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Speaker 1: What up, y'all? This is your main man, Memphis Bleak

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Speaker 1: right here.

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Speaker 2: Welcome to Rock Solid, her production of iHeart Radio and

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Speaker 2: the Black Effect Network in partnership with my guys over

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Speaker 2: at Drink.

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Speaker 3: Champs Big with the year Memphis m Black Caddy Niggas.

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Speaker 1: Notice the difference.

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Speaker 2: Just pron present no stones, Yo. This is a new

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Speaker 2: episode Rock Solid Podcast. Yours truly myth Bleak in the building.

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Speaker 2: We got one of the motherfucking original pebbles of the rock.

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Speaker 1: You know.

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Speaker 2: You know what I'm saying, won't be built without guys

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Speaker 2: like this.

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Speaker 1: You know what I mean?

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Speaker 2: We got Lenny fucking ass in the building. But y'all

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Speaker 2: might not know I call them Lenny Dress. Is this

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Speaker 2: nigga been fly since ninety one?

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Speaker 1: Here we are? Whatever? My god, how you doing? This?

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Speaker 1: Is not gonna be easy because we find we have

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Speaker 1: the same sense of humor, Yo.

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Speaker 3: But yeah, people don't know you know what I'm saying.

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Speaker 2: Just for those who know, I hit hold the other

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Speaker 2: day and I'm like, Yo, Lenny coming on the podcast

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Speaker 2: about the interviewer, and nigga say what y'all gonna do?

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Speaker 1: Laugh for that? You know? I'm like, now, Yeah, I said, now,

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Speaker 1: we're gonna do our things.

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Speaker 2: He was like, Yo, but wait, cap watch the podcast

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Speaker 2: on your phone. Or I was, nah, I'm like, we

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Speaker 2: dropping this.

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Speaker 1: Top of the year.

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Speaker 2: I told them Lenny Dresses the episode coming out. I

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Speaker 2: got told you this is the episode gonna get us paid.

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Speaker 1: Y'all. We're going from rags this one. I appreciate you

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Speaker 1: having me on those.

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Speaker 2: No, Yo, my god, let's bring them back. Niggas don't

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Speaker 2: know where you started. They know you fav you know

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Speaker 2: the Cali days. They don't know you from the really

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Speaker 2: original Emmy m p h Child as Bleak Day.

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Speaker 1: That that is very true.

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Speaker 2: I'm saying because my man Lenny Dress was walking around.

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Speaker 2: His name was Kodak getting shot.

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Speaker 1: You know what I'm saying.

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Speaker 2: Bigga had the plugs to all the magazines just used

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Speaker 2: to pop up with pictures.

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Speaker 3: Then one day everything changed. Lenny Dress Yeah.

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Speaker 1: Stop, all right.

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Speaker 4: So, I mean, I guess from the beginning, obviously started

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Speaker 4: that Rock as an intern doing street team promotion, as

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Speaker 4: you know, and obviously speaking for the people that don't

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Speaker 4: know this, but uh started out doing street promotion. From

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Speaker 4: there was able to elevate into a n R, which

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Speaker 4: was my actual you know, that was my whatever dream,

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Speaker 4: that was my That was what I was most ambitious for,

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Speaker 4: right to be able to work on albums with artists

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Speaker 4: who gave you that honestly.

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Speaker 1: Damon J. I told him. I first told Dame am

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Speaker 1: J the backboard wave to braw.

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Speaker 4: We'll get into our situation, but I'm talking about, like

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Speaker 4: as far as just the transition from Street.

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Speaker 1: Team into into A and R.

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Speaker 4: They noticed that I was kind of hitting my head

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Speaker 4: on the ceiling, and they actually what I wanted to

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Speaker 4: do after that?

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Speaker 1: And I told him obviously an R.

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Speaker 4: And then Dame I suggested that I do the streets

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Speaker 4: is watching soundtrack?

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Speaker 1: Oh that was your first bride first?

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Speaker 3: Yeah, but just like yeah, just like yeah, I've taken

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Speaker 3: too much credited.

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Speaker 1: No no, no, no no.

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Speaker 4: What you and I did we'll talk about is what

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Speaker 4: really launch and catapulted, because you know that was like nobody, Yo, That's.

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Speaker 1: What I'm about to say. Yo.

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Speaker 2: It's weird how it happened because I always knew Lynn

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Speaker 2: moving around, like I said, be a fly.

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Speaker 1: And they go.

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Speaker 2: Always was the coolest nigga, taking the pictures, all the events,

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Speaker 2: all the parties. Always nothing change, And then it changed

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Speaker 2: in Rockefeller.

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Speaker 3: When Beans came because the shift.

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Speaker 2: Remember I was the only artist at first, correct and

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Speaker 2: then the shift went to her ships Beans Beans. Here

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Speaker 2: everything was Beans, and Lynn was the only one who

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Speaker 2: came to me and was like, yo, yo, I'm an

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Speaker 2: A and R. Bro, it's getting the studio myself. Yeah,

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Speaker 2: we could put some work together. We get in the studio,

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Speaker 2: we do our thing, and I'm looking. I'm like, but

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Speaker 2: don't you do that? He's like, nah, no, producers, I

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Speaker 2: know everything. So I'm like, all right, let's go.

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Speaker 1: That's why you remember that? So yeah, damn, that's yeah, bro,

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Speaker 1: you're kidding me. So basically, just for the people.

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Speaker 4: Listening, right, I use that as I used every opportunity

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Speaker 4: within the music business to catapult to the next whatever

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Speaker 4: that is, right, the next level, the next whatever, whatever

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Speaker 4: else I was trying to achieve. So I would just

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Speaker 4: look at situations that had a void, or look at

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Speaker 4: something that wasn't being paid attention to, or whatever the

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Speaker 4: case may be, right, and I made sure that I

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Speaker 4: filled that void. So the same with taking photos, the

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Speaker 4: same with you know, whatever the case may be. You know,

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Speaker 4: I would do everything for Dame Jay and Biggs. In

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Speaker 4: the beginning when I was an intern. I parked cars,

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Speaker 4: I went.

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Speaker 1: To Windys you know what I'm saying. Fact it was grunted.

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Speaker 4: So yeah, retail stores, I helped, you know, our br

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Speaker 4: I helped wherever you know that was helped need it.

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Speaker 4: But anyway, seeing the whole being situation, which was great, right,

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Speaker 4: he was a new artist.

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Speaker 1: He was really really, really fucking j Yeah. It was

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Speaker 1: like almost like a shiny new toy, you know what

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Speaker 1: I mean.

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Speaker 4: So a lot of the attention, as it should anywhere

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Speaker 4: with something that's you know, new and that you want

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Speaker 4: to put a lot of effort into. A lot of

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Speaker 4: that went there. And I noticed the void with you

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Speaker 4: where it's like you had already been there. You were

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Speaker 4: an original you know, they were kind of not a

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Speaker 4: bad way, but the attention was it just was more urgent,

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Speaker 4: you know what I'm saying.

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Speaker 1: And you hadn't done like a project project yet.

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Speaker 4: So I took that opportunity to be like check this out,

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Speaker 4: like you know what I'm saying, Like we could do this,

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Speaker 4: and I don't see anybody doing it to my knowledge

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Speaker 4: or not doing it yet, you know what I'm saying.

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Speaker 2: And I had a hook up at the studio in

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Speaker 2: the basement.

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Speaker 4: I found somebody in the street. Yeah, I found something.

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Speaker 4: And that's what I did, right, used relationships for every thing.

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Speaker 4: So I found somebody that was like, hey, if you

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Speaker 4: you're a Rockefeller, right, if you come to my studio,

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Speaker 4: everybody charges whatever. I'm making this up. You know, two

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Speaker 4: thousand dollars for a session. I'll give you a session

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Speaker 4: for four hundred if you work here. So that's when

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Speaker 4: I went to Bleak. It was like, yo, I got

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Speaker 4: the studio. It ain't like it ain't Sony and they

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Speaker 4: hit factory. We're not gonna run into Mariah and DMX,

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Speaker 4: but we could get an album done if I could

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Speaker 4: get producers here and just give me a shot. And honestly,

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Speaker 4: I asked Bleak for the shot because he could have

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Speaker 4: been like, you know, I don't want a new an R.

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Speaker 4: I don't want a new person of my project. And

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Speaker 4: hip hop at the time was one of the best

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Speaker 4: an rs. You know, none of my no, no what

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Speaker 4: I'm saying. But being that he is one of the

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Speaker 4: best a rs in the world and was on rock,

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Speaker 4: you would think that you might be like, you know,

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Speaker 4: like like, nah, I'm utilizing the best, Like I don't

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Speaker 4: know what you could do, and Bleak took a chance

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Speaker 4: on me, and we took a chance on each other.

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Speaker 1: Man.

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Speaker 2: And definitely because I didn't even know I was capable

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Speaker 2: of making coming to age, no one thought we were

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Speaker 2: gonna make that album. I remember the day when we

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Speaker 2: went to the off Is to play it for j

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Speaker 2: Damon Biggs. Remember they was surprised, like what the yah? Yeah,

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Speaker 2: yeah did this hole? It was like what song I

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Speaker 2: could put a verse?

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Speaker 1: Yeah? We just got to it, man. Yeah.

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Speaker 4: And that was another thing that I always just personally,

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Speaker 4: I like to I like to put in the work

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Speaker 4: and then you know, show show the work. And I

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Speaker 4: think that's when people step up and they see that

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Speaker 4: you take initiative and that you are capable of pulling

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Speaker 4: something off without using the powers that because we could

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Speaker 4: have used their favors.

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Speaker 1: That could have a Jay to make a call this

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Speaker 1: producer or that person on who went straight grinding.

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Speaker 2: And that's when we had what was my man B

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Speaker 2: Stanley was our engineer. Man, yeah, B Stanley, I just

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Speaker 2: seen B two not too long ago. Shout out my

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Speaker 2: guy B Stanley, original engineer, like and that and and

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Speaker 2: I'm glad I'm here to speak with you because you

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Speaker 2: were my A and R in every studio session, because

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Speaker 2: you know the word on the street people think oh

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Speaker 2: wrote everything, because you know, I tell people yeah, coming age,

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Speaker 2: I was too young to think, oh yeah. He ripped

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Speaker 2: that sheet of paper over his book and was like bleak.

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Speaker 2: As fast as you remember this, you'll be on. Yeah,

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Speaker 2: I can say it now. That was a little big

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Speaker 2: cap because if we went to dig coming in age,

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Speaker 2: I'd have been back on that project.

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Speaker 5: What section mark, That's just awesome flushing after right there

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Speaker 5: on that bitch and the pump be right back like listen,

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Speaker 5: I bought him all, but he ain't catch on.

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Speaker 1: I can.

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Speaker 4: I can count every verse.

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Speaker 1: O didn't even know. We was in the studio putting

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Speaker 1: it yellow. You have the yellow pad going. There was

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Speaker 1: always a bunch of regano or something all over. I

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Speaker 1: don't know what that was. We had.

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Speaker 2: We were smoking chimney back we was definitely smoking dog dirt.

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Speaker 2: Yeah back then it was bad, bro, but we definitely

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Speaker 2: pulled that album off. Then we went in to motherfucking

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Speaker 2: the Understanding album. That's when that's when they paid us attention.

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Speaker 3: These motherfuckers is putting it some.

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Speaker 1: Work over here. We always elevated. That's a fact. Yo.

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Speaker 3: So but after a while, like I always wanted to know.

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Speaker 2: The people don't know, but me as your friend, as

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Speaker 2: you're broke, I always wanted to know what happened at

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Speaker 2: the Rock at that time when you left, because there

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Speaker 2: was a point of time when you left Rockefeller. Niggas

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Speaker 2: don't even know it was outside. It was like, yo,

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Speaker 2: what happened? You just was my plug?

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Speaker 1: You're talking about the time I quit?

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Speaker 3: Yeah, you left, you went that. I think it was

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Speaker 3: Electra right.

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Speaker 4: All No, no virgins of my virgin yes, yes, yes, sir, No,

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Speaker 4: that was with that was the understanding.

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Speaker 1: That was right, I have to understanding. Yea. Yeah, but

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Speaker 1: you know what I'm saying, I was with Jay's blessing.

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Speaker 4: Oh yeah, I never knew because I'm just like he

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Speaker 4: always wanted well he always did, uh And I love

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Speaker 4: J for this. He always kept me on even when

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Speaker 4: he retired. He retired, He wasn't doing nothing.

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Speaker 1: Retiring every album, no no.

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Speaker 4: But the time after Black Time he really like stopped

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Speaker 4: and he really retired. I was getting job offers and

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Speaker 4: I was like, yo, you know, and I said this

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Speaker 4: before I think of somebody's thing.

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Speaker 1: But I was getting job officers.

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Speaker 4: And I wanted to take the job just because we

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Speaker 4: weren't we weren't a functioning company, you know. It was

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Speaker 4: it had dispersed and he had retired or whatever, and

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Speaker 4: and he was like, no, no, we're good. I'm I'm

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Speaker 4: gonna keep you, you know, keep you good. And he

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Speaker 4: really kept me on payrolls. And I mean, and it

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Speaker 4: wasn't until Big John, which you know is you know,

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Speaker 4: one of my mentors and close friends with Jay and

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Speaker 4: and and so instrumental and and you know Jay's you know,

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Speaker 4: getting Jake songs and stuff like that from the publishing side.

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Speaker 4: Big John had taken a job at Virgin. So John

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Speaker 4: asked j like, yo, you you know, let me while

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Speaker 4: whatever until something else happens over that. And JA was like,

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Speaker 4: all right, that's that's family. So yeah, and that and

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Speaker 4: I went to Virgin Records.

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Speaker 2: Of you transition from an R to CEOG artist.

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Speaker 1: Yeah, it was CEO used to put up like night

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Speaker 1: you let my man get a verse on this.

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Speaker 2: Yeah, yep, shot step be K shot out my niggas

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Speaker 2: shot shot.

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Speaker 1: I was never I would ever say he was. I'm

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Speaker 1: not saying that the guy was super nice.

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Speaker 2: He was ahead of his time, because if you think

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Speaker 2: about it, how Jake holding him and spitting that lane,

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Speaker 2: he was in that lane ten years before, like fun

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Speaker 2: called for back then. Yeah, like that's crazy. Shot was

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Speaker 2: that guy?

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Speaker 1: Man?

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Speaker 2: He was putting in that work. I was I was

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Speaker 2: surprised that Jay didn't sign them.

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Speaker 1: Yeah, I don't know, man, you know, we tried and

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Speaker 1: we did.

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Speaker 4: I got a model Virgin and then when when that

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Speaker 4: whole situation kind of like dispersed, you know, he left

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Speaker 4: Virgin and then uh, you know, started doing his own

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Speaker 4: thing and I tried to do it over there, but

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Speaker 4: then it didn't work out for whatever reason. But but

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Speaker 4: he was he was that that that nice and you're

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Speaker 4: right ahead of his time. And it was frustrating now,

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Speaker 4: you know, whenever you can't get somebody off the ground

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Speaker 4: that that you know, and I believe that the people

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Speaker 4: that have gone, so I'm like, I know this is

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Speaker 4: that you know, you can't win them all.

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Speaker 2: But and and that's the thing about the rap gang.

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Speaker 2: People think just because you nice, you make it. It's

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Speaker 2: niggas who ain't nice who make it. And you'd be like,

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Speaker 2: how the fuck this nigga did it?

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Speaker 4: Their singers out there to sound like you know, sh

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Speaker 4: know what I'm saying like good like that are great

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Speaker 4: Arianna or Mariah And they can't.

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Speaker 1: Get on let me carry.

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Speaker 3: It's not easy, man, definitely getting people to check for you,

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Speaker 3: it's not easy.

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Speaker 2: But one thing I want to bring up because my

275
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Speaker 2: man been making fun of my name forever.

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Speaker 3: I've been rapping Memphis since the beginning.

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Speaker 1: Everybody knows stands for.

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Speaker 2: They know it's stand for making easy money, pimp and

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Speaker 2: holes and stall.

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Speaker 1: They know I was pimping. I'm gonta get too old

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Speaker 1: for that now. But saying that now sound.

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Speaker 4: Memphis league young easy money pimping holes in style absurd? Guy,

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Speaker 4: I knew, but I never stood behind it. Still behind

284
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Speaker 4: you as an artist, but I never stood behind that acronym.

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Speaker 4: We wasn't.

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Speaker 1: Wasn't versus yo was j d J.

287
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Speaker 2: For a minute, I was yes, niggas man many hats man.

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Speaker 2: I don't notice Lily was the d J.

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Speaker 4: I was no, no, no, no no.

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Speaker 1: I was a substitute, like a substitute teacher. I was Yo,

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Speaker 1: you and Burt DJ, come on, man, we gotta have

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Speaker 1: a chill.

293
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Speaker 4: Was funny to us to They may not know, but yes,

294
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Speaker 4: I did play DJ for J for whatever two years

295
00:13:56,160 --> 00:14:00,959
Speaker 4: or something like that. Again, just because it was a

296
00:14:01,000 --> 00:14:03,360
Speaker 4: situation that was it was needed. You know, we didn't

297
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Speaker 4: have a DJ at the time, and it was something

298
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Speaker 4: that had happened abruptly. And Jay was like, all right,

299
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Speaker 4: you're gonna do it, and I'm like, no, I'm not

300
00:14:10,840 --> 00:14:13,679
Speaker 4: gonna do it. I'm not a fucking DJ. By the way,

301
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Speaker 4: we're in North Carolina. It's twenty thousand people outside in

302
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Speaker 4: the crowd. But because I had programmed the playback machine

303
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Speaker 4: that we usually used number it's.

304
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Speaker 1: Being an an R.

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00:14:24,800 --> 00:14:26,960
Speaker 4: Yeah, being an A and R for the team, I

306
00:14:27,000 --> 00:14:29,600
Speaker 4: did all the programming. I held all the music, so

307
00:14:29,680 --> 00:14:32,240
Speaker 4: I always held the playback machine and I actually would

308
00:14:32,320 --> 00:14:34,320
Speaker 4: load it in program it for whoever DJ for J.

309
00:14:34,800 --> 00:14:36,600
Speaker 4: So even when we had shows, I would take it

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Speaker 4: with me, you know what I'm saying. And I went

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Speaker 4: over every show with Jay. We would go over everything,

312
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Speaker 4: so I knew the ins and outs. I knew So

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Speaker 4: that's why he was like yeah, But that's why he

314
00:14:45,000 --> 00:14:47,040
Speaker 4: was like, you're gonna do it. And I was like, listen,

315
00:14:47,160 --> 00:14:53,320
Speaker 4: knowing the information is way different than performing.

316
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Speaker 1: People looking at you. Yeah, and he like it. Dropped

317
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Speaker 1: that you like.

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Speaker 4: Yeah, So day one, North Carolina, twenty thousand people.

319
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Speaker 1: I'm supposed to play big pimping, I hit the jigga.

320
00:15:04,120 --> 00:15:08,960
Speaker 1: Uh ain't no jigga. But in terrible he turns around,

321
00:15:09,040 --> 00:15:12,760
Speaker 1: he says, everybody Clark from my man Lenia.

322
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Speaker 3: Is fucking up right now, Joe, that was your last show?

323
00:15:15,840 --> 00:15:17,920
Speaker 1: No no, no no. And then remember job was on.

324
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Speaker 4: Tourlet oh yeah shows with us, and I got John's

325
00:15:20,800 --> 00:15:24,800
Speaker 4: DJ to teach me like smooth. So I studied the

326
00:15:24,800 --> 00:15:26,920
Speaker 4: whole day with him, and because we have two shows

327
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Speaker 4: back to back, and the next night I went.

328
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Speaker 3: And went and study the way he was the cheat code.

329
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Speaker 2: Yo' Let's back up a little bit because a lot

330
00:15:35,440 --> 00:15:36,280
Speaker 2: of people don't know.

331
00:15:37,160 --> 00:15:40,440
Speaker 3: The understanding album is when Young.

332
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Speaker 1: Guru came home.

333
00:15:41,480 --> 00:15:45,360
Speaker 2: Yeah you know, yeah, shout out Lord Rial making that call.

334
00:15:45,440 --> 00:15:47,920
Speaker 3: Remember that day we called b Stay. I think he

335
00:15:48,040 --> 00:15:49,040
Speaker 3: was sick out or something.

336
00:15:49,400 --> 00:15:52,200
Speaker 4: Brian was sick and we needed a new engineer and

337
00:15:52,520 --> 00:15:55,600
Speaker 4: Loriol was a woman that we she and she managed

338
00:15:55,840 --> 00:15:57,640
Speaker 4: all of the engineers good.

339
00:15:57,440 --> 00:15:59,400
Speaker 1: Ones, and I remember she said I got this new

340
00:15:59,480 --> 00:16:00,000
Speaker 1: kid from d.

341
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Speaker 4: And I was like, like, I don't know.

342
00:16:02,960 --> 00:16:06,520
Speaker 2: I'm like, man, do we smoke weed and she like, yeah,

343
00:16:06,600 --> 00:16:08,320
Speaker 2: I'm like, I just send him down.

344
00:16:08,480 --> 00:16:10,040
Speaker 1: I was, I was.

345
00:16:10,240 --> 00:16:13,880
Speaker 4: I was being cautious because you know, working with an artist,

346
00:16:13,920 --> 00:16:15,360
Speaker 4: you know, you know me, I always want everything to

347
00:16:15,400 --> 00:16:18,880
Speaker 4: be top notch, top level, premium, and I hadn't met him.

348
00:16:19,200 --> 00:16:20,120
Speaker 1: I didn't know how he worked.

349
00:16:20,160 --> 00:16:22,240
Speaker 4: I need to flow with people, So even before I

350
00:16:22,240 --> 00:16:25,040
Speaker 4: would put an engineer with an artist, I would do

351
00:16:25,040 --> 00:16:26,800
Speaker 4: a session with them on my own, maybe something else,

352
00:16:26,840 --> 00:16:28,880
Speaker 4: something that was had nothing to do with you, so

353
00:16:28,920 --> 00:16:31,640
Speaker 4: that I could be like, yo, that's good. So whatever

354
00:16:31,720 --> 00:16:34,240
Speaker 4: she was like, no, trust me. It took a chance

355
00:16:34,320 --> 00:16:37,640
Speaker 4: and it was fucking young guru. And from there that's

356
00:16:37,640 --> 00:16:40,120
Speaker 4: when I hit Jay and I was like Jay, I

357
00:16:40,200 --> 00:16:42,280
Speaker 4: hit hip hop and J and I was like, Yo,

358
00:16:42,400 --> 00:16:44,800
Speaker 4: I got a guy who was unbelievable.

359
00:16:45,120 --> 00:16:47,200
Speaker 1: And that's when we had. Jay had another engineer that

360
00:16:47,320 --> 00:16:47,720
Speaker 1: was Yo.

361
00:16:47,800 --> 00:16:51,280
Speaker 2: That's what about to say. It was engineer drama. I

362
00:16:51,440 --> 00:16:54,560
Speaker 2: forgot that got Jay had. But something happened that Sony

363
00:16:54,640 --> 00:16:57,520
Speaker 2: where he some of the music I guess got leaked

364
00:16:57,920 --> 00:17:00,720
Speaker 2: and Jay was looking for engineer at this time. So

365
00:17:01,280 --> 00:17:05,560
Speaker 2: I find the engineer that's my guy smoking we cool niggas,

366
00:17:05,640 --> 00:17:08,679
Speaker 2: Dad me on my Dad, it on your engineer.

367
00:17:09,520 --> 00:17:12,640
Speaker 3: Know what type of massy Brooks nigga.

368
00:17:13,000 --> 00:17:16,600
Speaker 4: That's doesn't happen you with me? And I'm talking, he

369
00:17:16,600 --> 00:17:22,280
Speaker 4: even got the room at the crib. What Guru was

370
00:17:22,480 --> 00:17:25,560
Speaker 4: ahead of his time. Guru was intelligent, he was smart,

371
00:17:25,640 --> 00:17:29,640
Speaker 4: he was knowledgeable. He was the oracle man Yo Dan.

372
00:17:29,760 --> 00:17:33,840
Speaker 4: He was the first one that we know using pro tools.

373
00:17:34,280 --> 00:17:36,520
Speaker 4: So I told Jay, I said, this guy uses a computer.

374
00:17:36,720 --> 00:17:39,560
Speaker 4: J you don't even use a real what I'm like,

375
00:17:40,359 --> 00:17:42,960
Speaker 4: listen to me. We've been doing these bleak sessions.

376
00:17:43,359 --> 00:17:47,280
Speaker 1: We're getting things done five hours faster. And then Jay

377
00:17:47,359 --> 00:17:49,800
Speaker 1: tried them out and it was a stole them every

378
00:17:49,840 --> 00:17:51,000
Speaker 1: single again. He was still here.

379
00:17:51,280 --> 00:17:53,520
Speaker 2: Yeah, I got a call Gool and they wait for

380
00:17:53,680 --> 00:17:57,639
Speaker 2: whole cold had the way you even you niggas stole you.

381
00:17:58,960 --> 00:18:00,800
Speaker 1: You were still all my niggas.

382
00:18:00,840 --> 00:18:06,480
Speaker 2: He like the dad be on all my niggas because

383
00:18:06,480 --> 00:18:10,840
Speaker 2: that's the big homie. He's cool. But let me know, though,

384
00:18:11,119 --> 00:18:13,960
Speaker 2: give me a call. Niggas steal a lot of my niggas.

385
00:18:13,960 --> 00:18:17,280
Speaker 2: You's one nigga you don't even know they stole from me. Yeah,

386
00:18:18,760 --> 00:18:21,240
Speaker 2: and I met that be at Gool met this nigga

387
00:18:21,280 --> 00:18:24,000
Speaker 2: in the store and newer, and he like, yo, I

388
00:18:24,119 --> 00:18:26,520
Speaker 2: make beats, and I'm like, all right, cool word.

389
00:18:26,640 --> 00:18:27,520
Speaker 1: He came to the stool.

390
00:18:28,000 --> 00:18:30,000
Speaker 3: He ended up making the joint on five three four

391
00:18:30,840 --> 00:18:32,159
Speaker 3: TI producer.

392
00:18:31,840 --> 00:18:42,439
Speaker 2: That niggas still joy niggas don't even call say nothing,

393
00:18:42,560 --> 00:18:44,879
Speaker 2: no bore at least you. You're a goop y'all the

394
00:18:45,000 --> 00:18:46,680
Speaker 2: most annoy you niggas.

395
00:18:46,359 --> 00:18:52,160
Speaker 1: Now I got that's still tapping. Fuck with me, man,

396
00:18:52,160 --> 00:18:52,840
Speaker 1: you know what I'm saying.

397
00:18:54,040 --> 00:18:58,680
Speaker 2: And then we got graduated to a y niggas don't

398
00:18:58,840 --> 00:19:02,479
Speaker 2: know ex rest in Peace really told the ladies He's like, yo,

399
00:19:02,760 --> 00:19:04,080
Speaker 2: I got food, and Fridge.

400
00:19:04,119 --> 00:19:06,960
Speaker 1: Got something for the dogs. Dogs hung the man.

401
00:19:07,119 --> 00:19:14,160
Speaker 3: Gotta feed the dogs. We in Miami for Floridaville.

402
00:19:14,640 --> 00:19:17,080
Speaker 4: Yeah, we's in Fort LRDA Dale shows in Miami. Mike

403
00:19:17,240 --> 00:19:20,920
Speaker 4: Kaiser pull up to the Hotel a Death Jam executive. Yes,

404
00:19:21,440 --> 00:19:25,000
Speaker 4: and Mike had a rental. DMX just signed him and

405
00:19:25,160 --> 00:19:25,640
Speaker 4: job Rule.

406
00:19:25,800 --> 00:19:28,520
Speaker 1: I wasn't there. I didn't even have an album out right,

407
00:19:28,760 --> 00:19:31,600
Speaker 1: And and GMx wants to go on like a joy ride. Yeah,

408
00:19:31,640 --> 00:19:32,880
Speaker 1: he just like your car.

409
00:19:33,040 --> 00:19:35,440
Speaker 2: Yeah, so he took the car from Kaiser. We just

410
00:19:35,680 --> 00:19:37,800
Speaker 2: having to be the keys, and he like, yo, take

411
00:19:37,840 --> 00:19:38,399
Speaker 2: a ride with me.

412
00:19:38,520 --> 00:19:41,600
Speaker 4: We jump in the car with him, US four three artists,

413
00:19:41,680 --> 00:19:44,200
Speaker 4: yeah one nobody We speed and not we.

414
00:19:44,960 --> 00:19:47,080
Speaker 1: He's doing a hundred.

415
00:19:47,200 --> 00:19:49,840
Speaker 4: He's doing a hundred down ninety five or whatever that

416
00:19:50,000 --> 00:19:52,639
Speaker 4: is in traffic from Fort Lauda Dale to Miami.

417
00:19:52,680 --> 00:19:55,840
Speaker 1: I'm talking about like a video game. Worth it.

418
00:19:56,359 --> 00:20:01,040
Speaker 3: So pull us over us over, axis hits that. Of

419
00:20:01,119 --> 00:20:02,119
Speaker 3: course it's a wrendow.

420
00:20:02,440 --> 00:20:04,760
Speaker 1: These is the days. If your name ain't on the wndal.

421
00:20:04,920 --> 00:20:06,560
Speaker 1: We towing the car, tak.

422
00:20:06,760 --> 00:20:09,280
Speaker 2: Y'all gotta get out of here. So the police telling us,

423
00:20:09,359 --> 00:20:10,840
Speaker 2: y'all gotta walk the marshall.

424
00:20:11,040 --> 00:20:11,240
Speaker 1: Yes.

425
00:20:12,080 --> 00:20:15,679
Speaker 3: X slammed the car door so hard the.

426
00:20:15,840 --> 00:20:17,280
Speaker 1: Glass, the glass shatter.

427
00:20:17,440 --> 00:20:20,800
Speaker 4: You think I'm making this up. D MX arrested. So

428
00:20:21,040 --> 00:20:24,520
Speaker 4: I'm the greatest artist ever ever. He slammed the car

429
00:20:24,680 --> 00:20:27,080
Speaker 4: door so hard because the cop told us we were

430
00:20:27,080 --> 00:20:29,040
Speaker 4: gonna get out of the car, and the cop was like,

431
00:20:29,200 --> 00:20:32,200
Speaker 4: get in the car. DMX slapping the door so hard

432
00:20:32,680 --> 00:20:34,879
Speaker 4: the glass shut like a movie.

433
00:20:35,520 --> 00:20:36,920
Speaker 1: No. I never saw nothing like that in my life.

434
00:20:37,080 --> 00:20:38,840
Speaker 1: A lot an accident. It wasn't a car hit us

435
00:20:39,080 --> 00:20:41,679
Speaker 1: and the glass. MX just closed the door. It was like.

436
00:20:44,760 --> 00:20:46,159
Speaker 3: Word now a cop like, yeah.

437
00:20:46,800 --> 00:20:48,159
Speaker 1: I'm sitting behind X.

438
00:20:48,920 --> 00:20:51,800
Speaker 3: Yeah you're here right behind Jack because it was CMX

439
00:20:51,880 --> 00:20:52,359
Speaker 3: and GI in the.

440
00:20:52,359 --> 00:20:55,120
Speaker 1: Front next to that. And I'm telling I'm like, ex

441
00:20:55,440 --> 00:21:03,280
Speaker 1: chill bro. He's yelling at the fuck. He's yelling at

442
00:21:03,320 --> 00:21:08,320
Speaker 1: this you Mark, don't trooper or whatever, and we're just

443
00:21:08,440 --> 00:21:09,320
Speaker 1: like chill bro.

444
00:21:09,560 --> 00:21:10,719
Speaker 3: Now he smashed the car.

445
00:21:10,800 --> 00:21:11,960
Speaker 1: They they like, that's it.

446
00:21:12,160 --> 00:21:15,080
Speaker 4: We ain't hit ship, y'all, y'all get the funk out

447
00:21:15,080 --> 00:21:16,919
Speaker 4: of here. Because at first he was gonna let us

448
00:21:16,960 --> 00:21:18,960
Speaker 4: keep the cars. And then when we when X was

449
00:21:19,200 --> 00:21:21,920
Speaker 4: arguing with him, he know what, Now I'm taking the

450
00:21:22,000 --> 00:21:23,480
Speaker 4: car and now you got it.

451
00:21:24,040 --> 00:21:26,919
Speaker 2: However, you were walking on the highway, remember X started

452
00:21:26,960 --> 00:21:31,320
Speaker 2: walking first hit No, we didn't hitchake at first. Remember

453
00:21:31,400 --> 00:21:33,240
Speaker 2: we wasn't at an exit. We had to walk up

454
00:21:33,280 --> 00:21:35,800
Speaker 2: the dirt to the exit to the regular street. And

455
00:21:36,040 --> 00:21:41,000
Speaker 2: just so happened. Jav ruined DMX being famous, some girls

456
00:21:41,080 --> 00:21:42,760
Speaker 2: swore coming off the exit.

457
00:21:43,200 --> 00:21:47,200
Speaker 1: Seized them and stopped. Oh my god, dmxic job row.

458
00:21:47,600 --> 00:21:49,679
Speaker 4: A minute before that, when we're walking on the highway,

459
00:21:49,760 --> 00:21:51,240
Speaker 4: remember cars are going so fast.

460
00:21:51,840 --> 00:21:54,520
Speaker 1: People were seeing it, but they're seeing it is too fast.

461
00:21:55,080 --> 00:21:59,240
Speaker 1: Was like that wasn't like there's no way.

462
00:21:59,600 --> 00:22:01,159
Speaker 4: So when we went on the ramp so that we

463
00:22:01,200 --> 00:22:04,600
Speaker 4: could get cars going on slower, that's when the girl

464
00:22:04,720 --> 00:22:06,879
Speaker 4: girl with her sister or something somebody in.

465
00:22:06,880 --> 00:22:08,600
Speaker 1: The car we screened and said you got a ride

466
00:22:08,640 --> 00:22:09,600
Speaker 1: for the dogs.

467
00:22:11,000 --> 00:22:12,960
Speaker 4: And we was like, yo, we need to get to

468
00:22:13,080 --> 00:22:15,960
Speaker 4: the American Airlines Arena whatever. It was time to do

469
00:22:16,080 --> 00:22:18,880
Speaker 4: a show. But she had got on the home first.

470
00:22:20,520 --> 00:22:23,200
Speaker 1: To do something. She had to drop something north at home.

471
00:22:23,359 --> 00:22:24,400
Speaker 1: He went to this girl's house.

472
00:22:24,440 --> 00:22:25,800
Speaker 4: First of all, he pull up in the neighborhood, the

473
00:22:25,800 --> 00:22:27,520
Speaker 4: neighborhood regularyody outside up.

474
00:22:27,920 --> 00:22:33,480
Speaker 3: People are like what so, yeah, that was crazy. Then

475
00:22:33,560 --> 00:22:35,879
Speaker 3: we get to her credit. He made her feed us, remember.

476
00:22:35,640 --> 00:22:39,240
Speaker 2: She fried chickens, making a fish, and then they took

477
00:22:39,320 --> 00:22:41,760
Speaker 2: us to the arena. They let us do the show.

478
00:22:42,720 --> 00:22:46,000
Speaker 2: But Yo X was the illness nigga ever you even

479
00:22:46,040 --> 00:22:48,480
Speaker 2: remember the album released Party in the tunnel. He came

480
00:22:48,560 --> 00:22:53,160
Speaker 2: through by hisself with a battle way Hennessy all red

481
00:22:53,560 --> 00:22:56,800
Speaker 2: talking about her. It's for the Dog, your first album,

482
00:22:57,000 --> 00:22:59,840
Speaker 2: give you that battle of Blood from the Dog, Yo

483
00:23:00,119 --> 00:23:00,560
Speaker 2: real one.

484
00:23:00,680 --> 00:23:02,080
Speaker 1: No, it's no artists.

485
00:23:02,600 --> 00:23:05,240
Speaker 2: We would never see another artist like X man X

486
00:23:05,359 --> 00:23:08,880
Speaker 2: move dolo, no security, nothing that hard knocked life tour.

487
00:23:09,000 --> 00:23:13,520
Speaker 1: He was in these streets. He made us X made

488
00:23:13,640 --> 00:23:16,399
Speaker 1: us distract the security so that we could leave the

489
00:23:16,480 --> 00:23:16,960
Speaker 1: car ride.

490
00:23:17,080 --> 00:23:21,040
Speaker 2: Yes, yes, remember used to have the dog. Make the

491
00:23:21,119 --> 00:23:23,240
Speaker 2: dog scared by in the lobby, y'all won't be around

492
00:23:23,359 --> 00:23:26,479
Speaker 2: make a bite, yn't stop, she gonna bite yo.

493
00:23:26,560 --> 00:23:29,639
Speaker 3: I'm telling you that was the illest times, bro. But

494
00:23:29,760 --> 00:23:30,920
Speaker 3: then you went from.

495
00:23:32,200 --> 00:23:40,160
Speaker 2: Just super extraordinary photographer, then to super extraordinary and now

496
00:23:40,840 --> 00:23:41,600
Speaker 2: to hold.

497
00:23:41,560 --> 00:23:45,399
Speaker 3: Stealing you, you and Guru from me my crew. I

498
00:23:45,520 --> 00:23:48,320
Speaker 3: was building the all star team and you know I'm

499
00:23:48,359 --> 00:23:51,159
Speaker 3: on the bench by myself, like where my team go.

500
00:23:51,880 --> 00:23:56,880
Speaker 3: Then Nigga's popping out with dream chases chains.

501
00:23:57,520 --> 00:24:03,720
Speaker 1: We the best chains for the family like friends.

502
00:24:04,000 --> 00:24:07,280
Speaker 2: No, you got a lot of plaques, a lot of

503
00:24:07,480 --> 00:24:10,920
Speaker 2: fucking work, boy, because a lot of niggas gotta thank

504
00:24:10,960 --> 00:24:14,440
Speaker 2: you for, you know, putting their hand and and you

505
00:24:14,920 --> 00:24:16,200
Speaker 2: you you give a lot of swag.

506
00:24:16,280 --> 00:24:19,400
Speaker 1: You don't know, man, you you invented this ship. One

507
00:24:19,440 --> 00:24:20,800
Speaker 1: of the pioneers of this ship.

508
00:24:20,920 --> 00:24:23,520
Speaker 4: Man god Man, I like to I like to pay

509
00:24:24,600 --> 00:24:27,920
Speaker 4: my small contribution to the bigger picture of you know

510
00:24:27,960 --> 00:24:28,640
Speaker 4: whoever we work.

511
00:24:28,680 --> 00:24:31,000
Speaker 2: But that might definitely fuck with you because we ain't

512
00:24:31,000 --> 00:24:32,800
Speaker 2: have no money to give you a get low chain.

513
00:24:32,880 --> 00:24:35,359
Speaker 2: We ain't get you never pop off, so we couldn't

514
00:24:35,400 --> 00:24:37,200
Speaker 2: get We couldn't get no get low piece for you.

515
00:24:37,320 --> 00:24:37,840
Speaker 1: But we got you.

516
00:24:37,960 --> 00:24:39,760
Speaker 2: I make sure you get a rock solid You are rock.

517
00:24:42,440 --> 00:24:44,840
Speaker 2: Shout out the jeweler. You know what I'm saying, got

518
00:24:44,920 --> 00:24:50,200
Speaker 2: rock sale looking? I see enough on them? Yeah, hop

519
00:24:50,280 --> 00:24:52,560
Speaker 2: better not saying nothing about the chisels.

520
00:24:56,040 --> 00:24:58,560
Speaker 1: He got. I am.

521
00:25:02,200 --> 00:25:06,480
Speaker 2: Why you're gonna do that, yo? They can sit that message.

522
00:25:07,720 --> 00:25:09,840
Speaker 2: We ain't gotta do that now. See we're gonna leave

523
00:25:09,880 --> 00:25:12,800
Speaker 2: that alone, yo. But you left you gotta be off track,

524
00:25:13,880 --> 00:25:16,000
Speaker 2: strutting there for the family.

525
00:25:16,320 --> 00:25:20,360
Speaker 1: Read a bit. How the fuck did you end up on? Everybody?

526
00:25:20,520 --> 00:25:23,399
Speaker 1: Management team put me on? I need something? No, no, no, no.

527
00:25:23,560 --> 00:25:24,359
Speaker 1: What happened was? You know what?

528
00:25:24,400 --> 00:25:24,680
Speaker 2: It was?

529
00:25:25,480 --> 00:25:28,920
Speaker 4: As an an R, I was doing things that were managerial,

530
00:25:29,359 --> 00:25:30,359
Speaker 4: but I didn't know it, you know what I mean?

531
00:25:30,400 --> 00:25:32,520
Speaker 1: Like I was even too. I didn't want to say

532
00:25:32,560 --> 00:25:35,680
Speaker 1: ignorant or just unaware. I was unaware of the things.

533
00:25:35,520 --> 00:25:37,960
Speaker 4: I was doing because you know me, right, I think

534
00:25:38,280 --> 00:25:41,920
Speaker 4: I'm gonna utilize any relationship I have to help my

535
00:25:42,160 --> 00:25:44,760
Speaker 4: artists or the artists that I'm working with get to

536
00:25:44,880 --> 00:25:47,159
Speaker 4: the highest level they can get you, right, So.

537
00:25:47,640 --> 00:25:49,000
Speaker 1: I didn't look at it. It's like, oh, I'm A

538
00:25:49,160 --> 00:25:50,680
Speaker 1: and R. If you're an A and R, you're supposed

539
00:25:50,680 --> 00:25:52,200
Speaker 1: to work on an album with an artist.

540
00:25:52,440 --> 00:25:54,680
Speaker 4: You're not supposed to get a magazine cover or get

541
00:25:54,720 --> 00:25:56,879
Speaker 4: them floor seats of the game, or put them in

542
00:25:56,960 --> 00:25:58,920
Speaker 4: a movie or put them in you know what I'm saying.

543
00:25:59,760 --> 00:26:03,760
Speaker 1: So with me, that's what that's how me and five connected.

544
00:26:03,840 --> 00:26:04,800
Speaker 1: I was A and R.

545
00:26:04,920 --> 00:26:07,440
Speaker 4: It was my friend at first. Then because we came

546
00:26:07,480 --> 00:26:09,359
Speaker 4: to Death Jam and we were at Death Jam, I

547
00:26:09,480 --> 00:26:11,520
Speaker 4: was started being his A and R. But then from

548
00:26:11,560 --> 00:26:13,879
Speaker 4: there again right I'm helping, you know, working with his

549
00:26:14,000 --> 00:26:15,560
Speaker 4: management team, but I'm helping.

550
00:26:15,640 --> 00:26:17,840
Speaker 1: I got him on a J tour. I got him,

551
00:26:17,880 --> 00:26:19,720
Speaker 1: you know, like I said, on magazine.

552
00:26:19,280 --> 00:26:22,560
Speaker 4: Covers, you know, cameos and things, you know, just a

553
00:26:22,640 --> 00:26:24,960
Speaker 4: lot of the things that brand deals. I did a

554
00:26:25,040 --> 00:26:28,840
Speaker 4: lot of situations that were like yo, that's basically everything

555
00:26:28,920 --> 00:26:29,640
Speaker 4: that the manager does.

556
00:26:29,680 --> 00:26:30,120
Speaker 1: You know I'm saying.

557
00:26:30,359 --> 00:26:33,920
Speaker 4: I just never acknowledged management because I didn't. I wasn't

558
00:26:34,000 --> 00:26:37,720
Speaker 4: like professionally you know, schooled or trained to be a manager.

559
00:26:37,760 --> 00:26:39,440
Speaker 1: That's what I thought. I couldn't be one That's what

560
00:26:39,520 --> 00:26:41,360
Speaker 1: I love about everybody at the Rock.

561
00:26:41,720 --> 00:26:43,359
Speaker 3: None of us was yes, you know what I mean

562
00:26:43,480 --> 00:26:45,320
Speaker 3: from our branch hip hop, g.

563
00:26:45,520 --> 00:26:47,360
Speaker 1: Road traditional schooling.

564
00:26:47,600 --> 00:26:52,400
Speaker 2: Like everybody just manifested positions just by hard work and grinding.

565
00:26:52,480 --> 00:26:54,200
Speaker 2: That's what I love about the old team from Big

566
00:26:55,960 --> 00:26:57,400
Speaker 2: Nobody went to school for this ship.

567
00:26:57,880 --> 00:26:58,520
Speaker 1: Nothing that did.

568
00:27:00,480 --> 00:27:02,840
Speaker 2: You look at Wall, you look at Dad's. Nobody is

569
00:27:02,920 --> 00:27:05,320
Speaker 2: no school. There's no course that could teach you. This

570
00:27:05,720 --> 00:27:08,520
Speaker 2: is just show hard work and dedication to the team.

571
00:27:08,600 --> 00:27:10,560
Speaker 4: And that that goes back, you know, like you said,

572
00:27:10,640 --> 00:27:13,040
Speaker 4: right to bring the story full circle, like that goes

573
00:27:13,119 --> 00:27:15,359
Speaker 4: back to the DJ in or you know, doing A

574
00:27:15,520 --> 00:27:18,119
Speaker 4: and R or doing retail or doing radio.

575
00:27:18,560 --> 00:27:20,840
Speaker 1: It goes back to that way. It's like whatever is needed,

576
00:27:20,880 --> 00:27:22,760
Speaker 1: we're gonna do you know what I mean. Yeah, we

577
00:27:22,840 --> 00:27:26,800
Speaker 1: have probably one job that was our mean responsibility. Do

578
00:27:26,960 --> 00:27:28,879
Speaker 1: what do I don't give a haircut if I have to.

579
00:27:31,080 --> 00:27:34,760
Speaker 2: Photo when Lynn was bacon or talk the cake through.

580
00:27:34,840 --> 00:27:37,359
Speaker 2: I'm like this, nigga cook the best vid yo. I

581
00:27:37,400 --> 00:27:40,119
Speaker 2: ain't gonna fright an. I want a battle and cook it.

582
00:27:40,840 --> 00:27:43,480
Speaker 2: I put the house on Lendy j Man. No, don't

583
00:27:43,480 --> 00:27:46,840
Speaker 2: want no smoke with Lenny in the kitchen, nigga. Nobody

584
00:27:46,960 --> 00:27:51,399
Speaker 2: want to smoke with it in the kitchen. That's a fact.

585
00:27:51,640 --> 00:27:53,280
Speaker 1: I just wanted to do whatever it had to Man.

586
00:27:53,600 --> 00:27:56,080
Speaker 2: You did, man, and I'm glad we got this episode

587
00:27:56,119 --> 00:27:57,560
Speaker 2: the way we get to talk about because a lot

588
00:27:57,600 --> 00:28:00,360
Speaker 2: of people think, yo, just get the artists, you get

589
00:28:00,400 --> 00:28:02,560
Speaker 2: the look you on. They don't know that you gotta

590
00:28:02,600 --> 00:28:05,280
Speaker 2: wear many hats to even get y'all to the finish.

591
00:28:05,960 --> 00:28:08,639
Speaker 2: That everybody wore many hats. I remember the days of

592
00:28:08,720 --> 00:28:12,720
Speaker 2: carrying records with Jay. I remember the days of making baskets.

593
00:28:12,800 --> 00:28:15,800
Speaker 2: Remember they had buy case of Chris down, we buy

594
00:28:15,920 --> 00:28:18,440
Speaker 2: everything and make up basket to sending the DJ.

595
00:28:19,600 --> 00:28:20,639
Speaker 1: I remember them days.

596
00:28:20,680 --> 00:28:23,040
Speaker 2: People just you know, they like I always say, when

597
00:28:23,080 --> 00:28:25,840
Speaker 2: it comes down to a person's story, people like the skip.

598
00:28:25,600 --> 00:28:26,080
Speaker 1: To the end.

599
00:28:26,400 --> 00:28:28,679
Speaker 2: They don't like to start at the beginning because at

600
00:28:28,720 --> 00:28:30,920
Speaker 2: the beginning, that's the hard road where you didn't know.

601
00:28:31,359 --> 00:28:34,000
Speaker 4: One of the things that attracted me to Rockefeller Records

602
00:28:34,359 --> 00:28:37,879
Speaker 4: was because I was enamored by them, the crew, you know,

603
00:28:37,960 --> 00:28:40,560
Speaker 4: before I was with them, this is when in my

604
00:28:40,640 --> 00:28:42,400
Speaker 4: lifetime came out in my lifetime, it was like an

605
00:28:42,400 --> 00:28:45,840
Speaker 4: independent single that Jay had put out right before like,

606
00:28:46,000 --> 00:28:48,400
Speaker 4: you know, the albums and all that that. And in

607
00:28:48,520 --> 00:28:50,280
Speaker 4: New York we used to have this thing called the

608
00:28:50,320 --> 00:28:53,239
Speaker 4: Car Show at Jacob Javis Center. And at the Car

609
00:28:53,360 --> 00:28:55,680
Speaker 4: Show again, I'm trying to get in the music business.

610
00:28:55,800 --> 00:28:58,920
Speaker 4: I'm going to everything that's popping outside. There was somebody

611
00:28:58,960 --> 00:29:03,280
Speaker 4: with coolers with in my Lifetime single with the little

612
00:29:03,320 --> 00:29:07,240
Speaker 4: Baby Moet Bottom given out as promo and I was, baby,

613
00:29:07,280 --> 00:29:10,440
Speaker 4: I'm giving out champagne like and I like Jake, so

614
00:29:10,640 --> 00:29:12,520
Speaker 4: I knew the record. I mean, I was like, they're

615
00:29:12,560 --> 00:29:16,880
Speaker 4: doing in my life, like this is insane, And that

616
00:29:17,000 --> 00:29:18,920
Speaker 4: to me was just like forward thinking, you know what

617
00:29:18,960 --> 00:29:22,480
Speaker 4: I mean. And the even the marketing of their promo

618
00:29:22,720 --> 00:29:26,360
Speaker 4: for an independent label was was premium.

619
00:29:26,400 --> 00:29:29,880
Speaker 1: It was always at a high level, next level different.

620
00:29:29,960 --> 00:29:32,000
Speaker 1: I never seen nothing like that before. Anything else was

621
00:29:32,080 --> 00:29:32,640
Speaker 1: like a.

622
00:29:32,760 --> 00:29:35,200
Speaker 4: Van with guys with flyers, you know what I'm saying,

623
00:29:35,440 --> 00:29:37,800
Speaker 4: and these guys are given out champagne.

624
00:29:38,600 --> 00:29:43,280
Speaker 1: What it was the Buggy ben Yes, yeah, Team promotional

625
00:29:43,440 --> 00:29:44,080
Speaker 1: VA was.

626
00:29:44,080 --> 00:29:46,960
Speaker 4: A Mercedes Benz which actually you know I got that,

627
00:29:47,400 --> 00:29:49,400
Speaker 4: you lie, you still got the car real ship.

628
00:29:49,480 --> 00:29:50,080
Speaker 1: It made me cry.

629
00:29:50,160 --> 00:29:52,520
Speaker 4: Biggs gave it to me for my fiftieth You lying,

630
00:29:52,760 --> 00:29:54,360
Speaker 4: Biggs gave me that car from the fiftieth.

631
00:29:54,480 --> 00:30:00,000
Speaker 1: Yeah. Man, Yo, that's crazy and it's obviously sentimental value

632
00:30:00,120 --> 00:30:02,760
Speaker 1: because that's how it started. I started on the Street team.

633
00:30:02,600 --> 00:30:07,920
Speaker 3: And remember accidentally to drive me around. I remember being hype.

634
00:30:08,000 --> 00:30:09,600
Speaker 2: You didn't even know when you used to be like yo,

635
00:30:09,680 --> 00:30:11,560
Speaker 2: we got the session of reality and I'd be like,

636
00:30:11,640 --> 00:30:13,280
Speaker 2: all right, were taking the caw you be like nah,

637
00:30:13,280 --> 00:30:16,560
Speaker 2: I got the car this time, like come.

638
00:30:16,400 --> 00:30:19,240
Speaker 3: On, jumping in that motherfucker was like yeah, I'm that.

639
00:30:20,080 --> 00:30:20,560
Speaker 1: I'm gonna be.

640
00:30:22,840 --> 00:30:25,880
Speaker 4: Rock logo and we held that logo as we still

641
00:30:25,960 --> 00:30:28,040
Speaker 4: do to this day, with that much pride. And that's

642
00:30:28,080 --> 00:30:29,920
Speaker 4: what it really That's what it was really about.

643
00:30:30,280 --> 00:30:31,040
Speaker 1: By the way, the.

644
00:30:31,080 --> 00:30:35,040
Speaker 4: Bens Cool Benz was premium and was amazing. It wasn't

645
00:30:35,040 --> 00:30:37,520
Speaker 4: even about the Benz. It was that rock logo on

646
00:30:37,600 --> 00:30:40,280
Speaker 4: the front in the back of that Benz that was like, Yo,

647
00:30:40,640 --> 00:30:46,200
Speaker 4: this is us, Yeah, my first office, my g Yeah,

648
00:30:46,360 --> 00:30:51,760
Speaker 4: Mice and Ship. I remember the girls running out like

649
00:30:52,160 --> 00:30:54,920
Speaker 4: what the street street.

650
00:30:54,720 --> 00:30:57,840
Speaker 1: Bro in the office right by Wall Street, like where

651
00:30:57,840 --> 00:30:58,520
Speaker 1: all the money was.

652
00:30:59,280 --> 00:31:01,760
Speaker 2: It was crazy, bro, how Ship started to see where

653
00:31:02,160 --> 00:31:05,360
Speaker 2: everything is at now. But one thing I always wanted

654
00:31:05,400 --> 00:31:07,200
Speaker 2: to say, and I need you to. I'm glad we're

655
00:31:07,240 --> 00:31:07,800
Speaker 2: here for you to.

656
00:31:07,880 --> 00:31:09,160
Speaker 1: Answer this question.

657
00:31:10,320 --> 00:31:13,200
Speaker 2: Yo, why I never got an invite to the Halloween

658
00:31:13,400 --> 00:31:16,800
Speaker 2: Oh my god, I can wear a Halloween costa, try

659
00:31:16,880 --> 00:31:18,000
Speaker 2: to put on some make up.

660
00:31:18,080 --> 00:31:18,240
Speaker 6: I know.

661
00:31:18,400 --> 00:31:19,000
Speaker 1: I come through like.

662
00:31:20,520 --> 00:31:24,080
Speaker 3: I come through like what's my man's war the warriors? Okay,

663
00:31:24,640 --> 00:31:26,960
Speaker 3: but what I'm saying, I got to take it back home.

664
00:31:28,400 --> 00:31:37,480
Speaker 7: That's another vestment, ain't they wasn't That was the one dude.

665
00:31:37,800 --> 00:31:41,920
Speaker 7: It was like six it up all the guys they did.

666
00:31:42,640 --> 00:31:42,960
Speaker 1: That's the.

667
00:31:47,560 --> 00:31:52,080
Speaker 2: Word your Halloween parties be licked and literally never get

668
00:31:52,160 --> 00:31:52,720
Speaker 2: an invite.

669
00:31:53,440 --> 00:31:59,800
Speaker 3: Man, I ain't know she was down s live easy

670
00:32:00,400 --> 00:32:03,719
Speaker 3: that yeah no, But I mean, like, you don't live

671
00:32:03,760 --> 00:32:04,120
Speaker 3: in l A.

672
00:32:04,240 --> 00:32:05,120
Speaker 1: We're doing mostly.

673
00:32:06,360 --> 00:32:10,120
Speaker 4: Fly You're living and mentioned in Florida somewhere fly know,

674
00:32:10,200 --> 00:32:11,960
Speaker 4: But I just you know this, I don't assume people

675
00:32:11,960 --> 00:32:13,680
Speaker 4: are gonna fly somewhere for a party, you know what

676
00:32:13,720 --> 00:32:13,920
Speaker 4: I mean.

677
00:32:14,760 --> 00:32:17,400
Speaker 1: I flew after I fly here. I drove here. But

678
00:32:17,480 --> 00:32:19,040
Speaker 1: you know, we party and.

679
00:32:19,200 --> 00:32:21,000
Speaker 4: That's that's with respect. I'm not I'm just like, I

680
00:32:21,040 --> 00:32:24,600
Speaker 4: don't want to eat nobody in the position to be like, who, no,

681
00:32:27,080 --> 00:32:28,720
Speaker 4: that you ain't gonna do that now you're good.

682
00:32:30,920 --> 00:32:34,040
Speaker 3: I get this to this day, but what that's god

683
00:32:34,200 --> 00:32:35,760
Speaker 3: damn Sharepool commercial.

684
00:32:38,320 --> 00:32:44,120
Speaker 1: I mean to that, by the way, that's me trying

685
00:32:44,160 --> 00:32:47,560
Speaker 1: to be on my style ship early No for real.

686
00:32:47,720 --> 00:32:51,120
Speaker 2: But you know, now everybody doing endorsements, like we were

687
00:32:51,200 --> 00:32:56,160
Speaker 2: the first want to get crucified for doing Shirepool commercial.

688
00:32:56,560 --> 00:33:01,360
Speaker 1: I gotta have no. I got like, like, why are

689
00:33:01,400 --> 00:33:02,040
Speaker 1: you mad at me?

690
00:33:02,120 --> 00:33:04,440
Speaker 2: There? Like I was going to ship, wore my head

691
00:33:04,520 --> 00:33:08,960
Speaker 2: in the shower, like I have no hair. They gave

692
00:33:09,080 --> 00:33:12,320
Speaker 2: us a nice bag boy. When I turned that down,

693
00:33:12,800 --> 00:33:13,840
Speaker 2: I remember I heard.

694
00:33:14,600 --> 00:33:18,160
Speaker 1: I was like j I was hYP I was like, yo,

695
00:33:18,320 --> 00:33:21,040
Speaker 1: I got bleaker dorsement. He was like.

696
00:33:22,680 --> 00:33:22,880
Speaker 2: Yeah.

697
00:33:23,160 --> 00:33:27,640
Speaker 1: He was like sorry, sorry I told him. He was

698
00:33:27,720 --> 00:33:29,880
Speaker 1: like what yo, what are you talking about? And I

699
00:33:30,000 --> 00:33:30,680
Speaker 1: was like yeah.

700
00:33:30,720 --> 00:33:32,360
Speaker 8: He was like you think that's a good look? And

701
00:33:32,480 --> 00:33:33,920
Speaker 8: I was like, this is how much it is, Like

702
00:33:34,200 --> 00:33:36,160
Speaker 8: that's a creaking look. And he was like, but you

703
00:33:36,200 --> 00:33:42,480
Speaker 8: don't have no hair. I was like, yo, if they're

704
00:33:42,480 --> 00:33:44,120
Speaker 8: not worried about it, why yo.

705
00:33:44,280 --> 00:33:48,240
Speaker 2: Then and to this day and like a couple of years,

706
00:33:48,520 --> 00:33:56,320
Speaker 2: niggas on Twitter and be like yo, yeah. I was like, yo,

707
00:33:56,840 --> 00:33:59,360
Speaker 2: my god, sod brick out the black boy.

708
00:34:00,400 --> 00:34:04,719
Speaker 4: I can't come to the Halloween responsibility and accountability.

709
00:34:04,160 --> 00:34:06,720
Speaker 1: That should be. That was like ever parties advice.

710
00:34:06,880 --> 00:34:07,120
Speaker 2: That was.

711
00:34:10,040 --> 00:34:19,080
Speaker 1: A shampoo commercial and he had no heir. J He

712
00:34:19,239 --> 00:34:21,560
Speaker 1: was like, what, but you don't.

713
00:34:22,880 --> 00:34:26,839
Speaker 3: Like why they want to pay him doing some shampoo.

714
00:34:26,640 --> 00:34:28,560
Speaker 1: And he didn't want to. He wanted to support us

715
00:34:28,600 --> 00:34:30,239
Speaker 1: so much even if he didn't agree. He was like,

716
00:34:30,400 --> 00:34:31,400
Speaker 1: you know, do what y'all want to do.

717
00:34:31,520 --> 00:34:36,160
Speaker 2: But it was a time when state property, everything, you know,

718
00:34:36,320 --> 00:34:39,000
Speaker 2: we was booming rocked and then that shit just came

719
00:34:39,120 --> 00:34:41,800
Speaker 2: crashing down. Like one thing I don't like that people

720
00:34:41,920 --> 00:34:45,440
Speaker 2: think is that we all wanted this rock to split up,

721
00:34:45,480 --> 00:34:48,000
Speaker 2: and like we enjoyed it, or like Jay made this

722
00:34:48,200 --> 00:34:51,400
Speaker 2: decision to become who he is, Like he wouldn't have

723
00:34:51,480 --> 00:34:55,560
Speaker 2: been who he is anybody like and they don't understand

724
00:34:55,640 --> 00:34:59,640
Speaker 2: from the top down, none of us wanted and want

725
00:34:59,760 --> 00:35:01,960
Speaker 2: your family to break up. Yeah, Like that was the

726
00:35:02,120 --> 00:35:05,400
Speaker 2: one of the hardest and darkest times of our career.

727
00:35:05,880 --> 00:35:08,440
Speaker 2: And Lenny, I always said to myself, and you cleared

728
00:35:08,440 --> 00:35:10,520
Speaker 2: it up recently, but I want you to tell people.

729
00:35:10,600 --> 00:35:12,759
Speaker 2: I remember saying back in the day, I'm like, damn

730
00:35:13,440 --> 00:35:19,279
Speaker 2: Hovis or some ship that lady told lady go down

731
00:35:19,320 --> 00:35:21,480
Speaker 2: to Philly and tell the niggas to their face, hey

732
00:35:21,600 --> 00:35:24,480
Speaker 2: cut the rock we dad no, no, no, no, no yo.

733
00:35:24,640 --> 00:35:26,879
Speaker 1: And then when that was extra, you was like, oh

734
00:35:26,960 --> 00:35:30,120
Speaker 1: they tell me do that? I was crazy. I volunteer

735
00:35:31,680 --> 00:35:34,400
Speaker 1: what absolutely and by the way, in a good way,

736
00:35:34,480 --> 00:35:37,120
Speaker 1: to respectful way. Yes, Jay didn't suggest that at all.

737
00:35:37,560 --> 00:35:41,719
Speaker 4: I am so basically like you said, when the when

738
00:35:41,800 --> 00:35:44,680
Speaker 4: the label dissolved and we had to let go or

739
00:35:44,760 --> 00:35:47,959
Speaker 4: you know, all the artists had to I got.

740
00:35:47,920 --> 00:35:48,919
Speaker 1: My papers, they stink.

741
00:35:48,960 --> 00:35:50,640
Speaker 4: I ain't get a paper, which was like a normal

742
00:35:50,719 --> 00:35:54,440
Speaker 4: thing in the company released or the company longer is

743
00:35:54,480 --> 00:35:57,640
Speaker 4: that's you know, nothing around it does, right. So anyway,

744
00:35:59,520 --> 00:36:02,880
Speaker 4: we had to let go of the artists obviously because

745
00:36:02,880 --> 00:36:06,440
Speaker 4: the company was dissolving, and I thought, you know, me,

746
00:36:06,520 --> 00:36:08,680
Speaker 4: as personal as I am, I thought it would be

747
00:36:09,719 --> 00:36:13,960
Speaker 4: uh inappropriate for lawyers to reach out to artists and.

748
00:36:14,000 --> 00:36:17,000
Speaker 1: Say, hey, label doesn't exist no more, and you know

749
00:36:18,920 --> 00:36:20,799
Speaker 1: you know what I mean. I thought that I thought

750
00:36:20,800 --> 00:36:21,279
Speaker 1: that would be nuh.

751
00:36:21,360 --> 00:36:24,400
Speaker 4: So I went I went to j was with Shaka

752
00:36:25,160 --> 00:36:28,160
Speaker 4: Shaca Pilgrim, who was one of the pillars and most

753
00:36:28,200 --> 00:36:31,040
Speaker 4: amazing women ever. Uh that was part of our team

754
00:36:31,520 --> 00:36:32,960
Speaker 4: but I went to Jim. I was like, hey, yeah,

755
00:36:33,040 --> 00:36:35,440
Speaker 4: I think we should because it wasn't even a j thing.

756
00:36:35,560 --> 00:36:39,200
Speaker 4: Deaf Jam was going to that death jam that it

757
00:36:39,280 --> 00:36:42,000
Speaker 4: wasn't even a rock or thing or whatever, and I

758
00:36:42,120 --> 00:36:44,800
Speaker 4: was like, I think that that's it's inappropriate, and I

759
00:36:44,880 --> 00:36:47,799
Speaker 4: think I should just go down there and telling myself.

760
00:36:47,520 --> 00:36:49,920
Speaker 1: You know what I mean, like from from us, from family,

761
00:36:49,960 --> 00:36:53,520
Speaker 1: and I looked at them as family. I remember thinking

762
00:36:53,680 --> 00:36:54,880
Speaker 1: like that and.

763
00:36:54,920 --> 00:36:58,600
Speaker 2: People were like, what, you're dripped and you caught me

764
00:36:58,640 --> 00:37:02,040
Speaker 2: while you was on your way. It was like, believe

765
00:37:02,080 --> 00:37:03,839
Speaker 2: you know, I just went to Philly together. He's like, man,

766
00:37:03,960 --> 00:37:07,880
Speaker 2: I'm bugget. That's like, yes, if I would you do that,

767
00:37:08,320 --> 00:37:10,960
Speaker 2: I'd had them niggas come to do. I went to

768
00:37:11,080 --> 00:37:12,160
Speaker 2: Philly alone.

769
00:37:12,760 --> 00:37:17,239
Speaker 1: Yeah, twelve real ones in the studio, and I called

770
00:37:17,280 --> 00:37:19,040
Speaker 1: a meeting. For all they knew.

771
00:37:19,560 --> 00:37:22,480
Speaker 3: It was gonna be a good meeting, good meeting, real

772
00:37:22,840 --> 00:37:23,560
Speaker 3: and we're doing.

773
00:37:23,440 --> 00:37:26,960
Speaker 4: That thing, and I'm out let him know they were

774
00:37:27,040 --> 00:37:29,040
Speaker 4: no longer no Rockefellae.

775
00:37:29,440 --> 00:37:31,839
Speaker 2: And I just seen a clip with Chris right where

776
00:37:31,920 --> 00:37:35,040
Speaker 2: he was saying that at the b Sides concert, the

777
00:37:35,120 --> 00:37:39,640
Speaker 2: first concert that Hove gave them an opportunity State Property

778
00:37:40,080 --> 00:37:41,600
Speaker 2: was like, Yo, I'm ready to try to put this

779
00:37:41,680 --> 00:37:44,160
Speaker 2: ship back together. Let's do our thing. Let's go to

780
00:37:44,239 --> 00:37:47,279
Speaker 2: the studio. I'm gonna meet your niggas there. And Chris said,

781
00:37:47,560 --> 00:37:49,960
Speaker 2: nobody went to the studio. Everybody wanted to go to

782
00:37:50,040 --> 00:37:51,319
Speaker 2: the party with Rihanna and.

783
00:37:51,400 --> 00:37:53,799
Speaker 1: All of that. Yo.

784
00:37:56,840 --> 00:38:01,960
Speaker 3: Yeah, yeah, niggas said, yeah, nobody went to the studio.

785
00:38:02,280 --> 00:38:03,120
Speaker 1: You gotta think, man.

786
00:38:03,520 --> 00:38:05,520
Speaker 4: I mean, I'm not speaking for any of them, but

787
00:38:05,560 --> 00:38:08,600
Speaker 4: I'm just saying I'm speaking in terms of the business

788
00:38:08,680 --> 00:38:11,359
Speaker 4: in the industry. At those times, you know, you don't

789
00:38:11,400 --> 00:38:13,040
Speaker 4: want to miss anything that's going on, and you're not

790
00:38:13,440 --> 00:38:16,319
Speaker 4: You're not thinking and focused on, you know, the.

791
00:38:16,360 --> 00:38:19,000
Speaker 1: Business aspect, or the contractual aspect, or.

792
00:38:19,320 --> 00:38:21,879
Speaker 4: You're living in the moment. You know you're getting good money.

793
00:38:21,960 --> 00:38:24,120
Speaker 4: You think the money is always gonna come, and some

794
00:38:24,200 --> 00:38:24,759
Speaker 4: of us does.

795
00:38:24,800 --> 00:38:27,080
Speaker 1: Some of us doesn't. But they were just, you know,

796
00:38:27,239 --> 00:38:29,080
Speaker 1: they were reacting as we all were.

797
00:38:29,239 --> 00:38:33,200
Speaker 2: By the way everybody went to everybody went to to

798
00:38:33,280 --> 00:38:36,920
Speaker 2: react to party. But I didn't know about the studio session.

799
00:38:37,120 --> 00:38:39,760
Speaker 2: That's why when I seen it, and he called Freeway

800
00:38:40,280 --> 00:38:43,120
Speaker 2: on the show to verify that it happened.

801
00:38:43,480 --> 00:38:45,759
Speaker 1: So that's how I know it's validity to it, and

802
00:38:47,040 --> 00:38:49,160
Speaker 1: that's insane. I didn't know that. I didn't know that,

803
00:38:49,440 --> 00:38:50,520
Speaker 1: Like ship I would have.

804
00:38:50,520 --> 00:38:55,279
Speaker 4: Read gonna be honest with you, Rocket is you know,

805
00:38:55,360 --> 00:38:59,239
Speaker 4: it's a real family, more than some of my own family. Yes,

806
00:38:59,760 --> 00:39:01,239
Speaker 4: you know, saying like I always held it with a

807
00:39:01,280 --> 00:39:04,000
Speaker 4: high regard and with respect and like I wasn't about

808
00:39:04,000 --> 00:39:06,080
Speaker 4: to let that out of anything with y'all, anything that

809
00:39:07,080 --> 00:39:09,320
Speaker 4: for any artist that I dealt with personally should be

810
00:39:09,440 --> 00:39:12,480
Speaker 4: handled in any way that wasn't you know, respectful or

811
00:39:12,880 --> 00:39:14,800
Speaker 4: even if you know, you may not have liked the

812
00:39:14,840 --> 00:39:18,160
Speaker 4: decision or the news I had or them or and

813
00:39:19,120 --> 00:39:20,800
Speaker 4: yeah I was, I was in the studio.

814
00:39:21,040 --> 00:39:23,920
Speaker 1: It didn't hit me until I said it, and then

815
00:39:24,000 --> 00:39:29,800
Speaker 1: some of the faces were like what and these just

816
00:39:29,880 --> 00:39:32,759
Speaker 1: like we took a while. Beings looked at me and was.

817
00:39:32,760 --> 00:39:35,120
Speaker 4: Like you came out here to tell us that, and

818
00:39:35,200 --> 00:39:37,319
Speaker 4: I'm like, yeah, my brother, like you know, I'm still

819
00:39:38,400 --> 00:39:42,279
Speaker 4: not know you yeah, and he's like, how you know,

820
00:39:42,360 --> 00:39:43,120
Speaker 4: we just don't.

821
00:39:42,960 --> 00:39:43,560
Speaker 1: Fuck you up?

822
00:39:47,600 --> 00:39:53,040
Speaker 4: And I was like, I mean, that's what's gonna you

823
00:39:53,080 --> 00:39:56,120
Speaker 4: know what I mean? And beans bust out laughing. It

824
00:39:56,239 --> 00:39:58,439
Speaker 4: was like if it had to be anybody were glad

825
00:39:58,480 --> 00:40:00,359
Speaker 4: it was you. You know what I mean, We all

826
00:40:00,440 --> 00:40:02,760
Speaker 4: hugged and all I was like, yo, well you'll figure

827
00:40:02,800 --> 00:40:04,680
Speaker 4: things out, you know. I mean, it was just but

828
00:40:04,840 --> 00:40:07,640
Speaker 4: that's what I hoped for and that's what I got,

829
00:40:07,640 --> 00:40:08,120
Speaker 4: you know what I'm.

830
00:40:07,960 --> 00:40:10,800
Speaker 2: Saying that, And to this day, everybody is still family.

831
00:40:11,000 --> 00:40:13,840
Speaker 2: Like the breakup hit everybody. I always tell Niggas, I

832
00:40:13,960 --> 00:40:15,520
Speaker 2: was like, you know when you see the magic trick

833
00:40:15,560 --> 00:40:19,719
Speaker 2: where they take the tablecloth, and that's how it was

834
00:40:19,840 --> 00:40:23,239
Speaker 2: for me, Like everything was still the same, but it wasn't.

835
00:40:23,280 --> 00:40:26,520
Speaker 2: But it was like it was still normal. It ain't

836
00:40:26,560 --> 00:40:29,120
Speaker 2: feel like anything changed. But then you knew, you noticed,

837
00:40:29,160 --> 00:40:31,880
Speaker 2: everything did change, and here we are today.

838
00:40:32,280 --> 00:40:36,520
Speaker 4: Listen, you know things went different for everybody. I'm okay,

839
00:40:36,680 --> 00:40:39,560
Speaker 4: so it don't matter. We were a part of one

840
00:40:39,600 --> 00:40:44,520
Speaker 4: of the most historic and legendary labels and families in

841
00:40:44,719 --> 00:40:45,960
Speaker 4: the entertainment business.

842
00:40:46,280 --> 00:40:49,000
Speaker 3: And that's what and that's why I think a lot

843
00:40:49,080 --> 00:40:51,480
Speaker 3: of it went left, at least for us.

844
00:40:51,560 --> 00:40:54,399
Speaker 2: And I was not speaking for Ja Gang or none

845
00:40:54,440 --> 00:40:56,480
Speaker 2: of the executives and none of the employees.

846
00:40:56,560 --> 00:40:59,440
Speaker 3: But as far as the artists, Niggas was too young

847
00:40:59,520 --> 00:41:00,520
Speaker 3: seeing too much money.

848
00:41:01,440 --> 00:41:04,160
Speaker 2: We were seeing too much money and what's so it

849
00:41:04,320 --> 00:41:07,840
Speaker 2: was never nowhere near the money these artists make today,

850
00:41:08,360 --> 00:41:12,680
Speaker 2: but for that time to doing fresh out the projects,

851
00:41:12,719 --> 00:41:15,800
Speaker 2: fresh off the black whatever niggas was chewing like, and

852
00:41:15,880 --> 00:41:19,319
Speaker 2: niggas just it was gonna last forever, bro like, never

853
00:41:19,440 --> 00:41:22,399
Speaker 2: seeing the ending, and then that shit came crashing down

854
00:41:22,840 --> 00:41:27,480
Speaker 2: like it's over, Captain by a new hustle. Now, Captain,

855
00:41:27,560 --> 00:41:30,240
Speaker 2: I remember sitting there like, yo, it's over. I remember

856
00:41:30,320 --> 00:41:34,640
Speaker 2: whole telling me I remember still making music and telling you, yo,

857
00:41:34,719 --> 00:41:36,640
Speaker 2: my nigga, I'm ready to put this album out, like

858
00:41:36,760 --> 00:41:39,000
Speaker 2: like I'm ready, I got something. And he's sitting there

859
00:41:39,040 --> 00:41:46,239
Speaker 2: looking at me like, yo, my nigga, Like you don't

860
00:41:46,360 --> 00:41:48,440
Speaker 2: hear the violate, my nigga, Like you need me to

861
00:41:49,120 --> 00:41:51,640
Speaker 2: blow it up for you. It's like it's not cracking

862
00:41:51,760 --> 00:41:55,160
Speaker 2: right now. You ice cold, by nigga, what's cold and cold?

863
00:42:04,760 --> 00:42:11,799
Speaker 2: That's so ship just went for everybody and.

864
00:42:12,440 --> 00:42:14,719
Speaker 1: Made everybody stronger, made everybody more independent.

865
00:42:16,600 --> 00:42:19,600
Speaker 2: One thing I love to see, though a lot of

866
00:42:19,719 --> 00:42:24,239
Speaker 2: people took over the industry, it's a fingerprint of Rockefeller

867
00:42:24,480 --> 00:42:28,040
Speaker 2: every fucking part of this music business that you look,

868
00:42:28,320 --> 00:42:32,680
Speaker 2: whether it's from the touring to the labels, anything you

869
00:42:32,800 --> 00:42:38,520
Speaker 2: think about fashion a fingerprint from now, I'm talking about artists,

870
00:42:39,120 --> 00:42:42,080
Speaker 2: star employees, everything, man like you really.

871
00:42:42,640 --> 00:42:44,720
Speaker 1: Hip hop, Shoka the trees.

872
00:42:45,400 --> 00:42:47,719
Speaker 2: I'm just about to say, look at Bro, look at

873
00:42:47,800 --> 00:42:51,440
Speaker 2: Sharry like you're kidding me. Bro from the bottom, Look

874
00:42:51,480 --> 00:42:55,719
Speaker 2: at Chaka from the bottom. Chocka don't know me and her?

875
00:42:55,760 --> 00:42:59,560
Speaker 2: Got abe sit down? Chaga okay, Chaga.

876
00:42:59,680 --> 00:42:59,839
Speaker 1: Oh.

877
00:43:00,640 --> 00:43:04,400
Speaker 2: I don't think she remembers she when I got my

878
00:43:04,520 --> 00:43:08,680
Speaker 2: car accident in Miami. Don't remember I gave her the

879
00:43:08,760 --> 00:43:10,040
Speaker 2: bag of drip. Oh?

880
00:43:10,160 --> 00:43:13,560
Speaker 1: Yes, she lost the bag of drips.

881
00:43:14,640 --> 00:43:20,600
Speaker 2: The bag of drip was gone, James j Launch, Yeah,

882
00:43:22,400 --> 00:43:27,880
Speaker 2: bag of drip gold came out the hospital cast no drip.

883
00:43:29,680 --> 00:43:34,320
Speaker 2: I remember that. She probably don't even remember. That's people's

884
00:43:34,840 --> 00:43:36,720
Speaker 2: bullshit of family.

885
00:43:36,960 --> 00:43:38,440
Speaker 1: What all my videos?

886
00:43:38,480 --> 00:43:43,360
Speaker 2: Look at him Manuel, everybody Bro literally literally.

887
00:43:43,040 --> 00:43:45,640
Speaker 1: Doing a thing like you know what I mean? And

888
00:43:45,719 --> 00:43:50,400
Speaker 1: I know I know from from big hole. I know it.

889
00:43:50,680 --> 00:43:52,680
Speaker 2: I know they don't like to see the homie. I'm

890
00:43:52,680 --> 00:43:55,120
Speaker 2: not even gonna say his name, but I'm so happy.

891
00:43:55,160 --> 00:43:59,759
Speaker 2: I know they're happy. That reasonable doubt percentage is that

892
00:44:01,040 --> 00:44:05,279
Speaker 2: I really even understand what yoe you niggas been hitting

893
00:44:05,320 --> 00:44:07,120
Speaker 2: me like bleak why ho they seeing you in the

894
00:44:07,200 --> 00:44:09,760
Speaker 2: auction like, no, I'm gonna go big for something.

895
00:44:10,920 --> 00:44:13,560
Speaker 3: I hold the signed up. But either way, man, those

896
00:44:13,600 --> 00:44:15,960
Speaker 3: three guys you know made history.

897
00:44:16,200 --> 00:44:20,920
Speaker 1: Bro. Like, even to this day, Biggs is still creating history.

898
00:44:20,680 --> 00:44:22,320
Speaker 2: When I be finding out some of the things that

899
00:44:22,440 --> 00:44:24,239
Speaker 2: he involved, and I'll be just sitting there still in

900
00:44:24,280 --> 00:44:28,759
Speaker 2: the maids like, yo, chill hal Fa is still.

901
00:44:29,000 --> 00:44:30,480
Speaker 1: Destroying the gap.

902
00:44:31,840 --> 00:44:34,160
Speaker 2: And still to this day, bro, Look, I'm telling you

903
00:44:34,360 --> 00:44:37,200
Speaker 2: home to this day, like I hit them for certain things,

904
00:44:37,280 --> 00:44:40,320
Speaker 2: certain advice. I'm telling you all the years of me

905
00:44:40,440 --> 00:44:44,920
Speaker 2: doing music, I was the clay pigeon. Pull straight out

906
00:44:44,960 --> 00:44:47,240
Speaker 2: said down there go record. That shit was like yo, Pull.

907
00:44:48,200 --> 00:44:50,440
Speaker 2: It wasn't until I sat them do rag blink and

908
00:44:50,520 --> 00:44:55,520
Speaker 2: he was like that we dropping God drop some ship.

909
00:44:55,640 --> 00:44:58,480
Speaker 1: Nigga? What we doing by their guns? But I ain't

910
00:44:58,520 --> 00:45:00,879
Speaker 1: got my an? What's up? Are we allowed to drink

911
00:45:00,920 --> 00:45:04,160
Speaker 1: these yeah props? Nigga? What you want to drink? Man?

912
00:45:05,040 --> 00:45:07,360
Speaker 1: Nobody was drinking with us. No, I don't open it.

913
00:45:07,760 --> 00:45:09,680
Speaker 1: We only want to drink it. Me and you go drink.

914
00:45:09,719 --> 00:45:13,040
Speaker 1: We go drink. Can we get some glasses? Please? Me?

915
00:45:13,080 --> 00:45:15,719
Speaker 1: And you go drink? There we go, you know, how

916
00:45:15,760 --> 00:45:16,399
Speaker 1: to open these.

917
00:45:18,120 --> 00:45:21,000
Speaker 3: You used to this like you said, can we drink

918
00:45:21,080 --> 00:45:23,480
Speaker 3: these like it was empty?

919
00:45:24,560 --> 00:45:27,520
Speaker 1: Yo? I don't think you've been doing this man. Yeah,

920
00:45:27,600 --> 00:45:29,000
Speaker 1: y'all on that rich ship. Yo.

921
00:45:29,120 --> 00:45:31,319
Speaker 3: You know I just had caviyall for the first time

922
00:45:31,719 --> 00:45:33,080
Speaker 3: with you. Tell him the other day.

923
00:45:33,120 --> 00:45:33,640
Speaker 1: You know what I'm saying.

924
00:45:38,000 --> 00:45:42,040
Speaker 2: I'm member he had to go to another event. Cavi yall, man,

925
00:45:42,120 --> 00:45:44,759
Speaker 2: look at me, was amazing. I remember you remember we

926
00:45:44,840 --> 00:45:46,120
Speaker 2: went to Japan the first time.

927
00:45:46,440 --> 00:45:49,360
Speaker 1: In Japan, try to get him the best tushi in

928
00:45:49,440 --> 00:45:53,800
Speaker 1: the world. Him and my man murder this. Well, you

929
00:45:53,840 --> 00:45:57,680
Speaker 1: didn't lose that, Like my bro your Japan you are

930
00:45:57,800 --> 00:46:02,400
Speaker 1: what you ship. They I need a y.

931
00:46:04,320 --> 00:46:07,279
Speaker 3: I never forget the first time we went, the motherfucking

932
00:46:07,400 --> 00:46:08,240
Speaker 3: Japan broke.

933
00:46:08,719 --> 00:46:08,919
Speaker 1: Y'all.

934
00:46:09,000 --> 00:46:14,120
Speaker 2: Took us to some some restaurant and these niggas brought

935
00:46:14,160 --> 00:46:18,680
Speaker 2: the shrimp out a lot and they put through shrimp.

936
00:46:18,920 --> 00:46:22,920
Speaker 1: On the grill and everything was still moving. They just

937
00:46:23,040 --> 00:46:23,960
Speaker 1: started screaming.

938
00:46:24,560 --> 00:46:27,360
Speaker 3: Y'all never heard the shrimp scream or go to Japan?

939
00:46:28,520 --> 00:46:29,080
Speaker 1: That just go.

940
00:46:31,680 --> 00:46:33,080
Speaker 3: I'm not that, y'all.

941
00:46:33,160 --> 00:46:42,080
Speaker 1: Niggas is fugging so fast, so fast, take I'm back.

942
00:46:42,840 --> 00:46:44,759
Speaker 1: You gotta come on. We gotta evolve, bro, you gotta

943
00:46:46,520 --> 00:46:47,200
Speaker 1: it was double.

944
00:46:49,760 --> 00:46:51,839
Speaker 2: It wasn't until I ain't gonna fron I'm a late

945
00:46:51,960 --> 00:46:56,000
Speaker 2: bloomer with seafood. It wasn't until my thirtieth birthday, and

946
00:46:56,440 --> 00:46:59,800
Speaker 2: damn you know. I was in Cork with Cork Ireland

947
00:47:00,200 --> 00:47:02,480
Speaker 2: we'll hold for my birthday doing the show with him,

948
00:47:02,760 --> 00:47:04,680
Speaker 2: and he like, Yo, let's go eat for your birthday.

949
00:47:04,719 --> 00:47:07,440
Speaker 2: Where we're gonna go eat. I'm like, I don't know whatever,

950
00:47:07,560 --> 00:47:09,840
Speaker 2: you pick something I like, but don't pick seafood. I

951
00:47:09,960 --> 00:47:13,239
Speaker 2: nigtga like what you don't like seafood? So I'm like, nah,

952
00:47:13,520 --> 00:47:15,080
Speaker 2: I don't like it. He said, you don't like it

953
00:47:15,080 --> 00:47:17,920
Speaker 2: because the way it tastes or the way it smelled,

954
00:47:18,440 --> 00:47:19,440
Speaker 2: say the way it's smell.

955
00:47:19,560 --> 00:47:21,319
Speaker 1: I never tasted nothing, so word.

956
00:47:21,400 --> 00:47:25,120
Speaker 2: We went to some restaurant in Ireland and Jay ordered

957
00:47:25,440 --> 00:47:31,719
Speaker 2: literally every fucking seafood dish on the middle that had

958
00:47:31,800 --> 00:47:34,719
Speaker 2: them bringing it out, like yo, try this and send

959
00:47:34,800 --> 00:47:35,160
Speaker 2: it back.

960
00:47:35,280 --> 00:47:38,600
Speaker 1: And that's how I got my love for what seafood was.

961
00:47:38,800 --> 00:47:46,240
Speaker 4: Thankstore, that's a little upset with you, seriously, like happened,

962
00:47:46,360 --> 00:47:49,160
Speaker 4: J I'm not being funny and I'm not I'm trying

963
00:47:49,160 --> 00:47:51,640
Speaker 4: to make listen to a whole jay Z appreciation.

964
00:47:52,080 --> 00:47:54,680
Speaker 1: But it is. But I'm just saying, jigs.

965
00:47:54,960 --> 00:47:58,799
Speaker 4: Having those guys in our lives and they were living

966
00:47:58,880 --> 00:47:59,920
Speaker 4: on such a premium level.

967
00:48:00,680 --> 00:48:01,839
Speaker 1: I love that about them.

968
00:48:02,360 --> 00:48:05,319
Speaker 4: I was able, always able to learn faster or get

969
00:48:05,360 --> 00:48:08,120
Speaker 4: to certain levels that I maybe would not have gotten

970
00:48:08,200 --> 00:48:09,080
Speaker 4: there prior to.

971
00:48:09,880 --> 00:48:11,040
Speaker 1: And that's what I used to try to give you.

972
00:48:11,080 --> 00:48:13,400
Speaker 1: To open up too, is like, yo, trust me, we

973
00:48:13,480 --> 00:48:16,120
Speaker 1: have to this time. I ain't see the vision bag

974
00:48:17,920 --> 00:48:19,760
Speaker 1: and Jay has immaculate taste.

975
00:48:20,000 --> 00:48:23,680
Speaker 2: My wife opened up my eyes to the country because

976
00:48:23,719 --> 00:48:26,600
Speaker 2: now I trouble a lot. Yeah, we go everywhere. Now

977
00:48:26,680 --> 00:48:30,680
Speaker 2: we got like we do everything, we eat everything, and

978
00:48:30,800 --> 00:48:32,680
Speaker 2: she love it. Like I tell her, you better. Thank

979
00:48:32,760 --> 00:48:33,279
Speaker 2: hold girl.

980
00:48:33,800 --> 00:48:36,160
Speaker 1: She would have met me ten years proud. You know

981
00:48:36,280 --> 00:48:40,040
Speaker 1: has to be in the baked cheeseburger right now, christakehock

982
00:48:40,080 --> 00:48:40,640
Speaker 1: every other day.

983
00:48:40,840 --> 00:48:44,640
Speaker 2: That's a fact. None of that now, man. So thank

984
00:48:44,680 --> 00:48:47,200
Speaker 2: guard to the Big Homie for that travel in the world.

985
00:48:47,360 --> 00:48:49,279
Speaker 2: Like one thing I used to love too, used to

986
00:48:49,320 --> 00:48:52,240
Speaker 2: collect all the postcards and send them every every country.

987
00:48:53,080 --> 00:48:54,840
Speaker 1: Used to be like, yo, all y'all gonna do is

988
00:48:54,880 --> 00:48:57,560
Speaker 1: go to this country is sitting room. And they still

989
00:48:57,560 --> 00:49:00,120
Speaker 1: look at like, yeah, we don't want to do I

990
00:49:00,239 --> 00:49:03,000
Speaker 1: know the hotel.

991
00:49:03,080 --> 00:49:07,200
Speaker 4: Imagine being in Austria or Rome and pirates and they

992
00:49:07,400 --> 00:49:08,719
Speaker 4: wouldn't leave the hotel room.

993
00:49:09,000 --> 00:49:12,600
Speaker 1: They wanted to order burgers all day.

994
00:49:13,640 --> 00:49:16,920
Speaker 2: Hood niggas, there wasn't nothing to walk around for. Listen,

995
00:49:17,560 --> 00:49:21,000
Speaker 2: listen when you're a project nigga. I got lost and

996
00:49:21,160 --> 00:49:23,400
Speaker 2: none of y'all couldn't help me in Germany. I got

997
00:49:23,520 --> 00:49:25,719
Speaker 2: lost in Germany. Let me tell y'all this story. You

998
00:49:25,880 --> 00:49:29,000
Speaker 2: rightly don't even know you remember this. We had to

999
00:49:29,040 --> 00:49:32,279
Speaker 2: show in Germany, So of course I had this. When

1000
00:49:32,280 --> 00:49:35,000
Speaker 2: they had the app around me. You remember that app.

1001
00:49:35,080 --> 00:49:36,719
Speaker 2: You would put it on the phone and show you

1002
00:49:36,880 --> 00:49:40,000
Speaker 2: everything around you. So when you overseas, only place that

1003
00:49:40,160 --> 00:49:44,520
Speaker 2: sold backwoods was an export cigar shop. So I put

1004
00:49:44,560 --> 00:49:47,280
Speaker 2: the around me. She said it was just a mile away.

1005
00:49:47,360 --> 00:49:50,080
Speaker 2: Like okay, I could walk there. I get to the destination.

1006
00:49:50,200 --> 00:49:55,799
Speaker 2: It's a train station. Cool, it's like ten escalators going down. Cool,

1007
00:49:55,960 --> 00:49:59,359
Speaker 2: go down, walk to the smoke shop, get the backwoods,

1008
00:49:59,640 --> 00:50:02,840
Speaker 2: come out the smoke shot. Now everything in Cozuba stash

1009
00:50:03,080 --> 00:50:08,120
Speaker 2: Suva and it's like, yo, what escalator?

1010
00:50:08,200 --> 00:50:09,279
Speaker 1: Did I just come down?

1011
00:50:09,600 --> 00:50:14,600
Speaker 2: Ship like Azuba ju and that hell so damn Hamburg

1012
00:50:14,680 --> 00:50:18,560
Speaker 2: and all this crazy ship. So Yo, I got the

1013
00:50:18,719 --> 00:50:22,520
Speaker 2: hotel room key. But when I put it in the phone, member,

1014
00:50:22,719 --> 00:50:25,440
Speaker 2: I don't have no Wi Fi. There's no service you overseas.

1015
00:50:25,480 --> 00:50:26,319
Speaker 2: You need apply fire.

1016
00:50:26,320 --> 00:50:27,080
Speaker 1: It's no Wi Fi.

1017
00:50:27,160 --> 00:50:29,880
Speaker 2: I wasn't whole with the global phone over No my

1018
00:50:30,000 --> 00:50:34,719
Speaker 2: she only worked in US. Got over there clip yo,

1019
00:50:35,239 --> 00:50:39,160
Speaker 2: So nah, I didn't connect. So I'm bitching. Then like

1020
00:50:39,400 --> 00:50:41,359
Speaker 2: I go back in the cigar shot like boom, Yo,

1021
00:50:41,400 --> 00:50:42,800
Speaker 2: got show him the hotel key. You know how to

1022
00:50:42,840 --> 00:50:43,200
Speaker 2: get here?

1023
00:50:43,560 --> 00:50:48,640
Speaker 3: He talking Cosuba stash now Yo, Nah like what.

1024
00:50:50,800 --> 00:50:52,320
Speaker 1: Yo? Anybody know how to get a taxi?

1025
00:50:52,440 --> 00:50:52,680
Speaker 3: Nothing?

1026
00:50:52,760 --> 00:50:56,960
Speaker 2: Now I'm sweating. You gotta show. I'm by myself. I'm like, damn,

1027
00:50:57,000 --> 00:50:58,799
Speaker 2: we gotta get back. I gotta get back.

1028
00:50:58,840 --> 00:51:00,200
Speaker 1: We got to show. Yo.

1029
00:51:00,360 --> 00:51:03,200
Speaker 2: Some dude walking with his girl on God walk by.

1030
00:51:03,920 --> 00:51:07,879
Speaker 2: He looked, he said, Memphis bleak. I said, you're fan.

1031
00:51:08,440 --> 00:51:13,080
Speaker 1: You know me? Like literally you know me? That? Like

1032
00:51:13,400 --> 00:51:16,440
Speaker 1: hell yeah, I got your albums all of that.

1033
00:51:16,719 --> 00:51:18,320
Speaker 3: I'm like, Fair Black Hotel.

1034
00:51:18,400 --> 00:51:20,799
Speaker 1: Can you know where this hotel? Like yes, right here.

1035
00:51:21,120 --> 00:51:23,239
Speaker 1: I'm like, yo, take me to the hotel Fair. I

1036
00:51:23,360 --> 00:51:24,600
Speaker 1: get your tickets to the hotel.

1037
00:51:25,600 --> 00:51:27,480
Speaker 2: Hell yeah, him and this girl right there on the

1038
00:51:27,520 --> 00:51:29,640
Speaker 2: spot took them to the show with me. Holy got

1039
00:51:29,640 --> 00:51:31,759
Speaker 2: a picture with j and all of that. I tell

1040
00:51:31,840 --> 00:51:32,359
Speaker 2: him to the yo.

1041
00:51:32,480 --> 00:51:38,160
Speaker 1: I'm like, yo, friendly saved my life. Like you kidding me, Joe.

1042
00:51:38,920 --> 00:51:39,960
Speaker 1: It was times we used to.

1043
00:51:42,320 --> 00:51:45,560
Speaker 2: I remember we was in Poland, right because remember this

1044
00:51:45,719 --> 00:51:48,160
Speaker 2: when my Space was the ship Lin so we didn't

1045
00:51:48,320 --> 00:51:51,520
Speaker 2: have Instagram dm me, it was my Space. I used

1046
00:51:51,560 --> 00:51:54,720
Speaker 2: to put out the my Space posts on my wall.

1047
00:51:55,400 --> 00:51:58,000
Speaker 2: I'm in town with the jay Z show. Anybody got

1048
00:51:58,080 --> 00:52:00,840
Speaker 2: that bud high at me? I get you tickets to

1049
00:52:00,920 --> 00:52:03,120
Speaker 2: the show. So niggas used to hit me everywhere. That's

1050
00:52:03,120 --> 00:52:08,480
Speaker 2: how I met all my plug Sniper Kelly. No a

1051
00:52:08,680 --> 00:52:11,439
Speaker 2: zip nigga bugging. They had to bring a zip. So listen,

1052
00:52:12,480 --> 00:52:15,279
Speaker 2: we're chilling. So some dude come through with the weed

1053
00:52:15,320 --> 00:52:17,640
Speaker 2: and he like, Yo, my mom's on the soul food spot.

1054
00:52:17,719 --> 00:52:20,719
Speaker 1: We in Poland. So I go to Carleen. I went

1055
00:52:20,760 --> 00:52:20,960
Speaker 1: to you.

1056
00:52:21,080 --> 00:52:23,200
Speaker 3: You're the only one who wanted something. You like, YO,

1057
00:52:23,640 --> 00:52:24,520
Speaker 3: bring me something back.

1058
00:52:24,760 --> 00:52:25,560
Speaker 1: So I go to Jay.

1059
00:52:25,719 --> 00:52:29,200
Speaker 2: All of them Jay like where this restaurant at I'm like,

1060
00:52:29,320 --> 00:52:32,520
Speaker 2: I'm going with the homie. His mom's own it so

1061
00:52:32,640 --> 00:52:34,840
Speaker 2: he said, you just gonna jump in the car with

1062
00:52:35,040 --> 00:52:36,960
Speaker 2: some nigga that you don't know from Poland.

1063
00:52:37,680 --> 00:52:38,399
Speaker 1: I looked that hole.

1064
00:52:38,520 --> 00:52:42,000
Speaker 2: I said, Ho, we survived them Brooklyn and for a

1065
00:52:42,200 --> 00:52:48,120
Speaker 2: POLANDHH can get me? I'm supposed to be got. Don't

1066
00:52:48,200 --> 00:52:51,360
Speaker 2: even look for me, okay, Wor We came back with

1067
00:52:51,480 --> 00:52:55,520
Speaker 2: that food. That was like, Yo, you took good look nigga,

1068
00:52:55,560 --> 00:52:56,320
Speaker 2: this shit fire.

1069
00:52:56,680 --> 00:52:58,839
Speaker 1: I'm like, yeah, we move it. It's how we used

1070
00:52:58,840 --> 00:52:59,160
Speaker 1: to do it.

1071
00:52:59,480 --> 00:53:02,040
Speaker 3: But y'all used to go see all of my museums

1072
00:53:02,320 --> 00:53:03,440
Speaker 3: back there. I wasn't any of that.

1073
00:53:03,719 --> 00:53:04,279
Speaker 1: I didn't care.

1074
00:53:04,440 --> 00:53:07,120
Speaker 2: Let a project, nigga. I don't want to see no

1075
00:53:07,239 --> 00:53:10,719
Speaker 2: museums I wanted to see before this, Yo, before this,

1076
00:53:11,320 --> 00:53:13,840
Speaker 2: all I wanted to see was tense.

1077
00:53:13,600 --> 00:53:14,279
Speaker 3: And nash.

1078
00:53:16,200 --> 00:53:17,719
Speaker 1: That came. We was getting that.

1079
00:53:17,880 --> 00:53:20,279
Speaker 2: That was no problem. We was overseas looking. We was

1080
00:53:20,440 --> 00:53:23,080
Speaker 2: duck hutting without the Nintendo system.

1081
00:53:25,080 --> 00:53:28,160
Speaker 1: Great travels, yo, the best? Where where was your favorite?

1082
00:53:28,440 --> 00:53:30,880
Speaker 1: You don't been? I do that? Oh? Yo?

1083
00:53:31,040 --> 00:53:33,680
Speaker 2: Why you gotta put me on your restaurant list in Paris?

1084
00:53:33,880 --> 00:53:36,800
Speaker 2: Because I tell people all the time, only spot I

1085
00:53:37,040 --> 00:53:40,000
Speaker 2: like in Paris is our spot. I'm not gonna say

1086
00:53:40,040 --> 00:53:41,319
Speaker 2: the name because I don't want to blow it up.

1087
00:53:41,360 --> 00:53:44,640
Speaker 2: But you know I took me there best ship. My

1088
00:53:44,760 --> 00:53:45,640
Speaker 2: daughter even loved it.

1089
00:53:45,960 --> 00:53:49,000
Speaker 1: But outside of that, man, I've seen you.

1090
00:53:51,080 --> 00:53:52,680
Speaker 4: He puts me onto a lot of spots and just

1091
00:53:52,760 --> 00:53:55,000
Speaker 4: going there over the years and going with Jay and

1092
00:53:55,120 --> 00:53:56,120
Speaker 4: j Brown, they put.

1093
00:53:56,000 --> 00:53:58,680
Speaker 1: Me onto a lot of what's your favorite spot to travel?

1094
00:53:59,560 --> 00:54:03,200
Speaker 4: Probably friends and oh but the whole France because I like,

1095
00:54:03,360 --> 00:54:06,560
Speaker 4: I love Paris, I love Versailles, I love the South.

1096
00:54:09,239 --> 00:54:09,680
Speaker 2: That ship.

1097
00:54:09,800 --> 00:54:12,520
Speaker 1: Yeah, we talk about your brother daughter.

1098
00:54:12,719 --> 00:54:17,719
Speaker 4: And as a recently Saudi. I took a trip to

1099
00:54:17,760 --> 00:54:20,399
Speaker 4: Saudi last year with cal it Uh yeah last year.

1100
00:54:20,520 --> 00:54:25,160
Speaker 4: It's that we went to Rio and Jetta and not seriously,

1101
00:54:25,360 --> 00:54:25,640
Speaker 4: it was.

1102
00:54:27,160 --> 00:54:27,719
Speaker 1: Out there racing.

1103
00:54:28,239 --> 00:54:30,600
Speaker 2: Chris is the one that got us out there, Yo, chill,

1104
00:54:31,120 --> 00:54:33,520
Speaker 2: Swiss one that hooked it up like Swiss got a

1105
00:54:33,600 --> 00:54:34,280
Speaker 2: lot of plugs.

1106
00:54:34,320 --> 00:54:38,640
Speaker 1: I got a call. I love Swiss, that's what fucking got.

1107
00:54:38,719 --> 00:54:41,000
Speaker 1: Swiss gave me some of my best friend Swiss beat story.

1108
00:54:41,400 --> 00:54:42,759
Speaker 1: What but we almost died?

1109
00:54:43,360 --> 00:54:47,680
Speaker 3: Oh my fucking Jesus, How did I fucking forget that?

1110
00:54:47,960 --> 00:54:51,759
Speaker 1: Lady? How would I ever leave that story out?

1111
00:54:52,280 --> 00:54:55,560
Speaker 2: Yot listen, just so y'all know this is how you know,

1112
00:54:55,719 --> 00:55:01,200
Speaker 2: the industry is fucking it's whack because we were gonna

1113
00:55:01,320 --> 00:55:04,680
Speaker 2: use what you think of That was the first single

1114
00:55:05,200 --> 00:55:07,640
Speaker 2: that was supposed to be the single we go to

1115
00:55:07,760 --> 00:55:10,600
Speaker 2: clear the sample produced by Buck Wild by the way,

1116
00:55:10,680 --> 00:55:11,520
Speaker 2: shout out buck.

1117
00:55:12,880 --> 00:55:15,920
Speaker 3: Right, supposed to be the first single banging. We all

1118
00:55:16,000 --> 00:55:17,040
Speaker 3: ready to go good.

1119
00:55:17,719 --> 00:55:21,279
Speaker 2: The people who own the sort the sample clearance was like, no,

1120
00:55:21,640 --> 00:55:24,359
Speaker 2: we're not clearing the sample. Who is this Memphis bleak guy?

1121
00:55:24,680 --> 00:55:27,680
Speaker 2: We don't know him. So now we on the Hard

1122
00:55:27,760 --> 00:55:29,320
Speaker 2: Knocked Life Tour. We in Buffalo.

1123
00:55:29,520 --> 00:55:33,520
Speaker 1: Correct it's a fucking blizzing, freezing snow and ice everywhere.

1124
00:55:34,280 --> 00:55:37,680
Speaker 2: So now Hove like is me Lenny as in Swiss

1125
00:55:37,800 --> 00:55:40,360
Speaker 2: Hope like y'all gotta go back to New York and.

1126
00:55:42,320 --> 00:55:43,399
Speaker 1: On the Hard Knocked Life toy.

1127
00:55:43,560 --> 00:55:47,560
Speaker 4: Yes, Swiss beats Obviously this is early on, but he's

1128
00:55:47,560 --> 00:55:48,640
Speaker 4: still one of the biggest things.

1129
00:55:48,760 --> 00:55:51,759
Speaker 1: Yes, he's producing for the Rough Riders. He's producing is.

1130
00:55:51,840 --> 00:55:57,520
Speaker 4: Jay Nori, Cameron, everybody, everybody. We're bet in a good way,

1131
00:55:57,600 --> 00:56:01,000
Speaker 4: the positive way. We're begging for like a single familiar

1132
00:56:01,520 --> 00:56:04,759
Speaker 4: because Swiss is DJ and the tour so they're like Swiss.

1133
00:56:07,239 --> 00:56:08,480
Speaker 1: You know what I mean. He's like, no, I got y'all,

1134
00:56:08,480 --> 00:56:09,319
Speaker 1: got you got ya got?

1135
00:56:09,400 --> 00:56:12,320
Speaker 4: Y'all were beating them up and he's like, yo, I

1136
00:56:12,400 --> 00:56:15,160
Speaker 4: got one day off and it was the only day

1137
00:56:15,200 --> 00:56:16,080
Speaker 4: we had off on the tour.

1138
00:56:16,680 --> 00:56:17,960
Speaker 1: And he was like, but we gotta go to New

1139
00:56:18,040 --> 00:56:21,120
Speaker 1: York York and we're like what nothing, So we get

1140
00:56:21,239 --> 00:56:24,920
Speaker 1: on that propeller plane. On the propeller plane, yo us

1141
00:56:25,000 --> 00:56:28,120
Speaker 1: three right, Yeah, it was nobody else. It was just easy.

1142
00:56:28,680 --> 00:56:31,799
Speaker 2: The camera lakes he shot out easy because that's how

1143
00:56:31,840 --> 00:56:34,720
Speaker 2: they got the footage me, you and Swiss.

1144
00:56:35,040 --> 00:56:35,759
Speaker 1: That's it on.

1145
00:56:37,239 --> 00:56:40,279
Speaker 2: On this plane Blizzard and this ship was taken off

1146
00:56:40,560 --> 00:56:43,800
Speaker 2: like this and I'm on there. We gotta put the

1147
00:56:43,800 --> 00:56:47,120
Speaker 2: footage out. If y'all look at the Hard Knocked Life DVD,

1148
00:56:47,680 --> 00:56:50,160
Speaker 2: I say, you see this ship you gotta go through

1149
00:56:50,239 --> 00:56:52,400
Speaker 2: to make records trying to kill.

1150
00:56:52,320 --> 00:56:53,000
Speaker 3: Me out here.

1151
00:56:53,520 --> 00:56:54,400
Speaker 1: We almost went down there.

1152
00:56:54,520 --> 00:56:57,160
Speaker 2: Yeah, that was That was one of my worst flights ever.

1153
00:56:57,200 --> 00:57:03,520
Speaker 2: I would never fly from or two Buffalo hands down.

1154
00:57:03,600 --> 00:57:05,360
Speaker 2: So Benny, you hit me and need me to do

1155
00:57:05,480 --> 00:57:09,360
Speaker 2: something in Buffalo. I'm driving my nigga. Thought it was

1156
00:57:09,440 --> 00:57:12,200
Speaker 2: over straight up, but then we landed. A lot of

1157
00:57:12,239 --> 00:57:16,560
Speaker 2: people don't know. I never I didn't like myth Bleakers.

1158
00:57:17,440 --> 00:57:20,640
Speaker 2: After it came out, I was scared to death to

1159
00:57:20,760 --> 00:57:23,240
Speaker 2: drop that record because what you think of that was

1160
00:57:23,320 --> 00:57:24,960
Speaker 2: the joint I had to beat in my head this

1161
00:57:25,120 --> 00:57:27,560
Speaker 2: the single. So when we did myth Bleakers, it was like,

1162
00:57:28,280 --> 00:57:31,960
Speaker 2: nobody's gonna say my name, why nigga, why we myth Bleakers?

1163
00:57:32,000 --> 00:57:34,080
Speaker 2: And hope like, Yo, you're doing this at summer jaib

1164
00:57:34,160 --> 00:57:36,760
Speaker 2: I look at that nigga like, no, I ain't you.

1165
00:57:39,400 --> 00:57:39,920
Speaker 3: We doing it?

1166
00:57:40,040 --> 00:57:43,600
Speaker 1: Ain't no, nigga, we ain't doing that hurd up.

1167
00:57:43,720 --> 00:57:46,320
Speaker 2: So when that ship came on and I saw the

1168
00:57:46,400 --> 00:57:50,200
Speaker 2: response as That's when I'm like, oh wait, we got.

1169
00:57:50,160 --> 00:57:52,320
Speaker 1: So with this. That was another one of those trust

1170
00:57:52,400 --> 00:57:56,400
Speaker 1: me situations. Yes and between and artist, Yes, trust.

1171
00:57:56,160 --> 00:57:58,160
Speaker 3: Me yomber I remember you used to be like stop

1172
00:57:58,200 --> 00:57:59,280
Speaker 3: giving bleak copies of the.

1173
00:57:59,320 --> 00:58:03,840
Speaker 1: Music because listen to it for two days. Call him

1174
00:58:03,920 --> 00:58:06,400
Speaker 1: I don't like it. No more Biggas like don't get bleaked,

1175
00:58:06,480 --> 00:58:10,000
Speaker 1: no more music, yo.

1176
00:58:10,200 --> 00:58:17,720
Speaker 2: But damn man, damn nose was the fucking days ass man, yo,

1177
00:58:19,160 --> 00:58:23,480
Speaker 2: hard not lifetime fucking clue didn't have no lights.

1178
00:58:23,240 --> 00:58:25,240
Speaker 1: On his bus yo.

1179
00:58:25,320 --> 00:58:27,800
Speaker 3: You know That's how I got my DJ Demonco.

1180
00:58:28,800 --> 00:58:33,640
Speaker 2: Yeah, DeMarco was his helper and DeMarco liked what they

1181
00:58:33,720 --> 00:58:34,680
Speaker 2: was carrying his trade.

1182
00:58:35,280 --> 00:58:40,000
Speaker 1: He was his help help. He was healthy. Debnco.

1183
00:58:40,160 --> 00:58:40,280
Speaker 2: Yo.

1184
00:58:40,440 --> 00:58:42,760
Speaker 1: You know he shouted on me right, not shitting on

1185
00:58:42,840 --> 00:58:45,160
Speaker 1: me personally. That's my god. I love this guy, but

1186
00:58:45,880 --> 00:58:47,280
Speaker 1: he was my DJ forever.

1187
00:58:47,400 --> 00:58:49,720
Speaker 2: I saved him off the Viking Bus because that's what

1188
00:58:49,840 --> 00:58:52,600
Speaker 2: Clue Bus was called the Viking bus. They never had

1189
00:58:52,640 --> 00:58:55,920
Speaker 2: no food, no lights, nothing. They was like Vikings on

1190
00:58:56,040 --> 00:58:58,800
Speaker 2: that bus. Saved them off the Viking Bus. Used to

1191
00:58:58,800 --> 00:59:01,920
Speaker 2: bring him cereal everything, gave him a job. I get

1192
00:59:02,000 --> 00:59:04,880
Speaker 2: my first show. He like, yo, I'm a DJ. I

1193
00:59:05,240 --> 00:59:08,200
Speaker 2: you my DJ toard the world with DeMarco, took him

1194
00:59:08,240 --> 00:59:11,920
Speaker 2: all over the world one day. Now this after fifteen

1195
00:59:12,080 --> 00:59:16,560
Speaker 2: years of you being my DJ, call him yo, the monk.

1196
00:59:16,640 --> 00:59:18,680
Speaker 2: I got the show. I need you that nigga like, Yo,

1197
00:59:18,800 --> 00:59:21,960
Speaker 2: I can't make it bro Yo, why what happened?

1198
00:59:22,240 --> 00:59:24,840
Speaker 1: Yo? I got this show with John Ruth. I never

1199
00:59:24,920 --> 00:59:28,439
Speaker 1: told you that's my cousin. You're not being a wreck

1200
00:59:28,600 --> 00:59:31,280
Speaker 1: on tour with this naw this cousin.

1201
00:59:34,600 --> 00:59:38,240
Speaker 4: Yeah, he's still DJFM.

1202
00:59:38,400 --> 00:59:39,280
Speaker 1: So I hit Joe.

1203
00:59:39,640 --> 00:59:42,080
Speaker 2: I go to a show in Vegas with John shot

1204
00:59:42,200 --> 00:59:46,480
Speaker 2: ting him because my wife wanted to go who DJ tomorrow.

1205
00:59:47,200 --> 00:59:48,840
Speaker 1: I'm like, Nigga, I should go up there and poor

1206
00:59:48,920 --> 00:59:57,520
Speaker 1: water on your this is your cousin. Hit the fuck

1207
00:59:57,600 --> 00:59:59,360
Speaker 1: gout it. Just say paying boy to me.

1208
01:00:04,160 --> 01:00:07,120
Speaker 2: Yeah, but we used to wild out man the fucking

1209
01:00:07,320 --> 01:00:08,440
Speaker 2: tour days as.

1210
01:00:08,440 --> 01:00:09,760
Speaker 1: I was so mad on that.

1211
01:00:10,080 --> 01:00:12,880
Speaker 4: So there's that clip. So remember the clip that went

1212
01:00:13,000 --> 01:00:18,800
Speaker 4: viral where Dame is talking to Daniels No, no, Clue

1213
01:00:18,920 --> 01:00:19,600
Speaker 4: them on the bus.

1214
01:00:19,720 --> 01:00:26,560
Speaker 1: But that's not get crazy like this kissed me off.

1215
01:00:26,680 --> 01:00:28,880
Speaker 1: Let me tell you something. I try to end the

1216
01:00:29,000 --> 01:00:31,560
Speaker 1: movie right. Some people have seen it.

1217
01:00:32,240 --> 01:00:35,360
Speaker 4: There's a clip of Dame getting on Clue because he

1218
01:00:35,560 --> 01:00:38,040
Speaker 4: wasn't producing the records he was supposed to be producing

1219
01:00:38,360 --> 01:00:41,640
Speaker 4: while on tour. I was his an R, so obviously

1220
01:00:41,840 --> 01:00:44,680
Speaker 4: I'm responsible as well. And then Skane Dollar, which was

1221
01:00:44,760 --> 01:00:47,200
Speaker 4: his manager. We were the ones trying to push Clue,

1222
01:00:47,520 --> 01:00:50,760
Speaker 4: but you know, Clue was playing games sometimes and whatever whatever.

1223
01:00:51,160 --> 01:00:56,320
Speaker 1: So Dame, myself and Sane to talk about.

1224
01:00:56,120 --> 01:00:58,160
Speaker 4: It, and we were just like, yo, we're trying. We

1225
01:00:58,200 --> 01:01:01,520
Speaker 4: explained it, you know, record yes, and then he's like, no, what,

1226
01:01:01,760 --> 01:01:04,920
Speaker 4: let's just go talk to him. So me, Dame and

1227
01:01:05,080 --> 01:01:08,280
Speaker 4: Skane went to go talk to clue like as a

1228
01:01:08,440 --> 01:01:14,280
Speaker 4: united Yeah, but video camera it looks like I'm getting

1229
01:01:14,400 --> 01:01:15,800
Speaker 4: yelled at for.

1230
01:01:16,800 --> 01:01:22,800
Speaker 1: Clues, you know, like a little like that hard Dock.

1231
01:01:23,680 --> 01:01:25,439
Speaker 1: I'm not trying to fight for that to get edited.

1232
01:01:25,440 --> 01:01:27,720
Speaker 1: And they were like, what is TV You're tripping.

1233
01:01:28,000 --> 01:01:30,400
Speaker 3: I was like, I look like I'm getting yeo.

1234
01:01:31,880 --> 01:01:32,040
Speaker 1: Yo.

1235
01:01:32,240 --> 01:01:35,440
Speaker 2: But that DVD Hard Knocks started some ship because everybody

1236
01:01:35,560 --> 01:01:39,160
Speaker 2: to this day like, yo, bleep, you got kevinked that

1237
01:01:40,880 --> 01:01:44,600
Speaker 2: you want to walk around look at my depth Jym jacket, Yo,

1238
01:01:44,760 --> 01:01:48,320
Speaker 2: but na you get front Death Jam was that ship

1239
01:01:48,560 --> 01:01:49,040
Speaker 2: back day?

1240
01:01:49,120 --> 01:01:50,680
Speaker 1: By the way, I was happy to get that, Yo,

1241
01:01:50,920 --> 01:01:54,080
Speaker 1: Death Jem was ship. I didn't. It had nothing to

1242
01:01:54,200 --> 01:01:56,480
Speaker 1: do with, you know, anything over the rock thing.

1243
01:01:56,920 --> 01:02:00,360
Speaker 4: It was more so it was a state like depth

1244
01:02:00,840 --> 01:02:03,520
Speaker 4: is will always be one of the most you know,

1245
01:02:04,280 --> 01:02:06,160
Speaker 4: legendary important.

1246
01:02:05,760 --> 01:02:06,840
Speaker 1: Labels in music.

1247
01:02:06,920 --> 01:02:11,520
Speaker 4: So for us as being Rockefeller on sign to Death Jam,

1248
01:02:11,680 --> 01:02:13,880
Speaker 4: that was like a dream us. So to get a

1249
01:02:13,960 --> 01:02:17,360
Speaker 4: death Jam jacket understand that was that was that was

1250
01:02:17,400 --> 01:02:17,840
Speaker 4: a dream.

1251
01:02:17,880 --> 01:02:21,520
Speaker 1: And that's why I was just naturally like, but I

1252
01:02:21,560 --> 01:02:34,200
Speaker 1: should have never said the Rocks ain't never war the war.

1253
01:02:34,360 --> 01:02:34,760
Speaker 1: That's why.

1254
01:02:35,200 --> 01:02:38,360
Speaker 2: That's why no matter what Dame say about me no

1255
01:02:38,480 --> 01:02:41,280
Speaker 2: matter how many times he's because he'd be crucifying me.

1256
01:02:41,720 --> 01:02:44,000
Speaker 1: I just tried to show him some love and he

1257
01:02:44,120 --> 01:02:47,600
Speaker 1: went on and just shot at me. Yo. He was

1258
01:02:48,000 --> 01:02:49,040
Speaker 1: dame roll for me.

1259
01:02:49,480 --> 01:02:53,360
Speaker 2: Yo. I just found out something too. Like I used

1260
01:02:53,400 --> 01:02:56,880
Speaker 2: to always tell Clue, you don't never showed me no love.

1261
01:02:57,040 --> 01:02:57,800
Speaker 1: You on the team.

1262
01:02:57,920 --> 01:03:00,520
Speaker 3: You don't play no bleak records, nothing.

1263
01:03:01,320 --> 01:03:01,960
Speaker 1: You know, I ain't no.

1264
01:03:02,080 --> 01:03:05,440
Speaker 2: Dang bet clue that I have a bigger debut the

1265
01:03:05,640 --> 01:03:11,720
Speaker 2: fact that's what. Yeah, they put that money on Blizzard.

1266
01:03:11,320 --> 01:03:12,760
Speaker 1: Though, So I gotta.

1267
01:03:14,960 --> 01:03:19,040
Speaker 2: Always like Dang was a fighter for the squad and

1268
01:03:19,120 --> 01:03:22,680
Speaker 2: I would never ever shoot nobody down. I respect all

1269
01:03:22,760 --> 01:03:25,320
Speaker 2: the OG's and love them for the contribution of what

1270
01:03:25,440 --> 01:03:27,640
Speaker 2: they did for us man, because I wouldn't be the

1271
01:03:27,720 --> 01:03:31,360
Speaker 2: man I am today without them, especially be High. I

1272
01:03:31,400 --> 01:03:35,520
Speaker 2: always tell niggas be High saved my life behind yo.

1273
01:03:35,640 --> 01:03:35,920
Speaker 1: Listen.

1274
01:03:36,640 --> 01:03:39,920
Speaker 3: Three words I hated as a kid that I use

1275
01:03:40,080 --> 01:03:42,160
Speaker 3: today When I got a party.

1276
01:03:42,240 --> 01:03:44,120
Speaker 2: I hated him as a kid. When b I used

1277
01:03:44,160 --> 01:03:45,880
Speaker 2: to be like, we got a party, we going in here,

1278
01:03:46,000 --> 01:03:48,560
Speaker 2: be in the van be like listen, were hitting them

1279
01:03:48,840 --> 01:03:53,080
Speaker 2: and splitting like hitting them and split them like yeah,

1280
01:03:53,280 --> 01:03:56,320
Speaker 2: last show van is last song, the van.

1281
01:03:56,360 --> 01:03:59,200
Speaker 3: Is running whoever ain't in the vent we leaving them.

1282
01:03:59,200 --> 01:04:00,800
Speaker 1: So I used to be like, be how we want

1283
01:04:00,840 --> 01:04:01,200
Speaker 1: to cheer?

1284
01:04:01,280 --> 01:04:03,680
Speaker 3: We want to get some girls mingled? I think to

1285
01:04:03,960 --> 01:04:05,840
Speaker 3: like you better get them while you on stand up?

1286
01:04:07,840 --> 01:04:11,040
Speaker 1: How am I gonna do that? I'm singing the song

1287
01:04:11,200 --> 01:04:11,760
Speaker 1: talking about the.

1288
01:04:11,800 --> 01:04:17,640
Speaker 6: Most in that organization. As far as security, Yes, a

1289
01:04:18,360 --> 01:04:22,520
Speaker 6: hand of the day ship you. I'm telling you be

1290
01:04:23,120 --> 01:04:27,280
Speaker 6: running you in like we hitting them. It's splender, yo.

1291
01:04:27,360 --> 01:04:31,680
Speaker 2: Remember we left Bobby dash a murder at waffle house

1292
01:04:32,120 --> 01:04:34,440
Speaker 2: because we went through. I'm on my promo tour and

1293
01:04:34,600 --> 01:04:36,200
Speaker 2: I got the food, so I'm in the there be

1294
01:04:36,360 --> 01:04:37,000
Speaker 2: How come in there?

1295
01:04:37,040 --> 01:04:38,360
Speaker 1: He's like, you got your food.

1296
01:04:38,720 --> 01:04:39,800
Speaker 3: I'm like, yeah, I got my food.

1297
01:04:39,960 --> 01:04:40,760
Speaker 1: Then what we're waiting for?

1298
01:04:40,880 --> 01:04:41,960
Speaker 3: Come on, yo?

1299
01:04:43,840 --> 01:04:46,720
Speaker 1: Like you the artists, they want to know you. You're

1300
01:04:46,760 --> 01:04:51,720
Speaker 1: the artist, yo. The niggas called you like.

1301
01:04:51,800 --> 01:04:54,880
Speaker 2: Y'all better take a TAXI remember was no uber back then,

1302
01:04:55,400 --> 01:04:56,800
Speaker 2: wasn't no just caller Uber.

1303
01:04:56,840 --> 01:04:59,200
Speaker 3: You're in the middle of nowhere that niggas just left

1304
01:04:59,320 --> 01:04:59,920
Speaker 3: niggas like.

1305
01:05:02,080 --> 01:05:07,600
Speaker 1: That's how they survived that. I'm so glad that they

1306
01:05:07,640 --> 01:05:09,160
Speaker 1: embraced me, and I.

1307
01:05:09,600 --> 01:05:11,720
Speaker 2: Wish I could get on here. I know it's a

1308
01:05:11,840 --> 01:05:15,280
Speaker 2: hard fat it never happened, but I just need people

1309
01:05:15,320 --> 01:05:18,640
Speaker 2: to understand. I want them to know how the ogs

1310
01:05:19,360 --> 01:05:23,880
Speaker 2: really shipped on me though, because you know niggas. You know,

1311
01:05:24,040 --> 01:05:25,840
Speaker 2: niggas know I grew up with them, but.

1312
01:05:25,960 --> 01:05:29,160
Speaker 1: They think we equals. They don't understand.

1313
01:05:30,440 --> 01:05:30,520
Speaker 2: Bro.

1314
01:05:31,760 --> 01:05:33,840
Speaker 1: Oh, they know I'm in the big group. I've been

1315
01:05:33,880 --> 01:05:36,360
Speaker 1: in the B group so long that I own the

1316
01:05:36,480 --> 01:05:36,960
Speaker 1: B group.

1317
01:05:37,320 --> 01:05:40,040
Speaker 3: Even on the Hangar Tour, j put me in the

1318
01:05:40,080 --> 01:05:42,600
Speaker 3: B group and it was like, Jay, why.

1319
01:05:42,600 --> 01:05:44,520
Speaker 1: Am I in the B groups? Still?

1320
01:05:44,880 --> 01:05:48,720
Speaker 2: I've been down since the beginning. We travel A group

1321
01:05:49,080 --> 01:05:51,640
Speaker 2: and the B group, and I'm the leader of the

1322
01:05:51,760 --> 01:05:59,720
Speaker 2: B group. Was they you got promoted to the group

1323
01:05:59,760 --> 01:06:01,600
Speaker 2: because you started in the B group.

1324
01:06:02,280 --> 01:06:07,880
Speaker 1: You did start, But I got, Yes, I got when

1325
01:06:07,920 --> 01:06:09,720
Speaker 1: I got to the A group and never looked back.

1326
01:06:09,760 --> 01:06:12,720
Speaker 2: He just to be looking at me more because everything

1327
01:06:12,840 --> 01:06:17,000
Speaker 2: was an A M B hotel, A group, hotel wrichconton

1328
01:06:17,680 --> 01:06:23,200
Speaker 2: four season B group. Yeah, yo, B group, so all

1329
01:06:23,320 --> 01:06:25,480
Speaker 2: my life to where I had the town hole, Yo,

1330
01:06:25,600 --> 01:06:29,080
Speaker 2: my nigga on the Hangar Tour member, we had two jets.

1331
01:06:29,120 --> 01:06:30,880
Speaker 1: We had two jets on the Hanging tour jets and

1332
01:06:30,960 --> 01:06:33,080
Speaker 1: it was an A and it was an age and

1333
01:06:33,200 --> 01:06:33,600
Speaker 1: the bat.

1334
01:06:34,160 --> 01:06:36,680
Speaker 2: So when we get the manifest, because that's the Jet

1335
01:06:36,800 --> 01:06:38,160
Speaker 2: Talk manifest, you know.

1336
01:06:38,160 --> 01:06:41,680
Speaker 1: What I'm saying, that's not regular. You know what I'm saying.

1337
01:06:41,800 --> 01:06:43,960
Speaker 1: Group three, you get the manifest.

1338
01:06:45,040 --> 01:06:50,520
Speaker 9: Niggas was like, like you never graduated. I'maginally going to

1339
01:06:50,600 --> 01:06:53,600
Speaker 9: high school for your whole life, like for your entire life,

1340
01:06:53,760 --> 01:06:55,880
Speaker 9: and you never I looked.

1341
01:06:55,640 --> 01:06:58,400
Speaker 2: At whole, like, Yo, why do I got to ride

1342
01:06:58,800 --> 01:07:01,400
Speaker 2: with the bend? He's like now because they need structure,

1343
01:07:04,760 --> 01:07:06,479
Speaker 2: you know, only they can go only down.

1344
01:07:06,640 --> 01:07:08,640
Speaker 4: And it was sad because Yo, I used to work

1345
01:07:08,680 --> 01:07:10,800
Speaker 4: with Bleak and I was saying, and we worked together,

1346
01:07:11,120 --> 01:07:12,720
Speaker 4: but I was in the A group, so I.

1347
01:07:12,720 --> 01:07:16,640
Speaker 1: Couldn't I couldn't even travel with him. Yo. They used

1348
01:07:16,640 --> 01:07:18,440
Speaker 1: to sit back in the thirty seven Beer.

1349
01:07:18,600 --> 01:07:22,080
Speaker 2: Niggas had a fight on the jet the bed for real,

1350
01:07:24,440 --> 01:07:28,680
Speaker 2: the niggas was fighting on the jets. So I'm telling ho,

1351
01:07:29,280 --> 01:07:33,640
Speaker 2: y'all can't fly with I never seen that this jet

1352
01:07:34,120 --> 01:07:37,960
Speaker 2: like from band members, Yo, just why would you fight

1353
01:07:38,080 --> 01:07:38,640
Speaker 2: on the jet?

1354
01:07:38,800 --> 01:07:42,160
Speaker 4: You want to by the way, this jet like wait

1355
01:07:42,240 --> 01:07:45,160
Speaker 4: a minute, wait a minute, you almost fought me on

1356
01:07:45,240 --> 01:07:50,920
Speaker 4: a jet. No, we was traveling in South Africa or

1357
01:07:51,240 --> 01:07:55,120
Speaker 4: Asia and me and somebody was beating you and Ronnie's spades.

1358
01:07:55,480 --> 01:08:00,680
Speaker 1: No, you know it was McNeilly. Was my partner? Was you?

1359
01:08:00,800 --> 01:08:05,200
Speaker 2: And hole and Nick Nearly kept the nigga And I'm like, yes, yeah,

1360
01:08:05,240 --> 01:08:10,560
Speaker 2: what she my nigga, this nigga look at me? He

1361
01:08:10,800 --> 01:08:14,280
Speaker 2: my partner and he renigged right. So I'm like, yo, maney,

1362
01:08:14,360 --> 01:08:16,240
Speaker 2: what you're doing like you don't know how to play?

1363
01:08:16,280 --> 01:08:22,120
Speaker 2: Space is like it's a strategy, a strategy to what

1364
01:08:22,840 --> 01:08:24,120
Speaker 2: that whole wind like.

1365
01:08:24,880 --> 01:08:26,160
Speaker 1: I'm like, hop, they're gonna fire.

1366
01:08:26,240 --> 01:08:29,840
Speaker 2: You're like, ho, they' gonna fire your nigga?

1367
01:08:29,880 --> 01:08:33,720
Speaker 1: You my partner? What the fuck he could lose? Would not?

1368
01:08:33,880 --> 01:08:34,719
Speaker 3: I don't give a fuck.

1369
01:08:34,760 --> 01:08:39,280
Speaker 1: He like RoboCop programmed to not shoot the book. He

1370
01:08:39,720 --> 01:08:40,240
Speaker 1: will not.

1371
01:08:40,640 --> 01:08:45,120
Speaker 2: He will sacrifice the W for whole to get the W.

1372
01:08:45,479 --> 01:08:49,400
Speaker 2: He's a team fucking player. And I just found out

1373
01:08:49,840 --> 01:08:53,400
Speaker 2: Nearly Dad with jelly roll. He better give me some

1374
01:08:53,720 --> 01:08:56,480
Speaker 2: fucking tickett.

1375
01:08:56,640 --> 01:09:02,560
Speaker 1: I know he always always always yes, Nearly the o

1376
01:09:02,800 --> 01:09:04,479
Speaker 1: G You kidding me? Yeah? He wanted to fight me

1377
01:09:04,920 --> 01:09:09,160
Speaker 1: on over spage. It's crazy now I don't remember, but

1378
01:09:09,920 --> 01:09:11,479
Speaker 1: I do remember wanting to fight you.

1379
01:09:11,880 --> 01:09:14,320
Speaker 2: I remember Hole calling his moms on me though for

1380
01:09:14,400 --> 01:09:17,240
Speaker 2: the spage when we started spanking them. You put MoMA

1381
01:09:17,320 --> 01:09:20,240
Speaker 2: love and and I can't talk ship no mind, sit there,

1382
01:09:20,280 --> 01:09:22,080
Speaker 2: don't be there speak game now.

1383
01:09:22,120 --> 01:09:28,920
Speaker 1: I'm like I've been caught heard Hove is a basting

1384
01:09:29,000 --> 01:09:31,519
Speaker 1: when to come down. Niggas don't even know who.

1385
01:09:31,640 --> 01:09:33,360
Speaker 2: I was just telling somebody this the other day, that

1386
01:09:33,600 --> 01:09:36,719
Speaker 2: Hole is a gamer like they don't think whole play

1387
01:09:37,120 --> 01:09:37,960
Speaker 2: like fight night.

1388
01:09:38,360 --> 01:09:41,559
Speaker 1: Yes, remember when he was in the Vair Turtletop days.

1389
01:09:41,360 --> 01:09:46,120
Speaker 2: Before G four Bentley Hove each turtle top and not

1390
01:09:46,240 --> 01:09:47,479
Speaker 2: have a front or bliss.

1391
01:09:48,360 --> 01:09:55,200
Speaker 1: Niggas ad a little TV up here is crazy, that's

1392
01:09:55,240 --> 01:09:59,840
Speaker 1: not like. That's don't Yeah, they were but.

1393
01:10:00,080 --> 01:10:03,320
Speaker 3: Over never getting the turtle top. Now you bugget here,

1394
01:10:03,400 --> 01:10:03,760
Speaker 3: Look at you.

1395
01:10:03,880 --> 01:10:06,360
Speaker 1: I have a different name now, sprinters.

1396
01:10:07,080 --> 01:10:10,240
Speaker 2: You know they still have turtle Yeah, y'all just have

1397
01:10:10,479 --> 01:10:12,920
Speaker 2: money for yeah, you know what I mean, the sprint.

1398
01:10:14,160 --> 01:10:15,559
Speaker 2: It's just levels to this ship.

1399
01:10:15,560 --> 01:10:16,080
Speaker 1: You know what I'm saying.

1400
01:10:16,520 --> 01:10:19,439
Speaker 2: But definitely next time, you you know, you gotta tell

1401
01:10:19,560 --> 01:10:23,720
Speaker 2: Hole bleek. At this point, I definitely got to be

1402
01:10:23,800 --> 01:10:26,679
Speaker 2: out the Beagle. There's no more Beagle. I'm the only

1403
01:10:26,880 --> 01:10:29,880
Speaker 2: member left in the Beagle. It's just me and Google.

1404
01:10:30,960 --> 01:10:33,840
Speaker 1: That's it. It's just me. It's no more band Big,

1405
01:10:33,920 --> 01:10:34,719
Speaker 1: it's no band.

1406
01:10:34,920 --> 01:10:36,439
Speaker 2: So who would be in the B group if we

1407
01:10:36,600 --> 01:10:39,320
Speaker 2: traveled and they booked Hold for a show and he like, Yo,

1408
01:10:39,760 --> 01:10:40,800
Speaker 2: I'm gonna bring the crew.

1409
01:10:41,640 --> 01:10:42,320
Speaker 1: It's just me and.

1410
01:10:42,360 --> 01:10:46,799
Speaker 2: Google be on the bus by myself. Controller then it'll

1411
01:10:46,840 --> 01:10:49,200
Speaker 2: be the group by myself. I mean Google running ship.

1412
01:10:50,720 --> 01:10:50,880
Speaker 1: Yo.

1413
01:10:51,000 --> 01:10:53,040
Speaker 3: But I always said, why Hole never gave us the

1414
01:10:53,120 --> 01:10:55,559
Speaker 3: keys for the music?

1415
01:10:57,200 --> 01:11:00,560
Speaker 1: Me? You and Gool Wait when the keys for the

1416
01:11:00,640 --> 01:11:03,519
Speaker 1: music to the neighbor run it?

1417
01:11:03,720 --> 01:11:06,320
Speaker 2: Because like Guda Oracle, I ain't gonna lie if you

1418
01:11:06,520 --> 01:11:10,400
Speaker 2: it's not an artist in the world sign or unsigned

1419
01:11:10,880 --> 01:11:13,479
Speaker 2: that if you tell right now for you to get

1420
01:11:13,520 --> 01:11:16,360
Speaker 2: a deal with rock Na shit, you gotta sit down with.

1421
01:11:16,439 --> 01:11:21,639
Speaker 1: Goo like, okay, where not get to go? When where

1422
01:11:21,720 --> 01:11:23,400
Speaker 1: I get to go? My brother?

1423
01:11:24,160 --> 01:11:27,439
Speaker 2: So that's what I always felt like. Fuck, I know music,

1424
01:11:27,520 --> 01:11:29,559
Speaker 2: I'm good with music. I do my thing, of course,

1425
01:11:29,600 --> 01:11:33,120
Speaker 2: but there's nobody in music more important. That's I feel

1426
01:11:33,200 --> 01:11:35,120
Speaker 2: like that they respect his word.

1427
01:11:35,560 --> 01:11:38,800
Speaker 4: Where he's where he should be, which is the most utilizing,

1428
01:11:38,920 --> 01:11:42,479
Speaker 4: which is in the Rock Nation school.

1429
01:11:42,600 --> 01:11:47,320
Speaker 1: Yeah, he running the school a genius, no man, but

1430
01:11:47,400 --> 01:11:49,360
Speaker 1: he could do that. So what I mean Yoda did everything.

1431
01:11:49,160 --> 01:11:51,720
Speaker 4: Him giving that to all of those kids in that

1432
01:11:51,840 --> 01:11:55,400
Speaker 4: program is you know something they could never You can't

1433
01:11:55,439 --> 01:11:55,680
Speaker 4: buy that.

1434
01:11:56,040 --> 01:11:58,080
Speaker 1: But Google, I'm telling you, Goo is it. He's a

1435
01:11:58,240 --> 01:11:59,920
Speaker 1: musical genius too with him and Night.

1436
01:12:00,080 --> 01:12:03,040
Speaker 2: Fore the doing over there with the Jammuler thing, niggas

1437
01:12:03,040 --> 01:12:04,800
Speaker 2: don't even know Google got his hand over there.

1438
01:12:06,160 --> 01:12:06,360
Speaker 1: I know.

1439
01:12:07,960 --> 01:12:10,760
Speaker 2: I know y'all do a lot of signing. Its just

1440
01:12:10,800 --> 01:12:13,160
Speaker 2: don't give Bleak no sign you know what I'm saying.

1441
01:12:13,240 --> 01:12:15,560
Speaker 2: Bleak don't get no type of signing. Niggas just be

1442
01:12:15,600 --> 01:12:19,160
Speaker 2: shipping little and I started this gangster ship and this

1443
01:12:19,439 --> 01:12:20,880
Speaker 2: the thanks I get.

1444
01:12:21,680 --> 01:12:23,560
Speaker 1: Y'all see this. I'm glad that all of this is

1445
01:12:23,600 --> 01:12:24,120
Speaker 1: all tape.

1446
01:12:24,760 --> 01:12:27,880
Speaker 2: My people get to really understand that my my, my crew,

1447
01:12:28,680 --> 01:12:30,840
Speaker 2: and the big homies they just me.

1448
01:12:30,960 --> 01:12:33,760
Speaker 1: I'm just a punching bag. Only one really show me live?

1449
01:12:35,160 --> 01:12:36,640
Speaker 1: Who Emory.

1450
01:12:39,000 --> 01:12:41,960
Speaker 2: Yo, No, I'm little bro show me love. Let's clear

1451
01:12:42,000 --> 01:12:46,800
Speaker 2: that everybody show me love. TI whole warn Dash, but

1452
01:12:47,439 --> 01:12:48,360
Speaker 2: they little broke me.

1453
01:12:49,080 --> 01:12:49,599
Speaker 1: Not one.

1454
01:12:50,640 --> 01:12:53,840
Speaker 2: Warn and Emory the only two that when I see them,

1455
01:12:54,880 --> 01:12:59,439
Speaker 2: and you mean, nah, little broke me too. Yeah, I've

1456
01:12:59,479 --> 01:13:01,400
Speaker 2: seen that the cality fan. You gave me the green

1457
01:13:01,479 --> 01:13:04,479
Speaker 2: bad you ain't get the old God, ain't give me

1458
01:13:04,520 --> 01:13:07,840
Speaker 2: a purple ban you did. Now, let me gives you

1459
01:13:07,880 --> 01:13:11,400
Speaker 2: a kind of love that's really endearing and like make

1460
01:13:11,479 --> 01:13:14,280
Speaker 2: me feel like I put in some work with him.

1461
01:13:14,400 --> 01:13:22,840
Speaker 1: He does. He does a ward two and I'm gonna

1462
01:13:22,880 --> 01:13:28,280
Speaker 1: remind you you. They'll call you and like, like you busy.

1463
01:13:28,400 --> 01:13:30,920
Speaker 3: You're so busy doing nothing getting no money.

1464
01:13:31,640 --> 01:13:34,360
Speaker 1: Yeah that nigga, Yo, I'm telling you. I just hit

1465
01:13:34,439 --> 01:13:36,600
Speaker 1: him the other door. He said, you're still busy not

1466
01:13:36,720 --> 01:13:37,320
Speaker 1: making money.

1467
01:13:37,400 --> 01:13:39,559
Speaker 3: Yeah, You're still out there busy not making money.

1468
01:13:39,600 --> 01:13:40,080
Speaker 1: I'm telling you.

1469
01:13:40,160 --> 01:13:41,880
Speaker 3: When I told him I was, I had you coming

1470
01:13:41,960 --> 01:13:44,120
Speaker 3: on the podcast. The niggas said for what?

1471
01:13:44,560 --> 01:13:45,960
Speaker 1: Just to watch it on your phone?

1472
01:13:46,840 --> 01:13:48,760
Speaker 2: He said, I've been looking for him for months. When

1473
01:13:48,800 --> 01:13:53,559
Speaker 2: you're gonna, I'm telling you it ain't like yo, that's dope.

1474
01:13:53,640 --> 01:13:53,760
Speaker 1: Yo.

1475
01:13:53,880 --> 01:13:56,000
Speaker 2: Lend me that nigga. Y'all gonna have a good interview.

1476
01:13:56,400 --> 01:13:57,880
Speaker 2: Nigga said, we just doing this.

1477
01:13:58,080 --> 01:13:59,000
Speaker 1: So I go watch.

1478
01:14:02,960 --> 01:14:07,320
Speaker 3: That's why he ever come sit down and kick it

1479
01:14:07,360 --> 01:14:07,560
Speaker 3: with me.

1480
01:14:07,760 --> 01:14:09,840
Speaker 1: You're gonna get them to the podcast. Tell the truth

1481
01:14:09,920 --> 01:14:10,120
Speaker 1: for me.

1482
01:14:10,320 --> 01:14:14,320
Speaker 3: I did I know you tried, It's gonna take a minute,

1483
01:14:14,400 --> 01:14:15,920
Speaker 3: but he gave me down.

1484
01:14:16,040 --> 01:14:18,400
Speaker 1: Elliott my arm I was like, yo, want you let

1485
01:14:18,439 --> 01:14:21,160
Speaker 1: me do the part? And I was like yo cha.

1486
01:14:21,280 --> 01:14:25,920
Speaker 2: He was like yo, chill, yeah, right now, right now,

1487
01:14:26,479 --> 01:14:31,040
Speaker 2: the whole right, we got the production after you help

1488
01:14:31,120 --> 01:14:36,080
Speaker 2: us get the money with this episode, we can afford

1489
01:14:36,200 --> 01:14:39,519
Speaker 2: the second for whole swatting on our set.

1490
01:14:39,600 --> 01:14:41,720
Speaker 1: You know what I'm saying. If we was going to

1491
01:14:41,840 --> 01:14:56,360
Speaker 1: drink chip set this and chill, we done. That's it man, Yo, man, man,

1492
01:14:56,360 --> 01:14:58,600
Speaker 1: I appreciate you forgoming. I love you.

1493
01:14:59,000 --> 01:15:02,080
Speaker 3: What you're gonna get over. This is the best episode.

1494
01:15:02,479 --> 01:15:04,960
Speaker 2: This the one that's gonna change this rock solid shit

1495
01:15:05,080 --> 01:15:08,960
Speaker 2: beg to Jeweler. Were going supersize after this episode link

1496
01:15:09,000 --> 01:15:10,040
Speaker 2: thanks to Lenny Dress.

1497
01:15:10,439 --> 01:15:13,479
Speaker 3: You know what I'm saying, We getting money rock solid

1498
01:15:13,720 --> 01:15:14,760
Speaker 3: mind right yeh.

1499
01:15:18,720 --> 01:15:23,920
Speaker 2: For more podcasts from iHeart Radio, visit iHeartRadio app, Apple Podcasts,

1500
01:15:24,000 --> 01:15:26,400
Speaker 2: or wherever you listen to your favorite shows at and

1501
01:15:26,520 --> 01:15:29,599
Speaker 2: you can follow me on any social media platform under

1502
01:15:29,680 --> 01:15:30,759
Speaker 2: the name Memphis Bleak.

1503
01:15:30,920 --> 01:15:33,160
Speaker 3: You see anybody fraud and flag them