WEBVTT - The Rumour Mill ("Rumours" S2 E19)

0:00:01.800 --> 0:00:04.479
<v Speaker 1>And that's what you really missed with Jenna.

0:00:04.519 --> 0:00:07.160
<v Speaker 2>And Kevin an iHeartRadio podcast.

0:00:09.440 --> 0:00:11.959
<v Speaker 1>Welcome to And that's what you're reading in this podcast.

0:00:13.119 --> 0:00:24.360
<v Speaker 1>It is rumor time. I'm dead of Rumersgarden wrong rumor. Yeah,

0:00:24.440 --> 0:00:27.840
<v Speaker 1>so many rumors flying around, so many rumors like you

0:00:27.960 --> 0:00:28.920
<v Speaker 1>being on steroids.

0:00:29.840 --> 0:00:34.080
<v Speaker 2>Oh my god, what happened to you guys? What happened

0:00:34.120 --> 0:00:37.240
<v Speaker 2>to media literacy? Did it exist?

0:00:37.600 --> 0:00:39.599
<v Speaker 1>No, that's I was going to say, what happened?

0:00:40.960 --> 0:00:41.120
<v Speaker 3>Right?

0:00:41.159 --> 0:00:41.800
<v Speaker 2>It never was?

0:00:42.240 --> 0:00:47.320
<v Speaker 1>Never was? Okay, Welcome everybody, Welcome, Welcome, Welcome, Hi, Kevin, Hi, Jenna.

0:00:47.920 --> 0:00:54.440
<v Speaker 1>This is a fun episode because this is a special episode.

0:00:54.440 --> 0:00:57.480
<v Speaker 2>All one album, the first time we've done that.

0:00:58.320 --> 0:01:01.640
<v Speaker 1>It is a perfect album, you know.

0:01:02.720 --> 0:01:05.279
<v Speaker 2>Oh no, I have nothing bad to say about this album.

0:01:05.760 --> 0:01:12.800
<v Speaker 2>I am Christine McVie, who passed away fairly recently. I

0:01:12.840 --> 0:01:17.119
<v Speaker 2>didn't realize she wrote most of this album. And she's

0:01:17.120 --> 0:01:20.319
<v Speaker 2>sort of becoming like a George Harrison figure to me

0:01:21.360 --> 0:01:24.319
<v Speaker 2>that the older I get, I sort of gravitate towards

0:01:24.400 --> 0:01:30.520
<v Speaker 2>her songs and how because I was watching Naya sing

0:01:30.600 --> 0:01:34.720
<v Speaker 2>songbirds who wrote this? And it was her? And I

0:01:34.720 --> 0:01:39.679
<v Speaker 2>think we know Stevie Nicks and Lindsay Buckingham. But yeah, damn,

0:01:40.840 --> 0:01:45.679
<v Speaker 2>she could write the shit out of a song. Certainly.

0:01:46.600 --> 0:01:47.960
<v Speaker 2>She wrote five songs on this.

0:01:47.920 --> 0:01:52.360
<v Speaker 1>Album, Wow, which one she.

0:01:51.640 --> 0:01:55.080
<v Speaker 2>Wrote, Don't Stop? She wrote Songbird, She co wrote The

0:01:55.160 --> 0:02:00.760
<v Speaker 2>Chain with all of Fleetwood. She wrote you Make Love

0:02:00.800 --> 0:02:04.960
<v Speaker 2>and Fun and wrote oh Daddy, Wow, what's crazy is too?

0:02:05.040 --> 0:02:07.320
<v Speaker 2>I loved that sort of. One of the lessons in

0:02:07.360 --> 0:02:09.920
<v Speaker 2>this episode is that they were all cleved. Mack was

0:02:09.919 --> 0:02:13.280
<v Speaker 2>not getting along and they wrote sort of separately or

0:02:13.280 --> 0:02:15.320
<v Speaker 2>when they did come together, it was only about music

0:02:16.480 --> 0:02:19.959
<v Speaker 2>and a lot of these songs are just solo rights.

0:02:20.880 --> 0:02:21.200
<v Speaker 1>Wow.

0:02:21.280 --> 0:02:24.800
<v Speaker 2>There's only one song that has It's the Chain that

0:02:24.880 --> 0:02:28.480
<v Speaker 2>has everybody on it. Everything else was either Lindsey Buckingham,

0:02:28.480 --> 0:02:33.560
<v Speaker 2>Steve Nicks or Christine McVie by themselves. Yeah, they were writing,

0:02:33.639 --> 0:02:36.919
<v Speaker 2>They had a lot of feelings and they were writing

0:02:38.600 --> 0:02:42.480
<v Speaker 2>this how crazy. But love that. This is the first

0:02:43.400 --> 0:02:45.760
<v Speaker 2>you know all album episode that we did because it

0:02:45.800 --> 0:02:48.440
<v Speaker 2>deserves it. It's one of the best selling, if not

0:02:48.480 --> 0:02:49.799
<v Speaker 2>the best selling album of all time.

0:02:51.240 --> 0:02:56.000
<v Speaker 1>Geez yeah, I mean or that his hits is the best.

0:02:56.120 --> 0:02:56.520
<v Speaker 3>I don't know.

0:02:56.960 --> 0:02:57.720
<v Speaker 1>That's the Eagles?

0:02:57.800 --> 0:02:59.919
<v Speaker 2>Can you keep us now? As a kid, I was

0:03:00.080 --> 0:03:03.560
<v Speaker 2>obsessed with these sorts of charts and lists and what's

0:03:03.639 --> 0:03:07.600
<v Speaker 2>the best selling single and album? And still are still yes?

0:03:08.080 --> 0:03:12.000
<v Speaker 2>So Rumors aired on May thir twenty eleven. It was

0:03:12.000 --> 0:03:13.359
<v Speaker 2>season two episode nineteen.

0:03:13.720 --> 0:03:16.280
<v Speaker 1>Oh my god, my heart just started to flutter.

0:03:18.600 --> 0:03:20.960
<v Speaker 2>We were almost done with season two.

0:03:21.520 --> 0:03:25.919
<v Speaker 1>That's crazy, it really is, okay. The number one song

0:03:26.000 --> 0:03:30.720
<v Speaker 1>was et Still from by Katy Perry featuring I'm just

0:03:30.760 --> 0:03:36.040
<v Speaker 1>gonna say Katy Perry. The number one movie was Fast five.

0:03:37.280 --> 0:03:38.400
<v Speaker 1>Still haven't seen any of.

0:03:38.320 --> 0:03:42.520
<v Speaker 2>Those, that's crazy. They were already on five twenty eleven.

0:03:43.880 --> 0:03:47.600
<v Speaker 1>The tenth can seem fast and furious, any of them?

0:03:47.760 --> 0:03:51.360
<v Speaker 1>Because I really love these, like very simple action movies.

0:03:51.440 --> 0:03:54.960
<v Speaker 1>Not simple. Let me rephrase that. I really love these.

0:03:55.360 --> 0:04:02.680
<v Speaker 1>It's simple, these blockbuster action films, and so I just

0:04:02.760 --> 0:04:04.839
<v Speaker 1>I feel like there's too many, Like I don't even

0:04:04.840 --> 0:04:05.480
<v Speaker 1>know where to start.

0:04:06.760 --> 0:04:08.520
<v Speaker 2>I think you can just start anywhere.

0:04:08.880 --> 0:04:09.520
<v Speaker 1>I don't want to.

0:04:10.560 --> 0:04:13.240
<v Speaker 2>I've only seen the second one, Too Fast, too Furious,

0:04:13.240 --> 0:04:16.720
<v Speaker 2>and I say, and you can. That's good enough for me, okay.

0:04:18.480 --> 0:04:22.400
<v Speaker 1>Glee News This week. On May second, Diana, Lee and

0:04:22.480 --> 0:04:25.400
<v Speaker 1>Matt went to the met Gala for the first time

0:04:25.800 --> 0:04:29.920
<v Speaker 1>in New York City and the theme was McQueen, Savage,

0:04:30.120 --> 0:04:33.840
<v Speaker 1>Beauty Woo.

0:04:33.480 --> 0:04:36.560
<v Speaker 2>And on May fourth, the cast attended special screening Q

0:04:36.680 --> 0:04:40.200
<v Speaker 2>and a panel at the Television Academy at Paramount Studios.

0:04:41.600 --> 0:04:47.760
<v Speaker 1>Oh my goodness, I only remembered these events based on

0:04:47.800 --> 0:04:50.440
<v Speaker 1>what I was wearing because there were so many of them.

0:04:50.520 --> 0:04:54.000
<v Speaker 1>So if I see a picture this one, okay, okay,

0:04:54.000 --> 0:04:56.680
<v Speaker 1>So I was wearing like a like an orange dress.

0:04:58.640 --> 0:05:01.280
<v Speaker 1>I think we were coming off of So. I think

0:05:01.320 --> 0:05:03.600
<v Speaker 1>we had all been working all day and then just

0:05:03.720 --> 0:05:07.320
<v Speaker 1>changed into our outfits from one.

0:05:07.400 --> 0:05:08.320
<v Speaker 2>Yes, that sounds right.

0:05:08.240 --> 0:05:10.440
<v Speaker 1>In our trailers because we all are very tired.

0:05:10.120 --> 0:05:10.280
<v Speaker 3>And.

0:05:12.480 --> 0:05:16.080
<v Speaker 1>Didn't We always look tired, some days more tired than others,

0:05:16.120 --> 0:05:21.080
<v Speaker 1>but we were still young. So this episode, as Kevin said,

0:05:21.200 --> 0:05:25.839
<v Speaker 1>is the first episode that is centered around an album,

0:05:25.920 --> 0:05:30.240
<v Speaker 1>a singular album, and it was directed by Tim Hunter,

0:05:30.800 --> 0:05:33.600
<v Speaker 1>who I think this is his one and only if

0:05:33.640 --> 0:05:39.799
<v Speaker 1>I'm sweet Hunter christ and CHOHn was back as abral Roads.

0:05:39.800 --> 0:05:45.039
<v Speaker 1>She's back and tell me about.

0:05:44.480 --> 0:05:50.159
<v Speaker 3>The songs in this episode Kevin Wow, stacked dreams, never

0:05:50.200 --> 0:05:53.359
<v Speaker 3>going back again, Songbird, I don't want to know, go

0:05:53.480 --> 0:05:55.480
<v Speaker 3>your own way, don't stop.

0:05:56.120 --> 0:05:58.039
<v Speaker 2>Then there's a little aast risk, you know, nice to

0:05:58.040 --> 0:06:00.680
<v Speaker 2>meet you have I Slept with You now, which is

0:06:00.720 --> 0:06:02.040
<v Speaker 2>not part of Rumors.

0:06:02.360 --> 0:06:04.160
<v Speaker 1>It's very funny though it is.

0:06:04.400 --> 0:06:07.279
<v Speaker 2>And then an honorable mention shout out to the chain

0:06:07.360 --> 0:06:10.560
<v Speaker 2>that's playing in the background throughout a lot of the episode.

0:06:11.400 --> 0:06:12.000
<v Speaker 2>I love that.

0:06:12.160 --> 0:06:13.040
<v Speaker 1>Yeah, I love that too.

0:06:13.360 --> 0:06:15.719
<v Speaker 2>There's some great fun facts as well.

0:06:15.920 --> 0:06:17.080
<v Speaker 1>Okay, tell me some.

0:06:18.360 --> 0:06:22.119
<v Speaker 2>Fleetwood Macs album Rumors re entered the Billboard two hundred

0:06:22.160 --> 0:06:24.880
<v Speaker 2>chart at number eleven the week after this episode air.

0:06:25.240 --> 0:06:26.960
<v Speaker 1>I mean, look, we can take a little bit of

0:06:26.960 --> 0:06:29.719
<v Speaker 1>credit for that, but also like it stands on it.

0:06:30.200 --> 0:06:32.760
<v Speaker 2>Oh yeah, and I think it has just gotten better

0:06:32.800 --> 0:06:36.120
<v Speaker 2>with age too, totally. It's just become cooler and cooler.

0:06:37.240 --> 0:06:40.920
<v Speaker 1>We listened to it all the time now and has

0:06:40.960 --> 0:06:44.000
<v Speaker 1>heard it quite a few times. What else happened? What

0:06:44.560 --> 0:06:45.400
<v Speaker 1>other fun facts?

0:06:45.560 --> 0:06:48.960
<v Speaker 2>At Paileyfest, Ryan Murphy revealed Stevien Next visiting the set

0:06:49.880 --> 0:06:53.359
<v Speaker 2>for Landside inspired them to choose Rumors as their single

0:06:53.360 --> 0:06:56.080
<v Speaker 2>album tribute episode. That was a quick turnaround. You see

0:06:56.080 --> 0:06:58.120
<v Speaker 2>how quickly they have to come up with these things.

0:06:58.120 --> 0:06:59.880
<v Speaker 2>In the turnaround, we just did land Signs.

0:07:00.560 --> 0:07:02.920
<v Speaker 1>Yeah, that's right, that's right.

0:07:03.320 --> 0:07:05.119
<v Speaker 2>Ryan said. We can get Stevie NICKX on the phone

0:07:05.120 --> 0:07:06.960
<v Speaker 2>now and we can get Lindsay Buckingham who has kids,

0:07:07.000 --> 0:07:08.920
<v Speaker 2>who's like, oh my god, I'd love that. So twelve

0:07:08.920 --> 0:07:10.520
<v Speaker 2>hours later, you get the rights to rumors.

0:07:10.680 --> 0:07:14.400
<v Speaker 1>Oh crazy, I've just got chills. Twelve hours you get

0:07:14.400 --> 0:07:14.920
<v Speaker 1>the rights to.

0:07:14.920 --> 0:07:21.880
<v Speaker 2>Room like what Stevie Nicks on Speed Dial. Okay, so

0:07:23.040 --> 0:07:26.600
<v Speaker 2>apparent Remember we asked about Fondu for two. Yes, where

0:07:26.600 --> 0:07:30.520
<v Speaker 2>it came from? Yes, So apparently it did come from

0:07:30.960 --> 0:07:34.280
<v Speaker 2>a Glee van Teresa, who went to the tour in

0:07:34.280 --> 0:07:37.880
<v Speaker 2>twenty ten and had a letter delivered to Corey that

0:07:37.920 --> 0:07:40.240
<v Speaker 2>mentioned she was writing from an internet program, a YouTube

0:07:40.240 --> 0:07:44.240
<v Speaker 2>show called Fondu for two. Heather admitted the idea came

0:07:44.240 --> 0:07:45.880
<v Speaker 2>from a letter in the show later, since Teresa an

0:07:45.880 --> 0:07:49.400
<v Speaker 2>autograph copy of the script, an autograph cast picture, and thanks.

0:07:49.800 --> 0:07:50.880
<v Speaker 1>Wow.

0:07:51.240 --> 0:07:52.200
<v Speaker 2>I did not know that.

0:07:52.480 --> 0:07:55.560
<v Speaker 1>I don't think I knew that either. Wow. You know what?

0:07:55.600 --> 0:07:57.440
<v Speaker 1>I vaguely remember this, Yes.

0:07:57.400 --> 0:07:59.400
<v Speaker 2>I did, Ron Burgundy. I'm just reading things.

0:07:59.280 --> 0:08:03.760
<v Speaker 1>I know I remember this. Yes, yes, yes, okay, Oh

0:08:03.800 --> 0:08:08.440
<v Speaker 1>my gosh, this is that's really funny because it's it's

0:08:08.560 --> 0:08:10.880
<v Speaker 1>it is. One of my favorite things about the show

0:08:12.520 --> 0:08:13.760
<v Speaker 1>is Fondue for two.

0:08:15.840 --> 0:08:20.400
<v Speaker 2>I enjoyed Fondue for two now a lot you didn't.

0:08:20.160 --> 0:08:22.640
<v Speaker 1>Like Fondu for two back in the day.

0:08:22.920 --> 0:08:26.280
<v Speaker 2>No, I I was confused by it.

0:08:26.520 --> 0:08:27.280
<v Speaker 1>Yeah, that's fair.

0:08:27.640 --> 0:08:29.600
<v Speaker 2>I was very confused by it. Now they didn't like it.

0:08:29.600 --> 0:08:32.280
<v Speaker 2>I was like, is this the same show? Well, but

0:08:32.320 --> 0:08:35.360
<v Speaker 2>I don't know why. That's what we do so much

0:08:35.440 --> 0:08:36.600
<v Speaker 2>crazy shit? Why was that?

0:08:36.640 --> 0:08:38.840
<v Speaker 1>The thing was like, hmmm, I kind of agree with you.

0:08:38.920 --> 0:08:43.360
<v Speaker 1>It felt dated, Like the way it was shot felt

0:08:43.400 --> 0:08:46.760
<v Speaker 1>like a seventies like or eight like I don't know,

0:08:46.840 --> 0:08:50.240
<v Speaker 1>eighties like Nickelodeon show like There's six Plains at All

0:08:50.320 --> 0:08:52.400
<v Speaker 1>or something like that. I don't know. It just felt

0:08:52.440 --> 0:08:56.680
<v Speaker 1>different than what we were doing. And like the style

0:08:56.760 --> 0:08:59.360
<v Speaker 1>and the quality of the way it was shot. I

0:08:59.360 --> 0:09:04.560
<v Speaker 1>think also visually changed my way of seeing it. And

0:09:04.600 --> 0:09:09.120
<v Speaker 1>you're right, I enjoy it much more now. But it's

0:09:09.160 --> 0:09:10.800
<v Speaker 1>so funny. It was so funny.

0:09:11.280 --> 0:09:13.080
<v Speaker 2>I do have to say, though, to your note about

0:09:13.160 --> 0:09:17.320
<v Speaker 2>how it was filmed, I feel like Tim Hunter filmed

0:09:17.320 --> 0:09:24.360
<v Speaker 2>this very sematically. Cinematically. It felt more like a little movie.

0:09:24.559 --> 0:09:26.120
<v Speaker 2>It didn't feel so TV to me.

0:09:27.360 --> 0:09:30.439
<v Speaker 1>Yeah. I had a lot of very Yeah, no, you're

0:09:30.720 --> 0:09:33.400
<v Speaker 1>You're totally right, and there are really a lot of

0:09:33.400 --> 0:09:38.840
<v Speaker 1>beautiful shots. So Jenna, what happens in this episode. Okay,

0:09:39.320 --> 0:09:43.160
<v Speaker 1>break it down for it, break it down. Okay, So

0:09:43.200 --> 0:09:50.640
<v Speaker 1>Sue Sue.

0:09:49.200 --> 0:09:51.720
<v Speaker 2>I'm sorry. I couldn't say cinematic and you didn't say anything,

0:09:51.720 --> 0:09:52.679
<v Speaker 2>and you mess up one word.

0:09:54.520 --> 0:09:58.480
<v Speaker 1>There's this blooper from Glee that I sue Sue has

0:09:58.559 --> 0:10:01.520
<v Speaker 1>school spirit or something like that, and it reminded me

0:10:01.559 --> 0:10:03.439
<v Speaker 1>of that. It brought me back to my lips started

0:10:03.480 --> 0:10:04.520
<v Speaker 1>to get all tangled.

0:10:05.160 --> 0:10:07.880
<v Speaker 2>So soon I thought bloopers didn't exist.

0:10:08.160 --> 0:10:17.719
<v Speaker 1>No, no, there doesn't exist. Sense, I'm friends with a

0:10:17.720 --> 0:10:19.280
<v Speaker 1>lot of people who worked in the editing room.

0:10:19.320 --> 0:10:26.000
<v Speaker 2>Okay, I caught you. Jenna's got something in the fault.

0:10:26.040 --> 0:10:31.160
<v Speaker 2>I feel this is she's covering her face. Now, Jenna,

0:10:31.280 --> 0:10:35.360
<v Speaker 2>do you have bloopers? You're gonna get hacked so quickly.

0:10:36.040 --> 0:10:46.079
<v Speaker 1>Then don't don't bring it. I'm crying.

0:10:47.720 --> 0:10:54.720
<v Speaker 2>Wow. Okay, hmm, don't worry. I'm gonna have anymore.

0:10:54.920 --> 0:10:55.920
<v Speaker 1>You're gonna dig out with me.

0:10:57.679 --> 0:11:07.720
<v Speaker 2>I'm coming over suits. Jen is actually crying. Okay.

0:11:09.240 --> 0:11:15.760
<v Speaker 1>So Sue revives the Muckraker, which is the school newspaper.

0:11:16.800 --> 0:11:22.199
<v Speaker 1>It's very trumpy and the way that this is all approached. Okay,

0:11:22.240 --> 0:11:28.840
<v Speaker 1>So Sue decides to print a few inflammatory blind items,

0:11:29.040 --> 0:11:34.200
<v Speaker 1>very anonymous, very gossipy, very page six ish. The Glee

0:11:34.280 --> 0:11:38.480
<v Speaker 1>club gains a new respect for Sam when they discover

0:11:38.600 --> 0:11:41.559
<v Speaker 1>this big secret at the end of the episode about

0:11:41.600 --> 0:11:46.240
<v Speaker 1>his life. And meanwhile, I Were Roads returns to Lama

0:11:46.280 --> 0:11:49.680
<v Speaker 1>and tries to convince Will to hit the road with

0:11:49.760 --> 0:11:55.280
<v Speaker 1>her a Broadway and leave McKinley behind. All while these

0:11:55.400 --> 0:11:58.439
<v Speaker 1>rumors are being thread and intertwined throughout the.

0:11:58.360 --> 0:12:01.440
<v Speaker 2>Episode what if Trump She's a really big Glee fan?

0:12:02.600 --> 0:12:10.000
<v Speaker 1>Gross and then Stopian universe Kevin. Whatever Sue does, I

0:12:10.000 --> 0:12:12.920
<v Speaker 1>can do better? Whatever?

0:12:16.280 --> 0:12:20.120
<v Speaker 2>So okay, rumors tidally episode how do we get into rumors?

0:12:20.160 --> 0:12:23.360
<v Speaker 2>Sue brings back to the school newspaper to stop the glee

0:12:23.360 --> 0:12:30.040
<v Speaker 2>club with the help of Terry. She's back April Unknowingly.

0:12:32.280 --> 0:12:35.400
<v Speaker 2>This scene at the line of Bean where Sue stresses

0:12:35.480 --> 0:12:40.600
<v Speaker 2>David Bowie and then very quickly is Anne Colter is

0:12:40.640 --> 0:12:41.640
<v Speaker 2>one of the wildest.

0:12:42.720 --> 0:12:44.520
<v Speaker 1>It's getting really wild now.

0:12:44.760 --> 0:12:47.320
<v Speaker 2>And I love this is her being incognito.

0:12:47.520 --> 0:12:49.040
<v Speaker 1>And asking her moke up powder.

0:12:49.160 --> 0:12:51.360
<v Speaker 2>By the way, since Terry Shooter has gotten a divorce,

0:12:51.440 --> 0:12:55.520
<v Speaker 2>her face beats. This is looking great.

0:12:55.559 --> 0:12:58.679
<v Speaker 1>She's painted, She's single and fancy free Okay.

0:12:58.640 --> 0:13:02.080
<v Speaker 2>Yeah, she wants her apartment back. I don't know how

0:13:02.080 --> 0:13:05.200
<v Speaker 2>she's going to get that back, but I don't either.

0:13:05.679 --> 0:13:09.480
<v Speaker 1>But Terry has an idea that she's going to get

0:13:10.400 --> 0:13:12.600
<v Speaker 1>They should get Will out of the glee club instead

0:13:12.600 --> 0:13:16.920
<v Speaker 1>of destroying him from the inside. And Sue has this.

0:13:18.000 --> 0:13:20.920
<v Speaker 1>He's talking about the Muckbreaker, and she's saying that she's

0:13:20.960 --> 0:13:24.560
<v Speaker 1>no longer concerned with facts fact checking in the integrity

0:13:24.600 --> 0:13:28.000
<v Speaker 1>effects the muckreaker motto if I heard it's probably true

0:13:28.040 --> 0:13:36.400
<v Speaker 1>or something sounds familiar. And the newspaper causes chaos because

0:13:37.040 --> 0:13:41.440
<v Speaker 1>there are some items about it reminds me of like

0:13:41.520 --> 0:13:44.040
<v Speaker 1>Do moy in our day and age of like the

0:13:44.120 --> 0:13:48.520
<v Speaker 1>Secret Keeper, Oh totally, or the Gossip Tellers. And this

0:13:48.559 --> 0:13:51.000
<v Speaker 1>is about Quinn Sam having a secret affair because they're

0:13:51.040 --> 0:13:54.320
<v Speaker 1>meeting up at a motel and about Santana playing for

0:13:54.360 --> 0:13:57.840
<v Speaker 1>the other team, and it causes k chaos within Lukely Club.

0:14:00.080 --> 0:14:03.920
<v Speaker 1>And then Will tells April when she returns because she

0:14:03.960 --> 0:14:09.560
<v Speaker 1>needs to borrow her auditorium that this all sounds like

0:14:10.600 --> 0:14:16.760
<v Speaker 1>Fleetwood Mac. So this inspires Will's lesson which I'm I'm

0:14:16.800 --> 0:14:23.520
<v Speaker 1>noticing a trend, a pattern of Will feeling inspired on

0:14:23.720 --> 0:14:30.600
<v Speaker 1>the day, So Will's inspired by the Rumors album Fleetwood

0:14:30.640 --> 0:14:35.040
<v Speaker 1>Max Rumors album. That that's gonna be the lesson plan

0:14:35.120 --> 0:14:35.520
<v Speaker 1>for the week.

0:14:36.560 --> 0:14:39.520
<v Speaker 2>I mean it's very also Stevie Nick's being on set

0:14:39.600 --> 0:14:42.120
<v Speaker 2>and Ryan being inspired to the Rumors episode.

0:14:42.320 --> 0:14:42.760
<v Speaker 1>Correct.

0:14:45.040 --> 0:14:49.920
<v Speaker 2>I do think it's wild that Brittany just outed. I mean,

0:14:50.120 --> 0:14:53.120
<v Speaker 2>giving her the benefit of the doubt. Yes, Brittany does

0:14:53.280 --> 0:14:57.120
<v Speaker 2>some questionable things, but she doesn't no better. But her

0:14:57.160 --> 0:15:02.280
<v Speaker 2>outing her on Fondu for two was pretty wild. How

0:15:02.360 --> 0:15:06.320
<v Speaker 2>is it filming Fondue for two? Okay, you're looking into

0:15:06.320 --> 0:15:06.760
<v Speaker 2>the camera.

0:15:09.000 --> 0:15:11.880
<v Speaker 1>It was really fun. It was really fun, really really

0:15:11.960 --> 0:15:14.160
<v Speaker 1>fun to do amber with the fund with the fondue

0:15:14.240 --> 0:15:15.800
<v Speaker 1>being really hot, was really funny.

0:15:17.560 --> 0:15:19.640
<v Speaker 2>I felt very real it was.

0:15:19.720 --> 0:15:26.800
<v Speaker 1>There was all like very off the cuff, very ridiculous. Gosh,

0:15:26.800 --> 0:15:32.280
<v Speaker 1>this is so funny. Lord Tubbington I think he was

0:15:32.320 --> 0:15:34.960
<v Speaker 1>in this one. I think it was this one. Maybe

0:15:34.960 --> 0:15:36.880
<v Speaker 1>we come do we come back for Fundu for two?

0:15:37.160 --> 0:15:39.280
<v Speaker 2>Yes, there's a lot more fun Okay, no, but I mean,

0:15:39.320 --> 0:15:40.920
<v Speaker 2>does teena come back funny?

0:15:41.160 --> 0:15:45.400
<v Speaker 1>Probably because in my memory and I think it was

0:15:45.440 --> 0:15:51.400
<v Speaker 1>this one, Lord Tummington would not stay still and Lord

0:15:51.440 --> 0:15:55.840
<v Speaker 1>Tubbington kept running out of the room. Yeah, and so

0:15:55.880 --> 0:15:58.680
<v Speaker 1>we had to keep doing it because Lord Tummington wouldn't

0:15:58.720 --> 0:15:59.320
<v Speaker 1>do his job.

0:16:00.000 --> 0:16:01.600
<v Speaker 2>Remember you guys telling us about.

0:16:01.480 --> 0:16:04.440
<v Speaker 1>I wouldn't hit his mark. But sweet Lord Tuvington, I

0:16:04.480 --> 0:16:07.480
<v Speaker 1>don't remember the cat's real name. It's a cat. It's

0:16:07.520 --> 0:16:11.640
<v Speaker 1>not even a dog that's like really trainable. It's a cat.

0:16:12.160 --> 0:16:14.800
<v Speaker 1>And Lord Tumington did not want to be on set

0:16:14.840 --> 0:16:20.440
<v Speaker 1>that day, so kitty cat get running away. But we

0:16:20.480 --> 0:16:23.160
<v Speaker 1>love Lord Tomington, Lord Timings. It's my favorite.

0:16:24.480 --> 0:16:25.600
<v Speaker 2>You guys were hilarious.

0:16:26.760 --> 0:16:30.520
<v Speaker 1>It's very funny. It's it's very it feels very us if.

0:16:30.640 --> 0:16:35.000
<v Speaker 1>It also feels like very like uh blaming on the alcohol.

0:16:35.080 --> 0:16:40.440
<v Speaker 1>Me and Amber laughing drunkenly, like fake acting drunkenly together.

0:16:40.560 --> 0:16:42.240
<v Speaker 2>You guys on a new set, a new setup, and

0:16:42.800 --> 0:16:43.240
<v Speaker 2>love it.

0:16:43.560 --> 0:16:48.360
<v Speaker 1>We love it anyway. I'm glad that it opened the episode.

0:16:48.800 --> 0:16:50.760
<v Speaker 1>Oh no, not did it open up? No no, no, it

0:16:50.760 --> 0:16:53.800
<v Speaker 1>didn't open the episode. It felt like it opened.

0:16:54.440 --> 0:16:56.760
<v Speaker 2>I do get why people also wanted like a spin

0:16:56.800 --> 0:16:59.800
<v Speaker 2>off of this. Oh it did open the episode.

0:16:59.520 --> 0:17:01.920
<v Speaker 1>Right, Okay, I'm not crazy, Okay.

0:17:02.360 --> 0:17:06.480
<v Speaker 2>But that's not why.

0:17:04.480 --> 0:17:13.720
<v Speaker 1>Okay, because I have Bluebirds anyways, saying oh, yes, spin off,

0:17:13.760 --> 0:17:15.480
<v Speaker 1>I get it now, Yes, definitely.

0:17:15.640 --> 0:17:18.920
<v Speaker 2>I wanted to see more of it. I wanted Brittany's

0:17:19.000 --> 0:17:20.360
<v Speaker 2>take on everything.

0:17:22.920 --> 0:17:24.600
<v Speaker 1>Like the Biggest Gossips.

0:17:26.720 --> 0:17:30.960
<v Speaker 2>I think that also would be a funny hm hmmm

0:17:31.440 --> 0:17:33.280
<v Speaker 2>mm hmm, it's just as funny.

0:17:34.160 --> 0:17:34.960
<v Speaker 1>Huh.

0:17:38.520 --> 0:17:44.520
<v Speaker 2>So Jenna and I have the zoomis.

0:17:45.400 --> 0:17:48.800
<v Speaker 1>Who's saying it today? Okay, okay, I'm crying and I

0:17:48.840 --> 0:17:54.639
<v Speaker 1>don't know why, guys strike, I'm still crying from Kevin

0:17:54.640 --> 0:18:02.240
<v Speaker 1>outing me. All right, So then Brittany is Brittany gets

0:18:02.880 --> 0:18:13.680
<v Speaker 1>used by Sue Faster to try and get answers for

0:18:13.920 --> 0:18:14.840
<v Speaker 1>Girls Are Inspired.

0:18:15.040 --> 0:18:16.160
<v Speaker 2>She seems very into it.

0:18:16.400 --> 0:18:22.040
<v Speaker 1>Yeah yeah, yeah, gossip for the newspaper for mister Shue.

0:18:22.119 --> 0:18:24.119
<v Speaker 1>And it's trying. She's trying to be salacious but she

0:18:24.119 --> 0:18:28.320
<v Speaker 1>doesn't even realize it. But she's also trying to plant

0:18:28.320 --> 0:18:30.560
<v Speaker 1>the seed in Will's head that he wants to go

0:18:30.560 --> 0:18:31.840
<v Speaker 1>to the Broadway.

0:18:32.840 --> 0:18:35.560
<v Speaker 2>I love that it took to question three for Will

0:18:35.640 --> 0:18:37.439
<v Speaker 2>to say this is inappropriate it.

0:18:42.119 --> 0:18:46.480
<v Speaker 1>But but hew, there's some delivery on like we'll see

0:18:46.560 --> 0:18:59.400
<v Speaker 1>some coach Susan, I can say anything, right, let's talk

0:18:59.400 --> 0:18:59.960
<v Speaker 1>about Will.

0:18:59.840 --> 0:19:03.200
<v Speaker 2>And in April don't you just love when you see

0:19:03.200 --> 0:19:04.560
<v Speaker 2>that face come on to the screen?

0:19:04.880 --> 0:19:08.280
<v Speaker 1>What a joy? I really wish we had more April

0:19:08.320 --> 0:19:09.399
<v Speaker 1>Roads in the whole series.

0:19:10.080 --> 0:19:10.480
<v Speaker 2>Me too.

0:19:10.840 --> 0:19:13.320
<v Speaker 1>It feels like she's always there, it does.

0:19:14.760 --> 0:19:16.240
<v Speaker 2>Is that just because she meant a lot to ask

0:19:16.280 --> 0:19:16.840
<v Speaker 2>off screen?

0:19:17.160 --> 0:19:19.440
<v Speaker 1>Yeah? Probably the first guest star.

0:19:20.000 --> 0:19:21.160
<v Speaker 2>How good is Dreams? Though?

0:19:22.400 --> 0:19:27.120
<v Speaker 1>It's so good? It's so good, it's so good? Can

0:19:27.320 --> 0:19:29.240
<v Speaker 1>they just sing the whole Rumors album?

0:19:29.440 --> 0:19:33.320
<v Speaker 2>I know they're so good? I this fun tract. This

0:19:33.400 --> 0:19:36.000
<v Speaker 2>was the second single off the album. In real life,

0:19:36.080 --> 0:19:36.480
<v Speaker 2>you hear.

0:19:36.440 --> 0:19:38.160
<v Speaker 1>This and you're like, oh, this was like number one

0:19:38.160 --> 0:19:41.800
<v Speaker 1>on my cocktail list, like a playlist for uh my wife.

0:19:42.359 --> 0:19:43.960
<v Speaker 2>This is one of those songs that also has just

0:19:43.960 --> 0:19:47.920
<v Speaker 2>gotten bigger with time. Mm hmmm, where like this wasn't

0:19:47.960 --> 0:19:51.480
<v Speaker 2>something we were listening to in high school, but high

0:19:51.480 --> 0:19:53.520
<v Speaker 2>school students now know this song?

0:19:53.680 --> 0:19:58.199
<v Speaker 1>Yeah yeah. And then April decides that she's going to

0:19:58.560 --> 0:20:00.840
<v Speaker 1>well when her all white Products of the Wiz didn't

0:20:00.880 --> 0:20:07.520
<v Speaker 1>work out shocking huzzah. She she decides she's going to

0:20:07.560 --> 0:20:10.880
<v Speaker 1>write her own musical based on her real feelings, and

0:20:11.040 --> 0:20:14.239
<v Speaker 1>Will is kind of helping guide that, and they end

0:20:14.359 --> 0:20:19.040
<v Speaker 1>up performing this wild number nice to meet you. Have

0:20:19.160 --> 0:20:22.040
<v Speaker 1>I slept with you? This reminds me of like my headband,

0:20:22.119 --> 0:20:24.959
<v Speaker 1>where like she can't quite find her her groove, her

0:20:25.000 --> 0:20:30.000
<v Speaker 1>songwriting groove. But the number is beautifully sung. I don't

0:20:30.040 --> 0:20:32.200
<v Speaker 1>care what the word said. I could listen to christ

0:20:32.240 --> 0:20:33.199
<v Speaker 1>and Channhalth all day and.

0:20:33.240 --> 0:20:35.080
<v Speaker 2>There's a full orchestra on stage.

0:20:35.480 --> 0:20:38.400
<v Speaker 1>They have beautiful It felt like we were watching like

0:20:38.400 --> 0:20:41.359
<v Speaker 1>like them at the Boston you know, Pops or Yes.

0:20:43.240 --> 0:20:45.280
<v Speaker 2>Emma walks in and I was like, oh no, please, guys,

0:20:45.280 --> 0:20:48.280
<v Speaker 2>don't kiss, don't make something. Luckily that didn't happen.

0:20:48.480 --> 0:20:49.080
<v Speaker 3>It didn't.

0:20:49.560 --> 0:20:53.680
<v Speaker 1>But Emma Will then encouraged Will to actually follow his dreams.

0:20:54.880 --> 0:20:59.600
<v Speaker 2>Dreams, and she's taken her medicine and didn't individually wipe

0:20:59.640 --> 0:21:03.560
<v Speaker 2>off each great so she's making strides. She is making strides.

0:21:04.480 --> 0:21:07.399
<v Speaker 2>Can we just talk about the little girls Kiky and

0:21:07.600 --> 0:21:09.080
<v Speaker 2>April and Sue and Terror having.

0:21:11.480 --> 0:21:14.560
<v Speaker 1>I feel like this was also around the time where

0:21:14.560 --> 0:21:16.600
<v Speaker 1>in La it became like really cool to eat your

0:21:16.600 --> 0:21:20.800
<v Speaker 1>placenta after you give birth, and that's probably where the

0:21:20.800 --> 0:21:21.480
<v Speaker 1>writers got that.

0:21:22.040 --> 0:21:24.480
<v Speaker 2>Absolutely I did.

0:21:24.320 --> 0:21:29.480
<v Speaker 1>Eat my placenta, by the way, Okay, I love that

0:21:29.560 --> 0:21:32.200
<v Speaker 1>for you. The Kiki is funny. You just don't see

0:21:32.200 --> 0:21:36.399
<v Speaker 1>those women in a room together ever. But that's you know,

0:21:36.600 --> 0:21:41.399
<v Speaker 1>I'm a sucker for mixing up the groups always. But

0:21:41.600 --> 0:21:46.000
<v Speaker 1>the rumor mel works and April's like, wait, well that's

0:21:46.000 --> 0:21:47.160
<v Speaker 1>not true. This isn't gonna happen.

0:21:47.200 --> 0:21:48.840
<v Speaker 2>It's like, well, we'll just put it out there and

0:21:48.880 --> 0:21:52.040
<v Speaker 2>then it will. So the Glee Club sees it and

0:21:52.119 --> 0:21:54.280
<v Speaker 2>sees that Will is leaving with April to help over

0:21:54.280 --> 0:21:57.600
<v Speaker 2>with the show. But he says he has a lot

0:21:57.600 --> 0:21:59.600
<v Speaker 2>of dreams and one of them is getting the Glee

0:21:59.600 --> 0:22:05.480
<v Speaker 2>Club to Nationals. After he has that emotional opening with

0:22:05.680 --> 0:22:09.760
<v Speaker 2>Emma where he starts to sort of cry in the

0:22:09.800 --> 0:22:10.600
<v Speaker 2>teacher's lounge.

0:22:10.960 --> 0:22:12.920
<v Speaker 1>That also reminded me of the Pilot a little bit.

0:22:13.320 --> 0:22:16.359
<v Speaker 2>Yeah, it was sweet. I think it's sweet.

0:22:16.880 --> 0:22:21.000
<v Speaker 1>It's sweet, okay. And then and then we've got a

0:22:21.000 --> 0:22:27.280
<v Speaker 1>couple of other things going on within the Muckraker rumor mill.

0:22:30.320 --> 0:22:34.719
<v Speaker 1>Sam and Quinn are apparently having an affair according to

0:22:35.480 --> 0:22:39.320
<v Speaker 1>the muckraker, and Finn, who's dating Quit at the time,

0:22:40.720 --> 0:22:45.120
<v Speaker 1>and so Rachel and Finn to a stake out at

0:22:45.119 --> 0:22:53.000
<v Speaker 1>the motel outside the motel taking photos and Finn is

0:22:53.119 --> 0:22:58.280
<v Speaker 1>sure that they're having an affair, but they discover that

0:22:58.480 --> 0:23:02.640
<v Speaker 1>Kurt is walking out of the hotel with Sam bisexual representation.

0:23:04.200 --> 0:23:07.720
<v Speaker 1>I'm kidding, and people they are now think Rachel is

0:23:07.760 --> 0:23:13.000
<v Speaker 1>thinking he's cheating. I'm blame. So it's all these cheaters.

0:23:13.359 --> 0:23:17.640
<v Speaker 2>Everybody's cheating, everybody's rumoring. I also liked this. This was fun,

0:23:17.800 --> 0:23:20.480
<v Speaker 2>inappropriate for the kids to be doing this, but also

0:23:20.520 --> 0:23:23.920
<v Speaker 2>something kids would do. This is also at the same time,

0:23:24.600 --> 0:23:27.080
<v Speaker 2>Jbi is taking pictures of Rachel and Finn together, taking

0:23:27.080 --> 0:23:29.919
<v Speaker 2>pictures of Kurt and Sam together.

0:23:31.400 --> 0:23:32.720
<v Speaker 1>You just think that's inappropriate.

0:23:33.920 --> 0:23:39.040
<v Speaker 2>Well, yeah, like sort of stalking someone like that is inappropriate,

0:23:39.200 --> 0:23:42.639
<v Speaker 2>but also in high school, it's some shit you would do,

0:23:44.280 --> 0:23:45.440
<v Speaker 2>you know, totally.

0:23:45.920 --> 0:23:48.440
<v Speaker 1>Yeah, it's a little adult like, but not really.

0:23:48.880 --> 0:23:52.800
<v Speaker 2>It's also just fun. This storyline ends up being comedy

0:23:52.840 --> 0:23:57.040
<v Speaker 2>and turning into something really meaningful and real at the end.

0:23:57.440 --> 0:24:00.639
<v Speaker 1>Yes, So there's a lot of rumors that Sam is

0:24:00.680 --> 0:24:04.359
<v Speaker 1>gay and Quinn's like, he's not gay, but she can't

0:24:04.400 --> 0:24:06.840
<v Speaker 1>really reveal what's going on because she knows the truth.

0:24:07.000 --> 0:24:09.199
<v Speaker 1>She just tells Finn like, you got to trust me.

0:24:10.119 --> 0:24:12.239
<v Speaker 1>He's like, how can I trust you when you're not

0:24:12.800 --> 0:24:17.960
<v Speaker 1>telling me anything, you know, not sharing with me. And

0:24:18.000 --> 0:24:21.720
<v Speaker 1>then Rachel sees Sam wearing one of kurch jackets. She's

0:24:21.720 --> 0:24:28.920
<v Speaker 1>just hilarious, which is very hot, and Kurt deflex by

0:24:29.040 --> 0:24:32.960
<v Speaker 1>questioning the question by saying that Fleetwood Mac only spoke

0:24:33.000 --> 0:24:35.919
<v Speaker 1>about the music when making rumors, and they so that

0:24:36.000 --> 0:24:38.400
<v Speaker 1>they should be only focusing on nationals.

0:24:39.320 --> 0:24:42.879
<v Speaker 2>Side note, can we speaking of new combos? Can we

0:24:42.920 --> 0:24:47.680
<v Speaker 2>talk about Rachel and Sam having that little combo episode

0:24:47.960 --> 0:24:51.480
<v Speaker 2>about prom? So we're bringing up prom because that's happening

0:24:52.080 --> 0:24:55.840
<v Speaker 2>next episode. And then gives him the chapstick and at

0:24:55.880 --> 0:24:59.159
<v Speaker 2>the end he's said, thanks for the lip chap And

0:24:59.200 --> 0:25:02.119
<v Speaker 2>I made it into that. So that's like what we

0:25:02.200 --> 0:25:02.439
<v Speaker 2>used to.

0:25:02.440 --> 0:25:05.840
<v Speaker 1>Say lip chat. Did we get lip chat from that

0:25:06.720 --> 0:25:08.560
<v Speaker 1>or did they take that from us?

0:25:08.880 --> 0:25:12.560
<v Speaker 2>I think they took that from us. I feel pretty

0:25:12.560 --> 0:25:14.160
<v Speaker 2>confident that Corey.

0:25:13.840 --> 0:25:15.880
<v Speaker 1>He took that from us or stuck that in there.

0:25:16.000 --> 0:25:18.640
<v Speaker 2>I mean most of Buele, one of the makeup artists,

0:25:19.280 --> 0:25:20.560
<v Speaker 2>she used to say that all the time too.

0:25:20.640 --> 0:25:22.160
<v Speaker 1>Oh maybe it was a bule thing.

0:25:22.520 --> 0:25:23.760
<v Speaker 2>Yeah, I think it was a mule thing.

0:25:24.320 --> 0:25:28.600
<v Speaker 1>Yeah, Okay, Well, we love when our little jokes make

0:25:28.680 --> 0:25:32.000
<v Speaker 1>it in. We're a little sayings and things like the mouths.

0:25:32.560 --> 0:25:35.280
<v Speaker 2>I think we got at one point about fitting them

0:25:35.320 --> 0:25:37.760
<v Speaker 2>in very quickly because you wouldn't even notice.

0:25:38.240 --> 0:25:41.359
<v Speaker 1>And he also wasn't scared to like mess with people

0:25:41.760 --> 0:25:44.560
<v Speaker 1>like Yeah, I was like a rule follower. I'd be like,

0:25:44.600 --> 0:25:48.960
<v Speaker 1>should get the lines exactly right? Okay, he got away

0:25:49.000 --> 0:25:53.000
<v Speaker 1>with it with anything because he's just so cute.

0:25:54.119 --> 0:25:57.639
<v Speaker 2>Pretty privilege is real, all right.

0:25:57.720 --> 0:26:00.000
<v Speaker 1>So they do another stakeout at the motel and racheline

0:26:00.040 --> 0:26:03.000
<v Speaker 1>and see Quinn coming out and then hugging with Sam

0:26:03.480 --> 0:26:06.480
<v Speaker 1>and so we are sure, we are sure that they're

0:26:06.520 --> 0:26:12.080
<v Speaker 1>having an affair now, and that's when Finn and Quinn

0:26:12.080 --> 0:26:18.960
<v Speaker 1>have that little trust conversation and then they sing I

0:26:18.960 --> 0:26:22.480
<v Speaker 1>Don't want to Know in the choir room.

0:26:23.000 --> 0:26:25.760
<v Speaker 2>Also a very good version, Yeah, very good version.

0:26:26.680 --> 0:26:29.960
<v Speaker 1>I Don't want to Know is one of the songs

0:26:30.040 --> 0:26:33.399
<v Speaker 1>I don't Know as well from that album, do you

0:26:33.480 --> 0:26:36.440
<v Speaker 1>know what I mean? Yeah, I just like one of

0:26:36.480 --> 0:26:38.560
<v Speaker 1>the ones I don't listen to as as often as

0:26:38.600 --> 0:26:39.320
<v Speaker 1>some of the others.

0:26:40.080 --> 0:26:43.480
<v Speaker 2>I think us doing it made me listen to it more. Yeah,

0:26:44.240 --> 0:26:47.600
<v Speaker 2>because it's a great song and it's hilarious how they

0:26:47.840 --> 0:26:48.679
<v Speaker 2>perform it together.

0:26:49.240 --> 0:26:50.480
<v Speaker 1>That's fair, that's fair.

0:26:51.720 --> 0:26:52.879
<v Speaker 2>They're very good together.

0:26:53.400 --> 0:26:57.040
<v Speaker 1>They are. It's actually nice to see them back together.

0:26:57.560 --> 0:26:59.280
<v Speaker 2>And it's nice to see Diana get to do some

0:26:59.280 --> 0:27:02.719
<v Speaker 2>more comedy. Actually, like herself, is always very loaded with drama.

0:27:03.040 --> 0:27:09.840
<v Speaker 2>It's true, she got pregnant very early, you know, always crying, yeah,

0:27:11.040 --> 0:27:11.480
<v Speaker 2>poor thing.

0:27:13.240 --> 0:27:19.879
<v Speaker 1>And Rachel performs go your Own Way, and she's clearly

0:27:21.000 --> 0:27:24.840
<v Speaker 1>with no qualms about it, serenading Finn in this number.

0:27:25.200 --> 0:27:29.560
<v Speaker 1>Rachel's wild, Rachel's off the hook or off off not

0:27:29.720 --> 0:27:32.120
<v Speaker 1>that's not off the chain. No, that's not right either.

0:27:33.400 --> 0:27:36.600
<v Speaker 1>Rachel is off her rocker right now, there you go,

0:27:36.840 --> 0:27:37.239
<v Speaker 1>thank you.

0:27:39.119 --> 0:27:43.240
<v Speaker 2>Now, this weird thing happens with the whole Sam thing

0:27:44.440 --> 0:27:53.480
<v Speaker 2>that felt really inappropriate, but again very high school, where

0:27:53.480 --> 0:27:56.160
<v Speaker 2>everyone piling on about what he was doing and he's

0:27:56.200 --> 0:28:00.120
<v Speaker 2>not saying anything totally and everybody's jumping in on everybody,

0:28:00.240 --> 0:28:05.520
<v Speaker 2>and and then he has like this really serious confession.

0:28:06.840 --> 0:28:08.320
<v Speaker 1>That he's very high school though.

0:28:09.160 --> 0:28:11.600
<v Speaker 2>Yeah, and then Will's just sort of there, like guys,

0:28:11.640 --> 0:28:17.800
<v Speaker 2>don't do it. Sam's been living in the motel because

0:28:17.840 --> 0:28:19.680
<v Speaker 2>his dad lost his job, so they've lost their house

0:28:19.720 --> 0:28:22.280
<v Speaker 2>and the family's not out living in the hotel, and

0:28:22.440 --> 0:28:24.560
<v Speaker 2>Kurt has been bringing Sam close and Quinn has been

0:28:24.560 --> 0:28:31.040
<v Speaker 2>helping Sam babysit his siblings, and so Rachel and Finn

0:28:31.040 --> 0:28:33.439
<v Speaker 2>go back over there to sort of apologize and to

0:28:33.520 --> 0:28:37.480
<v Speaker 2>help out. And it's very sweet. You meet his little

0:28:37.480 --> 0:28:41.360
<v Speaker 2>siblings and they bring him a guitar. Fenn brings clothes

0:28:44.640 --> 0:28:46.680
<v Speaker 2>and they realize, you know, like they had to sell

0:28:46.760 --> 0:28:49.280
<v Speaker 2>their possessions. Everything fits in this one motel room. And

0:28:49.320 --> 0:28:52.200
<v Speaker 2>his parents are out in the pavement trying to find

0:28:52.240 --> 0:28:56.160
<v Speaker 2>work and they can't and they mentioned the recession, which

0:28:56.200 --> 0:28:57.760
<v Speaker 2>if that was really interesting because I don't know, I

0:28:58.960 --> 0:29:01.440
<v Speaker 2>think this is the first time it's mentioned.

0:29:01.600 --> 0:29:02.360
<v Speaker 1>Oh definitely.

0:29:02.760 --> 0:29:08.160
<v Speaker 2>It's like, man, not an issue goes unaddressed, ugly right even,

0:29:08.840 --> 0:29:12.360
<v Speaker 2>But what a perfect character to I know.

0:29:12.560 --> 0:29:16.600
<v Speaker 1>I really love this storyline because it's just really honest

0:29:16.800 --> 0:29:20.480
<v Speaker 1>and raw, and for for cord to do it, it's

0:29:20.520 --> 0:29:21.080
<v Speaker 1>really sweet.

0:29:22.200 --> 0:29:23.600
<v Speaker 2>Oh Cordy crying.

0:29:23.440 --> 0:29:26.200
<v Speaker 1>I know. And Cordy has a big family too, so

0:29:26.320 --> 0:29:29.240
<v Speaker 1>like just like it feels like he was able to

0:29:29.320 --> 0:29:33.640
<v Speaker 1>like pull from like a really honest place for this,

0:29:34.160 --> 0:29:36.920
<v Speaker 1>for this. And yeah, he's also really good with kids

0:29:36.960 --> 0:29:40.000
<v Speaker 1>and he's also a dog whisper, so I believed him

0:29:40.040 --> 0:29:42.120
<v Speaker 1>with those with his little sisters is he.

0:29:42.120 --> 0:29:42.920
<v Speaker 2>A dog whisper.

0:29:43.560 --> 0:29:45.400
<v Speaker 1>Yeah, he like pick his bear up, and Bear like

0:29:45.920 --> 0:29:48.720
<v Speaker 1>melts into his arms and doesn't move. It's really strange.

0:29:48.840 --> 0:29:52.560
<v Speaker 1>Always from the time Bear was like a tiny puppy

0:29:52.920 --> 0:29:55.080
<v Speaker 1>to like a couple of days ago, he'll just like

0:29:55.120 --> 0:30:00.760
<v Speaker 1>pick Bear up and like Bear will just like Okay, Yeah,

0:30:00.800 --> 0:30:04.280
<v Speaker 1>it's really funny. Did you talk about the guitar? Did

0:30:04.320 --> 0:30:05.560
<v Speaker 1>you mention the guitar? Did I miss that?

0:30:06.520 --> 0:30:06.800
<v Speaker 3>I did?

0:30:06.960 --> 0:30:09.640
<v Speaker 2>I did? Okay, okay, okay, But but I didn't talk

0:30:09.680 --> 0:30:11.680
<v Speaker 2>about how much do they emphasize it, like they need

0:30:11.760 --> 0:30:14.480
<v Speaker 2>him to stay, They need him, the glee club needs him,

0:30:14.560 --> 0:30:18.880
<v Speaker 2>He needs the music. Yeah, Because if there's one thing

0:30:18.960 --> 0:30:23.200
<v Speaker 2>that Rachel's going to talk sincerely about, it's about understanding

0:30:23.240 --> 0:30:26.840
<v Speaker 2>the love of music and how music helps the people

0:30:26.840 --> 0:30:32.520
<v Speaker 2>who love it. Right, it's a mutually beneficial relationship. And

0:30:32.600 --> 0:30:35.160
<v Speaker 2>so when she speaks about that to Sam, I thought

0:30:35.160 --> 0:30:37.880
<v Speaker 2>that was really really sweet. And then he brings a

0:30:37.920 --> 0:30:41.480
<v Speaker 2>siblings to do one more number at the end, don't stop,

0:30:42.080 --> 0:30:43.240
<v Speaker 2>I'm different, don't stop.

0:30:43.320 --> 0:30:45.000
<v Speaker 1>Do you remember this? Yes?

0:30:45.120 --> 0:30:47.840
<v Speaker 2>I do. Actually, those kids were so cute.

0:30:47.800 --> 0:30:51.040
<v Speaker 1>So cute. We learned this in a jiff this number?

0:30:51.280 --> 0:30:52.440
<v Speaker 2>Did we learn it on stage.

0:30:52.720 --> 0:30:56.520
<v Speaker 1>Yeah, so if my memory serves correctly, we were very

0:30:56.520 --> 0:31:02.200
<v Speaker 1>busy doing a thousand other things prepping for the next episode.

0:31:01.920 --> 0:31:02.320
<v Speaker 3>And.

0:31:03.920 --> 0:31:05.040
<v Speaker 2>Prom was a big one.

0:31:05.320 --> 0:31:08.959
<v Speaker 1>Yeah, problem was a really big one. And Zach was

0:31:09.000 --> 0:31:13.000
<v Speaker 1>working his little tushie off and I remember him like

0:31:13.080 --> 0:31:15.240
<v Speaker 1>throwing this at us, and they put Harry all the

0:31:15.280 --> 0:31:17.120
<v Speaker 1>way up at the front because Harry could pick it

0:31:17.200 --> 0:31:20.840
<v Speaker 1>up really quick and just like we could just follow him.

0:31:21.320 --> 0:31:24.080
<v Speaker 1>And it was kind of like our free form rock

0:31:24.160 --> 0:31:26.640
<v Speaker 1>out kind of thing where we like loosely did what

0:31:26.640 --> 0:31:28.640
<v Speaker 1>we were supposed to do. But it was also kind

0:31:28.640 --> 0:31:31.080
<v Speaker 1>of fine because it was all about Sam and Quinn

0:31:31.080 --> 0:31:33.080
<v Speaker 1>and his siblings.

0:31:34.360 --> 0:31:40.080
<v Speaker 2>Do you remember side note My relationship to the song was.

0:31:41.640 --> 0:31:44.040
<v Speaker 2>I remember there was like this VH one special back

0:31:44.040 --> 0:31:46.200
<v Speaker 2>in the day, I think in the nineties or early

0:31:46.240 --> 0:31:49.720
<v Speaker 2>two thousands, and Fleetwood Mac performed at his big concert,

0:31:50.200 --> 0:31:55.520
<v Speaker 2>and I remember staying awake and like looking through like

0:31:55.560 --> 0:31:58.200
<v Speaker 2>around the side of the wall and watched them perform

0:31:58.280 --> 0:31:59.440
<v Speaker 2>the song because I loved it.

0:32:00.040 --> 0:32:03.440
<v Speaker 1>Well, I loved the song too, Kevin. It was my

0:32:03.560 --> 0:32:08.040
<v Speaker 1>one of my first dancer title songs. Cute and I'll

0:32:08.040 --> 0:32:12.440
<v Speaker 1>never forget it. See this album. I'm sure so many

0:32:12.440 --> 0:32:18.040
<v Speaker 1>people have stories about their connections to these like meaningful

0:32:19.120 --> 0:32:23.280
<v Speaker 1>numbers and songs. Okay, so then we have to talk

0:32:23.280 --> 0:32:26.640
<v Speaker 1>about BRITTANY'SWANDU for two, which we kind of talked about already,

0:32:26.640 --> 0:32:29.880
<v Speaker 1>but we have to talk about Artie's number because woo,

0:32:30.480 --> 0:32:37.200
<v Speaker 1>and Santana's number because woo. Okay, so you guys, could

0:32:37.480 --> 0:32:40.920
<v Speaker 1>Brittany and AARTI have this great scene in the hallway

0:32:42.040 --> 0:32:45.560
<v Speaker 1>where you're a total butt head towards her because.

0:32:45.440 --> 0:32:47.040
<v Speaker 2>Artie does not know how to speak to women.

0:32:47.160 --> 0:32:49.880
<v Speaker 1>Woof, he does not. We got to smack his mom,

0:32:50.760 --> 0:32:55.320
<v Speaker 1>smack Katie Sigal around a little because you know, there's

0:32:55.360 --> 0:32:57.280
<v Speaker 1>some lessons to have been learned already.

0:32:57.600 --> 0:33:00.960
<v Speaker 2>Rough nothing that comes out of his mouth ever correct.

0:33:04.680 --> 0:33:08.080
<v Speaker 1>Alreaty's upset because obviously he's hearing about Brittany and Santana

0:33:08.200 --> 0:33:10.320
<v Speaker 1>and saying, you know, you're kind of like the underdog

0:33:10.360 --> 0:33:13.720
<v Speaker 1>in this already, and saying like there's some if there's

0:33:13.760 --> 0:33:16.120
<v Speaker 1>somebody else that like can give her what she needs,

0:33:16.160 --> 0:33:19.040
<v Speaker 1>and you're feeling like kind of insecure and inferior. Is

0:33:19.040 --> 0:33:20.760
<v Speaker 1>that right? Yeah?

0:33:20.800 --> 0:33:24.400
<v Speaker 2>I think he's like taking out his insecurities and vulnerabilities

0:33:24.440 --> 0:33:26.920
<v Speaker 2>out on her, like he's projecting onto her where it's

0:33:26.960 --> 0:33:28.600
<v Speaker 2>that's his own shit that he needs to deal with.

0:33:28.920 --> 0:33:29.040
<v Speaker 1>Her.

0:33:29.120 --> 0:33:32.400
<v Speaker 2>Cheating is a different thing, right, right, Like he's coming

0:33:32.400 --> 0:33:36.320
<v Speaker 2>out from a place of Oh, you found somebody that

0:33:36.400 --> 0:33:38.560
<v Speaker 2>can give you what I'm supposed to give you, right,

0:33:39.920 --> 0:33:41.920
<v Speaker 2>But it's like, yeah, it's because you don't believe that

0:33:41.960 --> 0:33:46.800
<v Speaker 2>you're lovable or that you're enough for somebody, right, So

0:33:46.880 --> 0:33:48.640
<v Speaker 2>get your shit together, sixteen year old?

0:33:50.360 --> 0:33:53.960
<v Speaker 1>Then and then already already not you, already.

0:33:53.680 --> 0:33:57.000
<v Speaker 2>Calls her oof, I did not remember that?

0:33:57.640 --> 0:33:58.320
<v Speaker 1>Oh you didn't.

0:33:59.040 --> 0:34:00.480
<v Speaker 2>And Heather's reaction action.

0:34:00.960 --> 0:34:02.080
<v Speaker 1>That broke my heart.

0:34:03.400 --> 0:34:04.360
<v Speaker 2>Oh my god.

0:34:04.760 --> 0:34:08.279
<v Speaker 1>It was really really a great performance by Heather more

0:34:08.760 --> 0:34:10.880
<v Speaker 1>because I was gut punched.

0:34:11.120 --> 0:34:15.799
<v Speaker 2>Yeah, and she got gut punched. It was like, there's

0:34:15.800 --> 0:34:18.040
<v Speaker 2>so I mean, Britney ninety nine point nine percent of

0:34:18.040 --> 0:34:20.960
<v Speaker 2>the time is like a fairy, you know, did you?

0:34:21.080 --> 0:34:25.760
<v Speaker 2>She's just happy going about her thing. And then holy.

0:34:25.400 --> 0:34:38.279
<v Speaker 1>Shit, holy crap. Kudos to Heather Morris. Yeah, okay, we

0:34:38.360 --> 0:34:40.160
<v Speaker 1>go to we go to never Going back again, one

0:34:40.160 --> 0:34:44.680
<v Speaker 1>of my favorite artie songs of all time. Do you remember, Well,

0:34:44.760 --> 0:34:47.320
<v Speaker 1>tell me about the recording, and then tell me about

0:34:47.320 --> 0:34:53.000
<v Speaker 1>this whole guitar idea with all of the guitarists on stage,

0:34:53.040 --> 0:34:55.680
<v Speaker 1>because I don't remember that, and I my jaw was

0:34:55.719 --> 0:34:56.200
<v Speaker 1>on the floor.

0:34:56.960 --> 0:35:03.719
<v Speaker 2>It's so good, I Ryan told me. In one of

0:35:03.760 --> 0:35:09.239
<v Speaker 2>those you know, like passing moments we were at We're

0:35:09.280 --> 0:35:12.520
<v Speaker 2>in video village, somebody was being films like start learning,

0:35:12.520 --> 0:35:14.400
<v Speaker 2>never going back again, and I had never heard the

0:35:14.440 --> 0:35:21.480
<v Speaker 2>song before. Ah, and I played it and was so

0:35:21.640 --> 0:35:26.560
<v Speaker 2>confused because I had no idea how to sing this

0:35:26.680 --> 0:35:30.880
<v Speaker 2>song where it was. There's not a lot of vocal

0:35:30.960 --> 0:35:34.600
<v Speaker 2>happening in it, It's a lot of instrumentation, and I

0:35:34.640 --> 0:35:36.399
<v Speaker 2>was just like, this is a weird choice to put

0:35:36.480 --> 0:35:39.680
<v Speaker 2>in an episode. It's not very entertaining. I didn't get it.

0:35:39.719 --> 0:35:41.120
<v Speaker 2>I didn't know the vision for it. I didn't know

0:35:41.200 --> 0:35:45.920
<v Speaker 2>the context for it. And when I went to record it,

0:35:45.920 --> 0:35:48.719
<v Speaker 2>it was just beautiful. I mean the demo, I mean

0:35:48.800 --> 0:35:52.000
<v Speaker 2>that track with all those guitars is beautiful. Like they

0:35:52.040 --> 0:35:54.920
<v Speaker 2>built out that track sort of how Glee does they

0:35:54.960 --> 0:35:57.200
<v Speaker 2>add eight billion vocals, you know, to something. They did

0:35:57.239 --> 0:36:03.400
<v Speaker 2>that through the acoustic guitars and this song, and Alex

0:36:03.560 --> 0:36:07.520
<v Speaker 2>was so particular about this. Only happened a couple of

0:36:07.560 --> 0:36:10.440
<v Speaker 2>times in the course of the show. But he was

0:36:10.480 --> 0:36:16.040
<v Speaker 2>so particular in my tone for this song, I think

0:36:16.080 --> 0:36:19.160
<v Speaker 2>because it was so simple and there's no hiding behind

0:36:19.200 --> 0:36:25.520
<v Speaker 2>anything yep. So you know, normally things were really hard

0:36:25.560 --> 0:36:28.320
<v Speaker 2>because they're doing some crazy run or it was really high.

0:36:28.760 --> 0:36:31.719
<v Speaker 2>This was like a whole new challenge for me. And

0:36:31.760 --> 0:36:33.560
<v Speaker 2>the more we talked about these episodes, the more I

0:36:33.600 --> 0:36:36.000
<v Speaker 2>realized I had to break down every single recording session

0:36:38.280 --> 0:36:40.920
<v Speaker 2>because I was getting really frustrated because I couldn't hear

0:36:40.960 --> 0:36:44.240
<v Speaker 2>the difference of just saying a word differently, placing it differently.

0:36:44.520 --> 0:36:46.440
<v Speaker 2>Oh wow, I felt like I was losing my mind.

0:36:47.320 --> 0:36:49.600
<v Speaker 2>But you know what made me love the song was

0:36:49.719 --> 0:36:53.880
<v Speaker 2>all you girls love this, love this, And I didn't

0:36:53.960 --> 0:36:56.359
<v Speaker 2>understand it. I don't get this song. I don't want

0:36:57.000 --> 0:37:00.000
<v Speaker 2>And I remember, like Leah, she would be playing it,

0:37:00.080 --> 0:37:02.400
<v Speaker 2>blasting it all the time, coming on and off the

0:37:02.440 --> 0:37:03.279
<v Speaker 2>lot in her car.

0:37:03.680 --> 0:37:03.919
<v Speaker 1>Yep.

0:37:04.200 --> 0:37:06.759
<v Speaker 2>You were doing the same thing yep. And it was

0:37:06.880 --> 0:37:10.360
<v Speaker 2>very strange because like, oh they're listening too. Lee's like

0:37:10.400 --> 0:37:12.480
<v Speaker 2>can you send me that version? You were like can you?

0:37:12.520 --> 0:37:16.279
<v Speaker 2>So I sensed all you girls yep, And it made

0:37:16.360 --> 0:37:19.080
<v Speaker 2>me see the song, I think in a new way.

0:37:19.120 --> 0:37:22.160
<v Speaker 2>And doing that number was also that shot at the

0:37:22.280 --> 0:37:24.520
<v Speaker 2>end with all the guitars behind was beautiful.

0:37:24.520 --> 0:37:25.200
<v Speaker 1>I have chills.

0:37:25.360 --> 0:37:25.920
<v Speaker 2>I loved it.

0:37:26.320 --> 0:37:28.759
<v Speaker 1>I was kind of watching today and like going back

0:37:28.760 --> 0:37:32.040
<v Speaker 1>and forth from the kitchen, like you know, doing some multitasking,

0:37:32.400 --> 0:37:34.840
<v Speaker 1>and I like stopped in my tracks for that number

0:37:34.880 --> 0:37:37.160
<v Speaker 1>because I kind of like, I've heard it so many

0:37:37.160 --> 0:37:39.279
<v Speaker 1>times in my head now I kind of forgot the

0:37:39.360 --> 0:37:42.400
<v Speaker 1>way it was shot, and it's it's similar to some

0:37:42.440 --> 0:37:44.480
<v Speaker 1>of your other numbers that you've done, like Dancing with Myself.

0:37:44.520 --> 0:37:46.600
<v Speaker 1>It reminded me of that because you're on the stage,

0:37:46.640 --> 0:37:49.040
<v Speaker 1>but it was so it was shot so differently, and

0:37:49.160 --> 0:37:52.080
<v Speaker 1>having the guitars was so brilliant. It really just elevated

0:37:52.120 --> 0:37:54.040
<v Speaker 1>the whole thing. And I was like, well, of course

0:37:54.080 --> 0:37:55.680
<v Speaker 1>it's Fleetwood math, Like, of course they're going to do

0:37:55.719 --> 0:37:59.840
<v Speaker 1>something special. But the shot at the end, and like

0:38:00.360 --> 0:38:02.879
<v Speaker 1>the way Tim you know, got that really nice close

0:38:02.920 --> 0:38:04.520
<v Speaker 1>up of you, it was really great. It was really

0:38:04.520 --> 0:38:06.040
<v Speaker 1>really great. It's really well done.

0:38:06.320 --> 0:38:11.839
<v Speaker 2>It's also interesting because I feel like Ryan had a

0:38:11.880 --> 0:38:16.960
<v Speaker 2>really particular voice for Artie musically.

0:38:17.239 --> 0:38:19.600
<v Speaker 1>Totally, which totally think.

0:38:19.640 --> 0:38:22.400
<v Speaker 2>At the time, I found it frustrating because it was

0:38:22.440 --> 0:38:26.680
<v Speaker 2>so against like what Kevin would say right, or I'm

0:38:26.680 --> 0:38:33.960
<v Speaker 2>doing all these acoustic songs and yeah, and I don't

0:38:34.000 --> 0:38:38.480
<v Speaker 2>think I necessarily really appreciated that having any sort of

0:38:38.560 --> 0:38:42.160
<v Speaker 2>vision for anything for any of our characters was so special, right,

0:38:42.280 --> 0:38:45.640
<v Speaker 2>and so them having like this musical dialogue for Artie

0:38:46.280 --> 0:38:49.320
<v Speaker 2>even he's saying insane shit, I keep cussing.

0:38:49.360 --> 0:38:52.680
<v Speaker 1>Sorry, Yeah that makes sense.

0:38:52.760 --> 0:38:55.719
<v Speaker 2>Yeah, dancing with myself through me, this through me, and

0:38:56.239 --> 0:38:59.399
<v Speaker 2>there's more. There's Billy Joel, and there's so many other

0:39:00.000 --> 0:39:03.440
<v Speaker 2>acoustic versions that I ended up doing that I do find,

0:39:03.480 --> 0:39:04.840
<v Speaker 2>in hindsight really cool.

0:39:05.520 --> 0:39:08.480
<v Speaker 1>Did you find that did you feel pressure doing this

0:39:08.600 --> 0:39:10.920
<v Speaker 1>song because of Fleetwood and because of the album and

0:39:11.040 --> 0:39:11.400
<v Speaker 1>like that?

0:39:11.719 --> 0:39:15.400
<v Speaker 2>Yes? Oh yeah, I think especially because I didn't know

0:39:15.480 --> 0:39:17.960
<v Speaker 2>the song, I felt like an idiot. I felt like

0:39:18.040 --> 0:39:21.920
<v Speaker 2>such a like a fraud where I knew the singles

0:39:22.800 --> 0:39:25.040
<v Speaker 2>right and hear me probably saying, oh yeah, it's a

0:39:25.040 --> 0:39:28.560
<v Speaker 2>classic album and didn't actually know what I was talking about. Really,

0:39:30.040 --> 0:39:32.080
<v Speaker 2>I knew how many records that had sold. I didn't

0:39:32.120 --> 0:39:35.600
<v Speaker 2>know sure this is the actual songs.

0:39:36.800 --> 0:39:40.360
<v Speaker 1>Also, an adulation probably felt the pressure as well, like

0:39:40.400 --> 0:39:42.959
<v Speaker 1>our music producers probably felt the pressure because you were

0:39:44.040 --> 0:39:47.359
<v Speaker 1>covering such a coveted album.

0:39:48.480 --> 0:39:51.120
<v Speaker 2>And you knew make sure they were going to hear it.

0:39:51.680 --> 0:39:56.840
<v Speaker 1>Oh my god, that is terrifying. That's so terrifying. Songbird,

0:39:57.320 --> 0:40:03.120
<v Speaker 1>Oh oh god, I'm just gonna cry because I'm literally

0:40:03.239 --> 0:40:04.000
<v Speaker 1>said the word.

0:40:04.280 --> 0:40:08.440
<v Speaker 2>That vocal crack. My eyes.

0:40:09.360 --> 0:40:14.160
<v Speaker 1>I'm crying. It's it's I think Heather said it was

0:40:14.160 --> 0:40:16.120
<v Speaker 1>one of her favorite songs that Nya Ever sang, and

0:40:16.239 --> 0:40:20.400
<v Speaker 1>I I don't remember the songbir because I don't that

0:40:20.600 --> 0:40:25.520
<v Speaker 1>was like my never went back again song. And then

0:40:25.520 --> 0:40:30.000
<v Speaker 1>I watched it today and I was like, not, well, yeah,

0:40:30.120 --> 0:40:36.560
<v Speaker 1>not well, it's really good. It's like really good. Oh man,

0:40:36.760 --> 0:40:39.920
<v Speaker 1>her voice just crying a lot in this episode.

0:40:40.960 --> 0:40:47.720
<v Speaker 2>We're all over the place. I was trying. It started

0:40:47.760 --> 0:40:49.480
<v Speaker 2>and I was like, oh, I don't think I can engage,

0:40:50.560 --> 0:40:51.520
<v Speaker 2>and I like picked up.

0:40:51.480 --> 0:40:53.400
<v Speaker 1>My phone off yeah yeah yeah, And I was like, I.

0:40:53.400 --> 0:40:56.040
<v Speaker 2>Don't think I can do this today, I know. And

0:40:56.040 --> 0:40:58.399
<v Speaker 2>then it got to I don't you know what, let

0:40:58.440 --> 0:41:01.280
<v Speaker 2>me find it so I can fully referenced this properly.

0:41:02.080 --> 0:41:08.120
<v Speaker 2>It got to the vocal crack and I had to

0:41:08.120 --> 0:41:10.279
<v Speaker 2>put down my phone and I rewound it. I'm like,

0:41:10.360 --> 0:41:13.239
<v Speaker 2>you know what, I'm like, I gotta I have to

0:41:13.280 --> 0:41:17.279
<v Speaker 2>do this it deserves it. So if you go look

0:41:17.280 --> 0:41:23.360
<v Speaker 2>it up on YouTube, it's around fifty three seconds. Okay,

0:41:23.440 --> 0:41:27.239
<v Speaker 2>but Heather's fully crying. I mean that's Heather. That's like

0:41:27.400 --> 0:41:28.120
<v Speaker 2>not Brittany.

0:41:28.320 --> 0:41:31.680
<v Speaker 1>When I think when Heather says beautiful, I think that

0:41:31.719 --> 0:41:33.920
<v Speaker 1>I don't think that was written. I think that was

0:41:34.000 --> 0:41:34.719
<v Speaker 1>just her saying that.

0:41:34.920 --> 0:41:43.680
<v Speaker 2>Yeah, when Nya sings that, Nia was like such technically

0:41:43.719 --> 0:41:46.480
<v Speaker 2>a good singer. And then also when you add in

0:41:46.480 --> 0:41:49.719
<v Speaker 2>a song that is written this well and it's just

0:41:49.800 --> 0:41:58.000
<v Speaker 2>piano and raw, it's the most perfect presentation of vocals

0:41:58.000 --> 0:42:02.720
<v Speaker 2>and songwriting I think possible. And they left I also,

0:42:02.920 --> 0:42:05.680
<v Speaker 2>you know, sometimes in the rush to record vocals really

0:42:05.719 --> 0:42:10.960
<v Speaker 2>quickly to record pop sounding songs, that sometimes the songs

0:42:10.960 --> 0:42:15.160
<v Speaker 2>can be like overly refined, I think vocally right, and

0:42:16.160 --> 0:42:22.000
<v Speaker 2>there was nothing but Naya's vocal texture in this song.

0:42:22.320 --> 0:42:24.360
<v Speaker 2>And that one part I think gets me because of

0:42:24.400 --> 0:42:28.600
<v Speaker 2>that where it almost sounds like her voice is gonna

0:42:28.600 --> 0:42:32.759
<v Speaker 2>go out, but it doesn't, and it displays this like

0:42:32.960 --> 0:42:38.320
<v Speaker 2>crazy amount of emotion that she's portraying. It's so beautiful.

0:42:40.640 --> 0:42:43.560
<v Speaker 1>Yeah, it's pretty perfect, gotta say.

0:42:44.760 --> 0:42:48.239
<v Speaker 2>And it's there's nothing happening, She's just standing there I.

0:42:48.320 --> 0:42:51.120
<v Speaker 1>Know, but the vocals are just like.

0:42:52.440 --> 0:42:56.399
<v Speaker 2>But I also love that, you know, so often there's

0:42:56.440 --> 0:43:00.319
<v Speaker 2>things thrown in there. And sometimes she's not even really

0:43:00.400 --> 0:43:04.919
<v Speaker 2>necessarily putting on a show. She's not performing it. She's

0:43:05.040 --> 0:43:09.959
<v Speaker 2>just singing it right, and Brittany's watching it. And that's enough.

0:43:10.560 --> 0:43:16.959
<v Speaker 1>It's enough. It's too much, to be honest, it's too much.

0:43:19.239 --> 0:43:24.800
<v Speaker 1>H Well, I can't talk about a mutch it anymore. Okay,

0:43:25.040 --> 0:43:29.960
<v Speaker 1>So she wants so Brittany wants Santana to sing in

0:43:29.960 --> 0:43:31.520
<v Speaker 1>front of her, but she's like, why can't you just

0:43:31.520 --> 0:43:33.600
<v Speaker 1>be a little bit with it? And Santana is just

0:43:33.640 --> 0:43:36.640
<v Speaker 1>not ready. So Santana then goes to Jacob and Israel

0:43:36.840 --> 0:43:40.280
<v Speaker 1>and says, that hurt Krofsky, your soulmates, and it crushes

0:43:40.320 --> 0:43:48.400
<v Speaker 1>little Britney's heart. And and there we have pretty much rumors.

0:43:50.120 --> 0:43:52.600
<v Speaker 1>It's a it's a doozy, it's a big episode. A

0:43:52.680 --> 0:43:55.960
<v Speaker 1>lot happens, a lot of music. I will say, like

0:43:56.040 --> 0:43:59.040
<v Speaker 1>if they incorporated all of it really well, and like

0:43:59.120 --> 0:44:02.240
<v Speaker 1>the rumor mill and the whole thing around, the album

0:44:02.360 --> 0:44:03.400
<v Speaker 1>is very well done.

0:44:04.120 --> 0:44:08.120
<v Speaker 2>Seeing that too, it didn't nothing really felt so shoehorned

0:44:08.200 --> 0:44:13.040
<v Speaker 2>in right, It really did compliment everybody's stories, and I

0:44:13.080 --> 0:44:15.200
<v Speaker 2>think it probably brought out some stories that wouldn't have

0:44:15.200 --> 0:44:18.120
<v Speaker 2>happened otherwise that were really good and needed.

0:44:19.920 --> 0:44:21.360
<v Speaker 1>Well, should we use some tarty takes.

0:44:21.520 --> 0:44:23.120
<v Speaker 2>Let's do some tarty takes?

0:44:24.320 --> 0:44:25.759
<v Speaker 1>All right?

0:44:26.800 --> 0:44:28.400
<v Speaker 2>Auchi's Jenna cringe moments.

0:44:30.560 --> 0:44:35.880
<v Speaker 1>I mean, all the rumors, but Brittany asking him about

0:44:35.880 --> 0:44:40.200
<v Speaker 1>pannies was mister true about pannies was just not not

0:44:40.360 --> 0:44:40.600
<v Speaker 1>for me.

0:44:42.719 --> 0:44:45.960
<v Speaker 2>Yeah, I think I Yeah, I think I have to agree.

0:44:47.200 --> 0:44:51.319
<v Speaker 2>I think that's probably the one for me. Okay, best

0:44:51.400 --> 0:44:56.160
<v Speaker 2>dance move. There's not a lot to pick from. There's

0:44:56.200 --> 0:44:57.400
<v Speaker 2>only one dance in this episode.

0:44:57.440 --> 0:44:58.640
<v Speaker 1>I guess April and Will's left.

0:44:59.000 --> 0:45:02.520
<v Speaker 2>Yeah, that's when I started sweating. It was like, don't get.

0:45:06.840 --> 0:45:09.319
<v Speaker 1>Best song. I'm going with never going back.

0:45:09.719 --> 0:45:12.800
<v Speaker 2>Ooh brave, I'm going with songbird.

0:45:13.080 --> 0:45:20.000
<v Speaker 1>Great best performance by a promp Lord Tummington. Yeah.

0:45:20.040 --> 0:45:21.680
<v Speaker 2>Anything that happened in Fondie for two Yeah.

0:45:21.520 --> 0:45:28.040
<v Speaker 1>Great, best line when Santana's talking about how they're treating

0:45:28.040 --> 0:45:32.400
<v Speaker 1>her differently already because of the rumor, and she's they

0:45:32.480 --> 0:45:36.080
<v Speaker 1>asked me to traffic golf team. The delivery is is gold.

0:45:36.920 --> 0:45:40.439
<v Speaker 2>I Also one of my favorites has been se says

0:45:40.600 --> 0:45:42.120
<v Speaker 2>brought worst gobbler April Room.

0:45:43.000 --> 0:45:44.759
<v Speaker 1>You texted me that earlier too.

0:45:44.800 --> 0:45:47.520
<v Speaker 2>You're like, I I almost did a spittake. I had

0:45:47.520 --> 0:45:49.880
<v Speaker 2>to put down my water. I leaned over and was

0:45:49.920 --> 0:45:53.439
<v Speaker 2>crying in this house alone watching it. It was so

0:45:53.719 --> 0:45:56.120
<v Speaker 2>I was like, what did you just say? Oh my god,

0:45:56.280 --> 0:46:03.120
<v Speaker 2>brought worst gobbler. Brittany's that's yeah, Brittany's question also question one,

0:46:03.120 --> 0:46:05.000
<v Speaker 2>do you think The Aristocrats is an accurate portrayal of

0:46:05.000 --> 0:46:07.680
<v Speaker 2>a feline relationship? You know, just because we're doing this

0:46:07.719 --> 0:46:10.040
<v Speaker 2>interview doesn't mean I'm still not mad at you because

0:46:10.040 --> 0:46:11.280
<v Speaker 2>I know you start smoking again.

0:46:16.040 --> 0:46:19.920
<v Speaker 1>Really very funny, MVP. I'm going I'm giving it to Chord.

0:46:20.680 --> 0:46:22.560
<v Speaker 2>Chord totally giving it to Cordy.

0:46:22.960 --> 0:46:27.400
<v Speaker 1>Yeah, well you guys, thanks for hanging with us for

0:46:27.440 --> 0:46:30.000
<v Speaker 1>Freewood Mac Week. It was really fun.

0:46:30.360 --> 0:46:32.319
<v Speaker 2>N I know you hate TikTok, but it doesn't mean

0:46:32.320 --> 0:46:34.080
<v Speaker 2>we can't do shit. We can on TikTok.

0:46:33.760 --> 0:46:39.319
<v Speaker 1>Crap crap crap. I love TikTok. I mean, I know

0:46:39.360 --> 0:46:44.120
<v Speaker 1>I don't love TikTok. I like these tiktoks. Give it

0:46:44.120 --> 0:46:46.239
<v Speaker 1>to me, Kevin, I'm sorry, I'm sorry.

0:46:46.440 --> 0:46:54.520
<v Speaker 2>How dare you because Maddie M eleven on TikTok has

0:46:54.560 --> 0:47:02.480
<v Speaker 2>pointed out astute Lee that's the narrator and Barbie you

0:47:02.520 --> 0:47:08.759
<v Speaker 2>know that small movie that came out recently, and Becky's

0:47:08.960 --> 0:47:14.680
<v Speaker 2>inner monologue are both Dame Helen Muran the one and

0:47:14.719 --> 0:47:21.880
<v Speaker 2>Only and it's him realizing it, so saying Becky is

0:47:21.920 --> 0:47:30.799
<v Speaker 2>the narrator of Barbie. So if we believe that these

0:47:30.840 --> 0:47:36.680
<v Speaker 2>are part of the same cinematic universe, then yeah, I

0:47:36.760 --> 0:47:40.640
<v Speaker 2>loved it. Thank you, Maddie M. Thank you everyone for

0:47:40.880 --> 0:47:45.600
<v Speaker 2>tagging us and submitting us with these beautiful tiktoks. You

0:47:45.640 --> 0:47:47.800
<v Speaker 2>should go watch it. It's pretty funny.

0:47:49.040 --> 0:47:49.920
<v Speaker 1>Thanks for sharing.

0:47:51.160 --> 0:47:54.440
<v Speaker 2>And now that's what you really miss.

0:47:54.719 --> 0:47:58.280
<v Speaker 1>I'm sorry, Jenna, thanks for joining.

0:47:59.280 --> 0:48:02.200
<v Speaker 2>Wait next week, prom everyone could come back. It's a

0:48:02.239 --> 0:48:05.879
<v Speaker 2>lot of great music and don't want to miss it. No, no, no,

0:48:05.960 --> 0:48:08.520
<v Speaker 2>it's gonna be great. Oh I don't know what happened there. Okay,

0:48:08.560 --> 0:48:12.120
<v Speaker 2>see you next week. Thanks for listening and follow us

0:48:12.160 --> 0:48:14.839
<v Speaker 2>on Instagram at and that's what you really miss pod.

0:48:15.160 --> 0:48:17.000
<v Speaker 2>Make sure to write us a review and leave us

0:48:17.000 --> 0:48:18.520
<v Speaker 2>five stars. See you next time.