1 00:00:00,000 --> 00:00:02,720 Speaker 1: All right, nephew, Tommy is here with today's prank phone call. 2 00:00:02,800 --> 00:00:09,080 Speaker 1: What's you got, nev Sebastian the Artist, Sebastian the artist, 3 00:00:11,560 --> 00:00:17,200 Speaker 1: because I'm an artist, now run it? Please hello Hello, 4 00:00:17,239 --> 00:00:22,200 Speaker 1: I wish to speak with a Mr. Please hello, sir. 5 00:00:23,040 --> 00:00:27,320 Speaker 1: My name is Sebastian. I am with the Art Institute 6 00:00:27,920 --> 00:00:31,000 Speaker 1: and I wanted to give you a call about Um. 7 00:00:31,040 --> 00:00:33,239 Speaker 1: I have a huge showing coming up where I am 8 00:00:33,400 --> 00:00:37,159 Speaker 1: going to be displaying my portfolio and all of my 9 00:00:37,280 --> 00:00:39,600 Speaker 1: drawings within it. But I have one drawing that I 10 00:00:39,640 --> 00:00:42,440 Speaker 1: am looking to display that I have not put on 11 00:00:42,560 --> 00:00:47,040 Speaker 1: canvas yet, and I'm looking to take something of essence 12 00:00:47,080 --> 00:00:48,960 Speaker 1: to put on canvas, and I want to call you 13 00:00:49,000 --> 00:00:51,880 Speaker 1: about getting permission. We wait, hold on, dog, just to 14 00:00:51,920 --> 00:00:53,840 Speaker 1: stop you right now. I don't do that, all right. 15 00:00:53,880 --> 00:00:57,200 Speaker 1: I'm not a model. That's not my professional so you 16 00:00:57,240 --> 00:00:58,760 Speaker 1: would not waste your time no more. You know what 17 00:00:58,800 --> 00:01:02,040 Speaker 1: I'm saying. Just go ahead, mr, Mr. I don't think 18 00:01:02,040 --> 00:01:05,399 Speaker 1: you understand that my showing is gonna have some very 19 00:01:05,440 --> 00:01:08,520 Speaker 1: important people there. I am, like I said before, with 20 00:01:09,120 --> 00:01:13,040 Speaker 1: our institute. Yeah, I said, I don't do that. That's 21 00:01:13,080 --> 00:01:15,880 Speaker 1: not me. I mean, I you know what would you 22 00:01:15,920 --> 00:01:18,360 Speaker 1: just calling folks up. You are solicited or something. I mean, 23 00:01:18,600 --> 00:01:20,720 Speaker 1: y'all just randomly picking out folks and trying to trying 24 00:01:20,720 --> 00:01:24,360 Speaker 1: to get them the model of man. Sir, Mr, No, 25 00:01:24,560 --> 00:01:27,840 Speaker 1: I'm not just randomly calling people. I actually have done 26 00:01:27,840 --> 00:01:30,360 Speaker 1: research in order to get your number. What what I'm 27 00:01:30,400 --> 00:01:34,360 Speaker 1: doing is, I'm not calling you as far being a 28 00:01:34,440 --> 00:01:37,399 Speaker 1: model that I'm going to portray on canvas, but you 29 00:01:37,480 --> 00:01:41,480 Speaker 1: have something far more greater visually that I would like 30 00:01:41,560 --> 00:01:46,760 Speaker 1: to behold on canvas. Now you're married to your wife? 31 00:01:46,840 --> 00:01:49,800 Speaker 1: Is at my correct the whole whoa whoa whoa dob 32 00:01:50,600 --> 00:01:53,400 Speaker 1: no for it? Who is it? Seriously? Because I could 33 00:01:53,400 --> 00:01:55,760 Speaker 1: get my number. I get my number because you're talking 34 00:01:55,760 --> 00:01:58,840 Speaker 1: about my wife and stuff. I know my wife. My 35 00:01:58,960 --> 00:02:02,480 Speaker 1: name is Sebastian. She and I am with art Institute. 36 00:02:03,200 --> 00:02:06,040 Speaker 1: What I'm trying to do was capturing and and mortalize 37 00:02:06,080 --> 00:02:09,639 Speaker 1: the beauty of essence on cana lies. Okay yo, for real, thought, 38 00:02:09,680 --> 00:02:12,280 Speaker 1: you just can't. You don't talk about my wife all right, 39 00:02:12,639 --> 00:02:17,040 Speaker 1: so I'm not. I'm not calling in a negative manner 40 00:02:17,120 --> 00:02:20,440 Speaker 1: towards your wife. I want to I want to mortalize 41 00:02:20,440 --> 00:02:24,760 Speaker 1: her and capture her on canvas. The beauty that she beholds. 42 00:02:25,120 --> 00:02:28,919 Speaker 1: I've seen your wife several times, you guys reside, whoa, whoa, whoa? 43 00:02:29,040 --> 00:02:30,920 Speaker 1: Do you see my wife? But wait? What do you 44 00:02:30,919 --> 00:02:32,680 Speaker 1: see my wife? That? What? Why you? Why are you? 45 00:02:32,840 --> 00:02:35,400 Speaker 1: Why are you watching my wife? I've seen her. She 46 00:02:35,400 --> 00:02:37,640 Speaker 1: she shops on a hundred and twenty street in hall Im. 47 00:02:37,639 --> 00:02:40,320 Speaker 1: I've seen her so many times there, and she holds 48 00:02:40,360 --> 00:02:42,519 Speaker 1: all the beauty that an artist would like to put 49 00:02:42,520 --> 00:02:45,400 Speaker 1: on canvas. Like I said before, I have a huge 50 00:02:45,400 --> 00:02:47,960 Speaker 1: showing and you're welcome to come out as well. It's 51 00:02:47,960 --> 00:02:50,160 Speaker 1: gonna be so many important people there. But I want 52 00:02:50,200 --> 00:02:53,160 Speaker 1: to to call and get permission from you about painting 53 00:02:53,280 --> 00:02:56,080 Speaker 1: your wife. No, you ain't got that permission, playboy. You 54 00:02:56,120 --> 00:02:59,240 Speaker 1: just can't. You just can't go around following my wife 55 00:02:59,240 --> 00:03:02,640 Speaker 1: and trying to mortalize or whatever. I just said. All right, 56 00:03:02,680 --> 00:03:05,560 Speaker 1: so so, but I would like to let you know 57 00:03:05,880 --> 00:03:10,000 Speaker 1: I have taken the liberty myself. I have painted your 58 00:03:10,080 --> 00:03:14,400 Speaker 1: wife's head. What, Joe, you have lost your damn mind. 59 00:03:14,600 --> 00:03:17,480 Speaker 1: You can't be just walking around here painting folks headed. 60 00:03:17,760 --> 00:03:19,920 Speaker 1: You gotta get permission for that. What's wrong with you? 61 00:03:20,080 --> 00:03:23,360 Speaker 1: But if you are crazy, you don't understand your wife 62 00:03:23,360 --> 00:03:26,200 Speaker 1: holds the essence that every artist wants. You don't care 63 00:03:26,280 --> 00:03:30,359 Speaker 1: what he holds. You can't be going around painting folks heads. 64 00:03:30,360 --> 00:03:33,320 Speaker 1: Wrong with you, sir. That's the reason why I'm calling 65 00:03:33,360 --> 00:03:36,800 Speaker 1: trying to get permission from you. I Sebastian, want to 66 00:03:36,800 --> 00:03:39,760 Speaker 1: put your wife on canvas because she holds the essence 67 00:03:39,800 --> 00:03:43,160 Speaker 1: that every artist wants to behold. She mortalized the beauty 68 00:03:43,240 --> 00:03:45,720 Speaker 1: of Canton. Whoa hold of God? Hold of the hold 69 00:03:45,760 --> 00:03:49,160 Speaker 1: of God. You're telling me you're walking around column painting 70 00:03:49,280 --> 00:03:53,480 Speaker 1: my wife's head? Is that? What? What are you doing? 71 00:03:53,600 --> 00:03:58,120 Speaker 1: Dudet too? I'm only trying to complete my power folio. 72 00:03:58,400 --> 00:04:01,320 Speaker 1: Oh no, here for far yo, here listen it is 73 00:04:01,640 --> 00:04:03,840 Speaker 1: if I see my wife's head anywhere, I don't care. 74 00:04:03,840 --> 00:04:05,720 Speaker 1: A new type of magazine. I don't care where, Bill 75 00:04:05,880 --> 00:04:08,600 Speaker 1: or whatever. Yo, I'm gonna find yo. I'm gonna whoop 76 00:04:08,640 --> 00:04:10,720 Speaker 1: your Do you understand what I'm saying to you. I'm 77 00:04:10,720 --> 00:04:13,760 Speaker 1: gonna s Did you you understand that? S I don't 78 00:04:13,760 --> 00:04:16,320 Speaker 1: want to have a duel with you, sir. A doel. 79 00:04:17,000 --> 00:04:22,359 Speaker 1: Here's a duel. They do what they do. In fact, 80 00:04:22,480 --> 00:04:25,920 Speaker 1: what name is a bast ship? Who come name is? 81 00:04:25,920 --> 00:04:29,120 Speaker 1: That's a fashion. Sir, all I want to do is 82 00:04:29,240 --> 00:04:33,680 Speaker 1: paint your wife in herawist and purest foe. That's all. 83 00:04:33,720 --> 00:04:38,160 Speaker 1: There's law and purist for me. What what do you want? Seriously? 84 00:04:38,480 --> 00:04:42,480 Speaker 1: I want to paint your wife. I want to paint 85 00:04:42,480 --> 00:04:47,880 Speaker 1: her in the nude. How don't you watch your my exective? Not? 86 00:04:48,040 --> 00:04:51,039 Speaker 1: I don't know that's what you should do. Tell me 87 00:04:51,120 --> 00:04:52,960 Speaker 1: where you as you want to paint something. I'll give 88 00:04:53,000 --> 00:04:56,479 Speaker 1: you something to pay. Tell me where you are? What five? 89 00:04:56,880 --> 00:05:00,599 Speaker 1: We meet? What? Five? That's what's up? I will whoop 90 00:05:00,640 --> 00:05:05,560 Speaker 1: your read me, meet me, pay me, pay me? You 91 00:05:05,640 --> 00:05:07,640 Speaker 1: want your mind to what you want to pay? My 92 00:05:07,720 --> 00:05:10,400 Speaker 1: wife in a new it's gonna take them brush. She's 93 00:05:10,400 --> 00:05:14,000 Speaker 1: a sticking up your listen. She holds the essence that 94 00:05:14,120 --> 00:05:17,680 Speaker 1: every person should. I'll give what's she whold asked? I'll 95 00:05:17,720 --> 00:05:22,960 Speaker 1: give it. Ask me like that, sir, I must ask you. 96 00:05:23,120 --> 00:05:25,480 Speaker 1: Do you think that you are the only person that 97 00:05:25,600 --> 00:05:27,720 Speaker 1: has seen your wife in the new? Child? That has 98 00:05:27,800 --> 00:05:30,240 Speaker 1: been men before you that have seen her in the new? 99 00:05:30,680 --> 00:05:33,480 Speaker 1: That for you and my wife ain't no more? You 100 00:05:33,560 --> 00:05:35,920 Speaker 1: call my wife? Is that what she's saying? Are you 101 00:05:36,040 --> 00:05:39,640 Speaker 1: called my wife? You? I want to pay your wife 102 00:05:39,680 --> 00:05:43,080 Speaker 1: and the beauty that she bought and on canvas. Did 103 00:05:43,160 --> 00:05:47,320 Speaker 1: you not understand? I just said, you know, I told 104 00:05:47,400 --> 00:05:51,960 Speaker 1: you meet me on the quarta of on and claim power. 105 00:05:52,520 --> 00:05:58,600 Speaker 1: I got one more thing I wis saying, I'm in 106 00:05:58,720 --> 00:06:02,520 Speaker 1: coming to Steve the Morning Show. You just got paint 107 00:06:02,800 --> 00:06:08,960 Speaker 1: my your boy? What what this is? This is ening? 108 00:06:09,520 --> 00:06:11,920 Speaker 1: This is levering time in front the Steve Haman Morning Yo. 109 00:06:12,640 --> 00:06:21,080 Speaker 1: No oh oh man, y'all man, y'all yeah, I was 110 00:06:21,160 --> 00:06:26,000 Speaker 1: moving to fund ship mare dude, time you've got me dogs? 111 00:06:26,320 --> 00:06:30,800 Speaker 1: Oh man, y'all got it was Sebastian said, I want Yeah, dude, 112 00:06:31,800 --> 00:06:35,640 Speaker 1: you get some bashi. I was about the move with 113 00:06:35,720 --> 00:06:40,920 Speaker 1: y'all answer bash it. I was to paint brushes and 114 00:06:40,920 --> 00:06:46,240 Speaker 1: now always about the paint autumn with your he told me, man, 115 00:06:46,320 --> 00:06:49,800 Speaker 1: he said, man, he said he loved his wife kids. 116 00:06:51,520 --> 00:06:53,720 Speaker 1: I said, let me let me say this right now, 117 00:06:55,120 --> 00:07:00,360 Speaker 1: he loves you. Let me get one more thing from you. Man. 118 00:07:00,480 --> 00:07:04,159 Speaker 1: What is the baddest I'm talking about the baddest radio 119 00:07:04,440 --> 00:07:07,960 Speaker 1: show in the land. Yeah, man, it's Steve Harvey in 120 00:07:08,040 --> 00:07:14,680 Speaker 1: the Morning Show. Baby, oh dear, what did you think 121 00:07:14,720 --> 00:07:15,120 Speaker 1: about it?