WEBVTT - The Fifth Hour: Ralph Irvin, Let Elvis Take the Wheel

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<v Speaker 1>Kaboom. If you thought four hours a day, minutes a

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<v Speaker 1>week was enough, think again. He's the last remnants of

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<v Speaker 1>the old republic a sole fashion of fairness. He treats

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<v Speaker 1>crackheads in the ghetto gutter the same as the rich

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<v Speaker 1>pill poppers in the penthouse, to clearinghouse of hot takes,

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<v Speaker 1>break free for something special. The Fifth Hour with Ben

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<v Speaker 1>Maller starts right now in the air everywhere, and welcome in.

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<v Speaker 1>A new weekend is upon us a fresh batch of

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<v Speaker 1>The Fifth Hour with Ben Maller and Danny g Radio.

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<v Speaker 1>Before you say, please, please, before you do that, calm down,

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<v Speaker 1>we have a bunch of somewhat decent audio content for you.

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<v Speaker 1>And the weekend begin ends right now and Friday. We

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<v Speaker 1>like to talk to people who we've heard of, people

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<v Speaker 1>on the podcast who we think you'll want to hear from.

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<v Speaker 1>And the last week we had a great time. It

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<v Speaker 1>was very exciting. Joey Chestnuts a man who went out

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<v Speaker 1>and scarfed down all kinds of hot dogs and buns.

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<v Speaker 1>He was attacked by a protester. He put that person

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<v Speaker 1>in a choke hold and then still one by double

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<v Speaker 1>digits hot dog and buns for another mustard belt his

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<v Speaker 1>fifteen title. So congratulations to my new friend Joey Chestnut.

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<v Speaker 1>Was great to have him on the podcast and that

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<v Speaker 1>did very well, and we thank you for listening and

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<v Speaker 1>telling friends about that and said, hey, I got this

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<v Speaker 1>little dumb podcast thing. I listened to the Fifth Hour.

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<v Speaker 1>You might want to check it out. And we thank you.

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<v Speaker 1>We do, thank you for that. So it's upward and

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<v Speaker 1>onward in the podcast game and this Friday show, the

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<v Speaker 1>show you're listening to right now. We decided to do

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<v Speaker 1>something somewhat different. We bring in one of our colleagues

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<v Speaker 1>I can still say that from Fox Sports Radio, Ralph Irvin.

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<v Speaker 1>Now Ralph has a big announcement that he is going

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<v Speaker 1>to make on our podcast on the Fifth Hour podcast.

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<v Speaker 1>Not too shabby. Um, So we're gonna welcome in a

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<v Speaker 1>man who has worked for a number of years at

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<v Speaker 1>Fox Sports Radio. I've known Ralph since we were early

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<v Speaker 1>on in our careers. We both got started in San

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<v Speaker 1>Diego at the mighty six ninety, a legendary West Coast

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<v Speaker 1>sports talker. We cut our teeth at that radio station.

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<v Speaker 1>We know many of the same people. Radio is a

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<v Speaker 1>small fraternity. Ralph has gone on. He worked in Orlando.

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<v Speaker 1>He worked for u C l A and their video department,

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<v Speaker 1>and he's worked at several other radio stations. He's very

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<v Speaker 1>active in golf. He's filled in not not in years,

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<v Speaker 1>but he's filled in on our overnight show when Eddie

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<v Speaker 1>has been away Corporate Garcia and I thought, let's get

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<v Speaker 1>the man, the myth, the legend, Ralph urban On and Ralph,

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<v Speaker 1>we welcome you and and I'm upset with you. Ralph.

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<v Speaker 1>I tried to get you on. You you were harder

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<v Speaker 1>to book than Joey Chestnut. I had to jump through

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<v Speaker 1>hoops to get you on, Ralph. Can you please explain

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<v Speaker 1>why it was so difficult to get you? Ralph Irvin

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<v Speaker 1>on the Fifth Hour podcast with me your buddy Big Ben.

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<v Speaker 1>Why is that, Ralph? Because you forgot my number. That's incorrect.

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<v Speaker 1>I did not forget your number. I ran into you

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<v Speaker 1>at the Fox Sports Radio studios. I was trying to

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<v Speaker 1>enjoy a nice meal and you came by. You were

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<v Speaker 1>wearing Hawaiian shirt a few weeks ago. Possibly yes, yeah,

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<v Speaker 1>remember the great power outage at the Fox Sports Radio studio. Yeah,

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<v Speaker 1>we have those occasionally. Well, they made me come in, Ralph,

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<v Speaker 1>and there was no reason for me to be there.

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<v Speaker 1>The power was back on right before the show start,

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<v Speaker 1>like two hours before the show. But but I was there.

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<v Speaker 1>And there's always a good reason to be in the studio.

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<v Speaker 1>It's called professional radio time. I'm in a studio. I

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<v Speaker 1>have a microphone, I have headphones, I have I have everything.

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<v Speaker 1>I have a board over here, I have that. I

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<v Speaker 1>have a there's a keyboard. Um, I'm looking. There's a

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<v Speaker 1>computer here. There's a light. There's several lights. There's like

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<v Speaker 1>a weird fan off to the side. There's a thing

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<v Speaker 1>of pens that that I let me show you. It's

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<v Speaker 1>I know we're on audio, but actually you can see

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<v Speaker 1>me so sec here I have Look how big that

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<v Speaker 1>pen is? Ralph? Is that? Are you not impressed by

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<v Speaker 1>the size of my pen? Come on, be honest, you're Ralph,

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<v Speaker 1>I'm not in It's a pen. No, it's a beautiful pen.

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<v Speaker 1>It's a large, giant, cartoon sized pen like this awesome.

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<v Speaker 1>See like I have big hands, but this pen makes

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<v Speaker 1>it look like I have a little baby hands, like

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<v Speaker 1>little Kyler Murray hands. Yeah. Sure, all right with you, Ron,

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<v Speaker 1>I mean you're doing this, this is a podcast about you.

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<v Speaker 1>Everything's great. Are you sure? About that. It's about me

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<v Speaker 1>that we're talking about your pen. Well, it's just a

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<v Speaker 1>warm up. I'm just warming up with the pen. I

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<v Speaker 1>feel like Ralph. Once you see my pen, you know

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<v Speaker 1>now we're we're bonding. We're gonna bond again like the

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<v Speaker 1>old days. Sure, sure sounds good, Yeah, exactly exactly. All right, Well,

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<v Speaker 1>the real reason I'm having you on the podcast is

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<v Speaker 1>you had a big Have you announced this publicly or

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<v Speaker 1>my are we announcing this on the Fifth Hour podcast?

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<v Speaker 1>A major story one this gets in the radio trades.

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<v Speaker 1>Mm hmm. It's it's gonna blow up the industry, it

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<v Speaker 1>really is. And are you prepared to make that announcement

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<v Speaker 1>right now? It's it's it's it's known that. Yeah, I'm

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<v Speaker 1>I'm leaving Fox Sports Radio. So Ralph Irvin is leaving

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<v Speaker 1>our dysfunctional radio. This is big news, Ralph. I don't

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<v Speaker 1>think you realize how big this is. I I guess

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<v Speaker 1>I don't. I guess I don't. I'm just I'm just

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<v Speaker 1>a cog in the machine. I'm just a guy who

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<v Speaker 1>comes to work and does his thing. Yeah, so I

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<v Speaker 1>have questions. Are you prepared? I'm gonna grill you. I'm

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<v Speaker 1>gonna give you. This is Ralph to the third degree. Sure,

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<v Speaker 1>all right, So the obvious question is how how did

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<v Speaker 1>you come to this decision? Ralph? I mean to leave

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<v Speaker 1>Fox Sports Radio. It's a big deal, Like how long

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<v Speaker 1>has this been going on? Where you you had, you know,

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<v Speaker 1>the idea that you're gonna leave, and how long did

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<v Speaker 1>this come about? Well, this is more a case of

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<v Speaker 1>as you know, you're in this industry, uh, that you

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<v Speaker 1>can move around, you go from job to job. Now

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<v Speaker 1>you haven't gone too far. You've stayed in southern California.

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<v Speaker 1>I think you your entire career, I've moved. I've gone

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<v Speaker 1>from San Diego to Orlando back to l A, different

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<v Speaker 1>places around l A. And one thing that's been consistent

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<v Speaker 1>is my wife has followed me everywhere I've gone. And

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<v Speaker 1>she received an opportunity, uh to get a better job

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<v Speaker 1>in a new city, and I told her you go

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<v Speaker 1>for it. I fully supported. And you've followed me around

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<v Speaker 1>all these years. It's my turn to do the same,

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<v Speaker 1>and I will follow you. So it uh affords a

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<v Speaker 1>new opportunity, totally new lifestyle and probably one that doesn't

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<v Speaker 1>involve broadcasting ever again, which is all right. It's something

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<v Speaker 1>that will be absolutely new and funics writing. So you're

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<v Speaker 1>leaving broadcasting, this is this is it? This is your

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<v Speaker 1>last weekend as a broadcaster. You say, is that true?

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<v Speaker 1>Really that as as far as I can tell, that's

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<v Speaker 1>that's it. Yeah, I'm gonna try to go and sit

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<v Speaker 1>behind a desk and do work and contribute to other ways.

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<v Speaker 1>But well that's no fun Ralph for radio guys. Were

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<v Speaker 1>a couple of radio guys here. This is all we know,

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<v Speaker 1>Ralph is microphones and nonsense and goofing around. And oh

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<v Speaker 1>I've known a little bit more than radio because I've

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<v Speaker 1>been doing video work for the last fifteen years. So

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<v Speaker 1>it's it's it's a case of building something that's not

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<v Speaker 1>just day to day. It's building something bigger. Products and

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<v Speaker 1>things of that nature is you know, I've done a

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<v Speaker 1>lot of work with golf and talking about golf products,

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<v Speaker 1>and you get to know the people that design and

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<v Speaker 1>build these products, and they put a lot of themselves

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<v Speaker 1>into each one, and you think, wow, that would be

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<v Speaker 1>kind of cool to be able to do something where

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<v Speaker 1>I have a lasting legacy within whatever it is that

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<v Speaker 1>I've built, and that's kind of an interest of mine

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<v Speaker 1>going forward. Well, that's cool, and you're a romantic ralph.

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<v Speaker 1>You're you're following your your your wife, she followed you,

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<v Speaker 1>and now you're following. That's a tremendous thing that you're

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<v Speaker 1>doing here. Well, she's a lot more successful than I am.

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<v Speaker 1>That helps me, makes it, It makes a lot easier. Yeah,

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<v Speaker 1>that's good. Do you want to reveal where you're going

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<v Speaker 1>or you want to be a big mysteries the FBI

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<v Speaker 1>out to get you? That are the authorities going to

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<v Speaker 1>run you down or something like that? Are you worried

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<v Speaker 1>about that? Because you know I'm going to to America's

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<v Speaker 1>playground that is Las Vegas. Oh is that right? Lost,

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<v Speaker 1>Lost Wages, Nevada, Yes, standing where I have a number

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<v Speaker 1>of friends that are living there that are excited that

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<v Speaker 1>I will be coming out and joining them. So more importantly,

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<v Speaker 1>route this is a place I visit Vegas. So we'll

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<v Speaker 1>we'll still get to hang out again. We'll probably hang

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<v Speaker 1>out more with you when you get set up in

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<v Speaker 1>Vegas than we do now, because you know geography wise

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<v Speaker 1>where you live and I don't ever say where I

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<v Speaker 1>live other than the north Woods. And I've moved a

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<v Speaker 1>lot over the years. I've lived in the l are.

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<v Speaker 1>I've lived all over l A. But we're pretty far

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<v Speaker 1>apart right now, like where we live. I think I

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<v Speaker 1>get to Vegas more than I get to where you

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<v Speaker 1>live in the l A area. Well, no, because yeah

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<v Speaker 1>you don't. We don't allow you into where I live.

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<v Speaker 1>That's we We kind of have signs up keep this

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<v Speaker 1>man away. And rightfully so I did try. There's a

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<v Speaker 1>famous lake not that far away from where you live

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<v Speaker 1>where they filmed robin Hood the original and uh, and

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<v Speaker 1>I saw it. I was I was going out of

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<v Speaker 1>your way. I think it was for Jonas is uh

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<v Speaker 1>wedding thing, the receptions. I went out of your way

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<v Speaker 1>and we were at Jonas's wedding, and so I said,

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<v Speaker 1>I'm out here. I'm never really out this way anymore,

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<v Speaker 1>so let me go see. They have this lake, famous lake.

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<v Speaker 1>What's it called. What's the name of the Lakewood Lake? Sherwood. Yeah,

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<v Speaker 1>that's so they filmed a bunch of movies and stuff.

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<v Speaker 1>So I thought I'd go, it's a lake. I'll go

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<v Speaker 1>check out the lake. And I tried to get I

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<v Speaker 1>could not get anywhere close to like you're only if

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<v Speaker 1>you live there. There's like this exclusive neighbor where Wayne

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<v Speaker 1>Gretzky and some other big celebrities living used to live there. Well,

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<v Speaker 1>Lenny has been on the podcast, you know Lenny's Lenny

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<v Speaker 1>has been on his foy. He won't return my calls anymore. Though.

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<v Speaker 1>I don't know what happened to Lenny Len He used

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<v Speaker 1>to get He always wanted to come on the podcast,

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<v Speaker 1>and then I tried to reach out to him a

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<v Speaker 1>couple of weeks ago and he didn't get back to

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<v Speaker 1>It's a bad job by Lenny that Did you talk

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<v Speaker 1>to him? Is that what happened right now? I did

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<v Speaker 1>not talk to Lenny. I have not talked to Lenny,

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<v Speaker 1>but he did live but in Lake Sherwood. Yeah, it's

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<v Speaker 1>a beautiful lake. Nice. I could actually go check it,

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<v Speaker 1>actually get close to the water. Other than the up top,

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<v Speaker 1>I have to look over a fence like a peeping

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<v Speaker 1>lake guy or something like that. Well, that's that's sometimes

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<v Speaker 1>what you have to be. Is that true? Well for you, yes,

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<v Speaker 1>not not so much for me. I I know people

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<v Speaker 1>and have access. You're you're a cool person, You're much

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<v Speaker 1>cooler than me. But you're leaving all that behind Vegas.

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<v Speaker 1>Are you a gambler? It's yeah, a little bit I

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<v Speaker 1>like to play craps, but it's not something that I

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<v Speaker 1>need or want to do a lot. So it's not

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<v Speaker 1>a big deal. I mean, yeah, you know, we were

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<v Speaker 1>in southern California. If we want to gamble, we could

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<v Speaker 1>gamble places closer than Las Vegas. We don't want to.

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<v Speaker 1>It's about going to Las Vegas and you do things there.

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<v Speaker 1>But I've traveled there so much over the years that

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<v Speaker 1>i have my spots away from the Strip, away from

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<v Speaker 1>all the touristy areas, and so that's not a big change.

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<v Speaker 1>It's not like I'm going there and thinking I'm gonna

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<v Speaker 1>be hanging out in Las Vegas Boulevard. That's not it

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<v Speaker 1>at all. Yeah. My my aunt used to live in Vegas,

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<v Speaker 1>and you know, she was around but and and the

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<v Speaker 1>locals always there's like weird, strange casinos away from the

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<v Speaker 1>Strip where like the local people go, they don't bother

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<v Speaker 1>with the there are some Yeah, so you already have

0:12:55.240 --> 0:12:58.160
<v Speaker 1>your place set up in Vegas for the big you relocation,

0:12:58.200 --> 0:13:00.559
<v Speaker 1>You're already ready to go. You're looking for a new place.

0:13:00.720 --> 0:13:03.120
<v Speaker 1>There's a temporary set up right now, but it'll be

0:13:03.200 --> 0:13:06.760
<v Speaker 1>looking for a for a house in the future. Yeah,

0:13:07.160 --> 0:13:08.840
<v Speaker 1>what if somebody says, hey, Ralph, we want you to

0:13:08.880 --> 0:13:11.760
<v Speaker 1>work on the radio in Vegas with you. I will

0:13:11.800 --> 0:13:14.160
<v Speaker 1>ask them how much they have in their bank account

0:13:14.600 --> 0:13:17.520
<v Speaker 1>and then they will tell you the amount, and then

0:13:17.559 --> 0:13:20.439
<v Speaker 1>you'll start laughing and I will say, that's why I'm

0:13:20.440 --> 0:13:23.880
<v Speaker 1>no longer in broadcasting. Yes, let's just say that we

0:13:23.960 --> 0:13:28.240
<v Speaker 1>have a mutual acquaintance that is in Las Vegas that

0:13:28.280 --> 0:13:31.480
<v Speaker 1>has talked to me for years about coming out and saying, oh,

0:13:31.559 --> 0:13:33.760
<v Speaker 1>you could be on the air, no problem right away,

0:13:34.840 --> 0:13:36.560
<v Speaker 1>but they wouldn't really be able to pay you. And

0:13:36.559 --> 0:13:40.440
<v Speaker 1>I'm like, okay, well, yeah, Vegas is a weird market

0:13:40.559 --> 0:13:42.880
<v Speaker 1>because it's become a very large city. I have some

0:13:42.920 --> 0:13:45.240
<v Speaker 1>friends that do radio in Vegas and I've done I've

0:13:45.280 --> 0:13:50.000
<v Speaker 1>done the show remotely from Vegas and it's it's like

0:13:50.040 --> 0:13:52.559
<v Speaker 1>a big city. But they don't treat the radio stuff

0:13:52.600 --> 0:13:56.440
<v Speaker 1>like it's a big city. Well, it's a big city

0:13:56.720 --> 0:14:01.760
<v Speaker 1>that still hasn't taken understanding of how big they are.

0:14:02.280 --> 0:14:06.120
<v Speaker 1>For instance, uh, Tim Laiwicky is building a new arena

0:14:06.320 --> 0:14:08.719
<v Speaker 1>reportedly there in Las Vegas, and they want to put

0:14:08.760 --> 0:14:11.840
<v Speaker 1>an NBA team in and where he has chosen the

0:14:11.840 --> 0:14:15.120
<v Speaker 1>arena location is not in the middle of the strip,

0:14:15.880 --> 0:14:17.640
<v Speaker 1>and people are like, why would you do this, why

0:14:17.640 --> 0:14:20.320
<v Speaker 1>would you make tourists drive away? And the thinking is

0:14:21.600 --> 0:14:25.160
<v Speaker 1>because it's not for the tourists, Like, like, if you

0:14:25.240 --> 0:14:29.040
<v Speaker 1>live in Las Vegas, you actually do deserve the right

0:14:29.120 --> 0:14:31.400
<v Speaker 1>to have a team that's your own, that's not built

0:14:31.440 --> 0:14:35.240
<v Speaker 1>for tourists. You can have your own, your own arena,

0:14:35.320 --> 0:14:38.840
<v Speaker 1>and your own city. And I don't think they've quite

0:14:38.880 --> 0:14:43.720
<v Speaker 1>grasped that aspect yet, that they deserve the fruits that

0:14:43.760 --> 0:14:45.800
<v Speaker 1>come with being a big city. I think they still

0:14:45.840 --> 0:14:48.520
<v Speaker 1>think that they are there to serve all the visitors

0:14:48.520 --> 0:14:52.680
<v Speaker 1>from around the world, and it's an evolution for sure. Yeah,

0:14:52.720 --> 0:14:55.080
<v Speaker 1>well that is true. But I'm still upset when the

0:14:55.120 --> 0:14:57.640
<v Speaker 1>Hockey Arena was built behind New York, New York, and

0:14:57.680 --> 0:15:01.680
<v Speaker 1>then they started charging for parking around the You have

0:15:01.760 --> 0:15:04.160
<v Speaker 1>to get a credit card to get free parking and

0:15:04.240 --> 0:15:06.440
<v Speaker 1>not don't even know if that's still a thing, but oh,

0:15:06.480 --> 0:15:09.720
<v Speaker 1>it's a thing. It's a thing. I hate, Ralph, You've

0:15:09.760 --> 0:15:11.520
<v Speaker 1>known me a long time. I hate paying for parking.

0:15:11.920 --> 0:15:14.280
<v Speaker 1>You hate paying for anything. Well, that is true. That's

0:15:14.320 --> 0:15:18.960
<v Speaker 1>why I am the frugal the frugal man, the tight

0:15:19.000 --> 0:15:21.600
<v Speaker 1>wad whatever you want to say there. No, it's it's

0:15:21.680 --> 0:15:24.760
<v Speaker 1>it's it's a case where again the locals that I

0:15:24.840 --> 0:15:27.440
<v Speaker 1>know are like, no, we we don't even bother trying

0:15:27.440 --> 0:15:33.280
<v Speaker 1>to park there. We we take our uber and yeah, understandable, understandable.

0:15:36.360 --> 0:15:38.280
<v Speaker 1>I often talk when I talked about Ralph, I I

0:15:38.360 --> 0:15:40.080
<v Speaker 1>when I talk about you, Ralph, I always talk about

0:15:40.080 --> 0:15:43.040
<v Speaker 1>the fact that we started out. We look products of

0:15:43.080 --> 0:15:45.640
<v Speaker 1>the mighty six ninety one of the great sports radio station,

0:15:45.720 --> 0:15:48.480
<v Speaker 1>the first West Coast, one of the great I mean,

0:15:48.560 --> 0:15:51.920
<v Speaker 1>let's be real, let's let's just let's cut the crap.

0:15:52.640 --> 0:15:55.480
<v Speaker 1>It's the greatest sports station that ever existed, damn right.

0:15:55.960 --> 0:16:00.640
<v Speaker 1>And look at the legends that you Ralph of a legend, uh,

0:16:00.760 --> 0:16:05.600
<v Speaker 1>you know, and uh Steve Hartman, Homer Hartman and uh

0:16:05.640 --> 0:16:09.080
<v Speaker 1>and all them. Uh. It's been been wonderful. And a

0:16:09.120 --> 0:16:12.040
<v Speaker 1>lot of the people, although we're getting older, Ralph, a

0:16:12.080 --> 0:16:14.120
<v Speaker 1>lot of the people still working in the business who

0:16:14.160 --> 0:16:18.280
<v Speaker 1>were there. Almost all of them, yeah, I mean almost

0:16:18.280 --> 0:16:22.200
<v Speaker 1>all of them are still active in in in major radio.

0:16:22.240 --> 0:16:27.720
<v Speaker 1>I mean a morning show that's still on in Los Angeles,

0:16:27.760 --> 0:16:30.120
<v Speaker 1>some guy named Jim Rome. I think he's done, okay,

0:16:31.200 --> 0:16:34.640
<v Speaker 1>hanging in there. I think he's got enough money. I

0:16:34.680 --> 0:16:39.400
<v Speaker 1>think maybe not. Hartman's around still, and you know, if

0:16:39.440 --> 0:16:41.680
<v Speaker 1>you if you follow online, you can still find the

0:16:41.720 --> 0:16:46.160
<v Speaker 1>old mentor has has has been on this podcast has

0:16:46.200 --> 0:16:49.720
<v Speaker 1>as I am. The thing about Hacks and we I worked,

0:16:49.800 --> 0:16:51.520
<v Speaker 1>I was an intern with him. You were there at

0:16:51.560 --> 0:16:53.280
<v Speaker 1>the same around the same time. But Hacks of the

0:16:53.440 --> 0:16:57.080
<v Speaker 1>work ethic and people say I work hard, But like

0:16:57.120 --> 0:17:01.200
<v Speaker 1>hacksall was in there all day. We're recording stuff and

0:17:01.280 --> 0:17:04.120
<v Speaker 1>that's the work I mean, I I am. I worked

0:17:04.160 --> 0:17:06.960
<v Speaker 1>somewhat hard, but compared to Hacks on the amount of effort.

0:17:07.119 --> 0:17:10.439
<v Speaker 1>And he's still got a website where he's he does

0:17:10.480 --> 0:17:13.320
<v Speaker 1>his headlines. That was what he was known for back

0:17:14.000 --> 0:17:17.160
<v Speaker 1>in San Diego. But he still does that every day,

0:17:17.160 --> 0:17:19.040
<v Speaker 1>just does it written out. He doesn't do it on

0:17:19.040 --> 0:17:22.280
<v Speaker 1>the broadcasting, but wouldn't you really like to see it

0:17:22.320 --> 0:17:25.240
<v Speaker 1>written out? Like he just posted a pdf every day

0:17:25.280 --> 0:17:29.320
<v Speaker 1>of the way that he would write his headlines. He

0:17:29.400 --> 0:17:32.040
<v Speaker 1>had this piece of paper with this writing that so

0:17:32.160 --> 0:17:34.720
<v Speaker 1>tiny so that he could get every single little headline

0:17:34.720 --> 0:17:39.240
<v Speaker 1>on there uh written out in one little sheet of paper,

0:17:39.320 --> 0:17:42.000
<v Speaker 1>so he didn't have to change sheets of paper. And

0:17:42.520 --> 0:17:45.000
<v Speaker 1>this little tiny writing I think that would be hilarious

0:17:45.000 --> 0:17:47.320
<v Speaker 1>as if that's what he posted for his headlines, just

0:17:47.359 --> 0:17:49.480
<v Speaker 1>a PDF you could zoom in on and try to

0:17:49.520 --> 0:17:51.520
<v Speaker 1>make out his notes. Well, yeah, because he had the

0:17:51.600 --> 0:17:54.160
<v Speaker 1>chicken scratch going. And that was back in the archaic

0:17:54.280 --> 0:17:57.240
<v Speaker 1>days though, Ralph like, we're so old. They had the

0:17:57.320 --> 0:18:00.320
<v Speaker 1>high speed sports wire, they had the sports picker, Like

0:18:00.359 --> 0:18:03.440
<v Speaker 1>they don't even have that, Like radio stations don't have those.

0:18:03.520 --> 0:18:05.439
<v Speaker 1>They don't need them anymore because of the Internet. But

0:18:06.040 --> 0:18:07.840
<v Speaker 1>that was like, that was one of the coolest things.

0:18:07.840 --> 0:18:09.720
<v Speaker 1>When I started working there. I was like, oh man,

0:18:09.760 --> 0:18:12.320
<v Speaker 1>this is the high speed sports wire. And because you

0:18:12.359 --> 0:18:15.640
<v Speaker 1>couldn't get that information, you sit down at a computer

0:18:15.720 --> 0:18:19.080
<v Speaker 1>and there was live scores right there in front of you. Yeah.

0:18:19.240 --> 0:18:22.840
<v Speaker 1>And and but we're like, we're like the I had

0:18:22.880 --> 0:18:24.880
<v Speaker 1>to walk ten miles in the snow up the hill.

0:18:25.280 --> 0:18:28.560
<v Speaker 1>We did radio before the Internet, and we're able to

0:18:28.560 --> 0:18:33.479
<v Speaker 1>pull it off kind of Uh. I was gathering recently

0:18:33.480 --> 0:18:36.000
<v Speaker 1>where we were talking about old things and talking about

0:18:36.640 --> 0:18:38.520
<v Speaker 1>you know, you had these cards and you had to

0:18:38.560 --> 0:18:41.119
<v Speaker 1>stack these cards up, you know, a mile high, with

0:18:41.160 --> 0:18:44.280
<v Speaker 1>all your commercials and your sound bites. And this is

0:18:44.400 --> 0:18:48.560
<v Speaker 1>before everything was digitized for sure, we we went. When

0:18:48.560 --> 0:18:51.960
<v Speaker 1>I was producing a show that we did called Extra

0:18:51.960 --> 0:18:55.520
<v Speaker 1>Football Sunday. We did after we lost the Chargers rights

0:18:55.800 --> 0:19:04.679
<v Speaker 1>in um we Well, I set up recording locations for

0:19:04.720 --> 0:19:08.720
<v Speaker 1>every NFL game with giant reel to reel otari reel

0:19:08.800 --> 0:19:12.520
<v Speaker 1>to reel recording machines so that we could record highlights

0:19:12.520 --> 0:19:14.920
<v Speaker 1>and get them onto the air. It was, I mean,

0:19:14.960 --> 0:19:18.200
<v Speaker 1>it was archaic, but it was. It sounded great you.

0:19:18.880 --> 0:19:21.280
<v Speaker 1>It didn't sound any worse than it does today. It

0:19:21.440 --> 0:19:26.160
<v Speaker 1>just took a lot more effort and a lot more space. Yeah,

0:19:26.200 --> 0:19:27.840
<v Speaker 1>that was one of my first one. I was an intern.

0:19:27.880 --> 0:19:30.040
<v Speaker 1>I had to pull the commercials. I had the commercial

0:19:30.080 --> 0:19:32.000
<v Speaker 1>log and I had to pull the spots for the

0:19:32.920 --> 0:19:35.199
<v Speaker 1>for the engineer. That was my my gig. I was

0:19:35.320 --> 0:19:38.200
<v Speaker 1>very good at pulling commercial And they call them spots

0:19:38.200 --> 0:19:42.320
<v Speaker 1>because they little little spot on little dot. I told

0:19:42.320 --> 0:19:45.000
<v Speaker 1>you what number they were color coded. We're doing We're

0:19:45.040 --> 0:19:47.199
<v Speaker 1>doing old guy radio talk here. Just sure was doing

0:19:47.280 --> 0:19:50.480
<v Speaker 1>old guy radio talk. Yeah. Did you ever cut yourself

0:19:50.480 --> 0:19:52.800
<v Speaker 1>with a razor blade cutting the reel, the reel, the

0:19:52.880 --> 0:19:55.639
<v Speaker 1>tape and all that. No, I I wasn't clumsy, No,

0:19:55.800 --> 0:19:57.919
<v Speaker 1>I I never had that issue. I was I have

0:19:58.000 --> 0:20:00.359
<v Speaker 1>fat fingers. I cut myself all the time. I was terrible.

0:20:00.400 --> 0:20:02.040
<v Speaker 1>I was so happy when they got rid of that stuff,

0:20:02.080 --> 0:20:03.800
<v Speaker 1>but I was so piste off at the same time

0:20:03.840 --> 0:20:06.359
<v Speaker 1>because I learned when I got into the business, I

0:20:06.440 --> 0:20:10.520
<v Speaker 1>learned cards, editing, you know, the real, the real, all that.

0:20:10.720 --> 0:20:14.320
<v Speaker 1>And within a couple of years of me starting, he

0:20:14.600 --> 0:20:17.159
<v Speaker 1>started shifting over to digital. And I was like, what,

0:20:17.359 --> 0:20:19.879
<v Speaker 1>I spent all this time learning all this stuff, and

0:20:19.920 --> 0:20:21.800
<v Speaker 1>the only way I'll use it is I'm at like

0:20:21.840 --> 0:20:24.680
<v Speaker 1>a small radio station in Oklahoma, which probably still uses

0:20:24.720 --> 0:20:27.879
<v Speaker 1>that stuff. I'm sure. I want to say it was

0:20:27.920 --> 0:20:31.399
<v Speaker 1>about five years from the time I started to the

0:20:31.440 --> 0:20:34.200
<v Speaker 1>time that that that the computer system was coming in.

0:20:34.440 --> 0:20:37.080
<v Speaker 1>Here's the funny part. That computer system is what we

0:20:37.119 --> 0:20:40.960
<v Speaker 1>still use today twenty plus years later. Oh yeah, well

0:20:40.960 --> 0:20:44.720
<v Speaker 1>that's that's a whole different conversation, Ralph. Yeah. That that

0:20:44.920 --> 0:20:48.200
<v Speaker 1>I I'm gonna write a book someday. When I walked

0:20:48.240 --> 0:20:52.840
<v Speaker 1>into Fox Sports Radio, we that studio which you're leaving

0:20:53.000 --> 0:20:55.639
<v Speaker 1>and you're gonna leave radio and do great things. But

0:20:56.160 --> 0:20:59.280
<v Speaker 1>that studio. We walked in there and it was like,

0:20:59.280 --> 0:21:02.040
<v Speaker 1>oh my god, this is amazing. They had ribbons, everything

0:21:02.119 --> 0:21:05.000
<v Speaker 1>was brand new, When I started at Fox Sports Radio,

0:21:05.040 --> 0:21:08.280
<v Speaker 1>we were in a premier network studio upstairs on the

0:21:08.320 --> 0:21:11.359
<v Speaker 1>fifth floor. It was the old Michael Reagan, the President's

0:21:11.440 --> 0:21:14.040
<v Speaker 1>adopted son. He had a radio show and we did

0:21:14.119 --> 0:21:17.240
<v Speaker 1>the show from his studio. Are all the Fox Sports

0:21:17.320 --> 0:21:19.359
<v Speaker 1>radio shows until they had built the studio on the

0:21:19.400 --> 0:21:21.879
<v Speaker 1>ground floor and that thing opened up, and it was

0:21:21.920 --> 0:21:24.320
<v Speaker 1>like they were bringing in executives from around the country.

0:21:24.320 --> 0:21:27.080
<v Speaker 1>It was like the and all the newest equipment, and

0:21:27.119 --> 0:21:29.800
<v Speaker 1>here we are twenty two years later and it's the

0:21:29.840 --> 0:21:33.960
<v Speaker 1>same the same equipment, and uh it's uh yeah, but

0:21:34.000 --> 0:21:37.880
<v Speaker 1>the goodness. Eventually they will move to a new studio

0:21:37.920 --> 0:21:41.359
<v Speaker 1>possibly The fun The fun thing though, is we talked

0:21:41.359 --> 0:21:44.920
<v Speaker 1>about Extra six ninety. They built the Fox Sports Radio

0:21:45.000 --> 0:21:49.240
<v Speaker 1>studios to look just like the Extra six nineties studios.

0:21:49.960 --> 0:21:52.639
<v Speaker 1>I mean all the way from from from the board

0:21:53.119 --> 0:21:56.399
<v Speaker 1>the where the technical director the board operator sits, that

0:21:56.520 --> 0:21:59.359
<v Speaker 1>whole area, to to the studio that it was built

0:21:59.359 --> 0:22:03.040
<v Speaker 1>to look just Extra Sports six nine. The one flaw

0:22:03.080 --> 0:22:08.160
<v Speaker 1>on that, though, is the update booth. It's not visible.

0:22:08.440 --> 0:22:10.840
<v Speaker 1>Yeah yeah, so I always I point this out when

0:22:10.960 --> 0:22:13.679
<v Speaker 1>you were filling for Eddie or when Eddie's there, whenever,

0:22:13.760 --> 0:22:18.800
<v Speaker 1>and if I'm in studio, I can't see the the

0:22:18.880 --> 0:22:22.159
<v Speaker 1>guy that's doing the news, and so it's like this

0:22:22.880 --> 0:22:25.240
<v Speaker 1>will be at home, I can see the same thing.

0:22:25.440 --> 0:22:28.080
<v Speaker 1>So well. I mean, you also then would complain to

0:22:28.160 --> 0:22:30.640
<v Speaker 1>management if if you saw too much of me, if

0:22:30.720 --> 0:22:33.080
<v Speaker 1>if I come in and say hello you up. There

0:22:33.080 --> 0:22:36.320
<v Speaker 1>goes another email to to the boss's Ralte. Ralph's in

0:22:36.400 --> 0:22:39.560
<v Speaker 1>being social again. No, no, not not all. And here's

0:22:39.560 --> 0:22:42.920
<v Speaker 1>the thing, Ralph, Okay, after some of the other people

0:22:42.920 --> 0:22:45.040
<v Speaker 1>I will not name names you, but some of the

0:22:45.080 --> 0:22:48.480
<v Speaker 1>other people that have stepped into that chair when Eddie's away,

0:22:48.920 --> 0:22:51.840
<v Speaker 1>I have gone to bed praying that you will come back.

0:22:51.840 --> 0:22:53.800
<v Speaker 1>I'm very bumped out, Ralph, that you shouldn't have sent

0:22:53.840 --> 0:22:55.800
<v Speaker 1>the request to never have me on your showing. That's

0:22:55.840 --> 0:22:58.440
<v Speaker 1>a lie. Now, there was an incident I don't know

0:22:58.440 --> 0:22:59.679
<v Speaker 1>if we want to get into it here on the

0:22:59.720 --> 0:23:03.640
<v Speaker 1>pod Kiss, but justin and Cincinnati triggered what I call

0:23:03.840 --> 0:23:08.920
<v Speaker 1>rhino Ralph and uh and you came storming in from

0:23:08.960 --> 0:23:11.960
<v Speaker 1>the update studio. You went out the door, you made

0:23:12.080 --> 0:23:16.280
<v Speaker 1>a right turn, you came in the main studio, and

0:23:16.400 --> 0:23:20.639
<v Speaker 1>you proceeded to just hit all kinds of buttons and

0:23:20.720 --> 0:23:24.439
<v Speaker 1>started hanging up on everybody to get back at Justin

0:23:24.440 --> 0:23:28.280
<v Speaker 1>and Cincinnati. And I don't even remember what he had done.

0:23:28.440 --> 0:23:30.760
<v Speaker 1>I'm sure it was something going to say. You say

0:23:30.760 --> 0:23:34.560
<v Speaker 1>offensive things, you get hung up on. Unfortunately, you have

0:23:34.680 --> 0:23:37.239
<v Speaker 1>producers that don't exactly know what they're doing, even though

0:23:37.280 --> 0:23:39.960
<v Speaker 1>they've been there for like a million years, that don't

0:23:40.000 --> 0:23:42.320
<v Speaker 1>know how to hang up on people, and so you

0:23:42.359 --> 0:23:44.760
<v Speaker 1>had to bring in a veteran who actually knows how

0:23:44.800 --> 0:23:48.120
<v Speaker 1>to work at tels machine. For those that don't know that,

0:23:48.119 --> 0:23:50.760
<v Speaker 1>that's a machine that lines up the phone calls and

0:23:51.119 --> 0:23:53.600
<v Speaker 1>the computer program that tells Ben who's on the line.

0:23:53.840 --> 0:23:56.159
<v Speaker 1>Is it I still know how to do that? Is

0:23:56.200 --> 0:23:58.200
<v Speaker 1>it tell us? I thought it was telling I don't

0:23:58.240 --> 0:24:01.760
<v Speaker 1>know whatever. He doesn't matter. It matters to me, Ralph.

0:24:02.440 --> 0:24:04.159
<v Speaker 1>You know what it is a way to hang up

0:24:04.160 --> 0:24:09.240
<v Speaker 1>on phone calls. Yeah, and that thing you talk about

0:24:10.240 --> 0:24:13.479
<v Speaker 1>glue and tape the Tellos machine, because that's a very

0:24:13.480 --> 0:24:18.359
<v Speaker 1>expensive piece of equipment and it has not been upgraded.

0:24:19.560 --> 0:24:22.440
<v Speaker 1>People have hit it like you hit it. Other people

0:24:22.440 --> 0:24:26.840
<v Speaker 1>have hit it and button. Literally, that literally is technology

0:24:26.920 --> 0:24:30.920
<v Speaker 1>that predates our radio career. Oh yeah, I think about

0:24:30.960 --> 0:24:34.880
<v Speaker 1>that like that program. You think about when you intern

0:24:35.000 --> 0:24:38.119
<v Speaker 1>for for Lee Hacksaw Hamilton's and you had the screen

0:24:38.160 --> 0:24:41.560
<v Speaker 1>phone calls. It didn't look the same, but it was

0:24:41.600 --> 0:24:46.280
<v Speaker 1>the exact same program that you're that is in use today. Yeah,

0:24:46.320 --> 0:24:48.600
<v Speaker 1>it's not. It's not a good program. When I worked in,

0:24:49.240 --> 0:24:52.239
<v Speaker 1>when I worked in for w e I, they use

0:24:52.280 --> 0:24:56.880
<v Speaker 1>a different program, and there's so much better. It's it's

0:24:57.520 --> 0:25:01.680
<v Speaker 1>it's a little different and it's got more features, more

0:25:01.720 --> 0:25:04.760
<v Speaker 1>bells and whistles. But you know, I could log in

0:25:04.800 --> 0:25:08.280
<v Speaker 1>anywhere like that thing. You gotta be in studio to

0:25:08.400 --> 0:25:12.239
<v Speaker 1>log in. It's a big pain in the behind. So

0:25:12.280 --> 0:25:16.679
<v Speaker 1>not to be to be fair, not a lot of

0:25:17.400 --> 0:25:21.240
<v Speaker 1>the hosts at Fox Sports Radio use phone calls, so

0:25:21.520 --> 0:25:24.240
<v Speaker 1>there isn't necessarily a big need to upgrade it. When

0:25:24.280 --> 0:25:28.800
<v Speaker 1>when what maybe three shows a day take phone calls

0:25:28.840 --> 0:25:31.440
<v Speaker 1>live on the Earth, Yeah, I don't even know who does.

0:25:31.520 --> 0:25:34.320
<v Speaker 1>I obviously our show overnight we take a lot of calls,

0:25:34.359 --> 0:25:37.240
<v Speaker 1>I guess compared to the other guys. Jason doesn't take calls.

0:25:37.280 --> 0:25:40.520
<v Speaker 1>I don't think no. I I mean I really, I

0:25:40.520 --> 0:25:43.199
<v Speaker 1>can only think of one other show that's out of

0:25:43.200 --> 0:25:47.720
<v Speaker 1>our studios that that takes live calls. Does God leave

0:25:47.760 --> 0:25:50.439
<v Speaker 1>do it? No, he does not take calls. No, I

0:25:50.440 --> 0:25:53.600
<v Speaker 1>don't think so. This would be the odd couple. Yeah calls,

0:25:53.720 --> 0:26:00.959
<v Speaker 1>one segment an hour. H Parker. So yeah, Okay, are

0:26:01.000 --> 0:26:03.000
<v Speaker 1>you saying that I'm doing outdated radio? Is that what

0:26:03.000 --> 0:26:04.560
<v Speaker 1>you're trying to tell me? Rout, that I shouldn't take

0:26:04.560 --> 0:26:06.120
<v Speaker 1>any calls because all these other guys that get paid

0:26:06.160 --> 0:26:09.040
<v Speaker 1>a lot more money than me don't don't take calls.

0:26:09.119 --> 0:26:13.000
<v Speaker 1>Is that what you're telling me? I don't want to

0:26:13.040 --> 0:26:16.959
<v Speaker 1>say that, and I'll tell you why. It's like saying

0:26:17.440 --> 0:26:20.800
<v Speaker 1>that a cobbler is doing outdated work, when in reality,

0:26:20.880 --> 0:26:24.760
<v Speaker 1>the cobbler is doing better work. And a lot of

0:26:24.800 --> 0:26:26.960
<v Speaker 1>the things that are out there. I think it's late.

0:26:27.320 --> 0:26:31.400
<v Speaker 1>I think it's lazy radio to not involve your your listeners.

0:26:31.400 --> 0:26:35.399
<v Speaker 1>It's what made sports radio the medium it was is

0:26:35.440 --> 0:26:39.359
<v Speaker 1>that you served an audience. You entertained an audience, but

0:26:39.480 --> 0:26:43.560
<v Speaker 1>you are accountable to your audience. Your audience could call

0:26:43.600 --> 0:26:47.280
<v Speaker 1>in and call you out for the nonsense that you spoke.

0:26:48.520 --> 0:26:52.119
<v Speaker 1>And nowadays there are plenty of hosts out there that

0:26:52.240 --> 0:26:54.520
<v Speaker 1>will just stay a bunch of garbage, most of it's

0:26:54.560 --> 0:26:59.679
<v Speaker 1>written for them by their producers. They will just spew

0:27:00.000 --> 0:27:03.200
<v Speaker 1>a bit and just walk away like it doesn't matter.

0:27:03.240 --> 0:27:08.159
<v Speaker 1>It doesn't matter what I said, Clay, Clay Thompson, Steph Curry.

0:27:08.480 --> 0:27:10.879
<v Speaker 1>Their time is done in the NBA. They'll never be

0:27:10.960 --> 0:27:15.480
<v Speaker 1>successful again. Here they win a title. Oh well, you

0:27:15.520 --> 0:27:17.399
<v Speaker 1>know what, they're still done and they're not gonna do

0:27:17.440 --> 0:27:21.120
<v Speaker 1>it again. I mean you just double and triple down

0:27:21.200 --> 0:27:23.639
<v Speaker 1>on that. Yeah. Yeah, I like taking the call to me.

0:27:23.720 --> 0:27:27.119
<v Speaker 1>They're characters on this show and they're get different voices,

0:27:27.119 --> 0:27:29.840
<v Speaker 1>and I think it's good, but I do. And and

0:27:29.920 --> 0:27:32.440
<v Speaker 1>sometimes the caller is going to bring up a subject

0:27:32.720 --> 0:27:35.920
<v Speaker 1>that you know about but you didn't think was very important,

0:27:36.280 --> 0:27:37.800
<v Speaker 1>and you find out that, no, there are a lot

0:27:37.840 --> 0:27:40.560
<v Speaker 1>of people that really do think that that's an important subject.

0:27:40.720 --> 0:27:43.720
<v Speaker 1>And so now you're going to talk about it. Yeah. Well,

0:27:43.720 --> 0:27:47.359
<v Speaker 1>I follow the KFC model of radio, the eleven herbs

0:27:47.359 --> 0:27:49.280
<v Speaker 1>and spices. You gotta mix it up, you gotta mix

0:27:49.280 --> 0:27:52.879
<v Speaker 1>and match and all that. But you're an old program director, Ralph.

0:27:52.960 --> 0:27:55.880
<v Speaker 1>We talk about that. But you programmed the station in Orlando.

0:27:56.480 --> 0:27:58.359
<v Speaker 1>What kind of what kind of pet? Were you pig

0:27:58.480 --> 0:28:02.920
<v Speaker 1>vomit from the Howard Stern movie or were you everyone

0:28:03.000 --> 0:28:06.240
<v Speaker 1>loves you guys or somewhere in the middle. Well, I was.

0:28:07.200 --> 0:28:09.440
<v Speaker 1>I've been at the station for a number of years

0:28:09.520 --> 0:28:12.280
<v Speaker 1>and there was, you know, as happens in the radio,

0:28:12.600 --> 0:28:16.040
<v Speaker 1>a shake up of the staffing, and that kind of

0:28:16.080 --> 0:28:23.720
<v Speaker 1>thrust me into the program director position. UM. And I

0:28:23.880 --> 0:28:25.719
<v Speaker 1>was the type of guy that's like, Okay, we're going

0:28:25.760 --> 0:28:29.840
<v Speaker 1>to do our show and we're just just do your show.

0:28:30.359 --> 0:28:33.040
<v Speaker 1>Not enough of the crap. Just do your show. And

0:28:33.080 --> 0:28:35.560
<v Speaker 1>if your show has issues, I'm gonna talk to you

0:28:35.600 --> 0:28:38.520
<v Speaker 1>about your issues, but I'm not gonna ride you on. No,

0:28:38.800 --> 0:28:42.400
<v Speaker 1>there's no wn BC, none of that. There was none

0:28:42.400 --> 0:28:44.800
<v Speaker 1>of that garbage. It was it was just do your

0:28:44.840 --> 0:28:49.640
<v Speaker 1>show and I'm not trying to make you look bad

0:28:49.720 --> 0:28:53.320
<v Speaker 1>or sound bad. I want you to perform it. If

0:28:53.360 --> 0:28:58.320
<v Speaker 1>you succeed, then we all succeed. Um. Unfortunately, as a

0:28:58.320 --> 0:29:02.680
<v Speaker 1>program director, what was my job. It's corporate radio. My

0:29:02.760 --> 0:29:08.040
<v Speaker 1>job was too spend less money on employees and make

0:29:08.080 --> 0:29:14.360
<v Speaker 1>more money in sales. And that's unfortunately what was the

0:29:14.400 --> 0:29:19.800
<v Speaker 1>signature for what I did. UM. So it meant, you know,

0:29:20.600 --> 0:29:25.000
<v Speaker 1>part timers got less hours because with our systems that

0:29:25.040 --> 0:29:28.560
<v Speaker 1>have computers, you can now automate broadcasts, you can automate

0:29:29.280 --> 0:29:34.240
<v Speaker 1>how you run a radio station. Was it was not

0:29:34.400 --> 0:29:40.360
<v Speaker 1>exactly ideal. Um. I I used to be able to

0:29:40.440 --> 0:29:43.920
<v Speaker 1>run the radio station from my home. Believe it or not,

0:29:44.760 --> 0:29:48.080
<v Speaker 1>I could. I I had the system at home in

0:29:48.200 --> 0:29:51.480
<v Speaker 1>my office, and so I could automate a baseball game,

0:29:51.520 --> 0:29:54.320
<v Speaker 1>World Series games saying it finishes it one or two

0:29:54.320 --> 0:29:58.280
<v Speaker 1>in the morning East Coast time, and I could dial

0:29:58.360 --> 0:30:01.440
<v Speaker 1>in and flip the switch sure on Fox Sports Radio

0:30:01.480 --> 0:30:05.000
<v Speaker 1>when the game is over. Yeah, that's how a lot

0:30:05.000 --> 0:30:07.959
<v Speaker 1>of stations are, right I I and I feel guilty

0:30:07.960 --> 0:30:10.880
<v Speaker 1>because we do syndicated radio at Fox, but I love

0:30:11.040 --> 0:30:13.680
<v Speaker 1>local radio. Two. I think you should have there's gotta

0:30:13.720 --> 0:30:16.600
<v Speaker 1>be like I said with the show, there's gotta be balanced.

0:30:16.600 --> 0:30:20.040
<v Speaker 1>You gotta have a local voice. But the radio industry

0:30:20.040 --> 0:30:24.800
<v Speaker 1>in general has gone gone away from that a long

0:30:24.840 --> 0:30:27.520
<v Speaker 1>time ago, and I don't know that they'll ever get

0:30:27.560 --> 0:30:29.680
<v Speaker 1>back to that point with the cost of everything and

0:30:29.680 --> 0:30:35.000
<v Speaker 1>all that. What is your greatest accomplishment, Ralph and radio

0:30:35.200 --> 0:30:40.400
<v Speaker 1>greatest accomplishment now that you're leaving radio behind, Ralph, what

0:30:40.480 --> 0:30:44.080
<v Speaker 1>are you most proud of? I mean, where we talked about,

0:30:44.120 --> 0:30:47.560
<v Speaker 1>I did a lot of work with a lot of

0:30:47.600 --> 0:30:52.680
<v Speaker 1>other stations, teaching them how to program um using our

0:30:52.960 --> 0:30:56.880
<v Speaker 1>automated system which is called profit or next gent I.

0:30:56.880 --> 0:30:59.040
<v Speaker 1>I worked with a lot of stations back in the

0:30:59.200 --> 0:31:01.920
<v Speaker 1>in the two thou teaching them this is how you

0:31:01.960 --> 0:31:05.720
<v Speaker 1>program for for games. It was easy to program for

0:31:05.760 --> 0:31:09.440
<v Speaker 1>the network, it's the same commercial clock every hour. It's

0:31:09.440 --> 0:31:12.560
<v Speaker 1>easy to program for local shows, same thing. But two

0:31:13.200 --> 0:31:18.600
<v Speaker 1>teach them this is how you implement the broadcast for

0:31:19.120 --> 0:31:21.680
<v Speaker 1>a game so that it works with the people that

0:31:21.840 --> 0:31:25.160
<v Speaker 1>plug in the commercials again, all stuff behind the seats.

0:31:25.320 --> 0:31:30.040
<v Speaker 1>That that was my biggest accomplishment. I mean Otherwise on

0:31:30.080 --> 0:31:33.440
<v Speaker 1>the air, I didn't get into too much trouble. Didn't

0:31:33.440 --> 0:31:37.000
<v Speaker 1>do anything too crazy. Uh have you ever been suspended

0:31:37.160 --> 0:31:40.960
<v Speaker 1>for something you did rough? I've been been suspended trouble

0:31:40.960 --> 0:31:44.400
<v Speaker 1>a few times over the years. No I got threatened

0:31:44.400 --> 0:31:48.280
<v Speaker 1>with suspension. You know, you get upset with doing doing

0:31:48.320 --> 0:31:50.960
<v Speaker 1>what I do as as a as an update guy,

0:31:51.200 --> 0:31:55.200
<v Speaker 1>my job is not to step on your toes to

0:31:55.240 --> 0:31:58.239
<v Speaker 1>your show. Nobody's tuning in to listen to me. They

0:31:58.320 --> 0:32:03.360
<v Speaker 1>might enjoy a banter between us, but my job is

0:32:03.400 --> 0:32:07.360
<v Speaker 1>to be supplementary in what I do right now. And

0:32:07.440 --> 0:32:09.840
<v Speaker 1>sometimes people will say something to me and I'll snap

0:32:09.880 --> 0:32:12.640
<v Speaker 1>back because I'm not going to take the crap. You know,

0:32:12.720 --> 0:32:16.239
<v Speaker 1>I've done this too long. You know this. I'm just

0:32:16.520 --> 0:32:20.520
<v Speaker 1>you start spewing bull I'm I'm just not gonna do it.

0:32:21.080 --> 0:32:25.160
<v Speaker 1>I don't care. And then sometimes I get in trouble

0:32:25.200 --> 0:32:30.400
<v Speaker 1>for that because I I just don't care. I'm not

0:32:30.440 --> 0:32:35.360
<v Speaker 1>gonna sit and and be embarrassed. You're not gonna do

0:32:35.440 --> 0:32:43.880
<v Speaker 1>manufactured Uh. I'm I'm a pretty straightforward guy. Uh. And

0:32:44.000 --> 0:32:45.680
<v Speaker 1>it served me well. And my years of U c

0:32:45.840 --> 0:32:48.520
<v Speaker 1>l A served me well, and my years talking golf,

0:32:48.920 --> 0:32:51.480
<v Speaker 1>and it's it's done me well in radio. Yeah, we

0:32:51.480 --> 0:32:52.680
<v Speaker 1>don't have a lot of time. I did want to

0:32:52.680 --> 0:32:55.320
<v Speaker 1>get to that because you spent years. I remember seeing

0:32:55.320 --> 0:32:57.160
<v Speaker 1>you and they always had the blue U c l

0:32:57.200 --> 0:33:00.480
<v Speaker 1>A shirt on. I remember that Ralph was known for that.

0:33:00.520 --> 0:33:03.560
<v Speaker 1>You did video. Didn't you kind of create that department

0:33:03.640 --> 0:33:07.280
<v Speaker 1>at U c You were you were the innovator of

0:33:07.360 --> 0:33:10.320
<v Speaker 1>the video content right? How did that begin? How did

0:33:10.320 --> 0:33:12.920
<v Speaker 1>you get that gig at U c l A. Well, Um,

0:33:12.920 --> 0:33:15.000
<v Speaker 1>a guy that I had intern for when I was

0:33:15.040 --> 0:33:17.280
<v Speaker 1>a student at U c l A reached out to

0:33:17.320 --> 0:33:21.120
<v Speaker 1>me and said, we need video content on the website.

0:33:21.280 --> 0:33:24.600
<v Speaker 1>And you're saying to me that I was kind of

0:33:24.600 --> 0:33:27.960
<v Speaker 1>a five tool player that I knew audio, I knew video,

0:33:28.320 --> 0:33:31.560
<v Speaker 1>I knew how to edit, I knew sports, and I

0:33:31.560 --> 0:33:35.880
<v Speaker 1>could be a talent on on camera and all those

0:33:35.920 --> 0:33:39.600
<v Speaker 1>things together meant that you could literally ben You would

0:33:39.680 --> 0:33:41.680
<v Speaker 1>laugh at what I used to carry around. It looked

0:33:41.720 --> 0:33:45.800
<v Speaker 1>like a giant turtle shell backpack that literally had a camera,

0:33:45.920 --> 0:33:50.280
<v Speaker 1>a tripod, microphones, lights, everything in this one backpack that

0:33:50.320 --> 0:33:54.560
<v Speaker 1>I would travel around with. And you I produced five

0:33:54.960 --> 0:33:57.120
<v Speaker 1>videos a year for U c l A, covering twenty

0:33:57.120 --> 0:34:01.360
<v Speaker 1>four different sports teams, and it was a NonStop job

0:34:01.400 --> 0:34:03.160
<v Speaker 1>that went from the beginning of August to the end

0:34:03.160 --> 0:34:08.960
<v Speaker 1>of July. One National championships with them, and you just

0:34:09.040 --> 0:34:11.919
<v Speaker 1>go and you try to capture the story and share

0:34:11.920 --> 0:34:14.399
<v Speaker 1>it to people and try to create content to try

0:34:14.400 --> 0:34:17.000
<v Speaker 1>to get recruits. And you work with coaches, you work

0:34:17.040 --> 0:34:20.400
<v Speaker 1>with fans, you work with the administration, and it's it's

0:34:20.680 --> 0:34:22.719
<v Speaker 1>as an as an alum, it was a great thing.

0:34:23.560 --> 0:34:25.600
<v Speaker 1>As somebody who wants to make a living, it was.

0:34:25.640 --> 0:34:28.840
<v Speaker 1>It was. It was terrible, and that's why I ultimately

0:34:28.920 --> 0:34:32.399
<v Speaker 1>left was U c l A. You know, as much

0:34:32.440 --> 0:34:36.200
<v Speaker 1>as I love my school, they pay their coaches a

0:34:36.200 --> 0:34:37.600
<v Speaker 1>lot of money, and they're able to do it because

0:34:37.600 --> 0:34:39.480
<v Speaker 1>they pay a lot of the sports staff very little.

0:34:39.840 --> 0:34:42.839
<v Speaker 1>And it's you do it out of love. It's it's

0:34:42.960 --> 0:34:45.919
<v Speaker 1>it's a love of broadcasting and a love of storytelling,

0:34:45.960 --> 0:34:51.000
<v Speaker 1>and that's why you get into it. And it lasts

0:34:51.080 --> 0:34:53.480
<v Speaker 1>until you realize, no, I need to I need to

0:34:53.480 --> 0:34:57.960
<v Speaker 1>start being more professional and receiver paycheck. Yeah, I would

0:34:57.960 --> 0:35:00.560
<v Speaker 1>say watching you do some of that stuff at u

0:35:00.560 --> 0:35:02.960
<v Speaker 1>c l A events, it was like a local like

0:35:03.040 --> 0:35:07.399
<v Speaker 1>Punksakani news anchor has to go out record everything, then

0:35:07.440 --> 0:35:09.680
<v Speaker 1>you got to go back and edit it, and then

0:35:09.719 --> 0:35:11.239
<v Speaker 1>you got to make sure it's all set to go

0:35:11.360 --> 0:35:13.600
<v Speaker 1>for the newscast and the whole thing. And you did

0:35:13.680 --> 0:35:16.879
<v Speaker 1>that like seven days a week probably for how many

0:35:16.920 --> 0:35:20.720
<v Speaker 1>years were I was there for five years And the best, honestly,

0:35:20.760 --> 0:35:23.719
<v Speaker 1>the best one was we played at football game at Colorado,

0:35:24.200 --> 0:35:26.560
<v Speaker 1>So you shoot highlights of the of the game, old

0:35:26.640 --> 0:35:29.400
<v Speaker 1>game halftime, you try and collect as many of the

0:35:29.440 --> 0:35:32.680
<v Speaker 1>highlights off your digital card. Then you shoot the second

0:35:32.719 --> 0:35:34.840
<v Speaker 1>ha half. Then after the game, you do your interviews,

0:35:35.280 --> 0:35:37.120
<v Speaker 1>you set up your lights, you do your stand up

0:35:37.160 --> 0:35:39.680
<v Speaker 1>at the field, get onto the bus with the team

0:35:39.719 --> 0:35:43.160
<v Speaker 1>to go to the airport, catch your charter, editing on

0:35:43.280 --> 0:35:46.440
<v Speaker 1>the bus for the forty five minute drive from Boulder

0:35:46.480 --> 0:35:50.120
<v Speaker 1>to the airport there in Denver. And I actually was

0:35:50.160 --> 0:35:54.560
<v Speaker 1>able to edit and upload the story to our website

0:35:55.000 --> 0:35:58.920
<v Speaker 1>before the plane took off to fly home. And that

0:35:59.080 --> 0:36:01.600
<v Speaker 1>was one of that you say, you talk about accomplishment.

0:36:01.640 --> 0:36:04.759
<v Speaker 1>That was pretty fun to race against the clock. And

0:36:04.760 --> 0:36:06.839
<v Speaker 1>that's what would be like on the road, is you're

0:36:06.920 --> 0:36:08.799
<v Speaker 1>just racing to get as much done as you could

0:36:08.840 --> 0:36:11.960
<v Speaker 1>before the plane took off, because if you get it up, great,

0:36:12.000 --> 0:36:14.160
<v Speaker 1>and if not, then you were editing on the point.

0:36:14.320 --> 0:36:17.160
<v Speaker 1>So yeah, well now you see is moving to the

0:36:17.160 --> 0:36:19.560
<v Speaker 1>Big ten in a couple of years. That's uh. I

0:36:19.600 --> 0:36:21.279
<v Speaker 1>guess you're you're lucky you're not there because you have

0:36:21.360 --> 0:36:24.680
<v Speaker 1>to go to I think of all the long plane

0:36:24.680 --> 0:36:28.960
<v Speaker 1>flights going back travels fun. I mean I I traveled

0:36:29.000 --> 0:36:31.520
<v Speaker 1>every school in the Pack twelve travels across the country

0:36:31.520 --> 0:36:35.399
<v Speaker 1>with U C. L A. Uh. For football, it's not

0:36:35.560 --> 0:36:38.120
<v Speaker 1>going to make it much of a difference. As as

0:36:38.160 --> 0:36:40.239
<v Speaker 1>I was talking to people, you play a nine am

0:36:40.280 --> 0:36:42.719
<v Speaker 1>game at Perdue, you're gonna get home to l a

0:36:42.920 --> 0:36:46.680
<v Speaker 1>earlier then if you're playing a seven thirty game in Pullman, Washington,

0:36:48.280 --> 0:36:50.920
<v Speaker 1>which is when Washington State tends to play their games.

0:36:51.400 --> 0:36:54.520
<v Speaker 1>So it's not gonna be that big a deal for football.

0:36:54.560 --> 0:36:59.000
<v Speaker 1>For the other sports, it's gonna stink when the basketball

0:36:59.000 --> 0:37:00.880
<v Speaker 1>team goes on the road. They're gonna have to go

0:37:00.960 --> 0:37:02.879
<v Speaker 1>for what two weeks or something. I mean, I would

0:37:02.880 --> 0:37:06.919
<v Speaker 1>think quite possibly. But here's the funny thing, though, Ben, Here,

0:37:06.960 --> 0:37:09.160
<v Speaker 1>here's where, here's where you can smell out somebody that

0:37:09.239 --> 0:37:13.759
<v Speaker 1>doesn't think about their job in sports radio. They then complained, well,

0:37:13.800 --> 0:37:17.239
<v Speaker 1>I guess this takes out the whole student part of

0:37:17.280 --> 0:37:22.520
<v Speaker 1>the student athlete. Last I checked, these universities told students

0:37:22.560 --> 0:37:24.640
<v Speaker 1>that they didn't need to be on campus for two years,

0:37:25.600 --> 0:37:30.280
<v Speaker 1>skip to a remote learning. So you have an academic

0:37:30.320 --> 0:37:33.359
<v Speaker 1>advisor that travels with all these teams. They're gonna sit

0:37:33.400 --> 0:37:35.800
<v Speaker 1>there on the road. They're gonna do their classes remotely,

0:37:36.160 --> 0:37:38.480
<v Speaker 1>just like has happened for the last couple of years.

0:37:39.440 --> 0:37:42.000
<v Speaker 1>If if it's so important that students be in school,

0:37:42.280 --> 0:37:45.839
<v Speaker 1>then students should be in school. But that's been made

0:37:45.840 --> 0:37:49.040
<v Speaker 1>abundantly clear to college students that it's no longer that

0:37:49.120 --> 0:37:52.920
<v Speaker 1>big a deal. Yeah, the jig is up on that.

0:37:52.960 --> 0:37:55.440
<v Speaker 1>The crowd is like student athlete and all that, and

0:37:55.560 --> 0:37:57.480
<v Speaker 1>I'm glad there's n I L S. Although it is

0:37:57.480 --> 0:37:59.880
<v Speaker 1>annoying to see some of these guys driving around Lamborghini's,

0:37:59.880 --> 0:38:03.960
<v Speaker 1>but it's good for them. Uh fine, They the universities

0:38:04.000 --> 0:38:05.480
<v Speaker 1>make a lot of money and as you say, the

0:38:05.520 --> 0:38:07.800
<v Speaker 1>supports staff. They don't get a lot of the moneys

0:38:07.840 --> 0:38:09.359
<v Speaker 1>at schools like U c A. But I we don't

0:38:09.360 --> 0:38:10.520
<v Speaker 1>have a lot of time left, Rolf, because I know

0:38:10.560 --> 0:38:11.840
<v Speaker 1>you have used to do in places to go, but

0:38:11.880 --> 0:38:13.839
<v Speaker 1>I didn't want to ask you. You're a golf guy,

0:38:14.239 --> 0:38:16.440
<v Speaker 1>and that is to me the most one of the

0:38:16.440 --> 0:38:21.160
<v Speaker 1>most fascinating stories going on right now, the survival of

0:38:21.280 --> 0:38:24.959
<v Speaker 1>the p G a versus the the Live Golf Tour.

0:38:25.840 --> 0:38:28.040
<v Speaker 1>Have you picked a side yet, Ralph? Or does it

0:38:28.120 --> 0:38:31.520
<v Speaker 1>really not matter because you're you can play both sides here.

0:38:31.840 --> 0:38:34.120
<v Speaker 1>Where are you at on the on the lift? Ten

0:38:34.200 --> 0:38:37.359
<v Speaker 1>years from now, Ralph, let's go in the hot tub

0:38:37.440 --> 0:38:39.600
<v Speaker 1>time machine. Are we still talking about this Saudi era

0:38:39.880 --> 0:38:42.440
<v Speaker 1>and live So you think it's sure it's gonna be No, no, no, no,

0:38:43.040 --> 0:38:45.640
<v Speaker 1>it may be around, but we're not gonna be talking

0:38:45.680 --> 0:38:48.640
<v Speaker 1>about it. I mean, right now it's being talked about

0:38:48.920 --> 0:38:52.560
<v Speaker 1>because for some reason, and this is insane to me,

0:38:53.680 --> 0:38:57.839
<v Speaker 1>golf journalists are just deep in bed with the PGA Tour,

0:38:58.160 --> 0:39:02.200
<v Speaker 1>Like I don't understand why you are just so adamant

0:39:02.239 --> 0:39:07.360
<v Speaker 1>about defending the PGA Tour. Their commissioner has handled this

0:39:07.640 --> 0:39:11.600
<v Speaker 1>whole thing horribly and really exposed the entire reason why

0:39:11.600 --> 0:39:16.680
<v Speaker 1>the Live Golf Tour exists is because of this. It's

0:39:16.800 --> 0:39:20.600
<v Speaker 1>terrible management from the PGA Tour, just how they've handled

0:39:20.640 --> 0:39:25.080
<v Speaker 1>things and trying to be a dominating force. And it's like, look,

0:39:25.239 --> 0:39:27.920
<v Speaker 1>why don't you work with these folks and move forward.

0:39:27.960 --> 0:39:31.200
<v Speaker 1>I mean, this whole thing about you know, well it's

0:39:31.280 --> 0:39:35.879
<v Speaker 1>dirty blood money. Then then then it doesn't matter. That's

0:39:35.920 --> 0:39:38.440
<v Speaker 1>what you think, and that's that's how that ends. The

0:39:38.480 --> 0:39:40.960
<v Speaker 1>reality is there's lots of that money floating around the

0:39:40.960 --> 0:39:43.520
<v Speaker 1>PGA Tour, There's lots of that money floating around sports

0:39:43.560 --> 0:39:46.239
<v Speaker 1>around the world. If you if you know, you know,

0:39:46.280 --> 0:39:49.479
<v Speaker 1>if you care, you care, what's my side? My side

0:39:49.520 --> 0:39:53.080
<v Speaker 1>is to sit and watch this to baccle and and

0:39:53.080 --> 0:39:56.520
<v Speaker 1>watch these people blow each other up. I mean, it's

0:39:58.160 --> 0:40:00.520
<v Speaker 1>the fact of the matter. Is this last live golf

0:40:00.560 --> 0:40:03.440
<v Speaker 1>event that was in Portland, it was a heck of

0:40:03.480 --> 0:40:05.960
<v Speaker 1>a lot better than what the PGA Tour put out

0:40:06.280 --> 0:40:10.440
<v Speaker 1>at the John Deere Classic. And you can go to YouTube,

0:40:10.680 --> 0:40:13.319
<v Speaker 1>you can watch the watch the tour. There are no

0:40:13.400 --> 0:40:17.680
<v Speaker 1>commercials and because of the shotguns start format, they start

0:40:17.719 --> 0:40:19.720
<v Speaker 1>at the same time, they end at the same time.

0:40:20.000 --> 0:40:23.319
<v Speaker 1>It's a four hour broadcast. Like most major sports I've

0:40:23.320 --> 0:40:27.960
<v Speaker 1>covered golf, that's an eight hour day covering golf because

0:40:27.960 --> 0:40:30.880
<v Speaker 1>of the staggered times and everything, and it makes it

0:40:30.920 --> 0:40:34.200
<v Speaker 1>better for everybody that format. Now, I'm not saying that's

0:40:34.239 --> 0:40:37.640
<v Speaker 1>the way golf should be, but it's a change. It's different.

0:40:38.320 --> 0:40:41.359
<v Speaker 1>And you can give me all this statement about well,

0:40:41.400 --> 0:40:43.840
<v Speaker 1>you're paying these players guaranteed money, so they're not going

0:40:43.920 --> 0:40:47.640
<v Speaker 1>to care about wins or losses. They care. There's still

0:40:47.800 --> 0:40:50.879
<v Speaker 1>prize money involved and they care. And when you're talking

0:40:50.920 --> 0:40:54.319
<v Speaker 1>about golfers. I read this in an article recently. I

0:40:54.360 --> 0:40:58.000
<v Speaker 1>think it was done by Alan Schipnuk who talked to

0:40:58.040 --> 0:41:02.319
<v Speaker 1>agents and who said, golfers or horrors. They've always been

0:41:02.440 --> 0:41:06.120
<v Speaker 1>horrors from the moment they turned professional. They're selling everything

0:41:06.160 --> 0:41:09.800
<v Speaker 1>they can to sponsors. So why is this any different.

0:41:10.400 --> 0:41:14.640
<v Speaker 1>This is stupid to make it a big issue. It's

0:41:14.760 --> 0:41:20.239
<v Speaker 1>it's it's silly. Well, it's it isn't intriguing though, because

0:41:20.239 --> 0:41:22.160
<v Speaker 1>of all these guys that we've heard of on the

0:41:22.200 --> 0:41:25.800
<v Speaker 1>PGA Tour that have all left and gold but the golds.

0:41:25.840 --> 0:41:28.560
<v Speaker 1>I have a theory on the golf media why they're

0:41:28.600 --> 0:41:31.239
<v Speaker 1>so in bed with the p G A one thing

0:41:31.560 --> 0:41:33.839
<v Speaker 1>my experience. I've only covered a few pg events over

0:41:33.880 --> 0:41:36.440
<v Speaker 1>the year, but they really take care of the media

0:41:36.560 --> 0:41:41.680
<v Speaker 1>like they really My experience was they if you want,

0:41:41.760 --> 0:41:43.920
<v Speaker 1>you can go out and walk the course with golfers,

0:41:44.440 --> 0:41:47.000
<v Speaker 1>but you don't have to, right, I mean, you can

0:41:47.000 --> 0:41:49.520
<v Speaker 1>see sitting like a sofa and they'll give you food

0:41:49.560 --> 0:41:52.480
<v Speaker 1>and you can watch everything on television. It's a but

0:41:52.600 --> 0:41:54.560
<v Speaker 1>they do that at the Lift Golf Tour. They do

0:41:54.600 --> 0:41:57.640
<v Speaker 1>it better from what I've seen the media spread and

0:41:57.680 --> 0:41:59.840
<v Speaker 1>I know that's a big deal to you. Clearly is

0:42:00.080 --> 0:42:03.640
<v Speaker 1>is is far superior that they go golourmet on the

0:42:03.680 --> 0:42:07.680
<v Speaker 1>on the Live Golf Tour. They have ridiculous money round.

0:42:08.080 --> 0:42:11.239
<v Speaker 1>I mean all right, that they do. It's my point is,

0:42:11.320 --> 0:42:14.279
<v Speaker 1>why why are you taking aside if your media, I

0:42:14.280 --> 0:42:16.440
<v Speaker 1>mean the whole point we we get into this that

0:42:16.560 --> 0:42:20.520
<v Speaker 1>the so called sports journalist, which is nonsense. There's no

0:42:20.640 --> 0:42:25.160
<v Speaker 1>such thing, because every single journalist that covers sports is biased,

0:42:26.160 --> 0:42:32.080
<v Speaker 1>every journalists. But but you're there, if you're a Dodgers

0:42:32.080 --> 0:42:34.960
<v Speaker 1>beat writer, you're there to cover the Dodgers. Therefore, you're

0:42:35.040 --> 0:42:38.560
<v Speaker 1>rooting for Dodgers stories to happen. You're you're you're you're

0:42:38.600 --> 0:42:41.799
<v Speaker 1>not saying, gee, I hope the Dodgers get no hit here.

0:42:42.200 --> 0:42:46.360
<v Speaker 1>You're that doesn't That doesn't do you much good. It's

0:42:47.360 --> 0:42:50.200
<v Speaker 1>in this case, why are you choosing sides? If you're

0:42:50.239 --> 0:42:54.480
<v Speaker 1>a sports journalist, you shouldn't. If you're following golf, you

0:42:54.480 --> 0:42:57.239
<v Speaker 1>should be like, this is an intriguing story. Let's see

0:42:57.239 --> 0:43:00.359
<v Speaker 1>how long we it will play out. We can milk it. Yeah, Well,

0:43:00.400 --> 0:43:03.560
<v Speaker 1>the thing you want and the reason this this live

0:43:03.680 --> 0:43:06.359
<v Speaker 1>things good for golf is because, as you know, rough,

0:43:06.440 --> 0:43:08.960
<v Speaker 1>you don't want apathy. You want someone to have an

0:43:08.960 --> 0:43:12.480
<v Speaker 1>opinion and be passionate. And people are very passionate on

0:43:12.520 --> 0:43:15.680
<v Speaker 1>this issue, and it's gonna be interesting. Listen. I gotta

0:43:15.760 --> 0:43:17.319
<v Speaker 1>let you go. I know you gotta you gotta work.

0:43:18.239 --> 0:43:20.120
<v Speaker 1>We're recording this right before you're about to work. But

0:43:20.160 --> 0:43:23.200
<v Speaker 1>this is your last weekend at Fox Sports Radio. Good luck,

0:43:23.280 --> 0:43:25.600
<v Speaker 1>ralped My wife tells me we're gonna we're gonna harass

0:43:25.640 --> 0:43:29.360
<v Speaker 1>you in Vegas, so be good luck. I'm you know

0:43:29.400 --> 0:43:31.400
<v Speaker 1>I'm not gonna be on the air. I'm going into hiding.

0:43:31.480 --> 0:43:33.600
<v Speaker 1>It'll be it'll be hard to find me. Well, just

0:43:33.640 --> 0:43:36.200
<v Speaker 1>don't change your number and you you if you'll, you'll

0:43:36.200 --> 0:43:39.080
<v Speaker 1>be invited. The Ugly Sweater Party is supposed to be

0:43:39.160 --> 0:43:43.000
<v Speaker 1>back to longer drive for you Vegas, so you'll have

0:43:43.080 --> 0:43:47.000
<v Speaker 1>to make proper accommodations for the It could take you

0:43:47.040 --> 0:43:49.399
<v Speaker 1>the same time though, from Vegas to my house as

0:43:49.440 --> 0:43:52.759
<v Speaker 1>to where you're living in l A to my y.

0:43:53.719 --> 0:43:56.640
<v Speaker 1>It once took me two hours to get there. Yeah,

0:43:56.680 --> 0:43:58.440
<v Speaker 1>it's a nightmare anyway. All right, Well, thank you, bro,

0:43:58.560 --> 0:44:01.239
<v Speaker 1>it's been fun working with you. How Fox Sports Radio

0:44:01.280 --> 0:44:05.560
<v Speaker 1>this run? How long will this run? Almost six years?

0:44:05.560 --> 0:44:09.359
<v Speaker 1>Time flies? Yes, I say you're gonna work in radio again.

0:44:09.400 --> 0:44:11.320
<v Speaker 1>I'll make a bet I say you do radio again.

0:44:12.080 --> 0:44:15.840
<v Speaker 1>We never know that the bosses may call me and say, hey, Ralph,

0:44:15.840 --> 0:44:17.920
<v Speaker 1>we've never had you as a host before, but suddenly,

0:44:17.920 --> 0:44:19.759
<v Speaker 1>now that you've left, we want you to fill in.

0:44:20.280 --> 0:44:22.640
<v Speaker 1>Who knows it could have any Thank you, Ralph, good

0:44:22.719 --> 0:44:24.920
<v Speaker 1>luck with everything. We'll be in touch. I appreciate it,

0:44:25.360 --> 0:44:33.359
<v Speaker 1>Thank you Ben. That the Honda Classic Daniel Burger all

0:44:33.400 --> 0:44:36.440
<v Speaker 1>alone in first place after the third round he ships

0:44:38.600 --> 0:44:43.560
<v Speaker 1>he sits five shots off of the lead or five

0:44:43.600 --> 0:44:46.840
<v Speaker 1>shots ahead of the field. All I can say Ralph

0:44:46.960 --> 0:44:50.560
<v Speaker 1>is the real Dumah. Yeah he's He's got the hand

0:44:50.560 --> 0:44:56.080
<v Speaker 1>on the button, so don't worry about that. That was

0:44:56.120 --> 0:44:59.560
<v Speaker 1>your best update of the day, Row Yeah,