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Speaker 1: From Hollywood to you, thank you for listening to us.

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Speaker 1: Ryan Air on Air with a Ryan Seacrest.

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Speaker 2: Charlie xc X. I was driving to the dentist this week.

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Speaker 2: That song came on. My window was down. I don't

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Speaker 2: quite know the lyrics to it totally yet. Dude was

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Speaker 2: next to me in a white car windowed down passenger

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Speaker 2: side gave me a look like, put your window up

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Speaker 2: if you're.

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Speaker 3: Gonna sing, and you're like the airport.

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Speaker 2: I know, I get good on the choruses. I mean

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Speaker 2: it was like bad. So now before I start singing,

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Speaker 2: I put the window halfway up.

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Speaker 3: Don't do that. Live your life.

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Speaker 2: Yeah, the guy judged me. Guy judged me. He was

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Speaker 2: in a blazer. Let them. He was dressed the blazer,

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Speaker 2: Yeah he was. I was in a te he was

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Speaker 2: in a blazer. I was singing out loud, he was

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Speaker 2: dressed up. It was like I was ruining his phone call.

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Speaker 3: Turned to him and give him a wink.

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Speaker 2: I'm not gonna wink at a stranger. I don't what

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Speaker 2: comes out of that.

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Speaker 3: I don't throw them off.

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Speaker 2: Even more if I wink at a stranger, what happens

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Speaker 2: if they follow me? Yeah, they're a wink back. I

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Speaker 2: don't I don't need another I don't need a wink

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Speaker 2: back from a stranger.

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Speaker 3: And then a head not like acknowledge to be like, yeah,

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Speaker 3: I'm having a good time. Your car seems boring.

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Speaker 2: Oh, kiss, kiss, kiss? Well did you hear last night?

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Speaker 2: Went out for dinner at five thirty?

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Speaker 4: Oh?

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Speaker 2: I heard you here? Went out for dinner at five thirty?

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Speaker 2: You know why I go five thirty because I'm hungry

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Speaker 2: and I like to eat early. I like to digest

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Speaker 2: and get to bed at a good hour. And no

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Speaker 2: one's there. No one's ever there in a restaurant. They

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Speaker 2: can get a table anytime, don't need a reservation. You

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Speaker 2: walk in, you sit down. By the time you finish

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Speaker 2: forty eight minutes later, no one's still there at all. Anyway,

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Speaker 2: it's a great time. But there was a woman and

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Speaker 2: a boy like a son on a two top playing

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Speaker 2: Hangman with it because they have crowns at this restaurant, right,

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Speaker 2: and you know, like a paper for the tablecloth. Yeah,

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Speaker 2: they're playing hang Man or hang person in the classic.

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Speaker 2: And I walked over there and I looked, and I thought,

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Speaker 2: I think that's Jen from you know, our show and

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Speaker 2: Rocco her son, You've getting clothes to wear, like hand

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Speaker 2: me downs to wear.

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Speaker 3: Yeah, he wears your old jeans.

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Speaker 2: He's the size of me plus me. I mean, like

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Speaker 2: he's taller than I am already.

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Speaker 3: Would you realize Hangman is like a version of Wheel

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Speaker 3: of Fortune?

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Speaker 5: Uh?

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Speaker 2: Huh, Wait till wait till what I said, Wait till

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Speaker 2: you hear what I said. When I came up, then

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Speaker 2: I heard Jen's voice, which is very distinct, so I

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Speaker 2: knew Jen it is. So I didn't I come over

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Speaker 2: and just dance behind Rocco for a second.

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Speaker 6: Yes, And I was looking down trying to figure out

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Speaker 6: the puzzle.

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Speaker 2: Right, see distinct voice, And I said, are you guys

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Speaker 2: playing Wheel of Fortune? And she said, we're playing Hangman.

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Speaker 2: Then I went into the history of it, but yeah,

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Speaker 2: you know, and ran into Jen at the restaurant. I said,

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Speaker 2: you because this is your haunt, right, this is like

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Speaker 2: your spot, It really is, which a pach pach is

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Speaker 2: the place in the hills and it's great. It's a

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Speaker 2: neighborhood spot and they have everything from pizza to pasta

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Speaker 2: to I had the wood grilled chicken.

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Speaker 3: Which is so good, so good.

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Speaker 6: I had the beat salad.

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Speaker 2: Oh, I had the chop salad too. Whoa chop sound?

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Speaker 3: It's incredible. Yeah.

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Speaker 2: Anyway, I think the message is you can be friends

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Speaker 2: with people that were in your Pastanya. I think that's

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Speaker 2: the message that Jen and I come today with you.

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Speaker 2: You connect your own dots there, you connect your own dots,

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Speaker 2: but it was a two top and you can be

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Speaker 2: friends with people who have been in your life for

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Speaker 2: a long time. Oh and that's beautiful and I think

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Speaker 2: that's why Jen and I wanted to bring it up, Tanya.

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Speaker 2: So it is possible.

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Speaker 4: Wow, where you got onto this high horse the other

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Speaker 4: day where you were like Sissy and when you said

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Speaker 4: to Sissy and I, yes you can be friends with

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Speaker 4: your ex and Sissy and I were like, no you can't,

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Speaker 4: and you were like, yes you can.

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Speaker 2: I've said that for twenty years, so it wasn't just

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Speaker 2: last week.

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Speaker 3: I'm missing missing the ex reference here though, but maybe

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Speaker 3: I'll get it in a bit.

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Speaker 2: Jen, I have to say, Rocco is growing up? How

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Speaker 2: old is Rocco now? Your son twelve? He looks like

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Speaker 2: he's fifteen. Totally think he's older, Yes, everyone does.

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Speaker 3: I mean the takeaway here is that you can fit

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Speaker 3: into twelve year old gee.

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Speaker 2: Oh that's another takeaway. But he can fit into my clothes.

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Speaker 3: He's a mustache.

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Speaker 2: Oh. Anyway, that place is so great, hidden in the

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Speaker 2: Hollywood Hills there or the Cannan Hills.

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Speaker 6: It's so romantic, but it is.

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Speaker 7: It's like a really.

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Speaker 6: No, it's just you can go there with anyone. Sunday

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Speaker 6: nights they have family Night. It's filled with families having pizza.

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Speaker 6: It's really it's just you can go there on a date,

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Speaker 6: you can go there.

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Speaker 3: With your kids.

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Speaker 2: And it's dark. I mean you can't see anything in there.

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Speaker 2: I didn't even know it was Jen until I had

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Speaker 2: to hear her voice because it's so dark in there.

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Speaker 2: And I see her every day just looking at what's

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Speaker 2: happening today. Today's National Lumberjack Day, so congratulations and celebration

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Speaker 2: of that National Dumpling Day. I do have a week

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Speaker 2: spot for dumplings. I love dumplings. Also, twenty one, Season

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Speaker 2: twenty one of Gray's Anatomy Tony premieres tonight on ABC.

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Speaker 4: Let's give it up for that longest running medical show

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Speaker 4: and television history.

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Speaker 2: A lot of caveats there, but sure congraduates the longest

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Speaker 2: running medical drama comedy one hour series RUNNINGBC in the history.

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Speaker 3: Of the General Hospital. Is that up there?

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Speaker 2: I don't think it's medical medico drama. Let's say Primetime

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Speaker 2: then just the Time.

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Speaker 8: Is running primetime met drama series ever.

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Speaker 2: In the history of TV. Yeah, Sunshine Later highes around

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Speaker 2: eighty or ninety to o Ryan's Roses, So in about

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Speaker 2: an hour we'll get into it. And she found what

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Speaker 2: she describes as a secret Tinder phone. So he's got

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Speaker 2: a he's got another phone and phone number, and she

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Speaker 2: found him on Tinder, So why and what's going on?

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Speaker 2: What's he hiding? Also, Charlie Pooth, that's gonna be on.

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Speaker 2: He's got The Charlie Pooth Show, which is a Larry

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Speaker 2: David ish kind of show, like it's scripted but loose

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Speaker 2: and very funny. We've always known him have such a

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Speaker 2: great sense of here the guy just got married. I

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Speaker 2: feel like he's really in a good place. And we'll

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Speaker 2: talk to him after what eight o'clock this morning, after

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Speaker 2: Ryan's Roses? Right now, the horsecopes, how is your Thursday

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Speaker 2: September twenty sixth shaping up?

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Speaker 4: Let's go okay, aries, you've got that it factor today?

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Speaker 3: Wow? Taurus Share credit to certain people that have helped

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Speaker 3: you get where you are. Gemini, save all your pennies

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Speaker 3: for a rainy day. Cancer, make your desires known.

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Speaker 8: Leo, face a truth that you've been avoiding.

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Speaker 4: Virgo, you will inspire others today, Libra, speak your mind today.

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Speaker 3: Scorpio, come up with ways to earn more money.

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Speaker 8: Sagittarius.

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Speaker 2: Today will be that's to be blunt. I know, hey, honey,

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Speaker 2: here's your horus Gulf, take it and get out.

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Speaker 8: Cured out, Sagittarius.

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Speaker 4: Today we'll be packed with conversations, emails and social media

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Speaker 4: scrolling galore.

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Speaker 3: Capricorn. Tonight, try to connect with someone in person.

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Speaker 8: Aquarius, when asked for advice, be blunt.

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Speaker 3: Emphi sees that you are the happiest around the people

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Speaker 3: you love. Focus on them today.

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Speaker 2: Sometimes it's a it's a mad dash to get into

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Speaker 2: the car, and I get there. And Sisney played this

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Speaker 2: during her hour after after our show. She does an

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Speaker 2: hour before she turns it over, and this is what

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Speaker 2: she played between songs.

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Speaker 1: Can we get Netflix, Hulu and all the other streaming

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Speaker 1: services together and force them.

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Speaker 8: To decide what volume level each number is? I just

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Speaker 8: blew a speaker, switching from Peacock to Max, So.

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Speaker 2: I called Mark because I was driving, I couldn't type

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Speaker 2: of called Mark. I said, find that thing she just played.

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Speaker 2: We have to play that in the morning, because it's true.

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Speaker 3: It's so true.

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Speaker 2: The volume. But if you go from I don't know

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Speaker 2: which is which, but if you go, for example, from

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Speaker 2: Apple TV Plus to Max to Amazon to Peacock to

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Speaker 2: Hula to Netflix to Paramount Plus, the volume levels are different.

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Speaker 3: Disney Plus for sure is different from Netflix.

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Speaker 2: For example, is it lower or higher Disney Plus?

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Speaker 3: Disney is lower because we always.

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Speaker 2: Have detect kids ears.

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Speaker 3: Maybe, but then when I'm playing let's say I'm Plane,

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Speaker 3: you know, Coco or in Guntal for them, I have

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Speaker 3: to put it super high. And then if we switch

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Speaker 3: to a different one, it's like boom. Like now Netflix is.

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Speaker 2: Super Care's me. It's so jarring. And so the sweeper

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Speaker 2: there we call that little thing suggests that everybody gets

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Speaker 2: together and sets a universal volume.

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Speaker 3: I'm here for everything, yes, right, But you know, there's

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Speaker 3: like some backstory with Netflix. Apparently it's set to having

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Speaker 3: surround sound on a TV. So you have to man

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Speaker 3: manually go in there and say you don't have surround sound.

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Speaker 3: If you don't, so then you don't have to have

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Speaker 3: the volume solo there.

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Speaker 2: It's just you should spend an evening with me on

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Speaker 2: the couch When I have to get the subtitles off

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Speaker 2: that somehow automatically come up without me doing it, I

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Speaker 2: am it takes a minute.

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Speaker 3: I'm the subtitle queen. My kids they don't like the

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Speaker 3: subtitles on and like they don't know how to do

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Speaker 3: it either, And I'm like, boom boo boo. I can

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Speaker 3: find it in two seconds.

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Speaker 2: I can't. It takes me for I get so frustrated

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Speaker 2: trying to find Sometimes I just quit watching what I'm

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Speaker 2: watching because the subtitles I can't get.

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Speaker 3: The secret is just to use the arrow either to

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Speaker 3: the left or up, and then it'll usually bring up

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Speaker 3: the little pop up menu right there.

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Speaker 2: Well, this week my WiFi was out and I just

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Speaker 2: got the spiraling circle. I go in. Oh yeah, I

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Speaker 2: had to go in and deal with unhooked a modem.

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Speaker 3: I had to go real It takes though, just reset

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Speaker 3: the modem.

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Speaker 2: It wasn't just that it was the modem, it was

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Speaker 2: also the splitter or the sprinter. Do you call tubbs?

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Speaker 9: No?

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Speaker 2: I did not call tubs. I did it on my own.

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Speaker 2: I googled it and I figured out on my own.

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Speaker 2: I guess there. I guess there have been some Wi

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Speaker 2: Fi outages, rolling outages around town. Someone blamed it on

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Speaker 2: COVID days. I don't know. I just I ask around.

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Speaker 3: There was COVID days.

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Speaker 2: How is that they still blame I don't know. Some

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Speaker 2: of these rollouts are from COVID.

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Speaker 3: It was an issue. I remember working from home and

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Speaker 3: it was as if the internet was bottlenecked between seven

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Speaker 3: am to nine am.

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Speaker 2: Why get some of that at night when I'm trying

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Speaker 2: to stream my uh Ryan Murphy series? I mean, how

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Speaker 2: many shows is Ryan Murphy have out right now?

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Speaker 3: Thinking that too when I was watching Monsters, because it

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Speaker 3: comes up and it says Ryan Murphy right there, Ryan Murphy.

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Speaker 2: And there's also I saw a billboard on Sunset he's

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Speaker 2: got Odyssey deck. I think Deck Energy calls it Big

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Speaker 2: Deck Energy out, big Deck, Doctor Ossey, Yeah, Doctor Otisy's

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Speaker 2: I was called yes with Joshua. I've not seen it.

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Speaker 2: I just saw the BUILDO.

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Speaker 3: I've seen it either.

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Speaker 2: But oh, but then why you so excited? Yeah?

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Speaker 3: Why are you so excited?

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Speaker 4: Because I'm hearing like rumblings that it's really good, and

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Speaker 4: I love Joshua Jackson.

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Speaker 2: It's Ryan Murphy. He really Murphy does all these shows,

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Speaker 2: rites and produces them. Does everything I like doctor shows?

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Speaker 2: You do? Yeah, we know that. What's celebrating its world

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Speaker 2: record premiere.

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Speaker 4: The Great Natomy is the longest running prime time drama

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Speaker 4: medical series in history.

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Speaker 2: Now, let's keep the ball moving here next. If they

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Speaker 2: haven't said I love you in this much time, they

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Speaker 2: are not the one. Doctor Otissey premieres tonight on ABC.

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Speaker 2: It's the one thing I didn't get from the billboard.

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Speaker 2: I forgot to look at that part. Doctor Otissey premieres

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Speaker 2: tonight on ABC. All right, if they haven't said I

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Speaker 2: love you in this amount of time, you are not

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Speaker 2: the one. Are you dating somebody right now? If they

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Speaker 2: haven't said I love you in twelve weeks, you're wasting

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Speaker 2: your time. If you haven't heard I love you?

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Speaker 8: What you got to use weeks?

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Speaker 2: Can I get through it before you put it? I

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Speaker 2: would do that to you in your training report? What sorry? Sorry,

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Speaker 2: I'm like mutual respect and delivery here.

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Speaker 3: You know sometimes you do.

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Speaker 2: Oh that's because that's because she springs it on me. Right, So,

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Speaker 2: if you're dating somebody, and they go twelve weeks. After

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Speaker 2: twelve weeks, if they've not said I love you, then

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Speaker 2: they gotta go. That's a long Twelve weeks is a

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Speaker 2: long time either you kind of know that there's love

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Speaker 2: or not, let's say, get married or engaged.

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Speaker 3: Yeah, but no, I.

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Speaker 4: Think so that somebody checks out for me, it doesn't

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Speaker 4: check out for me.

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Speaker 2: No, they haven't said in three months. They've said I

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Speaker 2: love you in three.

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Speaker 3: Months, I love you within three months. I think we

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Speaker 3: said like month and a half or two months in.

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Speaker 2: Which is good. I mean that's a long run too.

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Speaker 2: I never said it, but like then Gone always said it.

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Speaker 3: Yes, we said, I told you how Michael and I

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Speaker 3: said it. We said to listen to that song like

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Speaker 3: I love you.

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Speaker 2: But it worked out for you, guys, Michael Michael front.

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Speaker 3: Head, yes, spear or that's how we said it. And

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Speaker 3: then we look at each other and we were like,

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Speaker 3: I do love you like it was Tony.

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Speaker 2: You ever said it foot in mouth I love.

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Speaker 4: You, No, but I said it on the air before

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Speaker 4: saying it to Robbie, which was kind of that was

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Speaker 4: that at twelve weeks, No way later it was like

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Speaker 4: six months or five months.

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Speaker 2: This worries me.

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Speaker 8: We're getting married.

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Speaker 2: Yeah, maybe they're an exception to the rule. Let me

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Speaker 2: give you a Thursday quote. Then I gotta move Ryan's

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Speaker 2: roses coming up fast. Today's quote, stop tolerating disrespect just

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Speaker 2: because you don't want to lose people. Ooh, that's what

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Speaker 2: I actually aim for. That right there, that effect, that

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Speaker 2: sound that impacts what I want.

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Speaker 7: Kiss FM headlines with, well, remember.

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Speaker 3: That the guy who turned down three hundred grand from

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Speaker 3: the Dodgers for Shovio Tony's historic fiftieth home run ball.

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Speaker 3: But looks like he made the right choice.

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Speaker 10: The ball goes up for auction tomorrow and the starting

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Speaker 10: bid is already.

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Speaker 3: At half a million dollar.

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Speaker 10: The FBI is warning residents about an increase in hoax

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Speaker 10: threats in southern California over the past couple of weeks,

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Speaker 10: especially against schools. Hoda Koffee has announced that she is

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Speaker 10: leaving the Today's Show early next year after seventeen years

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Speaker 10: to focus on her kids and the LAFC won the

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Speaker 10: Lamar Hunt US Open Cup for the first time with

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Speaker 10: a three to one win over Sporting Casey.

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Speaker 3: On air with the Ryan Seacrets.

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Speaker 2: Sunshine Later eighties and ninety is gonna be warm today.

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Speaker 2: It's Ryan Seacrets, Cis Andy Tanya in the back room.

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Speaker 2: Thanks for being here everyone, if you come for Ryan's roses.

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Speaker 2: Today is the day. Seven forty is the time. So

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Speaker 2: we'll meet the person that sent us this email. She

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Speaker 2: said she found an extra phone. I guess she charged

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Speaker 2: the phone like the phone was dead. She charged the

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Speaker 2: phone and she saw stuff on this phone she couldn't

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Speaker 2: believe she saw. And they've been married for a while.

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Speaker 2: So that's coming up with my called name to get

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Speaker 2: your bills paid. Next two classes begin today. You see

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Speaker 2: schools including UCLA. You see Irvine, uc River.

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Speaker 3: Well it's about time, guys.

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Speaker 2: Almost fall break, the fall break. But it's almost fall

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Speaker 2: break somewhere. It's almost five o'clock and fall break somewhere.

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Speaker 2: All right, let's get to this. So think about it

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Speaker 2: for a second. Follow me. There's a maid of honor.

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Speaker 2: This is a lot of people are talking about this online.

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Speaker 2: There's a maid of honor that bailed on her friend's

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Speaker 2: wedding the night before the ceremony. It's gone viral, is

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Speaker 2: that ever? Okay, here's the story. So the maid of

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Speaker 2: honor was invited without a plus one very important that part, okay,

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Speaker 2: even though she's had a boyfriend for six years, same

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Speaker 2: guy okay. The boyfriend was okay with it, finally understood,

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Speaker 2: figured they were trying to cut costs. But when she

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Speaker 2: got there, she found out that all the other bridesmaids

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Speaker 2: had their boyfriends there, not even sure if they were

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Speaker 2: six years, less than six years whatever. The only other

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Speaker 2: single guy was the best man. Single guy, okay, So

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Speaker 2: she was there alone and the only other single dude

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Speaker 2: was the best man. The night at the rehearsal dinner,

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Speaker 2: she was told by the bride and the groom that

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Speaker 2: the best man is a great guy and she should

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Speaker 2: give him a chance. So clearly the wedding couple didn't

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Speaker 2: want the boyfriend to come because they didn't prove the boyfriend.

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Speaker 2: They're trying to set her up.

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Speaker 3: They're trying to pull a fast one, and in a

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Speaker 3: kind way, kind of in their eyes, but it's not

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Speaker 3: so kind.

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Speaker 2: The maid of honor reminded her friend that she had

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Speaker 2: a serious, long term boyfriend, and the bride said, it's

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Speaker 2: really not that serious since he hasn't proposed after six years.

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Speaker 2: Who are you to tell me what's serious and not? No,

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Speaker 2: I am out I am walking out and taking the

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Speaker 2: goldfish with me.

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Speaker 3: I need more info on the said six year boyfriends

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Speaker 3: you need because he's not a good guy if you're

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Speaker 3: best to tell me, Yeah, you can't tell your best

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Speaker 3: friend that you can't bring your boyfriend to my wedding.

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Speaker 3: In there, I bet you he treats her like crap

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Speaker 3: and like, oh, there's probably so much history.

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Speaker 2: That's not for you to decide, nor do you not.

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Speaker 2: It's not she's trying to send me up Tony if

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Speaker 2: you ride, but that's a problem. You can't just take

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Speaker 2: control like that and box out my boyfriend of six years.

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Speaker 8: And don't be a bridesmaid.

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Speaker 2: And also told I'm not so sure you're my best friend.

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Speaker 2: If that's the way you're boxing my boy she should

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Speaker 2: have told her about that. Other people coming did. There's

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Speaker 2: there's a there's no coming back from this. I'm not

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Speaker 2: gonna be friends anymore. This is your mean decision.

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Speaker 8: Do you need a plus one? Do you want to

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Speaker 8: plus one? You tell me right here, right now, what's.

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Speaker 2: Going through your mind right now? I'm just what's going

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Speaker 2: through your mind? So you brought it up. I don't

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Speaker 2: box people out or trying to set people up. I'm

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Speaker 2: just coming to officiate.

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Speaker 8: Oh right right right, No, you're you're not going to stay?

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Speaker 2: Yeah, yeah, say get my responsibilities to officiate that I

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Speaker 2: can enjoy role very seriously.

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Speaker 8: I'm not trying to set anybody up.

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Speaker 2: Let me tell you, all right, I want to get

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Speaker 2: to this Ryan's roses in a second. Have you ever

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Speaker 2: found a second phone of your partners, like a secret phone?

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Speaker 2: She found a secret phone, Now that's one thing. Then

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Speaker 2: I guess she fired it up because it was dead

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Speaker 2: and she found him texting his X and being on Tinder, right,

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Speaker 2: so we know he's cheating. I mean, what are we

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Speaker 2: going to do here? I don't know what we're gonna do.

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Speaker 2: We'll get into that in just a few minutes. The iOS,

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Speaker 2: So there's a new iPhone sixteen, but there's iOS eighteen.

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Speaker 3: Yes exactly.

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Speaker 2: Okay, let's see what I have. And there are some

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Speaker 2: people that are what not loving some of the iOS updates.

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Speaker 3: I think it's always hit or miss with the updates,

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Speaker 3: and people are excited for them because it does give

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Speaker 3: you new features that that are exciting, you know, like

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Speaker 3: the AI capabilities dubbed Apple Intelligence that allows it for

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Speaker 3: like a smarter sory customized emojis. All that's like the

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Speaker 3: fun stuff. But others are complaining that it's where are

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Speaker 3: you let me see you? Yeah, you have like two

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Speaker 3: updates that you need to doo.

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Speaker 2: I don't want to. Yes, it is No, it's not download.

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Speaker 2: It's going to take my phone away for the whole show.

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Speaker 8: Yeah, that's perfect.

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Speaker 3: It's going to show you what your updates are. And

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Speaker 3: then you click in what.

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Speaker 2: If there's breaking news on you?

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Speaker 3: And you're here showing like sixteen computers here, we have

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Speaker 3: to verify it. So now everyone's kind of growing a

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Speaker 3: little bit suspicious because they're saying that some of the

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Speaker 3: new functions allows users to cheat on their spouses or

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Speaker 3: their partner a little bit allow them it gives you

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00:18:02,880 --> 00:18:05,240
Speaker 3: the capability to do so, Yeah, it doesn't give you

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00:18:05,280 --> 00:18:10,719
Speaker 3: a capability. You can hide certain apps and you can

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00:18:10,760 --> 00:18:14,200
Speaker 3: do it, cheat, you lock your photos like, you can

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Speaker 3: just do all these things. And so they're not thinking

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Speaker 3: that it makes it easier to cheat on your partner

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Speaker 3: with these new updates. So a married person could hide

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Speaker 3: Tinder or WhatsApp or lock their photos app, and then

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Speaker 3: your husband or your wife would never even know that

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Speaker 3: it's even on your phone.

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Speaker 2: That's are the phone's issue, that's the individual's place.

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Speaker 3: I understand that it's the individual's problem, but the fact

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Speaker 3: that it's out there, it's a little bit easier. So

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Speaker 3: some of the good that I discovered with the update,

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Speaker 3: because I just did it like a few days ago,

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Speaker 3: is the aesthetics for your apps. You can change the

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Speaker 3: way all of your apps look to make it all

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Speaker 3: be one color scheme, which kind of makes it a

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Speaker 3: little cool. But yeah, the layout when it comes to

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Speaker 3: your photos is a little bit annoying. It's just it's

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Speaker 3: going to take some getting used to you. It's not

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Speaker 3: as easy to find your folders. But yeah, that's just

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Speaker 3: the way it is. You have to adapt, Guys. We

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00:19:02,200 --> 00:19:04,000
Speaker 3: can't just be on the old iOS is. We have

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Speaker 3: to just keep it moving, keep the train going.

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Speaker 2: He's not wrong, all right, I'm an updated All I

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Speaker 2: think I have. My phone is very old too. Someone

439
00:19:13,119 --> 00:19:16,080
Speaker 2: just told me, do you know what my phone is? Tups?

440
00:19:17,240 --> 00:19:18,080
Speaker 3: You have a twelve?

441
00:19:18,760 --> 00:19:19,320
Speaker 2: Do is that what?

442
00:19:19,359 --> 00:19:19,480
Speaker 4: I have?

443
00:19:19,520 --> 00:19:23,560
Speaker 2: A twelve? How do I know about my phone? But Nona,

444
00:19:23,600 --> 00:19:25,520
Speaker 2: what's so funny back there in the back room, that is,

445
00:19:25,760 --> 00:19:29,800
Speaker 2: I can't believe you have Why can't you believe I'm

446
00:19:29,800 --> 00:19:32,840
Speaker 2: a twelve. By the way, I don't have a twelve.

447
00:19:33,040 --> 00:19:38,200
Speaker 2: Fy I, before you judge, I have a thirteen Promax.

448
00:19:38,320 --> 00:19:41,000
Speaker 8: That's that's what I know.

449
00:19:41,119 --> 00:19:44,040
Speaker 2: Actually, it's not my phone. It's uh, I don't know

450
00:19:44,040 --> 00:19:48,600
Speaker 2: who that is I have. I have a twelve Promax.

451
00:19:49,080 --> 00:19:51,400
Speaker 2: There is a thirteen Promax somehow logged into my thing.

452
00:19:52,240 --> 00:19:53,439
Speaker 3: Oh you should look into that.

453
00:19:53,600 --> 00:19:55,440
Speaker 2: Yeah, check that. The mine's a twelve.

454
00:19:57,160 --> 00:19:58,120
Speaker 3: That is so good.

455
00:19:58,600 --> 00:19:59,760
Speaker 2: I just got to keep a vintage.

456
00:19:59,800 --> 00:20:02,760
Speaker 4: Yeah, no, yours is probably really because I have a

457
00:20:02,760 --> 00:20:05,440
Speaker 4: thirteen and mine's like basically you should pull up.

458
00:20:05,520 --> 00:20:07,560
Speaker 3: I have a fourteen and my batteries ready to go.

459
00:20:07,760 --> 00:20:12,200
Speaker 2: Yeah one a two point seven. Kiss FM, It's time

460
00:20:12,240 --> 00:20:15,520
Speaker 2: for Ryan's roses. Dear Ryan and Siciny. I was cleaning

461
00:20:15,520 --> 00:20:18,600
Speaker 2: out my husband's lunchbox and found a phone at the bottom.

462
00:20:19,119 --> 00:20:21,919
Speaker 2: It was dead, so I plugged it in and it

463
00:20:21,960 --> 00:20:26,600
Speaker 2: blew up with messages and Tinder notifications from women's. Well,

464
00:20:26,680 --> 00:20:31,000
Speaker 2: it's so strange, that is wild. So I was cleaning

465
00:20:31,000 --> 00:20:33,560
Speaker 2: out my husband's lunchbox and I found a phone. You

466
00:20:33,600 --> 00:20:36,240
Speaker 2: plugged it in and it had messages coming left and

467
00:20:36,320 --> 00:20:40,320
Speaker 2: right and Tinder notifications from women. Sarah so Is this

468
00:20:40,359 --> 00:20:42,920
Speaker 2: your husband's secret phone or was it his actual phone?

469
00:20:44,960 --> 00:20:48,280
Speaker 11: I think it's his secret phone, he says, it's not.

470
00:20:48,440 --> 00:20:51,640
Speaker 2: Wow. He says, it just got into his lunchbox. How

471
00:20:51,640 --> 00:20:54,040
Speaker 2: did it crawl its way with its own legs into

472
00:20:54,080 --> 00:20:55,119
Speaker 2: its his lunchbox?

473
00:20:56,040 --> 00:20:57,000
Speaker 7: I think exactly.

474
00:20:57,119 --> 00:21:00,919
Speaker 11: But he says that he picked it up when he

475
00:21:00,960 --> 00:21:03,199
Speaker 11: was leaving work and it was dead and it was

476
00:21:03,200 --> 00:21:04,720
Speaker 11: someone else's phone, so he just threw it in his

477
00:21:04,800 --> 00:21:06,280
Speaker 11: bag and he was going to take it back in

478
00:21:06,320 --> 00:21:08,199
Speaker 11: the next day to see who it was whose it was.

479
00:21:08,240 --> 00:21:10,880
Speaker 2: But there's a reason you don't believe him, Sarah, Why

480
00:21:10,960 --> 00:21:13,640
Speaker 2: don't you believe your husband telling you the truth? Quote quote?

481
00:21:14,880 --> 00:21:18,240
Speaker 11: Okay, So I plugged the phone in because it was

482
00:21:18,280 --> 00:21:20,080
Speaker 11: dead and I was charging it so I could try

483
00:21:20,119 --> 00:21:23,040
Speaker 11: and like see what the heck it was. And when

484
00:21:23,040 --> 00:21:25,159
Speaker 11: it came back on, it started to, like, you know,

485
00:21:25,320 --> 00:21:28,040
Speaker 11: get all these message blew up with messages, and one

486
00:21:28,080 --> 00:21:32,520
Speaker 11: of them was this girl named Carly who is one

487
00:21:32,560 --> 00:21:36,000
Speaker 11: of his exes, and there were pictures.

488
00:21:35,640 --> 00:21:37,720
Speaker 2: That because he said, it's not my phone, so I

489
00:21:37,720 --> 00:21:39,440
Speaker 2: don't know how it got in there. Okay, No, it's

490
00:21:39,480 --> 00:21:42,000
Speaker 2: not your phone, and Carly's texting the unknown phone doesn't

491
00:21:42,000 --> 00:21:44,600
Speaker 2: make any sense exactly. So we're going to find out

492
00:21:44,600 --> 00:21:47,120
Speaker 2: why he's hiding this phone and why he's exchanging messages

493
00:21:47,160 --> 00:21:49,320
Speaker 2: with other women and Carly, that's what we're going to do. Now.

494
00:21:49,359 --> 00:21:51,240
Speaker 2: I need you to say Ryan, you have my permission

495
00:21:51,280 --> 00:21:52,240
Speaker 2: to call, and then his name.

496
00:21:52,280 --> 00:21:57,200
Speaker 11: Go ahead, Okay, Ryan, you have my permission to call.

497
00:21:58,800 --> 00:22:00,640
Speaker 2: We're going to do it now, be very quiet, Let's

498
00:22:00,640 --> 00:22:02,400
Speaker 2: see what we can find out. Good luck. Her name

499
00:22:02,480 --> 00:22:06,960
Speaker 2: is Carly. This is Sarah. Carly's his X. Okay, here

500
00:22:06,960 --> 00:22:07,239
Speaker 2: we go.

501
00:22:19,240 --> 00:22:21,200
Speaker 3: Hi. Can I speak to James please.

502
00:22:22,400 --> 00:22:22,800
Speaker 7: Speaking.

503
00:22:22,920 --> 00:22:23,120
Speaker 2: Hi.

504
00:22:23,200 --> 00:22:25,800
Speaker 3: My name is Arianna. I'm calling from NoHo Floral Design.

505
00:22:25,800 --> 00:22:26,720
Speaker 3: How are you doing this morning?

506
00:22:29,600 --> 00:22:31,120
Speaker 7: I think you have the wrong.

507
00:22:31,359 --> 00:22:33,440
Speaker 3: No no, no no. We're new to the area. We're

508
00:22:33,440 --> 00:22:36,160
Speaker 3: on Lankersham and actually we're offering a free promotion. It's

509
00:22:36,200 --> 00:22:37,960
Speaker 3: a free dozen red roses that you can send to

510
00:22:38,000 --> 00:22:40,320
Speaker 3: anybody that you'd like. I don't need cash or credit

511
00:22:40,320 --> 00:22:43,520
Speaker 3: card info. They are absolutely free. Just something we do

512
00:22:43,520 --> 00:22:44,399
Speaker 3: about once a month.

513
00:22:45,520 --> 00:22:45,719
Speaker 2: Is that?

514
00:22:45,920 --> 00:22:47,199
Speaker 3: Is that something you'd be interested in?

515
00:22:48,560 --> 00:22:48,720
Speaker 11: Right?

516
00:22:49,560 --> 00:22:51,560
Speaker 7: And like, what do I have to do? Do it?

517
00:22:51,760 --> 00:22:54,679
Speaker 7: Like sit through the time share presentation?

518
00:22:55,160 --> 00:22:55,360
Speaker 2: Yeah?

519
00:22:56,440 --> 00:22:59,199
Speaker 3: Nothing like that. Those are awful? What you could do

520
00:22:59,280 --> 00:23:01,359
Speaker 3: is just give me the name of the person that

521
00:23:01,400 --> 00:23:03,000
Speaker 3: you want to send them to and then the note.

522
00:23:03,000 --> 00:23:04,879
Speaker 3: They can receive them by lunchtime today or for a

523
00:23:04,880 --> 00:23:08,360
Speaker 3: different day this week is better for you. That's cool too.

524
00:23:09,359 --> 00:23:10,800
Speaker 3: We hope that you like the arrangements and you come

525
00:23:10,840 --> 00:23:12,720
Speaker 3: back as a customer one day. But these are free.

526
00:23:13,400 --> 00:23:15,000
Speaker 7: This is super weird.

527
00:23:16,400 --> 00:23:18,080
Speaker 3: Is there anybody that you would want to send free

528
00:23:18,080 --> 00:23:20,200
Speaker 3: flowers to? We can start there. You can just give

529
00:23:20,200 --> 00:23:21,040
Speaker 3: me the name of the person.

530
00:23:26,480 --> 00:23:29,400
Speaker 7: Fine, you can send them to Sarah Sarah?

531
00:23:29,520 --> 00:23:32,119
Speaker 3: Okay, and what would you like to put on the note?

532
00:23:33,240 --> 00:23:37,800
Speaker 7: Look, you taught me for a bad time. Just just

533
00:23:37,800 --> 00:23:38,399
Speaker 7: just put whatever.

534
00:23:38,440 --> 00:23:38,720
Speaker 9: Okay.

535
00:23:38,760 --> 00:23:40,160
Speaker 7: The address is four to ninth.

536
00:23:40,400 --> 00:23:43,200
Speaker 2: Okay, James, your voice to be broadcast on the radio. James, Old,

537
00:23:43,200 --> 00:23:44,760
Speaker 2: don't say the address out loud. Your voice to be

538
00:23:44,760 --> 00:23:46,520
Speaker 2: broadcast on the radio. I've got your wife, Sarah on

539
00:23:46,520 --> 00:23:49,679
Speaker 2: the line. You sound very frustrated about sending your lovely

540
00:23:49,760 --> 00:23:51,800
Speaker 2: wife roses. What's with the tone of that, bro?

541
00:23:52,560 --> 00:23:55,240
Speaker 7: Well, no, I'm just busy. What did my wife?

542
00:23:56,119 --> 00:23:58,960
Speaker 2: You're busy? I'll accept that your wife is on the phone.

543
00:23:59,000 --> 00:24:00,560
Speaker 7: Yes, okay.

544
00:24:01,600 --> 00:24:04,360
Speaker 2: Have you corresponded with a woman named Carly recently.

545
00:24:04,480 --> 00:24:09,280
Speaker 7: M Hm, Carly, why would you ask me that?

546
00:24:10,560 --> 00:24:11,119
Speaker 2: Exactly?

547
00:24:16,119 --> 00:24:20,879
Speaker 3: Okay, it's time to come clean, basically, James.

548
00:24:21,160 --> 00:24:24,480
Speaker 2: So, James, we know that Carl's your ex. Your wife

549
00:24:24,680 --> 00:24:27,040
Speaker 2: powered up your phone, as you said, it wasn't your

550
00:24:27,080 --> 00:24:29,399
Speaker 2: phone for me lunchbox. She saw messages from other women,

551
00:24:29,480 --> 00:24:32,880
Speaker 2: and specifically your ex. So can you tell your wife

552
00:24:32,920 --> 00:24:36,000
Speaker 2: why you're corresponding with other women, why you're lying about

553
00:24:36,040 --> 00:24:38,720
Speaker 2: your extra phone, and why Carly, your ex is in

554
00:24:38,800 --> 00:24:41,560
Speaker 2: touch with you. Sarah's here, Just tell her if there's

555
00:24:41,560 --> 00:24:51,119
Speaker 2: a reason, just tell her. Come on, James, James, come on,

556
00:24:51,359 --> 00:24:53,399
Speaker 2: we're all here. Just tell her what's the reason. I mean,

557
00:24:53,440 --> 00:24:55,320
Speaker 2: if you have no answer, then we know that you're

558
00:24:55,320 --> 00:24:56,879
Speaker 2: doing something behind her back. That's wrong.

559
00:24:57,920 --> 00:24:59,920
Speaker 7: I already talked to her, like I found that phone

560
00:25:00,080 --> 00:25:02,160
Speaker 7: at work and so through it in my lunch box,

561
00:25:02,320 --> 00:25:03,400
Speaker 7: Like there's.

562
00:25:03,119 --> 00:25:05,280
Speaker 2: Okay, but why are why is your ex then texting

563
00:25:05,280 --> 00:25:06,600
Speaker 2: this unknown person?

564
00:25:06,880 --> 00:25:07,160
Speaker 5: Right?

565
00:25:08,520 --> 00:25:10,800
Speaker 7: I don't know it's not and I don't know why

566
00:25:10,840 --> 00:25:14,399
Speaker 7: my why my ex is texting a phone that isn't mine.

567
00:25:15,359 --> 00:25:19,560
Speaker 11: M The phone was way at the bottom of your

568
00:25:19,600 --> 00:25:22,480
Speaker 11: lunch back. It was under the ice, singy like it

569
00:25:22,560 --> 00:25:24,879
Speaker 11: makes no sense. You were clearly trying to hide it.

570
00:25:26,240 --> 00:25:29,800
Speaker 7: So maybe whoever's phone it is has a friend named Carl.

571
00:25:29,840 --> 00:25:32,400
Speaker 7: Like you guys are just way off here. No, it's

572
00:25:32,440 --> 00:25:33,920
Speaker 7: not James, Carly, James.

573
00:25:33,960 --> 00:25:38,119
Speaker 11: He sent pictures and I saw them. It was Carly.

574
00:25:39,040 --> 00:25:41,760
Speaker 7: Look, I haven't seen Carly in ages, and I don't

575
00:25:41,760 --> 00:25:44,639
Speaker 7: know whose phone that is. And I don't really appreciate

576
00:25:44,640 --> 00:25:45,840
Speaker 7: being put on the radio like this.

577
00:25:46,720 --> 00:25:49,399
Speaker 2: I would, by the way, James, I would really be

578
00:25:49,480 --> 00:25:51,320
Speaker 2: upset about being on the air, especially with this kind

579
00:25:51,359 --> 00:25:52,760
Speaker 2: of thing that you've been hiding from your wife. I

580
00:25:52,800 --> 00:25:55,520
Speaker 2: totally agree. It's like this should it should never come

581
00:25:55,520 --> 00:25:58,600
Speaker 2: to this. But here we are. So you are cheating

582
00:25:58,640 --> 00:26:01,000
Speaker 2: on your wife with Carly, you sending pictures with her,

583
00:26:01,040 --> 00:26:03,240
Speaker 2: You're lying about the phone, like how deep does it go?

584
00:26:03,680 --> 00:26:05,840
Speaker 2: That's all we're looking for here, that's it.

585
00:26:07,119 --> 00:26:12,359
Speaker 11: Yeah, where's the phone now, James? Where's the phone now?

586
00:26:13,200 --> 00:26:13,679
Speaker 2: I don't know.

587
00:26:13,760 --> 00:26:16,760
Speaker 7: Look, I turned it into the front desk the next morning.

588
00:26:16,880 --> 00:26:21,560
Speaker 11: Okay, Like I don't Okay, who to Angela? Was Angela at.

589
00:26:21,440 --> 00:26:22,040
Speaker 7: The front desk?

590
00:26:23,080 --> 00:26:23,320
Speaker 2: Yeah?

591
00:26:23,560 --> 00:26:25,160
Speaker 7: I think it was Angela.

592
00:26:26,040 --> 00:26:28,600
Speaker 11: Great, let's call Angela right now. I'm sure she knows

593
00:26:28,680 --> 00:26:30,359
Speaker 11: you remember if you turned in a phone.

594
00:26:31,240 --> 00:26:31,760
Speaker 9: Don't do that.

595
00:26:31,920 --> 00:26:34,560
Speaker 7: Look it's so I don't need Angela to know how

596
00:26:34,720 --> 00:26:35,720
Speaker 7: unhinged my wife.

597
00:26:40,720 --> 00:26:42,200
Speaker 2: I think that's no.

598
00:26:42,480 --> 00:26:45,720
Speaker 11: I you have no idea how unhinged it's gonna get

599
00:26:46,040 --> 00:26:50,119
Speaker 11: because I know you're full and this is ridiculous.

600
00:26:51,119 --> 00:26:52,720
Speaker 7: Fine, I don't care.

601
00:26:54,000 --> 00:26:56,720
Speaker 2: All right. Well, look, Sarah, clearly James is lying to you.

602
00:26:56,720 --> 00:26:59,080
Speaker 2: He's covering up something. Go talk to Angela and sorry

603
00:26:59,080 --> 00:27:02,119
Speaker 2: it came to this. Good luck to you, Sarah on.

604
00:27:02,480 --> 00:27:10,000
Speaker 1: Air with a Ryan Seabs Air on Air with a

605
00:27:10,119 --> 00:27:11,040
Speaker 1: Ryan Seas.

606
00:27:13,240 --> 00:27:16,000
Speaker 2: James and Sarah married nine years. So James has an

607
00:27:16,000 --> 00:27:19,480
Speaker 2: extra phone. He has his side phone. Who was in

608
00:27:19,520 --> 00:27:21,119
Speaker 2: his I love that. They called it his lunchbox. She

609
00:27:21,160 --> 00:27:23,800
Speaker 2: called it a lunchbox. In his lunchbox. It was dead.

610
00:27:24,000 --> 00:27:27,240
Speaker 2: His wife powers it up and sees messages from other

611
00:27:27,320 --> 00:27:32,399
Speaker 2: women and pictures from his ex Carly. Hey, he's cheating.

612
00:27:32,880 --> 00:27:36,119
Speaker 2: He's got tender notifications on his phone. Then he says,

613
00:27:36,280 --> 00:27:39,199
Speaker 2: it's not my phone. Well, how in the world is

614
00:27:39,440 --> 00:27:43,560
Speaker 2: your ex Carly sending pictures to this other random person's phone.

615
00:27:43,600 --> 00:27:47,680
Speaker 2: It's not true. Yeah, and then he said he turned

616
00:27:47,720 --> 00:27:49,920
Speaker 2: the phone into the front desk. Angel at the front

617
00:27:49,920 --> 00:27:52,520
Speaker 2: desk and she said, fine, let's go talk to Angel.

618
00:27:52,560 --> 00:27:54,320
Speaker 2: He said no, no, we didn't involve her, and then he

619
00:27:54,359 --> 00:27:55,480
Speaker 2: called his wife unhinged.

620
00:27:55,640 --> 00:27:56,880
Speaker 3: Oh that's where I was like.

621
00:27:57,640 --> 00:28:02,920
Speaker 2: So he's he's caught. The question is how how deep

622
00:28:02,960 --> 00:28:05,480
Speaker 2: does it go? Because he's not only talking with his

623
00:28:05,640 --> 00:28:09,240
Speaker 2: ex Carly and getting pictures, he's corresponding with other women

624
00:28:09,280 --> 00:28:12,800
Speaker 2: and he's on Tinder. I mean, she found the proof,

625
00:28:12,880 --> 00:28:14,719
Speaker 2: she has the devices.

626
00:28:14,320 --> 00:28:18,320
Speaker 3: Being on multiple levels here with multiple women, and honestly.

627
00:28:18,000 --> 00:28:21,000
Speaker 8: She seemed she sounded way hinged for all of the.

628
00:28:21,200 --> 00:28:26,560
Speaker 2: Way much more. Yeah, yeah, he did sound that. But

629
00:28:26,640 --> 00:28:28,399
Speaker 2: John in Lancaster, you heard this, What do you.

630
00:28:28,400 --> 00:28:31,280
Speaker 1: Think I think he needs to give it up?

631
00:28:31,480 --> 00:28:35,120
Speaker 5: Like this is a ridiculous farce that he's trying to

632
00:28:35,160 --> 00:28:38,000
Speaker 5: deny it. Still, I got an ex that did the

633
00:28:38,040 --> 00:28:41,000
Speaker 5: same thing. I found a second phone in this car,

634
00:28:41,920 --> 00:28:43,920
Speaker 5: and he went to the ends of the earth to

635
00:28:43,960 --> 00:28:46,280
Speaker 5: deny it. But there are no excuses.

636
00:28:46,320 --> 00:28:47,080
Speaker 7: I mean, there were.

637
00:28:47,160 --> 00:28:49,120
Speaker 11: Pictures or pictures of him on it.

638
00:28:49,160 --> 00:28:51,840
Speaker 5: There were exes, there were new girls, Like it was

639
00:28:52,760 --> 00:28:56,680
Speaker 5: so clear. It's like, dude, just come clean. You're just

640
00:28:56,800 --> 00:28:57,840
Speaker 5: hurting yourself at this point.

641
00:28:58,320 --> 00:29:00,560
Speaker 2: He needs, don't I don't know how he digs himself

642
00:29:00,560 --> 00:29:02,400
Speaker 2: out of this one because she's got the phone, she's

643
00:29:02,440 --> 00:29:04,600
Speaker 2: got the fixtures, she's got the messages, he's got the device,

644
00:29:04,640 --> 00:29:09,040
Speaker 2: he's got the Tinder notifications, and he just wouldn't step

645
00:29:09,120 --> 00:29:11,960
Speaker 2: up and be honest. Thank you.

646
00:29:13,360 --> 00:29:15,560
Speaker 5: Now that now that he's busted, just show her.

647
00:29:15,840 --> 00:29:18,280
Speaker 2: Yeah, just now a little do you have any integrity?

648
00:29:18,320 --> 00:29:23,160
Speaker 2: Any integrity? So that's Ryan's Roses, Mondays and Thursdays here

649
00:29:23,200 --> 00:29:26,240
Speaker 2: on Kiss FM. You see some some wavy locks here.

650
00:29:26,320 --> 00:29:29,360
Speaker 2: Charlie Pooth joining us right now. Hello.

651
00:29:30,760 --> 00:29:33,480
Speaker 9: I'm always I'm always amazed at how well you do that. Ryan.

652
00:29:33,520 --> 00:29:36,800
Speaker 12: It's just like just boom boom boom. You're right, you're

653
00:29:36,800 --> 00:29:37,960
Speaker 12: you're You're very good at that.

654
00:29:38,400 --> 00:29:40,640
Speaker 2: Thank you, my brother. It's one of my favorite things

655
00:29:40,640 --> 00:29:42,440
Speaker 2: to do. I love being here and over the years

656
00:29:42,440 --> 00:29:45,080
Speaker 2: we've had a chance to talk to you here. Gosh,

657
00:29:45,200 --> 00:29:47,080
Speaker 2: has it been a decade now, I mean, how long

658
00:29:47,080 --> 00:29:48,960
Speaker 2: do you think it's been since we started together?

659
00:29:49,680 --> 00:29:52,640
Speaker 12: Well, I believe yes, it has been a decade that

660
00:29:52,680 --> 00:29:56,320
Speaker 12: flew by quickly. I saw that our first first interview

661
00:29:57,560 --> 00:29:59,840
Speaker 12: pop up on you know, like when you go on

662
00:29:59,880 --> 00:30:04,160
Speaker 12: you and you're not signed in, you'll see it ten years, like, wow,

663
00:30:04,200 --> 00:30:07,800
Speaker 12: that's what I looked like at twenty three. Yeah, been

664
00:30:07,880 --> 00:30:08,520
Speaker 12: ten years.

665
00:30:09,360 --> 00:30:12,960
Speaker 2: Cong congrat thank you very much. We all saw the

666
00:30:13,000 --> 00:30:16,800
Speaker 2: beautiful photos of your wedding. I was, you know, I

667
00:30:16,840 --> 00:30:18,560
Speaker 2: love a great wedding, but I also love a great

668
00:30:18,600 --> 00:30:22,200
Speaker 2: olive tree, and I think I saw some very ancient

669
00:30:22,240 --> 00:30:22,840
Speaker 2: olive trees.

670
00:30:23,880 --> 00:30:27,640
Speaker 12: We it's just it's it's just my parents driveway. It's

671
00:30:27,640 --> 00:30:30,120
Speaker 12: funny enough. We actually took it. We took some scissors

672
00:30:30,160 --> 00:30:33,000
Speaker 12: and cut a little branch off and put it in

673
00:30:33,040 --> 00:30:36,080
Speaker 12: a frame so we can it surprisingly hasn't died yet.

674
00:30:36,360 --> 00:30:38,240
Speaker 9: We'll have it forever in that picture frame.

675
00:30:39,280 --> 00:30:41,400
Speaker 2: Yeah, you and your wife, Brooke, you known each other

676
00:30:41,480 --> 00:30:42,000
Speaker 2: since kids.

677
00:30:42,080 --> 00:30:47,000
Speaker 12: Huh Yeah, our parents are best friends. Her father has

678
00:30:47,080 --> 00:30:50,240
Speaker 12: known my father since the third grade.

679
00:30:50,240 --> 00:30:51,160
Speaker 9: I think both.

680
00:30:52,960 --> 00:30:58,040
Speaker 12: Similar situation with our moms too. It's almost an arranged marriage,

681
00:30:58,040 --> 00:30:58,800
Speaker 12: but it just isn't.

682
00:31:00,040 --> 00:31:03,640
Speaker 2: I say that it's kind of a fairy tale scenario though,

683
00:31:03,720 --> 00:31:08,400
Speaker 2: because one of the challenging things can be families getting along,

684
00:31:08,480 --> 00:31:10,880
Speaker 2: and the fact that you know you had that automatic

685
00:31:11,000 --> 00:31:14,280
Speaker 2: trust and love from the parental units is a real blessing.

686
00:31:14,320 --> 00:31:14,440
Speaker 5: Bro.

687
00:31:14,560 --> 00:31:15,360
Speaker 2: I mean, that's a big deal.

688
00:31:16,040 --> 00:31:16,680
Speaker 9: It really is.

689
00:31:16,760 --> 00:31:19,640
Speaker 12: I had this weird thought the other day of how

690
00:31:19,800 --> 00:31:22,360
Speaker 12: my mind used to work. I like to that's how

691
00:31:22,400 --> 00:31:25,000
Speaker 12: I write songs. Like Tanya know as I've talked to

692
00:31:25,040 --> 00:31:27,360
Speaker 12: her about it too. I just I sit in with

693
00:31:27,480 --> 00:31:30,320
Speaker 12: my thoughts and I thought, Wow, I'm a lot different

694
00:31:30,360 --> 00:31:32,360
Speaker 12: than I was at twenty six. I always had this

695
00:31:32,480 --> 00:31:35,320
Speaker 12: weird notion that like, in order for me to make art,

696
00:31:35,400 --> 00:31:39,040
Speaker 12: for me to make a song, a TV show what

697
00:31:39,200 --> 00:31:41,840
Speaker 12: have You, and my life has to be like in turmoil.

698
00:31:41,880 --> 00:31:45,840
Speaker 12: I have to just be like constantly traveling. It's YadA, YadA, YadA.

699
00:31:45,840 --> 00:31:48,440
Speaker 12: It's really nice to have a wife that supports you

700
00:31:48,480 --> 00:31:51,000
Speaker 12: and I support her. And I feel like my music's

701
00:31:51,000 --> 00:31:53,479
Speaker 12: even better now, the stuff I'm working on now, and

702
00:31:53,560 --> 00:31:56,200
Speaker 12: just everything is just lined up perfectly in my life,

703
00:31:56,200 --> 00:31:57,480
Speaker 12: So I think very creative.

704
00:31:57,760 --> 00:32:01,640
Speaker 2: It's like creative anxiety versus stableization. And when you've got

705
00:32:01,680 --> 00:32:03,920
Speaker 2: the stabilization and the roots in the ground, you can

706
00:32:04,000 --> 00:32:05,720
Speaker 2: it's almost like you're freed up to be more creative

707
00:32:05,760 --> 00:32:06,040
Speaker 2: in a way.

708
00:32:06,040 --> 00:32:09,160
Speaker 9: I'm guessing absolutely. You said it. You hit the nail

709
00:32:09,240 --> 00:32:09,800
Speaker 9: right on the head.

710
00:32:11,040 --> 00:32:13,200
Speaker 2: Charlie Pooth, Well, we love this show. We had a

711
00:32:13,280 --> 00:32:14,400
Speaker 2: sneak peek of your show.

712
00:32:14,760 --> 00:32:18,240
Speaker 3: It is so good show.

713
00:32:18,400 --> 00:32:19,760
Speaker 2: But that's what we love and that's what we expect.

714
00:32:19,800 --> 00:32:21,240
Speaker 2: Let's come back, Let's take a break. We'll come back

715
00:32:21,240 --> 00:32:23,440
Speaker 2: and talk with Charlie Pooth about the Charlie Pooth Show.

716
00:32:24,040 --> 00:32:27,320
Speaker 2: What is it about? What is it about? We don't know?

717
00:32:28,600 --> 00:32:32,400
Speaker 3: On air on air with Ryan Seacret.

718
00:32:33,480 --> 00:32:35,520
Speaker 2: Charlie Pooth. What do you make of that track? That's

719
00:32:35,520 --> 00:32:37,400
Speaker 2: a big track, that's have you You've read all the

720
00:32:37,480 --> 00:32:38,960
Speaker 2: lyrics I read.

721
00:32:39,040 --> 00:32:44,200
Speaker 12: I know I love DJ Mustard, I love I love Kendrick.

722
00:32:44,240 --> 00:32:46,280
Speaker 12: I think he's a genius. And that's that song.

723
00:32:46,400 --> 00:32:49,480
Speaker 2: Bangs bangs, I mean, but it's about it's about a

724
00:32:49,480 --> 00:32:51,960
Speaker 2: lot of lyrics in that track. You're a lyricist, you're

725
00:32:52,000 --> 00:32:55,560
Speaker 2: a musician, you can uh, I mean he could direct

726
00:32:55,880 --> 00:32:58,360
Speaker 2: the Philharmonic. I mean, the guy has skill to do it,

727
00:32:58,400 --> 00:33:01,000
Speaker 2: all right, I'm talking about you that song.

728
00:33:01,160 --> 00:33:05,120
Speaker 12: That song reminds me that people nowadays, everybody in their

729
00:33:05,400 --> 00:33:09,200
Speaker 12: what they want in their music is specifics and people

730
00:33:09,840 --> 00:33:12,640
Speaker 12: love to follow along with the storyline. Obviously, Taylor does

731
00:33:12,680 --> 00:33:15,080
Speaker 12: that very well, but Kendrick does that very well too.

732
00:33:15,080 --> 00:33:19,680
Speaker 12: There's little what do they call him? I can't call him. Yeah,

733
00:33:19,720 --> 00:33:24,000
Speaker 12: there's a there's a sophistication to rap again, and it's

734
00:33:24,080 --> 00:33:25,840
Speaker 12: just it's not it's not like it ever went away.

735
00:33:25,880 --> 00:33:29,840
Speaker 12: It's just it's it's it's modernized now. And I'm just,

736
00:33:29,920 --> 00:33:31,880
Speaker 12: I just I love that song. I never gets that

737
00:33:31,960 --> 00:33:33,760
Speaker 12: song is like nine minutes long. I never get sick

738
00:33:33,800 --> 00:33:34,280
Speaker 12: of it.

739
00:33:35,520 --> 00:33:37,840
Speaker 2: All right, Charlie Pooth this year the man was born

740
00:33:37,840 --> 00:33:41,600
Speaker 2: December second, nineteen ninety one. I wonder if he's envisioned

741
00:33:41,640 --> 00:33:46,959
Speaker 2: his life to go the way that it went now, married, stabilize,

742
00:33:47,080 --> 00:33:49,320
Speaker 2: more creative than ever, and he's got a show called

743
00:33:49,320 --> 00:33:51,480
Speaker 2: The Charlie Pooth Show, which we've had a chance. Thank

744
00:33:51,480 --> 00:33:53,600
Speaker 2: you Roku for giving us a little early glimpse of this.

745
00:33:54,120 --> 00:33:58,800
Speaker 2: But the Charlie Pooth Show, how did you pitch that?

746
00:33:59,000 --> 00:34:00,360
Speaker 2: Like I know what the show is, but did you

747
00:34:00,360 --> 00:34:02,080
Speaker 2: actually go in and pitch it like we're seeing it

748
00:34:02,160 --> 00:34:02,760
Speaker 2: in a way.

749
00:34:03,400 --> 00:34:05,920
Speaker 12: Yeah, it's I want I've always wanted to make a

750
00:34:05,920 --> 00:34:10,120
Speaker 12: show about my life in a kind of exaggerated way,

751
00:34:10,560 --> 00:34:14,520
Speaker 12: kind of in comedy that's like very reminiscent of movies

752
00:34:14,560 --> 00:34:18,440
Speaker 12: like Airplane and Leslie Nelson and The Naked Gun and

753
00:34:19,800 --> 00:34:24,280
Speaker 12: like the absurdity, like borderline absurdity, but there's some truth

754
00:34:24,320 --> 00:34:28,439
Speaker 12: to it, Like record record label executives have actually said

755
00:34:28,440 --> 00:34:30,840
Speaker 12: to me in the past that you have to be

756
00:34:31,160 --> 00:34:33,040
Speaker 12: like this and you have to make music like this,

757
00:34:33,120 --> 00:34:35,280
Speaker 12: and that happens in the show.

758
00:34:35,880 --> 00:34:38,680
Speaker 9: But it's exaggerated.

759
00:34:38,120 --> 00:34:40,759
Speaker 2: Right more over the time. It's it's got it's got

760
00:34:40,800 --> 00:34:43,120
Speaker 2: Larry David Isam's to it. I mean, it's got a

761
00:34:43,239 --> 00:34:45,920
Speaker 2: it's got a cadence in a rhythm that is. I

762
00:34:45,920 --> 00:34:50,080
Speaker 2: mean it's scripted, loosely improvised. What what's the hybrid of that?

763
00:34:51,000 --> 00:34:54,920
Speaker 12: Well, it's exactly as you described it. And the person

764
00:34:54,960 --> 00:34:56,759
Speaker 12: who I was most impressed with. And one of the

765
00:34:56,760 --> 00:34:59,040
Speaker 12: first scenes we shot was were the scenes with will

766
00:34:59,280 --> 00:35:03,440
Speaker 12: Will Ferrell and he's a good friend of mine and

767
00:35:03,480 --> 00:35:07,000
Speaker 12: I told him right before we started filming. I was like, hey,

768
00:35:07,040 --> 00:35:09,360
Speaker 12: so they gave you some bullet points, don't feel like

769
00:35:09,400 --> 00:35:10,799
Speaker 12: you have to read those. And he was like, I'm

770
00:35:10,800 --> 00:35:15,480
Speaker 12: not I'm going to read any of those. I'm not

771
00:35:15,520 --> 00:35:18,400
Speaker 12: saying any I'm not saying this this, I'm like, got it.

772
00:35:18,480 --> 00:35:22,320
Speaker 12: I just let's just it's kind of just like improvising,

773
00:35:23,200 --> 00:35:26,879
Speaker 12: like a jazz record, just going off the cuff. And

774
00:35:27,760 --> 00:35:30,040
Speaker 12: they cut out obviously they cut out all the scenes

775
00:35:30,040 --> 00:35:33,840
Speaker 12: of me just breaking character and laughing. He is so talented,

776
00:35:33,920 --> 00:35:36,439
Speaker 12: the things that he was able to just come up with,

777
00:35:36,880 --> 00:35:41,080
Speaker 12: I can't even like, I was so impressed. There's shots

778
00:35:41,080 --> 00:35:45,239
Speaker 12: of me going like that. I'm just in awe. They

779
00:35:45,280 --> 00:35:48,239
Speaker 12: made it seem like that was comedy, but that was me, Like,

780
00:35:48,360 --> 00:35:49,560
Speaker 12: how is he thinking of that?

781
00:35:51,160 --> 00:35:51,239
Speaker 5: So?

782
00:35:51,320 --> 00:35:53,640
Speaker 2: Will Ferrell is in the premiere of The Charlie Pooth Show,

783
00:35:53,680 --> 00:35:56,000
Speaker 2: which is a very hysterical look at the world of

784
00:35:56,080 --> 00:36:00,919
Speaker 2: Charlie in a in a satire. Also John Legend, He's

785
00:36:01,000 --> 00:36:04,480
Speaker 2: also in that premiere. We Love John Now, Tanya has

786
00:36:04,719 --> 00:36:07,279
Speaker 2: has something you know, just to shift gears saying, Tanya

787
00:36:07,360 --> 00:36:09,200
Speaker 2: saying that's been on her mind that she wants to

788
00:36:09,200 --> 00:36:11,080
Speaker 2: see if would be a new project for you.

789
00:36:11,160 --> 00:36:13,200
Speaker 9: Tanya, Okay, go ahead.

790
00:36:13,360 --> 00:36:18,000
Speaker 4: So I was reading your article about your wedding and Brooke,

791
00:36:18,040 --> 00:36:20,759
Speaker 4: your wife said she was talking about your relationship and

792
00:36:20,840 --> 00:36:22,759
Speaker 4: kind of how the invisible string of it all, how

793
00:36:22,760 --> 00:36:24,759
Speaker 4: it was like not the right time until it was.

794
00:36:25,800 --> 00:36:27,920
Speaker 4: And I know you are a fan of Taylor Swift.

795
00:36:28,080 --> 00:36:29,280
Speaker 3: Would you ever knew.

796
00:36:31,640 --> 00:36:33,080
Speaker 2: It didn't take long to figure this one out?

797
00:36:33,320 --> 00:36:35,880
Speaker 4: Would you ever would you ever do some sort of

798
00:36:35,920 --> 00:36:39,720
Speaker 4: like follow up song to Invisible String because I feel

799
00:36:39,760 --> 00:36:42,120
Speaker 4: like it's personal to you and you would do such

800
00:36:42,120 --> 00:36:42,960
Speaker 4: a good job with it.

801
00:36:43,880 --> 00:36:44,279
Speaker 9: I don't know.

802
00:36:44,360 --> 00:36:48,279
Speaker 12: I think it's best to leave Invisible String as Invisible

803
00:36:48,440 --> 00:36:51,160
Speaker 12: String because that song has inspired you and me and

804
00:36:51,239 --> 00:36:56,000
Speaker 12: so many other people. But I definitely want to make

805
00:36:56,120 --> 00:36:58,920
Speaker 12: a record and or a song that is kind of

806
00:36:59,560 --> 00:37:02,279
Speaker 12: has that has that heartbeat to it, has that that

807
00:37:02,400 --> 00:37:05,719
Speaker 12: that spirit of it, and that's it's kind of what

808
00:37:05,840 --> 00:37:08,279
Speaker 12: I'm It's kind of like the music that I'm the

809
00:37:08,400 --> 00:37:11,480
Speaker 12: album that I'm making now. I know it's it feels

810
00:37:11,560 --> 00:37:14,719
Speaker 12: unusual to be talking about things other than music music

811
00:37:14,760 --> 00:37:18,719
Speaker 12: that with with with Ryan and Company, but it is.

812
00:37:18,760 --> 00:37:21,640
Speaker 12: I I'd be doing a disservice if I didn't mention

813
00:37:21,680 --> 00:37:24,120
Speaker 12: that the record I'm working on right now will fill

814
00:37:24,200 --> 00:37:24,759
Speaker 12: that whole time.

815
00:37:24,800 --> 00:37:27,879
Speaker 9: You So, I think you'll be happy when here and when?

816
00:37:28,080 --> 00:37:31,120
Speaker 2: When when do you think the world gets a some

817
00:37:31,120 --> 00:37:33,280
Speaker 2: some flavor of that album?

818
00:37:33,400 --> 00:37:39,200
Speaker 12: When when everything is uh good on the record label side,

819
00:37:39,239 --> 00:37:44,080
Speaker 12: And I probably in technical terms, first quarter of this.

820
00:37:44,239 --> 00:37:46,520
Speaker 2: Quarter, yeah good, coming out of the coming out of

821
00:37:46,520 --> 00:37:50,600
Speaker 2: the ball drop. Charlie Pooth with New Music, Uh, he

822
00:37:50,640 --> 00:37:52,000
Speaker 2: was there, He's been there for that too.

823
00:37:52,480 --> 00:37:52,640
Speaker 7: Well.

824
00:37:52,680 --> 00:37:55,720
Speaker 12: Listen, congratulations on Wheel of Fortune.

825
00:37:58,560 --> 00:38:03,560
Speaker 2: Thank you. Let I'm having the best It's so much fun.

826
00:38:03,800 --> 00:38:07,359
Speaker 2: I mean, you know when you look up to artists, right,

827
00:38:07,400 --> 00:38:09,040
Speaker 2: and then you get a chance to meet them or

828
00:38:09,080 --> 00:38:11,360
Speaker 2: do something with them, or step onto their stage. I

829
00:38:11,360 --> 00:38:14,400
Speaker 2: mean it's a similar thing for me and Pat and

830
00:38:14,480 --> 00:38:16,960
Speaker 2: this franchise has been around in people's homes forever. So

831
00:38:17,320 --> 00:38:18,200
Speaker 2: I'm having a good time.

832
00:38:18,760 --> 00:38:21,040
Speaker 12: Those are big shoes to film, my friend, and you

833
00:38:21,239 --> 00:38:24,319
Speaker 12: are a natural. I was watching it, really enjoying it.

834
00:38:24,360 --> 00:38:27,600
Speaker 12: That's that's the It's it's Wheel of Fortune and Jeopardy for.

835
00:38:29,480 --> 00:38:31,399
Speaker 2: Now. We know what Brook and Charlie do seven to eight,

836
00:38:31,880 --> 00:38:32,440
Speaker 2: all right, I.

837
00:38:32,400 --> 00:38:35,120
Speaker 12: Know, really crazy here and Mona.

838
00:38:35,600 --> 00:38:37,800
Speaker 2: Don't miss the Charlie Pooth Show. New music coming, but

839
00:38:37,840 --> 00:38:39,759
Speaker 2: the Charlie Pooth Show. This is October fourth on the

840
00:38:39,800 --> 00:38:42,279
Speaker 2: Roku channel. Brothers, so happy to see you. Thanks again

841
00:38:42,320 --> 00:38:44,040
Speaker 2: for coming on and we'll see you in person soon.

842
00:38:44,719 --> 00:38:47,240
Speaker 12: Absolutely, thank you all for taking the time as usual.

843
00:38:47,320 --> 00:38:50,960
Speaker 12: I appreciate it. Hye buye.

844
00:38:51,960 --> 00:38:53,960
Speaker 4: I mean, do you think that we looked like twins

845
00:38:55,360 --> 00:38:57,680
Speaker 4: this little bit shirt he was wearing.

846
00:39:00,080 --> 00:39:02,280
Speaker 3: Yeah, and actually you have a little scar on your eyebrow.

847
00:39:02,320 --> 00:39:04,480
Speaker 2: Too, don't you. I know, I was noticing that he's

848
00:39:04,719 --> 00:39:08,600
Speaker 2: a little bit more like a visible mine is there?

849
00:39:08,719 --> 00:39:09,520
Speaker 3: Yours is there?

850
00:39:09,640 --> 00:39:14,319
Speaker 2: Yeah? Yeah, like looking at a mimic. Could Charlie Pooth

851
00:39:14,400 --> 00:39:16,200
Speaker 2: play me in the Charlie Pooth.

852
00:39:15,960 --> 00:39:18,960
Speaker 3: Show, Yeah, or you could play Charlie Pooth in the

853
00:39:19,040 --> 00:39:19,759
Speaker 3: Charlie Pooth Yeah.

854
00:39:19,840 --> 00:39:22,560
Speaker 2: I think he plays older Quinn. So Tanya has the

855
00:39:23,160 --> 00:39:26,000
Speaker 2: reporter on the secret to a long lasting marriage based

856
00:39:26,000 --> 00:39:27,759
Speaker 2: on a couple in this report gud Yeah, so.

857
00:39:27,800 --> 00:39:30,799
Speaker 4: Fifteen years ago Hillary Burton Morgan, So she is from

858
00:39:30,960 --> 00:39:34,160
Speaker 4: One Tree Hill Fame. And Jeffrey Dean Morgan we know

859
00:39:34,239 --> 00:39:37,520
Speaker 4: him from The Walking Dead, Grey's Anatomy. The boys they

860
00:39:37,520 --> 00:39:40,720
Speaker 4: started dating. Okay, to me, they are a couple goals,

861
00:39:40,719 --> 00:39:42,200
Speaker 4: and I know a lot of people really look up

862
00:39:42,239 --> 00:39:44,480
Speaker 4: to them as a couple. They're just so cute and

863
00:39:44,480 --> 00:39:46,960
Speaker 4: it seems like they have such a great relationship. So

864
00:39:47,080 --> 00:39:50,160
Speaker 4: Hillary said, obviously communication is a very big deal, and

865
00:39:50,239 --> 00:39:53,279
Speaker 4: also anticipating that your partner is going to go through

866
00:39:53,320 --> 00:39:54,880
Speaker 4: phases and changes.

867
00:39:55,520 --> 00:39:57,120
Speaker 8: We have both gone through different.

868
00:39:56,880 --> 00:39:59,799
Speaker 4: Professional phases where maybe we're super ambitious in one phase

869
00:40:00,200 --> 00:40:02,440
Speaker 4: life and then we're nesting in another phase of our life,

870
00:40:02,520 --> 00:40:04,359
Speaker 4: and we try to work in tandem so that we're

871
00:40:04,360 --> 00:40:07,360
Speaker 4: each compensating for each other. But I love the idea

872
00:40:07,360 --> 00:40:09,960
Speaker 4: of thinking of your life is seasons. You know, like

873
00:40:09,960 --> 00:40:11,919
Speaker 4: you're never going to be the same person that when

874
00:40:11,920 --> 00:40:14,280
Speaker 4: you meet somebody that you are in twenty thirty years,

875
00:40:14,600 --> 00:40:18,360
Speaker 4: and so it's morphing together knowing that they are going

876
00:40:18,440 --> 00:40:20,640
Speaker 4: to change and go through different phases, and then just

877
00:40:20,719 --> 00:40:22,359
Speaker 4: being on the same team working your band.

878
00:40:22,719 --> 00:40:26,080
Speaker 2: Morphing together. It's like, Okay, you're going through your fall season.

879
00:40:26,120 --> 00:40:27,919
Speaker 2: I'm in my spring. I'm going to help you get

880
00:40:27,960 --> 00:40:30,680
Speaker 2: through the leaves falling off right now while I'm blooming.

881
00:40:30,760 --> 00:40:33,479
Speaker 2: I mean that recognizing that and knowing that and being

882
00:40:33,560 --> 00:40:35,120
Speaker 2: good for that, and knowing that it's only going to

883
00:40:35,160 --> 00:40:37,560
Speaker 2: be a season or phase or a chapter as opposed

884
00:40:37,560 --> 00:40:39,040
Speaker 2: to going, wow, you've changed.

885
00:40:39,360 --> 00:40:41,400
Speaker 3: Might not change just this season though, Like look at

886
00:40:41,440 --> 00:40:44,240
Speaker 3: Mike Waves joined a band and this is completely taking

887
00:40:44,280 --> 00:40:46,160
Speaker 3: its all while their turn. I didn't see that coming.

888
00:40:46,920 --> 00:40:48,680
Speaker 2: Yeah, it could that be more than a season.

889
00:40:48,800 --> 00:40:50,279
Speaker 3: That's not what I'm saying.

890
00:40:50,400 --> 00:40:52,080
Speaker 2: Look at Bruce Springsteen, He's been doing it for a

891
00:40:52,120 --> 00:40:55,040
Speaker 2: long time, I mean fifty years.

892
00:40:54,920 --> 00:40:57,600
Speaker 4: Yeah, right, But it's so true. It's like just being

893
00:40:57,640 --> 00:40:58,920
Speaker 4: there and supporting.

894
00:40:59,080 --> 00:41:03,440
Speaker 2: And do you mind running off a copy hard copy

895
00:41:03,480 --> 00:41:05,440
Speaker 2: of that? I may work that into my speech at

896
00:41:05,480 --> 00:41:07,719
Speaker 2: your wedding. Yeah that's good.

897
00:41:07,760 --> 00:41:08,200
Speaker 3: I like that.

898
00:41:08,760 --> 00:41:12,000
Speaker 2: Yeah, you are fine with it.

899
00:41:12,239 --> 00:41:14,160
Speaker 8: Yeah, I love Hillary Burton Morgan and.

900
00:41:16,480 --> 00:41:17,880
Speaker 2: I'm gonna talk about you know, you got to be

901
00:41:17,920 --> 00:41:19,840
Speaker 2: for each other, there for each other during your seasons.

902
00:41:20,280 --> 00:41:23,080
Speaker 8: Seasons. It's a really good buzzword for the two of us.

903
00:41:23,239 --> 00:41:25,960
Speaker 2: I mean, like a Robbie is sunflowers blooming and then

904
00:41:26,160 --> 00:41:28,960
Speaker 2: your leaves are falling off, Like he'll bring the flower

905
00:41:29,080 --> 00:41:31,319
Speaker 2: to your stem. Oh, that's good, that's good, right right

906
00:41:31,560 --> 00:41:33,240
Speaker 2: to your your your bear trunk.

907
00:41:33,520 --> 00:41:36,080
Speaker 3: Yes, they're trunk.

908
00:41:37,040 --> 00:41:42,000
Speaker 2: Wordsmith, I'm gonna wordsmith. Yeah. Yeah, gosh, the pressure systy

909
00:41:42,040 --> 00:41:43,080
Speaker 2: of this speech I gotta give.

910
00:41:43,280 --> 00:41:45,280
Speaker 3: I'm with you, no pressure.

911
00:41:45,760 --> 00:41:47,000
Speaker 8: Fun. It's gonna be fun.

912
00:41:47,120 --> 00:41:49,320
Speaker 3: No, it is pressure because it's the most it's like

913
00:41:49,360 --> 00:41:50,799
Speaker 3: the happiest day of your life. So you don't want

914
00:41:50,800 --> 00:41:51,399
Speaker 3: to screw it up.

915
00:41:51,800 --> 00:41:53,719
Speaker 2: Am I gonna run stuff by you before we do it.

916
00:41:54,560 --> 00:41:56,239
Speaker 8: I'm gonna run stuff. I'm gonna like.

917
00:41:56,520 --> 00:41:58,120
Speaker 3: No, but you don't want to give them all the

918
00:41:58,200 --> 00:41:59,920
Speaker 3: juice you want to.

919
00:42:00,000 --> 00:42:01,799
Speaker 2: I would like for to spoon feed me on this.

920
00:42:02,280 --> 00:42:05,040
Speaker 3: Oh no, I wanted.

921
00:42:04,840 --> 00:42:05,200
Speaker 2: To be happy.

922
00:42:05,320 --> 00:42:07,200
Speaker 8: We're gonna like doctor up the like.

923
00:42:07,239 --> 00:42:10,520
Speaker 4: We don't want the you know object now for we

924
00:42:10,560 --> 00:42:11,879
Speaker 4: don't want any of that stuff in there.

925
00:42:12,280 --> 00:42:17,320
Speaker 2: You know tomorrow we're back early. What we're gonna do tomorrow.

926
00:42:17,400 --> 00:42:19,520
Speaker 2: Let's see. We got free guests Friday tomorrow, play a

927
00:42:19,520 --> 00:42:22,680
Speaker 2: little match game. Then Science has determined the best songs

928
00:42:22,719 --> 00:42:25,040
Speaker 2: for the bedroom and how to find that. We'll get

929
00:42:25,080 --> 00:42:29,200
Speaker 2: into that tomorrow. Thank you Science. Also today we're paying

930
00:42:29,239 --> 00:42:31,279
Speaker 2: your bills all day long, one thousand dollars. Get your

931
00:42:31,280 --> 00:42:34,760
Speaker 2: bills paid every hour on the tens. It's kiss Sisney

932
00:42:34,800 --> 00:42:37,640
Speaker 2: takes you from here back room.

933
00:42:37,920 --> 00:42:40,560
Speaker 6: Thank you, thank you, thank you, good, thank you, No,

934
00:42:40,680 --> 00:42:41,080
Speaker 6: thank you.

935
00:42:41,280 --> 00:42:42,360
Speaker 2: We'll see you guys at dinner.

936
00:42:42,480 --> 00:42:44,480
Speaker 8: Bye bye, we're going to dinner.

937
00:42:45,320 --> 00:42:46,719
Speaker 2: No, last time I went to dinner r and into Jen.

938
00:42:46,800 --> 00:42:48,480
Speaker 2: I'm not sure we're I'll see tonight, but I'm not

939
00:42:48,520 --> 00:42:50,080
Speaker 2: going out. So if I run into you tonight, you're

940
00:42:50,080 --> 00:42:53,279
Speaker 2: at my house, so thanke you coming, get back off

941
00:42:53,320 --> 00:42:53,720
Speaker 2: the yard.

942
00:42:56,200 --> 00:42:58,520
Speaker 7: Thanks for listening to On Air with Ryan Seacrest.

943
00:42:58,880 --> 00:43:00,799
Speaker 2: Make sure to subscribe, and we'll talk to you again

944
00:43:00,880 --> 00:43:01,200
Speaker 2: tomorrow