WEBVTT - Iwan Wirth

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<v Speaker 1>Welcome to River Cafe Table for a production of iHeartRadio

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<v Speaker 1>and Adami's Studios.

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<v Speaker 2>My good friend Ivanworth, the Swiss gallerist co founder of Hauserenworth,

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<v Speaker 2>and I met through a mutual admiration and love for

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<v Speaker 2>the artist Philip Guston. I grew up in Woodstock, New York,

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<v Speaker 2>where Philip and his wife Musea Meyer were close friends

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<v Speaker 2>of my parents. When some years ago the Gustin estate

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<v Speaker 2>chose Hauserenworth to represent them, Ivan and his wife Manuela

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<v Speaker 2>came to tea. We began talking that day about art

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<v Speaker 2>and food and family and we really haven't stopped since.

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<v Speaker 2>Having one restaurant, I personally cannot imagine having a gallery.

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<v Speaker 2>But not only does Ivan have fifteen galleries all over

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<v Speaker 2>the world, he has four restaurants, a farm, a farm shop,

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<v Speaker 2>two hotels and soon a bar and a restaurant in

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<v Speaker 2>the center of London. How does he do it all? Honestly,

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<v Speaker 2>I don't know, but maybe after this conversation about family

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<v Speaker 2>and food, I will. Let's begin with grouse.

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<v Speaker 3>Thank you, Ruthie. Well, I'm going to read to you

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<v Speaker 3>one of my favorite recipes, Roast grouse with County Classical.

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<v Speaker 3>It serves four. So you need four grouse, eight plum

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<v Speaker 3>tomatoes peeled, four thick slices of sour though two tablespoon

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<v Speaker 3>sage leaves, eight sprigs of thyme, two hundergram unsalted butter

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<v Speaker 3>half a liter County classical. You have to preheat the

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<v Speaker 3>oven to two hundred and twenty degrees. Stuff each of

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<v Speaker 3>these birds with sage, thyme, and butter season well. Put

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<v Speaker 3>the grouse in a buttered pan, breastside down, roast for

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<v Speaker 3>five minus its. Turn them over, Add the wine, tomatoes

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<v Speaker 3>and cook for fifteen minutes, based adding the bread to

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<v Speaker 3>soak up some of the juices. Roast for another ten minutes.

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<v Speaker 3>Then remove the grouse, tomatoes and bread from the pan,

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<v Speaker 3>add the butter and wine, and over high heat reduce.

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<v Speaker 3>Serve each bird on the tomato porschetta with the sauce

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<v Speaker 3>poured over.

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<v Speaker 2>Thank you, Ivan, and I was so thrilled that you

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<v Speaker 2>wanted to have grass as your recipe. Why is that?

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<v Speaker 3>It's something that I actually discovered in Britain and it

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<v Speaker 3>comes from larger from Scotland now or Yorkshire. It's seasonal,

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<v Speaker 3>so it's not like fish or you know, it's very

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<v Speaker 3>it's seasonal. It's the winter at the fall the winter

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<v Speaker 3>a bit like marshroom. I fell in love with the taste.

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<v Speaker 2>I love the food of autumn, don't you, Because it's

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<v Speaker 2>kind of people always say summer food, it's so perfect

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<v Speaker 2>and so but I think for cooks, the actual experience

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<v Speaker 2>of autumn when it comes to white truffles, for chini,

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<v Speaker 2>the grouse, you know.

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<v Speaker 3>It all comes together.

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<v Speaker 2>Do you remember where you had it the first time?

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<v Speaker 2>Was it in a restaurant or someone's home?

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<v Speaker 3>No? Actually I headed at somebody's house and it was

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<v Speaker 3>interesting because half the guests didn't want to touch it,

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<v Speaker 3>and they were not rigid there and they said no,

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<v Speaker 3>thank you, and they got chicken.

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<v Speaker 2>There's something fantastic about eating a whole bird, isn't it

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<v Speaker 2>something that when you get the bird on your plate,

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<v Speaker 2>with the bones and the and the experience of having,

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<v Speaker 2>you know, serving somebody on their plate.

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<v Speaker 3>And you work for your food, and you really have

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<v Speaker 3>to be biting the.

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<v Speaker 2>We started very young with your first gallery, didn't you.

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<v Speaker 3>Yeah, eighty six. I started to sell art, and what

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<v Speaker 3>really I realized very quickly was that to share the

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<v Speaker 3>bread with an artist or with a client both. Yeah,

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<v Speaker 3>it's the way to people's hearts, you know, really the

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<v Speaker 3>most important critical moments in my life in that that

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<v Speaker 3>were good. The positives one were usually about having a meal,

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<v Speaker 3>sharing a meal, and would that.

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<v Speaker 2>Would that be in a restaurant or.

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<v Speaker 3>That would that is you? Well, it was early on

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<v Speaker 3>it was, and now of course it's been. Sometimes it's

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<v Speaker 3>in studios and we share, but it's bad food. Yeah,

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<v Speaker 3>and break the bread with someone, eat, have lunch, dinner,

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<v Speaker 3>pick whatever, and you have a glass of wine. You

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<v Speaker 3>people speak from their.

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<v Speaker 2>Heart, I agree, and it tells you so much. We're

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<v Speaker 2>talking about how very often people will want to take

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<v Speaker 2>a date or if they meet somebody, they'd like to go

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<v Speaker 2>to a restaurant, because sitting at a table or at

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<v Speaker 2>home the way somebody tells you a lot about the person.

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<v Speaker 3>My passion for eating and food and drink was something

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<v Speaker 3>that I discovered in the artists I liked. And it

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<v Speaker 3>can be very different. You know. It rarely ever, is

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<v Speaker 3>about micheline type of food. It's not. Some are more

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<v Speaker 3>passionate about what they all share. Is this intimacy, which

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<v Speaker 3>is a controlled intimacy because you sit on a table

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<v Speaker 3>with someone they love that. But I coming from Switzerland

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<v Speaker 3>working with some of the Swiss artists. The food was

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<v Speaker 3>integral part of there, but even the work. You know,

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<v Speaker 3>one of my heroes was is did the Wrath and

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<v Speaker 3>he made from the sixties on art that of food.

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<v Speaker 2>Also, do you think that there's something about working in

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<v Speaker 2>your studio all day, that solitariness of working as you know,

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<v Speaker 2>I know that in New York a lot of the

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<v Speaker 2>abstract Expressionists and a lot of the young painters of

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<v Speaker 2>the seventies where they went to Max's or to the bars,

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<v Speaker 2>you know, and they congregated there and there was a

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<v Speaker 2>lot of drink and a lot of food. Do you

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<v Speaker 2>think that that's part of that? Also getting together and

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<v Speaker 2>sharing and being around the table and talking as well.

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<v Speaker 3>Being an artist is largely a lonely, a lonely pro

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<v Speaker 3>solitary profession, and particularly I find that painters are more

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<v Speaker 3>lonely or solitary than than sculptors or other because you

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<v Speaker 3>work in you have a team, and so I think

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<v Speaker 3>the reason some of the great painters today have people

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<v Speaker 3>that are around them, yeah, is of course to help them,

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<v Speaker 3>because it's complicated. You've got to you've got to be

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<v Speaker 3>you know, it's not just making the work. Now, there's

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<v Speaker 3>they said the world's gotten more complicated. The shows all

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<v Speaker 3>over the world. There's logistical reasons, but there's also about solitude,

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<v Speaker 3>being lonely being and and some artists have have and

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<v Speaker 3>I've seen some beautiful kitchens in studios. Yeah, yeah, it

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<v Speaker 3>really is phenomenal. When I go to Mark Bradford studio,

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<v Speaker 3>he has say, well, he has an he has an

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<v Speaker 3>interesting relationship to food. I wouldn't say he's he's not.

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<v Speaker 3>He doesn't cook. He's really la he orders, or he

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<v Speaker 3>goes to mexic or he has some of my favorite meals.

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<v Speaker 3>There is when his when the Lopez family that worked

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<v Speaker 3>with him assistances, and it's an entire clan, the family

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<v Speaker 3>when the father comes and he cooks a Mexican lunch

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<v Speaker 3>and it's the grill and it's the sauces, and it's like,

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<v Speaker 3>oh god, so but he also has a kitchen. And

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<v Speaker 3>then or was Fisher, who has as is a passionate

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<v Speaker 3>about food, has published cookbooks of other people. It's quite

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<v Speaker 3>the common nomination.

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<v Speaker 2>And our mutual friend Philip Gustin is to come. They

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<v Speaker 2>had a teeny tiny little kitchen, I remember that, but

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<v Speaker 2>they beautifully. When he went there, there was always a

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<v Speaker 2>very simple way of eating. But he loved food and

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<v Speaker 2>he can They came to my parents' house a lot

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<v Speaker 2>to eat. If they would call up in the afternoon

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<v Speaker 2>and Philip would say, Sylvia, I'm coming for supper. And

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<v Speaker 2>you know, but he was our link. And that's how

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<v Speaker 2>we first met, was when you came coming to see

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<v Speaker 2>the Gustines. As I was saying the relationship between art

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<v Speaker 2>and food, and I have to say, your galleries and food,

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<v Speaker 2>and so is there anyone else has a gallery in

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<v Speaker 2>Los Angeles and opened up Manuela's, which is a fantastic

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<v Speaker 2>restaurant downtown LA Great great compliment the art, great compliment

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<v Speaker 2>to you talk about art and food. Who else would

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<v Speaker 2>for their fiftieth birthday have a cookbook? A cookbook as

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<v Speaker 2>a present, which I think all your friends in every city.

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<v Speaker 2>Manuela really orchestrated this. I was lucky enough to be

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<v Speaker 2>asked to participate. And it's one of my favorite cookbooks

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<v Speaker 2>because it does actually combine, you know, food and love,

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<v Speaker 2>doesn't it. Every page is a recipe, but every page

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<v Speaker 2>is about a relationship that you have with food and

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<v Speaker 2>with your friends. And so how do you feel when

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<v Speaker 2>you look at this book and see.

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<v Speaker 3>Oh, I was crying when I got it. So I

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<v Speaker 3>got Manila secretly started two years before my fiftieth birthday,

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<v Speaker 3>which was last year. The concept of this was she

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<v Speaker 3>invited and you were one of them, very kindly beautiful

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<v Speaker 3>to contribute to this cookbook a recipe that was meaningful

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<v Speaker 3>to them. She then organized in us in the places

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<v Speaker 3>we were, they cooked one of the recipes. So this

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<v Speaker 3>community that we built up with love thirty years together

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<v Speaker 3>came together and the book shows pictures from it. It

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<v Speaker 3>chose the recipes. It's very touching. I have goosebumps every time,

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<v Speaker 3>and then everybody. For some people it was the last

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<v Speaker 3>meal they had together. That was so when people got

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<v Speaker 3>the book during COVID, I sent it out to you

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<v Speaker 3>and everybody that came they said they were, they were,

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<v Speaker 3>they felt the same, and so you see how important

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<v Speaker 3>for everyone it really is.

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<v Speaker 2>Tell me about early childhood in Switzerland.

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<v Speaker 3>Well, I I grew up in the mountains near the mountains,

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<v Speaker 3>the sort of pre Alps and the Tockenburg particular area.

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<v Speaker 3>My father is from uppen Zel, which is a mountainous

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<v Speaker 3>area in Switzerland. That's where cheese comes from. And you

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<v Speaker 3>know the Bishop Burger ads always the up and cel

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<v Speaker 3>and the folk art. And my mother is Italian. Half

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<v Speaker 3>Italian family. Italian family is from the Alps, from the Dolomites,

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<v Speaker 3>from so the mountains and wilderness, if you like, played

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<v Speaker 3>a big part in my life.

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<v Speaker 2>There was stoking, a big thing in your house.

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<v Speaker 3>What did they cook in Switzerland? You you go home

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<v Speaker 3>over for lunch. It has its it has both sides.

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<v Speaker 3>I mean, it keeps the mothers at home. But it

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<v Speaker 3>was of course also everybody got together three times a day,

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<v Speaker 3>so we came home for lunch with breakfast. We came

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<v Speaker 3>home for lunch and come home from dinner. So it's

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<v Speaker 3>not the day school. And that meant that there was

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<v Speaker 3>always cooking. My mother would be she would work and

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<v Speaker 3>cook and it all happened at the same time. So

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<v Speaker 3>she was working with She was a teacher.

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<v Speaker 2>So she would come home from teaching.

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<v Speaker 3>Or she would work half time, or she's been going

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<v Speaker 3>through She was a passionate teacher all the life. She

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<v Speaker 3>in the end taught refugees kids German, but no cooking

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<v Speaker 3>and food. And my grandfather, I mean, I mean, my

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<v Speaker 3>grandfather is one of the earliest memories really that generation

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<v Speaker 3>of Italian immigrants in Switzerland didn't want to be Italian.

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<v Speaker 3>The only thing he would still do is the cooking.

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<v Speaker 3>Is was a lot of Italian and the swearing. But

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<v Speaker 3>he couldn't speak Italian. He couldn't speak Italian to anyone.

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<v Speaker 3>So I only remember him swearing Italian. But they came before,

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<v Speaker 3>you know, they came just before the First War, so

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<v Speaker 3>turn of century came.

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<v Speaker 2>So they cooked the food of the Dolomites.

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<v Speaker 3>And well I remember him doing risotto in the in

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<v Speaker 3>the kitchen. Yeah, And so I have more memories, interestingly

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<v Speaker 3>of cooking and food in a way about my grandparents

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<v Speaker 3>than about home. His home was just part of like

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<v Speaker 3>but my grandfather from there was the you know, there

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<v Speaker 3>was also a great tradition. Friday was apple tart with

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<v Speaker 3>the soup or fish, and then you had was a

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<v Speaker 3>ceremonial cooking.

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<v Speaker 2>Your grandfather was in the kitchen cooking. That's unusual, it

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<v Speaker 2>isn't it for an Italian man.

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<v Speaker 3>Well, only on the weekend.

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<v Speaker 2>Okay.

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<v Speaker 3>He was from a family of stovemasons, and so he

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<v Speaker 3>had a constructive smoke construction company. But the weekend it

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<v Speaker 3>was a ritual and we lived from the moment we

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<v Speaker 3>lived in his town. Again we were living elsewhere when

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<v Speaker 3>we came back, we went there regularly, you know, on

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<v Speaker 3>the weekends. And that was that was just an and

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<v Speaker 3>one of the smell, the take the smell and him

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<v Speaker 3>doing the risotto.

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<v Speaker 2>Was that's a memories that we're saying. And what about

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<v Speaker 2>the Swiss side? What would you if you would have

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<v Speaker 2>resortas and Italian food? What did you have from the Swiss?

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<v Speaker 3>My father was a mountaineer. He was an architect and

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<v Speaker 3>still is my mother and father still alive. But he

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<v Speaker 3>was a very you know, a mountaineer. He is. He

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<v Speaker 3>was a member, early member of the Alpine Club. He

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<v Speaker 3>was then a president for many years of the Eastern

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<v Speaker 3>section of the Alpine Club. Retired this year last year.

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<v Speaker 3>So we it's the food of the mountain huts and

0:13:53.840 --> 0:13:56.160
<v Speaker 3>what is that? So it's the food of the mountains.

0:13:56.200 --> 0:14:00.600
<v Speaker 3>We were the The Alpine Club has hundreds of huts,

0:14:00.880 --> 0:14:03.360
<v Speaker 3>I don't know how many, but all over the Alps,

0:14:03.800 --> 0:14:06.760
<v Speaker 3>and as a member you can stay and eat and

0:14:06.800 --> 0:14:10.480
<v Speaker 3>it's cooked by dedicated people that live there for a

0:14:10.520 --> 0:14:13.160
<v Speaker 3>season and it's very basic food. So one of my

0:14:13.240 --> 0:14:18.120
<v Speaker 3>favorite dishes of all time is this barley barley soup

0:14:18.520 --> 0:14:22.280
<v Speaker 3>that is the guests and soup. That's how I grew up.

0:14:23.920 --> 0:14:24.680
<v Speaker 2>It's just barley.

0:14:25.560 --> 0:14:28.880
<v Speaker 3>Well it has dried meat in it. Yeah, so it's barley,

0:14:29.440 --> 0:14:33.960
<v Speaker 3>It's got some herbs. It is a broth and the

0:14:34.080 --> 0:14:36.600
<v Speaker 3>dried meat comes in in the end. It's very rich

0:14:36.640 --> 0:14:40.280
<v Speaker 3>and a bit of milk or cream cream. So it's

0:14:40.280 --> 0:14:43.560
<v Speaker 3>a very rich soup. One of the most delicious soup.

0:14:43.600 --> 0:14:47.040
<v Speaker 3>I mean, I grew up on these type of soups.

0:14:47.080 --> 0:14:51.320
<v Speaker 3>And when you arrive in your hot you well, you

0:14:51.400 --> 0:14:54.080
<v Speaker 3>have a sandwich on the mountainop, but then you go

0:14:54.200 --> 0:14:56.640
<v Speaker 3>back to the hut and that's the soup. It's because

0:14:56.640 --> 0:14:58.920
<v Speaker 3>they can prepare it and heat it up a few times.

0:14:59.360 --> 0:15:01.280
<v Speaker 3>So it was amazing.

0:15:01.360 --> 0:15:03.320
<v Speaker 2>That's a kind of an amazing image to think that would

0:15:03.360 --> 0:15:05.480
<v Speaker 2>you have the soup out of the mountains as well?

0:15:05.480 --> 0:15:07.240
<v Speaker 2>Would you have it, would you have it when you

0:15:07.280 --> 0:15:10.400
<v Speaker 2>weren't hiking for the last twelve hours, and would you

0:15:10.480 --> 0:15:11.920
<v Speaker 2>sit down to a soup like that?

0:15:12.400 --> 0:15:14.400
<v Speaker 3>Oh no, we'd still do. I mean, if I go

0:15:14.520 --> 0:15:18.120
<v Speaker 3>back to Switzerland now and we go to the mountains

0:15:19.040 --> 0:15:21.600
<v Speaker 3>and you arrive and you want to have a lungourin

0:15:21.840 --> 0:15:25.280
<v Speaker 3>or something small and something just something basic. I would

0:15:25.280 --> 0:15:28.200
<v Speaker 3>have a guest and some bit. So it's like a

0:15:28.200 --> 0:15:30.680
<v Speaker 3>great plate of it's a bit like a pasta, like

0:15:30.680 --> 0:15:33.600
<v Speaker 3>a spaghetti. You know, it's it's it's it's not. Well,

0:15:33.640 --> 0:15:37.040
<v Speaker 3>it's not that easy to make it good. Very basic,

0:15:37.360 --> 0:15:39.000
<v Speaker 3>but you've got to be precise.

0:15:39.160 --> 0:15:41.640
<v Speaker 2>That's what we know. Isn't it the few ingredients you have,

0:15:41.840 --> 0:15:42.880
<v Speaker 2>you've never attempted it?

0:15:43.080 --> 0:15:47.600
<v Speaker 3>No? Oh no, no, I wouldn't. I couldn't do. No,

0:15:48.080 --> 0:15:51.800
<v Speaker 3>it's some dishes that are so connected with the place

0:15:52.600 --> 0:15:54.480
<v Speaker 3>you would not go near it.

0:16:03.240 --> 0:16:06.800
<v Speaker 2>So often you come here with your children for dinner.

0:16:06.960 --> 0:16:10.080
<v Speaker 2>You come to my house with your children. Tell me

0:16:10.120 --> 0:16:12.000
<v Speaker 2>about cooking as a family.

0:16:12.360 --> 0:16:16.920
<v Speaker 3>So the kitchen is the heart of our house. So

0:16:17.560 --> 0:16:22.200
<v Speaker 3>we Manuela being a cooking instructor. But before she joined

0:16:22.200 --> 0:16:25.840
<v Speaker 3>the gallery, she is just she's the master of ceremonies.

0:16:25.840 --> 0:16:26.480
<v Speaker 2>I didn't know that.

0:16:26.600 --> 0:16:28.920
<v Speaker 3>Oh yeah she could. I mean she cooks. This is

0:16:29.000 --> 0:16:34.600
<v Speaker 3>an extraordinary chef, and so she would orchestrate all five

0:16:34.680 --> 0:16:39.400
<v Speaker 3>of us. Everybody can can contribute to what is cooked today.

0:16:39.440 --> 0:16:41.920
<v Speaker 3>That's the first question in the morning is what are

0:16:41.920 --> 0:16:47.000
<v Speaker 3>we cooking for supper? So no, it's extraordinly important. It's

0:16:47.040 --> 0:16:51.560
<v Speaker 3>where everything's being discussed very old fashioned. I mean that's Manreela.

0:16:52.360 --> 0:16:57.000
<v Speaker 3>She lost her father young her Urslo worked so and

0:16:57.040 --> 0:17:00.680
<v Speaker 3>he had two siblings and Orcelan didn't come for lunch.

0:17:00.680 --> 0:17:03.680
<v Speaker 3>I like my mother because she worked and Manreela cooked.

0:17:03.880 --> 0:17:07.480
<v Speaker 3>There's great pictures of Mariella standing and they'll stand cooking

0:17:07.560 --> 0:17:13.720
<v Speaker 3>for the siblings. And so it's a critical integral part

0:17:14.000 --> 0:17:17.399
<v Speaker 3>of the well being of our family and what we

0:17:17.520 --> 0:17:21.960
<v Speaker 3>do now with very strange. So if if twice a

0:17:22.000 --> 0:17:25.760
<v Speaker 3>week or as we feel, two kids are not there

0:17:25.840 --> 0:17:28.840
<v Speaker 3>studying America, the oldest two in America, so we would

0:17:28.840 --> 0:17:31.920
<v Speaker 3>when we are doing dinner, we FaceTime them and they

0:17:31.960 --> 0:17:35.600
<v Speaker 3>sit and we put them on and they are there. Scotland,

0:17:35.640 --> 0:17:40.400
<v Speaker 3>the kitchen is is this marvelous, marvelous big room and

0:17:40.720 --> 0:17:42.639
<v Speaker 3>it's big, got a big table where we eat and

0:17:42.680 --> 0:17:45.040
<v Speaker 3>another big table where we cook, and an open fire

0:17:45.800 --> 0:17:50.000
<v Speaker 3>and so we love, we love doing that. And one

0:17:50.000 --> 0:17:54.400
<v Speaker 3>of the highlights of my early life childhood was actually

0:17:54.440 --> 0:17:56.560
<v Speaker 3>going to the woods and I was a boy scout.

0:17:57.680 --> 0:17:59.680
<v Speaker 3>Manrela was a boy scout too, by the way, so

0:17:59.720 --> 0:18:02.480
<v Speaker 3>we word camp and we would cook on the fire.

0:18:02.600 --> 0:18:05.280
<v Speaker 3>And so that's still to me an absolute highlight. And

0:18:05.400 --> 0:18:09.240
<v Speaker 3>the sausage, the wheal sausage, which is a pork sausage.

0:18:09.680 --> 0:18:12.719
<v Speaker 3>We would when I'm in Switzerland take them over and

0:18:12.760 --> 0:18:15.840
<v Speaker 3>we I love the English sausages and we have occasionally them,

0:18:15.880 --> 0:18:17.720
<v Speaker 3>but you can't stick them on a you can't put

0:18:17.720 --> 0:18:20.600
<v Speaker 3>them on a stick. They follow, so you need a grill.

0:18:20.920 --> 0:18:23.119
<v Speaker 3>The Swiss sausage you can really put on a on

0:18:23.160 --> 0:18:25.439
<v Speaker 3>a stick. So we would go down in the woods

0:18:25.440 --> 0:18:28.400
<v Speaker 3>in Somerset and do once a week if weather allows,

0:18:28.440 --> 0:18:31.000
<v Speaker 3>and during COVID it was three times a week. We

0:18:31.080 --> 0:18:34.359
<v Speaker 3>do barbecue in the woods. And then the kids grew

0:18:34.480 --> 0:18:36.960
<v Speaker 3>up and to this day they do it. They do

0:18:37.040 --> 0:18:41.840
<v Speaker 3>this the snake bread. And Manuela, in fact is her

0:18:41.840 --> 0:18:45.840
<v Speaker 3>grandfather and grandmother were bakers. They're a bakery. So I mean,

0:18:45.880 --> 0:18:49.879
<v Speaker 3>it's it's been a family, so it's baking. It's I

0:18:49.920 --> 0:18:52.679
<v Speaker 3>don't like baking so much and I really don't like

0:18:52.720 --> 0:18:56.159
<v Speaker 3>making Christmas cookies. But the kids are crazy.

0:18:57.640 --> 0:18:59.960
<v Speaker 2>So they are I think again, you know, they can

0:19:00.320 --> 0:19:04.479
<v Speaker 2>connection doing something together, the family being together, eating together,

0:19:05.000 --> 0:19:07.480
<v Speaker 2>the process and the idea that you sit down to

0:19:07.520 --> 0:19:10.639
<v Speaker 2>dinner in your FaceTime, you know, because of the gab.

0:19:11.920 --> 0:19:14.920
<v Speaker 3>It's so beautiful we have and we show the food

0:19:15.080 --> 0:19:17.760
<v Speaker 3>and we share the pictures and we send pictures of

0:19:17.800 --> 0:19:23.600
<v Speaker 3>each other boat they make spetsley. Eliass does loves doing spetsley.

0:19:23.920 --> 0:19:26.919
<v Speaker 2>How did you find being in lockdown? You had your

0:19:27.000 --> 0:19:27.919
<v Speaker 2>children with you.

0:19:28.040 --> 0:19:32.560
<v Speaker 3>We were lucky. We were in Somerset on the farm

0:19:33.119 --> 0:19:37.640
<v Speaker 3>and our Lockdown project was Manuela's dream of a farm

0:19:37.680 --> 0:19:40.640
<v Speaker 3>shop that we opened. Now tell me about the farm show.

0:19:41.280 --> 0:19:47.280
<v Speaker 3>So it's almost a social practice. So it's an entrepreneurial approach.

0:19:47.440 --> 0:19:52.800
<v Speaker 3>We invite small businesses from the area to come up

0:19:52.800 --> 0:19:55.359
<v Speaker 3>with ideas for products or they have products and we

0:19:55.440 --> 0:19:59.040
<v Speaker 3>sell them there in addition to our own. It's a

0:19:59.080 --> 0:20:02.439
<v Speaker 3>community farm show. Yeah, and we sell a lot of

0:20:02.440 --> 0:20:08.080
<v Speaker 3>produce from farmers as well and produces small local producers.

0:20:08.600 --> 0:20:12.120
<v Speaker 3>Then we have some Swiss essentials like we do have

0:20:12.160 --> 0:20:16.000
<v Speaker 3>some We have two Swiss jeeses, so one from where

0:20:16.000 --> 0:20:19.120
<v Speaker 3>we are from and another one from Niyakstad.

0:20:19.720 --> 0:20:22.800
<v Speaker 2>So frutiful. The idea that you go to a city,

0:20:22.880 --> 0:20:25.600
<v Speaker 2>you go to, you go to the country, you go

0:20:25.680 --> 0:20:28.159
<v Speaker 2>to you know, to the wilds of Scotland, and you

0:20:28.320 --> 0:20:32.000
<v Speaker 2>create you create a link through food and so food

0:20:32.080 --> 0:20:36.440
<v Speaker 2>is connection. Food is memory of your time in Switzerland

0:20:36.440 --> 0:20:39.920
<v Speaker 2>and your grandparents. And of course it's also a comfort

0:20:40.040 --> 0:20:43.359
<v Speaker 2>isn't it. And so my last question to you is

0:20:44.000 --> 0:20:45.600
<v Speaker 2>what is your comfort food.

0:20:46.040 --> 0:20:50.199
<v Speaker 3>My comfort food is a dish. I'm afraid it's a swete.

0:20:50.440 --> 0:20:53.159
<v Speaker 3>I think it's a very sweet ish. It's called Bierka musli.

0:20:53.480 --> 0:20:57.480
<v Speaker 3>So it's amuse. Yes, I need comfort food, sometimes for breakfast,

0:20:57.560 --> 0:21:00.119
<v Speaker 3>sometimes at lunch, or sometimes for dinner. And it's one

0:21:00.160 --> 0:21:04.200
<v Speaker 3>of the few dishes that you can really eat any

0:21:04.640 --> 0:21:06.879
<v Speaker 3>hour of the day, you can, you know. And and

0:21:06.920 --> 0:21:09.760
<v Speaker 3>the peninsula in La used to have a Swiss chef

0:21:09.760 --> 0:21:13.040
<v Speaker 3>and there was always the best boot muslin in America.

0:21:13.080 --> 0:21:15.560
<v Speaker 3>And I got there and I had it literally any

0:21:15.640 --> 0:21:18.639
<v Speaker 3>time of the day. But it's hard to make, to

0:21:18.720 --> 0:21:21.080
<v Speaker 3>make it right. It's a bit like the Barsley soup,

0:21:21.680 --> 0:21:25.040
<v Speaker 3>and it's it's it lasts all day. It's for me

0:21:25.280 --> 0:21:28.720
<v Speaker 3>and Alma. Actually my daughter, our daughter put it in

0:21:28.840 --> 0:21:32.920
<v Speaker 3>here as in our cookbook, the fifty Year Cookbook. So

0:21:33.040 --> 0:21:36.840
<v Speaker 3>it's the musli, the Swiss burgermusi. And that would be

0:21:36.960 --> 0:21:38.879
<v Speaker 3>my comfort phot I'd love to share it with you

0:21:39.040 --> 0:21:41.800
<v Speaker 3>one day. I'd be happy to try try and make

0:21:41.880 --> 0:21:43.800
<v Speaker 3>one for you. I can do it. Actually, I can

0:21:43.920 --> 0:21:44.080
<v Speaker 3>do it.

0:21:44.200 --> 0:21:45.280
<v Speaker 2>I'll be there. Thank you.

0:21:47.000 --> 0:21:49.480
<v Speaker 3>I love you, thank you, thank you so much.

0:21:54.760 --> 0:21:58.119
<v Speaker 2>To visit the online shop of The River Cafe, go

0:21:58.320 --> 0:22:01.640
<v Speaker 2>to shop the River Cafe dot co dot uk.

0:22:11.520 --> 0:22:15.360
<v Speaker 1>Rivercafe Table four is a production of iHeartRadio and Adamized Studios.

0:22:15.840 --> 0:22:20.639
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:22:20.800 --> 0:22:22.680
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