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Speaker 1: What's up, stradios. It's George and Sam here again to

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Speaker 1: remind you that we have a holiday earnestness bonanza coming up,

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Speaker 1: and uh, you gotta send us your questions to Stradio

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Speaker 1: Lab at gmail dot com. George, any additions to that,

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Speaker 1: I just want to say, send us your questions to

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Speaker 1: Stradio Lab at gmail dot com in case Sam's um

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Speaker 1: rendition of that wasn't clear. Yeah, as it's this is

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Speaker 1: now cannon and sometimes I can um falter in my communication.

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Speaker 1: It's really difficult to understand, Sam um, and that's where

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Speaker 1: I come in. No, this is psychotic and unfair, and

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Speaker 1: I'm being this was supposed to be the shorter one

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Speaker 1: and now it's turning toxic. Oh my god. Wait, just

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Speaker 1: to clarify, send us questions. And also, this is a

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Speaker 1: holiday earnestness Bonanza. That's a name we came up with

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Speaker 1: seconds before pressing record on this very intro the holiday.

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Speaker 1: Your grandkids aren't going want to know where you were

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Speaker 1: when the Holiday Earnestness Bonanza came out. Yeah, and your

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Speaker 1: grandkids listen to this podcast and your grandkids transcend time

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Speaker 1: and yeah, your grandkids are gay, so get over it.

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Speaker 1: And we're underwater. Your gay grandkids suck and they listen

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Speaker 1: to this podcast, So maybe stop being so stupid and

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Speaker 1: accept that and send us your questions. Okay, enjoyed, enjoys? Okay,

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Speaker 1: then podcast starts now. Welcome, Welcome bitches, glambur Girls, Hey,

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Speaker 1: Glamor Queens and girls, Glamor Girls. I'm sorry branding, Hey,

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Speaker 1: Glamour Girls, welcome to the show. This is so difficult

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Speaker 1: for you to accept that our official branding as Glamor Girls.

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Speaker 1: You said three other terms before you landed on it. Well,

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Speaker 1: you know, I find that it feels a little bit

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Speaker 1: forced to try to brand as Glamour Girls at this stage.

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Speaker 1: You know where I want to say thirty or forty

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Speaker 1: EPs in and it's you know, it doesn't really have

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Speaker 1: anything to do with us except that we decided it.

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Speaker 1: So it just feels a little dishonest. You have an

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Speaker 1: issue with sticking to recurring bits. I do. Actually this

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Speaker 1: is true. You find it hack. I do. Actually this

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Speaker 1: is very true. Can you explain that I feel like

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Speaker 1: if something works like organically on this podcast once, whenever

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Speaker 1: you try to repeat it, it sucks again, like like

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Speaker 1: not as like a segment, like I think segments. You

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Speaker 1: you know, I under that's a framework towards sure, but

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Speaker 1: if it's like a naturally funny thing that we stumble across,

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Speaker 1: feels um dishonest. Therefore, had so our segments shoutouts, which

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Speaker 1: I have been campaigning to get rid of for full

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Speaker 1: ten months, remains, and yet glamour Girls, the extremely marketable

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Speaker 1: term that we came up with for our listeners, has

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Speaker 1: to leave after one episode. No, we can keep glamour girls. Definitely.

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Speaker 1: Our listeners are obviously glamour girls and they know that,

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Speaker 1: and we know that, and it was wrong of me

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Speaker 1: to uh push it to the side because that is

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Speaker 1: who they are. Okay, we need which other For instance,

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Speaker 1: I think something we can bring back is the segment

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Speaker 1: is She there Yet? Where we ask our guests if

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Speaker 1: someone is there yet? And here's what I will say. Yeah,

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Speaker 1: I think it's a genius, organically found bit that you know,

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Speaker 1: if we find ourselves potentially talking about a pop star

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Speaker 1: or an actress or something, maybe a tech conglomerate, we

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Speaker 1: can ask is she there yet? And maybe it'll feel

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Speaker 1: authentic kind of a call back to that. But I

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Speaker 1: think as a segment then we have to think like Okay,

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Speaker 1: are we bringing like names like are we gonna bring

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Speaker 1: like are gonna say like this is our segment issue there?

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Speaker 1: Yet we're gonna provide names and then discuss so purposefully

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Speaker 1: against growing our podcast and welk and kind of doing

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Speaker 1: things that we need to do in order to um

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Speaker 1: to retain listeners. You know, I will say, I feel

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Speaker 1: very attacked at this moment. I feel like you've been

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Speaker 1: thinking about this and you know we could have done

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Speaker 1: this on a private conversation and yet you're streaming live. Yeah,

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Speaker 1: we had a we had a call last night kind

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Speaker 1: of curtain we are considering various doing various things such

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Speaker 1: as merch and I in fact remained silent during that

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Speaker 1: call because I said, I'll say what I want to

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Speaker 1: say on air. So it was just you talking and

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Speaker 1: me nodding yeah, and I was sort of like, wow,

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Speaker 1: George's being so easy going. He's normally extremely difficult to

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Speaker 1: work with. And the little did you know, I disagreed

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Speaker 1: with everything you were saying. My thought bubble was like,

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Speaker 1: what the funk is he talking about? That was your face?

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Speaker 1: That was definitely your face when your thought bubble is

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Speaker 1: you know, you were I was being silent, but then

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Speaker 1: I was kind of posting my face when Sam says

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Speaker 1: another stupid idea. Okay, well, George, if you want to

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Speaker 1: lead the charge, we can have a new segment called

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Speaker 1: issue there Yet now I'm like, I see it. I'm

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Speaker 1: an EmPATH, so I see it's through your eyes, and

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Speaker 1: that's how I know it's bad. I recently had this

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Speaker 1: experience because I was watching a film that I think,

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Speaker 1: under normal circumstances I would have liked, but the person

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Speaker 1: I was watching it with clearly didn't like it, so

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Speaker 1: that I thought, Okay, this is stupid. Has that ever

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Speaker 1: happened to you? Yeah, that has obviously happened to me

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Speaker 1: when you're like, I mean, it happens with like TV shows,

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Speaker 1: happens with music a lot, where you're like, this is

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Speaker 1: incredible and you play it and it's like, well, I

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Speaker 1: mean it's obviously stupid because you hate it, right, But

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Speaker 1: I don't know that's an EmPATH as much as like

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Speaker 1: needing approval of people. Well, I think those are the

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Speaker 1: same thing. I think being an EmPATH means, uh, speaking

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Speaker 1: constantly with the goal of external validation. I think being

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Speaker 1: an EmPATH is thinking about yourself and yourself entirely and

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Speaker 1: sort of how you are perceived by others and working

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Speaker 1: to make it so that how others perceive you is

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Speaker 1: really positive. Yes, M path M is me spelled backwards.

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Speaker 1: And then path means that it's pathological. It's pathological, which

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Speaker 1: is good path and being an EmPATH means being a

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Speaker 1: pathological narcissist. And that's that on that, and that's that,

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Speaker 1: on that, Hunty, I love a natural wrapping up. That

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Speaker 1: was like really cleaning. Actually, yeah, that was so clean?

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Speaker 1: Are we never mind? What? What was your? What was

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Speaker 1: the riff that will never know? The riff was? The

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Speaker 1: riff was? Are are we on pure? For men? Because

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Speaker 1: this is clear? But I couldn't find a way to

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Speaker 1: like stick the landing, so I stopped myself. But thank

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Speaker 1: you for making me say it. No, I think you

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Speaker 1: crushed it. I think people I can hear people upstairs laugh.

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Speaker 1: The second draft of that, like I mean, the second

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Speaker 1: draft is sort of like maybe scrap this, we should

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Speaker 1: we start. I think that would be actually kind of

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Speaker 1: interesting if we brought in our guest right now. Yeah,

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Speaker 1: especially I have a I got a riff locked and

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Speaker 1: d oh my god. Okay, um, please welcome notable riffer,

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Speaker 1: nick nanny, I mean mpeth, that's how I get to

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Speaker 1: Jersey City. Honey, Okay, we should note note put horns here,

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Speaker 1: can't prepare. That was like an incredible um first line.

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Speaker 1: Thank you. So it's a great job and the pressure

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Speaker 1: is high right now, you know we are are we

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Speaker 1: gonna get picked apart by Vulture on this fucking that's

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Speaker 1: actually said before we started recording. We were recently featured

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Speaker 1: in Vulture in a they do this round up best

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Speaker 1: one podcast of the decade, and they chose us, and

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Speaker 1: we were very flattered by it. This is a second

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Speaker 1: This is a feature that comes out once every ten years,

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Speaker 1: so it was huge, of course. I mean it was

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Speaker 1: still a little disappointing because normally they have a huge gala,

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Speaker 1: the Vulture Galla, the Vulture Gala for the best podcast

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Speaker 1: podcast of the decade, And so I feel a little

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Speaker 1: bit robbed because we didn't. Normally we get to like

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Speaker 1: go have this, like we get to dress us. What

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Speaker 1: was the theme this year, Well, it was supposed to

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Speaker 1: be hacking into the main frame, back to cult classic

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Speaker 1: film hackers. So we're kind of going to find a

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Speaker 1: way to like elevate that concept Instead, they're now doing

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Speaker 1: a Zoom reunion for Hackers, which is a little less exciting.

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Speaker 1: I have to say. We were the award was going

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Speaker 1: to be presented to us by Lily Collins from Emily

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Speaker 1: and Paris, who's going to be in The Hacker's remake

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Speaker 1: as the Angelina Jolie character. God. Yeah, it's premiering on movie.

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Speaker 1: Really on the artist movie it's gonna premiere. Isn't mobi

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Speaker 1: a movie? Movie movie? It's premiering on movie. Wait? What

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Speaker 1: is movie? Is like a Criterion type thing. It's like

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Speaker 1: a Yeah, they premiere a new movie a day. You

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Speaker 1: get to you get thirty movies a month, right, Yeah,

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Speaker 1: there's a different like and it's always very like foreign

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Speaker 1: INDI like very foreign Indy like should I haven't even

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Speaker 1: heard of? Yeah? So for the year, for the year,

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Speaker 1: rather than doing that, they're going to premiere the Hackers

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Speaker 1: remakes strong Lily Collins every day. Well here's my riff

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Speaker 1: on movie. Um, more like movie. It is interesting that

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Speaker 1: I I called it moby because until now I hadn't

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Speaker 1: realized it was a play on the word movie. Oh yeah,

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Speaker 1: um well, Nick, you you know you mentioned that you're surprised.

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Speaker 1: You you don't even know some of the ship they

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Speaker 1: put out on movie because you're on Kooby, You're on

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Speaker 1: You're on Kooby, I'm on Quimby Quimby. Yeah, we're back

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Speaker 1: to Quimby Quimby. Sorry, I'm sorry, that was my bad.

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Speaker 1: The Hackers Remakestrong Lily Collins is premiering on Quimby. Oh yes,

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Speaker 1: so that actually makes a lot more Yeah, and that

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Speaker 1: and trying to say it out loud at that makes

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Speaker 1: so much more sense than that movie. It's branding wise.

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Speaker 1: I actually think that that makes sense. I thought the

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Speaker 1: joke was that it was going to be projected on

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Speaker 1: Moby's bald head. Yeah, yeah, yeah, you know, that's definitely

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Speaker 1: a fun sort of direction to take that joke in.

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Speaker 1: And I like, well we energy bringing to this podcast.

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Speaker 1: I mean, you know, a lot of movie theaters are

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Speaker 1: in trouble and a lot of people are stepping up,

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Speaker 1: you know, in the pandemic, and a lot of people

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Speaker 1: are stepping up to help. And Moby has been projecting

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Speaker 1: movies on his bald head, which you know does classify

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Speaker 1: him as an essential worker. Yeah, and he's gotten an

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Speaker 1: Arts grand for it. In fact, um, it's tough. I mean.

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Speaker 1: Warner Brothers recently announced that all of their movies are

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Speaker 1: premiering on Moby's Bald Head, and people are saying, what

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Speaker 1: does this mean for the future of movie theaters? They're saying,

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Speaker 1: what does this mean there? Yeah? Yeah, are we just

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Speaker 1: going to be outside looking at Moby's Head? I mean,

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Speaker 1: Nick as a film head, you know, would you call

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Speaker 1: a cinephile? Sam? When? When? When? When? As a as

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Speaker 1: a movie pervert? When and you can see movies again,

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Speaker 1: will you go back to the old way or will

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Speaker 1: you continue watching movies on Moby's Head? Ah? I think yeah,

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Speaker 1: I think I might do a little bit of both.

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Speaker 1: You know, I might, you know, catch some movies in

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Speaker 1: the theater and then I might catch some mobies in

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Speaker 1: the parking lot, you know, catch a mobe, catch a mobi.

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Speaker 1: He actually, he has a He has a m an

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Speaker 1: app called Moby Pass where you get limited movies that

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Speaker 1: you can watch on Mobe's bald Head. You know, no

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Speaker 1: one knows how it works. It's like really cheap, but

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Speaker 1: you can get unlimited movies. Yeah, but it's a matter

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Speaker 1: of you know, there's only one movie, so there can

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Speaker 1: get crowded. Weirdly enough, He's trying to save the movie

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Speaker 1: business in the pandemic. But in order to make it work,

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Speaker 1: you actually have to be more closely confined than if

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Speaker 1: you were in a normal movie theater because everyone's focusing

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Speaker 1: on just one guy's head, and he's not a big guy.

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Speaker 1: He's not a big guy. There's one movie the Hackers remake.

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Speaker 1: The Hackers Remakes wrong Lily Collins. I heard she's terrible

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Speaker 1: in it. But the writing is to die for. That's

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Speaker 1: the thing. It's interesting because the Emily and Paris may

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Speaker 1: have argued the writing is bad for the Hackers make

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Speaker 1: the writing is actually incredible. It was written by George Saunders.

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Speaker 1: But Lily Collins cannot act for to save her life. Also,

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Speaker 1: the thing is is that it's also a quimby, so

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Speaker 1: you have to turn movie's head to see more of them.

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Speaker 1: It's really, really tough. It's really tough. Movie has gotten

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Speaker 1: injured because there's someone that's paid to turn him upside

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Speaker 1: down and then right side up. Oh my god, here's

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Speaker 1: what I will say. You guys are being so smart

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Speaker 1: and funny today. Like you know, George I obviously we

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Speaker 1: dislike each other and we were assigned these roles as

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Speaker 1: podcast co host. But um, I'm the game. Okay, he's

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Speaker 1: a game recognized game. I mean, I think, you know,

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Speaker 1: especially after that pure from in Riff, I think this

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Speaker 1: is I mean the whole the layers of movie maybe movie,

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Speaker 1: Like you really hit on a lot right there. Yes, well,

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Speaker 1: you know, the two big pillars of comedy are word

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Speaker 1: play and cultural references. I mean, and if you can

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Speaker 1: manage to do both of them, honey, calling Netflix and

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Speaker 1: Emily Paris is canceled and you're taking over the platform.

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Speaker 1: We're taking the mpath to Paris. In many ways, this

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Speaker 1: is uh, that is our podcast. It is wordplay and

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Speaker 1: cultural references. Yeah, two things I do think of as

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Speaker 1: a hack, but when we do them, they are kind

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Speaker 1: of radical. Um, well, Nick, how are you doing today?

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Speaker 1: I'm doing pretty good? Man? Wo Yeah I was. I

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Speaker 1: was just before this watching the first half hour of

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Speaker 1: mank Oh. Yeah yeah, speaking of Emily in Paris is

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Speaker 1: mane supposed to be bad? I can't tell. I'm only

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Speaker 1: like twenty minutes into it, and like I even like

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Speaker 1: started and I was like, I have to pause this

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Speaker 1: because I have to do this podcast. And I was

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Speaker 1: just like, sorry, why am I? Why am I? Why? Why?

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Speaker 1: Am I doing this podcast? It's this this great movie

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Speaker 1: about this old guy I've never heard of before. But no,

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Speaker 1: it's it's so far it's not very good. I'll say that.

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Speaker 1: Here's what I'll say about Mink. Just watch Citizen Kate, right,

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Speaker 1: isn't that what it's about? Thank you? Why I want

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Speaker 1: to watch a contemporary, fake black and white movie about

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Speaker 1: the making of Citizen Kane? I know when I could

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Speaker 1: just move on the movie and not even about Orson. Yeah,

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Speaker 1: it's just about MANK. Who the fund is MANK? I

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Speaker 1: don't know, No, mank you, no, mank you. Yeah. Here's

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Speaker 1: what I will say. Mank is a funny idol. And

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Speaker 1: I'm you know, I'm happy. I'm kind of proud that

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Speaker 1: the Internet hasn't run with it in sort of a

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Speaker 1: Wrango style, uh like using this word to make a

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Speaker 1: lazy joke. And here's what I'll say about that. It's coming.

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Speaker 1: It's coming because they think it premiered like this week

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Speaker 1: and people, it's gonna be a welcome tomorrow win situation.

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Speaker 1: For sure, We're gonna it's gonna be a chappie. And

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Speaker 1: and here's what I will say about those things. Unfortunately,

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Speaker 1: I like those jokes for a little bit. You know,

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Speaker 1: MANK is funny. They know what they're doing. There's someone

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Speaker 1: in marketing that's like call it MANK. Trust me, I

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Speaker 1: think it's gonna get exhausting. It's gonna it's gonna start

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Speaker 1: very funny. There's gonna be like a there's gonna be

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Speaker 1: like two or three tweets that are really funny, and

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Speaker 1: then it's gonna it's gonna get really exhausting. And then

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Speaker 1: you may may even here like your parents say a

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Speaker 1: MANK joke. It might even get that level, and then

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Speaker 1: like a year from now, it's gonna be funny again.

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Speaker 1: I'm just I'm gonna say it's gonna have the Kofifi run.

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Speaker 1: I was literally about to say on this podcast, we

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Speaker 1: love Koffi and think it never was not funny. Is

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Speaker 1: the best. Yeah. If there's one thing we can all

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Speaker 1: agree about in terms of the Trump eras that Kofifi

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Speaker 1: is iconic. Yeah, Koffi is the best political comedian of

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Speaker 1: the Trump error. Absolutely, And let me tell you them

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Speaker 1: the competition is weak. Yeah that's true. I mean I

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Speaker 1: feel that way about Gangham style. I feel like Gangham

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Speaker 1: style was really came back in a big way a

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Speaker 1: few years after dropped. Sure, GEORGEI disagree. Well, Sam loves

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Speaker 1: Gangham style and Davids Pumpkins. Yeah, you love that stuff

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Speaker 1: on Ironically, it feels um interesting Gangham style. I would

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Speaker 1: argue you genuinely like I think I do genuinely like

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Speaker 1: Gangham style. It's so fun, so joyful. Yeah. Did you

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Speaker 1: ever see Mitt Romney Style? Is that real? No? I

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Speaker 1: never saw Mitt Romney. It was a college humor music

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Speaker 1: video that came out around the election. Uh, and it

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Speaker 1: had a guy that looks like Mitt Romney, uh, doing

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Speaker 1: this whole Gangham style parody. And it's dubbed, but his

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Speaker 1: voice is dubbed by a recognizable comedian's voice who is famous. Now,

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Speaker 1: maybe I shouldn't say his I don't know if I

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Speaker 1: should say his name, but but I heard a story

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Speaker 1: behind the scenes that he was really frustrated with the

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Speaker 1: actor's voice, so he dubbed over the entire Mitt Romney

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Speaker 1: style video with his voice. Nick, I'm going to stop

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Speaker 1: right there. This sounds fucking awesome. Wait, Nick, drop the name.

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Speaker 1: Oh it's Adam con Over. Oh, I don't know that

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Speaker 1: that's not that's not like. Yeah, I don't think that's

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Speaker 1: that's not that juicy. No, no, that's not even that juicy. Yeah,

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Speaker 1: not even that juice. See style. Uh my college boyfriend

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Speaker 1: and I met at a Halloween party where he was

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Speaker 1: dressed a sigh in the Gangham Style video and I

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Speaker 1: was dressed as Stefan from SNL. Oh my lord, wow,

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Speaker 1: sorry if that dates me. I'm twenty three. Oh my god.

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Speaker 1: Shall we do our first segment? Whoa is that crazy? WHOA?

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Speaker 1: Head's about to explode? So nick um, I don't know

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Speaker 1: if you know. This first segment is called straight Shooters,

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Speaker 1: in which we uh, you know, sort of gauge your

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Speaker 1: familiarity with straight culture by asking you, um, a series

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Speaker 1: of rapid fire your questions. Wow, I said that so

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Speaker 1: like clinically, you know, you're losing, like you're losing the spark.

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Speaker 1: You know, It's like you said it so many times

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Speaker 1: that at this point it's like it felt so scripted.

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Speaker 1: It felt like, I mean, it felt like like watching

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Speaker 1: Jimmy Fallon do the Tonight Show. You know, it's a

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Speaker 1: little like I do this because I have to, Like

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Speaker 1: I'm chained to the desk. Joyless. Um. Sorry that I

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Speaker 1: actually loved Jimmy Fowler. I think he does a great job,

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Speaker 1: especially with the political stuff. Sure. I mean he's the

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Speaker 1: most necessary political voice of our team. First of all,

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Speaker 1: Jimmy Fowlon is by A F B A F bay

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Speaker 1: Oh Grandpa on the pod by A keep up. If

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Speaker 1: you don't vet the Jimmy, then you can g t O.

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Speaker 1: Do you guys remember that commercial where the girl goes,

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Speaker 1: I d K might bff jill. Iconic, absolutely one of

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Speaker 1: the most iconic commercials ever. That is like mad Men wishes,

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Speaker 1: what's his name, John Hammond, mad Men wishes? He came

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Speaker 1: up with I d K M B F jill. That

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Speaker 1: ik ight F jill was so fucking seared into my

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Speaker 1: mind because it was a little bit off. I don't

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Speaker 1: know this commercial. It's just like when was this Like okay,

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Speaker 1: this is from four. Basically, it's a it's a you know, Verizon,

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Speaker 1: a T and T. It's one of those commercial for

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Speaker 1: a cell phone company and they're like advertising how much

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Speaker 1: data they have. So it's this girl and she's talking

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Speaker 1: and she's like addicted to her phone, and she's talking

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Speaker 1: to her mom, and she's talking in all these like

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Speaker 1: online is ums, and then there are like subtitles that

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Speaker 1: that translate what she's saying. So she's like l L

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Speaker 1: and that's translations like laugh out loud, and her mom

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Speaker 1: is getting progressively more angry and she's like, who are

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Speaker 1: you even talking to all these hours? And the girl goes,

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Speaker 1: I dk my BF Jill, Wow, I would watch a

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Speaker 1: whole MANC style film. I would watch MANK style film

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Speaker 1: about the making of I d k MBF. Jill on

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Speaker 1: Moby said on head, No, I mean because it was

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Speaker 1: like kind of inaccurate, like obviously, and it was like

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Speaker 1: old people interpreting young people and like kind of doing

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Speaker 1: it wrong. But also they had a sing song enis

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Speaker 1: to it. It really was stuck there for a while. Yeah,

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Speaker 1: I mean Yokiro Taco Bell wants what I d came

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00:22:20,720 --> 00:22:26,800
Speaker 1: idea that Jill has, Yeah, like, um was it? Zoom

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Speaker 1: Zoom zoom Wishes of Jimson is one of the worst

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Speaker 1: things that has ever come out of the Americal boy

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00:22:37,000 --> 00:22:42,040
Speaker 1: whispering A little boy whispering zoom zoom is when not

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00:22:42,080 --> 00:22:44,160
Speaker 1: to be hack or whatever. But I do think that's

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Speaker 1: when we started being in the wrong timeline. Oh my god,

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Speaker 1: there's a direct line between zoom and Donald Trump being elected,

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00:22:59,720 --> 00:23:04,439
Speaker 1: as I'm saying, yeah, yeah, but now Biden's here to

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00:23:04,840 --> 00:23:09,159
Speaker 1: rang at home? Maybe oh nothing, but good times ahead.

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00:23:09,200 --> 00:23:15,400
Speaker 1: Oh my god, you guys going to the inog, gonna

365
00:23:15,480 --> 00:23:19,119
Speaker 1: hit up that innog bro taking the path to the knog.

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Speaker 1: I mean, me and my whole squad is going to

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Speaker 1: be rolled up to the knog like it's gonna be

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00:23:26,040 --> 00:23:28,639
Speaker 1: a blast. I will say something about Joe Biden. I

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Speaker 1: do think this is gonna be the first presidency. That's

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Speaker 1: just vibes. Okay, okay, Sam, take it away, Okay, Um,

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Speaker 1: I'll start simple Nick shirt blouse or top shirt. Nick,

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00:23:47,240 --> 00:23:52,440
Speaker 1: small Batch whiskey or Big Batch vegetarian chili, Big Batch

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00:23:52,520 --> 00:23:55,280
Speaker 1: vegetarian chili. Mine's actually kind of related to that. Wait

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Speaker 1: do I have to You can't ask any questions? Oh

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00:23:58,560 --> 00:24:04,840
Speaker 1: my god? Okay, Nick, plant based meat substitutes or the

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00:24:04,880 --> 00:24:08,919
Speaker 1: real thing. You know what I'm talking about? Plant based? Sorry?

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00:24:09,280 --> 00:24:17,240
Speaker 1: Not sorry, Nick, Sorry, but also not sorry. Found dead. Nick.

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00:24:17,640 --> 00:24:20,399
Speaker 1: Throwing the baby out with the bathwater, or putting the

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00:24:20,480 --> 00:24:25,359
Speaker 1: Christ back in Christmas. Let's get back Christ back in there.

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00:24:26,440 --> 00:24:30,080
Speaker 1: Um Jokes about British people talking weird, or jokes about

381
00:24:30,119 --> 00:24:41,480
Speaker 1: Australian people talking weird? Uh British people, Baby okay? Uh? Nick,

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00:24:42,000 --> 00:24:45,439
Speaker 1: Kate Hudson, Jennifer Hudson. Or we're going up to my

383
00:24:45,520 --> 00:24:48,840
Speaker 1: parents place in Hudson this weekend to unplug. Oh, We're

384
00:24:48,880 --> 00:24:51,640
Speaker 1: going to my parents place in Hudson. Come on now,

385
00:24:52,000 --> 00:24:56,439
Speaker 1: I wish Okay. Halo Halo two, Halo three or Halo

386
00:24:56,480 --> 00:25:03,080
Speaker 1: by Beyonce, Uh, Halo by Beyonce, HBO, Max TJ Max

387
00:25:03,240 --> 00:25:08,640
Speaker 1: or New Girls, Max Greenfield, HBO, Max Honey. Nice the

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00:25:08,680 --> 00:25:13,320
Speaker 1: movie We Deserve the Movies. Take me to the movie

389
00:25:13,359 --> 00:25:21,359
Speaker 1: the movie We Deserve. Well, I love that, don't we folks? Nick,

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00:25:21,560 --> 00:25:23,080
Speaker 1: what do you George? What do you think that got?

391
00:25:24,240 --> 00:25:31,600
Speaker 1: I think I think he was confident. I think he

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00:25:32,359 --> 00:25:35,760
Speaker 1: there was a playfulness he got the assignment. That's true.

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00:25:37,560 --> 00:25:40,320
Speaker 1: And I think it was an absolute home run in

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00:25:40,359 --> 00:25:48,040
Speaker 1: a sleigh. So doves. Yes, nine and I love balloons

395
00:25:48,080 --> 00:25:56,199
Speaker 1: baby oh yeah, yes. Good reference, good reference points for

396
00:25:56,280 --> 00:26:00,879
Speaker 1: cultural reference. This is at midnight, This is Yeah, this

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00:26:00,960 --> 00:26:04,080
Speaker 1: is Guy Brandam's talk show. The podcast. Talk to the

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00:26:04,080 --> 00:26:09,200
Speaker 1: games of the podcast, Talk shout the games of the podcast. Um, So, Nick,

399
00:26:09,440 --> 00:26:12,640
Speaker 1: you know, at this point, I feel like it's we've

400
00:26:12,640 --> 00:26:14,800
Speaker 1: been talking for a little bit. You know we've done

401
00:26:14,800 --> 00:26:18,320
Speaker 1: the first segment. You sort of understand the mood, the tone,

402
00:26:18,960 --> 00:26:25,040
Speaker 1: the move, the mobe. How are you feeling right now?

403
00:26:25,760 --> 00:26:28,920
Speaker 1: I'm good. I'm a little nervous, you know about being

404
00:26:28,960 --> 00:26:32,840
Speaker 1: on the on the Vulture Number one podcast. You know,

405
00:26:32,880 --> 00:26:35,840
Speaker 1: I really want to deliver, but I'm having fun. I'm

406
00:26:35,840 --> 00:26:39,840
Speaker 1: having a good time. You know, I feel good. That's

407
00:26:39,840 --> 00:26:43,560
Speaker 1: the first step. Yeah, what's your greatest fear of being

408
00:26:43,560 --> 00:26:48,080
Speaker 1: on this podcast? My greatest fear of being on this

409
00:26:48,200 --> 00:26:52,639
Speaker 1: podcast is, you know, just like not being able to

410
00:26:52,680 --> 00:26:56,399
Speaker 1: get that like, you know, that assembly line of riffs going,

411
00:26:56,520 --> 00:26:59,840
Speaker 1: like maybe there's maybe you know, somebody showed up hung

412
00:27:00,040 --> 00:27:02,919
Speaker 1: over to the riff factory and then like all the

413
00:27:03,000 --> 00:27:06,000
Speaker 1: riffs are like piling up, they're not coming out the

414
00:27:06,080 --> 00:27:08,080
Speaker 1: right way, and then all of a sudden, you know,

415
00:27:08,520 --> 00:27:11,440
Speaker 1: the normal sauce stuff is coming out of the out

416
00:27:11,480 --> 00:27:14,640
Speaker 1: of the mouth and into the podcast and people listening

417
00:27:15,119 --> 00:27:17,200
Speaker 1: at home or you know, I'm just hearing a lot

418
00:27:17,240 --> 00:27:21,000
Speaker 1: of head scratching. You know, people are like, why who what?

419
00:27:21,720 --> 00:27:24,639
Speaker 1: Well put? What is? Yeah? That's really well put. That's

420
00:27:24,680 --> 00:27:28,200
Speaker 1: beautiful imagery. Yeah, um, I will argue it's a little

421
00:27:28,240 --> 00:27:35,000
Speaker 1: hangover phobic. Um, we're always celebrate being hungover, celebrate Wow.

422
00:27:36,520 --> 00:27:41,320
Speaker 1: So um, you know, first mistake there, um, damn it.

423
00:27:44,680 --> 00:27:48,000
Speaker 1: But you know, other than that, I think, you know,

424
00:27:48,040 --> 00:27:49,560
Speaker 1: I don't think you have anything to be afraid of

425
00:27:49,680 --> 00:27:53,160
Speaker 1: as far as the riff factory, because we have sort

426
00:27:53,160 --> 00:27:55,480
Speaker 1: of a self sustaining ref factory here at Tradio Lab

427
00:27:55,560 --> 00:27:59,679
Speaker 1: right where uh, you know, it takes the normal sauce

428
00:28:00,040 --> 00:28:03,080
Speaker 1: and it actually uses that to make more rich. How

429
00:28:03,119 --> 00:28:06,520
Speaker 1: about that, well, we were it's a zero waste program

430
00:28:06,560 --> 00:28:09,359
Speaker 1: where we take the discarded normal sauce. You know, parts

431
00:28:09,359 --> 00:28:11,920
Speaker 1: of culture that people for long have said this is bad,

432
00:28:12,000 --> 00:28:14,239
Speaker 1: and we bring it up. You bring it back and

433
00:28:14,240 --> 00:28:16,119
Speaker 1: we kind of sample it in a you know, the

434
00:28:16,160 --> 00:28:20,520
Speaker 1: Avalanche's type situation, and then and then we say here

435
00:28:20,960 --> 00:28:24,679
Speaker 1: and then people say, I mean okay, yeah, they're like,

436
00:28:24,680 --> 00:28:29,240
Speaker 1: I guess that that works, Like I guess, yeah, that's

437
00:28:29,280 --> 00:28:36,520
Speaker 1: that's great to hear. That's really good news. Yeah yeah, yeah,

438
00:28:36,560 --> 00:28:41,840
Speaker 1: you know yeah it Sam just saying just say what

439
00:28:41,920 --> 00:28:45,600
Speaker 1: you want to say? Are you Is it intimidating to

440
00:28:45,640 --> 00:28:51,240
Speaker 1: be on a gay podcast? Wow? Um? You know what

441
00:28:51,760 --> 00:28:57,000
Speaker 1: sure it is? You know, I think at this point

442
00:28:57,000 --> 00:29:04,040
Speaker 1: it's intimidating to be on any podcast. But yes, I

443
00:29:04,080 --> 00:29:12,240
Speaker 1: mean no, I mean exactly they do. But you know,

444
00:29:12,280 --> 00:29:14,920
Speaker 1: because I know you don't, I don't really talk to

445
00:29:15,400 --> 00:29:18,040
Speaker 1: that gay people. I don't talk to Yeah, I don't

446
00:29:18,040 --> 00:29:28,960
Speaker 1: talk to gay people, those people as I refer yea. Yeah.

447
00:29:29,360 --> 00:29:32,480
Speaker 1: Like okay, So what are some like fun beliefs do

448
00:29:32,520 --> 00:29:35,760
Speaker 1: you have about gay people? Oh? Yeah, sure, uh well

449
00:29:35,800 --> 00:29:45,160
Speaker 1: they're immortal as well. Yeah. They uh they wear like

450
00:29:45,720 --> 00:29:50,040
Speaker 1: green outfits. Oh you're thinking of the elves from Lord.

451
00:29:50,200 --> 00:29:53,120
Speaker 1: Oh no, no, no, no, I don't think so like no,

452
00:29:53,120 --> 00:29:55,200
Speaker 1: no, no no, they're like skinny and have long hair and braids.

453
00:29:55,640 --> 00:29:58,480
Speaker 1: It's actually a common no no, and like if a

454
00:29:58,560 --> 00:30:01,640
Speaker 1: horse is coming close, it can just like jump onto it.

455
00:30:02,040 --> 00:30:07,360
Speaker 1: Sure no yeah, still damn. All right, Well then what

456
00:30:07,400 --> 00:30:12,240
Speaker 1: are gay people. Well, it's titling that. Well, they're kind

457
00:30:12,240 --> 00:30:16,280
Speaker 1: of elves. Um. I mean you could say we have

458
00:30:16,320 --> 00:30:20,160
Speaker 1: our own life. Yes, we definitely do. Um. They're kind

459
00:30:20,160 --> 00:30:22,280
Speaker 1: of like like I could say something to George like

460
00:30:22,360 --> 00:30:28,040
Speaker 1: that's a total slay and you would just hear like yeah, yeah,

461
00:30:29,680 --> 00:30:32,400
Speaker 1: but see George, and I know what that means. Yeah yeah,

462
00:30:32,480 --> 00:30:40,280
Speaker 1: yeah yeah, but uh no, but uh so imagine an

463
00:30:40,320 --> 00:30:44,920
Speaker 1: elf with body dysmorphia. So take take that elf that

464
00:30:44,960 --> 00:30:47,640
Speaker 1: you're very familiar with and maybe give it like a

465
00:30:47,640 --> 00:30:51,480
Speaker 1: shorter haircut, and that's pretty much it. Okay, So maybe

466
00:30:51,560 --> 00:30:53,840
Speaker 1: kind of like that elf in the Two Towers that

467
00:30:54,160 --> 00:30:56,320
Speaker 1: he gets like stabbed by an orc and he's like

468
00:30:56,400 --> 00:30:59,160
Speaker 1: dying and he gets kind of like an we're getting warmer,

469
00:31:02,840 --> 00:31:06,880
Speaker 1: I'm getting there. Yeah, uh yeah, he's he's uh, he's

470
00:31:06,880 --> 00:31:09,240
Speaker 1: stabbed by the orc and he gets and he gets

471
00:31:10,240 --> 00:31:13,040
Speaker 1: You guys, remember this part in Two Towers when Sam

472
00:31:13,120 --> 00:31:15,800
Speaker 1: is the Lord of the Rings fanboy in this podcast, Sam,

473
00:31:15,840 --> 00:31:17,680
Speaker 1: I know you would know this part that that orc

474
00:31:18,240 --> 00:31:21,120
Speaker 1: who helps at helm steep he gets like stabbed and

475
00:31:21,160 --> 00:31:25,800
Speaker 1: he's dying and he gets like sweaty that I think

476
00:31:25,840 --> 00:31:28,400
Speaker 1: that's a gay person. Listen. That sounds gay to me.

477
00:31:28,480 --> 00:31:30,720
Speaker 1: And I haven't seen The Two Towers since it was

478
00:31:30,760 --> 00:31:33,640
Speaker 1: in theaters, but in my experience with gay people, some

479
00:31:33,720 --> 00:31:36,360
Speaker 1: of them are stabbed by orcs and some of them

480
00:31:36,400 --> 00:31:39,400
Speaker 1: do the stabbing. It's a beautiful movie. Should go hit

481
00:31:39,480 --> 00:31:46,280
Speaker 1: up Moby on that one. Yeah, um uh, well, I

482
00:31:46,320 --> 00:31:50,080
Speaker 1: think you know cinophiles rejoice. Should we get into the top.

483
00:31:50,200 --> 00:31:53,680
Speaker 1: Let's get into the topic I've already forgotten it. Oh no, weed,

484
00:31:53,720 --> 00:31:58,000
Speaker 1: I remembered. Okay, so I should do I yeah, you

485
00:31:58,080 --> 00:31:59,800
Speaker 1: get you should bring it up. You bring it up.

486
00:32:00,240 --> 00:32:04,360
Speaker 1: So I'm a big movie head. I hit up mobile

487
00:32:04,360 --> 00:32:07,760
Speaker 1: all the time. I'm you know, I'm munching. I'm a

488
00:32:07,880 --> 00:32:12,560
Speaker 1: popcorn munching big boy. And uh I've been thinking a

489
00:32:12,640 --> 00:32:16,960
Speaker 1: lot about what in the film world is is exclusively

490
00:32:17,400 --> 00:32:20,680
Speaker 1: or not, well, not exclusively, but but is straight as

491
00:32:20,680 --> 00:32:24,600
Speaker 1: a concept. And what I've come down to is I

492
00:32:24,640 --> 00:32:30,440
Speaker 1: think VHS tapes. VHS tapes are straight chess tapes. So

493
00:32:30,960 --> 00:32:34,080
Speaker 1: I guess I know what you're talking about. I know

494
00:32:34,160 --> 00:32:37,600
Speaker 1: the type of person I think you're talking about. And

495
00:32:37,640 --> 00:32:41,160
Speaker 1: it's like a visual thing. Like it's like people do

496
00:32:41,240 --> 00:32:45,720
Speaker 1: this to like have like a quirky aesthetic. Well, nostalgia

497
00:32:45,960 --> 00:32:53,600
Speaker 1: is straight, sure, yeah, because gay people can't be nostalgic.

498
00:32:53,920 --> 00:32:59,400
Speaker 1: We didn't have rights until Obama. There you go. Uh

499
00:32:59,520 --> 00:33:04,000
Speaker 1: so maybe people should consider that. And VHS tapes to me,

500
00:33:04,240 --> 00:33:05,880
Speaker 1: what do they remind me of high school? And what

501
00:33:05,960 --> 00:33:08,320
Speaker 1: was I in high school? In the closet? Mm hmmm,

502
00:33:09,840 --> 00:33:13,200
Speaker 1: I'm like, wait, you're aging yourself, but in a confusing way.

503
00:33:13,320 --> 00:33:15,880
Speaker 1: I'm like, you were watching VHS tapes in high school,

504
00:33:16,080 --> 00:33:20,120
Speaker 1: you know what I wasn't. I'm like, you're confusing the

505
00:33:20,120 --> 00:33:23,280
Speaker 1: timeline of this very show. So maybe okay, so let's

506
00:33:23,280 --> 00:33:26,040
Speaker 1: see when did VHS tapes stop being out of fashion

507
00:33:26,240 --> 00:33:31,600
Speaker 1: in two thousand two? Uh? Yes, that sounds about right. Yeah, okay,

508
00:33:31,600 --> 00:33:35,800
Speaker 1: stop making them in Like, I think this is so

509
00:33:35,960 --> 00:33:38,560
Speaker 1: fucking nerdy. But I know for a fact that the

510
00:33:38,640 --> 00:33:42,760
Speaker 1: first movie to never the first movie to be released

511
00:33:42,800 --> 00:33:46,840
Speaker 1: on DVDs only was Star Wars episode three, Revenge of

512
00:33:46,840 --> 00:33:49,080
Speaker 1: the Revenge of the which was in two thousand five.

513
00:33:50,480 --> 00:33:53,320
Speaker 1: And then and then from there, like every other like

514
00:33:53,400 --> 00:33:55,760
Speaker 1: movie was like, well, well funk this, we don't need

515
00:33:55,800 --> 00:33:59,480
Speaker 1: to do that. So just like a slow or not slow,

516
00:33:59,520 --> 00:34:02,760
Speaker 1: it was a quick you know. And my first DVDs

517
00:34:02,840 --> 00:34:06,920
Speaker 1: were Lord of the Rings one and Mission Impossible to

518
00:34:07,880 --> 00:34:12,040
Speaker 1: Oh wow, Yeah, I think I definitely Lord of the

519
00:34:12,080 --> 00:34:17,160
Speaker 1: Rings one and I don't remember the others. I think

520
00:34:17,360 --> 00:34:21,440
Speaker 1: I think my first DVD was fight Club. Wow, which

521
00:34:21,480 --> 00:34:24,600
Speaker 1: is which is a gay movie. It is a gay movie.

522
00:34:24,680 --> 00:34:28,759
Speaker 1: People don't realize. Everyone always it's crazy that Fight Club

523
00:34:28,800 --> 00:34:32,200
Speaker 1: and The Matrix, two movies made by gays and trans

524
00:34:32,800 --> 00:34:37,280
Speaker 1: have developed this tributation as alter right men's rights activist movies.

525
00:34:37,800 --> 00:34:41,680
Speaker 1: But I think they also are like at the same time,

526
00:34:41,719 --> 00:34:44,560
Speaker 1: they're gay movies and trans movies. Right, It's just like

527
00:34:44,600 --> 00:34:47,400
Speaker 1: different readings on it, right, but one of the readings

528
00:34:47,480 --> 00:34:52,720
Speaker 1: is more correct. Right. You know, I'm obviously very smart

529
00:34:52,920 --> 00:34:59,000
Speaker 1: and informed, but potentially for some dumbass listener out there, Um,

530
00:34:59,040 --> 00:35:01,719
Speaker 1: what's the deal with Club being gay? It's author is

531
00:35:01,760 --> 00:35:09,520
Speaker 1: gay Chuck Pelinick, and it's it's about like toxic masculinity,

532
00:35:09,680 --> 00:35:11,879
Speaker 1: but it's also about like these two guys that are

533
00:35:11,920 --> 00:35:17,719
Speaker 1: in a relationship and it's like they're you know, they're

534
00:35:17,800 --> 00:35:20,000
Speaker 1: come on the fight. Club is about how like you

535
00:35:20,040 --> 00:35:24,640
Speaker 1: have a boyfriend and then one day you realize he's imaginary. Yeah, uh,

536
00:35:25,480 --> 00:35:28,160
Speaker 1: well I didn't know that. Well, I mean I did

537
00:35:28,280 --> 00:35:30,640
Speaker 1: know that, but our dumbass listener didn't know that. Yeah,

538
00:35:31,080 --> 00:35:35,080
Speaker 1: drag them. But so it's not I feel like the

539
00:35:35,120 --> 00:35:39,879
Speaker 1: movie is deeply BROI though. Yeah, I think it's it's

540
00:35:39,920 --> 00:35:42,759
Speaker 1: sort of making fun of that culture. I think they

541
00:35:42,880 --> 00:35:46,879
Speaker 1: intended it to be like a parody of it. Well,

542
00:35:46,920 --> 00:35:50,359
Speaker 1: it's like, yeah, the I mean it's like guys like

543
00:35:50,440 --> 00:35:54,279
Speaker 1: beating each other up. You can interpret that as endorsing it,

544
00:35:54,360 --> 00:35:58,720
Speaker 1: but you can also interpret it as like interrogating it. Yeah,

545
00:35:59,080 --> 00:36:02,000
Speaker 1: if you're smart, Yeah, if you're smart, if you're really smart,

546
00:36:02,120 --> 00:36:04,480
Speaker 1: if you're It's the kind of thing where if you're

547
00:36:04,480 --> 00:36:07,480
Speaker 1: watching it on a VHS, maybe you'll think that it's

548
00:36:07,560 --> 00:36:09,359
Speaker 1: endorsing it, but if you're watching it on Moby's Head,

549
00:36:09,360 --> 00:36:18,359
Speaker 1: then immediately you're like, this is a communist feminist movie. Yeah. Um, Nick,

550
00:36:18,560 --> 00:36:24,880
Speaker 1: you you know, identify as mostly straight to collect VHS

551
00:36:25,080 --> 00:36:33,200
Speaker 1: is because I'm a I'm a one. I'm a kinsey one.

552
00:36:34,520 --> 00:36:36,520
Speaker 1: So Nick, describe what it is to be a kinsey one.

553
00:36:37,680 --> 00:36:42,080
Speaker 1: You know, sometimes you make out with men as a

554
00:36:42,200 --> 00:36:47,360
Speaker 1: joke and oh as a joke as a joke. Interesting. Interesting,

555
00:36:47,400 --> 00:36:51,400
Speaker 1: So it's really funny. It's really funny, you know because

556
00:36:51,440 --> 00:36:55,120
Speaker 1: like some people are like, wow, that's like different, and

557
00:36:55,120 --> 00:37:04,319
Speaker 1: then you know, like, no, I'm normal. Yeah. So, um,

558
00:37:04,520 --> 00:37:06,360
Speaker 1: for the listeners, Nick and I have made out in

559
00:37:06,360 --> 00:37:10,000
Speaker 1: the past, and that is the huge bomb drop that

560
00:37:10,080 --> 00:37:14,880
Speaker 1: this entire the juicy bomb drop. I was not going

561
00:37:14,920 --> 00:37:18,640
Speaker 1: to let this episode end without bringing it up, unless,

562
00:37:18,719 --> 00:37:21,719
Speaker 1: of course, it I didn't bring it up, which was

563
00:37:21,760 --> 00:37:26,360
Speaker 1: an option. Um. Yeah, me and Sam have a history,

564
00:37:26,800 --> 00:37:32,279
Speaker 1: his history. Thank you for speaking our language. Okay, he

565
00:37:32,360 --> 00:37:36,600
Speaker 1: gets it. Wow, this guy gets it. You know, I

566
00:37:36,640 --> 00:37:38,480
Speaker 1: thought he was just a Kinsey one, but he's actually

567
00:37:38,480 --> 00:37:40,400
Speaker 1: pretty cool. Let me tell you something. This is a slay.

568
00:37:41,160 --> 00:37:45,719
Speaker 1: So Nick, talk about yourself. Discover your discovery of your

569
00:37:45,800 --> 00:37:52,440
Speaker 1: Kinsey one identity. Um. Well, in in high school, I

570
00:37:52,600 --> 00:38:00,879
Speaker 1: had a very close friends who we would kind of uh,

571
00:38:01,000 --> 00:38:04,799
Speaker 1: we would have sleepovers and we would like kind of

572
00:38:05,680 --> 00:38:08,839
Speaker 1: jerk each other off, like but but we went like

573
00:38:09,120 --> 00:38:12,240
Speaker 1: talk about it. You cann't acknowledge it. It was always

574
00:38:12,239 --> 00:38:15,920
Speaker 1: in the dark. Honestly, this sounds very Kinsey six to me.

575
00:38:17,560 --> 00:38:19,200
Speaker 1: It went up there in the scales. You know. I

576
00:38:19,280 --> 00:38:21,440
Speaker 1: had to bring it down a bit as I got older,

577
00:38:21,880 --> 00:38:28,160
Speaker 1: but you know, and then, uh, and I didn't really

578
00:38:28,200 --> 00:38:30,880
Speaker 1: understand what it was because I wasn't like, you know,

579
00:38:31,200 --> 00:38:34,880
Speaker 1: I was like into it, but I knew that I

580
00:38:34,920 --> 00:38:38,480
Speaker 1: wasn't gay, but it was just something that I was

581
00:38:38,520 --> 00:38:41,520
Speaker 1: like that I did like at the time. And then

582
00:38:41,560 --> 00:38:44,799
Speaker 1: two years later he came out to me, and I

583
00:38:44,840 --> 00:38:46,200
Speaker 1: think he was like thinking that I was going to

584
00:38:46,280 --> 00:38:50,880
Speaker 1: come out too, But then I say in the m

585
00:38:51,000 --> 00:39:02,399
Speaker 1: awkward turtle, uh so yeah, and I've I've always been like,

586
00:39:03,000 --> 00:39:06,160
Speaker 1: there's like certain guys that like I'm attracted to, but

587
00:39:06,760 --> 00:39:10,799
Speaker 1: it's mostly been Poon Tank. Please let me know if

588
00:39:10,920 --> 00:39:13,399
Speaker 1: um this is too How many guys have you had

589
00:39:13,440 --> 00:39:21,840
Speaker 1: any kind of romantic contact with m I'd say it's

590
00:39:21,880 --> 00:39:30,040
Speaker 1: like five or six maybe. Wow. Yeah, I'm like, this

591
00:39:30,080 --> 00:39:33,120
Speaker 1: is juicy. This is sort of a turn for our

592
00:39:33,360 --> 00:39:35,879
Speaker 1: podcast in a way that like, you know, I thought

593
00:39:35,880 --> 00:39:37,880
Speaker 1: this might be on the table, but I'm I'm like,

594
00:39:37,920 --> 00:39:42,520
Speaker 1: this is juicy, baby. It's full of juice. It's full

595
00:39:42,560 --> 00:39:50,239
Speaker 1: of juice. Yeah, I you know, none of them have

596
00:39:50,360 --> 00:39:56,960
Speaker 1: been that like, uh fulfilling. Yeah, I'll say that I've

597
00:39:57,000 --> 00:40:02,440
Speaker 1: never like, yes, yeah, truly drag Sam. There's there's a

598
00:40:02,520 --> 00:40:06,480
Speaker 1: novelty factor to it. Yeah, you know, like, oh this

599
00:40:06,520 --> 00:40:10,399
Speaker 1: is different. But sometimes it's like, you know, it's it's

600
00:40:10,520 --> 00:40:17,960
Speaker 1: rare that it gets you know, it gets really hot. Yeah. Yeah. Well,

601
00:40:18,000 --> 00:40:20,560
Speaker 1: if it's something you want so you're in the mood

602
00:40:20,560 --> 00:40:22,920
Speaker 1: for so rarely, then it's hard to get those ten

603
00:40:23,000 --> 00:40:25,759
Speaker 1: thousand hours in, as Malcolm Gladwell will say, so that

604
00:40:25,840 --> 00:40:28,799
Speaker 1: you can really get good at it. Yeah, And I

605
00:40:28,840 --> 00:40:31,879
Speaker 1: think that's the that's the issue kind of it's kind

606
00:40:31,880 --> 00:40:34,480
Speaker 1: of like raisins for me, you know, like, I'm not

607
00:40:34,560 --> 00:40:38,000
Speaker 1: I'm not, I'm not picking raisins up that is or

608
00:40:38,120 --> 00:40:41,440
Speaker 1: such a good comparison because that is exactly how I

609
00:40:41,480 --> 00:40:43,200
Speaker 1: feel about raisins. I mean, yes, if they're in a

610
00:40:43,320 --> 00:40:46,719
Speaker 1: carrot cake, then sure I'll have something. But the other

611
00:40:46,800 --> 00:40:49,640
Speaker 1: day my boyfriend wanted to make meatballs that had raisins

612
00:40:49,719 --> 00:40:52,440
Speaker 1: in them. Oh my god, come on, I'm like, that

613
00:40:52,480 --> 00:40:56,919
Speaker 1: sounds good to me. What's the sam You're gay? Yeah,

614
00:40:57,040 --> 00:41:02,080
Speaker 1: seriously gay? Letting me name two kinsey one adults in

615
00:41:02,120 --> 00:41:12,160
Speaker 1: the room have this conversation, Um, yeah, interesting. Do you

616
00:41:12,280 --> 00:41:16,719
Speaker 1: think like, was that ever not to be like I

617
00:41:16,719 --> 00:41:18,600
Speaker 1: don't know, was that ever like weird? Were you ever

618
00:41:18,680 --> 00:41:20,400
Speaker 1: like what the funk is up with me? Or was

619
00:41:20,440 --> 00:41:23,239
Speaker 1: it just were you always like chill about it? I

620
00:41:23,360 --> 00:41:26,200
Speaker 1: love talking about this. What I hate this? Or do

621
00:41:26,239 --> 00:41:30,040
Speaker 1: you no? No, I'm into this. I think when I

622
00:41:30,080 --> 00:41:32,920
Speaker 1: was like when I had my first experiences, I was

623
00:41:33,000 --> 00:41:37,040
Speaker 1: like what the I was like, what the fuck? And

624
00:41:37,080 --> 00:41:43,239
Speaker 1: also my friends who I hooked up with, uh, he

625
00:41:43,400 --> 00:41:47,080
Speaker 1: was like like almost every adult was like, oh he's

626
00:41:47,120 --> 00:41:49,920
Speaker 1: going to be a gay person, you know, or he

627
00:41:50,080 --> 00:41:52,600
Speaker 1: is a gay person already, but he doesn't know it,

628
00:41:52,800 --> 00:41:56,799
Speaker 1: and uh, or maybe he does, and uh, this is

629
00:41:56,960 --> 00:42:04,960
Speaker 1: they would say. Very one of them goes, he's gonna

630
00:42:05,000 --> 00:42:06,680
Speaker 1: be gay. The other one goes, maybe he already is,

631
00:42:06,760 --> 00:42:08,680
Speaker 1: and then well, maybe he doesn't know it. And then

632
00:42:08,719 --> 00:42:11,840
Speaker 1: the fourth one, who was like the most progressive one, goes, honey,

633
00:42:11,880 --> 00:42:15,839
Speaker 1: maybe he does. And she's holding a martin. She's holding

634
00:42:15,840 --> 00:42:18,960
Speaker 1: a martini and suddenly reveal they're the four ladies of

635
00:42:19,000 --> 00:42:21,560
Speaker 1: Sex of the City and the last one with Samantha.

636
00:42:23,200 --> 00:42:28,440
Speaker 1: But so like adults knew that he was gay, and uh,

637
00:42:28,480 --> 00:42:30,880
Speaker 1: my parents, I think they had like a couple of

638
00:42:30,880 --> 00:42:35,520
Speaker 1: red flags about me, like hanging out with him so much.

639
00:42:36,440 --> 00:42:40,480
Speaker 1: And I remember one time my mom we're driving somewhere

640
00:42:40,680 --> 00:42:44,120
Speaker 1: and she was she was like kind of asking me

641
00:42:44,160 --> 00:42:46,680
Speaker 1: if I was gay, and I was like fourteen at

642
00:42:46,680 --> 00:42:49,920
Speaker 1: the time, and and I was like, I was like,

643
00:42:50,000 --> 00:42:53,200
Speaker 1: I know, I'm not. And then she pulled over the

644
00:42:53,239 --> 00:42:58,600
Speaker 1: car and started crying she really wanted you to be gay. No, No,

645
00:42:58,640 --> 00:43:04,440
Speaker 1: I know I'm kidding. Are you gay? No? And then

646
00:43:04,440 --> 00:43:13,280
Speaker 1: she starts crying, Oh my god, that's so dark. Yeah,

647
00:43:13,400 --> 00:43:14,759
Speaker 1: and then she was like, I just want you to

648
00:43:14,760 --> 00:43:17,520
Speaker 1: know that it's a hard life. If you choose or

649
00:43:17,640 --> 00:43:20,400
Speaker 1: she didn't say choose, but she didn't say. It's a

650
00:43:20,400 --> 00:43:24,680
Speaker 1: hard life. I mean, we self produced this podcast. Can

651
00:43:24,719 --> 00:43:27,200
Speaker 1: you imagine how hard that is. We bought microphone. If

652
00:43:27,239 --> 00:43:29,640
Speaker 1: we were straight, we would be in the network. Yeah,

653
00:43:29,719 --> 00:43:34,279
Speaker 1: you guys have to eat every raisins every day. I

654
00:43:34,320 --> 00:43:35,920
Speaker 1: do have that, I do have and this and now.

655
00:43:36,320 --> 00:43:38,759
Speaker 1: I love when our podcast actually talks about it's a

656
00:43:38,760 --> 00:43:42,360
Speaker 1: subject matter, which is straight culture. I am so fascinated

657
00:43:42,440 --> 00:43:46,960
Speaker 1: with the fact that so many straight guys were the

658
00:43:47,000 --> 00:43:51,279
Speaker 1: ones that, like in early teenage years, would kind of

659
00:43:51,320 --> 00:43:54,880
Speaker 1: initiate homo erotic interactions in a way, do you know

660
00:43:54,880 --> 00:43:59,000
Speaker 1: what I mean? Like I remember being closeted and seeing

661
00:43:59,000 --> 00:44:00,920
Speaker 1: that there were like guy is in my grade that

662
00:44:00,920 --> 00:44:04,320
Speaker 1: would like jerk off together and like watch porn together.

663
00:44:04,400 --> 00:44:06,799
Speaker 1: And I would always be like, that's a straight thing

664
00:44:06,880 --> 00:44:12,600
Speaker 1: that I can't do because I'm gay. Yeah, Like with that,

665
00:44:12,800 --> 00:44:15,640
Speaker 1: it's like a thin it's a thin line, Like it's

666
00:44:15,680 --> 00:44:19,359
Speaker 1: you know, because it's like if you're comfortable with that,

667
00:44:19,360 --> 00:44:21,799
Speaker 1: that means you're not gay, and if you're weird about it,

668
00:44:21,800 --> 00:44:25,440
Speaker 1: that means you are gay. Right, then there's like some

669
00:44:25,560 --> 00:44:29,200
Speaker 1: guy like there's a whole like men in prison thing too,

670
00:44:29,440 --> 00:44:32,120
Speaker 1: where they like they have sex with each other and

671
00:44:32,120 --> 00:44:35,680
Speaker 1: they kind of like understand that this is because we

672
00:44:35,719 --> 00:44:39,719
Speaker 1: have no access to women when we do this. You know. Yeah,

673
00:44:39,800 --> 00:44:43,839
Speaker 1: I think it's you know what, I think it's messed up.

674
00:44:45,680 --> 00:44:48,200
Speaker 1: And I'll and I'll say one thing. I think sexuality

675
00:44:48,200 --> 00:44:51,280
Speaker 1: across the board we could do away with it causes

676
00:44:51,320 --> 00:44:57,040
Speaker 1: nothing but trouble. Yeah, I agree, Sam. How is going

677
00:44:57,120 --> 00:45:00,440
Speaker 1: up with Nick for you? Um? It was a dream

678
00:45:00,480 --> 00:45:04,279
Speaker 1: come true? Right? Um? You know, Nick, I think you're

679
00:45:04,560 --> 00:45:08,600
Speaker 1: one of the hottest people on earth. Um, and you're

680
00:45:08,640 --> 00:45:13,719
Speaker 1: so sweet and uh, we'll always have tokyo. I think

681
00:45:13,960 --> 00:45:17,560
Speaker 1: I predict that when this episode is released, our rabid

682
00:45:17,719 --> 00:45:22,319
Speaker 1: gay listeners will flood to your d MS, I hope, so,

683
00:45:23,640 --> 00:45:28,200
Speaker 1: leaving you then, and then when you come back, they'll

684
00:45:28,239 --> 00:45:33,480
Speaker 1: they'll infect you with their brabies. Gay men have rabies,

685
00:45:34,480 --> 00:45:36,279
Speaker 1: and then when you come back on the podcast, you'll

686
00:45:36,320 --> 00:45:41,800
Speaker 1: be like Kinsey six, hooking up with guys left and right. Yeah,

687
00:45:41,840 --> 00:45:44,400
Speaker 1: I think no. But I also think Nick, if I

688
00:45:44,440 --> 00:45:50,560
Speaker 1: can say, you're a very generally just a chill person,

689
00:45:50,680 --> 00:45:54,640
Speaker 1: which is why it's like so like, you know, when

690
00:45:54,680 --> 00:45:59,399
Speaker 1: we have whatever it is, we've done, it's been You've

691
00:45:59,400 --> 00:46:02,240
Speaker 1: always been very like chill about everything in a way

692
00:46:02,239 --> 00:46:05,319
Speaker 1: that was like, wait, this is cool, Like even if

693
00:46:05,360 --> 00:46:13,839
Speaker 1: it's like, you know, just like this one time, it's fun. Yeah,

694
00:46:13,920 --> 00:46:16,680
Speaker 1: I think it's like a very cool thing. Well, I

695
00:46:17,239 --> 00:46:20,920
Speaker 1: you know, I I never want to make anybody feel

696
00:46:21,200 --> 00:46:29,319
Speaker 1: uncomfortable about you know, who they are that makes one

697
00:46:29,360 --> 00:46:34,200
Speaker 1: of us. Yeah. Um, but also like I you know,

698
00:46:34,440 --> 00:46:37,359
Speaker 1: I love you, Sam. I think you're you know, you're

699
00:46:37,640 --> 00:46:41,279
Speaker 1: one of my favorite people, and you know, and it

700
00:46:42,080 --> 00:46:49,720
Speaker 1: was it was exciting, and Nick, I love you too.

701
00:46:49,880 --> 00:46:54,839
Speaker 1: You're my closest friends. And it's always been like it's

702
00:46:54,840 --> 00:46:58,200
Speaker 1: always been under like funny circumstances that we've hooked up,

703
00:46:58,440 --> 00:47:02,840
Speaker 1: like should I leave, George, can you close your zoom?

704
00:47:02,880 --> 00:47:06,200
Speaker 1: I think we're gonna get into something. This is like

705
00:47:06,760 --> 00:47:09,080
Speaker 1: the split screen and the rules of attraction that we

706
00:47:09,080 --> 00:47:11,200
Speaker 1: were talking about, And now you're both going to be walking,

707
00:47:11,239 --> 00:47:14,480
Speaker 1: walking walking, and suddenly it seems you're in the same room. Okay,

708
00:47:14,600 --> 00:47:19,359
Speaker 1: Roger Avery geez okay, Um wait, Nick, keep going, what

709
00:47:19,400 --> 00:47:23,640
Speaker 1: were you sets? He was the first time turning off

710
00:47:23,680 --> 00:47:26,400
Speaker 1: my camera the first time we hooked up. That was

711
00:47:26,760 --> 00:47:33,440
Speaker 1: I mean, that's such a funny story talk, so uh,

712
00:47:33,480 --> 00:47:38,800
Speaker 1: it's funny, but it's also embarrassing and weird. But basically

713
00:47:39,080 --> 00:47:42,200
Speaker 1: I had friends, comedy friends over and we were all

714
00:47:42,239 --> 00:47:44,920
Speaker 1: texting Nick because Nick was like I was very new

715
00:47:44,920 --> 00:47:47,759
Speaker 1: in comedy and Nick was very flirty, and I was

716
00:47:47,800 --> 00:47:50,640
Speaker 1: always like, oh, yeah, he wants to and all like,

717
00:47:50,800 --> 00:47:53,040
Speaker 1: you know, our friends are like, yeah, he definitely wants

718
00:47:53,040 --> 00:47:55,560
Speaker 1: to hook up, Like oh my god, Like, and you

719
00:47:55,640 --> 00:48:01,359
Speaker 1: were at the Creek. You were like, okay, well I'm

720
00:48:01,400 --> 00:48:04,200
Speaker 1: gonna Like we were texting you. You're at a show there,

721
00:48:04,360 --> 00:48:06,560
Speaker 1: and I was like kind of close my apartments in

722
00:48:06,600 --> 00:48:09,480
Speaker 1: green Point and you're like, I'll be there to hang

723
00:48:09,520 --> 00:48:12,600
Speaker 1: out with this all these people. Basically right after you

724
00:48:12,640 --> 00:48:16,759
Speaker 1: get there, everyone leaves and then we hang out and

725
00:48:16,800 --> 00:48:19,640
Speaker 1: start making out, and then you're like, oh, I'm not

726
00:48:19,719 --> 00:48:24,239
Speaker 1: really into this, but I'll stay here and like and

727
00:48:24,280 --> 00:48:26,200
Speaker 1: I was like, oh dang. And then you're like, but

728
00:48:26,239 --> 00:48:29,080
Speaker 1: I'll stay and like cuddle and sleep here tonight if

729
00:48:29,080 --> 00:48:30,880
Speaker 1: you want. I was like, I thought that was a

730
00:48:30,920 --> 00:48:39,239
Speaker 1: reasonable offer, and I was like okay, And then like

731
00:48:39,239 --> 00:48:41,920
Speaker 1: waking up the next day, it was so funny, like

732
00:48:43,200 --> 00:48:48,560
Speaker 1: being like, why are you here? I have to say

733
00:48:48,560 --> 00:48:52,600
Speaker 1: The description of this interaction is the healthiest relationship anyone

734
00:48:52,719 --> 00:48:58,880
Speaker 1: who has ever been on this podcast has ever described. Yeah, yeah,

735
00:48:59,120 --> 00:49:01,759
Speaker 1: it was uh yeah, and then I feel like that

736
00:49:01,920 --> 00:49:07,760
Speaker 1: was like the true beginning of our friendship at night. Yeah,

737
00:49:09,200 --> 00:49:10,759
Speaker 1: you woke up the next day and you were like

738
00:49:11,440 --> 00:49:13,759
Speaker 1: best friend. It was like the Dude Wears. You were

739
00:49:13,760 --> 00:49:16,000
Speaker 1: the two guys in Dude Wears My Car. Sam became

740
00:49:16,040 --> 00:49:23,560
Speaker 1: the Elaine to my Seinfeld that night. Seinfeld, George, do

741
00:49:23,600 --> 00:49:26,200
Speaker 1: you want to be George? No, honey, you can be

742
00:49:26,280 --> 00:49:30,480
Speaker 1: George la la. You know, I've always thought George is

743
00:49:30,520 --> 00:49:36,759
Speaker 1: the hottest. That's George Felt, George sein Felt. They're all

744
00:49:37,000 --> 00:49:48,480
Speaker 1: it's about Seinfeld, Jerry Seinfelt, George Framer Seinfeld. Yeah, um yeah,

745
00:49:48,600 --> 00:49:52,279
Speaker 1: Well how do we come back from this? I don't know.

746
00:49:52,640 --> 00:49:58,440
Speaker 1: I wonder if there's a I don't know, I don't know.

747
00:49:58,600 --> 00:50:01,120
Speaker 1: I'm stuck if if I guess, well should add this

748
00:50:01,200 --> 00:50:03,200
Speaker 1: to the packet and say, you know, if you want

749
00:50:03,200 --> 00:50:05,680
Speaker 1: to write for us, definitely think about how to make

750
00:50:05,760 --> 00:50:11,040
Speaker 1: the the Salm and nick Um sort of plot line

751
00:50:13,320 --> 00:50:19,719
Speaker 1: they did. Yeah. Interesting, It always has been weird but

752
00:50:19,920 --> 00:50:24,439
Speaker 1: fun and chill. So I love that about us has

753
00:50:24,440 --> 00:50:26,160
Speaker 1: it always been weird. It seems like you guys are

754
00:50:26,160 --> 00:50:28,759
Speaker 1: in a very good place, and I guess I mean

755
00:50:28,800 --> 00:50:32,920
Speaker 1: weird by like it's like we hang out often and

756
00:50:32,960 --> 00:50:35,600
Speaker 1: then it's so it's like these it happens like every

757
00:50:35,640 --> 00:50:39,080
Speaker 1: once in a while, and so it's like weird because

758
00:50:39,080 --> 00:50:43,000
Speaker 1: it's like not normal, if that makes sense, Like it's

759
00:50:43,000 --> 00:50:45,000
Speaker 1: not like expected when we hang out, Like that's not

760
00:50:45,040 --> 00:50:48,879
Speaker 1: the the goal. So it's that's why I think it's weird.

761
00:50:49,120 --> 00:50:55,840
Speaker 1: It's extra credit. It's extra credit. I'm like, now I

762
00:50:55,880 --> 00:50:59,879
Speaker 1: feel weird. You have Do you have a friend like me? Well,

763
00:51:00,000 --> 00:51:02,239
Speaker 1: I mean we've talked about this. Sam is so much

764
00:51:02,239 --> 00:51:07,600
Speaker 1: more successful at finding the Kinsey ones of the world.

765
00:51:07,800 --> 00:51:11,279
Speaker 1: Let's say that, um, and you know what I say

766
00:51:11,320 --> 00:51:14,040
Speaker 1: to that they find me? Yes, and often they are

767
00:51:14,040 --> 00:51:20,400
Speaker 1: in fact Kinsey zeros, you know a lot. Okay, here's

768
00:51:20,400 --> 00:51:24,120
Speaker 1: what I will say. So many times I've been like

769
00:51:24,200 --> 00:51:27,560
Speaker 1: this straight man is hitting on me, and then I like,

770
00:51:28,360 --> 00:51:30,080
Speaker 1: will they won't? They with him for like a year

771
00:51:30,719 --> 00:51:32,879
Speaker 1: and then I'm like, Okay, I'm going to start having

772
00:51:32,880 --> 00:51:35,920
Speaker 1: self respect and stop doing this. And then then Nick

773
00:51:36,000 --> 00:51:38,879
Speaker 1: comes alot four years later he's by right, So it's

774
00:51:38,880 --> 00:51:44,520
Speaker 1: like Okay, I do. That has happened like three times.

775
00:51:45,440 --> 00:51:48,480
Speaker 1: There is this guy who is a friend of a

776
00:51:48,520 --> 00:51:52,399
Speaker 1: friend who I've met once, who is in no way

777
00:51:52,520 --> 00:51:55,480
Speaker 1: he is a hundred percent straight, but he keeps he's

778
00:51:55,560 --> 00:51:59,480
Speaker 1: interested in a friend of mine and past guest, Marybeth Browne.

779
00:52:00,120 --> 00:52:03,400
Speaker 1: So he sends me like almost nudes of himself and

780
00:52:03,400 --> 00:52:11,279
Speaker 1: he's like for Mary Beth, I think he's jerking off

781
00:52:11,360 --> 00:52:15,919
Speaker 1: the locker room. Yeah, you know which nice. But then

782
00:52:15,960 --> 00:52:18,120
Speaker 1: he's one of these straight guys that likes attention from

783
00:52:18,120 --> 00:52:21,080
Speaker 1: gay man a lot, and I like giving it to him. Yeah,

784
00:52:21,800 --> 00:52:28,760
Speaker 1: we're out there, we we exist. Yeah yeah, wow yeah.

785
00:52:29,000 --> 00:52:37,200
Speaker 1: Um So VHS tapes so tapes, I forgot that that

786
00:52:37,360 --> 00:52:42,120
Speaker 1: was h I can't think of anything more misleading. And

787
00:52:43,719 --> 00:52:47,120
Speaker 1: I feel like when we got on this podcast and

788
00:52:47,200 --> 00:52:51,759
Speaker 1: you started talking about h VHP tapes vs. Sam, you

789
00:52:51,840 --> 00:52:57,600
Speaker 1: are so flustered. I was like, I was like, okay, yeah, yeah, yeah,

790
00:52:57,680 --> 00:53:00,680
Speaker 1: let's let's we're just gonna be normal all this episode.

791
00:53:00,680 --> 00:53:02,359
Speaker 1: We're not going to talk about it. We're not We're

792
00:53:02,360 --> 00:53:07,319
Speaker 1: gonna be normal. But I had and I could see

793
00:53:07,320 --> 00:53:10,160
Speaker 1: you squirming in your little seat from the moment we

794
00:53:10,200 --> 00:53:12,880
Speaker 1: mentioned VHS tapes. You were like, Okay, but when am

795
00:53:12,880 --> 00:53:15,279
Speaker 1: I going to bring it up? And I think you

796
00:53:15,360 --> 00:53:19,120
Speaker 1: brought up at the right time. I mean the fact

797
00:53:19,200 --> 00:53:22,880
Speaker 1: that we've gone from Moby Quimby movie to VHS tapes

798
00:53:23,120 --> 00:53:29,520
Speaker 1: too kind of an initially uncomfortable but ultimately heartwarming story

799
00:53:29,600 --> 00:53:35,480
Speaker 1: about men being men. I mean, what else do you

800
00:53:35,480 --> 00:53:38,359
Speaker 1: want in a podcast? I don't know, Vulture, I don't

801
00:53:38,360 --> 00:53:42,960
Speaker 1: know Vulture, Vulture, let us know. I mean I have

802
00:53:43,040 --> 00:53:46,480
Speaker 1: to say, if anything, this, this one might get featured

803
00:53:46,480 --> 00:53:50,799
Speaker 1: in UM in the cut. Oh my god. I mean

804
00:53:50,880 --> 00:53:55,520
Speaker 1: I can see UM out dot com dot com which

805
00:53:55,560 --> 00:53:58,480
Speaker 1: is now run by Conversation. Yeah, it's now run by

806
00:53:58,560 --> 00:54:04,439
Speaker 1: UM kind of an evil machine. Oh that's too bad.

807
00:54:06,239 --> 00:54:09,800
Speaker 1: All start for them and get it. Probably get featured

808
00:54:09,840 --> 00:54:13,400
Speaker 1: in UH one is the Loneliest number Duck. That's the

809
00:54:13,719 --> 00:54:19,240
Speaker 1: Kinsey one. Yeah. Sorry, I don't subscribe, which is ignorant

810
00:54:19,239 --> 00:54:27,880
Speaker 1: of me. Yeah. UM we like men sort of. Yeah.

811
00:54:28,160 --> 00:54:30,839
Speaker 1: I don't know that it's mostly but it's a fun

812
00:54:30,880 --> 00:54:40,759
Speaker 1: novelty Yeah. Um wow. I mean I feel like, more

813
00:54:40,800 --> 00:54:44,160
Speaker 1: than ever we left it all on the court, and

814
00:54:44,200 --> 00:54:47,240
Speaker 1: thank you for bringing it back to the court. Pass

815
00:54:47,320 --> 00:54:54,440
Speaker 1: the ball, catch the ball, Catch the ball, go along you.

816
00:54:54,640 --> 00:54:58,760
Speaker 1: I'll play shortstop and I'll play picture and can someone

817
00:54:58,760 --> 00:55:06,040
Speaker 1: get the bowling pins ready? Popcorn? Popcorn for sale? Um?

818
00:55:06,320 --> 00:55:08,680
Speaker 1: Should we do our final segment? I guess so, I

819
00:55:08,680 --> 00:55:13,879
Speaker 1: don't even know what mine will be. I actually do know. Well,

820
00:55:14,040 --> 00:55:17,640
Speaker 1: please explain the segment and then new yours? Okay, Nick.

821
00:55:17,719 --> 00:55:21,319
Speaker 1: Our final segment is called shout outs. George hates it,

822
00:55:21,360 --> 00:55:23,359
Speaker 1: but that's because he's jealous of how good it is.

823
00:55:23,560 --> 00:55:27,719
Speaker 1: I'm I am genuinely just bad at it, and that's

824
00:55:27,880 --> 00:55:30,319
Speaker 1: actually good at it, and it's funny and a good

825
00:55:30,320 --> 00:55:36,080
Speaker 1: way to end the episode. Um and and uh, basically,

826
00:55:36,120 --> 00:55:39,520
Speaker 1: you give a shout out to anything that you like, um,

827
00:55:39,560 --> 00:55:41,000
Speaker 1: in the style of sort of a two dozen to

828
00:55:41,239 --> 00:55:43,759
Speaker 1: t r L situation, shouting back to your squad back home.

829
00:55:45,200 --> 00:55:47,839
Speaker 1: So I have one in mind, so I will go,

830
00:55:49,920 --> 00:55:51,799
Speaker 1: what's up? Listeners? Um, I just want to give a

831
00:55:51,880 --> 00:55:54,960
Speaker 1: huge shout out to spa castle in Queen's This is

832
00:55:55,000 --> 00:55:57,880
Speaker 1: sort of Nick and Eyes Undying Lands, where you know,

833
00:55:58,000 --> 00:56:00,040
Speaker 1: now we don't hook up anymore. He is married, a

834
00:56:00,080 --> 00:56:02,839
Speaker 1: monogamous but we go to spot castle and we hang

835
00:56:02,840 --> 00:56:05,520
Speaker 1: out naked, and we eat metables and we just sort

836
00:56:05,520 --> 00:56:08,160
Speaker 1: of chat about what's going on in our lives. And

837
00:56:08,160 --> 00:56:11,080
Speaker 1: it's the most beautiful place in the world. And yes,

838
00:56:11,239 --> 00:56:13,359
Speaker 1: sometimes if you go in the steam room, people are

839
00:56:13,680 --> 00:56:15,359
Speaker 1: jerking off. And if you don't want to do that,

840
00:56:15,360 --> 00:56:17,879
Speaker 1: that's fine. And if you do want to think, that's

841
00:56:17,920 --> 00:56:21,080
Speaker 1: also fine. Like I do whatever, go all the way off,

842
00:56:21,200 --> 00:56:23,680
Speaker 1: do whatever you feel. But um, I want to give

843
00:56:23,719 --> 00:56:26,120
Speaker 1: a huge out spot Castle. It's beautiful and I love

844
00:56:26,200 --> 00:56:29,040
Speaker 1: to be dipping in those little pools naked with Misha

845
00:56:29,200 --> 00:56:37,759
Speaker 1: and my dearest friends. Nack. Um. You know what I'd

846
00:56:37,840 --> 00:56:40,600
Speaker 1: like to give. I'd like to give just a hearty

847
00:56:41,040 --> 00:56:48,160
Speaker 1: shout out to the concept of sexuality. We have learned

848
00:56:48,200 --> 00:56:51,919
Speaker 1: so much about it this episode, and it is such

849
00:56:51,960 --> 00:56:54,560
Speaker 1: a beautiful world we live in where so many different

850
00:56:54,640 --> 00:56:58,080
Speaker 1: kinds of people can exist and coexist and intermingle with

851
00:56:58,120 --> 00:57:02,319
Speaker 1: one another. And all I have to say is onward,

852
00:57:02,360 --> 00:57:09,719
Speaker 1: comrades to new frontiers in human sexuality. All right, I'll

853
00:57:09,719 --> 00:57:15,839
Speaker 1: do one. Um. What's up, everybody, It's me Nicky boy

854
00:57:16,000 --> 00:57:20,800
Speaker 1: from the Sun. Everybody shout out to television. Uh, clicking on,

855
00:57:21,120 --> 00:57:23,919
Speaker 1: change the channel, put on anything you want. We got

856
00:57:23,960 --> 00:57:28,120
Speaker 1: it all on this ship, baby, Put that ship on.

857
00:57:28,600 --> 00:57:30,760
Speaker 1: Put it on the background, be on your phone, it

858
00:57:30,880 --> 00:57:34,800
Speaker 1: don't fucking matter. Watch whatever you want, so much stuff

859
00:57:34,840 --> 00:57:38,360
Speaker 1: to watch, people being funny, ha ha ha, people being said,

860
00:57:38,440 --> 00:57:43,680
Speaker 1: Oh my god, people killing each other. It's so great.

861
00:57:43,720 --> 00:57:47,520
Speaker 1: And sometimes you can even jerk your little becker to

862
00:57:47,800 --> 00:57:57,600
Speaker 1: who television wherever you are it's on baby. Wow you

863
00:57:57,800 --> 00:58:05,000
Speaker 1: slogan for television wherever you are? Baby. I love that

864
00:58:05,040 --> 00:58:08,200
Speaker 1: because it's um one of those slogans that's simply untrue.

865
00:58:08,320 --> 00:58:12,080
Speaker 1: You know, it's not necessarily always on. Um. Like I

866
00:58:12,080 --> 00:58:14,560
Speaker 1: I love the slogan for Equinox, where it's like, it's

867
00:58:14,600 --> 00:58:20,120
Speaker 1: not fitness, it's a lifestyle. It's I'm literally saying what

868
00:58:20,160 --> 00:58:28,280
Speaker 1: it like. It's not what it is. It is beautiful. Um. Well,

869
00:58:28,400 --> 00:58:33,920
Speaker 1: this has been a beautiful, gorgeous, interesting episode. It was

870
00:58:33,960 --> 00:58:38,280
Speaker 1: an underfundly to bear witness to it. Yeah, um, Nick,

871
00:58:39,040 --> 00:58:41,120
Speaker 1: thank you for doing it. Thank you so much for

872
00:58:41,160 --> 00:58:46,680
Speaker 1: having me. Um uh and Nick, you know, uh, let's

873
00:58:46,680 --> 00:58:52,080
Speaker 1: hook up sometime, yeah, George, let me get it going

874
00:58:52,560 --> 00:58:55,960
Speaker 1: all right, cool, let's see you then. Wow. Thank you

875
00:58:56,000 --> 00:58:59,919
Speaker 1: to all our glamour girls worldwide and all our kids.

876
00:59:00,040 --> 00:59:04,640
Speaker 1: See ones if you're a kins one right to us

877
00:59:04,800 --> 00:59:07,800
Speaker 1: at Stradio Lab at gmail dot com. You're a Kinsey

878
00:59:07,800 --> 00:59:11,240
Speaker 1: one reach out and also generally reach out. We're soliciting

879
00:59:11,360 --> 00:59:16,120
Speaker 1: listener questions for a special potential future episode, so in fact, ironically,

880
00:59:16,280 --> 00:59:19,200
Speaker 1: please email us at stradio added gmail dot com. I

881
00:59:19,200 --> 00:59:22,960
Speaker 1: think we'll have to record a more formal thing about that. Wow, Okay, cool,

882
00:59:23,800 --> 00:59:25,600
Speaker 1: what's up? But I appreciate you trying to tag it

883
00:59:25,640 --> 00:59:29,160
Speaker 1: on at the end in some weird, unnatural ways. Christ Okay,

884
00:59:29,200 --> 00:59:38,000
Speaker 1: let's stop. Okay, bye bye,