1 00:00:11,760 --> 00:00:14,720 Speaker 1: Good morning, peeps, and welcome to Willka f Daily with 2 00:00:14,840 --> 00:00:18,680 Speaker 1: me your girl Danielle Moody recording from the Home Bunker. 3 00:00:19,520 --> 00:00:24,320 Speaker 1: You know, folks, I will say this that today's interview 4 00:00:24,920 --> 00:00:29,680 Speaker 1: is with a country music artist, Brooke Eden, who back 5 00:00:29,720 --> 00:00:34,560 Speaker 1: in twenty twenty one came out and you know, has 6 00:00:34,600 --> 00:00:39,800 Speaker 1: since married the love of her life and has continued 7 00:00:39,840 --> 00:00:44,640 Speaker 1: to try and push the industry and her genre of music, 8 00:00:44,680 --> 00:00:49,960 Speaker 1: country music, to be more open and inclusive. Sometimes even 9 00:00:50,000 --> 00:00:55,600 Speaker 1: as a person like me who got their start really 10 00:00:56,240 --> 00:01:00,280 Speaker 1: in politics with the fight for same sex Mayory Mage 11 00:01:00,320 --> 00:01:06,000 Speaker 1: and marriage equality, that an LGBTQ writes as a whole 12 00:01:06,720 --> 00:01:12,920 Speaker 1: that I forget how important it is to tell the 13 00:01:12,959 --> 00:01:17,600 Speaker 1: stories of what it means to come out or as 14 00:01:17,640 --> 00:01:23,280 Speaker 1: some say these days, invite people in right. And the 15 00:01:23,360 --> 00:01:29,880 Speaker 1: fact is that without the courage and support of either 16 00:01:30,000 --> 00:01:34,680 Speaker 1: your family, your chosen family, or friends, it can be 17 00:01:37,440 --> 00:01:46,760 Speaker 1: so terrifying and in some areas incredibly dangerous to come out. 18 00:01:47,080 --> 00:01:51,320 Speaker 1: And I think sometimes that I forget because I live 19 00:01:51,560 --> 00:01:57,520 Speaker 1: inside of, you know, a liberal bubble, and I live 20 00:01:57,600 --> 00:02:01,440 Speaker 1: inside of a space where I came out, you know, 21 00:02:02,600 --> 00:02:07,920 Speaker 1: decades ago, and I was fortunate, right because I had 22 00:02:08,000 --> 00:02:12,520 Speaker 1: the love and support of my parents, of my sister, 23 00:02:13,040 --> 00:02:17,440 Speaker 1: of you know, my friends who wanted nothing for me 24 00:02:17,639 --> 00:02:21,919 Speaker 1: but to live a happy, whole and full life. And 25 00:02:22,360 --> 00:02:27,400 Speaker 1: because I can be so removed from the day to 26 00:02:27,480 --> 00:02:33,400 Speaker 1: day experiences of younger people who are just making these decisions, 27 00:02:34,320 --> 00:02:38,320 Speaker 1: I think that it is really important to still lift 28 00:02:38,400 --> 00:02:44,240 Speaker 1: up for those young people the first, you know, the 29 00:02:44,360 --> 00:02:48,560 Speaker 1: first of people to come out to know that like 30 00:02:48,720 --> 00:02:53,440 Speaker 1: they can aspire to be country music artists, rap stars, actors, actresses, 31 00:02:54,000 --> 00:02:58,600 Speaker 1: you know, heads of state and live full and complete lives. 32 00:02:58,760 --> 00:03:03,040 Speaker 1: And so today's conversation I talk with country music artist 33 00:03:03,120 --> 00:03:07,520 Speaker 1: Brooke Eden about her coming out, about what she thinks 34 00:03:07,720 --> 00:03:12,840 Speaker 1: about the country music genre and how it has been 35 00:03:12,960 --> 00:03:16,440 Speaker 1: changing or not changing over the years. And so that 36 00:03:16,600 --> 00:03:23,840 Speaker 1: conversation with Brooke Eden is coming up next, folks. I 37 00:03:24,040 --> 00:03:28,040 Speaker 1: am very excited to welcome to OKF Daily for the 38 00:03:28,160 --> 00:03:33,000 Speaker 1: very first time. Brooke Eden, who is a country music 39 00:03:33,080 --> 00:03:40,120 Speaker 1: singer and songwriter and has both auditioned for American Idol 40 00:03:40,240 --> 00:03:45,520 Speaker 1: and Different Seasons, is signed by Red Bow Records and 41 00:03:45,920 --> 00:03:52,800 Speaker 1: is one of still the very few out LGBTQ country 42 00:03:53,080 --> 00:03:59,400 Speaker 1: music artists. Brooke welcome, Thank you. I want to talk 43 00:03:59,560 --> 00:04:04,600 Speaker 1: first you came out a couple of years ago, and 44 00:04:05,160 --> 00:04:09,119 Speaker 1: I want to give you the opportunity to tell our audience. One, 45 00:04:09,680 --> 00:04:13,240 Speaker 1: you know, we are living in dicey times. I don't 46 00:04:13,240 --> 00:04:17,520 Speaker 1: need to tell you. For LGBTQ people across this country, 47 00:04:17,640 --> 00:04:24,160 Speaker 1: where you know, coming out has been has never been easy. 48 00:04:24,200 --> 00:04:28,880 Speaker 1: But now when you have governors and you know, leading 49 00:04:28,920 --> 00:04:34,120 Speaker 1: candidates who are condemning LGBTQ people, who are making them 50 00:04:34,160 --> 00:04:38,919 Speaker 1: a target, it's become more dangerous than ever. And so 51 00:04:39,400 --> 00:04:43,640 Speaker 1: what prompted you to come out? 52 00:04:44,839 --> 00:04:47,960 Speaker 2: Yeah, it is very scary times right now. 53 00:04:49,000 --> 00:04:51,920 Speaker 3: But I, for me, I was in the closet. 54 00:04:51,960 --> 00:04:56,599 Speaker 2: I had met my now wife five years before I 55 00:04:56,800 --> 00:04:59,800 Speaker 2: came out. When I first met her, I was told 56 00:05:00,520 --> 00:05:03,680 Speaker 2: that if I wanted to keep my record deal, then 57 00:05:03,920 --> 00:05:07,880 Speaker 2: we needed to stay in the closet. If you know, 58 00:05:08,000 --> 00:05:10,480 Speaker 2: I ever wanted to be a country singer in general, 59 00:05:11,440 --> 00:05:15,560 Speaker 2: I needed to keep that part of me quiet. And 60 00:05:15,640 --> 00:05:18,320 Speaker 2: so we did that. We you know, did that to 61 00:05:18,360 --> 00:05:22,080 Speaker 2: the best of our ability, tried to. You know, I said, 62 00:05:22,200 --> 00:05:25,280 Speaker 2: he and him and my songs when talking about a 63 00:05:26,120 --> 00:05:30,560 Speaker 2: you know, romantic partner, and it just got to a point. 64 00:05:30,720 --> 00:05:35,760 Speaker 2: You know, as an artist you are and a songwriter 65 00:05:36,120 --> 00:05:40,640 Speaker 2: you know, your whole job is to be authentic, and 66 00:05:41,279 --> 00:05:43,480 Speaker 2: you know, write about your life and talk about your 67 00:05:43,520 --> 00:05:48,400 Speaker 2: life and you know, have that relatability with your fans. 68 00:05:48,640 --> 00:05:51,279 Speaker 2: And I felt like I could only do that to 69 00:05:51,360 --> 00:05:54,479 Speaker 2: a certain level. And then, you know, of course, on 70 00:05:54,560 --> 00:05:59,599 Speaker 2: top of that, just like human ing was hard having conversations, 71 00:06:00,080 --> 00:06:04,839 Speaker 2: you know, in interviews, trying to talk about a song 72 00:06:04,880 --> 00:06:07,080 Speaker 2: that I wrote, or talk about my life, and I 73 00:06:07,200 --> 00:06:09,240 Speaker 2: was so terrified that I was going to say the 74 00:06:09,279 --> 00:06:13,839 Speaker 2: wrong pronoun. And also, you know, my now wife and 75 00:06:13,880 --> 00:06:16,440 Speaker 2: I were five years in and we wanted to start 76 00:06:16,480 --> 00:06:20,920 Speaker 2: taking those steps that you know, every other you know, 77 00:06:21,160 --> 00:06:25,280 Speaker 2: a heterosexual couple gets to take like it's no big deal. 78 00:06:25,400 --> 00:06:28,480 Speaker 2: We wanted to get engaged, we wanted to start family planning. 79 00:06:28,560 --> 00:06:33,000 Speaker 2: We you know, we wanted to start, and it just 80 00:06:33,320 --> 00:06:35,960 Speaker 2: felt like there was no way to do that other 81 00:06:36,040 --> 00:06:37,279 Speaker 2: than for me coming out. 82 00:06:37,480 --> 00:06:41,560 Speaker 3: And I knew at some point it. 83 00:06:41,480 --> 00:06:43,760 Speaker 2: Was like during I felt like I was coming out 84 00:06:43,760 --> 00:06:46,800 Speaker 2: little by little, you know, like I would be sure 85 00:06:46,839 --> 00:06:51,200 Speaker 2: of us and you know, like call her beautiful or 86 00:06:51,240 --> 00:06:54,440 Speaker 2: something like that, you know, but I hadn't fully. 87 00:06:54,080 --> 00:06:55,719 Speaker 3: Come out until twenty twenty one. 88 00:06:55,960 --> 00:06:59,320 Speaker 2: And it was during twenty twenty I was reading Untamed 89 00:06:59,320 --> 00:07:01,239 Speaker 2: by Glenn Dry and. 90 00:07:01,440 --> 00:07:05,039 Speaker 1: Oh, I love that book. I love that book. 91 00:07:05,880 --> 00:07:09,400 Speaker 2: That book for me was completely life changing, and I'm 92 00:07:09,440 --> 00:07:12,280 Speaker 2: sure it is for many, many many people that read 93 00:07:12,720 --> 00:07:17,160 Speaker 2: it for different reasons. But for me, it was a 94 00:07:17,200 --> 00:07:21,200 Speaker 2: paragraph about integrity, and she just, you know, very basically 95 00:07:21,320 --> 00:07:23,240 Speaker 2: defined integrity. 96 00:07:22,760 --> 00:07:27,040 Speaker 3: As being to the world who you are in your home. 97 00:07:27,680 --> 00:07:31,440 Speaker 2: And I realized that I was living my life with 98 00:07:31,560 --> 00:07:34,640 Speaker 2: no integrity and that hit me like it was one 99 00:07:34,640 --> 00:07:39,520 Speaker 2: of bricks, because I felt like I was staying in 100 00:07:39,600 --> 00:07:40,920 Speaker 2: the closet in order. 101 00:07:40,760 --> 00:07:44,560 Speaker 3: To save something. 102 00:07:44,840 --> 00:07:49,920 Speaker 2: Right, I'm saving my career, I'm saving this scary nightmare 103 00:07:50,120 --> 00:07:52,119 Speaker 2: of a reaction that I could get from the country 104 00:07:52,200 --> 00:07:58,000 Speaker 2: music industry. And I realized that I was sacrificing myself, 105 00:07:58,640 --> 00:08:04,440 Speaker 2: my integrity, and I could possibly be sacrificing my relationship 106 00:08:04,600 --> 00:08:07,720 Speaker 2: in the long run if I didn't start being truthful 107 00:08:07,760 --> 00:08:11,680 Speaker 2: and being real. And so I knew, you know, I 108 00:08:11,760 --> 00:08:13,640 Speaker 2: knew that it could be the end of my career. 109 00:08:13,760 --> 00:08:18,640 Speaker 2: I knew that it could. You know, there's so many 110 00:08:18,760 --> 00:08:21,640 Speaker 2: negative things that can come from it, but there's also 111 00:08:21,680 --> 00:08:24,640 Speaker 2: so many positive things that could come from it. And 112 00:08:25,080 --> 00:08:29,360 Speaker 2: I knew that at this point in twenty twenty was 113 00:08:29,400 --> 00:08:32,520 Speaker 2: like October of twenty twenty that I was reading that book, 114 00:08:32,640 --> 00:08:34,480 Speaker 2: and I knew that at this point it was my 115 00:08:34,559 --> 00:08:41,239 Speaker 2: only option because I had gotten sick, I had ulcers 116 00:08:41,760 --> 00:08:44,480 Speaker 2: be from you know, hidings, that's part of me. And 117 00:08:44,520 --> 00:08:49,480 Speaker 2: it was super stressful, and I was sacrificing my health. 118 00:08:49,920 --> 00:08:52,720 Speaker 2: I was sacrificing my mental health, and then I was 119 00:08:52,720 --> 00:08:58,760 Speaker 2: sacrificing living my life truthfully and authentically. And so there 120 00:08:58,840 --> 00:09:00,920 Speaker 2: just there just came a point where I was like, 121 00:09:00,960 --> 00:09:04,920 Speaker 2: you know, what if if I'm feeling this way, there 122 00:09:04,920 --> 00:09:07,520 Speaker 2: are probably other people that are also feeling this way, 123 00:09:08,080 --> 00:09:13,599 Speaker 2: and maybe this won't be a scary nightmare of a consequence. 124 00:09:13,800 --> 00:09:16,760 Speaker 2: Maybe it can be positive for not only me, but 125 00:09:16,800 --> 00:09:21,320 Speaker 2: for others who are, you know, seeking some kind of 126 00:09:21,400 --> 00:09:23,280 Speaker 2: light and some kind of hope. 127 00:09:23,360 --> 00:09:25,280 Speaker 3: And so I remember that. 128 00:09:25,320 --> 00:09:31,360 Speaker 2: Day I was reading that paragraph and untamed and I 129 00:09:31,360 --> 00:09:35,000 Speaker 2: told Hillary, my wife. I was like, I have to 130 00:09:35,040 --> 00:09:38,040 Speaker 2: come out, and she was like, well, holy hell, Like 131 00:09:38,160 --> 00:09:41,600 Speaker 2: it's about damn time, you know. And I started calling 132 00:09:41,640 --> 00:09:43,920 Speaker 2: my team after that. I called my management, I called 133 00:09:43,960 --> 00:09:48,959 Speaker 2: my record label, and I was like, y'all, we're getting 134 00:09:48,960 --> 00:09:51,920 Speaker 2: ready to release more music next year. And I just 135 00:09:51,960 --> 00:09:55,679 Speaker 2: don't feel like I can release this music without releasing 136 00:09:55,679 --> 00:09:59,400 Speaker 2: it as me and I know that there could be 137 00:09:59,520 --> 00:10:03,080 Speaker 2: negative consequences to this, and I need you to be 138 00:10:03,120 --> 00:10:09,120 Speaker 2: on my team and just know that I understand the 139 00:10:09,280 --> 00:10:13,800 Speaker 2: implications of this one way or the other. And luckily 140 00:10:13,960 --> 00:10:17,520 Speaker 2: my team looked at me and they said, we've got you, 141 00:10:17,600 --> 00:10:21,520 Speaker 2: We've got your back, and let's do this. And so, yeah, 142 00:10:21,559 --> 00:10:26,840 Speaker 2: I came out, I guess like sometime early twenty twenty one, 143 00:10:27,120 --> 00:10:32,840 Speaker 2: and I was met with love and open arms. 144 00:10:32,920 --> 00:10:35,200 Speaker 3: And it's been really, really. 145 00:10:35,000 --> 00:10:42,520 Speaker 2: Beautiful to see the country music industry slowly open it's 146 00:10:42,559 --> 00:10:46,560 Speaker 2: heart and eyes and arms to the queer community. 147 00:10:51,679 --> 00:10:55,920 Speaker 1: Yeah, you know, I thank you so much for sharing that, 148 00:10:56,000 --> 00:11:02,640 Speaker 1: because everybody's coming out or inviting in. Everybody's story is different, 149 00:11:02,920 --> 00:11:06,000 Speaker 1: you know, but what it is the thread that carries 150 00:11:06,080 --> 00:11:10,400 Speaker 1: through is the fear of not being accepted, of not 151 00:11:10,600 --> 00:11:14,079 Speaker 1: being held, of space not being created for you, and 152 00:11:14,720 --> 00:11:18,400 Speaker 1: in very awful circumstances, being met with violence. 153 00:11:19,040 --> 00:11:19,280 Speaker 3: Yeah. 154 00:11:20,200 --> 00:11:22,880 Speaker 1: I want to talk to you about the country music 155 00:11:23,080 --> 00:11:29,200 Speaker 1: industry or industry which you know, for those on the 156 00:11:29,400 --> 00:11:35,040 Speaker 1: outside who are from marginalized communities, whether you are black 157 00:11:35,160 --> 00:11:39,840 Speaker 1: or Latin X or you know, or queer or what 158 00:11:40,040 --> 00:11:45,040 Speaker 1: have you. From the outside, it has seemed to be 159 00:11:45,360 --> 00:11:53,400 Speaker 1: a very white, straight, good old boys club right where 160 00:11:53,440 --> 00:11:57,080 Speaker 1: you had and forgive me because I can't remember his name, 161 00:11:57,559 --> 00:12:01,240 Speaker 1: but the country music artists who you know came out 162 00:12:01,320 --> 00:12:03,920 Speaker 1: with the song you know, don't try this in a 163 00:12:03,960 --> 00:12:09,600 Speaker 1: small town, hailing kind of violence right in a in 164 00:12:09,640 --> 00:12:11,640 Speaker 1: a lot of ways and discrimination. 165 00:12:12,480 --> 00:12:12,800 Speaker 3: And so. 166 00:12:14,240 --> 00:12:19,840 Speaker 1: How do you feel that shifting? You know, we see 167 00:12:19,920 --> 00:12:23,200 Speaker 1: different you know, every awards season that comes by, you 168 00:12:23,240 --> 00:12:26,680 Speaker 1: get an image that seems just a little peppering of 169 00:12:26,800 --> 00:12:32,840 Speaker 1: other kinds of people, of other differently looking people. But 170 00:12:33,000 --> 00:12:36,760 Speaker 1: how do you how do you see your industry, this 171 00:12:36,960 --> 00:12:40,720 Speaker 1: genre kind of shifting and changing over time? 172 00:12:41,679 --> 00:12:45,160 Speaker 2: Yeah, I think that one of the most important things 173 00:12:45,200 --> 00:12:48,760 Speaker 2: that we have specifically in country music. I'm sure it's 174 00:12:48,800 --> 00:12:52,800 Speaker 2: in other genres as well, but for country music, you know, 175 00:12:53,040 --> 00:12:59,559 Speaker 2: the gatekeepers, if you will, they have changed over the 176 00:12:59,640 --> 00:13:05,400 Speaker 2: last few years. And you have people who want diversity 177 00:13:05,559 --> 00:13:07,560 Speaker 2: and inclusion. 178 00:13:07,320 --> 00:13:08,760 Speaker 3: And want. 179 00:13:09,960 --> 00:13:16,400 Speaker 2: People of all backgrounds and all you know, races and 180 00:13:17,240 --> 00:13:25,439 Speaker 2: religious affiliations and political affiliations and sexual orientations, gender identities. 181 00:13:25,520 --> 00:13:28,880 Speaker 2: They want them to be able to be seen in 182 00:13:28,960 --> 00:13:29,760 Speaker 2: country music. 183 00:13:30,400 --> 00:13:32,160 Speaker 3: That's what's changing. 184 00:13:33,280 --> 00:13:35,640 Speaker 2: Is that these you know, these people who make the 185 00:13:35,679 --> 00:13:41,760 Speaker 2: big decisions are meeting with people like us who are different, 186 00:13:41,880 --> 00:13:47,960 Speaker 2: who have something to say, and are realizing that it's 187 00:13:48,080 --> 00:13:50,920 Speaker 2: important for the genre in order for the genre to 188 00:13:51,000 --> 00:13:56,479 Speaker 2: move forward. It's important that we have people that represent America, 189 00:13:57,280 --> 00:14:03,640 Speaker 2: because white street men don't represent America. And I think 190 00:14:03,679 --> 00:14:08,319 Speaker 2: that it's really important that we have people in positions 191 00:14:08,320 --> 00:14:16,760 Speaker 2: of power that are recognizing this dire need for country 192 00:14:16,840 --> 00:14:20,160 Speaker 2: music to look like our country and to sound like 193 00:14:20,200 --> 00:14:26,880 Speaker 2: our countries. And I mean it's still a fighting battle, 194 00:14:27,160 --> 00:14:32,600 Speaker 2: you know, it's still it's not you know, when someone 195 00:14:33,040 --> 00:14:35,960 Speaker 2: comes out in country music, or when someone comes into 196 00:14:35,960 --> 00:14:40,680 Speaker 2: the scene that is queer or that is not white, 197 00:14:41,280 --> 00:14:45,720 Speaker 2: or you know, it's just different than what we're used to. 198 00:14:46,120 --> 00:14:50,600 Speaker 2: It's still a fighting battle no matter what. Also, women 199 00:14:50,640 --> 00:14:53,840 Speaker 2: in country music are still you know, it's still like 200 00:14:54,000 --> 00:15:00,120 Speaker 2: one to twenty I think on country radio, men to men. Oh, 201 00:15:00,600 --> 00:15:04,880 Speaker 2: I mean it just being a woman in general is 202 00:15:05,120 --> 00:15:07,040 Speaker 2: difficult in country music. 203 00:15:07,120 --> 00:15:08,640 Speaker 3: But I think that. 204 00:15:09,280 --> 00:15:14,400 Speaker 2: You know, we are seeing people in important positions that 205 00:15:14,600 --> 00:15:19,960 Speaker 2: have the ability to put women on the radio, to 206 00:15:20,040 --> 00:15:28,520 Speaker 2: put you know, people of a representation of America on 207 00:15:28,920 --> 00:15:32,840 Speaker 2: the country radio. And I think that that's what's changing, 208 00:15:32,840 --> 00:15:35,720 Speaker 2: and we're seeing it little by little what we're seeing it, 209 00:15:35,880 --> 00:15:38,840 Speaker 2: and I think that that's something that we hadn't seen. 210 00:15:40,320 --> 00:15:43,560 Speaker 3: Pretty much before twenty twenty. Twenty twenty was a really 211 00:15:43,560 --> 00:15:45,040 Speaker 3: pivotal year for. 212 00:15:48,080 --> 00:15:50,480 Speaker 2: I think the wole was pulled off of a lot 213 00:15:50,520 --> 00:15:53,960 Speaker 2: of people's eyes, and I think that it was really important. 214 00:15:54,920 --> 00:15:57,440 Speaker 2: It was a really important year to see what was 215 00:15:57,480 --> 00:16:01,240 Speaker 2: important in the world and what we are missing from 216 00:16:01,400 --> 00:16:05,400 Speaker 2: so much of popular culture, especially in country music. 217 00:16:07,240 --> 00:16:09,800 Speaker 1: You know, it's interesting because you know, while while we're 218 00:16:09,840 --> 00:16:12,920 Speaker 1: talking about your genre in particular, I'm kind of like 219 00:16:13,360 --> 00:16:17,280 Speaker 1: going through different genres and it's it's not as if 220 00:16:17,920 --> 00:16:21,680 Speaker 1: I can point to other spaces where there are a 221 00:16:21,720 --> 00:16:26,280 Speaker 1: plethora of lgbt Q artists that are huge, do you 222 00:16:26,320 --> 00:16:29,040 Speaker 1: know what I'm saying? Like, sure, I can. I can 223 00:16:29,120 --> 00:16:34,840 Speaker 1: point to a Janelle Monet, who it you know, identifies 224 00:16:34,880 --> 00:16:37,320 Speaker 1: as pan sexual, right, I can. I can point to, 225 00:16:38,040 --> 00:16:42,160 Speaker 1: you know, a couple of of of young female rappers 226 00:16:42,280 --> 00:16:45,320 Speaker 1: who are queer. But when you look at the entirety 227 00:16:45,360 --> 00:16:48,920 Speaker 1: and you kind of, you know, go across different genres, 228 00:16:49,760 --> 00:16:53,640 Speaker 1: Country music in that in that respect is fairly on 229 00:16:53,800 --> 00:16:57,320 Speaker 1: par with with that with other with with other other 230 00:16:57,480 --> 00:17:00,920 Speaker 1: groups and other genres. And I just you know, if 231 00:17:01,040 --> 00:17:07,600 Speaker 1: entertainment is about being able to express a narrative and 232 00:17:07,880 --> 00:17:12,520 Speaker 1: you know, and and and and offer shared experiences, I 233 00:17:12,560 --> 00:17:16,040 Speaker 1: do still find it quite shocking that it isn't that 234 00:17:16,119 --> 00:17:20,160 Speaker 1: it's still very much queer people are still very much 235 00:17:20,200 --> 00:17:24,160 Speaker 1: on the margins of of stardom in these in these 236 00:17:24,200 --> 00:17:25,720 Speaker 1: genres that that we look to. 237 00:17:26,520 --> 00:17:31,040 Speaker 2: Yeah, I've always said it's interesting how there are a 238 00:17:31,080 --> 00:17:35,640 Speaker 2: lot of well, you know, you have like Freddie Mercury, 239 00:17:35,760 --> 00:17:39,520 Speaker 2: you have Elton John, like some of the biggest you know, 240 00:17:39,720 --> 00:17:45,960 Speaker 2: stars of our time were you know, Elton John is 241 00:17:45,960 --> 00:17:49,119 Speaker 2: obviously out, but like Freddie Mercury during his life was 242 00:17:49,400 --> 00:17:52,280 Speaker 2: not and like married to a woman, right, And you know, 243 00:17:52,359 --> 00:17:58,879 Speaker 2: you have such huge culture and musical icons that have 244 00:17:59,080 --> 00:18:02,840 Speaker 2: been queer and have also you know, had to keep 245 00:18:02,920 --> 00:18:07,960 Speaker 2: that to themselves for their entire you know, lifetime and fame. 246 00:18:08,560 --> 00:18:14,400 Speaker 2: And then you have people now like Miley Cyrus. 247 00:18:13,760 --> 00:18:17,560 Speaker 1: Or Sam Smith you know, yeah. 248 00:18:17,480 --> 00:18:19,480 Speaker 3: Sam Smith cets. 249 00:18:19,760 --> 00:18:23,600 Speaker 2: You know, like you have people just in the last 250 00:18:23,680 --> 00:18:27,760 Speaker 2: few years that are like Renee Rap. You know, you 251 00:18:27,880 --> 00:18:30,320 Speaker 2: have people in the last few years that are saying, 252 00:18:30,680 --> 00:18:35,679 Speaker 2: you know, I'm bisexual or I'm gender fluid or you know, 253 00:18:36,400 --> 00:18:39,640 Speaker 2: I think I think that what I haven't seen much 254 00:18:39,680 --> 00:18:44,160 Speaker 2: of is like these people like Miley Cyrus for example. 255 00:18:44,600 --> 00:18:47,600 Speaker 2: You know, she has said that she was by for 256 00:18:47,840 --> 00:18:50,399 Speaker 2: quite some time, but you only ever see her in 257 00:18:50,440 --> 00:18:55,640 Speaker 2: the public eye with a boyfriend, right, Yeah, And I 258 00:18:55,680 --> 00:18:59,080 Speaker 2: am so interested to see as time goes by how 259 00:18:59,119 --> 00:19:01,960 Speaker 2: much that changes. You know, you have Renee Rapp who 260 00:19:02,000 --> 00:19:05,439 Speaker 2: came out of the gate as a pop singer, you know, 261 00:19:05,720 --> 00:19:08,320 Speaker 2: who said I'm bisexual, I'm going to sing about women, 262 00:19:08,520 --> 00:19:10,920 Speaker 2: I'm going to sing about men, And like, I think 263 00:19:10,960 --> 00:19:13,720 Speaker 2: that that's been such a breath of fresh air because 264 00:19:13,760 --> 00:19:19,080 Speaker 2: she didn't come out and like be she wasn't. It 265 00:19:19,119 --> 00:19:21,040 Speaker 2: didn't seem like she was scared about it. It just 266 00:19:21,040 --> 00:19:22,640 Speaker 2: felt like she was like, this is who I am, 267 00:19:22,720 --> 00:19:25,840 Speaker 2: and this is great. Billie Eilish just came out as queer, 268 00:19:26,000 --> 00:19:30,200 Speaker 2: you know, one of the biggest, you know, pop stars 269 00:19:30,400 --> 00:19:34,680 Speaker 2: of today. So I am interested to see how these 270 00:19:34,760 --> 00:19:39,359 Speaker 2: next few years are going to you know, shape into 271 00:19:39,920 --> 00:19:46,119 Speaker 2: pop culture and hopefully how people of you know, all 272 00:19:46,480 --> 00:19:49,560 Speaker 2: sexual orientations and gender identities will be able to hear 273 00:19:49,600 --> 00:19:51,560 Speaker 2: their stories in music. 274 00:19:51,760 --> 00:19:55,960 Speaker 1: As that gender right and not have to, you know, 275 00:19:55,960 --> 00:19:59,240 Speaker 1: because my question for you too is like, how do 276 00:19:59,359 --> 00:20:04,280 Speaker 1: you your music, you know, and in the stories that 277 00:20:04,400 --> 00:20:09,399 Speaker 1: you tell shifting over time because again, you know, we're 278 00:20:09,960 --> 00:20:14,280 Speaker 1: accustom in communities that are not part of the mainstream 279 00:20:14,720 --> 00:20:18,520 Speaker 1: having to imagine ourselves and stories and in movies and 280 00:20:19,160 --> 00:20:22,320 Speaker 1: different things. We don't readily have it reflected back. And 281 00:20:22,400 --> 00:20:26,280 Speaker 1: so how how do you see your art you know? 282 00:20:26,640 --> 00:20:28,639 Speaker 1: Or have you seen it, you know, shift over the 283 00:20:28,720 --> 00:20:31,760 Speaker 1: last couple of years since you've come out, Oh, I 284 00:20:31,800 --> 00:20:32,760 Speaker 1: mean tremendously. 285 00:20:33,240 --> 00:20:36,679 Speaker 2: It starts with the songwriting, and I remember walking into 286 00:20:37,040 --> 00:20:42,120 Speaker 2: songwriting sessions and just going here we go again. I'm 287 00:20:42,160 --> 00:20:44,840 Speaker 2: writing a song about, you know, the love of my 288 00:20:44,960 --> 00:20:49,160 Speaker 2: life who became my wife, and I'm using heat Heim pronouns. 289 00:20:49,240 --> 00:20:53,720 Speaker 2: It's the most suffocating feeling when you're going into those 290 00:20:53,760 --> 00:20:56,440 Speaker 2: writing sessions and you feel like, you know, you're writing 291 00:20:56,480 --> 00:20:58,400 Speaker 2: about this great love, but I can't really. 292 00:20:58,160 --> 00:21:01,960 Speaker 3: Talk about it. And now every single writing session that 293 00:21:02,040 --> 00:21:03,560 Speaker 3: I go into, I. 294 00:21:05,240 --> 00:21:09,000 Speaker 2: Know they know that I am married to a woman, 295 00:21:09,160 --> 00:21:11,200 Speaker 2: and that's what we're going to be writing about if 296 00:21:11,200 --> 00:21:15,080 Speaker 2: we're writing about love, and I don't even think about 297 00:21:15,119 --> 00:21:18,720 Speaker 2: it twice now and that has changed me as a 298 00:21:18,720 --> 00:21:23,199 Speaker 2: writer because not only am I able to say, you know, 299 00:21:24,440 --> 00:21:26,560 Speaker 2: you know, talk about her and write about her, but 300 00:21:26,760 --> 00:21:30,880 Speaker 2: everything is more open. The walls have come down, and 301 00:21:31,320 --> 00:21:33,359 Speaker 2: it has made me a better writer. It's made me 302 00:21:33,400 --> 00:21:37,000 Speaker 2: a better artist. I mean, my first single that I 303 00:21:37,000 --> 00:21:40,240 Speaker 2: had out to country radio, you know, I talked about 304 00:21:40,240 --> 00:21:44,560 Speaker 2: cologne in it, even though I was dating a woman 305 00:21:44,600 --> 00:21:45,120 Speaker 2: at the time. 306 00:21:45,440 --> 00:21:48,200 Speaker 3: And now I. 307 00:21:48,359 --> 00:21:51,840 Speaker 2: Just would never ever do that. I would never think 308 00:21:51,880 --> 00:21:54,680 Speaker 2: twice about saying her in my songs. 309 00:21:54,760 --> 00:21:57,960 Speaker 3: And there is a huge freedom in that. 310 00:21:58,160 --> 00:22:03,199 Speaker 2: And I think think the biggest thing for me is 311 00:22:04,400 --> 00:22:07,679 Speaker 2: when we came out with When I came out, I 312 00:22:07,960 --> 00:22:13,240 Speaker 2: wanted to be visible, and I wanted to be representation 313 00:22:13,560 --> 00:22:18,560 Speaker 2: for my community, not only sonically but also visually. And 314 00:22:18,640 --> 00:22:24,800 Speaker 2: so the first three songs that I released, my wife 315 00:22:24,920 --> 00:22:28,800 Speaker 2: is in them with me, and those music videos are 316 00:22:29,000 --> 00:22:33,199 Speaker 2: on country music television. And I've had so many people 317 00:22:33,440 --> 00:22:36,600 Speaker 2: reach out to me and say, you know, I listen 318 00:22:36,720 --> 00:22:40,520 Speaker 2: to CMT. I watch CMT every morning or you know, 319 00:22:40,600 --> 00:22:43,960 Speaker 2: every Saturday morning with my family. And today was the 320 00:22:44,000 --> 00:22:47,200 Speaker 2: first time that I had ever seen two girls holding hands, 321 00:22:47,240 --> 00:22:50,560 Speaker 2: two girls kissing, like a real love story. 322 00:22:50,119 --> 00:22:56,800 Speaker 3: That looked like mine and to me, that is what's 323 00:22:56,880 --> 00:22:58,040 Speaker 3: so important, you know. 324 00:22:58,440 --> 00:23:00,240 Speaker 2: I think Orange is the New Black was the first 325 00:23:00,280 --> 00:23:04,479 Speaker 2: time that I saw a lesbian on this TV screen, 326 00:23:04,920 --> 00:23:07,800 Speaker 2: and that changed my perspective because I was like. 327 00:23:07,760 --> 00:23:11,600 Speaker 3: Oh, wow, you know this looks like me. You know, 328 00:23:11,760 --> 00:23:13,520 Speaker 3: this looks like my love. And so. 329 00:23:15,040 --> 00:23:19,159 Speaker 2: I think that seeing that and people being able to 330 00:23:19,160 --> 00:23:24,160 Speaker 2: see themselves in music videos and hear themselves in songs, 331 00:23:24,640 --> 00:23:28,239 Speaker 2: it gives them this permission to be themselves and that 332 00:23:28,400 --> 00:23:29,800 Speaker 2: was really really important to me. 333 00:23:34,920 --> 00:23:39,560 Speaker 1: Brook I one, I just want to applaud your courage 334 00:23:40,080 --> 00:23:43,320 Speaker 1: in you know, in making the very personal decision to 335 00:23:43,440 --> 00:23:47,239 Speaker 1: come out, but also to bring your fans and an 336 00:23:47,320 --> 00:23:51,000 Speaker 1: industry along on your journey, because I do think that 337 00:23:51,400 --> 00:23:53,879 Speaker 1: it is very important for people to be able to 338 00:23:53,960 --> 00:24:01,120 Speaker 1: see you know, happy, healthy, you know LGBTQ people and 339 00:24:01,160 --> 00:24:06,159 Speaker 1: that their life and their love is possible, right And 340 00:24:06,240 --> 00:24:08,880 Speaker 1: I don't think that we can take that ever for granted, 341 00:24:09,040 --> 00:24:13,320 Speaker 1: because there are people, you know, in all states, you know, 342 00:24:13,480 --> 00:24:18,520 Speaker 1: in all places, that still struggle because they face so 343 00:24:18,760 --> 00:24:23,160 Speaker 1: much headwinds in their ability to be themselves. So I 344 00:24:23,200 --> 00:24:26,480 Speaker 1: just want to thank you also for making the time 345 00:24:26,600 --> 00:24:30,680 Speaker 1: to join wok F really really appreciate you sharing your 346 00:24:30,720 --> 00:24:35,280 Speaker 1: story and hope that you continue to push your industry 347 00:24:36,160 --> 00:24:38,960 Speaker 1: into a place of acceptance. 348 00:24:39,920 --> 00:24:43,080 Speaker 2: We will continue to push those boundaries and thank you 349 00:24:43,119 --> 00:24:44,320 Speaker 2: for doing what you're doing. 350 00:24:44,440 --> 00:24:46,520 Speaker 3: It's so important. 351 00:24:50,320 --> 00:24:53,320 Speaker 1: That is it for me today. Dear friends on wok 352 00:24:53,720 --> 00:24:57,080 Speaker 1: f as always power to the people and to all 353 00:24:57,280 --> 00:25:00,760 Speaker 1: the people power, get woke and stay wolke as spot