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Speaker 1: The most Eliza, What's up everybody?

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Speaker 2: Welcome to the show Lauren Studio morning.

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Speaker 1: Let's start with this. Lunchbox is upset, which is not

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Speaker 1: news and it's really in the past few months, but

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Speaker 1: a big thing where he goes to businesses and it's

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Speaker 1: always upset at somebody at the business, meaning he goes,

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Speaker 1: like the restaurant they closed five minutes early. He's just

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Speaker 1: the poll they closed a little early. I'm starting to

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Speaker 1: just think they want to close because he's there, like

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Speaker 1: that's the trend. However, this is not exactly that. But

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Speaker 1: he said he wants to get somebody fired and he

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Speaker 1: wants to talk about it on the show.

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Speaker 3: WHOA.

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Speaker 1: So I'm not gonna let him be super specific, but

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Speaker 1: I'm giving the floor to you so we can get

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Speaker 1: the segment over with. Go ahead.

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Speaker 4: Yes.

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Speaker 5: So I went to the grocery store and I needed

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Speaker 5: a pound of spicy pork sausage. So I go to

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Speaker 5: the butcher counter right and they got the spicy pork

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Speaker 5: sausage there, and I say the dude, He goes, can.

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Speaker 1: I help you?

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Speaker 5: I said, yeah, can I get a pound of the

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Speaker 5: spicy work sausage?

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Speaker 1: Please?

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Speaker 2: Keep saying that, okay, and he goes, no problem.

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Speaker 5: The only problem is it's in the casing, and I

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Speaker 5: don't need it in the sausage casing. I just need

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Speaker 5: it loose because I'm gonna mix it up with some

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Speaker 5: bell peppers and stuff like that.

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Speaker 2: And do you think the casing adds weight so you

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Speaker 2: want more?

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Speaker 1: No? I just it's just easier for me when I

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Speaker 1: get home and they're.

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Speaker 5: Cuts casing off right and like peel it off, and

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Speaker 5: they're butchers, they can do that real quick. So as

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Speaker 5: he's putting it on the scale, I said, hey man,

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Speaker 5: is it okay if I get that out of the casing?

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Speaker 2: And he goes, that'd be easy.

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Speaker 6: But no, and man like, hey man, hey man.

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Speaker 1: Or maybe he didn't say that. We don't know. Lunchbox

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Speaker 1: is recreating the story. This is not unsolved mystery. Try

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Speaker 1: to be accurate. Go ahead. He literally said, go ahead,

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Speaker 1: but listen, that would be easy. That's different than hey man, No,

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Speaker 1: I asked, hey, bud, or say we just want to

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Speaker 1: know what he said.

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Speaker 5: He said he literally said that would be easy, but no.

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Speaker 1: And you said, hey Bud, hey man, whatever, sir, whatever,

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Speaker 1: a champ doesn't matter what I said. Part of me,

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Speaker 1: fine fellow, the fact that he said that would be easy,

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Speaker 1: but no, and then you say why is like and

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Speaker 1: then he just put it there because he had wrapped

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Speaker 1: it up, said it there and said have a good day,

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Speaker 1: and he walked through the butcher doors and didn't come

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Speaker 1: back to day.

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Speaker 7: Yeah, that's interesting why he would say that would be

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Speaker 7: easy but no in the face.

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Speaker 1: Or is it it would be easy if they would

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Speaker 1: let us, but they've told us they wouldn't let me stop.

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Speaker 1: If he could, he would have said, oh, that's against

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Speaker 1: store policy. No, he said that would be easy, but no,

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Speaker 1: This is why I want to know here.

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Speaker 6: When he asked it, did lunchbox ask it in any

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Speaker 6: sort of condescending way?

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Speaker 2: Would you try to recreate how you you?

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Speaker 1: Really? Exactly?

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Speaker 2: Okay, go ahead, I said, I'm the butcher.

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Speaker 1: You're the butcher gonna say how can I help you today?

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Speaker 8: No?

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Speaker 1: No, but just so it's like you were like, well,

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Speaker 1: you've got to ask because he came walking up to

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Speaker 1: the counter. Okay, so but you didn't say that. So

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Speaker 1: you're you're you're standing at the counter and what are

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Speaker 1: you doing? What do you I'm just.

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Speaker 9: Looking looking at the pork spicy sausage.

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Speaker 1: Excuse me. So I see looking at the spicy sausage. No,

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Speaker 1: he doesn't know what I'm looking at A lot of meat? Okay,

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Speaker 1: I can I help you?

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Speaker 3: Sir?

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Speaker 1: Oh yeah? Can I get a pound of the spicy

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Speaker 1: pork sausage please? I'm sure one pound? You say, yep?

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Speaker 1: All right, okay, putting it up on the scale. Do

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Speaker 1: you mind taking that out of the casey h are

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Speaker 1: you that lunch from the radio? I hate you? You

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Speaker 1: know you didn't say what he said. He said that

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Speaker 1: would be easy, but no.

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Speaker 2: I hear you, So tell me that this is what I.

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Speaker 6: Would ask I kind of like that response. Now I'm

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Speaker 6: gonna steal it. Asked me to do something, and you're like, well,

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Speaker 6: that would.

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Speaker 1: Be easy, But no, I feel like there's probably a

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Speaker 1: bit more to the story. Literally, I am honest, your honor.

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Speaker 10: That is the story.

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Speaker 1: This has never been a judgment. But that okay, So

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Speaker 1: that is literally it. Can we do this?

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Speaker 2: What if how much was your spicy sausage?

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Speaker 1: I like seven dollars? Can I give you ten dollars?

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Speaker 1: You go back? It doesn't make it the same guy

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Speaker 1: get a pound of spicy sausage and say can I

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Speaker 1: get the case? Things off? To whomever and see if

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Speaker 1: they say sure, no problem, or maybe the different person says,

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Speaker 1: we're not allowed to cut those off. Maybe his communication

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Speaker 1: just wasn't appropriate at that time for the person he

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Speaker 1: was talking to.

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Speaker 7: Or maybe it's store policy to reply with that would

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Speaker 7: be easy, but no, it's my.

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Speaker 5: Pleasure, and this grocery store is that would be easy,

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Speaker 5: but no, So the store is like, even.

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Speaker 1: If it's no, tell them, would be easy before you

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Speaker 1: say that, would you do that? I'll do it?

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Speaker 5: Okay, So then if I bring it back and the

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Speaker 5: guy does it, we'll get oh, we aren't.

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Speaker 1: That other dude is in trouble. He also might have

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Speaker 1: been had a bad day.

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Speaker 9: Yeah, no, you're not gonna get yes.

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Speaker 2: I'm just curious if you go up and you say

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Speaker 2: no Shenanigan.

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Speaker 1: No, there's no shenanigans here. You can't be like there's

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Speaker 1: a been an age to cover up. Well, no, I was.

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Speaker 2: I'll say the exact same way I did there.

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Speaker 1: I'll venmo. You go up, you say sir, no, you

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Speaker 1: gotta say hey, can I help you? Oh?

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Speaker 4: Yeah?

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Speaker 5: Can I please get a pound of the spicy pork

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Speaker 5: sausage please, I'm.

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Speaker 1: Gonna put it up here all right, here you go.

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Speaker 1: Could I get that out of the casing boom if

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Speaker 1: you do that? I don't know what what was your response?

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Speaker 1: I don't know what the company policy is. That's what

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Speaker 1: we're gonna see. Your response was that'd be easy, but no.

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Speaker 2: Unless they say that'd be easy, and absolutely yeah they might.

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Speaker 6: Also was lunchbox saying it really difficult to go home

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Speaker 6: and take some scissors and squeeze the sausage.

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Speaker 2: Not that hard, it's not, but it's easier if he

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Speaker 2: does it.

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Speaker 1: He has like that would have been easy, but no.

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Speaker 8: Right.

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Speaker 1: Question to be Hello, Bobby Bones. In the last few weeks,

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Speaker 1: I've called my boyfriend in a series of little lies.

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Speaker 1: One was about work, one was about a chore. The

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Speaker 1: other was about a TV show that he said he'd

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Speaker 1: watched but turns out he never did. It's bizarre because

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Speaker 1: none of it's really anything big, but together it makes

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Speaker 1: me wonder what's really happening with him? Could his lies

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Speaker 1: add up to being a big betrayal? Is it possible

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Speaker 1: he's hiding something even worse? Signed a girlfriend of a

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Speaker 1: white liar thought about this one for a second. If

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Speaker 1: there are no fundamental to the relationship, lies or like sneaky,

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Speaker 1: like I think he's probably just playing Madden or NCAA football.

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Speaker 1: He's probably just if it's all these little, little little

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Speaker 1: ones and you've not found anything of merit, of value.

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Speaker 1: If it's again, let's go over them a chore, Yeah,

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Speaker 1: I do all the time. They trash out Yep, nope,

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Speaker 1: I planned to do it later. The other one a

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Speaker 1: TV show he said he'd watch, but he never did.

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Speaker 1: You know, he's probably doing he's playing on PlayStation, So

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Speaker 1: I don't know that that's true these. If it's these,

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Speaker 1: I would keep one eye slightly aware. But it feels

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Speaker 1: like he doesn't want to admit to you that he's

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Speaker 1: playing PlayStation or Magic the Gathering or Fantasy football or

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Speaker 1: something that you're probably gonna give him crap for. There

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Speaker 1: is a difference and dishonesty that is detrimental to the relationship.

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Speaker 1: And there is dishonesty that is detrimental if you find

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Speaker 1: out because you don't let me play football nca football anymore.

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Speaker 6: Well so, if you're spending time doing something, then why

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Speaker 6: does it matter if you're spending it watching a TV

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Speaker 6: show or playing a video game.

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Speaker 1: Oh, you're real quick, Why do you play video game

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Speaker 1: all the time. Sounds familiar. Okay, not anymore. He doesn't

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Speaker 1: not care anymore. Boy he first started, she was like, man,

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Speaker 1: you play that a lot. And so then I was

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Speaker 1: just embarrassed because I was like, yeah, it wasn't that

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Speaker 1: she she was even judging it. I was embarrassed. I

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Speaker 1: was playing it all the time because I felt like

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Speaker 1: she thought was a kid thing. It is a good thing.

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Speaker 1: And so I was like, I'm not I haven't been

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Speaker 1: playing video game. I've been and they're reading Warren Piece.

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Speaker 1: I'd have a big book over there, and you weren't. No,

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Speaker 1: not at all.

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Speaker 9: Yeah, he said he read Warren Piece and he did it.

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Speaker 1: So I would say, be aware if you find anything

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Speaker 1: that's actually shady about lies he's telling about other people places.

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Speaker 9: Did you send this in?

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Speaker 1: I did not.

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Speaker 2: We are now at the stage I don't. I don't

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Speaker 2: worry about that.

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Speaker 1: There was ay, you used to be embarrassed this the

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Speaker 1: goofy stuff that I did.

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Speaker 2: I really don't care anymore. She does what she got into.

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Speaker 9: I guess it would technically be your wife that's sent

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Speaker 9: it in.

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Speaker 1: Yeah, and she can hear the sound now of college

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Speaker 1: trouble all the time you started out. Yeah. Yeah, she

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Speaker 1: can tell all the time. So it is what it is.

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Speaker 2: And I leave cards like baseball cards around the house.

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Speaker 9: You're open about it now, Yeah.

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Speaker 1: It's just too much work not to be. I would say,

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Speaker 1: this is not something to be overly concerned about, but

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Speaker 1: be aware if it gets bigger. Yes, No, he's doing

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Speaker 1: something he's embarrassed to tell you about. And it's probably

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Speaker 1: PlayStation or Xbox. Let's talk to Anna in Tallahassee, Florida,

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Speaker 1: who is on the phone. Hey, Anna, thank you for calling.

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Speaker 1: What can we help you with?

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Speaker 6: So?

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Speaker 4: I need advice.

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Speaker 11: I have a grandsmother in law.

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Speaker 4: They live next door to.

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Speaker 11: Us, and we have an eight month old baby. It's

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Speaker 11: a good thing to have the next door, but it's

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Speaker 11: also hard because they thought that we would have them

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Speaker 11: over every day pretty much. It's gotten to the point

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Speaker 11: that they will just show up now. And like yesterday,

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Speaker 11: we went swimming and we came back inside and I

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Speaker 11: was putting the baby to sleep. His grandma came in.

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Speaker 11: She just opened the door and walked in and she

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Speaker 11: was sitting in my living room.

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Speaker 1: Do you think that they think they're helping? Do you

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Speaker 1: think that they are doing it? I'm not saying it's

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Speaker 1: not annoying, but I'm just asking for what your thoughts are.

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Speaker 1: Do you think they think they're helping and coming from

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Speaker 1: a simply a love place of wanting to be around

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Speaker 1: the child.

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Speaker 4: I know that they love her, and I know that

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Speaker 4: in their minds it's love, But in my mind it's

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Speaker 4: overwhelming because I'm a new mom and I just I

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Speaker 4: get a lot of guilt trips from them, and I

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Speaker 4: just I want to keep loving them, but I don't know,

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Speaker 4: like I need to set boundaries.

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Speaker 1: Yes, bounders is very important, So I'm going to go

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Speaker 1: over to Amy first. They expert on boundaries. Huh, especially

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Speaker 1: difficult boundaries. Because why this is difficult is because there

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Speaker 1: is a love there. There's a love between your husband

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Speaker 1: and his parents, you and even the parents, the parents

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Speaker 1: and the grandparents and the baby. All that's love love, love,

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Speaker 1: But it doesn't mean there can't be healthy boundaries. Ay,

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Speaker 1: what would you say to her?

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Speaker 6: Yeah, I mean boundaries is something I've been working on

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Speaker 6: a lot, and it's not easy. But getting your husband

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Speaker 6: involved with you and y'all coming up with a plan

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Speaker 6: or what that can look like. I mean, it's his parents, right,

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Speaker 6: So then see if they can meet that and then honestly,

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Speaker 6: if they can't, then there needs to be a talk.

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Speaker 6: But if there has been zero boundary conversation, then they

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Speaker 6: don't know and they're going to keep showing up and

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Speaker 6: if you keep allowing it, it's just going to get

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Speaker 6: harder and harder.

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Speaker 9: So I would do it asap.

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Speaker 1: So a little bit, and it's not comfortable to say it,

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Speaker 1: but a little bit. It's on you, Anna, Yes, but

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Speaker 1: it's a great problem to have as far as problems go.

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Speaker 1: But I think your husband has to get involved. It's

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Speaker 1: his parents and he may be like, no, they're just loving,

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Speaker 1: but it's one of those where he just has to

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Speaker 1: side with you on this, even if he really doesn't

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Speaker 1: feel like that's the case. And you've got to establish

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Speaker 1: a bal like with boundaries, that they need to be

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Speaker 1: definite and completely understood clear. Sometimes they are hard to

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Speaker 1: communicate because it could sound harsh, but it can even

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Speaker 1: be to start a time thing like, Hey, we're really

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Speaker 1: trying to do this on this schedule, so we really

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Speaker 1: don't want anybody over at the house. And I know

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Speaker 1: this is weird for you guys because we love having

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Speaker 1: you guys over, but from like this is something up

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Speaker 1: noon to four. We don't want anybody coming in and

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Speaker 1: out of the front door, so unless we call, so

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Speaker 1: please just And it's going to be a little lokward

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Speaker 1: to say something like that, but you have to say

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Speaker 1: it or you can't expect it to not be followed.

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Speaker 1: The hardest thing about boundaries are setting them. The second

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Speaker 1: hardest thing is actually following through with them. Setting them

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Speaker 1: is the hardest part of it. But yeah, that's okay,

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Speaker 1: I mean it just.

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Speaker 9: Yeah, And she's like I love that. She's like, I

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Speaker 9: want to keep loving them because you're so right. Yes,

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Speaker 9: you're that.

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Speaker 6: Resentment is the word, and that will build up and

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Speaker 6: you can't.

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Speaker 1: Have that, Eddie.

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Speaker 7: Yeah, Like why did they move in next to each other?

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Speaker 7: That's that's the weird one. Like their next door.

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Speaker 9: Neighbors, Well that's not going to change.

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Speaker 1: Well why yeah? And do they'd move over there because

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Speaker 1: the baby?

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Speaker 6: No.

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Speaker 11: So they've been our neighbors for almost ten years, but

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Speaker 11: we only.

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Speaker 4: Saw them once a week before the baby was born.

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Speaker 4: And now I see them probably at least every other day,

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Speaker 4: if not every day.

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Speaker 1: Okay, So this is what I'm gonna say, dead bull,

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Speaker 1: I'm gonna say one is it dead where they can

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Speaker 1: just walk in and sit on your couch. So, first

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Speaker 1: of all, appreciate your blessing, even as annoying as it

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Speaker 1: can be, because if something bad happens and you need

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Speaker 1: to go somewhere, they're there.

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Speaker 8: Uh.

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Speaker 1: Second blessing is they love that baby, but that does

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Speaker 1: not mean that they have the right to come in

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Speaker 1: at any time and make your life harder. The hardest

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Speaker 1: thing about a boundary of setting it. Luckily for you,

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Speaker 1: the second hardest thing is actually enforcing it. You have

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Speaker 1: got to communicate with your husband, who probably needs to

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Speaker 1: be the communicator of it, to say, hey, we're struggling

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Speaker 1: right now. These are the times, thank you, and go

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Speaker 1: from there. It's uncomfortable, but it is what has to

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Speaker 1: be done. Please update as okay, Anna.

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Speaker 11: I absolutely will.

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Speaker 3: It's time for the good news.

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Speaker 4: Ready.

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Speaker 7: Karen Spain, she's eighty one years old, lives in Alabama,

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Speaker 7: and she calls herself a big football fan, but she

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Speaker 7: loves her quarterbacks, always has and specifically recently, she loves

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Speaker 7: Patrick Mahomes and she says it's on her bucket list

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Speaker 7: before she croaks, she wants to meet Patrick Mahomes.

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Speaker 1: Well, just a couple of weeks ago. It happened.

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Speaker 7: She went to their training camp, and I guess she

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Speaker 7: put it online so people knew of her story. As

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Speaker 7: soon as the fans saw her, they're like, come, come,

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Speaker 7: come to the come to the front. So she cut

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Speaker 7: all the way in the front. She goes right by

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Speaker 7: the fence and here comes Patty. She goes Patrick Patrick,

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Speaker 7: and he recognized her and says, oh my gosh, I

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Speaker 7: want to meet you.

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Speaker 1: They met.

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Speaker 7: She paints these watercolors of Patrick Mahomes, so Patty he

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Speaker 7: signed them, gave him to her.

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Speaker 1: He talked to her for a little bit and they

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Speaker 1: had a moment. The sign said, well a moment sounds

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Speaker 1: like they're made out. The sign that she made says,

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Speaker 1: I'm eighty one, want to meet fifteen before I croak,

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Speaker 1: she's holding it out. Yeah, well she doesn't look old

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Speaker 1: old really yeah, I mean they really could have a thing. No, man,

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Speaker 1: he's happily married. No, yeah, no, she doesn't look that old.

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Speaker 1: That's cool. So she got to meet him. Yeah, I

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Speaker 1: I never met Patrick Mahomes. I never met Dak Presco.

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Speaker 1: I want to meet him. Oh yeah, that's cool. I

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Speaker 1: never had Mark Grace. That'd be cool to meet him.

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Speaker 1: A great story, that's what it's all about. That was

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Speaker 1: telling me something good. She got a lot of them.

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Speaker 1: Here's mine. The reason karate belts go white, yellow, orange, green, blue, purple, brown, red, black,

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Speaker 1: because that's the order they go in, is because fighters

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Speaker 1: used to only be able to afford one belt, and

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Speaker 1: when you go back to the colors, they would keep

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Speaker 1: dying them darker and darker. One belt. It just kept

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Speaker 1: getting dyed darker, so white, yellow, orange, green, blue, purple, brown, red, black,

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Speaker 1: black being last because that was all the dies had,

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Speaker 1: no idea. That's pretty cool, Amy, fun fact Friday.

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Speaker 6: The CIA trains dolphins for various duties, including discovering undersea

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Speaker 6: mining operations, recovering lost things, and detecting and labeling enemy swimmers.

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Speaker 1: Dolphins are pretty smart. You do a dolphin and that's

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Speaker 1: a seawell, well, lunchbox is doing that noise, Amy, Can

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Speaker 1: you do a dolphin? It's a tough one to do.

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Speaker 1: I don't know if it's true. Oh that's a horse, lunchbox,

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Speaker 1: new dolphin. That's good. That's that's a flipper, Eddie.

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Speaker 12: I mean.

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Speaker 1: That's a yeah. I don't know. Then that's tough. I

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Speaker 1: don't even know, I can't identify what to chase.

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Speaker 2: They do kind of laugh though I don't even know

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Speaker 2: what to chase there.

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Speaker 1: Yeah, it's a tough one. Thank you, Amy, I'll lunchbox.

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Speaker 5: Sixty percent of cohabitating couples will eventually get married.

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Speaker 1: But the bad news is if.

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Speaker 5: You live together prior to getting married, you have a

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Speaker 5: forty percent higher rate of divorce.

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Speaker 1: So it's just a lot of numbers. They're like sixty

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Speaker 1: to get married, but then forty more to get divorced.

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Speaker 1: Sounds like one hundred percent. Sounds like they do the

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Speaker 1: quick math. That's one hundred percent of something, Eddie. So

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Speaker 1: this is crazy. You're not gonna believe me.

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Speaker 7: But Texas has the second largest tiger population in the world.

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Speaker 1: Wow, is it from zoos? So many zoo's pets? Really? Yeah,

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Speaker 1: there's zoos and then people have them as pets.

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Speaker 7: India is number one and the state of Texas is

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Speaker 7: number two. They say that they're around two thousand tigers

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Speaker 7: living in Texas.

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Speaker 1: Currently, and you can have one legally. If you're a

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Speaker 1: two thousand, they gotta be. That would be a pretty

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Speaker 1: cool pet. Yeah, then I would feel bad because I

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Speaker 1: wanted to claw it because I don't want to get killed,

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Speaker 1: but I don't wanted to claw an animal because that's wrong.

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Speaker 2: That would be pretty cool to have a tiger Morgan.

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Speaker 6: Your heartbeat changes and mimics the music you listen to,

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Speaker 6: so music slows down or revs you up, depending upon

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Speaker 6: the tempo of the music.

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Speaker 1: Yeah, right, like your heart beat. I listened to all

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Speaker 1: slow music all the time, so your heart rates slow. Yeah,

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00:17:31,600 --> 00:17:35,600
Speaker 1: you just have really sad music like that might have

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00:17:35,640 --> 00:17:39,840
Speaker 1: been clinically dead. Then a couple of times, the first

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00:17:39,840 --> 00:17:43,000
Speaker 1: past that Brett Farb ever completed in the NFL was

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00:17:43,080 --> 00:17:47,119
Speaker 1: to himself. The past was tipped by defensive lineman and

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00:17:47,119 --> 00:17:48,760
Speaker 1: he caught at lost seven yards in the process.

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Speaker 2: Brett Farb's first ever pass completion was to himself.

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Speaker 1: That's funny. Wait you think about that? Was that fun?

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Speaker 9: That's fun?

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Speaker 6: I don't even really care about football, but I like

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Speaker 6: brev b are t t f a r V classic

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Speaker 6: p h.

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Speaker 2: All right, no, it's uh spelled like fabra.

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Speaker 1: I remember that mostly Well, I mean you sit on

400
00:18:13,920 --> 00:18:17,040
Speaker 1: TV much more like something about mary Back Brett favre

401
00:18:17,760 --> 00:18:20,919
Speaker 1: f a v r E Brett Fabra. And then finally,

402
00:18:21,040 --> 00:18:25,320
Speaker 1: toads cannot give you warts, they say they can. Warts

403
00:18:25,359 --> 00:18:30,960
Speaker 1: are caused by human papaloma virus. Yeah, the QORB being human.

404
00:18:31,359 --> 00:18:34,760
Speaker 1: A warts lumpy appearance is due to epidermal cells multiplying

405
00:18:34,840 --> 00:18:37,240
Speaker 1: due to the virus. Warts can spread based on skin

406
00:18:37,320 --> 00:18:39,479
Speaker 1: to skin contact. But you cannot in no way get

407
00:18:39,480 --> 00:18:41,600
Speaker 1: a warp from a toad. Hold on, It's h p

408
00:18:41,880 --> 00:18:44,159
Speaker 1: V is the wart? Do you want to hear the

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00:18:44,240 --> 00:18:47,199
Speaker 1: craziest fun fact? That's that's mind blowing fact. Yeah, it

410
00:18:47,240 --> 00:18:48,760
Speaker 1: was gonna be held for a different segment called mind

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Speaker 1: Blowing Fact Friday or mind Blowing Fact Monday. This don't

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00:18:52,680 --> 00:18:56,920
Speaker 1: blow your mind? Chuck and Chuck Norris, that's his name.

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00:18:57,160 --> 00:18:59,680
Speaker 1: What's the stand for? Chuck?

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00:19:00,200 --> 00:19:04,119
Speaker 2: Henry Charles Carles, Charles, Carlos?

415
00:19:04,640 --> 00:19:07,720
Speaker 7: What what Chuck North's name is Carlos.

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00:19:08,480 --> 00:19:09,240
Speaker 1: He's Mexican.

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Speaker 10: I don't know that.

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00:19:12,760 --> 00:19:15,920
Speaker 1: That's awesome. Prepared to have your mind bloom? I love

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00:19:15,960 --> 00:19:18,800
Speaker 1: the past tense didn't work.

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00:19:21,440 --> 00:19:23,399
Speaker 2: Here's a voicemail from Stephanie and Sacramento.

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Speaker 6: I just wanted to.

422
00:19:24,400 --> 00:19:27,520
Speaker 4: Tell you how much I've been enjoying the Bobby Bolts Show.

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Speaker 4: Original music and songs.

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Speaker 9: Freeze intro song I love.

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Speaker 4: And It's struck in my head all the time. It's

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Speaker 4: a new one for them, anonymous mailbag.

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Speaker 11: It's also really cool even Eddie's never going to get

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Speaker 11: it song I love if.

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Speaker 6: Bobby's transition between podcasts for one in part two is

430
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Speaker 6: like so entertaining.

431
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Speaker 11: So I just really love what you've been doing and

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Speaker 11: keep up good work.

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Speaker 1: That's the show, Thank you. We have to do it

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Speaker 1: because we'll go to jail by playing real music. We

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Speaker 1: can't play any real music on the podcast. We can

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Speaker 1: on this because we have the right. But so we

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Speaker 1: have to make up our own songs. So and so

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Speaker 1: read who wake Up, Wake Up.

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Speaker 12: In the morning, wake Up, Wake Up in the radio,

440
00:20:11,520 --> 00:20:19,400
Speaker 12: The Dodgers and the Lunchbox, Morrell get tread out.

441
00:20:19,440 --> 00:20:20,680
Speaker 8: It's trying to put you through.

442
00:20:21,160 --> 00:20:24,520
Speaker 12: Fuck, he's running. There's Wig's next good the Bobby's on

443
00:20:24,600 --> 00:20:25,040
Speaker 12: the mox.

444
00:20:25,080 --> 00:20:25,960
Speaker 6: So you know what this.

445
00:20:31,440 --> 00:20:32,240
Speaker 10: The Bobby ball.

446
00:20:33,200 --> 00:20:34,920
Speaker 1: So we play that on the podcast. We play coming

447
00:20:35,000 --> 00:20:38,360
Speaker 1: Up before we do the news. But Monday we'll play

448
00:20:38,600 --> 00:20:40,600
Speaker 1: the full version of that song, even the full version

449
00:20:40,640 --> 00:20:42,600
Speaker 1: of a minute and a half. But there's a second

450
00:20:42,720 --> 00:20:45,600
Speaker 1: verse that we did for that, and I'll play it.

451
00:20:45,600 --> 00:20:50,680
Speaker 1: We'll do a world from here of it, okay, pile

452
00:20:50,760 --> 00:20:51,320
Speaker 1: of stories.

453
00:20:51,400 --> 00:20:53,440
Speaker 9: All right, So this is a customer service hack.

454
00:20:53,560 --> 00:20:56,080
Speaker 6: If you want to talk to a real person, just

455
00:20:56,080 --> 00:20:59,879
Speaker 6: start saying bad words because the system will think that

456
00:20:59,920 --> 00:21:01,919
Speaker 6: you are really angry and they need to connect you

457
00:21:01,960 --> 00:21:03,600
Speaker 6: with someone asap.

458
00:21:03,880 --> 00:21:06,359
Speaker 1: So if you get an operator, don't start screaming profanities

459
00:21:06,359 --> 00:21:06,680
Speaker 1: at them.

460
00:21:07,280 --> 00:21:09,680
Speaker 6: No, no, no, this is if like you're getting yes, your

461
00:21:09,840 --> 00:21:15,160
Speaker 6: like automated system, they'll flag you as disgruntled and trainsfer

462
00:21:15,200 --> 00:21:18,000
Speaker 6: you immediately. Now I don't know for sure for sure

463
00:21:18,040 --> 00:21:19,680
Speaker 6: this is the thing, but you know sometimes you like

464
00:21:19,720 --> 00:21:21,479
Speaker 6: try to press zero, you try to press one, You're like, oh,

465
00:21:21,520 --> 00:21:22,320
Speaker 6: I just want to talk to a.

466
00:21:22,359 --> 00:21:25,280
Speaker 9: Human, so just be like like blank.

467
00:21:25,320 --> 00:21:28,080
Speaker 1: So let's just say the word flake is yeah, hold

468
00:21:28,080 --> 00:21:28,960
Speaker 1: her for a different word.

469
00:21:29,280 --> 00:21:31,040
Speaker 2: So it's like, please press.

470
00:21:30,800 --> 00:21:32,159
Speaker 1: Flake flag flake flake.

471
00:21:32,240 --> 00:21:32,440
Speaker 8: Yeah.

472
00:21:32,520 --> 00:21:36,800
Speaker 1: If you do that, you're going to the disgruntled line. Yeah, awesome,

473
00:21:37,000 --> 00:21:39,240
Speaker 1: pretty good. Maybe I feel like lunchboxes it anyway, just

474
00:21:39,280 --> 00:21:40,480
Speaker 1: I do. Yeah.

475
00:21:40,760 --> 00:21:43,760
Speaker 6: So this dating coach was talking about how if the

476
00:21:43,800 --> 00:21:47,440
Speaker 6: guy doesn't say I love you within three months, you

477
00:21:47,480 --> 00:21:48,320
Speaker 6: should dump him.

478
00:21:48,800 --> 00:21:50,960
Speaker 1: But that dating coach does not have a big clientele.

479
00:21:51,040 --> 00:21:52,080
Speaker 9: His name's Jake Maddock.

480
00:21:52,160 --> 00:21:55,120
Speaker 6: He puts up a lot of videos on TikTok and Instagram,

481
00:21:55,280 --> 00:21:58,280
Speaker 6: and he says, yeah, by twelve weeks, your partner should

482
00:21:58,320 --> 00:22:00,359
Speaker 6: know if they love you. That's the ideal to and

483
00:22:00,400 --> 00:22:02,400
Speaker 6: if I love you's not being said, you're wasting your time.

484
00:22:02,440 --> 00:22:05,439
Speaker 1: It's the dumbest thing ever heard. Is that such a

485
00:22:05,520 --> 00:22:07,840
Speaker 1: private and personal thing. Also, I know some dude said

486
00:22:07,840 --> 00:22:08,840
Speaker 1: it first night, and I'm saying.

487
00:22:10,600 --> 00:22:12,720
Speaker 9: When did you say it? Do you remember? And were

488
00:22:12,720 --> 00:22:13,600
Speaker 9: you the first one to say it?

489
00:22:13,640 --> 00:22:15,359
Speaker 1: Well? I was, for sure, And my wife is the

490
00:22:15,359 --> 00:22:17,120
Speaker 1: only person I ever said it to my whole life.

491
00:22:17,119 --> 00:22:19,960
Speaker 1: I never said it to anybody before her. It became

492
00:22:20,000 --> 00:22:21,280
Speaker 1: a thing I wondered if I would ever say it,

493
00:22:21,320 --> 00:22:24,520
Speaker 1: And then I did say it. I was probably five

494
00:22:24,600 --> 00:22:27,320
Speaker 1: or six months probably, and yes, of course, yeah, I

495
00:22:27,359 --> 00:22:29,800
Speaker 1: said it. Yeah, And I was like, this is exactly

496
00:22:29,840 --> 00:22:31,960
Speaker 1: how I went, and went, so baby, I love you.

497
00:22:32,240 --> 00:22:35,280
Speaker 10: That is smooth, not yeah.

498
00:22:35,600 --> 00:22:39,520
Speaker 2: Mostly I think I was like, hope you love me back, Like,

499
00:22:39,680 --> 00:22:40,600
Speaker 2: how do you be a dating coach?

500
00:22:40,640 --> 00:22:43,800
Speaker 1: You just say it? You just put a video like

501
00:22:43,800 --> 00:22:44,760
Speaker 1: I'm a dating coach or.

502
00:22:44,760 --> 00:22:47,280
Speaker 6: A matchmaker like you maybe you have a gift.

503
00:22:47,560 --> 00:22:49,120
Speaker 1: No, no, no, I'm saying you can just say whatever

504
00:22:49,160 --> 00:22:50,600
Speaker 1: you want. Be like, I'm a dating coach and you

505
00:22:50,640 --> 00:22:52,399
Speaker 1: put a video up and all of a sudden they're like,

506
00:22:52,640 --> 00:22:53,520
Speaker 1: he's a dating coach.

507
00:22:53,880 --> 00:22:54,879
Speaker 9: He's like a hitch.

508
00:22:55,720 --> 00:22:58,520
Speaker 1: There's no way he makes money. Nobody would say that's

509
00:22:58,680 --> 00:22:59,760
Speaker 1: that's ridiculous. All right, what else?

510
00:23:00,000 --> 00:23:02,879
Speaker 6: Okay, so this is not a scam. It's something Miranda

511
00:23:02,960 --> 00:23:06,120
Speaker 6: Lambert is doing. If you text the number four three

512
00:23:06,240 --> 00:23:09,920
Speaker 6: zero three hundred zero one four four.

513
00:23:10,280 --> 00:23:13,000
Speaker 1: Mmy, go scam me already, you're going to get.

514
00:23:12,840 --> 00:23:15,360
Speaker 9: To hear a clip of Miranda Labor's new song.

515
00:23:15,320 --> 00:23:18,400
Speaker 1: You'll thee Randa Answers.

516
00:23:18,680 --> 00:23:22,080
Speaker 6: It's the tenth song off her new album, Postcards from Texas,

517
00:23:22,119 --> 00:23:24,119
Speaker 6: which is coming out September thirteenth.

518
00:23:24,440 --> 00:23:26,160
Speaker 9: But have you've been seeing that around? Like it's cool

519
00:23:26,200 --> 00:23:26,520
Speaker 9: to call?

520
00:23:26,840 --> 00:23:28,320
Speaker 1: We're not gonna say the number again because I don't

521
00:23:28,359 --> 00:23:31,320
Speaker 1: need people doing that right now. Ya later say dial

522
00:23:31,359 --> 00:23:34,400
Speaker 1: into us, but we'll put it up on something on

523
00:23:34,640 --> 00:23:35,480
Speaker 1: socials after.

524
00:23:35,600 --> 00:23:35,960
Speaker 3: The other though.

525
00:23:37,119 --> 00:23:39,640
Speaker 9: Later call Labor. But you can hear klaboage something cool

526
00:23:39,680 --> 00:23:44,680
Speaker 9: that Miranda's doing. I mean, well eight, So what number

527
00:23:44,720 --> 00:23:44,800
Speaker 9: is that?

528
00:23:45,040 --> 00:23:45,800
Speaker 1: Mike Joe?

529
00:23:48,119 --> 00:23:49,720
Speaker 2: Okay, I don't think that was two o though, but.

530
00:23:51,240 --> 00:23:55,640
Speaker 9: Yeah, that's lunch talk is number two one. Hi Mamy,

531
00:23:55,680 --> 00:23:56,240
Speaker 9: that's my pile.

532
00:23:57,280 --> 00:24:00,800
Speaker 1: That was Amy's pile of stories. It's time for the

533
00:24:00,840 --> 00:24:01,399
Speaker 1: good news?

534
00:24:01,720 --> 00:24:02,439
Speaker 11: How much Box?

535
00:24:06,640 --> 00:24:09,480
Speaker 5: Back in twenty twenty, these two dudes in Utah wanted

536
00:24:09,520 --> 00:24:12,080
Speaker 5: something fun to do for people in the community while

537
00:24:12,119 --> 00:24:14,040
Speaker 5: COVID was going on. So they came up with a

538
00:24:14,080 --> 00:24:17,399
Speaker 5: treasure hunt, hid some money, put out a poem said

539
00:24:17,600 --> 00:24:20,119
Speaker 5: go find the treasure. Well, this year they put it

540
00:24:20,119 --> 00:24:22,840
Speaker 5: out in Spanish. It's been out there for two months.

541
00:24:22,840 --> 00:24:25,359
Speaker 5: People have been hunting, looking all over Utah.

542
00:24:25,400 --> 00:24:26,080
Speaker 1: Where could it be?

543
00:24:26,680 --> 00:24:30,320
Speaker 5: Well, a couple of days ago, Dad and son treasure hunting,

544
00:24:30,600 --> 00:24:33,040
Speaker 5: found the twenty five thousand dollars.

545
00:24:33,160 --> 00:24:35,800
Speaker 1: Wow. Was it like under a rock or was like

546
00:24:35,840 --> 00:24:36,720
Speaker 1: in a business?

547
00:24:37,400 --> 00:24:41,159
Speaker 5: It doesn't free, It doesn't say. It just says they

548
00:24:41,200 --> 00:24:43,639
Speaker 5: were searching and they found it, and they notified the

549
00:24:43,640 --> 00:24:45,320
Speaker 5: people and they said that's it.

550
00:24:45,440 --> 00:24:46,840
Speaker 1: I feel like if I wrote a poem to give

551
00:24:46,840 --> 00:24:50,239
Speaker 1: a hint people finding five minutes, so that must be

552
00:24:50,240 --> 00:24:52,760
Speaker 1: a really long poem. And it was in Spanish. It

553
00:24:52,800 --> 00:24:55,240
Speaker 1: was in Spanish with tiny clues, and I felt like

554
00:24:55,280 --> 00:24:57,680
Speaker 1: I would be like it rhymes with Ric Donald's Oh

555
00:24:57,720 --> 00:25:00,679
Speaker 1: it's McDonald's and it's on the street of a person

556
00:25:00,880 --> 00:25:05,080
Speaker 1: who was big in civil rights, Martin Luther King. How'd

557
00:25:05,080 --> 00:25:07,399
Speaker 1: you get it so quick? Luther King?

558
00:25:08,440 --> 00:25:09,840
Speaker 10: Dang, it'd be over.

559
00:25:09,720 --> 00:25:11,480
Speaker 1: In like five seconds. I'd be terrible of this game.

560
00:25:11,840 --> 00:25:13,600
Speaker 1: That's that's cool. They found it. It's a lot of

561
00:25:13,600 --> 00:25:14,320
Speaker 1: money to find.

562
00:25:14,560 --> 00:25:16,960
Speaker 5: Yeah, father son out hunting all summer. He's about to

563
00:25:17,000 --> 00:25:18,719
Speaker 5: go back to school. Find the twenty five k.

564
00:25:19,040 --> 00:25:20,879
Speaker 1: Also, if it's cash, I'd be worried if I were

565
00:25:20,880 --> 00:25:22,280
Speaker 1: putting it out somebody to find it and not know

566
00:25:22,320 --> 00:25:24,480
Speaker 1: it was rash for that, just have it, keep it.

567
00:25:24,760 --> 00:25:26,800
Speaker 5: I don't know the cash was actually at the site,

568
00:25:26,880 --> 00:25:28,280
Speaker 5: or if it's like, hey, you're the winner and then

569
00:25:28,320 --> 00:25:29,359
Speaker 5: you got to contact them.

570
00:25:29,280 --> 00:25:31,120
Speaker 1: And that should be so much cooler to that, that'd

571
00:25:31,119 --> 00:25:32,040
Speaker 1: be so much cooler.

572
00:25:32,240 --> 00:25:34,800
Speaker 2: A good story, that's what it's all about. That was

573
00:25:34,840 --> 00:25:35,800
Speaker 2: telling me something good.

574
00:25:37,200 --> 00:25:38,920
Speaker 1: We're just a few minutes away from Josh Turner and

575
00:25:39,000 --> 00:25:44,000
Speaker 1: studio Baby turned them blatch down. He'll be in a second.

576
00:25:44,200 --> 00:25:45,879
Speaker 1: I do want to play this voicemail though.

577
00:25:46,119 --> 00:25:48,399
Speaker 4: I just wanted to let you know I heard about

578
00:25:48,440 --> 00:25:52,679
Speaker 4: this scammeler of people calling trying to authorize charges on

579
00:25:52,720 --> 00:25:55,560
Speaker 4: your debit cards. I just got that phone calling. Thanks

580
00:25:55,560 --> 00:25:58,359
Speaker 4: to you, I didn't get taken. Thanks, guys, have a

581
00:25:58,400 --> 00:25:58,800
Speaker 4: great day.

582
00:25:58,840 --> 00:26:00,200
Speaker 2: You guys say we have seen her a joker out

583
00:26:00,240 --> 00:26:02,560
Speaker 2: all day, but women we do. But like we're looking

584
00:26:02,560 --> 00:26:03,120
Speaker 2: out for you, guys.

585
00:26:03,119 --> 00:26:05,679
Speaker 1: That's why we do scam alert, scam alert. When we

586
00:26:05,720 --> 00:26:08,760
Speaker 1: almost get scammed, we share it with you. Like my

587
00:26:08,880 --> 00:26:11,679
Speaker 1: doctor text me a couple of days ago. Didn't he respond,

588
00:26:11,720 --> 00:26:14,800
Speaker 1: thought I was a scam. It wasn't. Yes, but I

589
00:26:14,920 --> 00:26:18,240
Speaker 1: was so vigil and he responded, my doctor, let's do

590
00:26:18,480 --> 00:26:19,280
Speaker 1: the morning Corny.

591
00:26:19,280 --> 00:26:24,200
Speaker 10: Here we go, the morning Corny.

592
00:26:24,480 --> 00:26:27,359
Speaker 6: What's a banana's favorite gymnastics move?

593
00:26:28,040 --> 00:26:33,440
Speaker 1: Split splits?

594
00:26:31,640 --> 00:26:37,959
Speaker 10: That was the morning Corny.

595
00:26:38,240 --> 00:26:38,560
Speaker 1: Tough one?

596
00:26:38,640 --> 00:26:42,080
Speaker 6: Huh yeah, I can do another one?

597
00:26:42,359 --> 00:26:42,720
Speaker 1: That bad?

598
00:26:42,880 --> 00:26:43,600
Speaker 9: When that bad?

599
00:26:43,680 --> 00:26:43,720
Speaker 6: You?

600
00:26:43,880 --> 00:26:47,400
Speaker 1: I'm maxed out? Please? Okay, she's begging, go ahead.

601
00:26:47,920 --> 00:26:50,480
Speaker 9: When is it appropriate to sleep in the baths?

602
00:26:50,520 --> 00:26:51,160
Speaker 1: Ub ahead?

603
00:26:51,880 --> 00:26:52,960
Speaker 9: When you feel drink.

604
00:26:53,640 --> 00:26:55,480
Speaker 2: A little better? Yeah, all right, there we go.

605
00:26:58,840 --> 00:27:01,840
Speaker 5: That was the morning Corny.

606
00:27:02,520 --> 00:27:04,560
Speaker 1: Josh, good to see a buddy. You too, Hey, So

607
00:27:04,720 --> 00:27:07,800
Speaker 1: a couple of questions for you. One, I do want

608
00:27:07,800 --> 00:27:09,639
Speaker 1: to talk about the Let's talk about the record first,

609
00:27:09,920 --> 00:27:12,560
Speaker 1: because how many is this your tenth album? Is it

610
00:27:12,600 --> 00:27:13,720
Speaker 1: ten albums.

611
00:27:13,600 --> 00:27:14,600
Speaker 3: Tenth studio album?

612
00:27:14,640 --> 00:27:18,440
Speaker 1: Yeah, so you do live albums too, that doesn't.

613
00:27:18,160 --> 00:27:21,280
Speaker 3: Count, not as a studio album though, but.

614
00:27:21,240 --> 00:27:23,280
Speaker 1: None of that. But it's how many albums do you do?

615
00:27:23,320 --> 00:27:25,199
Speaker 1: What do you say? How many albums? If you had,

616
00:27:25,200 --> 00:27:27,960
Speaker 1: do you count the live albums? Because that's work, right, Yeah?

617
00:27:27,960 --> 00:27:29,000
Speaker 3: I mean it was work.

618
00:27:29,160 --> 00:27:31,080
Speaker 1: Do you ever put new songs on a live album?

619
00:27:31,800 --> 00:27:32,040
Speaker 3: Yeah?

620
00:27:32,280 --> 00:27:34,719
Speaker 1: Oh really yeah, I would be scared to do that.

621
00:27:34,720 --> 00:27:36,560
Speaker 1: Do you ever go back and kind of because we

622
00:27:36,560 --> 00:27:39,080
Speaker 1: did a live comedy album once and went back and

623
00:27:39,119 --> 00:27:40,760
Speaker 1: kind of fixed a vocal or too, I re sang

624
00:27:40,800 --> 00:27:42,320
Speaker 1: it one of the on one of them because I

625
00:27:42,320 --> 00:27:42,960
Speaker 1: messed it up live.

626
00:27:43,359 --> 00:27:47,720
Speaker 3: Yeah. I mean you always fixed something because it's live music,

627
00:27:47,760 --> 00:27:50,240
Speaker 3: but you don't want to make it so you don't

628
00:27:50,280 --> 00:27:51,800
Speaker 3: want to fix so much stuff to where it like

629
00:27:51,880 --> 00:27:53,200
Speaker 3: loses its live feel.

630
00:27:53,560 --> 00:27:57,040
Speaker 1: I said a complete word wrong, So that happens. I

631
00:27:57,080 --> 00:27:59,200
Speaker 1: went back in and just tried to like act like

632
00:27:59,240 --> 00:28:00,719
Speaker 1: I was singing a live again. And I can kind

633
00:28:00,720 --> 00:28:02,560
Speaker 1: of tell when I listened to it that I can

634
00:28:02,600 --> 00:28:05,800
Speaker 1: tell anyway that it's kind of an overdub. But only

635
00:28:05,840 --> 00:28:07,960
Speaker 1: eleven people listened and none of them even cared.

636
00:28:07,920 --> 00:28:10,080
Speaker 3: So two Sundays ago, I actually had to walk off

637
00:28:10,080 --> 00:28:13,480
Speaker 3: stage because I had like drainage that I couldn't clear

638
00:28:13,640 --> 00:28:16,800
Speaker 3: in my throat and like it was literally preventing me

639
00:28:16,840 --> 00:28:20,480
Speaker 3: from singing. So I was like, there's no way to

640
00:28:20,480 --> 00:28:22,719
Speaker 3: deal with this other than to just walk off stage

641
00:28:22,720 --> 00:28:24,640
Speaker 3: and try to get it out and come back.

642
00:28:24,800 --> 00:28:26,320
Speaker 1: And oh, you see, you did come back.

643
00:28:26,359 --> 00:28:29,080
Speaker 3: You went, and but everybody was so scared. They were like,

644
00:28:29,080 --> 00:28:31,480
Speaker 3: what happened? Is he okay? I'm like, I'm good.

645
00:28:31,960 --> 00:28:33,639
Speaker 1: Did you tell your band guys while you were leaving?

646
00:28:33,960 --> 00:28:37,159
Speaker 3: No, there was no time to explain. I just had

647
00:28:37,160 --> 00:28:38,240
Speaker 3: to go deal with it and come back.

648
00:28:38,400 --> 00:28:38,480
Speaker 1: Now.

649
00:28:39,160 --> 00:28:41,080
Speaker 3: Then I made the mistake of telling the crowd why

650
00:28:41,120 --> 00:28:42,760
Speaker 3: I left, and I was like, well, there went all

651
00:28:42,800 --> 00:28:43,560
Speaker 3: my sex appeals.

652
00:28:43,600 --> 00:28:49,920
Speaker 1: So so tell me. Tell me about this record, because

653
00:28:49,920 --> 00:28:52,600
Speaker 1: I was looking at a bunch of the tracks and

654
00:28:52,680 --> 00:28:55,280
Speaker 1: it's called this country music thing, which I think of

655
00:28:55,320 --> 00:28:58,720
Speaker 1: you as somebody who does traditional, straight ahead country music.

656
00:28:58,960 --> 00:29:01,600
Speaker 1: I would have expected nothing different than this country music thing.

657
00:29:02,080 --> 00:29:03,000
Speaker 1: Why'd you name it that?

658
00:29:04,120 --> 00:29:07,400
Speaker 3: It's it's named after a song on the record that

659
00:29:07,440 --> 00:29:09,920
Speaker 3: I wrote by myself and never thought it would end

660
00:29:10,000 --> 00:29:12,280
Speaker 3: up on a record. But my producer that was this

661
00:29:12,560 --> 00:29:16,240
Speaker 3: number one pick for this record, And I'm thinking, this

662
00:29:16,280 --> 00:29:19,400
Speaker 3: is so outside of what I normally sang about. And

663
00:29:19,440 --> 00:29:20,760
Speaker 3: he said, that's what I love about it. He said,

664
00:29:20,800 --> 00:29:22,480
Speaker 3: it's kind of like a rap song. It's like, you know, hey,

665
00:29:22,480 --> 00:29:23,080
Speaker 3: look what I did.

666
00:29:23,280 --> 00:29:25,280
Speaker 1: Why'd you write this song by yourself? Were you just

667
00:29:25,720 --> 00:29:27,320
Speaker 1: inspired one night at the house or something.

668
00:29:27,640 --> 00:29:31,120
Speaker 3: I honestly don't remember writing it. I don't know. I

669
00:29:31,120 --> 00:29:34,200
Speaker 3: don't know when I wrote it. It was just it

670
00:29:34,280 --> 00:29:37,120
Speaker 3: just kind of came out. And it's basically a snapshot

671
00:29:37,240 --> 00:29:41,040
Speaker 3: of my musical life about dreaming about getting here and

672
00:29:41,040 --> 00:29:44,400
Speaker 3: then getting here and actually living my dream and accomplishing

673
00:29:44,440 --> 00:29:48,080
Speaker 3: the things that I've accomplished, and calling my heroes friends

674
00:29:48,120 --> 00:29:50,880
Speaker 3: and so forth, and so on and so. And then

675
00:29:50,920 --> 00:29:54,440
Speaker 3: at the end, the outro actually happened after the fact

676
00:29:54,480 --> 00:29:57,520
Speaker 3: because I was just messing around in the studio after

677
00:29:57,560 --> 00:30:00,520
Speaker 3: I had sung my vocal and it just felt so good,

678
00:30:00,840 --> 00:30:04,680
Speaker 3: and so I like constructed this whole outro and it

679
00:30:04,800 --> 00:30:06,400
Speaker 3: was just kind of a tip of the cap to

680
00:30:07,200 --> 00:30:08,440
Speaker 3: all the country greats.

681
00:30:08,720 --> 00:30:11,400
Speaker 1: Any chance that your producer got one over on you

682
00:30:11,440 --> 00:30:12,960
Speaker 1: and he actually wrote it and just told you.

683
00:30:12,800 --> 00:30:16,320
Speaker 3: You wrote it. No, because I actually sent it to him.

684
00:30:16,720 --> 00:30:18,800
Speaker 3: It was a It was in a huge drop box

685
00:30:18,840 --> 00:30:21,719
Speaker 3: folder and he came back and that was his first choice.

686
00:30:21,960 --> 00:30:24,040
Speaker 1: So dang, that'd be so cool to be able to

687
00:30:24,080 --> 00:30:25,840
Speaker 1: write songs and not even know it, like really good

688
00:30:25,880 --> 00:30:27,640
Speaker 1: songs and not even know it. They must just be

689
00:30:27,760 --> 00:30:29,440
Speaker 1: churning out of you. Do you keep a full like?

690
00:30:29,680 --> 00:30:33,800
Speaker 3: And I don't even do drugs, So I mean, was

691
00:30:33,840 --> 00:30:36,600
Speaker 3: it Atlantis? Morset always said she had to be hired

692
00:30:36,640 --> 00:30:37,840
Speaker 3: to write songs or whatever.

693
00:30:37,880 --> 00:30:40,280
Speaker 1: Maybe that's why I'm not gonna writeing song. I do drugs.

694
00:30:41,440 --> 00:30:43,760
Speaker 1: I'm just now Josh Turner is convincing me to do

695
00:30:43,840 --> 00:30:44,880
Speaker 1: drugs for the first time ever.

696
00:30:44,920 --> 00:30:46,680
Speaker 3: I'm not suggesting that. I'm just throwing it out there

697
00:30:47,000 --> 00:30:47,560
Speaker 3: as an option.

698
00:30:48,400 --> 00:30:50,200
Speaker 1: Anyone ever come to you to do voice work like

699
00:30:50,200 --> 00:30:53,280
Speaker 1: a cartoons or anything. I wish man, they're missing out.

700
00:30:53,360 --> 00:30:55,240
Speaker 3: You're the second person today they asked me that. I

701
00:30:55,280 --> 00:30:59,560
Speaker 3: hate that, So, I mean, I could.

702
00:31:00,200 --> 00:31:02,120
Speaker 1: You ever do voice auditions for things?

703
00:31:02,120 --> 00:31:04,280
Speaker 3: Because I have you had to bring that up?

704
00:31:04,320 --> 00:31:07,280
Speaker 1: Well, do I do like twenty every month or so?

705
00:31:07,280 --> 00:31:08,160
Speaker 1: I don't get any of them.

706
00:31:08,240 --> 00:31:11,560
Speaker 3: I auditioned for one that it's probably been over ten

707
00:31:11,640 --> 00:31:13,600
Speaker 3: years ago now, and it's still on the air, and

708
00:31:13,640 --> 00:31:15,080
Speaker 3: it hurts every time I see it.

709
00:31:15,160 --> 00:31:17,160
Speaker 1: Oh you hear it? You actually got it.

710
00:31:18,120 --> 00:31:20,120
Speaker 3: I read for it and you got.

711
00:31:20,000 --> 00:31:23,360
Speaker 1: Oh oh, oh got it. So you hear the other thing? Yeah,

712
00:31:23,480 --> 00:31:25,080
Speaker 1: my voice is on at the airport? Is yours?

713
00:31:25,880 --> 00:31:26,320
Speaker 3: Sometimes?

714
00:31:26,400 --> 00:31:29,640
Speaker 1: Yeah. I feel pretty good about that one because it's like, hey,

715
00:31:29,680 --> 00:31:31,080
Speaker 1: it's Bobby Bone. I don't forget to pee in the

716
00:31:31,120 --> 00:31:32,640
Speaker 1: journal and not the floor. And I'm like, well, that's

717
00:31:32,680 --> 00:31:34,520
Speaker 1: weird they would play that one over the top. What

718
00:31:34,640 --> 00:31:35,560
Speaker 1: is your say at the airport?

719
00:31:35,640 --> 00:31:38,080
Speaker 3: You know, when you're on the move and walkway, please

720
00:31:38,120 --> 00:31:40,000
Speaker 3: move over to the right and get out of the way.

721
00:31:42,200 --> 00:31:43,960
Speaker 1: That's funny. You torn a bunch.

722
00:31:44,520 --> 00:31:45,680
Speaker 3: Oh yeah, yeah.

723
00:31:45,760 --> 00:31:47,080
Speaker 1: I saw you had some time off and you went

724
00:31:47,120 --> 00:31:50,280
Speaker 1: to the Grand Canyon, which I'd never been to the

725
00:31:50,280 --> 00:31:53,959
Speaker 1: Grand Canyon until like three years ago. It's hard for

726
00:31:54,000 --> 00:31:56,400
Speaker 1: me to be blown away because on Google image anything,

727
00:31:56,760 --> 00:31:58,520
Speaker 1: but I went to the Grand Canyon, and I don't

728
00:31:58,520 --> 00:32:01,120
Speaker 1: know if you've been before, but I was amazed at

729
00:32:01,120 --> 00:32:04,320
Speaker 1: how grand that canyon is. That thing is a monster, right,

730
00:32:05,080 --> 00:32:05,400
Speaker 1: it is.

731
00:32:05,480 --> 00:32:08,720
Speaker 3: I've I had actually been there twice before and never

732
00:32:08,760 --> 00:32:10,880
Speaker 3: really had a whole lot of time to spend there.

733
00:32:10,920 --> 00:32:13,120
Speaker 3: But this time I actually had time to spend and

734
00:32:13,200 --> 00:32:15,560
Speaker 3: it was it was pretty incredible. We had great weather

735
00:32:15,600 --> 00:32:19,400
Speaker 3: and yeah, and then one of the other places I

736
00:32:19,400 --> 00:32:23,520
Speaker 3: went on vacation was Canyon Lands in Utah, and I

737
00:32:23,560 --> 00:32:26,840
Speaker 3: don't I don't know how it compares necessarily to Grand Canyon,

738
00:32:26,920 --> 00:32:29,080
Speaker 3: but like when you go to the Grand Canyon, you

739
00:32:29,080 --> 00:32:31,160
Speaker 3: look down and you see the Colorado River. When you

740
00:32:31,160 --> 00:32:33,440
Speaker 3: go to Canyon Lands, you look down and then there's

741
00:32:33,440 --> 00:32:35,840
Speaker 3: a canyon within a canyon, and then another canyon within

742
00:32:35,880 --> 00:32:37,960
Speaker 3: another canyon, and it's like and then the river's like

743
00:32:38,040 --> 00:32:40,840
Speaker 3: way down there. That was pretty wild to see. It

744
00:32:40,880 --> 00:32:42,600
Speaker 3: was I've never seen that before.

745
00:32:42,640 --> 00:32:44,920
Speaker 1: Does that stuff inspire you to write or does that

746
00:32:44,960 --> 00:32:47,280
Speaker 1: stuff actually get you out of your head when you're

747
00:32:47,320 --> 00:32:48,520
Speaker 1: not wanting to write at all?

748
00:32:49,880 --> 00:32:52,040
Speaker 3: A little of both. I think I have to have

749
00:32:52,080 --> 00:32:55,120
Speaker 3: time to kind of live with it, and you know,

750
00:32:55,400 --> 00:33:01,120
Speaker 3: see if there's anything there but songwriting something I've never

751
00:33:01,280 --> 00:33:04,560
Speaker 3: really fully tried to figure out, because I don't think

752
00:33:04,600 --> 00:33:07,160
Speaker 3: it can be figured out. It's something that just kind

753
00:33:07,160 --> 00:33:09,160
Speaker 3: of happens. You just but you have to keep at

754
00:33:09,160 --> 00:33:10,720
Speaker 3: it and you have to keep trying to get better

755
00:33:10,760 --> 00:33:14,600
Speaker 3: and do your best at it. But I mean I've

756
00:33:14,600 --> 00:33:16,400
Speaker 3: written more bad songs than good songs.

757
00:33:17,240 --> 00:33:19,280
Speaker 1: Do you keep notes in your phone all the time,

758
00:33:19,480 --> 00:33:22,840
Speaker 1: more concepts or do you ever record melodies in your

759
00:33:22,840 --> 00:33:23,760
Speaker 1: phone where it just goes like.

760
00:33:23,720 --> 00:33:29,040
Speaker 3: Doesn't every now and then? Usually it's a title idea.

761
00:33:29,680 --> 00:33:31,920
Speaker 1: More of a concept guy than a melody guy.

762
00:33:31,720 --> 00:33:36,160
Speaker 3: Yeah, I guess the only song that I've ever written

763
00:33:36,640 --> 00:33:41,360
Speaker 3: that started with a melody first was Haywire and that

764
00:33:41,480 --> 00:33:44,680
Speaker 3: record actually just went platinum. So wow, that worked.

765
00:33:45,920 --> 00:33:47,680
Speaker 1: Like nice subtle flex where it didn't feel like that

766
00:33:47,720 --> 00:33:51,680
Speaker 1: was a brag, It's like, that's really cool. Your hair's

767
00:33:51,720 --> 00:33:53,920
Speaker 1: been the same for a long time, had the same

768
00:33:54,200 --> 00:33:57,120
Speaker 1: barber stylists changed.

769
00:33:56,880 --> 00:33:59,920
Speaker 3: For a long time? How long longer than I've been married,

770
00:34:01,160 --> 00:34:02,680
Speaker 3: so over twenty years.

771
00:34:03,520 --> 00:34:06,280
Speaker 1: Same the same person for twenty years, same location.

772
00:34:07,240 --> 00:34:10,920
Speaker 3: I tell people that she's my common law wife, so

773
00:34:11,640 --> 00:34:12,759
Speaker 3: because we've been together so.

774
00:34:12,719 --> 00:34:14,839
Speaker 1: Long, and so she asked us, you have to say

775
00:34:14,880 --> 00:34:16,439
Speaker 1: nothing to her about what you want. You just say,

776
00:34:16,440 --> 00:34:17,399
Speaker 1: all right, I'm back and.

777
00:34:17,480 --> 00:34:19,200
Speaker 3: The show up goes right to town the other thing

778
00:34:19,239 --> 00:34:19,839
Speaker 3: and I'm out of there.

779
00:34:19,840 --> 00:34:20,839
Speaker 1: Do you even care that much about?

780
00:34:21,120 --> 00:34:24,160
Speaker 3: And she's never raised the price on me, so still

781
00:34:24,160 --> 00:34:26,920
Speaker 3: a dollar, there's not it's not an inflationary relationship.

782
00:34:27,000 --> 00:34:31,600
Speaker 1: Dang, that's awesome. You drive a truck. How do you

783
00:34:31,680 --> 00:34:32,680
Speaker 1: how do you get ever band of the truck?

784
00:34:32,760 --> 00:34:34,680
Speaker 3: It turns twenty years old this December.

785
00:34:34,760 --> 00:34:35,879
Speaker 1: Yeah, I know you're a guy that.

786
00:34:37,040 --> 00:34:38,640
Speaker 3: I'm loyal to a fault.

787
00:34:39,040 --> 00:34:40,239
Speaker 1: Who's your favorite sports team?

788
00:34:40,680 --> 00:34:41,080
Speaker 3: Braves?

789
00:34:42,520 --> 00:34:45,520
Speaker 1: Got to kind of be loyal. Yeah, you did win

790
00:34:45,600 --> 00:34:50,000
Speaker 1: one pretty recently, we did, but before that, Yeah, there's

791
00:34:50,080 --> 00:34:52,840
Speaker 1: a lot of just getting to that, you know, winning

792
00:34:52,840 --> 00:34:56,480
Speaker 1: in l East and that's it. You go to many

793
00:34:56,480 --> 00:34:58,720
Speaker 1: Braves games. Are you a big Braves fan? Or about football?

794
00:34:58,719 --> 00:35:02,799
Speaker 3: And football fan clipsonto same thing?

795
00:35:02,920 --> 00:35:03,839
Speaker 1: That's tough right now?

796
00:35:03,960 --> 00:35:06,279
Speaker 3: Yeah, nineteen eighty one, I was four years old. Yeah,

797
00:35:06,320 --> 00:35:07,960
Speaker 3: and then well then a lot of hard years, but

798
00:35:08,000 --> 00:35:08,319
Speaker 3: then you.

799
00:35:08,280 --> 00:35:09,880
Speaker 1: Want then you had great years and now it's kind

800
00:35:09,880 --> 00:35:10,719
Speaker 1: of weird again.

801
00:35:10,840 --> 00:35:12,560
Speaker 3: Right, Yeah, everything's weird right now.

802
00:35:12,640 --> 00:35:14,480
Speaker 1: Well, it's like your coach doesn't even doesn't want to

803
00:35:14,480 --> 00:35:16,800
Speaker 1: go to the portal at all. Don't you want to

804
00:35:16,800 --> 00:35:18,319
Speaker 1: call him and be like, let's go, I'll throw you

805
00:35:18,320 --> 00:35:19,200
Speaker 1: some in albox.

806
00:35:19,360 --> 00:35:22,080
Speaker 3: I can't fault him for that. I mean, you want

807
00:35:22,080 --> 00:35:23,719
Speaker 3: people to be there because they want to be there,

808
00:35:23,800 --> 00:35:27,920
Speaker 3: not because they're going to get exposure, money or whatever.

809
00:35:28,040 --> 00:35:30,000
Speaker 1: Well coming from you had the same hairstyles for twenty years,

810
00:35:30,040 --> 00:35:30,879
Speaker 1: I felt that.

811
00:35:31,040 --> 00:35:33,200
Speaker 3: Exactly you are you involved? Can you?

812
00:35:33,560 --> 00:35:35,120
Speaker 1: Can you call clumbson and go like, I'm gonna come

813
00:35:35,160 --> 00:35:37,040
Speaker 1: to a game and they give you good seats. Oh

814
00:35:37,080 --> 00:35:39,360
Speaker 1: that's the best, isn't it. Yeah, like all that stuff

815
00:35:39,440 --> 00:35:40,120
Speaker 1: is a kid that you.

816
00:35:40,440 --> 00:35:41,680
Speaker 3: It hasn't always been that way.

817
00:35:41,680 --> 00:35:43,719
Speaker 1: No, I agree, but yes, same same with me, Like

818
00:35:43,719 --> 00:35:46,120
Speaker 1: it's it hasn't been that way for many years with Arkansas,

819
00:35:46,160 --> 00:35:46,839
Speaker 1: but now it's really cool.

820
00:35:46,960 --> 00:35:49,799
Speaker 3: It's all about who you know. Because I went, I

821
00:35:49,800 --> 00:35:52,400
Speaker 3: would buy the cheap tickets, you know, and set up

822
00:35:52,440 --> 00:35:54,000
Speaker 3: in the those bleeds every time.

823
00:35:54,080 --> 00:35:55,480
Speaker 1: And I used to call it justin Moore, like can

824
00:35:55,480 --> 00:35:57,160
Speaker 1: I borrow your tickets? When I knew he wasn't going

825
00:35:57,200 --> 00:35:59,880
Speaker 1: to a game because I knew he had season tickets.

826
00:36:00,040 --> 00:36:01,480
Speaker 1: But yeah, it's one of the coolest things now to

827
00:36:01,520 --> 00:36:04,040
Speaker 1: be able to be an adult and go to experience

828
00:36:04,040 --> 00:36:06,080
Speaker 1: the things that I loved as a kid and couldn't

829
00:36:06,120 --> 00:36:09,120
Speaker 1: really do. Yeah, as a kid, who were your favorite

830
00:36:09,160 --> 00:36:10,120
Speaker 1: musical artists?

831
00:36:11,440 --> 00:36:14,920
Speaker 3: Randy Travis was the guy that inspired me to come

832
00:36:14,920 --> 00:36:16,719
Speaker 3: to this town, and I remember seeing him at the

833
00:36:16,800 --> 00:36:20,080
Speaker 3: South Carolina State Fair, and it was just like a

834
00:36:20,080 --> 00:36:22,319
Speaker 3: whole nother level for me because we didn't have a

835
00:36:22,320 --> 00:36:26,080
Speaker 3: lot of and that was South Carolina State Fair was

836
00:36:26,120 --> 00:36:28,400
Speaker 3: at least two hours from where I grew up, So

837
00:36:28,480 --> 00:36:30,319
Speaker 3: I mean it was you know back then that was

838
00:36:30,320 --> 00:36:34,680
Speaker 3: a drive and we didn't have artists come anywhere near

839
00:36:34,760 --> 00:36:37,799
Speaker 3: us playing shows, so it was it was very far.

840
00:36:37,920 --> 00:36:40,319
Speaker 1: Unto me, was that the moment you knew what you

841
00:36:40,360 --> 00:36:42,120
Speaker 1: wanted to do or did you already have an idea?

842
00:36:42,120 --> 00:36:43,319
Speaker 1: And it just kind of cumented that.

843
00:36:44,239 --> 00:36:47,480
Speaker 3: I had already kind of had the bug at that point,

844
00:36:47,560 --> 00:36:50,000
Speaker 3: but seeing him up there and seeing it in action

845
00:36:50,200 --> 00:36:52,319
Speaker 3: like that was it just made it more real to me.

846
00:36:53,040 --> 00:36:57,120
Speaker 1: So you're Mount rushmore of favorite musical artists of all time.

847
00:36:57,160 --> 00:36:58,319
Speaker 1: You put Randy Travis up there?

848
00:36:58,400 --> 00:37:02,400
Speaker 3: Ye who are you? John and some Johnny cash Burne, Gosden,

849
00:37:02,520 --> 00:37:06,080
Speaker 3: Hank Williams.

850
00:37:05,920 --> 00:37:07,680
Speaker 1: Because you have a junior shirt on. Oh you have

851
00:37:07,760 --> 00:37:11,120
Speaker 1: seen you up on the top it is. And obviously

852
00:37:11,120 --> 00:37:13,680
Speaker 1: you didn't get to see Hank Senior at the fair. No,

853
00:37:13,800 --> 00:37:16,239
Speaker 1: he died making sure he died that he didn't either.

854
00:37:17,360 --> 00:37:20,160
Speaker 1: I talked to Drew Baldridge recently and he talked about

855
00:37:20,200 --> 00:37:21,960
Speaker 1: how he cried when you surprised him at the opry

856
00:37:22,320 --> 00:37:25,279
Speaker 1: and he was still super moved about that. How did

857
00:37:25,320 --> 00:37:28,880
Speaker 1: that go down? And you know, Drew has been a

858
00:37:28,920 --> 00:37:31,799
Speaker 1: great story of like just doing it all himself. How

859
00:37:31,800 --> 00:37:33,440
Speaker 1: do they approach you to go, Hey, would you go

860
00:37:33,480 --> 00:37:34,200
Speaker 1: in surprise Drew?

861
00:37:34,760 --> 00:37:37,880
Speaker 3: Yeah, that's been a little while, but but yeah, he

862
00:37:37,880 --> 00:37:40,520
Speaker 3: he was a fan of mine and and they asked

863
00:37:40,520 --> 00:37:42,640
Speaker 3: me to come surprise him and it was an honor

864
00:37:42,760 --> 00:37:47,520
Speaker 3: to me saying with Scotti McCreery just recently, and you know,

865
00:37:47,680 --> 00:37:50,240
Speaker 3: so it you know, it feels good that that somebody's

866
00:37:50,239 --> 00:37:50,840
Speaker 3: paying attention.

867
00:37:51,040 --> 00:37:53,320
Speaker 1: You know what's the key to raising four boys?

868
00:37:54,680 --> 00:37:57,080
Speaker 3: Patience and discipline.

869
00:37:57,360 --> 00:37:59,160
Speaker 1: So do you think they're all boys? Because all this

870
00:37:59,239 --> 00:38:01,600
Speaker 1: testosterone that's like coming out of you in your voice,

871
00:38:01,680 --> 00:38:03,120
Speaker 1: I feel like it's coming out of your fingernails.

872
00:38:03,239 --> 00:38:05,839
Speaker 3: Somebody asked me earlier this morning and if I had

873
00:38:05,840 --> 00:38:08,160
Speaker 3: ever served in the military. I was like, no, I said,

874
00:38:08,160 --> 00:38:10,480
Speaker 3: but if you ask my boys that sometimes they probably

875
00:38:10,480 --> 00:38:11,000
Speaker 3: think I have.

876
00:38:12,040 --> 00:38:13,719
Speaker 1: With the way I are you disciplinarian?

877
00:38:14,040 --> 00:38:15,399
Speaker 3: Yeah? Yeah, yeah.

878
00:38:15,440 --> 00:38:17,440
Speaker 6: When you said discipline, I was gonna say discipline towards

879
00:38:17,480 --> 00:38:20,800
Speaker 6: them or just being disciplined with yourself as apparently consistent

880
00:38:20,960 --> 00:38:21,359
Speaker 6: with them.

881
00:38:22,480 --> 00:38:25,040
Speaker 1: What about their dreams? Do they want any music or sports?

882
00:38:25,160 --> 00:38:27,560
Speaker 1: Or they think you're cool?

883
00:38:27,840 --> 00:38:30,720
Speaker 3: My oldest he's got the music bug for sure.

884
00:38:30,960 --> 00:38:32,520
Speaker 1: And what advice do you give him? Because you've kind

885
00:38:32,520 --> 00:38:33,520
Speaker 1: of been through it in every way?

886
00:38:34,520 --> 00:38:38,719
Speaker 3: That's hard because I could easily, you know, just hold

887
00:38:38,760 --> 00:38:40,880
Speaker 3: his hand through the whole process, but I don't. I

888
00:38:40,920 --> 00:38:42,839
Speaker 3: just don't want to do that because I just feel

889
00:38:42,840 --> 00:38:45,000
Speaker 3: like that would do him a disservice. He needs to

890
00:38:45,280 --> 00:38:47,920
Speaker 3: learn on his own. I'm going to guide him and

891
00:38:48,000 --> 00:38:49,720
Speaker 3: make sure he doesn't make a lot of the bigger

892
00:38:49,760 --> 00:38:53,200
Speaker 3: mistakes that I made in my career. But he's got

893
00:38:53,200 --> 00:38:54,640
Speaker 3: to he's got to learn it on his own and

894
00:38:54,680 --> 00:38:57,920
Speaker 3: figure out exactly where he wants to go, and and

895
00:38:58,280 --> 00:39:00,160
Speaker 3: you know, he's got to show that he's will to

896
00:39:00,160 --> 00:39:00,640
Speaker 3: work for it.

897
00:39:00,719 --> 00:39:03,360
Speaker 1: So the new album, This Country Music Thing, it is

898
00:39:03,400 --> 00:39:05,840
Speaker 1: out today. I want to play a little bit of

899
00:39:05,920 --> 00:39:08,640
Speaker 1: down in Georgia. Do you think they wrote this song

900
00:39:08,640 --> 00:39:09,279
Speaker 1: with you in mind?

901
00:39:10,600 --> 00:39:14,239
Speaker 3: I think they did. I'm trying to find out what

902
00:39:14,320 --> 00:39:17,839
Speaker 3: that story is because my brother actually pitched me this song.

903
00:39:17,880 --> 00:39:20,160
Speaker 3: This is the first song that my brothers pitched to

904
00:39:20,200 --> 00:39:24,320
Speaker 3: me that I've actually recorded, So that's a little trivia

905
00:39:24,560 --> 00:39:25,680
Speaker 3: piece of this record.

906
00:39:25,680 --> 00:39:26,880
Speaker 1: But how many you think he's pitched you?

907
00:39:27,200 --> 00:39:30,200
Speaker 3: A lot? Yeah? Yeah, so he was super excited when

908
00:39:30,200 --> 00:39:33,680
Speaker 3: this ended up on the record. But yeah, I didn't

909
00:39:33,719 --> 00:39:38,040
Speaker 3: know any of the writers, still don't. But this was

910
00:39:38,280 --> 00:39:41,040
Speaker 3: before they even knew that I was moving to Georgia,

911
00:39:41,080 --> 00:39:43,279
Speaker 3: and I didn't know if they knew my wife was

912
00:39:43,280 --> 00:39:45,319
Speaker 3: from Georgia. So I was like, they've been reading my

913
00:39:45,360 --> 00:39:50,279
Speaker 3: mail or something. And then I saw on Instagram I

914
00:39:50,280 --> 00:39:52,440
Speaker 3: think one of the writers said yeah, we wrote it

915
00:39:52,440 --> 00:39:56,799
Speaker 3: for you, and I'm like, well, can you elaborate, like

916
00:39:58,000 --> 00:40:00,040
Speaker 3: did you know the story and then you wrote it

917
00:40:00,200 --> 00:40:03,520
Speaker 3: or what? I'm still curious to find out.

918
00:40:03,760 --> 00:40:05,320
Speaker 1: So have you ever seen the national anthem?

919
00:40:05,560 --> 00:40:06,120
Speaker 3: I have you know?

920
00:40:06,120 --> 00:40:07,880
Speaker 1: They say start they say start way low. Do you

921
00:40:07,880 --> 00:40:08,680
Speaker 1: even start lower?

922
00:40:08,960 --> 00:40:12,160
Speaker 3: Yeah? Yeah, I'm retired from the anthem.

923
00:40:11,880 --> 00:40:14,040
Speaker 1: Though, no, But I mean everyone's like, you know, if

924
00:40:14,040 --> 00:40:16,600
Speaker 1: you sing the anthem, start lower than you normally sing,

925
00:40:16,719 --> 00:40:19,440
Speaker 1: how do you start even lower than what you're already.

926
00:40:19,080 --> 00:40:20,440
Speaker 3: At because it only goes up.

927
00:40:20,960 --> 00:40:22,520
Speaker 1: I know what I'm saying is a sound that only

928
00:40:22,560 --> 00:40:23,720
Speaker 1: you can hear, because there's.

929
00:40:23,640 --> 00:40:26,920
Speaker 3: Like probably yeah, it's just a vibration.

930
00:40:28,520 --> 00:40:31,080
Speaker 1: When you listen back to your own music, I don't

931
00:40:31,080 --> 00:40:33,640
Speaker 1: know do you like it? Are you you do?

932
00:40:33,760 --> 00:40:34,359
Speaker 3: Because yeah?

933
00:40:34,480 --> 00:40:36,440
Speaker 1: Or are you at this point you've heard it so

934
00:40:36,560 --> 00:40:39,360
Speaker 1: many times I have to like it. Yeah, I hear you.

935
00:40:39,440 --> 00:40:41,600
Speaker 1: I just I hate everything I do. I think that's

936
00:40:41,640 --> 00:40:43,480
Speaker 1: a We're different kinds of people, obviously, but I hate

937
00:40:43,520 --> 00:40:44,239
Speaker 1: everything I ever do.

938
00:40:44,400 --> 00:40:48,200
Speaker 3: So back in two thousand and nine, my second son

939
00:40:48,360 --> 00:40:52,279
Speaker 3: was born that June, and my daddy came out on

940
00:40:52,320 --> 00:40:54,000
Speaker 3: the road with me for a couple of weeks, and

941
00:40:55,200 --> 00:40:58,440
Speaker 3: about three four days in he was so sick of

942
00:40:58,480 --> 00:41:00,360
Speaker 3: the bus. He was so sick of like just the

943
00:41:00,400 --> 00:41:03,880
Speaker 3: whole thing, and he was like, you obviously love what

944
00:41:03,920 --> 00:41:06,959
Speaker 3: you do, because I don't know how you do it.

945
00:41:07,000 --> 00:41:08,759
Speaker 3: And I don't think he's been on the road with

946
00:41:08,800 --> 00:41:09,600
Speaker 3: me since so.

947
00:41:10,239 --> 00:41:12,080
Speaker 1: Well, you listen to songs of yours over and over

948
00:41:12,080 --> 00:41:14,319
Speaker 1: and over and over again, and make small tweaks as

949
00:41:14,360 --> 00:41:15,280
Speaker 1: you're in the process.

950
00:41:16,120 --> 00:41:18,839
Speaker 3: You know, it's funny some artists and writers like they'll

951
00:41:18,960 --> 00:41:21,839
Speaker 3: nitpick things to death, but I'm not like that. I'll

952
00:41:21,840 --> 00:41:23,640
Speaker 3: get it to where I feel like it needs to be,

953
00:41:23,680 --> 00:41:26,279
Speaker 3: and then I'll leave it alone. I wrote with Mac

954
00:41:26,360 --> 00:41:28,480
Speaker 3: Davis one time, and he told me that he was

955
00:41:28,800 --> 00:41:33,879
Speaker 3: still tweaking in the ghetto. So I was like, Mac,

956
00:41:33,920 --> 00:41:34,840
Speaker 3: I think you should let it go.

957
00:41:35,960 --> 00:41:38,600
Speaker 1: Do you ever hear older songs? For example, your Man,

958
00:41:38,640 --> 00:41:40,719
Speaker 1: Do you ever hear that song and go? Man? I

959
00:41:40,719 --> 00:41:43,320
Speaker 1: wish we'd have done this differently as far as like

960
00:41:43,360 --> 00:41:45,560
Speaker 1: the production or your voice. Even though that song has

961
00:41:45,600 --> 00:41:47,360
Speaker 1: been a number one, it's a massive song. Are you

962
00:41:47,400 --> 00:41:49,120
Speaker 1: just like that is? It's awesome? I leave it alone.

963
00:41:49,640 --> 00:41:54,440
Speaker 3: Well, I've come to understand that once the fans become

964
00:41:54,560 --> 00:41:57,719
Speaker 3: familiar with something, they don't want that to change. If

965
00:41:57,760 --> 00:42:01,319
Speaker 3: you go back in and re record and original or whatever, like,

966
00:42:01,320 --> 00:42:04,279
Speaker 3: they pick up on that real quick. And for me,

967
00:42:05,239 --> 00:42:10,759
Speaker 3: I can hear the youth and the inexperience in my

968
00:42:10,960 --> 00:42:13,360
Speaker 3: voice because I was still coming out of a vocal

969
00:42:13,400 --> 00:42:17,080
Speaker 3: injury back then, and I was still young, and I

970
00:42:17,320 --> 00:42:20,120
Speaker 3: wasn't thirty five, because I had been told and taught that,

971
00:42:20,320 --> 00:42:22,879
Speaker 3: you know, a male's voice doesn't fully mature until they're

972
00:42:22,920 --> 00:42:26,960
Speaker 3: thirty five. But I've also learned that once you get

973
00:42:27,040 --> 00:42:28,799
Speaker 3: past thirty five and you do what I do for

974
00:42:28,840 --> 00:42:31,839
Speaker 3: a living, it continues to develop and grow, you know,

975
00:42:32,320 --> 00:42:35,439
Speaker 3: and just develop textures. So there's times where I hear

976
00:42:35,640 --> 00:42:38,359
Speaker 3: Long Black Train or Your Man or any of those

977
00:42:38,400 --> 00:42:40,479
Speaker 3: early songs, I'm like, man, I wonder what it would

978
00:42:40,480 --> 00:42:41,440
Speaker 3: sound like if I sing it.

979
00:42:41,480 --> 00:42:41,640
Speaker 9: Now.

980
00:42:43,360 --> 00:42:44,560
Speaker 3: People hear that on the road.

981
00:42:44,400 --> 00:42:46,160
Speaker 1: So you can hear the kid and you can hear

982
00:42:46,160 --> 00:42:46,680
Speaker 1: the young.

983
00:42:46,560 --> 00:42:50,000
Speaker 3: Oh yeah, but there's something there's something cool about that

984
00:42:50,080 --> 00:42:52,640
Speaker 3: though it sometimes it feels like a whole other.

985
00:42:52,520 --> 00:42:54,840
Speaker 1: Lifetime whenever you hear why don't we just dance? What

986
00:42:54,880 --> 00:42:57,640
Speaker 1: does that remind you of? At that time when that

987
00:42:57,719 --> 00:42:58,799
Speaker 1: song was doing its thing?

988
00:42:59,520 --> 00:43:04,320
Speaker 3: So before that song had even come to light, really,

989
00:43:04,840 --> 00:43:07,040
Speaker 3: I was on the road. I don't remember where we were,

990
00:43:07,080 --> 00:43:09,520
Speaker 3: but I just remember exactly what the venue looked like.

991
00:43:09,680 --> 00:43:12,839
Speaker 3: And we started playing that song and people just right

992
00:43:12,880 --> 00:43:15,640
Speaker 3: off the bat just started getting in the aisles and

993
00:43:15,760 --> 00:43:19,520
Speaker 3: dancing and cheering and rushing the stage. And it's still

994
00:43:19,560 --> 00:43:21,440
Speaker 3: like that. It's crazy. It just sends a jolt of

995
00:43:21,440 --> 00:43:26,120
Speaker 3: electricity through the crowd. And what's interesting about that is

996
00:43:26,680 --> 00:43:30,719
Speaker 3: I wasn't ready to make a record, and that song

997
00:43:30,800 --> 00:43:33,200
Speaker 3: had gotten pitched to me. I loved it, put it

998
00:43:33,239 --> 00:43:37,719
Speaker 3: on hold. And then Jada Marcus reaches out and says, hey,

999
00:43:37,920 --> 00:43:40,719
Speaker 3: you know from Flights. Yeah, we'd love to record that,

1000
00:43:41,000 --> 00:43:42,640
Speaker 3: and he said, but I know you got it on hold.

1001
00:43:42,680 --> 00:43:44,279
Speaker 3: He said, would you be willing to go in and

1002
00:43:44,320 --> 00:43:46,359
Speaker 3: record it to see if you were willing to keep

1003
00:43:46,360 --> 00:43:48,480
Speaker 3: it or want to keep it. I was like, that's

1004
00:43:48,640 --> 00:43:52,000
Speaker 3: pretty reasonable. So Wow, went in and rest is history.

1005
00:43:52,040 --> 00:43:54,280
Speaker 1: Because Rascal Flights thought it was also a great song.

1006
00:43:54,640 --> 00:43:56,160
Speaker 1: You went and recorded it to see how it fell,

1007
00:43:56,239 --> 00:43:57,719
Speaker 1: and you loved it. Then you had to call him

1008
00:43:57,719 --> 00:43:59,000
Speaker 1: back and be like, sorry, sucker.

1009
00:43:59,320 --> 00:44:02,279
Speaker 3: Four week number one most played song of twenty ten.

1010
00:44:02,320 --> 00:44:04,520
Speaker 1: Like sing that song about Mayberry, Sucker, we got this.

1011
00:44:05,719 --> 00:44:08,480
Speaker 1: That's a fun fact. I never knew that. What about

1012
00:44:08,480 --> 00:44:09,640
Speaker 1: would you go with me? What does that make you

1013
00:44:09,640 --> 00:44:10,000
Speaker 1: think about?

1014
00:44:11,880 --> 00:44:15,319
Speaker 3: The pitch meeting over at Sony Tree, my producer Frank

1015
00:44:15,400 --> 00:44:17,640
Speaker 3: Rogers and I went in and once again, you know,

1016
00:44:17,719 --> 00:44:20,000
Speaker 3: I was looking for songs for my second record, so

1017
00:44:20,000 --> 00:44:24,359
Speaker 3: I was still green and heard the song. It was

1018
00:44:24,600 --> 00:44:28,520
Speaker 3: four verses and a big long like instrumental break. There

1019
00:44:28,600 --> 00:44:31,480
Speaker 3: was no chorus, and so I'm sitting there thinking, man,

1020
00:44:31,560 --> 00:44:33,560
Speaker 3: it sounds really cool, but like it just feels like

1021
00:44:33,560 --> 00:44:37,400
Speaker 3: it's missing something. And Frank spoke up and said, like,

1022
00:44:37,440 --> 00:44:40,560
Speaker 3: there's probably seven or eight pluggers in this meeting, and

1023
00:44:40,600 --> 00:44:42,719
Speaker 3: he said, tell the writers to go back and write

1024
00:44:42,719 --> 00:44:45,200
Speaker 3: a hit chorus and we'll we'll take it. And they

1025
00:44:45,200 --> 00:44:47,320
Speaker 3: were like okay, And so they went and told Sean

1026
00:44:47,400 --> 00:44:50,440
Speaker 3: Camp and John Scott Sheryl and they came back with

1027
00:44:50,480 --> 00:44:51,240
Speaker 3: the hit chorus.

1028
00:44:51,320 --> 00:44:52,600
Speaker 1: How long until you got it back?

1029
00:44:53,160 --> 00:44:53,600
Speaker 3: Not long?

1030
00:44:54,200 --> 00:44:56,200
Speaker 1: Yeah, I imagine you work pretty quick. If somebody says, hey,

1031
00:44:56,239 --> 00:44:58,200
Speaker 1: if you can fix those you like it? Yep, because

1032
00:44:58,239 --> 00:44:59,960
Speaker 1: you know there are ten thousand songs coming at you

1033
00:45:00,160 --> 00:45:03,520
Speaker 1: ten thousand times a day. Wow, congratulations on the new record.

1034
00:45:04,200 --> 00:45:06,319
Speaker 1: Josh is all over Josh Turner dot com. He's doing

1035
00:45:06,360 --> 00:45:09,480
Speaker 1: his Greatest Hits Tour and now all the way until November.

1036
00:45:09,520 --> 00:45:11,239
Speaker 1: I mean, you're at it. Huh. How do you like

1037
00:45:11,320 --> 00:45:13,160
Speaker 1: not being here in Nashville.

1038
00:45:14,000 --> 00:45:15,280
Speaker 3: It's a good change of scenery.

1039
00:45:15,520 --> 00:45:17,879
Speaker 1: Can you be a dad in human more when you're

1040
00:45:17,880 --> 00:45:18,239
Speaker 1: not here?

1041
00:45:18,480 --> 00:45:22,520
Speaker 3: Yeah? I think so. I feel like I can. So. Yeah,

1042
00:45:22,560 --> 00:45:25,759
Speaker 3: it's a it's good. I'm closer. Actually, my wife and

1043
00:45:25,760 --> 00:45:29,239
Speaker 3: I both are closer to family, and it's closer to

1044
00:45:29,480 --> 00:45:32,719
Speaker 3: closer to our favorite sports teams and which is a

1045
00:45:32,719 --> 00:45:34,839
Speaker 3: big deal all that, but and I'm still not too

1046
00:45:34,880 --> 00:45:35,640
Speaker 3: far from Nashville.

1047
00:45:35,719 --> 00:45:37,640
Speaker 1: So well, really good to see it. Congrats on the

1048
00:45:37,680 --> 00:45:40,239
Speaker 1: record and you know, looking forward to seeing you know,

1049
00:45:40,360 --> 00:45:44,000
Speaker 1: all the success of it, and congratulations. Do Christmas albums

1050
00:45:44,000 --> 00:45:45,040
Speaker 1: count as the record an album?

1051
00:45:45,080 --> 00:45:45,200
Speaker 4: Oh?

1052
00:45:45,239 --> 00:45:47,239
Speaker 1: Absolutely, okay they do. Yeah, just trying to figure out

1053
00:45:47,239 --> 00:45:48,239
Speaker 1: what work I put into it.

1054
00:45:48,320 --> 00:45:52,120
Speaker 3: Absolutely, Christmas.

1055
00:45:53,760 --> 00:45:58,120
Speaker 1: Studio but not live don't count as when I say

1056
00:45:58,120 --> 00:46:02,000
Speaker 1: ten albums, eleven albums, yeah, okay, just make it sure.

1057
00:46:02,640 --> 00:46:04,640
Speaker 1: I'm just trying to learn this, man. Josh brings in

1058
00:46:04,640 --> 00:46:06,600
Speaker 1: a new language here, Man, I don't know what's going on.

1059
00:46:06,719 --> 00:46:07,959
Speaker 3: Then you've got compilations.

1060
00:46:08,000 --> 00:46:10,080
Speaker 1: Oh god, I don't even start, man, it's about exploding. Yeah,

1061
00:46:11,200 --> 00:46:13,160
Speaker 1: all right, there is Josh Turner. Josh, thanks man, good

1062
00:46:13,160 --> 00:46:14,799
Speaker 1: to see al right, Joshner. Everybody, good job.

1063
00:46:17,360 --> 00:46:22,480
Speaker 12: Wake up, wake up in the morning, and the turning

1064
00:46:22,640 --> 00:46:29,400
Speaker 12: radio and the Dodgas keeps on turn here ready, lunchbox

1065
00:46:29,480 --> 00:46:32,359
Speaker 12: more game two Steve bread have it's trying to put

1066
00:46:32,440 --> 00:46:32,919
Speaker 12: you through.

1067
00:46:33,400 --> 00:46:33,680
Speaker 8: Fuck.

1068
00:46:33,880 --> 00:46:37,239
Speaker 12: He's running this week's next bit and Bobby's on the box.

1069
00:46:37,320 --> 00:46:45,640
Speaker 12: So you know what this.

1070
00:46:43,680 --> 00:46:44,600
Speaker 10: The Bobby Bone.

1071
00:46:45,600 --> 00:46:47,640
Speaker 2: It's the easiest trivia game ever.

1072
00:46:48,120 --> 00:46:48,480
Speaker 1: Amy.

1073
00:46:49,080 --> 00:46:49,360
Speaker 9: Yes.

1074
00:46:50,000 --> 00:46:53,439
Speaker 1: The category is who on the Bobby Bone Show. Which

1075
00:46:53,440 --> 00:46:55,120
Speaker 1: of the show members was a full time mentor on

1076
00:46:55,200 --> 00:46:59,719
Speaker 1: American Idol for several seasons. Bobby Correct is a very

1077
00:46:59,760 --> 00:47:03,239
Speaker 1: easy Lunchbox who on the show claims a ghost took

1078
00:47:03,320 --> 00:47:06,120
Speaker 1: over their body, went inside their body and made them

1079
00:47:06,120 --> 00:47:11,759
Speaker 1: really sad. Scuba Steve correct, Eddie, who on the show

1080
00:47:11,800 --> 00:47:16,040
Speaker 1: is known for cannonballing into relationships very very quickly. That

1081
00:47:16,080 --> 00:47:21,200
Speaker 1: would be Abby Yes, Abby, Yes. Morgan, who on the

1082
00:47:21,200 --> 00:47:25,000
Speaker 1: show lost one hundred pounds by diet and exercise.

1083
00:47:25,280 --> 00:47:27,719
Speaker 2: Mike Deep correct, So very easy for us.

1084
00:47:27,760 --> 00:47:30,600
Speaker 1: We're all part of the show here now. Amy has

1085
00:47:30,600 --> 00:47:33,200
Speaker 1: four points and is wearing the tr She's the current champion.

1086
00:47:33,280 --> 00:47:37,440
Speaker 1: Eddie has four points. If you win, you're the new champ. Wowow.

1087
00:47:37,600 --> 00:47:39,879
Speaker 1: But Morgan and Lunchbox can jump in and win too. Yeah,

1088
00:47:39,880 --> 00:47:42,319
Speaker 1: we're gonna do that today. Easy trivia. If you miss it,

1089
00:47:42,360 --> 00:47:46,359
Speaker 1: you hear this sound you've been Question number one, Amy,

1090
00:47:46,400 --> 00:47:48,760
Speaker 1: what country musical legend is known for? Ring of Fire?

1091
00:47:49,360 --> 00:47:50,440
Speaker 9: Johnny Cash correct?

1092
00:47:52,200 --> 00:47:57,080
Speaker 1: Lunchbox, Hillary, Charles and Dave make up what country trio? Yes?

1093
00:47:57,440 --> 00:48:00,680
Speaker 1: I know this one, lady a correct in the category

1094
00:48:00,680 --> 00:48:04,080
Speaker 1: of country music, Eddie, what country star has an alter

1095
00:48:04,239 --> 00:48:10,280
Speaker 1: ego named Chris Gaines? Garth Brooks? Morgan, what's the title

1096
00:48:10,360 --> 00:48:14,000
Speaker 1: of the famous Willie Nelson song about traveling on the

1097
00:48:14,080 --> 00:48:19,320
Speaker 1: road again? Correct? Everybody remains the category is Nickelodeon shows

1098
00:48:19,400 --> 00:48:23,759
Speaker 1: easy Trivia? Which Nickelodeon show, Aimy features a group of

1099
00:48:23,760 --> 00:48:30,240
Speaker 1: babies exploring the world. Which Nickelodeon show features a group

1100
00:48:30,280 --> 00:48:38,920
Speaker 1: of babies exploring there? Okay, Lunchbox, who lives in a

1101
00:48:38,960 --> 00:48:43,040
Speaker 1: pineapple under the sea? SpongeBob square Pants?

1102
00:48:43,040 --> 00:48:45,160
Speaker 2: Correct?

1103
00:48:45,880 --> 00:48:49,560
Speaker 1: Eddie? What language would kids learn by watching Dora the Explorer?

1104
00:48:50,080 --> 00:48:55,320
Speaker 1: Who is spaniol? Correct? Morgan? Who plays Clarissa and Clarissa

1105
00:48:55,360 --> 00:49:03,080
Speaker 1: explains it all? What Malarissa famous Nickelodeon shows. Who plays

1106
00:49:03,160 --> 00:49:05,200
Speaker 1: Clarissa and Clarissa explains it all?

1107
00:49:05,320 --> 00:49:09,320
Speaker 9: You sure Clarissa was before my time? When did Clarissa

1108
00:49:09,400 --> 00:49:15,759
Speaker 9: explain it all? Even come out of Clarissa explains it all?

1109
00:49:16,080 --> 00:49:17,640
Speaker 1: Who played that role?

1110
00:49:19,760 --> 00:49:27,359
Speaker 11: I don't know, Melissa Joonhart Correct, Oh, that's the only

1111
00:49:27,400 --> 00:49:28,080
Speaker 11: reason I guess her.

1112
00:49:28,200 --> 00:49:35,799
Speaker 1: Wowe Next up, Country characteristics Amy, Which country is known

1113
00:49:35,840 --> 00:49:39,239
Speaker 1: for the city of Venice and its canals.

1114
00:49:45,920 --> 00:49:46,320
Speaker 9: Italy?

1115
00:49:46,520 --> 00:49:55,960
Speaker 1: Correct? Lunchbox, which country is known for its cold temperature?

1116
00:49:56,040 --> 00:50:02,399
Speaker 1: And Fiords f j O R d s. That could

1117
00:50:02,440 --> 00:50:10,759
Speaker 1: be a lot of them. Forge Fjords Fords fjords.

1118
00:50:12,920 --> 00:50:17,839
Speaker 5: Uh, cold temperature and Fords fjords, Fjords fjords.

1119
00:50:18,280 --> 00:50:19,360
Speaker 1: And you said country.

1120
00:50:19,480 --> 00:50:22,240
Speaker 2: Which country is known for cold temperatures and fjords?

1121
00:50:23,840 --> 00:50:27,520
Speaker 5: Well, I mean, why would you not go there? Iceland?

1122
00:50:28,280 --> 00:50:31,040
Speaker 5: They got Fords Fjords. It's Norway.

1123
00:50:34,080 --> 00:50:35,319
Speaker 9: What's those little things on your head?

1124
00:50:36,040 --> 00:50:38,319
Speaker 1: Ad, because Alaska has them?

1125
00:50:38,320 --> 00:50:40,439
Speaker 9: To you they wear those on their heads.

1126
00:50:42,040 --> 00:50:46,280
Speaker 1: King, Yeah, yeah, it's like Okay, I didn't.

1127
00:50:46,360 --> 00:50:47,080
Speaker 9: I don't know.

1128
00:50:47,320 --> 00:50:48,680
Speaker 1: You think it's one of those like furry things they

1129
00:50:48,680 --> 00:50:56,520
Speaker 1: wear ned of? Okay, that's rough, sorry, watching in the

1130
00:50:56,640 --> 00:50:59,320
Speaker 1: name Eddie. What country is known for the Amazon rainforest

1131
00:50:59,400 --> 00:51:01,200
Speaker 1: since it contains nearly sixty percent of it?

1132
00:51:01,400 --> 00:51:02,160
Speaker 3: Yeah? The Amazon?

1133
00:51:02,239 --> 00:51:05,040
Speaker 7: That's what country? Oh shoot, I was gonna do continent?

1134
00:51:05,840 --> 00:51:06,720
Speaker 7: Who is close?

1135
00:51:06,960 --> 00:51:11,920
Speaker 1: This is a tough, tough one. Which country is known

1136
00:51:11,960 --> 00:51:15,000
Speaker 1: for the Amazon rainforest since it contains nearly sixty percent

1137
00:51:15,000 --> 00:51:16,759
Speaker 1: of it? So it's South America?

1138
00:51:18,160 --> 00:51:23,880
Speaker 7: And I'm thinking maybe Brazil has most of the Amazon.

1139
00:51:24,719 --> 00:51:27,040
Speaker 7: Brazil would be the biggest country down there, I think,

1140
00:51:27,200 --> 00:51:31,560
Speaker 7: so give me Brazil, correct, Morgan?

1141
00:51:31,640 --> 00:51:36,200
Speaker 1: What country is the largest in the world by land area?

1142
00:51:36,320 --> 00:51:39,440
Speaker 1: Basically the biggest country? I really want to mix up

1143
00:51:39,680 --> 00:51:41,520
Speaker 1: continentc in countries right now.

1144
00:51:42,320 --> 00:51:46,560
Speaker 2: It's really throwing me off. Which country, Which country.

1145
00:51:48,320 --> 00:51:51,440
Speaker 9: Is the biggest in the world by land mass?

1146
00:51:51,760 --> 00:51:54,600
Speaker 1: It's the biggest the size. Which country is the largest

1147
00:51:54,600 --> 00:51:56,400
Speaker 1: by land area?

1148
00:51:56,640 --> 00:51:57,000
Speaker 6: China?

1149
00:51:58,000 --> 00:51:58,560
Speaker 1: Incorrect?

1150
00:51:58,920 --> 00:52:01,400
Speaker 10: You've been boo y Russia?

1151
00:52:01,520 --> 00:52:04,440
Speaker 1: Australia, Russia.

1152
00:52:04,640 --> 00:52:07,280
Speaker 6: That was a hard had gotten that question?

1153
00:52:07,400 --> 00:52:11,320
Speaker 1: Yeah? I wish you did too, Amy, Amy and Eddie?

1154
00:52:11,520 --> 00:52:15,040
Speaker 1: You two have survived. Oh wow, smart, there's gonna be

1155
00:52:15,360 --> 00:52:16,799
Speaker 1: into the season. Here go.

1156
00:52:17,440 --> 00:52:19,880
Speaker 2: The category is numbers, Amy.

1157
00:52:20,040 --> 00:52:21,600
Speaker 1: How many colors are in the rainbow?

1158
00:52:23,400 --> 00:52:23,720
Speaker 9: Seven?

1159
00:52:24,160 --> 00:52:29,880
Speaker 1: Correct? Wow, that's a good one, Eddie. How many degrees

1160
00:52:29,920 --> 00:52:35,920
Speaker 1: are there in a full circle? And sixty? Correct? I

1161
00:52:35,920 --> 00:52:38,799
Speaker 1: didn't like that pause, Amy. How many planets are in

1162
00:52:38,840 --> 00:52:41,960
Speaker 1: our solar system?

1163
00:52:42,000 --> 00:52:42,080
Speaker 4: What?

1164
00:52:42,840 --> 00:52:45,160
Speaker 2: How many planets are in our solar system?

1165
00:52:45,360 --> 00:52:46,319
Speaker 9: Are we counting the.

1166
00:52:47,880 --> 00:52:52,080
Speaker 6: Do we count the do we count the we count

1167
00:52:52,080 --> 00:52:52,479
Speaker 6: the beak?

1168
00:52:53,880 --> 00:52:54,160
Speaker 8: Nine?

1169
00:52:55,719 --> 00:52:56,799
Speaker 1: I'll accept eight or nine?

1170
00:52:56,920 --> 00:52:57,160
Speaker 9: Yeah?

1171
00:52:57,360 --> 00:53:03,560
Speaker 1: Because planet? Yeah, Eddie? How many original American colonies were there?

1172
00:53:04,719 --> 00:53:09,280
Speaker 1: How many original American colonies were there? Oh? Okay, thirteen? Correct?

1173
00:53:09,320 --> 00:53:09,520
Speaker 3: Good?

1174
00:53:10,280 --> 00:53:15,279
Speaker 1: Famous movie characters between you two. What Star Wars character, Amy,

1175
00:53:15,800 --> 00:53:21,160
Speaker 1: come on is captain of the Millennium Falcon? What bro

1176
00:53:21,239 --> 00:53:22,480
Speaker 1: I don't know what's the first question to hear on

1177
00:53:22,520 --> 00:53:26,000
Speaker 1: the thing bro Bro Star Wars? Yeah? What Star Wars

1178
00:53:26,120 --> 00:53:28,440
Speaker 1: character is Captain of the Millennium Falcon? You know.

1179
00:53:29,880 --> 00:53:32,320
Speaker 9: I only know one captain, Captain Kirk.

1180
00:53:33,200 --> 00:53:33,920
Speaker 1: Is that your answer?

1181
00:53:34,760 --> 00:53:35,240
Speaker 9: Yeah?

1182
00:53:35,480 --> 00:53:38,319
Speaker 1: Congratulations, that's it. No, it's not.

1183
00:53:38,680 --> 00:53:39,200
Speaker 9: What is it?

1184
00:53:39,239 --> 00:53:41,800
Speaker 1: That's the wrong movie? It is, Yeah, Han solo. I

1185
00:53:41,800 --> 00:53:44,359
Speaker 1: wouldn't have known that. So we're not boning her yet.

1186
00:53:45,080 --> 00:53:46,800
Speaker 1: Eddie gotta get this one right. You don't want a boner,

1187
00:53:46,800 --> 00:53:49,400
Speaker 1: and then we can don't. I don't want to give

1188
00:53:49,400 --> 00:53:53,520
Speaker 1: her a bone. Take it back, Eddie for the what's

1189
00:53:53,560 --> 00:53:56,360
Speaker 1: the name of the Hobbit character played by Elijah Woods

1190
00:53:56,360 --> 00:53:57,240
Speaker 1: and Lord of the Rings?

1191
00:53:57,400 --> 00:53:58,200
Speaker 3: Oh shoot?

1192
00:54:00,480 --> 00:54:05,680
Speaker 1: Is that Frodo? Go Captain Kirk please no? Or is

1193
00:54:05,680 --> 00:54:06,400
Speaker 1: Frodo Rudy?

1194
00:54:06,440 --> 00:54:09,400
Speaker 6: I want to say Captain America?

1195
00:54:10,560 --> 00:54:13,760
Speaker 1: Oh shoot, that's what's the Hobbit character played by Elijah

1196
00:54:13,840 --> 00:54:15,000
Speaker 1: Wood and Lord of the Rings.

1197
00:54:16,120 --> 00:54:18,600
Speaker 7: I don't know if Frodo is Elijah Wood or Rudy,

1198
00:54:21,400 --> 00:54:23,799
Speaker 7: but I don't know even the other names, so I

1199
00:54:23,840 --> 00:54:24,680
Speaker 7: only know Frodo.

1200
00:54:25,160 --> 00:54:26,880
Speaker 1: So let's just go Frodo. That's correct?

1201
00:54:28,400 --> 00:54:33,360
Speaker 7: Yes, Yes, on the Tim, give me the crown Amy

1202
00:54:33,520 --> 00:54:34,560
Speaker 7: on the Tim.

1203
00:54:34,960 --> 00:54:42,440
Speaker 1: He's back, baby back, who Eddie, thank you, thank you

1204
00:54:42,600 --> 00:54:43,719
Speaker 1: put on your new bald head.

1205
00:54:43,840 --> 00:54:46,480
Speaker 7: Yeah, I'm right, buddy, Well probably won't stick of my

1206
00:54:46,520 --> 00:54:46,960
Speaker 7: bald head.

1207
00:54:47,120 --> 00:54:53,239
Speaker 1: Damn winner producer, ready, nice job, thank you. So you

1208
00:54:53,280 --> 00:54:56,320
Speaker 1: may hear this song right when the news happens earlier

1209
00:54:56,360 --> 00:54:59,960
Speaker 1: this hour. Every day we play this welcome.

1210
00:55:04,080 --> 00:55:06,200
Speaker 8: Radio.

1211
00:55:07,040 --> 00:55:09,000
Speaker 1: So we had to come up with a theme song.

1212
00:55:09,520 --> 00:55:11,880
Speaker 1: And this is Reid, who works on a bunch of

1213
00:55:11,920 --> 00:55:14,840
Speaker 1: podcasts with me, travels with me, does all my digital

1214
00:55:15,160 --> 00:55:17,120
Speaker 1: and so reads a good singer who knew and so

1215
00:55:17,160 --> 00:55:18,640
Speaker 1: we just started playing it because they won't allow us

1216
00:55:18,640 --> 00:55:21,400
Speaker 1: to play music on podcasts, and people love it. And

1217
00:55:21,480 --> 00:55:25,120
Speaker 1: so Reid has a second verse. He just plays it

1218
00:55:25,280 --> 00:55:27,360
Speaker 1: more importantly, he goes, I have a second verse, by

1219
00:55:27,400 --> 00:55:30,359
Speaker 1: the way, reads here. Everybody say to read, first time

1220
00:55:30,400 --> 00:55:33,560
Speaker 1: he's ever been on like the big show, nervous about

1221
00:55:33,560 --> 00:55:36,960
Speaker 1: what's about to happen. Yea. So we played that every

1222
00:55:37,040 --> 00:55:39,920
Speaker 1: day on the podcast and right before the news. And

1223
00:55:39,960 --> 00:55:43,800
Speaker 1: so Reid records the second verse to this song. And

1224
00:55:43,960 --> 00:55:46,360
Speaker 1: today we think today maybe Monday, If not today, this

1225
00:55:46,400 --> 00:55:49,319
Speaker 1: song will be up to stream or whatever service you use, radio,

1226
00:55:49,480 --> 00:55:53,240
Speaker 1: whatever you use, it'll be up under Reid Yarberry cool

1227
00:55:53,600 --> 00:55:55,239
Speaker 1: and so you can stream the whole song. It's only

1228
00:55:55,280 --> 00:55:57,600
Speaker 1: like a minute twenty but here is the whole thing.

1229
00:55:57,640 --> 00:56:01,160
Speaker 1: We even have world premiere, like one of those world

1230
00:56:01,200 --> 00:56:02,840
Speaker 1: premiere we're gonna do that.

1231
00:56:03,600 --> 00:56:06,239
Speaker 2: What's it called the Bobby Bone Show theme song?

1232
00:56:06,360 --> 00:56:10,399
Speaker 1: Okay, you know that's pretty right. It could be called

1233
00:56:10,480 --> 00:56:14,640
Speaker 1: like wake up parentheses the Bobby Bone Show theme song.

1234
00:56:14,680 --> 00:56:17,719
Speaker 1: Oh that's good too. I literally like five minutes ago.

1235
00:56:18,080 --> 00:56:18,839
Speaker 1: Just send it off.

1236
00:56:18,920 --> 00:56:21,040
Speaker 2: Okay, never mind, all right, Okay, here we go.

1237
00:56:21,160 --> 00:56:26,520
Speaker 1: Let's go. It's a world from Reedy Arberry, the full

1238
00:56:26,640 --> 00:56:29,239
Speaker 1: minute and a half song of the Bobby Bone Show

1239
00:56:29,320 --> 00:56:31,439
Speaker 1: theme song with a secret second verse.

1240
00:56:31,440 --> 00:56:55,400
Speaker 8: Here we go, wake Up, wake up in the box,

1241
00:56:55,480 --> 00:56:59,640
Speaker 8: mor get through. I'm trying to put you through. Black

1242
00:57:00,120 --> 00:57:03,200
Speaker 8: is running this Week's next year about He's on the mix,

1243
00:57:03,280 --> 00:57:07,719
Speaker 8: so you know what this is, come.

1244
00:57:09,719 --> 00:57:14,560
Speaker 1: About it ball, it's a good day. I'm gonna have

1245
00:57:14,680 --> 00:57:18,160
Speaker 1: a great Tasten to my fans what they gotta say.

1246
00:57:18,400 --> 00:57:22,000
Speaker 12: The common part doesn't show, you know, because the students

1247
00:57:22,000 --> 00:57:25,720
Speaker 12: at start some yelling mona studio and he at his lunchpots.

1248
00:57:25,800 --> 00:57:29,200
Speaker 8: Morgan trus school man that was trying to put you through.

1249
00:57:30,200 --> 00:57:30,880
Speaker 1: He's outing.

1250
00:57:30,960 --> 00:57:32,800
Speaker 10: This week's next year, profout.

1251
00:57:32,840 --> 00:57:33,600
Speaker 1: He's on the mind.

1252
00:57:33,680 --> 00:57:35,200
Speaker 6: So you know what this is.

1253
00:57:37,200 --> 00:57:42,600
Speaker 12: Ms Marget Chris See, man, I was trying to put

1254
00:57:42,680 --> 00:57:43,120
Speaker 12: you through.

1255
00:57:44,160 --> 00:57:46,040
Speaker 10: He's outing this week, next day.

1256
00:57:46,400 --> 00:57:47,480
Speaker 8: Nobody's on the side.

1257
00:57:47,560 --> 00:57:48,480
Speaker 4: So you know what this.

1258
00:57:51,440 --> 00:57:54,320
Speaker 1: Come about?

1259
00:57:54,400 --> 00:57:54,880
Speaker 8: The ball?

1260
00:58:01,160 --> 00:58:02,760
Speaker 1: How you feel so cool?

1261
00:58:02,880 --> 00:58:03,080
Speaker 10: Man?

1262
00:58:03,280 --> 00:58:05,680
Speaker 2: This is the coolest thing ever got a world premiere.

1263
00:58:05,920 --> 00:58:06,640
Speaker 10: This is amazing.

1264
00:58:06,840 --> 00:58:08,640
Speaker 1: I don't even I don't even know what to say. Man,

1265
00:58:08,800 --> 00:58:10,560
Speaker 1: I need I feel like I'm winning a Grammy right now.

1266
00:58:11,960 --> 00:58:14,400
Speaker 1: It gets a Grammy. Great job on the song. It's

1267
00:58:14,400 --> 00:58:16,200
Speaker 1: their first time you ever hear it Amy so good

1268
00:58:16,360 --> 00:58:16,840
Speaker 1: new version.

1269
00:58:16,960 --> 00:58:17,120
Speaker 2: Yeah.

1270
00:58:17,120 --> 00:58:18,800
Speaker 6: I feel like now when I look at Reid, I

1271
00:58:18,960 --> 00:58:23,680
Speaker 6: just he gives off different vibes now, like to know, yeah,

1272
00:58:23,720 --> 00:58:26,080
Speaker 6: like I hear that, I've heard you singing that now

1273
00:58:26,200 --> 00:58:28,840
Speaker 6: for what That's what it feels like?

1274
00:58:29,680 --> 00:58:30,240
Speaker 1: What are you saying?

1275
00:58:31,480 --> 00:58:33,360
Speaker 2: But that's that's what it's feeling like. You're like, it

1276
00:58:33,480 --> 00:58:36,440
Speaker 2: just is a different vibes now all of us we're

1277
00:58:36,440 --> 00:58:36,760
Speaker 2: thinking it.

1278
00:58:36,840 --> 00:58:38,240
Speaker 1: I just wanted to say it so we can get away.

1279
00:58:39,280 --> 00:58:41,560
Speaker 9: You look at him a little differently, like, oh, hey,

1280
00:58:42,000 --> 00:58:43,520
Speaker 9: like you know even that.

1281
00:58:46,240 --> 00:58:49,080
Speaker 6: I mean, I mean like John Mayer over there, vibes

1282
00:58:49,480 --> 00:58:51,120
Speaker 6: like hey, Like I look over, I'm like, oh that's

1283
00:58:51,120 --> 00:58:52,120
Speaker 6: not John Marro's read.

1284
00:58:52,640 --> 00:58:57,720
Speaker 2: Oh wow yeah, okay, well wow, great job, Thank you

1285
00:58:57,920 --> 00:58:58,280
Speaker 2: very much.

1286
00:58:58,320 --> 00:59:01,920
Speaker 1: You can stream it. Every one of us is look

1287
00:59:01,920 --> 00:59:04,800
Speaker 1: at each other like who's gonna say him? And then

1288
00:59:05,440 --> 00:59:08,080
Speaker 1: you can also follow read at read Yarberry. That's right,

1289
00:59:08,560 --> 00:59:11,840
Speaker 1: y A R B E O D right thinks there's

1290
00:59:11,840 --> 00:59:15,680
Speaker 1: a dear read Yarberry. There he is a world premiere.

1291
00:59:17,320 --> 00:59:22,400
Speaker 1: Thank you read nice shot, Buddy, Bobby Bone show up today.

1292
00:59:23,080 --> 00:59:26,720
Speaker 5: This story comes us from Daytona Beach, Florida. A thirty

1293
00:59:26,720 --> 00:59:29,240
Speaker 5: two year old man wanted for robbery was walking across

1294
00:59:29,400 --> 00:59:31,680
Speaker 5: the bridge around seven am when police pulled up and said,

1295
00:59:31,760 --> 00:59:34,240
Speaker 5: hey man, you're being detained. He goes, oh am I

1296
00:59:35,120 --> 00:59:37,000
Speaker 5: boom jumps into the water.

1297
00:59:37,440 --> 00:59:38,720
Speaker 10: Oh am, I what a baller thing.

1298
00:59:38,760 --> 00:59:41,560
Speaker 1: Is said, I'm sure this is not going to end well,

1299
00:59:42,480 --> 00:59:43,960
Speaker 1: but that's a pretty baller thing to say.

1300
00:59:44,440 --> 00:59:46,240
Speaker 5: So he jumped in the water and they're like, we're

1301
00:59:46,280 --> 00:59:47,800
Speaker 5: going to need a boat. So they just sent the

1302
00:59:47,840 --> 00:59:48,760
Speaker 5: boat out to pick him up.

1303
00:59:49,840 --> 00:59:51,600
Speaker 1: But for a minute when he said, oh am I,

1304
00:59:51,760 --> 00:59:54,600
Speaker 1: there was some power in that and so I'm sure

1305
00:59:54,720 --> 00:59:55,280
Speaker 1: he got guy.

1306
00:59:55,400 --> 00:59:56,960
Speaker 5: Yeah, they arrested him they pulled him out of the

1307
00:59:57,000 --> 00:59:58,800
Speaker 5: water and said all right, let's go to jail.

1308
00:59:58,720 --> 01:00:01,520
Speaker 1: And then hopefully the cop said you are all right,

1309
01:00:01,800 --> 01:00:04,000
Speaker 1: I'm lunch box. That's your bonehead story of the day.

1310
01:00:05,640 --> 01:00:07,280
Speaker 1: You might have mold in your walls.

1311
01:00:07,800 --> 01:00:09,720
Speaker 9: No, I don't think I do. I know I do.

1312
01:00:09,920 --> 01:00:11,440
Speaker 1: So is it a level then of what the mo

1313
01:00:11,600 --> 01:00:13,080
Speaker 1: If it reaches a certain level you have to leave?

1314
01:00:13,520 --> 01:00:16,919
Speaker 6: Well no more, they're gonna they're cutting holes to check

1315
01:00:17,000 --> 01:00:21,880
Speaker 6: all around the house. So yeah, it's just been with

1316
01:00:22,200 --> 01:00:26,760
Speaker 6: the like a leak from the little h VAC thing upstairs,

1317
01:00:26,840 --> 01:00:30,520
Speaker 6: and the ducks and the heat even the it's just

1318
01:00:30,640 --> 01:00:32,520
Speaker 6: been causing I don't even know that it's a leak

1319
01:00:32,560 --> 01:00:34,240
Speaker 6: for say, but they have said that my ducks are

1320
01:00:34,520 --> 01:00:35,800
Speaker 6: sweating or something.

1321
01:00:35,880 --> 01:00:37,320
Speaker 1: There's there a chance it's going to cost you a

1322
01:00:37,320 --> 01:00:38,520
Speaker 1: whole lot of money or you have to move.

1323
01:00:39,040 --> 01:00:39,400
Speaker 9: I don't know.

1324
01:00:39,560 --> 01:00:42,320
Speaker 6: I think that there they gave me a feeling of

1325
01:00:42,480 --> 01:00:44,680
Speaker 6: like this is really good that you got this now

1326
01:00:44,720 --> 01:00:46,160
Speaker 6: before became a health issue.

1327
01:00:46,280 --> 01:00:47,960
Speaker 1: But I guess they got your business and they now

1328
01:00:48,040 --> 01:00:49,000
Speaker 1: get No, not at all.

1329
01:00:49,080 --> 01:00:50,960
Speaker 6: They're not even the ones the fact like I was

1330
01:00:51,040 --> 01:00:55,000
Speaker 6: doing some you know, we moved and I was ripping

1331
01:00:55,000 --> 01:00:56,640
Speaker 6: apart the bathroom the kids are going to be in.

1332
01:00:56,720 --> 01:00:58,880
Speaker 6: And what's crazy is I originally wasn't going to do

1333
01:00:59,360 --> 01:01:01,120
Speaker 6: a full rip out in their bathroom because I was like,

1334
01:01:01,160 --> 01:01:03,520
Speaker 6: ask the kids bathroom, I'll just change the floor or whatever.

1335
01:01:03,960 --> 01:01:05,800
Speaker 6: But then last minute I thought, well, if I sell

1336
01:01:05,840 --> 01:01:08,560
Speaker 6: the house one day, this will be a good investment.

1337
01:01:09,160 --> 01:01:11,680
Speaker 6: So good thing because if I hadn't ripped it all out,

1338
01:01:11,680 --> 01:01:13,040
Speaker 6: I would not have found it. And they said it

1339
01:01:13,080 --> 01:01:16,680
Speaker 6: would have gotten so much worse because it spreads so fast,

1340
01:01:16,760 --> 01:01:19,040
Speaker 6: especially when it's still hot out and so well, I

1341
01:01:19,080 --> 01:01:21,200
Speaker 6: don't know the full damage yet, but tbd. If I

1342
01:01:21,240 --> 01:01:22,200
Speaker 6: need a place to stay.

1343
01:01:22,960 --> 01:01:24,760
Speaker 1: Why'd you plan me? And can you do it?

1344
01:01:24,800 --> 01:01:29,320
Speaker 9: Bobby on your room? Yeah, okay, you're probably mold free.

1345
01:01:29,440 --> 01:01:30,680
Speaker 12: Good to go that.

1346
01:01:31,760 --> 01:01:33,840
Speaker 6: No, it's crazy because you know, I just I only

1347
01:01:34,120 --> 01:01:36,000
Speaker 6: own the house for a little bit. And you know

1348
01:01:36,080 --> 01:01:37,840
Speaker 6: it's not something that shows up in the inspection because

1349
01:01:37,840 --> 01:01:38,880
Speaker 6: you're not necessarily.

1350
01:01:39,600 --> 01:01:43,280
Speaker 9: Cutting into walls. I should if you don't cut into

1351
01:01:43,320 --> 01:01:45,360
Speaker 9: the right wall, because it's not always.

1352
01:01:46,560 --> 01:01:48,440
Speaker 1: Can they cut every wall out? When you're going to

1353
01:01:48,560 --> 01:01:51,520
Speaker 1: hire inspector, you think they that you have like some

1354
01:01:51,600 --> 01:01:54,200
Speaker 1: sort of machine that just wreathes they do, but let it.

1355
01:01:54,240 --> 01:01:54,560
Speaker 9: Trust me.

1356
01:01:54,680 --> 01:01:56,560
Speaker 6: If it ends up a really, really bad and this

1357
01:01:56,680 --> 01:01:57,960
Speaker 6: is the house I chose to buy, and this is

1358
01:01:58,000 --> 01:01:59,800
Speaker 6: what happens, I'm going to be asking myself over and

1359
01:02:00,040 --> 01:02:00,840
Speaker 6: over and over, what.

1360
01:02:01,840 --> 01:02:04,520
Speaker 1: Sign you get to sign? What does you missed a sign?

1361
01:02:04,840 --> 01:02:07,200
Speaker 9: No, No, there's something from this. It's going to be possible.

1362
01:02:07,520 --> 01:02:09,040
Speaker 1: I'm old on bread in your old house and you're

1363
01:02:09,120 --> 01:02:15,440
Speaker 1: like I was telling youright. We're done by Everybuddy Bones

1364
01:02:16,160 --> 01:02:20,520
Speaker 1: the Bobby Bones theme song written produce saying Bye read Yardberry.

1365
01:02:21,000 --> 01:02:24,240
Speaker 1: You can find his instagram at read yarberry dot com.

1366
01:02:24,480 --> 01:02:28,040
Speaker 1: Scooba Steve, executive producer, Ray Mundo, head of Production. I'm

1367
01:02:28,120 --> 01:02:31,280
Speaker 1: Bobby Bones. My instagram is mister Bobby Bones. Thanks for

1368
01:02:31,400 --> 01:02:32,320
Speaker 1: listening to the podcast.