1 00:00:00,800 --> 00:00:05,800 Speaker 1: Warning. Today's episode contains spoilers for Wonderman episodes five through eight. 2 00:00:06,080 --> 00:00:26,240 Speaker 1: Be warned. Hello, Iam and Jason Concepcion and I'm Rosie 3 00:00:26,280 --> 00:00:29,040 Speaker 1: Knight and welcome back to x Revision, the podcast where 4 00:00:29,080 --> 00:00:31,040 Speaker 1: we dive deep. It's your favorite shows, movies, comics and 5 00:00:31,080 --> 00:00:33,080 Speaker 1: pop culture company from my Heart, where we're bringing you 6 00:00:33,080 --> 00:00:34,159 Speaker 1: three episodes weekly. 7 00:00:34,080 --> 00:00:39,200 Speaker 2: News plus news plus news. In today's episode, we are back. 8 00:00:39,240 --> 00:00:41,840 Speaker 2: We're talking about wonder Man. We recap the first half 9 00:00:41,840 --> 00:00:43,879 Speaker 2: of the season, which you can listen to now, and 10 00:00:43,920 --> 00:00:46,440 Speaker 2: then you can listen to us recap the second half 11 00:00:46,520 --> 00:00:47,960 Speaker 2: of the season. As you know if you listen to 12 00:00:48,000 --> 00:00:49,640 Speaker 2: our first recaps, this is more of a deep dive 13 00:00:49,680 --> 00:00:52,080 Speaker 2: discussion as this is a slice of life, superho show. 14 00:00:52,320 --> 00:00:55,040 Speaker 2: But oh my god, what show is and we are 15 00:00:55,080 --> 00:00:58,640 Speaker 2: going to be digging into all the emotionally heartbreaking events 16 00:00:58,680 --> 00:01:01,440 Speaker 2: of the second half of wonder Man right now. 17 00:01:05,000 --> 00:01:09,520 Speaker 1: Let's get into it. So episodes five through eight Found 18 00:01:09,520 --> 00:01:15,679 Speaker 1: Footage Callback, Kathy Friedman and Yucca Valley are the back 19 00:01:15,720 --> 00:01:22,760 Speaker 1: half of the wonder Man season. Quick recap Found Footage. 20 00:01:23,200 --> 00:01:26,920 Speaker 1: A celebratory night spirals into a dangerous collision of ambition, exposure, 21 00:01:26,920 --> 00:01:32,399 Speaker 1: and gunfire as Simon Williams dream comes within reaching the 22 00:01:32,400 --> 00:01:39,440 Speaker 1: worst possible moment. Basically, there's a conversation with some local 23 00:01:39,480 --> 00:01:45,080 Speaker 1: tuffs who have a problem with Trevor, and Simon uses 24 00:01:45,200 --> 00:01:50,680 Speaker 1: powers but is unfortunately videotaped by a young man named Jayden, 25 00:01:54,040 --> 00:01:57,600 Speaker 1: who then they have to deal with and do some 26 00:01:57,640 --> 00:02:00,480 Speaker 1: stuff for it in order to get him to delete 27 00:02:00,480 --> 00:02:03,520 Speaker 1: his footage. The situation spirals kind of out of control. 28 00:02:03,760 --> 00:02:05,680 Speaker 2: Such a fun episode. 29 00:02:05,440 --> 00:02:09,720 Speaker 1: Very very fun episode Episode six Callback for a long 30 00:02:09,840 --> 00:02:12,000 Speaker 1: night of little sleep, Simon and Trevor race to von 31 00:02:12,120 --> 00:02:17,240 Speaker 1: Kovac's house, where they work through their roles in a 32 00:02:17,360 --> 00:02:21,040 Speaker 1: wonderful I mean, this is the one that was like, 33 00:02:21,120 --> 00:02:27,320 Speaker 1: this is like Megalopolis Kathy Freeman. Episode seven Simon's controlled 34 00:02:27,320 --> 00:02:32,600 Speaker 1: public persona because to unravel, Simon meets with Vivian, who 35 00:02:32,680 --> 00:02:38,000 Speaker 1: understands that he's hiding something, and Trevor admits that he's 36 00:02:38,040 --> 00:02:40,480 Speaker 1: been feeding information to damage Conrol all along, and this 37 00:02:40,639 --> 00:02:47,040 Speaker 1: really like just breaks Simon's heart. Simon response by releasing 38 00:02:47,080 --> 00:02:51,040 Speaker 1: ionic energy and basically destroying the entire sound stage. And 39 00:02:51,080 --> 00:02:57,680 Speaker 1: then episode eight Uca Valley the finale. After Simon's destructive outburst, 40 00:02:58,840 --> 00:03:04,200 Speaker 1: Trevor comes up with a plan to retake the Mandarin 41 00:03:04,240 --> 00:03:08,160 Speaker 1: persona and basically blame himself for the explosion, saying that 42 00:03:08,240 --> 00:03:11,680 Speaker 1: he as the terrorist known as the Mandarin who is 43 00:03:11,840 --> 00:03:16,320 Speaker 1: real this time not fake, planting the explosives, blowing up 44 00:03:16,320 --> 00:03:19,680 Speaker 1: the studio, thus clearing Simon, allowing him to rise to 45 00:03:19,720 --> 00:03:22,959 Speaker 1: stardom behind the Wonder Man picture. That goes on to 46 00:03:23,480 --> 00:03:28,320 Speaker 1: you know, shatter box offices around the globe, and then Simon, 47 00:03:28,720 --> 00:03:34,320 Speaker 1: now a famous actor, goes undercover in perhaps his most 48 00:03:34,320 --> 00:03:39,320 Speaker 1: important role to date as a warden at the Department 49 00:03:39,520 --> 00:03:42,560 Speaker 1: of Damage Control prison in the desert in order to 50 00:03:42,600 --> 00:03:47,640 Speaker 1: bust Trevor Slattery out. That is the season, and it 51 00:03:47,680 --> 00:03:51,840 Speaker 1: was a wonderful, charming season that I think provided a 52 00:03:51,920 --> 00:03:59,640 Speaker 1: roadmap for how Marvel can do more grounded, character driven 53 00:04:00,280 --> 00:04:04,800 Speaker 1: superhero stories going forward. Let's talk about it. Your thoughts 54 00:04:04,840 --> 00:04:06,000 Speaker 1: on Wonder Man. 55 00:04:07,760 --> 00:04:11,160 Speaker 2: I just love this show so much. I thought the 56 00:04:11,160 --> 00:04:13,440 Speaker 2: first half is great, as we talked about. I think 57 00:04:13,600 --> 00:04:16,760 Speaker 2: the central conceit is so clever. Just hire a really 58 00:04:16,800 --> 00:04:19,640 Speaker 2: fantastic actor and make a show about acting like ya. 59 00:04:19,760 --> 00:04:22,680 Speaker 2: Ya is brilliant, so it makes sense that we love 60 00:04:22,720 --> 00:04:26,440 Speaker 2: to watch him. But I really think that the back 61 00:04:26,480 --> 00:04:31,920 Speaker 2: half of this season is such an emotionally draining yet 62 00:04:32,080 --> 00:04:38,039 Speaker 2: satisfying kind of televisual experience for me. I kind of 63 00:04:38,080 --> 00:04:40,680 Speaker 2: find shows that invest me this much a little bit 64 00:04:40,680 --> 00:04:43,880 Speaker 2: hard to watch, like the Simon goes through it in 65 00:04:43,920 --> 00:04:47,880 Speaker 2: these episodes. And Yeah, there was just something so beautiful 66 00:04:48,000 --> 00:04:54,000 Speaker 2: about not only the Hollywood meta nature of as you mentioned, Jason, 67 00:04:54,000 --> 00:04:55,720 Speaker 2: and I immediately put this in the group chat when 68 00:04:55,720 --> 00:04:59,280 Speaker 2: I was rewatching. When you watch episode six after seeing 69 00:05:00,200 --> 00:05:04,560 Speaker 2: the incredible megalopolist documentary Megadoc. 70 00:05:04,520 --> 00:05:05,440 Speaker 1: It's crazy. 71 00:05:05,760 --> 00:05:11,880 Speaker 2: Yeah, same exercises, question Mark. I know, it really does 72 00:05:11,960 --> 00:05:17,159 Speaker 2: feel like somehow, maybe a crew member was on set. 73 00:05:17,320 --> 00:05:19,920 Speaker 2: It feels like there was someone who was feeding information 74 00:05:20,480 --> 00:05:25,000 Speaker 2: to the show about these kind of insane exercises. So 75 00:05:25,320 --> 00:05:29,080 Speaker 2: when you watch wonder Man, it somehow feels more timely, 76 00:05:29,160 --> 00:05:31,880 Speaker 2: more prescient, more like it's making a statement on the 77 00:05:31,880 --> 00:05:34,080 Speaker 2: way that these things work. I also found that there 78 00:05:34,120 --> 00:05:36,680 Speaker 2: is so much to love in Simon's character. We've had 79 00:05:36,680 --> 00:05:38,520 Speaker 2: this conversation, and I think it's going on on the 80 00:05:38,520 --> 00:05:41,120 Speaker 2: internet in general, this reading of maybe Simon is an 81 00:05:41,120 --> 00:05:43,919 Speaker 2: autistic person or and you're a divergent person. And I 82 00:05:44,080 --> 00:05:46,800 Speaker 2: loved how in episode six we get to see him 83 00:05:47,000 --> 00:05:50,640 Speaker 2: having to try and emotionally regulate when something changes, like 84 00:05:50,680 --> 00:05:53,480 Speaker 2: a plan changes and he suddenly can't improv. And this 85 00:05:53,520 --> 00:05:56,359 Speaker 2: is my new hot take, I'm bad at improv because 86 00:05:56,400 --> 00:06:00,400 Speaker 2: improv is ablest. I can't do it. Guys. It's hard 87 00:06:00,480 --> 00:06:04,240 Speaker 2: when you just can't make things up. Okay, But like, 88 00:06:04,480 --> 00:06:07,720 Speaker 2: I loved that episode and I feel like the eventual 89 00:06:07,800 --> 00:06:11,760 Speaker 2: emotional payoff is so high. And I also think that 90 00:06:11,880 --> 00:06:16,000 Speaker 2: Trevor taking the man their immantle back and kind of 91 00:06:16,080 --> 00:06:19,360 Speaker 2: using it to save Simon is a really nice way 92 00:06:19,440 --> 00:06:23,120 Speaker 2: to kind of acknowledge that tough journey that the character's 93 00:06:23,120 --> 00:06:26,800 Speaker 2: been on, but ultimately reclaim it for something positive. And 94 00:06:26,839 --> 00:06:28,919 Speaker 2: then I just love the ending so much. And I 95 00:06:29,000 --> 00:06:32,320 Speaker 2: gotta ask you, Jason, the ending where we see Simon 96 00:06:32,400 --> 00:06:35,240 Speaker 2: break Trevor out of prison and he's wearing the glasses. 97 00:06:35,279 --> 00:06:36,800 Speaker 2: He's going up and you know he's going up in 98 00:06:36,839 --> 00:06:39,599 Speaker 2: the sky's wearing the DODC uniform, but you can imagine 99 00:06:39,640 --> 00:06:43,080 Speaker 2: him wearing the glasses wearing the Superho costume. Do you 100 00:06:43,160 --> 00:06:46,240 Speaker 2: think if these characters come back, we're gonna get to 101 00:06:46,279 --> 00:06:50,599 Speaker 2: see Simon living a dual life as an actor and 102 00:06:50,960 --> 00:06:53,200 Speaker 2: a vigilante or do you think that this might be 103 00:06:53,240 --> 00:06:54,400 Speaker 2: the last time we'll see them. 104 00:06:55,040 --> 00:07:00,400 Speaker 1: I do wonder. I like the I like the idea 105 00:07:00,440 --> 00:07:07,760 Speaker 1: that Simon becomes not just like an out superpowered, enhanced person, 106 00:07:07,839 --> 00:07:11,560 Speaker 1: but also like a working actor behind it, which is 107 00:07:11,720 --> 00:07:15,200 Speaker 1: very much comics accurate. You know, Simon Williams in the 108 00:07:15,240 --> 00:07:18,560 Speaker 1: comics was a member of the West Coast Avengers and 109 00:07:18,600 --> 00:07:22,320 Speaker 1: the Avengers in general, but also like starring in movies, 110 00:07:22,360 --> 00:07:26,720 Speaker 1: television commercials, and TV shows. So I think that would 111 00:07:26,760 --> 00:07:29,000 Speaker 1: be really I think that would be really cool if 112 00:07:29,000 --> 00:07:31,080 Speaker 1: they can figure out how to do that. I will 113 00:07:31,080 --> 00:07:34,280 Speaker 1: say that I like, Yeah, I love the reading of 114 00:07:34,760 --> 00:07:38,000 Speaker 1: I didn't necessarily pick up on it until it was 115 00:07:38,040 --> 00:07:41,400 Speaker 1: mentioned in there in our group chat that you know, 116 00:07:41,400 --> 00:07:45,680 Speaker 1: what if Simon Williams is, you know, neurodivergent on some level, 117 00:07:46,200 --> 00:07:51,440 Speaker 1: and I think his inability to, like his ionic outbursts 118 00:07:51,440 --> 00:07:56,920 Speaker 1: coming after being overstimulated stimulated, I think really track with that. 119 00:07:57,840 --> 00:08:01,480 Speaker 1: But there's so many small character in this that just 120 00:08:01,680 --> 00:08:11,280 Speaker 1: feel different and more raised to the level of importance 121 00:08:11,360 --> 00:08:16,160 Speaker 1: within the character that used to be just for the 122 00:08:16,200 --> 00:08:21,640 Speaker 1: superpowers or for the character's relationship with other superheroes, And 123 00:08:22,240 --> 00:08:27,200 Speaker 1: that's just really good. Work, especially considering that, you know, 124 00:08:27,240 --> 00:08:32,720 Speaker 1: I'm not sure when we get a effective Marvel origin 125 00:08:32,880 --> 00:08:36,680 Speaker 1: story type movie in the future, Like maybe I'm not 126 00:08:36,679 --> 00:08:39,920 Speaker 1: sure how that happens in the future. Like Marvel has 127 00:08:39,960 --> 00:08:43,400 Speaker 1: really kind of struggled with that, and you know, looking 128 00:08:43,440 --> 00:08:48,400 Speaker 1: at Fantastic four, I think has you know, has struggled 129 00:08:48,400 --> 00:08:54,160 Speaker 1: to do it while also trying to serve making blockbuster 130 00:08:54,240 --> 00:08:57,040 Speaker 1: movies as like a goal. So I just think this 131 00:08:57,240 --> 00:09:00,280 Speaker 1: was great. I think this is exactly how they can 132 00:09:00,320 --> 00:09:03,679 Speaker 1: introduce characters in the future. I think the half hour 133 00:09:04,360 --> 00:09:10,000 Speaker 1: format leave you leave, leave us wanting more, not wondering 134 00:09:10,920 --> 00:09:14,679 Speaker 1: why they stretched this out is definitely something that they 135 00:09:14,679 --> 00:09:18,320 Speaker 1: need to like do more of going forward. And to 136 00:09:18,400 --> 00:09:23,320 Speaker 1: your point, there is so much stuff in here that 137 00:09:24,600 --> 00:09:29,480 Speaker 1: is a love letter to movies, to Hollywood, to acting, 138 00:09:29,559 --> 00:09:33,480 Speaker 1: to creativity, like all the von Kovac stuff where he's like, Okay, 139 00:09:34,160 --> 00:09:37,199 Speaker 1: do I just see it again, but you just woke 140 00:09:37,280 --> 00:09:40,000 Speaker 1: from a nap in which you had a dream that 141 00:09:40,800 --> 00:09:45,560 Speaker 1: you were eating a kangaroo's placenta. Okay, let's go. Like 142 00:09:45,800 --> 00:09:49,040 Speaker 1: all of that stuff is like mega, That's like Francis 143 00:09:49,120 --> 00:09:52,880 Speaker 1: Coppola in Megadoc. That's exactly the shit he was doing, 144 00:09:53,320 --> 00:09:56,600 Speaker 1: it's sure nuts. I just loved it. I thought it 145 00:09:56,640 --> 00:10:00,880 Speaker 1: was it was really really really great. You never are 146 00:10:02,640 --> 00:10:06,240 Speaker 1: It doesn't keep you waiting for like, Okay, when are 147 00:10:06,280 --> 00:10:09,319 Speaker 1: the Superpowers going to come out? That's really like secondary 148 00:10:09,440 --> 00:10:16,360 Speaker 1: to the character's arc struggle and goals. And I really 149 00:10:16,400 --> 00:10:23,360 Speaker 1: love the fact that throughout this series, when Simon is 150 00:10:23,760 --> 00:10:27,800 Speaker 1: struggling with like secrets that he's trying to not reveal, 151 00:10:29,040 --> 00:10:31,959 Speaker 1: sometimes you're like, well, what is this, Like I'm not 152 00:10:31,960 --> 00:10:34,640 Speaker 1: actually sure what he's talking about? Is he talking about 153 00:10:35,360 --> 00:10:39,400 Speaker 1: like is this something about him potentially being new or divergent, 154 00:10:39,559 --> 00:10:42,880 Speaker 1: or is it him just trying to keep his his 155 00:10:42,880 --> 00:10:45,640 Speaker 1: his powers a secret. I thought the way those things 156 00:10:45,720 --> 00:10:48,240 Speaker 1: conflated felt very human and lived in. I thought it 157 00:10:48,280 --> 00:10:51,000 Speaker 1: was great program, great show. 158 00:10:51,120 --> 00:10:54,480 Speaker 2: I totally agree. Something else I adored about it. You 159 00:10:54,559 --> 00:10:57,959 Speaker 2: talked about the kind of meta Hollywood love last stuff, 160 00:10:58,000 --> 00:10:59,719 Speaker 2: which we adore, and obviously it's kind of a love 161 00:10:59,800 --> 00:11:02,920 Speaker 2: life TV and the film and the Amadeas heads are 162 00:11:02,920 --> 00:11:06,840 Speaker 2: eating and everybody's loving it. But also I was really 163 00:11:07,640 --> 00:11:10,880 Speaker 2: I thought it was very interesting to see a Marvel 164 00:11:11,000 --> 00:11:15,679 Speaker 2: movie make a commentary on a conversation that the fans 165 00:11:15,760 --> 00:11:20,280 Speaker 2: have because the man when the mand are in not 166 00:11:20,360 --> 00:11:23,080 Speaker 2: the Mandalorian, as I almost said, I know you heard 167 00:11:23,120 --> 00:11:26,840 Speaker 2: that round are coming out. But like the when the 168 00:11:26,880 --> 00:11:34,840 Speaker 2: Mandarin explains why he allegedly blew up this mysterious studio 169 00:11:34,960 --> 00:11:36,800 Speaker 2: lot that anyone who has ever seen a movie will 170 00:11:36,840 --> 00:11:40,080 Speaker 2: know is Paramount Studios, but they blurt out the Paramount sign. 171 00:11:41,480 --> 00:11:44,480 Speaker 2: He uses an argument that many of us have made 172 00:11:44,559 --> 00:11:49,080 Speaker 2: about the MCU that the American Hollywood film industry is 173 00:11:49,200 --> 00:11:53,040 Speaker 2: used to brainwash people that it is incotes with the 174 00:11:53,120 --> 00:11:55,280 Speaker 2: military and all this kind of stuff. And the funny 175 00:11:55,280 --> 00:11:58,640 Speaker 2: thing is Marvel takes that military money. Marvel has those 176 00:11:58,679 --> 00:12:01,480 Speaker 2: Air Force contracts. That is the nature of making movies 177 00:12:01,480 --> 00:12:04,520 Speaker 2: in Hollywood and wanting to use real military vehicles, etc. 178 00:12:04,920 --> 00:12:07,160 Speaker 2: Et cetera, being able to have characters like Captain Marvel 179 00:12:07,200 --> 00:12:10,000 Speaker 2: in the Air Force. So I found it very funny 180 00:12:10,400 --> 00:12:13,559 Speaker 2: and meta and interesting, just like the rest of this show. 181 00:12:13,640 --> 00:12:15,960 Speaker 2: To me, this feels like a very subversive show. It 182 00:12:16,000 --> 00:12:18,640 Speaker 2: feels like a show that somebody said, hey, let's see 183 00:12:18,640 --> 00:12:20,959 Speaker 2: if we can get this made in the Marvel model, 184 00:12:21,000 --> 00:12:23,560 Speaker 2: and guess what they did. And I think now, like 185 00:12:23,600 --> 00:12:26,200 Speaker 2: you said, Jason, it lays out a framework for how 186 00:12:26,280 --> 00:12:30,040 Speaker 2: they could do this in the future. And Jason, I 187 00:12:30,080 --> 00:12:32,160 Speaker 2: want to ask you, maybe when we get back from 188 00:12:32,160 --> 00:12:36,839 Speaker 2: a break, but like, what would your dream pitch be 189 00:12:37,000 --> 00:12:39,240 Speaker 2: for the next hero who gets something like this? 190 00:12:40,320 --> 00:12:40,480 Speaker 3: Oh? 191 00:12:40,480 --> 00:12:43,360 Speaker 1: Wow, yeah, let's talk about that when we come back 192 00:12:44,280 --> 00:12:44,960 Speaker 1: from a break. 193 00:12:45,240 --> 00:13:04,920 Speaker 2: Yeah, what would your dream pitch be for the next 194 00:13:05,000 --> 00:13:06,360 Speaker 2: hero who gets something like this? 195 00:13:07,240 --> 00:13:12,240 Speaker 1: Jeez? Good question. Well, like in a world in which 196 00:13:13,880 --> 00:13:16,800 Speaker 1: in a world in which the mutants, I mean, Simon 197 00:13:16,880 --> 00:13:17,440 Speaker 1: is basically a. 198 00:13:17,480 --> 00:13:21,120 Speaker 2: Mutant, Chris's definitely can come from that. 199 00:13:21,360 --> 00:13:24,479 Speaker 1: Yeah, in this telling of the mc so, Simon Williams 200 00:13:24,559 --> 00:13:29,000 Speaker 1: in the comics got his ionic powers through a lab accident, 201 00:13:29,120 --> 00:13:35,960 Speaker 1: which is classic classic It's either an experiment, a lab accident, 202 00:13:36,640 --> 00:13:41,200 Speaker 1: some sort of controlled explosion, you know, radioactive spidery, et cetera, 203 00:13:41,440 --> 00:13:45,800 Speaker 1: or you're a mutant, And clearly it's the third of 204 00:13:45,840 --> 00:13:49,880 Speaker 1: those three. Oh my god, gosh. I'd love to see 205 00:13:49,920 --> 00:13:55,960 Speaker 1: like a Jubilee runaway mall story, like living in the mall, 206 00:13:56,240 --> 00:14:03,120 Speaker 1: some aer in the mall, like and to I want 207 00:14:03,160 --> 00:14:05,360 Speaker 1: to divert just for a second. One of the things 208 00:14:05,360 --> 00:14:09,880 Speaker 1: I loved in terms of like how this program dealt 209 00:14:09,880 --> 00:14:16,199 Speaker 1: with character is in the finale, you get Simon's scheme 210 00:14:16,280 --> 00:14:19,000 Speaker 1: to break Trevor out right, he goes to Yucca, he 211 00:14:19,080 --> 00:14:22,240 Speaker 1: meets with the security guard. He is like, I'm working 212 00:14:22,280 --> 00:14:23,800 Speaker 1: on a role. I can't tell you what it is. 213 00:14:24,880 --> 00:14:30,280 Speaker 1: And then you get this entire section of scenes where 214 00:14:30,280 --> 00:14:32,920 Speaker 1: it's like he's meeting his family, he's talking with him, 215 00:14:32,960 --> 00:14:36,520 Speaker 1: he's drinking with helping him train. There's all of these 216 00:14:36,560 --> 00:14:41,080 Speaker 1: things that like another Marvel show would not have time 217 00:14:41,120 --> 00:14:43,160 Speaker 1: for and would not even do. That would just be 218 00:14:43,200 --> 00:14:45,400 Speaker 1: a guy like you actually don't need to know anything 219 00:14:45,440 --> 00:14:49,960 Speaker 1: about that guy that Simon boondoggles into, although he does 220 00:14:50,000 --> 00:14:53,760 Speaker 1: give him millions of dollars, yeah, in order to let 221 00:14:53,800 --> 00:14:57,840 Speaker 1: him do that. But that is the kind of dedication 222 00:14:58,000 --> 00:15:02,120 Speaker 1: to like rushing out characters that we need more of. 223 00:15:02,920 --> 00:15:07,640 Speaker 1: And I mean there's so many characters that, like, you like, 224 00:15:07,640 --> 00:15:08,960 Speaker 1: what if we did weird ones? 225 00:15:09,000 --> 00:15:11,200 Speaker 2: I would love to say, well, I'm like, this is 226 00:15:11,240 --> 00:15:13,840 Speaker 2: a close this is a gateway, Jason, because wonder Man 227 00:15:13,920 --> 00:15:17,800 Speaker 2: is a weird character. So what's your weirdest slice of life? 228 00:15:17,160 --> 00:15:21,880 Speaker 1: Paste pot Pete Like, yes, you know, like something like 229 00:15:21,880 --> 00:15:25,000 Speaker 1: that or The Wizard, Like I think that I think 230 00:15:25,000 --> 00:15:31,520 Speaker 1: that villains fleshed out villains who are you know, superheroes 231 00:15:31,520 --> 00:15:35,880 Speaker 1: in villains in Marvel and often in DC become villains 232 00:15:35,960 --> 00:15:39,080 Speaker 1: or heroes for the same reason. They just there's always 233 00:15:39,120 --> 00:15:42,280 Speaker 1: the same kind of like inciting event, but they make 234 00:15:42,360 --> 00:15:45,520 Speaker 1: the decision either to go light or dark based on that. Right, 235 00:15:45,800 --> 00:15:48,240 Speaker 1: it's always like they got screwed over by their boss, 236 00:15:48,400 --> 00:15:52,280 Speaker 1: or they got a prime, or there was an accident 237 00:15:52,880 --> 00:15:55,640 Speaker 1: and someone like the Wizard or Pace Pop Pete or 238 00:15:55,680 --> 00:15:59,120 Speaker 1: these kind of lower level criminal characters who like invent 239 00:15:59,720 --> 00:16:03,920 Speaker 1: something thing that allows them to get ahead in life. 240 00:16:04,520 --> 00:16:10,360 Speaker 1: I think that there could be some really interesting ways 241 00:16:10,400 --> 00:16:13,560 Speaker 1: to approach those characters through this, And I also think 242 00:16:13,600 --> 00:16:18,720 Speaker 1: that just generally speaking, we're kind of a villains. Is 243 00:16:18,760 --> 00:16:21,120 Speaker 1: the thing the MCU has not been I think great 244 00:16:21,120 --> 00:16:27,240 Speaker 1: at is Miley struggled, Yeah, really populating their stable of 245 00:16:27,360 --> 00:16:32,400 Speaker 1: villains with colorful characters who can come and go. Too 246 00:16:32,480 --> 00:16:37,200 Speaker 1: often it's like this intense like superpowered threat that you know, 247 00:16:37,280 --> 00:16:40,600 Speaker 1: the Red Skull who once they're vanquished, they're kind of 248 00:16:40,600 --> 00:16:43,400 Speaker 1: off the board, or Thanos that once you beat him, 249 00:16:43,720 --> 00:16:46,880 Speaker 1: it's like that's it takes all of the superheroes to 250 00:16:46,920 --> 00:16:50,640 Speaker 1: beat him. What about somebody who it takes like a 251 00:16:50,960 --> 00:16:53,760 Speaker 1: street level superhero like a month to beat them, right. 252 00:16:54,360 --> 00:16:57,120 Speaker 2: Isn't that what made five of Us so great? When 253 00:16:57,280 --> 00:17:00,000 Speaker 2: you know this idea of males morale is getting this victim, 254 00:17:00,320 --> 00:17:02,160 Speaker 2: you know, a villain of the week in the spot, 255 00:17:02,200 --> 00:17:06,600 Speaker 2: and then that mutating into this crazy villainous origin. I 256 00:17:06,640 --> 00:17:09,080 Speaker 2: love that idea, Jason. I also think you're right. I 257 00:17:09,080 --> 00:17:11,960 Speaker 2: think Marvel needs to build out its rogues gallery. It's 258 00:17:11,960 --> 00:17:14,800 Speaker 2: always had those cosmic villains that we love, but DC 259 00:17:14,960 --> 00:17:18,119 Speaker 2: has that, and DC has a crazy rogues gallery. I 260 00:17:18,160 --> 00:17:19,879 Speaker 2: would say, if I was gonna do it, i'd go 261 00:17:19,960 --> 00:17:23,280 Speaker 2: for like a I'd probably go for a similar tone. 262 00:17:23,320 --> 00:17:26,160 Speaker 2: I think this wonder Man tone is incredible. I would 263 00:17:26,200 --> 00:17:28,440 Speaker 2: probably want to do like three D Man, but I 264 00:17:28,480 --> 00:17:31,120 Speaker 2: would also use it to do my favorite thing, which 265 00:17:31,160 --> 00:17:33,879 Speaker 2: is to recontextualize something that didn't work in the MCU. 266 00:17:34,520 --> 00:17:36,600 Speaker 2: In this case, I'd be going for like a Ragnarock 267 00:17:36,760 --> 00:17:40,920 Speaker 2: esque recontextualization of Secret Invasion, and it's all from three 268 00:17:41,000 --> 00:17:43,480 Speaker 2: D Man's perspective as just a normal guy who can 269 00:17:43,560 --> 00:17:47,000 Speaker 2: see all the scrolls and just nobody believes them. And 270 00:17:47,040 --> 00:17:49,760 Speaker 2: then eventually, you know, you maybe find out that at 271 00:17:49,760 --> 00:17:51,600 Speaker 2: some point he's able to help in a small way, 272 00:17:51,800 --> 00:17:54,720 Speaker 2: but I think there would be something really fun in that, 273 00:17:54,800 --> 00:17:57,280 Speaker 2: kind of almost like a They Live, but more of 274 00:17:57,320 --> 00:18:00,959 Speaker 2: a farcical comedy about like, yeah, nobody believes that this 275 00:18:01,000 --> 00:18:02,960 Speaker 2: guy with his three D glasses can see who the 276 00:18:02,960 --> 00:18:04,960 Speaker 2: scrolls are because nobody knows the scrolls are there because 277 00:18:04,960 --> 00:18:07,159 Speaker 2: they've been there for like forty years and nobody knows. 278 00:18:07,400 --> 00:18:10,960 Speaker 2: And then you kind of kindly slowly catch up with 279 00:18:11,520 --> 00:18:14,639 Speaker 2: secret Invasion and maybe try and change a little bit 280 00:18:14,640 --> 00:18:16,360 Speaker 2: of what happened there. I think something like that could 281 00:18:16,400 --> 00:18:18,560 Speaker 2: be fun, And I think you're right, Jason. I mean 282 00:18:18,600 --> 00:18:20,560 Speaker 2: also something that worked for me so well. And this 283 00:18:20,680 --> 00:18:23,040 Speaker 2: is very specific obviously because of where we live. But 284 00:18:24,119 --> 00:18:26,680 Speaker 2: I loved how La this show was, and I loved 285 00:18:26,720 --> 00:18:32,320 Speaker 2: how Chicago Echo that Ironheart was, and I loved how 286 00:18:32,520 --> 00:18:34,240 Speaker 2: Echo a lot of it was spent on the res, 287 00:18:34,720 --> 00:18:38,200 Speaker 2: Like I think these location being part of the heart 288 00:18:38,280 --> 00:18:40,320 Speaker 2: of the series is a great way to ground it 289 00:18:40,400 --> 00:18:43,359 Speaker 2: and to show how many different aspects there are of America. 290 00:18:43,840 --> 00:18:45,960 Speaker 2: I would love to see like Jubilee, you know, where 291 00:18:45,960 --> 00:18:48,280 Speaker 2: there's a huge Asian American community in a very famous 292 00:18:48,320 --> 00:18:50,879 Speaker 2: mall in La de Lamo Male, like do a Torrent 293 00:18:51,000 --> 00:18:53,399 Speaker 2: set Jubilee thing. I want to fucking watch that, Like, 294 00:18:53,800 --> 00:19:00,000 Speaker 2: do these specific characters in these really beautiful lived in locations. 295 00:19:00,040 --> 00:19:02,960 Speaker 2: I'll see what it's like to be the insurance salesman 296 00:19:03,000 --> 00:19:05,560 Speaker 2: who has to tell everyone their car premiums are going 297 00:19:05,640 --> 00:19:08,760 Speaker 2: up because the Hulk has smashed another five Nissans in 298 00:19:09,040 --> 00:19:11,600 Speaker 2: you know, downtown New York or whatever. This is a 299 00:19:11,600 --> 00:19:13,880 Speaker 2: great space for that. And look at how popular it's been. 300 00:19:14,119 --> 00:19:16,720 Speaker 2: This show has gone barely any hatred. I've seen no 301 00:19:16,840 --> 00:19:22,120 Speaker 2: trolling campaigns. I have only seen really happily surprised viewerships, 302 00:19:22,240 --> 00:19:24,880 Speaker 2: especially because I think another thing we haven't really talked 303 00:19:24,920 --> 00:19:27,879 Speaker 2: about is contextually this show is actually pretty dark for 304 00:19:27,920 --> 00:19:31,080 Speaker 2: the MCU, like, it has a very bleak, sad sense 305 00:19:31,080 --> 00:19:35,280 Speaker 2: of humor. It's very existential. It really dares the audience 306 00:19:35,359 --> 00:19:37,960 Speaker 2: to go on more of like an intellectual and emotional 307 00:19:38,040 --> 00:19:40,199 Speaker 2: journey with them, and that has hit here, so I 308 00:19:40,200 --> 00:19:42,000 Speaker 2: think we got to follow and do more of that. 309 00:19:42,520 --> 00:19:46,200 Speaker 1: I completely agree. I meant, part of Simon's journey is 310 00:19:46,320 --> 00:19:51,760 Speaker 1: he has no friends. He's dedicated himself to this, you know, 311 00:19:52,160 --> 00:19:55,800 Speaker 1: almost quixotic quest to become a Hollywood actor and a 312 00:19:55,880 --> 00:20:00,679 Speaker 1: huge star. He's lying to his family about how successful 313 00:20:00,760 --> 00:20:04,399 Speaker 1: he is. His only friend is Trevor Slattery, who is 314 00:20:05,880 --> 00:20:09,880 Speaker 1: you know, like SENTI by him, sent by the government 315 00:20:09,920 --> 00:20:14,560 Speaker 1: to spy on him. And he has no ability to 316 00:20:14,680 --> 00:20:20,720 Speaker 1: like forge close bonds with with any kind of romantic partners. 317 00:20:20,760 --> 00:20:24,480 Speaker 1: Like he's really struggling, and a lot of this story 318 00:20:24,600 --> 00:20:28,520 Speaker 1: is like him trying to deal with that, and also 319 00:20:28,640 --> 00:20:32,440 Speaker 1: the fact that he is more comfortable playing a role 320 00:20:32,560 --> 00:20:36,280 Speaker 1: than being himself. Like that's when he becomes wonder Man 321 00:20:36,359 --> 00:20:39,480 Speaker 1: at the end, you know, in the in the costume, 322 00:20:39,520 --> 00:20:43,520 Speaker 1: with the goggles and the whole thing. It's it's because 323 00:20:43,560 --> 00:20:47,639 Speaker 1: he has like embraced that role in a way that 324 00:20:47,680 --> 00:20:51,240 Speaker 1: he wasn't able to embrace his own life, his own 325 00:20:51,280 --> 00:20:52,080 Speaker 1: regular life. 326 00:20:52,560 --> 00:20:55,400 Speaker 2: I think that's why he's also able to save Trevor, 327 00:20:55,480 --> 00:20:58,480 Speaker 2: because he has become wonder Man, like he is able 328 00:20:58,520 --> 00:21:02,280 Speaker 2: to bring that role into his life. Okay, Jason Joel 329 00:21:02,359 --> 00:21:06,720 Speaker 2: gave us some really good big questions here, So with 330 00:21:06,920 --> 00:21:10,440 Speaker 2: this and obviously the studio cleaning up so far at 331 00:21:10,560 --> 00:21:14,720 Speaker 2: Award season is the thirty minute TV series back in 332 00:21:14,760 --> 00:21:18,160 Speaker 2: the Prestige Television conversation and also I think this fits 333 00:21:18,160 --> 00:21:20,600 Speaker 2: into stress teage TV. This is a stressful show. 334 00:21:21,640 --> 00:21:27,520 Speaker 1: I mean the thirty minute prestige. First of all, back 335 00:21:27,560 --> 00:21:30,840 Speaker 1: would imply that it existed. I'm not sure has there 336 00:21:30,880 --> 00:21:36,840 Speaker 1: ever been thirty minutes? Are for comedy, right, yeah, comedy 337 00:21:37,160 --> 00:21:41,000 Speaker 1: reflected stuff, and so I don't know that there's ever 338 00:21:41,280 --> 00:21:44,600 Speaker 1: been a thirty minute thirty minute prestige. 339 00:21:45,119 --> 00:21:47,680 Speaker 2: It's the Bear, I would say, made it a possibility. 340 00:21:47,800 --> 00:21:49,080 Speaker 2: And that's why the Bear. 341 00:21:49,760 --> 00:21:53,080 Speaker 1: The Bear was a fit you've been, That was a hoodwink, 342 00:21:53,880 --> 00:21:58,160 Speaker 1: that was not That was just a drama that they 343 00:21:58,240 --> 00:22:02,520 Speaker 1: did in thirty minutes. And then everybody brains broke because 344 00:22:02,520 --> 00:22:05,600 Speaker 1: they were like, so it's a comedy. And so I 345 00:22:05,640 --> 00:22:10,440 Speaker 1: guess what I'm saying is other than the Bear, Season one, 346 00:22:12,480 --> 00:22:16,000 Speaker 1: can we think of an actual prestige thirty minute? 347 00:22:16,760 --> 00:22:18,439 Speaker 2: Could the Studio be the first? 348 00:22:18,520 --> 00:22:22,280 Speaker 1: Then it's the comedy though. Okay, so you think Good 349 00:22:22,280 --> 00:22:23,560 Speaker 1: Place was a sitcom? 350 00:22:24,000 --> 00:22:26,480 Speaker 2: You think the prestige has to be no comedy? 351 00:22:26,640 --> 00:22:29,159 Speaker 1: I mean, like, I guess we to sound like the 352 00:22:29,240 --> 00:22:31,800 Speaker 1: science fiction No. I guess we have to. I guess 353 00:22:31,800 --> 00:22:33,800 Speaker 1: we have to. I guess we have to. Like, Okay, 354 00:22:33,840 --> 00:22:38,320 Speaker 1: let's what is prestige. Prestige is like you know, what 355 00:22:38,359 --> 00:22:39,959 Speaker 1: do you mean my Presige question. 356 00:22:40,200 --> 00:22:42,360 Speaker 2: No one's ever answered it before. I think it's it's 357 00:22:42,400 --> 00:22:43,640 Speaker 2: gonna be easy. 358 00:22:44,560 --> 00:22:49,320 Speaker 1: So I always think of Prestige as like very ambitious, 359 00:22:49,320 --> 00:22:55,400 Speaker 1: great acting, great writing, great directing, pushing boundaries, the type 360 00:22:55,400 --> 00:22:58,080 Speaker 1: of show that you didn't think you'd ever see on television, 361 00:22:58,160 --> 00:23:02,040 Speaker 1: but there it is. So yes, Madman, Deadwood, the Sopranos, 362 00:23:02,160 --> 00:23:06,040 Speaker 1: Breaking Bad, better call Saul Succession. 363 00:23:06,800 --> 00:23:08,639 Speaker 2: I'll give you one. I'll give you one that I 364 00:23:08,680 --> 00:23:11,040 Speaker 2: think does count. Even though I am not as much 365 00:23:11,040 --> 00:23:13,119 Speaker 2: of a fan of this show as everyone else. It 366 00:23:13,280 --> 00:23:15,640 Speaker 2: is a comedy, but I think that it covers all 367 00:23:15,640 --> 00:23:17,919 Speaker 2: of the things you just said about direction and boundary 368 00:23:17,960 --> 00:23:22,520 Speaker 2: breaking and all of that. Fleabag was a show, and 369 00:23:22,640 --> 00:23:26,199 Speaker 2: I think that pushes the boundaries of the way that 370 00:23:26,280 --> 00:23:29,239 Speaker 2: the show uses time and the fourth wall and all 371 00:23:29,240 --> 00:23:31,600 Speaker 2: that kind of stuff. So maybe it's more that we 372 00:23:31,640 --> 00:23:34,000 Speaker 2: are entering into a new age. 373 00:23:34,520 --> 00:23:36,560 Speaker 1: You know what else? You know what else? And I 374 00:23:36,640 --> 00:23:41,240 Speaker 1: hate it? Actually was it a half hour England? The 375 00:23:41,280 --> 00:23:46,720 Speaker 1: original BBC Office the first two seasons was Prestige. Yeah, 376 00:23:46,760 --> 00:23:50,000 Speaker 1: because that was that was like a seismic. 377 00:23:50,160 --> 00:23:52,720 Speaker 2: Shift, culture change, a real. 378 00:23:52,520 --> 00:23:57,040 Speaker 1: Culture changer, and that and that it melded comedy and 379 00:23:57,160 --> 00:24:02,480 Speaker 1: drama and heartfelt. The motion, like you know, Ricky Gervay 380 00:24:02,600 --> 00:24:03,800 Speaker 1: is huge piece of shit. 381 00:24:04,400 --> 00:24:06,760 Speaker 2: Yeah, but will won't. 382 00:24:06,520 --> 00:24:11,960 Speaker 1: They in the in the BBC office is like as 383 00:24:12,080 --> 00:24:13,000 Speaker 1: good as it gets. 384 00:24:13,119 --> 00:24:15,600 Speaker 2: You couldn't believe how good it is, Like you just 385 00:24:15,720 --> 00:24:20,080 Speaker 2: can't stop watching it. Also incredible Dwight Costing completely different 386 00:24:20,200 --> 00:24:22,400 Speaker 2: vibe but like very creepy. 387 00:24:23,160 --> 00:24:25,439 Speaker 1: And so I guess I guess I would say that 388 00:24:25,520 --> 00:24:28,280 Speaker 1: I think that I think that what we're seeing with 389 00:24:28,600 --> 00:24:32,280 Speaker 1: a Night of the Seven Kingdoms, with the studio a 390 00:24:32,280 --> 00:24:34,800 Speaker 1: little bit and with Wonderment, is that there is a 391 00:24:34,880 --> 00:24:45,880 Speaker 1: lane for kind of genre mash type half hour television programs. Okay, 392 00:24:46,119 --> 00:24:54,199 Speaker 1: that that put character development as central to the execution 393 00:24:54,440 --> 00:24:56,840 Speaker 1: of the of the storytelling. I like, it's not just 394 00:24:56,920 --> 00:25:00,159 Speaker 1: about effects, it's not just about action, it's not just 395 00:25:00,200 --> 00:25:04,280 Speaker 1: about like with the studio, the dedication to the Wanner 396 00:25:04,440 --> 00:25:10,960 Speaker 1: in this kind of like cinematographical excellence. It's about it's 397 00:25:11,000 --> 00:25:13,720 Speaker 1: about learning who the characters are. And in that sense, yes, 398 00:25:13,800 --> 00:25:17,040 Speaker 1: I think that what we're seeing an opening of a 399 00:25:17,160 --> 00:25:21,080 Speaker 1: lane here for particularly for marvel Ian did. 400 00:25:20,920 --> 00:25:24,280 Speaker 2: A really interesting call out there for Entourage. But you know, 401 00:25:24,359 --> 00:25:26,520 Speaker 2: I will say I was reading about it right, you know, 402 00:25:26,600 --> 00:25:29,000 Speaker 2: because there's HBO at same minutes it's comedy drama. But 403 00:25:29,040 --> 00:25:31,600 Speaker 2: I will say it was one of the first shows, 404 00:25:31,640 --> 00:25:33,520 Speaker 2: it looks like, where people kind of started talking about 405 00:25:33,560 --> 00:25:36,879 Speaker 2: prestige adjacent where you could make like a show that 406 00:25:37,000 --> 00:25:40,840 Speaker 2: was essentially a higher quality than say like a broadcast sitcom, 407 00:25:40,880 --> 00:25:42,560 Speaker 2: and kind of verging into that space. 408 00:25:42,600 --> 00:25:42,679 Speaker 3: Now. 409 00:25:42,720 --> 00:25:45,080 Speaker 2: I have deep feelings on Entourage, but I think that's 410 00:25:45,080 --> 00:25:47,359 Speaker 2: an interesting thing. I think it's something that's been paved 411 00:25:47,359 --> 00:25:49,760 Speaker 2: the way throughout history, but it does seem like we're 412 00:25:49,760 --> 00:25:52,120 Speaker 2: in a peak of it right now, probably also because 413 00:25:52,119 --> 00:25:54,240 Speaker 2: of budget, so every Netflix show would love to be 414 00:25:54,280 --> 00:25:56,879 Speaker 2: a thirty minute show that costs half as much money. 415 00:25:57,200 --> 00:26:01,240 Speaker 2: Jason incredible poll here that tries VISLACKT three is now 416 00:26:01,280 --> 00:26:05,159 Speaker 2: in as nearly as many properties as Stephen Strange, potentially 417 00:26:05,200 --> 00:26:09,000 Speaker 2: even more crossovers than Tom Onlin Spider Man. So what 418 00:26:09,040 --> 00:26:11,360 Speaker 2: do you see his role within the MCU being here? 419 00:26:11,440 --> 00:26:13,640 Speaker 2: I think this is kind of a perfect ending for him, 420 00:26:13,880 --> 00:26:15,680 Speaker 2: but obviously I would like to see him and Simon 421 00:26:15,760 --> 00:26:18,159 Speaker 2: together again because that friendship is obviously so key to 422 00:26:18,160 --> 00:26:21,480 Speaker 2: Simon's life. How do you feel about Trevor post from 423 00:26:21,520 --> 00:26:23,320 Speaker 2: Iron Man three to Shangchi to hear. 424 00:26:24,000 --> 00:26:28,880 Speaker 1: I think Trevor's got probably the most unique character arc 425 00:26:29,160 --> 00:26:31,840 Speaker 1: in the MCU. And I think, as we said in 426 00:26:31,840 --> 00:26:38,119 Speaker 1: the previous wonder Man episode, I was kind of I 427 00:26:38,119 --> 00:26:41,120 Speaker 1: thought it was a good bit in Iron Man three, 428 00:26:41,400 --> 00:26:47,359 Speaker 1: Like I thought it was a fun subversion of the 429 00:26:47,480 --> 00:26:51,760 Speaker 1: terrorist kind of trope. And I could not have envisioned 430 00:26:51,840 --> 00:26:53,959 Speaker 1: how much fun it would be to check back in 431 00:26:54,000 --> 00:26:54,440 Speaker 1: with Trump. 432 00:26:54,640 --> 00:26:55,120 Speaker 2: Agree. 433 00:26:55,359 --> 00:26:58,280 Speaker 1: And that's the thing, Like, I am quite hopeful that 434 00:26:58,359 --> 00:27:00,720 Speaker 1: we see more Trevor. I mean, certainly he's a fugitive 435 00:27:00,720 --> 00:27:02,879 Speaker 1: from justice. Now. I don't know you. I don't know 436 00:27:02,920 --> 00:27:05,240 Speaker 1: what you do with Like where do you put Trevor now? 437 00:27:05,560 --> 00:27:08,000 Speaker 2: Like where you have to say? 438 00:27:08,280 --> 00:27:10,840 Speaker 4: I love how much people in our discord love this show, 439 00:27:10,920 --> 00:27:13,280 Speaker 4: because they love it so much that even though you 440 00:27:13,320 --> 00:27:15,320 Speaker 4: could argue, I think that they're really trying to say, 441 00:27:15,359 --> 00:27:19,760 Speaker 4: like this show is very standalone type show, you know. 442 00:27:20,000 --> 00:27:22,680 Speaker 2: But there was somebody in our discord who was like, look, 443 00:27:22,880 --> 00:27:25,320 Speaker 2: it's definitely gonna connect how about this? And I want 444 00:27:25,320 --> 00:27:27,119 Speaker 2: to credit them because it's so good. Oh yeah, it 445 00:27:27,240 --> 00:27:31,120 Speaker 2: was SJK, who's one of our biggest discord supporters and listeners. 446 00:27:31,480 --> 00:27:35,840 Speaker 2: I think Josh Gad was Dormann to Battleworld. I love 447 00:27:35,920 --> 00:27:38,680 Speaker 2: that people love this show so much that they are 448 00:27:38,720 --> 00:27:42,040 Speaker 2: like head cannoning ways that it could connect. I do 449 00:27:42,119 --> 00:27:45,280 Speaker 2: think that after the success and popularity and kind of 450 00:27:45,359 --> 00:27:50,000 Speaker 2: like fan faveness, I definitely could see a Trevor Yeah yeah, 451 00:27:50,720 --> 00:27:56,840 Speaker 2: kind of you know, Madison esque fan fave cameo before 452 00:27:56,920 --> 00:27:57,679 Speaker 2: Secret Wars. 453 00:27:57,680 --> 00:28:03,280 Speaker 1: Maybe I mean Trevor. I mean Trevor and Simon are 454 00:28:03,880 --> 00:28:09,680 Speaker 1: are attached to the hip now because again both fugitives. Simon, 455 00:28:11,680 --> 00:28:17,840 Speaker 1: like is an international movie star who just broke Trevor Slattery, 456 00:28:17,880 --> 00:28:21,320 Speaker 1: world famous terrorist out of prison. They're gonna know it's him, 457 00:28:21,680 --> 00:28:25,400 Speaker 1: They're gonna know it's both of them, and they can't 458 00:28:25,720 --> 00:28:30,520 Speaker 1: like live openly now. So those two having adventures is 459 00:28:30,560 --> 00:28:33,360 Speaker 1: something I would love to check back. Yeah. 460 00:28:33,720 --> 00:28:36,439 Speaker 2: I agree. Also, I did just have a realization, so 461 00:28:36,560 --> 00:28:40,600 Speaker 2: great questionnaire again So with ya ya and we know 462 00:28:40,640 --> 00:28:43,960 Speaker 2: here that he's got the ionic powers. We hear that 463 00:28:44,120 --> 00:28:46,400 Speaker 2: Department of Damage Control talking about how powerfully is we 464 00:28:46,400 --> 00:28:49,600 Speaker 2: see how powerful is he breaks Trevor out. Does this 465 00:28:50,040 --> 00:28:53,840 Speaker 2: change the trajectory of say, like a Captain Anthony Mackie's 466 00:28:53,880 --> 00:28:56,520 Speaker 2: Captain America. I think this is a very interesting question 467 00:28:56,800 --> 00:28:59,400 Speaker 2: because I do think that if I was in charge 468 00:28:59,400 --> 00:29:03,320 Speaker 2: of the mc the end of this series really echoes 469 00:29:03,720 --> 00:29:05,720 Speaker 2: where we leave Tony Stark at the end of the 470 00:29:05,720 --> 00:29:10,560 Speaker 2: first Iron Man. He's internationally known, he is well recognized, 471 00:29:10,600 --> 00:29:14,520 Speaker 2: he is protected, he has superpowers, he has a suit. 472 00:29:15,160 --> 00:29:17,680 Speaker 2: I would if I was the Marvel Execs, I would 473 00:29:17,720 --> 00:29:20,480 Speaker 2: be seeding and begging Yaya to be my next lead. 474 00:29:20,600 --> 00:29:23,800 Speaker 2: So I think that could impact where we go with 475 00:29:23,880 --> 00:29:26,160 Speaker 2: Captain America. But I also think that from the leaks 476 00:29:26,160 --> 00:29:28,920 Speaker 2: we're reading, from what we're seeing from Doomsday, that also 477 00:29:29,040 --> 00:29:31,640 Speaker 2: is about them wanting to refocus to Steve Rodgers. But 478 00:29:31,680 --> 00:29:34,440 Speaker 2: I would love to see wonder Man and Sam Wilson 479 00:29:34,480 --> 00:29:37,160 Speaker 2: together at some point, especially as a reunion after the 480 00:29:37,360 --> 00:29:40,280 Speaker 2: iconic gay gaming episode of Black Mirror. 481 00:29:57,320 --> 00:30:00,719 Speaker 1: Let's Go to We got some great questions from our discord. 482 00:30:01,480 --> 00:30:05,960 Speaker 1: A row Hith from our discord asked, at the risk 483 00:30:06,000 --> 00:30:08,520 Speaker 1: of being hyperbolic, this to me feels like the best 484 00:30:08,600 --> 00:30:10,760 Speaker 1: MCU project, and if not the best around among the 485 00:30:10,760 --> 00:30:14,960 Speaker 1: best of the MCU with and I completely agree. Never 486 00:30:15,000 --> 00:30:16,840 Speaker 1: I have I seen a super project that just felt 487 00:30:16,880 --> 00:30:22,320 Speaker 1: like real people living in a world populated with superheroes. Also, 488 00:30:22,320 --> 00:30:25,000 Speaker 1: the relationship with Trevor Simon is easily one of the best. 489 00:30:25,160 --> 00:30:27,240 Speaker 1: That's not a question. There's no questions here, but there's. 490 00:30:27,120 --> 00:30:30,160 Speaker 2: Just no there's just people who love this. Just just 491 00:30:30,240 --> 00:30:32,160 Speaker 2: say like everyone is loving it so much. 492 00:30:32,840 --> 00:30:35,240 Speaker 1: Our Discord really loved it. Whack whack and the Discord 493 00:30:35,240 --> 00:30:37,240 Speaker 1: I'm so in love with The show felt natural, lived 494 00:30:37,280 --> 00:30:39,840 Speaker 1: in and every moment felt like it mattered, furthering emotional 495 00:30:39,840 --> 00:30:42,440 Speaker 1: connections to these characters. And I think that's right. You know, 496 00:30:42,520 --> 00:30:45,480 Speaker 1: like so much of this show was not about some 497 00:30:46,320 --> 00:30:51,240 Speaker 1: massive secret mission or cosmic battle. It was just the guys. 498 00:30:51,600 --> 00:30:54,520 Speaker 1: It was the feet of Clay thing that Stanley has 499 00:30:54,560 --> 00:30:55,520 Speaker 1: been talking about. 500 00:30:55,760 --> 00:30:57,680 Speaker 2: Yes, yes, yes, great way to put. 501 00:30:57,560 --> 00:31:00,880 Speaker 1: It for seventy years. Like it is that it is 502 00:31:00,920 --> 00:31:04,520 Speaker 1: a guy who's like, I don't know, you know where 503 00:31:04,520 --> 00:31:10,120 Speaker 1: my rent is coming from. I'm struggling professionally and you know, personally, 504 00:31:10,400 --> 00:31:13,600 Speaker 1: and also I have superpowers. That's like the Marvel formula. 505 00:31:13,920 --> 00:31:16,800 Speaker 2: Mm hmm okay. Also, Jason, I got to ask you, 506 00:31:17,240 --> 00:31:20,720 Speaker 2: there's so many amazing monologues in this show. I think 507 00:31:20,760 --> 00:31:24,200 Speaker 2: mine is the Trevor to Simon one where he basically 508 00:31:24,240 --> 00:31:26,560 Speaker 2: just tells him like, you know, that's not true. The 509 00:31:26,640 --> 00:31:29,760 Speaker 2: real you isn't your condition. It's the sum of everything 510 00:31:29,760 --> 00:31:33,120 Speaker 2: you've experience, the loss of joy, the sadness, wanting something 511 00:31:33,200 --> 00:31:36,360 Speaker 2: so badly you could burst, hurting someone you care about, 512 00:31:36,680 --> 00:31:39,920 Speaker 2: being hurt that by those you love. Jason, if you 513 00:31:39,960 --> 00:31:41,760 Speaker 2: were going to do a monologue, if you were going 514 00:31:41,800 --> 00:31:43,560 Speaker 2: in to read for wonder Man and you were going 515 00:31:43,600 --> 00:31:45,840 Speaker 2: to do a monologue from wonder Man, which one would 516 00:31:45,840 --> 00:31:47,600 Speaker 2: you be picking of? 517 00:31:49,000 --> 00:31:51,960 Speaker 1: Oh? Wow, that's good. I mean I like I honestly 518 00:31:52,000 --> 00:31:55,040 Speaker 1: every I would do a Vonkvath. Some I would do 519 00:31:55,040 --> 00:31:58,800 Speaker 1: a yeah, something you could definely so demented in this movie. 520 00:32:01,400 --> 00:32:07,320 Speaker 1: It's like, I watch Megalopolis. If you liked Vaughn in 521 00:32:07,360 --> 00:32:13,239 Speaker 1: this movie, Yeah, watch Mega because it is seriously like 522 00:32:13,400 --> 00:32:17,120 Speaker 1: a Francis Ford Coppola satire. It really is. 523 00:32:17,920 --> 00:32:22,600 Speaker 2: Okay, Jason von Kovac has now you know, the movie 524 00:32:22,680 --> 00:32:26,880 Speaker 2: was a massive success. Simon has somehow gotten himself back. 525 00:32:26,960 --> 00:32:28,760 Speaker 2: This is my theory. This is what I would pitch 526 00:32:28,760 --> 00:32:32,400 Speaker 2: for season two, right Simon. He von Kovac is like, Okay, well, 527 00:32:32,440 --> 00:32:34,400 Speaker 2: now you have become wonder Man. So I want to 528 00:32:34,440 --> 00:32:38,360 Speaker 2: make the meta movie or follow up TV series about 529 00:32:38,400 --> 00:32:41,000 Speaker 2: your life as both the real Supero wonder Man and 530 00:32:41,040 --> 00:32:43,800 Speaker 2: the actor who plays wonder Man. I think that would 531 00:32:43,840 --> 00:32:46,560 Speaker 2: be incredible, But I've got to hear more of your 532 00:32:46,640 --> 00:32:50,000 Speaker 2: von Kovac, Jason, so I'm gonna need you to pitch 533 00:32:50,120 --> 00:32:53,040 Speaker 2: me what your follow up to this wonder Man movie 534 00:32:53,040 --> 00:32:55,680 Speaker 2: would be in the voice of none other than the 535 00:32:55,720 --> 00:32:58,360 Speaker 2: demented yet kind von Kovac, who I have to say, 536 00:32:58,480 --> 00:33:01,160 Speaker 2: I was a big fan of the little moments of 537 00:33:01,240 --> 00:33:03,760 Speaker 2: kindness they did give, like when somebody tries to kind 538 00:33:03,760 --> 00:33:06,400 Speaker 2: of mock Simon about being upset and he was like, hey, 539 00:33:06,520 --> 00:33:08,960 Speaker 2: calm down, you know. So he's like deranged but a 540 00:33:08,960 --> 00:33:12,080 Speaker 2: little more humanist than I think the people that he 541 00:33:12,160 --> 00:33:17,120 Speaker 2: is really based on. So anyway, Jason, pitch me wonder Man. 542 00:33:17,200 --> 00:33:20,160 Speaker 2: You're a wonder Man follow up. But as von Kovac, I. 543 00:33:20,120 --> 00:33:23,160 Speaker 1: Think we need a von Kovak documentary about the founding 544 00:33:23,200 --> 00:33:27,479 Speaker 1: of the West Coast Avengers. Oh yes, that's kind of 545 00:33:27,960 --> 00:33:32,240 Speaker 1: you know. That is you know, a like almost like 546 00:33:32,320 --> 00:33:40,240 Speaker 1: a Grizzly Man type commentary from from von Kovac as 547 00:33:40,280 --> 00:33:46,000 Speaker 1: he follows Simon Williams assembling the team that will be 548 00:33:46,120 --> 00:33:49,200 Speaker 1: known as the West Coast Avengers, which I think should 549 00:33:49,200 --> 00:33:50,880 Speaker 1: be the way they go at this point, because like 550 00:33:50,920 --> 00:33:55,440 Speaker 1: your point about it, about it being very reminiscent of 551 00:33:55,440 --> 00:33:58,520 Speaker 1: the way that Ironman one ends, I think is right, 552 00:33:59,400 --> 00:34:05,480 Speaker 1: and Simon being kind of the most along with she 553 00:34:05,720 --> 00:34:10,080 Speaker 1: Hulk right about being the most at this point notable 554 00:34:11,960 --> 00:34:13,400 Speaker 1: West Coast superhero. 555 00:34:14,120 --> 00:34:14,879 Speaker 2: That's a great call. 556 00:34:15,080 --> 00:34:18,759 Speaker 1: It'd be cool to see. And he's ostensibly got some 557 00:34:18,880 --> 00:34:23,520 Speaker 1: millions of dollars with which to fund this project, assuming 558 00:34:23,560 --> 00:34:27,800 Speaker 1: that the government hasn't like seized his bank accounts, So true, 559 00:34:28,040 --> 00:34:29,360 Speaker 1: he could put the team together. 560 00:34:30,000 --> 00:34:32,040 Speaker 2: M hm. That feels like as well, guess who else 561 00:34:32,120 --> 00:34:35,880 Speaker 2: is Hella Rich, Kate Bishop Hawkaye. She's so rich, her 562 00:34:35,920 --> 00:34:38,719 Speaker 2: mum's in prison. I feel like those two together could 563 00:34:38,719 --> 00:34:43,160 Speaker 2: really be living in that compound, protecting themselves. Maybe also, 564 00:34:43,560 --> 00:34:46,920 Speaker 2: I'm seeing some kind of world where Simon maybe becomes 565 00:34:47,000 --> 00:34:50,960 Speaker 2: a kind of figurehead for public superheroes. I'm wondering if 566 00:34:50,960 --> 00:34:53,920 Speaker 2: that's where we're going again, replicating that Iron Man feeling, 567 00:34:54,239 --> 00:34:57,720 Speaker 2: but maybe as more of an activist. Because also something 568 00:34:57,880 --> 00:34:59,400 Speaker 2: and we talked about this a little bit in the 569 00:34:59,680 --> 00:35:03,720 Speaker 2: first season the first chunk of episodes, but this really 570 00:35:03,840 --> 00:35:07,520 Speaker 2: does start to establish some of the laws and layout 571 00:35:07,560 --> 00:35:09,879 Speaker 2: that we're going to end up with for the X Men, 572 00:35:10,040 --> 00:35:12,640 Speaker 2: like the Department of Damage Control here are essentially acting 573 00:35:12,680 --> 00:35:14,799 Speaker 2: as if they are Ice. They are arresting people. They 574 00:35:14,880 --> 00:35:17,640 Speaker 2: arrest Trevor. He doesn't have superpowers, but they arrest him. 575 00:35:17,680 --> 00:35:19,759 Speaker 2: They put him in a superpowered people's prison because they 576 00:35:19,800 --> 00:35:23,120 Speaker 2: need to fill it up, And that to me is 577 00:35:23,239 --> 00:35:27,279 Speaker 2: very interesting. And I think that by allowing Simon and 578 00:35:27,320 --> 00:35:29,960 Speaker 2: potentially Kate Bishop in the West Coast Avengers to have 579 00:35:30,000 --> 00:35:32,920 Speaker 2: almost an isolated existence, they can stay as the kind 580 00:35:32,960 --> 00:35:37,920 Speaker 2: of rebellion to this kind of oncoming swath of anti mutant, 581 00:35:38,080 --> 00:35:42,360 Speaker 2: anti superhero legislations that I think we'll see keep popping 582 00:35:42,440 --> 00:35:44,760 Speaker 2: up as Department of Damage Control grows. 583 00:35:45,760 --> 00:35:50,320 Speaker 1: I love this reveal, basically confirmation that Josh gadd is 584 00:35:50,320 --> 00:35:53,160 Speaker 1: still alive in Doorman, which we talked about yeah in 585 00:35:53,200 --> 00:35:57,600 Speaker 1: our first episode. Incredible leading to Okay, so when does 586 00:35:57,680 --> 00:36:01,799 Speaker 1: Ged come out? Number one? How long has it been? 587 00:36:02,120 --> 00:36:07,120 Speaker 1: It's probably I'm guessing it's been no more than five years, right, 588 00:36:09,080 --> 00:36:09,520 Speaker 1: it can't be. 589 00:36:09,760 --> 00:36:11,160 Speaker 2: It can't be. 590 00:36:11,920 --> 00:36:13,840 Speaker 1: It can't be longer than that. And it's got to 591 00:36:13,880 --> 00:36:18,520 Speaker 1: be post the blip, right, it can't be before the blip. 592 00:36:19,360 --> 00:36:21,600 Speaker 1: So it's got to be post blip and no more, 593 00:36:21,760 --> 00:36:24,920 Speaker 1: no more than five years. And so my I have 594 00:36:24,960 --> 00:36:27,279 Speaker 1: two questions. One, how do we get Gad back? Like 595 00:36:27,320 --> 00:36:31,120 Speaker 1: when does Gad come out? And in what what context 596 00:36:31,400 --> 00:36:34,359 Speaker 1: does Gad pop out? It would be really funny if 597 00:36:34,440 --> 00:36:39,640 Speaker 1: like during some big battle during Tuesday, uh, like at 598 00:36:39,680 --> 00:36:42,319 Speaker 1: the end of like endgame, when all the heroes are 599 00:36:42,360 --> 00:36:45,680 Speaker 1: like charging the bad guys, Gad pops out of Doorman. 600 00:36:46,120 --> 00:36:50,919 Speaker 1: And two does this create I could see like a 601 00:36:50,960 --> 00:36:55,399 Speaker 1: subplot of of of wonder Man season two being that 602 00:36:56,080 --> 00:37:00,520 Speaker 1: Doorman finds a sideline. It's a kind of like a 603 00:37:00,640 --> 00:37:04,560 Speaker 1: health and wellness sideline, because God, there's a world in 604 00:37:04,600 --> 00:37:07,440 Speaker 1: which Dad is not aged, right, he is not aged 605 00:37:07,480 --> 00:37:09,480 Speaker 1: in five years, and he's impact. 606 00:37:09,920 --> 00:37:12,840 Speaker 2: He's just been living in a chilled space essentially. 607 00:37:13,280 --> 00:37:16,680 Speaker 1: So like what if you go, like you spend your 608 00:37:16,920 --> 00:37:22,359 Speaker 1: every time you're not on set working, you could pay 609 00:37:22,719 --> 00:37:26,200 Speaker 1: if you're like an actor working actor or someone who 610 00:37:26,280 --> 00:37:30,840 Speaker 1: cares about your looks, you could pay Doorman to like whatever, 611 00:37:31,280 --> 00:37:35,240 Speaker 1: spend even spend nights sleeping in Doorman, so that essentially 612 00:37:35,360 --> 00:37:38,680 Speaker 1: time stops for you. And so over the course of 613 00:37:38,760 --> 00:37:43,279 Speaker 1: say three years, if you're spending every name some of 614 00:37:43,320 --> 00:37:48,719 Speaker 1: your downtime. Certain weeks inside Doorman, you've aged only a 615 00:37:48,760 --> 00:37:51,960 Speaker 1: half to a third of the amount of a normal 616 00:37:52,040 --> 00:37:55,760 Speaker 1: person who has lived outside of Doorman during that time. 617 00:37:56,440 --> 00:37:59,760 Speaker 2: Yeah, I love that, And also that kind of fits 618 00:37:59,800 --> 00:38:02,400 Speaker 2: in with Andrew Guestgate the show, and I gave a 619 00:38:02,440 --> 00:38:09,000 Speaker 2: really funny, insightful, kind of like kind of info dump 620 00:38:09,000 --> 00:38:11,239 Speaker 2: where he said, Josh Gadd is still alive, so we 621 00:38:11,239 --> 00:38:14,439 Speaker 2: were right, and if there's a season two, he will 622 00:38:14,440 --> 00:38:18,759 Speaker 2: definitely get them out. And I do love that, and 623 00:38:18,800 --> 00:38:20,680 Speaker 2: I also love your read because he said, you know, 624 00:38:20,719 --> 00:38:23,279 Speaker 2: maybe Josh Gadd would even get doorman powers, so it 625 00:38:23,280 --> 00:38:26,120 Speaker 2: would actually be hilarious if the normal doormann got to 626 00:38:26,120 --> 00:38:28,640 Speaker 2: still be Doorman, but Josh Gadd was now like the 627 00:38:28,680 --> 00:38:32,480 Speaker 2: celebrity wellness doorman. It's like, come and stay in Josh 628 00:38:32,520 --> 00:38:37,160 Speaker 2: Gadd's is relaxing stomach palace or however you would you know, 629 00:38:37,600 --> 00:38:42,080 Speaker 2: the Josh gad belly rehab or whatever it is. So yeah, 630 00:38:42,080 --> 00:38:45,400 Speaker 2: that's very interesting. Also, there was a great interview in 631 00:38:45,520 --> 00:38:48,920 Speaker 2: Entertainment Weekly that dropped when the show dropped by Sydney 632 00:38:48,960 --> 00:38:52,240 Speaker 2: Box Bahm, who's another one of my entertainment journalists colleagues, 633 00:38:52,640 --> 00:38:56,399 Speaker 2: and in that there is actually like a different ending 634 00:38:56,440 --> 00:38:58,719 Speaker 2: for the show where it was going to be this 635 00:38:58,800 --> 00:39:02,040 Speaker 2: kind of like they performed Black Boxtit are together, They're 636 00:39:02,040 --> 00:39:04,600 Speaker 2: performing Hamlet, and they kind of like levitated off the 637 00:39:04,640 --> 00:39:06,600 Speaker 2: floor and it was like this creative moment, but they 638 00:39:06,640 --> 00:39:09,640 Speaker 2: decided to go for the big emotional ending where it's 639 00:39:09,680 --> 00:39:11,919 Speaker 2: kind of about these men choosing to put someone else 640 00:39:12,000 --> 00:39:14,160 Speaker 2: in front of each other for the first time. And 641 00:39:14,719 --> 00:39:19,799 Speaker 2: I just think that works so well and is so delightful, 642 00:39:19,840 --> 00:39:21,359 Speaker 2: and I think it sounds like it was something that 643 00:39:21,400 --> 00:39:26,920 Speaker 2: really moved both like Yah Yah and Ben Kingsley because 644 00:39:26,920 --> 00:39:29,600 Speaker 2: it was just all about like sacrifice and friendship. And 645 00:39:29,640 --> 00:39:31,279 Speaker 2: I love that because I don't think you get a 646 00:39:31,280 --> 00:39:33,640 Speaker 2: lot of stories about like the power of male friendship 647 00:39:33,680 --> 00:39:37,600 Speaker 2: and the importance of like sacrificing yourself and also just 648 00:39:37,680 --> 00:39:40,959 Speaker 2: like men crying. There's a lot of crying in this show, 649 00:39:41,040 --> 00:39:43,960 Speaker 2: and I love it, especially the conversation that Simon and 650 00:39:44,840 --> 00:39:51,239 Speaker 2: Anna then have outside before the award when Simon's just 651 00:39:51,280 --> 00:39:53,120 Speaker 2: like I fucked that, like it's done, you know, and 652 00:39:53,200 --> 00:39:55,279 Speaker 2: he wants to give up. I just feel like we've 653 00:39:55,320 --> 00:39:57,440 Speaker 2: all been there, and I love that he gets to 654 00:39:57,480 --> 00:40:00,239 Speaker 2: have that moment of coming out of that and proving himself. 655 00:40:00,520 --> 00:40:02,840 Speaker 1: Wonder Man's Season two, Where does it go? What is 656 00:40:02,880 --> 00:40:04,560 Speaker 1: your pitch? Where do you think happens? 657 00:40:04,640 --> 00:40:07,839 Speaker 2: Yes, so I do. Yeah, my pitch would be kind 658 00:40:07,840 --> 00:40:09,440 Speaker 2: of my idea that I had. I think what they 659 00:40:09,440 --> 00:40:13,720 Speaker 2: should do is have von Kovac make the second season 660 00:40:13,800 --> 00:40:16,759 Speaker 2: as a documentary about Simon being both an actor and 661 00:40:16,800 --> 00:40:18,600 Speaker 2: a superhero. I think you can have a lot of 662 00:40:18,600 --> 00:40:22,000 Speaker 2: fun there both obviously Andrew Guess, Daniela su Kreten, they 663 00:40:22,080 --> 00:40:24,160 Speaker 2: really just Daniel Karen. They really want to have this 664 00:40:24,200 --> 00:40:28,919 Speaker 2: show come back and maybe potentially, you know, see these 665 00:40:28,960 --> 00:40:36,200 Speaker 2: guys in the movie. Kingsley basically said, like anything could happen, 666 00:40:36,920 --> 00:40:40,360 Speaker 2: And I think that for Yaya, he said, the biggest 667 00:40:40,360 --> 00:40:43,640 Speaker 2: thing he's interested in is like Simon's whole life, He's 668 00:40:43,680 --> 00:40:46,320 Speaker 2: wanted this stardom, He's wanted this fame, he's wanted to act, 669 00:40:46,640 --> 00:40:50,239 Speaker 2: and now he's got it. Like what happens, Like how 670 00:40:50,280 --> 00:40:52,200 Speaker 2: does that change for him? You know? Is he gonna 671 00:40:52,200 --> 00:40:54,680 Speaker 2: be Okay? So I'm very interested. I would love to 672 00:40:54,719 --> 00:40:57,120 Speaker 2: see the two of them again. And I just think 673 00:40:57,160 --> 00:41:00,440 Speaker 2: this is such an inventive and lovely show. Oh that 674 00:41:00,800 --> 00:41:03,080 Speaker 2: ironically you know, we talked a lot about what does 675 00:41:03,120 --> 00:41:05,400 Speaker 2: it mean to be a Marvel spotlight show. Well, I 676 00:41:05,440 --> 00:41:08,759 Speaker 2: think Marvel now has the answer, like show this say 677 00:41:08,800 --> 00:41:11,480 Speaker 2: to people, hey, watch wonder Man and then come to 678 00:41:11,560 --> 00:41:14,480 Speaker 2: us with your wonder Man. We don't mean replicate wonder Man, 679 00:41:14,520 --> 00:41:16,880 Speaker 2: we mean come to us with your unique take that 680 00:41:17,000 --> 00:41:19,080 Speaker 2: was shaped by your life and the people who you 681 00:41:19,120 --> 00:41:22,239 Speaker 2: want to you know, work with alongside and see if 682 00:41:22,280 --> 00:41:24,240 Speaker 2: you can do something like this, because I do think 683 00:41:24,680 --> 00:41:26,719 Speaker 2: this is the first time that we've gotten something from 684 00:41:26,719 --> 00:41:29,880 Speaker 2: Marvel that DC really has never done in the same way. Now, 685 00:41:29,960 --> 00:41:32,120 Speaker 2: DC did have a half an hour sitcom Powerless that 686 00:41:32,200 --> 00:41:35,160 Speaker 2: was really funny, but the pilot original pilot was great, 687 00:41:35,239 --> 00:41:37,799 Speaker 2: very biting. It turned into more of a standard sitcom 688 00:41:37,920 --> 00:41:39,839 Speaker 2: that was kind of a damage control riff in its 689 00:41:39,880 --> 00:41:43,000 Speaker 2: own way, but again very classic sitcom, a kind of 690 00:41:43,080 --> 00:41:47,440 Speaker 2: like half an hour slice of life, adult existential comedy. 691 00:41:47,560 --> 00:41:50,120 Speaker 2: Like neither of these people have done this in live action, 692 00:41:50,680 --> 00:41:53,480 Speaker 2: and I think it is finally giving Marvel a little 693 00:41:53,480 --> 00:41:56,560 Speaker 2: bit of an edge on DC, especially when we look 694 00:41:56,560 --> 00:41:58,920 Speaker 2: at the TV offerings from James Gunn, which we love 695 00:41:58,960 --> 00:42:02,360 Speaker 2: Creature Commandos, Piece May, but they're very standard comedy shows 696 00:42:02,440 --> 00:42:04,760 Speaker 2: like they are very much about the laughs, same with Harlequin. 697 00:42:05,320 --> 00:42:09,960 Speaker 2: If Marvel can cement this tone and maybe have Destin 698 00:42:10,080 --> 00:42:13,040 Speaker 2: and Andrew Guest as sort of like a creative council 699 00:42:13,600 --> 00:42:18,400 Speaker 2: bringing in new underrepresented under you know, seeing filmmakers and 700 00:42:18,440 --> 00:42:20,560 Speaker 2: TV makers to make this into kind of like a 701 00:42:20,640 --> 00:42:24,200 Speaker 2: stable for new Marvel talent. They could really build themselves 702 00:42:24,280 --> 00:42:27,400 Speaker 2: up into a place where in five years and Secret 703 00:42:27,440 --> 00:42:29,279 Speaker 2: Wars is done, they are ready to come out with 704 00:42:29,360 --> 00:42:31,759 Speaker 2: something entirely new that can kind of shape the game. 705 00:42:32,080 --> 00:42:34,200 Speaker 1: I would lovely agree. I think that there's a world 706 00:42:34,920 --> 00:42:38,759 Speaker 1: where they could like high browse c w it. 707 00:42:38,920 --> 00:42:43,080 Speaker 2: You know the way exactly exactly, and create. 708 00:42:42,760 --> 00:42:47,080 Speaker 1: This kind of TV universe that can easily be ported 709 00:42:47,880 --> 00:42:50,920 Speaker 1: into movies when time is right, I'll go. I have 710 00:42:51,000 --> 00:42:54,799 Speaker 1: another thought, which is, tell me if one day there 711 00:42:54,920 --> 00:43:00,799 Speaker 1: is a DC Marvel movie crossover mm hmmm, which it 712 00:43:00,880 --> 00:43:05,279 Speaker 1: feels like the final bullet to be fired at the 713 00:43:05,480 --> 00:43:09,960 Speaker 1: end of like all of the various phases DC phases 714 00:43:10,000 --> 00:43:14,080 Speaker 1: and Marvel phases, Like it feels like at some point 715 00:43:14,640 --> 00:43:17,480 Speaker 1: the money might be right and the deal might be 716 00:43:17,680 --> 00:43:19,920 Speaker 1: right that they would decide to do it. If so, 717 00:43:21,239 --> 00:43:23,480 Speaker 1: and there's been How many of these in comics? How 718 00:43:23,520 --> 00:43:24,600 Speaker 1: many times have you see it? 719 00:43:24,880 --> 00:43:27,720 Speaker 2: So, I mean so many, Like it's. 720 00:43:27,600 --> 00:43:30,560 Speaker 1: Probably happened like five or six or seven times, right. 721 00:43:30,480 --> 00:43:32,919 Speaker 2: Yeah, if you include like Amaltham and the different ones 722 00:43:32,920 --> 00:43:35,719 Speaker 2: where they come together or they're reimagine, there's different characters 723 00:43:35,760 --> 00:43:38,840 Speaker 2: like and obviously the famous ones You're you know, You're Jlien, 724 00:43:38,880 --> 00:43:41,480 Speaker 2: Avengers and stuff. So yeah, it's it's definitely got a 725 00:43:41,520 --> 00:43:43,360 Speaker 2: lot of precedent, and it's what the people. 726 00:43:43,120 --> 00:43:47,600 Speaker 1: Want when and if they do do it. The characters, 727 00:43:48,080 --> 00:43:52,320 Speaker 1: the actors who play characters in both universes should continue 728 00:43:52,320 --> 00:43:53,480 Speaker 1: to play both characters. 729 00:43:53,840 --> 00:43:58,720 Speaker 3: For instance, for instance, I would lot Go Bridge, who 730 00:43:58,760 --> 00:44:05,680 Speaker 3: please on Kovac in wonder Man, should also play Vassil 731 00:44:05,800 --> 00:44:08,320 Speaker 3: Girkos from Supermans. 732 00:44:08,840 --> 00:44:11,759 Speaker 2: Excuse me, I need to see that. Also, wouldn't like 733 00:44:11,880 --> 00:44:14,000 Speaker 2: how funny would it be to see to him playing 734 00:44:14,040 --> 00:44:16,919 Speaker 2: both of those roles on screen? Not just that? Yeah, yeah, 735 00:44:17,000 --> 00:44:18,759 Speaker 2: like I want to see wonder Man and I also 736 00:44:18,840 --> 00:44:22,279 Speaker 2: want to see Black Manta like on this is That's 737 00:44:22,280 --> 00:44:26,120 Speaker 2: why this is what I agree, Jason. I love that take, 738 00:44:26,200 --> 00:44:28,799 Speaker 2: and I think that in the Metas space that we're in, 739 00:44:29,280 --> 00:44:32,520 Speaker 2: especially if we're going to play the obvious inevitable cord 740 00:44:32,719 --> 00:44:36,440 Speaker 2: of Doom showing up and Captain America crying and being 741 00:44:36,520 --> 00:44:39,319 Speaker 2: lance Tony. Then like, come on, let's have fun with it. 742 00:44:39,440 --> 00:44:42,920 Speaker 2: Let's let's have Thanos and Cable like, let's do all 743 00:44:42,920 --> 00:44:43,120 Speaker 2: of it. 744 00:44:43,160 --> 00:44:46,480 Speaker 1: Yes, let's be silly, Let's be silly. This what a 745 00:44:46,480 --> 00:44:50,279 Speaker 1: wonderful show. I'm really excited for a season two, if 746 00:44:50,320 --> 00:44:54,200 Speaker 1: indeed it does happen. I'm excited for more Marvel spotlights. 747 00:44:54,200 --> 00:44:57,600 Speaker 1: It doesn't seem as if they have any in the offing, 748 00:44:57,760 --> 00:45:01,800 Speaker 1: but I think the success, certainly the critical success of 749 00:45:03,160 --> 00:45:07,240 Speaker 1: a wonder Man, is going to help put Marvel back 750 00:45:07,280 --> 00:45:11,080 Speaker 1: on the forward foot with regards to launching TV and 751 00:45:11,120 --> 00:45:14,440 Speaker 1: giving them a map they can follow to uh to 752 00:45:14,480 --> 00:45:17,479 Speaker 1: put some of these characters out there, and I hope 753 00:45:17,480 --> 00:45:19,359 Speaker 1: they follow it because what a triumph this was. 754 00:45:19,520 --> 00:45:23,440 Speaker 2: It was a total triumph. And totally agreed Jason. I 755 00:45:23,440 --> 00:45:25,520 Speaker 2: also want to shout out, it's the woman who should 756 00:45:25,560 --> 00:45:28,200 Speaker 2: be in charge of the MCU. Let her be in charge. Guys, 757 00:45:28,400 --> 00:45:30,680 Speaker 2: we were all happy to see it. Imman Villani, Miss 758 00:45:30,680 --> 00:45:34,040 Speaker 2: Marvel herself did review wonder Man. If you didn't believe 759 00:45:34,080 --> 00:45:35,480 Speaker 2: me and Jason that it was good, she gave it 760 00:45:35,520 --> 00:45:37,960 Speaker 2: four and a half stars, and she said watch wonder Man. 761 00:45:38,000 --> 00:45:42,040 Speaker 2: And she wrote an incredibly good two page long letterbox 762 00:45:42,080 --> 00:45:45,480 Speaker 2: of you, including shouting out those great needle drops like 763 00:45:45,520 --> 00:45:48,040 Speaker 2: we got the you know, Madonna like a prayer that 764 00:45:48,120 --> 00:45:50,279 Speaker 2: was so fun, The Superman by the Commodores, I Feel 765 00:45:50,320 --> 00:45:52,600 Speaker 2: for You by sha Ka Khan like and it was Yeah. 766 00:45:52,640 --> 00:45:54,560 Speaker 2: So if you don't believe us, believe in mam Villani 767 00:45:54,600 --> 00:45:57,160 Speaker 2: because we love her and I can't wait her and 768 00:45:57,200 --> 00:46:01,560 Speaker 2: Simon Williams like his kind of awkward insecurity matching with 769 00:46:01,640 --> 00:46:04,160 Speaker 2: her fandom is just going to be so fun to see. 770 00:46:04,719 --> 00:46:07,040 Speaker 1: On the next episode of Extra Division, we're diving into 771 00:46:07,040 --> 00:46:09,000 Speaker 1: the biggest news of the week. That's it for this episode. 772 00:46:09,040 --> 00:46:13,200 Speaker 1: Thanks for listening. Whoo x ray Vision is hosted by 773 00:46:13,280 --> 00:46:15,880 Speaker 1: Jason Concepcion and Rosie Knight and is a production of 774 00:46:15,880 --> 00:46:17,040 Speaker 1: iHeart Podcasts. 775 00:46:17,200 --> 00:46:20,800 Speaker 2: Our executive producers are Joel Monique and Aaron Kaufman. 776 00:46:21,000 --> 00:46:23,040 Speaker 1: Our supervising producer is Abu Zafar. 777 00:46:23,440 --> 00:46:27,399 Speaker 2: Our producers are Common Laurent Dean Jonathan and Fay Wag. 778 00:46:27,520 --> 00:46:30,279 Speaker 1: Our theme song is by Brian Vasquez, with alternate theme 779 00:46:30,360 --> 00:46:31,600 Speaker 1: songs by Aaron Kaufman. 780 00:46:31,800 --> 00:46:35,560 Speaker 2: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and Heidi, 781 00:46:35,840 --> 00:46:37,040 Speaker 2: our discord moderator,