1 00:00:01,040 --> 00:00:04,200 Speaker 1: Hey there, it's your host ed helms. Here. Real quick, 2 00:00:04,240 --> 00:00:06,960 Speaker 1: before we dive into this episode, I wanted to remind 3 00:00:07,000 --> 00:00:09,920 Speaker 1: you that my brand new book is coming out on 4 00:00:10,080 --> 00:00:13,880 Speaker 1: April twenty ninth. It's called Snaffo, The Definitive Guide to 5 00:00:14,000 --> 00:00:17,599 Speaker 1: History's Greatest screw Ups, and you can pre order it 6 00:00:17,840 --> 00:00:22,160 Speaker 1: right now at snafudashbook dot com. Trust me, if you 7 00:00:22,280 --> 00:00:25,200 Speaker 1: like this show, you're gonna love this book. It's got 8 00:00:25,239 --> 00:00:29,440 Speaker 1: all the wild disasters, spectacular face plants we just couldn't 9 00:00:29,440 --> 00:00:33,320 Speaker 1: squeeze into this podcast. And here's the kicker. I am 10 00:00:33,440 --> 00:00:37,480 Speaker 1: also going on tour to celebrate that's right. I'm coming 11 00:00:37,520 --> 00:00:41,360 Speaker 1: to New York, DC, Boston, Atlanta, Philadelphia, Chicago, San Francisco, 12 00:00:41,479 --> 00:00:45,280 Speaker 1: and my hometown Los Angeles. So if you've ever wanted 13 00:00:45,280 --> 00:00:47,159 Speaker 1: to see me stumble through a live Q and A 14 00:00:47,320 --> 00:00:50,080 Speaker 1: or dramatically read about a kiddie cat getting turned into 15 00:00:50,080 --> 00:00:54,560 Speaker 1: a CIA operative, now's your chance again. Head to Snaffo 16 00:00:54,880 --> 00:00:58,080 Speaker 1: dashbook dot com to pre order the book and check 17 00:00:58,120 --> 00:01:01,360 Speaker 1: out all the tour details and day it's or just 18 00:01:01,480 --> 00:01:06,240 Speaker 1: click the link in the show notes that'll work too. 19 00:01:07,520 --> 00:01:10,600 Speaker 1: It's March eighth, nineteen seventy one and just about every 20 00:01:10,640 --> 00:01:14,400 Speaker 1: human being on planet Earth is completely consumed by one 21 00:01:14,600 --> 00:01:15,520 Speaker 1: single event. 22 00:01:15,720 --> 00:01:18,840 Speaker 2: Heavy wait boxers Joe Praise You're and Mihamad Ali meet 23 00:01:18,880 --> 00:01:21,399 Speaker 2: in New York's Madison Square. The richest fight of all 24 00:01:21,520 --> 00:01:24,720 Speaker 2: times had more work. At least twenty five foreign countries 25 00:01:24,720 --> 00:01:25,280 Speaker 2: will show the. 26 00:01:25,319 --> 00:01:29,520 Speaker 1: Fight on TV. Muhammad Ali versus Joe Frasier, better known 27 00:01:29,600 --> 00:01:34,600 Speaker 1: as the Fight of the Century. I want to tell 28 00:01:34,640 --> 00:01:37,800 Speaker 1: you this is going to be a spectacular evening. Attention 29 00:01:37,920 --> 00:01:41,759 Speaker 1: of the excitement here is monumental. A lucky twenty thousand 30 00:01:41,800 --> 00:01:44,600 Speaker 1: have scored tickets to watch the fight at Madison Square Garden. 31 00:01:45,080 --> 00:01:47,920 Speaker 1: Anyone who's anyone is there. The VIPs include a couple 32 00:01:47,920 --> 00:01:52,200 Speaker 1: of Kennedy's foreign dignitaries astronauts who just returned from the moon. 33 00:01:53,080 --> 00:01:56,640 Speaker 1: Ringside is a who's who of seventies icons, Ed Sullivan, 34 00:01:56,840 --> 00:02:01,440 Speaker 1: Hugh Hefner, Diana Ross, Barbara streisand all here to see this. 35 00:02:01,360 --> 00:02:06,960 Speaker 2: Guy inful, beautiful, red and white robe. 36 00:02:07,920 --> 00:02:10,960 Speaker 1: Ali, the former heavyweight champ, is battling to reclaim his 37 00:02:11,040 --> 00:02:15,680 Speaker 1: title from current champ Fraser. Joe Fraser. 38 00:02:15,760 --> 00:02:19,640 Speaker 2: Ladies and gentlemen, that seems to be a mingling of 39 00:02:19,680 --> 00:02:20,760 Speaker 2: booms with you. 40 00:02:20,960 --> 00:02:24,720 Speaker 1: As the opening bell nears, the time stops. Around the world, 41 00:02:25,320 --> 00:02:29,520 Speaker 1: people rush to their TVs and radios. City streets completely empty. 42 00:02:29,560 --> 00:02:34,679 Speaker 1: Out in barracks across Vietnam, US servicemen huddle around transistor radios. 43 00:02:35,480 --> 00:02:39,320 Speaker 1: Inside an arena in Chicago, an actual riot erupts when 44 00:02:39,320 --> 00:02:42,639 Speaker 1: the projector breaks down right before the fight starts. I'm 45 00:02:42,840 --> 00:02:46,080 Speaker 1: al and the red trunk, Joe Fraser and the Brain 46 00:02:46,160 --> 00:02:55,080 Speaker 1: Trunk lay up there very light, which all means that 47 00:02:55,160 --> 00:02:57,400 Speaker 1: some one hundred miles south of New York City, in 48 00:02:57,440 --> 00:03:01,720 Speaker 1: a small Pennsylvania town called Media, the streets are even 49 00:03:01,840 --> 00:03:08,200 Speaker 1: sleepier than usual. Downtown is deserted. They're no policemen on patrol, 50 00:03:08,400 --> 00:03:11,160 Speaker 1: no locals out for an evening stroll, and no one 51 00:03:11,360 --> 00:03:13,720 Speaker 1: keeping a close eye on the entrance of a four 52 00:03:13,800 --> 00:03:18,840 Speaker 1: story brick building that sits at one veteran square. So 53 00:03:18,880 --> 00:03:21,880 Speaker 1: when the doors to that building swing open and two 54 00:03:21,919 --> 00:03:26,239 Speaker 1: men and two women walk out, nervously carrying bulging suitcases 55 00:03:26,600 --> 00:03:30,120 Speaker 1: and loading them into a car out front, no one 56 00:03:30,200 --> 00:03:35,720 Speaker 1: takes notice. Those four folks with the suitcases, Well, they're 57 00:03:35,760 --> 00:03:38,480 Speaker 1: not leaving for a trip. They're part of a team 58 00:03:38,480 --> 00:03:42,160 Speaker 1: of burglars who decided this was the perfect night to 59 00:03:42,280 --> 00:03:49,760 Speaker 1: do something unthinkable, rob the FBI, break into their offices, 60 00:03:49,920 --> 00:03:53,280 Speaker 1: steal every document in sight, and zoom off into the 61 00:03:53,360 --> 00:04:02,560 Speaker 1: night with a trunk full of secrets. I'm Ed Helms 62 00:04:02,640 --> 00:04:07,000 Speaker 1: and this is Snaffoo, a show about history's greatest screw ups. 63 00:04:07,640 --> 00:04:10,600 Speaker 1: Last season we told you all about Able Archer eighty three, 64 00:04:10,880 --> 00:04:13,760 Speaker 1: the nuclear near miss which could have ended the world 65 00:04:13,840 --> 00:04:17,440 Speaker 1: as we know it. This season, we bring you Medburg, 66 00:04:17,920 --> 00:04:21,440 Speaker 1: the story of a daring heist and the colossal FBI 67 00:04:21,640 --> 00:04:23,320 Speaker 1: snaffo it exposed. 68 00:04:40,839 --> 00:04:45,320 Speaker 3: It was a Tuesday that morning. I arrive and as usual, 69 00:04:45,400 --> 00:04:48,480 Speaker 3: I go to the mail room first and pick up 70 00:04:48,520 --> 00:04:48,960 Speaker 3: my mail. 71 00:04:50,240 --> 00:04:54,120 Speaker 1: This is journalist Betty Medsker. That Tuesday was March twenty third, 72 00:04:54,240 --> 00:04:57,800 Speaker 1: nineteen seventy one, two weeks after the Ali Fraser fight. 73 00:04:58,320 --> 00:05:01,159 Speaker 1: It began like any other morning. Betty woke up in 74 00:05:01,160 --> 00:05:04,080 Speaker 1: her apartment in Washington, d c. She had her usual 75 00:05:04,200 --> 00:05:07,120 Speaker 1: breakfast a couple of pieces of toast, took the city 76 00:05:07,160 --> 00:05:10,240 Speaker 1: bus to work, and arrived at the Washington Post offices 77 00:05:10,440 --> 00:05:11,279 Speaker 1: at ten o'clock. 78 00:05:11,680 --> 00:05:14,000 Speaker 3: I'd been off for two days and so there was 79 00:05:14,040 --> 00:05:18,040 Speaker 3: a huge stack of mail. But this one stood out, 80 00:05:18,080 --> 00:05:21,640 Speaker 3: not only because it was a large entlop, but because 81 00:05:21,839 --> 00:05:28,280 Speaker 3: of the return address, which was Liberty Publications Media, Pennsylvania. 82 00:05:28,480 --> 00:05:31,080 Speaker 1: Betty was a born Pennsylvanian, but she'd never heard of 83 00:05:31,120 --> 00:05:35,560 Speaker 1: Liberty Publications. She took the envelope with her to the newsroom. 84 00:05:35,839 --> 00:05:38,560 Speaker 1: You might have a picture of that Washington Post newsroom, 85 00:05:38,920 --> 00:05:43,080 Speaker 1: typewriters clacking away like machine gun fire, thick haze of 86 00:05:43,120 --> 00:05:47,960 Speaker 1: cigarette smoke, someone screaming copy, Woodward and Bernstein running around 87 00:05:48,040 --> 00:05:52,000 Speaker 1: shaking notepads at each other with their latest scoop. Well, 88 00:05:52,080 --> 00:05:55,760 Speaker 1: that picture, immortalized in the classic book and movie All 89 00:05:55,800 --> 00:06:00,679 Speaker 1: the President's Men, is actually pretty darn close, especially according 90 00:06:00,680 --> 00:06:02,360 Speaker 1: to Betty the cigarette smoke. 91 00:06:02,640 --> 00:06:03,799 Speaker 2: Is there any place you don't smoke? 92 00:06:05,200 --> 00:06:08,000 Speaker 1: But in the spring of nineteen seventy one, Woodward and 93 00:06:08,040 --> 00:06:12,279 Speaker 1: Bernstein were still Nobody's Watergate was still just a hotel, 94 00:06:12,680 --> 00:06:16,200 Speaker 1: and the Washington Post hadn't yet become the crusading institution 95 00:06:16,360 --> 00:06:19,720 Speaker 1: that took down the Nixon White House. Betty herself was 96 00:06:19,760 --> 00:06:21,960 Speaker 1: a young reporter who'd been at the paper for just 97 00:06:22,000 --> 00:06:25,240 Speaker 1: a year. Her beat was religion, and she shared an 98 00:06:25,279 --> 00:06:28,240 Speaker 1: office about the size of a walk in closet with 99 00:06:28,320 --> 00:06:30,839 Speaker 1: a motley crew of fellow reporters. 100 00:06:31,960 --> 00:06:35,560 Speaker 3: There were six of us in there, and we wrote science, medicine, 101 00:06:35,560 --> 00:06:40,240 Speaker 3: and education and religion. An editor made up a term. 102 00:06:40,520 --> 00:06:45,560 Speaker 3: It was called Smirsh Science, medicine, education, religion and all 103 00:06:45,640 --> 00:06:47,599 Speaker 3: that shit. So that's where I worked. 104 00:06:48,360 --> 00:06:50,000 Speaker 1: You worked in the Smirsh department. 105 00:06:50,200 --> 00:06:51,960 Speaker 3: I worked in the Smursh department. 106 00:06:53,000 --> 00:06:56,799 Speaker 1: But that morning Betty didn't have time for any smershion around. 107 00:06:57,240 --> 00:07:00,800 Speaker 1: Like any good journalists who's just been sent a mysterious envelope, 108 00:07:00,839 --> 00:07:04,600 Speaker 1: she was dying to know what was inside. 109 00:07:04,760 --> 00:07:08,400 Speaker 3: When I got to my office, I opened that envelope. First, 110 00:07:13,800 --> 00:07:18,800 Speaker 3: dear friend, enclosed, you will find copies of certain files 111 00:07:18,840 --> 00:07:22,640 Speaker 3: from the Media Pennsylvania Office of the FBI which were 112 00:07:22,840 --> 00:07:27,960 Speaker 3: removed by our Commission for Public Scrutiny. We are making 113 00:07:28,000 --> 00:07:28,640 Speaker 3: these copies of. 114 00:07:28,720 --> 00:07:30,640 Speaker 1: The letter went on to say that Betty had permission 115 00:07:30,680 --> 00:07:33,920 Speaker 1: to make copies of the files and to publish their contents. 116 00:07:34,520 --> 00:07:39,720 Speaker 3: Your degree a public association or disassociation with our Commission 117 00:07:40,200 --> 00:07:46,920 Speaker 3: is entirely a matter of your choice. Sincerely, the Citizens 118 00:07:47,000 --> 00:07:56,880 Speaker 3: Commission to Investigate the FBI. I'm shocked. I think most 119 00:07:56,880 --> 00:07:59,960 Speaker 3: people in the United States couldn't imagine that anybody would 120 00:08:00,240 --> 00:08:03,640 Speaker 3: have the nerve to break into an FBI office, and 121 00:08:03,920 --> 00:08:06,240 Speaker 3: would have thought that such a place would have been 122 00:08:06,560 --> 00:08:08,200 Speaker 3: the most secure place. 123 00:08:09,520 --> 00:08:13,800 Speaker 1: Inside the envelope were fourteen xerox FBI files. It didn't 124 00:08:13,840 --> 00:08:18,000 Speaker 1: take long for Betty to grasp that these documents were explosive. 125 00:08:18,720 --> 00:08:21,679 Speaker 3: The first one was pretty shocking. It was a document 126 00:08:21,760 --> 00:08:27,760 Speaker 3: urging agents to increase interviews with dissenters and quote for 127 00:08:27,920 --> 00:08:32,800 Speaker 3: plenty of reasons, chief of which are enhanced the paranoia 128 00:08:33,440 --> 00:08:36,679 Speaker 3: endemic in these circles, and further served to get the 129 00:08:36,720 --> 00:08:42,040 Speaker 3: point across that there is an FBI agent behind every mailbox. 130 00:08:42,679 --> 00:08:48,240 Speaker 1: An FBI agent behind every mailbox, sort of like Uncle Fester, 131 00:08:48,400 --> 00:08:53,880 Speaker 1: but in wingtips. At first, Betty wondered if what she 132 00:08:54,040 --> 00:08:58,880 Speaker 1: was reading was a hoax to enhance paranoia. Seriously, she 133 00:08:59,000 --> 00:08:59,600 Speaker 1: kept reading. 134 00:09:00,200 --> 00:09:04,000 Speaker 3: One of the things was a file on Swarthmore College, 135 00:09:04,480 --> 00:09:08,880 Speaker 3: and it revealed that every black student on the Swaphthmore 136 00:09:09,000 --> 00:09:13,640 Speaker 3: campus was under FBI surveillance. And this was being done 137 00:09:13,880 --> 00:09:17,800 Speaker 3: by people who had been hired by the FBI as informers, 138 00:09:17,800 --> 00:09:24,840 Speaker 3: and included switchbird operators, letter carriers, the postmaster of Swarthmore, 139 00:09:25,559 --> 00:09:29,760 Speaker 3: the local police chief, and some college administrators. 140 00:09:30,920 --> 00:09:33,400 Speaker 1: And it didn't stop at this one Liberal Arts College. 141 00:09:33,600 --> 00:09:36,400 Speaker 1: There was a pattern. Files in the envelope showed the 142 00:09:36,480 --> 00:09:41,160 Speaker 1: FBI was surveilling citizens all over Philadelphia. The subjects Betty 143 00:09:41,200 --> 00:09:44,439 Speaker 1: was reading about in these files they were anti war protesters, 144 00:09:44,559 --> 00:09:49,160 Speaker 1: civil rights activists, labor unions, and a noticeably high percentage 145 00:09:49,280 --> 00:09:49,840 Speaker 1: were black. 146 00:09:51,559 --> 00:09:55,920 Speaker 3: The FBI was operating something that was very much like 147 00:09:56,280 --> 00:10:02,079 Speaker 3: the Stosse was operating in East Germany. What became clear 148 00:10:02,320 --> 00:10:07,520 Speaker 3: was every document was telling a story about FBI power 149 00:10:08,240 --> 00:10:12,079 Speaker 3: that was unknown to anyone outside the FBI. 150 00:10:19,480 --> 00:10:23,240 Speaker 1: That brassy, jingoistic tune comes from a big budget nineteen 151 00:10:23,280 --> 00:10:28,360 Speaker 1: fifty nine Hollywood production called The FBI Story, made in 152 00:10:28,400 --> 00:10:33,480 Speaker 1: cooperation with the Bureau itself. The movie spins through the 153 00:10:33,520 --> 00:10:36,920 Speaker 1: greatest hits of agency cases, from the Osage Indian murderers 154 00:10:36,960 --> 00:10:39,440 Speaker 1: to the pursuit of communists. And it wouldn't be an 155 00:10:39,440 --> 00:10:43,199 Speaker 1: all American field good story without everyone's favorite leading man, 156 00:10:43,640 --> 00:10:45,520 Speaker 1: Jimmy Stewart tell n. 157 00:10:45,480 --> 00:10:48,200 Speaker 2: Why twenty one if and when White he passes the 158 00:10:48,200 --> 00:10:50,600 Speaker 2: cor and arrest them. 159 00:10:50,760 --> 00:10:56,239 Speaker 1: Stewart played the quintessential FBI agent. He was conservative, level headed, trustworthy, 160 00:10:56,480 --> 00:11:01,280 Speaker 1: clean shaven, well quaffed, and of course white. A government 161 00:11:01,360 --> 00:11:04,480 Speaker 1: man or in the parlance of the day, A g 162 00:11:04,720 --> 00:11:10,800 Speaker 1: man and g men were American heroes. FBI myth making 163 00:11:10,920 --> 00:11:13,360 Speaker 1: was pretty much its own genre of entertainment in the 164 00:11:13,360 --> 00:11:17,400 Speaker 1: mid twentieth century. It wasn't just movies. FBI agents were 165 00:11:17,520 --> 00:11:20,600 Speaker 1: valiant heroes in comic books and radio shows. 166 00:11:21,200 --> 00:11:24,640 Speaker 2: This is Your FBI, the official broadcast from the files 167 00:11:24,679 --> 00:11:27,120 Speaker 2: of the Federal Bureau of Investigation. 168 00:11:26,880 --> 00:11:29,000 Speaker 1: And they were the stars of a TV show that, 169 00:11:29,080 --> 00:11:32,360 Speaker 1: in nineteen seventy one was in its sixth season and 170 00:11:32,400 --> 00:11:37,840 Speaker 1: at the height of its popularity the FBI. The FBI 171 00:11:37,920 --> 00:11:41,600 Speaker 1: story was everywhere, and that didn't happen by accident. The 172 00:11:41,600 --> 00:11:45,359 Speaker 1: story of the bureau, familiar to most Americans, was crafted 173 00:11:45,400 --> 00:11:48,520 Speaker 1: by one man, the ultimate g man. 174 00:11:50,200 --> 00:11:54,360 Speaker 4: America stands at the crossroads of destiny. It is a 175 00:11:54,400 --> 00:11:59,320 Speaker 4: common destiny in which we shall all finally stand all four. 176 00:12:01,480 --> 00:12:05,760 Speaker 1: That's Jay Edgar Hoover, longtime director of the FBI. He 177 00:12:05,880 --> 00:12:09,640 Speaker 1: was a small man, but terrifyingly intimidating, so buttoned up 178 00:12:09,640 --> 00:12:12,160 Speaker 1: that he made Beaver Cleaver look like a Hell's angel. 179 00:12:12,880 --> 00:12:16,360 Speaker 1: Hoover was also a brilliant pr man, transforming a relatively 180 00:12:16,400 --> 00:12:20,199 Speaker 1: obscure bureau of the Justice Department into a nationally revered 181 00:12:20,240 --> 00:12:25,199 Speaker 1: household name that FBI TV show. Hoover was intimately involved 182 00:12:25,200 --> 00:12:29,040 Speaker 1: in its production, often suggesting storylines. As for that Jimmy 183 00:12:29,040 --> 00:12:33,959 Speaker 1: Stewart movie. Hoover edited and approved the scripts himself, and 184 00:12:34,080 --> 00:12:37,839 Speaker 1: he tasked FBI agents with investigating every person on set, 185 00:12:37,920 --> 00:12:41,319 Speaker 1: even the gaffers. Caffle with the lighting guys. It's starting 186 00:12:41,320 --> 00:12:45,679 Speaker 1: to look a little communist. As far as Hoover's message 187 00:12:45,679 --> 00:12:48,920 Speaker 1: to the American people, it was simple. They could always 188 00:12:48,960 --> 00:12:50,079 Speaker 1: count on the FBI. 189 00:12:51,280 --> 00:12:56,480 Speaker 4: I take humble prize, insenitally stating here tonight that as 190 00:12:56,520 --> 00:12:59,640 Speaker 4: long as I am Director of the FBI, he will 191 00:12:59,679 --> 00:13:06,080 Speaker 4: cont you to maintain its high and impartial standards of investigation. 192 00:13:06,720 --> 00:13:11,160 Speaker 4: Despite the hostile opinions of its detractors. 193 00:13:13,679 --> 00:13:17,840 Speaker 1: The vast majority of Americans revered Hoover. A Gallup poll 194 00:13:17,840 --> 00:13:20,240 Speaker 1: in nineteen seventy one found that over seventy percent of 195 00:13:20,280 --> 00:13:24,480 Speaker 1: Americans thought he was doing a good, too excellent job. 196 00:13:25,080 --> 00:13:30,000 Speaker 1: Only seven percent had a negative view of him. Hoover 197 00:13:30,120 --> 00:13:33,440 Speaker 1: had been exempted from compulsory retirement in the nineteen sixties, 198 00:13:33,640 --> 00:13:37,160 Speaker 1: which essentially made him FBI director for life. His power 199 00:13:37,200 --> 00:13:41,240 Speaker 1: across five decades was unquestioned when someone suggested to John F. 200 00:13:41,320 --> 00:13:44,080 Speaker 1: Kennedy that maybe it wasn't a great idea for one 201 00:13:44,160 --> 00:13:47,640 Speaker 1: person to have all that power for that long. Kennedy 202 00:13:47,760 --> 00:13:52,120 Speaker 1: then the President replied with resignation. You don't fire God, 203 00:13:53,240 --> 00:13:56,679 Speaker 1: Hey God, sorry a bug. Yeah, you are fired, damn it. 204 00:14:00,600 --> 00:14:06,560 Speaker 4: Furthermore, the FBI will continue to be objective in its investigations, 205 00:14:06,960 --> 00:14:10,640 Speaker 4: and we'll stay within the bounds of its authorized jurisdiction, 206 00:14:11,400 --> 00:14:15,679 Speaker 4: regardless of pressure groups which seek to use the FBI 207 00:14:16,400 --> 00:14:20,800 Speaker 4: to attain their own selfish aims to the detriment of 208 00:14:20,880 --> 00:14:22,160 Speaker 4: our people as a whole. 209 00:14:32,280 --> 00:14:35,680 Speaker 1: Back at the Washington Post offices, Betty Metzger was holding 210 00:14:35,720 --> 00:14:39,840 Speaker 1: documents that did not jibe with the FBI. America knew 211 00:14:40,000 --> 00:14:43,560 Speaker 1: the contents of the files were so shocking, so illegal, 212 00:14:44,360 --> 00:14:48,360 Speaker 1: Betty was skeptical that they were actually real. She took 213 00:14:48,400 --> 00:14:49,640 Speaker 1: the files to an editor. 214 00:14:50,440 --> 00:14:54,120 Speaker 3: I explained that I've just received these files that are 215 00:14:54,160 --> 00:14:56,880 Speaker 3: stolen from an FBI office, and she stops me, and 216 00:14:57,360 --> 00:15:00,000 Speaker 3: she says, we just got a call from Ken klok. 217 00:15:01,320 --> 00:15:04,160 Speaker 1: Ken Clawson was a veteran reporter who was well sourced 218 00:15:04,160 --> 00:15:07,600 Speaker 1: inside the federal government. That morning, one of Clawson's government 219 00:15:07,640 --> 00:15:10,080 Speaker 1: sources had reached out to him, asking if anyone at 220 00:15:10,080 --> 00:15:14,240 Speaker 1: the post had received stolen FBI documents. If the FBI 221 00:15:14,520 --> 00:15:18,440 Speaker 1: was asking about them, then clearly the files Betty received 222 00:15:18,640 --> 00:15:19,640 Speaker 1: were authentic. 223 00:15:22,080 --> 00:15:27,440 Speaker 3: I start to confront within myself the significance and the 224 00:15:27,560 --> 00:15:31,720 Speaker 3: danger involved. I realized I needed to think about what 225 00:15:31,840 --> 00:15:35,200 Speaker 3: I was doing. I needed to think about the personal 226 00:15:35,280 --> 00:15:36,520 Speaker 3: implications of it. 227 00:15:38,840 --> 00:15:41,280 Speaker 1: Betty knew that writing this story could make her an 228 00:15:41,400 --> 00:15:45,200 Speaker 1: enemy of the FBI, something nobody wanted, as it could 229 00:15:45,240 --> 00:15:47,160 Speaker 1: have very real consequences. 230 00:15:47,880 --> 00:15:52,320 Speaker 3: I'm concerned about fingerprints on the files that I've received, 231 00:15:52,880 --> 00:15:56,560 Speaker 3: so I thought it was very important, even when I 232 00:15:56,680 --> 00:16:01,280 Speaker 3: just thought of fingerprints, that I protect them as though 233 00:16:01,320 --> 00:16:04,480 Speaker 3: they were people that I had faced and made a 234 00:16:04,560 --> 00:16:05,120 Speaker 3: promise to. 235 00:16:08,280 --> 00:16:11,760 Speaker 1: And so, despite knowing that it could create powerful enemies 236 00:16:11,760 --> 00:16:16,480 Speaker 1: for this, heretofore under the radar smirsh reporter, Betty sat 237 00:16:16,520 --> 00:16:17,960 Speaker 1: down to write her story. 238 00:16:18,720 --> 00:16:21,640 Speaker 3: I just stayed on the office, working and writing and 239 00:16:21,680 --> 00:16:25,880 Speaker 3: rewriting the stories all afternoon. Like any other story, I 240 00:16:25,920 --> 00:16:28,160 Speaker 3: would simply write it and hand it in and it 241 00:16:28,200 --> 00:16:29,680 Speaker 3: would be published the next day. 242 00:16:30,760 --> 00:16:35,760 Speaker 1: But this wasn't like any other story. Betty finished the 243 00:16:35,800 --> 00:16:37,560 Speaker 1: piece and turned it in at six pm. 244 00:16:38,280 --> 00:16:41,480 Speaker 3: I then learned that it might not be published the 245 00:16:41,560 --> 00:16:45,200 Speaker 3: next day, and might not ever be published, And that 246 00:16:45,320 --> 00:16:46,080 Speaker 3: was a great shot. 247 00:16:48,120 --> 00:16:51,040 Speaker 1: If Betty's story never saw the light of day, then 248 00:16:51,080 --> 00:17:10,280 Speaker 1: the public might never know that the FBI was watching them. 249 00:17:10,600 --> 00:17:14,560 Speaker 3: Catherine Graham was very frightened by the situation. 250 00:17:15,440 --> 00:17:18,760 Speaker 1: Catherine Graham was the publisher of the Washington Post. Graham 251 00:17:18,800 --> 00:17:21,680 Speaker 1: is a journalism legend who received the loftiest honor you 252 00:17:21,720 --> 00:17:25,440 Speaker 1: can imagine. Meryl Streep played her in a movie. 253 00:17:25,240 --> 00:17:27,240 Speaker 3: Do You Have the Papers? 254 00:17:28,320 --> 00:17:33,000 Speaker 1: Not Yet? The movie The Post is all about Catherine 255 00:17:33,000 --> 00:17:36,280 Speaker 1: Graham and her executive editor Ben Bradley, and their decision 256 00:17:36,320 --> 00:17:39,200 Speaker 1: to publish a batch of leaked federal documents known as 257 00:17:39,240 --> 00:17:42,560 Speaker 1: the Pentagon Papers. But that was all yet to come. 258 00:17:43,320 --> 00:17:46,479 Speaker 1: On this day, March twenty third, nineteen seventy one, no 259 00:17:46,640 --> 00:17:51,600 Speaker 1: American newspaper had ever published government documents stolen by sources 260 00:17:51,640 --> 00:17:55,480 Speaker 1: from outside the government. Graham and the Post leadership were 261 00:17:55,520 --> 00:17:57,919 Speaker 1: in completely uncharted territory. 262 00:17:58,640 --> 00:18:02,639 Speaker 3: It was not just that unprecedented and that the documents 263 00:18:02,680 --> 00:18:06,080 Speaker 3: had been stolen. We had them by virtue of a 264 00:18:06,160 --> 00:18:07,360 Speaker 3: crime being committed. 265 00:18:08,440 --> 00:18:11,240 Speaker 1: Betty would later learn that earlier that day, the Attorney 266 00:18:11,280 --> 00:18:15,000 Speaker 1: General of the United States. John Mitchell had repeatedly phoned 267 00:18:15,000 --> 00:18:17,920 Speaker 1: the Post demanding that they not publish her story. 268 00:18:18,680 --> 00:18:21,880 Speaker 3: It was the first time that the publisher had been 269 00:18:21,960 --> 00:18:25,440 Speaker 3: asked by the administration to suppress a story they didn't 270 00:18:25,520 --> 00:18:26,800 Speaker 3: want the public to know. 271 00:18:27,880 --> 00:18:31,760 Speaker 1: The Attorney General claimed that the documents could damage national security. 272 00:18:32,359 --> 00:18:36,320 Speaker 1: That sounded plausible, except Betty and her editors, unlike the 273 00:18:36,359 --> 00:18:40,240 Speaker 1: Attorney General, had actually read the documents. Did they threaten 274 00:18:40,280 --> 00:18:44,479 Speaker 1: to embarrass the government? Absolutely, But there was nothing in 275 00:18:44,520 --> 00:18:47,000 Speaker 1: those files that even touched on national security. 276 00:18:47,840 --> 00:18:52,520 Speaker 3: The government had the power to hurt the institution, and 277 00:18:52,640 --> 00:18:57,119 Speaker 3: Catherine Graham had responsibility for protecting the institution. 278 00:18:58,280 --> 00:19:01,840 Speaker 1: Hours passed. Finally Betty's phone rang. 279 00:19:03,800 --> 00:19:06,879 Speaker 3: At ten o'clock. I get a call saying that the 280 00:19:06,960 --> 00:19:17,960 Speaker 3: decision was just made. The decision was made to publish. 281 00:19:14,840 --> 00:19:21,000 Speaker 1: Stolen documents describe FBI surveillance activities. That was the headline 282 00:19:21,040 --> 00:19:23,840 Speaker 1: plastered on the front page of the Washington Post, on 283 00:19:23,960 --> 00:19:27,639 Speaker 1: newsstands and doorsteps all over America on March twenty fourth, 284 00:19:27,720 --> 00:19:31,840 Speaker 1: nineteen seventy one. The story painted a picture of an 285 00:19:31,880 --> 00:19:35,320 Speaker 1: FBI far different from the g men Americans knew from 286 00:19:35,359 --> 00:19:39,280 Speaker 1: their TV sets and radios. It described a vast surveillance 287 00:19:39,359 --> 00:19:44,479 Speaker 1: network infiltrating college campuses, targeting black students and activists, and 288 00:19:44,560 --> 00:19:49,399 Speaker 1: intentionally trying to create an atmosphere of paranoia. The reaction 289 00:19:49,520 --> 00:19:54,000 Speaker 1: to the story was tectonic. Soon members of Congress were 290 00:19:54,000 --> 00:19:57,680 Speaker 1: calling for an investigation into the FBI and for the public. 291 00:19:58,320 --> 00:20:01,920 Speaker 1: Trips to the mailbox were never quite the same. 292 00:20:02,960 --> 00:20:07,000 Speaker 2: Burglars had an FBI resident office at FBI records stolen 293 00:20:07,040 --> 00:20:09,719 Speaker 2: from the media Pennsilvan and FBI records which have been 294 00:20:09,760 --> 00:20:11,760 Speaker 2: made in public include a letter in which. 295 00:20:15,600 --> 00:20:18,439 Speaker 1: Betty had seen just fourteen files. The letter from the 296 00:20:18,440 --> 00:20:21,920 Speaker 1: Citizens Commission to Investigate the FBI implied that there were 297 00:20:21,920 --> 00:20:25,320 Speaker 1: still more files in their possession. What Betty didn't know 298 00:20:25,400 --> 00:20:29,640 Speaker 1: yet was just how many and how much more damning 299 00:20:29,720 --> 00:20:33,480 Speaker 1: those documents would be. But for the time being, Betty 300 00:20:33,600 --> 00:20:35,960 Speaker 1: was just thrilled to see her story published. 301 00:20:36,680 --> 00:20:40,040 Speaker 3: I was very excited, and early that morning I went 302 00:20:40,280 --> 00:20:42,960 Speaker 3: opened my apartment door and picked up my newspaper and 303 00:20:43,080 --> 00:20:44,280 Speaker 3: was happy to see it there. 304 00:20:45,359 --> 00:20:48,639 Speaker 1: But the story didn't end there. Betty's article was highly 305 00:20:48,680 --> 00:20:52,520 Speaker 1: embarrassing for the FBI, which, as she was about to learn, 306 00:20:53,119 --> 00:20:55,520 Speaker 1: put her on j Edgar Hoover's radar. 307 00:20:56,440 --> 00:21:05,000 Speaker 3: The FBI entered my life very soon after that. I 308 00:21:05,119 --> 00:21:09,920 Speaker 3: decided to call a friend in Philadelphia and share my excitement. 309 00:21:11,800 --> 00:21:16,359 Speaker 3: I lifted the receiver on my kitchen phone and a 310 00:21:16,480 --> 00:21:20,160 Speaker 3: man spoke to me and said, what are you doing? 311 00:21:21,160 --> 00:21:23,919 Speaker 3: And this is a great shock to pick up your 312 00:21:23,920 --> 00:21:27,560 Speaker 3: phone and somebody talking to you. And I said, who 313 00:21:27,600 --> 00:21:30,679 Speaker 3: are you? What are you doing? And did not reveal 314 00:21:30,920 --> 00:21:33,840 Speaker 3: who they were, but kept asking me who was I 315 00:21:33,880 --> 00:21:37,160 Speaker 3: trying to call? And why was I trying to call someone? 316 00:21:37,960 --> 00:21:38,160 Speaker 2: Here? 317 00:21:38,240 --> 00:21:41,480 Speaker 3: I was the reporter who had just written that the 318 00:21:41,560 --> 00:21:45,840 Speaker 3: FBI agents are supposed to make people paranoid and feel 319 00:21:45,840 --> 00:21:49,959 Speaker 3: as though there's an FBI agent behind every mailbox. So 320 00:21:50,040 --> 00:21:54,639 Speaker 3: here apparently was an effort to make me paranoid and 321 00:21:55,480 --> 00:21:59,280 Speaker 3: know that there was an FBI agent behind my phone. 322 00:22:00,200 --> 00:22:02,280 Speaker 1: Betty was never able to confirm that he was an 323 00:22:02,359 --> 00:22:05,560 Speaker 1: FBI agent, but I mean, who else could it be? 324 00:22:09,840 --> 00:22:11,679 Speaker 1: And this wouldn't be the only time she would have 325 00:22:11,720 --> 00:22:14,920 Speaker 1: an unnerving run in that made her wonder was the 326 00:22:15,000 --> 00:22:27,199 Speaker 1: FBI now after her? Turns out that first batch of 327 00:22:27,240 --> 00:22:32,080 Speaker 1: stolen FBI documents was just the beginning. The files kept coming. 328 00:22:32,960 --> 00:22:35,040 Speaker 1: Checking the mail each morning, became a moment of high 329 00:22:35,080 --> 00:22:35,919 Speaker 1: drama for Betty. 330 00:22:36,760 --> 00:22:39,679 Speaker 3: So one Saturday, I was at my desk and I 331 00:22:39,760 --> 00:22:43,320 Speaker 3: had received more files from the more FBI files, and 332 00:22:43,359 --> 00:22:46,320 Speaker 3: I was sitting there reading starting to read them, and 333 00:22:46,359 --> 00:22:49,399 Speaker 3: this man I had never seen came up and introduced 334 00:22:49,480 --> 00:22:53,399 Speaker 3: himself and said, I've been watching your mail and I 335 00:22:53,480 --> 00:22:57,679 Speaker 3: see that you're getting these files from the FBI. And 336 00:22:58,040 --> 00:23:02,080 Speaker 3: then he said, I also see that your mother is 337 00:23:02,160 --> 00:23:06,480 Speaker 3: writing to you from Johnstown, that you're occasionally getting mail 338 00:23:06,640 --> 00:23:10,960 Speaker 3: from her. And that's a sort of a strange thing 339 00:23:11,040 --> 00:23:14,200 Speaker 3: for somebody to be saying. But it was even stranger 340 00:23:14,240 --> 00:23:18,400 Speaker 3: than that, because yes, my mother lives in Johnstown, Pennsylvania, 341 00:23:18,880 --> 00:23:21,959 Speaker 3: but she had never written to me at the Washington Post. 342 00:23:22,359 --> 00:23:25,159 Speaker 3: She didn't even know the address of the Washington Post. 343 00:23:26,800 --> 00:23:30,560 Speaker 1: This was a downright freaky interaction. Oh hi there, Yeah, 344 00:23:30,600 --> 00:23:32,800 Speaker 1: we've never met, but I'm keeping really close tabs on 345 00:23:32,840 --> 00:23:35,560 Speaker 1: your mail. Just FYI, By the way, how's your mom, 346 00:23:35,600 --> 00:23:37,639 Speaker 1: whom I've also never met? Is she still getting her 347 00:23:37,680 --> 00:23:39,560 Speaker 1: hair done at that same place on the third Tuesday 348 00:23:39,600 --> 00:23:45,160 Speaker 1: of every month. Fantastic Betty was getting an object lesson 349 00:23:45,280 --> 00:23:48,240 Speaker 1: and what it meant for the FBI to sew paranoia. 350 00:23:48,760 --> 00:23:51,800 Speaker 1: Why was the bureau going to such lengths to rattle her? 351 00:23:52,280 --> 00:23:56,040 Speaker 1: Was this petty retaliation or were there more secrets yet 352 00:23:56,040 --> 00:24:00,760 Speaker 1: to be revealed? The anonymous packages had been mailed from Pennsylvania. 353 00:24:01,119 --> 00:24:04,239 Speaker 1: Betty had previously worked as a reporter in Philadelphia, so 354 00:24:04,400 --> 00:24:07,360 Speaker 1: she was well sourced in the area. She reached out 355 00:24:07,359 --> 00:24:09,560 Speaker 1: to a source she thought might know where the files 356 00:24:09,560 --> 00:24:12,359 Speaker 1: were being kept, and even better, might be able to 357 00:24:12,359 --> 00:24:15,280 Speaker 1: get Betty access to any remaining files. 358 00:24:15,920 --> 00:24:19,639 Speaker 3: She was very open to the idea, and she said, 359 00:24:19,880 --> 00:24:25,160 Speaker 3: let me pursue people that would seem like logical connections 360 00:24:25,800 --> 00:24:29,879 Speaker 3: and get back to you. So I was very excited, 361 00:24:30,920 --> 00:24:35,639 Speaker 3: and as I walked back into the newsroom from that appointment, 362 00:24:36,240 --> 00:24:38,480 Speaker 3: I walked past Ken Clawson's desk. 363 00:24:39,080 --> 00:24:41,920 Speaker 1: You might remember Ken Clawson. He was the Washington Post 364 00:24:41,920 --> 00:24:45,080 Speaker 1: reporter who had confirmed the authenticity of the stolen files 365 00:24:45,119 --> 00:24:48,440 Speaker 1: on the day Betty received them. Clawson actually even shared 366 00:24:48,440 --> 00:24:50,919 Speaker 1: a byline with Betty on that first story because of 367 00:24:50,920 --> 00:24:54,720 Speaker 1: his contribution. One thing worth mentioning here. It just so 368 00:24:54,840 --> 00:24:58,119 Speaker 1: happens Clawson had written a glowing story on Hoover for 369 00:24:58,160 --> 00:25:00,000 Speaker 1: the Post just a few months earlier. 370 00:25:01,119 --> 00:25:04,720 Speaker 3: I just spontaneously just stopped and I said, Ken, I 371 00:25:04,840 --> 00:25:08,200 Speaker 3: just had the most wonderful thing happen. I told him 372 00:25:08,240 --> 00:25:11,240 Speaker 3: what had happened, and that there was a possibility that 373 00:25:11,320 --> 00:25:14,200 Speaker 3: I would be able to go someplace and see all 374 00:25:14,240 --> 00:25:19,440 Speaker 3: of the stolen files. And his eyes just came alert 375 00:25:19,640 --> 00:25:23,960 Speaker 3: and then hardened, and he said, I'm going with you. 376 00:25:25,560 --> 00:25:29,320 Speaker 3: In that moment, I knew I had made a terrible mistake. 377 00:25:30,920 --> 00:25:33,359 Speaker 1: Betty thought back to that fluff piece that Clawson had 378 00:25:33,400 --> 00:25:36,639 Speaker 1: written on Jay Edgar Hoover months earlier. Maybe it was 379 00:25:36,720 --> 00:25:40,680 Speaker 1: best not to let Clawson be Woodward to herb Bernstein. 380 00:25:40,640 --> 00:25:44,320 Speaker 3: And I said, well, no, Ken, these are confidential sources 381 00:25:44,320 --> 00:25:46,800 Speaker 3: of mine and there's no way that they would let 382 00:25:46,800 --> 00:25:51,480 Speaker 3: me bring somebody else along. And he said no, he said, 383 00:25:51,680 --> 00:25:54,240 Speaker 3: I will have to go with you. And at that 384 00:25:54,320 --> 00:25:58,600 Speaker 3: point I somehow graciously got out of the conversation. About 385 00:25:58,600 --> 00:26:02,880 Speaker 3: a half hour passed and I looked up and there 386 00:26:02,960 --> 00:26:08,320 Speaker 3: was Ken, and he said, in very stern language, I 387 00:26:08,359 --> 00:26:12,360 Speaker 3: am going with you when you go to see those files. 388 00:26:13,080 --> 00:26:16,879 Speaker 3: He was saying it as though he had the power 389 00:26:16,960 --> 00:26:21,000 Speaker 3: to give me an order, which wasn't true. 390 00:26:21,760 --> 00:26:25,399 Speaker 1: So Betty reached out to her source and canceled their rendezvous. 391 00:26:25,840 --> 00:26:30,000 Speaker 3: I had to make that assumption that he was so 392 00:26:30,240 --> 00:26:35,360 Speaker 3: close to the FBI that if we went and actually 393 00:26:35,440 --> 00:26:40,040 Speaker 3: found where the documents were, that the FBI might be 394 00:26:40,160 --> 00:26:40,560 Speaker 3: there too. 395 00:26:42,840 --> 00:26:45,600 Speaker 1: Betty never learned for sure. Y Clawson was so weirdly 396 00:26:45,640 --> 00:26:48,560 Speaker 1: aggressive that day. But a year later he left the 397 00:26:48,680 --> 00:26:51,960 Speaker 1: Washington Post for a job at the White House as 398 00:26:52,040 --> 00:26:56,840 Speaker 1: Richard Nixon's communications officer. And guess what he proudly displayed 399 00:26:56,880 --> 00:26:58,639 Speaker 1: on his new White House desk. 400 00:27:00,440 --> 00:27:06,800 Speaker 3: Framed photograph that was signed to Ken with affection Jay Edgar. 401 00:27:10,480 --> 00:27:13,480 Speaker 1: As it turns out, just as Betty suspected, the files 402 00:27:13,520 --> 00:27:16,560 Speaker 1: she was receiving, well, they would just be the tip 403 00:27:16,600 --> 00:27:19,720 Speaker 1: of the iceberg. The full picture was going to upend 404 00:27:19,920 --> 00:27:23,240 Speaker 1: everything the American public thought they knew about the FBI 405 00:27:23,960 --> 00:27:27,840 Speaker 1: and would knock a revered American hero off his throne. 406 00:27:28,440 --> 00:27:32,600 Speaker 5: President's official spokesman claims creating fear mistrustance has spread far 407 00:27:32,640 --> 00:27:36,359 Speaker 5: out of control its penetration in labor union's, college campuses, churches, 408 00:27:36,760 --> 00:27:42,240 Speaker 5: The FBI had under surveillance every political figure, every student activist, 409 00:27:42,359 --> 00:27:47,240 Speaker 5: and every leader for peace and justice in this country. 410 00:27:54,680 --> 00:27:59,480 Speaker 1: So who exactly was responsible for exposing the FBI's secrets 411 00:28:00,080 --> 00:28:03,720 Speaker 1: who were these anonymous citizens who sent Betty those files? 412 00:28:04,560 --> 00:28:08,000 Speaker 1: And how the hell did they successfully break into the 413 00:28:08,119 --> 00:28:12,160 Speaker 1: nation's most powerful law enforcement agency, all under the cover 414 00:28:12,400 --> 00:28:16,359 Speaker 1: of a huge boxing match. Hang on a second, that 415 00:28:16,440 --> 00:28:19,240 Speaker 1: plot is actually sounding kind of familiar. On a fight 416 00:28:19,359 --> 00:28:21,000 Speaker 1: night like the one two weeks from the night to 417 00:28:21,080 --> 00:28:23,040 Speaker 1: night that we're going to rob it one hundred and 418 00:28:23,080 --> 00:28:26,840 Speaker 1: fifty million without breaking a sweat. Oceans eleven one of 419 00:28:26,840 --> 00:28:29,800 Speaker 1: my all time favorite heist movies from Master of the 420 00:28:29,800 --> 00:28:36,000 Speaker 1: Heist himself, filmmaker Steven Soderberg. Speaking of Steven, while you 421 00:28:36,040 --> 00:28:39,240 Speaker 1: were making Oceans, did you know about this actual real 422 00:28:39,280 --> 00:28:42,400 Speaker 1: life burglary that took place on a fight night? No, 423 00:28:42,560 --> 00:28:43,600 Speaker 1: I didn't. 424 00:28:44,440 --> 00:28:45,680 Speaker 3: I have so many questions. 425 00:28:46,840 --> 00:28:52,040 Speaker 1: I do too, Stephen, I do too. I'm excited for 426 00:28:52,120 --> 00:28:54,760 Speaker 1: you to learn more about this story. 427 00:28:55,040 --> 00:28:55,960 Speaker 4: Well, here's the thing. 428 00:28:56,720 --> 00:29:00,959 Speaker 1: I have never listened to a podcast before. Obviously I 429 00:29:01,080 --> 00:29:05,680 Speaker 1: have to hear this, all right, Stephen, and listeners get ready. 430 00:29:06,520 --> 00:29:09,480 Speaker 1: This season you'll hear how Jay Edgar Hoover embroiled the 431 00:29:09,560 --> 00:29:13,840 Speaker 1: FBI in one of the worst intelligence snaffoos of all time, 432 00:29:14,440 --> 00:29:18,360 Speaker 1: The daring heist that exposed it all and the staggering 433 00:29:18,440 --> 00:29:21,320 Speaker 1: fallout that sent shock waves through America. 434 00:29:21,960 --> 00:29:24,520 Speaker 6: We love to say that we learned our burglary skills 435 00:29:24,520 --> 00:29:31,360 Speaker 6: from nons and priests. One day he came up to 436 00:29:31,400 --> 00:29:32,920 Speaker 6: me and he said, would you like to be part 437 00:29:32,960 --> 00:29:35,760 Speaker 6: of a small group where we're going to go after 438 00:29:36,120 --> 00:29:38,760 Speaker 6: the FBI. I just felt like I was living in 439 00:29:38,800 --> 00:29:40,800 Speaker 6: the heart of the dragon and it was just my 440 00:29:40,960 --> 00:29:42,480 Speaker 6: job to stop the fire. 441 00:29:42,440 --> 00:29:44,480 Speaker 3: And this seemed like a way to do it. 442 00:29:44,800 --> 00:29:49,120 Speaker 6: I was just really angry, that's really and I thought, 443 00:29:49,160 --> 00:29:53,920 Speaker 6: here's something that might just make a great, big difference. 444 00:29:54,440 --> 00:29:57,800 Speaker 1: Holy shit, we are really here. This is dynamite stuff. 445 00:29:58,280 --> 00:30:01,600 Speaker 5: There was no place to hide. They released their powers 446 00:30:01,600 --> 00:30:02,040 Speaker 5: against you. 447 00:30:02,640 --> 00:30:02,840 Speaker 2: Mike. 448 00:30:02,920 --> 00:30:05,880 Speaker 4: Well, that was either the FBI or the heating system, 449 00:30:06,000 --> 00:30:07,400 Speaker 4: and there's only one. 450 00:30:07,200 --> 00:30:10,800 Speaker 2: Way to find out which Maney of the tech names 451 00:30:10,800 --> 00:30:15,040 Speaker 2: were clearly illegal but justified in the interest of national security. 452 00:30:15,480 --> 00:30:19,560 Speaker 6: If it meant some risks that were involved, well that's 453 00:30:19,720 --> 00:30:21,720 Speaker 6: what citizens sometimes have to do. 454 00:30:31,360 --> 00:30:34,960 Speaker 1: Snafoo is a production of iHeartRadio, Film, Nation Entertainment, and 455 00:30:35,000 --> 00:30:39,400 Speaker 1: Pacific Electric Picture Company in association with Gilded Audio. This 456 00:30:39,480 --> 00:30:41,960 Speaker 1: season of Snapoo is based on the book The Burglary, 457 00:30:42,040 --> 00:30:45,520 Speaker 1: The discovery of j Edgar Hoover's secret FBI, written by 458 00:30:45,520 --> 00:30:50,400 Speaker 1: Betty Metzger. It's executive produced by me Ed Helms, Milan Papelka, 459 00:30:50,640 --> 00:30:54,840 Speaker 1: Mike Valbo, Whitney Donaldson, Andy Chug, Dylan Fagan, and Betty Metzger. 460 00:30:55,400 --> 00:30:59,320 Speaker 1: Our lead producers are Sarah Joyner and Alyssa Martine. Producer 461 00:30:59,360 --> 00:31:02,720 Speaker 1: is Stephen Wood. This episode was written by Albert Chen, 462 00:31:02,840 --> 00:31:05,520 Speaker 1: Sarah Joyner and Stephen Wood, with additional writing and story 463 00:31:05,600 --> 00:31:09,160 Speaker 1: editing from Melissa Martino and Ed Helms. Tory Smith is 464 00:31:09,160 --> 00:31:13,560 Speaker 1: our associate producer. Nevin Callapoly is our production assistant. Fact 465 00:31:13,640 --> 00:31:17,120 Speaker 1: checking by Charles Richter. Our creative executive is Brett Harris. 466 00:31:17,440 --> 00:31:21,920 Speaker 1: Sensitivity consult from Oloakemi Ala de Sui, editing, sound design 467 00:31:21,960 --> 00:31:25,440 Speaker 1: and original music by Ben Chugg, Engineering and technical direction 468 00:31:25,480 --> 00:31:29,600 Speaker 1: by Nick Dooley. Additional editing from Kelsey Albright, Olivia Canny 469 00:31:29,680 --> 00:31:34,560 Speaker 1: and Jimma Castelli Foley. Theme music by Dan Rosatto. Special 470 00:31:34,560 --> 00:31:38,360 Speaker 1: thanks to Alison Cohen, Daniel Welsh and Ben Riizak. Additional 471 00:31:38,360 --> 00:31:41,040 Speaker 1: thanks to director Joanna Hamilton for letting us use some 472 00:31:41,080 --> 00:31:47,000 Speaker 1: of the original interviews from her incredible documentary nineteen seventy one. Finally, 473 00:31:47,160 --> 00:31:51,160 Speaker 1: our deepest gratitude to the Courageous Citizens Commission to Investigate 474 00:31:51,200 --> 00:31:56,040 Speaker 1: the FBI, Bill Davidon, Ralph Daniel, Judy Fine, Gold, Heath Forsyth, 475 00:31:56,360 --> 00:32:03,600 Speaker 1: Bonnie Rains, John Rains, Sarah Schumer and Bob Williamson was 476 00:32:03,880 --> 00:32:14,280 Speaker 1: talking m