1 00:00:01,800 --> 00:00:04,479 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,519 --> 00:00:07,160 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,440 --> 00:00:11,959 Speaker 1: Welcome to And that's what you're reading in this podcast. 4 00:00:13,119 --> 00:00:24,360 Speaker 1: It is rumor time. I'm dead of Rumersgarden wrong rumor. Yeah, 5 00:00:24,440 --> 00:00:27,840 Speaker 1: so many rumors flying around, so many rumors like you 6 00:00:27,960 --> 00:00:28,920 Speaker 1: being on steroids. 7 00:00:29,840 --> 00:00:34,080 Speaker 2: Oh my god, what happened to you guys? What happened 8 00:00:34,120 --> 00:00:37,240 Speaker 2: to media literacy? Did it exist? 9 00:00:37,600 --> 00:00:39,599 Speaker 1: No, that's I was going to say, what happened? 10 00:00:40,960 --> 00:00:41,120 Speaker 3: Right? 11 00:00:41,159 --> 00:00:41,800 Speaker 2: It never was? 12 00:00:42,240 --> 00:00:47,320 Speaker 1: Never was? Okay, Welcome everybody, Welcome, Welcome, Welcome, Hi, Kevin, Hi, Jenna. 13 00:00:47,920 --> 00:00:54,440 Speaker 1: This is a fun episode because this is a special episode. 14 00:00:54,440 --> 00:00:57,480 Speaker 2: All one album, the first time we've done that. 15 00:00:58,320 --> 00:01:01,640 Speaker 1: It is a perfect album, you know. 16 00:01:02,720 --> 00:01:05,279 Speaker 2: Oh no, I have nothing bad to say about this album. 17 00:01:05,760 --> 00:01:12,800 Speaker 2: I am Christine McVie, who passed away fairly recently. I 18 00:01:12,840 --> 00:01:17,119 Speaker 2: didn't realize she wrote most of this album. And she's 19 00:01:17,120 --> 00:01:20,319 Speaker 2: sort of becoming like a George Harrison figure to me 20 00:01:21,360 --> 00:01:24,319 Speaker 2: that the older I get, I sort of gravitate towards 21 00:01:24,400 --> 00:01:30,520 Speaker 2: her songs and how because I was watching Naya sing 22 00:01:30,600 --> 00:01:34,720 Speaker 2: songbirds who wrote this? And it was her? And I 23 00:01:34,720 --> 00:01:39,679 Speaker 2: think we know Stevie Nicks and Lindsay Buckingham. But yeah, damn, 24 00:01:40,840 --> 00:01:45,679 Speaker 2: she could write the shit out of a song. Certainly. 25 00:01:46,600 --> 00:01:47,960 Speaker 2: She wrote five songs on this. 26 00:01:47,920 --> 00:01:52,360 Speaker 1: Album, Wow, which one she. 27 00:01:51,640 --> 00:01:55,080 Speaker 2: Wrote, Don't Stop? She wrote Songbird, She co wrote The 28 00:01:55,160 --> 00:02:00,760 Speaker 2: Chain with all of Fleetwood. She wrote you Make Love 29 00:02:00,800 --> 00:02:04,960 Speaker 2: and Fun and wrote oh Daddy, Wow, what's crazy is too? 30 00:02:05,040 --> 00:02:07,320 Speaker 2: I loved that sort of. One of the lessons in 31 00:02:07,360 --> 00:02:09,920 Speaker 2: this episode is that they were all cleved. Mack was 32 00:02:09,919 --> 00:02:13,280 Speaker 2: not getting along and they wrote sort of separately or 33 00:02:13,280 --> 00:02:15,320 Speaker 2: when they did come together, it was only about music 34 00:02:16,480 --> 00:02:19,959 Speaker 2: and a lot of these songs are just solo rights. 35 00:02:20,880 --> 00:02:21,200 Speaker 1: Wow. 36 00:02:21,280 --> 00:02:24,800 Speaker 2: There's only one song that has It's the Chain that 37 00:02:24,880 --> 00:02:28,480 Speaker 2: has everybody on it. Everything else was either Lindsey Buckingham, 38 00:02:28,480 --> 00:02:33,560 Speaker 2: Steve Nicks or Christine McVie by themselves. Yeah, they were writing, 39 00:02:33,639 --> 00:02:36,919 Speaker 2: They had a lot of feelings and they were writing 40 00:02:38,600 --> 00:02:42,480 Speaker 2: this how crazy. But love that. This is the first 41 00:02:43,400 --> 00:02:45,760 Speaker 2: you know all album episode that we did because it 42 00:02:45,800 --> 00:02:48,440 Speaker 2: deserves it. It's one of the best selling, if not 43 00:02:48,480 --> 00:02:49,799 Speaker 2: the best selling album of all time. 44 00:02:51,240 --> 00:02:56,000 Speaker 1: Geez yeah, I mean or that his hits is the best. 45 00:02:56,120 --> 00:02:56,520 Speaker 3: I don't know. 46 00:02:56,960 --> 00:02:57,720 Speaker 1: That's the Eagles? 47 00:02:57,800 --> 00:02:59,919 Speaker 2: Can you keep us now? As a kid, I was 48 00:03:00,080 --> 00:03:03,560 Speaker 2: obsessed with these sorts of charts and lists and what's 49 00:03:03,639 --> 00:03:07,600 Speaker 2: the best selling single and album? And still are still yes? 50 00:03:08,080 --> 00:03:12,000 Speaker 2: So Rumors aired on May thir twenty eleven. It was 51 00:03:12,000 --> 00:03:13,359 Speaker 2: season two episode nineteen. 52 00:03:13,720 --> 00:03:16,280 Speaker 1: Oh my god, my heart just started to flutter. 53 00:03:18,600 --> 00:03:20,960 Speaker 2: We were almost done with season two. 54 00:03:21,520 --> 00:03:25,919 Speaker 1: That's crazy, it really is, okay. The number one song 55 00:03:26,000 --> 00:03:30,720 Speaker 1: was et Still from by Katy Perry featuring I'm just 56 00:03:30,760 --> 00:03:36,040 Speaker 1: gonna say Katy Perry. The number one movie was Fast five. 57 00:03:37,280 --> 00:03:38,400 Speaker 1: Still haven't seen any of. 58 00:03:38,320 --> 00:03:42,520 Speaker 2: Those, that's crazy. They were already on five twenty eleven. 59 00:03:43,880 --> 00:03:47,600 Speaker 1: The tenth can seem fast and furious, any of them? 60 00:03:47,760 --> 00:03:51,360 Speaker 1: Because I really love these, like very simple action movies. 61 00:03:51,440 --> 00:03:54,960 Speaker 1: Not simple. Let me rephrase that. I really love these. 62 00:03:55,360 --> 00:04:02,680 Speaker 1: It's simple, these blockbuster action films, and so I just 63 00:04:02,760 --> 00:04:04,839 Speaker 1: I feel like there's too many, Like I don't even 64 00:04:04,840 --> 00:04:05,480 Speaker 1: know where to start. 65 00:04:06,760 --> 00:04:08,520 Speaker 2: I think you can just start anywhere. 66 00:04:08,880 --> 00:04:09,520 Speaker 1: I don't want to. 67 00:04:10,560 --> 00:04:13,240 Speaker 2: I've only seen the second one, Too Fast, too Furious, 68 00:04:13,240 --> 00:04:16,720 Speaker 2: and I say, and you can. That's good enough for me, okay. 69 00:04:18,480 --> 00:04:22,400 Speaker 1: Glee News This week. On May second, Diana, Lee and 70 00:04:22,480 --> 00:04:25,400 Speaker 1: Matt went to the met Gala for the first time 71 00:04:25,800 --> 00:04:29,920 Speaker 1: in New York City and the theme was McQueen, Savage, 72 00:04:30,120 --> 00:04:33,840 Speaker 1: Beauty Woo. 73 00:04:33,480 --> 00:04:36,560 Speaker 2: And on May fourth, the cast attended special screening Q 74 00:04:36,680 --> 00:04:40,200 Speaker 2: and a panel at the Television Academy at Paramount Studios. 75 00:04:41,600 --> 00:04:47,760 Speaker 1: Oh my goodness, I only remembered these events based on 76 00:04:47,800 --> 00:04:50,440 Speaker 1: what I was wearing because there were so many of them. 77 00:04:50,520 --> 00:04:54,000 Speaker 1: So if I see a picture this one, okay, okay, 78 00:04:54,000 --> 00:04:56,680 Speaker 1: So I was wearing like a like an orange dress. 79 00:04:58,640 --> 00:05:01,280 Speaker 1: I think we were coming off of So. I think 80 00:05:01,320 --> 00:05:03,600 Speaker 1: we had all been working all day and then just 81 00:05:03,720 --> 00:05:07,320 Speaker 1: changed into our outfits from one. 82 00:05:07,400 --> 00:05:08,320 Speaker 2: Yes, that sounds right. 83 00:05:08,240 --> 00:05:10,440 Speaker 1: In our trailers because we all are very tired. 84 00:05:10,120 --> 00:05:10,280 Speaker 3: And. 85 00:05:12,480 --> 00:05:16,080 Speaker 1: Didn't We always look tired, some days more tired than others, 86 00:05:16,120 --> 00:05:21,080 Speaker 1: but we were still young. So this episode, as Kevin said, 87 00:05:21,200 --> 00:05:25,839 Speaker 1: is the first episode that is centered around an album, 88 00:05:25,920 --> 00:05:30,240 Speaker 1: a singular album, and it was directed by Tim Hunter, 89 00:05:30,800 --> 00:05:33,600 Speaker 1: who I think this is his one and only if 90 00:05:33,640 --> 00:05:39,799 Speaker 1: I'm sweet Hunter christ and CHOHn was back as abral Roads. 91 00:05:39,800 --> 00:05:45,039 Speaker 1: She's back and tell me about. 92 00:05:44,480 --> 00:05:50,159 Speaker 3: The songs in this episode Kevin Wow, stacked dreams, never 93 00:05:50,200 --> 00:05:53,359 Speaker 3: going back again, Songbird, I don't want to know, go 94 00:05:53,480 --> 00:05:55,480 Speaker 3: your own way, don't stop. 95 00:05:56,120 --> 00:05:58,039 Speaker 2: Then there's a little aast risk, you know, nice to 96 00:05:58,040 --> 00:06:00,680 Speaker 2: meet you have I Slept with You now, which is 97 00:06:00,720 --> 00:06:02,040 Speaker 2: not part of Rumors. 98 00:06:02,360 --> 00:06:04,160 Speaker 1: It's very funny though it is. 99 00:06:04,400 --> 00:06:07,279 Speaker 2: And then an honorable mention shout out to the chain 100 00:06:07,360 --> 00:06:10,560 Speaker 2: that's playing in the background throughout a lot of the episode. 101 00:06:11,400 --> 00:06:12,000 Speaker 2: I love that. 102 00:06:12,160 --> 00:06:13,040 Speaker 1: Yeah, I love that too. 103 00:06:13,360 --> 00:06:15,719 Speaker 2: There's some great fun facts as well. 104 00:06:15,920 --> 00:06:17,080 Speaker 1: Okay, tell me some. 105 00:06:18,360 --> 00:06:22,119 Speaker 2: Fleetwood Macs album Rumors re entered the Billboard two hundred 106 00:06:22,160 --> 00:06:24,880 Speaker 2: chart at number eleven the week after this episode air. 107 00:06:25,240 --> 00:06:26,960 Speaker 1: I mean, look, we can take a little bit of 108 00:06:26,960 --> 00:06:29,719 Speaker 1: credit for that, but also like it stands on it. 109 00:06:30,200 --> 00:06:32,760 Speaker 2: Oh yeah, and I think it has just gotten better 110 00:06:32,800 --> 00:06:36,120 Speaker 2: with age too, totally. It's just become cooler and cooler. 111 00:06:37,240 --> 00:06:40,920 Speaker 1: We listened to it all the time now and has 112 00:06:40,960 --> 00:06:44,000 Speaker 1: heard it quite a few times. What else happened? What 113 00:06:44,560 --> 00:06:45,400 Speaker 1: other fun facts? 114 00:06:45,560 --> 00:06:48,960 Speaker 2: At Paileyfest, Ryan Murphy revealed Stevien Next visiting the set 115 00:06:49,880 --> 00:06:53,359 Speaker 2: for Landside inspired them to choose Rumors as their single 116 00:06:53,360 --> 00:06:56,080 Speaker 2: album tribute episode. That was a quick turnaround. You see 117 00:06:56,080 --> 00:06:58,120 Speaker 2: how quickly they have to come up with these things. 118 00:06:58,120 --> 00:06:59,880 Speaker 2: In the turnaround, we just did land Signs. 119 00:07:00,560 --> 00:07:02,920 Speaker 1: Yeah, that's right, that's right. 120 00:07:03,320 --> 00:07:05,119 Speaker 2: Ryan said. We can get Stevie NICKX on the phone 121 00:07:05,120 --> 00:07:06,960 Speaker 2: now and we can get Lindsay Buckingham who has kids, 122 00:07:07,000 --> 00:07:08,920 Speaker 2: who's like, oh my god, I'd love that. So twelve 123 00:07:08,920 --> 00:07:10,520 Speaker 2: hours later, you get the rights to rumors. 124 00:07:10,680 --> 00:07:14,400 Speaker 1: Oh crazy, I've just got chills. Twelve hours you get 125 00:07:14,400 --> 00:07:14,920 Speaker 1: the rights to. 126 00:07:14,920 --> 00:07:21,880 Speaker 2: Room like what Stevie Nicks on Speed Dial. Okay, so 127 00:07:23,040 --> 00:07:26,600 Speaker 2: apparent Remember we asked about Fondu for two. Yes, where 128 00:07:26,600 --> 00:07:30,520 Speaker 2: it came from? Yes, So apparently it did come from 129 00:07:30,960 --> 00:07:34,280 Speaker 2: a Glee van Teresa, who went to the tour in 130 00:07:34,280 --> 00:07:37,880 Speaker 2: twenty ten and had a letter delivered to Corey that 131 00:07:37,920 --> 00:07:40,240 Speaker 2: mentioned she was writing from an internet program, a YouTube 132 00:07:40,240 --> 00:07:44,240 Speaker 2: show called Fondu for two. Heather admitted the idea came 133 00:07:44,240 --> 00:07:45,880 Speaker 2: from a letter in the show later, since Teresa an 134 00:07:45,880 --> 00:07:49,400 Speaker 2: autograph copy of the script, an autograph cast picture, and thanks. 135 00:07:49,800 --> 00:07:50,880 Speaker 1: Wow. 136 00:07:51,240 --> 00:07:52,200 Speaker 2: I did not know that. 137 00:07:52,480 --> 00:07:55,560 Speaker 1: I don't think I knew that either. Wow. You know what? 138 00:07:55,600 --> 00:07:57,440 Speaker 1: I vaguely remember this, Yes. 139 00:07:57,400 --> 00:07:59,400 Speaker 2: I did, Ron Burgundy. I'm just reading things. 140 00:07:59,280 --> 00:08:03,760 Speaker 1: I know I remember this. Yes, yes, yes, okay, Oh 141 00:08:03,800 --> 00:08:08,440 Speaker 1: my gosh, this is that's really funny because it's it's 142 00:08:08,560 --> 00:08:10,880 Speaker 1: it is. One of my favorite things about the show 143 00:08:12,520 --> 00:08:13,760 Speaker 1: is Fondue for two. 144 00:08:15,840 --> 00:08:20,400 Speaker 2: I enjoyed Fondue for two now a lot you didn't. 145 00:08:20,160 --> 00:08:22,640 Speaker 1: Like Fondu for two back in the day. 146 00:08:22,920 --> 00:08:26,280 Speaker 2: No, I I was confused by it. 147 00:08:26,520 --> 00:08:27,280 Speaker 1: Yeah, that's fair. 148 00:08:27,640 --> 00:08:29,600 Speaker 2: I was very confused by it. Now they didn't like it. 149 00:08:29,600 --> 00:08:32,280 Speaker 2: I was like, is this the same show? Well, but 150 00:08:32,320 --> 00:08:35,360 Speaker 2: I don't know why. That's what we do so much 151 00:08:35,440 --> 00:08:36,600 Speaker 2: crazy shit? Why was that? 152 00:08:36,640 --> 00:08:38,840 Speaker 1: The thing was like, hmmm, I kind of agree with you. 153 00:08:38,920 --> 00:08:43,360 Speaker 1: It felt dated, Like the way it was shot felt 154 00:08:43,400 --> 00:08:46,760 Speaker 1: like a seventies like or eight like I don't know, 155 00:08:46,840 --> 00:08:50,240 Speaker 1: eighties like Nickelodeon show like There's six Plains at All 156 00:08:50,320 --> 00:08:52,400 Speaker 1: or something like that. I don't know. It just felt 157 00:08:52,440 --> 00:08:56,680 Speaker 1: different than what we were doing. And like the style 158 00:08:56,760 --> 00:08:59,360 Speaker 1: and the quality of the way it was shot. I 159 00:08:59,360 --> 00:09:04,560 Speaker 1: think also visually changed my way of seeing it. And 160 00:09:04,600 --> 00:09:09,120 Speaker 1: you're right, I enjoy it much more now. But it's 161 00:09:09,160 --> 00:09:10,800 Speaker 1: so funny. It was so funny. 162 00:09:11,280 --> 00:09:13,080 Speaker 2: I do have to say, though, to your note about 163 00:09:13,160 --> 00:09:17,320 Speaker 2: how it was filmed, I feel like Tim Hunter filmed 164 00:09:17,320 --> 00:09:24,360 Speaker 2: this very sematically. Cinematically. It felt more like a little movie. 165 00:09:24,559 --> 00:09:26,120 Speaker 2: It didn't feel so TV to me. 166 00:09:27,360 --> 00:09:30,439 Speaker 1: Yeah. I had a lot of very Yeah, no, you're 167 00:09:30,720 --> 00:09:33,400 Speaker 1: You're totally right, and there are really a lot of 168 00:09:33,400 --> 00:09:38,840 Speaker 1: beautiful shots. So Jenna, what happens in this episode. Okay, 169 00:09:39,320 --> 00:09:43,160 Speaker 1: break it down for it, break it down. Okay, So 170 00:09:43,200 --> 00:09:50,640 Speaker 1: Sue Sue. 171 00:09:49,200 --> 00:09:51,720 Speaker 2: I'm sorry. I couldn't say cinematic and you didn't say anything, 172 00:09:51,720 --> 00:09:52,679 Speaker 2: and you mess up one word. 173 00:09:54,520 --> 00:09:58,480 Speaker 1: There's this blooper from Glee that I sue Sue has 174 00:09:58,559 --> 00:10:01,520 Speaker 1: school spirit or something like that, and it reminded me 175 00:10:01,559 --> 00:10:03,439 Speaker 1: of that. It brought me back to my lips started 176 00:10:03,480 --> 00:10:04,520 Speaker 1: to get all tangled. 177 00:10:05,160 --> 00:10:07,880 Speaker 2: So soon I thought bloopers didn't exist. 178 00:10:08,160 --> 00:10:17,719 Speaker 1: No, no, there doesn't exist. Sense, I'm friends with a 179 00:10:17,720 --> 00:10:19,280 Speaker 1: lot of people who worked in the editing room. 180 00:10:19,320 --> 00:10:26,000 Speaker 2: Okay, I caught you. Jenna's got something in the fault. 181 00:10:26,040 --> 00:10:31,160 Speaker 2: I feel this is she's covering her face. Now, Jenna, 182 00:10:31,280 --> 00:10:35,360 Speaker 2: do you have bloopers? You're gonna get hacked so quickly. 183 00:10:36,040 --> 00:10:46,079 Speaker 1: Then don't don't bring it. I'm crying. 184 00:10:47,720 --> 00:10:54,720 Speaker 2: Wow. Okay, hmm, don't worry. I'm gonna have anymore. 185 00:10:54,920 --> 00:10:55,920 Speaker 1: You're gonna dig out with me. 186 00:10:57,679 --> 00:11:07,720 Speaker 2: I'm coming over suits. Jen is actually crying. Okay. 187 00:11:09,240 --> 00:11:15,760 Speaker 1: So Sue revives the Muckraker, which is the school newspaper. 188 00:11:16,800 --> 00:11:22,199 Speaker 1: It's very trumpy and the way that this is all approached. Okay, 189 00:11:22,240 --> 00:11:28,840 Speaker 1: So Sue decides to print a few inflammatory blind items, 190 00:11:29,040 --> 00:11:34,200 Speaker 1: very anonymous, very gossipy, very page six ish. The Glee 191 00:11:34,280 --> 00:11:38,480 Speaker 1: club gains a new respect for Sam when they discover 192 00:11:38,600 --> 00:11:41,559 Speaker 1: this big secret at the end of the episode about 193 00:11:41,600 --> 00:11:46,240 Speaker 1: his life. And meanwhile, I Were Roads returns to Lama 194 00:11:46,280 --> 00:11:49,680 Speaker 1: and tries to convince Will to hit the road with 195 00:11:49,760 --> 00:11:55,280 Speaker 1: her a Broadway and leave McKinley behind. All while these 196 00:11:55,400 --> 00:11:58,439 Speaker 1: rumors are being thread and intertwined throughout the. 197 00:11:58,360 --> 00:12:01,440 Speaker 2: Episode what if Trump She's a really big Glee fan? 198 00:12:02,600 --> 00:12:10,000 Speaker 1: Gross and then Stopian universe Kevin. Whatever Sue does, I 199 00:12:10,000 --> 00:12:12,920 Speaker 1: can do better? Whatever? 200 00:12:16,280 --> 00:12:20,120 Speaker 2: So okay, rumors tidally episode how do we get into rumors? 201 00:12:20,160 --> 00:12:23,360 Speaker 2: Sue brings back to the school newspaper to stop the glee 202 00:12:23,360 --> 00:12:30,040 Speaker 2: club with the help of Terry. She's back April Unknowingly. 203 00:12:32,280 --> 00:12:35,400 Speaker 2: This scene at the line of Bean where Sue stresses 204 00:12:35,480 --> 00:12:40,600 Speaker 2: David Bowie and then very quickly is Anne Colter is 205 00:12:40,640 --> 00:12:41,640 Speaker 2: one of the wildest. 206 00:12:42,720 --> 00:12:44,520 Speaker 1: It's getting really wild now. 207 00:12:44,760 --> 00:12:47,320 Speaker 2: And I love this is her being incognito. 208 00:12:47,520 --> 00:12:49,040 Speaker 1: And asking her moke up powder. 209 00:12:49,160 --> 00:12:51,360 Speaker 2: By the way, since Terry Shooter has gotten a divorce, 210 00:12:51,440 --> 00:12:55,520 Speaker 2: her face beats. This is looking great. 211 00:12:55,559 --> 00:12:58,679 Speaker 1: She's painted, She's single and fancy free Okay. 212 00:12:58,640 --> 00:13:02,080 Speaker 2: Yeah, she wants her apartment back. I don't know how 213 00:13:02,080 --> 00:13:05,200 Speaker 2: she's going to get that back, but I don't either. 214 00:13:05,679 --> 00:13:09,480 Speaker 1: But Terry has an idea that she's going to get 215 00:13:10,400 --> 00:13:12,600 Speaker 1: They should get Will out of the glee club instead 216 00:13:12,600 --> 00:13:16,920 Speaker 1: of destroying him from the inside. And Sue has this. 217 00:13:18,000 --> 00:13:20,920 Speaker 1: He's talking about the Muckbreaker, and she's saying that she's 218 00:13:20,960 --> 00:13:24,560 Speaker 1: no longer concerned with facts fact checking in the integrity 219 00:13:24,600 --> 00:13:28,000 Speaker 1: effects the muckreaker motto if I heard it's probably true 220 00:13:28,040 --> 00:13:36,400 Speaker 1: or something sounds familiar. And the newspaper causes chaos because 221 00:13:37,040 --> 00:13:41,440 Speaker 1: there are some items about it reminds me of like 222 00:13:41,520 --> 00:13:44,040 Speaker 1: Do moy in our day and age of like the 223 00:13:44,120 --> 00:13:48,520 Speaker 1: Secret Keeper, Oh totally, or the Gossip Tellers. And this 224 00:13:48,559 --> 00:13:51,000 Speaker 1: is about Quinn Sam having a secret affair because they're 225 00:13:51,040 --> 00:13:54,320 Speaker 1: meeting up at a motel and about Santana playing for 226 00:13:54,360 --> 00:13:57,840 Speaker 1: the other team, and it causes k chaos within Lukely Club. 227 00:14:00,080 --> 00:14:03,920 Speaker 1: And then Will tells April when she returns because she 228 00:14:03,960 --> 00:14:09,560 Speaker 1: needs to borrow her auditorium that this all sounds like 229 00:14:10,600 --> 00:14:16,760 Speaker 1: Fleetwood Mac. So this inspires Will's lesson which I'm I'm 230 00:14:16,800 --> 00:14:23,520 Speaker 1: noticing a trend, a pattern of Will feeling inspired on 231 00:14:23,720 --> 00:14:30,600 Speaker 1: the day, So Will's inspired by the Rumors album Fleetwood 232 00:14:30,640 --> 00:14:35,040 Speaker 1: Max Rumors album. That that's gonna be the lesson plan 233 00:14:35,120 --> 00:14:35,520 Speaker 1: for the week. 234 00:14:36,560 --> 00:14:39,520 Speaker 2: I mean it's very also Stevie Nick's being on set 235 00:14:39,600 --> 00:14:42,120 Speaker 2: and Ryan being inspired to the Rumors episode. 236 00:14:42,320 --> 00:14:42,760 Speaker 1: Correct. 237 00:14:45,040 --> 00:14:49,920 Speaker 2: I do think it's wild that Brittany just outed. I mean, 238 00:14:50,120 --> 00:14:53,120 Speaker 2: giving her the benefit of the doubt. Yes, Brittany does 239 00:14:53,280 --> 00:14:57,120 Speaker 2: some questionable things, but she doesn't no better. But her 240 00:14:57,160 --> 00:15:02,280 Speaker 2: outing her on Fondu for two was pretty wild. How 241 00:15:02,360 --> 00:15:06,320 Speaker 2: is it filming Fondue for two? Okay, you're looking into 242 00:15:06,320 --> 00:15:06,760 Speaker 2: the camera. 243 00:15:09,000 --> 00:15:11,880 Speaker 1: It was really fun. It was really fun, really really 244 00:15:11,960 --> 00:15:14,160 Speaker 1: fun to do amber with the fund with the fondue 245 00:15:14,240 --> 00:15:15,800 Speaker 1: being really hot, was really funny. 246 00:15:17,560 --> 00:15:19,640 Speaker 2: I felt very real it was. 247 00:15:19,720 --> 00:15:26,800 Speaker 1: There was all like very off the cuff, very ridiculous. Gosh, 248 00:15:26,800 --> 00:15:32,280 Speaker 1: this is so funny. Lord Tubbington I think he was 249 00:15:32,320 --> 00:15:34,960 Speaker 1: in this one. I think it was this one. Maybe 250 00:15:34,960 --> 00:15:36,880 Speaker 1: we come do we come back for Fundu for two? 251 00:15:37,160 --> 00:15:39,280 Speaker 2: Yes, there's a lot more fun Okay, no, but I mean, 252 00:15:39,320 --> 00:15:40,920 Speaker 2: does teena come back funny? 253 00:15:41,160 --> 00:15:45,400 Speaker 1: Probably because in my memory and I think it was 254 00:15:45,440 --> 00:15:51,400 Speaker 1: this one, Lord Tummington would not stay still and Lord 255 00:15:51,440 --> 00:15:55,840 Speaker 1: Tubbington kept running out of the room. Yeah, and so 256 00:15:55,880 --> 00:15:58,680 Speaker 1: we had to keep doing it because Lord Tummington wouldn't 257 00:15:58,720 --> 00:15:59,320 Speaker 1: do his job. 258 00:16:00,000 --> 00:16:01,600 Speaker 2: Remember you guys telling us about. 259 00:16:01,480 --> 00:16:04,440 Speaker 1: I wouldn't hit his mark. But sweet Lord Tuvington, I 260 00:16:04,480 --> 00:16:07,480 Speaker 1: don't remember the cat's real name. It's a cat. It's 261 00:16:07,520 --> 00:16:11,640 Speaker 1: not even a dog that's like really trainable. It's a cat. 262 00:16:12,160 --> 00:16:14,800 Speaker 1: And Lord Tumington did not want to be on set 263 00:16:14,840 --> 00:16:20,440 Speaker 1: that day, so kitty cat get running away. But we 264 00:16:20,480 --> 00:16:23,160 Speaker 1: love Lord Tomington, Lord Timings. It's my favorite. 265 00:16:24,480 --> 00:16:25,600 Speaker 2: You guys were hilarious. 266 00:16:26,760 --> 00:16:30,520 Speaker 1: It's very funny. It's it's very it feels very us if. 267 00:16:30,640 --> 00:16:35,000 Speaker 1: It also feels like very like uh blaming on the alcohol. 268 00:16:35,080 --> 00:16:40,440 Speaker 1: Me and Amber laughing drunkenly, like fake acting drunkenly together. 269 00:16:40,560 --> 00:16:42,240 Speaker 2: You guys on a new set, a new setup, and 270 00:16:42,800 --> 00:16:43,240 Speaker 2: love it. 271 00:16:43,560 --> 00:16:48,360 Speaker 1: We love it anyway. I'm glad that it opened the episode. 272 00:16:48,800 --> 00:16:50,760 Speaker 1: Oh no, not did it open up? No no, no, it 273 00:16:50,760 --> 00:16:53,800 Speaker 1: didn't open the episode. It felt like it opened. 274 00:16:54,440 --> 00:16:56,760 Speaker 2: I do get why people also wanted like a spin 275 00:16:56,800 --> 00:16:59,800 Speaker 2: off of this. Oh it did open the episode. 276 00:16:59,520 --> 00:17:01,920 Speaker 1: Right, Okay, I'm not crazy, Okay. 277 00:17:02,360 --> 00:17:06,480 Speaker 2: But that's not why. 278 00:17:04,480 --> 00:17:13,720 Speaker 1: Okay, because I have Bluebirds anyways, saying oh, yes, spin off, 279 00:17:13,760 --> 00:17:15,480 Speaker 1: I get it now, Yes, definitely. 280 00:17:15,640 --> 00:17:18,920 Speaker 2: I wanted to see more of it. I wanted Brittany's 281 00:17:19,000 --> 00:17:20,360 Speaker 2: take on everything. 282 00:17:22,920 --> 00:17:24,600 Speaker 1: Like the Biggest Gossips. 283 00:17:26,720 --> 00:17:30,960 Speaker 2: I think that also would be a funny hm hmmm 284 00:17:31,440 --> 00:17:33,280 Speaker 2: mm hmm, it's just as funny. 285 00:17:34,160 --> 00:17:34,960 Speaker 1: Huh. 286 00:17:38,520 --> 00:17:44,520 Speaker 2: So Jenna and I have the zoomis. 287 00:17:45,400 --> 00:17:48,800 Speaker 1: Who's saying it today? Okay, okay, I'm crying and I 288 00:17:48,840 --> 00:17:54,639 Speaker 1: don't know why, guys strike, I'm still crying from Kevin 289 00:17:54,640 --> 00:18:02,240 Speaker 1: outing me. All right, So then Brittany is Brittany gets 290 00:18:02,880 --> 00:18:13,680 Speaker 1: used by Sue Faster to try and get answers for 291 00:18:13,920 --> 00:18:14,840 Speaker 1: Girls Are Inspired. 292 00:18:15,040 --> 00:18:16,160 Speaker 2: She seems very into it. 293 00:18:16,400 --> 00:18:22,040 Speaker 1: Yeah yeah, yeah, gossip for the newspaper for mister Shue. 294 00:18:22,119 --> 00:18:24,119 Speaker 1: And it's trying. She's trying to be salacious but she 295 00:18:24,119 --> 00:18:28,320 Speaker 1: doesn't even realize it. But she's also trying to plant 296 00:18:28,320 --> 00:18:30,560 Speaker 1: the seed in Will's head that he wants to go 297 00:18:30,560 --> 00:18:31,840 Speaker 1: to the Broadway. 298 00:18:32,840 --> 00:18:35,560 Speaker 2: I love that it took to question three for Will 299 00:18:35,640 --> 00:18:37,439 Speaker 2: to say this is inappropriate it. 300 00:18:42,119 --> 00:18:46,480 Speaker 1: But but hew, there's some delivery on like we'll see 301 00:18:46,560 --> 00:18:59,400 Speaker 1: some coach Susan, I can say anything, right, let's talk 302 00:18:59,400 --> 00:18:59,960 Speaker 1: about Will. 303 00:18:59,840 --> 00:19:03,200 Speaker 2: And in April don't you just love when you see 304 00:19:03,200 --> 00:19:04,560 Speaker 2: that face come on to the screen? 305 00:19:04,880 --> 00:19:08,280 Speaker 1: What a joy? I really wish we had more April 306 00:19:08,320 --> 00:19:09,399 Speaker 1: Roads in the whole series. 307 00:19:10,080 --> 00:19:10,480 Speaker 2: Me too. 308 00:19:10,840 --> 00:19:13,320 Speaker 1: It feels like she's always there, it does. 309 00:19:14,760 --> 00:19:16,240 Speaker 2: Is that just because she meant a lot to ask 310 00:19:16,280 --> 00:19:16,840 Speaker 2: off screen? 311 00:19:17,160 --> 00:19:19,440 Speaker 1: Yeah? Probably the first guest star. 312 00:19:20,000 --> 00:19:21,160 Speaker 2: How good is Dreams? Though? 313 00:19:22,400 --> 00:19:27,120 Speaker 1: It's so good? It's so good, it's so good? Can 314 00:19:27,320 --> 00:19:29,240 Speaker 1: they just sing the whole Rumors album? 315 00:19:29,440 --> 00:19:33,320 Speaker 2: I know they're so good? I this fun tract. This 316 00:19:33,400 --> 00:19:36,000 Speaker 2: was the second single off the album. In real life, 317 00:19:36,080 --> 00:19:36,480 Speaker 2: you hear. 318 00:19:36,440 --> 00:19:38,160 Speaker 1: This and you're like, oh, this was like number one 319 00:19:38,160 --> 00:19:41,800 Speaker 1: on my cocktail list, like a playlist for uh my wife. 320 00:19:42,359 --> 00:19:43,960 Speaker 2: This is one of those songs that also has just 321 00:19:43,960 --> 00:19:47,920 Speaker 2: gotten bigger with time. Mm hmmm, where like this wasn't 322 00:19:47,960 --> 00:19:51,480 Speaker 2: something we were listening to in high school, but high 323 00:19:51,480 --> 00:19:53,520 Speaker 2: school students now know this song? 324 00:19:53,680 --> 00:19:58,199 Speaker 1: Yeah yeah. And then April decides that she's going to 325 00:19:58,560 --> 00:20:00,840 Speaker 1: well when her all white Products of the Wiz didn't 326 00:20:00,880 --> 00:20:07,520 Speaker 1: work out shocking huzzah. She she decides she's going to 327 00:20:07,560 --> 00:20:10,880 Speaker 1: write her own musical based on her real feelings, and 328 00:20:11,040 --> 00:20:14,239 Speaker 1: Will is kind of helping guide that, and they end 329 00:20:14,359 --> 00:20:19,040 Speaker 1: up performing this wild number nice to meet you. Have 330 00:20:19,160 --> 00:20:22,040 Speaker 1: I slept with you? This reminds me of like my headband, 331 00:20:22,119 --> 00:20:24,959 Speaker 1: where like she can't quite find her her groove, her 332 00:20:25,000 --> 00:20:30,000 Speaker 1: songwriting groove. But the number is beautifully sung. I don't 333 00:20:30,040 --> 00:20:32,200 Speaker 1: care what the word said. I could listen to christ 334 00:20:32,240 --> 00:20:33,199 Speaker 1: and Channhalth all day and. 335 00:20:33,240 --> 00:20:35,080 Speaker 2: There's a full orchestra on stage. 336 00:20:35,480 --> 00:20:38,400 Speaker 1: They have beautiful It felt like we were watching like 337 00:20:38,400 --> 00:20:41,359 Speaker 1: like them at the Boston you know, Pops or Yes. 338 00:20:43,240 --> 00:20:45,280 Speaker 2: Emma walks in and I was like, oh no, please, guys, 339 00:20:45,280 --> 00:20:48,280 Speaker 2: don't kiss, don't make something. Luckily that didn't happen. 340 00:20:48,480 --> 00:20:49,080 Speaker 3: It didn't. 341 00:20:49,560 --> 00:20:53,680 Speaker 1: But Emma Will then encouraged Will to actually follow his dreams. 342 00:20:54,880 --> 00:20:59,600 Speaker 2: Dreams, and she's taken her medicine and didn't individually wipe 343 00:20:59,640 --> 00:21:03,560 Speaker 2: off each great so she's making strides. She is making strides. 344 00:21:04,480 --> 00:21:07,399 Speaker 2: Can we just talk about the little girls Kiky and 345 00:21:07,600 --> 00:21:09,080 Speaker 2: April and Sue and Terror having. 346 00:21:11,480 --> 00:21:14,560 Speaker 1: I feel like this was also around the time where 347 00:21:14,560 --> 00:21:16,600 Speaker 1: in La it became like really cool to eat your 348 00:21:16,600 --> 00:21:20,800 Speaker 1: placenta after you give birth, and that's probably where the 349 00:21:20,800 --> 00:21:21,480 Speaker 1: writers got that. 350 00:21:22,040 --> 00:21:24,480 Speaker 2: Absolutely I did. 351 00:21:24,320 --> 00:21:29,480 Speaker 1: Eat my placenta, by the way, Okay, I love that 352 00:21:29,560 --> 00:21:32,200 Speaker 1: for you. The Kiki is funny. You just don't see 353 00:21:32,200 --> 00:21:36,399 Speaker 1: those women in a room together ever. But that's you know, 354 00:21:36,600 --> 00:21:41,399 Speaker 1: I'm a sucker for mixing up the groups always. But 355 00:21:41,600 --> 00:21:46,000 Speaker 1: the rumor mel works and April's like, wait, well that's 356 00:21:46,000 --> 00:21:47,160 Speaker 1: not true. This isn't gonna happen. 357 00:21:47,200 --> 00:21:48,840 Speaker 2: It's like, well, we'll just put it out there and 358 00:21:48,880 --> 00:21:52,040 Speaker 2: then it will. So the Glee Club sees it and 359 00:21:52,119 --> 00:21:54,280 Speaker 2: sees that Will is leaving with April to help over 360 00:21:54,280 --> 00:21:57,600 Speaker 2: with the show. But he says he has a lot 361 00:21:57,600 --> 00:21:59,600 Speaker 2: of dreams and one of them is getting the Glee 362 00:21:59,600 --> 00:22:05,480 Speaker 2: Club to Nationals. After he has that emotional opening with 363 00:22:05,680 --> 00:22:09,760 Speaker 2: Emma where he starts to sort of cry in the 364 00:22:09,800 --> 00:22:10,600 Speaker 2: teacher's lounge. 365 00:22:10,960 --> 00:22:12,920 Speaker 1: That also reminded me of the Pilot a little bit. 366 00:22:13,320 --> 00:22:16,359 Speaker 2: Yeah, it was sweet. I think it's sweet. 367 00:22:16,880 --> 00:22:21,000 Speaker 1: It's sweet, okay. And then and then we've got a 368 00:22:21,000 --> 00:22:27,280 Speaker 1: couple of other things going on within the Muckraker rumor mill. 369 00:22:30,320 --> 00:22:34,719 Speaker 1: Sam and Quinn are apparently having an affair according to 370 00:22:35,480 --> 00:22:39,320 Speaker 1: the muckraker, and Finn, who's dating Quit at the time, 371 00:22:40,720 --> 00:22:45,120 Speaker 1: and so Rachel and Finn to a stake out at 372 00:22:45,119 --> 00:22:53,000 Speaker 1: the motel outside the motel taking photos and Finn is 373 00:22:53,119 --> 00:22:58,280 Speaker 1: sure that they're having an affair, but they discover that 374 00:22:58,480 --> 00:23:02,640 Speaker 1: Kurt is walking out of the hotel with Sam bisexual representation. 375 00:23:04,200 --> 00:23:07,720 Speaker 1: I'm kidding, and people they are now think Rachel is 376 00:23:07,760 --> 00:23:13,000 Speaker 1: thinking he's cheating. I'm blame. So it's all these cheaters. 377 00:23:13,359 --> 00:23:17,640 Speaker 2: Everybody's cheating, everybody's rumoring. I also liked this. This was fun, 378 00:23:17,800 --> 00:23:20,480 Speaker 2: inappropriate for the kids to be doing this, but also 379 00:23:20,520 --> 00:23:23,920 Speaker 2: something kids would do. This is also at the same time, 380 00:23:24,600 --> 00:23:27,080 Speaker 2: Jbi is taking pictures of Rachel and Finn together, taking 381 00:23:27,080 --> 00:23:29,919 Speaker 2: pictures of Kurt and Sam together. 382 00:23:31,400 --> 00:23:32,720 Speaker 1: You just think that's inappropriate. 383 00:23:33,920 --> 00:23:39,040 Speaker 2: Well, yeah, like sort of stalking someone like that is inappropriate, 384 00:23:39,200 --> 00:23:42,639 Speaker 2: but also in high school, it's some shit you would do, 385 00:23:44,280 --> 00:23:45,440 Speaker 2: you know, totally. 386 00:23:45,920 --> 00:23:48,440 Speaker 1: Yeah, it's a little adult like, but not really. 387 00:23:48,880 --> 00:23:52,800 Speaker 2: It's also just fun. This storyline ends up being comedy 388 00:23:52,840 --> 00:23:57,040 Speaker 2: and turning into something really meaningful and real at the end. 389 00:23:57,440 --> 00:24:00,639 Speaker 1: Yes, So there's a lot of rumors that Sam is 390 00:24:00,680 --> 00:24:04,359 Speaker 1: gay and Quinn's like, he's not gay, but she can't 391 00:24:04,400 --> 00:24:06,840 Speaker 1: really reveal what's going on because she knows the truth. 392 00:24:07,000 --> 00:24:09,199 Speaker 1: She just tells Finn like, you got to trust me. 393 00:24:10,119 --> 00:24:12,239 Speaker 1: He's like, how can I trust you when you're not 394 00:24:12,800 --> 00:24:17,960 Speaker 1: telling me anything, you know, not sharing with me. And 395 00:24:18,000 --> 00:24:21,720 Speaker 1: then Rachel sees Sam wearing one of kurch jackets. She's 396 00:24:21,720 --> 00:24:28,920 Speaker 1: just hilarious, which is very hot, and Kurt deflex by 397 00:24:29,040 --> 00:24:32,960 Speaker 1: questioning the question by saying that Fleetwood Mac only spoke 398 00:24:33,000 --> 00:24:35,919 Speaker 1: about the music when making rumors, and they so that 399 00:24:36,000 --> 00:24:38,400 Speaker 1: they should be only focusing on nationals. 400 00:24:39,320 --> 00:24:42,879 Speaker 2: Side note, can we speaking of new combos? Can we 401 00:24:42,920 --> 00:24:47,680 Speaker 2: talk about Rachel and Sam having that little combo episode 402 00:24:47,960 --> 00:24:51,480 Speaker 2: about prom? So we're bringing up prom because that's happening 403 00:24:52,080 --> 00:24:55,840 Speaker 2: next episode. And then gives him the chapstick and at 404 00:24:55,880 --> 00:24:59,159 Speaker 2: the end he's said, thanks for the lip chap And 405 00:24:59,200 --> 00:25:02,119 Speaker 2: I made it into that. So that's like what we 406 00:25:02,200 --> 00:25:02,439 Speaker 2: used to. 407 00:25:02,440 --> 00:25:05,840 Speaker 1: Say lip chat. Did we get lip chat from that 408 00:25:06,720 --> 00:25:08,560 Speaker 1: or did they take that from us? 409 00:25:08,880 --> 00:25:12,560 Speaker 2: I think they took that from us. I feel pretty 410 00:25:12,560 --> 00:25:14,160 Speaker 2: confident that Corey. 411 00:25:13,840 --> 00:25:15,880 Speaker 1: He took that from us or stuck that in there. 412 00:25:16,000 --> 00:25:18,640 Speaker 2: I mean most of Buele, one of the makeup artists, 413 00:25:19,280 --> 00:25:20,560 Speaker 2: she used to say that all the time too. 414 00:25:20,640 --> 00:25:22,160 Speaker 1: Oh maybe it was a bule thing. 415 00:25:22,520 --> 00:25:23,760 Speaker 2: Yeah, I think it was a mule thing. 416 00:25:24,320 --> 00:25:28,600 Speaker 1: Yeah, Okay, Well, we love when our little jokes make 417 00:25:28,680 --> 00:25:32,000 Speaker 1: it in. We're a little sayings and things like the mouths. 418 00:25:32,560 --> 00:25:35,280 Speaker 2: I think we got at one point about fitting them 419 00:25:35,320 --> 00:25:37,760 Speaker 2: in very quickly because you wouldn't even notice. 420 00:25:38,240 --> 00:25:41,359 Speaker 1: And he also wasn't scared to like mess with people 421 00:25:41,760 --> 00:25:44,560 Speaker 1: like Yeah, I was like a rule follower. I'd be like, 422 00:25:44,600 --> 00:25:48,960 Speaker 1: should get the lines exactly right? Okay, he got away 423 00:25:49,000 --> 00:25:53,000 Speaker 1: with it with anything because he's just so cute. 424 00:25:54,119 --> 00:25:57,639 Speaker 2: Pretty privilege is real, all right. 425 00:25:57,720 --> 00:26:00,000 Speaker 1: So they do another stakeout at the motel and racheline 426 00:26:00,040 --> 00:26:03,000 Speaker 1: and see Quinn coming out and then hugging with Sam 427 00:26:03,480 --> 00:26:06,480 Speaker 1: and so we are sure, we are sure that they're 428 00:26:06,520 --> 00:26:12,080 Speaker 1: having an affair now, and that's when Finn and Quinn 429 00:26:12,080 --> 00:26:18,960 Speaker 1: have that little trust conversation and then they sing I 430 00:26:18,960 --> 00:26:22,480 Speaker 1: Don't want to Know in the choir room. 431 00:26:23,000 --> 00:26:25,760 Speaker 2: Also a very good version, Yeah, very good version. 432 00:26:26,680 --> 00:26:29,960 Speaker 1: I Don't want to Know is one of the songs 433 00:26:30,040 --> 00:26:33,399 Speaker 1: I don't Know as well from that album, do you 434 00:26:33,480 --> 00:26:36,440 Speaker 1: know what I mean? Yeah, I just like one of 435 00:26:36,480 --> 00:26:38,560 Speaker 1: the ones I don't listen to as as often as 436 00:26:38,600 --> 00:26:39,320 Speaker 1: some of the others. 437 00:26:40,080 --> 00:26:43,480 Speaker 2: I think us doing it made me listen to it more. Yeah, 438 00:26:44,240 --> 00:26:47,600 Speaker 2: because it's a great song and it's hilarious how they 439 00:26:47,840 --> 00:26:48,679 Speaker 2: perform it together. 440 00:26:49,240 --> 00:26:50,480 Speaker 1: That's fair, that's fair. 441 00:26:51,720 --> 00:26:52,879 Speaker 2: They're very good together. 442 00:26:53,400 --> 00:26:57,040 Speaker 1: They are. It's actually nice to see them back together. 443 00:26:57,560 --> 00:26:59,280 Speaker 2: And it's nice to see Diana get to do some 444 00:26:59,280 --> 00:27:02,719 Speaker 2: more comedy. Actually, like herself, is always very loaded with drama. 445 00:27:03,040 --> 00:27:09,840 Speaker 2: It's true, she got pregnant very early, you know, always crying, yeah, 446 00:27:11,040 --> 00:27:11,480 Speaker 2: poor thing. 447 00:27:13,240 --> 00:27:19,879 Speaker 1: And Rachel performs go your Own Way, and she's clearly 448 00:27:21,000 --> 00:27:24,840 Speaker 1: with no qualms about it, serenading Finn in this number. 449 00:27:25,200 --> 00:27:29,560 Speaker 1: Rachel's wild, Rachel's off the hook or off off not 450 00:27:29,720 --> 00:27:32,120 Speaker 1: that's not off the chain. No, that's not right either. 451 00:27:33,400 --> 00:27:36,600 Speaker 1: Rachel is off her rocker right now, there you go, 452 00:27:36,840 --> 00:27:37,239 Speaker 1: thank you. 453 00:27:39,119 --> 00:27:43,240 Speaker 2: Now, this weird thing happens with the whole Sam thing 454 00:27:44,440 --> 00:27:53,480 Speaker 2: that felt really inappropriate, but again very high school, where 455 00:27:53,480 --> 00:27:56,160 Speaker 2: everyone piling on about what he was doing and he's 456 00:27:56,200 --> 00:28:00,120 Speaker 2: not saying anything totally and everybody's jumping in on everybody, 457 00:28:00,240 --> 00:28:05,520 Speaker 2: and and then he has like this really serious confession. 458 00:28:06,840 --> 00:28:08,320 Speaker 1: That he's very high school though. 459 00:28:09,160 --> 00:28:11,600 Speaker 2: Yeah, and then Will's just sort of there, like guys, 460 00:28:11,640 --> 00:28:17,800 Speaker 2: don't do it. Sam's been living in the motel because 461 00:28:17,840 --> 00:28:19,680 Speaker 2: his dad lost his job, so they've lost their house 462 00:28:19,720 --> 00:28:22,280 Speaker 2: and the family's not out living in the hotel, and 463 00:28:22,440 --> 00:28:24,560 Speaker 2: Kurt has been bringing Sam close and Quinn has been 464 00:28:24,560 --> 00:28:31,040 Speaker 2: helping Sam babysit his siblings, and so Rachel and Finn 465 00:28:31,040 --> 00:28:33,439 Speaker 2: go back over there to sort of apologize and to 466 00:28:33,520 --> 00:28:37,480 Speaker 2: help out. And it's very sweet. You meet his little 467 00:28:37,480 --> 00:28:41,360 Speaker 2: siblings and they bring him a guitar. Fenn brings clothes 468 00:28:44,640 --> 00:28:46,680 Speaker 2: and they realize, you know, like they had to sell 469 00:28:46,760 --> 00:28:49,280 Speaker 2: their possessions. Everything fits in this one motel room. And 470 00:28:49,320 --> 00:28:52,200 Speaker 2: his parents are out in the pavement trying to find 471 00:28:52,240 --> 00:28:56,160 Speaker 2: work and they can't and they mentioned the recession, which 472 00:28:56,200 --> 00:28:57,760 Speaker 2: if that was really interesting because I don't know, I 473 00:28:58,960 --> 00:29:01,440 Speaker 2: think this is the first time it's mentioned. 474 00:29:01,600 --> 00:29:02,360 Speaker 1: Oh definitely. 475 00:29:02,760 --> 00:29:08,160 Speaker 2: It's like, man, not an issue goes unaddressed, ugly right even, 476 00:29:08,840 --> 00:29:12,360 Speaker 2: But what a perfect character to I know. 477 00:29:12,560 --> 00:29:16,600 Speaker 1: I really love this storyline because it's just really honest 478 00:29:16,800 --> 00:29:20,480 Speaker 1: and raw, and for for cord to do it, it's 479 00:29:20,520 --> 00:29:21,080 Speaker 1: really sweet. 480 00:29:22,200 --> 00:29:23,600 Speaker 2: Oh Cordy crying. 481 00:29:23,440 --> 00:29:26,200 Speaker 1: I know. And Cordy has a big family too, so 482 00:29:26,320 --> 00:29:29,240 Speaker 1: like just like it feels like he was able to 483 00:29:29,320 --> 00:29:33,640 Speaker 1: like pull from like a really honest place for this, 484 00:29:34,160 --> 00:29:36,920 Speaker 1: for this. And yeah, he's also really good with kids 485 00:29:36,960 --> 00:29:40,000 Speaker 1: and he's also a dog whisper, so I believed him 486 00:29:40,040 --> 00:29:42,120 Speaker 1: with those with his little sisters is he. 487 00:29:42,120 --> 00:29:42,920 Speaker 2: A dog whisper. 488 00:29:43,560 --> 00:29:45,400 Speaker 1: Yeah, he like pick his bear up, and Bear like 489 00:29:45,920 --> 00:29:48,720 Speaker 1: melts into his arms and doesn't move. It's really strange. 490 00:29:48,840 --> 00:29:52,560 Speaker 1: Always from the time Bear was like a tiny puppy 491 00:29:52,920 --> 00:29:55,080 Speaker 1: to like a couple of days ago, he'll just like 492 00:29:55,120 --> 00:30:00,760 Speaker 1: pick Bear up and like Bear will just like Okay, Yeah, 493 00:30:00,800 --> 00:30:04,280 Speaker 1: it's really funny. Did you talk about the guitar? Did 494 00:30:04,320 --> 00:30:05,560 Speaker 1: you mention the guitar? Did I miss that? 495 00:30:06,520 --> 00:30:06,800 Speaker 3: I did? 496 00:30:06,960 --> 00:30:09,640 Speaker 2: I did? Okay, okay, okay, But but I didn't talk 497 00:30:09,680 --> 00:30:11,680 Speaker 2: about how much do they emphasize it, like they need 498 00:30:11,760 --> 00:30:14,480 Speaker 2: him to stay, They need him, the glee club needs him, 499 00:30:14,560 --> 00:30:18,880 Speaker 2: He needs the music. Yeah, Because if there's one thing 500 00:30:18,960 --> 00:30:23,200 Speaker 2: that Rachel's going to talk sincerely about, it's about understanding 501 00:30:23,240 --> 00:30:26,840 Speaker 2: the love of music and how music helps the people 502 00:30:26,840 --> 00:30:32,520 Speaker 2: who love it. Right, it's a mutually beneficial relationship. And 503 00:30:32,600 --> 00:30:35,160 Speaker 2: so when she speaks about that to Sam, I thought 504 00:30:35,160 --> 00:30:37,880 Speaker 2: that was really really sweet. And then he brings a 505 00:30:37,920 --> 00:30:41,480 Speaker 2: siblings to do one more number at the end, don't stop, 506 00:30:42,080 --> 00:30:43,240 Speaker 2: I'm different, don't stop. 507 00:30:43,320 --> 00:30:45,000 Speaker 1: Do you remember this? Yes? 508 00:30:45,120 --> 00:30:47,840 Speaker 2: I do. Actually, those kids were so cute. 509 00:30:47,800 --> 00:30:51,040 Speaker 1: So cute. We learned this in a jiff this number? 510 00:30:51,280 --> 00:30:52,440 Speaker 2: Did we learn it on stage. 511 00:30:52,720 --> 00:30:56,520 Speaker 1: Yeah, so if my memory serves correctly, we were very 512 00:30:56,520 --> 00:31:02,200 Speaker 1: busy doing a thousand other things prepping for the next episode. 513 00:31:01,920 --> 00:31:02,320 Speaker 3: And. 514 00:31:03,920 --> 00:31:05,040 Speaker 2: Prom was a big one. 515 00:31:05,320 --> 00:31:08,959 Speaker 1: Yeah, problem was a really big one. And Zach was 516 00:31:09,000 --> 00:31:13,000 Speaker 1: working his little tushie off and I remember him like 517 00:31:13,080 --> 00:31:15,240 Speaker 1: throwing this at us, and they put Harry all the 518 00:31:15,280 --> 00:31:17,120 Speaker 1: way up at the front because Harry could pick it 519 00:31:17,200 --> 00:31:20,840 Speaker 1: up really quick and just like we could just follow him. 520 00:31:21,320 --> 00:31:24,080 Speaker 1: And it was kind of like our free form rock 521 00:31:24,160 --> 00:31:26,640 Speaker 1: out kind of thing where we like loosely did what 522 00:31:26,640 --> 00:31:28,640 Speaker 1: we were supposed to do. But it was also kind 523 00:31:28,640 --> 00:31:31,080 Speaker 1: of fine because it was all about Sam and Quinn 524 00:31:31,080 --> 00:31:33,080 Speaker 1: and his siblings. 525 00:31:34,360 --> 00:31:40,080 Speaker 2: Do you remember side note My relationship to the song was. 526 00:31:41,640 --> 00:31:44,040 Speaker 2: I remember there was like this VH one special back 527 00:31:44,040 --> 00:31:46,200 Speaker 2: in the day, I think in the nineties or early 528 00:31:46,240 --> 00:31:49,720 Speaker 2: two thousands, and Fleetwood Mac performed at his big concert, 529 00:31:50,200 --> 00:31:55,520 Speaker 2: and I remember staying awake and like looking through like 530 00:31:55,560 --> 00:31:58,200 Speaker 2: around the side of the wall and watched them perform 531 00:31:58,280 --> 00:31:59,440 Speaker 2: the song because I loved it. 532 00:32:00,040 --> 00:32:03,440 Speaker 1: Well, I loved the song too, Kevin. It was my 533 00:32:03,560 --> 00:32:08,040 Speaker 1: one of my first dancer title songs. Cute and I'll 534 00:32:08,040 --> 00:32:12,440 Speaker 1: never forget it. See this album. I'm sure so many 535 00:32:12,440 --> 00:32:18,040 Speaker 1: people have stories about their connections to these like meaningful 536 00:32:19,120 --> 00:32:23,280 Speaker 1: numbers and songs. Okay, so then we have to talk 537 00:32:23,280 --> 00:32:26,640 Speaker 1: about BRITTANY'SWANDU for two, which we kind of talked about already, 538 00:32:26,640 --> 00:32:29,880 Speaker 1: but we have to talk about Artie's number because woo, 539 00:32:30,480 --> 00:32:37,200 Speaker 1: and Santana's number because woo. Okay, so you guys, could 540 00:32:37,480 --> 00:32:40,920 Speaker 1: Brittany and AARTI have this great scene in the hallway 541 00:32:42,040 --> 00:32:45,560 Speaker 1: where you're a total butt head towards her because. 542 00:32:45,440 --> 00:32:47,040 Speaker 2: Artie does not know how to speak to women. 543 00:32:47,160 --> 00:32:49,880 Speaker 1: Woof, he does not. We got to smack his mom, 544 00:32:50,760 --> 00:32:55,320 Speaker 1: smack Katie Sigal around a little because you know, there's 545 00:32:55,360 --> 00:32:57,280 Speaker 1: some lessons to have been learned already. 546 00:32:57,600 --> 00:33:00,960 Speaker 2: Rough nothing that comes out of his mouth ever correct. 547 00:33:04,680 --> 00:33:08,080 Speaker 1: Alreaty's upset because obviously he's hearing about Brittany and Santana 548 00:33:08,200 --> 00:33:10,320 Speaker 1: and saying, you know, you're kind of like the underdog 549 00:33:10,360 --> 00:33:13,720 Speaker 1: in this already, and saying like there's some if there's 550 00:33:13,760 --> 00:33:16,120 Speaker 1: somebody else that like can give her what she needs, 551 00:33:16,160 --> 00:33:19,040 Speaker 1: and you're feeling like kind of insecure and inferior. Is 552 00:33:19,040 --> 00:33:20,760 Speaker 1: that right? Yeah? 553 00:33:20,800 --> 00:33:24,400 Speaker 2: I think he's like taking out his insecurities and vulnerabilities 554 00:33:24,440 --> 00:33:26,920 Speaker 2: out on her, like he's projecting onto her where it's 555 00:33:26,960 --> 00:33:28,600 Speaker 2: that's his own shit that he needs to deal with. 556 00:33:28,920 --> 00:33:29,040 Speaker 1: Her. 557 00:33:29,120 --> 00:33:32,400 Speaker 2: Cheating is a different thing, right, right, Like he's coming 558 00:33:32,400 --> 00:33:36,320 Speaker 2: out from a place of Oh, you found somebody that 559 00:33:36,400 --> 00:33:38,560 Speaker 2: can give you what I'm supposed to give you, right, 560 00:33:39,920 --> 00:33:41,920 Speaker 2: But it's like, yeah, it's because you don't believe that 561 00:33:41,960 --> 00:33:46,800 Speaker 2: you're lovable or that you're enough for somebody, right, So 562 00:33:46,880 --> 00:33:48,640 Speaker 2: get your shit together, sixteen year old? 563 00:33:50,360 --> 00:33:53,960 Speaker 1: Then and then already already not you, already. 564 00:33:53,680 --> 00:33:57,000 Speaker 2: Calls her oof, I did not remember that? 565 00:33:57,640 --> 00:33:58,320 Speaker 1: Oh you didn't. 566 00:33:59,040 --> 00:34:00,480 Speaker 2: And Heather's reaction action. 567 00:34:00,960 --> 00:34:02,080 Speaker 1: That broke my heart. 568 00:34:03,400 --> 00:34:04,360 Speaker 2: Oh my god. 569 00:34:04,760 --> 00:34:08,279 Speaker 1: It was really really a great performance by Heather more 570 00:34:08,760 --> 00:34:10,880 Speaker 1: because I was gut punched. 571 00:34:11,120 --> 00:34:15,799 Speaker 2: Yeah, and she got gut punched. It was like, there's 572 00:34:15,800 --> 00:34:18,040 Speaker 2: so I mean, Britney ninety nine point nine percent of 573 00:34:18,040 --> 00:34:20,960 Speaker 2: the time is like a fairy, you know, did you? 574 00:34:21,080 --> 00:34:25,760 Speaker 2: She's just happy going about her thing. And then holy. 575 00:34:25,400 --> 00:34:38,279 Speaker 1: Shit, holy crap. Kudos to Heather Morris. Yeah, okay, we 576 00:34:38,360 --> 00:34:40,160 Speaker 1: go to we go to never Going back again, one 577 00:34:40,160 --> 00:34:44,680 Speaker 1: of my favorite artie songs of all time. Do you remember, Well, 578 00:34:44,760 --> 00:34:47,320 Speaker 1: tell me about the recording, and then tell me about 579 00:34:47,320 --> 00:34:53,000 Speaker 1: this whole guitar idea with all of the guitarists on stage, 580 00:34:53,040 --> 00:34:55,680 Speaker 1: because I don't remember that, and I my jaw was 581 00:34:55,719 --> 00:34:56,200 Speaker 1: on the floor. 582 00:34:56,960 --> 00:35:03,719 Speaker 2: It's so good, I Ryan told me. In one of 583 00:35:03,760 --> 00:35:09,239 Speaker 2: those you know, like passing moments we were at We're 584 00:35:09,280 --> 00:35:12,520 Speaker 2: in video village, somebody was being films like start learning, 585 00:35:12,520 --> 00:35:14,400 Speaker 2: never going back again, and I had never heard the 586 00:35:14,440 --> 00:35:21,480 Speaker 2: song before. Ah, and I played it and was so 587 00:35:21,640 --> 00:35:26,560 Speaker 2: confused because I had no idea how to sing this 588 00:35:26,680 --> 00:35:30,880 Speaker 2: song where it was. There's not a lot of vocal 589 00:35:30,960 --> 00:35:34,600 Speaker 2: happening in it, It's a lot of instrumentation, and I 590 00:35:34,640 --> 00:35:36,399 Speaker 2: was just like, this is a weird choice to put 591 00:35:36,480 --> 00:35:39,680 Speaker 2: in an episode. It's not very entertaining. I didn't get it. 592 00:35:39,719 --> 00:35:41,120 Speaker 2: I didn't know the vision for it. I didn't know 593 00:35:41,200 --> 00:35:45,920 Speaker 2: the context for it. And when I went to record it, 594 00:35:45,920 --> 00:35:48,719 Speaker 2: it was just beautiful. I mean the demo, I mean 595 00:35:48,800 --> 00:35:52,000 Speaker 2: that track with all those guitars is beautiful. Like they 596 00:35:52,040 --> 00:35:54,920 Speaker 2: built out that track sort of how Glee does they 597 00:35:54,960 --> 00:35:57,200 Speaker 2: add eight billion vocals, you know, to something. They did 598 00:35:57,239 --> 00:36:03,400 Speaker 2: that through the acoustic guitars and this song, and Alex 599 00:36:03,560 --> 00:36:07,520 Speaker 2: was so particular about this. Only happened a couple of 600 00:36:07,560 --> 00:36:10,440 Speaker 2: times in the course of the show. But he was 601 00:36:10,480 --> 00:36:16,040 Speaker 2: so particular in my tone for this song, I think 602 00:36:16,080 --> 00:36:19,160 Speaker 2: because it was so simple and there's no hiding behind 603 00:36:19,200 --> 00:36:25,520 Speaker 2: anything yep. So you know, normally things were really hard 604 00:36:25,560 --> 00:36:28,320 Speaker 2: because they're doing some crazy run or it was really high. 605 00:36:28,760 --> 00:36:31,719 Speaker 2: This was like a whole new challenge for me. And 606 00:36:31,760 --> 00:36:33,560 Speaker 2: the more we talked about these episodes, the more I 607 00:36:33,600 --> 00:36:36,000 Speaker 2: realized I had to break down every single recording session 608 00:36:38,280 --> 00:36:40,920 Speaker 2: because I was getting really frustrated because I couldn't hear 609 00:36:40,960 --> 00:36:44,240 Speaker 2: the difference of just saying a word differently, placing it differently. 610 00:36:44,520 --> 00:36:46,440 Speaker 2: Oh wow, I felt like I was losing my mind. 611 00:36:47,320 --> 00:36:49,600 Speaker 2: But you know what made me love the song was 612 00:36:49,719 --> 00:36:53,880 Speaker 2: all you girls love this, love this, And I didn't 613 00:36:53,960 --> 00:36:56,359 Speaker 2: understand it. I don't get this song. I don't want 614 00:36:57,000 --> 00:37:00,000 Speaker 2: And I remember, like Leah, she would be playing it, 615 00:37:00,080 --> 00:37:02,400 Speaker 2: blasting it all the time, coming on and off the 616 00:37:02,440 --> 00:37:03,279 Speaker 2: lot in her car. 617 00:37:03,680 --> 00:37:03,919 Speaker 1: Yep. 618 00:37:04,200 --> 00:37:06,759 Speaker 2: You were doing the same thing yep. And it was 619 00:37:06,880 --> 00:37:10,360 Speaker 2: very strange because like, oh they're listening too. Lee's like 620 00:37:10,400 --> 00:37:12,480 Speaker 2: can you send me that version? You were like can you? 621 00:37:12,520 --> 00:37:16,279 Speaker 2: So I sensed all you girls yep, And it made 622 00:37:16,360 --> 00:37:19,080 Speaker 2: me see the song, I think in a new way. 623 00:37:19,120 --> 00:37:22,160 Speaker 2: And doing that number was also that shot at the 624 00:37:22,280 --> 00:37:24,520 Speaker 2: end with all the guitars behind was beautiful. 625 00:37:24,520 --> 00:37:25,200 Speaker 1: I have chills. 626 00:37:25,360 --> 00:37:25,920 Speaker 2: I loved it. 627 00:37:26,320 --> 00:37:28,759 Speaker 1: I was kind of watching today and like going back 628 00:37:28,760 --> 00:37:32,040 Speaker 1: and forth from the kitchen, like you know, doing some multitasking, 629 00:37:32,400 --> 00:37:34,840 Speaker 1: and I like stopped in my tracks for that number 630 00:37:34,880 --> 00:37:37,160 Speaker 1: because I kind of like, I've heard it so many 631 00:37:37,160 --> 00:37:39,279 Speaker 1: times in my head now I kind of forgot the 632 00:37:39,360 --> 00:37:42,400 Speaker 1: way it was shot, and it's it's similar to some 633 00:37:42,440 --> 00:37:44,480 Speaker 1: of your other numbers that you've done, like Dancing with Myself. 634 00:37:44,520 --> 00:37:46,600 Speaker 1: It reminded me of that because you're on the stage, 635 00:37:46,640 --> 00:37:49,040 Speaker 1: but it was so it was shot so differently, and 636 00:37:49,160 --> 00:37:52,080 Speaker 1: having the guitars was so brilliant. It really just elevated 637 00:37:52,120 --> 00:37:54,040 Speaker 1: the whole thing. And I was like, well, of course 638 00:37:54,080 --> 00:37:55,680 Speaker 1: it's Fleetwood math, Like, of course they're going to do 639 00:37:55,719 --> 00:37:59,840 Speaker 1: something special. But the shot at the end, and like 640 00:38:00,360 --> 00:38:02,879 Speaker 1: the way Tim you know, got that really nice close 641 00:38:02,920 --> 00:38:04,520 Speaker 1: up of you, it was really great. It was really 642 00:38:04,520 --> 00:38:06,040 Speaker 1: really great. It's really well done. 643 00:38:06,320 --> 00:38:11,839 Speaker 2: It's also interesting because I feel like Ryan had a 644 00:38:11,880 --> 00:38:16,960 Speaker 2: really particular voice for Artie musically. 645 00:38:17,239 --> 00:38:19,600 Speaker 1: Totally, which totally think. 646 00:38:19,640 --> 00:38:22,400 Speaker 2: At the time, I found it frustrating because it was 647 00:38:22,440 --> 00:38:26,680 Speaker 2: so against like what Kevin would say right, or I'm 648 00:38:26,680 --> 00:38:33,960 Speaker 2: doing all these acoustic songs and yeah, and I don't 649 00:38:34,000 --> 00:38:38,480 Speaker 2: think I necessarily really appreciated that having any sort of 650 00:38:38,560 --> 00:38:42,160 Speaker 2: vision for anything for any of our characters was so special, right, 651 00:38:42,280 --> 00:38:45,640 Speaker 2: and so them having like this musical dialogue for Artie 652 00:38:46,280 --> 00:38:49,320 Speaker 2: even he's saying insane shit, I keep cussing. 653 00:38:49,360 --> 00:38:52,680 Speaker 1: Sorry, Yeah that makes sense. 654 00:38:52,760 --> 00:38:55,719 Speaker 2: Yeah, dancing with myself through me, this through me, and 655 00:38:56,239 --> 00:38:59,399 Speaker 2: there's more. There's Billy Joel, and there's so many other 656 00:39:00,000 --> 00:39:03,440 Speaker 2: acoustic versions that I ended up doing that I do find, 657 00:39:03,480 --> 00:39:04,840 Speaker 2: in hindsight really cool. 658 00:39:05,520 --> 00:39:08,480 Speaker 1: Did you find that did you feel pressure doing this 659 00:39:08,600 --> 00:39:10,920 Speaker 1: song because of Fleetwood and because of the album and 660 00:39:11,040 --> 00:39:11,400 Speaker 1: like that? 661 00:39:11,719 --> 00:39:15,400 Speaker 2: Yes? Oh yeah, I think especially because I didn't know 662 00:39:15,480 --> 00:39:17,960 Speaker 2: the song, I felt like an idiot. I felt like 663 00:39:18,040 --> 00:39:21,920 Speaker 2: such a like a fraud where I knew the singles 664 00:39:22,800 --> 00:39:25,040 Speaker 2: right and hear me probably saying, oh yeah, it's a 665 00:39:25,040 --> 00:39:28,560 Speaker 2: classic album and didn't actually know what I was talking about. Really, 666 00:39:30,040 --> 00:39:32,080 Speaker 2: I knew how many records that had sold. I didn't 667 00:39:32,120 --> 00:39:35,600 Speaker 2: know sure this is the actual songs. 668 00:39:36,800 --> 00:39:40,360 Speaker 1: Also, an adulation probably felt the pressure as well, like 669 00:39:40,400 --> 00:39:42,959 Speaker 1: our music producers probably felt the pressure because you were 670 00:39:44,040 --> 00:39:47,359 Speaker 1: covering such a coveted album. 671 00:39:48,480 --> 00:39:51,120 Speaker 2: And you knew make sure they were going to hear it. 672 00:39:51,680 --> 00:39:56,840 Speaker 1: Oh my god, that is terrifying. That's so terrifying. Songbird, 673 00:39:57,320 --> 00:40:03,120 Speaker 1: Oh oh god, I'm just gonna cry because I'm literally 674 00:40:03,239 --> 00:40:04,000 Speaker 1: said the word. 675 00:40:04,280 --> 00:40:08,440 Speaker 2: That vocal crack. My eyes. 676 00:40:09,360 --> 00:40:14,160 Speaker 1: I'm crying. It's it's I think Heather said it was 677 00:40:14,160 --> 00:40:16,120 Speaker 1: one of her favorite songs that Nya Ever sang, and 678 00:40:16,239 --> 00:40:20,400 Speaker 1: I I don't remember the songbir because I don't that 679 00:40:20,600 --> 00:40:25,520 Speaker 1: was like my never went back again song. And then 680 00:40:25,520 --> 00:40:30,000 Speaker 1: I watched it today and I was like, not, well, yeah, 681 00:40:30,120 --> 00:40:36,560 Speaker 1: not well, it's really good. It's like really good. Oh man, 682 00:40:36,760 --> 00:40:39,920 Speaker 1: her voice just crying a lot in this episode. 683 00:40:40,960 --> 00:40:47,720 Speaker 2: We're all over the place. I was trying. It started 684 00:40:47,760 --> 00:40:49,480 Speaker 2: and I was like, oh, I don't think I can engage, 685 00:40:50,560 --> 00:40:51,520 Speaker 2: and I like picked up. 686 00:40:51,480 --> 00:40:53,400 Speaker 1: My phone off yeah yeah yeah, And I was like, I. 687 00:40:53,400 --> 00:40:56,040 Speaker 2: Don't think I can do this today, I know. And 688 00:40:56,040 --> 00:40:58,399 Speaker 2: then it got to I don't you know what, let 689 00:40:58,440 --> 00:41:01,280 Speaker 2: me find it so I can fully referenced this properly. 690 00:41:02,080 --> 00:41:08,120 Speaker 2: It got to the vocal crack and I had to 691 00:41:08,120 --> 00:41:10,279 Speaker 2: put down my phone and I rewound it. I'm like, 692 00:41:10,360 --> 00:41:13,239 Speaker 2: you know what, I'm like, I gotta I have to 693 00:41:13,280 --> 00:41:17,279 Speaker 2: do this it deserves it. So if you go look 694 00:41:17,280 --> 00:41:23,360 Speaker 2: it up on YouTube, it's around fifty three seconds. Okay, 695 00:41:23,440 --> 00:41:27,239 Speaker 2: but Heather's fully crying. I mean that's Heather. That's like 696 00:41:27,400 --> 00:41:28,120 Speaker 2: not Brittany. 697 00:41:28,320 --> 00:41:31,680 Speaker 1: When I think when Heather says beautiful, I think that 698 00:41:31,719 --> 00:41:33,920 Speaker 1: I don't think that was written. I think that was 699 00:41:34,000 --> 00:41:34,719 Speaker 1: just her saying that. 700 00:41:34,920 --> 00:41:43,680 Speaker 2: Yeah, when Nya sings that, Nia was like such technically 701 00:41:43,719 --> 00:41:46,480 Speaker 2: a good singer. And then also when you add in 702 00:41:46,480 --> 00:41:49,719 Speaker 2: a song that is written this well and it's just 703 00:41:49,800 --> 00:41:58,000 Speaker 2: piano and raw, it's the most perfect presentation of vocals 704 00:41:58,000 --> 00:42:02,720 Speaker 2: and songwriting I think possible. And they left I also, 705 00:42:02,920 --> 00:42:05,680 Speaker 2: you know, sometimes in the rush to record vocals really 706 00:42:05,719 --> 00:42:10,960 Speaker 2: quickly to record pop sounding songs, that sometimes the songs 707 00:42:10,960 --> 00:42:15,160 Speaker 2: can be like overly refined, I think vocally right, and 708 00:42:16,160 --> 00:42:22,000 Speaker 2: there was nothing but Naya's vocal texture in this song. 709 00:42:22,320 --> 00:42:24,360 Speaker 2: And that one part I think gets me because of 710 00:42:24,400 --> 00:42:28,600 Speaker 2: that where it almost sounds like her voice is gonna 711 00:42:28,600 --> 00:42:32,759 Speaker 2: go out, but it doesn't, and it displays this like 712 00:42:32,960 --> 00:42:38,320 Speaker 2: crazy amount of emotion that she's portraying. It's so beautiful. 713 00:42:40,640 --> 00:42:43,560 Speaker 1: Yeah, it's pretty perfect, gotta say. 714 00:42:44,760 --> 00:42:48,239 Speaker 2: And it's there's nothing happening, She's just standing there I. 715 00:42:48,320 --> 00:42:51,120 Speaker 1: Know, but the vocals are just like. 716 00:42:52,440 --> 00:42:56,399 Speaker 2: But I also love that, you know, so often there's 717 00:42:56,440 --> 00:43:00,319 Speaker 2: things thrown in there. And sometimes she's not even really 718 00:43:00,400 --> 00:43:04,919 Speaker 2: necessarily putting on a show. She's not performing it. She's 719 00:43:05,040 --> 00:43:09,959 Speaker 2: just singing it right, and Brittany's watching it. And that's enough. 720 00:43:10,560 --> 00:43:16,959 Speaker 1: It's enough. It's too much, to be honest, it's too much. 721 00:43:19,239 --> 00:43:24,800 Speaker 1: H Well, I can't talk about a mutch it anymore. Okay, 722 00:43:25,040 --> 00:43:29,960 Speaker 1: So she wants so Brittany wants Santana to sing in 723 00:43:29,960 --> 00:43:31,520 Speaker 1: front of her, but she's like, why can't you just 724 00:43:31,520 --> 00:43:33,600 Speaker 1: be a little bit with it? And Santana is just 725 00:43:33,640 --> 00:43:36,640 Speaker 1: not ready. So Santana then goes to Jacob and Israel 726 00:43:36,840 --> 00:43:40,280 Speaker 1: and says, that hurt Krofsky, your soulmates, and it crushes 727 00:43:40,320 --> 00:43:48,400 Speaker 1: little Britney's heart. And and there we have pretty much rumors. 728 00:43:50,120 --> 00:43:52,600 Speaker 1: It's a it's a doozy, it's a big episode. A 729 00:43:52,680 --> 00:43:55,960 Speaker 1: lot happens, a lot of music. I will say, like 730 00:43:56,040 --> 00:43:59,040 Speaker 1: if they incorporated all of it really well, and like 731 00:43:59,120 --> 00:44:02,240 Speaker 1: the rumor mill and the whole thing around, the album 732 00:44:02,360 --> 00:44:03,400 Speaker 1: is very well done. 733 00:44:04,120 --> 00:44:08,120 Speaker 2: Seeing that too, it didn't nothing really felt so shoehorned 734 00:44:08,200 --> 00:44:13,040 Speaker 2: in right, It really did compliment everybody's stories, and I 735 00:44:13,080 --> 00:44:15,200 Speaker 2: think it probably brought out some stories that wouldn't have 736 00:44:15,200 --> 00:44:18,120 Speaker 2: happened otherwise that were really good and needed. 737 00:44:19,920 --> 00:44:21,360 Speaker 1: Well, should we use some tarty takes. 738 00:44:21,520 --> 00:44:23,120 Speaker 2: Let's do some tarty takes? 739 00:44:24,320 --> 00:44:25,759 Speaker 1: All right? 740 00:44:26,800 --> 00:44:28,400 Speaker 2: Auchi's Jenna cringe moments. 741 00:44:30,560 --> 00:44:35,880 Speaker 1: I mean, all the rumors, but Brittany asking him about 742 00:44:35,880 --> 00:44:40,200 Speaker 1: pannies was mister true about pannies was just not not 743 00:44:40,360 --> 00:44:40,600 Speaker 1: for me. 744 00:44:42,719 --> 00:44:45,960 Speaker 2: Yeah, I think I Yeah, I think I have to agree. 745 00:44:47,200 --> 00:44:51,319 Speaker 2: I think that's probably the one for me. Okay, best 746 00:44:51,400 --> 00:44:56,160 Speaker 2: dance move. There's not a lot to pick from. There's 747 00:44:56,200 --> 00:44:57,400 Speaker 2: only one dance in this episode. 748 00:44:57,440 --> 00:44:58,640 Speaker 1: I guess April and Will's left. 749 00:44:59,000 --> 00:45:02,520 Speaker 2: Yeah, that's when I started sweating. It was like, don't get. 750 00:45:06,840 --> 00:45:09,319 Speaker 1: Best song. I'm going with never going back. 751 00:45:09,719 --> 00:45:12,800 Speaker 2: Ooh brave, I'm going with songbird. 752 00:45:13,080 --> 00:45:20,000 Speaker 1: Great best performance by a promp Lord Tummington. Yeah. 753 00:45:20,040 --> 00:45:21,680 Speaker 2: Anything that happened in Fondie for two Yeah. 754 00:45:21,520 --> 00:45:28,040 Speaker 1: Great, best line when Santana's talking about how they're treating 755 00:45:28,040 --> 00:45:32,400 Speaker 1: her differently already because of the rumor, and she's they 756 00:45:32,480 --> 00:45:36,080 Speaker 1: asked me to traffic golf team. The delivery is is gold. 757 00:45:36,920 --> 00:45:40,439 Speaker 2: I Also one of my favorites has been se says 758 00:45:40,600 --> 00:45:42,120 Speaker 2: brought worst gobbler April Room. 759 00:45:43,000 --> 00:45:44,759 Speaker 1: You texted me that earlier too. 760 00:45:44,800 --> 00:45:47,520 Speaker 2: You're like, I I almost did a spittake. I had 761 00:45:47,520 --> 00:45:49,880 Speaker 2: to put down my water. I leaned over and was 762 00:45:49,920 --> 00:45:53,439 Speaker 2: crying in this house alone watching it. It was so 763 00:45:53,719 --> 00:45:56,120 Speaker 2: I was like, what did you just say? Oh my god, 764 00:45:56,280 --> 00:46:03,120 Speaker 2: brought worst gobbler. Brittany's that's yeah, Brittany's question also question one, 765 00:46:03,120 --> 00:46:05,000 Speaker 2: do you think The Aristocrats is an accurate portrayal of 766 00:46:05,000 --> 00:46:07,680 Speaker 2: a feline relationship? You know, just because we're doing this 767 00:46:07,719 --> 00:46:10,040 Speaker 2: interview doesn't mean I'm still not mad at you because 768 00:46:10,040 --> 00:46:11,280 Speaker 2: I know you start smoking again. 769 00:46:16,040 --> 00:46:19,920 Speaker 1: Really very funny, MVP. I'm going I'm giving it to Chord. 770 00:46:20,680 --> 00:46:22,560 Speaker 2: Chord totally giving it to Cordy. 771 00:46:22,960 --> 00:46:27,400 Speaker 1: Yeah, well you guys, thanks for hanging with us for 772 00:46:27,440 --> 00:46:30,000 Speaker 1: Freewood Mac Week. It was really fun. 773 00:46:30,360 --> 00:46:32,319 Speaker 2: N I know you hate TikTok, but it doesn't mean 774 00:46:32,320 --> 00:46:34,080 Speaker 2: we can't do shit. We can on TikTok. 775 00:46:33,760 --> 00:46:39,319 Speaker 1: Crap crap crap. I love TikTok. I mean, I know 776 00:46:39,360 --> 00:46:44,120 Speaker 1: I don't love TikTok. I like these tiktoks. Give it 777 00:46:44,120 --> 00:46:46,239 Speaker 1: to me, Kevin, I'm sorry, I'm sorry. 778 00:46:46,440 --> 00:46:54,520 Speaker 2: How dare you because Maddie M eleven on TikTok has 779 00:46:54,560 --> 00:47:02,480 Speaker 2: pointed out astute Lee that's the narrator and Barbie you 780 00:47:02,520 --> 00:47:08,759 Speaker 2: know that small movie that came out recently, and Becky's 781 00:47:08,960 --> 00:47:14,680 Speaker 2: inner monologue are both Dame Helen Muran the one and 782 00:47:14,719 --> 00:47:21,880 Speaker 2: Only and it's him realizing it, so saying Becky is 783 00:47:21,920 --> 00:47:30,799 Speaker 2: the narrator of Barbie. So if we believe that these 784 00:47:30,840 --> 00:47:36,680 Speaker 2: are part of the same cinematic universe, then yeah, I 785 00:47:36,760 --> 00:47:40,640 Speaker 2: loved it. Thank you, Maddie M. Thank you everyone for 786 00:47:40,880 --> 00:47:45,600 Speaker 2: tagging us and submitting us with these beautiful tiktoks. You 787 00:47:45,640 --> 00:47:47,800 Speaker 2: should go watch it. It's pretty funny. 788 00:47:49,040 --> 00:47:49,920 Speaker 1: Thanks for sharing. 789 00:47:51,160 --> 00:47:54,440 Speaker 2: And now that's what you really miss. 790 00:47:54,719 --> 00:47:58,280 Speaker 1: I'm sorry, Jenna, thanks for joining. 791 00:47:59,280 --> 00:48:02,200 Speaker 2: Wait next week, prom everyone could come back. It's a 792 00:48:02,239 --> 00:48:05,879 Speaker 2: lot of great music and don't want to miss it. No, no, no, 793 00:48:05,960 --> 00:48:08,520 Speaker 2: it's gonna be great. Oh I don't know what happened there. Okay, 794 00:48:08,560 --> 00:48:12,120 Speaker 2: see you next week. Thanks for listening and follow us 795 00:48:12,160 --> 00:48:14,839 Speaker 2: on Instagram at and that's what you really miss pod. 796 00:48:15,160 --> 00:48:17,000 Speaker 2: Make sure to write us a review and leave us 797 00:48:17,000 --> 00:48:18,520 Speaker 2: five stars. See you next time.