WEBVTT - #521 - Young Drummer Boy 

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<v Speaker 1>What up man, This is young drummer boys, chake me

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<v Speaker 1>all live on a Bootleg cap podcast. Stupid. Yeah, all right, y'all.

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<v Speaker 1>everybody for supporting five hundred episodes. Let's get into the

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<v Speaker 1>next one right now.

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<v Speaker 2>Come on, Bootleg Camp Podcast Special guest drummer Boy in

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<v Speaker 2>the building.

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<v Speaker 1>Yeah, welcome a long time.

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<v Speaker 2>I know I haven't interviewed you in like a fucking

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<v Speaker 2>shit since like two thousand and eighteen.

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<v Speaker 1>Maybe, yeah, me, it was me in Heady Real ninety

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<v Speaker 1>two three back in the day. Yeah that was good.

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<v Speaker 1>That was too, so running around through like a little

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<v Speaker 1>press friendships. I think that was.

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<v Speaker 2>Like was that like right when you first kind of

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<v Speaker 2>like broke away from King lo G like officially in

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<v Speaker 2>terms of the label shit.

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<v Speaker 1>Probably like a couple of years after, but yeah, definitely

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<v Speaker 1>like close to it. Right, how's everything been? Man? Good? Man? Chilling?

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<v Speaker 1>It's different? How do you feel like being?

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<v Speaker 2>Because I feel like you're kind of one of like

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<v Speaker 2>the fucking the big homies of like the Latin hip

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<v Speaker 2>hop space at this point.

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<v Speaker 1>Yeah, like you're especially on especially on the independent side.

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<v Speaker 2>Yeah, how does it feel to kind of just see

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<v Speaker 2>like because I feel like before there, you know, you

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<v Speaker 2>look at like kind of the last decade, there's like

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<v Speaker 2>been these like efforts to like try to like, you know,

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<v Speaker 2>whether it was Suede or like cap G or the

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<v Speaker 2>major labels were trying to see what what do I

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<v Speaker 2>do with a Mexican rapper? Right, and they necessarily didn't

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<v Speaker 2>know what the fuck to do with it? And then

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<v Speaker 2>you guys are grinding independently, but to kind of see

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<v Speaker 2>it be like, you know, it's it's like a positive

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<v Speaker 2>I feel like now if you're a Mexican artist in

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<v Speaker 2>hip hop in terms of like, I feel like the way.

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<v Speaker 1>They're definitely getting with it. Yeah, you know, I guess

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<v Speaker 1>a lot of people don't didn't really see it or

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<v Speaker 1>understand that. It was very hard being a Mexican artist

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<v Speaker 1>and trying to like, you know, even have it like

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<v Speaker 1>sit downs with people. You know, that was pretty tough

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<v Speaker 1>to do, you know, unless you have numbers. I mean,

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<v Speaker 1>you know, thank god we had we we we did

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<v Speaker 1>have numbers. We're putting the football numbers back back then,

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<v Speaker 1>you know what I'm saying, Like, but yeah, it was

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<v Speaker 1>very hard to break through, you know what I mean

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<v Speaker 1>and just have people like, you know, people that like,

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<v Speaker 1>you know, other than the fans, because we had shitload

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<v Speaker 1>of fans fans. Yeah, you know what I'm saying, Like

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<v Speaker 1>these record execs and all these people that you know

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<v Speaker 1>what I'm saying, could supposedly prepare your career to you know,

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<v Speaker 1>the next level. So it's definitely shift now, you know

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<v Speaker 1>what I'm saying, A big shift. I think, you know,

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<v Speaker 1>it's good.

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<v Speaker 2>Yeah, I mean I feel like you got I feel

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<v Speaker 2>like King, little g yourself obviously if you go way

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<v Speaker 2>way back. I mean in terms of the new ship,

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<v Speaker 2>I feel like y'all are kind of like the motherfucking

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<v Speaker 2>the like the fathers of the wave.

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<v Speaker 1>Kind of it's popping right now. Yeah, I mean, now

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<v Speaker 1>that's you know what I'm saying, Like, Yeah, I kind

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<v Speaker 1>of take, you know, pride in that. I think people

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<v Speaker 1>that that don't understand or people that you know that

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<v Speaker 1>that are just coming up now shore line to shout

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<v Speaker 1>to short line. Yeah, so short line too, you know

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<v Speaker 1>what I'm saying. But even before Shortline, you know what

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<v Speaker 1>I mean, it was it was us, you know what

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<v Speaker 1>I'm saying, And it was it was Devour. It was

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<v Speaker 1>you know, I remember what was a kid's name from

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<v Speaker 1>the eight one eight shout to Devour.

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<v Speaker 2>But there was another kid from from fucking I think

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<v Speaker 2>he was from Pacoima. He started signing artists recently, but.

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<v Speaker 1>He started signing artists.

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<v Speaker 2>Yeah, but he used to be a rapper. He had

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<v Speaker 2>like a wave. We had him on the at reel.

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<v Speaker 2>I forget his fucking name.

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<v Speaker 1>Self self provoked, yes, self provokes always been due, right,

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<v Speaker 1>But he was doing his thing like he was. He

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<v Speaker 1>was doing his thing like. Yes. See, so even that's

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<v Speaker 1>what I'm saying. Even back then I was on tour

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<v Speaker 1>with Self Provoked yea. Then then Self Provoked went on

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<v Speaker 1>tour with King lo G. So there's a difference between

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<v Speaker 1>you know what I'm saying. You can mention different people

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<v Speaker 1>that say that they started that wave, you know what

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<v Speaker 1>I'm saying. But and there's people that just got with

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<v Speaker 1>the wave now that it's cool to be with the wave.

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<v Speaker 1>Me and myself just not even talking about what me

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<v Speaker 1>and King li G did, you know what I'm saying.

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<v Speaker 1>But man, I remember I was pushing it so hard

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<v Speaker 1>where you know, uh, before Nipsey Hustle passed away, we

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<v Speaker 1>did it. You know this This was my set, like

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<v Speaker 1>what I used to do. So we did a show

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<v Speaker 1>at it was Toyota Arena back then today something else, right,

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<v Speaker 1>It was just still Toyo the Arena in Ontario. Yeah,

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<v Speaker 1>in Ontario, bro, this isn't what twenty eighteen. I was

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<v Speaker 1>on stage and Nipsey Ussa was a headliner and it

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<v Speaker 1>was this the arena. I had my own set in

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<v Speaker 1>the back. I had a big ass fucking on the

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<v Speaker 1>on the teleprompters. I had a big gass Mexican flag waving,

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<v Speaker 1>you know what I'm saying. And then I had homies

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<v Speaker 1>doing burpees. The Homie Turtle put a video together where

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<v Speaker 1>it was like homies doing burpies like screen, Yeah, all

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<v Speaker 1>on the screen with the big gass Mexican flag, you

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<v Speaker 1>know what I mean? Like, really, you know, letting people know,

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<v Speaker 1>like this is my culture. So let's you could say

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<v Speaker 1>you were doing shit like that in twenty eighteen, seventeen sixteen,

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<v Speaker 1>you can't really say you were pushing very hard for

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<v Speaker 1>the Mexicans, you know what I'm saying, because I was

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<v Speaker 1>letting it be known, you know what I'm saying, And

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<v Speaker 1>back then people were kind of shying away for it, right,

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<v Speaker 1>you know what I mean? From me? Yeah, it wasn't

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<v Speaker 1>good for business and that whole I'm not cheekingt on

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<v Speaker 1>rap shit, right, Think about how many people were saying that, right,

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<v Speaker 1>you know what I'm saying. I never really fell into that.

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<v Speaker 2>I feel like though, sonically, I feel like you never

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<v Speaker 2>like when I would listen to you like you you

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<v Speaker 2>were to me. You always were a rapper who happened

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<v Speaker 2>to be Mexican in terms of like you know, when

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<v Speaker 2>I think it Chicono rap. I think it's some of

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<v Speaker 2>this ship from like the early two thousand.

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<v Speaker 1>Phony you think over your fucking yeah, mister criminal. Yeah,

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<v Speaker 1>I mean, because there's different kinds of gang bangers, are

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<v Speaker 1>different kind of tolos.

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<v Speaker 2>But I feel like you were just doing dope, Like

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<v Speaker 2>you were just making dope rap music and you're happen

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<v Speaker 2>to be Mexican, your and your ship, you know.

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<v Speaker 1>Yeah. But what I'm saying is like you ever were

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<v Speaker 1>doing different music, but we still resonated, you know, we

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<v Speaker 1>were still We're obviously Chicago's were from here, right, No,

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<v Speaker 1>it was obviously. I mean, but people would not want

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<v Speaker 1>to like even any any time like that ship would

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<v Speaker 1>pop up or a Mexican rapper, Mexican artist rapper, they

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<v Speaker 1>would want to correct it. You know what I'm saying,

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<v Speaker 1>Like in podcasts, I'm not that I don't do that. Yeah,

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<v Speaker 1>you know what I'm saying. Yeah, you know what I mean.

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<v Speaker 1>And like my homies, you know what I'm saying, Like

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<v Speaker 1>I got homies that are supered out, which we that's

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<v Speaker 1>what you consider. You know what I'm saying. Somebody that's

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<v Speaker 1>you know, you know, has the real Chicano like you

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<v Speaker 1>know what I mean, but Chicano's actually a culture. It's

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<v Speaker 1>actually like you know what I mean. I mean, dude,

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<v Speaker 1>it's crazy.

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<v Speaker 2>Like I was in Thailand and I saw I know,

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<v Speaker 2>it's big in Japan, but I was in Thailand and

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<v Speaker 2>I saw Tai fos Chicano out right like it was crazy.

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<v Speaker 1>Yeah.

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<v Speaker 2>But like in Japan, it's like a thing, like they

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<v Speaker 2>have car clubs and they you know, it's like like.

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<v Speaker 1>You said, it's it's a culture. Yeah, it's like it's

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<v Speaker 1>a movement something that started, you know, years ago. But yeah,

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<v Speaker 1>I find it funny, you know what I'm saying that

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<v Speaker 1>I mean, I really I'm not really too much about

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<v Speaker 1>you know what i mean, coming out and like talking

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<v Speaker 1>my ship, talking to Gang of Ship. But I just

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<v Speaker 1>think it's a good thing now and if people want

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<v Speaker 1>to jump on that wave now that it's cool to

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<v Speaker 1>be be you know what I mean, what we are

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<v Speaker 1>and what we do and ship, then then I'm happy

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<v Speaker 1>for it, you know what I'm saying.

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<v Speaker 2>Were you ever close to like I'm sure you know

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<v Speaker 2>what the type of numbers y'all you were doing, you know, independently.

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<v Speaker 2>Was there ever a situation where you consider maybe doing

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<v Speaker 2>a major label thing or interest.

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<v Speaker 1>Yeah, we had sit down. So we had sit downs,

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<v Speaker 1>but like just the ship was too ugly, you know

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<v Speaker 1>what I'm saying, Like in terms of you know, because

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<v Speaker 1>once we obviously we signed once and shit was cool,

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<v Speaker 1>but I didn't know what the fuck I was signing

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<v Speaker 1>and I had to make mistakes. You know what I'm saying.

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<v Speaker 1>I made empire. So was it distro we sat on

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<v Speaker 1>the label side, Yeah, but luckily, I mean they looked out,

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<v Speaker 1>you know, saying they you know, I mean, I got

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<v Speaker 1>no nothing bad to say for them, you know, I

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<v Speaker 1>say they, you know, definitely held my career out. But

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<v Speaker 1>in terms of longevity and in terms of you know,

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<v Speaker 1>what we do, I really don't think that there's nothing

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<v Speaker 1>that a label could do for you that you really

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<v Speaker 1>can't do for your for yourself, because at the end

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<v Speaker 1>of the day, you have to build your own audience

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<v Speaker 1>and shit, you know what I'm saying. They can't create

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<v Speaker 1>that for you.

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<v Speaker 2>People think if you sign it's like a cheat code

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<v Speaker 2>for fans, right, and it's like, like that's not it,

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<v Speaker 2>you know what I mean.

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<v Speaker 1>It's not in a way. Yeah, you have to cultivate

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<v Speaker 1>your cult. It's like your flock. You have to have

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<v Speaker 1>a cult fallow us. And that's the thing.

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<v Speaker 2>It's like no amount of I mean like, look, obviously

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<v Speaker 2>you get some bread, you could, you could run ads,

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<v Speaker 2>you could do things like help you know, increase your exposure.

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<v Speaker 2>But in terms of like you know, really really tap

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<v Speaker 2>it in with the how it could be one hundred people? Okay,

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<v Speaker 2>how do we turn this to two hundred? The label

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<v Speaker 2>ain't gonna do that for you, bro, Like it ain't

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<v Speaker 2>like you sign and some magic shit happens.

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<v Speaker 1>Is they can't. Yeah, they can't do it. I feel

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<v Speaker 1>like they can't. I mean, you have to have genuine

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<v Speaker 1>fans to have longevity in this music in this music game. Now,

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<v Speaker 1>one thing they can do is what I feel like,

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<v Speaker 1>if you sign to a label and you have that

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<v Speaker 1>that now with you know, saying that viralness that they're

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<v Speaker 1>looking for, they can't sit. They can't dumb money into

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<v Speaker 1>you to get you these features that you probably weren't

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<v Speaker 1>able to obtain, you know what I'm saying. And you know,

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<v Speaker 1>they could put you in front of places in different places,

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<v Speaker 1>that's if they really believed in you, and you know

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<v Speaker 1>what I'm saying, they're gonna do that, right, you know,

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<v Speaker 1>but once that's over, right, then it's like on you.

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<v Speaker 1>Now it's back on you.

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<v Speaker 2>But yeah, no, I feel like, you know, at the

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<v Speaker 2>end of the day, like you said, man like if

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<v Speaker 2>you got to if you're gonna get into that situation,

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<v Speaker 2>you have to learn how to use those tools into

0:10:27.840 --> 0:10:29.600
<v Speaker 2>your favor. But you also have to understand, like the

0:10:29.640 --> 0:10:31.280
<v Speaker 2>real works should be starting for real, you know what

0:10:31.320 --> 0:10:31.920
<v Speaker 2>I'm saying, Like.

0:10:31.960 --> 0:10:34.679
<v Speaker 1>Nah, for for sure, I mean it started back with

0:10:34.800 --> 0:10:37.920
<v Speaker 1>us since I mean, thank god that I've been able

0:10:37.960 --> 0:10:40.360
<v Speaker 1>to stay relevant for this many years.

0:10:40.440 --> 0:10:42.640
<v Speaker 2>Bro, when was your like when when would you say

0:10:42.840 --> 0:10:44.760
<v Speaker 2>was your first like real year in the game where

0:10:44.800 --> 0:10:47.760
<v Speaker 2>you like were really like like getting money off a rap?

0:10:48.360 --> 0:10:52.520
<v Speaker 1>Oh really, Okay, that'll be probably like twenty sixteen, Okay,

0:10:52.679 --> 0:10:56.200
<v Speaker 1>so almost ten years. Yeah, twy fifteen is when I

0:10:56.240 --> 0:10:59.560
<v Speaker 1>drop high for everyone. That's what kind of creating my

0:10:59.640 --> 0:11:02.960
<v Speaker 1>own movement, right because I was with King Log and

0:11:03.000 --> 0:11:07.720
<v Speaker 1>we created AK forty seven Boys back in twenty thirteen, twelve,

0:11:07.760 --> 0:11:10.880
<v Speaker 1>twenty twelve around there, that's when we created the AK

0:11:10.960 --> 0:11:13.280
<v Speaker 1>forty seven Boys. This is crazy, you know what I'm saying.

0:11:14.200 --> 0:11:18.760
<v Speaker 1>And then with the AK forty seven Boys, I was

0:11:18.760 --> 0:11:22.120
<v Speaker 1>initially brought in there just as a producer. So what

0:11:22.160 --> 0:11:25.480
<v Speaker 1>I did was I started taking influence from like Asap Rocky,

0:11:25.880 --> 0:11:28.360
<v Speaker 1>from different people, and then I was like, I was

0:11:28.360 --> 0:11:30.760
<v Speaker 1>a real like beat head, right, So I was making

0:11:30.760 --> 0:11:33.640
<v Speaker 1>beats on the NPC and shit like that. So what

0:11:33.720 --> 0:11:36.400
<v Speaker 1>I was doing was getting like trap sounds and putting

0:11:36.440 --> 0:11:38.960
<v Speaker 1>you know, I maybe trap beats and putting like samples

0:11:39.000 --> 0:11:41.880
<v Speaker 1>over those. And then that's what kind of developed the

0:11:41.920 --> 0:11:44.559
<v Speaker 1>AK forty seven sound back then, you know what I mean.

0:11:44.720 --> 0:11:48.200
<v Speaker 1>Then we brought EMC and shit, you remember EMC, you know,

0:11:48.320 --> 0:11:50.720
<v Speaker 1>and then it just kind of kind of kept going

0:11:50.720 --> 0:11:54.600
<v Speaker 1>from there, you know what it was? It was amazing too.

0:11:54.679 --> 0:11:56.800
<v Speaker 1>I was gonna ask you, bro, like I see all

0:11:56.840 --> 0:11:58.880
<v Speaker 1>your plaques. What the fuck? But I was looking at

0:11:58.920 --> 0:12:01.400
<v Speaker 1>your plaques in there. I didn't even know you did

0:12:01.440 --> 0:12:02.000
<v Speaker 1>so much ship.

0:12:02.160 --> 0:12:04.400
<v Speaker 2>That's just from breaking radio, breaking all these records on

0:12:04.440 --> 0:12:07.400
<v Speaker 2>the radio. Dog's so when you break, when you break records,

0:12:07.440 --> 0:12:08.640
<v Speaker 2>like you know what I'm saying, they give you a

0:12:08.640 --> 0:12:10.960
<v Speaker 2>plaque like if you're if you're first to play some ship.

0:12:10.880 --> 0:12:13.280
<v Speaker 1>Or Yeah, I even asked I was. I was looking

0:12:13.280 --> 0:12:15.520
<v Speaker 1>at the ship. I was like, damn, what's this motherfucker? Dude,

0:12:15.679 --> 0:12:18.800
<v Speaker 1>you don't really knows. You gotta talk about that ship. Nah, yeah,

0:12:18.840 --> 0:12:20.160
<v Speaker 1>you know. I mean I'm on the radio in like

0:12:20.200 --> 0:12:22.920
<v Speaker 1>a fucking hundred cities every day. Dog, all right, so

0:12:23.120 --> 0:12:24.400
<v Speaker 1>you know, now you got plaques.

0:12:24.400 --> 0:12:26.199
<v Speaker 2>Bro, We're still on at ninety two three every night,

0:12:26.240 --> 0:12:27.960
<v Speaker 2>seven O'CLOCKNY through Friday.

0:12:28.040 --> 0:12:29.959
<v Speaker 1>Shit, that's dope. But they don't. You haven't took a

0:12:29.960 --> 0:12:32.600
<v Speaker 1>picture with all your plaques. No, come on, you gotta

0:12:32.640 --> 0:12:35.079
<v Speaker 1>do some rapper ship. Nah, you gotta do some rapper

0:12:35.160 --> 0:12:37.760
<v Speaker 1>shit that. I'm like, all right, but we get it.

0:12:37.760 --> 0:12:39.679
<v Speaker 1>How is it, corny, that's a major achievement.

0:12:39.679 --> 0:12:41.360
<v Speaker 2>No, it's cool, but it's like it's just not I

0:12:41.400 --> 0:12:43.360
<v Speaker 2>don't know, dude, Like like you said, I mean maybe,

0:12:43.360 --> 0:12:46.880
<v Speaker 2>but yeah, I mean yeah, it's just you know, I

0:12:46.960 --> 0:12:49.000
<v Speaker 2>let people come in when they book the studio, they

0:12:49.080 --> 0:12:50.120
<v Speaker 2>take pictures with the plaques.

0:12:50.280 --> 0:12:52.360
<v Speaker 1>Know I did. I was in here yesterday. I took it.

0:12:52.600 --> 0:12:54.760
<v Speaker 1>I took pictures of your plaques and ship. I was like, damn,

0:12:54.800 --> 0:12:57.120
<v Speaker 1>that's just hard. The reason why I asked too is

0:12:57.120 --> 0:13:02.680
<v Speaker 1>because I have you. Me and g fell out for

0:13:02.679 --> 0:13:05.480
<v Speaker 1>a while, remember, yeah, and you know, I mean just

0:13:05.480 --> 0:13:08.480
<v Speaker 1>just regular ship. But now that we got back together,

0:13:08.960 --> 0:13:12.360
<v Speaker 1>I go in his house and you know, we work

0:13:12.400 --> 0:13:15.000
<v Speaker 1>on H forty seven and all that shit, which was

0:13:15.040 --> 0:13:18.640
<v Speaker 1>a fucking huge album for us, and I see all

0:13:18.640 --> 0:13:21.080
<v Speaker 1>the plaques for everything I worked on with him, and

0:13:21.160 --> 0:13:22.880
<v Speaker 1>I'm like, but I need one. I was like, we're

0:13:22.960 --> 0:13:25.000
<v Speaker 1>all my plaks. But we're talking about, like, well you should,

0:13:25.320 --> 0:13:28.160
<v Speaker 1>bro you you could get all those plats. Well yeah,

0:13:28.160 --> 0:13:29.440
<v Speaker 1>he told me. So he was like you know what

0:13:29.440 --> 0:13:32.440
<v Speaker 1>I'm saying. I think yesterday or yesterday we drop a

0:13:32.480 --> 0:13:35.240
<v Speaker 1>new record from my album and he's like, drummer and

0:13:35.240 --> 0:13:37.440
<v Speaker 1>he's like, you have like eight plaques and you have

0:13:37.559 --> 0:13:40.360
<v Speaker 1>like eight gold plaques, and you have like fucking six

0:13:40.440 --> 0:13:43.400
<v Speaker 1>fucking Billboard plaques. Yeah. He's like, I'm gonna get you

0:13:43.480 --> 0:13:46.679
<v Speaker 1>all those. Yeah, yeah, yeah, It's it's interesting, and I'm

0:13:46.679 --> 0:13:51.679
<v Speaker 1>gonna take a picture with everything, you know what I mean?

0:13:51.760 --> 0:13:56.520
<v Speaker 2>Like yeah, like yeah, because even with like Billboard or

0:13:56.720 --> 0:13:59.280
<v Speaker 2>especially on Billboard, like but any of your Spotify ship,

0:13:59.360 --> 0:14:02.760
<v Speaker 2>like the guys who make the plaques, because we're about

0:14:02.800 --> 0:14:04.760
<v Speaker 2>to order some Alexis Plaxa. He has a record it's

0:14:04.800 --> 0:14:07.040
<v Speaker 2>got like twenty million streams, so we're like, yeah, let's.

0:14:06.840 --> 0:14:08.199
<v Speaker 1>Put something up in the studio for him, you know,

0:14:08.240 --> 0:14:11.320
<v Speaker 1>I mean, right, right, no, that's cool. So but yeah,

0:14:11.360 --> 0:14:13.520
<v Speaker 1>you as long as you have to just I think

0:14:13.520 --> 0:14:16.199
<v Speaker 1>it's like they make you prove that. It's like you're

0:14:16.200 --> 0:14:18.800
<v Speaker 1>a part of it. I don't know, I don't.

0:14:18.600 --> 0:14:20.800
<v Speaker 2>Know that like the label any plaque you see me

0:14:20.920 --> 0:14:23.600
<v Speaker 2>having in my possession, the label sent me, right, you know?

0:14:23.880 --> 0:14:27.440
<v Speaker 1>So like yeah, we got like Spotify pa, like I

0:14:27.480 --> 0:14:29.800
<v Speaker 1>had like my hands on or those two Ritz plaques

0:14:29.800 --> 0:14:32.680
<v Speaker 1>out there, I A and R both those records. So okay,

0:14:33.800 --> 0:14:36.240
<v Speaker 1>so yeah that's double as fun. But yeah, but it's

0:14:36.240 --> 0:14:38.840
<v Speaker 1>different though. We got Spotify plaques and all that ship

0:14:39.040 --> 0:14:40.800
<v Speaker 1>that's is cool, but not but the actual like the

0:14:40.880 --> 0:14:43.320
<v Speaker 1>gold Plax, that's what I'm waiting on right now. That's

0:14:43.400 --> 0:14:46.200
<v Speaker 1>just fire, you know what I mean. Yeah, no, thank you,

0:14:46.280 --> 0:14:47.440
<v Speaker 1>I mean you know what I'm saying. But when I

0:14:47.480 --> 0:14:50.160
<v Speaker 1>went into G's house, I was like, you motherfucker, Yeah,

0:14:50.240 --> 0:14:52.520
<v Speaker 1>every plaque because gee, I mean a lot of people

0:14:52.720 --> 0:14:55.920
<v Speaker 1>don't know like the new generation, you know what I'm

0:14:55.960 --> 0:14:58.880
<v Speaker 1>saying in this game, which is you know, obviously they

0:14:58.960 --> 0:15:01.000
<v Speaker 1>heard of us and ship, but they don't know how

0:15:01.080 --> 0:15:03.560
<v Speaker 1>much like we really put on bro.

0:15:03.760 --> 0:15:06.880
<v Speaker 2>I look at like he's like the fucking Mexican nipsie

0:15:06.880 --> 0:15:08.960
<v Speaker 2>for real. I look, yeah, I mean I mean in

0:15:09.040 --> 0:15:14.640
<v Speaker 2>terms of like numbers shows the respect, you know what

0:15:14.680 --> 0:15:14.920
<v Speaker 2>I mean.

0:15:15.000 --> 0:15:17.040
<v Speaker 1>Think about it. We were setting out the Novo in

0:15:17.120 --> 0:15:19.400
<v Speaker 1>these places and not really seeing him do no.

0:15:19.480 --> 0:15:21.200
<v Speaker 2>I know he sometimes get wrapped up in some like

0:15:21.200 --> 0:15:23.480
<v Speaker 2>internet ship, but I've never seen him do no goofy

0:15:23.520 --> 0:15:26.560
<v Speaker 2>shit ever. Nah, you know what I mean, Like, yeah,

0:15:26.880 --> 0:15:29.120
<v Speaker 2>he's always been like super like I've dude, I've had

0:15:29.200 --> 0:15:30.800
<v Speaker 2>him up in the strip club and as a few

0:15:30.840 --> 0:15:33.080
<v Speaker 2>times like that. He's just a good dude, man, He

0:15:33.120 --> 0:15:35.440
<v Speaker 2>actually is funny. Him and Rich co headlined a tour

0:15:35.480 --> 0:15:38.680
<v Speaker 2>which was the most random fucking tour of all time

0:15:39.160 --> 0:15:42.480
<v Speaker 2>because Rich is like a white trash rapper, right, And

0:15:42.760 --> 0:15:45.720
<v Speaker 2>I remember telling Rich somebody, Hey, that's gonna be interesting.

0:15:46.400 --> 0:15:47.840
<v Speaker 1>Yeah, how was it.

0:15:47.960 --> 0:15:50.000
<v Speaker 2>I think it did well because each of they but

0:15:50.080 --> 0:15:52.920
<v Speaker 2>they each had their own fans. So imagine if you're

0:15:52.960 --> 0:15:54.800
<v Speaker 2>like a king little g fan and you come and

0:15:54.800 --> 0:15:56.880
<v Speaker 2>there's like this chubby white dude with big red hair

0:15:56.920 --> 0:16:00.440
<v Speaker 2>on stage rapping super fast like Jack nine before.

0:16:00.720 --> 0:16:04.960
<v Speaker 1>Ritz. I haven't seen him, but yeah he wraps like

0:16:05.000 --> 0:16:06.840
<v Speaker 1>Tech nine. No, he I mean he wraps like rits

0:16:06.920 --> 0:16:09.080
<v Speaker 1>to be fair, but you know, but like he's just

0:16:09.120 --> 0:16:11.480
<v Speaker 1>super tech, like he chopped Okay, all right, all right,

0:16:11.560 --> 0:16:14.240
<v Speaker 1>I see. How was it? How much fun did y'all

0:16:14.240 --> 0:16:16.320
<v Speaker 1>have working on the album last year together? Oh? That

0:16:16.400 --> 0:16:19.400
<v Speaker 1>show was a blast. Remember we had just reunited. Yeah,

0:16:20.280 --> 0:16:23.680
<v Speaker 1>And as soon as we reunited, like the week actually

0:16:23.840 --> 0:16:27.360
<v Speaker 1>like the same week, he sends me, he saying, he

0:16:27.520 --> 0:16:33.360
<v Speaker 1>sends me Gangster Function. He's like, drum jump on this, right,

0:16:34.080 --> 0:16:37.600
<v Speaker 1>so we gangster So as soon as we reunited, were like,

0:16:38.240 --> 0:16:39.840
<v Speaker 1>we ain't got to talk about what happened. We ain't

0:16:39.840 --> 0:16:42.320
<v Speaker 1>got to talk about anything. All we talked about was,

0:16:42.400 --> 0:16:46.080
<v Speaker 1>you know, family ship and how everything was done. And

0:16:46.120 --> 0:16:48.000
<v Speaker 1>remember like, let's go get this money now, you know

0:16:48.040 --> 0:16:51.240
<v Speaker 1>what I'm saying. Now we're back together, you know. And

0:16:52.680 --> 0:16:55.360
<v Speaker 1>he sent me Gangster Function. And I remember the first

0:16:55.400 --> 0:16:57.360
<v Speaker 1>time I heard Gangster Function, I was just like, man,

0:16:58.120 --> 0:17:00.720
<v Speaker 1>we was wrapping over that too short beat, you know

0:17:00.760 --> 0:17:04.280
<v Speaker 1>what I mean. I was like, man, this is boo boo.

0:17:05.160 --> 0:17:07.399
<v Speaker 1>So then I was like, all right, it's so but

0:17:07.560 --> 0:17:09.600
<v Speaker 1>he sounded dope on it. But I didn't see myself

0:17:09.680 --> 0:17:11.879
<v Speaker 1>right because I wasn't rapping like on crazy funk beats.

0:17:11.960 --> 0:17:13.520
<v Speaker 1>Like that because I was a whole funk out bright.

0:17:15.040 --> 0:17:17.639
<v Speaker 1>Then I just dropped the verse. Then we dropped the

0:17:17.720 --> 0:17:21.879
<v Speaker 1>song and that ship with nuts, bro, like nuts, like

0:17:22.080 --> 0:17:23.480
<v Speaker 1>crazy nuts. You know what I'm saying.

0:17:23.840 --> 0:17:28.439
<v Speaker 2>Yeah, I feel like that sound is like it's like nostalgic. Yeah, like, uh,

0:17:28.760 --> 0:17:30.879
<v Speaker 2>what's onie from an Ocean Side? We have had on

0:17:30.960 --> 0:17:32.880
<v Speaker 2>the show rapping this hard as fuck? I can't think

0:17:32.880 --> 0:17:33.360
<v Speaker 2>of his name.

0:17:34.080 --> 0:17:35.520
<v Speaker 1>What's the fools name? From Ocean Side?

0:17:35.560 --> 0:17:37.760
<v Speaker 2>He only he said, like he only wraps over. He's

0:17:37.760 --> 0:17:40.520
<v Speaker 2>worked with like sugar free and corrupt, and but the

0:17:40.600 --> 0:17:41.040
<v Speaker 2>ship is.

0:17:41.080 --> 0:17:43.800
<v Speaker 1>Hard, like he's young. Wait, he's like he's kind of

0:17:43.840 --> 0:17:46.480
<v Speaker 1>like mixed. Yes, yes, I know he turned around. I

0:17:46.520 --> 0:17:48.800
<v Speaker 1>can't think of his name. He's been on the show.

0:17:48.880 --> 0:17:51.120
<v Speaker 1>He's dope though, and he has like a little fuck yeah,

0:17:51.160 --> 0:17:53.760
<v Speaker 1>he's hard at fuck. It's gonna bother me because I

0:17:53.840 --> 0:17:58.520
<v Speaker 1>fu with this. What DESI hollow? Does he hollow? Hollow?

0:17:59.080 --> 0:18:00.439
<v Speaker 1>He has a song? I too.

0:18:00.640 --> 0:18:03.000
<v Speaker 2>No, he's tough, but I think it's dope, Like you know,

0:18:03.160 --> 0:18:04.720
<v Speaker 2>like at the end of the day, bro, it's almost

0:18:04.800 --> 0:18:07.760
<v Speaker 2>like why not get why not throw one of them out.

0:18:07.640 --> 0:18:08.800
<v Speaker 1>In the world, you know what I mean? I don't

0:18:08.800 --> 0:18:10.480
<v Speaker 1>think does Hollow fucks with me. I sent him a

0:18:10.560 --> 0:18:14.159
<v Speaker 1>message back then. Really yeah, it was really read it.

0:18:14.640 --> 0:18:17.440
<v Speaker 1>It's never opened. Maybe he didn't see it. Maybe not. Yeah,

0:18:18.440 --> 0:18:22.400
<v Speaker 1>maybe Hollow tapping you play a lot of golf. Yeah,

0:18:22.920 --> 0:18:24.960
<v Speaker 1>I stopped. I stopped right now just because we're working

0:18:25.040 --> 0:18:26.879
<v Speaker 1>on the album and ship, you know what I mean.

0:18:27.400 --> 0:18:29.080
<v Speaker 2>I saw like you and Left he were playing golf.

0:18:29.160 --> 0:18:32.240
<v Speaker 2>But then I noticed, like you actually played. I like

0:18:32.359 --> 0:18:36.960
<v Speaker 2>noticed from that video like this will really plays golf. Yeah, yeah, no, Left,

0:18:37.040 --> 0:18:38.600
<v Speaker 2>he was out there making an ass out of himself

0:18:38.640 --> 0:18:39.399
<v Speaker 2>on the course.

0:18:39.320 --> 0:18:42.720
<v Speaker 1>That feels still always me a thousand dollars he swear

0:18:43.480 --> 0:18:45.600
<v Speaker 1>everywhere it. I was like, he was like, you know

0:18:45.680 --> 0:18:48.240
<v Speaker 1>whatever course that was when that fool walked up, they

0:18:48.280 --> 0:18:53.200
<v Speaker 1>were probably like fuck yeah he came in. He came

0:18:53.280 --> 0:18:56.560
<v Speaker 1>in like full, like dressed for the club. Yeah, like

0:18:56.680 --> 0:19:00.119
<v Speaker 1>he had an appearance to make. Yeah, it's like and

0:19:00.240 --> 0:19:04.320
<v Speaker 1>Dono came with a small ass shirt, belly hanging out.

0:19:05.400 --> 0:19:09.080
<v Speaker 1>That motherfucker went straight to ross, got a medium fucked

0:19:09.119 --> 0:19:11.520
<v Speaker 1>from the whole polar the closes size that he can

0:19:11.560 --> 0:19:14.120
<v Speaker 1>fit into. Yeah yeah he did that. No, but yeah,

0:19:14.160 --> 0:19:17.960
<v Speaker 1>golf was a kind of like an escape. Yeah, you

0:19:18.000 --> 0:19:20.040
<v Speaker 1>know what I'm saying, Like it's like therapeutic, right, Like

0:19:20.320 --> 0:19:22.720
<v Speaker 1>it is because like a person, like you know, a

0:19:22.800 --> 0:19:26.320
<v Speaker 1>person in our industry, we we tend to overthink about

0:19:26.320 --> 0:19:27.800
<v Speaker 1>a lot of ship, you know what I'm saying, Like,

0:19:28.520 --> 0:19:31.880
<v Speaker 1>you know, it's the thing that's hard about being uh,

0:19:32.480 --> 0:19:35.600
<v Speaker 1>being in this industry and being especially independent and owning

0:19:35.640 --> 0:19:38.679
<v Speaker 1>your own business and doing that. It's not even it's

0:19:38.760 --> 0:19:41.240
<v Speaker 1>not the physical work. It's it's more of the mental work,

0:19:41.280 --> 0:19:44.080
<v Speaker 1>you know what I'm saying. It's like we're constantly thinking, Okay,

0:19:44.160 --> 0:19:45.800
<v Speaker 1>we got to drop this, or we got to do this,

0:19:46.080 --> 0:19:47.959
<v Speaker 1>or you know, you got this interview to set up,

0:19:48.240 --> 0:19:50.399
<v Speaker 1>what's the next thing to keep you know, keep the

0:19:50.440 --> 0:19:53.479
<v Speaker 1>ship in motion. And then sometimes that shit could get

0:19:53.520 --> 0:19:56.040
<v Speaker 1>overwhelmed me. So when you do something like golf, whatever

0:19:56.119 --> 0:19:58.439
<v Speaker 1>it is, golf, you know, like right now we're going

0:19:58.600 --> 0:20:00.960
<v Speaker 1>call of duty and ship like something that could like

0:20:01.040 --> 0:20:05.520
<v Speaker 1>completely scared in your mind. Yeah, of that because it's

0:20:05.560 --> 0:20:08.080
<v Speaker 1>hard to unblug. I'll be doing this dude, for real.

0:20:08.440 --> 0:20:11.840
<v Speaker 2>It's like I need to play more video games or something,

0:20:11.920 --> 0:20:14.359
<v Speaker 2>because no matter what I'm doing, my mind is still

0:20:14.520 --> 0:20:15.480
<v Speaker 2>is always ra thinking.

0:20:15.720 --> 0:20:17.960
<v Speaker 1>Yeah, that's what that's and that she stressed me out.

0:20:17.960 --> 0:20:20.479
<v Speaker 2>Family, because the phone's right there. I could be fucking

0:20:21.520 --> 0:20:23.879
<v Speaker 2>I could be putting some shit on Netflix, dog, and

0:20:23.960 --> 0:20:27.000
<v Speaker 2>I'm still like, right, if you're playing golf, you're playing

0:20:27.080 --> 0:20:31.600
<v Speaker 2>video you have to concer recently, hooping is that's another thing?

0:20:31.680 --> 0:20:34.119
<v Speaker 1>Good cardio? You know? Yeah, that's another thing gave some

0:20:34.280 --> 0:20:37.760
<v Speaker 1>Armenians the business yesterday at twenty four Oh ship, Yeah,

0:20:38.320 --> 0:20:39.040
<v Speaker 1>you can really hoop.

0:20:39.320 --> 0:20:42.399
<v Speaker 2>I mean, but I mean, I'm all right. Back in

0:20:42.400 --> 0:20:43.920
<v Speaker 2>the day, I'm only six foot, but I used to

0:20:43.920 --> 0:20:44.640
<v Speaker 2>be able to play.

0:20:44.440 --> 0:20:47.679
<v Speaker 1>In six foot. Yeah that's pretty tall, though, I mean,

0:20:47.720 --> 0:20:50.399
<v Speaker 1>it's you know, it's fucking I guess. So somebody on

0:20:50.440 --> 0:20:53.800
<v Speaker 1>the internet said I was, uh, what the hell? They

0:20:53.840 --> 0:20:57.920
<v Speaker 1>said it was four six, yeah, five nine, five eight,

0:20:58.480 --> 0:21:10.280
<v Speaker 1>thank you. Yeah, I'm five nine, thank you. Anybody listening.

0:21:10.280 --> 0:21:12.400
<v Speaker 1>You know what I'm saying, I'm five to nine, all right, Nah,

0:21:12.440 --> 0:21:14.800
<v Speaker 1>But that escape is something you need, bro, because look,

0:21:14.880 --> 0:21:16.960
<v Speaker 1>that should have put you in a fucking depression. That

0:21:17.000 --> 0:21:19.560
<v Speaker 1>should have given you anxiety. You know what I'm saying, Like,

0:21:19.760 --> 0:21:21.880
<v Speaker 1>don't take this ship too serious. You know what I'm saying,

0:21:21.920 --> 0:21:24.000
<v Speaker 1>Live your life, you know what I mean. And a

0:21:24.400 --> 0:21:27.720
<v Speaker 1>grind for sure, grind, but live your life because I've

0:21:27.720 --> 0:21:29.439
<v Speaker 1>been doing this long enough to know that you can

0:21:29.560 --> 0:21:31.120
<v Speaker 1>miss a lot of shit, you know what I'm saying,

0:21:31.200 --> 0:21:34.240
<v Speaker 1>Like you miss life trying to chase life, if that

0:21:34.359 --> 0:21:37.040
<v Speaker 1>makes sense. Yeah, that's a fucking bar, you know what

0:21:37.040 --> 0:21:39.320
<v Speaker 1>I mean. It's really like, you know what I mean,

0:21:39.480 --> 0:21:42.040
<v Speaker 1>real shit, because yeah, bro, I missed a lot, you

0:21:42.080 --> 0:21:42.600
<v Speaker 1>know what I'm saying.

0:21:42.880 --> 0:21:45.200
<v Speaker 2>It's like we get so wrapped up in the grind

0:21:45.359 --> 0:21:48.520
<v Speaker 2>and like trying to level up, and you know, you

0:21:48.880 --> 0:21:52.240
<v Speaker 2>can't really smell a flower. Sometimes you can't, which you know,

0:21:52.320 --> 0:21:54.680
<v Speaker 2>I don't know. I'm sure you got kids. Yeah, yeah,

0:21:54.800 --> 0:21:56.480
<v Speaker 2>so it's like sometimes you be like, damn, I gotta

0:21:56.560 --> 0:21:58.960
<v Speaker 2>chill out. Like as much as I'm going hard to

0:21:59.040 --> 0:22:00.840
<v Speaker 2>make sure these fools get anything that they want, like

0:22:00.880 --> 0:22:04.120
<v Speaker 2>I also got to make sure like I'm fucking there

0:22:04.160 --> 0:22:04.840
<v Speaker 2>when I'm there.

0:22:04.720 --> 0:22:07.159
<v Speaker 1>You know exactly, and not just being physically there, as

0:22:07.240 --> 0:22:09.760
<v Speaker 1>being present. Yeah, like you said, you could be there,

0:22:10.440 --> 0:22:13.080
<v Speaker 1>but your mom will be everywhere else. Yeah, you know

0:22:13.119 --> 0:22:15.159
<v Speaker 1>what I'm saying. But yeah, that's important, man, you know

0:22:15.160 --> 0:22:18.120
<v Speaker 1>what I mean. But uh, yeah, golfing. Golfing was good

0:22:18.160 --> 0:22:19.720
<v Speaker 1>for that. It was really good. Right now, we're on

0:22:19.840 --> 0:22:22.359
<v Speaker 1>call of duty, so anybody wants to smoke, you know

0:22:22.400 --> 0:22:24.040
<v Speaker 1>what I'm saying. We're on war zone right now. I've

0:22:24.080 --> 0:22:25.600
<v Speaker 1>been on that ship for like three months. Yo. Hell

0:22:25.680 --> 0:22:28.560
<v Speaker 1>the people been playing at Marvel Rival ship. Yeah, my

0:22:28.680 --> 0:22:30.520
<v Speaker 1>son be on that ship. I heard that ship is gas.

0:22:31.200 --> 0:22:33.560
<v Speaker 1>My kid be playing it. He's fucking Doctor Strange all

0:22:33.600 --> 0:22:36.280
<v Speaker 1>the time. This is Doctor Strange is pretty dope. Though.

0:22:36.560 --> 0:22:39.600
<v Speaker 1>Doctor Strange is low key one of the slept on guys,

0:22:40.160 --> 0:22:42.080
<v Speaker 1>like he could do a lot. Yeah he got ship. Yeah,

0:22:42.080 --> 0:22:46.399
<v Speaker 1>he got some powers on him. For you, what is it?

0:22:46.760 --> 0:22:50.200
<v Speaker 1>Because you know you have a label. Is that something that?

0:22:50.760 --> 0:22:53.399
<v Speaker 1>Do you have other artists that you have signed right now? No?

0:22:53.960 --> 0:22:57.080
<v Speaker 1>So yeah, the label? So what I what I have

0:22:57.280 --> 0:22:59.240
<v Speaker 1>is you know, you know, I decided to make my

0:22:59.320 --> 0:23:05.359
<v Speaker 1>own label. My partner one hundred, So we haven't signed.

0:23:06.320 --> 0:23:08.960
<v Speaker 1>We've been thinking about it. But the thing is, when

0:23:09.000 --> 0:23:11.080
<v Speaker 1>you sign people, it's kind of hard bro being an

0:23:11.200 --> 0:23:13.760
<v Speaker 1>artist yourself, Like you know what I mean, You gotta

0:23:14.000 --> 0:23:16.880
<v Speaker 1>you gotta try to juggle, like you know what I'm saying,

0:23:17.000 --> 0:23:21.080
<v Speaker 1>being an artist and then helping this artist, you know, grow,

0:23:21.520 --> 0:23:23.159
<v Speaker 1>So I think that's kind of a hard thing to do,

0:23:23.320 --> 0:23:24.600
<v Speaker 1>you know what I'm saying, you know for.

0:23:24.640 --> 0:23:26.920
<v Speaker 2>Sure, Because then at the same time, then you're you

0:23:27.040 --> 0:23:29.760
<v Speaker 2>have like their life in your hands kind of yeah,

0:23:29.920 --> 0:23:31.840
<v Speaker 2>and you know they're still trying to push your ship.

0:23:32.280 --> 0:23:34.200
<v Speaker 1>You want to be fair to them. You want to

0:23:34.240 --> 0:23:36.600
<v Speaker 1>be fair. Also, there's certain moves that he should be

0:23:36.680 --> 0:23:39.600
<v Speaker 1>making that I wouldn't. I don't have to make anymore,

0:23:39.640 --> 0:23:41.879
<v Speaker 1>you know what I'm saying, or you know, you know,

0:23:42.040 --> 0:23:43.720
<v Speaker 1>so you kind of got to balance that out. But

0:23:44.880 --> 0:23:47.359
<v Speaker 1>I think we're getting to the to the time that

0:23:48.280 --> 0:23:50.360
<v Speaker 1>it's time to start signing artists, you know what I'm saying,

0:23:50.400 --> 0:23:53.800
<v Speaker 1>because I'll probably retire rapping in the next five years.

0:23:54.080 --> 0:23:56.359
<v Speaker 2>I feel like Yogati did it right whe when he

0:23:56.520 --> 0:23:59.440
<v Speaker 2>started to like level up CMG. Right, he would drop

0:23:59.520 --> 0:24:01.600
<v Speaker 2>here and there, but like he was pretty like I

0:24:01.640 --> 0:24:03.920
<v Speaker 2>felt like he was pretty locked in on like yeah,

0:24:04.560 --> 0:24:06.680
<v Speaker 2>cracking the label off and now he's got glow really

0:24:06.760 --> 0:24:08.919
<v Speaker 2>and money back, yell and fucking you know, right.

0:24:09.240 --> 0:24:11.240
<v Speaker 1>But I think it's different because he was he was

0:24:11.320 --> 0:24:13.600
<v Speaker 1>popping on a global on a global for sure, for sure,

0:24:13.640 --> 0:24:15.080
<v Speaker 1>for sure, you know what I'm saying, So on a

0:24:15.119 --> 0:24:17.199
<v Speaker 1>global scale, you know what I mean? I think it's

0:24:17.240 --> 0:24:20.520
<v Speaker 1>probably easier to to to bring artists out, you know

0:24:20.560 --> 0:24:21.080
<v Speaker 1>what I'm saying.

0:24:21.720 --> 0:24:24.720
<v Speaker 2>Especially when you have a fucking a deal with Interscope,

0:24:24.800 --> 0:24:25.920
<v Speaker 2>a label deal with Interscope.

0:24:25.960 --> 0:24:28.119
<v Speaker 1>Right, you have the machine, Yeah, you have a machine

0:24:28.160 --> 0:24:30.639
<v Speaker 1>behind you on a on a on an independent scale.

0:24:31.119 --> 0:24:34.520
<v Speaker 1>It's kind of it's kind of hard because, yeah, it's

0:24:34.600 --> 0:24:37.119
<v Speaker 1>kind of hard because you're trying to figure out what

0:24:37.280 --> 0:24:40.400
<v Speaker 1>you did to get you here as an independent artist,

0:24:40.480 --> 0:24:43.320
<v Speaker 1>so you're trying to implement that and the kind of change. Right.

0:24:44.040 --> 0:24:46.159
<v Speaker 2>Look, from the time you were coming up, it's like

0:24:46.240 --> 0:24:49.720
<v Speaker 2>a fucking whole new world, you know, bro, it really is.

0:24:50.119 --> 0:24:53.359
<v Speaker 2>What are your thoughts on like, because now there's like

0:24:54.200 --> 0:24:56.520
<v Speaker 2>a real you know, how do you feel about the

0:24:57.600 --> 0:25:02.359
<v Speaker 2>the podcast space and a blog space in the Mexican

0:25:02.440 --> 0:25:05.520
<v Speaker 2>hip hop community, whether it's the full communities or like

0:25:05.600 --> 0:25:07.600
<v Speaker 2>in Arizona we have Arizona fools.

0:25:07.760 --> 0:25:12.280
<v Speaker 1>Like, there's like this whole, like you know, world of

0:25:12.800 --> 0:25:16.080
<v Speaker 1>media now that you have to be in with, right,

0:25:16.480 --> 0:25:18.440
<v Speaker 1>you have to be in tune with it. Back then

0:25:18.480 --> 0:25:19.560
<v Speaker 1>we didn't, Right.

0:25:20.160 --> 0:25:22.879
<v Speaker 2>And then there's there's podcasts, you know, there's there's just

0:25:22.960 --> 0:25:25.080
<v Speaker 2>a lot like it's like we said, it's a whole

0:25:25.080 --> 0:25:27.600
<v Speaker 2>new thing, but like, how do you like? And then

0:25:27.720 --> 0:25:29.840
<v Speaker 2>like it also gives artists the opportunity to get on

0:25:29.960 --> 0:25:33.399
<v Speaker 2>camera and say some stupid shiit, say some shit that

0:25:33.640 --> 0:25:35.879
<v Speaker 2>gets misinterpreted, beef start, whatever the fuck, and then the

0:25:35.920 --> 0:25:37.480
<v Speaker 2>blogs run with it, like what are your thoughts on

0:25:37.600 --> 0:25:37.960
<v Speaker 2>just all that.

0:25:38.560 --> 0:25:42.280
<v Speaker 1>I think it's bullshit, Like I think you shouldn't have to.

0:25:42.880 --> 0:25:48.200
<v Speaker 1>My perspective on it is like the reason why I

0:25:48.240 --> 0:25:50.560
<v Speaker 1>say is bullshit is because people feel like they need

0:25:50.720 --> 0:25:53.359
<v Speaker 1>to do some dumb shit to get views, you know

0:25:53.359 --> 0:25:56.280
<v Speaker 1>what I'm saying, Or do some you know, let's do

0:25:56.400 --> 0:25:58.480
<v Speaker 1>some viral shit. Like when was that a thing? Like

0:25:58.880 --> 0:26:01.080
<v Speaker 1>let's go viral, right? You know what I mean? When

0:26:01.119 --> 0:26:03.600
<v Speaker 1>we were dropping, we're just dropping on YouTube. My first

0:26:03.640 --> 0:26:10.119
<v Speaker 1>fucking my first album dropped on that PIF. Crazy fucking

0:26:10.240 --> 0:26:12.240
<v Speaker 1>shout out to that PITH. You feel me. I'm so

0:26:12.520 --> 0:26:15.160
<v Speaker 1>sad when they took it down. That's crazy, y'all because

0:26:15.160 --> 0:26:16.639
<v Speaker 1>it has so much shit on. How many of these

0:26:16.720 --> 0:26:19.280
<v Speaker 1>new rappers know about that PIF though, I would hope.

0:26:19.560 --> 0:26:22.160
<v Speaker 1>I mean that PIF was a wave, that was the ship.

0:26:22.440 --> 0:26:25.560
<v Speaker 2>Yeah, man, they had all all the dream chasers on there,

0:26:25.600 --> 0:26:27.680
<v Speaker 2>all the Wayne shit all all the ill shit.

0:26:27.760 --> 0:26:29.879
<v Speaker 1>Now you gotta go on YouTube to find that ship, right, right?

0:26:30.680 --> 0:26:32.600
<v Speaker 1>So yeah, I just say I feel like if you

0:26:32.760 --> 0:26:38.359
<v Speaker 1>do something intentionally to like to bring attention to you,

0:26:39.400 --> 0:26:42.320
<v Speaker 1>you know what I mean, I feel like Dad's bullshit,

0:26:42.480 --> 0:26:45.280
<v Speaker 1>you know what I mean. Like I've always been wanting

0:26:45.280 --> 0:26:47.359
<v Speaker 1>to let the music speak for itself. That's why, you know,

0:26:47.480 --> 0:26:49.040
<v Speaker 1>you you know how long I've been in the game,

0:26:49.119 --> 0:26:51.440
<v Speaker 1>you kind of you've been You see me around, and shit,

0:26:51.920 --> 0:26:53.720
<v Speaker 1>I've never been the one to like jump on shit

0:26:53.800 --> 0:26:56.960
<v Speaker 1>and just pop off r or do something goofy, you

0:26:56.960 --> 0:26:58.879
<v Speaker 1>know what I'm saying. Like, it's just not in me.

0:26:59.000 --> 0:27:01.080
<v Speaker 1>You know what I'm saying. And if you're doing that,

0:27:01.240 --> 0:27:03.680
<v Speaker 1>you know, if you're doing that just to bring you attention,

0:27:04.119 --> 0:27:06.800
<v Speaker 1>you know, you know, it's just ship like that, then

0:27:06.880 --> 0:27:09.800
<v Speaker 1>I think that's kind of like a small form of

0:27:09.920 --> 0:27:12.560
<v Speaker 1>like selling what would be selling out to us back then,

0:27:12.640 --> 0:27:14.720
<v Speaker 1>you know, right, you know, So I don't know.

0:27:14.880 --> 0:27:16.520
<v Speaker 2>Like I think it's like a good thing because now

0:27:16.560 --> 0:27:24.439
<v Speaker 2>there's like outlets that you know, cover Mexican hip hop exclusively, right,

0:27:24.520 --> 0:27:27.040
<v Speaker 2>and so it's like, Okay, that's good. And then then

0:27:27.080 --> 0:27:29.320
<v Speaker 2>then there's other ship where it's like, okay, well some

0:27:29.440 --> 0:27:32.560
<v Speaker 2>of these outlets also can throw some gasoline on the

0:27:32.600 --> 0:27:33.800
<v Speaker 2>fire of like certain.

0:27:33.600 --> 0:27:37.000
<v Speaker 1>Issues with you. I feel like that happens more, it

0:27:37.080 --> 0:27:39.400
<v Speaker 1>happens a lot. I think it happened. I think they're

0:27:40.160 --> 0:27:43.120
<v Speaker 1>more than them breaking artists. They're breaking artists down.

0:27:43.240 --> 0:27:45.600
<v Speaker 2>Like it just happened with the with the Dregs kid

0:27:45.680 --> 0:27:48.240
<v Speaker 2>and the kid from a Stink Team. I felt like

0:27:48.359 --> 0:27:50.480
<v Speaker 2>I was like, God, damn, these motherfuckers are turning this

0:27:50.560 --> 0:27:53.439
<v Speaker 2>beef up, like yeah, and it was like I think

0:27:53.560 --> 0:27:54.199
<v Speaker 2>some ship I.

0:27:54.160 --> 0:27:55.840
<v Speaker 1>Don't know, but I was just like fun, I've seen that.

0:27:55.960 --> 0:27:56.399
<v Speaker 1>I've seen that.

0:27:56.600 --> 0:27:58.680
<v Speaker 2>It was just like unfortunate because it's like, hey, man,

0:27:58.760 --> 0:28:01.239
<v Speaker 2>like this shit ain't worked the fucking and you know, right,

0:28:01.440 --> 0:28:03.240
<v Speaker 2>like you're getting on a blog post, you know what

0:28:03.280 --> 0:28:05.720
<v Speaker 2>I'm saying, people's real lives and these kids, neither of

0:28:05.800 --> 0:28:08.520
<v Speaker 2>these kids have Harvard, you know, you want to consider

0:28:08.560 --> 0:28:10.119
<v Speaker 2>making it now of them kids are millionaires, you know

0:28:10.160 --> 0:28:11.840
<v Speaker 2>what I'm saying. Right, Neither of them are in a

0:28:11.880 --> 0:28:14.280
<v Speaker 2>position where their lives have like where they could kick it,

0:28:14.440 --> 0:28:15.840
<v Speaker 2>you know what I mean. Yeah, they're still on, like

0:28:15.920 --> 0:28:17.840
<v Speaker 2>Dregs is hot, but like these fools are still on

0:28:17.920 --> 0:28:18.680
<v Speaker 2>to come up, so they.

0:28:18.680 --> 0:28:21.920
<v Speaker 1>Want to come up. Yeah, so yeah, situations like that, like,

0:28:23.160 --> 0:28:25.160
<v Speaker 1>don't get me wrong, like I fuck with I fuck

0:28:25.240 --> 0:28:27.920
<v Speaker 1>with certain podcasts and I fuck with some people as

0:28:28.000 --> 0:28:30.320
<v Speaker 1>individuals and what they're doing as a moment. You can't

0:28:30.400 --> 0:28:32.879
<v Speaker 1>knock the hustle. That's another that's another hustle. Now, you know,

0:28:33.359 --> 0:28:35.400
<v Speaker 1>with Icon, I can't be staying out of that messy shit.

0:28:35.520 --> 0:28:40.480
<v Speaker 1>Fuck I No, that's one boy. But yeah, yeah, but

0:28:41.720 --> 0:28:43.640
<v Speaker 1>like no, no, Icon does try to stay out the

0:28:43.680 --> 0:28:45.520
<v Speaker 1>messy ship, you know what I'm saying. But I feel

0:28:45.560 --> 0:28:48.440
<v Speaker 1>like he plays his favorites though he does. He does,

0:28:48.600 --> 0:28:50.720
<v Speaker 1>but you know, I I you know, I think he

0:28:50.920 --> 0:28:55.760
<v Speaker 1>left full community for some like because some ugly respect. Yeah,

0:28:56.120 --> 0:28:57.760
<v Speaker 1>now I gotta respect that. You know. When I talked

0:28:57.760 --> 0:28:59.920
<v Speaker 1>to him, I was just like before I would I

0:29:00.040 --> 0:29:01.920
<v Speaker 1>would see him, and you know, because I've known Nicon

0:29:02.040 --> 0:29:04.760
<v Speaker 1>for ten years, he used to wrap yeah yeah videos

0:29:04.800 --> 0:29:06.640
<v Speaker 1>on that. I'd be like, man, you're falling into all

0:29:06.680 --> 0:29:08.440
<v Speaker 1>that dumb shit. He would always be like, no, that's

0:29:08.520 --> 0:29:09.960
<v Speaker 1>not me, it's not me. And I was like, man,

0:29:10.000 --> 0:29:13.080
<v Speaker 1>that's bullshit. But the day he left and the reason

0:29:13.120 --> 0:29:14.480
<v Speaker 1>why he left, I was like, all right, maybe he

0:29:14.560 --> 0:29:16.560
<v Speaker 1>was telling the truth. Yeah. I called him when he

0:29:16.640 --> 0:29:18.840
<v Speaker 1>did it. He was like, he was like, I just can't.

0:29:19.320 --> 0:29:21.240
<v Speaker 1>I can't be He's like, bro, I just can't. This

0:29:21.480 --> 0:29:24.160
<v Speaker 1>just doesn't sit well with me. Yeah. I mean I

0:29:24.200 --> 0:29:28.880
<v Speaker 1>feel like if you're putting that out there, right, So

0:29:29.080 --> 0:29:32.000
<v Speaker 1>I'm very careful about what I put out you know

0:29:32.000 --> 0:29:35.440
<v Speaker 1>what I'm saying, Like the like the Internet, and they

0:29:35.520 --> 0:29:37.160
<v Speaker 1>see what I want him to see, right, you know

0:29:37.160 --> 0:29:39.600
<v Speaker 1>what I mean. I have total control of that aspect.

0:29:41.200 --> 0:29:44.160
<v Speaker 1>So if you're doing some crazy shit, or you're letting

0:29:44.440 --> 0:29:46.600
<v Speaker 1>people do some crazy shit around you and you're filming

0:29:46.680 --> 0:29:49.480
<v Speaker 1>and shit, you're almost just doing it to yourself. You

0:29:49.520 --> 0:29:51.360
<v Speaker 1>can't get mad at a blog for both for sure.

0:29:51.640 --> 0:29:53.920
<v Speaker 1>If you're putting it out there, like you said, if

0:29:54.000 --> 0:29:56.880
<v Speaker 1>you're putting it out there, you have full controls on you. Bro.

0:29:57.440 --> 0:29:59.840
<v Speaker 1>You're like, people will get fucked up on this Internet.

0:30:00.080 --> 0:30:01.400
<v Speaker 1>It so easily.

0:30:01.520 --> 0:30:05.240
<v Speaker 2>I'll be I'll be disappointed in people so much because

0:30:05.240 --> 0:30:10.400
<v Speaker 2>I'm like, like, what the fuck? Yeah, why, Like it's crazy?

0:30:10.560 --> 0:30:15.000
<v Speaker 2>Yeah exactly. You know, I've had so many people tell

0:30:15.120 --> 0:30:18.160
<v Speaker 2>me like, yo, you gotta you gotta do this, you.

0:30:18.200 --> 0:30:18.800
<v Speaker 1>Gotta do this.

0:30:19.320 --> 0:30:21.600
<v Speaker 2>The podcast would be bigger if you did this or

0:30:21.600 --> 0:30:24.360
<v Speaker 2>if you did the streaming and you win it, I'm like, bro,

0:30:25.280 --> 0:30:29.560
<v Speaker 2>I don't want people to be too invested in my

0:30:29.720 --> 0:30:35.200
<v Speaker 2>personal life. And like, I'm cool, just I'm cool, dog Like,

0:30:35.320 --> 0:30:38.240
<v Speaker 2>there's just certain ship that's just like you know, for.

0:30:38.360 --> 0:30:40.480
<v Speaker 1>Me, it's just not worth it. You know, yes, it's not.

0:30:40.760 --> 0:30:43.000
<v Speaker 1>So so how can you turn around and blame the

0:30:43.120 --> 0:30:47.120
<v Speaker 1>podcast for if you posted it? If it's out there

0:30:47.160 --> 0:30:49.600
<v Speaker 1>on your ship, they're covering what you already posted. Yeah,

0:30:50.560 --> 0:30:53.720
<v Speaker 1>so people are quick to get mad at them, but

0:30:54.200 --> 0:30:56.400
<v Speaker 1>all they want is they want news, bro, And.

0:30:56.440 --> 0:30:58.680
<v Speaker 2>Yeah, you should have kept it off the internet, Like

0:30:58.760 --> 0:31:02.080
<v Speaker 2>if you posted some ship on this your story, it's

0:31:02.160 --> 0:31:04.080
<v Speaker 2>kind of free. It's it's you know, it's up for

0:31:04.120 --> 0:31:05.520
<v Speaker 2>grabs at that point, right.

0:31:05.840 --> 0:31:08.040
<v Speaker 1>Yeah, And that's what they do. People like you you

0:31:08.560 --> 0:31:11.040
<v Speaker 1>know what I'm saying, and like and like in Head

0:31:11.720 --> 0:31:15.480
<v Speaker 1>and Chuck and all them, people like you guys come

0:31:15.680 --> 0:31:18.480
<v Speaker 1>from music. You guys come from you know what I'm

0:31:18.520 --> 0:31:21.440
<v Speaker 1>saying from from radio and all that shit. So it

0:31:21.520 --> 0:31:23.520
<v Speaker 1>makes more sense for what you guys are do. You

0:31:23.560 --> 0:31:25.440
<v Speaker 1>guys are more involved with the music where you guys

0:31:25.520 --> 0:31:27.600
<v Speaker 1>could actually speak with I just love the music and

0:31:27.720 --> 0:31:30.720
<v Speaker 1>I just come from a background where like, uh, you know,

0:31:31.560 --> 0:31:33.520
<v Speaker 1>I just can't do certain ship dog, you know what

0:31:33.520 --> 0:31:37.479
<v Speaker 1>I mean exactly. On the other hand, the blogs, they

0:31:37.560 --> 0:31:41.320
<v Speaker 1>don't come from them, correct, So all their listle yeah,

0:31:41.640 --> 0:31:44.680
<v Speaker 1>is that is those viral clips for sure? For sure.

0:31:44.840 --> 0:31:48.600
<v Speaker 1>So don't give it to them, guys. Yeah, you know

0:31:48.600 --> 0:31:51.280
<v Speaker 1>what I'm saying, Just relax, go viral for your song

0:31:51.400 --> 0:31:53.160
<v Speaker 1>being dope, right, you know what I mean?

0:31:53.480 --> 0:31:55.600
<v Speaker 2>Or you know, I'll see some people get creative with

0:31:55.640 --> 0:31:58.880
<v Speaker 2>their rollouts where they're like they know it's gonna go viral,

0:31:58.920 --> 0:32:00.760
<v Speaker 2>and they're like low key only but it's like on

0:32:00.920 --> 0:32:03.360
<v Speaker 2>purpose and it's like okay, like it's like harmless, you

0:32:03.400 --> 0:32:03.600
<v Speaker 2>know what I.

0:32:03.600 --> 0:32:05.920
<v Speaker 1>Mean, Like right, you know, so how dumb does this sound?

0:32:06.040 --> 0:32:08.800
<v Speaker 1>This is like right now, if I want to go viral,

0:32:08.960 --> 0:32:11.800
<v Speaker 1>I could, right, I could go and get into some ship.

0:32:11.840 --> 0:32:14.320
<v Speaker 2>I could go shoot up, we could get a rest,

0:32:14.480 --> 0:32:17.200
<v Speaker 2>we could set up this interview to where you get

0:32:17.240 --> 0:32:17.920
<v Speaker 2>mad and walk out.

0:32:18.400 --> 0:32:21.719
<v Speaker 1>Yeah you know what I'm saying. Fucking racket line right here,

0:32:21.720 --> 0:32:23.600
<v Speaker 1>and then that's gonna go crazy, you know what I'm saying.

0:32:25.840 --> 0:32:28.200
<v Speaker 1>But to see how easy it is, the bad ship

0:32:28.280 --> 0:32:31.040
<v Speaker 1>they going to grab it, bro, sure, they're gonna grab it.

0:32:31.160 --> 0:32:32.760
<v Speaker 1>You know what I'm saying. You just dropped the new

0:32:32.800 --> 0:32:36.840
<v Speaker 1>song with Ralphie. Ralphie Up, shout out, Ralphie, Man, good guy. Uh.

0:32:37.880 --> 0:32:40.040
<v Speaker 2>I feel like you've always kind of like had your

0:32:40.080 --> 0:32:41.960
<v Speaker 2>ear to the street in terms of like the LA shit,

0:32:42.080 --> 0:32:46.280
<v Speaker 2>Like do you feel like, uh, you know, in terms

0:32:46.320 --> 0:32:50.240
<v Speaker 2>of the new generation of LA artists. Obviously, Ralphie's kind

0:32:50.240 --> 0:32:51.840
<v Speaker 2>of a I won't call him an og, but he

0:32:51.920 --> 0:32:55.400
<v Speaker 2>been around his brother long enough. Are you a fan

0:32:55.480 --> 0:32:57.800
<v Speaker 2>of what's going on in LA right now with all

0:32:57.840 --> 0:32:58.920
<v Speaker 2>the new kids that are coming up.

0:33:00.160 --> 0:33:04.560
<v Speaker 1>I'm a fan of the growth that's happening, you know

0:33:04.560 --> 0:33:09.360
<v Speaker 1>what I'm saying. There's a lot of Mexicans doing what

0:33:09.520 --> 0:33:13.480
<v Speaker 1>they're doing and they're getting they're getting praise for it,

0:33:13.600 --> 0:33:14.920
<v Speaker 1>you know what I'm saying. So I'm a fan of

0:33:15.000 --> 0:33:18.000
<v Speaker 1>that for sure. Definitely a fan of a few artists

0:33:18.040 --> 0:33:19.760
<v Speaker 1>that are out there and I'm fishing and I definitely

0:33:19.800 --> 0:33:21.760
<v Speaker 1>don't like a few of them as well, you know

0:33:21.760 --> 0:33:25.040
<v Speaker 1>what I'm saying. But you know, it's it's a good

0:33:25.080 --> 0:33:28.320
<v Speaker 1>It's I feel overall it's a good thing. Yeah, what's happening,

0:33:28.400 --> 0:33:30.520
<v Speaker 1>you know what I mean? How dope.

0:33:30.640 --> 0:33:33.360
<v Speaker 2>Was like when you saw that Lefty ended up on

0:33:33.880 --> 0:33:36.960
<v Speaker 2>TV off on Kendrick's album, I was I was surprised,

0:33:37.040 --> 0:33:39.320
<v Speaker 2>even though he was running around kind of talent.

0:33:39.120 --> 0:33:42.440
<v Speaker 1>Everybody he did. I didn't. I didn't really think. I

0:33:42.560 --> 0:33:47.160
<v Speaker 1>was like and then I was like, damn, like it's platinum. Yeah,

0:33:47.280 --> 0:33:48.880
<v Speaker 1>you know what I mean? Like that, that's that's a

0:33:48.920 --> 0:33:51.920
<v Speaker 1>big moment. Left the gun play, that's a big moment.

0:33:52.280 --> 0:33:56.240
<v Speaker 1>Look Lefty, Lefty's left I met Lefty before he blew up. Right.

0:33:56.360 --> 0:33:59.560
<v Speaker 1>So one of Lefty's first songs that he dropped was

0:33:59.640 --> 0:34:03.640
<v Speaker 1>Letter to Drummer. Right, so he actually wrapped he rapped

0:34:03.680 --> 0:34:06.000
<v Speaker 1>to you. Yeah, yeah, he wrapped it. Yeah, he wrapped

0:34:06.040 --> 0:34:08.080
<v Speaker 1>to me on that song. But I met him at

0:34:08.120 --> 0:34:11.400
<v Speaker 1>a club in oc And and he wrapped it to me,

0:34:11.520 --> 0:34:15.080
<v Speaker 1>like in person before he got on that on the

0:34:15.160 --> 0:34:17.120
<v Speaker 1>Corner Store, shout out to the corner Store. This Corner

0:34:17.160 --> 0:34:20.520
<v Speaker 1>Store really freestyle he had that was a superman freestyle.

0:34:20.640 --> 0:34:22.640
<v Speaker 1>That ship was hard. That was that was a ship

0:34:22.719 --> 0:34:25.160
<v Speaker 1>for Lefty. Right. He murdered that. Yeah. So when I

0:34:25.280 --> 0:34:27.320
<v Speaker 1>when I when I talked to Dez, I was like, man, Lefty,

0:34:27.320 --> 0:34:29.520
<v Speaker 1>owe you some money for for sure. But Anyways, you

0:34:29.560 --> 0:34:32.759
<v Speaker 1>know what I'm saying, Lefty as a person, Lefty is

0:34:33.560 --> 0:34:35.160
<v Speaker 1>is genuine. I don't think people know that.

0:34:35.640 --> 0:34:38.000
<v Speaker 2>I always tell everybody who asked me. I'm like, man,

0:34:38.840 --> 0:34:40.799
<v Speaker 2>the dude's got his demons, but he's got a good

0:34:40.840 --> 0:34:42.839
<v Speaker 2>heart on. Yeah, he's a good dude.

0:34:42.960 --> 0:34:45.560
<v Speaker 1>He's a genuine person for sure, you know what I'm saying.

0:34:46.080 --> 0:34:48.319
<v Speaker 1>And he just called me like the other day and ship.

0:34:48.360 --> 0:34:50.560
<v Speaker 1>He was like, drummer, I need to be on your album.

0:34:51.239 --> 0:34:53.320
<v Speaker 1>Your album ain't gonna be hard less I'm on your album.

0:34:53.400 --> 0:34:56.960
<v Speaker 1>I was like, shut you, but yeah, I left. He's cool, man,

0:34:57.000 --> 0:34:58.880
<v Speaker 1>and that's a big moment. And I like that, you

0:34:58.920 --> 0:35:02.799
<v Speaker 1>know what I'm saying, Like, you know, obviously people are

0:35:02.840 --> 0:35:04.720
<v Speaker 1>gonna say what they say. You're gonna have your haters

0:35:04.760 --> 0:35:07.600
<v Speaker 1>and ship like that. But man, let him have his time,

0:35:07.719 --> 0:35:10.120
<v Speaker 1>you know what I'm saying, Like, let him do his ship.

0:35:10.360 --> 0:35:12.359
<v Speaker 1>You know, left he got a bill from this. Now

0:35:12.480 --> 0:35:14.759
<v Speaker 1>you gotta for sure put some ship out. I think

0:35:14.760 --> 0:35:18.280
<v Speaker 1>he's trying to get It's funny because his his songs.

0:35:18.400 --> 0:35:20.680
<v Speaker 1>I can't get right with problem.

0:35:21.040 --> 0:35:22.880
<v Speaker 2>But I think he's like making a real effort to

0:35:23.040 --> 0:35:25.200
<v Speaker 2>like over whatever with Mike and Keith get his ship

0:35:25.280 --> 0:35:27.080
<v Speaker 2>together in terms of like, you know, the ship that

0:35:27.200 --> 0:35:29.480
<v Speaker 2>you know people have concerns about. But left he's a

0:35:29.480 --> 0:35:32.560
<v Speaker 2>good dude and he's talented as fuck. Yeah he's talented.

0:35:32.719 --> 0:35:34.520
<v Speaker 1>But people are going to find a way to hate, bro,

0:35:34.719 --> 0:35:35.279
<v Speaker 1>you know what I'm saying.

0:35:35.360 --> 0:35:36.719
<v Speaker 2>Well, they're also going to find a way to hate

0:35:36.719 --> 0:35:39.160
<v Speaker 2>because they they wish they were in his position.

0:35:39.680 --> 0:35:41.640
<v Speaker 1>Yeah, you know what I mean. And no, definitely, and

0:35:41.760 --> 0:35:44.440
<v Speaker 1>he seems to like I'm the guy who I mean,

0:35:44.520 --> 0:35:49.040
<v Speaker 1>Think about how many people that probably felt like, okay,

0:35:49.120 --> 0:35:51.200
<v Speaker 1>they should have been chosen for that for one of that,

0:35:51.280 --> 0:35:51.799
<v Speaker 1>you know what I'm saying.

0:35:52.960 --> 0:35:55.439
<v Speaker 2>And to be honest as supposed to being like wow,

0:35:56.480 --> 0:35:59.680
<v Speaker 2>like this, they're like Paceel and Lefty are on a.

0:35:59.680 --> 0:36:02.520
<v Speaker 1>Fucking right right exactly. You know what I'm saying. That's

0:36:02.560 --> 0:36:04.719
<v Speaker 1>a win for everybody. It's a win for everybody, you

0:36:04.760 --> 0:36:06.879
<v Speaker 1>know what I mean. And a lot of people look

0:36:06.880 --> 0:36:08.799
<v Speaker 1>at it that way, like, man, you know they've been

0:36:08.840 --> 0:36:10.879
<v Speaker 1>in the game for so long, in this long woo

0:36:11.280 --> 0:36:13.120
<v Speaker 1>and maybe you know they should have been on it. Okay,

0:36:13.160 --> 0:36:14.840
<v Speaker 1>I see that, you know what I mean. But I

0:36:14.960 --> 0:36:18.080
<v Speaker 1>also see that where the state of music is at

0:36:18.160 --> 0:36:20.440
<v Speaker 1>right now, you know what I'm saying. And I see

0:36:20.480 --> 0:36:24.000
<v Speaker 1>people are getting signed due to how much cloud and

0:36:24.080 --> 0:36:26.520
<v Speaker 1>how much viral ship they have out you know what

0:36:26.560 --> 0:36:29.160
<v Speaker 1>I'm saying, which is crazy, you know what I mean.

0:36:29.719 --> 0:36:32.240
<v Speaker 1>But it's cool. As long as you're at peace with yourself,

0:36:32.280 --> 0:36:34.719
<v Speaker 1>you can't be mad at that. You know what I'm saying. Like,

0:36:34.800 --> 0:36:38.320
<v Speaker 1>I'm good, bro, Like music has provided for me in

0:36:38.480 --> 0:36:40.160
<v Speaker 1>so many different ways. You know what I'm saying, And

0:36:41.960 --> 0:36:44.400
<v Speaker 1>you know it's funny when I did, uh, when I

0:36:44.480 --> 0:36:50.480
<v Speaker 1>did an interview with with Chuck Dizzel and fucking and Yeah,

0:36:53.480 --> 0:36:58.120
<v Speaker 1>I remember they had had had asked Mausey a question

0:36:58.200 --> 0:37:00.359
<v Speaker 1>about like when does he feel like he's going make

0:37:00.400 --> 0:37:04.040
<v Speaker 1>it right or he made it? And his reply was

0:37:04.120 --> 0:37:06.440
<v Speaker 1>like when he touched his first million. So when they

0:37:06.440 --> 0:37:08.960
<v Speaker 1>asked me that question, which was years back, they like,

0:37:09.000 --> 0:37:11.279
<v Speaker 1>when you're gonna feel like you made it? I was like, shit,

0:37:11.440 --> 0:37:13.960
<v Speaker 1>all I want is like a big house off of

0:37:14.040 --> 0:37:16.399
<v Speaker 1>music and like I feel like I made it. Well,

0:37:16.440 --> 0:37:18.759
<v Speaker 1>we already reached that, Like I already bought my house

0:37:18.840 --> 0:37:20.960
<v Speaker 1>off of that. I'm buying my second house off of

0:37:21.040 --> 0:37:23.680
<v Speaker 1>music and shit, So how how am I in a

0:37:23.760 --> 0:37:25.719
<v Speaker 1>position to be mad at anybody, and shit, you know

0:37:25.760 --> 0:37:28.399
<v Speaker 1>what I'm saying. When you made it, you won. Yeah,

0:37:28.440 --> 0:37:32.080
<v Speaker 1>I'm chilling, you know what I'm saying. And that was

0:37:32.160 --> 0:37:33.920
<v Speaker 1>kind of like a turning point. But believe me, I

0:37:33.960 --> 0:37:36.560
<v Speaker 1>got to remind myself that that was, you know something,

0:37:36.719 --> 0:37:37.279
<v Speaker 1>what I was knowing.

0:37:37.280 --> 0:37:38.759
<v Speaker 2>It's like we were talking about earlier a little bit.

0:37:38.800 --> 0:37:41.640
<v Speaker 2>It's almost like if you you know, sometimes you got

0:37:41.760 --> 0:37:46.719
<v Speaker 2>to put your like force yourself to rewind your perspective

0:37:47.160 --> 0:37:49.799
<v Speaker 2>to like five ten years ago and be like, damn

0:37:49.800 --> 0:37:52.880
<v Speaker 2>if if you told your version of you back then

0:37:53.080 --> 0:37:55.680
<v Speaker 2>where you are now, yeah, you would be like tripping.

0:37:55.880 --> 0:37:58.440
<v Speaker 2>But you're living in it, so you don't really appreciate it.

0:37:58.719 --> 0:38:00.800
<v Speaker 1>Yeah, you know what I mean. Like, you know, you

0:38:00.960 --> 0:38:04.120
<v Speaker 1>can't you can't like zone in on it because your

0:38:04.160 --> 0:38:07.839
<v Speaker 1>mind stinking about everything. You know, you gotta keep going. Yeah,

0:38:07.880 --> 0:38:10.160
<v Speaker 1>you know what I'm saying. But like you know, bro,

0:38:11.320 --> 0:38:14.600
<v Speaker 1>I'm still dropping albums. I've worked with pretty much everybody

0:38:14.680 --> 0:38:18.560
<v Speaker 1>in La, you know what I'm saying. I've always been

0:38:18.640 --> 0:38:22.440
<v Speaker 1>open minded to working with everybody. I'm from Pomona, so

0:38:23.600 --> 0:38:28.120
<v Speaker 1>my beef, my neighborhood beef, doesn't really stem out of Pomona, right, right,

0:38:28.239 --> 0:38:29.880
<v Speaker 1>so I could work with anybody as long as like

0:38:29.920 --> 0:38:32.000
<v Speaker 1>you know, like the people that I work with don't

0:38:32.200 --> 0:38:34.600
<v Speaker 1>you know, have beef with them and ship. But yeah,

0:38:34.640 --> 0:38:37.719
<v Speaker 1>we've done so much in the game where I feel

0:38:37.800 --> 0:38:40.200
<v Speaker 1>I feel content about that. But the fact that I

0:38:40.239 --> 0:38:43.480
<v Speaker 1>could still drop and and you know what I mean,

0:38:43.680 --> 0:38:46.680
<v Speaker 1>and still do what I'm doing right now, especially with

0:38:46.800 --> 0:38:48.560
<v Speaker 1>this album that we got coming, you know, I mean,

0:38:50.160 --> 0:38:53.719
<v Speaker 1>I think that right there is just like a reassurance that,

0:38:53.880 --> 0:38:55.799
<v Speaker 1>you know what I mean, like I did something right

0:38:56.520 --> 0:38:58.520
<v Speaker 1>because bro, like there's a lot of people that can't

0:38:58.600 --> 0:39:00.160
<v Speaker 1>last a year or two in this game, you know

0:39:00.200 --> 0:39:03.359
<v Speaker 1>what I'm saying. And it's even people that come out

0:39:03.400 --> 0:39:05.239
<v Speaker 1>with major labels and ship, you know what I'm saying,

0:39:05.239 --> 0:39:08.719
<v Speaker 1>that that overnight ship, you know what I mean, that

0:39:08.880 --> 0:39:11.960
<v Speaker 1>don't last as long as like a person like me

0:39:12.120 --> 0:39:13.920
<v Speaker 1>or King lo Z or like you know other people

0:39:14.280 --> 0:39:16.879
<v Speaker 1>that have lasted you know what I mean. That that's

0:39:17.040 --> 0:39:19.400
<v Speaker 1>that's like a that's like a big, big thing, Like

0:39:19.440 --> 0:39:21.359
<v Speaker 1>it's a great feat to accomplish, you know what I'm saying.

0:39:22.000 --> 0:39:25.760
<v Speaker 2>What was it like working with Jimmy and the Rancho

0:39:25.920 --> 0:39:31.120
<v Speaker 2>guys crazy, because that's like like Jimmy's a fucking legend,

0:39:31.320 --> 0:39:34.000
<v Speaker 2>like he an LA legend. He's a fucking music industry legend.

0:39:34.080 --> 0:39:36.440
<v Speaker 2>Like that deal he got was fucking put it in

0:39:36.480 --> 0:39:39.080
<v Speaker 2>the rafters with like the no Limit deal, the cash

0:39:39.160 --> 0:39:39.600
<v Speaker 2>Money deal.

0:39:39.800 --> 0:39:43.640
<v Speaker 1>Right, that shit was crazy, bro. And it all stands

0:39:43.680 --> 0:39:46.440
<v Speaker 1>from when me and G got back together and this bro,

0:39:46.560 --> 0:39:48.320
<v Speaker 1>it's not even a year old. And you know what

0:39:48.320 --> 0:39:51.640
<v Speaker 1>I'm saying, Like the internet is cool. Here's the thing.

0:39:51.719 --> 0:39:54.520
<v Speaker 2>They're like a major because they got the major, you know,

0:39:54.600 --> 0:39:56.279
<v Speaker 2>But I just like wonder what because I feel like

0:39:56.280 --> 0:39:58.200
<v Speaker 2>a lot of people in hip hop don't necessarily kind

0:39:58.200 --> 0:39:59.919
<v Speaker 2>of understand what's going on with Rachel Coal Media.

0:40:00.280 --> 0:40:02.520
<v Speaker 1>I feel like they're one of the biggest record labels

0:40:02.640 --> 0:40:06.600
<v Speaker 1>for sure. You know what I'm saying, Like, like where

0:40:06.719 --> 0:40:07.920
<v Speaker 1>is I like they came from? You know what I mean?

0:40:07.960 --> 0:40:09.640
<v Speaker 1>Like what are we talking about? Bro? You know what

0:40:09.680 --> 0:40:14.359
<v Speaker 1>I'm saying. It's like you know that ship right there

0:40:14.560 --> 0:40:18.200
<v Speaker 1>was was was nuts. Like me and G got back together.

0:40:18.320 --> 0:40:21.440
<v Speaker 1>The first song we dropped was was was Gangster Function.

0:40:21.880 --> 0:40:23.880
<v Speaker 1>They were playing this ship on bolts and have a

0:40:23.960 --> 0:40:27.000
<v Speaker 1>suit like everywhere. It took over the whole lowrider scene.

0:40:27.719 --> 0:40:30.120
<v Speaker 1>After that, Jimmy gave me a phone call because I've

0:40:30.120 --> 0:40:33.279
<v Speaker 1>been knowing Jimmy and Jimmy just loved that ship so much.

0:40:33.400 --> 0:40:35.400
<v Speaker 1>He was like, drum you got He said, you got

0:40:35.480 --> 0:40:39.080
<v Speaker 1>more songs like this? And I was like, yeah, I didn't.

0:40:42.480 --> 0:40:45.360
<v Speaker 1>You know what I'm saying. I was like, some more motherfucker,

0:40:45.400 --> 0:40:48.880
<v Speaker 1>but yeah, we got him. So fucking how that happened

0:40:48.960 --> 0:40:51.080
<v Speaker 1>was that, like, you know, he gave me a call.

0:40:51.200 --> 0:40:52.640
<v Speaker 1>I told G like, G, what was up? Man? You

0:40:52.640 --> 0:40:54.200
<v Speaker 1>want to sit down with Jimmy boom. All we need

0:40:54.280 --> 0:40:55.840
<v Speaker 1>to do is make a couple more songs. He was like,

0:40:56.520 --> 0:40:59.920
<v Speaker 1>let's go. We had a seat, talk to Jimmy. Jimmy

0:41:00.040 --> 0:41:04.040
<v Speaker 1>gave us a fat bag, bro like shout out Jimmy man.

0:41:04.200 --> 0:41:06.200
<v Speaker 1>And the terms were good too. You know what I'm saying,

0:41:06.360 --> 0:41:10.759
<v Speaker 1>Like I've been offered bags from different record labels, but

0:41:11.360 --> 0:41:13.279
<v Speaker 1>you know what I'm saying, Jimmy gave us a real

0:41:13.400 --> 0:41:17.560
<v Speaker 1>fat bag. And then me and hundred and then Zace

0:41:17.880 --> 0:41:19.399
<v Speaker 1>has some shit to do with it because I still

0:41:19.440 --> 0:41:21.440
<v Speaker 1>be producing too. I just kind of do it on

0:41:21.520 --> 0:41:23.879
<v Speaker 1>the cut. But we came up with like six more

0:41:23.960 --> 0:41:26.240
<v Speaker 1>songs and we just release it, and then we released

0:41:26.280 --> 0:41:29.760
<v Speaker 1>Banging and then Banging with viral, and I think people

0:41:30.480 --> 0:41:33.279
<v Speaker 1>don't remember that because the Internet moved so fast. Sure,

0:41:33.400 --> 0:41:36.160
<v Speaker 1>even though it was fucking last year. But bro, we

0:41:36.280 --> 0:41:39.400
<v Speaker 1>have like fucking forty to fifty million views combined and

0:41:39.719 --> 0:41:42.040
<v Speaker 1>streams combined in less than a year. You know what

0:41:42.040 --> 0:41:46.280
<v Speaker 1>I'm saying. Are you dropping this new album in March independently? Yeah? Okay,

0:41:46.880 --> 0:41:49.399
<v Speaker 1>we're doing this independently. Shout out to kill a cush Man.

0:41:49.440 --> 0:41:51.640
<v Speaker 1>We have a lot of help with friends, you know

0:41:51.680 --> 0:41:54.560
<v Speaker 1>what I'm saying, where we don't have to go out.

0:41:54.719 --> 0:41:56.160
<v Speaker 1>You know what I mean, Because one of the reasons

0:41:56.200 --> 0:41:57.719
<v Speaker 1>you want to go to a label is to get

0:41:57.760 --> 0:42:00.960
<v Speaker 1>some money, some sash flow. You know what I mean too,

0:42:01.800 --> 0:42:04.359
<v Speaker 1>if you're smart, you're going over there to get cash

0:42:04.400 --> 0:42:08.880
<v Speaker 1>flow to jump into the album, to make the album

0:42:08.960 --> 0:42:11.080
<v Speaker 1>what to do, what it needs to do. You know

0:42:11.120 --> 0:42:15.440
<v Speaker 1>what I'm saying. But this album we're doing independently, and

0:42:16.480 --> 0:42:18.480
<v Speaker 1>we got some dope features on there. Man, you know

0:42:18.520 --> 0:42:20.840
<v Speaker 1>what I'm saying. Like I'm really it took me a

0:42:20.920 --> 0:42:24.880
<v Speaker 1>minute to get what I was fucking racking. Hunt Man.

0:42:24.920 --> 0:42:28.120
<v Speaker 1>I made this food work overtime because Hunter's my engineer

0:42:28.200 --> 0:42:31.880
<v Speaker 1>and producer, so we kind of reinvented the album like

0:42:32.040 --> 0:42:35.160
<v Speaker 1>four times in the last two months. Like I was like,

0:42:35.239 --> 0:42:36.520
<v Speaker 1>scratch everything.

0:42:36.560 --> 0:42:39.839
<v Speaker 2>Yo, Sometimes I just be fucking with y'all rappers, bro,

0:42:39.920 --> 0:42:41.399
<v Speaker 2>because y'all be scrapping good ship.

0:42:41.960 --> 0:42:44.319
<v Speaker 1>But it's old, all right, here's the funny part, right.

0:42:44.440 --> 0:42:48.320
<v Speaker 1>So for that album, what I did was, and you

0:42:48.360 --> 0:42:50.440
<v Speaker 1>know what I mean, if anybody listening and struggling with

0:42:50.560 --> 0:42:54.160
<v Speaker 1>this shit, what I did was I made eight ten songs.

0:42:55.120 --> 0:42:58.760
<v Speaker 1>After that, I got influenced by the fucking, the fucking

0:42:58.880 --> 0:43:01.240
<v Speaker 1>scene and the other music that was out. I scratched

0:43:01.280 --> 0:43:04.880
<v Speaker 1>those eight songs. I went did another ten. We fucking

0:43:04.960 --> 0:43:07.839
<v Speaker 1>scratched those. I didn't know what the fuck I was doing.

0:43:07.960 --> 0:43:09.880
<v Speaker 1>I told Hondo, I told Adam. I was like, man,

0:43:09.960 --> 0:43:12.080
<v Speaker 1>let's go run an airbnb, let's go to other and

0:43:12.120 --> 0:43:14.719
<v Speaker 1>let's go find this sound. Right, So then I make

0:43:14.760 --> 0:43:17.240
<v Speaker 1>another fucking like ten songs, and shit, now we're sitting

0:43:17.280 --> 0:43:20.960
<v Speaker 1>on forty songs, right. You know what ended up being

0:43:21.000 --> 0:43:24.400
<v Speaker 1>the album pieces from each of those ten, the first

0:43:24.600 --> 0:43:28.400
<v Speaker 1>fucking the first ten. Well, that's good because you wouldn't

0:43:28.400 --> 0:43:30.120
<v Speaker 1>for right, You're right, you know what I'm saying. But

0:43:30.280 --> 0:43:32.759
<v Speaker 1>that's how easy to bring fucks with you man, like

0:43:33.600 --> 0:43:35.719
<v Speaker 1>that shit fuck funny. Now that happens all the time.

0:43:35.800 --> 0:43:37.920
<v Speaker 2>Bro, Like you're like, you'll like, you know, I have

0:43:37.960 --> 0:43:40.120
<v Speaker 2>an artist. So it's like, well, I love a song

0:43:40.239 --> 0:43:42.359
<v Speaker 2>that's like two years old, right, like that shit's old.

0:43:42.400 --> 0:43:45.520
<v Speaker 1>I'm like, but this shit is hard. Yeah, and yeah,

0:43:45.560 --> 0:43:47.600
<v Speaker 1>these songs over here are are cool. You know what

0:43:47.600 --> 0:43:49.319
<v Speaker 1>I'm saying. I'm pretty sure people will fuck with them.

0:43:49.360 --> 0:43:51.960
<v Speaker 1>But the feeling that once I heard these songs after

0:43:52.040 --> 0:43:53.520
<v Speaker 1>not listening to them for a whole month or two,

0:43:53.560 --> 0:43:56.239
<v Speaker 1>I was like, that's it. That's like, these songs over here,

0:43:56.320 --> 0:43:58.319
<v Speaker 1>those are the ones. What do you guys doing distro through?

0:43:58.440 --> 0:44:00.960
<v Speaker 1>Is it just straight distro? Kid? You know, I got,

0:44:01.040 --> 0:44:03.000
<v Speaker 1>I got, so what I what I ended up doing,

0:44:03.360 --> 0:44:05.279
<v Speaker 1>as you know what I mean as being independent is

0:44:05.360 --> 0:44:08.440
<v Speaker 1>I just left relationships open, so like with Orchard, with

0:44:08.520 --> 0:44:11.080
<v Speaker 1>the Empire, with different people select those like you know

0:44:11.120 --> 0:44:15.280
<v Speaker 1>what I'm saying, you know some of the online distribution

0:44:15.440 --> 0:44:17.840
<v Speaker 1>to like, I just left ship open, so now I

0:44:17.880 --> 0:44:20.759
<v Speaker 1>could kind of I could distribute distribute that through anyone album.

0:44:21.080 --> 0:44:24.080
<v Speaker 1>What about the new album, the new one. I still

0:44:24.160 --> 0:44:27.239
<v Speaker 1>haven't made the actual decision on who we're going with,

0:44:27.800 --> 0:44:31.440
<v Speaker 1>but I gotta make it like today. Yeah, yeah, you

0:44:31.480 --> 0:44:33.919
<v Speaker 1>want to get Yeah, because like I was in a drop.

0:44:34.000 --> 0:44:36.680
<v Speaker 1>I was supposed to drop like a month ago, you

0:44:36.719 --> 0:44:38.520
<v Speaker 1>know what I'm saying. But you know what I mean,

0:44:38.600 --> 0:44:40.800
<v Speaker 1>Good thing I didn't because we ended up getting bro this.

0:44:41.120 --> 0:44:43.280
<v Speaker 1>We got heavy hitters on the album. We got Bravo

0:44:43.400 --> 0:44:46.800
<v Speaker 1>shout out to Bravos on one of the songs. We

0:44:46.920 --> 0:44:48.960
<v Speaker 1>got Stuper Young, you know, Stupid Young and him go

0:44:49.560 --> 0:44:52.879
<v Speaker 1>Thailand with that guy going crazy. Yeah, Stup Young, he's

0:44:52.920 --> 0:44:54.120
<v Speaker 1>one of the really young.

0:44:54.080 --> 0:44:57.239
<v Speaker 2>Is cracking and Thailand. Oh yeah, his big homie like

0:44:57.320 --> 0:44:59.440
<v Speaker 2>runs a weed shop out there. Oh yeah, from his

0:44:59.640 --> 0:45:01.759
<v Speaker 2>like big hummy from the Asian boys, like moved out

0:45:01.800 --> 0:45:02.520
<v Speaker 2>there and it's.

0:45:02.440 --> 0:45:04.799
<v Speaker 1>Like, yeah yeah, he told me to go out there

0:45:04.840 --> 0:45:07.239
<v Speaker 1>with him and ship. It's fucking sick. Yeah. So we

0:45:07.320 --> 0:45:09.560
<v Speaker 1>got Stuper Young on the album. Then we got west

0:45:09.600 --> 0:45:14.680
<v Speaker 1>Side Buggie hit the J Three's on that motherfucker. You

0:45:14.719 --> 0:45:16.400
<v Speaker 1>know what I'm saying. Kinglo G is on like two

0:45:16.560 --> 0:45:20.799
<v Speaker 1>songs that album. It's a West Coast album for sure,

0:45:20.960 --> 0:45:22.560
<v Speaker 1>you know what I'm saying. What's the name of the album.

0:45:23.200 --> 0:45:24.960
<v Speaker 1>I don't know it yet, but we're gonna know it.

0:45:25.000 --> 0:45:26.800
<v Speaker 1>In the next tonight too. I got to get the

0:45:26.840 --> 0:45:29.359
<v Speaker 1>distrow together of the album. You got the artwork together,

0:45:29.440 --> 0:45:32.680
<v Speaker 1>of course not Yeah, now the artwork is coming along. Well,

0:45:32.680 --> 0:45:36.640
<v Speaker 1>you don't have the name yet. The look and everything.

0:45:36.719 --> 0:45:38.439
<v Speaker 1>We found the look that we want for the cover

0:45:38.560 --> 0:45:39.640
<v Speaker 1>and ship, you know what I mean. We did the

0:45:39.719 --> 0:45:44.359
<v Speaker 1>shoot and all that ship. But you know, tour coming, Oh,

0:45:44.560 --> 0:45:47.439
<v Speaker 1>big tour coming. We got a yeah, a big tour.

0:45:48.400 --> 0:45:50.480
<v Speaker 1>So that tour right there, Me and King Little Jar

0:45:50.600 --> 0:45:52.880
<v Speaker 1>we're gonna So Kinglo G dropped an album. So if

0:45:52.920 --> 0:45:54.759
<v Speaker 1>you ain't heard the Little G's album, go listen to

0:45:54.880 --> 0:45:57.960
<v Speaker 1>that Ship because it's dope. It's like a it feels

0:45:58.080 --> 0:46:01.560
<v Speaker 1>like like a mixture of like AK forty seven sound

0:46:01.640 --> 0:46:03.920
<v Speaker 1>with just like some new ship. Yeah, he did that

0:46:03.960 --> 0:46:06.319
<v Speaker 1>ship with DJ Flip. That shit is off the chain.

0:46:06.719 --> 0:46:09.560
<v Speaker 1>So he just dropped his album and then I'm about

0:46:09.600 --> 0:46:12.839
<v Speaker 1>to drop mine, and then we're going on this big

0:46:13.040 --> 0:46:16.440
<v Speaker 1>ass tour, bro, Like a huge tour we're gonna do.

0:46:16.600 --> 0:46:19.600
<v Speaker 1>I think right now it's at thirty thirty different states,

0:46:19.960 --> 0:46:22.719
<v Speaker 1>but it's already growing. That's big, and it's gonna be

0:46:22.840 --> 0:46:25.279
<v Speaker 1>me and him the only headliners, and we're gonna bring

0:46:25.360 --> 0:46:29.720
<v Speaker 1>people out from different different areas, different areas. We're definitely

0:46:29.800 --> 0:46:32.480
<v Speaker 1>tapping in with the homies from a Z, We're tapping

0:46:32.560 --> 0:46:36.239
<v Speaker 1>in from uh some people from Reno. So everywhere we

0:46:36.360 --> 0:46:38.759
<v Speaker 1>go we're gonna bring We're gonna bring somebody out from

0:46:38.880 --> 0:46:41.440
<v Speaker 1>that city. That's fine. So if you're from that, from

0:46:41.480 --> 0:46:43.200
<v Speaker 1>one of those cities, and we might be just sitting

0:46:43.280 --> 0:46:46.480
<v Speaker 1>every fucking city, every state tapping with us, because you

0:46:46.640 --> 0:46:50.279
<v Speaker 1>might just be on stage with us. States is a lot, brother. Yeah,

0:46:50.320 --> 0:46:52.120
<v Speaker 1>And we ain't doing no little rooms, bro, We're doing

0:46:52.160 --> 0:46:54.080
<v Speaker 1>these big rooms, you know what I'm saying. We just

0:46:54.160 --> 0:46:57.720
<v Speaker 1>fucking sold out the the House of Blues in fucking

0:46:58.320 --> 0:47:02.040
<v Speaker 1>in Las Vegas. Oh yeah, we did that, love that venue.

0:47:02.080 --> 0:47:04.680
<v Speaker 1>I used to live in Vegas Venues dope, right, We

0:47:04.760 --> 0:47:07.480
<v Speaker 1>sold that out twice or some legendary nights in that place. Yeah,

0:47:07.520 --> 0:47:10.120
<v Speaker 1>that's just crazy for sure. I remember we went. The

0:47:10.200 --> 0:47:11.719
<v Speaker 1>last time we did it. I was up till like

0:47:11.840 --> 0:47:18.759
<v Speaker 1>seven am, gambling with stupid youers love the gamble? What

0:47:18.880 --> 0:47:20.880
<v Speaker 1>do you? How do you get what? I played? Crabs?

0:47:21.200 --> 0:47:23.439
<v Speaker 1>Craps is the best I played Crab, But my main

0:47:23.520 --> 0:47:24.839
<v Speaker 1>game is Texas hold them.

0:47:25.000 --> 0:47:26.360
<v Speaker 2>See, I don't know how to play poker, but I

0:47:26.440 --> 0:47:28.680
<v Speaker 2>do love craps. The thing is, I never knew how

0:47:28.719 --> 0:47:30.719
<v Speaker 2>to play craps. Head taught me to play craps like

0:47:30.719 --> 0:47:33.000
<v Speaker 2>three or four years ago. You gotta, okay, just wait

0:47:33.080 --> 0:47:36.400
<v Speaker 2>on a roller. I just it's because I wait on

0:47:36.520 --> 0:47:40.040
<v Speaker 2>the shoot. My main game is roulette or blackjack, but

0:47:40.280 --> 0:47:41.279
<v Speaker 2>craps is fun.

0:47:41.400 --> 0:47:43.759
<v Speaker 1>Bro. You're losing on roulette and blackjack. No, no, no,

0:47:43.840 --> 0:47:45.560
<v Speaker 1>I got a roulette strategy. I'll tell you about it.

0:47:45.600 --> 0:47:51.520
<v Speaker 1>Its crazy, But craps, bro, if like you said, but

0:47:51.719 --> 0:47:53.799
<v Speaker 1>you could come up quick, but you could lose quick.

0:47:53.920 --> 0:47:55.839
<v Speaker 1>You can lose quick. Yeah, you can. Problem the type

0:47:55.840 --> 0:47:58.719
<v Speaker 1>of motherfucker that buys all the numbers. I'm like, okay, cool,

0:47:58.760 --> 0:48:00.480
<v Speaker 1>four hit. Let me hit that six in the eight

0:48:00.640 --> 0:48:03.719
<v Speaker 1>and then I'll double. You know, if if I eight

0:48:03.840 --> 0:48:06.200
<v Speaker 1>or six hits, I'll press it. I'll be like, right,

0:48:06.760 --> 0:48:07.920
<v Speaker 1>just keep it on there, you know what I mean.

0:48:08.200 --> 0:48:10.160
<v Speaker 1>But then that seven hits and you want to for

0:48:10.320 --> 0:48:13.160
<v Speaker 1>god damn, Okay, so you just want all right, I'm

0:48:13.239 --> 0:48:15.279
<v Speaker 1>on six and eight all day, six and eight of

0:48:15.360 --> 0:48:17.640
<v Speaker 1>the two. Then I'm passing the line every day, all

0:48:17.880 --> 0:48:20.200
<v Speaker 1>the whole time. You put your odds down, yeah, yeah,

0:48:20.560 --> 0:48:22.880
<v Speaker 1>And then when I see that shooter, you know what

0:48:22.880 --> 0:48:27.320
<v Speaker 1>I'm saying, You'll know who the shooter is. I mean maybe, no,

0:48:27.760 --> 0:48:30.600
<v Speaker 1>for sure you'll see that motherfucker shooter. He'll I mean

0:48:30.640 --> 0:48:32.520
<v Speaker 1>the last time I came up on that ship, he

0:48:32.560 --> 0:48:35.640
<v Speaker 1>had like twenty four rolls before he hit the seven.

0:48:36.120 --> 0:48:38.600
<v Speaker 2>I had a fucking role I was a part of

0:48:38.680 --> 0:48:40.719
<v Speaker 2>in Vegas and it was like an hour and ten

0:48:40.800 --> 0:48:42.640
<v Speaker 2>minutes straight, No, bro, I made.

0:48:42.719 --> 0:48:45.719
<v Speaker 1>That's fucking crazy. I made like ten bands. Dude, Yeah,

0:48:45.760 --> 0:48:48.480
<v Speaker 1>that's crazy. Sitting there and I was just like just

0:48:48.560 --> 0:48:52.879
<v Speaker 1>sitting there acting it, cheering. And the one thing I've

0:48:52.960 --> 0:48:56.000
<v Speaker 1>never hit though, Yeah, one thing I never hit.

0:48:56.160 --> 0:48:58.919
<v Speaker 2>I've never hit because I've always like I always throw

0:48:59.000 --> 0:49:01.879
<v Speaker 2>down for the the highs and the lows and then

0:49:02.000 --> 0:49:04.920
<v Speaker 2>like all the numbers to where you you pretty much

0:49:05.080 --> 0:49:07.960
<v Speaker 2>you bet the top, you know, where every every number

0:49:08.040 --> 0:49:09.759
<v Speaker 2>has to hit for you to win. But like the

0:49:09.800 --> 0:49:12.600
<v Speaker 2>odds are insane, right, I've never hit that.

0:49:13.320 --> 0:49:16.200
<v Speaker 1>Yeah, I've got close. I've been like one number off. Okay, Yeah,

0:49:16.920 --> 0:49:18.719
<v Speaker 1>you know it's funny. When we were gambling out there

0:49:18.760 --> 0:49:22.280
<v Speaker 1>with Stuper Young, there was this lady and then stupid

0:49:22.440 --> 0:49:25.719
<v Speaker 1>stup Young's homie. He was a shooter, so she kept

0:49:25.760 --> 0:49:32.560
<v Speaker 1>calling him China Man. So every time China Man, China Man. Hilariously,

0:49:32.680 --> 0:49:36.880
<v Speaker 1>Race I would have loved thatous. It was fun, bro

0:49:37.120 --> 0:49:38.880
<v Speaker 1>like and that was happened to be standing next to

0:49:38.920 --> 0:49:40.479
<v Speaker 1>her and I was just looking over there and seeing

0:49:40.480 --> 0:49:43.880
<v Speaker 1>if Stuper Young was laughing. That was laughing. That's fucking comedy.

0:49:44.320 --> 0:49:47.840
<v Speaker 1>It was amazing. So yeah, that tour, bro Like, I

0:49:47.960 --> 0:49:51.840
<v Speaker 1>want to emphasize on that tour Summer Summer Okay albums

0:49:51.880 --> 0:49:54.399
<v Speaker 1>in March. I was in March. We go on tour

0:49:55.640 --> 0:49:57.480
<v Speaker 1>a little bit after that. It's going to be it's

0:49:57.520 --> 0:50:00.160
<v Speaker 1>gonna be crazy, man. And I think this is going

0:50:00.239 --> 0:50:02.359
<v Speaker 1>to be big because we are going to bring out

0:50:03.000 --> 0:50:05.279
<v Speaker 1>some of the folks from out here as well, you

0:50:05.320 --> 0:50:06.439
<v Speaker 1>know what I mean. I don't want to I don't

0:50:06.440 --> 0:50:09.040
<v Speaker 1>want to give too many names out, but some of

0:50:09.080 --> 0:50:11.319
<v Speaker 1>the upcoming rappers out here, we're going to bring them out,

0:50:11.440 --> 0:50:13.200
<v Speaker 1>you know what I'm saying. Because me and Little Gee,

0:50:13.200 --> 0:50:15.399
<v Speaker 1>we we're not hating on anybody, you know what I'm saying.

0:50:15.880 --> 0:50:18.040
<v Speaker 1>We just quiet, bro. We just like to chill and

0:50:18.160 --> 0:50:19.560
<v Speaker 1>just be in the house and you know what I mean,

0:50:19.680 --> 0:50:21.480
<v Speaker 1>and we come out when it's time to come out.

0:50:22.080 --> 0:50:25.960
<v Speaker 1>But you know, I'm really proud of what's going on

0:50:26.160 --> 0:50:28.279
<v Speaker 1>right now. So you'll see some of the rappers that

0:50:28.320 --> 0:50:31.319
<v Speaker 1>are coming up right now in La on this tour

0:50:31.360 --> 0:50:32.879
<v Speaker 1>as well. Fire you know what I mean.

0:50:33.000 --> 0:50:35.480
<v Speaker 2>Well, listen, man, I appreciate you pulling up. Oh yeah,

0:50:36.160 --> 0:50:38.160
<v Speaker 2>drummer boy. Now I'm coming out in March. We don't

0:50:38.160 --> 0:50:38.920
<v Speaker 2>know the name yet, you.

0:50:38.920 --> 0:50:41.880
<v Speaker 1>Don't know Do we know the date in March? You don't? Seventeen?

0:50:41.960 --> 0:50:45.279
<v Speaker 2>Yeah, I do seventeen. You got seventeen Saint Patrick's Day.

0:50:45.960 --> 0:50:49.680
<v Speaker 2>Maybe that's definitely Saint Patrick's Day. As a white I

0:50:49.680 --> 0:50:52.960
<v Speaker 2>should know that, right, I have a little bit of Irish. Yeah,

0:50:53.000 --> 0:50:54.200
<v Speaker 2>I feel like I feel.

0:50:53.960 --> 0:50:57.080
<v Speaker 1>Like you seem unsure. Is it the seventeens or not? Yeah?

0:50:57.160 --> 0:51:01.200
<v Speaker 1>March seventeenth is St. St Patty's Day? All right? Wear green? Right? Yeah,

0:51:01.239 --> 0:51:01.759
<v Speaker 1>you're supposed to.

0:51:02.040 --> 0:51:04.080
<v Speaker 2>All right, everybody, you're supposed to if you're a fucking

0:51:05.000 --> 0:51:07.520
<v Speaker 2>dueb and you want to drink some Dennis at a bar.

0:51:07.480 --> 0:51:10.600
<v Speaker 1>With a bunch of strangers. But all right, man, nah, man,

0:51:10.640 --> 0:51:12.520
<v Speaker 1>it's supposed you mean being here and ship you know

0:51:12.520 --> 0:51:14.439
<v Speaker 1>what I'm saying. Of course, man, I appreciate you pulling

0:51:14.520 --> 0:51:17.080
<v Speaker 1>up alright, drummer boy, your shirt boom