WEBVTT - Ep. 34: The Folsom Site - The Unsolved Mystery of Fluted Stone (Part 4)

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<v Speaker 1>M a guy that introduced me to the Folsome site.

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<v Speaker 1>He couldn't get excited about certain cultures because they used

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<v Speaker 1>a lot of junk stone and their points recruited. In course,

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<v Speaker 1>the guy had been an engineer. He wiped the Folsome point.

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<v Speaker 1>To him, it was like, no, that's a good people.

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<v Speaker 1>His attitude though. This week on the Bargrease podcast, we're

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<v Speaker 1>on our fourth and final episode in our series on

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<v Speaker 1>the Fulsome Archaeological Site, and we're talking about stone points.

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<v Speaker 1>We're in search of understanding the ancient, mysterious and difficult

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<v Speaker 1>process of fluting stone. We'll discuss the radical design and

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<v Speaker 1>the mechanics of these stone points and infer some stuff

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<v Speaker 1>about the culture of these people based on all that

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<v Speaker 1>we have, these beautiful stone points that we call Fulsome points.

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<v Speaker 1>Of all their material possessions, these stones are the only

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<v Speaker 1>thing that have outlasted the erosive nature of time. Well

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<v Speaker 1>be talking with a new guest, anthropologist, Devin Pettigrew, who

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<v Speaker 1>will walk us through the design of these points and

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<v Speaker 1>the history of addle Addles, and one last time will

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<v Speaker 1>tap into the knowledge of Dr David Meltzer and Steve Rinella.

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<v Speaker 1>We dove in and went to the dad gum bottom

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<v Speaker 1>of the river, and we're finally coming up for air

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<v Speaker 1>as we'll discover the answer to our original question of

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<v Speaker 1>why does any of this matter? The flutes on these

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<v Speaker 1>points don't play any music, but they paint an incredible

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<v Speaker 1>picture of who these people were. I really doubt you're

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<v Speaker 1>gonna want to miss this one. If you think about

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<v Speaker 1>like early Germanic flintlock rifles in the Americans, they were

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<v Speaker 1>extremely well made. There was an art to them, and

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<v Speaker 1>they re graved them. They didn't have to do all

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<v Speaker 1>that stuff, but they could with fulsome they're just very

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<v Speaker 1>concerned about, you know, making these points extremely well made.

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<v Speaker 1>Somebody put a lot of extra time and that's and

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<v Speaker 1>they really needed to. My name is Clay Nukelem, and

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<v Speaker 1>this is the Bear Grease Podcast where we'll explore things

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<v Speaker 1>forgotten but relevant, search for insight and unlikely places, and

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<v Speaker 1>where we'll tell the story of Americans who lived their

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<v Speaker 1>lives close to the land. Presented by f HF Gear,

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<v Speaker 1>American made purpose built hunting and fishing gear that's designed

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<v Speaker 1>to be as rugged as the places we explore. On

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<v Speaker 1>this episode, we're gonna look into the technology and designed

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<v Speaker 1>to the fulsome Stone Point. These points were first discovered

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<v Speaker 1>in the wild Horse arroy oh in fulsome New Mexico,

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<v Speaker 1>scattered amongst the remains of thirty two bison antiquous. If

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<v Speaker 1>you've been listening to this series, you know all this stuff.

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<v Speaker 1>These bison were killed some ten thousand years ago by

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<v Speaker 1>ancient human hunters, some of the first Americans. The technology

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<v Speaker 1>at this point was radical in terms of its engineering,

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<v Speaker 1>and the reasoning of the ancient hunters to employ this

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<v Speaker 1>risky style of point is a mystery. All the experts

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<v Speaker 1>agreed the design has utilitarian function, but the reward of

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<v Speaker 1>that function came with great costs, and some believe there

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<v Speaker 1>was more to the point than just in the field performance.

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<v Speaker 1>Was it cultural, was it spiritual? There was it the

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<v Speaker 1>tendency of early man, just like it is today to

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<v Speaker 1>push engineering to the furtherest side of the pendulum before

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<v Speaker 1>the system breaks. Will never know the full answer, but

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<v Speaker 1>we're in search of why they fluted these points. I

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<v Speaker 1>feel pretty good about what we've learned regarding the events

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<v Speaker 1>of this ancient hunt that we've been dissecting. We've covered

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<v Speaker 1>a lot of ground while we've been in pursuit of

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<v Speaker 1>our layman's PhD on Fulsome from George mcjunkan, the former

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<v Speaker 1>slave we found the site, to the speculation on how

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<v Speaker 1>the kill went down to gourmet butchering, to who these

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<v Speaker 1>ancient people were and how they lived along the way

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<v Speaker 1>we've been leaning on the inside of Steve Ronella Meat

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<v Speaker 1>Eater is insight an ability to ask some interesting questions

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<v Speaker 1>have helped open a broader vista on this subject. Here's

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<v Speaker 1>Steve opening up our conversation on the uniqueness of the

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<v Speaker 1>fulsome points and the inferences that can be made about

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<v Speaker 1>these people because of their craftsmanship, the fineness of a

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<v Speaker 1>fulsome point. It's the craftsmanship that goes into making a

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<v Speaker 1>fulesome point where you make this like very perfect point.

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<v Speaker 1>Every one of them kind of falls into a certain

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<v Speaker 1>like dimensional characteristics, certain shape. You do something really hard

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<v Speaker 1>to make like a point, and then you do something

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<v Speaker 1>like knock these channel out of each face running the

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<v Speaker 1>length of the point, which has a very high failure rate.

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<v Speaker 1>So even people now like contemporary naverage to try to

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<v Speaker 1>experience it. It's hard. It's like to make the thing

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<v Speaker 1>and knock the thing out. Most are not gonna work.

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<v Speaker 1>Just a delicate seeming but probably very deadly thing and

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<v Speaker 1>so finely wrought and from such perfect stone that I

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<v Speaker 1>think that adds a lot to the mythology of the

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<v Speaker 1>folsome hunter. And to demonstrate I mean, I used to

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<v Speaker 1>be friends. He passed away, but a guy that introduced

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<v Speaker 1>me to the Folsome site. His name was Tony Baker.

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<v Speaker 1>He come from a long line of anthropologists and arrowhead hunters.

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<v Speaker 1>He would talk about some cultures just the projectile points.

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<v Speaker 1>He didn't seem to like the culture. I don't mean

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<v Speaker 1>a way like judging them. He couldn't get excited about

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<v Speaker 1>certain cultures because they use a lot of junk stone

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<v Speaker 1>and their points where and their points were crude in course,

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<v Speaker 1>and he he was making insinuations about who they were,

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<v Speaker 1>the character they were. They weren't picky about the stone

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<v Speaker 1>they used. They were sloppy. They would leave, you know,

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<v Speaker 1>they would leave like like patentation on that they wouldn't

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<v Speaker 1>clean every face, so sometimes they had like a like

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<v Speaker 1>a patina to it. And he was just like dismissive,

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<v Speaker 1>not like dismissive, like not the religion or the belief system.

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<v Speaker 1>He just couldn't get excited about people that made that

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<v Speaker 1>use cruddy stone to make a rather crude implement The

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<v Speaker 1>guy had been an engineer. He liked the fulsome point

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<v Speaker 1>to him, it was like, no, that's a good people.

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<v Speaker 1>What's kind of his attitude? You know? Think about if

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<v Speaker 1>you use that same idea and projected into the future

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<v Speaker 1>of what people would say about us. It's a judgment

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<v Speaker 1>you make when you want when you're driving down the road, man,

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<v Speaker 1>you see you know, you see a nice house, everything's organized,

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<v Speaker 1>a nice beautiful garden, Like there's a boat, boat looks

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<v Speaker 1>rigged up, ready to go. It looks an industrious person,

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<v Speaker 1>you know. And then you buy a place and everything's

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<v Speaker 1>all fallen down and in disrepair and junk everywhere. You

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<v Speaker 1>most I'm not saying you most people make up old

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<v Speaker 1>passing judgment about what that person's um. They're they're sort

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<v Speaker 1>of like like how they feel about craftsmanship, how they

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<v Speaker 1>feel about organization, how whether they're fastidious and tidy, you know,

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<v Speaker 1>and and in a similar way, I look at that

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<v Speaker 1>point and I'm like, holy cow, man, just a lot

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<v Speaker 1>from that, just a beautiful point. Let's say someone somehow

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<v Speaker 1>anthropological techniques get very so sophisticated that we learned somehow

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<v Speaker 1>that the folesome hunters really yelled at their wives all

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<v Speaker 1>the time, terribly rude to their wives. I'd be like,

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<v Speaker 1>oh man, I didn't. That kind of goes against my impression.

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<v Speaker 1>Never mased on the projectile never never make your hero

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<v Speaker 1>staf you never want to meet your hero based on

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<v Speaker 1>the projectile points. I find that very disappointed. Perhaps they

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<v Speaker 1>were a little bit thuggish with their lives. It's a

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<v Speaker 1>very real idea that how we manage our material things

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<v Speaker 1>reflects some parts of our internal value system. Do you

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<v Speaker 1>think that's fair? Do you think that we're coming to

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<v Speaker 1>accurate conclusions when we infer this much about these people

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<v Speaker 1>from the craftsmanship of their stone points. I figure it's

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<v Speaker 1>pretty accurate and no doubt an interesting thought. Like I

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<v Speaker 1>said before, Dr David Meltzer of s M, you literally

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<v Speaker 1>wrote the book on fulsome and before we get much further,

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<v Speaker 1>we need to understand what a fulsome point looks like

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<v Speaker 1>and how it's made. And it would probably help if

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<v Speaker 1>you took a second and googled fulsome point and looked

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<v Speaker 1>at an image of one. Here's Dr Meltzer describing what

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<v Speaker 1>they look like. So fulsome points are some of the

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<v Speaker 1>really wonderful examples of flint napping you will ever encounter.

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<v Speaker 1>They tend to be about I'm gonna do this in

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<v Speaker 1>centimeters because because I've been doing dr meltzer. Okay, so

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<v Speaker 1>if you were a falsome point, you'd be in an

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<v Speaker 1>inch and a half to two inches long. Okay, there

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<v Speaker 1>we go. Um, we're gonna have to go millimeters though

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<v Speaker 1>here clay, because I can't tell you what two to

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<v Speaker 1>three millimeters in thickness is understood, like an eighth of

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<v Speaker 1>an inch thick, less than a quarter, much less than

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<v Speaker 1>a quarter. We might be we might be talking sixte Uh,

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<v Speaker 1>make them about an inch wide and uh, they have

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<v Speaker 1>this very distinct flute. Think of it as a twentieth

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<v Speaker 1>century bayonet, right a groove up the face. And in fact,

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<v Speaker 1>when they were first discovered, it was thought because when

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<v Speaker 1>they were first discovered it was you know, World War

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<v Speaker 1>One was just a decade less than a decade old,

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<v Speaker 1>it was thought that these were actually blood letting channels.

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<v Speaker 1>But then they realized that for better penetration, well, for

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<v Speaker 1>better penetration, and then you know, the animals bleeding and

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<v Speaker 1>it just goes down that channel and out right. Well,

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<v Speaker 1>as it turns out, these points were hafted by which

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<v Speaker 1>we mean they were attached to spears, and the base

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<v Speaker 1>of the point would have been anchored in the tip

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<v Speaker 1>of a spear, and it would be wrapped and held

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<v Speaker 1>in place and the um. There might be some fore

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<v Speaker 1>shafts or perhaps a notch at the top of the

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<v Speaker 1>spear in which the point would be wrapped up. I've

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<v Speaker 1>got one in my hands. This is uh, this is

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<v Speaker 1>not authentic fulsome and in fact that's a replica of

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<v Speaker 1>falsome point. But the base of the point would have

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<v Speaker 1>been hafted or anchored into the tip of the spear.

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<v Speaker 1>It might have been wrapped by sinews. They might have

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<v Speaker 1>used some sort of mastick to kind of glue it

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<v Speaker 1>in there. But what that means is that the fluid

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<v Speaker 1>itself would have been buried inside the haft area, so

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<v Speaker 1>it couldn't have been a very good blood letting channel. Uh.

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<v Speaker 1>These points were beautifully symmetrical. They were often finely trimmed,

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<v Speaker 1>with what we referred to as gentle sort of pressure

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<v Speaker 1>flaking up and down the edge, quite sharp, and would

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<v Speaker 1>be you used for um hunting. These are not necessarily

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<v Speaker 1>points that often had multi uses, so earlier Clovis points

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<v Speaker 1>we often see that they were used as knives as

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<v Speaker 1>well as projectiles. These things are built to hunt. These

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<v Speaker 1>are really this is a specialized point. Yeah, it's a

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<v Speaker 1>it's a it's a point that is intended to bring

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<v Speaker 1>down an animal. But a lot of the time because

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<v Speaker 1>it's so thin, it's it's thinness makes it fragile. We

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<v Speaker 1>often see impact damage. You know, when stone meets bone

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<v Speaker 1>and high velocity, it breaks. Dr Meltzer just brought up

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<v Speaker 1>the weakness of the Fulsome technology. It's thin and it

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<v Speaker 1>breaks easily. However, that's also its greatest strength. Thin points

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<v Speaker 1>penetrate well, can be made very sharp and are easily

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<v Speaker 1>resharpened when the tips break. Devin Pettigrew isn't at the

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<v Speaker 1>Apologist and got his PhD at the University of Colorado, Boulder.

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<v Speaker 1>His research is in experimental archaeology and he focuses on

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<v Speaker 1>the tools and weapons of early hunter gatherers. He's an

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<v Speaker 1>expert on ad laddles, and we're gonna talk about those,

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<v Speaker 1>but first he's gonna describe Fulsome points. Several times in

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<v Speaker 1>this podcast you'll hear us talk about Clovis points and

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<v Speaker 1>we'll describe them in contrast to the Fulsome point. So

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<v Speaker 1>it would be good if we understood what they were.

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<v Speaker 1>It's handy to think about the different style of points

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<v Speaker 1>as different kinds of broadhead technology, like cut on impact,

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<v Speaker 1>fixed blade heads, or expandable broadheads. The Clovis technology is

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<v Speaker 1>older than Fulsome technology, and it's easy to see that

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<v Speaker 1>Fulsome was the next step past Clovis. Clovis is a

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<v Speaker 1>partially fluted point, and basically about one third of the

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<v Speaker 1>base of the point had the slabs taken off the

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<v Speaker 1>sides of it. The removal of the sides is called fluting.

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<v Speaker 1>Fulsome points are fluted the entire way down the side

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<v Speaker 1>to achieve maximum thinness on the point. You can imagine

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<v Speaker 1>people going, well, if a little fluting is good, I

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<v Speaker 1>bet a lot of fluting would be even better. If

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<v Speaker 1>that doesn't sound like human behavior, I don't know what does.

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<v Speaker 1>Here's Devon describe for me a falsome point, like if

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<v Speaker 1>no one had ever seen it and you just had

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<v Speaker 1>to use words, how would you describe? I would say,

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<v Speaker 1>we're dealing with a Lancelot style point, so you can

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<v Speaker 1>they give like a lance head. It's kind of long

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<v Speaker 1>and narrow, Yeah, long and narrows runs straight up the

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<v Speaker 1>sides and it doesn't have a corner, it doesn't have

0:13:40.040 --> 0:13:43.040
<v Speaker 1>notching in at the base. Um, it's got a slightly

0:13:43.080 --> 0:13:46.120
<v Speaker 1>concave base. They're usually thin and they're made of high

0:13:46.200 --> 0:13:49.360
<v Speaker 1>quality material. They're very carefully flaked, and then they have

0:13:49.559 --> 0:13:52.760
<v Speaker 1>driven up the face on both sides from the base

0:13:53.160 --> 0:13:55.720
<v Speaker 1>a big flute. And what this is it's a flake

0:13:55.800 --> 0:13:58.760
<v Speaker 1>that runs almost the entire length of the point and

0:13:58.840 --> 0:14:01.560
<v Speaker 1>just takes this handle. It takes the side of it.

0:14:01.600 --> 0:14:04.320
<v Speaker 1>So if it's like a three inch imagine a three

0:14:04.360 --> 0:14:07.320
<v Speaker 1>inch point and you just could just take a saw

0:14:07.400 --> 0:14:09.959
<v Speaker 1>and just cut a slab at the side of it all. Yeah,

0:14:10.000 --> 0:14:11.960
<v Speaker 1>if you if you could just I would say taking

0:14:12.200 --> 0:14:14.360
<v Speaker 1>if you could take your point and take a galuge

0:14:14.360 --> 0:14:17.520
<v Speaker 1>and just gouge out a nice channel out of both sides,

0:14:17.559 --> 0:14:21.920
<v Speaker 1>both sides. Yeah, but you have to do it with

0:14:19.200 --> 0:14:24.360
<v Speaker 1>its one motion. Yes, So I mean they got to

0:14:24.360 --> 0:14:27.600
<v Speaker 1>get right at one time pop hit it. Yeah. And

0:14:27.640 --> 0:14:30.400
<v Speaker 1>probably what they had since they were doing this, I

0:14:30.400 --> 0:14:33.080
<v Speaker 1>mean this was a cultural you know, what we call

0:14:33.120 --> 0:14:36.040
<v Speaker 1>an industry is stone tool industry. They had a specific

0:14:36.080 --> 0:14:39.440
<v Speaker 1>method of doing it that they that everybody knew and

0:14:39.480 --> 0:14:43.280
<v Speaker 1>that worked for them and probably for close or clothes

0:14:43.360 --> 0:14:45.880
<v Speaker 1>points and fulsome points that were fluted. That probably entailed

0:14:45.960 --> 0:14:48.040
<v Speaker 1>some kind of a vice or a way to hold

0:14:48.080 --> 0:14:51.240
<v Speaker 1>the point tightly and then make a very controlled strike,

0:14:51.640 --> 0:14:55.360
<v Speaker 1>probably with what we call indirect percussion, where actually taking

0:14:55.400 --> 0:14:57.920
<v Speaker 1>the tool that's going to do the work of not

0:14:58.120 --> 0:15:00.280
<v Speaker 1>driving off the flake, and you're taking another cool that

0:15:00.320 --> 0:15:02.640
<v Speaker 1>you use as a hammer to it to strike that. Okay,

0:15:02.920 --> 0:15:05.400
<v Speaker 1>so you can set like it'd be like you're trying

0:15:05.400 --> 0:15:07.080
<v Speaker 1>to knock a flake off a rock. You put a

0:15:07.160 --> 0:15:09.000
<v Speaker 1>chisel on top of the rock and then clack it

0:15:09.040 --> 0:15:12.000
<v Speaker 1>with your hammer. You can get the indirect, indirect percussion

0:15:12.160 --> 0:15:16.280
<v Speaker 1>and direct if your your chisel analog is right on,

0:15:16.320 --> 0:15:18.240
<v Speaker 1>because you could get the angle of it just right.

0:15:18.360 --> 0:15:20.440
<v Speaker 1>You could put it right where you want it and

0:15:20.600 --> 0:15:23.320
<v Speaker 1>hold it just straight at angle and then whack. That's

0:15:23.320 --> 0:15:25.800
<v Speaker 1>probably how they're driving off those flakes, and you know,

0:15:26.000 --> 0:15:29.840
<v Speaker 1>a very controlled fashion. That was you know, extremely they

0:15:29.840 --> 0:15:37.440
<v Speaker 1>had an art down these things. The craft involved in

0:15:37.520 --> 0:15:40.680
<v Speaker 1>making these points is undeniable, and I want us to

0:15:40.680 --> 0:15:43.640
<v Speaker 1>be immersed into the process of making a fulsome point.

0:15:44.320 --> 0:15:47.960
<v Speaker 1>I want to hear it there's some real world drama

0:15:48.040 --> 0:15:51.360
<v Speaker 1>because of the investment of time and using the valuable

0:15:51.480 --> 0:15:55.080
<v Speaker 1>material that much energy was expended to acquire and the

0:15:55.200 --> 0:15:58.960
<v Speaker 1>risky fluting process right at the end either makes or

0:15:59.040 --> 0:16:02.840
<v Speaker 1>breaks the point. No pun intended. It seems like the

0:16:02.920 --> 0:16:06.120
<v Speaker 1>Burghers podcast. There's a lot of punts. But I want

0:16:06.160 --> 0:16:09.280
<v Speaker 1>you to meet my friend Rick Spicer. He's an experienced

0:16:09.320 --> 0:16:12.880
<v Speaker 1>mountaineer and a bushcraft expert. He's one of the owners

0:16:12.880 --> 0:16:16.120
<v Speaker 1>of a cool outdoor store in Fayetteville, Arkansas, called the

0:16:16.160 --> 0:16:20.080
<v Speaker 1>pack Rat. Aside from climbing big mountains, Rick is a

0:16:20.080 --> 0:16:23.040
<v Speaker 1>primitive bow hunter. He makes his own bows and naps

0:16:23.080 --> 0:16:26.600
<v Speaker 1>his own stone points for hunting. I asked Rick if

0:16:26.640 --> 0:16:29.960
<v Speaker 1>he'd be willing to try to make us a fulsome point,

0:16:30.240 --> 0:16:36.480
<v Speaker 1>which he doesn't do very often, but he agreed to try. Okay,

0:16:36.520 --> 0:16:39.040
<v Speaker 1>So what I've got here are a handful of different

0:16:39.520 --> 0:16:42.800
<v Speaker 1>preforms or by faces is another term that they're often

0:16:42.800 --> 0:16:46.320
<v Speaker 1>referred to as. And a preform is simply kind of

0:16:46.360 --> 0:16:49.840
<v Speaker 1>like a first stage of a stone point that uh,

0:16:49.920 --> 0:16:53.280
<v Speaker 1>you know, an indigenous person. First people would have created

0:16:53.440 --> 0:16:55.120
<v Speaker 1>that would have been lighter weight that they could have

0:16:55.160 --> 0:16:57.560
<v Speaker 1>carried with them, and then from there they could have

0:16:57.600 --> 0:17:00.840
<v Speaker 1>further refined that more into a specific tools. This would

0:17:00.840 --> 0:17:02.680
<v Speaker 1>have been this, This is like a three point This

0:17:02.720 --> 0:17:04.800
<v Speaker 1>would have been like a big rock, so they wouldn't

0:17:04.880 --> 0:17:07.479
<v Speaker 1>want to carry, so they would have gone to you know,

0:17:07.840 --> 0:17:10.919
<v Speaker 1>like in a um you know, alibates or or quarry

0:17:10.960 --> 0:17:13.159
<v Speaker 1>a stone corry. They would have corried this and obviously

0:17:13.240 --> 0:17:15.080
<v Speaker 1>stones heavy, like they don't want to carry any more

0:17:15.080 --> 0:17:17.080
<v Speaker 1>than they have to, so they would have corried this out.

0:17:17.119 --> 0:17:19.199
<v Speaker 1>They would have done what's called spawling. They would have

0:17:19.240 --> 0:17:22.760
<v Speaker 1>cracked off pieces of that, and then from those spalls

0:17:22.760 --> 0:17:25.840
<v Speaker 1>they would have further refined those down into these bifaces

0:17:25.920 --> 0:17:28.480
<v Speaker 1>or preforms, and then they would have hauled those off

0:17:28.560 --> 0:17:30.600
<v Speaker 1>to their hunting sites and then a camp they would

0:17:30.600 --> 0:17:35.080
<v Speaker 1>have further refined those into specific tools. Exactly, so you

0:17:35.160 --> 0:17:38.080
<v Speaker 1>have so you've already built these preforms for us today

0:17:38.119 --> 0:17:42.760
<v Speaker 1>because that would have taken Tell me how you're gonna

0:17:43.280 --> 0:17:46.560
<v Speaker 1>turn that into a falsome. Yeah, so that's you know,

0:17:46.680 --> 0:17:48.919
<v Speaker 1>where the rubber meets the road, right, and so the

0:17:49.000 --> 0:17:53.360
<v Speaker 1>thing right right right, So the thing that's so unique

0:17:53.600 --> 0:17:57.440
<v Speaker 1>about the falsome is the fluting process. And basically what

0:17:57.480 --> 0:18:00.560
<v Speaker 1>you're doing in that process is you're striking it at

0:18:00.600 --> 0:18:03.760
<v Speaker 1>the base of the preform to remove a very large

0:18:04.119 --> 0:18:07.160
<v Speaker 1>flake off of it when you're thinning that point down

0:18:07.680 --> 0:18:10.600
<v Speaker 1>to basically the maximum amount, so that when you fit

0:18:10.680 --> 0:18:14.040
<v Speaker 1>it in the foreshaft, it's very very easy. You're basically

0:18:14.040 --> 0:18:16.560
<v Speaker 1>just splitting a stick and sliding it into the end

0:18:16.560 --> 0:18:19.920
<v Speaker 1>of it and by removing these flutes, and what's really

0:18:20.000 --> 0:18:22.639
<v Speaker 1>unique is the way that there. It's symmetrical there, it's

0:18:22.680 --> 0:18:25.360
<v Speaker 1>on both sides, and to do that on a folsome

0:18:25.400 --> 0:18:28.640
<v Speaker 1>point and not break the thing is really really hard.

0:18:28.680 --> 0:18:32.960
<v Speaker 1>So talk to me about how they think they did

0:18:33.000 --> 0:18:35.679
<v Speaker 1>that with the jigs with Yeah, So there's kind of

0:18:35.880 --> 0:18:38.840
<v Speaker 1>three ways you can go about getting a flake to

0:18:38.880 --> 0:18:41.040
<v Speaker 1>release on one of these types of points. One way

0:18:41.080 --> 0:18:44.119
<v Speaker 1>is through direct percussion um and it's the most simple,

0:18:44.200 --> 0:18:47.440
<v Speaker 1>but it's arguably the most difficult. And basically, you're gonna

0:18:47.480 --> 0:18:49.639
<v Speaker 1>hold the thing in your hand and you're gonna strike

0:18:49.680 --> 0:18:52.560
<v Speaker 1>it with a hammerstone or an antler or something like that,

0:18:52.720 --> 0:18:54.680
<v Speaker 1>and you're just gonna try to knock the flake off.

0:18:54.800 --> 0:18:57.000
<v Speaker 1>But there's so many things that can go wrong trying

0:18:57.000 --> 0:18:58.920
<v Speaker 1>to do that, to get the angle right, to hit

0:18:58.960 --> 0:19:01.119
<v Speaker 1>it in the right spot, all that type of stuff.

0:19:01.600 --> 0:19:04.119
<v Speaker 1>You end up breaking a lot. The second way is

0:19:04.160 --> 0:19:06.520
<v Speaker 1>going to be through indirect percussion, and that's where you

0:19:06.640 --> 0:19:09.639
<v Speaker 1>use what's called a punch. Typically you're gonna put that

0:19:09.720 --> 0:19:13.439
<v Speaker 1>on the side or basically lead on the platform and

0:19:13.480 --> 0:19:17.000
<v Speaker 1>then hit that that tool with another tool with the hammer.

0:19:17.440 --> 0:19:20.119
<v Speaker 1>That allows you a greater degree of control over the

0:19:20.200 --> 0:19:23.280
<v Speaker 1>angle and the striking surface. But it it's still a

0:19:23.320 --> 0:19:25.680
<v Speaker 1>lot too Now you're working with like multiple things and

0:19:25.720 --> 0:19:27.600
<v Speaker 1>trying to hold it all together, which is really hard

0:19:27.800 --> 0:19:29.879
<v Speaker 1>in the final way. And I think a lot of

0:19:30.640 --> 0:19:33.960
<v Speaker 1>you know, anthropologists and certainly nappers would agree that it's

0:19:34.040 --> 0:19:37.240
<v Speaker 1>likely that they were using a jig of some kind. Now,

0:19:37.320 --> 0:19:40.119
<v Speaker 1>modern nappers have man made jigs that they've used out

0:19:40.119 --> 0:19:42.639
<v Speaker 1>a lumber and that sort of thing. But I have

0:19:42.760 --> 0:19:44.880
<v Speaker 1>seen him. I've never done this myself, but I've seen

0:19:44.920 --> 0:19:47.800
<v Speaker 1>demonstrations where basically you're driving a couple of sticks into

0:19:47.800 --> 0:19:51.560
<v Speaker 1>the ground. You're putting the point upside down and bracing

0:19:51.560 --> 0:19:54.720
<v Speaker 1>it up against these two sticks, which provide a stable

0:19:54.920 --> 0:19:58.400
<v Speaker 1>surface to press against. And then they're using a lever

0:19:58.720 --> 0:20:03.439
<v Speaker 1>to sort of gradually apply pressure and basically like pop

0:20:03.520 --> 0:20:06.199
<v Speaker 1>that flute off of the back. Yeah, and it's a

0:20:06.320 --> 0:20:09.240
<v Speaker 1>it's a very like say, I don't have experience to

0:20:09.320 --> 0:20:11.920
<v Speaker 1>doing it. I've not used jigs before. I've always used

0:20:11.920 --> 0:20:15.160
<v Speaker 1>either direct percussion or indirect percussion. But I also break

0:20:15.160 --> 0:20:17.400
<v Speaker 1>a lot of points, you know, in the process. So

0:20:18.119 --> 0:20:22.000
<v Speaker 1>with this though, um, we're using heavy duty tools at

0:20:22.080 --> 0:20:26.240
<v Speaker 1>a late stage point in the process where it's brittle,

0:20:26.320 --> 0:20:29.480
<v Speaker 1>it's thin in the likelihood of doing something wrong and

0:20:29.520 --> 0:20:32.880
<v Speaker 1>busting the thing is really really They say that they

0:20:33.119 --> 0:20:39.640
<v Speaker 1>estimate thirty failure even with the falseome people, Well, let's

0:20:39.640 --> 0:20:42.960
<v Speaker 1>do it. Yeah, let's get get it going. So I'm

0:20:42.960 --> 0:20:47.000
<v Speaker 1>gonna basically work away. Rick is working on building a

0:20:47.040 --> 0:20:49.239
<v Speaker 1>platform at the base of the point that will give

0:20:49.320 --> 0:20:53.120
<v Speaker 1>him a specific spot to strike that in theory, will

0:20:53.200 --> 0:20:56.320
<v Speaker 1>cause the entire side of the point to flake off

0:20:56.680 --> 0:21:01.320
<v Speaker 1>with one strike. The likelihood of failures seems really high

0:21:01.400 --> 0:21:04.000
<v Speaker 1>to me. What are the chances this is gonna be

0:21:04.320 --> 0:21:07.080
<v Speaker 1>is gonna work? I'd say there's a fifty percent chance

0:21:07.080 --> 0:21:10.800
<v Speaker 1>I'll get a decent flute on it. There's probably a

0:21:11.000 --> 0:21:15.840
<v Speaker 1>twenty chance that I'll break it, and a ten percent

0:21:15.960 --> 0:21:19.160
<v Speaker 1>chance that we're gonna get a flute that's even remotely

0:21:19.240 --> 0:21:23.919
<v Speaker 1>close to a fulsome style flute. Yeah, yeah, So the

0:21:24.080 --> 0:21:26.920
<v Speaker 1>platform is ready to go again. This is a direct

0:21:27.000 --> 0:21:29.680
<v Speaker 1>percussion method. So I'm gonna take uh, in this case,

0:21:29.720 --> 0:21:32.919
<v Speaker 1>the copper billet, and I'm gonna strike it at a

0:21:33.000 --> 0:21:36.119
<v Speaker 1>steep angle to try to get a flute to release

0:21:36.240 --> 0:21:42.280
<v Speaker 1>down the center of this thing. I did there again,

0:21:43.040 --> 0:21:47.480
<v Speaker 1>that's what happens. But the the yeah, I'll tell you what.

0:21:47.560 --> 0:21:50.399
<v Speaker 1>I'm gonna clean it up just a little bit. And

0:21:50.440 --> 0:21:52.639
<v Speaker 1>what basically what this means now is we're gonna end

0:21:52.680 --> 0:21:55.119
<v Speaker 1>up with a shorter point because I knocked the rear

0:21:55.400 --> 0:21:59.600
<v Speaker 1>one of the ears off. His first hit, broke the base.

0:22:00.080 --> 0:22:08.680
<v Speaker 1>He's gearing up for his second strike. Here we go. Okay,

0:22:09.280 --> 0:22:14.119
<v Speaker 1>that's not yeah, you can see that if I flipped

0:22:14.160 --> 0:22:17.320
<v Speaker 1>it over, there's the flute that's removed. So it was

0:22:17.400 --> 0:22:22.040
<v Speaker 1>in no way I thought that was gonna work. It's nice,

0:22:22.359 --> 0:22:27.359
<v Speaker 1>it really really you you're holding this three inch long point,

0:22:28.240 --> 0:22:33.000
<v Speaker 1>hitting it with a big clubby looking hammer basically right,

0:22:33.040 --> 0:22:36.359
<v Speaker 1>and it takes off this like delicate flute off the side.

0:22:36.440 --> 0:22:42.399
<v Speaker 1>That's when you see this process happen. It almost seems

0:22:42.480 --> 0:22:46.199
<v Speaker 1>miraculous that this long flute just peels off with a

0:22:46.280 --> 0:22:49.840
<v Speaker 1>single strike. But he's just halfway through. He's still got

0:22:49.840 --> 0:22:52.720
<v Speaker 1>to do the other side. But I'll save you the

0:22:52.800 --> 0:22:56.600
<v Speaker 1>stress of drama. Rick was successful at getting a partial

0:22:56.640 --> 0:22:59.120
<v Speaker 1>flute on the other side, but it wouldn't have been

0:22:59.119 --> 0:23:02.520
<v Speaker 1>considered a true fulsome style point. Rick said, it would

0:23:02.560 --> 0:23:06.119
<v Speaker 1>be closer to the partial fluting of the Clovis style point.

0:23:06.440 --> 0:23:08.760
<v Speaker 1>And if you're interested in watching Rick make a point,

0:23:08.920 --> 0:23:11.560
<v Speaker 1>I'll put a short clip on my Instagram and you

0:23:11.600 --> 0:23:19.720
<v Speaker 1>can also follow Rick at pack rat Bushcraft on Instagram.

0:23:19.760 --> 0:23:23.520
<v Speaker 1>The biggest question that remains unanswered is why did they

0:23:23.600 --> 0:23:26.960
<v Speaker 1>take the risk of such extreme fluting. The point would

0:23:26.960 --> 0:23:29.760
<v Speaker 1>have killed animals without the fluting, but they employed this

0:23:29.840 --> 0:23:35.440
<v Speaker 1>technology across vast geographic regions for one thousand years. Think

0:23:35.480 --> 0:23:39.440
<v Speaker 1>about this, what other technologies in human history have been

0:23:39.560 --> 0:23:44.159
<v Speaker 1>used for that long? The wheel, the plow. We've been

0:23:44.240 --> 0:23:47.080
<v Speaker 1>using some form of gunpowder and guns for a little

0:23:47.119 --> 0:23:50.320
<v Speaker 1>over a thousand years at the time. They might have

0:23:50.400 --> 0:23:54.120
<v Speaker 1>thought about the fulsome point like we do gunpowder as

0:23:54.320 --> 0:23:58.159
<v Speaker 1>an essential thing. Here's Steve and I talking about the

0:23:58.240 --> 0:24:03.720
<v Speaker 1>longevity of the technolo bology and entertaining a very interesting idea.

0:24:06.960 --> 0:24:11.200
<v Speaker 1>The consistency that you see that is clearly handed down

0:24:11.240 --> 0:24:15.159
<v Speaker 1>through human communication, that spread across broad geographic distances for

0:24:15.280 --> 0:24:17.960
<v Speaker 1>long periods of time that these people were able to

0:24:18.080 --> 0:24:22.320
<v Speaker 1>pass down values. They yeah, they passed on a technique

0:24:22.440 --> 0:24:24.960
<v Speaker 1>of a way to make a point. But think about

0:24:25.160 --> 0:24:27.000
<v Speaker 1>the like you and I are trying to do with

0:24:27.000 --> 0:24:29.600
<v Speaker 1>our kids right now, Steve is like, we're trying to

0:24:29.640 --> 0:24:33.360
<v Speaker 1>pass down a value system to them, and all that's

0:24:33.440 --> 0:24:36.360
<v Speaker 1>left of the folsome hunters is this piece of stone.

0:24:36.520 --> 0:24:38.280
<v Speaker 1>But there was a bunch of other stuff that came

0:24:38.320 --> 0:24:41.800
<v Speaker 1>with that too. The culture, what they valued, what they worshiped,

0:24:41.800 --> 0:24:45.560
<v Speaker 1>what they saw beauty in was was translated and it

0:24:45.600 --> 0:24:48.080
<v Speaker 1>was taught to that sun, just like it was his

0:24:48.119 --> 0:24:50.960
<v Speaker 1>ability to nap a falsome point, because it wasn't just

0:24:51.000 --> 0:24:55.320
<v Speaker 1>like one generation and it was thousands of years of

0:24:55.359 --> 0:24:58.760
<v Speaker 1>people and they did it the same. And that's why

0:24:58.800 --> 0:25:02.800
<v Speaker 1>that brings up an interest point is why did they

0:25:02.800 --> 0:25:05.960
<v Speaker 1>flute this? And I want I want to hear your

0:25:06.600 --> 0:25:09.680
<v Speaker 1>your thoughts on why they fluted it, because it's clear

0:25:09.720 --> 0:25:12.960
<v Speaker 1>that this was a difficult process. The advantages of it

0:25:13.160 --> 0:25:16.760
<v Speaker 1>killing stuff are because that's the way we would look

0:25:16.800 --> 0:25:18.879
<v Speaker 1>at it as hunters. It's like, what's the advantage of

0:25:18.920 --> 0:25:22.399
<v Speaker 1>this projectile point killing something more efficient so that my

0:25:22.480 --> 0:25:26.719
<v Speaker 1>family eats rather than starves, and so that's a pretty

0:25:27.000 --> 0:25:31.639
<v Speaker 1>heated debate. What I there's an idea that is tossed

0:25:31.640 --> 0:25:36.320
<v Speaker 1>out there, that it was non utilitarian, that the point

0:25:36.440 --> 0:25:39.080
<v Speaker 1>was fluted, that it was you know, and and and

0:25:39.119 --> 0:25:41.920
<v Speaker 1>I'm not saying i'd buy it. I like the idea.

0:25:42.320 --> 0:25:44.040
<v Speaker 1>I used to like the idea too. I used like

0:25:44.080 --> 0:25:46.320
<v Speaker 1>the idea too. And let's let's just be fair and

0:25:46.400 --> 0:25:49.320
<v Speaker 1>acknowledge right now we don't know, we don't know, we're

0:25:49.400 --> 0:25:51.960
<v Speaker 1>gonna find out, but hear me out. I used to

0:25:52.000 --> 0:25:54.240
<v Speaker 1>like that too. Then I realize that there's a joke.

0:25:54.560 --> 0:25:58.199
<v Speaker 1>There's a joke among anthropologists. If you don't understand it,

0:25:58.680 --> 0:26:01.000
<v Speaker 1>what do you do? You say that it must have

0:26:01.080 --> 0:26:06.119
<v Speaker 1>had spiritual significance or religious significance. If you dig a

0:26:06.200 --> 0:26:10.040
<v Speaker 1>site and you find that there's five Bison schools at

0:26:10.040 --> 0:26:12.440
<v Speaker 1>the site, and the Bison schools seemed to have been

0:26:12.520 --> 0:26:17.800
<v Speaker 1>roughly arrayed in a circle, it must have had spiritual significance.

0:26:18.160 --> 0:26:20.680
<v Speaker 1>Not that whatever they were doing that day and how

0:26:20.720 --> 0:26:24.880
<v Speaker 1>those carcasses were scavenged by dire wolves and dragged around

0:26:25.000 --> 0:26:27.800
<v Speaker 1>or whatever happened, it just so happens that that's how

0:26:27.840 --> 0:26:31.000
<v Speaker 1>it ends up, or that you're finishing up and your

0:26:31.040 --> 0:26:32.680
<v Speaker 1>kids are messing around and they put them in a

0:26:32.760 --> 0:26:36.000
<v Speaker 1>little pile. You know, that tendency to look at things

0:26:36.000 --> 0:26:39.000
<v Speaker 1>and be like, huh, must have had spiritual significance. It's

0:26:39.040 --> 0:26:41.720
<v Speaker 1>just there. There's also just a lot of who knows

0:26:41.960 --> 0:26:44.679
<v Speaker 1>a long time past. Now, let you give something on

0:26:44.680 --> 0:26:47.080
<v Speaker 1>the converse side, real quick. I could see the fact

0:26:47.520 --> 0:26:49.919
<v Speaker 1>that they did a certain way, and they did it

0:26:49.960 --> 0:26:52.560
<v Speaker 1>that way for a long time, being a way to

0:26:52.600 --> 0:26:55.840
<v Speaker 1>make you think that it must have had spiritual significance, right,

0:26:56.040 --> 0:26:58.399
<v Speaker 1>But it could also be that these were a people

0:26:58.400 --> 0:27:01.800
<v Speaker 1>who lived in extreme isolation at that time. Not that there,

0:27:01.800 --> 0:27:04.320
<v Speaker 1>I mean there were there were people. There were at

0:27:04.359 --> 0:27:07.520
<v Speaker 1>the time of the Falsome Hunters. There were human beings

0:27:08.119 --> 0:27:12.640
<v Speaker 1>stretched from Alaska to the southernmost tip of South America.

0:27:12.840 --> 0:27:16.359
<v Speaker 1>But these people, these bison hunters out on the plains,

0:27:16.640 --> 0:27:19.520
<v Speaker 1>might have been living in such a sort of cultural

0:27:19.560 --> 0:27:22.679
<v Speaker 1>isolation that they had an idea, They had a thing,

0:27:22.720 --> 0:27:24.880
<v Speaker 1>they hunted in a way, they hunted it, and they

0:27:24.880 --> 0:27:29.000
<v Speaker 1>went thousand years whatever it is without someone coming in

0:27:29.040 --> 0:27:30.439
<v Speaker 1>and being like, no, no no, no, you've alays got it

0:27:30.440 --> 0:27:33.640
<v Speaker 1>all wrong. Here's how you make a good project. Yeah,

0:27:33.680 --> 0:27:35.320
<v Speaker 1>here's how you make a good projectile on. So maybe

0:27:35.359 --> 0:27:38.120
<v Speaker 1>there's this is the way they did it worked for them,

0:27:38.400 --> 0:27:40.159
<v Speaker 1>and they weren't subject to a lot of new ideas.

0:27:40.160 --> 0:27:42.439
<v Speaker 1>And here's this like these people that had this, this

0:27:42.600 --> 0:27:46.880
<v Speaker 1>lifestyle that they lived far longer, far longer than any

0:27:46.920 --> 0:27:49.320
<v Speaker 1>notion of the United States of America has been around.

0:27:49.400 --> 0:27:51.840
<v Speaker 1>They were at it for a long time. Just me

0:27:52.040 --> 0:27:56.919
<v Speaker 1>sitting here in a chair. My valueless interpretation of it

0:27:57.000 --> 0:27:58.359
<v Speaker 1>is that it was just it was a function of

0:27:58.400 --> 0:28:02.280
<v Speaker 1>the equipment they were using. Here we go again with

0:28:02.320 --> 0:28:06.399
<v Speaker 1>Steve trying to completely rationalize the functional argument for the

0:28:06.440 --> 0:28:09.480
<v Speaker 1>fluting to the falsome points. Here he is with his

0:28:09.600 --> 0:28:14.520
<v Speaker 1>final thought on making these things. Another cool thing is

0:28:14.520 --> 0:28:18.520
<v Speaker 1>that at certain sites they'll find where someone's making one

0:28:18.800 --> 0:28:20.959
<v Speaker 1>and they break it. So they're in they're channeling it

0:28:21.040 --> 0:28:25.440
<v Speaker 1>and break it. There are museum specimens of a never

0:28:25.680 --> 0:28:29.879
<v Speaker 1>used falsome point broken in lying next to it and

0:28:30.040 --> 0:28:33.040
<v Speaker 1>matched to it is the channel flake that came out

0:28:33.040 --> 0:28:35.040
<v Speaker 1>of it, knocked the channel out, went to knock the

0:28:35.040 --> 0:28:38.000
<v Speaker 1>air channel out, broke the thing, dropped it all and done.

0:28:38.120 --> 0:28:40.120
<v Speaker 1>At the end of the Ice age, people who was

0:28:40.160 --> 0:28:42.400
<v Speaker 1>probably wouldn't have been unreasonably they would have run into

0:28:42.440 --> 0:28:44.840
<v Speaker 1>a one of the last man and throw them around.

0:28:45.240 --> 0:28:47.880
<v Speaker 1>And then some dude today goes, oh, here's the point.

0:28:47.880 --> 0:28:52.680
<v Speaker 1>Oh here's the channel flake and they matched pairs. But that, yeah,

0:28:52.800 --> 0:28:56.440
<v Speaker 1>that's I I just can't. I think it's utilitarian. Man,

0:28:57.120 --> 0:29:00.280
<v Speaker 1>it just doesn't make it just compared to a close point.

0:29:00.560 --> 0:29:03.800
<v Speaker 1>The Clovis hunters who were using that landscape ahead of

0:29:03.800 --> 0:29:08.400
<v Speaker 1>the fulsome hunters probably had were probably after had opportunities

0:29:08.400 --> 0:29:11.280
<v Speaker 1>on much bigger animals because they were you know, this

0:29:11.360 --> 0:29:12.840
<v Speaker 1>is like this is occurring at what we call the

0:29:12.880 --> 0:29:15.840
<v Speaker 1>Pleisscene Hollo scene transition, so the end of the ice ages,

0:29:16.200 --> 0:29:18.600
<v Speaker 1>and you had this all this mega faun and vanishing

0:29:19.040 --> 0:29:23.840
<v Speaker 1>giant ground sloths, mammoths, masodons or vanishing from the landscape.

0:29:24.080 --> 0:29:29.200
<v Speaker 1>The guys before had a very beautiful, finely wrought point

0:29:29.480 --> 0:29:33.440
<v Speaker 1>that was big, and then here's this, like it's just

0:29:33.560 --> 0:29:36.880
<v Speaker 1>it's tidy. These big, huge animals start to vanish, and

0:29:36.880 --> 0:29:39.520
<v Speaker 1>then who lives there next? People that were making a

0:29:39.680 --> 0:29:44.480
<v Speaker 1>smaller point great point on the size of the Clovis

0:29:44.560 --> 0:29:47.440
<v Speaker 1>points as compared to the size of the animals they

0:29:47.440 --> 0:29:50.120
<v Speaker 1>were hunting. But you think a guy like Steve would

0:29:50.120 --> 0:29:54.040
<v Speaker 1>like to entertain a little more romantic thinking in his life. However,

0:29:54.320 --> 0:29:57.959
<v Speaker 1>I think his point about its utilitarian design is well taken,

0:29:58.480 --> 0:30:02.040
<v Speaker 1>but maybe it's not that cut and dry. It's possible

0:30:02.080 --> 0:30:04.760
<v Speaker 1>that it could have been viewed as highly functional but

0:30:04.920 --> 0:30:09.280
<v Speaker 1>also held significance beyond that. Let's see what Dr Meltzer

0:30:09.280 --> 0:30:12.520
<v Speaker 1>has to say. We actually don't know why they flute

0:30:12.560 --> 0:30:16.920
<v Speaker 1>at these points. There's no particular obvious reason. With some

0:30:17.000 --> 0:30:20.680
<v Speaker 1>colleagues we have hypothesized that the way in which these

0:30:20.680 --> 0:30:22.440
<v Speaker 1>things were fluted, and the way in which these things

0:30:22.440 --> 0:30:25.240
<v Speaker 1>were half to two spears, might have actually served kind

0:30:25.240 --> 0:30:28.160
<v Speaker 1>of as a shock absorber in the sense that the

0:30:28.240 --> 0:30:31.440
<v Speaker 1>waves of force would travel through and instead of the

0:30:31.520 --> 0:30:35.200
<v Speaker 1>point banging into the back end the base of the flute,

0:30:35.200 --> 0:30:37.160
<v Speaker 1>where it was thinnest and again, you know, one to

0:30:37.240 --> 0:30:40.760
<v Speaker 1>two millimeters thick, it would just crumble like a bumper

0:30:40.760 --> 0:30:43.680
<v Speaker 1>on a car. Right, the bumper on a car is

0:30:43.720 --> 0:30:47.520
<v Speaker 1>intended to give way. It crumbles so your car doesn't

0:30:47.520 --> 0:30:50.680
<v Speaker 1>break when you when you hit something. The base of

0:30:50.680 --> 0:30:53.200
<v Speaker 1>the flute was so thin that it might have crumbled

0:30:53.440 --> 0:30:56.320
<v Speaker 1>and prevented the entire way. So the wave of force

0:30:56.400 --> 0:30:59.240
<v Speaker 1>travels through, it's going to rebound back. But if the

0:30:59.360 --> 0:31:02.920
<v Speaker 1>base rumbles, all that energy is going to get dissipated,

0:31:03.240 --> 0:31:06.800
<v Speaker 1>and you can you can remake the that portion that

0:31:06.920 --> 0:31:10.719
<v Speaker 1>broke off and use it again. That is the most

0:31:11.680 --> 0:31:15.000
<v Speaker 1>unique thing about these folsom points is the mystery of

0:31:15.040 --> 0:31:17.960
<v Speaker 1>the fluting. I read in your book where it's it's

0:31:18.000 --> 0:31:21.560
<v Speaker 1>been discussed that perhaps it was non utilitarian, which means

0:31:21.560 --> 0:31:24.400
<v Speaker 1>that it served no functional purpose, but was a cultural purpose.

0:31:24.720 --> 0:31:26.560
<v Speaker 1>And I would like to make a comment on that

0:31:26.720 --> 0:31:29.680
<v Speaker 1>Dr Meltzer, as a as a bow hunter and as

0:31:29.720 --> 0:31:33.840
<v Speaker 1>a hunter, when we see this throughout history, that that

0:31:34.200 --> 0:31:41.880
<v Speaker 1>cultures do distinguish themselves and establish identity through the way

0:31:41.920 --> 0:31:44.680
<v Speaker 1>that they hunt. We do it today. I do it

0:31:44.760 --> 0:31:47.240
<v Speaker 1>every day of my life, like that the weapons that

0:31:47.280 --> 0:31:52.240
<v Speaker 1>I used to hunt are part of my tribal identity.

0:31:52.440 --> 0:31:56.440
<v Speaker 1>Of course, I really like this idea that it's kind

0:31:56.440 --> 0:31:59.560
<v Speaker 1>of a romantic idea that these people would have been

0:31:59.720 --> 0:32:02.200
<v Speaker 1>due in something that took an incredible amount of skill

0:32:02.320 --> 0:32:06.360
<v Speaker 1>to do and actually jeopardized. They say that there's a

0:32:06.440 --> 0:32:09.240
<v Speaker 1>high percentage of failure when you get a point to

0:32:09.280 --> 0:32:13.200
<v Speaker 1>the thirty failure rate in manufacturer, so it's totally inefficient.

0:32:15.200 --> 0:32:17.520
<v Speaker 1>But why the humans do all the weird things that

0:32:17.560 --> 0:32:22.760
<v Speaker 1>we do. Think that to think that this this style,

0:32:23.080 --> 0:32:26.520
<v Speaker 1>this technology, this is essentially a technology that would have

0:32:26.520 --> 0:32:29.320
<v Speaker 1>been passed down from generation to generation. And there may

0:32:29.360 --> 0:32:31.959
<v Speaker 1>have come a point when God was like, why are

0:32:31.960 --> 0:32:34.920
<v Speaker 1>you still fluting those silly things? They break every time?

0:32:35.280 --> 0:32:38.040
<v Speaker 1>And you know at some point that shifted away from

0:32:38.040 --> 0:32:41.360
<v Speaker 1>that technology, just like it with today. But man, so

0:32:41.440 --> 0:32:44.600
<v Speaker 1>much mystery inside of a fluted falsome point. Right. But

0:32:44.920 --> 0:32:48.200
<v Speaker 1>you know there's hunting magic too. You're going to go

0:32:48.240 --> 0:32:50.840
<v Speaker 1>out there and you know you want to have your

0:32:50.840 --> 0:32:54.000
<v Speaker 1>best weaponry, but you know you also want to have

0:32:54.160 --> 0:32:58.120
<v Speaker 1>your distinctive points. Uh, you're gonna make your stuff, You're

0:32:58.120 --> 0:33:00.840
<v Speaker 1>gonna be in charge of your gear, and you know

0:33:00.920 --> 0:33:04.160
<v Speaker 1>there may be a bit of ceremony associated with going

0:33:04.160 --> 0:33:07.960
<v Speaker 1>out on a hunt because look, going after an animal

0:33:08.360 --> 0:33:13.160
<v Speaker 1>that was that big and could be that dangerous. Um.

0:33:13.320 --> 0:33:16.240
<v Speaker 1>There's there's two risks in hunting. One is the risk

0:33:16.280 --> 0:33:18.320
<v Speaker 1>you're gonna come home empty handed. The other risk is

0:33:18.360 --> 0:33:21.040
<v Speaker 1>you're not gonna come home at all because you're dead, right,

0:33:21.640 --> 0:33:26.040
<v Speaker 1>And so in some in some projectile points, at some sites,

0:33:26.320 --> 0:33:30.280
<v Speaker 1>you see bits of red ochre. Right, they're putting um

0:33:30.360 --> 0:33:32.560
<v Speaker 1>and it's it may not just be sort of part

0:33:32.560 --> 0:33:34.960
<v Speaker 1>of the mastic that's holding the point on. It may

0:33:34.960 --> 0:33:37.600
<v Speaker 1>be that there were ceremonies in advance of the hunt,

0:33:38.120 --> 0:33:40.800
<v Speaker 1>and everybody's got their own weaponry that they make their

0:33:40.840 --> 0:33:43.160
<v Speaker 1>own particular way. One of the things that was really

0:33:43.200 --> 0:33:45.320
<v Speaker 1>interesting to me at the fulsome site which I could

0:33:45.360 --> 0:33:49.120
<v Speaker 1>never possibly prove, but it's just one of those things

0:33:49.160 --> 0:33:52.240
<v Speaker 1>that you know, I'll bet it's right. I look at

0:33:52.280 --> 0:33:54.560
<v Speaker 1>the assemblage of the projectile points from that site, and

0:33:54.680 --> 0:33:58.000
<v Speaker 1>I am convinced that I can identify at least three

0:33:58.000 --> 0:34:00.720
<v Speaker 1>separate nappers based on the style of the points that

0:34:00.760 --> 0:34:03.960
<v Speaker 1>they make. And how would you ever prove that? You

0:34:04.040 --> 0:34:06.960
<v Speaker 1>can't write? But I look at these things and I say,

0:34:07.000 --> 0:34:09.240
<v Speaker 1>you know what that really looks like the same person.

0:34:09.920 --> 0:34:12.000
<v Speaker 1>And I'm not saying the same guy who knows you know,

0:34:12.040 --> 0:34:16.560
<v Speaker 1>maybe the women were making falsome points to UM, I'm

0:34:16.600 --> 0:34:19.279
<v Speaker 1>willing to bet the same person made this point and

0:34:19.440 --> 0:34:24.040
<v Speaker 1>that point, and a different person made those two points. UM.

0:34:24.120 --> 0:34:26.760
<v Speaker 1>And and think about it too, if you want credit.

0:34:27.000 --> 0:34:28.800
<v Speaker 1>I don't know. When you go out hunting with guys,

0:34:28.920 --> 0:34:31.239
<v Speaker 1>do you say it was my shot? I had to

0:34:31.320 --> 0:34:34.840
<v Speaker 1>kill shot? UM? And you can tell because that's my arrow,

0:34:36.000 --> 0:34:39.040
<v Speaker 1>yours is over there stuck in a tree. Uh so

0:34:39.120 --> 0:34:42.080
<v Speaker 1>you would have been able to distinguish. Yeah, you know.

0:34:42.160 --> 0:34:45.400
<v Speaker 1>That's that is so unique even today amongst flint nappers,

0:34:45.920 --> 0:34:48.520
<v Speaker 1>is that it's a craft, it's an art. It's it's

0:34:48.520 --> 0:34:56.600
<v Speaker 1>almost like a fingerprint. I wanted to ask all these

0:34:56.640 --> 0:35:00.480
<v Speaker 1>experts the same question, so I've asked Devin too, why

0:35:00.640 --> 0:35:04.080
<v Speaker 1>the Folsome hunters fluted their points. You might find some

0:35:04.200 --> 0:35:06.839
<v Speaker 1>overlapping these guys opinions, but they all bring a little

0:35:06.920 --> 0:35:10.360
<v Speaker 1>different perspective. Here. Devon will go into the detail the

0:35:10.400 --> 0:35:13.680
<v Speaker 1>physics behind the design of the Folsome point, and he's

0:35:13.719 --> 0:35:17.200
<v Speaker 1>the guy to know because he's done some real experiments

0:35:17.320 --> 0:35:22.840
<v Speaker 1>using stone points on bison. The question of the age

0:35:22.920 --> 0:35:26.279
<v Speaker 1>is why did they use this style of point? Why

0:35:26.320 --> 0:35:28.560
<v Speaker 1>do you think they did it? Part of it is um.

0:35:28.640 --> 0:35:33.160
<v Speaker 1>You have um a cultural momentum aspect where tools evolved

0:35:33.160 --> 0:35:37.240
<v Speaker 1>out of earlier tools. So before Folsom we have Clovis points,

0:35:37.280 --> 0:35:41.160
<v Speaker 1>and that's when we start seeing fluted bases, but they're

0:35:41.200 --> 0:35:43.840
<v Speaker 1>not closed. Points are generally larger and they're not fluting

0:35:43.880 --> 0:35:46.960
<v Speaker 1>the whole base. So this was an older technology Clovis

0:35:47.000 --> 0:35:50.720
<v Speaker 1>came before. In Clovis, they did not flute the entire

0:35:51.080 --> 0:35:54.239
<v Speaker 1>face of the point, usually face. Yeah, and then you

0:35:54.280 --> 0:35:59.120
<v Speaker 1>see this this technique is kind of perfected. And with Foalsome,

0:35:59.440 --> 0:36:02.960
<v Speaker 1>they're just very concerned about, you know, making these points

0:36:03.000 --> 0:36:05.640
<v Speaker 1>extremely well made. You know, I'd say part of it

0:36:05.680 --> 0:36:07.840
<v Speaker 1>is just you know, you can look at different cultures

0:36:07.880 --> 0:36:10.000
<v Speaker 1>today and look at things that we make, and and

0:36:10.040 --> 0:36:12.600
<v Speaker 1>some of us are some cultures are more concerned with

0:36:12.920 --> 0:36:16.240
<v Speaker 1>something that's functional. It doesn't have to be like, you know, perfect.

0:36:16.320 --> 0:36:19.719
<v Speaker 1>If you think about like early Germanic flintlock rifles in

0:36:19.719 --> 0:36:22.680
<v Speaker 1>the Americans, they were extremely well made. There was an

0:36:22.800 --> 0:36:25.279
<v Speaker 1>art to them, and they engraved them. They didn't have

0:36:25.280 --> 0:36:28.200
<v Speaker 1>to do all that stuff, but they could. Yeah, there

0:36:28.280 --> 0:36:32.319
<v Speaker 1>was some cultural value assigned to the esthetic beauty of it. Yeah,

0:36:32.360 --> 0:36:34.560
<v Speaker 1>there's a social value to it. And the the key

0:36:34.640 --> 0:36:37.359
<v Speaker 1>there to think of is that they could do it right.

0:36:37.400 --> 0:36:40.120
<v Speaker 1>They had the time and the resources available. It's not

0:36:40.200 --> 0:36:43.320
<v Speaker 1>like it was, you know, because they were engraving rifles

0:36:43.320 --> 0:36:45.960
<v Speaker 1>that put their lives at risk for some reason. So

0:36:46.120 --> 0:36:48.960
<v Speaker 1>they had the resources available and the time available apparently

0:36:49.000 --> 0:36:51.040
<v Speaker 1>to make points that looked that way. I want to

0:36:51.080 --> 0:36:53.160
<v Speaker 1>hear why it was functional for these points to be

0:36:53.200 --> 0:36:55.640
<v Speaker 1>this way, But you're saying that there was some there

0:36:55.760 --> 0:36:59.080
<v Speaker 1>clearly because of the craftsmanship of them, there would have

0:36:59.120 --> 0:37:03.680
<v Speaker 1>been some just aesthetic value. Probably, Yeah, we can suspect

0:37:03.719 --> 0:37:06.120
<v Speaker 1>that was probably the case, you know, So there would

0:37:06.120 --> 0:37:08.680
<v Speaker 1>have been there would have been pride in this point.

0:37:08.920 --> 0:37:12.320
<v Speaker 1>Somebody would have been like, check this thing out. Yeah,

0:37:12.680 --> 0:37:14.960
<v Speaker 1>I mean, if you look at some of those, you're like, wow,

0:37:15.040 --> 0:37:17.600
<v Speaker 1>I mean they really I wonder what they called them, Devin,

0:37:17.600 --> 0:37:20.560
<v Speaker 1>because they sure didn't call them falsome points, because falsome

0:37:20.600 --> 0:37:23.160
<v Speaker 1>New Mexico would name till like you know, sometimes the

0:37:23.200 --> 0:37:27.200
<v Speaker 1>eighteen hundreds they wou would have called they would have

0:37:27.200 --> 0:37:29.960
<v Speaker 1>had to have. Yeah, Unfortunately that's one of those mysteries

0:37:30.200 --> 0:37:32.120
<v Speaker 1>we'll never know. But yeah, I mean some of those

0:37:32.160 --> 0:37:34.879
<v Speaker 1>you look at him and you're just know, somebody put

0:37:35.000 --> 0:37:36.600
<v Speaker 1>a lot of extra time, and that's and they really

0:37:36.640 --> 0:37:40.960
<v Speaker 1>needed to. So it's an interesting thought to think that

0:37:41.000 --> 0:37:44.600
<v Speaker 1>these people would have had a specific, widespread name for

0:37:44.719 --> 0:37:47.840
<v Speaker 1>this style of point. It would have been a common word,

0:37:48.160 --> 0:37:52.480
<v Speaker 1>but it existed and disappeared before written languages appeared on

0:37:52.560 --> 0:37:56.000
<v Speaker 1>the earth. Will never know, but they sure as heck

0:37:56.040 --> 0:37:59.480
<v Speaker 1>didn't call them falsome points. As a matter of fact,

0:37:59.600 --> 0:38:03.080
<v Speaker 1>false New Mexico was named after the fiance of the

0:38:03.120 --> 0:38:08.839
<v Speaker 1>American President Grover Cleveland. Her name was Frances folsom Man.

0:38:08.960 --> 0:38:11.880
<v Speaker 1>She got more than she bargained for. And I'm about

0:38:11.960 --> 0:38:15.600
<v Speaker 1>tired of people naming stuff after famous leaders or their

0:38:15.760 --> 0:38:20.320
<v Speaker 1>girlfriends in hosts of gaining political collateral. You guys remember

0:38:20.360 --> 0:38:24.879
<v Speaker 1>the Cumberland Gap, don't you. Naming conventions are weird and

0:38:25.000 --> 0:38:29.880
<v Speaker 1>rarely just though human technology has changed, we know that

0:38:30.040 --> 0:38:34.160
<v Speaker 1>human nature hasn't. And some ancient hunter mayn named the

0:38:34.280 --> 0:38:38.520
<v Speaker 1>dad Gum Point after his girlfriend. We'll never know. But

0:38:38.640 --> 0:38:43.759
<v Speaker 1>we've got more important questions with more definite answers. Back

0:38:43.760 --> 0:38:49.759
<v Speaker 1>to Devon, So why was this point so functional? Because

0:38:49.760 --> 0:38:52.560
<v Speaker 1>it had it had probably had some function to had

0:38:52.560 --> 0:38:54.840
<v Speaker 1>to have. Yeah, to answers that, I have to go

0:38:54.920 --> 0:38:57.840
<v Speaker 1>in a little bit of about my background of my research,

0:38:58.160 --> 0:39:00.839
<v Speaker 1>which big part of it was these what i'd call

0:39:01.080 --> 0:39:04.360
<v Speaker 1>realistic experiment And if you're familiar with at Ashby, you'll

0:39:04.400 --> 0:39:06.319
<v Speaker 1>you know you're probably familiar with this because these are

0:39:06.320 --> 0:39:09.080
<v Speaker 1>the kinds of experiments that he prefers to test hunting

0:39:09.160 --> 0:39:12.120
<v Speaker 1>arrows and what you do is basically have a carcass

0:39:12.160 --> 0:39:14.560
<v Speaker 1>of an animal. It's um. We don't kill them, the

0:39:14.760 --> 0:39:17.760
<v Speaker 1>rangers kill them. They've just died. And then we perform

0:39:17.960 --> 0:39:20.719
<v Speaker 1>a projectile experiment on him where we were throwing replica

0:39:20.880 --> 0:39:24.800
<v Speaker 1>at levels and darts and shooting arrows and tracking the velocity,

0:39:24.920 --> 0:39:28.400
<v Speaker 1>tracking where they've hit, and then butchering him with stone

0:39:28.400 --> 0:39:30.880
<v Speaker 1>tools and then taking the bones and cleaning him and

0:39:30.920 --> 0:39:32.840
<v Speaker 1>we keep all the meat and so that allows you

0:39:32.880 --> 0:39:35.960
<v Speaker 1>to track you know, specific impacts too, specific bones. You

0:39:36.000 --> 0:39:39.120
<v Speaker 1>can look at the performance as they penetrate and all that.

0:39:39.320 --> 0:39:42.960
<v Speaker 1>We've done one on a bison, and included in that

0:39:43.120 --> 0:39:47.680
<v Speaker 1>were big heavy darts, a couple of of a Lettles

0:39:47.680 --> 0:39:50.640
<v Speaker 1>that are big, strong throwers, stronger than myself Donny Dust.

0:39:51.160 --> 0:39:55.040
<v Speaker 1>You may he's a self described modern caveman um. The

0:39:55.080 --> 0:39:57.560
<v Speaker 1>problem we run into with the closed points is that

0:39:57.880 --> 0:40:00.239
<v Speaker 1>at Lettle darts, like I said, they're flexible when you

0:40:00.280 --> 0:40:02.319
<v Speaker 1>throw them that they flex and they compensate for the

0:40:02.400 --> 0:40:04.239
<v Speaker 1>arching motion of the throw, and they actually continue to

0:40:04.280 --> 0:40:08.000
<v Speaker 1>flex down range when they hit with a lot of momentum,

0:40:08.120 --> 0:40:11.480
<v Speaker 1>lot of energy that acts not only on the target

0:40:11.560 --> 0:40:13.719
<v Speaker 1>but back on the projectile. So you have to have

0:40:13.760 --> 0:40:17.120
<v Speaker 1>a really well designed, really robust shaft. If you have

0:40:17.160 --> 0:40:20.520
<v Speaker 1>any bindings, you know where the foreshaft fits in, where

0:40:20.760 --> 0:40:22.920
<v Speaker 1>the point is hafted on. All that has to be

0:40:23.080 --> 0:40:26.000
<v Speaker 1>really well engineered. And if you're hunting big animals, that's

0:40:26.040 --> 0:40:27.879
<v Speaker 1>what you want. You know, Donny was able to throw

0:40:27.920 --> 0:40:30.239
<v Speaker 1>a point that heavy ash s dart and hit a

0:40:30.239 --> 0:40:32.480
<v Speaker 1>bison rib and it fractured the rib and half and

0:40:32.560 --> 0:40:35.040
<v Speaker 1>continue to penetrate into the vitals of the bison. And

0:40:35.040 --> 0:40:37.680
<v Speaker 1>we're getting, you know, penetration through and through that animal

0:40:37.960 --> 0:40:40.359
<v Speaker 1>with these heavy darts, passing all the way through like

0:40:40.400 --> 0:40:44.160
<v Speaker 1>poking out the other side. Yeah. So these weapons are powerful.

0:40:45.040 --> 0:40:46.920
<v Speaker 1>The problem is when they hit with kind of a

0:40:46.960 --> 0:40:49.560
<v Speaker 1>skewed angle, you can have a couple of different things happen.

0:40:50.120 --> 0:40:53.840
<v Speaker 1>That's not good. The halft fails because the notches, the

0:40:53.840 --> 0:40:57.839
<v Speaker 1>wooden notches that are holding the point in snap and

0:40:58.040 --> 0:41:01.800
<v Speaker 1>you like, you don't get any penetration. So if the

0:41:01.840 --> 0:41:05.680
<v Speaker 1>point impacts the animal at an angle, yeah, at a

0:41:05.719 --> 0:41:09.959
<v Speaker 1>slight slightly skewed angle. Um, and if especially if it's

0:41:10.320 --> 0:41:13.279
<v Speaker 1>hitting bone, that's the real problem. Because you have these

0:41:13.320 --> 0:41:15.719
<v Speaker 1>animals needed a broadside. You need to hit them like

0:41:15.760 --> 0:41:19.359
<v Speaker 1>perpendicular to that bone. You you would preferably hit them, Yeah,

0:41:19.400 --> 0:41:21.200
<v Speaker 1>but that's not always going to happen, just because of

0:41:21.239 --> 0:41:23.560
<v Speaker 1>the nature of the weapon, or you might have it

0:41:23.640 --> 0:41:26.520
<v Speaker 1>that the point is dislodged from the haft and it's

0:41:26.760 --> 0:41:31.400
<v Speaker 1>kind of turned sideways, you know, breaks through, Yeah, and

0:41:31.440 --> 0:41:35.040
<v Speaker 1>you get failed penetration. That happened a few times. That

0:41:35.120 --> 0:41:38.360
<v Speaker 1>happened with unfluted Clovis forms. When you flute these things,

0:41:38.600 --> 0:41:41.440
<v Speaker 1>they're fitting kind of down deep into the notches. That

0:41:41.520 --> 0:41:44.080
<v Speaker 1>does a couple of things. First off, it reduces that

0:41:44.160 --> 0:41:47.040
<v Speaker 1>lateral motion so that they're locked in there with those

0:41:47.160 --> 0:41:50.160
<v Speaker 1>those fluting channels. And then the second thing it does

0:41:50.239 --> 0:41:53.080
<v Speaker 1>is that those flutes slim down the half. And if

0:41:53.120 --> 0:41:56.279
<v Speaker 1>you're hunting a big animal, you want an efficient projectile.

0:41:56.360 --> 0:41:58.560
<v Speaker 1>You know, we know that as hunters. This is something

0:41:58.600 --> 0:42:01.879
<v Speaker 1>that I see archaeologist overlooking sometimes is if you're hunting

0:42:01.920 --> 0:42:05.400
<v Speaker 1>big animals, there's a real incentive to make an effective,

0:42:05.880 --> 0:42:08.399
<v Speaker 1>well designed protectile. Point. Part of what's that that's going

0:42:08.440 --> 0:42:11.560
<v Speaker 1>to entail is a slim haft because when the hafting

0:42:11.600 --> 0:42:13.839
<v Speaker 1>part goes in, if it's big and bulky, that's when

0:42:13.880 --> 0:42:17.160
<v Speaker 1>you see a lot of deceleration suddenly. Okay, So a

0:42:17.280 --> 0:42:20.759
<v Speaker 1>thinner point means there's more wood around the base of

0:42:20.840 --> 0:42:24.680
<v Speaker 1>that point the halft, so that it's stronger when it impacts. Yeah,

0:42:25.000 --> 0:42:28.360
<v Speaker 1>would or we find these weird things called the people

0:42:28.400 --> 0:42:31.880
<v Speaker 1>called bone rods, and actually there are. There's at least

0:42:31.920 --> 0:42:36.000
<v Speaker 1>one uh for shaft with the actual haft the notches

0:42:36.080 --> 0:42:39.239
<v Speaker 1>cut for a point to fit in. I know, I

0:42:39.239 --> 0:42:42.200
<v Speaker 1>believe it's from Oregon and that's made out of antler

0:42:42.440 --> 0:42:45.919
<v Speaker 1>or bone, and that's that's ancient. So they were trying

0:42:45.920 --> 0:42:49.200
<v Speaker 1>to compensate for the wooden shaft breaking when it hits.

0:42:49.280 --> 0:42:51.680
<v Speaker 1>There's what they said, Man, we're gonna we gotta do

0:42:51.760 --> 0:42:54.400
<v Speaker 1>something different, and they used it antlin tip. There's a

0:42:54.440 --> 0:42:57.640
<v Speaker 1>possibility that that some of those bone rods, those those

0:42:57.719 --> 0:43:02.080
<v Speaker 1>kind of uh slat like segments are used in as notches.

0:43:02.760 --> 0:43:05.600
<v Speaker 1>It would certainly make a more sturdy half. That's an

0:43:05.640 --> 0:43:09.160
<v Speaker 1>idea that comes out of these these realistic experiments. You know,

0:43:09.239 --> 0:43:12.399
<v Speaker 1>you're you're trying to reverse engineer these things and use

0:43:12.440 --> 0:43:15.080
<v Speaker 1>them in these trial and arry experiments. You get you

0:43:15.120 --> 0:43:18.480
<v Speaker 1>get certain insights like this, the channels lock in the point,

0:43:19.080 --> 0:43:22.200
<v Speaker 1>reduce lateral movement and since you have a long half

0:43:22.600 --> 0:43:24.440
<v Speaker 1>with a case of close points. You have a bit

0:43:24.480 --> 0:43:26.480
<v Speaker 1>of blade sticking out. They have a lot of leverage

0:43:26.560 --> 0:43:29.520
<v Speaker 1>to break those those hafting notches, and you want it

0:43:29.520 --> 0:43:32.320
<v Speaker 1>to be slim and you know, good at penetrating. The

0:43:32.360 --> 0:43:35.239
<v Speaker 1>way I think of clothes and Fulsome points is that

0:43:35.400 --> 0:43:38.440
<v Speaker 1>they're coming out of this this tradition of lanceolate points

0:43:38.840 --> 0:43:41.319
<v Speaker 1>and where you you have things this way, you know

0:43:41.600 --> 0:43:45.040
<v Speaker 1>they fit down deeply into these these four shafts. You

0:43:45.080 --> 0:43:48.960
<v Speaker 1>want them to be good at penetrating. And so one

0:43:49.000 --> 0:43:51.880
<v Speaker 1>way you can you can try and resolve this issue

0:43:52.120 --> 0:43:55.160
<v Speaker 1>is by fluting the base. And so maybe what's going

0:43:55.239 --> 0:43:57.880
<v Speaker 1>on with Fulsome is they're really trying to lock in

0:43:57.920 --> 0:44:02.120
<v Speaker 1>those points. They're trying to make them durable. They're part

0:44:02.120 --> 0:44:06.359
<v Speaker 1>of a composite, durable, heavy shaft that carries a lot

0:44:06.400 --> 0:44:10.359
<v Speaker 1>of energy but is able to breakthrough bones. You know,

0:44:10.440 --> 0:44:13.759
<v Speaker 1>that to me explains it. Yeah, So by having the

0:44:14.400 --> 0:44:17.800
<v Speaker 1>flute go all the way to the tip of the point,

0:44:18.560 --> 0:44:21.080
<v Speaker 1>you can really shove that thing in deep. So that

0:44:21.120 --> 0:44:24.319
<v Speaker 1>would have meant there would have been would way up

0:44:24.480 --> 0:44:27.640
<v Speaker 1>on the point and there would have been blade that

0:44:27.680 --> 0:44:32.239
<v Speaker 1>would be below blade along the margins of the halft. Yeah,

0:44:32.239 --> 0:44:36.240
<v Speaker 1>so they were One benefit there is that you support

0:44:36.320 --> 0:44:41.080
<v Speaker 1>the stone. It's not very flexible obviously, and uh you

0:44:41.120 --> 0:44:43.520
<v Speaker 1>get these bending fractures. Where would you put the sinew

0:44:43.520 --> 0:44:47.480
<v Speaker 1>to attach the further down the base. They were grinding

0:44:47.480 --> 0:44:50.120
<v Speaker 1>the bases so that they don't you know, when you

0:44:50.120 --> 0:44:53.240
<v Speaker 1>wrap it with sinew, when you do get those those

0:44:53.320 --> 0:44:56.960
<v Speaker 1>uh skewed impacts or any kind of impact that pushes

0:44:57.040 --> 0:44:59.520
<v Speaker 1>the point you know, to the side and the half

0:44:59.600 --> 0:45:01.960
<v Speaker 1>they can it can cut through its own bindings. So

0:45:02.000 --> 0:45:04.799
<v Speaker 1>they ground the bases. So they would have put sin

0:45:04.920 --> 0:45:08.440
<v Speaker 1>you like, on parts of the blade up the up

0:45:08.480 --> 0:45:10.759
<v Speaker 1>the base that was ground, and then you just have

0:45:10.880 --> 0:45:13.799
<v Speaker 1>this transition where they're no longer grinding them and so

0:45:13.880 --> 0:45:17.000
<v Speaker 1>the forward section of the point is un ground. Sharp

0:45:18.719 --> 0:45:21.480
<v Speaker 1>Devin did a great job of explaining the details of

0:45:21.520 --> 0:45:25.520
<v Speaker 1>the functionality of the hafting advantages of the fulsome style

0:45:25.600 --> 0:45:29.239
<v Speaker 1>point using his real world experience. So now we've got

0:45:29.239 --> 0:45:32.560
<v Speaker 1>an understanding of the broad picture of the potential reasons

0:45:32.600 --> 0:45:37.720
<v Speaker 1>why they implemented this radical technology. But here's an interesting question,

0:45:38.360 --> 0:45:43.759
<v Speaker 1>when did they move away from this technology? When did

0:45:43.840 --> 0:45:45.839
<v Speaker 1>they stop doing that? So there was a point when

0:45:45.840 --> 0:45:50.080
<v Speaker 1>we know that they started fluting points, and then when

0:45:50.120 --> 0:45:54.560
<v Speaker 1>did the technology shift after fulsome so Clovis folks develop

0:45:54.760 --> 0:46:00.120
<v Speaker 1>the technology and um, they're fluting points. Uh full some

0:46:00.400 --> 0:46:02.880
<v Speaker 1>take it to really kind of an extreme. I mean

0:46:02.960 --> 0:46:05.799
<v Speaker 1>when you're taking a point that to begin with is

0:46:05.840 --> 0:46:09.440
<v Speaker 1>only four millimeters or so in thickness, and then you're

0:46:09.520 --> 0:46:13.040
<v Speaker 1>driving off a thin flake that maybe just one to

0:46:13.120 --> 0:46:17.839
<v Speaker 1>two millimeters. Um, that's serious skill. So the technology kind

0:46:17.840 --> 0:46:21.520
<v Speaker 1>of the pendulum swung really far. Yeah, that happens all

0:46:21.520 --> 0:46:26.240
<v Speaker 1>the time and everything that absolutely. So eventually they were like, hey, guys,

0:46:26.360 --> 0:46:28.959
<v Speaker 1>this is we've gone too far down that road. Let's

0:46:29.000 --> 0:46:32.760
<v Speaker 1>back up. I guarantee you this happened because this happens

0:46:32.760 --> 0:46:35.480
<v Speaker 1>in my life with my dad. My dad gives me

0:46:35.520 --> 0:46:39.080
<v Speaker 1>a hard time about gear that I use, you know,

0:46:39.160 --> 0:46:41.040
<v Speaker 1>because he used this kind of gear and I use

0:46:41.120 --> 0:46:43.040
<v Speaker 1>this kind of gear. I guarantee you. There was some

0:46:43.200 --> 0:46:46.920
<v Speaker 1>falsome grandpa who was like, Dad, come those young kids.

0:46:46.920 --> 0:46:51.000
<v Speaker 1>They quit flute those points. Yeah yeah, yeah, yeah. So

0:46:51.040 --> 0:46:53.799
<v Speaker 1>this stuff that comes after falsome is unfluted, but it

0:46:53.800 --> 0:46:57.120
<v Speaker 1>works just as well. Um, which told you that fluting

0:46:57.360 --> 0:47:00.600
<v Speaker 1>wasn't necessary because you could do it, you know, for

0:47:00.600 --> 0:47:02.920
<v Speaker 1>the next town of ten thousand years, nobody was fluting

0:47:02.920 --> 0:47:04.840
<v Speaker 1>points and they were still killing. But those guys that

0:47:04.880 --> 0:47:07.440
<v Speaker 1>started doing stuff different made fun of the old falsome

0:47:07.440 --> 0:47:11.080
<v Speaker 1>fluters or just said, look at all that stone you

0:47:11.120 --> 0:47:14.200
<v Speaker 1>were wasting because of the time, you can't get it right.

0:47:16.080 --> 0:47:20.800
<v Speaker 1>Wait a minute, fluting wasn't necessary. What's the whole point

0:47:20.840 --> 0:47:26.080
<v Speaker 1>of this podcast? My romantic stone point dreams are crushed,

0:47:26.520 --> 0:47:28.799
<v Speaker 1>and I'm intrigued by this idea of the shift to

0:47:28.840 --> 0:47:32.319
<v Speaker 1>a new design and how that happened. I wonder how

0:47:32.360 --> 0:47:35.840
<v Speaker 1>long it took. I wonder if it upset people. I

0:47:35.840 --> 0:47:38.600
<v Speaker 1>wonder if it was a fulsome fluters kid that started

0:47:38.640 --> 0:47:42.360
<v Speaker 1>doing something different, or an outside influence from another region.

0:47:42.680 --> 0:47:46.000
<v Speaker 1>We'll never know, but it's probably not much different than

0:47:46.040 --> 0:47:49.600
<v Speaker 1>the reasons you and I changed gear over time. Maybe

0:47:49.600 --> 0:47:52.440
<v Speaker 1>we just got tired of the old stuff and wanted

0:47:52.480 --> 0:47:56.120
<v Speaker 1>to try something new. That seems to be a trend

0:47:56.160 --> 0:48:00.719
<v Speaker 1>in human history. Here's Steve and I talking about the

0:48:00.760 --> 0:48:05.080
<v Speaker 1>technology transition. You know what's wild to think about is

0:48:05.120 --> 0:48:09.600
<v Speaker 1>a falsome hunter would have been walking across the landscape,

0:48:10.160 --> 0:48:13.040
<v Speaker 1>or would have been in a camp a historical camp site,

0:48:13.320 --> 0:48:15.879
<v Speaker 1>and would have picked up a Clovis Point, which pre

0:48:16.040 --> 0:48:19.239
<v Speaker 1>dated him, and he probably would have been having. They

0:48:19.280 --> 0:48:22.200
<v Speaker 1>probably had podcasts back then where the Falsome people talked

0:48:22.200 --> 0:48:25.560
<v Speaker 1>about the Clovis people, like we're talking about Falsome. There

0:48:25.600 --> 0:48:30.719
<v Speaker 1>are sites where post post Colombians, So when we use

0:48:30.800 --> 0:48:34.640
<v Speaker 1>like pre Colombian times, like like pre contact times, there

0:48:34.680 --> 0:48:39.040
<v Speaker 1>are post Colombian Native American sites where in their collections

0:48:39.080 --> 0:48:43.040
<v Speaker 1>of things were folsome points. So they saw them as significant,

0:48:43.120 --> 0:48:47.319
<v Speaker 1>and the old recognized it as something and kept it

0:48:48.080 --> 0:48:49.880
<v Speaker 1>and kept it among their things. They had to have

0:48:49.920 --> 0:48:52.879
<v Speaker 1>talked about the technology too, because they would have seen

0:48:52.920 --> 0:48:56.160
<v Speaker 1>the difference in technology and understood that something changed and

0:48:56.200 --> 0:48:58.279
<v Speaker 1>they did something different than they used to, and they

0:48:58.320 --> 0:48:59.839
<v Speaker 1>had to would have thought that what they're doing now

0:49:00.000 --> 0:49:01.759
<v Speaker 1>is better than what those guys were doing, or they

0:49:01.760 --> 0:49:04.040
<v Speaker 1>would have done it like the guys back then, because

0:49:04.040 --> 0:49:06.640
<v Speaker 1>they were shooting it out of bows. They were probably like, huh,

0:49:06.680 --> 0:49:08.799
<v Speaker 1>that's like a flag. That's not gonna work. It's like

0:49:08.840 --> 0:49:11.359
<v Speaker 1>a flagon out of an arrow, out of a little thin,

0:49:11.440 --> 0:49:14.120
<v Speaker 1>little arrow. You'd have to think they would have looked

0:49:14.120 --> 0:49:16.480
<v Speaker 1>and been like, yeah, I could I could figure that out,

0:49:16.719 --> 0:49:18.480
<v Speaker 1>Like I could, you know, I get what they were

0:49:18.520 --> 0:49:20.839
<v Speaker 1>doing there, but it's not something that I would make

0:49:21.640 --> 0:49:23.480
<v Speaker 1>not how we do it now, but at the time,

0:49:23.480 --> 0:49:26.200
<v Speaker 1>apparently that's a good point. They were like those hillbillies.

0:49:31.480 --> 0:49:34.120
<v Speaker 1>So we've been focusing on the stone projectile point, but

0:49:34.280 --> 0:49:38.040
<v Speaker 1>we haven't talked about what they used to throw them.

0:49:38.160 --> 0:49:41.799
<v Speaker 1>Devon is an expert in addle addles. He's dedicated much

0:49:41.800 --> 0:49:44.319
<v Speaker 1>of his research to them, and he's very good at

0:49:44.400 --> 0:49:48.200
<v Speaker 1>throwing them. For us to finalize our Layman's PhD, we

0:49:48.280 --> 0:49:51.640
<v Speaker 1>need some intel on this primitive tool because they have

0:49:51.760 --> 0:49:56.440
<v Speaker 1>been the primary hunting tool of humans longer than they haven't.

0:49:56.880 --> 0:50:03.160
<v Speaker 1>Here's Devon talking about add addles, So why don't you

0:50:03.480 --> 0:50:06.719
<v Speaker 1>just describe for me what an addle addle is? The

0:50:06.760 --> 0:50:10.040
<v Speaker 1>original word you'd pronounce it something like luck, and that's

0:50:10.120 --> 0:50:13.960
<v Speaker 1>from the Aztec language. Don't want language, so we've we've

0:50:14.000 --> 0:50:16.879
<v Speaker 1>anglicized it at ladle and say it again. How would

0:50:16.880 --> 0:50:20.200
<v Speaker 1>they said it? Wow? Just really short. Yeah, the last

0:50:20.280 --> 0:50:22.640
<v Speaker 1>tl is pronounced like you put the tip of your

0:50:22.640 --> 0:50:25.160
<v Speaker 1>tongue against roof of your mouth and blow around the sides.

0:50:26.120 --> 0:50:28.600
<v Speaker 1>Luck and a lot of language, you know, words in

0:50:28.600 --> 0:50:32.239
<v Speaker 1>their language like kettle quack are pronounced that way. We've

0:50:32.280 --> 0:50:35.200
<v Speaker 1>anglicized it at ladle and all it is really is

0:50:35.239 --> 0:50:39.200
<v Speaker 1>a it's a lever to assist the body, assist your

0:50:39.520 --> 0:50:43.320
<v Speaker 1>you're throwing the length that you're throwing arm, and because

0:50:43.360 --> 0:50:45.600
<v Speaker 1>you're you're lengthening out that throwing arm. And of course

0:50:45.640 --> 0:50:47.600
<v Speaker 1>we don't when we throw things, we don't just like

0:50:47.640 --> 0:50:50.920
<v Speaker 1>push them straight out. We throw with an arching motion.

0:50:51.480 --> 0:50:55.480
<v Speaker 1>Then the dart, the spear which we call it dart

0:50:55.600 --> 0:50:59.880
<v Speaker 1>because that's an archaic English, means just a light usually

0:51:00.000 --> 0:51:03.719
<v Speaker 1>fletched spear, which was precisely what they were. So it

0:51:03.760 --> 0:51:06.080
<v Speaker 1>would be like like what we would call an arrow,

0:51:06.160 --> 0:51:08.600
<v Speaker 1>except longer, yeah, except bigger. It's kind of like it

0:51:08.640 --> 0:51:11.320
<v Speaker 1>would have fletchings on it, and most of them addle

0:51:11.360 --> 0:51:14.640
<v Speaker 1>addle dart would have fletchings, would have feathers that would

0:51:14.840 --> 0:51:17.719
<v Speaker 1>guide the flight of it. Usually yeah, not all of them.

0:51:17.920 --> 0:51:20.200
<v Speaker 1>You know, if you look at what Native Australian people

0:51:20.200 --> 0:51:23.160
<v Speaker 1>were using, they were using unfletched forms, and most of

0:51:23.200 --> 0:51:26.239
<v Speaker 1>them pretty big. So these things range in size from

0:51:26.320 --> 0:51:28.840
<v Speaker 1>you know, pretty small just like five feet tall to

0:51:29.640 --> 0:51:36.279
<v Speaker 1>overt the arrows. The darts could be from five ft yeah,

0:51:36.320 --> 0:51:38.760
<v Speaker 1>so there's a huge range of variability in the weapon

0:51:38.880 --> 0:51:41.000
<v Speaker 1>but the dart has to flex because when you throw it,

0:51:41.040 --> 0:51:44.160
<v Speaker 1>you're making this arching motion, so it basically it's compensating

0:51:44.239 --> 0:51:48.239
<v Speaker 1>for for that arching motion and maintaining a straight trajectory.

0:51:48.360 --> 0:51:51.480
<v Speaker 1>And basically you you start off just as you would

0:51:51.480 --> 0:51:53.520
<v Speaker 1>normally throw something with kind of the big muscles of

0:51:53.560 --> 0:51:57.279
<v Speaker 1>your your shoulder and like putting your torso twists into it,

0:51:57.320 --> 0:51:59.399
<v Speaker 1>stepping forward a little bit, and then as you come

0:51:59.400 --> 0:52:03.319
<v Speaker 1>in to the throw, you turn your wrist over and

0:52:03.360 --> 0:52:05.840
<v Speaker 1>that final wrist snap is what gives a lot of

0:52:05.840 --> 0:52:08.840
<v Speaker 1>the velocity to the dart. The motion that you just

0:52:08.920 --> 0:52:11.359
<v Speaker 1>made look like a picture throwing a baseball, yeah, I mean,

0:52:11.840 --> 0:52:14.880
<v Speaker 1>or a quarterback throwing a football. Yeah, the wrist snap

0:52:14.960 --> 0:52:17.320
<v Speaker 1>that puts a spiral on a football or puts a

0:52:17.600 --> 0:52:20.280
<v Speaker 1>waist on a baseball. Yeah. You think about a quarterback

0:52:20.400 --> 0:52:23.040
<v Speaker 1>standing back there and then he just steps forward and

0:52:23.120 --> 0:52:26.080
<v Speaker 1>smoothly throws right right to the target. That's what you're doing.

0:52:26.120 --> 0:52:28.520
<v Speaker 1>You're casting this thing. You cast the dart with the

0:52:28.520 --> 0:52:30.960
<v Speaker 1>outlettl and kind of a controlled motion. If you look

0:52:31.000 --> 0:52:34.839
<v Speaker 1>online and like any almost any archaeology museum, you see

0:52:34.840 --> 0:52:37.719
<v Speaker 1>this ridiculous depiction where a guy is holding one of

0:52:37.719 --> 0:52:39.560
<v Speaker 1>these things down by his waist and then he's like

0:52:39.640 --> 0:52:42.879
<v Speaker 1>running in and all this there's all this body motion. Well,

0:52:42.960 --> 0:52:44.640
<v Speaker 1>you can throw him that way for distance. That's not

0:52:44.680 --> 0:52:46.560
<v Speaker 1>what you're gonna be doing when you're hunting. You know,

0:52:46.719 --> 0:52:49.720
<v Speaker 1>You're you're standing there and maybe taking a little step

0:52:49.760 --> 0:52:52.719
<v Speaker 1>forward and just smoothly casting it right where you wanted

0:52:52.760 --> 0:52:55.400
<v Speaker 1>to go. You know, when I think about an adellile

0:52:55.480 --> 0:52:58.920
<v Speaker 1>and someone hunting with it, it's almost hard to fathom

0:52:58.960 --> 0:53:02.920
<v Speaker 1>how you could be proficient enough to, yeah, for your

0:53:02.920 --> 0:53:05.880
<v Speaker 1>food source to be totally depending upon your ability to

0:53:05.920 --> 0:53:07.719
<v Speaker 1>be accurate. But then when I see you making this

0:53:07.760 --> 0:53:10.680
<v Speaker 1>motion right here, it's like, I'm pretty decent at throwing

0:53:10.680 --> 0:53:12.640
<v Speaker 1>a football, right, And it's because I've done it in

0:53:12.680 --> 0:53:15.440
<v Speaker 1>my whole life. Yeah, And it's no different, is it.

0:53:15.719 --> 0:53:19.080
<v Speaker 1>These people? This is just an extension of their their body,

0:53:19.160 --> 0:53:22.239
<v Speaker 1>of their mind. They just yeah, it's you know, javelin's

0:53:22.520 --> 0:53:26.239
<v Speaker 1>one thing, and there are ethnographic cultures that are really

0:53:26.320 --> 0:53:29.160
<v Speaker 1>good with javelins, and they're they're quite proficient hunting with them.

0:53:29.320 --> 0:53:31.759
<v Speaker 1>But when one way we've we've come to think about

0:53:31.760 --> 0:53:35.080
<v Speaker 1>this is it's easier for most people in society. More

0:53:35.120 --> 0:53:37.960
<v Speaker 1>people in society to learn to use this and to

0:53:38.000 --> 0:53:40.480
<v Speaker 1>put power in it without having to be you know,

0:53:40.520 --> 0:53:43.160
<v Speaker 1>big and strong, or without having to throw with some

0:53:43.520 --> 0:53:47.400
<v Speaker 1>you know large or you know big body movements. So

0:53:47.760 --> 0:53:50.480
<v Speaker 1>if you so, if you're hunting deer, you know, elk,

0:53:51.000 --> 0:53:53.799
<v Speaker 1>just imagine sneaking around with one of these things up

0:53:53.800 --> 0:53:55.759
<v Speaker 1>and in the ready, and when you're ready to throw,

0:53:55.840 --> 0:53:58.480
<v Speaker 1>it's just a smooth step forward and cast right to

0:53:58.520 --> 0:54:01.480
<v Speaker 1>the target. Yeah, it is more challenging with a bow,

0:54:01.880 --> 0:54:04.920
<v Speaker 1>you're you're stealthier. You know, you can shoot it from

0:54:04.920 --> 0:54:08.319
<v Speaker 1>a crouching position. There's less body movement. So if you're

0:54:08.400 --> 0:54:12.359
<v Speaker 1>hunting a swift, wary animal like a white tail, it's

0:54:12.520 --> 0:54:15.880
<v Speaker 1>it's just a stealthier weapon. But with an outlettle and dart,

0:54:16.160 --> 0:54:19.319
<v Speaker 1>you know, you can hunt medium sized, small animals like that.

0:54:19.600 --> 0:54:22.160
<v Speaker 1>But after the bow comes in, it seems they continue

0:54:22.200 --> 0:54:25.160
<v Speaker 1>to use it, particularly for large animals like bison in

0:54:25.239 --> 0:54:28.640
<v Speaker 1>open environments, because these these darts, they you can make

0:54:28.680 --> 0:54:31.239
<v Speaker 1>them quite heavy, they carry a lot of energy, a

0:54:31.280 --> 0:54:34.359
<v Speaker 1>lot of momentum, and they're they're very powerful, so it's

0:54:34.400 --> 0:54:37.440
<v Speaker 1>easy to make the weapon powerful, which is hard to

0:54:37.520 --> 0:54:43.520
<v Speaker 1>do with a bow and arrow. Fascinating stuff. The simplicity

0:54:43.520 --> 0:54:46.480
<v Speaker 1>of the addladdle is hard to argue with, but we

0:54:46.600 --> 0:54:50.239
<v Speaker 1>need to clear something up. What is the timeline of

0:54:50.440 --> 0:54:53.920
<v Speaker 1>usage between a laddles and bows? I've always wondered that

0:54:54.440 --> 0:54:58.520
<v Speaker 1>Devon's answers surprised me, and the complexity of that answer

0:54:58.800 --> 0:55:05.399
<v Speaker 1>has to do with what he calls preservation bias. So

0:55:05.560 --> 0:55:07.400
<v Speaker 1>that brings up a great point that we need to

0:55:07.440 --> 0:55:10.319
<v Speaker 1>talk about. Is the timeline of an ad ladle in

0:55:10.320 --> 0:55:12.840
<v Speaker 1>a boat? Just yeah, give us a give us a

0:55:12.880 --> 0:55:16.080
<v Speaker 1>time picture of this technology when it came in. Yeah,

0:55:16.120 --> 0:55:18.880
<v Speaker 1>so we don't know quite hold. The weapon is the

0:55:18.960 --> 0:55:22.239
<v Speaker 1>earliest definitive examples, which and when I say definitive, we're

0:55:22.239 --> 0:55:25.120
<v Speaker 1>talking about the parts of the actual outlet all themselves,

0:55:25.280 --> 0:55:28.080
<v Speaker 1>not the projectile points. Is usually all we have to

0:55:28.080 --> 0:55:29.879
<v Speaker 1>look at. It's really hard to tell what you're looking

0:55:29.920 --> 0:55:32.719
<v Speaker 1>at just from a projectile point. But the oldest definitive

0:55:32.719 --> 0:55:36.080
<v Speaker 1>examples come from caves in Europe and they date back

0:55:36.120 --> 0:55:39.319
<v Speaker 1>almost twenty thousand years. The weapons probably a lot older

0:55:39.320 --> 0:55:41.799
<v Speaker 1>than that. Well, when when you're talking about archaeology, it's

0:55:41.800 --> 0:55:44.520
<v Speaker 1>so it's always so fascinating because like so they found

0:55:44.520 --> 0:55:47.120
<v Speaker 1>an all they think years old, you know, what's the

0:55:47.200 --> 0:55:49.320
<v Speaker 1>chances that was the first one that a human ever made,

0:55:49.360 --> 0:55:52.640
<v Speaker 1>you know, precisely, probably didn't find that one precisely. Yeah,

0:55:52.680 --> 0:55:55.520
<v Speaker 1>you have preservation bias. That's that's always the problem with

0:55:55.680 --> 0:55:59.120
<v Speaker 1>the earliest evidence. Preservation bias. Now that's a new word.

0:55:59.160 --> 0:56:01.920
<v Speaker 1>I like it. Yeah, that's that's one of the things arcy'

0:56:01.920 --> 0:56:03.759
<v Speaker 1>all just have to contend with is the fact that

0:56:03.960 --> 0:56:06.319
<v Speaker 1>when you're walking around as a hunter gatherer doing things

0:56:06.360 --> 0:56:08.200
<v Speaker 1>on the landscape, how much of the stuff that you

0:56:08.320 --> 0:56:11.439
<v Speaker 1>do and make and and leave behind, Like, how many

0:56:11.440 --> 0:56:14.440
<v Speaker 1>of the hunts that you've you've undertaken are going to

0:56:14.560 --> 0:56:17.359
<v Speaker 1>stick around? Sarcy all just can find them twenty years later,

0:56:17.480 --> 0:56:19.640
<v Speaker 1>very few of them. So you have to build up

0:56:19.760 --> 0:56:22.480
<v Speaker 1>enough culture on the landscape, enough people doing things that

0:56:22.560 --> 0:56:26.359
<v Speaker 1>eventually you leave, you start to leave signs behind. So

0:56:26.400 --> 0:56:30.880
<v Speaker 1>you're saying that maybe we're building these narratives off of

0:56:30.960 --> 0:56:33.799
<v Speaker 1>stuff these people were doing that maybe wasn't even a

0:56:33.840 --> 0:56:35.719
<v Speaker 1>major part of their life. I mean, that's not what

0:56:35.760 --> 0:56:37.880
<v Speaker 1>we're talking about with the ad Alile. But that's possible

0:56:38.160 --> 0:56:40.920
<v Speaker 1>because we're only finding the things that could be preserved,

0:56:41.239 --> 0:56:43.920
<v Speaker 1>and so maybe that little sector of their life was

0:56:44.160 --> 0:56:46.400
<v Speaker 1>maybe it was important. Maybe it wasn't. Yeah, it's just

0:56:46.440 --> 0:56:49.680
<v Speaker 1>something they left behind and and we happened to find it.

0:56:50.000 --> 0:56:52.200
<v Speaker 1>But there was other stuff they were doing that was

0:56:52.280 --> 0:56:54.920
<v Speaker 1>not capable of being left but precisely it could have

0:56:54.960 --> 0:56:57.560
<v Speaker 1>been massive. Yeah. I was talking to students the other

0:56:57.640 --> 0:57:01.200
<v Speaker 1>day about those early footprints and Mexico, and I said,

0:57:01.400 --> 0:57:03.560
<v Speaker 1>how many of the you've walked around on the earth,

0:57:03.719 --> 0:57:06.400
<v Speaker 1>how many of the footprints you've you've left behind you

0:57:06.440 --> 0:57:13.240
<v Speaker 1>think would last, you know, over twenty years. They're like none. Yeah,

0:57:13.600 --> 0:57:16.520
<v Speaker 1>it's just all they did, all these things. You know,

0:57:16.680 --> 0:57:20.840
<v Speaker 1>they made nets out of plant fiber and hide clothing,

0:57:21.280 --> 0:57:24.680
<v Speaker 1>and it's extremely rare that you get that kind of evidence.

0:57:24.760 --> 0:57:27.800
<v Speaker 1>And I mean even the hard artifacts you leave, like

0:57:27.880 --> 0:57:30.560
<v Speaker 1>stone tools, they need to be in places where the

0:57:30.600 --> 0:57:34.360
<v Speaker 1>site gets preserved and it's you know, not too buried,

0:57:34.640 --> 0:57:36.920
<v Speaker 1>but it doesn't get washed away by a river. You know.

0:57:36.960 --> 0:57:39.960
<v Speaker 1>There's all these variables that go into a preservation of

0:57:40.040 --> 0:57:44.000
<v Speaker 1>archeological sites and then allows us to find them. So

0:57:44.120 --> 0:57:46.360
<v Speaker 1>when did the When did the bow come in? So

0:57:46.480 --> 0:57:50.080
<v Speaker 1>Adlile has been around for at least wind wind was

0:57:50.160 --> 0:57:53.840
<v Speaker 1>bow technology. There's pretty good evidence for the earliest bow

0:57:53.880 --> 0:57:57.320
<v Speaker 1>technology about seventy thousand years ago in Southern Africa. So

0:57:57.360 --> 0:58:00.760
<v Speaker 1>the bow is older than the adel able are according

0:58:00.800 --> 0:58:04.000
<v Speaker 1>to our evidence. Really yeah, which is kind of funny.

0:58:04.120 --> 0:58:07.120
<v Speaker 1>The boat didn't spread rapidly. Uh. While we're looking at

0:58:07.120 --> 0:58:11.480
<v Speaker 1>our projectile points that are striking lee similar to historic ethno,

0:58:11.560 --> 0:58:15.240
<v Speaker 1>historic projectile points used with bone arrow technology in Africa,

0:58:15.440 --> 0:58:17.440
<v Speaker 1>and they have all this, all the signs you know

0:58:17.520 --> 0:58:21.400
<v Speaker 1>of of impact damage and residue analysis and all that.

0:58:21.720 --> 0:58:25.800
<v Speaker 1>So we're this totally off the size of the point, well,

0:58:25.840 --> 0:58:28.800
<v Speaker 1>the size of the point, the damage that they have

0:58:28.840 --> 0:58:34.320
<v Speaker 1>incurred striking some hard object. Um, the microscopic where so

0:58:34.400 --> 0:58:38.400
<v Speaker 1>there's macro and microscopic where you know macro being with

0:58:38.520 --> 0:58:41.840
<v Speaker 1>naked eye. Microscopic if you look at inner microscope, you

0:58:41.840 --> 0:58:45.600
<v Speaker 1>can see like impact striations from where they've penetrated something,

0:58:45.880 --> 0:58:48.800
<v Speaker 1>residues left behind from the hafting where they were hafted,

0:58:49.560 --> 0:58:52.240
<v Speaker 1>and definitely the size is very important. But if you

0:58:52.240 --> 0:58:55.360
<v Speaker 1>look at these these points, they're very much like what

0:58:55.400 --> 0:58:59.200
<v Speaker 1>people were using up to uh the historic period in

0:58:59.240 --> 0:59:02.720
<v Speaker 1>Southern Africa. But in North America the boat didn't come

0:59:02.720 --> 0:59:05.400
<v Speaker 1>along for a long time. There are suggestions that it

0:59:05.440 --> 0:59:08.840
<v Speaker 1>was appearing in the Arctic five thousand years ago or more.

0:59:09.160 --> 0:59:11.560
<v Speaker 1>But you know, again, we're just looking at at point

0:59:11.640 --> 0:59:15.640
<v Speaker 1>sizes mostly and point styles, so we're not dealing with

0:59:15.680 --> 0:59:18.800
<v Speaker 1>definitive evidence. By two thousand years ago, though it has

0:59:19.200 --> 0:59:22.320
<v Speaker 1>entered down into and this what what caused it to

0:59:22.360 --> 0:59:26.440
<v Speaker 1>actually start to spread is tricky because clearly people were

0:59:26.440 --> 0:59:28.640
<v Speaker 1>connected for a long time, you know, from the far

0:59:28.760 --> 0:59:31.840
<v Speaker 1>north into the middle of the continent. But it's finally

0:59:31.840 --> 0:59:34.360
<v Speaker 1>started entering into the middle of the continent around two

0:59:34.440 --> 0:59:37.400
<v Speaker 1>thousand years ago, so this is a long time after

0:59:37.480 --> 0:59:41.200
<v Speaker 1>it started back over in Africa. So the technology just

0:59:41.320 --> 0:59:44.760
<v Speaker 1>spread or did it spread? Do we do we know

0:59:44.880 --> 0:59:47.560
<v Speaker 1>that it would have spread from human to human contact

0:59:47.600 --> 0:59:52.080
<v Speaker 1>like sharing technology or was it covergent that two people

0:59:52.200 --> 0:59:55.480
<v Speaker 1>had the same idea at the same time in different places. Yeah,

0:59:55.720 --> 0:59:59.640
<v Speaker 1>was it disseminator or was it independent evolution or independent

0:59:59.840 --> 1:00:02.560
<v Speaker 1>in mention of the technology and evolution of the technology.

1:00:02.600 --> 1:00:06.880
<v Speaker 1>That's a really hard question to answer. Um. So we're

1:00:06.880 --> 1:00:09.640
<v Speaker 1>looking at projectile points mostly, and we do have in

1:00:09.720 --> 1:00:14.160
<v Speaker 1>North America we have out lettle artifacts dating back. The

1:00:14.480 --> 1:00:18.640
<v Speaker 1>oldest complete complete preserved out Lettle is five thousand years old.

1:00:18.760 --> 1:00:21.040
<v Speaker 1>A little bit older than that from Nevada, and we

1:00:21.120 --> 1:00:24.760
<v Speaker 1>have other artifacts from the outletls themselves, going way back

1:00:24.880 --> 1:00:27.240
<v Speaker 1>to the Plice scene. The hooks of the outlets made

1:00:27.240 --> 1:00:30.400
<v Speaker 1>of mammoth tusks. We don't have that for bows. You know,

1:00:30.480 --> 1:00:32.800
<v Speaker 1>you start to the bow is pretty much made out

1:00:32.840 --> 1:00:36.360
<v Speaker 1>of organic matter, the whole thing. So, yeah, it's going

1:00:36.400 --> 1:00:39.040
<v Speaker 1>to rock. And so the only the reason we know

1:00:39.080 --> 1:00:41.440
<v Speaker 1>about ad leles is because they had a part of

1:00:41.480 --> 1:00:45.040
<v Speaker 1>the ad ladle. The hook was made of something that

1:00:45.120 --> 1:00:48.600
<v Speaker 1>was organic matter but harder, Yeah, like a bone, yeah,

1:00:48.640 --> 1:00:52.000
<v Speaker 1>osseous bone or antler. So these were There are some

1:00:52.080 --> 1:00:56.320
<v Speaker 1>mammoth tusks or mammoth ivory hooks that have come out

1:00:56.320 --> 1:00:59.920
<v Speaker 1>of deposits in Florida. And then we have wooden example

1:01:00.080 --> 1:01:03.720
<v Speaker 1>is preserved later on. So occasionally you do get wood preserving.

1:01:04.920 --> 1:01:08.840
<v Speaker 1>That's when you have either extremely dry conditions or you're

1:01:08.880 --> 1:01:11.520
<v Speaker 1>lacking oxygen. You have to have either water or oxygen.

1:01:12.720 --> 1:01:15.800
<v Speaker 1>Devon continues on as we try to understand the transition

1:01:15.840 --> 1:01:18.880
<v Speaker 1>of technology from ad laddles to bows in North America,

1:01:19.560 --> 1:01:25.880
<v Speaker 1>or was the transition even that clear cut around two

1:01:25.920 --> 1:01:28.560
<v Speaker 1>thousand years ago? In some places you have the sudden

1:01:28.560 --> 1:01:32.600
<v Speaker 1>appearance of these really small points look much more to

1:01:32.720 --> 1:01:34.680
<v Speaker 1>us like arrow points. But when we have it on

1:01:34.720 --> 1:01:37.360
<v Speaker 1>an arrow and in some cases they're brand new styles.

1:01:38.120 --> 1:01:40.720
<v Speaker 1>When we see that, we think, okay, this is being

1:01:41.240 --> 1:01:45.520
<v Speaker 1>introduced by another culture and they may be trading the technology,

1:01:45.680 --> 1:01:48.560
<v Speaker 1>or they may be another group that's moving into the area.

1:01:48.640 --> 1:01:52.320
<v Speaker 1>Occasionally you also find that the older dart point styles

1:01:52.880 --> 1:01:56.760
<v Speaker 1>are being now replicated in smaller in the smaller styles,

1:01:56.800 --> 1:01:59.920
<v Speaker 1>and you get these two populations where you have a bimodality,

1:02:00.320 --> 1:02:03.920
<v Speaker 1>we call it bimodality, where you have um to like

1:02:04.000 --> 1:02:07.440
<v Speaker 1>size populations. You have like a big size population that

1:02:07.440 --> 1:02:11.120
<v Speaker 1>that contains the dart category and then a smaller arrow population.

1:02:11.640 --> 1:02:14.920
<v Speaker 1>And a lot of times they continue contemporaneous for you know,

1:02:14.920 --> 1:02:17.400
<v Speaker 1>a thousand years or more. Wow. So they're you know,

1:02:17.600 --> 1:02:21.280
<v Speaker 1>both the addle addle and the archery technology used used

1:02:21.280 --> 1:02:24.280
<v Speaker 1>side by side. Yeah, these together, these people would have

1:02:24.600 --> 1:02:29.640
<v Speaker 1>chosen a different weapon for a different type of hunt perhaps. Yeah. Yeah,

1:02:29.720 --> 1:02:32.360
<v Speaker 1>it's really interesting. You know, they're there are sites. There

1:02:32.400 --> 1:02:34.320
<v Speaker 1>was a side I was looking at. It's in the

1:02:34.440 --> 1:02:38.200
<v Speaker 1>Great Basin and this this uh sand dune area where

1:02:38.240 --> 1:02:40.040
<v Speaker 1>they they had driven bison up out of the river

1:02:40.120 --> 1:02:42.840
<v Speaker 1>valley and into this the sandy area where they've gotten

1:02:42.840 --> 1:02:45.360
<v Speaker 1>bogged down, and that's where the hunters ambushed them. And

1:02:45.400 --> 1:02:47.440
<v Speaker 1>they ambushed them both with the bow and arrown and

1:02:47.520 --> 1:02:50.160
<v Speaker 1>the outlet on dart because both at the same time. Yeah,

1:02:50.320 --> 1:02:52.880
<v Speaker 1>because both size of the point. I wonder if I

1:02:52.960 --> 1:02:55.640
<v Speaker 1>wonder if the archery guys, the traditional archer guys, were

1:02:55.640 --> 1:02:59.840
<v Speaker 1>given the adele addle guys a hard time or vice versa. Right,

1:03:00.040 --> 1:03:02.160
<v Speaker 1>come on, you're gonna use an ad l addle. Yeah,

1:03:02.200 --> 1:03:05.520
<v Speaker 1>that's what grandpa, That's what great Grandpa used tradition. I

1:03:05.600 --> 1:03:08.440
<v Speaker 1>mean they did, honestly. You know, as I as I

1:03:08.480 --> 1:03:14.400
<v Speaker 1>hear the stories of technology of points and styles of points,

1:03:15.000 --> 1:03:18.440
<v Speaker 1>I look at that today in our archery world or

1:03:18.440 --> 1:03:22.240
<v Speaker 1>are hunting world, where there's their different different technology, different

1:03:22.240 --> 1:03:25.440
<v Speaker 1>ways to hunt, gives identity to different groups. Feel like

1:03:25.520 --> 1:03:27.600
<v Speaker 1>I'm a bow hunter, I'm a traditional bow hunter. I

1:03:28.040 --> 1:03:31.080
<v Speaker 1>use this type of broadhead, and he uses that like

1:03:31.640 --> 1:03:35.680
<v Speaker 1>I've always used weaponry among a thousand other things to

1:03:35.720 --> 1:03:39.280
<v Speaker 1>build personal identity. And so I just can't help but

1:03:39.360 --> 1:03:44.080
<v Speaker 1>think that the archery guys were they weren't just absent

1:03:44.240 --> 1:03:47.440
<v Speaker 1>of thoughts about the guys that were using addleaddles. You know,

1:03:47.440 --> 1:03:49.800
<v Speaker 1>there's all sorts of potential going on there. Maybe they

1:03:49.840 --> 1:03:52.680
<v Speaker 1>had some slightly different tactics going on, but but I

1:03:52.720 --> 1:03:55.280
<v Speaker 1>think it's perfectly you know, a viable to say how

1:03:55.360 --> 1:03:57.840
<v Speaker 1>we do it today. We definitely build identity around these

1:03:57.840 --> 1:04:00.920
<v Speaker 1>different weapons systems. So that's that's really importan and that's

1:04:00.960 --> 1:04:04.640
<v Speaker 1>probably a part of the conservativism of hunting technology. And

1:04:04.840 --> 1:04:08.600
<v Speaker 1>you know, there are multiple times in which in history

1:04:08.880 --> 1:04:13.920
<v Speaker 1>people have conserved older hunting technologies and preferred not to

1:04:13.920 --> 1:04:16.880
<v Speaker 1>to take on a newer technology. One of the prime

1:04:16.880 --> 1:04:20.360
<v Speaker 1>examples is it is Paul and Easy because they used javelins.

1:04:20.360 --> 1:04:23.120
<v Speaker 1>That was their primary projectile weapon, and they had the bow,

1:04:23.200 --> 1:04:26.800
<v Speaker 1>but it was mostly a toy or for hunting like rats.

1:04:27.000 --> 1:04:30.760
<v Speaker 1>Really yeah, but they fought and hunted with javelins and

1:04:30.760 --> 1:04:33.200
<v Speaker 1>they just they just hung onto it. That was that

1:04:33.280 --> 1:04:36.200
<v Speaker 1>wasn't then the rest of the world shifted to archery

1:04:36.240 --> 1:04:38.360
<v Speaker 1>and other things. Yeah, yeah, I mean the bow is

1:04:38.400 --> 1:04:41.720
<v Speaker 1>in Northern Australia as well, but most people in Australia

1:04:41.800 --> 1:04:45.360
<v Speaker 1>used either the out lettle or woomera is one of

1:04:45.360 --> 1:04:48.920
<v Speaker 1>the native words there for it, or javelins. Yeah, we

1:04:49.000 --> 1:04:50.840
<v Speaker 1>kind of we tend to think of things from this

1:04:50.960 --> 1:04:55.280
<v Speaker 1>technological deterministic perspective. When a new technology comes on the scene,

1:04:55.320 --> 1:04:58.000
<v Speaker 1>everyone's gonna adopt it. Yeah, that's not necessarily the case.

1:04:58.080 --> 1:05:00.360
<v Speaker 1>You know, there's there's a number of content x in

1:05:00.400 --> 1:05:03.360
<v Speaker 1>which you would hang on to an older technology. You know,

1:05:03.440 --> 1:05:08.400
<v Speaker 1>I think about adopting new technology in modern times probably

1:05:08.440 --> 1:05:11.520
<v Speaker 1>the biggest deterrent for me. Like if you if there

1:05:11.560 --> 1:05:15.840
<v Speaker 1>was some new, big, major archery technology, I would be like,

1:05:16.000 --> 1:05:19.320
<v Speaker 1>why do I need it? What I'm doing works fine, Yeah, precisely,

1:05:19.360 --> 1:05:21.360
<v Speaker 1>And so it's just like it might go for a

1:05:21.400 --> 1:05:25.400
<v Speaker 1>couple of generations before my ancestors were like, Okay, we're

1:05:25.400 --> 1:05:28.560
<v Speaker 1>gonna do this because they find some reason it's better.

1:05:29.120 --> 1:05:31.400
<v Speaker 1>You're think of it this way, like you know how

1:05:31.400 --> 1:05:35.520
<v Speaker 1>to use a shotgun or a bow really well, a

1:05:35.520 --> 1:05:38.240
<v Speaker 1>new technology comes on the scene. It may have better

1:05:38.320 --> 1:05:41.880
<v Speaker 1>ballistic properties, but it turns out it's a lot harder

1:05:41.920 --> 1:05:44.040
<v Speaker 1>to make it, or it's a lot harder to maintain it.

1:05:44.200 --> 1:05:46.040
<v Speaker 1>For you because you could just buy it, it's a

1:05:46.040 --> 1:05:48.080
<v Speaker 1>lot harder to maintain it, and it's just kind of

1:05:48.120 --> 1:05:50.960
<v Speaker 1>a pain to deal with. You know. Bows and arrows

1:05:50.960 --> 1:05:53.000
<v Speaker 1>are they're great, but they're kind of I think of

1:05:53.080 --> 1:05:56.280
<v Speaker 1>it as being high strung the intended there under yeah,

1:05:56.280 --> 1:05:59.320
<v Speaker 1>exactly there under tension. They break when they break their

1:05:59.360 --> 1:06:01.960
<v Speaker 1>no good, and they're harder to make, their harder to maintain.

1:06:02.040 --> 1:06:06.200
<v Speaker 1>It's harder to make the string. But if you have addle,

1:06:06.360 --> 1:06:09.520
<v Speaker 1>was just you're not gonna break that thing. No, it's

1:06:09.600 --> 1:06:12.840
<v Speaker 1>it's very simple. It's not you're carrying around on the landscape.

1:06:12.920 --> 1:06:15.400
<v Speaker 1>Is not intertention. It's ready to go at a moment's notice,

1:06:15.440 --> 1:06:17.800
<v Speaker 1>but it's not intertention. It's not getting worn down from

1:06:17.840 --> 1:06:21.680
<v Speaker 1>being strung easier to make, easier to maintain. Yeah, so

1:06:21.760 --> 1:06:24.520
<v Speaker 1>if it works for you, why adopt something new? You

1:06:24.600 --> 1:06:26.800
<v Speaker 1>just feel like a bow shows up in your camp

1:06:26.800 --> 1:06:29.560
<v Speaker 1>and then everybody wants it. Six months later, add a

1:06:29.600 --> 1:06:32.840
<v Speaker 1>laddles are in the trash and everybody's got a boat.

1:06:33.640 --> 1:06:38.960
<v Speaker 1>Life moved a little bit slower, didn't that. Well. I

1:06:39.000 --> 1:06:41.720
<v Speaker 1>feel really good about the ground we've covered with the

1:06:41.760 --> 1:06:46.000
<v Speaker 1>fulsome technology and understanding the history of bows and adladdles.

1:06:46.320 --> 1:06:50.160
<v Speaker 1>Don't let your kids forget that they're here today because

1:06:50.200 --> 1:06:54.440
<v Speaker 1>your ancestors use ad laddles to kill critters and feed

1:06:54.840 --> 1:06:59.360
<v Speaker 1>your ancient family. That is a fact. As we come

1:06:59.400 --> 1:07:02.080
<v Speaker 1>to the end to this fulsome series. I want to

1:07:02.120 --> 1:07:05.800
<v Speaker 1>bring it back to the original question that we started with,

1:07:06.480 --> 1:07:12.400
<v Speaker 1>why does any of this stuff matter? You know, it

1:07:12.560 --> 1:07:16.560
<v Speaker 1>blows my mind. Human life is so weird in that

1:07:16.680 --> 1:07:21.720
<v Speaker 1>we live in we drive cars, but we're trapped into

1:07:21.760 --> 1:07:24.600
<v Speaker 1>the present, and it's so hard for us to fathom

1:07:24.680 --> 1:07:27.280
<v Speaker 1>that there were people wandering around this place, that this

1:07:27.360 --> 1:07:29.760
<v Speaker 1>was how they lived by these these tools that we're

1:07:29.760 --> 1:07:31.720
<v Speaker 1>talking about part of your daily life. When I find

1:07:31.760 --> 1:07:35.280
<v Speaker 1>these stone points in my front yard, if if anyone

1:07:35.280 --> 1:07:37.160
<v Speaker 1>in my family is home, I try to get them

1:07:37.160 --> 1:07:39.880
<v Speaker 1>to come outside with me to look at it in

1:07:39.960 --> 1:07:42.840
<v Speaker 1>the ground and and we pick it up, and we say,

1:07:42.880 --> 1:07:46.320
<v Speaker 1>the dude that touched this last was planning to cook

1:07:46.360 --> 1:07:49.320
<v Speaker 1>his dinner over and open fire. Number one, number two

1:07:49.760 --> 1:07:52.919
<v Speaker 1>he made this, and they were they had to provide

1:07:53.280 --> 1:07:57.040
<v Speaker 1>for their families with this stone point. That's a fascinating thought,

1:07:57.200 --> 1:08:00.520
<v Speaker 1>but it's such a healthy exercise. I think, Yeah, the

1:08:00.560 --> 1:08:03.320
<v Speaker 1>past is essential. I mean, this is what our identities

1:08:03.320 --> 1:08:06.200
<v Speaker 1>are constructed of, and our understanding of the world and

1:08:06.240 --> 1:08:09.160
<v Speaker 1>how it works as drives from the past. In fact,

1:08:09.600 --> 1:08:12.480
<v Speaker 1>one of the things I always tell students is the

1:08:12.520 --> 1:08:15.000
<v Speaker 1>past is so potent that and more were two the

1:08:15.080 --> 1:08:19.480
<v Speaker 1>Nazis created a division of their government to to construct

1:08:19.800 --> 1:08:23.320
<v Speaker 1>this view, this history of the Aryan race, and they

1:08:23.360 --> 1:08:26.519
<v Speaker 1>reinterpreted all this archeological evidence they went to prove and

1:08:26.560 --> 1:08:29.640
<v Speaker 1>they reinterpreted the archaeology, and they said, this archaeology is

1:08:29.640 --> 1:08:31.800
<v Speaker 1>the archaeology there in people. Of course, it was all

1:08:31.840 --> 1:08:34.560
<v Speaker 1>completely fabricated, but that's what they you know, that was

1:08:34.600 --> 1:08:37.000
<v Speaker 1>a big part of their ideology and what allowed them

1:08:37.040 --> 1:08:39.800
<v Speaker 1>to do what they did, all the terrible atrocities they

1:08:39.840 --> 1:08:43.519
<v Speaker 1>did to convince people that this is right, so stood

1:08:43.520 --> 1:08:46.640
<v Speaker 1>that history was going to play a major part in

1:08:46.760 --> 1:08:50.960
<v Speaker 1>the modern culture they were building. Yeah, archaeology is extremely

1:08:51.040 --> 1:08:53.640
<v Speaker 1>potent stuff. You know, It's like it's really powerful, and

1:08:53.640 --> 1:08:56.200
<v Speaker 1>you have to get it right in a time when

1:08:56.280 --> 1:08:58.960
<v Speaker 1>it's it's hard for people to even be able to

1:08:59.120 --> 1:09:02.720
<v Speaker 1>track a couple of generations in their family, which is

1:09:02.800 --> 1:09:05.320
<v Speaker 1>kind of bizarre that we can't because we have this

1:09:05.640 --> 1:09:08.040
<v Speaker 1>in the last thousand years, we've had the ability to

1:09:08.120 --> 1:09:11.280
<v Speaker 1>record history. I mean even just the advent of paper

1:09:11.400 --> 1:09:15.400
<v Speaker 1>and printing presses and writing stuff down and written language,

1:09:15.400 --> 1:09:17.920
<v Speaker 1>and we can we can record all this stuff, but

1:09:18.000 --> 1:09:20.679
<v Speaker 1>typically people don't. I mean, people have a hard time

1:09:20.960 --> 1:09:23.400
<v Speaker 1>learning what happened to their families and hundred years ago.

1:09:23.479 --> 1:09:26.519
<v Speaker 1>Well it's there, you know, the history, even if they're

1:09:26.520 --> 1:09:29.040
<v Speaker 1>not looking for it, it's there, and it's what's forming

1:09:29.080 --> 1:09:36.080
<v Speaker 1>who they are. Man. Right at the very end, in

1:09:36.120 --> 1:09:40.640
<v Speaker 1>the last sentence, after hours of conversation, we find the

1:09:40.760 --> 1:09:43.800
<v Speaker 1>answer to the question we started with rafting a cute

1:09:43.880 --> 1:09:48.200
<v Speaker 1>little boat. Why does any of this matter? History is

1:09:48.320 --> 1:09:52.160
<v Speaker 1>forming who we are, regardless of our awareness of it.

1:09:52.920 --> 1:09:57.320
<v Speaker 1>Even if George mcjunkin hadn't found those bones that day

1:09:57.520 --> 1:10:02.760
<v Speaker 1>in that box canyon, would have shaped our identity as

1:10:02.840 --> 1:10:08.160
<v Speaker 1>humans today. Many times I've expressed my interest in identity

1:10:08.320 --> 1:10:12.280
<v Speaker 1>and the factors that influence it. Certainly the fulsome hunters

1:10:12.320 --> 1:10:14.439
<v Speaker 1>would be a part of the puzzle of our macro

1:10:14.760 --> 1:10:18.280
<v Speaker 1>identity as humans. As much as many of us would

1:10:18.280 --> 1:10:22.920
<v Speaker 1>like to think we're independent, freethinking beings, that's kind of

1:10:22.920 --> 1:10:25.880
<v Speaker 1>a facade. There are parts of our past that are

1:10:25.960 --> 1:10:30.960
<v Speaker 1>fundamental and architectural it can't be changed, Like these ancient

1:10:31.120 --> 1:10:36.240
<v Speaker 1>humans being hunters, being meat eaters and procuring their livelihood

1:10:36.360 --> 1:10:41.000
<v Speaker 1>through craft and skill and interacting with the earth in

1:10:41.080 --> 1:10:43.360
<v Speaker 1>a time when the very identity of what it means

1:10:43.360 --> 1:10:45.759
<v Speaker 1>to be human is up in the air. The Fulsome

1:10:45.840 --> 1:10:50.080
<v Speaker 1>Hunters give us an indisputable anchor point and identity that

1:10:50.240 --> 1:10:53.439
<v Speaker 1>might help us put perspective on our own lives in

1:10:53.600 --> 1:10:56.679
<v Speaker 1>modern times. You have to figure out what that means

1:10:56.720 --> 1:10:59.200
<v Speaker 1>to you, But I feel like I know what that

1:10:59.280 --> 1:11:03.200
<v Speaker 1>means for me. It makes me marvel at human life

1:11:03.320 --> 1:11:08.840
<v Speaker 1>in and it puts perspective on my problems and struggles,

1:11:09.400 --> 1:11:11.800
<v Speaker 1>and it makes me want to do all I can

1:11:12.400 --> 1:11:17.360
<v Speaker 1>to keep my life simple. I'm forever grateful that I

1:11:17.400 --> 1:11:20.360
<v Speaker 1>was bored when I was and that I'm alive in

1:11:20.479 --> 1:11:23.320
<v Speaker 1>two I don't want to go back and be a

1:11:23.360 --> 1:11:26.840
<v Speaker 1>fulsome hunter, but I do want to look back at

1:11:26.880 --> 1:11:33.559
<v Speaker 1>those guys and glean some inspiration, some identity, some hope,

1:11:33.920 --> 1:11:38.519
<v Speaker 1>and some just straight up grit from those people. Man

1:11:39.000 --> 1:11:44.760
<v Speaker 1>Fulsome Hunters pretty wild. I can't thank you enough for

1:11:44.920 --> 1:11:48.599
<v Speaker 1>listening to Bear Greece. We've been on this long series

1:11:48.640 --> 1:11:51.080
<v Speaker 1>about Fulsome and we're about to switch it up and

1:11:51.160 --> 1:11:55.559
<v Speaker 1>we're gonna talk about ducks in the next podcast, and

1:11:55.600 --> 1:12:00.880
<v Speaker 1>maybe even some squirrels. One was an credible year for

1:12:00.920 --> 1:12:05.479
<v Speaker 1>this podcast, and I personally learn a ton. Thank you

1:12:05.520 --> 1:12:10.519
<v Speaker 1>guys so much for following along and supporting bear grease Hey.

1:12:10.520 --> 1:12:13.000
<v Speaker 1>From all the people of the bear Grease Render Crew

1:12:13.320 --> 1:12:16.240
<v Speaker 1>and all the people at Meat Eater, we wish you

1:12:16.439 --> 1:12:20.280
<v Speaker 1>a very happy and prosperous new Year.