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Speaker 1: You know, I gotta choose that side.

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Speaker 2: Why that man in the ground, he got kids out

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Speaker 2: going up without a bag, how to follok, I ain't

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Speaker 2: got no beef for y'all.

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Speaker 1: Gotta nobody as little or whatever.

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Speaker 2: I ain't saying he did it. I ain't saying that

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Speaker 2: whoever did whatever that did, but for me to be

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Speaker 2: through them that this man was hating.

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Speaker 1: You know, it got him off every robbery all my life.

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Speaker 3: But you can't choose it. Sometimes it ain't no choosing that.

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Speaker 3: I ain't saying it ain't no beef. Now when you

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Speaker 3: choose size and this homes smoke, go with that if

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Speaker 3: your key Glock, because I want to address the internet

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Speaker 3: and everyone's saying, though, yo, we don't see Keith Clock

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Speaker 3: embracing the Rialo movement as it pertains the dog. I

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Speaker 3: don't think there's no disrespect, but Keith Glock is on

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Speaker 3: the other side of this.

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Speaker 4: Well, it ain't just no music and it ain't just

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Speaker 4: no free nothing.

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Speaker 3: It's really smoke behind this or In a monumental time

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Speaker 3: in American history where former President Donald Trump underwent an

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Speaker 3: assassination attempt where they attempted to put his melon right

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Speaker 3: there on live television. You don't send a bullet at

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Speaker 3: yourself at eighty years old. You don't stayed some sort

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Speaker 3: of gunshot. You're away at eighty years old. In particular,

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Speaker 3: if you're Donald Trump, you're already a billionaire. But when

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Speaker 3: he got back up, he made sure to got let

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Speaker 3: them folks, get a clip picture of me.

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Speaker 4: Here you talking about letting them folks?

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Speaker 3: Yeah, I said, boy, Trump cloud chasing even when the

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Speaker 3: bullets flying.

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Speaker 4: Damn Donald Trump.

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Speaker 3: Not only is he cloud chasing, Donald Trump trying to

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Speaker 3: steal the black power signal.

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Speaker 4: Now Trump, black folks, But you can't run out with

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Speaker 4: the well, you can't run out.

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Speaker 3: With the black power symbol now far as I know, Man,

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Speaker 3: this here belong to black folks.

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Speaker 4: Trump.

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Speaker 3: Before we get to the list, because we'll deal with

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Speaker 3: that a little bit. In the middle of this conversation,

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Speaker 3: I want to deal with Elliott Wilson and Charlemagne, and

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Speaker 3: I want to kind of take you guys back as

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Speaker 3: to where this started and kind of where it took

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Speaker 3: a turn. Elliot Wilson and Charlemagne's situation kind of took

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Speaker 3: a turn.

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Speaker 4: Elliot Wilson was a little.

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Speaker 3: Bit more forthcoming and vocal about how we felt about

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Speaker 3: Charlemagne after I went on brilliant idiots. What this really

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Speaker 3: is is they're seeing what you're doing and they're saying

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Speaker 3: it takes no skill.

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Speaker 4: I can easily do that.

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Speaker 3: They're so seduced with what they think it takes you

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Speaker 3: to get the job done.

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Speaker 4: Someone like Big Act.

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Speaker 3: Then you have a big Elliott that'll come up, or

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Speaker 3: you may have a big twenty two that pop up

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Speaker 3: because they're looking at Act doing and say, what is

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Speaker 3: that all it takes?

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Speaker 5: Not trying to be the fifty year old person still

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Speaker 5: complaining about not being on lists, beefing with screamers, doing

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Speaker 5: goofy shit, you know, starting you know, online with rappers,

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Speaker 5: just to keep my name relevant.

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Speaker 4: No, but you will see some of these guys.

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Speaker 3: Right, They'll be so seduced by your success they'll turn

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Speaker 3: into you from lines trades and right yo yo yo,

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Speaker 3: welcome to us up there podcast. I am you know

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Speaker 3: the vibes man beg known you know, man, it's been

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Speaker 3: a while since we've seen each other. I want to

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Speaker 3: welcome everyone back into my world. We got so much

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Speaker 3: to talk about, and I won't never leave you guys again.

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Speaker 4: Man.

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Speaker 3: I just want to put that out there to start

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Speaker 3: the show. Thank you so much. Everybody's tapped in with me.

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Speaker 3: We made sure we was in the right positions, in

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Speaker 3: the right place, and we are now back on goal.

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Speaker 3: So shout out to everybody. Man, if you know, if

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Speaker 3: you know me, you know what you know. I gotta

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Speaker 3: get to be in this out of the way. Come

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Speaker 3: to patreon dot com. It's up there podcast. The ViBe's

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Speaker 3: extremely high behind the paywall. This is where you really

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Speaker 3: support me. And for those of you that's desolute to y'all,

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Speaker 3: I got something in store right now if you want

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Speaker 3: to be involved with my next live event with doctor Umar,

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Speaker 3: We're gonna have a live audience that we're only gonna

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Speaker 3: have fifty people that's allowed in the building, and we

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Speaker 3: got some other guests after him.

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Speaker 4: We're gonna let We're gonna.

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Speaker 3: Allow fifty people to attend and be a live audience

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Speaker 3: for some of those recordings. I think it's a monumental

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Speaker 3: time and content creation, and we got so much to

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Speaker 3: talk about today. So welcome everyone. Make yourself at home,

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Speaker 3: make sure that you're somewhat sitting down. Get you you

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Speaker 3: will blunt, get you something to drink, and let's go

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Speaker 3: on this out of your adventure man, and see what

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Speaker 3: the culture has to offer for us today. I want

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Speaker 3: to start in a very particular place for looming It's

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Speaker 3: Up that podcast, those that listen to me, I want

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Speaker 3: to be clear about my stance, and we'll get into

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Speaker 3: the complex media list later. I wasn't gonna talk about it,

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Speaker 3: but I see Charlemagne as passionate about it, so it

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Speaker 3: allows me a runway to kind of add my thoughts

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Speaker 3: to what it is that I see happening. When I'm

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Speaker 3: not mentioning these things, I need for my fans to

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Speaker 3: know that this is a very intentional attempt to inquire

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Speaker 3: about my emotional stability, because if we're being honest about

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Speaker 3: things in which I consider myself to be one of

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Speaker 3: the more honest people behind a microphone, and we'll both

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Speaker 3: know that we'll arrive at the same point that It's

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Speaker 3: Up that podcast is leader of the new school, regardless

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Speaker 3: of what complex and that think tink of people come

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Speaker 3: up with. I want to assure you guys that we

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Speaker 3: are on the cutting edge of what culture is was

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Speaker 3: and what culture will become. And I want to say

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Speaker 3: that and Stan firm on that we're not emotional about

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Speaker 3: not being on the list by a bunch of people

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Speaker 3: we can't really identify their position in the culture. So

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Speaker 3: I mean we don't feel away, but we will talk

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Speaker 3: about it. We have a podcast, and we're here to

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Speaker 3: entertain our fans and have these kind of conversations. Right,

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Speaker 3: But where I'm gonna start today kind of also strays

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Speaker 3: me away from some of these hip hop media lists

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Speaker 3: and these rap lists because you if you know me,

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Speaker 3: you know you come here for the game.

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Speaker 4: Right.

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Speaker 3: We'll get into some of the books it. We'll talk

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Speaker 3: about the culture as well. But everything we do got

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Speaker 3: game on it. You know how some places you go,

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Speaker 3: anywhere you go, you know how some places you go

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Speaker 3: you can put taking on any kind of sound with.

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Speaker 3: I don't give what topic I'm talking about, it got

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Speaker 3: game on it. I'm putting game on it. You dig

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Speaker 3: what I'm saying. So sometimes I might go two months

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Speaker 3: and pull out of music and talk about society, like

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Speaker 3: now today we started Trump at Trump's assassination and everything

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Speaker 3: surrounding that. That's the furthest thing from music. But these

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Speaker 3: people that make these lists are the furthest thing from

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Speaker 3: tapped in.

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Speaker 4: That are opposite are tapped in.

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Speaker 3: I used to feel away when my name didn't come

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Speaker 3: up in these conversations when I but until I knew

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Speaker 3: that these conversations were only being had by people.

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Speaker 4: Who ain't in the conversations.

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Speaker 3: With all due respect to some of the camaraderie that

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Speaker 3: you see amongst content creators and music people, in execs

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Speaker 3: and this entire game, I want to be loud at

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Speaker 3: the top of the mountain and the real ones tap

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Speaker 3: in with me. The real ones tap in with me.

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Speaker 3: I'm backstage at all the big concerts. I'm instrumental in

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Speaker 3: decision making in regards to what the people want to

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Speaker 3: know and how they gonna feel. And some of the

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Speaker 3: game is being gay to some of these individuals. But

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Speaker 3: we're going to start today at the Trump assassination. I

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Speaker 3: want to spend some time speaking about that. For those

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Speaker 3: of you who do not know, we are in a

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Speaker 3: monumental time in American history where former President Donald Trump

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Speaker 3: underwent an assassination attempt where they attempted to put his

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Speaker 3: melon right there on live television. Well a couple of

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Speaker 3: weeks removed from this assassination attempt, and you've been able

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Speaker 3: to get a little bit more information. You've saw several

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Speaker 3: angles as it pertains to the camera footage, and you've

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Speaker 3: heard several stories. As it pertains to me, I'm not

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Speaker 3: dealing with all facts. I'm here to have a conversation

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Speaker 3: and deal with my audience, and that's kind of just

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Speaker 3: shift through some of these things. I want to take

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Speaker 3: a look at this video that kind of outlines what

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Speaker 3: happened to Trump, and we'll come back with some game.

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Speaker 4: Pay attention if you want to something like take a

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Speaker 4: look at what happened a couple of things.

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Speaker 3: I I want to say, if you're watching this on

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Speaker 3: screen right, it's a very dangerous time when you have

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Speaker 3: these secret service guys that has now took center stage

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Speaker 3: with rifles. Because one wrong moving they start shooting, one

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Speaker 3: wrong moving, they start shooting.

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Speaker 4: Another thing that kind of is interesting for me.

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Speaker 3: Is that nobody runs, and I can sit back and

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Speaker 3: try the gifts and try to contribute that somewhat to

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Speaker 3: social media and people taking film and not really believe

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Speaker 3: in They kind of shocked that they can't believe that

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Speaker 3: this is happening, that this is a real thing. Usually

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Speaker 3: when a gun is drawn and bullets are flying, people

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Speaker 3: are stampeding that entire rally of people, tens of thousands

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Speaker 3: of people stayed. Still, that's a very interesting thing for me.

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Speaker 3: Pay attention.

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Speaker 4: Happened to our country, probably twenty million people.

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Speaker 6: And you know that's a little bit old, that jarge

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Speaker 6: that shorts a couple of months old.

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Speaker 5: And if you want to really see something that said,

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Speaker 5: take a.

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Speaker 4: Look at what happened.

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Speaker 5: If you want to really see something that said, take

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Speaker 5: a look at what happened.

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Speaker 7: We got you want shut you want shuts?

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Speaker 5: Look appointed, gecific Yeah, someone's on top of the roof.

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Speaker 4: Look, Gary is right there, right there. I see him.

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Speaker 4: He's laying down.

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Speaker 5: See them.

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Speaker 4: Yeah, he's laying down and setting what's happening. And because

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Speaker 4: we we're gonna make the mound, We're gonna make you

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Speaker 4: look there is.

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Speaker 6: Because we have millions and his office are people.

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Speaker 1: In our country that shouldn't do He had dangerous people.

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Speaker 4: We have pre We.

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Speaker 6: We have people that the words.

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Speaker 1: Yeah, and you know that.

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Speaker 5: Standing here, you're good down, shoots down, I'm the good

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Speaker 5: to move.

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Speaker 6: Man.

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Speaker 2: We thank you, rot the spare who is there?

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Speaker 4: When you're ready?

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Speaker 6: I'm you ready?

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Speaker 1: Oh? How has here?

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Speaker 2: Girdy?

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Speaker 1: Greg?

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Speaker 6: Is are you ready?

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Speaker 5: A dollar?

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Speaker 4: Hold up?

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Speaker 1: So good?

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Speaker 4: Shut down?

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Speaker 2: Shoot us down.

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Speaker 5: I'm gonna good.

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Speaker 6: You go clear, we're cleary.

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Speaker 2: We come up.

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Speaker 4: Let me get my shoe. Let me get my shoes.

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Speaker 1: So I got s Let me get my shoes.

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Speaker 4: So hold on your head, bloody, So we gotta go

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Speaker 4: to the bucks.

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Speaker 6: Let me get my Okay, so what's ou.

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Speaker 4: Look?

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Speaker 1: You're bringing Trump here, they're bringing Trump. You burn mother,

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Speaker 1: Here goes there goes Trump, There goes Trump.

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Speaker 4: You hear me?

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Speaker 1: One cop car the window was blown out due an

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Speaker 1: mother first up with shock and then I'll take off.

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Speaker 5: And now we're gonna take you, just like my friends said,

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Speaker 5: to another level.

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Speaker 1: And we are going to fight, just like you said fight.

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Speaker 5: We're gonna fight.

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Speaker 1: He is going to be elected, and we're gonna get

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Speaker 1: him there. We're gonna take him there. I'm a shame

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Speaker 1: actually of the United States and kind of where we

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Speaker 1: are right now.

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Speaker 5: I just feel like our country is that a loll

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Speaker 5: and then a low and that's your first responsible me

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Speaker 5: to try to kill somebody is pretty devastating.

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Speaker 3: When I first seen that play out on camera, I

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Speaker 3: felt like, you know, every other American feels right. I

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Speaker 3: don't want to see anyone's head blown off or assassination

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Speaker 3: attempt on anyone, whether.

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Speaker 4: They hold political office or not.

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Speaker 3: As I get older, I find myself being a little

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Speaker 3: more empathetic to certain things. Right, it was an interesting

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Speaker 3: place I was in for a second, and you know,

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Speaker 3: I jump on the xbox, jumping the and a party

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Speaker 3: with a couple of the homeboys that you know, college

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Speaker 3: football and stuff is coming out, and so as I

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Speaker 3: jump on, the conversation.

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Speaker 4: Immediately goes to, was this fake?

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Speaker 3: If you ask me a thousand percent, you don't send

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Speaker 3: a bullet at yourself at eighty years old. You don't

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Speaker 3: stayed some sort of gun shot you're away at eighty

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Speaker 3: years old. In particular, if you're Donald Trump, you're already

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Speaker 3: a billionaire. I don't see winning the presidency being on

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Speaker 3: your bucket list of things that involve you sending a

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Speaker 3: two two three bullet at you or seven six y

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Speaker 3: two or five five and whatever that was that dude shot.

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Speaker 3: I don't see that being in the cards. Again, Trump

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Speaker 3: is already a billionaire. Trump is already powerful. He's already

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Speaker 3: has people that they already can consider the deep state.

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Speaker 3: He's already established himself across judges in this country, special prosecutors.

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Speaker 3: He has people in his cabinet that now holds high

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Speaker 3: positions in other areas. So I don't see him trying

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Speaker 3: to get itself shot or stayed in some sort of

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Speaker 3: shoot me right by the ear son thing, you know,

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Speaker 3: because people online even took the conspiracy that far, like yo, man,

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Speaker 3: even he even said, yo, shoot me in the ear, like,

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Speaker 3: just make sure you don't hit my head.

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Speaker 4: I'm trusting you. It's like, what kind of movie y'all

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Speaker 4: writing around here?

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Speaker 3: Well be and that dude gonna send a two two

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Speaker 3: three bullet at his head to win the presidency. He's

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Speaker 3: all but he's all but eighty years old at this point,

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Speaker 3: well established billion, that kind of guy. It ain't that serious, beloved.

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Speaker 3: Others would like you to believe it's that serious. They

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Speaker 3: gotta show me some evidence, please, Someone provide me some

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Speaker 3: evidence of it being that serious for him to win

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Speaker 3: the presidency that he'll actually send a bullet at itself.

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Speaker 4: I think that's absurd.

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Speaker 3: So after we had that conversation, my mind gets to wondering,

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Speaker 3: and another point that I would consider that it would say, Yo,

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Speaker 3: it's no way that this is Vegas, that there was

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Speaker 3: loss of life. And while some people push back on

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Speaker 3: that and say, sacrifice is just a part of the

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Speaker 3: overall mission and it is not even tooken into account

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Speaker 3: as long as it's not one of ours. I don't

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Speaker 3: participate in that theory in particular when we speaking about

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Speaker 3: it being staged.

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Speaker 4: Now.

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Speaker 3: I do believe that loss of life is viewed differently

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Speaker 3: when you talk about the government in the same way,

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Speaker 3: if we get bombed, it's a travesty. If we bomb someone,

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Speaker 3: it's purpose behind it, and so the perspective of the

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Speaker 3: government sways depended on the objective. But seeing that an

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Speaker 3: innocent man lost his life, a couple people was hurt,

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Speaker 3: shot like literally, and they found a man with a

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Speaker 3: rifle their shot, I don't see how stage can be

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Speaker 3: on the list of things that could occur. When we

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Speaker 3: talk about this Trump fascination attempt, my mind then wonders to, well,

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Speaker 3: who's held accountable for those bodies, for those dead bodies

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Speaker 3: that appeared and kind of took that bullet that was

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Speaker 3: meant for Donald Trump. You know, I had some people

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Speaker 3: pushing back on me in the community, and they were saying, well, loon,

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Speaker 3: they're gonna sue Trump. They're gonna sue them. They're supposed

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Speaker 3: to guarantee their safety. And I want to let you

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Speaker 3: guys know that, in my opinion, this is a free rally.

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Speaker 3: And so Trump doesn't assume any kind of responsibility or

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Speaker 3: his Trump or his security doesn't assume any kind of

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Speaker 3: responsibility as it pertains to protecting you. As you've seen

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Speaker 3: when bullets started to flying, they had one person of

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Speaker 3: ventuance and it was Donald Trump, to the tune of

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Speaker 3: putting their selves in front of whatever bullet or whatever

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Speaker 3: harm that was headed that way, at least present themselves

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Speaker 3: in being placed in front of whatever harm meant for Trump.

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Speaker 3: They they don't assume any responsibility for tens of thousands

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Speaker 3: of people that come to a free rally. That's number one.

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Speaker 3: Number two, if you take a bullet at a Trump rally, first,

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Speaker 3: I do want to say because of loss of life

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Speaker 3: RP to the person. And so the person that lost

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Speaker 3: his life RP. Corey Competour. He was an ex firefighter.

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Speaker 3: In my opinion, him taking that bullet that was meant

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Speaker 3: for Trump, you instantly become a martyr. And so when

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Speaker 3: you become a martyr, I believe being attached to Trump

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Speaker 3: and you see him have some of the highest donation

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Speaker 3: water marks that we've seen. We've seen reports of millions

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Speaker 3: of dollars across a couple of days as it pertains

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Speaker 3: to incoming donation, small donations for Donald Trump, which says

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Speaker 3: to me, he has a very active contributing party. And

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Speaker 3: so when you're dealing with that, in my opinion, you

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Speaker 3: don't turn around and sue Trump, because nine times out

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Speaker 3: of ten, you're suing the government. Because if you're saying

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Speaker 3: that Trump is supposed to have you guys secured in

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Speaker 3: this location and he has the Secret Service secure in him,

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Speaker 3: you're basically filing a lawsuit on who the Secret Service,

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Speaker 3: which is what a branch of the government. So you're

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Speaker 3: sending a lawsuit up to the government about the government.

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Speaker 3: To me, that's a catch twenty two. And so I

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Speaker 3: would imagine Trump reach out to those people. I would

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Speaker 3: imagine some donations come in by the millions. For the

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Speaker 3: person that took a bullet at a Trump rally who

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Speaker 3: was an ex firefighter, I just imagine that. I just

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Speaker 3: imagine that they pour in like the amount of money

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Speaker 3: that pours in, because they can frame that so many

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Speaker 3: ways to fit so many agendas and narratives. With all

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Speaker 3: due respect for the loss of life that happened at night.

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Speaker 3: He died a martyr covering his family. You know, the

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Speaker 3: kind of heart that takes. It's not a lot of

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Speaker 3: people that'll do that. Here's something funny though, right, So

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Speaker 3: as you see Trump go down, I found it interesting.

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Speaker 3: It just I'm just on the podcast. I'm giving y'all

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Speaker 3: a few things that for me just kind of stuck out.

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Speaker 3: Right when when Trump reached out and put his head,

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Speaker 3: A couple things out. A couple things came to my

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Speaker 3: attention at this last moment before Trump was escorted off

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Speaker 3: stage after this assassination attempt.

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Speaker 4: One was when he did get back up.

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Speaker 3: Granted they did say shoot it down, but when he

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Speaker 3: got back up, he made sure to got let them

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Speaker 3: folks get a clip picture of me.

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Speaker 4: Here you telling about letting them folks?

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Speaker 3: Yeah, I said, boy, Trump cloud chasing even when the

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Speaker 3: bullets flying, man, they got Trump man, Trump gonna cloud chase.

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Speaker 4: Man. I don't get no damn what you folk talking about.

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Speaker 3: Next thing, you know, I see Trump reach his head

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Speaker 3: out and go like it right there and say fight

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Speaker 3: with no mic or nothing. He knowing people gonna see him.

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Speaker 3: So Trump cloud chasing with the bullets flying at him.

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Speaker 3: He don't want to cloud chasing middle love assassination attempt?

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Speaker 4: He done?

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Speaker 3: Yeah, he popping cloud chasing mold. Now, how you know

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Speaker 3: it ain't two or three shooters? Yeah, one shooters down?

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Speaker 3: How we don't know it's another shooter four hundred yards out.

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Speaker 3: So when he popped his head out, fight, fight, poop,

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Speaker 3: they could have popped this shit off for him. Cloud

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Speaker 3: chasing in that moment could have cost him his life.

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Speaker 3: But lucky for him and lucky for everyone watching, because

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Speaker 3: there'll have been a very gruesome scene to see something

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Speaker 3: like that. Right, Not only do we don't again don't

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Speaker 3: want to see loss of life period in that way,

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Speaker 3: but to see it happened to someone live on television

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Speaker 3: while America is watching in the middle of a campaign.

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Speaker 3: You just can't understand the gravity of it. And one

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Speaker 3: hundred years from now, they're gonna look back at this,

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Speaker 3: And this is why Trump started to cloud chase mid

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Speaker 3: assassination attempt. Now I'm conflicted because I did see him bleeding,

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Speaker 3: and I do believe something happened with his ear. But

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Speaker 3: if I know what I know about guns, wasn't no

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Speaker 3: mother something six y two bullet hit his ear?

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Speaker 4: And he just did that.

399
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Speaker 3: It would have took it half his face off. So

400
00:26:08,080 --> 00:26:11,520
Speaker 3: maybe it hit something. Maybe something happened and something cut

401
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Speaker 3: his ear. I don't know what happened, but he was cut.

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00:26:15,680 --> 00:26:19,600
Speaker 3: And we get back to America's marketing because the very

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Speaker 3: A couple of days later, Trump comes out at the

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Speaker 3: Republican Convention and accepts the nomination and he got the

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Speaker 3: big white bandage on his earl. I said, boy, they

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Speaker 3: running high level game on now. Boy ooh, they run

407
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Speaker 3: a high level game. And because of how he talk

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Speaker 3: and how he continued to moves his head long and

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Speaker 3: longer through the speech, guess what's going on? The bandage moving?

410
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Speaker 3: You know how bandage you do for you know it.

411
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Speaker 3: The wavecap ain't even on no more. You don't want

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Speaker 3: to sleep moving around the wave cap come off. That's

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00:26:56,320 --> 00:26:58,760
Speaker 3: how their bandage was doing it, moving back and back.

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Speaker 3: And so you really it's in that, say, bro, if

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Speaker 3: a bullet really hit your ear, it's your ear coming

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Speaker 3: with the bullet. If it don't take your head with it,

417
00:27:10,080 --> 00:27:12,639
Speaker 3: but least that part of your ear coming with the bullet.

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00:27:12,720 --> 00:27:16,800
Speaker 3: Right now, something happened. You can't discredit that a guy

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Speaker 3: was shooting at him and he was shot at. But

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Speaker 3: when they go to saying that a bullet hit his ear,

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Speaker 3: this is when I got to see a little bit

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00:27:24,760 --> 00:27:30,720
Speaker 3: more evident. But America's marketing kicked in. Trump wears the

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00:27:30,800 --> 00:27:33,320
Speaker 3: big white bandage on his ear. Guess what they paying

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00:27:33,359 --> 00:27:37,600
Speaker 3: to the crowd. Guess what I see? Two thousand bandages

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Speaker 3: from here, The main from Spain, the main in the

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00:27:43,119 --> 00:27:44,800
Speaker 3: crowd got bandages on their ear.

427
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Speaker 4: Guess what I said.

428
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Speaker 3: While they're supporting him, they're also validating the people like

429
00:27:51,480 --> 00:27:54,040
Speaker 3: me that says it takes nothing to put a bandage

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Speaker 3: on your ear.

431
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Speaker 4: That's how everybody can do it. See how everybody do it.

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Speaker 4: It didn't mean nothing.

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Speaker 3: All these people in the crowd ain't got none wrong

434
00:28:00,440 --> 00:28:02,680
Speaker 3: with they ere, but they got the bandage there.

435
00:28:05,560 --> 00:28:07,120
Speaker 4: I don't know if that lensed.

436
00:28:06,880 --> 00:28:11,000
Speaker 3: Credibility or validates that it takes nothing to put that

437
00:28:11,160 --> 00:28:12,080
Speaker 3: bandage on your ear.

438
00:28:12,200 --> 00:28:15,120
Speaker 4: Therefore it may not be a real injury behind the ear.

439
00:28:15,440 --> 00:28:18,040
Speaker 3: Again, I'm not the person that's pushing back saying that

440
00:28:18,200 --> 00:28:21,320
Speaker 3: someone did not try to assassinate Donald Trump. I'm in

441
00:28:21,520 --> 00:28:25,120
Speaker 3: favor of believing all of this was one hundred percent real. Again,

442
00:28:25,200 --> 00:28:28,199
Speaker 3: we got loss of life rip to the guy Cory.

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Speaker 3: His family has to deal with loss of life. So

444
00:28:31,600 --> 00:28:34,560
Speaker 3: I can't push back on the fact that bullets were flying.

445
00:28:34,720 --> 00:28:37,560
Speaker 3: This was a real situation. But in the same breath,

446
00:28:37,640 --> 00:28:41,560
Speaker 3: I can establish and also acknowledge that Donald Trump was

447
00:28:41,640 --> 00:28:45,040
Speaker 3: cloud chasing in the middle of the assassination attempt.

448
00:28:46,080 --> 00:28:48,640
Speaker 4: He pop out and he do like it. I said, damn,

449
00:28:48,760 --> 00:28:49,360
Speaker 4: Donald Trump.

450
00:28:49,720 --> 00:28:52,120
Speaker 3: Not only is he cloud chasing, Donald Trump trying to

451
00:28:52,160 --> 00:28:53,880
Speaker 3: steal the black power signal.

452
00:28:55,600 --> 00:28:58,280
Speaker 4: Now, Trump, black folks with you, but you can't run

453
00:28:58,360 --> 00:29:00,200
Speaker 4: off with the well, you can't run off with the.

454
00:29:00,240 --> 00:29:03,920
Speaker 3: Black power symbol now far as I know, man, this

455
00:29:04,080 --> 00:29:05,440
Speaker 3: here belong to black folks.

456
00:29:05,520 --> 00:29:05,800
Speaker 4: Trump.

457
00:29:07,960 --> 00:29:10,600
Speaker 3: Yeah, you use that after you got shot. Yeah, you

458
00:29:10,760 --> 00:29:13,200
Speaker 3: trying to slick Now. Now you got to holler at

459
00:29:13,320 --> 00:29:16,520
Speaker 3: us about that, homie. Yeah, you got to holler let

460
00:29:16,640 --> 00:29:19,360
Speaker 3: us about ken you barr the black power thing. That's

461
00:29:19,440 --> 00:29:22,040
Speaker 3: the black power thing. It ain't the fight fight thing.

462
00:29:22,560 --> 00:29:24,600
Speaker 3: That's the black power thing, homie.

463
00:29:25,480 --> 00:29:25,640
Speaker 4: Yeah.

464
00:29:25,720 --> 00:29:29,800
Speaker 3: Yeah, I'm glad Trump actually didn't get hit. You know again,

465
00:29:29,880 --> 00:29:33,800
Speaker 3: at as I get older, man, loss of life, it's

466
00:29:33,840 --> 00:29:35,920
Speaker 3: starting to affect me more, you know, And as I

467
00:29:36,040 --> 00:29:38,840
Speaker 3: get away from that environment that had me so high

468
00:29:38,960 --> 00:29:42,480
Speaker 3: strong on survival. I just started to be more empathetic,

469
00:29:43,000 --> 00:29:45,560
Speaker 3: start to have feelings. I'm growing to have feelings now.

470
00:29:46,240 --> 00:29:49,600
Speaker 3: I've lost enough to be able to establish the feeling

471
00:29:49,680 --> 00:29:53,920
Speaker 3: of losing. And I don't want anyone to have to

472
00:29:54,000 --> 00:29:57,200
Speaker 3: feel that. We'll get off Trump here as soon as

473
00:29:57,240 --> 00:29:59,840
Speaker 3: I spent a lot. This is not a political podcast, right,

474
00:30:00,120 --> 00:30:02,560
Speaker 3: but we get to the game. Here's what the last

475
00:30:02,640 --> 00:30:07,320
Speaker 3: point at in closing about Donald Trump. I was watching

476
00:30:07,440 --> 00:30:11,520
Speaker 3: up another rally with Donald Trump basically told them, folks, look,

477
00:30:11,560 --> 00:30:12,640
Speaker 3: I'm trying to buy your vote.

478
00:30:12,640 --> 00:30:14,000
Speaker 4: I ain't gonna lie to you about that.

479
00:30:14,200 --> 00:30:18,880
Speaker 3: And for me, that kind of honesty, while could be radioactive,

480
00:30:18,960 --> 00:30:20,240
Speaker 3: for me, does hold.

481
00:30:20,120 --> 00:30:20,920
Speaker 4: Some sort of weight.

482
00:30:21,720 --> 00:30:24,640
Speaker 3: I'll be honest with Donald Trump, being someone that has

483
00:30:24,760 --> 00:30:29,000
Speaker 3: been in an assassination attempt, been indicted, already had a

484
00:30:29,200 --> 00:30:31,760
Speaker 3: very strong base. I find it hard to believe that

485
00:30:31,880 --> 00:30:35,960
Speaker 3: anyone can beat Donald Trump this election season. I'll say that.

486
00:30:36,480 --> 00:30:40,040
Speaker 3: But here's the interesting part that I think is for

487
00:30:40,240 --> 00:30:44,520
Speaker 3: me worth writing home about. After Trumps situation, I thought

488
00:30:44,600 --> 00:30:50,240
Speaker 3: that Joe Biden would back out of the election. For

489
00:30:50,360 --> 00:30:53,600
Speaker 3: those of you in the community, in particular on the

490
00:30:53,680 --> 00:30:57,800
Speaker 3: parties with me, I came on there, and I say,

491
00:30:57,880 --> 00:31:00,480
Speaker 3: you know what I think gonna happen is they're gonna

492
00:31:00,480 --> 00:31:02,680
Speaker 3: say he's sick, and then he's gonna focus on his health.

493
00:31:04,400 --> 00:31:06,880
Speaker 3: Shortly after that, Joe Biden, for those of you do

494
00:31:07,080 --> 00:31:09,880
Speaker 3: not know, you must be living under rock. Joe Biden

495
00:31:09,880 --> 00:31:14,320
Speaker 3: has announced that he is bagging out of running for

496
00:31:14,520 --> 00:31:19,960
Speaker 3: president in this new election of twenty twenty four and

497
00:31:20,080 --> 00:31:23,480
Speaker 3: came at no surprise. What I do find interesting is

498
00:31:23,600 --> 00:31:26,080
Speaker 3: that he cites that he has COVID. At this time,

499
00:31:26,320 --> 00:31:29,480
Speaker 3: he was just with a media personality from the culture, Speedy,

500
00:31:29,960 --> 00:31:33,400
Speaker 3: who didn't test positive for COVID, and they were extremely

501
00:31:33,480 --> 00:31:36,680
Speaker 3: close with each other. Maybe COVID's not airborn anymore. But

502
00:31:36,840 --> 00:31:38,800
Speaker 3: in my opinion, what you have is you have Joe

503
00:31:38,880 --> 00:31:41,560
Speaker 3: Biden getting out the way of what they a political

504
00:31:41,680 --> 00:31:46,400
Speaker 3: freight trade. You have Trump coming with momentum that has

505
00:31:46,560 --> 00:31:50,560
Speaker 3: not been seen or felt in quite some time. And

506
00:31:50,680 --> 00:31:52,640
Speaker 3: what we're dealing with is they're gonna try to throw

507
00:31:52,680 --> 00:31:57,440
Speaker 3: the black woman in front of it. They're gonna try

508
00:31:57,480 --> 00:31:59,800
Speaker 3: to rally black people the black woman to hip hop,

509
00:32:00,040 --> 00:32:02,120
Speaker 3: hold you behind Kamala Harris, and.

510
00:32:02,200 --> 00:32:03,640
Speaker 4: Throw her in front of a train.

511
00:32:03,760 --> 00:32:07,160
Speaker 3: That is almost in this point of time impossible for

512
00:32:07,280 --> 00:32:09,600
Speaker 3: her to beat. If you ask me, she does not

513
00:32:09,840 --> 00:32:13,680
Speaker 3: have the runway or the campaign in time to solidify

514
00:32:13,840 --> 00:32:17,680
Speaker 3: herself as a candidate, although she's held office in the

515
00:32:17,800 --> 00:32:21,040
Speaker 3: vice presidency spot, as we know that as a formula

516
00:32:21,160 --> 00:32:24,800
Speaker 3: to make this pie and all of a sudden, we

517
00:32:24,880 --> 00:32:27,760
Speaker 3: gon't ignore that and act like she has a real shot.

518
00:32:27,840 --> 00:32:31,000
Speaker 3: But I believe that's setting her up to be embarrassed.

519
00:32:31,640 --> 00:32:33,840
Speaker 3: And I say this with a heavy heart because I

520
00:32:33,960 --> 00:32:37,880
Speaker 3: got because I have a black mother, and some people

521
00:32:37,920 --> 00:32:40,360
Speaker 3: say she doesn't identify as black, But I have a

522
00:32:40,440 --> 00:32:43,400
Speaker 3: black mother, I have Black women that I truly care about,

523
00:32:44,600 --> 00:32:46,720
Speaker 3: and I believe that there's some of the most brilliant

524
00:32:46,800 --> 00:32:52,600
Speaker 3: people and they raise me. So the respect I have

525
00:32:52,800 --> 00:32:55,720
Speaker 3: for black women is not gonna stop because I have

526
00:32:55,960 --> 00:32:59,440
Speaker 3: criticism of a scenario that a black woman finds herself in.

527
00:33:00,000 --> 00:33:02,080
Speaker 3: If you ask me, I believe them to be throwing

528
00:33:02,160 --> 00:33:05,280
Speaker 3: her in front of Trump. So in fifty years, they

529
00:33:05,360 --> 00:33:09,640
Speaker 3: look back at the numbers, the underwhelming turnout for the

530
00:33:09,800 --> 00:33:13,720
Speaker 3: black woman, and they turn their nose up at it.

531
00:33:13,800 --> 00:33:16,680
Speaker 3: If I was Kamala Harris, I respectfully decline to run

532
00:33:16,760 --> 00:33:20,160
Speaker 3: for presidency as we don't have the time to give

533
00:33:20,240 --> 00:33:22,480
Speaker 3: me a fair shot as a black woman. And I'm

534
00:33:22,520 --> 00:33:25,120
Speaker 3: not only doing this for America in twenty twenty four.

535
00:33:25,160 --> 00:33:28,440
Speaker 3: I'm doing this for my race. I represent more than

536
00:33:28,600 --> 00:33:31,640
Speaker 3: just me in this moment. I represent us for a lifetime.

537
00:33:31,920 --> 00:33:34,400
Speaker 3: I gotta think about y'all gonna throw me the black

538
00:33:34,520 --> 00:33:37,600
Speaker 3: woman that has no time. I got ninety day's to

539
00:33:37,800 --> 00:33:41,320
Speaker 3: run for presidency. Now on the flip side, you do

540
00:33:41,560 --> 00:33:45,560
Speaker 3: got Trump who has campaign and catered this whole style

541
00:33:45,720 --> 00:33:48,480
Speaker 3: and rhetoric to Joe Biden. It now has to switch

542
00:33:48,600 --> 00:33:51,960
Speaker 3: to Kamala Harris. But if you ask me, you have

543
00:33:52,120 --> 00:33:54,520
Speaker 3: to shake hands and kiss babies. You gotta make yourself

544
00:33:54,560 --> 00:33:57,440
Speaker 3: available either. They gonna work this young lady to death

545
00:33:58,160 --> 00:34:00,360
Speaker 3: for her to even make a den in the votes.

546
00:34:01,560 --> 00:34:04,280
Speaker 3: This is how you know they're counting on default votes.

547
00:34:04,600 --> 00:34:07,040
Speaker 3: They counting on them to just pass the vote down.

548
00:34:07,320 --> 00:34:10,239
Speaker 3: You gotta go higher, let the people. You gotta be instrumental.

549
00:34:10,440 --> 00:34:12,760
Speaker 3: But they gonna try to use hip hopping black folks

550
00:34:12,800 --> 00:34:15,360
Speaker 3: and not like us. This is what they're gonna do.

551
00:34:16,800 --> 00:34:19,879
Speaker 3: But in the end, if you ask me, ultimately they're

552
00:34:19,880 --> 00:34:23,319
Speaker 3: gonna set Kamala Harris up. And I could be wrong.

553
00:34:23,400 --> 00:34:25,759
Speaker 3: Hopefully I am, but I truly believe that if the

554
00:34:25,840 --> 00:34:31,320
Speaker 3: turnout is underwhelming, it causes a black eye for black

555
00:34:31,840 --> 00:34:35,480
Speaker 3: women in particular running for president in the future, and

556
00:34:35,560 --> 00:34:38,040
Speaker 3: so I think she needs to she needs to be

557
00:34:38,160 --> 00:34:43,040
Speaker 3: cautious that she approaches this elit. Wilson and Charlemagne's beef.

558
00:34:43,160 --> 00:34:47,839
Speaker 3: Let's speak about that and also will throw the Complex list.

559
00:34:48,719 --> 00:34:53,000
Speaker 3: Will throw the Complex List in this conversation as well. Again,

560
00:34:53,120 --> 00:34:56,040
Speaker 3: I wasn't gonna speak about it. In my opinion, has

561
00:34:56,120 --> 00:35:00,360
Speaker 3: no validity. It's a very underwhelming approach to or the

562
00:35:00,480 --> 00:35:07,920
Speaker 3: list feel feels, feels motivated for all the wrong reasons.

563
00:35:08,000 --> 00:35:10,320
Speaker 3: And the reason I don't want to point out some

564
00:35:10,440 --> 00:35:12,520
Speaker 3: of the obvious things is because when you're not on

565
00:35:12,640 --> 00:35:14,480
Speaker 3: the list, they feel like when you speak on it,

566
00:35:14,560 --> 00:35:15,359
Speaker 3: you crash out.

567
00:35:15,440 --> 00:35:18,399
Speaker 4: So I want to stay away from crashing out.

568
00:35:18,440 --> 00:35:21,200
Speaker 3: I'm more valuable to the culture when I articulate my

569
00:35:21,360 --> 00:35:25,000
Speaker 3: ideas and I keep myself in a safe space, right,

570
00:35:25,120 --> 00:35:26,440
Speaker 3: So let's try to do that.

571
00:35:26,640 --> 00:35:30,319
Speaker 4: But let's deal with a couple of these things at

572
00:35:30,360 --> 00:35:31,160
Speaker 4: the same time.

573
00:35:33,280 --> 00:35:35,040
Speaker 3: For all the people out there that's listening to this

574
00:35:35,280 --> 00:35:38,399
Speaker 3: just not familiar with what I'm speaking about. Complex has

575
00:35:38,480 --> 00:35:41,799
Speaker 3: a list in which they do top twenty five hip

576
00:35:41,880 --> 00:35:48,359
Speaker 3: hop media power rankings. You heard my name come up

577
00:35:48,440 --> 00:35:50,759
Speaker 3: last year with Charlemagne saying that I should have been

578
00:35:50,800 --> 00:35:55,479
Speaker 3: on the list. We didn't make the list this year either. Again,

579
00:35:55,520 --> 00:35:58,239
Speaker 3: it's intentional that we don't make the list because with

580
00:35:58,440 --> 00:36:02,120
Speaker 3: threats to the power structure. We deal with music, society

581
00:36:02,200 --> 00:36:04,200
Speaker 3: and culture, but we deal with it in a way

582
00:36:04,640 --> 00:36:08,800
Speaker 3: that's not funny bunny, and it's not cookie cutter, and

583
00:36:08,960 --> 00:36:12,560
Speaker 3: so it's unfiltered opinions and it's led by the coltre

584
00:36:12,560 --> 00:36:15,759
Speaker 3: in real time. And so when you're not in control,

585
00:36:17,880 --> 00:36:21,640
Speaker 3: you're out of control. If you ask these people before

586
00:36:21,680 --> 00:36:23,640
Speaker 3: we get to the list, because we'll deal with that

587
00:36:23,760 --> 00:36:26,560
Speaker 3: a little bit. In the middle of this conversation, I

588
00:36:26,640 --> 00:36:28,920
Speaker 3: want to deal with Elliott Wilson and Charlemagne, and I

589
00:36:29,000 --> 00:36:31,040
Speaker 3: want to kind of take you guys back as to

590
00:36:31,160 --> 00:36:35,040
Speaker 3: where this started and kind of where it took a turn.

591
00:36:36,000 --> 00:36:40,160
Speaker 4: Elliott Wilson is someone that I ran into before.

592
00:36:41,080 --> 00:36:43,759
Speaker 3: We have videos where Elliott Wilson is telling people that

593
00:36:43,960 --> 00:36:47,520
Speaker 3: Loon is the future of content and podcasts, and I

594
00:36:47,560 --> 00:36:49,760
Speaker 3: couldn't tell that when if I look at his page,

595
00:36:50,120 --> 00:36:51,279
Speaker 3: we're not covered over there.

596
00:36:51,400 --> 00:36:53,879
Speaker 4: So interesting that you see these guys.

597
00:36:53,960 --> 00:36:58,160
Speaker 3: They say these things, but you don't see this resonate

598
00:36:58,520 --> 00:37:02,560
Speaker 3: in their real lives. I guess, I guess this is

599
00:37:02,600 --> 00:37:05,520
Speaker 3: what they mean when they say gate keep. We'll set

600
00:37:05,560 --> 00:37:09,680
Speaker 3: that to the side. Loan doesn't say things when I

601
00:37:09,760 --> 00:37:11,839
Speaker 3: see you just because I see you, And that goes

602
00:37:11,920 --> 00:37:15,759
Speaker 3: for nobody. I mean, that goes for anybody, from the

603
00:37:15,800 --> 00:37:19,799
Speaker 3: biggest artists to the smallest artists, from the biggest ball

604
00:37:19,880 --> 00:37:22,200
Speaker 3: player to the smallest ball player. I don't come and

605
00:37:22,280 --> 00:37:24,160
Speaker 3: shake your hand and say I fuck with you. If

606
00:37:24,200 --> 00:37:26,520
Speaker 3: I don't fuck with you, I'll sit over here in

607
00:37:26,600 --> 00:37:28,840
Speaker 3: my little corner and do my little own thing like

608
00:37:28,960 --> 00:37:31,360
Speaker 3: I ain't tripping. I ain't got to be in your pictures,

609
00:37:31,840 --> 00:37:33,680
Speaker 3: I ain't got to be a part of your vibration.

610
00:37:33,880 --> 00:37:37,279
Speaker 3: I'll just be over here and the cut. You also

611
00:37:37,400 --> 00:37:39,640
Speaker 3: gotta remember, I'm coming out the street, so I don't

612
00:37:39,680 --> 00:37:42,200
Speaker 3: have no whole bunch of leadway for no whole bunch

613
00:37:42,239 --> 00:37:45,600
Speaker 3: of niggas, no way. I'm somewhat trying to really catch

614
00:37:45,719 --> 00:37:48,279
Speaker 3: my cutting. I seem like I'm entire social, but I'm

615
00:37:48,360 --> 00:37:51,279
Speaker 3: really jokative. I'm taught. I like to give game and

616
00:37:52,040 --> 00:37:53,960
Speaker 3: be the center of the I like to be the

617
00:37:54,040 --> 00:37:56,319
Speaker 3: life for the party, but I can't be the life

618
00:37:56,360 --> 00:37:58,000
Speaker 3: for the party when I don't know if it's a

619
00:37:58,080 --> 00:37:58,640
Speaker 3: part or not.

620
00:38:00,040 --> 00:38:02,319
Speaker 4: Just because they playing music and drinking don't mean it's

621
00:38:02,360 --> 00:38:02,680
Speaker 4: a part.

622
00:38:02,760 --> 00:38:05,600
Speaker 3: I've seen things happen in spots where niggas was drinking

623
00:38:05,680 --> 00:38:10,480
Speaker 3: and got music gone that nigga wasn't nobody celebrating afterwards.

624
00:38:11,920 --> 00:38:14,160
Speaker 3: So you gotta think that when I see people and

625
00:38:14,280 --> 00:38:16,360
Speaker 3: they say things, I take those things.

626
00:38:16,440 --> 00:38:20,400
Speaker 4: That's face value. We all men, So whatever.

627
00:38:21,360 --> 00:38:23,440
Speaker 3: I have no issue with Elliott Wilson, but I do

628
00:38:23,560 --> 00:38:26,640
Speaker 3: want to address the elephant in the room. Elliott Wilson

629
00:38:27,320 --> 00:38:31,560
Speaker 3: and Charlemagne's situation kind of took a turn. Elliot Wilson

630
00:38:31,680 --> 00:38:36,400
Speaker 3: was a little bit more forthcoming and vocal about how

631
00:38:36,520 --> 00:38:41,200
Speaker 3: we felt about Charlemagne. After I went on Brilliant Idiots,

632
00:38:43,440 --> 00:38:46,080
Speaker 3: see I take you guys down memory lane for people

633
00:38:46,120 --> 00:38:50,840
Speaker 3: who are new here. When I first got involved with

634
00:38:51,200 --> 00:38:54,000
Speaker 3: the podcast deal with Charlemagne, I went and done the

635
00:38:54,080 --> 00:38:57,880
Speaker 3: Brilliant Idiots clearly. In Problem Too, we had a conversation

636
00:38:58,040 --> 00:39:01,800
Speaker 3: about academics in my opinion, and I was depositing some

637
00:39:02,080 --> 00:39:03,800
Speaker 3: more gas into the game.

638
00:39:04,320 --> 00:39:06,200
Speaker 4: I was adding to the algorithm.

639
00:39:06,280 --> 00:39:09,400
Speaker 3: I was pointing out things that I thought held value

640
00:39:09,840 --> 00:39:12,800
Speaker 3: that I now can revaluate some of those things and

641
00:39:12,920 --> 00:39:18,040
Speaker 3: try to see exactly how those things turned out. But

642
00:39:18,200 --> 00:39:20,880
Speaker 3: in that moment, afterwards, me and Charlemagne did like a

643
00:39:20,960 --> 00:39:22,400
Speaker 3: three and a half hour interview.

644
00:39:23,880 --> 00:39:25,520
Speaker 4: It did great. If you haven't go.

645
00:39:25,719 --> 00:39:28,600
Speaker 3: Check that out, it's up that podcast Black Effect Network,

646
00:39:28,640 --> 00:39:29,480
Speaker 3: it's out right now.

647
00:39:33,160 --> 00:39:35,759
Speaker 4: And then you had Elliot Wilson go holler at Academics.

648
00:39:35,800 --> 00:39:38,439
Speaker 3: If you remember, right in this time, Academics had came

649
00:39:38,520 --> 00:39:42,120
Speaker 3: out and tried to frame it like Charlemagne got on

650
00:39:42,239 --> 00:39:46,279
Speaker 3: my podcast but he didn't get on Academics podcasts, and

651
00:39:46,400 --> 00:39:49,440
Speaker 3: Academics was having an issue about that, and he was saying, yo,

652
00:39:49,640 --> 00:39:52,759
Speaker 3: Charlemagne when he got on this due podcast and I've

653
00:39:52,800 --> 00:39:54,880
Speaker 3: asked him to get on, And so shortly after he

654
00:39:54,960 --> 00:39:59,439
Speaker 3: had Elliott Wilson. And what did Eliot Wilson say, Well,

655
00:39:59,520 --> 00:40:03,719
Speaker 3: I don't like Cowid uses cod sign, he doesn't use

656
00:40:03,800 --> 00:40:08,279
Speaker 3: it in the right way. Now, I could have took

657
00:40:08,400 --> 00:40:11,920
Speaker 3: that and responded to it then and said some things

658
00:40:11,960 --> 00:40:15,360
Speaker 3: that maybe would have been unfavorable. But if you notice

659
00:40:15,920 --> 00:40:19,120
Speaker 3: all the fire I've went through amongst that time, and

660
00:40:19,239 --> 00:40:21,560
Speaker 3: some of the reactions from a lot of the dick

661
00:40:21,719 --> 00:40:23,160
Speaker 3: suckers of Academics.

662
00:40:25,719 --> 00:40:31,560
Speaker 4: I never responded to him. I'm a million percent sure that.

663
00:40:33,160 --> 00:40:35,640
Speaker 3: If I wanted to make a phone call the academics,

664
00:40:35,680 --> 00:40:37,040
Speaker 3: that phone call can be made.

665
00:40:37,120 --> 00:40:38,400
Speaker 4: I'm a million percent.

666
00:40:38,239 --> 00:40:41,880
Speaker 3: Sure that my issue with Academics is how he was

667
00:40:41,960 --> 00:40:45,640
Speaker 3: handling the CBF dot W and how he was handling

668
00:40:45,719 --> 00:40:47,840
Speaker 3: some of the culture, some of the things that he

669
00:40:48,000 --> 00:40:52,719
Speaker 3: was adding to in particular, like with the Takeoff situation,

670
00:40:53,600 --> 00:40:57,960
Speaker 3: when Takeoff has a family and you reiterating these murders

671
00:40:58,000 --> 00:41:00,239
Speaker 3: and you're putting them on people and you don't really know,

672
00:41:00,360 --> 00:41:02,359
Speaker 3: and then the next day you try to clear it up.

673
00:41:03,440 --> 00:41:06,239
Speaker 3: There was a situation where Rod Wave where a wave

674
00:41:06,280 --> 00:41:09,240
Speaker 3: of came out of a studio and it was alleged

675
00:41:09,239 --> 00:41:12,880
Speaker 3: by the police that he had got the shooting. Academics

676
00:41:12,920 --> 00:41:16,040
Speaker 3: did a forty minute video about it to this day

677
00:41:16,120 --> 00:41:19,120
Speaker 3: is still up four or five hundred thousand views. Come

678
00:41:19,200 --> 00:41:22,719
Speaker 3: to find out, that wasn't even the situation. And so

679
00:41:22,880 --> 00:41:25,320
Speaker 3: these guys sit on these platforms and they add fuel

680
00:41:25,360 --> 00:41:27,600
Speaker 3: to the fire. But I'm the guy that go and

681
00:41:27,719 --> 00:41:31,359
Speaker 3: visit the burn site. I'm the guy that gotta deal

682
00:41:31,440 --> 00:41:34,080
Speaker 3: with the mothers. I'm the guy that gotta speak life

683
00:41:34,160 --> 00:41:37,920
Speaker 3: into the young niggas with no fathers. I'm the nigga

684
00:41:37,960 --> 00:41:41,280
Speaker 3: that gotta give life to people that come from that avenue,

685
00:41:41,480 --> 00:41:44,600
Speaker 3: from no street corners. And so my job is to

686
00:41:44,800 --> 00:41:48,719
Speaker 3: direct traffic when these dudes don't know when they make it,

687
00:41:48,880 --> 00:41:53,680
Speaker 3: our culture veer off. And so Elliott Wilson took that

688
00:41:53,840 --> 00:41:57,200
Speaker 3: a certain way that Charlemagne had me on there speaking

689
00:41:57,280 --> 00:42:01,360
Speaker 3: in whatever way that I was speaking. And so he

690
00:42:01,480 --> 00:42:04,040
Speaker 3: found this self, in my opinion, going to bat for

691
00:42:04,160 --> 00:42:07,239
Speaker 3: Academics in that moment. Academics even pushed back on him.

692
00:42:07,760 --> 00:42:14,160
Speaker 3: His relationship with Charlemagne's his relationship with Charlemagne, My relationship

693
00:42:14,200 --> 00:42:18,680
Speaker 3: with Charlemagne, that's my brother. Anytime I hit him, he

694
00:42:18,800 --> 00:42:21,680
Speaker 3: hit me. Anytime he hit me, I hit him back.

695
00:42:23,160 --> 00:42:26,120
Speaker 3: There's not any time in between. There's not any like.

696
00:42:26,239 --> 00:42:27,359
Speaker 4: This is my guy.

697
00:42:28,239 --> 00:42:31,080
Speaker 3: And so imagine what I feel like when this dude

698
00:42:31,160 --> 00:42:34,160
Speaker 3: saw me and called me the future. Imagine what that

699
00:42:34,320 --> 00:42:37,680
Speaker 3: makes me feel like when I watch an Academics interview

700
00:42:37,760 --> 00:42:39,920
Speaker 3: for Elliott Wilson to stick his nose in it, he

701
00:42:40,000 --> 00:42:42,120
Speaker 3: didn't have nothing to do with it, stuck his nose

702
00:42:42,200 --> 00:42:45,360
Speaker 3: in it. Says, I don't like the way Charlemagne is

703
00:42:45,480 --> 00:42:51,840
Speaker 3: using his cold sign. He was uncomfortable with me challenging

704
00:42:51,920 --> 00:42:55,600
Speaker 3: the throne. He was uncomfortable with me coming into the

705
00:42:55,680 --> 00:42:58,759
Speaker 3: game saying hey, hey, yo, yo, bro, get this right,

706
00:42:59,400 --> 00:43:01,640
Speaker 3: button that up. Do this a different way, bro. It's

707
00:43:01,680 --> 00:43:05,959
Speaker 3: affecting things. I've dealt with it personally. I've heard about

708
00:43:06,000 --> 00:43:06,719
Speaker 3: it personally.

709
00:43:07,719 --> 00:43:10,759
Speaker 4: You did. You've heard Chicago.

710
00:43:10,480 --> 00:43:16,359
Speaker 3: Plea and cry, you dig You've heard these people plea

711
00:43:16,440 --> 00:43:20,000
Speaker 3: and cry with this dude, Yo, please stop you making

712
00:43:20,080 --> 00:43:21,200
Speaker 3: the young boys try.

713
00:43:21,040 --> 00:43:21,759
Speaker 4: To earn a name.

714
00:43:21,960 --> 00:43:24,320
Speaker 3: He can't even it, can't it, don't even res it,

715
00:43:24,360 --> 00:43:28,160
Speaker 3: don't even resonate with him. And so by me being

716
00:43:28,239 --> 00:43:31,120
Speaker 3: in this game with a voice, I felt obligated to

717
00:43:31,200 --> 00:43:39,120
Speaker 3: over communicate that. I always find it interesting, and I

718
00:43:39,200 --> 00:43:41,320
Speaker 3: don't know if this applies to Elliott Wilson or not,

719
00:43:41,480 --> 00:43:45,560
Speaker 3: but I always find it interesting that some people are

720
00:43:45,719 --> 00:43:49,440
Speaker 3: seduced with other people's success even though they've already had success.

721
00:43:50,760 --> 00:43:53,000
Speaker 3: And so in real time you will see some of

722
00:43:53,080 --> 00:43:55,480
Speaker 3: these guys that's already had a run, like you had

723
00:43:55,560 --> 00:43:58,440
Speaker 3: a run. You you was that guy, And I was

724
00:43:58,480 --> 00:44:03,920
Speaker 3: telling someone, yo, man like Elliott won't Eliot and Charlemagne.

725
00:44:04,000 --> 00:44:07,480
Speaker 4: Hey man, listen. Elliott is good at writing, maybe, and I.

726
00:44:07,560 --> 00:44:10,160
Speaker 3: Kind of took some of his interviewing abilities, but I

727
00:44:10,239 --> 00:44:12,400
Speaker 3: went and looked, and I'll give him some more points.

728
00:44:12,480 --> 00:44:16,719
Speaker 3: Elliott is a great interviewer. He asks great questions, he

729
00:44:16,840 --> 00:44:21,200
Speaker 3: gets out the way right, very involved in the interview.

730
00:44:22,640 --> 00:44:25,160
Speaker 3: But he can't fuck with Charlemagne to god, not on

731
00:44:25,239 --> 00:44:31,120
Speaker 3: the microphone, like not on the microphone. But you will

732
00:44:31,160 --> 00:44:35,799
Speaker 3: see some of these guys, right, They'll be so seduced

733
00:44:35,880 --> 00:44:40,440
Speaker 3: by your success. They'll turn into you, so, oh this

734
00:44:40,520 --> 00:44:42,680
Speaker 3: is all you gotta do. What this really is is

735
00:44:42,840 --> 00:44:46,560
Speaker 3: and this is interesting, this is a mental thing that's happening.

736
00:44:47,480 --> 00:44:49,839
Speaker 3: What this really is is they're seeing what you're doing

737
00:44:49,960 --> 00:44:51,520
Speaker 3: and they're saying it takes no skill.

738
00:44:51,640 --> 00:44:56,120
Speaker 4: I can easily do that. They're so seduced with what

739
00:44:56,280 --> 00:44:58,480
Speaker 4: they think it takes you to get the job done.

740
00:44:58,560 --> 00:44:59,719
Speaker 4: Someone like big Act.

741
00:44:59,760 --> 00:45:01,960
Speaker 3: Then you have a big aliad there to come up,

742
00:45:02,960 --> 00:45:05,640
Speaker 3: or you may have a big twenty two that pop

743
00:45:05,800 --> 00:45:07,800
Speaker 3: up because they're looking at Act doing and say, what

744
00:45:08,000 --> 00:45:08,960
Speaker 3: is that all it takes?

745
00:45:09,719 --> 00:45:13,320
Speaker 4: Oh shit, man, I can do that. They don't know

746
00:45:13,440 --> 00:45:14,640
Speaker 4: what all it may have took.

747
00:45:16,160 --> 00:45:19,160
Speaker 3: But I'm always interested in people that seduced by other

748
00:45:19,280 --> 00:45:24,560
Speaker 3: people's success when they've already had success. They've already been successful,

749
00:45:24,760 --> 00:45:30,040
Speaker 3: and so didn' they morph into a power ranger just

750
00:45:30,239 --> 00:45:36,400
Speaker 3: like them, are just a different color. You're gonna do

751
00:45:36,520 --> 00:45:38,279
Speaker 3: the same thing they do to try to get the

752
00:45:38,320 --> 00:45:41,239
Speaker 3: same results. But this game could be equal opportunity, but

753
00:45:41,320 --> 00:45:47,560
Speaker 3: it's not equal outcome. I'm dealing with that people are

754
00:45:47,600 --> 00:45:50,000
Speaker 3: gonna do the same interview I did and then reiterate

755
00:45:50,120 --> 00:45:52,279
Speaker 3: my questions and try to act like they popped up

756
00:45:52,320 --> 00:45:54,439
Speaker 3: with something, and I'll be sitting back like, yo, man,

757
00:45:55,760 --> 00:45:56,960
Speaker 3: just gotta wait your turn long.

758
00:45:57,160 --> 00:46:00,319
Speaker 4: Just keep it going, Just keep it going, Just wait

759
00:46:00,400 --> 00:46:03,920
Speaker 4: your turn, Just keep it going, and you'll be okay.

760
00:46:05,239 --> 00:46:08,120
Speaker 3: I think it's interesting that Elliott chooses Charlemagne to have

761
00:46:08,239 --> 00:46:11,640
Speaker 3: an issue with, because, if you ask me, Elliott Wilson

762
00:46:11,719 --> 00:46:13,160
Speaker 3: has to stay out of the Blaszon.

763
00:46:14,480 --> 00:46:16,200
Speaker 4: Elliott Wilson can do a lot of things.

764
00:46:16,320 --> 00:46:18,600
Speaker 3: I don't think he needs to be trying to go

765
00:46:18,800 --> 00:46:23,240
Speaker 3: back and forth with anyone that's well, that's a master

766
00:46:23,440 --> 00:46:27,040
Speaker 3: on this microphone. And I say that respect for Lydda

767
00:46:27,080 --> 00:46:29,719
Speaker 3: Elliott Wilson. I'm gonna give you guys a little bit

768
00:46:29,760 --> 00:46:33,160
Speaker 3: of back and so as we get into this Elliott

769
00:46:33,200 --> 00:46:37,200
Speaker 3: Wilson and Charlemagne Beef, I want y'all to hear what

770
00:46:37,440 --> 00:46:40,600
Speaker 3: Charlemagne said on Brilliant It It's pay attention.

771
00:46:41,440 --> 00:46:43,920
Speaker 5: Yeah, okay, Now what can we say about Charlamagne? He

772
00:46:44,000 --> 00:46:45,239
Speaker 5: is the main sting in right media, even as he

773
00:46:45,239 --> 00:46:46,759
Speaker 5: continues to broad in his scope and find new ways

774
00:46:46,800 --> 00:46:48,919
Speaker 5: to transcend hip hop. This is part of the reason

775
00:46:49,000 --> 00:46:50,840
Speaker 5: he dropped his slot this year. The top three have

776
00:46:50,880 --> 00:46:53,239
Speaker 5: displayed a hyper focused commitment to hip hop coverage, but

777
00:46:53,360 --> 00:46:55,680
Speaker 5: with that being said, he's still a beast. Charlomagne, of course,

778
00:46:55,680 --> 00:46:57,360
Speaker 5: anchors the most popular hip hop on his showing the

779
00:46:57,400 --> 00:46:59,360
Speaker 5: Counry to Breakfast Club and It's Brilliant in his podcast,

780
00:46:59,400 --> 00:47:01,960
Speaker 5: and Andrew shows ate nicely off of the kindred in

781
00:47:02,040 --> 00:47:02,560
Speaker 5: Drake Buffet.

782
00:47:02,800 --> 00:47:03,320
Speaker 4: No, he didn't.

783
00:47:04,080 --> 00:47:07,000
Speaker 5: He may be increasingly involved in political punting try are

784
00:47:07,040 --> 00:47:08,880
Speaker 5: doing comedic guest spots on the Daily Show, but his

785
00:47:09,000 --> 00:47:11,040
Speaker 5: views about hip hop still matter. There's a reason why

786
00:47:11,080 --> 00:47:13,000
Speaker 5: you hear his voice sample by Future a Metro booming

787
00:47:13,000 --> 00:47:14,840
Speaker 5: on number one off We Still Don't Trust You. He

788
00:47:14,960 --> 00:47:16,799
Speaker 5: is one of the few talking heads who can still

789
00:47:16,800 --> 00:47:19,320
Speaker 5: get an angry response from Drake like when he criticized

790
00:47:19,320 --> 00:47:21,200
Speaker 5: the Physical Labs slam you out, last Fall, and the

791
00:47:21,280 --> 00:47:23,359
Speaker 5: audience expects more from him, which is why he took

792
00:47:23,440 --> 00:47:25,839
Speaker 5: heat for some of his soft ditty commentary with great power,

793
00:47:25,880 --> 00:47:27,959
Speaker 5: crumbs comes to great, comes to expectation of great taste.

794
00:47:28,160 --> 00:47:30,279
Speaker 5: I didn't have soft ditty commentary, y'all, soedd to go

795
00:47:30,320 --> 00:47:32,160
Speaker 5: listen to my Donkey of the day complex and my

796
00:47:32,239 --> 00:47:35,239
Speaker 5: Diddy commentary was actually real commentary because I simply say,

797
00:47:36,080 --> 00:47:38,880
Speaker 5: it bothers me when I see these hip.

798
00:47:38,760 --> 00:47:41,080
Speaker 4: Hop icons crash and burn?

799
00:47:41,920 --> 00:47:42,520
Speaker 1: How is that not?

800
00:47:43,080 --> 00:47:46,000
Speaker 5: He is fine new ways to transgate. You should see

801
00:47:46,000 --> 00:47:47,680
Speaker 5: me on seeing you shouldn't drop.

802
00:47:48,040 --> 00:47:51,799
Speaker 4: I don't. I'm not on not just in power fantastic Kaison.

803
00:47:51,600 --> 00:47:55,439
Speaker 5: Out of just scratching the surface has a drink around

804
00:47:55,520 --> 00:47:58,920
Speaker 5: hip hop in the industry, like don't for insightful at

805
00:47:59,000 --> 00:48:01,640
Speaker 5: joebing number two, a case for Kason not being number three,

806
00:48:02,560 --> 00:48:04,960
Speaker 5: but I'm not I'm not mad at Joe being number two,

807
00:48:05,280 --> 00:48:07,240
Speaker 5: you know, like that's that's that's a that's a good spot,

808
00:48:07,360 --> 00:48:10,880
Speaker 5: like don't for insightful commentary and inside of perspective around

809
00:48:10,960 --> 00:48:12,800
Speaker 5: hip hop in the industry. I think that you know

810
00:48:13,760 --> 00:48:15,960
Speaker 5: one thing that Joe leans into a lot is being

811
00:48:16,040 --> 00:48:19,160
Speaker 5: somebody who was a rapper, who was in the industry,

812
00:48:19,360 --> 00:48:21,759
Speaker 5: and he takes it serious like a lot of the

813
00:48:21,800 --> 00:48:23,480
Speaker 5: sports pundents do. Like when you see a lot of

814
00:48:23,520 --> 00:48:26,400
Speaker 5: these sports pundents on these networks like ESPN, you know

815
00:48:27,000 --> 00:48:29,840
Speaker 5: FS one, people that actually played the game. Like the

816
00:48:30,080 --> 00:48:32,240
Speaker 5: ones that actually played the game, they have a different

817
00:48:32,320 --> 00:48:35,239
Speaker 5: level of insider information. They may not get everything right

818
00:48:35,280 --> 00:48:36,640
Speaker 5: all the time, and you may not agree with everything

819
00:48:36,719 --> 00:48:39,200
Speaker 5: that you know they say all the time, but being

820
00:48:39,239 --> 00:48:41,239
Speaker 5: that they played the game, their perspective is different, and

821
00:48:41,280 --> 00:48:43,520
Speaker 5: I think he leans into that better than every Rapper

822
00:48:43,640 --> 00:48:45,800
Speaker 5: Turn podcast that The only other person I think that

823
00:48:45,960 --> 00:48:48,200
Speaker 5: does it as well is somebody like my main glasses

824
00:48:48,280 --> 00:48:50,240
Speaker 5: alone with the No Ceilings podcast.

825
00:48:50,719 --> 00:48:51,360
Speaker 4: Now scroll up.

826
00:48:51,360 --> 00:48:53,040
Speaker 5: I can't I can't believe I've said that many good

827
00:48:53,040 --> 00:48:54,520
Speaker 5: things about Joe Budden number one.

828
00:48:54,960 --> 00:48:59,279
Speaker 3: So you see Charlemagne speak to Joe Bunn's place on

829
00:48:59,360 --> 00:49:02,560
Speaker 3: the list and he gives Joe Budden credit in his

830
00:49:02,719 --> 00:49:06,080
Speaker 3: current day and time. Now here's something interesting. I just

831
00:49:06,200 --> 00:49:10,439
Speaker 3: explained that Elliott Wilson backstory. Of course, my face wasn't

832
00:49:10,480 --> 00:49:13,640
Speaker 3: shown because I forgot to hit the button but I

833
00:49:13,719 --> 00:49:15,719
Speaker 3: think some of you guys get the picture and I'll

834
00:49:15,719 --> 00:49:19,319
Speaker 3: give a brief synopsis with my face on the camera. Now,

835
00:49:19,520 --> 00:49:21,560
Speaker 3: I'm not going to delete that, but I do want

836
00:49:21,600 --> 00:49:24,000
Speaker 3: to do it with my face on the camera for

837
00:49:24,120 --> 00:49:27,840
Speaker 3: you guys. Eliot Wilson took a shot at Charlemagne in

838
00:49:27,960 --> 00:49:31,640
Speaker 3: regards to my appearance on The Brilliant Idiots when I

839
00:49:31,800 --> 00:49:34,279
Speaker 3: was kind of critical of Academics in some of his

840
00:49:34,440 --> 00:49:38,040
Speaker 3: positions in the market. Elliott Wilson came out and said

841
00:49:38,120 --> 00:49:41,080
Speaker 3: that Charlemagne to God isn't using his co sign right,

842
00:49:41,239 --> 00:49:43,600
Speaker 3: and for people who are not in to know, you

843
00:49:43,680 --> 00:49:46,480
Speaker 3: don't know what that really means. I explained earlier that

844
00:49:46,600 --> 00:49:49,080
Speaker 3: me and Elliot Wilson saw each other a couple of times.

845
00:49:49,200 --> 00:49:52,719
Speaker 3: One time in particular, I have him on camera with

846
00:49:52,920 --> 00:49:55,480
Speaker 3: me saying that I'm the future, and so for me

847
00:49:55,640 --> 00:49:57,400
Speaker 3: to be the future, and for him to feel a

848
00:49:57,440 --> 00:50:01,880
Speaker 3: way about my commentary on Actandemics when Academics has commentary

849
00:50:02,000 --> 00:50:05,560
Speaker 3: on everyone, for me, it was an interesting take. Now,

850
00:50:05,680 --> 00:50:09,960
Speaker 3: Elliott Wilson didn't say my name per se, because what

851
00:50:10,120 --> 00:50:12,759
Speaker 3: you see happening is they're playing a weird game that

852
00:50:12,880 --> 00:50:15,040
Speaker 3: they think works in the industry. Some of these guys

853
00:50:15,040 --> 00:50:17,880
Speaker 3: are so industry that they still think that some of

854
00:50:17,960 --> 00:50:20,560
Speaker 3: these games are working. But we're in the Internet. The

855
00:50:20,680 --> 00:50:23,520
Speaker 3: glass ceiling has been broken, and so the people get

856
00:50:23,560 --> 00:50:26,800
Speaker 3: a chance to actually engage where they would like to engage.

857
00:50:26,400 --> 00:50:30,239
Speaker 4: At could respond to that, then I could have took

858
00:50:30,680 --> 00:50:31,560
Speaker 4: that as a slight.

859
00:50:31,719 --> 00:50:37,120
Speaker 3: Then what are you saying, Charlomagne just helps someone come

860
00:50:37,200 --> 00:50:39,600
Speaker 3: from a scenario where they have a wealth of information

861
00:50:40,280 --> 00:50:44,200
Speaker 3: to help our culture, someone that our culture clearly enjoys,

862
00:50:44,640 --> 00:50:49,320
Speaker 3: someone that is in the engine room as it pertains

863
00:50:49,400 --> 00:50:53,320
Speaker 3: to what's going on in the South. And so the

864
00:50:53,480 --> 00:50:57,680
Speaker 3: idea that someone can even utter those words for me,

865
00:50:57,920 --> 00:51:00,800
Speaker 3: because it was Elliott Wilson and everyone else that was

866
00:51:00,840 --> 00:51:03,400
Speaker 3: taking shots at that point in time, I knew they

867
00:51:03,480 --> 00:51:05,319
Speaker 3: did a catch up, and I say, yo, that maybe

868
00:51:05,320 --> 00:51:08,279
Speaker 3: they don't understand what I'm saying. They framed this like

869
00:51:08,680 --> 00:51:11,200
Speaker 3: like it was some sort of They frame it like

870
00:51:11,320 --> 00:51:14,400
Speaker 3: it was an attack, But it was an observation. And

871
00:51:14,560 --> 00:51:17,680
Speaker 3: we in critic culture, we and culture where we speak

872
00:51:17,760 --> 00:51:20,640
Speaker 3: to one another, and so my observations need to be

873
00:51:20,800 --> 00:51:24,279
Speaker 3: noted like everyone else. And so here's what Charlemagne said

874
00:51:24,360 --> 00:51:28,080
Speaker 3: on the Brilliant It is that I guess Elliott Wilson personalized.

875
00:51:28,120 --> 00:51:31,400
Speaker 5: Let's pay attention, Elliott, I don't think you should be

876
00:51:31,480 --> 00:51:35,759
Speaker 5: number five, number four, charlamage to God. All right, let

877
00:51:35,760 --> 00:51:38,080
Speaker 5: me read this right. Last year's ranking, number three featured

878
00:51:38,080 --> 00:51:39,800
Speaker 5: on the Breakfast Club. The Building It is known for

879
00:51:39,920 --> 00:51:42,000
Speaker 5: sensational comedy, Jayson. That's what I mean when I say,

880
00:51:42,840 --> 00:51:46,480
Speaker 5: why are you upset that people are transcending hip hop?

881
00:51:47,360 --> 00:51:47,640
Speaker 1: I don't.

882
00:51:47,920 --> 00:51:50,840
Speaker 5: I'm not trying to be the fifty year old person

883
00:51:51,960 --> 00:51:56,719
Speaker 5: still complaining about not being on lists, beefing with screamers,

884
00:51:57,320 --> 00:52:00,800
Speaker 5: doing goofy shit, you know, start and shit, you know

885
00:52:01,080 --> 00:52:04,160
Speaker 5: online with rappers, just to keep my name relevant.

886
00:52:04,280 --> 00:52:06,240
Speaker 4: No, I want to do things important.

887
00:52:06,880 --> 00:52:09,680
Speaker 3: And so Elliott Wilson tweeted this out and if you're

888
00:52:09,680 --> 00:52:12,960
Speaker 3: looking at the screen, it says if you see the

889
00:52:13,040 --> 00:52:18,600
Speaker 3: guard and it tags in. Elliott Wilson then tweets a

890
00:52:18,719 --> 00:52:21,600
Speaker 3: Hall of Fame career third Mic Nigga crying about my

891
00:52:21,719 --> 00:52:25,800
Speaker 3: top five status. Legacy's nuts. I got great content on

892
00:52:25,920 --> 00:52:29,160
Speaker 3: the way twenty twenty four. There's a lot of reasons

893
00:52:29,200 --> 00:52:32,200
Speaker 3: why this list is null and void, but I also

894
00:52:32,360 --> 00:52:37,479
Speaker 3: think we saw the integrity coroll when Elliott Wilson last

895
00:52:37,560 --> 00:52:43,160
Speaker 3: year went on the campaign about this list, and all

896
00:52:43,200 --> 00:52:45,879
Speaker 3: of a sudden this year he comes up much more

897
00:52:45,960 --> 00:52:51,000
Speaker 3: higher than he was last year. I want people to

898
00:52:51,120 --> 00:52:53,000
Speaker 3: know this listening to me, right, because I think this

899
00:52:53,160 --> 00:52:57,160
Speaker 3: is important information. These lists are not really for the

900
00:52:57,239 --> 00:52:59,920
Speaker 3: people by the people. These lists are for the industry,

901
00:53:00,840 --> 00:53:06,879
Speaker 3: by the industry, and by industry I mean people who

902
00:53:06,960 --> 00:53:12,879
Speaker 3: are outside of making the music, living in the conditions

903
00:53:13,120 --> 00:53:19,160
Speaker 3: of the music, and breaking the music. You're dealing with

904
00:53:19,360 --> 00:53:22,960
Speaker 3: reactors of music. And so when you talk about my

905
00:53:23,160 --> 00:53:25,880
Speaker 3: show and some of these shows that are on the

906
00:53:25,960 --> 00:53:28,880
Speaker 3: other side of the coin, when it pertains to this,

907
00:53:30,000 --> 00:53:35,000
Speaker 3: there should be some space in our understanding because you've

908
00:53:35,080 --> 00:53:37,320
Speaker 3: never created it, and you don't know what it's like

909
00:53:37,400 --> 00:53:39,359
Speaker 3: to live in it, and you don't know what it's

910
00:53:39,480 --> 00:53:43,239
Speaker 3: like to break it. But we deal with the people

911
00:53:43,320 --> 00:53:47,200
Speaker 3: that break records, the people that understand the music, not

912
00:53:47,440 --> 00:53:52,320
Speaker 3: just react to the music. Right, think it space for

913
00:53:52,440 --> 00:53:56,040
Speaker 3: both of those things. You heard Eliot get into a

914
00:53:56,120 --> 00:54:03,320
Speaker 3: wakasan that about him getting certain books. You heard some

915
00:54:03,480 --> 00:54:07,760
Speaker 3: of my commentary about the streaming world and if streaming

916
00:54:07,880 --> 00:54:12,920
Speaker 3: actually translates right for rappers. Right, So you sit there, granted, right,

917
00:54:13,120 --> 00:54:15,239
Speaker 3: is it worth it. It's always for those of you

918
00:54:15,280 --> 00:54:17,560
Speaker 3: who do not know in this industry, there's always a

919
00:54:17,680 --> 00:54:21,640
Speaker 3: conversation of is it worth it? And I was interested

920
00:54:21,719 --> 00:54:24,360
Speaker 3: because somewhere along the line someone hit a button and

921
00:54:24,719 --> 00:54:29,120
Speaker 3: everybody said it's worth it for streaming, And so there

922
00:54:29,200 --> 00:54:31,160
Speaker 3: was a point where I was watching it and trying

923
00:54:31,200 --> 00:54:33,719
Speaker 3: to figure out, Yo, what what is this translating? I

924
00:54:33,840 --> 00:54:36,680
Speaker 3: know people are there, and I know how hard it

925
00:54:36,840 --> 00:54:40,320
Speaker 3: is to get all these people in one spot. Granted, right, great,

926
00:54:41,040 --> 00:54:45,080
Speaker 3: but do they translate? Do they leave this and click that?

927
00:54:45,280 --> 00:54:47,400
Speaker 3: Do they leave this and talk about that? Do they

928
00:54:47,480 --> 00:54:49,640
Speaker 3: leave this and buy that? Do they leave this and

929
00:54:49,719 --> 00:54:53,040
Speaker 3: go to a concert? These were my questions. Is it

930
00:54:53,200 --> 00:54:57,359
Speaker 3: real value in this transaction with this rapper or are

931
00:54:57,480 --> 00:55:01,400
Speaker 3: they just solidifying streaming? This was That's my commentary. I

932
00:55:01,560 --> 00:55:06,279
Speaker 3: believe that Elliott Wilson's commentary on Consonet was received as

933
00:55:06,320 --> 00:55:08,800
Speaker 3: an old dude hating on the young.

934
00:55:08,680 --> 00:55:13,800
Speaker 4: Guy, and so now he lives with that.

935
00:55:15,000 --> 00:55:18,000
Speaker 3: He lives with people constantly bringing up the fact that

936
00:55:18,800 --> 00:55:22,080
Speaker 3: he's been involved with what can be called hating on

937
00:55:22,200 --> 00:55:26,280
Speaker 3: Consonet and his whole movement. I truly believe Elliott Wilson

938
00:55:26,320 --> 00:55:29,719
Speaker 3: looks at academics and what he's done and says, yo,

939
00:55:29,880 --> 00:55:31,680
Speaker 3: I can do that. I just got to turn it

940
00:55:31,800 --> 00:55:35,399
Speaker 3: up some. I can actually do that if I turn

941
00:55:35,520 --> 00:55:37,440
Speaker 3: it up some. I look at what Joe does. I

942
00:55:37,520 --> 00:55:39,320
Speaker 3: can do that if I turn it up some. I

943
00:55:39,440 --> 00:55:42,880
Speaker 3: believe these are conversations that he may have with hisself, like,

944
00:55:43,000 --> 00:55:44,800
Speaker 3: if I turn it up some, I can do that.

945
00:55:44,920 --> 00:55:47,280
Speaker 3: But you don't want to turn into the avatar off angry.

946
00:55:49,400 --> 00:55:51,279
Speaker 3: You don't want everyone to look at you and say

947
00:55:51,800 --> 00:55:54,680
Speaker 3: that's the avatar angry again. The people that's ahead of us.

948
00:55:54,719 --> 00:56:00,040
Speaker 3: It's always unfortunate and disheartening to come back in and

949
00:56:00,120 --> 00:56:03,400
Speaker 3: play like the little homies, because what that does is

950
00:56:03,520 --> 00:56:08,880
Speaker 3: it poisons the pathway. People like Elliott, you poison in

951
00:56:08,960 --> 00:56:11,359
Speaker 3: the pathway when you come back and do certain things.

952
00:56:11,400 --> 00:56:13,400
Speaker 3: That's why he had to apologize for what he did

953
00:56:13,480 --> 00:56:16,960
Speaker 3: with Casanette. See, it took him so long to build

954
00:56:17,040 --> 00:56:20,800
Speaker 3: this prestige, and it's like for the sake of the

955
00:56:20,880 --> 00:56:23,719
Speaker 3: moment right now when to be involved with the conversation now,

956
00:56:23,840 --> 00:56:26,879
Speaker 3: he's willing to risk everything he's built because I don't

957
00:56:26,880 --> 00:56:29,120
Speaker 3: think you can have it both ways. You can't keep

958
00:56:29,239 --> 00:56:33,600
Speaker 3: that career as polished as it was and still be

959
00:56:33,920 --> 00:56:36,400
Speaker 3: involved in it like it is. Now you're gonna have

960
00:56:36,520 --> 00:56:39,680
Speaker 3: to sacrifice some of that button up You're gonna have

961
00:56:39,760 --> 00:56:43,320
Speaker 3: to sacrifice some of that clean cut, button up imagery

962
00:56:43,600 --> 00:56:46,719
Speaker 3: that you've had. And I think he's mishandled, that he's

963
00:56:46,800 --> 00:56:50,040
Speaker 3: kind of strained his Niked relationship, strained his Drake relationship.

964
00:56:50,840 --> 00:56:53,920
Speaker 3: And it's because you're giving these people things that they

965
00:56:53,960 --> 00:56:56,840
Speaker 3: don't know you for. We didn't build our relationship with

966
00:56:56,960 --> 00:56:58,959
Speaker 3: you have in this kind of behavior, and you didn't

967
00:56:58,960 --> 00:57:01,480
Speaker 3: build your relationship on your own, and I came to you,

968
00:57:02,719 --> 00:57:04,200
Speaker 3: and so now.

969
00:57:04,200 --> 00:57:05,800
Speaker 4: This relationship is kind of wacky.

970
00:57:06,040 --> 00:57:08,000
Speaker 3: But getting back to the list and why I believe

971
00:57:08,080 --> 00:57:11,719
Speaker 3: that is none and void, like it's a contradiction. The

972
00:57:11,960 --> 00:57:14,520
Speaker 3: entire list, for me, if you ask me, is a

973
00:57:14,600 --> 00:57:17,240
Speaker 3: waste of the man hours that they put intoward, which

974
00:57:17,280 --> 00:57:20,040
Speaker 3: I can tell by the selections of the lists and

975
00:57:20,120 --> 00:57:21,920
Speaker 3: the order of the list and some of the writing

976
00:57:22,000 --> 00:57:24,600
Speaker 3: on the list that they may have not allotted a

977
00:57:24,720 --> 00:57:26,280
Speaker 3: lot of time to get this done.

978
00:57:26,520 --> 00:57:29,240
Speaker 4: So I'll give them that there's a few things wrong

979
00:57:29,280 --> 00:57:29,760
Speaker 4: with the list.

980
00:57:29,840 --> 00:57:33,080
Speaker 3: One I'll point out one of the things wrong with

981
00:57:33,160 --> 00:57:35,800
Speaker 3: the list is last year you had Joe Budden at

982
00:57:35,880 --> 00:57:38,640
Speaker 3: number one, I believe the list to be nuning void

983
00:57:38,680 --> 00:57:41,680
Speaker 3: because if someone is number one on a power ranking list,

984
00:57:41,880 --> 00:57:43,400
Speaker 3: power being the operative word.

985
00:57:43,480 --> 00:57:43,720
Speaker 4: Again.

986
00:57:43,840 --> 00:57:48,040
Speaker 3: Last year I've said this, you have to identify power

987
00:57:49,160 --> 00:57:52,000
Speaker 3: because there's no way to say I'm as powerful as

988
00:57:52,120 --> 00:57:54,960
Speaker 3: being number one on a power raking list and then

989
00:57:55,080 --> 00:57:57,760
Speaker 3: no one else on my couch is nowhere on the list.

990
00:57:58,320 --> 00:58:02,640
Speaker 3: It's just a contradiction because if I'm powerful, some of

991
00:58:02,720 --> 00:58:05,640
Speaker 3: my guys will be on the list. Now, last year,

992
00:58:06,000 --> 00:58:08,480
Speaker 3: let's just put that in question. This year, with Joe

993
00:58:08,560 --> 00:58:11,720
Speaker 3: Budden being number two, this makes the list again, the

994
00:58:13,320 --> 00:58:19,320
Speaker 3: same statement is reintroduced. If Joe Budden is number two

995
00:58:20,080 --> 00:58:23,480
Speaker 3: on a power ranking list for Complex and he does

996
00:58:23,560 --> 00:58:27,120
Speaker 3: a show with the same four or five people every week,

997
00:58:27,200 --> 00:58:31,400
Speaker 3: he does nothing outside of that show. He does zero

998
00:58:31,600 --> 00:58:34,640
Speaker 3: outside of that show. Now when he done love and

999
00:58:34,760 --> 00:58:38,280
Speaker 3: hip hop, he done these other shows around it, maybe

1000
00:58:38,480 --> 00:58:42,480
Speaker 3: was on revote all of these other things. All right,

1001
00:58:42,560 --> 00:58:46,080
Speaker 3: you got a simple size of other things. If number two,

1002
00:58:46,640 --> 00:58:49,400
Speaker 3: if number two on your list is sitting with four

1003
00:58:49,480 --> 00:58:53,720
Speaker 3: other people every single week, two times a week, and

1004
00:58:53,840 --> 00:58:56,000
Speaker 3: no one else makes the list, and what do you

1005
00:58:56,160 --> 00:59:00,680
Speaker 3: mean by power? Off of that complex power were ranking

1006
00:59:00,880 --> 00:59:06,560
Speaker 3: Charlamagne Elliott. Let's deal with Ralo going on Saint Cheese

1007
00:59:06,640 --> 00:59:10,880
Speaker 3: TV for his first interview after being released after serving

1008
00:59:10,920 --> 00:59:14,040
Speaker 3: I believe six to seven years in a federal prison.

1009
00:59:14,600 --> 00:59:19,640
Speaker 3: For those unaware, Rapper Raulo has been incarcerated in the

1010
00:59:19,760 --> 00:59:23,280
Speaker 3: federal penitentiary. His name is came up in a slew

1011
00:59:23,320 --> 00:59:27,440
Speaker 3: of thing since his arrest and this interview with Sean Cotton,

1012
00:59:27,880 --> 00:59:31,600
Speaker 3: he came to address a lot of those things. Salute

1013
00:59:31,600 --> 00:59:36,640
Speaker 3: Sean Cotton, Salute Saint Cheese. He's a pill in the space.

1014
00:59:36,720 --> 00:59:38,840
Speaker 3: He didn't even make the list, so again the list

1015
00:59:38,960 --> 00:59:44,280
Speaker 3: is null and void. Ralo, while in jail, some of

1016
00:59:44,360 --> 00:59:47,000
Speaker 3: his own people from his own side, his own area,

1017
00:59:47,160 --> 00:59:49,920
Speaker 3: came out and spoke to him, having some sort of

1018
00:59:49,960 --> 00:59:53,160
Speaker 3: paperwork on his name and they were coming to let

1019
00:59:53,280 --> 00:59:55,760
Speaker 3: people who they felt like needed to know that Yo

1020
00:59:56,520 --> 00:59:59,560
Speaker 3: something is going on with his case. Ralo pushed back

1021
00:59:59,640 --> 01:00:03,240
Speaker 3: on that then explain that yo I was running some

1022
01:00:03,440 --> 01:00:05,360
Speaker 3: sort of play. He says he was going to pay

1023
01:00:05,440 --> 01:00:11,240
Speaker 3: somebody to take his case. Raloh and Boosy because for

1024
01:00:11,360 --> 01:00:13,920
Speaker 3: those unawell Booty it seems to be the one that

1025
01:00:14,360 --> 01:00:18,480
Speaker 3: steps up and says things about rappers who portray a

1026
01:00:18,560 --> 01:00:21,200
Speaker 3: certain lifestyle and then get their name caught up in something.

1027
01:00:21,240 --> 01:00:24,120
Speaker 3: He kind of access like he's policing the police shit,

1028
01:00:25,160 --> 01:00:29,680
Speaker 3: and and so he spoke about Ralo and he clarified

1029
01:00:29,760 --> 01:00:31,800
Speaker 3: it and they kind of had it back and forth.

1030
01:00:32,040 --> 01:00:34,640
Speaker 3: Raloh now was out of jail and he addresses some

1031
01:00:34,800 --> 01:00:37,080
Speaker 3: of that here in front of Sean Cotton.

1032
01:00:37,600 --> 01:00:39,840
Speaker 4: I want to pay attention to a little bit of that,

1033
01:00:40,440 --> 01:00:42,320
Speaker 4: and I want to react to it. Let's pay attention.

1034
01:00:43,080 --> 01:00:45,640
Speaker 2: They just be trying to do anything for us around

1035
01:00:45,800 --> 01:00:48,560
Speaker 2: like views, I say, you were upset about it, but

1036
01:00:48,600 --> 01:00:53,600
Speaker 2: when when Boosy mentioned it, you really went people like, brother, whatever,

1037
01:00:54,120 --> 01:00:58,680
Speaker 2: I love it, brother. Misgoddess is what causes man kind

1038
01:00:59,080 --> 01:01:01,480
Speaker 2: to be ignorant. It's he was led into that dish river.

1039
01:01:01,880 --> 01:01:03,320
Speaker 2: If he would have went fed, or he would have

1040
01:01:03,360 --> 01:01:04,800
Speaker 2: at least talked to me and say right, ooh, pull

1041
01:01:04,800 --> 01:01:06,400
Speaker 2: over with the pepperwork and showed me. Because this nigga

1042
01:01:06,400 --> 01:01:09,280
Speaker 2: saying this about you, this nigga saying this, you coulda

1043
01:01:09,320 --> 01:01:11,280
Speaker 2: gave me an opportunity to show you, like, look, Jone,

1044
01:01:11,360 --> 01:01:14,640
Speaker 2: this is what I'm on. But now, but with people

1045
01:01:14,680 --> 01:01:17,320
Speaker 2: are generally if a nigga say something bad about you

1046
01:01:17,440 --> 01:01:20,600
Speaker 2: that ain't true, or possibly they want that shit to

1047
01:01:20,640 --> 01:01:23,320
Speaker 2: be true. They wash that upon you because if an

1048
01:01:23,400 --> 01:01:25,400
Speaker 2: if a nigga, if if if if go m do

1049
01:01:25,480 --> 01:01:27,280
Speaker 2: some lion shit, or any nigga I loved, if my

1050
01:01:27,280 --> 01:01:28,040
Speaker 2: bitch do some lion shit.

1051
01:01:28,040 --> 01:01:29,560
Speaker 1: If a nigga tell me a nigga fucking my bitch

1052
01:01:29,600 --> 01:01:30,480
Speaker 1: right now. I mean you're talking.

1053
01:01:30,680 --> 01:01:33,000
Speaker 2: I'm like here, Nah, that ain't going on. It's gotta

1054
01:01:33,040 --> 01:01:34,960
Speaker 2: be something else to this. It's got to be something

1055
01:01:34,960 --> 01:01:35,320
Speaker 2: else to this.

1056
01:01:35,720 --> 01:01:36,640
Speaker 1: I ain't gonna let no shit.

1057
01:01:36,880 --> 01:01:39,560
Speaker 2: Can't no nigga tell me nothing about my people without

1058
01:01:39,600 --> 01:01:41,560
Speaker 2: me going to my people and being able to say, hey,

1059
01:01:41,600 --> 01:01:42,160
Speaker 2: what's going on?

1060
01:01:42,640 --> 01:01:44,840
Speaker 1: You smill me what's going on? Tell me, show me

1061
01:01:44,920 --> 01:01:45,360
Speaker 1: what's going on.

1062
01:01:45,560 --> 01:01:47,760
Speaker 2: If he would have done that, then we woulda we

1063
01:01:47,760 --> 01:01:50,520
Speaker 2: wouldn't be here today. If niggas would have did they investigation,

1064
01:01:50,520 --> 01:01:51,440
Speaker 2: they proper investigation.

1065
01:01:51,560 --> 01:01:52,080
Speaker 4: What what going on?

1066
01:01:52,200 --> 01:01:53,560
Speaker 2: Let me hit all the whole phone call, let me

1067
01:01:53,600 --> 01:01:55,000
Speaker 2: hear this, Let me do that. If you do your

1068
01:01:55,000 --> 01:01:57,680
Speaker 2: proper investigation, then you'll get the truth. You smell me

1069
01:01:57,840 --> 01:01:58,440
Speaker 2: investigate that.

1070
01:01:58,520 --> 01:02:00,880
Speaker 1: What the fast do they get? They motherfucking truth? They

1071
01:02:00,880 --> 01:02:02,720
Speaker 1: get they facts and they prosecute your ad get your

1072
01:02:02,760 --> 01:02:05,040
Speaker 1: facts together and bring it to the table. Mm that

1073
01:02:05,120 --> 01:02:06,320
Speaker 1: what you do? You don't you don't go do no

1074
01:02:06,400 --> 01:02:08,720
Speaker 1: line shit like that to your mans or nobody. Don't

1075
01:02:08,720 --> 01:02:08,920
Speaker 1: do that.

1076
01:02:09,000 --> 01:02:11,440
Speaker 2: Don't do lion shit to nobody. Just go up though

1077
01:02:11,600 --> 01:02:14,480
Speaker 2: and ask him, Hey, look what's going on, and then

1078
01:02:14,520 --> 01:02:16,760
Speaker 2: you make a decision with yourself on how to go

1079
01:02:16,800 --> 01:02:18,960
Speaker 2: about this. Don't no niggain't finna say thathing about my

1080
01:02:18,960 --> 01:02:20,200
Speaker 2: man's and I'm not finna push up on my man.

1081
01:02:20,240 --> 01:02:22,880
Speaker 1: A Jone put up, what the fuck you doing that?

1082
01:02:22,960 --> 01:02:23,080
Speaker 4: Far?

1083
01:02:23,160 --> 01:02:24,080
Speaker 1: I would have never did that.

1084
01:02:24,080 --> 01:02:26,520
Speaker 4: To a nigga. I wonna never did that, have you

1085
01:02:27,520 --> 01:02:28,160
Speaker 4: he spoke to him?

1086
01:02:28,200 --> 01:02:32,000
Speaker 2: Since I mean we speak through you know, I represent

1087
01:02:32,080 --> 01:02:33,640
Speaker 2: wife and Lucor. I stay down Far, I talk to

1088
01:02:33,640 --> 01:02:35,760
Speaker 2: his mom. I do what I do right by my people.

1089
01:02:35,800 --> 01:02:37,720
Speaker 2: That's in jail because I was in jail. Niggas that's

1090
01:02:37,720 --> 01:02:39,160
Speaker 2: dead and all that type of shit. We have mutual

1091
01:02:39,200 --> 01:02:41,560
Speaker 2: real friends. I don't be with that telling a nigga

1092
01:02:41,600 --> 01:02:43,520
Speaker 2: to pick a side because I fucked with this dude.

1093
01:02:43,560 --> 01:02:45,600
Speaker 2: You smell me just because he said that or whatever.

1094
01:02:45,680 --> 01:02:47,640
Speaker 2: Down that, don't just tore me from fucking with Lucier

1095
01:02:47,680 --> 01:02:48,800
Speaker 2: Mommy and Lucia and shit like that.

1096
01:02:49,120 --> 01:02:51,480
Speaker 1: So yeah, I do right by my people, so we

1097
01:02:51,560 --> 01:02:52,800
Speaker 1: will always have common folks.

1098
01:02:52,800 --> 01:02:53,240
Speaker 4: You smell me.

1099
01:02:53,440 --> 01:02:55,520
Speaker 2: But you know, whenever he read I ain't, I ain't.

1100
01:02:55,640 --> 01:02:58,000
Speaker 2: I'm not in denial, like let's talk, I won't. No,

1101
01:02:58,120 --> 01:02:59,480
Speaker 2: I ain't got no pride issue. You know, some of

1102
01:02:59,560 --> 01:03:01,960
Speaker 2: the nigga's somebney and they just think they're too good.

1103
01:03:02,600 --> 01:03:04,760
Speaker 2: But I'm not that nigga. You mean, you're right now,

1104
01:03:04,800 --> 01:03:07,360
Speaker 2: you can pull up right now and there already it's

1105
01:03:07,400 --> 01:03:08,880
Speaker 2: not me like I don't be with all that bitch

1106
01:03:08,960 --> 01:03:10,920
Speaker 2: ash and then I won't tell you like I get

1107
01:03:10,960 --> 01:03:13,040
Speaker 2: no gun because I ain't scat to lose. We can

1108
01:03:13,120 --> 01:03:15,040
Speaker 2: fight it out or whatever, even if we do some

1109
01:03:15,120 --> 01:03:17,560
Speaker 2: line shit now we fight over here, and shit, it's

1110
01:03:17,600 --> 01:03:17,840
Speaker 2: not me.

1111
01:03:18,120 --> 01:03:19,880
Speaker 1: So like it's just like that with me.

1112
01:03:19,880 --> 01:03:21,840
Speaker 2: If you my brother or supposed to be my brother,

1113
01:03:21,920 --> 01:03:23,560
Speaker 2: you love me, or you some kind of real nigga

1114
01:03:23,560 --> 01:03:25,320
Speaker 2: that you know, we can have a conversation that won't

1115
01:03:25,400 --> 01:03:26,080
Speaker 2: like the results to it.

1116
01:03:26,120 --> 01:03:28,160
Speaker 4: Let's shoot it. That should have why you know, you

1117
01:03:28,200 --> 01:03:28,720
Speaker 4: know what I'm saying.

1118
01:03:28,840 --> 01:03:30,040
Speaker 1: But niggas quick go get a gun.

1119
01:03:30,040 --> 01:03:32,520
Speaker 4: When I get the asbo so yo.

1120
01:03:32,600 --> 01:03:36,919
Speaker 3: I think it's important I speak about this, right, Rolo

1121
01:03:37,040 --> 01:03:41,480
Speaker 3: said a gang rea shit in there, bullshit has his position.

1122
01:03:43,040 --> 01:03:45,920
Speaker 3: What I find interesting is and where I find opportunity,

1123
01:03:46,120 --> 01:03:53,040
Speaker 3: is that Ralo seems to be one of them dudes

1124
01:03:53,120 --> 01:03:57,800
Speaker 3: from the street that meet these guys and put them

1125
01:03:57,840 --> 01:04:02,760
Speaker 3: in the family box. Everybody don't go in the family box.

1126
01:04:02,920 --> 01:04:06,000
Speaker 3: Like even when I him say, Yo, if I'm supposed

1127
01:04:06,000 --> 01:04:07,720
Speaker 3: to be your people and you supposed to love me,

1128
01:04:07,720 --> 01:04:08,960
Speaker 3: I'm supposed to be your people.

1129
01:04:09,120 --> 01:04:12,160
Speaker 4: Like my question to that would have been, Yo, how

1130
01:04:12,200 --> 01:04:15,080
Speaker 4: long you been knowing boost it? Ten years? Like? Yeah,

1131
01:04:15,160 --> 01:04:17,680
Speaker 4: but is it a rap thing? Is that some rap shit?

1132
01:04:19,080 --> 01:04:20,840
Speaker 4: Like do y'all really really kick it?

1133
01:04:22,720 --> 01:04:25,240
Speaker 3: Because if we really pay attention to the streets, and

1134
01:04:25,320 --> 01:04:27,200
Speaker 3: we all come up in the streets, we gotta pay

1135
01:04:27,240 --> 01:04:31,160
Speaker 3: attention to not only this scenario, but all scenarios that

1136
01:04:32,440 --> 01:04:36,920
Speaker 3: happened across the land. We can even stay in Memphis.

1137
01:04:37,000 --> 01:04:41,360
Speaker 3: We deal with Little Migo. He get in a situation

1138
01:04:41,480 --> 01:04:44,400
Speaker 3: where a young nigga who was around him on some

1139
01:04:44,640 --> 01:04:48,520
Speaker 3: rap shit double back going his crib and bust him down.

1140
01:04:48,640 --> 01:04:50,640
Speaker 3: Take all this shit, And the first thing, ain't any

1141
01:04:50,720 --> 01:04:52,520
Speaker 3: niggas gonna say is yo, I ain't grow up a

1142
01:04:52,640 --> 01:04:55,400
Speaker 3: dude like he ain't really want a man.

1143
01:04:55,480 --> 01:04:57,160
Speaker 4: I ain't really grow up with him, you know what

1144
01:04:57,200 --> 01:04:57,600
Speaker 4: I'm saying.

1145
01:04:57,680 --> 01:04:59,720
Speaker 3: Like we were straight, but I ain't really grow up

1146
01:04:59,760 --> 01:05:02,560
Speaker 3: with that dude, like he ain't really my homeboy. That's

1147
01:05:02,640 --> 01:05:05,600
Speaker 3: how a nigga, that's how these niggas are justified whatever

1148
01:05:05,680 --> 01:05:06,440
Speaker 3: they do to you.

1149
01:05:07,400 --> 01:05:08,439
Speaker 4: You dig what I'm saying.

1150
01:05:08,520 --> 01:05:11,080
Speaker 3: So knowing that that's happening in the same streets that

1151
01:05:11,200 --> 01:05:13,640
Speaker 3: we come from, how do we then get in the

1152
01:05:13,760 --> 01:05:16,400
Speaker 3: rep and then meet a nigga and then say that

1153
01:05:16,800 --> 01:05:20,640
Speaker 3: he my family, he my brother, he loved me, because

1154
01:05:20,720 --> 01:05:24,000
Speaker 3: love is an action. You got to tell me what

1155
01:05:24,240 --> 01:05:26,600
Speaker 3: actions y'all getting from each other the way it is love.

1156
01:05:26,920 --> 01:05:28,760
Speaker 3: When you hear me say, yo, I got love for

1157
01:05:28,840 --> 01:05:31,680
Speaker 3: certain people in this industry, it's because the actions done

1158
01:05:31,720 --> 01:05:35,640
Speaker 3: showed me love. And so I ain't saying you can't

1159
01:05:35,680 --> 01:05:38,680
Speaker 3: meet real niggas through music. I ain't saying you can't

1160
01:05:38,760 --> 01:05:41,600
Speaker 3: meet real niggas on your journey. But if I'm Boosy,

1161
01:05:42,160 --> 01:05:46,040
Speaker 3: you rollo, I'm from New Orleans or I'm from Louisiana,

1162
01:05:46,160 --> 01:05:49,200
Speaker 3: you from Atlanta, and we be so quick in this game.

1163
01:05:49,080 --> 01:05:50,360
Speaker 4: To say people is our people.

1164
01:05:50,440 --> 01:05:52,800
Speaker 3: But you know why, it's because this rap shit be

1165
01:05:52,920 --> 01:05:56,560
Speaker 3: saving a nigga life and it be so close to life,

1166
01:05:58,000 --> 01:06:01,360
Speaker 3: it be so personal because you come out the streets

1167
01:06:01,400 --> 01:06:03,240
Speaker 3: and you're getting this rap shit and the love you

1168
01:06:03,320 --> 01:06:05,560
Speaker 3: getting this rap game, it's like no other love.

1169
01:06:05,680 --> 01:06:07,320
Speaker 4: You might have grew up listening to dude.

1170
01:06:07,720 --> 01:06:10,920
Speaker 3: You might got a certain kind of fandom associated with

1171
01:06:11,080 --> 01:06:13,360
Speaker 3: how you used to hustle to his music, or how

1172
01:06:13,400 --> 01:06:15,920
Speaker 3: you look at him going through death row, whatever.

1173
01:06:15,720 --> 01:06:16,479
Speaker 4: It might have been.

1174
01:06:16,920 --> 01:06:19,280
Speaker 3: But she dog, I don't know how y'all just saying

1175
01:06:19,320 --> 01:06:23,040
Speaker 3: them your people. Again, my question would have only been

1176
01:06:23,120 --> 01:06:29,480
Speaker 3: in that moment. How close were you and Boost? Was

1177
01:06:29,520 --> 01:06:33,160
Speaker 3: it a music relationship or was it a street real relationship?

1178
01:06:35,320 --> 01:06:37,400
Speaker 3: Like you ever see some of these niggas without they

1179
01:06:37,480 --> 01:06:40,000
Speaker 3: jill wrong? Every time you see a nigga he iceed up.

1180
01:06:40,080 --> 01:06:43,120
Speaker 3: It's at a club popping bottles, niggas how smoking weed,

1181
01:06:43,600 --> 01:06:45,840
Speaker 3: Like you gotta evaluate that relationship.

1182
01:06:45,920 --> 01:06:46,840
Speaker 4: What is that really?

1183
01:06:47,640 --> 01:06:49,840
Speaker 3: Not saying that it ain't, but it's like, this is

1184
01:06:49,920 --> 01:06:53,240
Speaker 3: what this is, homie. This is a music kind of thing.

1185
01:06:53,440 --> 01:06:59,160
Speaker 3: Though you dig what I'm saying. And also I believe

1186
01:06:59,200 --> 01:07:00,800
Speaker 3: Boosh it to become caught up be in this shit

1187
01:07:00,880 --> 01:07:02,360
Speaker 3: too bull shit.

1188
01:07:02,240 --> 01:07:02,960
Speaker 4: To be caught up in.

1189
01:07:03,080 --> 01:07:06,040
Speaker 3: YO, when I do an interview, I'm gonna say whatever

1190
01:07:06,120 --> 01:07:11,400
Speaker 3: I think. I'm gonna say what I feel. You know,

1191
01:07:11,520 --> 01:07:13,640
Speaker 3: we seeing him in that mold when he was doing

1192
01:07:13,760 --> 01:07:16,080
Speaker 3: all let he also said some things about Tip. He

1193
01:07:16,160 --> 01:07:19,320
Speaker 3: said some other things about other people like Boosh.

1194
01:07:19,360 --> 01:07:20,920
Speaker 4: It was on that. That's what he was on.

1195
01:07:21,200 --> 01:07:25,960
Speaker 3: He eating off these interviews. I'm always intrigued because so

1196
01:07:26,160 --> 01:07:31,080
Speaker 3: many street rappers have interviews with people who don't understand

1197
01:07:31,120 --> 01:07:35,440
Speaker 3: the streets, and so you can say certain things that

1198
01:07:36,360 --> 01:07:40,000
Speaker 3: need clarification on the street level, but you won't get

1199
01:07:40,080 --> 01:07:45,040
Speaker 3: it from that conversation. Right because even in the Ralloh

1200
01:07:45,160 --> 01:07:48,919
Speaker 3: interview and QCP is my brother for real, I fuck

1201
01:07:49,000 --> 01:07:53,000
Speaker 3: with him and he fucked with Raloh the long way.

1202
01:07:54,160 --> 01:07:58,680
Speaker 3: And so the scenario that's happening is Rolloh was, according

1203
01:07:58,680 --> 01:08:03,000
Speaker 3: to him, try to pay someone three hundred thousand to

1204
01:08:03,160 --> 01:08:06,000
Speaker 3: pay to take his case. That was a I think

1205
01:08:06,040 --> 01:08:09,760
Speaker 3: a federal case on one of these bus that was

1206
01:08:09,920 --> 01:08:11,840
Speaker 3: involved with his case. That he was trying to get

1207
01:08:11,880 --> 01:08:15,480
Speaker 3: someone to take the case so he can get back

1208
01:08:15,520 --> 01:08:17,840
Speaker 3: out because he was the breadwinner. He was trying to

1209
01:08:17,880 --> 01:08:21,160
Speaker 3: work a move for next to Fizz. Now, in doing that,

1210
01:08:21,360 --> 01:08:23,720
Speaker 3: I don't know what that entailed or what he had

1211
01:08:23,760 --> 01:08:26,720
Speaker 3: to do to make good on that deal or make

1212
01:08:26,800 --> 01:08:29,080
Speaker 3: good on trying to make it look like that.

1213
01:08:29,280 --> 01:08:30,880
Speaker 4: I think that's where they're drawing from.

1214
01:08:31,000 --> 01:08:33,960
Speaker 3: It's like, in doing that, he might have said some

1215
01:08:34,120 --> 01:08:37,479
Speaker 3: things that was pointing the Fizz that way away from him,

1216
01:08:37,720 --> 01:08:40,040
Speaker 3: but point them that way to try to get out

1217
01:08:40,080 --> 01:08:42,679
Speaker 3: of the situation. I don't think that he was able

1218
01:08:42,760 --> 01:08:44,599
Speaker 3: to get out of it in that way. I think

1219
01:08:44,760 --> 01:08:49,000
Speaker 3: ultimately it rolled back on him. But that was one

1220
01:08:49,040 --> 01:08:51,720
Speaker 3: of his people, one of the people that was known

1221
01:08:51,760 --> 01:08:55,479
Speaker 3: to be with him that was running around Atlanta, and

1222
01:08:55,600 --> 01:08:58,840
Speaker 3: they had a back and forth. I think this was

1223
01:08:58,920 --> 01:09:02,000
Speaker 3: one of the better interviews other year with Ralaoh. My

1224
01:09:02,120 --> 01:09:06,320
Speaker 3: only question would be the Raloh is you know one end,

1225
01:09:08,520 --> 01:09:10,200
Speaker 3: I hear you on there and you say yo. In

1226
01:09:10,320 --> 01:09:13,120
Speaker 3: my mind, I was ready to do thirty years. I

1227
01:09:13,240 --> 01:09:16,000
Speaker 3: was ready to go ahead and lay it down for

1228
01:09:16,120 --> 01:09:19,439
Speaker 3: thirty years. And then on the other end, it's I'm

1229
01:09:19,479 --> 01:09:22,000
Speaker 3: trying to work a move to get out, so I'm saying,

1230
01:09:22,520 --> 01:09:26,120
Speaker 3: And so that's what people are asking me about. You know,

1231
01:09:26,280 --> 01:09:28,880
Speaker 3: people are asking me about those two things and how

1232
01:09:28,920 --> 01:09:31,280
Speaker 3: they live in the same place. And so I'll put

1233
01:09:31,360 --> 01:09:35,280
Speaker 3: that out in the universe for Raloh, and if he

1234
01:09:35,400 --> 01:09:37,840
Speaker 3: comes across that, you know what I'm saying, then he can.

1235
01:09:39,720 --> 01:09:41,679
Speaker 4: He can justify that if you see fit.

1236
01:09:42,560 --> 01:09:45,800
Speaker 3: He also spoke about being told on itself and by

1237
01:09:45,880 --> 01:09:50,320
Speaker 3: the guy who he helped along the way and hustle

1238
01:09:50,400 --> 01:09:50,640
Speaker 3: with him.

1239
01:09:50,640 --> 01:09:51,479
Speaker 4: They're told on him.

1240
01:09:51,880 --> 01:09:54,000
Speaker 3: I always like to ask people how they get over

1241
01:09:54,080 --> 01:09:59,000
Speaker 3: that and what that's like, because when I got put

1242
01:09:59,040 --> 01:10:01,519
Speaker 3: in that situation, if I'm being honest with you guys

1243
01:10:01,600 --> 01:10:03,519
Speaker 3: and myself, it changed me.

1244
01:10:06,320 --> 01:10:09,360
Speaker 4: Someone betray you, you know, on that level, it's like

1245
01:10:12,840 --> 01:10:14,000
Speaker 4: it's like they rip it.

1246
01:10:14,160 --> 01:10:16,519
Speaker 3: They rip it from the roots, They rip your trust

1247
01:10:16,600 --> 01:10:19,680
Speaker 3: from the roots. I've been involved with people who to

1248
01:10:19,800 --> 01:10:22,120
Speaker 3: get out of the trap, they'll cut their own leg off,

1249
01:10:24,080 --> 01:10:26,040
Speaker 3: cut their arm off, to get off the trap.

1250
01:10:26,520 --> 01:10:28,559
Speaker 4: They'll do anything not to get caught on the trap.

1251
01:10:28,640 --> 01:10:30,200
Speaker 3: So I know what that's about, and I know what

1252
01:10:30,320 --> 01:10:33,080
Speaker 3: that's like, right, But I also know, man, it's like

1253
01:10:33,160 --> 01:10:36,320
Speaker 3: an uphill battle just even being born in the circumstances

1254
01:10:36,360 --> 01:10:39,960
Speaker 3: they even have to consider selling drugs and building up

1255
01:10:40,000 --> 01:10:42,800
Speaker 3: all these different walls. And I was talking to my

1256
01:10:42,960 --> 01:10:45,680
Speaker 3: cousin the other day and he and the federal penitential.

1257
01:10:45,760 --> 01:10:48,360
Speaker 3: He was telling me, Man, I had got a car

1258
01:10:48,479 --> 01:10:51,120
Speaker 3: and such and such happening. Such and such happened one

1259
01:10:51,160 --> 01:10:53,040
Speaker 3: of my lols, and I used to just park it

1260
01:10:53,080 --> 01:10:57,040
Speaker 3: at a hospital. It was a hospital two three miles

1261
01:10:57,080 --> 01:11:00,320
Speaker 3: from my crib, one of my spots, and I just

1262
01:11:00,560 --> 01:11:03,560
Speaker 3: I never took that car to my spot. It's the

1263
01:11:03,680 --> 01:11:05,519
Speaker 3: car will be all at the club, me and my

1264
01:11:05,600 --> 01:11:08,320
Speaker 3: little lol. It never pulled to my house. Do you

1265
01:11:08,479 --> 01:11:12,240
Speaker 3: understand the level of just this is war, my nigga,

1266
01:11:12,920 --> 01:11:15,639
Speaker 3: This is high level war. A nigga can't even pull

1267
01:11:15,720 --> 01:11:19,479
Speaker 3: his car to his house dealing with this street drug game.

1268
01:11:20,840 --> 01:11:22,920
Speaker 3: That means every night, I gotta get some kind of

1269
01:11:22,960 --> 01:11:25,160
Speaker 3: way to get from here to there. I might got

1270
01:11:25,280 --> 01:11:27,360
Speaker 3: to drive a car. He'll get out there, car get

1271
01:11:27,439 --> 01:11:29,640
Speaker 3: in this car. It's like, it's a lot going on

1272
01:11:29,920 --> 01:11:32,439
Speaker 3: for my safety. And when you do all of that

1273
01:11:32,640 --> 01:11:35,680
Speaker 3: and still get told on, or you do all of

1274
01:11:35,760 --> 01:11:38,240
Speaker 3: that and they still get tipped off, or they still

1275
01:11:38,400 --> 01:11:41,280
Speaker 3: get to you some kind of way, it'll break down

1276
01:11:41,439 --> 01:11:45,640
Speaker 3: your hole. It'll break down your understanding. I want to

1277
01:11:45,680 --> 01:11:47,360
Speaker 3: talk about this and then we'll get out of here

1278
01:11:47,439 --> 01:11:49,360
Speaker 3: for the day and I'll see you guys next week.

1279
01:11:50,040 --> 01:11:52,680
Speaker 3: Ralloh and Young Dolph, I want to speak about some

1280
01:11:52,800 --> 01:11:58,760
Speaker 3: of the narratives online that it's arounding Ralloh and Young

1281
01:11:58,880 --> 01:11:59,919
Speaker 3: Dolphs scenario.

1282
01:12:00,120 --> 01:12:00,240
Speaker 6: Yo.

1283
01:12:01,040 --> 01:12:03,439
Speaker 3: For those who do not know, Rollo and Young Dolph

1284
01:12:03,520 --> 01:12:07,400
Speaker 3: had from my vision, from my perspective, had a very

1285
01:12:08,880 --> 01:12:12,479
Speaker 3: close relationship. What Dolf seemed to always be one of

1286
01:12:12,560 --> 01:12:15,800
Speaker 3: those guys that were looking to help street niggas get

1287
01:12:15,840 --> 01:12:19,559
Speaker 3: out the streets. Every single guy got in the FEDS

1288
01:12:19,640 --> 01:12:22,360
Speaker 3: love Dolf And this ain't me. I don't even know Doff.

1289
01:12:22,479 --> 01:12:24,400
Speaker 3: I ain't I don't know none of as people Me

1290
01:12:24,479 --> 01:12:27,200
Speaker 3: and band play cool, but I don't know none of

1291
01:12:27,280 --> 01:12:30,320
Speaker 3: those guys for the most part. But every nigga I

1292
01:12:30,439 --> 01:12:32,960
Speaker 3: speak to in the FED speak highly of Dolf. They

1293
01:12:33,040 --> 01:12:35,880
Speaker 3: looked at Dolf like one of those guys, and these

1294
01:12:35,960 --> 01:12:38,400
Speaker 3: are my people that I got a level of respect for,

1295
01:12:38,920 --> 01:12:41,599
Speaker 3: and so I always look at what they look at

1296
01:12:41,720 --> 01:12:45,040
Speaker 3: and see how how the streets really feel about some

1297
01:12:45,160 --> 01:12:48,439
Speaker 3: of these rappers. Dolf was one of those guys that

1298
01:12:48,720 --> 01:12:50,880
Speaker 3: for a lot of the guys checked off a lot

1299
01:12:50,960 --> 01:12:51,679
Speaker 3: of the boxes.

1300
01:12:52,479 --> 01:12:53,759
Speaker 4: That's to not take.

1301
01:12:53,680 --> 01:12:56,640
Speaker 3: Anything from your God to his family, c MG or

1302
01:12:56,680 --> 01:13:01,840
Speaker 3: what they've contributed. But I've always said a lot of

1303
01:13:01,920 --> 01:13:06,160
Speaker 3: the homeboys that I know, while they do respect got it.

1304
01:13:08,280 --> 01:13:10,360
Speaker 3: They got a high level of respect for Dolph in

1305
01:13:10,439 --> 01:13:15,920
Speaker 3: his hustle and what he stood for. Raalo is one

1306
01:13:15,960 --> 01:13:20,479
Speaker 3: of those guys that was around Dolph when he was alive,

1307
01:13:20,560 --> 01:13:24,280
Speaker 3: and doth blessed his game every which way, every time

1308
01:13:24,360 --> 01:13:27,000
Speaker 3: he could. Daulph was one of those guys. I want

1309
01:13:27,040 --> 01:13:30,640
Speaker 3: to see you really win, and I promise you in

1310
01:13:30,760 --> 01:13:35,840
Speaker 3: this rap game, these rap dudes they get infected. They

1311
01:13:35,920 --> 01:13:40,439
Speaker 3: get infected with a behavior that's meant for women. They

1312
01:13:40,479 --> 01:13:43,600
Speaker 3: get infected with a behavior that the fame. It blinds you.

1313
01:13:43,720 --> 01:13:46,439
Speaker 3: It places you on a path that you can't even

1314
01:13:46,520 --> 01:13:49,599
Speaker 3: see where you're going. You can't even digest it. It's

1315
01:13:49,680 --> 01:13:52,880
Speaker 3: moving so fast. They've placed you in a tornado to

1316
01:13:53,360 --> 01:13:56,080
Speaker 3: get your money. But they are fucking up your psyche.

1317
01:13:58,439 --> 01:14:01,320
Speaker 3: But your psyche is collateral damage. They just need you

1318
01:14:02,040 --> 01:14:06,760
Speaker 3: litle enough to not pay attention to the money. But

1319
01:14:06,960 --> 01:14:10,280
Speaker 3: Rollo and Dolph were cool, and Sean Cotton on Say

1320
01:14:10,400 --> 01:14:15,479
Speaker 3: Cheese asked Rollo where he was how we felt when

1321
01:14:15,520 --> 01:14:18,000
Speaker 3: he got the news of young Dolph passing let's listen

1322
01:14:18,040 --> 01:14:18,639
Speaker 3: to what he said.

1323
01:14:18,840 --> 01:14:23,040
Speaker 4: Pay attention the dog situation right when you heard that news.

1324
01:14:23,160 --> 01:14:25,320
Speaker 2: I don't aller my goddamnre I allow myself on at day,

1325
01:14:26,000 --> 01:14:28,360
Speaker 2: see Dolf, whenever I had phones and shit in the gut,

1326
01:14:28,560 --> 01:14:30,280
Speaker 2: man Dofin was sit on the phone three four hours.

1327
01:14:30,600 --> 01:14:33,360
Speaker 2: It's not me just talking, just vibing, you know what

1328
01:14:33,400 --> 01:14:35,320
Speaker 2: I'm saying. This one of the niggas that went on

1329
01:14:35,479 --> 01:14:38,280
Speaker 2: when Queen sent him over songs for me, he jumped

1330
01:14:38,320 --> 01:14:41,040
Speaker 2: right on it. He whenever and one of my people

1331
01:14:41,080 --> 01:14:42,920
Speaker 2: be around him and say saylf free roloh thing, he

1332
01:14:43,040 --> 01:14:45,640
Speaker 2: do it. Whenever my family needed some money, he send it.

1333
01:14:45,880 --> 01:14:48,280
Speaker 2: It's not me so like, well, Dolf, you know I

1334
01:14:48,360 --> 01:14:50,679
Speaker 2: gotta choose that side. Why that man in the ground,

1335
01:14:50,960 --> 01:14:52,880
Speaker 2: he got kids, got this motherfucker had grown up without

1336
01:14:52,880 --> 01:14:55,880
Speaker 2: a bag? How the fuck I look, I ain't got

1337
01:14:55,920 --> 01:14:57,559
Speaker 2: no beef for y'all. Got on nobody else with him

1338
01:14:58,000 --> 01:14:58,439
Speaker 2: or whatever.

1339
01:14:58,479 --> 01:14:59,920
Speaker 1: I ain't saying he did it. I ain't saying that.

1340
01:15:00,080 --> 01:15:01,360
Speaker 4: Yeah, whoever did.

1341
01:15:01,240 --> 01:15:03,880
Speaker 2: Whatever they did, But for me to be fucking with

1342
01:15:03,960 --> 01:15:06,360
Speaker 2: a nigga that this man was hating, you know, it

1343
01:15:06,479 --> 01:15:08,000
Speaker 2: got it on my favorite rapper all my life.

1344
01:15:08,080 --> 01:15:08,200
Speaker 4: Mm.

1345
01:15:08,720 --> 01:15:10,519
Speaker 2: But this man been fucking with me and my family

1346
01:15:10,560 --> 01:15:12,559
Speaker 2: and helping me in my livelihood and helping me feed

1347
01:15:12,640 --> 01:15:14,840
Speaker 2: my kids and shit, and looking out for my neighborhood.

1348
01:15:14,840 --> 01:15:17,400
Speaker 1: He the reason why we He he contributed to all

1349
01:15:17,479 --> 01:15:18,200
Speaker 1: we have today.

1350
01:15:18,680 --> 01:15:21,639
Speaker 2: For me to got down be fucking with some people

1351
01:15:21,800 --> 01:15:24,439
Speaker 2: and that man dead that he disliked it, and his

1352
01:15:24,560 --> 01:15:26,200
Speaker 2: wife his girl out, he was raised the mother forucker

1353
01:15:26,200 --> 01:15:28,880
Speaker 2: by myself, I ain't doing that. I ain't saying I'm

1354
01:15:28,880 --> 01:15:30,360
Speaker 2: finna go over here and step on home and do

1355
01:15:30,479 --> 01:15:32,720
Speaker 2: none of that shit. I'm just saying it ain't the

1356
01:15:32,800 --> 01:15:34,840
Speaker 2: right thing to do. If your man's in the ground

1357
01:15:34,880 --> 01:15:36,479
Speaker 2: that you was fucking with and he didn't fuck with

1358
01:15:36,520 --> 01:15:37,200
Speaker 2: these people, I'm not.

1359
01:15:37,240 --> 01:15:37,680
Speaker 4: Finna do it.

1360
01:15:37,840 --> 01:15:40,160
Speaker 2: M I ain't saying, hey, everybody, let's go to walk.

1361
01:15:40,280 --> 01:15:42,640
Speaker 2: I ain't saying that. I'm just saying i'm'a move right.

1362
01:15:42,960 --> 01:15:44,840
Speaker 2: If go out day to day and he will beefing

1363
01:15:44,840 --> 01:15:46,880
Speaker 2: with a nigga, I'm not finna go I go out

1364
01:15:46,880 --> 01:15:49,360
Speaker 2: dot to day and Jesus wanna come and brace me,

1365
01:15:49,400 --> 01:15:52,280
Speaker 2: I'm not doing that, all right, Jesus, That's what I'm like.

1366
01:15:53,000 --> 01:15:55,040
Speaker 2: But I'm not finna go hug this man. Yeah, and

1367
01:15:55,120 --> 01:15:55,720
Speaker 2: embracest man.

1368
01:15:55,720 --> 01:15:57,240
Speaker 1: I don't want no smoke do the things. You know

1369
01:15:57,280 --> 01:15:57,639
Speaker 1: what I mean.

1370
01:15:57,920 --> 01:16:00,320
Speaker 2: But whoever it is, it's nothing. I'm just that's just

1371
01:16:00,360 --> 01:16:01,600
Speaker 2: me because I don't want a to do that. I

1372
01:16:01,600 --> 01:16:02,799
Speaker 2: don't want about to do that exactly.

1373
01:16:03,439 --> 01:16:05,120
Speaker 4: It's hard to push back on anything.

1374
01:16:05,160 --> 01:16:07,519
Speaker 3: And Raloh is saying, as it pertains to Dolph or

1375
01:16:08,280 --> 01:16:11,080
Speaker 3: anyone in that scenario. I will say and add this

1376
01:16:11,240 --> 01:16:14,919
Speaker 3: to the conversation. Though sometimes you can't choose it. Sometimes

1377
01:16:15,000 --> 01:16:17,519
Speaker 3: it ain't no choosing that. I ain't saying. It ain't

1378
01:16:17,560 --> 01:16:20,360
Speaker 3: no beef. Now, when you choose size in this homeie smoke,

1379
01:16:20,479 --> 01:16:24,559
Speaker 3: go with that. Sometimes you choose size in this kind

1380
01:16:24,600 --> 01:16:27,439
Speaker 3: of shit smoke, go with that. Ain't no I meant it,

1381
01:16:27,520 --> 01:16:30,240
Speaker 3: but I ain't in it. And so sometimes you gotta

1382
01:16:30,280 --> 01:16:34,360
Speaker 3: prepare for war when you choose sides. And so here's

1383
01:16:34,400 --> 01:16:37,840
Speaker 3: the thing now, if your key glock, because I want

1384
01:16:37,880 --> 01:16:40,720
Speaker 3: to address the internet, and everyone's saying, though, yo, we

1385
01:16:40,800 --> 01:16:44,000
Speaker 3: don't see key clock embracing the Raaloh movement as it

1386
01:16:44,080 --> 01:16:47,560
Speaker 3: pertains to Doph. I don't think there's no disrespect. But

1387
01:16:47,760 --> 01:16:51,120
Speaker 3: key glock is on the other side of this where

1388
01:16:51,160 --> 01:16:53,640
Speaker 3: it ain't just no music, and it ain't just no

1389
01:16:53,840 --> 01:16:58,720
Speaker 3: free none, it's really smoke behind this. So no disrespect

1390
01:16:58,760 --> 01:17:00,680
Speaker 3: to Raloh. But if I'm Key Glock and I do

1391
01:17:00,800 --> 01:17:03,000
Speaker 3: hear you say, you know, I fuck with Dolph.

1392
01:17:03,040 --> 01:17:05,840
Speaker 4: I love Dolf. But I ain't saying. I ain't saying

1393
01:17:05,840 --> 01:17:07,080
Speaker 4: I'm a step on them folks.

1394
01:17:07,320 --> 01:17:09,920
Speaker 3: I ain't saying, you know them guys this or that,

1395
01:17:10,520 --> 01:17:13,000
Speaker 3: then I'm gonna stay away from you, because that's what

1396
01:17:13,120 --> 01:17:14,160
Speaker 3: I'm saying over here.

1397
01:17:15,880 --> 01:17:16,080
Speaker 4: Yeah.

1398
01:17:16,200 --> 01:17:18,360
Speaker 3: Nah, that's what I'm saying. I'm saying step on them

1399
01:17:18,400 --> 01:17:20,679
Speaker 3: folks over here. If I believe that to be the case.

1400
01:17:20,760 --> 01:17:23,360
Speaker 3: I ain't saying that that's what's happening. But I'm saying,

1401
01:17:23,439 --> 01:17:26,759
Speaker 3: if we drill this down, we haven't saw Key Glock

1402
01:17:26,840 --> 01:17:31,040
Speaker 3: with Ralo. So it begs the question, what are the

1403
01:17:31,120 --> 01:17:34,640
Speaker 3: many reasons could that before? Another reason that can be

1404
01:17:34,800 --> 01:17:39,280
Speaker 3: for is Key Glock and his family. They may not

1405
01:17:39,439 --> 01:17:42,479
Speaker 3: try to relive that a lot. They may try to

1406
01:17:42,560 --> 01:17:46,439
Speaker 3: move away from. You know, there's a thin line between

1407
01:17:46,600 --> 01:17:49,800
Speaker 3: keeping the name alive and making us relive it.

1408
01:17:51,160 --> 01:17:53,200
Speaker 4: You see what I'm saying, And so.

1409
01:17:54,960 --> 01:17:57,639
Speaker 3: Maybe there's a conversation to be had about the kind

1410
01:17:57,680 --> 01:18:01,640
Speaker 3: of content that you want to attach the dolphin. You

1411
01:18:01,760 --> 01:18:04,880
Speaker 3: dig what I'm saying, especially naming songs after him and

1412
01:18:04,960 --> 01:18:07,320
Speaker 3: things like that. Right, So you got to start to

1413
01:18:07,400 --> 01:18:10,519
Speaker 3: take other things in consideration because there are family members

1414
01:18:10,560 --> 01:18:12,679
Speaker 3: that's grieving as children is growing.

1415
01:18:15,760 --> 01:18:18,880
Speaker 4: But on the other hand, Rollo has some is real

1416
01:18:19,080 --> 01:18:20,559
Speaker 4: right homeboys with him.

1417
01:18:22,320 --> 01:18:25,360
Speaker 3: But the internet is questioning while we don't see key Glock,

1418
01:18:25,760 --> 01:18:27,920
Speaker 3: while we don't see Glock post it, while we don't

1419
01:18:27,960 --> 01:18:32,760
Speaker 3: see Glock engaged with it. You know, I guess we'll

1420
01:18:32,840 --> 01:18:36,439
Speaker 3: find out. I do not think it's no beef with

1421
01:18:36,560 --> 01:18:39,120
Speaker 3: Key Glock and Rallo. I want to be on records

1422
01:18:39,160 --> 01:18:42,120
Speaker 3: saying that, right, we have a podcast. We deal with

1423
01:18:42,280 --> 01:18:44,560
Speaker 3: music and all things around the music and how it

1424
01:18:44,680 --> 01:18:49,519
Speaker 3: plays into the music. But I truly believe that that

1425
01:18:49,800 --> 01:18:54,679
Speaker 3: Key Glock is examining an evaluating what's going on because

1426
01:18:55,240 --> 01:18:58,040
Speaker 3: if you look into everything that's going on, and I

1427
01:18:58,160 --> 01:19:01,479
Speaker 3: won't go into some of those things, because there's cases

1428
01:19:01,560 --> 01:19:04,439
Speaker 3: that's open as things that happen that you can point

1429
01:19:04,479 --> 01:19:06,840
Speaker 3: in and say, no, this is the kind of serious matter.

1430
01:19:06,960 --> 01:19:10,639
Speaker 3: There's things happening. This isn't just something that's just right,

1431
01:19:10,920 --> 01:19:16,640
Speaker 3: it's situations. There's things going on. And while I do

1432
01:19:16,880 --> 01:19:18,960
Speaker 3: enjoy the new song with Rauloh. I think it's a

1433
01:19:19,040 --> 01:19:22,160
Speaker 3: great song, and I think Rualo is getting better with

1434
01:19:22,280 --> 01:19:22,799
Speaker 3: his repping.

1435
01:19:24,400 --> 01:19:28,560
Speaker 4: But I do think that not seeing key Glock is

1436
01:19:28,640 --> 01:19:29,720
Speaker 4: not a coincidence.

1437
01:19:31,520 --> 01:19:36,600
Speaker 3: You know, one thing you must also understand is that

1438
01:19:36,760 --> 01:19:43,320
Speaker 3: the fans can sniff out certain things, and overwhelmingly it

1439
01:19:43,439 --> 01:19:47,320
Speaker 3: seems like Dolph fans are activated and supporting the Raloh thing.

1440
01:19:47,960 --> 01:19:50,120
Speaker 3: But there's a thin line and he gotta be careful

1441
01:19:50,200 --> 01:19:52,320
Speaker 3: with that to make sure it doesn't come off it's

1442
01:19:52,360 --> 01:19:55,639
Speaker 3: cloud chase. And continue making the music, Continue making your records.

1443
01:19:55,680 --> 01:19:58,320
Speaker 3: That's your homeboy. Continue to put him down in music,

1444
01:19:58,800 --> 01:20:01,360
Speaker 3: continue to make sure people well keep his name alive.

1445
01:20:02,240 --> 01:20:04,560
Speaker 3: But it may be a conversation to be had with

1446
01:20:04,640 --> 01:20:07,200
Speaker 3: the family. And that's me just stating obvious.

1447
01:20:07,760 --> 01:20:07,880
Speaker 4: Right.

1448
01:20:08,080 --> 01:20:11,200
Speaker 3: My job is examining the music. So I'm stating obvious.

1449
01:20:11,800 --> 01:20:15,600
Speaker 3: Keith Glock hasn't embraced that, ain't nowhere around that. It

1450
01:20:15,640 --> 01:20:17,640
Speaker 3: ain't no way to tip it, tour around it and

1451
01:20:17,760 --> 01:20:21,120
Speaker 3: act like that. Right, So y'all know us, We real

1452
01:20:21,200 --> 01:20:23,920
Speaker 3: it's up there podcast big long. I gotta keep it real,

1453
01:20:24,560 --> 01:20:26,080
Speaker 3: you see what I'm saying. I would love have had

1454
01:20:26,120 --> 01:20:29,120
Speaker 3: a conversation with at one of those guys and figure

1455
01:20:29,200 --> 01:20:29,559
Speaker 3: that out.

1456
01:20:30,680 --> 01:20:33,400
Speaker 4: It's their conversation that need to be had with the family.

1457
01:20:33,520 --> 01:20:36,559
Speaker 3: All we trying to move away from speaking this way

1458
01:20:36,640 --> 01:20:39,240
Speaker 3: in reck in recause as it pertains.

1459
01:20:38,880 --> 01:20:39,519
Speaker 4: To his name.

1460
01:20:39,680 --> 01:20:42,760
Speaker 3: We now moved on to now getting streets in his name,

1461
01:20:42,880 --> 01:20:44,320
Speaker 3: getting buildings after him.

1462
01:20:44,400 --> 01:20:44,559
Speaker 4: Right.

1463
01:20:45,080 --> 01:20:49,320
Speaker 3: You gotta just you gotta be in concert with the family, right,

1464
01:20:50,240 --> 01:20:52,920
Speaker 3: And that's what I think. That's my opinion, that's my take.

1465
01:20:53,720 --> 01:20:56,519
Speaker 3: It's up there podcasts, y'all. Come to Patreon dot com.

1466
01:20:56,600 --> 01:20:59,840
Speaker 3: It's up there podcast for the vibes. You know what

1467
01:21:00,080 --> 01:21:01,320
Speaker 3: the vibes is. It's up there.

1468
01:21:01,840 --> 01:21:02,080
Speaker 4: Love