 0:15:10.840
<v Speaker 1>much richer digital footprints than all those generations because of

0:15:11.000 --> 0:15:14.640
<v Speaker 1>using so many online tools, and this percentage is only

0:15:14.640 --> 0:15:18.000
<v Speaker 1>going to be increasing in the future at global level.

0:15:18.960 --> 0:15:22.480
<v Speaker 1>Of millennials already used Facebook. To give you an example,

0:15:24.680 --> 0:15:27.760
<v Speaker 1>you see the picture emerging here. Attornemy appeals to people

0:15:27.800 --> 0:15:31.160
<v Speaker 1>who are already creating a digital bread trail of information,

0:15:31.560 --> 0:15:34.240
<v Speaker 1>and the website gives them a chance to make sense

0:15:34.280 --> 0:15:37.640
<v Speaker 1>of it, contextualize it in the form of a decades

0:15:37.760 --> 0:15:42.360
<v Speaker 1>long relationship with their biographer, this version of themselves. Think

0:15:42.480 --> 0:15:44.680
<v Speaker 1>of what this might do for the way that we

0:15:44.800 --> 0:15:50.600
<v Speaker 1>recall our memories. We actually forget more than of things

0:15:50.600 --> 0:15:54.400
<v Speaker 1>that happened plus every day, and the lot will also

0:15:54.400 --> 0:15:57.800
<v Speaker 1>help collect those kinds of information and stories and later

0:15:57.840 --> 0:16:01.040
<v Speaker 1>make it accessible if he wants to we call it.

0:16:03.920 --> 0:16:06.400
<v Speaker 1>Of course, all of this is predicated on one thing

0:16:06.920 --> 0:16:10.480
<v Speaker 1>that we truly interact with our avatars, something Autnomy is

0:16:10.480 --> 0:16:14.160
<v Speaker 1>still trying to finesse with psychologists. At this stage. What

0:16:14.360 --> 0:16:18.600
<v Speaker 1>we've been most interested in is how to ask questions

0:16:18.600 --> 0:16:21.080
<v Speaker 1>and what kind of questions we would have to ask

0:16:21.160 --> 0:16:26.120
<v Speaker 1>people to engage them and make them like really interested

0:16:26.200 --> 0:16:31.760
<v Speaker 1>in collecting their memories. Marius gives these questions as an

0:16:31.760 --> 0:16:35.040
<v Speaker 1>example of the nuance needed when you begin your relationship

0:16:35.080 --> 0:16:38.440
<v Speaker 1>with your avatar. The question why did you decide to

0:16:38.480 --> 0:16:41.720
<v Speaker 1>become a doctor is intrusive compared to what were the

0:16:41.720 --> 0:16:44.400
<v Speaker 1>things that will lead you to choosing to become a doctor.

0:16:44.800 --> 0:16:47.800
<v Speaker 1>Some harder questions would be what are the things that

0:16:47.840 --> 0:16:50.080
<v Speaker 1>you want to be remembered for? And then there are

0:16:50.160 --> 0:16:53.440
<v Speaker 1>the intimate questions did you ever cheat on your partner?

0:16:53.600 --> 0:16:56.640
<v Speaker 1>How did it feel? The thing is that even though

0:16:56.640 --> 0:17:00.960
<v Speaker 1>at tournomy is meant to grant cyber immortality and reserve memories,

0:17:01.400 --> 0:17:04.760
<v Speaker 1>this day to day journaling of person's life is very

0:17:04.880 --> 0:17:09.080
<v Speaker 1>much rooted in the present. For us, it's more a

0:17:09.160 --> 0:17:12.359
<v Speaker 1>toll for the living person to be able to collect

0:17:12.359 --> 0:17:15.000
<v Speaker 1>the memories. So we're more focused on writing the story

0:17:15.000 --> 0:17:18.520
<v Speaker 1>of your life for and curating it from all sources,

0:17:19.119 --> 0:17:29.199
<v Speaker 1>and less about interfering with the grieving process. I think

0:17:29.240 --> 0:17:33.080
<v Speaker 1>it's important to understand that this is not just an

0:17:33.119 --> 0:17:35.960
<v Speaker 1>app This is something that in order to be able

0:17:36.040 --> 0:17:41.480
<v Speaker 1>to work as most people want, will take years, probably

0:17:41.480 --> 0:17:45.000
<v Speaker 1>even decades, because there's a lot of technology that's still

0:17:45.040 --> 0:17:49.119
<v Speaker 1>not yelped out there. But instead of like waiting for

0:17:49.320 --> 0:17:52.680
<v Speaker 1>that perfect moment where artificient just could be at that level,

0:17:52.720 --> 0:17:54.840
<v Speaker 1>which could be in five years, could be in ten years,

0:17:54.880 --> 0:17:58.480
<v Speaker 1>or could be in twenty years when that similarity moment

0:17:58.520 --> 0:18:02.080
<v Speaker 1>will be reached, we prefer to start working right now

0:18:02.160 --> 0:18:05.680
<v Speaker 1>because unfortunately a lot of the memories are dual appearing.

0:18:06.320 --> 0:18:08.200
<v Speaker 1>A lot of these things have happened to us. Every

0:18:08.280 --> 0:18:10.879
<v Speaker 1>day we forget. A lot of people pass away and

0:18:10.960 --> 0:18:14.679
<v Speaker 1>they take, uh, you know, away, all the memories and

0:18:14.720 --> 0:18:19.280
<v Speaker 1>everything about them. So we decided to start earlier to

0:18:19.359 --> 0:18:30.600
<v Speaker 1>focus on this, but we still have a long, long journey.

0:18:32.080 --> 0:18:35.080
<v Speaker 1>So this topic is pretty much mental catnip at how

0:18:35.200 --> 0:18:37.760
<v Speaker 1>stock works the place where I work, and in the

0:18:37.800 --> 0:18:41.600
<v Speaker 1>grand tradition of water cooler conversations, I put the idea

0:18:41.640 --> 0:18:45.080
<v Speaker 1>of cyber immortality to some of my coworkers, and here's

0:18:45.119 --> 0:18:47.760
<v Speaker 1>what they had to say about it. There's a beautiful

0:18:48.080 --> 0:18:52.040
<v Speaker 1>sort of historical database angle to it, right, Like there

0:18:52.040 --> 0:18:54.439
<v Speaker 1>will be history books written, for example, about things that

0:18:54.480 --> 0:18:57.720
<v Speaker 1>are happening in today's society. But when someone five years

0:18:57.720 --> 0:19:00.520
<v Speaker 1>from now, presuming we have maintained enough techno eology in

0:19:00.560 --> 0:19:03.200
<v Speaker 1>an ongoing way that we can keep these records updated,

0:19:03.760 --> 0:19:07.680
<v Speaker 1>is like what were like the hot topic issues of

0:19:07.840 --> 0:19:12.200
<v Speaker 1>the century, Like what really was the gun control debate about?

0:19:12.240 --> 0:19:14.159
<v Speaker 1>Like they could if you have a database where that

0:19:14.280 --> 0:19:18.240
<v Speaker 1>searchable and you could get five hundred strangers and read

0:19:18.600 --> 0:19:20.960
<v Speaker 1>things that they had all written about that, you're going

0:19:21.000 --> 0:19:23.680
<v Speaker 1>to get a really interesting and probably much more complete

0:19:23.680 --> 0:19:26.200
<v Speaker 1>picture than if someone just writes about it later based

0:19:26.240 --> 0:19:29.359
<v Speaker 1>on their own research. That's Holly Fry, a co host

0:19:29.480 --> 0:19:32.640
<v Speaker 1>of stuff you missed in history class. My first thing

0:19:32.640 --> 0:19:34.600
<v Speaker 1>that popped in my head when you had related to

0:19:34.680 --> 0:19:37.720
<v Speaker 1>us that he likened it to a tamagochi is can

0:19:37.760 --> 0:19:40.840
<v Speaker 1>you game the system to create a much better version

0:19:40.920 --> 0:19:44.040
<v Speaker 1>of yourself than you actually are like, could I only

0:19:44.240 --> 0:19:47.360
<v Speaker 1>upload photoshop files where I look really great? And could

0:19:47.400 --> 0:19:50.560
<v Speaker 1>I only include like the best of me in it?

0:19:50.760 --> 0:19:53.160
<v Speaker 1>As you know, if I'm the custodian of this record,

0:19:54.080 --> 0:19:57.000
<v Speaker 1>can I manipulate it in such a way that future

0:19:57.040 --> 0:19:59.880
<v Speaker 1>generations would be like, Man, that Holly Fry was amazing.

0:20:00.520 --> 0:20:03.399
<v Speaker 1>It's the grand tradition of how we celebrate death, right.

0:20:03.440 --> 0:20:05.280
<v Speaker 1>I mean, when you get up and give a eulogy

0:20:05.359 --> 0:20:08.360
<v Speaker 1>for somebody, you don't make notes of all the horrible

0:20:08.440 --> 0:20:11.480
<v Speaker 1>things they did and the reasons that lots of people

0:20:11.560 --> 0:20:14.320
<v Speaker 1>didn't like them. You remember the highlights of their life.

0:20:14.359 --> 0:20:17.240
<v Speaker 1>Here's Joe McCormick, a co host of stuff to blow

0:20:17.280 --> 0:20:20.840
<v Speaker 1>your mind. So yeah, I guess in death we try

0:20:20.880 --> 0:20:23.320
<v Speaker 1>to we try to emphasize the positive in the same

0:20:23.359 --> 0:20:26.040
<v Speaker 1>way that we do on our our social media profiles.

0:20:26.760 --> 0:20:30.840
<v Speaker 1>I think that this whole idea feels funny to me

0:20:31.040 --> 0:20:36.120
<v Speaker 1>personally on multiple levels. That Senior editor Alison Laddermilk, For one,

0:20:36.560 --> 0:20:39.239
<v Speaker 1>I mean, why am I compiling all my memories and

0:20:39.280 --> 0:20:41.880
<v Speaker 1>spending my time on that when I could be out

0:20:41.960 --> 0:20:45.920
<v Speaker 1>making new ones. So that's my first issue with this.

0:20:46.040 --> 0:20:48.160
<v Speaker 1>But I mean, as you can guess from that statement.

0:20:48.160 --> 0:20:50.119
<v Speaker 1>I'm not big on social media, like I just I

0:20:50.160 --> 0:20:52.959
<v Speaker 1>really don't tend to use it all that much. So

0:20:53.080 --> 0:20:55.800
<v Speaker 1>and this seems like a bit of a progression of that.

0:20:56.000 --> 0:20:58.840
<v Speaker 1>So so that I think that makes sense for me.

0:20:58.920 --> 0:21:01.040
<v Speaker 1>And then the other thing, guess that. I mean, yeah,

0:21:01.040 --> 0:21:04.439
<v Speaker 1>it's carefully curated like Facebook is. I mean, we present

0:21:04.480 --> 0:21:06.520
<v Speaker 1>our happy side. We feel they need to make a

0:21:06.560 --> 0:21:10.840
<v Speaker 1>fake Instagram account because we can't share, you know, like

0:21:11.000 --> 0:21:13.680
<v Speaker 1>the photo of us looking like a train wreck. It's

0:21:13.680 --> 0:21:17.600
<v Speaker 1>just we can't. Well, I mean, some people don't feel

0:21:17.640 --> 0:21:19.760
<v Speaker 1>like they're at liberty to do so, so they hide

0:21:19.760 --> 0:21:21.720
<v Speaker 1>it and they only invite their close friends for their

0:21:21.720 --> 0:21:24.639
<v Speaker 1>Instagram account. It just feels ridiculous to me. And I

0:21:24.640 --> 0:21:27.119
<v Speaker 1>mean that's just I think that a lot of people

0:21:27.119 --> 0:21:32.600
<v Speaker 1>would perpetuate that account of themselves just as very glossy

0:21:32.720 --> 0:21:35.040
<v Speaker 1>and it's bogus. It annoys me, it makes me mad.

0:21:40.320 --> 0:21:43.280
<v Speaker 1>The conversation, as you might expect, begins to veer towards

0:21:43.359 --> 0:21:46.040
<v Speaker 1>the what ifs. I'm thinking about the movie Strange Days.

0:21:46.080 --> 0:21:49.280
<v Speaker 1>Do you remember that film where you check the digital

0:21:49.520 --> 0:21:52.199
<v Speaker 1>I love that movie. I have no regrets admitting how

0:21:52.280 --> 0:21:54.040
<v Speaker 1>much I love that movie. For a variety of reasons,

0:21:54.040 --> 0:21:56.920
<v Speaker 1>but you could replay memories, like there was an apparatus

0:21:56.960 --> 0:22:00.280
<v Speaker 1>that let you relive memories that you would recorded. Angela said,

0:22:00.320 --> 0:22:04.880
<v Speaker 1>has this beautiful moment where she says, memories are supposed

0:22:04.880 --> 0:22:07.439
<v Speaker 1>to fade. Their designed that way for a reason. So

0:22:07.480 --> 0:22:09.640
<v Speaker 1>then I wonder if you have something like this that

0:22:09.680 --> 0:22:12.640
<v Speaker 1>you are working on, and you can, you know, then

0:22:12.920 --> 0:22:15.480
<v Speaker 1>several decades down the road look back and see exactly

0:22:15.520 --> 0:22:17.760
<v Speaker 1>the person you were in your twenties or your thirties,

0:22:18.040 --> 0:22:20.399
<v Speaker 1>will it then affect the way you progress in a

0:22:20.400 --> 0:22:23.560
<v Speaker 1>way that is unnatural versus how you would have just

0:22:24.400 --> 0:22:27.400
<v Speaker 1>progressed had you only had your human memories to work with.

0:22:28.520 --> 0:22:31.400
<v Speaker 1>I mean, we certainly narrativise our own lives. We we

0:22:31.560 --> 0:22:35.200
<v Speaker 1>organize the events in our lives into a coherent story

0:22:35.240 --> 0:22:38.560
<v Speaker 1>that we sort of model on the arcs of characters

0:22:38.600 --> 0:22:41.200
<v Speaker 1>and the stories that we read and watching movies and stuff.

0:22:41.240 --> 0:22:45.240
<v Speaker 1>And if we were to include all events in this narrative,

0:22:45.240 --> 0:22:47.560
<v Speaker 1>it wouldn't be a narrative, wouldn't be interesting. I mean,

0:22:47.560 --> 0:22:51.639
<v Speaker 1>it's only by selective memory that we construct a meaningful

0:22:51.840 --> 0:22:54.080
<v Speaker 1>arc for ourselves. So you know, while I did this

0:22:54.160 --> 0:22:56.040
<v Speaker 1>and this and this and that's how I got to

0:22:56.040 --> 0:22:58.320
<v Speaker 1>where I am today. But you're leaving out all kinds

0:22:58.359 --> 0:23:02.320
<v Speaker 1>of extraneous information nation. I mean, are are you more

0:23:02.359 --> 0:23:08.040
<v Speaker 1>concerned about telling the literal, correct cause and effect story

0:23:08.240 --> 0:23:11.600
<v Speaker 1>of your life or in telling a story the way

0:23:11.680 --> 0:23:15.600
<v Speaker 1>like a fiction writer would tell a story. I see

0:23:15.640 --> 0:23:18.719
<v Speaker 1>this creating weird factions of people in the future, Like

0:23:18.800 --> 0:23:21.760
<v Speaker 1>the next wave of division will be about how you

0:23:21.840 --> 0:23:25.200
<v Speaker 1>maintained your avatar online and what your parameters and your

0:23:25.240 --> 0:23:29.600
<v Speaker 1>ethos was around it. Wow. Yeah, I think you're right.

0:23:30.240 --> 0:23:32.679
<v Speaker 1>I think there will be an aesthetic that develops around it.

0:23:32.720 --> 0:23:36.080
<v Speaker 1>For sure. It'll be like the truth tellers and and

0:23:36.119 --> 0:23:39.080
<v Speaker 1>the gloss people, and it's sort of a science as

0:23:39.240 --> 0:23:45.760
<v Speaker 1>humanity split. Right, This gets us into the nitty gritty

0:23:45.800 --> 0:23:48.240
<v Speaker 1>of how you even begin to interact with your avatar.

0:23:48.880 --> 0:23:50.680
<v Speaker 1>You know, you want to start with your avatar sort

0:23:50.680 --> 0:23:53.679
<v Speaker 1>of like you would at a cocktail party. What do

0:23:53.720 --> 0:23:55.760
<v Speaker 1>you do? How's it going? You don't want to go

0:23:55.840 --> 0:23:58.280
<v Speaker 1>straight to have you ever killed anyone? It's doing? It's

0:23:58.320 --> 0:24:01.919
<v Speaker 1>doing the yawn stretch? What is that? Oh? In the

0:24:02.000 --> 0:24:04.080
<v Speaker 1>all of the movies from the fifties that you go

0:24:04.160 --> 0:24:06.720
<v Speaker 1>to the drive in and the guy yawns and stretches

0:24:06.760 --> 0:24:10.840
<v Speaker 1>and puts his arm around the girl. Yes, do you

0:24:10.920 --> 0:24:14.040
<v Speaker 1>know what I'm talking? Yes, it's just it's just I

0:24:14.080 --> 0:24:15.800
<v Speaker 1>think none of us had framed it in a dating

0:24:15.840 --> 0:24:17.919
<v Speaker 1>sort of way prior to that, so there was a

0:24:17.920 --> 0:24:20.320
<v Speaker 1>little bit of a I don't want to date myself.

0:24:20.520 --> 0:24:23.000
<v Speaker 1>Maybe some people do. I'm not judging, but you know,

0:24:23.080 --> 0:24:26.760
<v Speaker 1>it's but yeah, it's a kind of trust issue like that.

0:24:27.720 --> 0:24:30.720
<v Speaker 1>So maybe if it bakes me some cookies, I will

0:24:30.800 --> 0:24:34.120
<v Speaker 1>tell it more information. I just talked to it. Who's

0:24:34.160 --> 0:24:36.040
<v Speaker 1>the time I goche At that point, I would bore

0:24:36.040 --> 0:24:40.359
<v Speaker 1>it to death. It was be like this story again,

0:24:41.520 --> 0:24:47.199
<v Speaker 1>please rejected by my avatar. Yeah, so some of the

0:24:47.280 --> 0:24:50.560
<v Speaker 1>data trails you create could be mundane, but some of

0:24:50.600 --> 0:24:54.480
<v Speaker 1>it could be well troubling. Will you also get into

0:24:54.520 --> 0:24:56.679
<v Speaker 1>the realm of like legal issues like could they be

0:24:56.760 --> 0:25:00.160
<v Speaker 1>petitioned by a court or another legal entity to look

0:25:00.200 --> 0:25:03.960
<v Speaker 1>at somebody's stuff. There's which I'm sure they've thought about.

0:25:04.119 --> 0:25:05.879
<v Speaker 1>I mean, if they're putting together a company around it,

0:25:05.920 --> 0:25:07.879
<v Speaker 1>they probably have a legal team who has drawn up

0:25:07.920 --> 0:25:12.440
<v Speaker 1>some documents around this. But that's just a whole other

0:25:12.480 --> 0:25:14.480
<v Speaker 1>thing to consider. What if I do something terrible in

0:25:14.480 --> 0:25:17.280
<v Speaker 1>the future, and then somebody wants to look at look

0:25:17.320 --> 0:25:19.639
<v Speaker 1>at my history and try to figure out where it

0:25:19.680 --> 0:25:25.000
<v Speaker 1>all went wrong. Well, and then I just have my

0:25:25.040 --> 0:25:27.800
<v Speaker 1>pale blue dot moment. None of this matters anyway. We're

0:25:27.800 --> 0:25:31.240
<v Speaker 1>a spec you know, we're just creating so much data.

0:25:31.720 --> 0:25:34.760
<v Speaker 1>Now I did start actually just while you were talking.

0:25:34.840 --> 0:25:39.280
<v Speaker 1>Have some some breakthroughs here. It could provide a scientific benefit,

0:25:39.800 --> 0:25:42.680
<v Speaker 1>because maybe once we have tons and tons of data,

0:25:42.800 --> 0:25:45.639
<v Speaker 1>we could use some machine analysis to say, hey, is

0:25:45.640 --> 0:25:48.560
<v Speaker 1>there any correlation between people who make certain types of

0:25:48.600 --> 0:25:52.560
<v Speaker 1>posts and then people who die prematurely of certain diseases? Oh,

0:25:52.640 --> 0:25:55.080
<v Speaker 1>what do you know? People who take lots of selfies

0:25:55.119 --> 0:25:57.479
<v Speaker 1>are more likely to, uh, I don't know, have their

0:25:57.480 --> 0:26:01.520
<v Speaker 1>heads explode spontaneously on their fiftieth birthday. I mean that

0:26:01.560 --> 0:26:03.919
<v Speaker 1>would be useful knowledge that you could use for for

0:26:03.960 --> 0:26:07.000
<v Speaker 1>a real purpose, to achieve something. I guess. Oh, but

0:26:07.119 --> 0:26:11.359
<v Speaker 1>I automatically see it becoming horrifying and a business driver,

0:26:11.600 --> 0:26:15.920
<v Speaker 1>and then I'm like, oh it to be clear, eternomy

0:26:15.960 --> 0:26:20.720
<v Speaker 1>isn't interested in running ads against your emotions at all. Still,

0:26:20.840 --> 0:26:24.199
<v Speaker 1>the idea gets the group to thinking about the ability

0:26:24.280 --> 0:26:27.280
<v Speaker 1>to do it based on our experience with social media

0:26:27.400 --> 0:26:30.280
<v Speaker 1>and advertising. Maybe you're looking at pictures of your ex

0:26:30.320 --> 0:26:33.600
<v Speaker 1>partner who unceremoniously dumped you, and you start to get

0:26:33.640 --> 0:26:36.719
<v Speaker 1>a little misty eyed, and upcoms the hogandahs at and

0:26:36.760 --> 0:26:39.640
<v Speaker 1>you're like, I'm all over that, or the obvious would

0:26:39.640 --> 0:26:44.080
<v Speaker 1>just be one weird trick to stay young forever. Oh yeah,

0:26:45.320 --> 0:26:49.480
<v Speaker 1>this one spiky fruit and you will never die. You've

0:26:49.520 --> 0:26:52.320
<v Speaker 1>all had that dark moment where we've probably clicked on

0:26:52.400 --> 0:27:07.680
<v Speaker 1>something similar to that, right, No, me neither. I mean, ultimately,

0:27:08.000 --> 0:27:10.639
<v Speaker 1>this brings me to a more general question, which is

0:27:11.119 --> 0:27:13.480
<v Speaker 1>how do we want to be remembered and why do

0:27:13.560 --> 0:27:17.240
<v Speaker 1>we want to be remembered? What? What is the inherent

0:27:17.320 --> 0:27:20.760
<v Speaker 1>motivation to have people remember you in a certain way

0:27:20.800 --> 0:27:25.040
<v Speaker 1>after you die. It's a fair question. For some people,

0:27:25.119 --> 0:27:27.160
<v Speaker 1>it could be that you get to control your story,

0:27:27.400 --> 0:27:29.600
<v Speaker 1>You get to outline your life and make sense of it.

0:27:30.000 --> 0:27:33.080
<v Speaker 1>For others, it could be a way to vanquish death

0:27:33.240 --> 0:27:36.359
<v Speaker 1>if there's still some scrap of evidence of your existence,

0:27:36.680 --> 0:27:41.320
<v Speaker 1>are you really completely absent? That being said, attornemy is

0:27:41.359 --> 0:27:45.679
<v Speaker 1>such a fascinating tool and concept simply because beyond capturing

0:27:45.720 --> 0:27:50.240
<v Speaker 1>our digital movements and our active memories. It captures our imaginations.

0:27:51.520 --> 0:27:54.840
<v Speaker 1>After all, we're storytellers and we can't quite figure out

0:27:54.840 --> 0:28:01.280
<v Speaker 1>how this one is going to end. Thank you to

0:28:01.320 --> 0:28:04.520
<v Speaker 1>Marry Sasaki at Tournamy for showing us how each of

0:28:04.600 --> 0:28:08.199
<v Speaker 1>us has a hero's journey, a narrative to explain the

0:28:08.240 --> 0:28:13.000
<v Speaker 1>impossible slash possible paradox of our existence. Thanks to Paul

0:28:13.080 --> 0:28:16.760
<v Speaker 1>Headson for cracking open the crypt and letting us peer inside.

0:28:17.119 --> 0:28:20.480
<v Speaker 1>And thanks to How Stuff Works staff members Alison Loudermilk,

0:28:20.680 --> 0:28:25.639
<v Speaker 1>Joe McCormick, and Holly Fry. In our next episode, a

0:28:25.680 --> 0:28:29.200
<v Speaker 1>supplement to this one, we'll look at our relationship with objects,

0:28:29.359 --> 0:28:32.280
<v Speaker 1>the ones we include in time capsules and the ones

0:28:32.520 --> 0:28:35.679
<v Speaker 1>that are shoved away in a storage unit. We need

0:28:36.400 --> 0:28:42.000
<v Speaker 1>a certain amount of community and human interaction, but what

0:28:42.120 --> 0:28:44.840
<v Speaker 1>happens a lot of times with individuals is they've been

0:28:44.920 --> 0:28:47.360
<v Speaker 1>hurt so many times or have had trauma with people

0:28:47.800 --> 0:28:50.120
<v Speaker 1>that people become unsaved to them, so they turned to

0:28:50.200 --> 0:28:54.080
<v Speaker 1>objects instead. The Stuff of Life is written and co

0:28:54.200 --> 0:28:58.000
<v Speaker 1>produced by me Julie Douglas. Original music composition is by

0:28:58.080 --> 0:29:02.040
<v Speaker 1>co producer Noel Brown. An editorial oversight is provided by

0:29:02.080 --> 0:29:05.920
<v Speaker 1>head of prodiction Jerry Rowland. You can send your thoughts

0:29:05.960 --> 0:29:08.400
<v Speaker 1>to us at the stuff of life at how stuff

0:29:08.480 --> 0:29:11.600
<v Speaker 1>works dot com, and you can visit our Facebook page,

0:29:11.680 --> 0:29:14.680
<v Speaker 1>where we'll post some outtakes from our how Stuff Works roundtable,

0:29:15.080 --> 0:29:19.240
<v Speaker 1>including what imitations we'd like to be remembered for. I'm

0:29:19.360 --> 0:29:24.520
<v Speaker 1>very confused about this immortality issue. I find it upsetting,

0:29:25.120 --> 0:29:27.680
<v Speaker 1>but I love my children and I want them to

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<v Speaker 1>live forever.