WEBVTT - Xtras: Arcane Episodes 108 and 109 with Rosie Knight

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<v Speaker 1>Today's episode contains spoilers for Arcane episodes eight and nine

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<v Speaker 1>and the entirety of season one, because that's the entirety

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<v Speaker 1>of season one. Hi, folks, I'm a Boo and I'm Aaron,

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<v Speaker 1>and welcome to x ray Vision Extras and x ray

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<v Speaker 1>Vision Series, where we dive deep into even more of

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<v Speaker 1>your favorite shows, movies, comics, and pop culture. Every superhero

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<v Speaker 1>team needs side quests, and our rotating panel of producers

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<v Speaker 1>and guest hosts will be suiting up to help Jason

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<v Speaker 1>and Rosie cover all of the amazing nerd content out.

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<v Speaker 2>There, except we have a little bit of a reversal here. Instead,

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<v Speaker 2>today we have Rosie here to help us cover at

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<v Speaker 2>the end of Arcane Season one. Rosie, how are you doing?

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<v Speaker 3>I am so excited to be here. You guys have

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<v Speaker 3>been killing it with these extras episodes, and I'm just

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<v Speaker 3>so excited to be able to be a talk about

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<v Speaker 3>the last couple of episodes and also tease a little

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<v Speaker 3>bit about season two.

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<v Speaker 2>Oh yeah, because spoiler alert, you've seen the first.

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<v Speaker 4>I've seen the first episode.

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<v Speaker 3>I got to watch it at Netflix on a massive

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<v Speaker 3>cinema screen and it was oh cool, unbelievable, so I'm

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<v Speaker 3>very excited to talk a little.

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<v Speaker 4>About that too.

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<v Speaker 2>That would be exact a boo. How do you watch this?

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<v Speaker 2>What screen are you watching on?

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<v Speaker 1>I watch it on a mid range fifty five inch

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<v Speaker 1>Visio TV with a mid range Visio soundbar, and it's

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<v Speaker 1>still incredible.

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<v Speaker 3>I to watch it on like a five years ago

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<v Speaker 3>fifty five inch Visyo TV, but you know, it looks beautiful.

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<v Speaker 1>It does, and it sounds spectacular too. Well, before we

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<v Speaker 1>get into today's recaps, Rosie, we wanted to ask you

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<v Speaker 1>a couple of questions just so the listeners can also

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<v Speaker 1>get caught up on what your relationship is with this

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<v Speaker 1>show and with League of Legends and with everything around it.

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<v Speaker 1>So tell us.

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<v Speaker 3>I am definitely a rke newby AKA. I didn't really

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<v Speaker 3>have any connection or understanding to what League of Legends

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<v Speaker 3>was other than the fact that I love video games

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<v Speaker 3>and I followed video game news and I knew that

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<v Speaker 3>it was like a very popular competitive video game. Also,

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<v Speaker 3>one year, when I was at LA Comic Con, which

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<v Speaker 3>they have at the Staples Center Akacrypto dot Com Arena

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<v Speaker 3>next to it, they were doing a huge League of

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<v Speaker 3>Legends events. You know, it was actually unconnected to Comic

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<v Speaker 3>Con incredibly, and I think it was actually they were

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<v Speaker 3>screening the people playing it competitively. Yeah, it was esports basically,

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<v Speaker 3>and I just I always thought that the designs were

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<v Speaker 3>really cool and it looked great, but it's not the

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<v Speaker 3>kind of game I played. So then when the show

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<v Speaker 3>came out, I was just blown away by the visuals

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<v Speaker 3>in the trailer, and I remember we were having a

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<v Speaker 3>lot of conversations like, oh, this feels like Spider Verse

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<v Speaker 3>level choices.

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<v Speaker 2>That was a Booze first comment. It was like m

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<v Speaker 2>the first time he watched was it the trailer? Was

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<v Speaker 2>it the first episode?

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<v Speaker 1>I forget when I watched the first episode. Yeah, I

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<v Speaker 1>had got the same feeling I did as watching Spider

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<v Speaker 1>Verse for the first time.

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<v Speaker 4>Yeah, it feels that groundbreaking.

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<v Speaker 1>Yes, groundbreaking, the animation, the music, everything coming together in

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<v Speaker 1>a way that I felt like I really hadn't seen

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<v Speaker 1>in an animated TV show of this scale.

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<v Speaker 3>Yeah, it's pretty incredible to see American animation made for

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<v Speaker 3>Netflix of this high caliber that doesn't ape what we

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<v Speaker 3>know of manga and anime, which have been doing these complex,

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<v Speaker 3>more adult storytelling on screen and off for a long time.

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<v Speaker 3>But the way they use music in this show, I

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<v Speaker 3>do think really makes it stand apart. I don't really

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<v Speaker 3>know any other show that uses music that way. It

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<v Speaker 3>almost feels like a musical to me, so that was

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<v Speaker 3>really striking.

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<v Speaker 4>And also, once I started to watch the show, I just.

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<v Speaker 3>Love like a star crossed relationship. I love some kids

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<v Speaker 3>that I can be like rooting for, like I want

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<v Speaker 3>them to be friends, like I need them to join

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<v Speaker 3>and come back together. And also like the lore of

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<v Speaker 3>this show is incredible, so I'm definitely still learning the law,

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<v Speaker 3>but every time I watch it, I just feel like

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<v Speaker 3>it's such an unbelievably well built world, and I absolutely

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<v Speaker 3>love that it's become one of Netflix's most popular shows

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<v Speaker 3>with people who've never played the game, right right, I

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<v Speaker 3>think that's huge.

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<v Speaker 2>Yeah, it's interesting you talk about like having star cross lovers,

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<v Speaker 2>because I actually think of this show other than Viyan Caitlin,

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<v Speaker 2>we don't have a ton of romance. I personally am

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<v Speaker 2>on the Jace Erasure train, so don't I don't recognize.

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<v Speaker 3>I think the Discord agrees with you that jace Erasia

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<v Speaker 3>is with pro jase Erasia.

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<v Speaker 2>But it's a lot of parent and child relationships and

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<v Speaker 2>we get We really get into that in these final

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<v Speaker 2>two episodes with Mel's mom coming, and we see like

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<v Speaker 2>this entirely different. We've had a lot of strong fathers,

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<v Speaker 2>I think, and strong being both a word for their

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<v Speaker 2>power as well as like their and I think Mel's

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<v Speaker 2>mother is strong, but not necessarily in a caring sense.

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<v Speaker 4>Yeah, yeah, exactly.

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<v Speaker 2>So I think this is like other than maybe like

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<v Speaker 2>you know, Last of Us or some other There are

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<v Speaker 2>definitely other TV shows that are focused on like a

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<v Speaker 2>parent and child relationship, but there's a lot in this

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<v Speaker 2>that I really see from that.

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<v Speaker 3>I think the familial aspect of this show is very interesting,

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<v Speaker 3>and I think it's why people connected so much with

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<v Speaker 3>the show, even though it's completely out there and it's

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<v Speaker 3>set in this world you might not understand anything about. Yeah,

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<v Speaker 3>but I think we all have fucked up relationships with

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<v Speaker 3>our families, and I think this show is very appealing

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<v Speaker 3>in that sense, especially because also you don't get a

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<v Speaker 3>lot of strong, caring male relationships in TV or film

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<v Speaker 3>at all. And it actually it's funny you bring up

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<v Speaker 3>The Last of Us because I think there is some

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<v Speaker 3>of that complexity that that season left us with is

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<v Speaker 3>in Kane. That idea of like, what would you do

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<v Speaker 3>for your child, what would you allow them to do,

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<v Speaker 3>would you support or be complicit in, or what would

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<v Speaker 3>you do to protect them? And I think those are

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<v Speaker 3>infinitely relatable questions. And I also just think the show

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<v Speaker 3>looks so good and I love the idea. For me,

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<v Speaker 3>it makes me so excited to imagine that there's kids

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<v Speaker 3>out there who like this will be like their first

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<v Speaker 3>animated show, and that's going to make them just want

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<v Speaker 3>to be an animation, want to make animation, want to

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<v Speaker 3>watch animation, And I think that's amazing, especially in the

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<v Speaker 3>face of AI and everything that we're dealing with right now.

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<v Speaker 1>Couldn't agree more.

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<v Speaker 2>And I know the show's second season's not out yet,

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<v Speaker 2>but along the lines of like a beautifully animated show,

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<v Speaker 2>it's well known I think that one of my favorite

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<v Speaker 2>shows growing up was the X Men animated series. That's

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<v Speaker 2>what got me into comics and everything, and that of

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<v Speaker 2>course has a famous fall from Grace in its final

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<v Speaker 2>season where the animation budget is cut, they have drastically

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<v Speaker 2>different art styles for like the last six episodes or whatever.

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<v Speaker 2>I mean, we haven't seen all of season two, but

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<v Speaker 2>hopefully this just stays hot. The whole time.

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<v Speaker 3>I also think that there's something very powerful and good

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<v Speaker 3>about finishing a show on your own terms or a story.

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<v Speaker 1>I was just going to bring that up.

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<v Speaker 3>Yeah, it's obviously this has been such a huge success

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<v Speaker 3>for Netflix. They could have said We're going to do

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<v Speaker 3>six seasons, but actually they said, we're going to do two.

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<v Speaker 3>There will be more stories in this world, but let's

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<v Speaker 3>finish while we're on a high and hopefully my fingers

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<v Speaker 3>are crossed. That also means that the animators were able

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<v Speaker 3>to do it in like a more sustainable way, rather

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<v Speaker 3>than constantly being on crunch thinking about what's next. And

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<v Speaker 3>obviously we need that space for animators to breathe and

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<v Speaker 3>to be able to be creative to bring a show

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<v Speaker 3>like this to life, Like, especially in the finale, I

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<v Speaker 3>feel like, and we'll get into this, but like they

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<v Speaker 3>really pushed the boundaries of different styles of animation that

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<v Speaker 3>you can use together and that Spider verse element where

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<v Speaker 3>you feel like, oh, I'm watching something that has never

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<v Speaker 3>been done before.

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<v Speaker 1>Definitely, Okay, Rosie, one last question before we dive into

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<v Speaker 1>these final two recaps of the final two episodes. Thoughts

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<v Speaker 1>on Imagine Dragons.

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<v Speaker 3>Look, I'm not I'm just gonna be honest. I'm not

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<v Speaker 3>a huge Imagine Dragons fan. But you know what, the

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<v Speaker 3>reason my voice sounds like this, and it sounded like

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<v Speaker 3>this on the podcast all week is I went to

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<v Speaker 3>the When We Were Young fest in Vegas and I

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<v Speaker 3>screamed my lungs out to like my Chemical Romance and

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<v Speaker 3>take your Mac Sunday, and they use. So I'm not

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<v Speaker 3>here to judge anyone's musical tastes, but I am a

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<v Speaker 3>little bit old for Imagine Dragons. But you know what,

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<v Speaker 3>my mom loves Imagine Dragons, my nephew loves Imagine Dragons,

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<v Speaker 3>and I do think that in the context of this show,

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<v Speaker 3>I feel like it does bring those big emotional beats.

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<v Speaker 3>And I love the way they use music in this

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<v Speaker 3>show so much that it becomes like a part of.

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<v Speaker 1>The world, especially in these last two episodes too.

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<v Speaker 2>All right, should we jump into episode eight?

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<v Speaker 1>Let's do Let's do it all right.

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<v Speaker 2>We open on a flashback to Mel's childhood in an

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<v Speaker 2>empty throne room with her mother. This is like the

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<v Speaker 2>end of a conquest, and two Noxi and guards come

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<v Speaker 2>in with a young female prisoner and Mel. This young

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<v Speaker 2>girl suggests they show her mercy, but her mother says,

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<v Speaker 2>you can't do that. You're being weak. This is the

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<v Speaker 2>time for you to show your strength. Here we are

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<v Speaker 2>again with strength, and for anyone who's a fan of

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<v Speaker 2>novelty T shirts, we almost get two wolves howling at

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<v Speaker 2>the moon, but instead she says, if you want to

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<v Speaker 2>last in this world, you must learn to be both

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<v Speaker 2>the fox and the wolf.

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<v Speaker 1>Hmm. Now we cut back to the bridge that we

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<v Speaker 1>left off in the last episode. Among the wreckage, Silko

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<v Speaker 1>rushes forward when he finds Jinx's body. He's very obviously

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<v Speaker 1>concerned for his daughter's life here. Caitlin meanwhile opens up

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<v Speaker 1>the container that used to contain the gemstone, only to

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<v Speaker 1>learn that it's missing. Jink still has it. Violet and

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<v Speaker 1>Silko lockeyes from across the bridge as Violet watches Silko

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<v Speaker 1>carry her sister away in his arms. Later on, Jace

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<v Speaker 1>sees the aftermath of the destruction on this bridge and

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<v Speaker 1>loses his lunch and frankly, I can't blame him.

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<v Speaker 3>It's pretty bad. It's pretty bad, I think.

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<v Speaker 1>Also a poignant scene because of the context of this episode.

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<v Speaker 1>In the next Jace, you don't know war is something

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<v Speaker 1>that Mel tells him in this episode later on, and

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<v Speaker 1>we see here he doesn't know war. This is perhaps

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<v Speaker 1>like the first dead body he's ever seen in his life,

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<v Speaker 1>and he loses his lunch over it, so we kind

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<v Speaker 1>of see that he's very inexperienced with this type of violence.

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<v Speaker 1>Later on, Violent at Caitlyn sneak into Caitlyn's house and

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<v Speaker 1>are caught by her parents. In a bit of a

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<v Speaker 1>rom calm moment, Caitlyn, while she's getting patched up by

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<v Speaker 1>her concerned father, convinces her mother, missus Kierman, who remember

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<v Speaker 1>is a member of the Council of Piltover, to give

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<v Speaker 1>her a chance to report to the council. She thinks

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<v Speaker 1>she can sway them and convince them to work something

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<v Speaker 1>out with the under City.

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<v Speaker 3>I think this is a really good moment and an

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<v Speaker 3>example of why this show is so great because you

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<v Speaker 3>mentioned it, but it's like a romcom moment. But it's

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<v Speaker 3>also again, who hasn't snuck into someone else's house and.

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<v Speaker 4>Got on court by their parents.

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<v Speaker 3>Even in this why old steampunk world, the writers see

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<v Speaker 3>these moments that add so much humanity, and I think

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<v Speaker 3>that is why when it comes to the Gemstones and

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<v Speaker 3>the outrageous steampunk weapons. The thing at the heart of

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<v Speaker 3>it is that you care about these characters, and also

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<v Speaker 3>there's moments when you remember kind of how young they are.

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<v Speaker 2>Yeah, from one concerned father to another. Soilco bringing Jinks

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<v Speaker 2>to Singed just in agony, and he wants Sings to

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<v Speaker 2>try to save her, and sins just like, I can

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<v Speaker 2>do this, but this is going to be a very

0:11:30.760 --> 0:11:34.680
<v Speaker 2>demanding process. And he says, sometimes death is a mercy.

0:11:34.920 --> 0:11:38.480
<v Speaker 2>Are you prepared to lose her? And Singed comes up

0:11:38.520 --> 0:11:42.480
<v Speaker 2>behind Soco gives them the old whatever knockout thing he

0:11:42.559 --> 0:11:46.920
<v Speaker 2>has in a vile He's like, this is for your

0:11:46.920 --> 0:11:49.760
<v Speaker 2>own sake. Yeah, you don't want to see this, right, Yeah,

0:11:49.800 --> 0:11:53.160
<v Speaker 2>And Singe once had a daughter of his own, he says,

0:11:53.200 --> 0:11:55.360
<v Speaker 2>and he knows how difficult this is going to be.

0:11:55.800 --> 0:11:57.400
<v Speaker 2>Ah little foreshadowing there.

0:11:57.720 --> 0:12:01.040
<v Speaker 1>I loved that so much because the show continues to

0:12:01.040 --> 0:12:04.559
<v Speaker 1>do something that is so brilliant. The villains are also

0:12:04.720 --> 0:12:07.920
<v Speaker 1>tragic characters that the show somehow makes you feel for.

0:12:08.559 --> 0:12:12.600
<v Speaker 1>Silko during this entire scene is genuinely concerned for Jinks,

0:12:12.679 --> 0:12:15.840
<v Speaker 1>and it's very endearing. We see the fatherly side of

0:12:15.840 --> 0:12:19.760
<v Speaker 1>Silko and not just the under city mobster side of

0:12:19.760 --> 0:12:22.319
<v Speaker 1>Silka that we've seen all season, and then on the

0:12:22.360 --> 0:12:24.800
<v Speaker 1>flip side, Cinch saying I used to have a daughter.

0:12:25.040 --> 0:12:27.320
<v Speaker 1>I know how difficult a moment like this can be

0:12:27.360 --> 0:12:29.199
<v Speaker 1>and you don't want to see what's going to happen next,

0:12:29.520 --> 0:12:32.840
<v Speaker 1>speaks volumes to his character and it makes me wonder, like, what, Cinch,

0:12:33.080 --> 0:12:36.520
<v Speaker 1>what is his backstory? In my head canon? It makes

0:12:36.520 --> 0:12:39.520
<v Speaker 1>me think was there a world in which Singeed had

0:12:39.559 --> 0:12:42.080
<v Speaker 1>a daughter that succumbed to some sort of disease that

0:12:42.120 --> 0:12:45.560
<v Speaker 1>he was never able to cure and thus his obsession

0:12:45.600 --> 0:12:48.840
<v Speaker 1>we see throughout this season with keeping things alive and

0:12:48.920 --> 0:12:51.160
<v Speaker 1>pushing science forward at all costs.

0:12:51.480 --> 0:12:53.640
<v Speaker 4>That's a great read also as well.

0:12:53.800 --> 0:12:57.120
<v Speaker 3>It really reminds me of the conversation around the Penguin

0:12:57.160 --> 0:12:59.160
<v Speaker 3>at the moment, which is this idea of like, the

0:12:59.200 --> 0:13:01.720
<v Speaker 3>Penguin doesn't have a good hero for you to root for.

0:13:01.760 --> 0:13:06.199
<v Speaker 3>The Penguin just has multiple different, complicated villains, but they.

0:13:06.040 --> 0:13:08.120
<v Speaker 4>Manage to make you care about them.

0:13:08.240 --> 0:13:10.559
<v Speaker 3>And I think that this is something that this show

0:13:10.880 --> 0:13:13.200
<v Speaker 3>has done super well. And you kind of have to

0:13:13.320 --> 0:13:16.600
<v Speaker 3>because obviously there is a Jinx fandom, and if there's

0:13:16.600 --> 0:13:19.959
<v Speaker 3>always been a fandom for the darker side or the resistance,

0:13:20.000 --> 0:13:23.079
<v Speaker 3>the rebellion, whichever way you see them. And I think

0:13:23.280 --> 0:13:25.320
<v Speaker 3>they do such a good job of not just being like,

0:13:25.640 --> 0:13:27.760
<v Speaker 3>this is why this person is, why they are how

0:13:27.800 --> 0:13:30.000
<v Speaker 3>they are. It's like, you know, in Shrek, what do

0:13:30.040 --> 0:13:32.520
<v Speaker 3>they say is like peeling an onion. You know, there's

0:13:32.559 --> 0:13:35.760
<v Speaker 3>different layers. I feel like they actually do a really

0:13:35.800 --> 0:13:36.520
<v Speaker 3>good job.

0:13:36.679 --> 0:13:39.600
<v Speaker 1>I think the onion metaphor is actually originally from Shrek

0:13:39.720 --> 0:13:41.800
<v Speaker 1>and only from Shrek.

0:13:42.679 --> 0:13:44.840
<v Speaker 2>I had a Shrek joke I was gonna put in later,

0:13:46.320 --> 0:13:47.479
<v Speaker 2>like the other option.

0:13:47.360 --> 0:13:50.000
<v Speaker 4>Is like parfe, you're just like different layers, you know.

0:13:50.559 --> 0:13:54.080
<v Speaker 3>But I do think that is really well done in

0:13:54.120 --> 0:13:56.560
<v Speaker 3>this show, where someone that you think you already know

0:13:56.679 --> 0:14:01.280
<v Speaker 3>all of their motivations penultimate episode and suddenly it's like boom,

0:14:01.360 --> 0:14:04.480
<v Speaker 3>you realize that actually everyone and you know it's that thing.

0:14:04.520 --> 0:14:07.480
<v Speaker 3>Every single person is a universe. Every single person has

0:14:07.840 --> 0:14:10.160
<v Speaker 3>is the hero of their own story. Every single person

0:14:10.240 --> 0:14:13.240
<v Speaker 3>has five hundred other people that have impacted their lives

0:14:13.320 --> 0:14:15.000
<v Speaker 3>or that they will come into contact with, and we

0:14:15.040 --> 0:14:18.160
<v Speaker 3>can forget that, but this show doesn't let us forget it.

0:14:18.240 --> 0:14:21.120
<v Speaker 3>And I think that's part of why it's so well

0:14:21.160 --> 0:14:24.920
<v Speaker 3>received because the story and the writing keeps peppering in

0:14:25.000 --> 0:14:27.800
<v Speaker 3>these little surprises and bits of humanity that make the

0:14:27.840 --> 0:14:30.600
<v Speaker 3>conflict at the center like way more complicated.

0:14:30.840 --> 0:14:32.680
<v Speaker 2>Yeah, I mean, one of the things I mentioned last

0:14:32.720 --> 0:14:35.800
<v Speaker 2>episode when we were discussing the Ken bearons, I wished

0:14:35.840 --> 0:14:39.760
<v Speaker 2>we had had more time spent with Silko's CD underworld

0:14:39.760 --> 0:14:44.720
<v Speaker 2>connections and his role as this criminal mastermind, because instead

0:14:44.920 --> 0:14:48.960
<v Speaker 2>most of Silko's scenes are with Jinks and his love

0:14:49.040 --> 0:14:51.520
<v Speaker 2>and care for Jinks, to the point that one of

0:14:51.560 --> 0:14:54.120
<v Speaker 2>my questions later on that I'll bring up is kind

0:14:54.120 --> 0:14:56.800
<v Speaker 2>of about the villains and the show. And again we're

0:14:56.840 --> 0:14:59.840
<v Speaker 2>basing the show off of video game, where the villains

0:14:59.880 --> 0:15:02.160
<v Speaker 2>are characters you could play us. So there's gonna be

0:15:02.160 --> 0:15:04.360
<v Speaker 2>some people in the fandom who are like, Singed is

0:15:04.400 --> 0:15:08.440
<v Speaker 2>my main character mostly so I want Singe to have

0:15:08.600 --> 0:15:11.280
<v Speaker 2>good screen time and a good storyline, et cetera. So

0:15:11.480 --> 0:15:14.640
<v Speaker 2>I could totally see why that might also have led

0:15:14.680 --> 0:15:17.240
<v Speaker 2>them from a story perspective to want to include these

0:15:17.320 --> 0:15:20.800
<v Speaker 2>characters in as favorable of a light as possible.

0:15:20.960 --> 0:15:23.880
<v Speaker 1>That's a good point. Returning to our recap. In the

0:15:23.880 --> 0:15:28.280
<v Speaker 1>next scene, Finn, the incredibly well dressed Finn, stepping right

0:15:28.320 --> 0:15:31.280
<v Speaker 1>out of Cyberpunk twenty seventy seven and into this universe,

0:15:31.600 --> 0:15:35.680
<v Speaker 1>pays a visit to Sivika, and he is here to

0:15:35.720 --> 0:15:40.760
<v Speaker 1>try and play to her dissatisfaction with Silko and the

0:15:40.960 --> 0:15:45.120
<v Speaker 1>obvious dedication that Silko has towards Jinks. He has been

0:15:45.240 --> 0:15:47.840
<v Speaker 1>very forgiving of many of Jinx's faults all season, and

0:15:47.920 --> 0:15:50.960
<v Speaker 1>the starting to wear a thin on the rest of

0:15:51.000 --> 0:15:54.240
<v Speaker 1>his partners down here in the under City. Back at Piltover,

0:15:54.760 --> 0:15:58.800
<v Speaker 1>Mel's mother and Bessa arrives and breaks the news to

0:15:58.840 --> 0:16:02.320
<v Speaker 1>Melt that her brother had died. He crossed the wrong

0:16:02.400 --> 0:16:05.240
<v Speaker 1>person and ended up on the wrong side of a sword, seemingly,

0:16:05.880 --> 0:16:10.120
<v Speaker 1>and Invessa is here to check in about hex Tech weapons.

0:16:10.320 --> 0:16:13.280
<v Speaker 1>She's been hearing some rumors. She's here to figure out

0:16:13.320 --> 0:16:15.960
<v Speaker 1>what's going on and why hex Tech is being used

0:16:16.000 --> 0:16:18.240
<v Speaker 1>for weaponry and whether or not it might be useful

0:16:18.280 --> 0:16:21.200
<v Speaker 1>to her personally, and also maybe to like say I

0:16:21.320 --> 0:16:22.040
<v Speaker 1>to Mel or whatever.

0:16:22.200 --> 0:16:24.200
<v Speaker 4>Anyway, that's definitely secondary.

0:16:24.640 --> 0:16:27.000
<v Speaker 3>This is definitely a mom who shows up when she

0:16:27.120 --> 0:16:27.760
<v Speaker 3>needs something.

0:16:27.880 --> 0:16:31.080
<v Speaker 2>She's like, so, yeah, she's there to taste the local cuisine.

0:16:31.120 --> 0:16:32.720
<v Speaker 2>I think that's very like.

0:16:32.800 --> 0:16:35.840
<v Speaker 3>She's just like so your brother died, So now I

0:16:35.840 --> 0:16:38.760
<v Speaker 3>guess I have to just put up with you.

0:16:38.760 --> 0:16:39.840
<v Speaker 4>You're the leftover.

0:16:40.720 --> 0:16:43.800
<v Speaker 1>I did want to bring up a bit of a

0:16:43.840 --> 0:16:46.920
<v Speaker 1>confusing moment here in this exchange between Mel and her

0:16:46.960 --> 0:16:50.480
<v Speaker 1>mother and Vessa clearly is like Hextech is going to

0:16:50.520 --> 0:16:53.720
<v Speaker 1>be used for weapons. Weapons can't be unmade, They're always used,

0:16:53.920 --> 0:16:55.760
<v Speaker 1>is a line that she says to Mel at some point,

0:16:56.120 --> 0:16:59.280
<v Speaker 1>and Mel is seemingly pushing back. She's like, no, no, no, Hextech.

0:16:59.600 --> 0:17:03.560
<v Speaker 1>I only backed Jas and Hextech to help Hiltover and

0:17:03.600 --> 0:17:07.040
<v Speaker 1>the citizens of the city. I'm not pro making weapons,

0:17:07.080 --> 0:17:10.760
<v Speaker 1>but I feel like episode or two ago she was like, hey, Jase,

0:17:10.760 --> 0:17:12.400
<v Speaker 1>maybe we should make weapons from x Tech.

0:17:13.480 --> 0:17:14.440
<v Speaker 4>There's a lot of maybe.

0:17:14.440 --> 0:17:17.439
<v Speaker 3>It's like maybe she just can't help but want to

0:17:17.480 --> 0:17:20.920
<v Speaker 3>contradict her mom and have kind of argument with them.

0:17:21.560 --> 0:17:23.800
<v Speaker 3>I think it's less to do with what she really believes,

0:17:23.880 --> 0:17:25.679
<v Speaker 3>is more about what she wants to like reveal.

0:17:25.920 --> 0:17:27.679
<v Speaker 1>I think you're spot on. That was my sort of

0:17:27.960 --> 0:17:30.520
<v Speaker 1>take on it too, because otherwise it's like a huge

0:17:30.520 --> 0:17:33.360
<v Speaker 1>flip flop of the character motivations. But I think this

0:17:33.480 --> 0:17:36.240
<v Speaker 1>is very much just a reaction to her mother to

0:17:36.280 --> 0:17:36.959
<v Speaker 1>fight against it.

0:17:37.040 --> 0:17:39.680
<v Speaker 2>And I think mel was most concerned with making weapons

0:17:39.720 --> 0:17:42.560
<v Speaker 2>because she could make money off it. Yeah, yeah, yeah, yeah,

0:17:42.560 --> 0:17:45.320
<v Speaker 2>I don't know. She was necessarily like, oh, if my

0:17:45.440 --> 0:17:48.040
<v Speaker 2>mom's here, do I have to give her the family discount?

0:17:48.160 --> 0:17:50.840
<v Speaker 2>And then suddenly like, yeah, cuts into my profits a

0:17:50.880 --> 0:17:54.040
<v Speaker 2>little bit. I don't know. Right, we get I apologize

0:17:54.040 --> 0:17:57.280
<v Speaker 2>that Joelle is not here, but Caitlin and Violet share

0:17:57.320 --> 0:18:01.040
<v Speaker 2>a moment on the bed. Violet remembers her childhood with Powder,

0:18:01.600 --> 0:18:04.040
<v Speaker 2>beautiful yin Yang imagery here with the two of them

0:18:04.040 --> 0:18:08.080
<v Speaker 2>mirroring each other, and Violet does this great little monologue

0:18:08.080 --> 0:18:10.359
<v Speaker 2>talking about when they were younger, and she was like,

0:18:10.760 --> 0:18:13.119
<v Speaker 2>we would play monsters and we would each try to

0:18:13.160 --> 0:18:15.560
<v Speaker 2>scare the other one, and we'd be bigger and bigger

0:18:15.600 --> 0:18:18.880
<v Speaker 2>monsters to scare each other. And if my monsters got

0:18:18.920 --> 0:18:22.000
<v Speaker 2>too scary for Powder, I would tell her that I'd

0:18:22.040 --> 0:18:24.760
<v Speaker 2>chase them away. I would protect her, and I'd say,

0:18:24.800 --> 0:18:26.600
<v Speaker 2>no monster is going to get you as long as

0:18:26.640 --> 0:18:29.480
<v Speaker 2>I'm here, And she says, but then a real monster

0:18:29.560 --> 0:18:32.600
<v Speaker 2>showed up and I just ran away. And we do

0:18:32.760 --> 0:18:36.760
<v Speaker 2>get a very intimate soft stroke on the cheek and

0:18:36.800 --> 0:18:40.400
<v Speaker 2>that's it, and that's it, so so Jace and mel

0:18:40.560 --> 0:18:45.600
<v Speaker 2>get like fireworks over cutting blood and hextech mixing when

0:18:45.640 --> 0:18:49.200
<v Speaker 2>they get intimate, and Caylen and Violet get a single

0:18:49.600 --> 0:18:50.760
<v Speaker 2>stroke on the cheek.

0:18:50.880 --> 0:18:54.960
<v Speaker 3>That gal pals Aaron, Yeah, you don't know.

0:18:57.080 --> 0:18:59.760
<v Speaker 2>After this, they went and played the girlfriend's board game.

0:19:01.560 --> 0:19:06.520
<v Speaker 3>Sleepover, Sleepover, hunk Phone or whatever. I think part of

0:19:06.600 --> 0:19:09.680
<v Speaker 3>the reason that I am so affected by this show

0:19:09.760 --> 0:19:13.399
<v Speaker 3>is like, I just love my sister so much, my

0:19:13.520 --> 0:19:16.600
<v Speaker 3>sister Amber, and like, when I watch this show, I

0:19:16.680 --> 0:19:19.919
<v Speaker 3>find this so much more tragic than any romance. You know,

0:19:20.000 --> 0:19:22.959
<v Speaker 3>those kind of stories have been done so many times,

0:19:22.960 --> 0:19:26.000
<v Speaker 3>but I think seeing this story of someone that you're

0:19:26.040 --> 0:19:28.560
<v Speaker 3>so connected to, that you have this bond with that

0:19:28.600 --> 0:19:31.520
<v Speaker 3>you protected each other, and then having as a viewer

0:19:31.560 --> 0:19:34.720
<v Speaker 3>to like imagine how it feels when that's torn away,

0:19:34.960 --> 0:19:37.720
<v Speaker 3>that definitely gets me. I think they do such a

0:19:37.720 --> 0:19:40.040
<v Speaker 3>good job with it. But also I'm like, no, be friends,

0:19:40.359 --> 0:19:41.760
<v Speaker 3>be friends. I know, I don't want to see this

0:19:41.880 --> 0:19:44.160
<v Speaker 3>like you're okay with each other now, so your sisters

0:19:44.280 --> 0:19:45.119
<v Speaker 3>be friends.

0:19:45.280 --> 0:19:46.080
<v Speaker 4>Don't do it, right.

0:19:46.640 --> 0:19:48.280
<v Speaker 1>I think that's what all of us are hoping for

0:19:48.440 --> 0:19:51.679
<v Speaker 1>watching this show, and the entertaining part of the tragic

0:19:51.720 --> 0:19:53.280
<v Speaker 1>part is watching that not happen.

0:19:53.520 --> 0:19:56.239
<v Speaker 3>I think that's another thing that's pretty amazing is when

0:19:56.320 --> 0:19:57.760
<v Speaker 3>you have a show where you know what's going to

0:19:57.800 --> 0:20:01.199
<v Speaker 3>happen because you understand even vague what the lore of

0:20:01.240 --> 0:20:04.240
<v Speaker 3>the game is, or the story or the comic book

0:20:04.560 --> 0:20:07.320
<v Speaker 3>or Romeo and Juliet, for example, Bas Lemon's Romeo and Juliet.

0:20:07.320 --> 0:20:08.240
<v Speaker 4>At the end of that movie.

0:20:08.240 --> 0:20:10.280
<v Speaker 3>I've seen it probably one hundred times, but there's a

0:20:10.320 --> 0:20:12.720
<v Speaker 3>second where I always just wish, as hard as I

0:20:12.760 --> 0:20:15.680
<v Speaker 3>can that they'll see each other wake up. I think

0:20:15.720 --> 0:20:18.920
<v Speaker 3>that is the sign of a really fantastically told story.

0:20:19.320 --> 0:20:21.719
<v Speaker 3>So like, we're watching this and we're all rooting for that,

0:20:21.960 --> 0:20:24.000
<v Speaker 3>but we know that that's never going to be that

0:20:24.119 --> 0:20:26.600
<v Speaker 3>simple for Ry and Jinks, you know. And I think

0:20:26.640 --> 0:20:28.879
<v Speaker 3>that the fact that we can still root for it

0:20:28.920 --> 0:20:32.160
<v Speaker 3>even knowing the outcome is just a really big compliment

0:20:32.240 --> 0:20:33.119
<v Speaker 3>how good the show is.

0:20:33.200 --> 0:20:34.000
<v Speaker 1>Absolutely yeah.

0:20:34.040 --> 0:20:36.639
<v Speaker 2>I'm a huge musical theater person, and one of my

0:20:36.640 --> 0:20:39.159
<v Speaker 2>favorite shows is Hades Town. Oh yeah, of course is

0:20:39.440 --> 0:20:42.160
<v Speaker 2>Retelling of Orpheus and Youriticy And there was an interview

0:20:42.200 --> 0:20:44.760
<v Speaker 2>where they're talking about Anias Mitchell, who wrote it, was

0:20:44.760 --> 0:20:48.320
<v Speaker 2>talking about we know how this ends and there's still

0:20:48.400 --> 0:20:51.439
<v Speaker 2>that moment when Orpheus is about to turn around that

0:20:51.520 --> 0:20:54.360
<v Speaker 2>you think maybe he won't, won't this, Maybe he'll get

0:20:54.440 --> 0:20:56.600
<v Speaker 2>and we'll do it, And then it starts over again,

0:20:56.640 --> 0:21:00.199
<v Speaker 2>and it's just like, what a heartbreaking thing, because you

0:21:00.280 --> 0:21:02.639
<v Speaker 2>know it's going to happen, but you've convinced yourself that

0:21:02.720 --> 0:21:03.320
<v Speaker 2>maybe it won't.

0:21:03.400 --> 0:21:04.440
<v Speaker 4>Yeah, maybe it won't.

0:21:19.080 --> 0:21:22.320
<v Speaker 1>Well, we move on from that very touching and heartfelt

0:21:22.320 --> 0:21:26.840
<v Speaker 1>scene between Caitlin and v to Jinx having the worst

0:21:26.920 --> 0:21:30.159
<v Speaker 1>night of her life. She's having shimmer pumped into her

0:21:30.240 --> 0:21:34.119
<v Speaker 1>veins by Singed. Singed is injecting her over and over again,

0:21:34.440 --> 0:21:39.520
<v Speaker 1>and throughout it all she is hallucinating images of Violet

0:21:39.640 --> 0:21:43.400
<v Speaker 1>and Caitlyn taunting her. At one point she mistakes Singed

0:21:43.480 --> 0:21:48.119
<v Speaker 1>for Caitlin. This is a horrible experience, clearly for Jinks.

0:21:48.640 --> 0:21:51.800
<v Speaker 1>We then cut to a little bit later. Silko wakes up,

0:21:51.840 --> 0:21:54.800
<v Speaker 1>the drugs wear off. He rushes to the operating table

0:21:54.800 --> 0:21:58.800
<v Speaker 1>and he sees blood everywhere, and he confronts Singed with

0:21:58.840 --> 0:22:01.720
<v Speaker 1>a blade. What did you do to her? And Sin says,

0:22:02.240 --> 0:22:06.399
<v Speaker 1>I saved your life. From there we join We joined

0:22:06.400 --> 0:22:09.600
<v Speaker 1>our guy Heimerdinger. What is he doing? What's he doing

0:22:09.960 --> 0:22:11.880
<v Speaker 1>this is the most confounding part of these last two

0:22:11.880 --> 0:22:14.800
<v Speaker 1>episodes for me. Heimerdinger is wandering through the under City.

0:22:15.359 --> 0:22:19.639
<v Speaker 1>He is shocked to find it lawless and the citizen's unhappy.

0:22:19.800 --> 0:22:24.000
<v Speaker 3>Really, I'm like, bro, just listen to any one person.

0:22:24.280 --> 0:22:26.480
<v Speaker 3>Just just have a Conbob, all right.

0:22:26.560 --> 0:22:29.679
<v Speaker 2>This is a little able us here. Heimerdinger is incredibly short,

0:22:29.720 --> 0:22:32.160
<v Speaker 2>his legs are very small. It takes him a lot

0:22:32.280 --> 0:22:34.520
<v Speaker 2>longer to get to the under City, and we've seen

0:22:34.560 --> 0:22:38.240
<v Speaker 2>how much Parkour went into getting down there, So I

0:22:38.280 --> 0:22:40.200
<v Speaker 2>don't know, I'm going to give him a break because

0:22:40.200 --> 0:22:41.440
<v Speaker 2>he's got that mustache.

0:22:41.480 --> 0:22:43.280
<v Speaker 3>I feel like maybe he could have had some other

0:22:43.320 --> 0:22:45.920
<v Speaker 3>people going down there for him, bringing up, you know,

0:22:46.040 --> 0:22:50.920
<v Speaker 3>information and kind of messengers. I don't think he's doing

0:22:51.280 --> 0:22:52.720
<v Speaker 3>his due diligence.

0:22:52.960 --> 0:22:54.680
<v Speaker 4>If this is like a surprise to.

0:22:54.680 --> 0:22:59.000
<v Speaker 1>Him, Yes, absolutely agreed, especially considering you're the father of

0:22:59.160 --> 0:23:02.719
<v Speaker 1>Peltover founded this city. I'm saying, you don't know what

0:23:02.760 --> 0:23:05.359
<v Speaker 1>the how the other half is living. You've never crossed

0:23:05.359 --> 0:23:08.480
<v Speaker 1>the bridge. It's absolutely wild to me. But he is

0:23:08.480 --> 0:23:12.240
<v Speaker 1>shocked by this experience. He even meets this young girl

0:23:12.320 --> 0:23:15.879
<v Speaker 1>who gives him some gears and spare parts that she found.

0:23:16.080 --> 0:23:17.960
<v Speaker 1>He turns it into a cute little top for her

0:23:18.040 --> 0:23:20.640
<v Speaker 1>before her mother rushes her away. Don't talk to strangers

0:23:20.640 --> 0:23:24.320
<v Speaker 1>in the under City, clearly. Heimer Dinger then stumbles upon

0:23:25.040 --> 0:23:28.280
<v Speaker 1>a firelight board one of the hoverboards, and it turns

0:23:28.280 --> 0:23:31.359
<v Speaker 1>out it's Echoes. Echo has been hiding underneath the bridge

0:23:31.359 --> 0:23:34.600
<v Speaker 1>after the explosion. He's injured, he's sprained his ankle. He's

0:23:34.640 --> 0:23:36.520
<v Speaker 1>having a tough time figuring out how he's going to

0:23:36.600 --> 0:23:39.679
<v Speaker 1>get back home, and so heimer Dinger and Echo team up.

0:23:39.720 --> 0:23:41.240
<v Speaker 1>Himerdinger's going to hope that go get home.

0:23:42.000 --> 0:23:44.239
<v Speaker 2>I have no good transition to this because we just

0:23:44.720 --> 0:23:47.080
<v Speaker 2>went in this incredible scene in the under City, and

0:23:47.119 --> 0:23:49.560
<v Speaker 2>now we go to am Bessa spread Eagle in the

0:23:49.560 --> 0:23:55.240
<v Speaker 2>spa with her tasty tree behind her, very witcher of her, Yes,

0:23:55.840 --> 0:23:59.760
<v Speaker 2>oh my god, yes, very. She's also she is the

0:23:59.800 --> 0:24:02.280
<v Speaker 2>most Garald have all the characters in this show? Yeah, sure,

0:24:02.320 --> 0:24:08.000
<v Speaker 2>definitely Garalt Gerald, Gerald, Gerald, Do.

0:24:08.080 --> 0:24:10.040
<v Speaker 1>We all three of us say it three different ways?

0:24:10.160 --> 0:24:11.000
<v Speaker 4>How do you say it?

0:24:11.160 --> 0:24:12.520
<v Speaker 1>Gerald? Of Rivia?

0:24:12.640 --> 0:24:14.720
<v Speaker 2>I thought it was Garl? Yeah, what did I say?

0:24:14.880 --> 0:24:15.200
<v Speaker 1>You said?

0:24:15.240 --> 0:24:22.880
<v Speaker 2>Garlt? Stay tuned for an extra's episode where we all

0:24:22.920 --> 0:24:27.320
<v Speaker 2>just try to pronounce names incorrectly, clearly, and Bessa is

0:24:27.359 --> 0:24:30.879
<v Speaker 2>sitting in the spa, enjoying the perks of the city,

0:24:31.320 --> 0:24:35.159
<v Speaker 2>and she's lecturing to Jace, but she he's very uncomfortable.

0:24:35.160 --> 0:24:37.360
<v Speaker 2>He understands who she is. He's trying to be polite,

0:24:37.640 --> 0:24:40.359
<v Speaker 2>but she has absolutely no qualms about striding out of

0:24:40.400 --> 0:24:44.200
<v Speaker 2>the water, completely nude and threatening Jace. And I love

0:24:44.240 --> 0:24:47.480
<v Speaker 2>this scene, in particular the backdrop it's set against, with

0:24:47.600 --> 0:24:51.480
<v Speaker 2>this painting of an army all with their spears pointed

0:24:51.720 --> 0:24:55.080
<v Speaker 2>in to this exact spot that Jace is standing.

0:24:56.080 --> 0:25:00.359
<v Speaker 1>From there, we cut to Caitlin and Vibe and the council.

0:25:00.520 --> 0:25:03.639
<v Speaker 1>They're about to present to the council. Caitlyn makes her pitch.

0:25:03.880 --> 0:25:06.600
<v Speaker 1>She says, look, I went to the under city. Violet

0:25:06.640 --> 0:25:10.280
<v Speaker 1>showed me around. People are sick, they're starving, they're ravaged

0:25:10.320 --> 0:25:14.000
<v Speaker 1>by Shimmer. They're under the thumb of warlords like Silko.

0:25:14.720 --> 0:25:17.240
<v Speaker 1>And Silko is out here on a mission to make

0:25:17.440 --> 0:25:21.119
<v Speaker 1>Zoon independent. He wants to split the city into Jace

0:25:21.480 --> 0:25:24.280
<v Speaker 1>immediately wants to go down their guns blazing. He wants

0:25:24.359 --> 0:25:28.080
<v Speaker 1>to meet force with force. Stupid Mel trying to calm

0:25:28.200 --> 0:25:31.400
<v Speaker 1>him down, urges him to reconsider again. She says Jace,

0:25:31.440 --> 0:25:33.760
<v Speaker 1>you don't know war like I do. War should be

0:25:33.760 --> 0:25:38.240
<v Speaker 1>our absolute last resort. So she proposes that we negotiate

0:25:38.280 --> 0:25:41.000
<v Speaker 1>with Silko. We got to find a diplomatic solution here,

0:25:41.440 --> 0:25:44.960
<v Speaker 1>which triggers Violet. She is not interested in negotiating with

0:25:45.000 --> 0:25:46.880
<v Speaker 1>a man who killed her father and ruined her life

0:25:46.920 --> 0:25:49.720
<v Speaker 1>and took her sister, and she explodes on the council

0:25:49.840 --> 0:25:53.159
<v Speaker 1>and storms out of the room. Caitlyn rushes after Violet

0:25:53.600 --> 0:25:55.960
<v Speaker 1>and tries to console her in the rain.

0:25:56.200 --> 0:25:58.480
<v Speaker 4>In the rain, very romantic.

0:25:58.119 --> 0:26:01.560
<v Speaker 1>Very romantic. They're both soaking wet. But we tried. It

0:26:01.600 --> 0:26:05.359
<v Speaker 1>wasn't enough. Top side and bottom oil and water. That

0:26:05.480 --> 0:26:08.080
<v Speaker 1>is what Violet tells Caitlin. This isn't going to happen.

0:26:08.160 --> 0:26:10.640
<v Speaker 1>We were foolish to even try. Why did we think

0:26:10.640 --> 0:26:14.480
<v Speaker 1>anyone would listen to us? Where incompatible? The top side

0:26:14.600 --> 0:26:17.280
<v Speaker 1>the under city are incompatible. It's never going to work out.

0:26:17.880 --> 0:26:21.600
<v Speaker 1>Caitlin obviously heartbroken by this, but Violet says, just forget

0:26:21.600 --> 0:26:24.159
<v Speaker 1>about me, go back to your giant home and your

0:26:24.240 --> 0:26:26.920
<v Speaker 1>rich parents. It was never meant to be between us.

0:26:27.240 --> 0:26:27.480
<v Speaker 4>Yeah.

0:26:27.480 --> 0:26:31.000
<v Speaker 3>I love this because it's such a great moment of well,

0:26:31.040 --> 0:26:34.880
<v Speaker 3>there's no easy answers. Yeah, you know, I think everybody

0:26:34.880 --> 0:26:37.159
<v Speaker 3>who watches this scene there's probably at least five or

0:26:37.200 --> 0:26:39.959
<v Speaker 3>six different reactions of like, oh, well I would do this,

0:26:40.080 --> 0:26:42.199
<v Speaker 3>and they should do that. I think something they do

0:26:42.280 --> 0:26:44.880
<v Speaker 3>in these final two episodes it's really smart. Is they

0:26:44.960 --> 0:26:47.879
<v Speaker 3>really zoom in and go on to like a micro

0:26:48.080 --> 0:26:51.360
<v Speaker 3>level of this relationship between Caitlin and Vi, and that

0:26:51.480 --> 0:26:54.800
<v Speaker 3>is what your focus is on. And then when everything explodes,

0:26:54.920 --> 0:26:57.280
<v Speaker 3>you realize that there's so much you know, you've been

0:26:57.320 --> 0:26:59.639
<v Speaker 3>sucked into this relationship between these two characters that you

0:26:59.680 --> 0:27:02.480
<v Speaker 3>care that you almost think about the fate of the

0:27:02.560 --> 0:27:05.920
<v Speaker 3>city as like secondary. Yeah, but at the same time,

0:27:06.320 --> 0:27:09.560
<v Speaker 3>Caitlin and VI's struggles are like representative of the city.

0:27:09.600 --> 0:27:11.439
<v Speaker 3>So I just think it's such a clever scene in

0:27:11.480 --> 0:27:13.840
<v Speaker 3>a clever way to make us almost forget about the

0:27:13.880 --> 0:27:16.640
<v Speaker 3>macro of the show, which and then when you get

0:27:16.640 --> 0:27:18.600
<v Speaker 3>to the finale, in the final moments, you realize what

0:27:18.680 --> 0:27:21.400
<v Speaker 3>everything's going to change. Yeah, there's no coming back.

0:27:21.600 --> 0:27:25.119
<v Speaker 1>And to your point, Rosie, their relationship also exists within

0:27:25.160 --> 0:27:28.960
<v Speaker 1>the context of the city, within the critical context of

0:27:29.000 --> 0:27:31.600
<v Speaker 1>the city. So as much as you want to forget

0:27:31.880 --> 0:27:34.200
<v Speaker 1>and live in like a fairy tale world where people

0:27:34.240 --> 0:27:37.399
<v Speaker 1>like Caitlin and Vi can be together. The show doesn't

0:27:37.440 --> 0:27:39.720
<v Speaker 1>let you forget that oil and water, you and I

0:27:39.800 --> 0:27:43.080
<v Speaker 1>come from different universes. This is very Romeo and Juliet.

0:27:43.240 --> 0:27:45.639
<v Speaker 1>This is just not going to happen because of the

0:27:45.640 --> 0:27:48.879
<v Speaker 1>world we live in, and unless things dramatically change, people

0:27:48.920 --> 0:27:51.040
<v Speaker 1>like us can never actually live happily ever after.

0:27:51.240 --> 0:27:53.280
<v Speaker 2>Yeah, it's a great storytell I do kind of wish

0:27:53.320 --> 0:27:57.399
<v Speaker 2>that the show gave us one character that could vocalize

0:27:57.840 --> 0:28:02.240
<v Speaker 2>a little more eloquently the desire to keep the two

0:28:02.880 --> 0:28:05.200
<v Speaker 2>parts of the city separate, because right now we just

0:28:05.280 --> 0:28:07.159
<v Speaker 2>have it as kind of the straw man, like we

0:28:07.280 --> 0:28:10.960
<v Speaker 2>know segregation is bad, we should be helping the under city.

0:28:10.960 --> 0:28:12.520
<v Speaker 2>And so it almost seems like, okay, yeah, we have

0:28:12.560 --> 0:28:16.040
<v Speaker 2>these cartoonish members of the council who you know, are

0:28:16.080 --> 0:28:19.000
<v Speaker 2>eating the nuts, and then he gives the councilman for

0:28:19.000 --> 0:28:21.240
<v Speaker 2>his birthday like an open bag of nuts that he's

0:28:21.280 --> 0:28:24.000
<v Speaker 2>allergic to. These guys are all idiots. Yeah, they're the

0:28:24.000 --> 0:28:26.600
<v Speaker 2>only ones that are like, no, we have to oppress

0:28:26.640 --> 0:28:29.520
<v Speaker 2>the under city. There's no one that I care about

0:28:29.600 --> 0:28:32.199
<v Speaker 2>who's of that mindset. And yet it still feels like

0:28:32.359 --> 0:28:37.440
<v Speaker 2>such this mood within Piltover. I mean, Heimerdinger's already down

0:28:37.520 --> 0:28:41.280
<v Speaker 2>in the under city, Caitlin has been wanting to visit,

0:28:41.400 --> 0:28:46.160
<v Speaker 2>and she's there fighting with Violet. Nobody is actively trying

0:28:46.200 --> 0:28:48.880
<v Speaker 2>to prevent this from happening on that side that we

0:28:49.000 --> 0:28:51.360
<v Speaker 2>care about, and so it just feels a little I

0:28:51.400 --> 0:28:53.800
<v Speaker 2>do wish we had one person who was vocalizing that

0:28:53.880 --> 0:28:54.240
<v Speaker 2>a little.

0:28:54.440 --> 0:28:56.360
<v Speaker 3>Yeah, but maybe the reason that they can't have a

0:28:56.440 --> 0:28:59.400
<v Speaker 3>character like that is because there's just no good reason

0:28:59.480 --> 0:29:01.080
<v Speaker 3>for it. Yeah, do you know what I mean, Like

0:29:01.360 --> 0:29:03.480
<v Speaker 3>how it is in real life where it's like nobody

0:29:03.560 --> 0:29:07.640
<v Speaker 3>can really explain why something should be segregated because they

0:29:07.640 --> 0:29:10.920
<v Speaker 3>would sound like a cartoonish idiot villain because it shouldn't be.

0:29:11.560 --> 0:29:14.600
<v Speaker 3>I would say, as like, from a storytelling perspective, it

0:29:14.640 --> 0:29:17.640
<v Speaker 3>could be pretty cool to have almost like some populist

0:29:18.080 --> 0:29:21.480
<v Speaker 3>who is vocalizing that and trying to rally people around.

0:29:21.560 --> 0:29:23.480
<v Speaker 4>So I could definitely see a way it could fit in.

0:29:23.680 --> 0:29:26.320
<v Speaker 1>Yeah. I think it's also a combination of war, Like

0:29:26.440 --> 0:29:28.840
<v Speaker 1>we won the war. These people were our enemies at

0:29:28.840 --> 0:29:31.360
<v Speaker 1>one point, and we're not trying to get in another fight,

0:29:31.720 --> 0:29:34.680
<v Speaker 1>so let's make sure that we keep them beneath us.

0:29:34.840 --> 0:29:36.400
<v Speaker 1>But also I think it's also a bit of like

0:29:36.680 --> 0:29:38.959
<v Speaker 1>we forgot about them, like we beat them up, and

0:29:39.000 --> 0:29:40.800
<v Speaker 1>then they just kind of exist over there, and we

0:29:40.840 --> 0:29:44.040
<v Speaker 1>can pretend they don't exist because we won and now

0:29:44.040 --> 0:29:47.720
<v Speaker 1>they're not our problem, and all the economic and technological

0:29:47.800 --> 0:29:51.200
<v Speaker 1>prosperity that we have we don't have to share. We

0:29:51.280 --> 0:29:53.840
<v Speaker 1>get to just ignore these people. And because of that,

0:29:54.000 --> 0:29:57.280
<v Speaker 1>people like Silko and many of the under city residents

0:29:57.280 --> 0:30:01.240
<v Speaker 1>we see singed suffer because they don't at the same

0:30:01.280 --> 0:30:04.680
<v Speaker 1>sort of amenities and benefits that someone had Piltover might. Yeah,

0:30:04.680 --> 0:30:07.480
<v Speaker 1>so I think it is a natural, just like result

0:30:07.760 --> 0:30:11.880
<v Speaker 1>of a war progressing into stagnation, progressing into ignoring a

0:30:11.920 --> 0:30:12.920
<v Speaker 1>certain group of people.

0:30:14.000 --> 0:30:16.920
<v Speaker 2>Someone who is definitely not stagnating. We cut to Victor,

0:30:17.000 --> 0:30:19.160
<v Speaker 2>who has a brand new leg thanks to his hex

0:30:19.240 --> 0:30:23.000
<v Speaker 2>Tech and shimmer combination, and he starts walking and then

0:30:23.040 --> 0:30:25.320
<v Speaker 2>he ditches the cane and he's walking without the cane,

0:30:25.400 --> 0:30:28.280
<v Speaker 2>and then he breaks into a full on forest gum

0:30:28.320 --> 0:30:32.960
<v Speaker 2>sprint and he's going for it. Hot Lab assistant Sky

0:30:33.120 --> 0:30:35.680
<v Speaker 2>is building up the courage to talk to Victor. Now

0:30:35.960 --> 0:30:39.000
<v Speaker 2>you know, she has her own little experiment. She wants

0:30:39.080 --> 0:30:42.360
<v Speaker 2>to work on and he's inspired her, but she walks

0:30:42.360 --> 0:30:47.200
<v Speaker 2>in on him performing new horrendous Hextech shimmer body modifications,

0:30:47.560 --> 0:30:50.400
<v Speaker 2>and suddenly the hex Tech Corps is pulling him in

0:30:50.440 --> 0:30:52.840
<v Speaker 2>and he can't escape it, and she goes to try

0:30:52.840 --> 0:30:56.080
<v Speaker 2>to help him, and oh my gosh, why do the

0:30:56.080 --> 0:31:00.480
<v Speaker 2>good die young? She winds up being vaporized and up

0:31:00.560 --> 0:31:02.400
<v Speaker 2>to find her glasses.

0:31:02.560 --> 0:31:08.200
<v Speaker 3>Horror fur Ip to the Hot Lab assistance Rip. I

0:31:08.240 --> 0:31:11.480
<v Speaker 3>do mean it, but I think that it's very complex

0:31:11.840 --> 0:31:14.800
<v Speaker 3>to have a technology that essentially can be seen as

0:31:14.840 --> 0:31:18.720
<v Speaker 3>like a cure to a disability. And I'm always slightly

0:31:18.920 --> 0:31:21.760
<v Speaker 3>nervy when I'm like somebody who is using a cane

0:31:21.800 --> 0:31:24.160
<v Speaker 3>and then suddenly they're running like magical disability cure.

0:31:24.400 --> 0:31:25.520
<v Speaker 4>But I think something they.

0:31:25.440 --> 0:31:30.160
<v Speaker 3>Do here that is really scary and necessary is they

0:31:30.240 --> 0:31:33.280
<v Speaker 3>then show that actually this isn't some great thing that's

0:31:33.320 --> 0:31:36.720
<v Speaker 3>completely safe, Like you're taking risks, you're making a choice,

0:31:37.120 --> 0:31:40.320
<v Speaker 3>and that choice ends up with this like really horrible aftermath,

0:31:40.360 --> 0:31:43.240
<v Speaker 3>which I found to be very sad and moving, but

0:31:43.320 --> 0:31:45.920
<v Speaker 3>also like a really interesting side effect.

0:31:46.200 --> 0:31:50.400
<v Speaker 1>Yeah, that's a great point. Next we cut back to Jase.

0:31:50.640 --> 0:31:52.120
<v Speaker 1>He's back in the Forge.

0:31:51.880 --> 0:31:54.440
<v Speaker 2>He just so you know, we've organized the recap so

0:31:54.480 --> 0:31:57.080
<v Speaker 2>that a boot can do all the thirsty bits on Jase.

0:31:57.800 --> 0:31:59.800
<v Speaker 1>So yeah, that's that's why we're here, right, this is

0:31:59.800 --> 0:32:00.520
<v Speaker 1>why we're here.

0:32:00.640 --> 0:32:01.360
<v Speaker 4>I'm proud of you.

0:32:01.360 --> 0:32:01.960
<v Speaker 3>I'm proud of you.

0:32:02.160 --> 0:32:04.440
<v Speaker 1>Fortunately he's got his shirt on this time around, now

0:32:04.600 --> 0:32:07.520
<v Speaker 1>pull up. No pull ups. No female gaze in this

0:32:07.640 --> 0:32:11.200
<v Speaker 1>scene for sure, just Jase angry in the forge, working

0:32:11.280 --> 0:32:14.520
<v Speaker 1>on stuff, clearly crafting the hammer we will shortly see

0:32:14.520 --> 0:32:17.400
<v Speaker 1>at the end of this episode. Violet shows up to

0:32:18.200 --> 0:32:21.160
<v Speaker 1>offer him a way to fight back against Silkoe. You

0:32:21.160 --> 0:32:23.520
<v Speaker 1>want to actually do something about this. You're the only

0:32:23.520 --> 0:32:26.520
<v Speaker 1>one who is talking reasonable at that council meeting. Let's

0:32:26.560 --> 0:32:28.360
<v Speaker 1>go you and me. We can take care of this.

0:32:29.080 --> 0:32:33.120
<v Speaker 1>Violet reaches for the apparently non weaponized the gloves that

0:32:33.160 --> 0:32:37.120
<v Speaker 1>are not weaponized, gloves that are only meant for mining

0:32:37.200 --> 0:32:39.640
<v Speaker 1>and crushing rocks and not human skulls.

0:32:39.720 --> 0:32:43.760
<v Speaker 3>And they don't look at all familiar or like this

0:32:43.800 --> 0:32:47.120
<v Speaker 3>is an important moment for her character, right, she.

0:32:47.080 --> 0:32:49.840
<v Speaker 1>Puts that glove on. She comments how someone she once

0:32:49.920 --> 0:32:52.360
<v Speaker 1>knew had similar power gloves like this that were meant

0:32:52.360 --> 0:32:56.560
<v Speaker 1>for fighting, not for mining rocks, and she suggests Hey, Jace,

0:32:56.840 --> 0:32:59.320
<v Speaker 1>you and me. We hit him fast, we hit him hard,

0:32:59.440 --> 0:33:01.520
<v Speaker 1>we hit him wear it hurts. Let's go take out

0:33:01.560 --> 0:33:04.960
<v Speaker 1>the Shimmer manufacturing facilities and that is how we take

0:33:05.000 --> 0:33:09.440
<v Speaker 1>down Soilco. And she raises one gloved hand and says,

0:33:09.440 --> 0:33:12.720
<v Speaker 1>we got a deal, pretty boy. And I love this scene.

0:33:12.960 --> 0:33:15.360
<v Speaker 1>Not only was it really gorgeous, just a lot of

0:33:15.400 --> 0:33:18.240
<v Speaker 1>really beautiful shots and lighting in this scene, but I

0:33:18.240 --> 0:33:20.320
<v Speaker 1>also just liked thematically that it took place in a

0:33:20.360 --> 0:33:23.400
<v Speaker 1>forge because we're watching two of the most hot headed

0:33:23.480 --> 0:33:27.400
<v Speaker 1>and most brash characters in this season teaming up and

0:33:27.480 --> 0:33:30.360
<v Speaker 1>deciding to do something super hot headed and brash, and

0:33:30.480 --> 0:33:32.320
<v Speaker 1>the temperature is heating up.

0:33:33.000 --> 0:33:37.640
<v Speaker 2>So Jase agrees and jas his hammer. An entire army

0:33:37.760 --> 0:33:41.400
<v Speaker 2>of enforcers arrive at one of the manufacturing facilities. One

0:33:41.520 --> 0:33:44.040
<v Speaker 2>kid breaks free to sound the alarm and we see

0:33:44.040 --> 0:33:49.000
<v Speaker 2>the guards awaken and the guards are these shimmer infused

0:33:49.280 --> 0:33:53.000
<v Speaker 2>people that are in hyper armor with Deadpool fist blades,

0:33:53.040 --> 0:33:55.800
<v Speaker 2>and this is X Men origins Wolverine Deadpool, not the

0:33:55.880 --> 0:34:03.080
<v Speaker 2>New Deadpool. And then these really fast flying armored guards

0:34:03.120 --> 0:34:05.360
<v Speaker 2>are coming in and then Violet shows up with her

0:34:05.400 --> 0:34:08.520
<v Speaker 2>fists and she starts tag teaming these big daddies with Jace,

0:34:09.000 --> 0:34:12.200
<v Speaker 2>and in the fight, Jace accidentally shoots the young boy

0:34:12.200 --> 0:34:16.360
<v Speaker 2>who had hit the alarm and he falls a terrifyingly

0:34:16.560 --> 0:34:20.279
<v Speaker 2>long way down to his death. The guards are all dead,

0:34:20.440 --> 0:34:23.200
<v Speaker 2>the fight is over. Jace is one, Violet is one.

0:34:23.560 --> 0:34:26.360
<v Speaker 2>But Jace realizes that he is. He looks around and

0:34:26.400 --> 0:34:30.920
<v Speaker 2>he's invaded a factory full of children. So I guess,

0:34:31.000 --> 0:34:33.040
<v Speaker 2>on the one hand, it's not like he killed the

0:34:33.040 --> 0:34:34.200
<v Speaker 2>only kid that was there.

0:34:34.600 --> 0:34:35.040
<v Speaker 1>He just.

0:34:37.080 --> 0:34:38.520
<v Speaker 4>Killed one of many kids.

0:34:38.880 --> 0:34:42.440
<v Speaker 2>Yes, one of many. So one of my big ripes

0:34:42.480 --> 0:34:45.120
<v Speaker 2>again as someone who is not a Jace apologist. So

0:34:45.280 --> 0:34:48.840
<v Speaker 2>he's just spent his time studying and then on the council.

0:34:49.200 --> 0:34:50.799
<v Speaker 2>Every once in a while he goes and does some

0:34:50.880 --> 0:34:53.440
<v Speaker 2>pull ups and he's suddenly like the best fighter.

0:34:54.360 --> 0:34:56.520
<v Speaker 4>You don't think there's been enough training montages.

0:34:56.719 --> 0:35:00.200
<v Speaker 2>Yeah, what if instead of them in the forge, what

0:35:00.320 --> 0:35:03.640
<v Speaker 2>if Jace was at a punching bag and Violet comes

0:35:03.680 --> 0:35:06.560
<v Speaker 2>and meets him there or something. It just it was

0:35:06.600 --> 0:35:09.239
<v Speaker 2>also like in terms of a video game, both of

0:35:09.280 --> 0:35:12.400
<v Speaker 2>these characters are full glass cannons. They have no armor,

0:35:12.640 --> 0:35:16.360
<v Speaker 2>no protective things whatsoever. I guess like a hammer that

0:35:16.440 --> 0:35:19.040
<v Speaker 2>also is a bazooka. Like, maybe you just deal with

0:35:19.080 --> 0:35:20.839
<v Speaker 2>things at range, you don't need a ton of armor.

0:35:20.920 --> 0:35:23.160
<v Speaker 2>But it was a little much for me to be like,

0:35:23.200 --> 0:35:23.960
<v Speaker 2>here these.

0:35:24.360 --> 0:35:27.200
<v Speaker 3>Aaron was saying, this was very badly thought out.

0:35:27.239 --> 0:35:28.920
<v Speaker 4>Where was the strategy, right right?

0:35:29.000 --> 0:35:31.680
<v Speaker 3>Yes, well you know as well, maybe you don't really

0:35:31.760 --> 0:35:33.839
<v Speaker 3>need armor. Maybe it was just a fluke because they

0:35:33.840 --> 0:35:36.840
<v Speaker 3>were actually like attacking a place full of children. They

0:35:36.920 --> 0:35:40.480
<v Speaker 3>didn't really need a arm off. Right, that's bleak, Right,

0:35:40.600 --> 0:35:42.320
<v Speaker 3>it's bleak, but true, Right.

0:35:42.360 --> 0:35:44.879
<v Speaker 1>None of those baby punches were ever gonna get through.

0:35:45.160 --> 0:35:49.560
<v Speaker 3>Yeah, like, oh that is so so so bleak. They

0:35:49.600 --> 0:35:51.799
<v Speaker 3>should have thought this through. But again, I think this

0:35:51.960 --> 0:35:54.720
<v Speaker 3>is like one of the best things about this show

0:35:55.600 --> 0:35:58.719
<v Speaker 3>is that complexity of like, hey, yeah, you're gonna root

0:35:58.760 --> 0:36:01.120
<v Speaker 3>for them, They're gonna go take down on the Shim effactory?

0:36:01.280 --> 0:36:01.640
<v Speaker 4>Did it do?

0:36:01.960 --> 0:36:04.759
<v Speaker 3>But again, things are never that simple. Actually, the people

0:36:04.800 --> 0:36:08.480
<v Speaker 3>who are working the Shimer factory are child enslaved children

0:36:08.719 --> 0:36:11.680
<v Speaker 3>who are being forced to work, who are likely addicted

0:36:11.719 --> 0:36:15.560
<v Speaker 3>to shimmer as well. And actually, war is not some

0:36:15.680 --> 0:36:19.400
<v Speaker 3>simple thing where there's always bad guys that you can kill. Actually,

0:36:19.600 --> 0:36:22.520
<v Speaker 3>you have to go into this with more insight and

0:36:22.560 --> 0:36:25.520
<v Speaker 3>more information. Obviously, we know that Jason is going to

0:36:25.600 --> 0:36:29.560
<v Speaker 3>be haunted by what he has done, especially because, like

0:36:29.600 --> 0:36:31.799
<v Speaker 3>you said that, he doesn't really know war, right, but

0:36:31.920 --> 0:36:34.239
<v Speaker 3>now he's killing children, So it's been a bad day

0:36:34.280 --> 0:36:36.200
<v Speaker 3>for him. I think this is going to be like

0:36:36.239 --> 0:36:40.120
<v Speaker 3>a very hardcore change moment for him and a realization

0:36:40.239 --> 0:36:41.720
<v Speaker 3>of these things are.

0:36:41.600 --> 0:36:42.560
<v Speaker 4>Just not that simple.

0:36:42.920 --> 0:36:45.440
<v Speaker 1>Yeah, and it shows what a lack of restraint can

0:36:45.520 --> 0:36:45.840
<v Speaker 1>lead to.

0:36:46.120 --> 0:36:46.520
<v Speaker 4>Exactly.

0:36:46.600 --> 0:36:50.800
<v Speaker 1>He ran in there literally hammer and guns blazing, without

0:36:50.800 --> 0:36:54.279
<v Speaker 1>all the information. He didn't ask who's in this facility,

0:36:54.640 --> 0:36:57.319
<v Speaker 1>what's the game plan? He just decided, let's just take

0:36:57.360 --> 0:37:00.359
<v Speaker 1>some enforcers and blow this thing up. Yeah, without knowing

0:37:00.440 --> 0:37:03.240
<v Speaker 1>the full picture and realizing that these facilities are staffed

0:37:03.239 --> 0:37:03.760
<v Speaker 1>by children.

0:37:03.920 --> 0:37:04.280
<v Speaker 4>Exactly.

0:37:04.280 --> 0:37:06.439
<v Speaker 1>He certainly wouldn't have done this if he hadn't taken

0:37:06.480 --> 0:37:08.600
<v Speaker 1>the time to hit pause and think about it and

0:37:08.719 --> 0:37:10.319
<v Speaker 1>learn before jumping in there.

0:37:10.400 --> 0:37:13.600
<v Speaker 2>So Jay's famous for hitting pause and thinking about it.

0:37:16.200 --> 0:37:18.160
<v Speaker 1>I think it just speaks to a lot of the

0:37:18.239 --> 0:37:21.040
<v Speaker 1>older generation in this show that has warned these younger

0:37:21.239 --> 0:37:25.839
<v Speaker 1>kids from running in without thinking first. Vander Heimerdinger, There

0:37:25.840 --> 0:37:28.000
<v Speaker 1>have been a number of characters that have warned them.

0:37:28.120 --> 0:37:31.520
<v Speaker 1>Silko have warned the children to not run in and

0:37:31.600 --> 0:37:34.839
<v Speaker 1>think first because of their experience, their own mistakes they've

0:37:34.840 --> 0:37:37.839
<v Speaker 1>made in the past, and we see that repetition that

0:37:37.960 --> 0:37:40.640
<v Speaker 1>like infinite cycle of violence where they continue to repeat

0:37:40.640 --> 0:37:41.600
<v Speaker 1>these mistakes.

0:37:41.880 --> 0:37:44.480
<v Speaker 4>The big takeaway from this episode is there needs to

0:37:44.520 --> 0:37:46.960
<v Speaker 4>be a compromise. Yes, I am a pacifist.

0:37:47.040 --> 0:37:49.680
<v Speaker 3>I do not agree with a war, but I do

0:37:49.800 --> 0:37:53.680
<v Speaker 3>agree with people being able to live well and needing

0:37:53.760 --> 0:37:56.319
<v Speaker 3>to fight for that right. So like, yeah, I just

0:37:56.360 --> 0:37:58.959
<v Speaker 3>think it's really complex, and I'm very excited to see

0:37:58.960 --> 0:38:02.840
<v Speaker 3>what they do going into season two after this, because

0:38:02.840 --> 0:38:05.600
<v Speaker 3>I think it's going to be way more complicated than

0:38:05.640 --> 0:38:06.920
<v Speaker 3>even this first season.

0:38:07.120 --> 0:38:10.640
<v Speaker 1>Oh yeah, yeah, Okay, well let's wrap up episode eight

0:38:10.800 --> 0:38:14.080
<v Speaker 1>one final scenes ago. Caitlin is in the shower and

0:38:14.200 --> 0:38:17.640
<v Speaker 1>she's replaying that moment with Violet walking away from her

0:38:17.680 --> 0:38:20.759
<v Speaker 1>in the rain, obviously still on her mind, and she

0:38:21.080 --> 0:38:24.480
<v Speaker 1>turns the shower off, steps out, and the steam starts

0:38:24.520 --> 0:38:28.120
<v Speaker 1>to dissipate and over her shoulder in a very horror

0:38:28.120 --> 0:38:28.680
<v Speaker 1>movie moment.

0:38:28.800 --> 0:38:31.839
<v Speaker 3>Ah, yes, this is so I love this moment so much.

0:38:31.880 --> 0:38:36.200
<v Speaker 1>We see Jinks just a glowing Jinx eye in the mirror.

0:38:36.880 --> 0:38:39.080
<v Speaker 2>Got to credits scary, scary stuff.

0:38:39.120 --> 0:38:43.000
<v Speaker 1>Scary stuff. And that's episode eight. So before we continue

0:38:43.080 --> 0:38:46.160
<v Speaker 1>on with our recap in our discussion today with episode nine, guys,

0:38:46.239 --> 0:38:49.000
<v Speaker 1>let's take a quick breather, let's collect ourselves. This is

0:38:49.000 --> 0:38:51.160
<v Speaker 1>the final episode of season one that we're about to

0:38:51.160 --> 0:39:11.000
<v Speaker 1>get into. Right after a short break.

0:39:07.320 --> 0:39:10.760
<v Speaker 2>All right, we are back with episode nine. The monster

0:39:11.000 --> 0:39:11.719
<v Speaker 2>you created.

0:39:11.960 --> 0:39:17.240
<v Speaker 3>Oh, get ready to cry? Get ready to cry, guys.

0:39:17.320 --> 0:39:21.280
<v Speaker 2>We open with mister Patience himself, Jace mourning the loss

0:39:21.320 --> 0:39:22.000
<v Speaker 2>of the young boy.

0:39:22.480 --> 0:39:24.840
<v Speaker 3>I was so sick of him in this moment. I

0:39:24.960 --> 0:39:28.399
<v Speaker 3>was like, oh my god, yeah, dah. You honestly, if

0:39:28.400 --> 0:39:30.880
<v Speaker 3>you just turned this episode on because you wanted to

0:39:30.880 --> 0:39:32.880
<v Speaker 3>recap the finale before you watch season two and you

0:39:32.880 --> 0:39:35.799
<v Speaker 3>couldn't really remember, you would be mistaken to think that

0:39:35.920 --> 0:39:38.839
<v Speaker 3>maybe Jace was just mourning a random kid who had

0:39:38.880 --> 0:39:40.800
<v Speaker 3>died and not somebody he had killed.

0:39:41.400 --> 0:39:42.600
<v Speaker 4>Jace, what the fuckme? Man?

0:39:42.760 --> 0:39:45.359
<v Speaker 2>Truly, in his defense, the only time you'll ever hear

0:39:45.400 --> 0:39:48.799
<v Speaker 2>me say that he wants out already. He's involved now,

0:39:48.840 --> 0:39:51.440
<v Speaker 2>and he's like, we need to stop this. Violet reminds

0:39:51.520 --> 0:39:55.000
<v Speaker 2>him that he's always been involved, he just was ignoring

0:39:55.040 --> 0:39:57.759
<v Speaker 2>it before, which was his luxury that he got to

0:39:57.800 --> 0:40:00.680
<v Speaker 2>do great line, thanks to Silko, and thanks to everyone

0:40:00.719 --> 0:40:04.840
<v Speaker 2>who's ignored Silko and just let this occur. Hundreds of

0:40:04.880 --> 0:40:08.880
<v Speaker 2>other kids are in this exact same position, and Violet's

0:40:08.880 --> 0:40:11.720
<v Speaker 2>not giving up. She's like, I'm still doing this. You're

0:40:11.920 --> 0:40:14.719
<v Speaker 2>in this, come on, let's go finish this. And he's like, no,

0:40:15.120 --> 0:40:18.960
<v Speaker 2>leave the gloves and she's like, well, obviously I'm not

0:40:19.000 --> 0:40:22.000
<v Speaker 2>going to do that, and he's like, he's like, well,

0:40:22.000 --> 0:40:23.359
<v Speaker 2>I'm not killing someone else today.

0:40:23.400 --> 0:40:24.800
<v Speaker 3>So it's like, have you played the game?

0:40:25.239 --> 0:40:29.000
<v Speaker 2>Yeah, yeah, you don't do equip things. As you get

0:40:29.040 --> 0:40:31.719
<v Speaker 2>more and more close to the final boss fight, Jace

0:40:31.760 --> 0:40:34.040
<v Speaker 2>doesn't want to kill anyone else, but he warns her.

0:40:34.120 --> 0:40:36.080
<v Speaker 2>He's like, you're not going to make it on your own,

0:40:36.560 --> 0:40:38.759
<v Speaker 2>and before she leaves, she turns and she punches the

0:40:38.760 --> 0:40:42.520
<v Speaker 2>Shimmer tank, ruining the Shimmer production. At least they got that,

0:40:42.880 --> 0:40:43.280
<v Speaker 2>I guess.

0:40:43.400 --> 0:40:46.160
<v Speaker 3>I'm like sure, I'm honestly, I I I'm not into

0:40:46.239 --> 0:40:48.600
<v Speaker 3>you this war on drugs that you have going on, Like,

0:40:48.640 --> 0:40:51.279
<v Speaker 3>I don't know if it's the most sensible or I

0:40:51.360 --> 0:40:53.279
<v Speaker 3>understand that you have an issue with Silko, but I

0:40:53.280 --> 0:40:57.040
<v Speaker 3>don't know if it's going to solve the greater socioeconomic

0:40:57.120 --> 0:40:59.400
<v Speaker 3>issues that we are striving with here, I feel like

0:40:59.640 --> 0:41:03.360
<v Speaker 3>they're ways that you could spend your energy. And I

0:41:03.400 --> 0:41:05.600
<v Speaker 3>do feel like, as Aaron pointed out, rare to hear

0:41:05.640 --> 0:41:08.200
<v Speaker 3>me say it, I do think Jason's right here. I

0:41:08.239 --> 0:41:10.920
<v Speaker 3>do think he has learned the lesson. It shouldn't have

0:41:10.960 --> 0:41:13.319
<v Speaker 3>cost the life of a child, but he is seen

0:41:13.360 --> 0:41:15.200
<v Speaker 3>in the most horrible way what war can do.

0:41:15.800 --> 0:41:16.719
<v Speaker 4>The problem here is.

0:41:16.719 --> 0:41:20.000
<v Speaker 3>By does not learn that lesson, like Viya is still

0:41:20.040 --> 0:41:24.400
<v Speaker 3>really driven by revenge. Whatever version of the world that

0:41:24.480 --> 0:41:27.080
<v Speaker 3>she is selling, This idea that she can stop Silko

0:41:27.239 --> 0:41:30.319
<v Speaker 3>is really more about revenge than making the world better

0:41:30.360 --> 0:41:31.120
<v Speaker 3>for anyone else.

0:41:31.280 --> 0:41:33.799
<v Speaker 2>Violet's mind on everything was made up the day she

0:41:33.840 --> 0:41:37.840
<v Speaker 2>went to prison exactly. Has not changed since then, except

0:41:37.920 --> 0:41:40.960
<v Speaker 2>that she is friends with Caitlin. Like she's let herself

0:41:41.000 --> 0:41:44.640
<v Speaker 2>get that far. But it took her almost dying for that.

0:41:45.040 --> 0:41:47.480
<v Speaker 3>Yeah, and it also took her having a crush. Yeah,

0:41:47.520 --> 0:41:48.160
<v Speaker 3>do you know what I mean?

0:41:48.200 --> 0:41:50.839
<v Speaker 2>Like you needed to, I've been in prison a long time.

0:41:51.400 --> 0:41:53.960
<v Speaker 3>We can all change our mind. When there's like a

0:41:54.040 --> 0:41:57.799
<v Speaker 3>beautiful rich woman being like, Hi, would you like to

0:41:58.480 --> 0:41:59.120
<v Speaker 3>how's it going?

0:41:59.239 --> 0:41:59.960
<v Speaker 4>And suddenly you're like.

0:42:00.200 --> 0:42:01.879
<v Speaker 2>To seek into my parents' house.

0:42:01.960 --> 0:42:04.360
<v Speaker 3>Yeah, maybe this seems a bit more feeling them present.

0:42:04.560 --> 0:42:08.320
<v Speaker 1>Yeah, Siko who I will say I loved this opening

0:42:08.360 --> 0:42:13.360
<v Speaker 1>scene because of what it says about the socioeconomic divide

0:42:13.400 --> 0:42:16.840
<v Speaker 1>between the Upper City and Lower City. Jase here has

0:42:16.880 --> 0:42:19.319
<v Speaker 1>the privilege to say this is over. I don't want

0:42:19.360 --> 0:42:21.719
<v Speaker 1>to I'm walking away. I don't want to be involved.

0:42:21.800 --> 0:42:22.880
<v Speaker 3>It's still happening.

0:42:23.000 --> 0:42:25.439
<v Speaker 1>Suh. Right, there's blood on his hands, but he gets

0:42:25.480 --> 0:42:27.600
<v Speaker 1>to wipe them off and go back to the council

0:42:27.680 --> 0:42:30.080
<v Speaker 1>chamber and his bougie apartment in the Upper City and

0:42:30.120 --> 0:42:30.799
<v Speaker 1>forget about this.

0:42:31.120 --> 0:42:31.480
<v Speaker 4>Yeah.

0:42:31.520 --> 0:42:34.839
<v Speaker 1>I loved that. Violet in response was but this isn't

0:42:34.880 --> 0:42:37.279
<v Speaker 1>over for me. It's never been over for me. I

0:42:37.320 --> 0:42:40.120
<v Speaker 1>live here, this is my life. I don't get to

0:42:40.160 --> 0:42:42.200
<v Speaker 1>wipe my hands and walk away and ignore it.

0:42:42.880 --> 0:42:44.759
<v Speaker 2>Jase doesn't have an issue with the fact that there

0:42:44.760 --> 0:42:47.400
<v Speaker 2>are hundreds of kids working there. Jase has an issue

0:42:47.400 --> 0:42:48.879
<v Speaker 2>with the fact that he killed one of them.

0:42:49.080 --> 0:42:52.560
<v Speaker 3>Yeah, exactly. I'm like, Jase, that you could do something

0:42:52.600 --> 0:42:54.879
<v Speaker 3>to help these kids. Yeah, I mean, that's like help

0:42:54.960 --> 0:42:57.160
<v Speaker 3>the kids escape. That seems like it would be a

0:42:57.239 --> 0:42:59.920
<v Speaker 3>useful thing to do. I like that line of Booty

0:43:00.320 --> 0:43:02.239
<v Speaker 3>you put it in the notes. Right, It's like you've

0:43:02.239 --> 0:43:04.080
<v Speaker 3>always been a part of this, You've just never had

0:43:04.080 --> 0:43:04.919
<v Speaker 3>to look at in the eye.

0:43:05.080 --> 0:43:06.560
<v Speaker 4>Right, It's like such a good line.

0:43:06.640 --> 0:43:08.840
<v Speaker 3>Like you can say, oh, I don't want to deal

0:43:08.920 --> 0:43:12.200
<v Speaker 3>with homeless people, Well, you they're there every day, Like

0:43:12.200 --> 0:43:14.359
<v Speaker 3>what do you mean, Like you could just help them out,

0:43:14.400 --> 0:43:16.759
<v Speaker 3>like just but you get to choose to ignore them

0:43:16.760 --> 0:43:19.359
<v Speaker 3>when you walk past. It's very much that mentality, which

0:43:19.400 --> 0:43:23.440
<v Speaker 3>I do think honestly is one of Jase's biggest flaws.

0:43:23.840 --> 0:43:26.840
<v Speaker 1>Yeah, and to be fair, a lot of the Upper

0:43:26.840 --> 0:43:29.640
<v Speaker 1>Cities flaws. You know, they get to pretend the under

0:43:29.640 --> 0:43:30.560
<v Speaker 1>city doesn't exist.

0:43:30.640 --> 0:43:32.680
<v Speaker 3>That's basically their original sin.

0:43:33.040 --> 0:43:37.000
<v Speaker 1>Yeah, yeah, exactly, Okay. Continuing with the recap, we then

0:43:37.080 --> 0:43:41.600
<v Speaker 1>cut to Sevika and Silka, who are in this manufacturing

0:43:41.640 --> 0:43:46.080
<v Speaker 1>plant investigating what happened. It turns out that the boy

0:43:46.120 --> 0:43:49.360
<v Speaker 1>that Jay's killed isn't just some rando kid. He's in

0:43:49.400 --> 0:43:52.239
<v Speaker 1>fact the son of Rennie, who is one of the

0:43:52.320 --> 0:43:55.360
<v Speaker 1>members of the Kem Barons that works closely with Silko.

0:43:56.000 --> 0:44:00.520
<v Speaker 1>Rennie is understandably grieving the death of her Son's pissed,

0:44:01.000 --> 0:44:04.280
<v Speaker 1>and she argues that none of this would have happened.

0:44:04.320 --> 0:44:06.960
<v Speaker 1>The Upper City would never have been so bold if

0:44:07.000 --> 0:44:10.440
<v Speaker 1>Marcus were still alive. And Marcus is dead because of

0:44:10.560 --> 0:44:14.800
<v Speaker 1>your daughter, who's out of control? Silko? Where is CHINX?

0:44:14.880 --> 0:44:17.040
<v Speaker 1>What's going on? Have you reined her in? Are you

0:44:17.040 --> 0:44:20.759
<v Speaker 1>gonna do anything about my dead boy here? She's understandably

0:44:20.760 --> 0:44:21.839
<v Speaker 1>pissed about all of this.

0:44:22.160 --> 0:44:25.319
<v Speaker 3>Also, I'm like, babe, you are correct, but like, why

0:44:25.520 --> 0:44:27.920
<v Speaker 3>was he working there? You are like the back I question,

0:44:28.080 --> 0:44:30.279
<v Speaker 3>do just like don't have him working there?

0:44:30.440 --> 0:44:32.359
<v Speaker 4>Like sorry, but maybe just don't do that.

0:44:32.480 --> 0:44:34.440
<v Speaker 3>Maybe you know what, Maybe she was in some kind

0:44:34.440 --> 0:44:36.680
<v Speaker 3>of debt, Maybe that was something a reason. But like

0:44:37.040 --> 0:44:38.799
<v Speaker 3>I feel like one of the few pucks of being

0:44:38.880 --> 0:44:40.920
<v Speaker 3>a Ken Baron is your son probably shouldn't have to

0:44:40.960 --> 0:44:44.080
<v Speaker 3>do like indentured servitude the Shima factory.

0:44:44.280 --> 0:44:45.240
<v Speaker 1>That was my question.

0:44:45.320 --> 0:44:46.880
<v Speaker 3>Well you know what I will say, he does the

0:44:47.000 --> 0:44:49.880
<v Speaker 3>kid who died RP to that boy like this is

0:44:49.920 --> 0:44:53.800
<v Speaker 3>a legendary action movie position is to be the kid

0:44:54.440 --> 0:44:57.960
<v Speaker 3>who is the spy who announces when somebody is coming in.

0:44:58.000 --> 0:45:00.319
<v Speaker 3>It happens in dread, it happens in the rad, it

0:45:00.320 --> 0:45:02.720
<v Speaker 3>happens in the night comes for us. So I think,

0:45:02.880 --> 0:45:05.120
<v Speaker 3>you know, maybe he's just a lookout. Maybe he doesn't

0:45:05.120 --> 0:45:07.160
<v Speaker 3>actually work in the Shima factory. Maybe he's got the

0:45:07.239 --> 0:45:10.879
<v Speaker 3>higher ranking of the indentured children. But Rennie, I really

0:45:10.920 --> 0:45:13.680
<v Speaker 3>think this one is on you, honestly, Babe. It's obviously

0:45:13.680 --> 0:45:16.120
<v Speaker 3>on Jason mostly, but you could have just let him

0:45:16.120 --> 0:45:17.080
<v Speaker 3>have a day off, right.

0:45:17.920 --> 0:45:22.240
<v Speaker 2>Victor awakes, he finds Sky's notes and also a letter

0:45:22.280 --> 0:45:26.200
<v Speaker 2>that she was writing to him. He now feels, you know,

0:45:26.440 --> 0:45:29.359
<v Speaker 2>we see him looking stiff and metallic as opposed to

0:45:29.360 --> 0:45:32.920
<v Speaker 2>this guy who is running, you know, like an olympian

0:45:33.160 --> 0:45:36.080
<v Speaker 2>not too long ago. Last episode, and in anger, he

0:45:36.160 --> 0:45:38.279
<v Speaker 2>decides he wants to try to destroy the hex Core.

0:45:38.840 --> 0:45:41.480
<v Speaker 2>But he lifts his stool up over his head and

0:45:41.640 --> 0:45:44.200
<v Speaker 2>he can't do it, and he's dejected and he starts

0:45:44.200 --> 0:45:47.440
<v Speaker 2>walking away, and then the hex Corps like reacts, oh

0:45:47.840 --> 0:45:51.400
<v Speaker 2>sends a little pulse and it shocks him and he

0:45:51.520 --> 0:45:55.680
<v Speaker 2>falls over, and like suddenly we realize maybe this is

0:45:55.840 --> 0:45:57.320
<v Speaker 2>acting of its own accord.

0:45:57.440 --> 0:45:59.799
<v Speaker 3>Maybe I was gonna say, can we talk a little

0:45:59.800 --> 0:46:02.440
<v Speaker 3>bit about that, because if you don't know the law

0:46:02.560 --> 0:46:05.719
<v Speaker 3>of the Games, or really about Hexcore, I felt like

0:46:05.760 --> 0:46:09.319
<v Speaker 3>this was a very shocking moment we've got hints of

0:46:09.400 --> 0:46:11.839
<v Speaker 3>this connection of science and magic and what it means.

0:46:11.960 --> 0:46:15.680
<v Speaker 3>But yeah, this implies some kind of sentience, yeah, or

0:46:15.719 --> 0:46:18.239
<v Speaker 3>that it is even actually exerting its will over him.

0:46:18.719 --> 0:46:21.600
<v Speaker 3>So this feels like a big deal going into season two.

0:46:22.160 --> 0:46:25.480
<v Speaker 2>So I don't know enough about the game or season two,

0:46:26.040 --> 0:46:29.480
<v Speaker 2>but in my head, one of the great great shows

0:46:29.520 --> 0:46:32.439
<v Speaker 2>of all time, Game of Thrones does an incredible job

0:46:32.480 --> 0:46:34.680
<v Speaker 2>of making you care about every character but also hate

0:46:34.680 --> 0:46:38.799
<v Speaker 2>every character because there's also some impending threat with the

0:46:38.800 --> 0:46:42.520
<v Speaker 2>White Walkers that are coming. No matter what, everyone can

0:46:42.560 --> 0:46:45.279
<v Speaker 2>dislike that, and so I do think you know is

0:46:45.320 --> 0:46:48.719
<v Speaker 2>the hex core. In the trailer, there's a line cover

0:46:48.800 --> 0:46:50.680
<v Speaker 2>yours real quickly if you don't want any spoilers from

0:46:50.719 --> 0:46:52.920
<v Speaker 2>the trailer. But in the trailer there's a line that

0:46:53.000 --> 0:46:56.720
<v Speaker 2>the Arcane has awoken. Are we getting Is that gonna

0:46:56.719 --> 0:47:00.600
<v Speaker 2>be our White Walkers coming? And if so, this is

0:47:00.640 --> 0:47:04.399
<v Speaker 2>the first moment when I've cared about this storyline as

0:47:04.600 --> 0:47:07.719
<v Speaker 2>much as I cared about the Inner City and violence storyline,

0:47:07.719 --> 0:47:10.239
<v Speaker 2>and I up until now it's just been like the

0:47:10.520 --> 0:47:12.520
<v Speaker 2>I know this is building to something, but what is it?

0:47:13.040 --> 0:47:16.080
<v Speaker 2>This moment, this one little scene is when I feel

0:47:16.080 --> 0:47:17.719
<v Speaker 2>it the most, all right.

0:47:17.760 --> 0:47:20.440
<v Speaker 1>Moving on to the next scene, mel confronts her mother

0:47:20.480 --> 0:47:23.080
<v Speaker 1>and Bessa. She tells her to stay away from Jase.

0:47:23.280 --> 0:47:25.040
<v Speaker 3>She's like, stop being in the bath with Jase.

0:47:25.080 --> 0:47:30.640
<v Speaker 1>It's I heard you were naked around my boyfriend. She

0:47:30.719 --> 0:47:32.520
<v Speaker 1>tells Abssa to just leave the city. Why are you

0:47:32.600 --> 0:47:36.480
<v Speaker 1>even here and an Bessa finally reveals the truth of

0:47:36.560 --> 0:47:40.480
<v Speaker 1>this visit. She says, uh, we are in trouble. The

0:47:40.520 --> 0:47:43.160
<v Speaker 1>man who killed her brother thinks the score is not

0:47:43.280 --> 0:47:47.320
<v Speaker 1>settled and is coming after me, coming after you, And

0:47:47.360 --> 0:47:51.839
<v Speaker 1>in fact, we uh don't have the resources to fight him,

0:47:52.080 --> 0:47:55.000
<v Speaker 1>and so I'm here basically for hex Tech. I want

0:47:55.000 --> 0:47:56.680
<v Speaker 1>hex Tech. I want hex Tech weapons.

0:47:56.920 --> 0:48:00.239
<v Speaker 3>Besa, you suck, you a bad Truly, you're a bad

0:48:00.719 --> 0:48:01.840
<v Speaker 3>a bad mom.

0:48:02.640 --> 0:48:06.920
<v Speaker 1>Mel Is, you know, understandably shocked and worried and angry

0:48:06.920 --> 0:48:09.719
<v Speaker 1>at her mother about all of this, and tells her,

0:48:09.920 --> 0:48:12.840
<v Speaker 1>you know, I wanted to protect this city from people

0:48:12.880 --> 0:48:14.920
<v Speaker 1>like you. I can't believe you'd start a war, that

0:48:14.960 --> 0:48:18.000
<v Speaker 1>you'd let this war take place just so you could

0:48:18.000 --> 0:48:20.400
<v Speaker 1>get some weaponry for your own to save your own

0:48:20.480 --> 0:48:24.360
<v Speaker 1>ass and am Bessa's response, I would set the world

0:48:24.400 --> 0:48:26.840
<v Speaker 1>a blaze to protect our family, which.

0:48:26.680 --> 0:48:29.440
<v Speaker 3>Please, your son is already dead, so too late, babe, Like,

0:48:29.520 --> 0:48:32.680
<v Speaker 3>this is not really about protecting your family. I feel

0:48:32.719 --> 0:48:34.560
<v Speaker 3>like at this point it's about protecting you.

0:48:34.719 --> 0:48:35.520
<v Speaker 4>Yes, and your.

0:48:35.400 --> 0:48:39.040
<v Speaker 1>Interest absolutely a total cop out, but Invessa doubles down

0:48:39.080 --> 0:48:41.560
<v Speaker 1>on this line of thinking and tries to convince Mel

0:48:41.800 --> 0:48:44.720
<v Speaker 1>to come home with the hex Tech. Who cares about Piltover,

0:48:44.800 --> 0:48:47.040
<v Speaker 1>who cares about Zoon? Who are these people to you?

0:48:47.480 --> 0:48:49.919
<v Speaker 1>Let's just take the hex Tech, let this war play out.

0:48:50.200 --> 0:48:52.440
<v Speaker 1>You come back be at my side where you belong.

0:48:52.560 --> 0:48:53.000
<v Speaker 2>Classic.

0:48:53.120 --> 0:48:55.759
<v Speaker 3>I will also say, as much as Ambassa sucks as

0:48:55.840 --> 0:48:59.080
<v Speaker 3>like a person, she has such a badass character design.

0:48:59.800 --> 0:49:02.600
<v Speaker 3>I just love it so much. She has got that

0:49:02.640 --> 0:49:06.120
<v Speaker 3>classic energy actually of a Game of Thrones character who

0:49:06.160 --> 0:49:08.480
<v Speaker 3>you're gonna hate right now. But then if you did

0:49:08.480 --> 0:49:10.120
<v Speaker 3>a spin off and you went back and you saw

0:49:10.120 --> 0:49:12.279
<v Speaker 3>where Ambassa's from, and you saw everything she's doing and

0:49:12.320 --> 0:49:14.959
<v Speaker 3>the people she's protecting, you'd be like, oh, actually, she's

0:49:14.960 --> 0:49:17.040
<v Speaker 3>pretty cool, Like she had a reason for doing this.

0:49:17.160 --> 0:49:18.680
<v Speaker 4>I feel like she has that potential.

0:49:19.120 --> 0:49:21.279
<v Speaker 3>But right now I'm on the Hatter side, But I

0:49:21.320 --> 0:49:23.120
<v Speaker 3>do believe there's more to her than we have seen.

0:49:23.239 --> 0:49:23.560
<v Speaker 1>Agreed.

0:49:23.640 --> 0:49:26.440
<v Speaker 2>I just you know, mel I feel like and Bessa

0:49:26.520 --> 0:49:28.600
<v Speaker 2>carried you for nine months, can't you carry her for

0:49:28.640 --> 0:49:29.080
<v Speaker 2>one war?

0:49:29.239 --> 0:49:29.520
<v Speaker 1>Come on?

0:49:31.320 --> 0:49:33.680
<v Speaker 3>You know, Aaron said, she blessed you with the gift

0:49:33.719 --> 0:49:35.840
<v Speaker 3>of life, So bless her with the gift of exta

0:49:36.120 --> 0:49:37.080
<v Speaker 3>for the gift of death.

0:49:37.280 --> 0:49:41.080
<v Speaker 2>Yeah, all right. Victor goes back to his favorite little

0:49:41.120 --> 0:49:43.880
<v Speaker 2>spot in the sewer in the under City, spreading Sky's

0:49:43.920 --> 0:49:47.799
<v Speaker 2>ashes in the pools where he goes, thanks. Yeah, He's like,

0:49:48.160 --> 0:49:50.520
<v Speaker 2>I don't know where he wanted to be buried or

0:49:50.560 --> 0:49:53.919
<v Speaker 2>have your ashes. I'm going to put you in the sewer. Yeah,

0:49:53.960 --> 0:49:58.479
<v Speaker 2>I'm gonna put you in the super swear. Anyways, he's

0:49:58.520 --> 0:50:02.160
<v Speaker 2>back to using his crutch and he standing there contemplating jumping,

0:50:02.719 --> 0:50:06.279
<v Speaker 2>and Jason interrupts him in a nice little chase of

0:50:06.680 --> 0:50:09.320
<v Speaker 2>their their very first scene together, and the two of

0:50:09.360 --> 0:50:13.040
<v Speaker 2>them are there reminiscing about old times, you know, before

0:50:13.560 --> 0:50:19.279
<v Speaker 2>you killed a kid and before I killed house. Yeah,

0:50:19.760 --> 0:50:22.680
<v Speaker 2>what could have possibly been the issue here? And Victor

0:50:23.040 --> 0:50:25.880
<v Speaker 2>asks Jace to destroy the hex core and he was like,

0:50:25.920 --> 0:50:29.440
<v Speaker 2>I can't do it. You have to please, And Jace

0:50:29.560 --> 0:50:33.360
<v Speaker 2>is really hesitant because he's a company man, but he

0:50:33.440 --> 0:50:36.960
<v Speaker 2>promises that he's going to do it, Like, is that logical?

0:50:38.840 --> 0:50:39.520
<v Speaker 2>Is that logic?

0:50:39.600 --> 0:50:41.520
<v Speaker 1>You also have a really great quote in our notes

0:50:41.520 --> 0:50:44.480
<v Speaker 1>here that I wanted to share it because it really resonated.

0:50:45.360 --> 0:50:48.240
<v Speaker 1>We lost ourselves, we lost our dream in the pursuit

0:50:48.320 --> 0:50:51.680
<v Speaker 1>of great, we failed to do good. We have to

0:50:51.680 --> 0:50:52.200
<v Speaker 1>make it right.

0:50:52.600 --> 0:50:55.800
<v Speaker 3>I love that. I think this is very good comparative

0:50:56.080 --> 0:50:59.799
<v Speaker 3>analogous to like nuclear weaponry is very much like why

0:51:00.200 --> 0:51:02.360
<v Speaker 3>here where it's this, we need to do it first,

0:51:02.480 --> 0:51:04.120
<v Speaker 3>we need to be the ones to achieve it, and

0:51:04.160 --> 0:51:08.080
<v Speaker 3>then you do something that's so unbelievably horrific. Once you

0:51:08.080 --> 0:51:10.080
<v Speaker 3>have done it and you lose control of it.

0:51:10.000 --> 0:51:13.080
<v Speaker 2>You know, Yeah, And it's a good reversal too. I mean,

0:51:13.120 --> 0:51:16.160
<v Speaker 2>this scene here is reminiscent of the first time Victor

0:51:16.200 --> 0:51:19.520
<v Speaker 2>and Jace meet in Jace's apartment, but also when Victor

0:51:19.560 --> 0:51:22.960
<v Speaker 2>and Heimerdinger are here, when Victor first gets his diagnosis

0:51:22.960 --> 0:51:25.880
<v Speaker 2>and Heimerdinger is like, You're gonna have a great legacy,

0:51:25.960 --> 0:51:28.880
<v Speaker 2>and he's like, I didn't do anything monumental, and now

0:51:29.000 --> 0:51:32.440
<v Speaker 2>here he is saying trying to do something monumental and

0:51:32.560 --> 0:51:37.120
<v Speaker 2>legendary is not worth being horrible, and we lost our

0:51:37.160 --> 0:51:38.600
<v Speaker 2>way along the right.

0:51:39.440 --> 0:51:43.319
<v Speaker 1>In our next scene, Finn, Rennie, and Sevika come to

0:51:43.360 --> 0:51:48.160
<v Speaker 1>confront Silko, and Silka reminds them what kept the under

0:51:48.200 --> 0:51:51.759
<v Speaker 1>City together before it was an enterprise, before he raised

0:51:51.800 --> 0:51:54.520
<v Speaker 1>it up to what it is now. Loyalty, love.

0:51:54.800 --> 0:51:57.680
<v Speaker 3>Okay, all right, Kendrick lamar.

0:51:57.600 --> 0:51:58.239
<v Speaker 2>Right, all right.

0:52:00.600 --> 0:52:05.320
<v Speaker 1>Sevika, in a really great tense moment, takes out her sword,

0:52:05.719 --> 0:52:09.160
<v Speaker 1>swipes right over the head of Silko and kills Finn,

0:52:10.040 --> 0:52:13.760
<v Speaker 1>and then Finn tells Rennie to leave. It's a really

0:52:14.000 --> 0:52:18.680
<v Speaker 1>great show of Sevika's loyalty and belief in Silko and

0:52:18.800 --> 0:52:22.440
<v Speaker 1>really subvert sart expectations because we, you know, we expected

0:52:22.440 --> 0:52:25.120
<v Speaker 1>her to betray him given the scenes we had watched

0:52:25.200 --> 0:52:29.880
<v Speaker 1>thus far. Sevika actually even tells Silko that no, she

0:52:30.000 --> 0:52:32.080
<v Speaker 1>wasn't ever tempted by Finn. She would never actually work

0:52:32.120 --> 0:52:36.360
<v Speaker 1>with a guy like him. His dress code, not my style. Horrible,

0:52:37.480 --> 0:52:44.239
<v Speaker 1>horrible opinion. Yeah, best design character, hands down. But she

0:52:44.320 --> 0:52:47.360
<v Speaker 1>does say Silko, buddy like Finn, was not the first

0:52:47.800 --> 0:52:50.200
<v Speaker 1>and he certainly won't be the last. People are going

0:52:50.280 --> 0:52:52.400
<v Speaker 1>to question a leadership if things continue to go the

0:52:52.440 --> 0:52:55.880
<v Speaker 1>way they are. We see Silko then turn his attention

0:52:55.960 --> 0:52:58.200
<v Speaker 1>back to this letter that he had been reading before,

0:52:58.719 --> 0:53:01.640
<v Speaker 1>and uh, we learned that this letter is from Jase.

0:53:01.960 --> 0:53:02.400
<v Speaker 4>Shocking.

0:53:02.760 --> 0:53:05.680
<v Speaker 2>So Soko goes to meet Jase on the ramparts overlooking

0:53:05.680 --> 0:53:09.239
<v Speaker 2>the coast, and Soko presents his list of demands. He

0:53:09.320 --> 0:53:12.120
<v Speaker 2>wants free trade, he wants access to the hext gates,

0:53:12.160 --> 0:53:14.400
<v Speaker 2>and most of all, he wants sovereignty.

0:53:14.480 --> 0:53:16.439
<v Speaker 3>Well, I love that he was like. He just went

0:53:16.440 --> 0:53:19.000
<v Speaker 3>in and he was like, here's the five top five

0:53:19.040 --> 0:53:21.879
<v Speaker 3>things I want to do, and absolutely none of them

0:53:21.920 --> 0:53:26.160
<v Speaker 3>will ever be approved by the council, like, no compromise.

0:53:26.440 --> 0:53:28.600
<v Speaker 3>He went in there and he was like, the job

0:53:28.760 --> 0:53:31.600
<v Speaker 3>description says you will pay fifty thousand dollars a year,

0:53:31.600 --> 0:53:32.640
<v Speaker 3>and I want a million.

0:53:33.000 --> 0:53:33.759
<v Speaker 4>What can you do?

0:53:34.239 --> 0:53:36.560
<v Speaker 2>He didn't even wait for the job description. He went

0:53:36.640 --> 0:53:39.000
<v Speaker 2>into the interview and was like, this is what I need.

0:53:39.360 --> 0:53:41.719
<v Speaker 2>Counter my offer exactly. He's setting the.

0:53:41.640 --> 0:53:45.960
<v Speaker 1>Price, throwing unlimited Popeye's Chicken sandwiches for a life while

0:53:45.960 --> 0:53:46.480
<v Speaker 1>we're at it.

0:53:46.640 --> 0:53:49.680
<v Speaker 3>Yeah, universal income for everyone in the the city. Like

0:53:49.719 --> 0:53:52.239
<v Speaker 3>it's not going to happen, babe. I love your ambition there.

0:53:52.600 --> 0:53:55.359
<v Speaker 2>Soko thinks that Jase is afraid, but Jay says he's

0:53:55.400 --> 0:53:58.080
<v Speaker 2>afraid of the carnage that Piltover is going to inflict

0:53:58.200 --> 0:54:01.560
<v Speaker 2>upon Zon if they don't I don't agree to terms.

0:54:01.719 --> 0:54:04.759
<v Speaker 2>And he's trying to spare the under city. Come on, man,

0:54:05.440 --> 0:54:05.920
<v Speaker 2>Jase is.

0:54:05.880 --> 0:54:08.520
<v Speaker 3>Trying to spare himself from having to kill more children than.

0:54:08.320 --> 0:54:09.200
<v Speaker 4>The semi factory.

0:54:09.400 --> 0:54:10.160
<v Speaker 3>Real for real.

0:54:10.880 --> 0:54:13.480
<v Speaker 2>They're almost at an agreement, but then Jace says he

0:54:13.520 --> 0:54:17.359
<v Speaker 2>wants Jinks, and he's like, believe me, I'd happily throw

0:54:17.400 --> 0:54:19.120
<v Speaker 2>you in jail, but I can't make a deal with

0:54:19.160 --> 0:54:20.760
<v Speaker 2>a snake and then cut off its head.

0:54:21.640 --> 0:54:24.280
<v Speaker 1>We then cut to Echo and Heimerdinger, who are practically

0:54:24.360 --> 0:54:27.200
<v Speaker 1>doing nothing. They're just chill in. They're going to the

0:54:27.200 --> 0:54:32.400
<v Speaker 1>Firelights sanctuary. Heimerdinger once again is like shocked and surprised

0:54:32.400 --> 0:54:34.359
<v Speaker 1>to find out this is happening in the under City.

0:54:35.239 --> 0:54:37.600
<v Speaker 1>The most confused little Nordling I've ever seen in my

0:54:37.640 --> 0:54:40.800
<v Speaker 1>life or whatever he has or forget what his yard ling, Yordling.

0:54:40.880 --> 0:54:44.279
<v Speaker 1>That's right, and there was a line in here, I

0:54:44.320 --> 0:54:47.080
<v Speaker 1>will say. Echo says, the line in here very poignant stuff,

0:54:47.160 --> 0:54:49.759
<v Speaker 1>and it speaks to his personal experiences here in the

0:54:49.800 --> 0:54:52.640
<v Speaker 1>under City. He says, it's not enough to give people

0:54:52.680 --> 0:54:55.120
<v Speaker 1>what they need to survive. You have to give them

0:54:55.120 --> 0:54:56.440
<v Speaker 1>what they need to live.

0:54:57.120 --> 0:54:59.640
<v Speaker 2>And Heimerdinger is like, my dude, I've been to the opera,

0:55:00.080 --> 0:55:01.760
<v Speaker 2>know what you're talking about.

0:55:02.480 --> 0:55:05.920
<v Speaker 3>He's like, yeah, like you gotta you gotta have those artistic,

0:55:06.360 --> 0:55:10.000
<v Speaker 3>inspirational tiny opera glasses so you can really see what

0:55:10.080 --> 0:55:13.120
<v Speaker 3>everyone's right. For us to be able to afford our

0:55:13.160 --> 0:55:16.239
<v Speaker 3>own tiny opera glasses, we need you to listen to

0:55:16.280 --> 0:55:17.880
<v Speaker 3>a message from our sponsors.

0:55:18.000 --> 0:55:36.279
<v Speaker 2>That's right, all right, and we are back. Silko is

0:55:36.360 --> 0:55:39.680
<v Speaker 2>lamenting at the statue of Vander. He's talking to Vander

0:55:40.280 --> 0:55:43.960
<v Speaker 2>through the statue itself, and he says, you know, he

0:55:44.000 --> 0:55:46.880
<v Speaker 2>sees how logically he probably should take the deal, but

0:55:46.960 --> 0:55:50.600
<v Speaker 2>he doesn't know that Jinx is listening. Done dun dumb,

0:55:50.920 --> 0:55:54.120
<v Speaker 2>and so we cut to the last drop. Violet walks in.

0:55:54.480 --> 0:55:57.800
<v Speaker 2>We get some Western showdown music on the jukebox. Savika

0:55:57.800 --> 0:56:02.000
<v Speaker 2>tells everyone to get out and fightings and turns out

0:56:02.080 --> 0:56:04.160
<v Speaker 2>Violet probably could have used a little bit of armor

0:56:04.239 --> 0:56:08.719
<v Speaker 2>after all. Imagine that as Savika has like this pulsing

0:56:08.840 --> 0:56:11.000
<v Speaker 2>energy blade that comes out of her arm.

0:56:11.040 --> 0:56:12.600
<v Speaker 1>Mary Mega Man, Yeah, would.

0:56:12.360 --> 0:56:15.640
<v Speaker 2>Have been nice to have had something. Violet imagines Vander

0:56:15.719 --> 0:56:19.200
<v Speaker 2>coaching her in the fight and pointing out that everyone

0:56:19.320 --> 0:56:21.360
<v Speaker 2>still needs her. She still has a bigger role to

0:56:21.360 --> 0:56:24.040
<v Speaker 2>play here. She's down one power glove because it's been

0:56:24.080 --> 0:56:29.120
<v Speaker 2>stabbed by Savika's sword. Y shields herself and rips off

0:56:29.200 --> 0:56:33.520
<v Speaker 2>Savika's modified arm, and she goes to get the broken arm.

0:56:33.800 --> 0:56:35.640
<v Speaker 2>The fight's over. She goes to get the broken arm,

0:56:35.800 --> 0:56:37.440
<v Speaker 2>and Jinks appears and knocks her out.

0:56:38.719 --> 0:56:41.879
<v Speaker 1>Jinks everywhere all at once, this one. I do want

0:56:41.880 --> 0:56:45.360
<v Speaker 1>to shout out the Silko at the Vander Fountain scene.

0:56:46.440 --> 0:56:49.800
<v Speaker 1>Never have I felt so much for a villain, for

0:56:50.719 --> 0:56:54.279
<v Speaker 1>a heinous villain. Him just the I forget what the

0:56:54.320 --> 0:56:56.759
<v Speaker 1>exact line was, but he said something like, is there

0:56:56.800 --> 0:56:59.520
<v Speaker 1>anything as so undoing as a daughter or something? Yeah,

0:56:59.520 --> 0:57:01.840
<v Speaker 1>as a dog, and he sort of he finally seemingly

0:57:01.960 --> 0:57:05.800
<v Speaker 1>understands where Vander was coming from and why Vander chose

0:57:05.840 --> 0:57:09.799
<v Speaker 1>his family and his daughters over perhaps the dream that

0:57:10.000 --> 0:57:12.560
<v Speaker 1>he and Silko had been fighting for ever since they

0:57:12.600 --> 0:57:15.759
<v Speaker 1>were young, and now here Silko, on the verge of

0:57:15.800 --> 0:57:19.880
<v Speaker 1>achieving that very dream, finally understands why Vander might have

0:57:19.920 --> 0:57:22.240
<v Speaker 1>backed off too, because now he's toying with the idea

0:57:22.280 --> 0:57:25.040
<v Speaker 1>of backing off for his daughter. It's beautiful stuff.

0:57:25.200 --> 0:57:27.600
<v Speaker 2>Yeah, you are a sucker for a Silco and Vandersen.

0:57:27.680 --> 0:57:29.400
<v Speaker 2>I let me tell you, Oh yeah, you are.

0:57:29.680 --> 0:57:32.320
<v Speaker 1>I really feel for there if they ever do like

0:57:32.360 --> 0:57:36.800
<v Speaker 1>a little prolog like backstory one off short episode about

0:57:36.920 --> 0:57:39.480
<v Speaker 1>Vander and Silko's backstory, like it's gonna get me.

0:57:39.640 --> 0:57:42.240
<v Speaker 3>Well, I do think as well, Like it's one of

0:57:42.240 --> 0:57:45.040
<v Speaker 3>those really bittersweet things in the show because you just

0:57:45.080 --> 0:57:47.680
<v Speaker 3>can't help but think, what if Vander wasn't dead?

0:57:47.720 --> 0:57:48.160
<v Speaker 1>What if?

0:57:48.240 --> 0:57:48.680
<v Speaker 4>What if?

0:57:48.720 --> 0:57:51.080
<v Speaker 3>What would that have looked like if this had come sooner?

0:57:51.280 --> 0:57:53.840
<v Speaker 3>Like what does it mean? And also it's always amazing

0:57:53.880 --> 0:57:57.600
<v Speaker 3>when you have warring factions that end up coming to

0:57:57.640 --> 0:57:59.000
<v Speaker 3>the same place but too late.

0:57:59.080 --> 0:58:01.040
<v Speaker 4>That's always like a moment.

0:58:01.320 --> 0:58:04.120
<v Speaker 1>Yeah, and you see echoes of Vander, even if we

0:58:04.160 --> 0:58:06.640
<v Speaker 1>never get the true backstory of their relationship, we see

0:58:06.640 --> 0:58:09.360
<v Speaker 1>echoes of it in every relationship in this show, Himer,

0:58:09.480 --> 0:58:13.480
<v Speaker 1>Dinger and j Jason, Victor Van Jinks, Caitlin and Vi,

0:58:13.920 --> 0:58:17.600
<v Speaker 1>every relationship in every conflict for me at least, seemingly

0:58:17.680 --> 0:58:21.520
<v Speaker 1>stems back to Vander Silko and the divide between Upper

0:58:21.520 --> 0:58:25.200
<v Speaker 1>City Lower City. It's beautiful stuff. Okay, back to our recap,

0:58:25.320 --> 0:58:30.360
<v Speaker 1>Jason Victor appear before the council. Jace, in the Boldest

0:58:30.400 --> 0:58:33.440
<v Speaker 1>Move ever, just shits on everyone in the council and says,

0:58:33.520 --> 0:58:36.760
<v Speaker 1>y'all are not fit to lead over zone. We've let

0:58:36.760 --> 0:58:40.480
<v Speaker 1>them down. This is all our fault, and I've actually

0:58:40.480 --> 0:58:42.840
<v Speaker 1>taken the step to do something about it. I spoke

0:58:42.920 --> 0:58:45.960
<v Speaker 1>to Silko directly. We've broke her to piece, and I

0:58:46.000 --> 0:58:48.120
<v Speaker 1>need everyone to raise their hands and vote yes on

0:58:48.160 --> 0:58:50.920
<v Speaker 1>this right now. Understandably, the Council's like.

0:58:50.960 --> 0:58:52.680
<v Speaker 3>What the fucking we're talking about?

0:58:52.760 --> 0:58:54.479
<v Speaker 1>You're like twenty two years old?

0:58:54.520 --> 0:58:55.840
<v Speaker 3>Who are you you?

0:58:55.960 --> 0:58:58.640
<v Speaker 4>And also like where did this plan come from?

0:58:58.680 --> 0:59:00.920
<v Speaker 3>How long did you think it out? Did you figure out.

0:59:00.760 --> 0:59:01.840
<v Speaker 4>Longer than the last plan?

0:59:01.880 --> 0:59:03.240
<v Speaker 3>Whe you ended up killing a kid?

0:59:03.280 --> 0:59:05.000
<v Speaker 2>Because it doesn't seem like it right?

0:59:05.040 --> 0:59:08.360
<v Speaker 1>Why is the child killer brokery piece? What are we doing? Well?

0:59:08.360 --> 0:59:08.520
<v Speaker 3>We did?

0:59:08.680 --> 0:59:09.640
<v Speaker 4>I mean, I'm not gonna lie.

0:59:09.800 --> 0:59:12.360
<v Speaker 3>I do agree that making peace.

0:59:12.440 --> 0:59:13.080
<v Speaker 4>Is a good idea.

0:59:13.280 --> 0:59:15.640
<v Speaker 3>Yes, yes, should be the aim, But once again, I

0:59:15.680 --> 0:59:19.080
<v Speaker 3>don't think Jake thought this through and I don't believe

0:59:19.120 --> 0:59:21.440
<v Speaker 3>it's gonna go the way that he hopes.

0:59:21.520 --> 0:59:25.760
<v Speaker 2>Sadly, right bold Move, Violet wakes up in the cannery

0:59:25.760 --> 0:59:28.880
<v Speaker 2>from episode three the end of act one, and she's

0:59:28.960 --> 0:59:31.760
<v Speaker 2>tied to a chair with sparklers at her feet. Jinks

0:59:32.560 --> 0:59:36.080
<v Speaker 2>proceeds to monologue to Violet and she says Silko wasn't

0:59:36.080 --> 0:59:39.280
<v Speaker 2>the one that made her this way, Violet was violence

0:59:39.360 --> 0:59:41.320
<v Speaker 2>is the only thing that kept her going in prison

0:59:41.480 --> 0:59:44.640
<v Speaker 2>was the thought of getting back to Powder, and Jink says,

0:59:44.680 --> 0:59:47.280
<v Speaker 2>are we still sisters? And Violet's like, nothing's ever gonna

0:59:47.360 --> 0:59:50.440
<v Speaker 2>change that, don't worry, And then Jinks pulls Violet on

0:59:50.520 --> 0:59:54.760
<v Speaker 2>the chair to a dinner table where she has Soko

0:59:54.840 --> 0:59:56.320
<v Speaker 2>tied up and gagged. At the other end.

0:59:57.240 --> 0:59:58.360
<v Speaker 4>She's sick of everyone.

0:59:58.520 --> 1:00:01.640
<v Speaker 2>Yes, yeah, she's She's got dolls all over at the seats,

1:00:01.680 --> 1:00:05.640
<v Speaker 2>including her Milo and Clagger dolls. And she then is

1:00:05.680 --> 1:00:08.640
<v Speaker 2>telling Violet she paid a little visit to Caitlyn and

1:00:08.680 --> 1:00:11.480
<v Speaker 2>she reveals a platter with the top on it and

1:00:12.000 --> 1:00:14.360
<v Speaker 2>Violet's like, oh my god, no, and she opens it

1:00:14.400 --> 1:00:16.120
<v Speaker 2>and Violet screams and she's like, come on.

1:00:16.080 --> 1:00:19.240
<v Speaker 4>Because you think it's gonna be Caitlyn's head.

1:00:20.240 --> 1:00:22.919
<v Speaker 2>And she's like, even I'm not that crazy.

1:00:22.920 --> 1:00:26.080
<v Speaker 3>Don't be burying those gays yet, yea, nothing, we haven't gone.

1:00:26.520 --> 1:00:29.160
<v Speaker 2>It's it's very tame. It's just a cupcake with the

1:00:29.200 --> 1:00:33.520
<v Speaker 2>Heck's crystal on top. And then she's so dramatic. Yes, yes.

1:00:34.400 --> 1:00:37.160
<v Speaker 2>She then wheels Caitlyn to the table, who obviously is

1:00:37.200 --> 1:00:40.480
<v Speaker 2>also bound and gagged. But wait a minute, where is

1:00:40.640 --> 1:00:43.840
<v Speaker 2>Jink's gonna sit. She has one chair that says jinx

1:00:43.880 --> 1:00:46.040
<v Speaker 2>and one chair that says powder on opposite ends of

1:00:46.080 --> 1:00:50.040
<v Speaker 2>the table, and Jinks gives Violet an ultimatum, here's my gun,

1:00:50.400 --> 1:00:52.920
<v Speaker 2>shoot Caitlin, get her out of the picture, and you

1:00:52.960 --> 1:00:56.600
<v Speaker 2>can have powder back. Violet says, no, no, Look, you

1:00:56.640 --> 1:00:59.040
<v Speaker 2>and I can leave. We can never come back. And

1:00:59.080 --> 1:01:03.080
<v Speaker 2>then Jinks is starting to voices and Soko is telling

1:01:03.560 --> 1:01:06.400
<v Speaker 2>her that Violet's gonna betray her, and he's like, I

1:01:06.440 --> 1:01:09.360
<v Speaker 2>could have had everything if I turned you in, but

1:01:09.440 --> 1:01:11.960
<v Speaker 2>I didn't. I would never do that. You're my daughter.

1:01:12.320 --> 1:01:14.840
<v Speaker 3>Yeah, also as well, I love this scene because when

1:01:14.840 --> 1:01:18.160
<v Speaker 3>we see how much Drinks is struggling, this is one

1:01:18.160 --> 1:01:20.920
<v Speaker 3>of those moments where we really get the incredible like

1:01:21.000 --> 1:01:24.280
<v Speaker 3>different styles of animation where it's like we're getting these

1:01:24.320 --> 1:01:28.000
<v Speaker 3>like scratchy kids drawings, and yeah, this is such a

1:01:28.040 --> 1:01:31.400
<v Speaker 3>sad scene. I'm like, I hate this scene. It's so good,

1:01:31.440 --> 1:01:33.080
<v Speaker 3>but it's so sad and you want it to go

1:01:33.160 --> 1:01:34.960
<v Speaker 3>one way, but you know it's gonna go the other.

1:01:35.240 --> 1:01:38.360
<v Speaker 1>Yeah, And there's so much pleading from all sides and

1:01:38.400 --> 1:01:40.440
<v Speaker 1>you're just rooting for it all to work out, and

1:01:40.480 --> 1:01:41.880
<v Speaker 1>you know it's literally all about to.

1:01:41.840 --> 1:01:45.240
<v Speaker 2>Blow up as soon as, like when watching this scene,

1:01:45.280 --> 1:01:47.560
<v Speaker 2>I think this is the perfect way to end this season.

1:01:48.120 --> 1:01:51.440
<v Speaker 2>And I think as soon as you see her drag

1:01:51.560 --> 1:01:53.640
<v Speaker 2>Violet to the table and you see Soco at the

1:01:53.680 --> 1:01:58.560
<v Speaker 2>other end, you know what's going to happen. But it's like, oh, yeah,

1:01:58.640 --> 1:02:01.400
<v Speaker 2>this is incredible. Yes, this is going to.

1:02:01.320 --> 1:02:03.760
<v Speaker 3>Be Yeah, this is definitely like a Game of Thrones

1:02:03.880 --> 1:02:05.640
<v Speaker 3>level shock finale.

1:02:05.800 --> 1:02:08.120
<v Speaker 4>And I see again by when I was rewatching this

1:02:08.120 --> 1:02:09.360
<v Speaker 4>this morning before.

1:02:09.480 --> 1:02:12.440
<v Speaker 3>I came on the show, you really see how this

1:02:12.520 --> 1:02:15.439
<v Speaker 3>became such a massive succession, how it became a water

1:02:15.480 --> 1:02:18.480
<v Speaker 3>cooler show because it has all these elements that would

1:02:18.520 --> 1:02:22.000
<v Speaker 3>capture you in live action, but here they're utilizing them

1:02:22.000 --> 1:02:25.520
<v Speaker 3>in a way that engrossed a non animation watching audience

1:02:25.600 --> 1:02:27.640
<v Speaker 3>in an animated story, which I just think is such

1:02:27.680 --> 1:02:30.920
<v Speaker 3>a huge achievement and something that we really need if

1:02:30.960 --> 1:02:32.480
<v Speaker 3>we want to keep animation alive.

1:02:32.800 --> 1:02:35.560
<v Speaker 2>Also, I mean, we haven't done enough of this, I think.

1:02:35.600 --> 1:02:38.360
<v Speaker 2>But Ella Pernell's voice acting.

1:02:38.160 --> 1:02:40.919
<v Speaker 4>Oh oh my god, she's so in.

1:02:40.840 --> 1:02:43.439
<v Speaker 2>Particular with this scene. I think she does an incredible job.

1:02:43.560 --> 1:02:48.080
<v Speaker 1>Yeah, heartbreaking, amazing stuff. Okay, well, let's finish recapping this scene.

1:02:48.080 --> 1:02:50.600
<v Speaker 1>There's a couple of more beats here to go. Caitlyn

1:02:51.120 --> 1:02:54.040
<v Speaker 1>uses the broken wine bottle on the table to cut

1:02:54.040 --> 1:02:57.200
<v Speaker 1>her restraints. She grabs Jinx's gatling gun. We get a

1:02:57.240 --> 1:02:59.959
<v Speaker 1>show down. Caitlyn shoots off a couple of warning shots,

1:03:00.240 --> 1:03:05.160
<v Speaker 1>but Jinks is seemingly unfazed. Violet, meanwhile, is pleading with Caitlin,

1:03:05.480 --> 1:03:09.520
<v Speaker 1>pleading with Jinks. She's trying to diffuse this whole situation.

1:03:10.280 --> 1:03:14.640
<v Speaker 1>Jinks casually drops her pistol, Oh good, but then instantly

1:03:15.120 --> 1:03:19.520
<v Speaker 1>shows off the enhancements she has received from her shimmer injections,

1:03:20.040 --> 1:03:22.480
<v Speaker 1>and we get like just a flash of a monstrous

1:03:22.520 --> 1:03:25.040
<v Speaker 1>looking Chinks as she comes up and knocks out Caitlin

1:03:25.440 --> 1:03:28.360
<v Speaker 1>and steals the gun. The voices that she that are

1:03:28.400 --> 1:03:30.680
<v Speaker 1>overwhelming her now are not only in her head. Is

1:03:30.760 --> 1:03:34.280
<v Speaker 1>Silko and Violet are literally shouting over each other, trying

1:03:34.320 --> 1:03:36.720
<v Speaker 1>to get through to Jinks, trying to get through to

1:03:36.920 --> 1:03:39.720
<v Speaker 1>Powder and diffuse this whole situation. Both of them are

1:03:39.760 --> 1:03:42.640
<v Speaker 1>clearly like one of us is about to die here

1:03:42.640 --> 1:03:46.440
<v Speaker 1>at this table. We the viewer also know that as well. Silko,

1:03:46.960 --> 1:03:49.640
<v Speaker 1>in a panic, grabs the pistol that Jinks had dropped

1:03:50.040 --> 1:03:53.160
<v Speaker 1>and points it at Y, but Jinks is faster and

1:03:53.200 --> 1:03:56.440
<v Speaker 1>she fires off her gatling gun, killing Silko tragically.

1:03:56.520 --> 1:03:58.000
<v Speaker 3>Okay, look, can I just say I just have to

1:03:58.000 --> 1:04:01.120
<v Speaker 3>say something, m HM as a sister, I need VI

1:04:01.680 --> 1:04:04.200
<v Speaker 3>to take a strong look in the mirror. Yeah, because

1:04:04.440 --> 1:04:07.840
<v Speaker 3>Jinks literally killed her own dad. To say, VI and

1:04:07.960 --> 1:04:10.520
<v Speaker 3>VI couldn't just randomly shoot Caitlin. Like, I'm not saying

1:04:10.600 --> 1:04:13.000
<v Speaker 3>she should have done it, but I feel like Jinks,

1:04:13.000 --> 1:04:15.360
<v Speaker 3>I feel like she's really coming through as the as

1:04:15.440 --> 1:04:17.880
<v Speaker 3>the more crazy, but also like she did what needed

1:04:17.920 --> 1:04:20.040
<v Speaker 3>to be done to save VI's life.

1:04:20.120 --> 1:04:21.960
<v Speaker 4>But VI was like, Nah, I can't do it.

1:04:22.000 --> 1:04:23.200
<v Speaker 3>Man, I'm just saying.

1:04:23.280 --> 1:04:23.800
<v Speaker 1>I'm just saying.

1:04:23.840 --> 1:04:26.040
<v Speaker 4>I mean the Devil's Advocate, that was advocate.

1:04:25.800 --> 1:04:31.040
<v Speaker 1>Rosie hot rich girl from the Upper City.

1:04:31.240 --> 1:04:34.920
<v Speaker 3>She's promising everything to me. Dude, your sister is crazy.

1:04:34.960 --> 1:04:37.040
<v Speaker 3>She needs to go home. You need to give her

1:04:37.200 --> 1:04:39.640
<v Speaker 3>some loving care. You need to help her out. Man.

1:04:39.680 --> 1:04:42.240
<v Speaker 3>This is gonna end badly for everyone as we're about

1:04:42.240 --> 1:04:42.640
<v Speaker 3>to see.

1:04:42.920 --> 1:04:44.800
<v Speaker 1>Oh, such a good scene. A great point, Rosie.

1:04:44.960 --> 1:04:46.840
<v Speaker 4>I know I was crying. I was crying. I was crying.

1:04:46.920 --> 1:04:49.200
<v Speaker 3>Such a good scene again, make you care about Silko,

1:04:50.000 --> 1:04:51.400
<v Speaker 3>which shouldn't be possible.

1:04:51.080 --> 1:04:54.440
<v Speaker 1>My goodness, shouldn't be possible. But poor Silko riddled with

1:04:54.480 --> 1:04:58.040
<v Speaker 1>bullet holes. At this point, is telling Jinks with his

1:04:58.200 --> 1:05:01.840
<v Speaker 1>dying breath that he actually made up his mind he

1:05:02.040 --> 1:05:04.560
<v Speaker 1>was not going to ever give her up to the

1:05:04.640 --> 1:05:07.280
<v Speaker 1>Upper City and he was going to turn down Jace's

1:05:07.320 --> 1:05:11.280
<v Speaker 1>offer of peace let them all burn, and Jinks, of course,

1:05:11.440 --> 1:05:13.840
<v Speaker 1>very touched by this, begins to cry. He wipes away

1:05:13.880 --> 1:05:18.040
<v Speaker 1>a tear. Don't cry. You're perfect, something that her sister

1:05:18.120 --> 1:05:20.640
<v Speaker 1>never told her. To be fair, you sister just called

1:05:20.640 --> 1:05:24.240
<v Speaker 1>her a jinx and walked away from her. Jinks then

1:05:24.720 --> 1:05:28.800
<v Speaker 1>walks over, now confident in herself, to the chair labeled

1:05:29.000 --> 1:05:33.160
<v Speaker 1>Jinks and sits down fully embodies her role and the name,

1:05:33.880 --> 1:05:36.600
<v Speaker 1>and she tells her sister, I thought you could have

1:05:36.640 --> 1:05:40.440
<v Speaker 1>loved me, but you've changed. I've changed too much has changed.

1:05:40.760 --> 1:05:42.680
<v Speaker 1>We can no longer be the sisters and have the

1:05:42.720 --> 1:05:45.960
<v Speaker 1>relationship that we once had, which I think is poignant.

1:05:46.280 --> 1:05:48.360
<v Speaker 1>Aaron and I had talked a couple episodes ago about

1:05:48.360 --> 1:05:51.360
<v Speaker 1>the miscommunication that Violet and Jinks are having at this

1:05:51.360 --> 1:05:54.720
<v Speaker 1>point in their life, and it's because Violet is not

1:05:54.840 --> 1:05:58.680
<v Speaker 1>recognizing that this is no longer powdered. Things actually have changed,

1:05:58.720 --> 1:06:00.680
<v Speaker 1>and you can't treat this person and like you did

1:06:00.760 --> 1:06:03.520
<v Speaker 1>your four year old five year old sisters.

1:06:03.560 --> 1:06:07.400
<v Speaker 3>As well, Like I feel like Vie doesn't have a

1:06:07.440 --> 1:06:11.040
<v Speaker 3>real understanding of what Jinks has been through, do you.

1:06:11.040 --> 1:06:11.440
<v Speaker 4>Know what I mean.

1:06:11.480 --> 1:06:13.280
<v Speaker 3>It's like she wants her to just be the same

1:06:13.360 --> 1:06:15.960
<v Speaker 3>sister and act like she has always been in the wrong,

1:06:16.000 --> 1:06:19.520
<v Speaker 3>but these traumatizing things have happened to Jinks. This was

1:06:19.560 --> 1:06:22.160
<v Speaker 3>so heartbreaking for me to watch. And I also think

1:06:22.200 --> 1:06:25.480
<v Speaker 3>as well, it's really butterfly effect or Domino effect too,

1:06:25.480 --> 1:06:29.160
<v Speaker 3>because I just I don't think what happens next would

1:06:29.160 --> 1:06:31.960
<v Speaker 3>have happened if she hadn't killed Silko, Like if she

1:06:32.040 --> 1:06:35.400
<v Speaker 3>hadn't made that split second decision, I don't think we

1:06:35.440 --> 1:06:37.920
<v Speaker 3>would be in the situation where we are, which sets

1:06:38.000 --> 1:06:40.320
<v Speaker 3>up this, you know, huge conflict in season two, And

1:06:40.360 --> 1:06:42.960
<v Speaker 3>I just it's so heartbreaking, and I think she's doing

1:06:43.000 --> 1:06:43.680
<v Speaker 3>it for him.

1:06:43.760 --> 1:06:46.200
<v Speaker 2>I mean, she did bring it, so she had it there.

1:06:46.400 --> 1:06:46.600
<v Speaker 1>I know.

1:06:48.160 --> 1:06:50.840
<v Speaker 3>There was at least consideration, but you know, she could

1:06:50.840 --> 1:06:52.840
<v Speaker 3>have used ex crystal and not put it in a

1:06:52.920 --> 1:06:55.280
<v Speaker 3>rocket launcher, put it in somewhere.

1:06:55.560 --> 1:06:58.960
<v Speaker 1>Fair, absolutely fair, But unfortunately that is exactly what happens.

1:06:59.440 --> 1:07:01.800
<v Speaker 1>She takes the Hex crystal, she puts it in her

1:07:01.840 --> 1:07:05.600
<v Speaker 1>rocket launchers, She walks up to the window, points it

1:07:05.800 --> 1:07:08.240
<v Speaker 1>at the tallest tower in Piltover, which happens to be

1:07:08.280 --> 1:07:11.280
<v Speaker 1>the council chamber, and fires off her rocket. We get

1:07:11.280 --> 1:07:15.600
<v Speaker 1>this incredible final montage sequence of the show. Here of

1:07:15.680 --> 1:07:18.840
<v Speaker 1>season one, the council, one by one is voting for

1:07:18.960 --> 1:07:22.960
<v Speaker 1>Jason's proposal for peace. We get a quick shot of Heimerdinger,

1:07:23.080 --> 1:07:24.520
<v Speaker 1>and Echo hanging out, just.

1:07:24.440 --> 1:07:29.600
<v Speaker 3>Hanging out, like, hey, Dore's important stuff going on here, guys,

1:07:29.600 --> 1:07:30.320
<v Speaker 3>like what you up to?

1:07:30.800 --> 1:07:35.000
<v Speaker 1>Clearly setting up season two stuff. And Bessa is looking

1:07:35.000 --> 1:07:37.720
<v Speaker 1>at Mel's painting, which has been scratched over. Mel has

1:07:37.760 --> 1:07:39.880
<v Speaker 1>clearly made a decision she is not going to side

1:07:39.880 --> 1:07:42.840
<v Speaker 1>with her mother. She's gonna stick by Piltover and her

1:07:43.120 --> 1:07:48.840
<v Speaker 1>neo adopted home. And finally, Jinx's Hex powered rocket hits

1:07:49.000 --> 1:07:52.240
<v Speaker 1>the council building. We get this really striking bit of

1:07:52.280 --> 1:07:55.440
<v Speaker 1>animation where at first we're looking through the window and

1:07:55.480 --> 1:07:58.680
<v Speaker 1>we see the glint off of the chained the metal

1:07:58.720 --> 1:08:03.400
<v Speaker 1>parts of Mel's dress reflecting the rocket, and then we

1:08:03.520 --> 1:08:05.920
<v Speaker 1>see the rocket reflection in the glass, and then the

1:08:05.920 --> 1:08:07.400
<v Speaker 1>glass shatters, cut to.

1:08:07.400 --> 1:08:09.120
<v Speaker 4>Credits, cut credits.

1:08:09.160 --> 1:08:09.880
<v Speaker 1>So good.

1:08:10.080 --> 1:08:13.400
<v Speaker 2>Yes, altogether a pretty successful dinner party, I think.

1:08:13.520 --> 1:08:14.400
<v Speaker 3>Yes, fantastic.

1:08:14.640 --> 1:08:17.679
<v Speaker 4>You know, nobody could say it was boring, that's for sure.

1:08:18.000 --> 1:08:20.439
<v Speaker 2>Yeah, exactly, there were things to talk about the entire time.

1:08:20.560 --> 1:08:20.760
<v Speaker 1>Yeah.

1:08:20.840 --> 1:08:23.200
<v Speaker 3>Yeah, I mean I think this is such a good

1:08:23.240 --> 1:08:27.280
<v Speaker 3>season finale. I think it's and I feel really lucky,

1:08:27.320 --> 1:08:29.400
<v Speaker 3>and I feel like everyone else is really lucky that

1:08:29.520 --> 1:08:31.760
<v Speaker 3>if you're listening to this podcast, you don't have very

1:08:31.800 --> 1:08:34.360
<v Speaker 3>long to wait. Yes, because I think the weight was

1:08:34.520 --> 1:08:38.320
<v Speaker 3>so painfully long, but also that's the nature of animation

1:08:38.439 --> 1:08:39.919
<v Speaker 3>and that's how it gets made healthily.

1:08:40.360 --> 1:08:42.000
<v Speaker 4>But yeah, I mean what an ending.

1:08:42.640 --> 1:08:44.400
<v Speaker 2>Yeah, I think this is like in my Top three

1:08:44.800 --> 1:08:47.439
<v Speaker 2>dinner table, well not dinner table, but Top three, like

1:08:47.600 --> 1:08:51.240
<v Speaker 2>tension filled scenes at a table with people across reach.

1:08:51.240 --> 1:08:53.439
<v Speaker 4>Like it kind of showdown. Yeah, Okay, what are your

1:08:53.479 --> 1:08:53.920
<v Speaker 4>other two?

1:08:54.240 --> 1:08:57.240
<v Speaker 2>My other two would be Karen Page and Wesley and Daredevil.

1:08:57.360 --> 1:09:01.240
<v Speaker 2>Oh yeah, it's just incredible. And then and also I know,

1:09:01.760 --> 1:09:05.080
<v Speaker 2>you know, not a huge Johnny Depth fan, but Black

1:09:05.120 --> 1:09:07.599
<v Speaker 2>Mass Oh yeah, yeah, when he's talking about the family

1:09:07.640 --> 1:09:10.720
<v Speaker 2>secret family recipe another one of my favorite scenes in

1:09:10.800 --> 1:09:13.840
<v Speaker 2>like a crime mop movie Rosie.

1:09:13.439 --> 1:09:15.800
<v Speaker 1>To rep up. We wanted to touch a little bit

1:09:16.080 --> 1:09:18.160
<v Speaker 1>on season two. We want to keep it spoiler free.

1:09:18.320 --> 1:09:20.439
<v Speaker 1>We're gonna cover it on the show when it comes out,

1:09:20.479 --> 1:09:23.479
<v Speaker 1>of course, But you have had the privilege of seeing

1:09:23.520 --> 1:09:25.800
<v Speaker 1>season two. Anything you wanted to share with us, anything

1:09:25.880 --> 1:09:26.639
<v Speaker 1>you want to tease.

1:09:26.840 --> 1:09:30.280
<v Speaker 3>I have seen season two episode one. Okay, I got

1:09:30.320 --> 1:09:31.720
<v Speaker 3>to see it on a big cinema screen. I was

1:09:31.720 --> 1:09:35.360
<v Speaker 3>feeling very lucky. What I will say is that it

1:09:35.439 --> 1:09:37.719
<v Speaker 3>is unbelievably action packed.

1:09:38.439 --> 1:09:41.920
<v Speaker 4>It has fantastic music, as you expect.

1:09:42.120 --> 1:09:49.519
<v Speaker 3>It is honestly, like really got wrenching stuff, and I

1:09:49.520 --> 1:09:53.240
<v Speaker 3>think interestingly, it does have a slightly different feel than

1:09:53.360 --> 1:09:58.000
<v Speaker 3>season one, which I think is purposeful. You know, they've

1:09:58.040 --> 1:10:00.200
<v Speaker 3>talked about how they always knew what the ending was

1:10:00.240 --> 1:10:02.120
<v Speaker 3>going to be for season two and how the show

1:10:02.200 --> 1:10:05.000
<v Speaker 3>was going to end interesting. But yeah, I mean it's fantastic.

1:10:05.160 --> 1:10:07.320
<v Speaker 3>I think you guys are going to probably love it,

1:10:07.439 --> 1:10:09.439
<v Speaker 3>and I think for me, the thing that I was

1:10:09.479 --> 1:10:14.080
<v Speaker 3>most relieved about was just like the importance of v

1:10:14.479 --> 1:10:17.880
<v Speaker 3>and Jinx's relationship is still like at the center of

1:10:18.000 --> 1:10:20.559
<v Speaker 3>the show, you know, even when we're going into this

1:10:21.240 --> 1:10:28.519
<v Speaker 3>more grand, explosive war show. And also I didn't get

1:10:28.520 --> 1:10:31.640
<v Speaker 3>to see this, but there's a great interview on Netflix's

1:10:31.680 --> 1:10:34.439
<v Speaker 3>website to them where they basically do kind of like

1:10:34.680 --> 1:10:37.280
<v Speaker 3>trade style interviews where they were just saying, like, the

1:10:37.280 --> 1:10:40.600
<v Speaker 3>biggest thing is how much the world is going to expand,

1:10:41.360 --> 1:10:45.160
<v Speaker 3>which I'm like really excited for. And also as well,

1:10:45.400 --> 1:10:47.559
<v Speaker 3>in the first episode you do get a lot of

1:10:48.400 --> 1:10:52.200
<v Speaker 3>people's decisions and how they led us to where we

1:10:52.320 --> 1:10:55.439
<v Speaker 3>got to in the finale and dealing with the ramifications

1:10:55.680 --> 1:10:59.160
<v Speaker 3>of the people who got us to this point. But yeah,

1:10:59.439 --> 1:11:01.200
<v Speaker 3>I think the episode is going to blow people.

1:11:01.320 --> 1:11:03.719
<v Speaker 1>What a himerding or an echo up to? Any updates

1:11:03.720 --> 1:11:04.479
<v Speaker 1>why they up to?

1:11:04.720 --> 1:11:08.320
<v Speaker 3>That's the stuff I really can't spoil. That's the really

1:11:08.320 --> 1:11:08.920
<v Speaker 3>big stuff.

1:11:09.120 --> 1:11:12.759
<v Speaker 2>Is it a full season drop, No, it's three separate acts.

1:11:12.800 --> 1:11:14.640
<v Speaker 1>It's going to come out in Jake good Well, you know.

1:11:14.800 --> 1:11:16.519
<v Speaker 3>I think that's definitely the way they should do it.

1:11:16.520 --> 1:11:18.680
<v Speaker 3>I think they know they have a massive hit on

1:11:18.760 --> 1:11:22.000
<v Speaker 3>their hands. So yeah, November ninth, sixteenth, and twenty third,

1:11:22.479 --> 1:11:25.200
<v Speaker 3>turn off all your lights, make your TV to the

1:11:25.280 --> 1:11:29.720
<v Speaker 3>perfect you know parameters, and just really enjoy watching it.

1:11:29.760 --> 1:11:31.439
<v Speaker 4>And I'm so glad that you guys have covered the

1:11:31.439 --> 1:11:32.000
<v Speaker 4>whole season.

1:11:32.040 --> 1:11:33.920
<v Speaker 3>I really hope this is going to make people check

1:11:33.960 --> 1:11:36.120
<v Speaker 3>it out or rewatch it before season two comes out.

1:11:36.200 --> 1:11:39.120
<v Speaker 2>Yeah, me too, A boo, do you have two three minutes?

1:11:39.160 --> 1:11:41.599
<v Speaker 2>What are you hoping for from season two? What would

1:11:41.600 --> 1:11:42.519
<v Speaker 2>you like to see?

1:11:43.040 --> 1:11:46.479
<v Speaker 1>Honestly, what Rosie said makes me incredibly excited. I want

1:11:46.560 --> 1:11:49.240
<v Speaker 1>to see the world get bigger. As much as I

1:11:49.240 --> 1:11:51.360
<v Speaker 1>love Piltover, as much as I love the under City.

1:11:51.560 --> 1:11:54.599
<v Speaker 1>We really stuck in one location, which played to its

1:11:54.640 --> 1:11:58.000
<v Speaker 1>drength for season one, but we got hints right and

1:11:58.080 --> 1:12:01.000
<v Speaker 1>Bessa coming in from across the ocean quote unquote whatever

1:12:01.040 --> 1:12:04.000
<v Speaker 1>that means. Across the sea means there are other nations

1:12:04.040 --> 1:12:07.240
<v Speaker 1>out there. There are nations that are dangerous to in Bessa,

1:12:07.280 --> 1:12:10.559
<v Speaker 1>and she needs war weapons to fight them. So I'm

1:12:10.640 --> 1:12:13.200
<v Speaker 1>a bit of a lord junkie. I'm a world building junkie.

1:12:13.200 --> 1:12:15.439
<v Speaker 1>I love that sort of thing in my storytelling, and

1:12:16.040 --> 1:12:18.559
<v Speaker 1>it's exciting Rosie to hear that. It seems like I'm

1:12:18.600 --> 1:12:20.599
<v Speaker 1>going to be getting a bit more of that zooming out.

1:12:20.640 --> 1:12:22.320
<v Speaker 4>I think that's definitely going to be happening.

1:12:22.400 --> 1:12:25.479
<v Speaker 2>Also, I'm excited that maybe we don't spend the entire

1:12:25.560 --> 1:12:28.800
<v Speaker 2>time in Piltover solely in the council chambers. Now, oh baby,

1:12:28.840 --> 1:12:31.080
<v Speaker 2>because they've been potentially blown up, I can.

1:12:31.040 --> 1:12:33.719
<v Speaker 3>Definitely say that I think you are going to see

1:12:33.760 --> 1:12:35.000
<v Speaker 3>more of Piltova.

1:12:35.160 --> 1:12:35.439
<v Speaker 1>Nice.

1:12:35.520 --> 1:12:38.559
<v Speaker 2>Nice. Also, like I mentioned earlier, I really would like

1:12:38.600 --> 1:12:40.479
<v Speaker 2>there to be some kind of big bad, you know,

1:12:40.600 --> 1:12:44.760
<v Speaker 2>something that maybe brings some people together. And one of

1:12:44.840 --> 1:12:47.720
<v Speaker 2>my favorite things again with Game of Thrones is like

1:12:47.760 --> 1:12:49.800
<v Speaker 2>the switching up of character pairings and so you have

1:12:49.840 --> 1:12:52.640
<v Speaker 2>different people with different people, and the Avengers movies do

1:12:52.720 --> 1:12:54.519
<v Speaker 2>this too. I would like to see a little bit

1:12:54.520 --> 1:12:57.240
<v Speaker 2>of Obviously we're going to get some Calin and Violet together,

1:12:57.320 --> 1:12:59.559
<v Speaker 2>but let's see, you know, we got a little bit

1:12:59.600 --> 1:13:02.320
<v Speaker 2>with Violt and Jay's fighting together. Let's get Kaitlin with

1:13:02.360 --> 1:13:05.880
<v Speaker 2>someone else. I'm all aboard the Echo and himer Dinger move.

1:13:06.000 --> 1:13:08.120
<v Speaker 1>So yeah, I need to see himer Dinger shred some

1:13:08.320 --> 1:13:11.360
<v Speaker 1>rails on a hoverboard. I needed. I need to see

1:13:11.400 --> 1:13:12.839
<v Speaker 1>him doing Olympic tricks.

1:13:12.960 --> 1:13:16.280
<v Speaker 2>Yeah, okay, So, of the three of us, if we're

1:13:16.280 --> 1:13:18.320
<v Speaker 2>going to go play the game right now, which character

1:13:18.320 --> 1:13:22.839
<v Speaker 2>would you play us? I would play as jinx Aboo Jace.

1:13:27.640 --> 1:13:31.280
<v Speaker 2>He's like, where's the DLC shirtless skin? That's so strange?

1:13:31.320 --> 1:13:31.840
<v Speaker 2>I don't have it.

1:13:32.160 --> 1:13:34.599
<v Speaker 3>I know. He's like, is this like bold can?

1:13:36.240 --> 1:13:38.919
<v Speaker 1>Like I was doing some research. They did add Arcane

1:13:39.160 --> 1:13:41.639
<v Speaker 1>TV show skins to the game. You can play these

1:13:41.720 --> 1:13:43.760
<v Speaker 1>characters in the outfits from the show.

1:13:43.840 --> 1:13:44.800
<v Speaker 3>That's I did.

1:13:44.840 --> 1:13:47.080
<v Speaker 2>I saw some tweet that was like, those of you

1:13:47.120 --> 1:13:49.679
<v Speaker 2>who've never played Legal Legends, you don't know how lucky

1:13:49.720 --> 1:13:52.360
<v Speaker 2>you are that you were first introduced to Caitlin through

1:13:52.640 --> 1:13:56.679
<v Speaker 2>the arcade show design versus her design in the game.

1:13:57.160 --> 1:13:59.320
<v Speaker 3>Design in the game is so derayed.

1:13:59.520 --> 1:14:00.479
<v Speaker 2>She looks like a clown.

1:14:01.080 --> 1:14:04.320
<v Speaker 3>She looks like an evil clown from like a Halloween

1:14:04.360 --> 1:14:07.200
<v Speaker 3>movie or something like really bad. Yes, okay, Aaron, who

1:14:07.200 --> 1:14:09.320
<v Speaker 3>would you be inger? Oh?

1:14:09.360 --> 1:14:11.720
<v Speaker 2>I would want to? I would yet, Yeah, I want

1:14:11.760 --> 1:14:14.519
<v Speaker 2>to see what he does. Thank you everyone for listening.

1:14:14.560 --> 1:14:17.240
<v Speaker 2>Coming up on X ray, we're diving into the Penguin

1:14:17.240 --> 1:14:20.720
<v Speaker 2>finale on Monday, and then Tuesday we're going to be

1:14:20.760 --> 1:14:22.920
<v Speaker 2>talking about the first act of Arcane season two.

1:14:23.080 --> 1:14:24.719
<v Speaker 3>Wow, it's already happened.

1:14:26.240 --> 1:14:30.519
<v Speaker 2>And on future episodes of extras, Aboo is going to

1:14:30.560 --> 1:14:34.880
<v Speaker 2>be leading us through an upcoming TV show, Doom Prophecy. Right,

1:14:35.160 --> 1:14:40.960
<v Speaker 2>we'll be having Joel Carmen, Rosie Jason and if there

1:14:40.960 --> 1:14:43.360
<v Speaker 2>are certain things you would like us to cover, please

1:14:43.439 --> 1:14:44.960
<v Speaker 2>let us know in the discord. Yeah, if there's some

1:14:45.000 --> 1:14:47.200
<v Speaker 2>topic that you feel like X ray hasn't had a

1:14:47.280 --> 1:14:50.840
<v Speaker 2>chance to cover because there's literally too much content out

1:14:50.840 --> 1:14:52.559
<v Speaker 2>there for us to do in two episodes a week,

1:14:52.960 --> 1:14:54.360
<v Speaker 2>send us a message over in the discord.

1:14:54.439 --> 1:14:56.400
<v Speaker 3>Yes, my gut says, we will get lots of doctor

1:14:56.439 --> 1:14:58.680
<v Speaker 3>who requests and I know that's summing me and Joe

1:14:58.760 --> 1:15:00.920
<v Speaker 3>Well are excited to talk about so fingers crossed.

1:15:00.920 --> 1:15:02.320
<v Speaker 4>Maybe you hear something about that soon.

1:15:02.560 --> 1:15:05.120
<v Speaker 1>That's right, Okay, that's today's episode. Rosie, thank you so

1:15:05.200 --> 1:15:07.000
<v Speaker 1>much for joining us. It was fun to have Mom

1:15:07.040 --> 1:15:08.120
<v Speaker 1>at the dinner table today.

1:15:08.320 --> 1:15:12.200
<v Speaker 3>It was so great. I'm glad we could all have

1:15:12.320 --> 1:15:16.240
<v Speaker 3>fun and we didn't kill anyone that's at the dinner table,

1:15:16.720 --> 1:15:18.160
<v Speaker 3>so really success.

1:15:18.479 --> 1:15:20.639
<v Speaker 1>Yeah, all right, that's all for today, Thanks for listening.

1:15:25.720 --> 1:15:29.080
<v Speaker 5>X ray Vision is hosted by Jason Gisubsion and Rosie

1:15:29.120 --> 1:15:33.400
<v Speaker 5>Knight and is a production of iHeart Podcasts. Our executive

1:15:33.400 --> 1:15:37.599
<v Speaker 5>producers are Joelle Smith and Aaron Kaufman. Our supervising producer

1:15:38.000 --> 1:15:42.760
<v Speaker 5>is a Booze Afar. Our producers are Carmen Laurent and

1:15:42.840 --> 1:15:46.280
<v Speaker 5>Mia Taylor. Our theme song is by Brian Basquez.

1:15:46.800 --> 1:15:51.080
<v Speaker 3>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

1:15:51.439 --> 1:15:53.520
<v Speaker 3>and Heidi our discord moderator.