1 00:00:05,126 --> 00:00:08,086 Speaker 1: And Huddle is a production of the NFL in partnership 2 00:00:08,126 --> 00:00:09,166 Speaker 1: with iHeartRadio. 3 00:00:17,486 --> 00:00:19,206 Speaker 2: Oh like, what's good? 4 00:00:19,326 --> 00:00:20,006 Speaker 3: Everybody? 5 00:00:20,486 --> 00:00:24,446 Speaker 2: You have found us? This is the l Huddle Podcast. 6 00:00:25,006 --> 00:00:29,686 Speaker 2: My name is Will Sava alongside my Prima, My Prima Ermana, 7 00:00:30,206 --> 00:00:35,046 Speaker 2: mj Acasta Ruiz. Hey, oh we MJ. We are not alone. 8 00:00:35,366 --> 00:00:37,886 Speaker 2: All of a sudden, this podcast has got a little 9 00:00:37,886 --> 00:00:41,246 Speaker 2: bit more menacing. You know, we like to pump up 10 00:00:41,326 --> 00:00:42,166 Speaker 2: all of our guests. 11 00:00:42,446 --> 00:00:43,526 Speaker 3: We always like to. 12 00:00:43,526 --> 00:00:46,366 Speaker 2: Pump up all the Latinos who are doing well, not 13 00:00:46,446 --> 00:00:49,886 Speaker 2: only in the NFL, but the entertainment world in general. 14 00:00:49,966 --> 00:00:54,246 Speaker 2: We have this wonderful cross section happening here. So the 15 00:00:54,326 --> 00:00:58,126 Speaker 2: next guest that we have he is a painter, a 16 00:00:58,206 --> 00:01:02,526 Speaker 2: spoken word poet, and an actor. His TV credits include 17 00:01:02,566 --> 00:01:06,046 Speaker 2: a memorable role in the acclaimed ABC drama series American Crime, 18 00:01:06,406 --> 00:01:11,966 Speaker 2: NBC's Line Order, Special Victims Unit, Snowfall for FX, SWAT 19 00:01:12,046 --> 00:01:16,686 Speaker 2: for CBS. But perhaps we know him best for being 20 00:01:16,966 --> 00:01:22,486 Speaker 2: l Secret Angel Reyes from Mayan's MC on FX. Give 21 00:01:22,526 --> 00:01:25,926 Speaker 2: it up for Clinton Cartennis, but we can't play what's up? 22 00:01:26,126 --> 00:01:29,806 Speaker 3: Like, how's it going? Guys? Thank you for having me? 23 00:01:30,286 --> 00:01:35,246 Speaker 1: Not the full IMBD credits, Will he read through that's 24 00:01:35,246 --> 00:01:37,046 Speaker 1: not even full though. I feel like that's just a 25 00:01:37,126 --> 00:01:40,606 Speaker 1: little bit. We're so excited to have you here. You're 26 00:01:40,646 --> 00:01:46,046 Speaker 1: an LA dude, born and raised, big sportsman, former football 27 00:01:46,046 --> 00:01:47,766 Speaker 1: player as well, so we're going to get into some 28 00:01:47,926 --> 00:01:50,926 Speaker 1: x's and o's as well. But I'm really excited for 29 00:01:51,886 --> 00:01:55,246 Speaker 1: Mayan's MC season five. This is huge. I mean when 30 00:01:55,246 --> 00:01:59,166 Speaker 1: it first got introduced as a spinoff, did you anticipated 31 00:01:59,446 --> 00:02:01,486 Speaker 1: having this long of a run. I mean, we knew 32 00:02:01,526 --> 00:02:05,446 Speaker 1: that that that archetype right, that like cultural pink point 33 00:02:05,566 --> 00:02:09,166 Speaker 1: in the show with the motorcycle Club was huge, and 34 00:02:09,206 --> 00:02:11,966 Speaker 1: so to see it get its own light was really 35 00:02:11,966 --> 00:02:12,566 Speaker 1: exciting for. 36 00:02:12,566 --> 00:02:17,726 Speaker 4: Us, you know, I think naively though, I think we 37 00:02:17,806 --> 00:02:21,566 Speaker 4: all thought that it was gonna go an automatic seven seasons. 38 00:02:21,086 --> 00:02:22,326 Speaker 3: Like Sons of Anarchicet. 39 00:02:23,326 --> 00:02:26,606 Speaker 4: But then we filmed the first pilot and uh, they 40 00:02:26,686 --> 00:02:28,406 Speaker 4: kind of pumped the brakes on it. They were like, 41 00:02:29,286 --> 00:02:31,126 Speaker 4: we don't know if this is even going to be 42 00:02:31,166 --> 00:02:31,766 Speaker 4: made now. 43 00:02:32,086 --> 00:02:33,326 Speaker 3: So we're every so all of. 44 00:02:33,366 --> 00:02:37,246 Speaker 4: Us were like, well, oh, like we better rethink, yeah, 45 00:02:37,326 --> 00:02:39,766 Speaker 4: let's not buy these houses and cars, and you know, 46 00:02:39,886 --> 00:02:42,246 Speaker 4: let's pump the brakes a little bit. So it kind 47 00:02:42,246 --> 00:02:46,646 Speaker 4: of put everybody in check. But as time progressed and 48 00:02:46,726 --> 00:02:51,806 Speaker 4: the stories became more interesting and the character developed. 49 00:02:51,446 --> 00:02:52,326 Speaker 3: Became more interesting. 50 00:02:52,366 --> 00:02:54,566 Speaker 4: I think we all saw that this was you know, 51 00:02:54,646 --> 00:02:58,646 Speaker 4: it had the longevity to last on TV, so we're 52 00:02:58,686 --> 00:03:00,606 Speaker 4: so grateful for it to be at this point. 53 00:03:01,366 --> 00:03:06,366 Speaker 2: I am so curious because that man has his cape. 54 00:03:07,046 --> 00:03:10,566 Speaker 2: Christian Bale has talked about wearing the suit and how 55 00:03:10,646 --> 00:03:17,006 Speaker 2: he felt transformed. How does that Harley transform you and 56 00:03:17,086 --> 00:03:20,726 Speaker 2: your character? How bad you feel when you're on there? 57 00:03:22,486 --> 00:03:23,126 Speaker 3: I can't lie. 58 00:03:23,206 --> 00:03:25,566 Speaker 4: You know, you feel pretty bad at when you especially 59 00:03:25,606 --> 00:03:27,166 Speaker 4: in the morning, right before you can get on the 60 00:03:27,166 --> 00:03:29,246 Speaker 4: bike and you putting on the leather and you're putting 61 00:03:29,246 --> 00:03:32,606 Speaker 4: on you know, your your chain wallets, and you're putting 62 00:03:32,606 --> 00:03:34,606 Speaker 4: on all your wings and you got your knife in 63 00:03:34,646 --> 00:03:38,166 Speaker 4: the back, like you feel unstoppable. But the Harley, Yeah, 64 00:03:38,166 --> 00:03:40,126 Speaker 4: the Harley really really drives it home. 65 00:03:40,326 --> 00:03:40,526 Speaker 2: You know. 66 00:03:41,166 --> 00:03:44,006 Speaker 4: I think everybody feels a little bit bigger than they 67 00:03:44,086 --> 00:03:45,566 Speaker 4: actually are when they're riding. 68 00:03:45,286 --> 00:03:48,646 Speaker 3: Around, for sure, you know, yeah, oh god, yeah. 69 00:03:48,486 --> 00:03:54,926 Speaker 4: So no, it definitely brings a different level of testosterone. 70 00:03:54,926 --> 00:03:57,606 Speaker 1: I would say, Okay, so I tried to be on 71 00:03:57,726 --> 00:04:02,166 Speaker 1: theme and like I brought my little pleather jacket, but 72 00:04:02,246 --> 00:04:05,766 Speaker 1: it is so hot in this studio lives. So I'm 73 00:04:05,766 --> 00:04:07,246 Speaker 1: gonna sweat it out just for a minute, but just 74 00:04:07,246 --> 00:04:10,966 Speaker 1: because I want to buy, just for a second. But yeah, okay, 75 00:04:10,966 --> 00:04:12,966 Speaker 1: we're keeping it. We're keeping it for me. 76 00:04:13,326 --> 00:04:15,006 Speaker 2: Great, thanks for making me look bad. 77 00:04:15,166 --> 00:04:16,486 Speaker 1: And you got to do the. 78 00:04:18,046 --> 00:04:22,566 Speaker 3: Curly T shirt on. Sorry you know what I mean? Man, 79 00:04:23,646 --> 00:04:24,486 Speaker 3: I got on too. 80 00:04:25,526 --> 00:04:27,726 Speaker 1: We can pivot this. It's gonna be fine. 81 00:04:27,806 --> 00:04:30,566 Speaker 3: It's like I like you. 82 00:04:30,886 --> 00:04:34,166 Speaker 1: Greatest things about the show Clay is just the level 83 00:04:34,206 --> 00:04:37,286 Speaker 1: of talent amongst the Latino actors. So when you look 84 00:04:37,446 --> 00:04:40,366 Speaker 1: to your left and your right on these film filming days, 85 00:04:40,806 --> 00:04:43,806 Speaker 1: to know that you're surrounded not just by your community, 86 00:04:43,806 --> 00:04:45,606 Speaker 1: but the guys who have been doing it, laying the 87 00:04:45,606 --> 00:04:47,526 Speaker 1: groundwork for so many years in the business. I mean, 88 00:04:47,526 --> 00:04:50,606 Speaker 1: that's going to make you proud. 89 00:04:50,886 --> 00:04:54,766 Speaker 4: I mean working alongside you know, Emilio Rivetto, who was 90 00:04:54,846 --> 00:04:56,046 Speaker 4: the original Mayan. 91 00:04:56,006 --> 00:04:58,406 Speaker 3: Yeah, we have to tip our hat off to him. 92 00:04:58,726 --> 00:05:02,366 Speaker 4: But then for me personally, working with Edward James almost 93 00:05:02,446 --> 00:05:06,086 Speaker 4: you know, a legend and one of my influencers growing up, 94 00:05:06,166 --> 00:05:09,686 Speaker 4: and to have these deep conversations with him about acting 95 00:05:09,726 --> 00:05:12,886 Speaker 4: and life in general, and just to watch him work 96 00:05:12,966 --> 00:05:16,086 Speaker 4: his craft and watch him how he works just the camera, 97 00:05:16,206 --> 00:05:18,926 Speaker 4: and you know, there's so many different things, like little 98 00:05:18,966 --> 00:05:21,686 Speaker 4: intricate parts that you have to be aware of when 99 00:05:21,726 --> 00:05:23,286 Speaker 4: you're acting in front of film and TV. 100 00:05:23,486 --> 00:05:26,166 Speaker 3: So just learning from him, I'm honored. 101 00:05:26,246 --> 00:05:29,606 Speaker 4: And you know, he gives me great advice all the time. 102 00:05:31,406 --> 00:05:32,926 Speaker 4: The last piece of advice to gain this is the 103 00:05:32,966 --> 00:05:40,246 Speaker 4: last day of filming, he said. He said, Okay, when 104 00:05:40,246 --> 00:05:42,766 Speaker 4: somebody He's like, the next time somebody approaches you about 105 00:05:42,766 --> 00:05:45,686 Speaker 4: doing the job a producer or director, you tell them. 106 00:05:45,766 --> 00:05:50,446 Speaker 4: He's like, you tell them, I'm expensive, but I'm good. 107 00:05:51,166 --> 00:05:51,526 Speaker 1: Period. 108 00:05:51,606 --> 00:05:53,606 Speaker 4: I was like, you know, like I was taken back 109 00:05:53,606 --> 00:05:55,086 Speaker 4: for a second. I was like, oh, I understand what 110 00:05:55,126 --> 00:05:56,606 Speaker 4: he meant. He's like, you have to know your worth 111 00:05:56,646 --> 00:05:59,126 Speaker 4: in his industry. You know, just because you are Latino 112 00:05:59,686 --> 00:06:02,806 Speaker 4: and doesn't mean that like you have power in this game. 113 00:06:02,966 --> 00:06:06,526 Speaker 1: No, you know, but I'm good. 114 00:06:07,686 --> 00:06:14,566 Speaker 3: I'm good. Boom bang No, that's a great piece of advice. 115 00:06:14,686 --> 00:06:19,686 Speaker 2: How do we get more Latino representation in the entertainment industry? 116 00:06:19,726 --> 00:06:22,806 Speaker 2: We had Rita Moreno on and she was lamenting the 117 00:06:22,846 --> 00:06:27,406 Speaker 2: fact that there still is this void of Latino talent 118 00:06:27,886 --> 00:06:32,366 Speaker 2: in the entertainment industry. How does that void get filled 119 00:06:32,846 --> 00:06:36,566 Speaker 2: and how much of a growth have you seen from 120 00:06:36,566 --> 00:06:39,366 Speaker 2: when you started to now even thanks to the show. 121 00:06:41,166 --> 00:06:45,286 Speaker 3: Well, two things I think. First of all, as a 122 00:06:45,326 --> 00:06:48,046 Speaker 3: young Latino, I didn't even know acting was a thing. 123 00:06:48,206 --> 00:06:49,766 Speaker 3: I didn't know that was even I. 124 00:06:49,646 --> 00:06:51,166 Speaker 1: Was available to you. 125 00:06:51,606 --> 00:06:53,726 Speaker 3: So yeah, I didn't know I was available. 126 00:06:53,806 --> 00:06:56,926 Speaker 4: So like just awareness and maybe you know, showing kids 127 00:06:57,486 --> 00:07:00,926 Speaker 4: at an even younger age that this is even possible. 128 00:07:02,246 --> 00:07:05,446 Speaker 4: I think that's a big start. But the real I 129 00:07:05,446 --> 00:07:09,526 Speaker 4: think for me, the real thing that we really need 130 00:07:09,566 --> 00:07:12,446 Speaker 4: in this industry to help create more jobs for Latinos 131 00:07:12,446 --> 00:07:14,806 Speaker 4: is you know, it starts with the writing. It starts 132 00:07:14,846 --> 00:07:19,046 Speaker 4: with the creators of story, like that's where it really starts. 133 00:07:19,046 --> 00:07:23,166 Speaker 4: We need more writing like that, We need more Latino writers. 134 00:07:23,646 --> 00:07:25,686 Speaker 4: We have a lot of great Latino actors, but the 135 00:07:25,686 --> 00:07:28,526 Speaker 4: writing is really going to open up doors for everybody 136 00:07:28,566 --> 00:07:32,526 Speaker 4: and create characters and opportunities for more and more people 137 00:07:32,566 --> 00:07:33,006 Speaker 4: like us. 138 00:07:33,406 --> 00:07:37,726 Speaker 1: No one can tell our stories like us, right, And you. 139 00:07:37,686 --> 00:07:42,326 Speaker 4: Know, it's it's sad when you do see stories about 140 00:07:42,406 --> 00:07:44,766 Speaker 4: us not written by us, you know, and it's very 141 00:07:44,806 --> 00:07:48,406 Speaker 4: obvious to me, it's obvious and it's disheartening. 142 00:07:48,726 --> 00:07:51,206 Speaker 3: But then you know, it's just it's it just drives 143 00:07:51,326 --> 00:07:51,726 Speaker 3: us fire. 144 00:07:51,766 --> 00:07:54,606 Speaker 4: And me was like, okay, I as an actor, I 145 00:07:54,646 --> 00:07:58,446 Speaker 4: need to maybe shift my focus into story creation, you know. 146 00:07:58,486 --> 00:08:01,046 Speaker 4: So it's kind of really opening my eyes too and everything. 147 00:08:02,286 --> 00:08:07,246 Speaker 4: To answer your other your second part of your question, yes, 148 00:08:07,366 --> 00:08:09,766 Speaker 4: we haven't had a lot of growth in this industry, 149 00:08:10,006 --> 00:08:10,846 Speaker 4: but not enough. 150 00:08:11,646 --> 00:08:11,846 Speaker 3: You know. 151 00:08:12,606 --> 00:08:15,446 Speaker 4: Again, if when we see stories about us not written 152 00:08:15,486 --> 00:08:18,206 Speaker 4: by us, that that's a problem, that's. 153 00:08:17,886 --> 00:08:18,766 Speaker 3: That can't be done. 154 00:08:18,886 --> 00:08:20,646 Speaker 4: You know, I don't know how many other ethnidsties and 155 00:08:20,646 --> 00:08:23,046 Speaker 4: cultures allow that to happen. I think we need to 156 00:08:23,126 --> 00:08:26,166 Speaker 4: voice up more and stand up for ourselves and say 157 00:08:26,166 --> 00:08:27,126 Speaker 4: something about it, you. 158 00:08:27,046 --> 00:08:29,566 Speaker 3: Know what I mean. So we are headed in the 159 00:08:29,646 --> 00:08:32,846 Speaker 3: right direction. There has been. 160 00:08:32,766 --> 00:08:36,326 Speaker 4: Growth, yes, but there's always room for much more. 161 00:08:37,206 --> 00:08:39,166 Speaker 1: I love that real quick. I want to touch on 162 00:08:39,326 --> 00:08:43,286 Speaker 1: your upcoming field and time alone because this is huge. 163 00:08:43,566 --> 00:08:48,886 Speaker 1: Yeah Henson is involved. 164 00:08:49,446 --> 00:08:50,406 Speaker 3: Yeah, yeah. 165 00:08:50,446 --> 00:08:54,046 Speaker 4: So the film is about so it's two it's a 166 00:08:54,086 --> 00:08:57,446 Speaker 4: two hundreds Taji and myself. Her character's name is Anna 167 00:08:57,726 --> 00:09:00,966 Speaker 4: and and what's pretty cool about this film is it 168 00:09:00,966 --> 00:09:03,166 Speaker 4: only takes place in two different sets. 169 00:09:03,206 --> 00:09:04,406 Speaker 3: So it's Anna. 170 00:09:04,366 --> 00:09:08,246 Speaker 4: Is takes place in the kitchen and my character's name 171 00:09:08,286 --> 00:09:11,006 Speaker 4: is Gabriel, and it takes place in a he's in 172 00:09:11,086 --> 00:09:15,846 Speaker 4: solitary confinement, and so the stories it circles around it's 173 00:09:15,886 --> 00:09:18,126 Speaker 4: called time alone, hence the name time alone. 174 00:09:18,166 --> 00:09:21,086 Speaker 3: So it's about these two separate characters. 175 00:09:20,686 --> 00:09:23,806 Speaker 4: And how they've been in put themselves or been put 176 00:09:23,846 --> 00:09:30,166 Speaker 4: into time alone a loone time. So my character, he's 177 00:09:30,206 --> 00:09:35,406 Speaker 4: convicted of killing a fellow gang rival and he gets 178 00:09:35,446 --> 00:09:38,166 Speaker 4: put into jail in prison, and then he ends up 179 00:09:38,286 --> 00:09:40,806 Speaker 4: doing even more things and he puts himself in a 180 00:09:40,846 --> 00:09:44,806 Speaker 4: solitary confinement. So he's literally spending time alone twenty three 181 00:09:44,846 --> 00:09:45,486 Speaker 4: hours a day. 182 00:09:46,326 --> 00:09:47,726 Speaker 3: So he's put into time alone. 183 00:09:48,046 --> 00:09:52,286 Speaker 4: And then Anna played by Taraji he had seen as 184 00:09:52,286 --> 00:09:55,846 Speaker 4: you know, her husband, who was an officer, was killed 185 00:09:55,886 --> 00:09:58,006 Speaker 4: in the line of duty and she goes into this 186 00:09:58,086 --> 00:10:01,606 Speaker 4: deep depression and she spends all their time alone. 187 00:10:01,686 --> 00:10:03,406 Speaker 3: She spends all the time alone, and. 188 00:10:03,366 --> 00:10:06,326 Speaker 4: So it's these two interesting stories and we intersect in 189 00:10:06,326 --> 00:10:09,886 Speaker 4: the end. So, you know, I'm really excited. This film 190 00:10:09,926 --> 00:10:13,646 Speaker 4: was written by a phenomenal writer. His name is Alessandro Commone. 191 00:10:14,366 --> 00:10:17,566 Speaker 4: When Academy work for writing the film The Messengers. I 192 00:10:17,566 --> 00:10:22,006 Speaker 4: don't know, you guys, but yeah, yeah, it was great film. 193 00:10:22,086 --> 00:10:26,166 Speaker 4: So No, I'm really excited for this. Yeah, hopefully we're 194 00:10:26,166 --> 00:10:27,006 Speaker 4: getting this done soon. 195 00:10:27,926 --> 00:10:30,286 Speaker 2: I love that, right, can't wait for that. You know, 196 00:10:30,326 --> 00:10:32,966 Speaker 2: in talking to you and MJ, I think you would agree. 197 00:10:33,726 --> 00:10:36,846 Speaker 2: Clay just seems like such a nice, thoughtful, down to 198 00:10:36,966 --> 00:10:42,046 Speaker 2: earth guy. But you have a sixterior. You have this exterior, right, 199 00:10:42,326 --> 00:10:45,446 Speaker 2: like some of the characters that you play, like a 200 00:10:45,646 --> 00:10:50,326 Speaker 2: secret that you right, like Angel? How how do people 201 00:10:50,566 --> 00:10:55,166 Speaker 2: approach you in public when they see you? 202 00:10:54,966 --> 00:10:55,846 Speaker 3: Do they say? 203 00:10:56,366 --> 00:11:00,926 Speaker 2: Are they expecting that that menacing type character? 204 00:11:01,206 --> 00:11:01,526 Speaker 3: Something? 205 00:11:01,966 --> 00:11:02,806 Speaker 1: Separate the two? 206 00:11:02,926 --> 00:11:07,766 Speaker 3: You know, yeah, how one? It's interesting. It depends on 207 00:11:07,806 --> 00:11:11,566 Speaker 3: you know, male and female fans are different. But I 208 00:11:11,646 --> 00:11:15,846 Speaker 3: would say a lot of the times that they're disappointed 209 00:11:15,926 --> 00:11:18,326 Speaker 3: because they're expecting this guy and the leather and the. 210 00:11:18,286 --> 00:11:22,006 Speaker 4: Boots and riding up on his motorcycle, and you know, 211 00:11:22,206 --> 00:11:24,326 Speaker 4: they're a little disappointed. The way I address is a 212 00:11:24,326 --> 00:11:26,446 Speaker 4: little different from them. 213 00:11:26,846 --> 00:11:29,486 Speaker 3: So there are like you said, and Jay, they. 214 00:11:29,326 --> 00:11:32,086 Speaker 4: Are expecting, they are expecting that guy. But once they 215 00:11:32,086 --> 00:11:34,806 Speaker 4: get to know me, and you know, we I. 216 00:11:34,766 --> 00:11:36,886 Speaker 3: Asked them what their name is and you know, kind 217 00:11:36,886 --> 00:11:37,966 Speaker 3: of open them up a little bit. 218 00:11:38,006 --> 00:11:41,006 Speaker 4: It gets really comfortable after that, but they are disappointed. 219 00:11:41,006 --> 00:11:41,846 Speaker 3: I will say for sure. 220 00:11:42,246 --> 00:11:43,886 Speaker 1: I mean it has to be a credit to your 221 00:11:44,046 --> 00:11:46,806 Speaker 1: to your acting. You know, they're they're so invested in 222 00:11:46,846 --> 00:11:47,406 Speaker 1: your character. 223 00:11:47,886 --> 00:11:50,286 Speaker 3: Yes, no, I appreciate that. 224 00:11:50,366 --> 00:11:54,166 Speaker 4: I mean, obviously I do have this exterior that may 225 00:11:54,206 --> 00:11:56,446 Speaker 4: be off putting for some, but I think once you. 226 00:11:56,406 --> 00:11:58,326 Speaker 3: Get to know me, it's a you know, we can 227 00:11:58,366 --> 00:11:59,126 Speaker 3: be best friends. 228 00:11:59,606 --> 00:12:02,366 Speaker 1: And also there's many layers to you, Clay, because you 229 00:12:02,526 --> 00:12:05,286 Speaker 1: are a painter spoken where. I mean, they're so many 230 00:12:05,326 --> 00:12:09,166 Speaker 1: different layers and even weaved within all that is a 231 00:12:09,246 --> 00:12:12,806 Speaker 1: sports guy like you were a former football player, tight 232 00:12:12,886 --> 00:12:16,966 Speaker 1: end New Mexico. Huge Raiders fans, so we can't not 233 00:12:17,166 --> 00:12:18,926 Speaker 1: ask you about your Raiders fandom. 234 00:12:19,006 --> 00:12:21,326 Speaker 3: Oh please, what did that start? 235 00:12:21,446 --> 00:12:24,966 Speaker 1: And what's your earliest like Raiders fan moment that you recall? 236 00:12:26,446 --> 00:12:31,366 Speaker 4: Oh, earliest Raiders fan moment was probably this was Jeff George. 237 00:12:31,046 --> 00:12:33,486 Speaker 3: Days Jeff Day. 238 00:12:33,446 --> 00:12:36,766 Speaker 4: Yeah yeah, but like my my fate, my the greatest 239 00:12:36,886 --> 00:12:38,926 Speaker 4: memories are you know when rich Gannon. 240 00:12:38,646 --> 00:12:40,726 Speaker 3: And we had a Napoleon Kaufman and. 241 00:12:40,686 --> 00:12:43,846 Speaker 4: Charlie Garner and and you know Jerry Rice and Tim Brown. 242 00:12:43,886 --> 00:12:45,926 Speaker 4: You know those those are gallons phenomenal. 243 00:12:46,646 --> 00:12:49,846 Speaker 3: Eric Allen and you know even later Nandi and you know, 244 00:12:50,246 --> 00:12:52,046 Speaker 3: Eric Turner, the safety before. 245 00:12:52,246 --> 00:12:54,646 Speaker 4: You know, there's some really great players that. 246 00:12:54,606 --> 00:12:56,526 Speaker 3: I was fond of watching. And I used to go 247 00:12:56,566 --> 00:13:00,686 Speaker 3: to the coliseum make the My mom would take me 248 00:13:00,766 --> 00:13:01,446 Speaker 3: up there and we went. 249 00:13:01,366 --> 00:13:02,886 Speaker 4: To the coliseum a couple of times, and I got 250 00:13:02,886 --> 00:13:04,566 Speaker 4: to see some cool games, and I was just so 251 00:13:05,566 --> 00:13:08,006 Speaker 4: it was so distracting from me just being there. 252 00:13:08,046 --> 00:13:09,726 Speaker 3: It was hard for me even focus on the game 253 00:13:09,806 --> 00:13:13,126 Speaker 3: because I was just excited just to be in greater nation. 254 00:13:13,446 --> 00:13:13,646 Speaker 3: You know. 255 00:13:13,806 --> 00:13:17,966 Speaker 4: So it started young, it's it's still it's still heavy 256 00:13:18,006 --> 00:13:18,566 Speaker 4: in my blood. 257 00:13:18,646 --> 00:13:20,006 Speaker 3: So I'll always be a fan. 258 00:13:21,046 --> 00:13:22,886 Speaker 1: So what do you think now with them in Vegas? 259 00:13:23,966 --> 00:13:24,646 Speaker 1: It's a new era. 260 00:13:24,886 --> 00:13:27,246 Speaker 4: You know, I've been doing I've been to a couple 261 00:13:27,606 --> 00:13:30,566 Speaker 4: of the games already. The stadium is gorgeous, as you 262 00:13:30,606 --> 00:13:34,406 Speaker 4: guys know. The new era, it's it's you know, it's 263 00:13:34,406 --> 00:13:36,166 Speaker 4: an adjustment period, you know, after we got to. 264 00:13:36,246 --> 00:13:39,046 Speaker 3: The drown Gruden thing and and and now we're you know, 265 00:13:39,206 --> 00:13:40,726 Speaker 3: with with our new coach here. 266 00:13:41,366 --> 00:13:45,566 Speaker 4: I you know, I feel like we're in the rebuilding stage, unfortunately. 267 00:13:46,206 --> 00:13:47,846 Speaker 3: But it is, you know, we do have some. 268 00:13:47,806 --> 00:13:49,806 Speaker 4: Great talent and I love the draft that we had, 269 00:13:50,086 --> 00:13:52,366 Speaker 4: and and you know, I hope we get to keep 270 00:13:52,446 --> 00:13:55,606 Speaker 4: Josh Jacobs and Davante Adams is always going to be balling. 271 00:13:56,126 --> 00:13:59,126 Speaker 4: So you know, hopefully this defense gets turned around. I hope, 272 00:13:59,126 --> 00:14:02,006 Speaker 4: you know, Patrick Graham is scheming up some stuff with 273 00:14:02,086 --> 00:14:03,206 Speaker 4: the new players we've got. 274 00:14:03,246 --> 00:14:04,806 Speaker 3: So I'm excited. I can't. 275 00:14:05,326 --> 00:14:08,646 Speaker 4: I should be always gonna say Raiders in the Super Bowl, 276 00:14:08,686 --> 00:14:11,646 Speaker 4: you know, period surprised, surprise. 277 00:14:12,686 --> 00:14:16,046 Speaker 2: Well what do you think of Jimmy G. And now 278 00:14:16,086 --> 00:14:17,726 Speaker 2: he's the QB one there? 279 00:14:19,486 --> 00:14:20,486 Speaker 3: This is what so I think. 280 00:14:20,526 --> 00:14:23,406 Speaker 4: You know, obviously Jimmy G is good at the little 281 00:14:23,486 --> 00:14:27,086 Speaker 4: dump off game, and you know, I just I am, 282 00:14:27,406 --> 00:14:30,206 Speaker 4: I just you know, I'm always I like the long 283 00:14:30,286 --> 00:14:30,926 Speaker 4: ball guys. 284 00:14:31,246 --> 00:14:33,446 Speaker 3: I like the long ball quarterbacks. But you know, with 285 00:14:33,566 --> 00:14:33,926 Speaker 3: Jimmy G. 286 00:14:34,046 --> 00:14:36,566 Speaker 4: I think it's just a I hate to say this, 287 00:14:36,606 --> 00:14:38,966 Speaker 4: it's a stop gap for a few seasons, a couple 288 00:14:39,006 --> 00:14:41,006 Speaker 4: of seasons, you know, I think, and after next year 289 00:14:41,166 --> 00:14:43,406 Speaker 4: if they release them or whatever. 290 00:14:43,286 --> 00:14:46,166 Speaker 3: You say, I think twelve thirteen million dollars. So I 291 00:14:46,166 --> 00:14:46,526 Speaker 3: don't know. 292 00:14:47,126 --> 00:14:49,286 Speaker 1: Now are you already talking about releasing him? 293 00:14:49,606 --> 00:14:53,526 Speaker 2: I'm just saying him comfortable, Vegas. 294 00:14:54,366 --> 00:14:57,526 Speaker 3: It's not the right the dog I think. 295 00:14:57,646 --> 00:15:00,966 Speaker 4: I think, I think he is well aware of his 296 00:15:01,006 --> 00:15:04,526 Speaker 4: situation as well, though, you know, yeah, I'm going to 297 00:15:04,566 --> 00:15:07,326 Speaker 4: pray for Jimmy g and I know he's got some 298 00:15:07,406 --> 00:15:10,046 Speaker 4: talent around him. Again, this draft we had with this 299 00:15:10,206 --> 00:15:13,726 Speaker 4: tight end and Jakobe Myers that we brought in, and 300 00:15:14,246 --> 00:15:17,606 Speaker 4: Trey Tucker the third round receiver they drafted, I think 301 00:15:17,606 --> 00:15:20,526 Speaker 4: we have some talent for us to succeed. 302 00:15:21,486 --> 00:15:25,166 Speaker 1: It's just say, Jimmy's super Bowl. There we go, let'st 303 00:15:25,286 --> 00:15:27,846 Speaker 1: and Vegas by the way, which I'm very nervous about. 304 00:15:27,886 --> 00:15:29,486 Speaker 1: How are we going to survive the super Bowl in 305 00:15:30,406 --> 00:15:32,086 Speaker 1: Las Vegas? That's dangerous. 306 00:15:32,206 --> 00:15:34,686 Speaker 3: That's gonna be that's going to be dangerous. Have you 307 00:15:34,966 --> 00:15:36,766 Speaker 3: let us games there? Yeah? 308 00:15:36,886 --> 00:15:41,246 Speaker 1: I have, and I went for thirty six hours. It 309 00:15:41,286 --> 00:15:44,006 Speaker 1: was too long. There's too many times, too much, right, 310 00:15:44,006 --> 00:15:44,646 Speaker 1: there's too much. 311 00:15:44,726 --> 00:15:46,886 Speaker 3: You have. Vegas is the one thing. 312 00:15:47,006 --> 00:15:52,566 Speaker 1: That one oh Max, yeah, one night, well your two 313 00:15:54,326 --> 00:15:57,766 Speaker 1: in between thirty two hours maybe hard. 314 00:15:57,846 --> 00:16:02,046 Speaker 2: Yeah, you hit it hard when you want to leave 315 00:16:02,126 --> 00:16:04,406 Speaker 2: the next day, right, and then you're like, let's say 316 00:16:04,446 --> 00:16:06,366 Speaker 2: out by the are you I'm like, all right, let's 317 00:16:06,446 --> 00:16:09,286 Speaker 2: run it back everybody. And then at that time you're 318 00:16:09,326 --> 00:16:13,766 Speaker 2: ready like scrub yourself down right right right right? 319 00:16:14,046 --> 00:16:15,646 Speaker 1: I want to go. I want to go to a dinner, 320 00:16:16,406 --> 00:16:19,246 Speaker 1: maybe have a show. I'm in a different Vegas phase 321 00:16:19,246 --> 00:16:19,726 Speaker 1: of my life. 322 00:16:19,806 --> 00:16:22,806 Speaker 3: You feel me like, oh same, I am the same way. 323 00:16:22,846 --> 00:16:25,646 Speaker 3: This is in the young twenties. No, I could run 324 00:16:25,686 --> 00:16:27,806 Speaker 3: around all night. No, no, no, no, no, I'm done with that. 325 00:16:29,606 --> 00:16:31,926 Speaker 3: None of that is even appealing. It's not even appealing. 326 00:16:32,326 --> 00:16:33,486 Speaker 1: Thank thank you, Clai. 327 00:16:33,726 --> 00:16:34,366 Speaker 4: Yeah you. 328 00:16:36,206 --> 00:16:37,166 Speaker 1: Who's going to the club? 329 00:16:37,686 --> 00:16:41,886 Speaker 3: No no, no, hear somebody call it the club. I 330 00:16:41,886 --> 00:16:43,046 Speaker 3: don't want to be involved. 331 00:16:44,646 --> 00:16:47,326 Speaker 2: I didn't call it that, all right, So don't don't look. 332 00:16:47,406 --> 00:16:50,686 Speaker 4: Saying no, no, no, I'm just saying in general. 333 00:16:50,726 --> 00:16:51,566 Speaker 3: When I hear let's go. 334 00:16:51,566 --> 00:16:53,966 Speaker 4: To the club, I'm like, I just because you said 335 00:16:53,966 --> 00:16:54,806 Speaker 4: it like that, I don't. 336 00:16:54,606 --> 00:16:56,486 Speaker 1: Want to immediately, No, I'm out. 337 00:16:57,086 --> 00:16:57,606 Speaker 3: That's no. 338 00:16:57,926 --> 00:17:00,846 Speaker 2: I'm going to bed, you know, Clay. 339 00:17:01,086 --> 00:17:04,806 Speaker 1: To don't go anywhere anybody. We will be right back 340 00:17:04,926 --> 00:17:06,166 Speaker 1: with more l huddle. 341 00:17:11,126 --> 00:17:16,486 Speaker 2: In your biographies or whenever there's anything avalue. Obviously it's 342 00:17:16,526 --> 00:17:19,646 Speaker 2: about the show and the work and everything that you do, 343 00:17:19,766 --> 00:17:24,126 Speaker 2: but not a lot about this particular fact that you 344 00:17:24,326 --> 00:17:28,366 Speaker 2: played in college and that you were a tight end. 345 00:17:29,046 --> 00:17:31,846 Speaker 2: And we briefly touched upon it beforehand and you said, 346 00:17:31,846 --> 00:17:36,126 Speaker 2: like that was a completely different life that you led. 347 00:17:36,686 --> 00:17:40,646 Speaker 2: Talk about what it was. You start at New Mexico, right, 348 00:17:40,686 --> 00:17:41,326 Speaker 2: Is that what it was? 349 00:17:42,606 --> 00:17:42,846 Speaker 3: Yeah? 350 00:17:43,126 --> 00:17:46,806 Speaker 4: Well, I actually started at Palamar Junior College, and then 351 00:17:46,846 --> 00:17:50,086 Speaker 4: I had a scholarships New Mexico and then I actually 352 00:17:50,406 --> 00:17:52,126 Speaker 4: actually I actually finished. 353 00:17:51,686 --> 00:17:54,086 Speaker 3: My career at California Lutheran. 354 00:17:53,806 --> 00:17:59,086 Speaker 4: University, which is in Thousand Oaks, California, and I switched 355 00:17:59,126 --> 00:18:01,366 Speaker 4: positions a linebacker my last year. 356 00:18:01,646 --> 00:18:06,606 Speaker 3: But hey, people, yeah, I don't. I don't really. I 357 00:18:06,646 --> 00:18:08,046 Speaker 3: didn't really talk about it. 358 00:18:08,606 --> 00:18:10,406 Speaker 4: I mean I don't really talk about it much unless 359 00:18:10,446 --> 00:18:12,766 Speaker 4: I'm asked about it again. Like you said, it was 360 00:18:12,806 --> 00:18:15,406 Speaker 4: a total different chapter in my life. And you know, 361 00:18:15,446 --> 00:18:20,406 Speaker 4: growing up, football and sports was my only identity, you know, 362 00:18:20,486 --> 00:18:22,366 Speaker 4: and it was the only thing that I focused on 363 00:18:22,526 --> 00:18:26,046 Speaker 4: and I ate, drank, sleep, slept football and basketball at. 364 00:18:25,966 --> 00:18:29,206 Speaker 3: The time, you know, lifting weights at the time. 365 00:18:29,246 --> 00:18:32,086 Speaker 4: I was two fifty five, And it was just a 366 00:18:32,206 --> 00:18:35,566 Speaker 4: total different being and a total different focus and a 367 00:18:35,606 --> 00:18:38,566 Speaker 4: total different culture and just it's different people, you know. 368 00:18:39,766 --> 00:18:41,286 Speaker 3: So once I got done. 369 00:18:41,166 --> 00:18:44,846 Speaker 4: With football, I think a lot of athletes go through this, 370 00:18:44,846 --> 00:18:47,766 Speaker 4: to a lot of college athletes, once you graduate or you're. 371 00:18:47,606 --> 00:18:49,526 Speaker 3: Done and you're not going pro It's like, what do 372 00:18:49,606 --> 00:18:50,526 Speaker 3: I do now? 373 00:18:50,966 --> 00:18:53,646 Speaker 4: What is my identity now? I spent my whole life 374 00:18:54,446 --> 00:18:56,966 Speaker 4: trying to achieve this thing. I've achieved it, but now 375 00:18:57,446 --> 00:19:01,046 Speaker 4: the skill set to do anything else now. So I 376 00:19:01,086 --> 00:19:03,166 Speaker 4: think it took I went through this whole five year 377 00:19:03,246 --> 00:19:05,046 Speaker 4: transitional period and. 378 00:19:05,046 --> 00:19:06,766 Speaker 3: So like, once I was done with that, I just 379 00:19:06,846 --> 00:19:08,646 Speaker 3: I was like, Okay, I don't want to even talk 380 00:19:08,686 --> 00:19:09,606 Speaker 3: about the cnymore. 381 00:19:09,726 --> 00:19:12,646 Speaker 4: You know, my focus is on what my goals are 382 00:19:12,726 --> 00:19:16,086 Speaker 4: right now. And so, you know, slowly I got into 383 00:19:16,286 --> 00:19:18,646 Speaker 4: art and I was actually dragged not I was actually 384 00:19:18,766 --> 00:19:22,206 Speaker 4: dragged into an acting class that I didn't know I 385 00:19:22,246 --> 00:19:24,766 Speaker 4: was going to, by the way, and I just I 386 00:19:24,846 --> 00:19:27,526 Speaker 4: fell in love with the craft. And then I got 387 00:19:27,526 --> 00:19:30,726 Speaker 4: into a writing and spoken word. First it was painting. 388 00:19:31,806 --> 00:19:33,486 Speaker 4: I was taught by a friend of mine at the 389 00:19:33,526 --> 00:19:36,726 Speaker 4: time who was his father. Her father's just esteemed a 390 00:19:36,766 --> 00:19:40,046 Speaker 4: painter from from Italy. But anyway, so I got into 391 00:19:40,086 --> 00:19:44,166 Speaker 4: a spoken word and I was at this place called 392 00:19:44,206 --> 00:19:48,486 Speaker 4: the Poetry Lounge over Fairfax in Los Angeles. 393 00:19:48,486 --> 00:19:50,766 Speaker 3: Huge, huge poetry lounge. 394 00:19:50,926 --> 00:19:54,446 Speaker 4: A lot of famous artists, poets come from across the 395 00:19:54,566 --> 00:19:58,246 Speaker 4: nation and come perform here. And I was performing one 396 00:19:58,366 --> 00:20:03,126 Speaker 4: night and an agent was who just happened to be there, 397 00:20:03,526 --> 00:20:05,886 Speaker 4: approached me is like, she's like, do you act or 398 00:20:06,086 --> 00:20:07,486 Speaker 4: I was like, yeah, I'm just started acting. 399 00:20:07,566 --> 00:20:09,606 Speaker 3: She's like, come to the office. I want to sign you. 400 00:20:09,686 --> 00:20:12,646 Speaker 4: So I got signed right away, and then I think 401 00:20:12,686 --> 00:20:15,406 Speaker 4: a couple of weeks later I booked American Crime, which 402 00:20:15,446 --> 00:20:16,126 Speaker 4: was my first thing. 403 00:20:16,406 --> 00:20:19,006 Speaker 3: That's that's that's. 404 00:20:18,806 --> 00:20:19,926 Speaker 1: The most LA story ever. 405 00:20:20,366 --> 00:20:24,046 Speaker 3: Cool, so cool. 406 00:20:25,486 --> 00:20:28,766 Speaker 1: I love that. But look at that it's one one 407 00:20:28,806 --> 00:20:31,126 Speaker 1: passion and a different thing that you're trying to find 408 00:20:31,126 --> 00:20:34,006 Speaker 1: another layer that led you to something else. It's perfect. 409 00:20:34,086 --> 00:20:37,286 Speaker 1: It was destined to you. I love that, Clay, thank 410 00:20:37,326 --> 00:20:37,886 Speaker 1: you so much. 411 00:20:38,006 --> 00:20:39,046 Speaker 3: I agree. I agree. 412 00:20:39,366 --> 00:20:43,806 Speaker 1: We are so excited for Mayan's MC another season on FX. 413 00:20:43,966 --> 00:20:45,966 Speaker 1: Let's go. We want to see you out at a 414 00:20:46,046 --> 00:20:48,646 Speaker 1: Raiders game with a Jimmy G May twenty fourth. Oh, 415 00:20:48,726 --> 00:20:51,846 Speaker 1: that's it, that's in two seconds. I'm going to send 416 00:20:51,846 --> 00:20:55,246 Speaker 1: you Jimmy G a jersey for your next curator to 417 00:20:55,326 --> 00:21:01,246 Speaker 1: do it. He's gonna surbridere's what You're gonna tragedy. No, 418 00:21:02,006 --> 00:21:05,286 Speaker 1: I'm in it, you know, you know, I stay Jimmy. 419 00:21:05,326 --> 00:21:06,926 Speaker 1: He's a good dude and he has a lot of heart. 420 00:21:06,966 --> 00:21:10,526 Speaker 1: Just give him a chance. That's all I'm saying. Graater Nation, Clay, 421 00:21:10,686 --> 00:21:13,126 Speaker 1: thank you so much. We're going to, of course continue 422 00:21:13,126 --> 00:21:14,686 Speaker 1: to follow you. We thank you so much for coming 423 00:21:14,686 --> 00:21:15,046 Speaker 1: through on. 424 00:21:15,686 --> 00:21:20,846 Speaker 2: Appreciate its heys the heat next. 425 00:21:20,646 --> 00:21:21,766 Speaker 1: Round in the finals. 426 00:21:21,846 --> 00:21:27,286 Speaker 3: Let's go have a good one, guys, right, thanks Clay, 427 00:21:27,326 --> 00:21:30,606 Speaker 3: appreciate thank you, Clay. We appreciate you, thank you, Thank you, guys. 428 00:21:30,766 --> 00:21:32,406 Speaker 3: You guys are great. Thank you. Have a good one. 429 00:21:32,606 --> 00:21:33,686 Speaker 3: You too, You too. 430 00:21:48,366 --> 00:21:51,046 Speaker 1: And Huddle is a production of the NFL in partnership 431 00:21:51,086 --> 00:21:54,446 Speaker 1: with iHeart Radio. For more podcasts from iHeart Radio, visit 432 00:21:54,486 --> 00:21:58,766 Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.