1 00:00:01,560 --> 00:00:08,680 Speaker 1: Oh, all right, it's episode seven thirty seven. This is 2 00:00:08,720 --> 00:00:10,920 Speaker 1: an episode it would just been me talking catching up 3 00:00:10,920 --> 00:00:13,720 Speaker 1: on some stuff, and there is no guest because we 4 00:00:13,760 --> 00:00:16,000 Speaker 1: have new equipment. We bought a brand new microphone and 5 00:00:16,040 --> 00:00:17,520 Speaker 1: if you go to my Instagram you can see our 6 00:00:18,000 --> 00:00:21,640 Speaker 1: brand new gold microphone. And so it has been a 7 00:00:21,640 --> 00:00:24,600 Speaker 1: pretty good last ten episodes are so but I mean 8 00:00:24,640 --> 00:00:26,640 Speaker 1: it's been This whole thing has been kind of fun 9 00:00:26,640 --> 00:00:28,640 Speaker 1: and growing, just to bring all the writers and artists, 10 00:00:28,640 --> 00:00:30,639 Speaker 1: and now people actually are calling us to be on it, 11 00:00:30,680 --> 00:00:32,640 Speaker 1: which is kind of a weird thing. I mean, we 12 00:00:32,720 --> 00:00:35,680 Speaker 1: used to have to beg people to come and be 13 00:00:35,760 --> 00:00:38,559 Speaker 1: on this thing, and now we're getting emailed, Hey, is 14 00:00:38,560 --> 00:00:40,519 Speaker 1: there anyway X and Y can be in on it? 15 00:00:40,680 --> 00:00:42,960 Speaker 1: So it's pretty cool. You have to say, yeah, Now 16 00:00:43,000 --> 00:00:45,400 Speaker 1: we're just funny times, right, I mean, why why can't 17 00:00:45,400 --> 00:00:50,000 Speaker 1: I hear you? Four? We turn yourself up? Yeah, you're 18 00:00:50,040 --> 00:00:53,360 Speaker 1: the you're the producer. Uh so, uh yeah, So we're 19 00:00:53,360 --> 00:00:55,160 Speaker 1: gonna do a half hour kind of catching up on 20 00:00:55,160 --> 00:00:57,480 Speaker 1: a lot of things notes I want to talk about. 21 00:00:57,560 --> 00:01:00,600 Speaker 1: Last night I went to the Governor's managion, which me 22 00:01:00,760 --> 00:01:03,520 Speaker 1: was really crazy because when you grow up in the 23 00:01:03,520 --> 00:01:05,680 Speaker 1: state of Arkansas. Like, there are two people that are 24 00:01:05,680 --> 00:01:08,759 Speaker 1: really cool. One's the weather man from on the news 25 00:01:08,760 --> 00:01:11,280 Speaker 1: and once the governor. And it's like two people you'll 26 00:01:11,280 --> 00:01:14,120 Speaker 1: never meet in real life, the weather man and the governor. 27 00:01:14,640 --> 00:01:16,960 Speaker 1: And so I got to go last night to the 28 00:01:17,000 --> 00:01:19,560 Speaker 1: governor's mansion. And well, first I went to us all, 29 00:01:19,640 --> 00:01:22,080 Speaker 1: I guess, I'm like, I really don't know how things 30 00:01:22,160 --> 00:01:26,759 Speaker 1: work in the way of where the capital is and 31 00:01:26,800 --> 00:01:30,280 Speaker 1: what's in it and what's in the governor's house. And 32 00:01:30,360 --> 00:01:35,560 Speaker 1: so I thought the governor lived. I guess I'm stupid 33 00:01:36,440 --> 00:01:39,800 Speaker 1: in the capital or right beside it. I thought there 34 00:01:39,840 --> 00:01:42,240 Speaker 1: was like a like a part of it, like a wing, 35 00:01:42,600 --> 00:01:44,600 Speaker 1: and it doesn't don't even something that close. He had 36 00:01:44,600 --> 00:01:46,880 Speaker 1: to get in a car and drive, like we I 37 00:01:46,959 --> 00:01:49,559 Speaker 1: went to the state capital and the Arkansas State Capital, 38 00:01:49,560 --> 00:01:51,120 Speaker 1: which is really cool. I hadn't been there since like 39 00:01:51,440 --> 00:01:53,080 Speaker 1: second or third grade on a field trip. All the 40 00:01:53,080 --> 00:01:54,880 Speaker 1: time I've ever been to the state capital. And I 41 00:01:54,920 --> 00:01:57,640 Speaker 1: went in and we set his office and talk for 42 00:01:57,720 --> 00:01:59,680 Speaker 1: a while, and he, I think you put in a 43 00:01:59,840 --> 00:02:01,720 Speaker 1: ce rious I was, And I think he realized pretty 44 00:02:01,800 --> 00:02:04,440 Speaker 1: quickly that it was very serious and not a bad way. 45 00:02:05,040 --> 00:02:07,360 Speaker 1: But he's only been governor for two years and he 46 00:02:07,360 --> 00:02:11,040 Speaker 1: shows another term to run, So I think he was 47 00:02:11,680 --> 00:02:13,639 Speaker 1: wanting to fill me out because you know, they know 48 00:02:13,720 --> 00:02:15,639 Speaker 1: he was gonna run the next time for the most part, 49 00:02:15,639 --> 00:02:17,520 Speaker 1: like they know he's coming and who's not coming, and 50 00:02:17,520 --> 00:02:19,280 Speaker 1: who's a threat and who's not a threat. So I 51 00:02:19,280 --> 00:02:21,720 Speaker 1: think when he had me and he was really was 52 00:02:21,720 --> 00:02:23,600 Speaker 1: trying to film me out a little bit. And so 53 00:02:23,760 --> 00:02:26,120 Speaker 1: I haven't announced yet what exactly I'm going to do. 54 00:02:26,520 --> 00:02:27,960 Speaker 1: Um had a discussion with him. I thought it was 55 00:02:27,960 --> 00:02:33,040 Speaker 1: a really frank and open discussion about what I would 56 00:02:33,080 --> 00:02:37,720 Speaker 1: like to do and what he is doing in certain 57 00:02:37,960 --> 00:02:40,200 Speaker 1: areas and I'm gonna leave it to that, but well, 58 00:02:40,240 --> 00:02:42,040 Speaker 1: I have announced it soon. There was a good that 59 00:02:42,720 --> 00:02:46,080 Speaker 1: took Lindsay, my girlfriend, and we drove over to his 60 00:02:46,120 --> 00:02:48,000 Speaker 1: house and we had dinner. And now here's whether the 61 00:02:48,040 --> 00:02:52,600 Speaker 1: crazy part came in was Morgan, who now is the 62 00:02:52,680 --> 00:02:55,440 Speaker 1: executive producer of the Morning Show for all intensive purposes. 63 00:02:56,000 --> 00:02:59,520 Speaker 1: She has been running my calendar, my personal life, and 64 00:02:59,560 --> 00:03:01,880 Speaker 1: she's kind of moved up through that. Like she started 65 00:03:01,880 --> 00:03:04,480 Speaker 1: as an intern, and she came on as an intern, 66 00:03:04,800 --> 00:03:08,799 Speaker 1: and then she after she finished her internship, she got 67 00:03:08,800 --> 00:03:10,840 Speaker 1: a job working somewhere else because we didn't have a 68 00:03:10,880 --> 00:03:13,560 Speaker 1: spot for her. And then finally when I got a spot, 69 00:03:13,560 --> 00:03:15,040 Speaker 1: A hired her as a phone screener, and I said, 70 00:03:15,040 --> 00:03:17,560 Speaker 1: I'm gonna hire you back a promise, and I hired 71 00:03:17,560 --> 00:03:19,880 Speaker 1: her as a phone screener. But it wasn't enough because 72 00:03:19,919 --> 00:03:22,600 Speaker 1: that job just it's a part time job. And so 73 00:03:22,680 --> 00:03:24,280 Speaker 1: as a phone screener and I was like, okay, I'll 74 00:03:24,800 --> 00:03:27,320 Speaker 1: also pay you to run my life and manage my 75 00:03:27,360 --> 00:03:31,160 Speaker 1: calendar because I'm never at home. So she was doing 76 00:03:31,240 --> 00:03:35,040 Speaker 1: that and so she became half manager of Bobby's his 77 00:03:35,120 --> 00:03:37,800 Speaker 1: life and half doing some show stuff. Well, then she 78 00:03:37,840 --> 00:03:40,520 Speaker 1: became a producer and then didn't have time to help 79 00:03:40,560 --> 00:03:42,640 Speaker 1: out with me. So then I called Mike Dee, who's 80 00:03:42,680 --> 00:03:44,240 Speaker 1: producing this, and I was like, hey, dude, could be 81 00:03:44,240 --> 00:03:47,000 Speaker 1: the phone screener and help. So this this whole like 82 00:03:47,040 --> 00:03:49,760 Speaker 1: eighty people doing eighty different things, and Morgan's finally the producer. 83 00:03:49,880 --> 00:03:52,440 Speaker 1: She's going away now, so I think a little bit 84 00:03:52,520 --> 00:03:55,760 Speaker 1: of her attention is gone from me and and the 85 00:03:55,840 --> 00:03:58,320 Speaker 1: personal stuff because she told me don't wear a sports 86 00:03:58,400 --> 00:04:01,480 Speaker 1: coade uh and the there's not really for you. And 87 00:04:01,520 --> 00:04:03,080 Speaker 1: I got there. I was the only one not in 88 00:04:03,080 --> 00:04:05,760 Speaker 1: the jacket. Every head suits on like headed toe. And 89 00:04:05,840 --> 00:04:09,080 Speaker 1: two it was from the whole dinner. You got there 90 00:04:09,080 --> 00:04:12,200 Speaker 1: and the menu said in honor of and it had 91 00:04:12,240 --> 00:04:15,520 Speaker 1: the name my name on there, and so it was like, 92 00:04:16,720 --> 00:04:18,599 Speaker 1: I was a little embarrassed because I didn't think it 93 00:04:18,680 --> 00:04:20,600 Speaker 1: was that gonna be that formal, but it was super formal. 94 00:04:20,640 --> 00:04:22,240 Speaker 1: They had the chef come out like after half of 95 00:04:22,240 --> 00:04:25,920 Speaker 1: it and talk and you give him applause and it's 96 00:04:25,920 --> 00:04:30,720 Speaker 1: like yeah, and then he talks about the meal. And 97 00:04:30,760 --> 00:04:33,400 Speaker 1: they had everybody signed the back of everybody's menu. So 98 00:04:33,440 --> 00:04:34,680 Speaker 1: you take it and you sign it, you pass it 99 00:04:34,720 --> 00:04:36,640 Speaker 1: around and then it comes back to you. So everyone 100 00:04:36,640 --> 00:04:38,120 Speaker 1: at dinner that night. I signed the back of it, 101 00:04:38,360 --> 00:04:40,240 Speaker 1: and I was sitting the governor was sitting to my 102 00:04:40,320 --> 00:04:41,720 Speaker 1: left at the head of the table, and to my 103 00:04:41,839 --> 00:04:46,719 Speaker 1: right was a former governor first lady and he since 104 00:04:46,720 --> 00:04:49,279 Speaker 1: passed away, but she was sitting there, and so it 105 00:04:49,360 --> 00:04:53,839 Speaker 1: was very formal. It's very awesome. Um I felt a 106 00:04:53,880 --> 00:04:56,160 Speaker 1: little like an idiot because I went into it just 107 00:04:56,200 --> 00:04:59,440 Speaker 1: a shirt and a tie, and I guess whatever it was, 108 00:04:59,520 --> 00:05:01,160 Speaker 1: it was really right. And then Lindsay went and played 109 00:05:01,160 --> 00:05:04,720 Speaker 1: down stay have a like a big commers, but like 110 00:05:04,720 --> 00:05:06,839 Speaker 1: a performance area where she went and did a huge 111 00:05:06,839 --> 00:05:08,600 Speaker 1: piano and she brought a guitar. They asked to bring 112 00:05:08,600 --> 00:05:11,039 Speaker 1: her guitar and so she played and it was really good. 113 00:05:11,160 --> 00:05:13,960 Speaker 1: It was It was a really cool thing that I 114 00:05:14,080 --> 00:05:15,719 Speaker 1: never thought of my life I would get to do. 115 00:05:16,520 --> 00:05:18,640 Speaker 1: And then I decided, you know what, I want to 116 00:05:18,640 --> 00:05:21,800 Speaker 1: go be the governor of Arkansas and people I was like, 117 00:05:21,839 --> 00:05:23,839 Speaker 1: what are your politics? And that's nothing. I have politics, 118 00:05:24,360 --> 00:05:27,680 Speaker 1: but it's that I can't what do you eat? What's 119 00:05:27,680 --> 00:05:31,200 Speaker 1: the dog eating? The dog is we we built this 120 00:05:31,240 --> 00:05:33,480 Speaker 1: new studio and so the stuff on the floor everywhere, 121 00:05:33,520 --> 00:05:35,000 Speaker 1: so the dogs eating it. It's like a shot back 122 00:05:35,760 --> 00:05:38,640 Speaker 1: because of all the new equipment that we have in here. Anyway, 123 00:05:38,839 --> 00:05:40,640 Speaker 1: so I don't might you have any questions about this 124 00:05:40,680 --> 00:05:41,839 Speaker 1: at all? And I know on the air we talked 125 00:05:41,839 --> 00:05:43,080 Speaker 1: about it a bit and you weren't in on the 126 00:05:43,279 --> 00:05:46,440 Speaker 1: bit with it ever like awkward for you. It was 127 00:05:46,520 --> 00:05:48,960 Speaker 1: so formal at times that it was never awkward because 128 00:05:49,000 --> 00:05:52,520 Speaker 1: the governor was so good at keeping things moving that 129 00:05:53,600 --> 00:05:56,000 Speaker 1: it never got awkward. Not because of me. I just 130 00:05:56,080 --> 00:05:57,800 Speaker 1: was I felt out of place just because it was 131 00:05:58,000 --> 00:06:01,520 Speaker 1: I was like with the speaker that of the Arkansas 132 00:06:01,880 --> 00:06:05,440 Speaker 1: House and the head of the District of Columbia, the 133 00:06:05,560 --> 00:06:08,360 Speaker 1: center of government offices, and you don't think I don't 134 00:06:08,360 --> 00:06:10,200 Speaker 1: know if these positions are and They're like, let me 135 00:06:10,200 --> 00:06:12,120 Speaker 1: intreat to this person. And I'm like, I don't know 136 00:06:12,160 --> 00:06:13,800 Speaker 1: what it means, but I guess you're a pretty big deal. 137 00:06:14,240 --> 00:06:16,080 Speaker 1: But no, I think they were. It was all good. 138 00:06:16,200 --> 00:06:20,520 Speaker 1: Somebody one of the girls there whenever I was probably nineteen, 139 00:06:20,560 --> 00:06:22,640 Speaker 1: I think she was fifteen or sixteen. I went and 140 00:06:22,640 --> 00:06:24,600 Speaker 1: played at a basketball game aout her high school as 141 00:06:24,600 --> 00:06:26,520 Speaker 1: a dj as because I was on the radio then, 142 00:06:26,680 --> 00:06:28,760 Speaker 1: and she had a picture of us together and I 143 00:06:28,800 --> 00:06:31,919 Speaker 1: was nineteen and she was fifteen or sixteen. It was 144 00:06:31,920 --> 00:06:34,279 Speaker 1: pretty funnycause she brought it with her and so that 145 00:06:34,279 --> 00:06:36,200 Speaker 1: that was funny too. But I know, I don't think 146 00:06:36,240 --> 00:06:40,000 Speaker 1: it was awkward. It's not for me that it was neat. 147 00:06:40,080 --> 00:06:41,640 Speaker 1: And so we'll see what happens with that. Let me 148 00:06:41,680 --> 00:06:44,040 Speaker 1: talk about I just rolled out a bed. The good 149 00:06:44,040 --> 00:06:46,400 Speaker 1: thing we having a studio in your house is that 150 00:06:46,440 --> 00:06:47,880 Speaker 1: I get to roll out of my bed and I 151 00:06:47,960 --> 00:06:49,720 Speaker 1: have a sleep number bed, And I rolled over here 152 00:06:49,720 --> 00:06:53,040 Speaker 1: and popped out and and sat down and here we are, 153 00:06:53,040 --> 00:06:55,960 Speaker 1: and my sleep number for me, of all the beds 154 00:06:55,960 --> 00:06:57,640 Speaker 1: that I've had, and I gotta be honest, I've only 155 00:06:57,640 --> 00:07:00,920 Speaker 1: had a sleep number for the past four or five years, 156 00:07:01,320 --> 00:07:03,680 Speaker 1: that it's by far the best bed because for me, 157 00:07:03,880 --> 00:07:06,440 Speaker 1: it kind of matches your back and your your curbs. 158 00:07:06,480 --> 00:07:10,320 Speaker 1: And they say contours. I don't never say contours. The 159 00:07:10,320 --> 00:07:14,680 Speaker 1: contours spells boobs. So for me though, like my my 160 00:07:14,760 --> 00:07:17,080 Speaker 1: back on my shoulders, and like I laid on the 161 00:07:17,560 --> 00:07:19,320 Speaker 1: bed in the store and they were like, here is 162 00:07:19,880 --> 00:07:21,560 Speaker 1: maybe why you're not sleeping as well, and here's the 163 00:07:21,760 --> 00:07:23,360 Speaker 1: number we'd give you. And here's how we adjust your 164 00:07:23,400 --> 00:07:25,760 Speaker 1: bed and what your sleep number is. It's not a thirty. 165 00:07:25,920 --> 00:07:27,720 Speaker 1: And then your partner too. It's a perfect bed if 166 00:07:27,720 --> 00:07:30,160 Speaker 1: you have if you have a partner a husband, wife, boyfriend, 167 00:07:30,160 --> 00:07:32,800 Speaker 1: girlfriend and sleeps in the same bed. And so let 168 00:07:32,800 --> 00:07:35,679 Speaker 1: me say this. My sleep number setting is the thirty. 169 00:07:35,840 --> 00:07:38,040 Speaker 1: My i Q sleep i Q which is optional and 170 00:07:38,200 --> 00:07:40,720 Speaker 1: two is awesome. Was in the nineties Sleep Number store 171 00:07:40,760 --> 00:07:43,960 Speaker 1: right now say fifty on a limited edition bed Queen 172 00:07:44,040 --> 00:07:47,840 Speaker 1: Citwo matches now five. Find out sleep number in the 173 00:07:47,840 --> 00:07:50,840 Speaker 1: five Sleep Numbers stores nationwide. Find one nearest you by 174 00:07:50,880 --> 00:07:53,480 Speaker 1: calling eight hundred next bed and tell them that since 175 00:07:53,480 --> 00:07:55,920 Speaker 1: you sleep numbers are awesome. I have to actually one 176 00:07:55,920 --> 00:07:58,720 Speaker 1: of my room and one of the guests room music. 177 00:07:58,760 --> 00:08:01,800 Speaker 1: I think it's cool. Right now, let's do this. This 178 00:08:01,880 --> 00:08:05,000 Speaker 1: is Devin Dawson. The song is called All on Me, 179 00:08:05,600 --> 00:08:07,680 Speaker 1: and the song is kind of the jam. He got 180 00:08:07,680 --> 00:08:11,119 Speaker 1: my number. You can call on me. You can trouble 181 00:08:11,440 --> 00:08:14,320 Speaker 1: to fall on me when you're mad. You can take 182 00:08:14,440 --> 00:08:17,160 Speaker 1: it out on me when it don't add up. You 183 00:08:17,240 --> 00:08:21,360 Speaker 1: can count on me when your little come round me. 184 00:08:22,280 --> 00:08:25,520 Speaker 1: Make it slow to your time on uneasily, let it 185 00:08:25,600 --> 00:08:28,920 Speaker 1: out come a lay on me when it gets heavy, 186 00:08:29,000 --> 00:08:33,120 Speaker 1: but do well on me, baby, put it all on me. 187 00:08:35,600 --> 00:08:39,200 Speaker 1: Put it all on me. That's a jam, right good, 188 00:08:39,360 --> 00:08:42,960 Speaker 1: that's good, Devin Dawson. I want to take you out 189 00:08:43,040 --> 00:08:45,360 Speaker 1: on the town on my dime. Do that sounds like 190 00:08:45,440 --> 00:08:48,720 Speaker 1: to you? Help me win? No from there? A little 191 00:08:48,760 --> 00:08:50,600 Speaker 1: guitar come here to me because I like the lead 192 00:08:50,600 --> 00:08:53,839 Speaker 1: singer of Bluffed Your Souls or Gavin the Girl at all? 193 00:08:54,080 --> 00:08:57,040 Speaker 1: Want to hear on your fee is any trouble? Stupid? 194 00:08:57,120 --> 00:08:58,560 Speaker 1: But I I like it? I like I like it a lot. 195 00:08:58,640 --> 00:09:00,800 Speaker 1: I like it like I bought it. I like it. 196 00:09:01,240 --> 00:09:03,679 Speaker 1: And so there's music that I'm like, that's cool for 197 00:09:03,720 --> 00:09:05,600 Speaker 1: the radio, and there's music like I just like and 198 00:09:05,640 --> 00:09:07,440 Speaker 1: listen to on my own and that's kind of what 199 00:09:07,520 --> 00:09:10,000 Speaker 1: these are here. And so that Devin Dawson song is good. 200 00:09:10,040 --> 00:09:12,360 Speaker 1: I have my heart Radio all Access. Do you have 201 00:09:12,400 --> 00:09:14,280 Speaker 1: that yet? They get that? Don't They didn't give it 202 00:09:14,280 --> 00:09:17,680 Speaker 1: to you. I need it. It's awesome, dude. And so 203 00:09:17,760 --> 00:09:19,880 Speaker 1: I have that. And so there's another song that I 204 00:09:19,960 --> 00:09:23,520 Speaker 1: like is that Miriam Hill song down and it's the 205 00:09:23,600 --> 00:09:29,000 Speaker 1: Jam Down Down Down. I like it when it kicks 206 00:09:29,000 --> 00:09:43,960 Speaker 1: into don Down Down Down. This song to me is 207 00:09:44,000 --> 00:09:48,560 Speaker 1: like Florence and the Machine meets Calvin Johnson. Like if 208 00:09:48,559 --> 00:09:50,560 Speaker 1: I were trying to find how to describe that song 209 00:09:50,720 --> 00:09:54,280 Speaker 1: Johnson or yeah, I say Johnson, Yeah, not the receiver 210 00:09:54,400 --> 00:09:59,280 Speaker 1: from the lines Calvin Harris, Yeah, thank you. Uh yeah, 211 00:09:59,360 --> 00:10:01,920 Speaker 1: It's like Florence of the Machine meets Calvin Harris. I 212 00:10:01,920 --> 00:10:04,640 Speaker 1: want to play what's the name is that? By the way, 213 00:10:04,640 --> 00:10:06,160 Speaker 1: I don't even know that is Is that a girl? 214 00:10:06,280 --> 00:10:08,320 Speaker 1: Or I assume it's just a girl. Yeah, it's so 215 00:10:08,320 --> 00:10:10,400 Speaker 1: it's not a it's not a band, right, No, Okay, 216 00:10:10,400 --> 00:10:15,120 Speaker 1: he's here, Miriam here is shea British? I think so, 217 00:10:15,520 --> 00:10:17,800 Speaker 1: I haven't. It sounds almost too cool to be. It 218 00:10:17,800 --> 00:10:19,560 Speaker 1: shows a girl in a dude in this picture. Dude, 219 00:10:19,640 --> 00:10:23,680 Speaker 1: really look at it's Marian by the way, or Marian 220 00:10:24,559 --> 00:10:26,920 Speaker 1: it may r I n Hill. I just heard the 221 00:10:27,000 --> 00:10:29,040 Speaker 1: song you know where. I heard it in the bathroom 222 00:10:29,080 --> 00:10:31,000 Speaker 1: and I should zammed it as I was at a 223 00:10:31,160 --> 00:10:34,079 Speaker 1: urinal taking a peep and I was like, that's a jam, 224 00:10:34,120 --> 00:10:36,800 Speaker 1: and so I saved it and so here yeah, see 225 00:10:37,000 --> 00:10:39,720 Speaker 1: see who merryon Hill is like this is the whole 226 00:10:39,720 --> 00:10:46,160 Speaker 1: thing here. So it just kind of sounds like it's 227 00:10:46,160 --> 00:10:48,640 Speaker 1: a piano ball and you're like, all right, a little 228 00:10:48,640 --> 00:10:52,040 Speaker 1: easy listening for you then never really want to go. 229 00:10:53,040 --> 00:10:57,760 Speaker 1: But if you're going, there's so many bodies on the floor, 230 00:10:58,120 --> 00:11:03,400 Speaker 1: so baby, we should go. And oh you down down down? 231 00:11:03,520 --> 00:11:10,600 Speaker 1: Did it down? Down down down down down down down down? 232 00:11:12,920 --> 00:11:16,760 Speaker 1: Everyone look up. Po's hands thrown up in the to 233 00:11:16,880 --> 00:11:22,959 Speaker 1: help him down. It is are you down? That's confusing? Mirrion? 234 00:11:23,960 --> 00:11:31,520 Speaker 1: Are they foreign? Down? Down? They're from Philly? Do you do? 235 00:11:37,240 --> 00:11:39,480 Speaker 1: All right? So there's that. There's also this band called 236 00:11:39,480 --> 00:11:41,240 Speaker 1: Shovels and Rope. Have you heard of them? I have 237 00:11:41,320 --> 00:11:43,640 Speaker 1: not I gonna tell you. I was watching like Conan 238 00:11:43,760 --> 00:11:46,360 Speaker 1: or something late at night. I couldn't sleep, and so 239 00:11:46,400 --> 00:11:48,120 Speaker 1: I had on TBS and this this group and it 240 00:11:48,160 --> 00:11:52,840 Speaker 1: looks like, uh hell billy version of the White Stripes. 241 00:11:53,679 --> 00:11:55,960 Speaker 1: I was like, I'm very interested in this. That guy 242 00:11:56,120 --> 00:11:58,120 Speaker 1: was out playing the guitar and she was on the drums, 243 00:11:58,160 --> 00:12:00,480 Speaker 1: just two people, and she was also playing the keyboard 244 00:12:00,480 --> 00:12:03,160 Speaker 1: at the same time. So she was using the kick 245 00:12:03,559 --> 00:12:05,960 Speaker 1: or foot drum, and she was hitting the snare with 246 00:12:06,000 --> 00:12:09,280 Speaker 1: one hand and she was playing the keys, hitting chords 247 00:12:09,280 --> 00:12:11,160 Speaker 1: on the with her other hand. And it was just 248 00:12:11,200 --> 00:12:13,680 Speaker 1: those two making all of it. And I was like wow. 249 00:12:13,880 --> 00:12:16,000 Speaker 1: And so they're called shovels and rope, and this is 250 00:12:16,040 --> 00:12:23,120 Speaker 1: called I know, I know exactly. I know, exaguy, go 251 00:12:24,080 --> 00:12:28,240 Speaker 1: this things are looking good for your buddy out he is. 252 00:12:29,000 --> 00:12:33,920 Speaker 1: I know he's going. You've got the smile and the 253 00:12:34,040 --> 00:12:41,480 Speaker 1: style and the sizl and sat. I know exag just 254 00:12:41,520 --> 00:12:46,719 Speaker 1: to be wrong. So it's pretty cool. Say, if you 255 00:12:46,800 --> 00:12:49,880 Speaker 1: like that rock and roll. Steve Mokeler has a cool 256 00:12:49,920 --> 00:12:57,040 Speaker 1: song called Wheels, but they don't so down the speed paum. 257 00:12:57,320 --> 00:13:02,880 Speaker 1: Soon as you grow and the father you the fastest 258 00:13:03,160 --> 00:13:07,800 Speaker 1: spend they try you away and bring you home again, 259 00:13:08,920 --> 00:13:17,160 Speaker 1: swear song, sound Sie black List pretty cool. We'll get 260 00:13:17,200 --> 00:13:19,640 Speaker 1: him in eventually. But I think Caitlin Smith wrote that 261 00:13:19,640 --> 00:13:21,160 Speaker 1: with them because I think I hear in the background 262 00:13:21,240 --> 00:13:24,280 Speaker 1: singing on the court suitcase. I think so. I don't 263 00:13:24,320 --> 00:13:28,360 Speaker 1: know that for sure, Mom, if you're in the background, 264 00:13:28,679 --> 00:13:37,080 Speaker 1: but they don't slow down, speed me soon issue huh yeah, 265 00:13:37,480 --> 00:13:41,080 Speaker 1: the father you. Those are some new songs I'm listening 266 00:13:41,080 --> 00:13:44,360 Speaker 1: to right now that like I listened to personally. You know, 267 00:13:44,360 --> 00:13:46,880 Speaker 1: the radio stuff. There's some good radio stuff too, different though, 268 00:13:46,880 --> 00:13:48,320 Speaker 1: like some songs in the radio, like man, this song 269 00:13:48,360 --> 00:13:51,640 Speaker 1: is going the radio, but by the time it comes around, 270 00:13:51,679 --> 00:13:53,040 Speaker 1: like I've heard it a thousand times, I don't listen 271 00:13:53,040 --> 00:13:56,160 Speaker 1: to anymore, just like Jeez, can't take any more of that. Um, 272 00:13:56,640 --> 00:14:00,560 Speaker 1: I haven't been home in a few days. I've been 273 00:14:00,600 --> 00:14:01,920 Speaker 1: either been on the road, and I think I'm only 274 00:14:01,920 --> 00:14:04,480 Speaker 1: home to two days this week. So one we're not 275 00:14:04,520 --> 00:14:06,080 Speaker 1: having a guest this week, and two, since we have 276 00:14:06,120 --> 00:14:07,720 Speaker 1: new equipment, we want it tested out and make sure 277 00:14:07,760 --> 00:14:11,640 Speaker 1: it worked. So it also CRS week, and so every 278 00:14:11,760 --> 00:14:13,680 Speaker 1: night this week, the two nights that I am here 279 00:14:14,240 --> 00:14:17,040 Speaker 1: and CRS stands for Country radio seminar. Have you been 280 00:14:17,080 --> 00:14:18,400 Speaker 1: to one of these? Yeah? I haven't. Are you gonna 281 00:14:18,400 --> 00:14:20,400 Speaker 1: do stuff? I think? So yeah later in the week, 282 00:14:20,560 --> 00:14:27,800 Speaker 1: you should. Let's start tomorrow. Oh yeah. It's so with 283 00:14:27,880 --> 00:14:30,920 Speaker 1: country radio seminar, like program directors from all over America 284 00:14:31,000 --> 00:14:33,800 Speaker 1: coming to Nashville, and it's where they take all the 285 00:14:34,000 --> 00:14:38,600 Speaker 1: artists and they have showcases for Wednesday, Thursday, Friday night 286 00:14:38,680 --> 00:14:40,920 Speaker 1: and maybe some Saturday, I'm not sure. Basically, it's a 287 00:14:40,920 --> 00:14:44,080 Speaker 1: big drunkenfest. Pds come in and get just hammered and 288 00:14:44,120 --> 00:14:47,280 Speaker 1: then they watch artists and it's an excuse any company 289 00:14:47,280 --> 00:14:49,320 Speaker 1: boss listening, like, I don't even know if my people 290 00:14:49,320 --> 00:14:51,800 Speaker 1: will come to this, but yeah, country radio is still 291 00:14:51,960 --> 00:14:55,880 Speaker 1: kind of weird what you have to put, like take 292 00:14:55,920 --> 00:14:59,360 Speaker 1: your people and suck up to every PD. So, but 293 00:14:59,600 --> 00:15:01,640 Speaker 1: it's a big party. But for me, I don't party 294 00:15:01,680 --> 00:15:03,360 Speaker 1: and I go about eight o'clock. Maybe I'm just jealous. 295 00:15:03,560 --> 00:15:05,440 Speaker 1: Maybe all I'm saying is that this because I'm just 296 00:15:05,520 --> 00:15:07,600 Speaker 1: bitter that I don't go out and party. But so 297 00:15:07,640 --> 00:15:11,240 Speaker 1: it's this week and so, um even my label has 298 00:15:11,280 --> 00:15:14,240 Speaker 1: a showcase and it says I don't have a record out, 299 00:15:14,360 --> 00:15:18,600 Speaker 1: I'm not playing. Um, this year, but I'm gonna go. 300 00:15:19,040 --> 00:15:21,160 Speaker 1: But they are, we are doing a comedy special together, 301 00:15:21,200 --> 00:15:23,400 Speaker 1: and I think I'm just gonna go and say hello. 302 00:15:23,480 --> 00:15:26,280 Speaker 1: I don't know, like I don't know if Nikita is 303 00:15:26,280 --> 00:15:28,800 Speaker 1: playing or not. She's not fully signed to that label, 304 00:15:29,040 --> 00:15:31,200 Speaker 1: but she's on an artist development deal. But I want 305 00:15:31,200 --> 00:15:32,800 Speaker 1: to do that. But CRS is crazy. You should do 306 00:15:32,840 --> 00:15:34,640 Speaker 1: stuff because they have like a lunch and it's at 307 00:15:34,640 --> 00:15:38,240 Speaker 1: a SOT that's just the rieman and like huge artists 308 00:15:38,240 --> 00:15:41,040 Speaker 1: just show them that's heard about some lunch. It's crazy 309 00:15:41,040 --> 00:15:43,880 Speaker 1: because every huge artists just shows up in plays like 310 00:15:44,040 --> 00:15:47,720 Speaker 1: two songs, like last year Stapleton showed up, and it's 311 00:15:47,800 --> 00:15:51,000 Speaker 1: it's like all the p's going. It's always like blown, 312 00:15:51,320 --> 00:15:53,440 Speaker 1: blown away kind of thing. Like, what's been the coolest 313 00:15:53,480 --> 00:15:55,200 Speaker 1: thing for you since you have moved here? How long 314 00:15:55,200 --> 00:15:57,560 Speaker 1: you've been here. I've been here like eight months, not 315 00:15:57,600 --> 00:15:59,800 Speaker 1: even a year yet, So what's been the coolest thing 316 00:15:59,840 --> 00:16:02,240 Speaker 1: for since you moved here? And I really think it's 317 00:16:02,280 --> 00:16:05,320 Speaker 1: been doing this podcast and like learning from this and 318 00:16:05,400 --> 00:16:07,360 Speaker 1: kind of getting to know everybody on this kind of 319 00:16:07,360 --> 00:16:10,960 Speaker 1: personal level and never seeing any kind of side of 320 00:16:11,000 --> 00:16:13,880 Speaker 1: the music industry like this. Yeah, I think So that's 321 00:16:13,920 --> 00:16:16,800 Speaker 1: kind a cool thing for me too, because in the 322 00:16:16,920 --> 00:16:22,680 Speaker 1: radio world you're just around record people and artists. But 323 00:16:22,840 --> 00:16:27,280 Speaker 1: because I have friends that are artists and I also write, 324 00:16:27,520 --> 00:16:30,240 Speaker 1: I get to know some writers and then you meet 325 00:16:30,280 --> 00:16:32,000 Speaker 1: them and you meet other writers through them, and you 326 00:16:32,040 --> 00:16:35,640 Speaker 1: play because I'm in a band. And so it's a 327 00:16:35,680 --> 00:16:38,640 Speaker 1: cool thing that we started and we get to bring 328 00:16:38,640 --> 00:16:41,560 Speaker 1: in like the Natalie Himby's which was a fan it 329 00:16:41,600 --> 00:16:45,240 Speaker 1: was it was such a great interview and it's not 330 00:16:45,280 --> 00:16:49,400 Speaker 1: a household name to people outside of the writer community 331 00:16:49,400 --> 00:16:54,160 Speaker 1: in Nashville, but she's really you know, you know a 332 00:16:54,200 --> 00:16:57,920 Speaker 1: lot of those Miranda songs and really is one of 333 00:16:57,960 --> 00:17:00,760 Speaker 1: the reasons Miranda has been so great. And so yeah, 334 00:17:00,800 --> 00:17:02,840 Speaker 1: that's been a really cool thing. Like I'm really proud 335 00:17:02,840 --> 00:17:05,159 Speaker 1: of where this about this thing is turned into. We 336 00:17:05,280 --> 00:17:07,399 Speaker 1: never really expected this thing to go. What are we 337 00:17:07,440 --> 00:17:10,440 Speaker 1: thirty eight in now? And now we have sponsors and 338 00:17:10,440 --> 00:17:12,639 Speaker 1: and we encourage you to if you hear one of 339 00:17:12,640 --> 00:17:14,800 Speaker 1: the sponsors and you think would be cool for you, 340 00:17:14,840 --> 00:17:16,720 Speaker 1: like take a part of and type in the code 341 00:17:16,760 --> 00:17:19,639 Speaker 1: because they'll keep sponsoring and we'll keep it going. The 342 00:17:19,760 --> 00:17:22,240 Speaker 1: Washington posted a story on this podcast and they put 343 00:17:22,280 --> 00:17:24,560 Speaker 1: on the front of the style page a huge picture 344 00:17:24,760 --> 00:17:27,160 Speaker 1: of this podcast. Like I'm telling you, if you're listening 345 00:17:27,240 --> 00:17:28,600 Speaker 1: right now to this, and this is only gonna be 346 00:17:28,600 --> 00:17:30,200 Speaker 1: a thirty minute one, so it's not even that long. 347 00:17:31,280 --> 00:17:33,480 Speaker 1: Mike and I just grab some equipment from the house 348 00:17:33,520 --> 00:17:36,200 Speaker 1: and set this thing up. The company never said, hey, 349 00:17:36,240 --> 00:17:38,680 Speaker 1: you should start a podcast. You know, they're doing courage, 350 00:17:38,680 --> 00:17:40,159 Speaker 1: say hey, do whatever you want from the studio, do 351 00:17:40,240 --> 00:17:42,440 Speaker 1: extra stuff. But I wanted to do something different because 352 00:17:42,440 --> 00:17:44,320 Speaker 1: I felt like listeners would like behind the scenes stuff 353 00:17:44,359 --> 00:17:46,080 Speaker 1: and if they didn't, they didn't have to listen. It's 354 00:17:46,080 --> 00:17:50,119 Speaker 1: not a ratings based thing. And so everything that we use. 355 00:17:50,240 --> 00:17:53,239 Speaker 1: These chairs are chairs for my house. These computers are 356 00:17:53,359 --> 00:17:55,800 Speaker 1: computers that I own. The board, I mean, all this 357 00:17:55,800 --> 00:17:58,160 Speaker 1: stuff is the way to buy ourselves. And I'm kind 358 00:17:58,160 --> 00:18:00,439 Speaker 1: of happy because we just got to start it with 359 00:18:00,440 --> 00:18:03,040 Speaker 1: our own rules and just kind of grow into what 360 00:18:03,080 --> 00:18:04,879 Speaker 1: it is now. But don't think next time when my 361 00:18:04,880 --> 00:18:06,919 Speaker 1: contract does it come up. You know, if I do 362 00:18:07,080 --> 00:18:09,240 Speaker 1: stay in radio and I don't run for office, and 363 00:18:09,240 --> 00:18:11,920 Speaker 1: I'm not gonna be like, all right, I'll take something 364 00:18:11,960 --> 00:18:15,480 Speaker 1: kind of it's not weird. What what Dusty, Let's cry? 365 00:18:16,320 --> 00:18:20,199 Speaker 1: I guess is that I never had people in my 366 00:18:20,240 --> 00:18:24,520 Speaker 1: house ever, and now like once a week somebody comes 367 00:18:24,520 --> 00:18:26,760 Speaker 1: to my house. And so what will happen is the 368 00:18:26,800 --> 00:18:29,240 Speaker 1: artist will show up and I'm on the top floor 369 00:18:29,240 --> 00:18:32,879 Speaker 1: of my house and where the studio is, and you know, 370 00:18:32,920 --> 00:18:34,720 Speaker 1: they'll come in. That means we have to have like 371 00:18:34,720 --> 00:18:37,520 Speaker 1: a ten minute talk downstairs. Like then we come up 372 00:18:37,560 --> 00:18:39,040 Speaker 1: here and we talk and we do an hour, hour 373 00:18:39,040 --> 00:18:40,680 Speaker 1: and fifteen minutes and then we have to talk about 374 00:18:40,720 --> 00:18:42,440 Speaker 1: ten two minutes on the way out, and by the 375 00:18:42,480 --> 00:18:45,679 Speaker 1: time I'm exhausted, I'm really kind of her to be over. Um, 376 00:18:45,800 --> 00:18:50,320 Speaker 1: but it it's two hours and it's my It's it's 377 00:18:50,359 --> 00:18:52,280 Speaker 1: not that it's a ton of work, but it's very 378 00:18:52,320 --> 00:18:56,200 Speaker 1: time consuming after you've been Like for me, I've been uh, 379 00:18:56,440 --> 00:18:57,920 Speaker 1: you know, up in three in the morning and did 380 00:18:57,920 --> 00:19:02,120 Speaker 1: the show that of de conference calls and whatever else 381 00:19:02,320 --> 00:19:05,959 Speaker 1: project I'm meeting about their day. So anyway, this has 382 00:19:05,960 --> 00:19:08,960 Speaker 1: been a really cool thing. Appreciate that. Um, I'm on 383 00:19:09,000 --> 00:19:11,240 Speaker 1: the road and if you guys come out and I'm 384 00:19:11,280 --> 00:19:12,800 Speaker 1: I'm gonna be doing my funny on a loan tour 385 00:19:12,880 --> 00:19:15,680 Speaker 1: until right now until May. We're looking at more dates, 386 00:19:15,680 --> 00:19:17,720 Speaker 1: but we're doing a special in May, and I can't 387 00:19:17,720 --> 00:19:19,280 Speaker 1: really say much more about that, but we're doing a 388 00:19:19,280 --> 00:19:23,320 Speaker 1: comedy special in May, and we have the theater in Wichita. 389 00:19:23,480 --> 00:19:25,280 Speaker 1: The Oar film runted out two nights in a row, 390 00:19:25,320 --> 00:19:27,040 Speaker 1: because you do it two nights in a row and 391 00:19:27,040 --> 00:19:28,920 Speaker 1: you dress in the same exact close that way, you 392 00:19:28,960 --> 00:19:33,640 Speaker 1: have two options. That way, you have two options for everything. 393 00:19:34,200 --> 00:19:35,840 Speaker 1: So you go and you do it, and so it's 394 00:19:35,880 --> 00:19:38,080 Speaker 1: like almost like the best of two nights thing. That's 395 00:19:38,119 --> 00:19:41,640 Speaker 1: kind of the trick of specials. And so we're gonna 396 00:19:41,640 --> 00:19:44,080 Speaker 1: be doing that and more details about that. But I 397 00:19:44,080 --> 00:19:46,159 Speaker 1: don't just want to do like it's going to be 398 00:19:46,200 --> 00:19:47,480 Speaker 1: a stand up, but I want to do like other 399 00:19:47,480 --> 00:19:49,280 Speaker 1: stuff too. So I'm like trying to find a choreographer 400 00:19:50,440 --> 00:19:52,840 Speaker 1: and so I'm looking into that. Oh no, no, I've 401 00:19:52,840 --> 00:19:56,600 Speaker 1: already like start pricing them and dancers, and so I 402 00:19:56,640 --> 00:20:00,119 Speaker 1: want this to be like a one man stay end 403 00:20:00,160 --> 00:20:02,840 Speaker 1: up comedy slash variety show at this point, and so 404 00:20:02,880 --> 00:20:04,320 Speaker 1: I gotta we have to have to sit down meeting 405 00:20:04,440 --> 00:20:07,479 Speaker 1: next week. We'll have it all gritted out where it's like, 406 00:20:07,840 --> 00:20:09,240 Speaker 1: all right, this is what I wanted to do. And 407 00:20:09,240 --> 00:20:10,879 Speaker 1: then in half of it, they end up saying no 408 00:20:10,960 --> 00:20:12,720 Speaker 1: to and so you have to find like I want 409 00:20:12,720 --> 00:20:15,400 Speaker 1: a huge inflatable pair of glasses that's like ten feet 410 00:20:15,400 --> 00:20:17,160 Speaker 1: I don't I don't know they make go but we'll 411 00:20:17,160 --> 00:20:19,080 Speaker 1: see if anyway that's coming up. And that's really cool. 412 00:20:19,359 --> 00:20:22,480 Speaker 1: And then um, I just talk about this real quick. 413 00:20:22,480 --> 00:20:25,320 Speaker 1: Blue Apron. I do have Blue Apron by the way, 414 00:20:25,320 --> 00:20:29,040 Speaker 1: it's downstairs, and they what happens? Did you go to 415 00:20:29,080 --> 00:20:32,480 Speaker 1: the website right, blue Apron dot com slash Bobby Cast 416 00:20:33,359 --> 00:20:35,080 Speaker 1: and let's they've never checked it out before. Lets go 417 00:20:35,200 --> 00:20:37,359 Speaker 1: check it out, check out the week's menu and you 418 00:20:37,400 --> 00:20:39,840 Speaker 1: get your first three meals for free with free shipping 419 00:20:40,240 --> 00:20:42,800 Speaker 1: Blue Apron dot com slash Bobby Cast and for ten 420 00:20:42,840 --> 00:20:45,879 Speaker 1: dollars per person per meal. Blue Apron deliver seasonal recipes 421 00:20:45,880 --> 00:20:48,040 Speaker 1: with pretty portion ingredients you make the home cook mills 422 00:20:48,080 --> 00:20:49,240 Speaker 1: and its meals that you would never even think you 423 00:20:49,240 --> 00:20:51,119 Speaker 1: would make. And it's great stuff too because they have 424 00:20:51,160 --> 00:20:53,919 Speaker 1: a culinary team there. Blue Apron's culinary team. They have 425 00:20:54,000 --> 00:20:56,240 Speaker 1: recipes that are crazy and they don't repeat them even 426 00:20:56,240 --> 00:20:59,120 Speaker 1: within a year. Sometimes you'll never get board. And they're 427 00:20:59,160 --> 00:21:01,479 Speaker 1: flexible and they have a recipe card that step by 428 00:21:01,480 --> 00:21:04,399 Speaker 1: step and it's preportioned and you get it, make it 429 00:21:04,560 --> 00:21:06,800 Speaker 1: forty minutes or less, and just spending on which one 430 00:21:06,840 --> 00:21:09,439 Speaker 1: it is. And they promise the ingredients are great and 431 00:21:09,520 --> 00:21:12,119 Speaker 1: not all ingredients are created equal. They know that fresh, 432 00:21:12,440 --> 00:21:15,040 Speaker 1: high quality ingredients make a real difference. So it is 433 00:21:15,040 --> 00:21:17,560 Speaker 1: important to know where your food comes from. So blue 434 00:21:17,600 --> 00:21:22,359 Speaker 1: Apron and go to blue Apron dot com slash Bobby 435 00:21:22,400 --> 00:21:25,040 Speaker 1: Cast blue Apron dot com slash Bobby Cast if you 436 00:21:25,040 --> 00:21:27,159 Speaker 1: want to get on the net and there's I think 437 00:21:27,160 --> 00:21:28,800 Speaker 1: there's a box on my counter down there right now. 438 00:21:28,920 --> 00:21:30,440 Speaker 1: And they come right to the door too. So part 439 00:21:30,440 --> 00:21:34,000 Speaker 1: of it is convenience. Love convenience, love food. You know 440 00:21:34,040 --> 00:21:35,600 Speaker 1: what all I saw I did see today to that 441 00:21:36,680 --> 00:21:38,320 Speaker 1: and they haven't been to either one in a long time. 442 00:21:38,680 --> 00:21:42,280 Speaker 1: But Burger King is buying Popeyes at one point eight 443 00:21:42,280 --> 00:21:46,840 Speaker 1: billion dollars. Listen, I love Popeyes when I think of Popeyes, 444 00:21:46,920 --> 00:21:50,680 Speaker 1: and I haven't been in years. I ever, my life 445 00:21:50,800 --> 00:21:54,760 Speaker 1: used to be get up at seven thirty for eight 446 00:21:54,800 --> 00:21:58,520 Speaker 1: to a m class, go to in college, go to 447 00:21:58,840 --> 00:22:02,199 Speaker 1: school until two thirty or three. I also ran the 448 00:22:02,200 --> 00:22:03,840 Speaker 1: college radio station, so at two hours in the middle 449 00:22:03,840 --> 00:22:05,560 Speaker 1: of the day that I would slip into my office 450 00:22:05,560 --> 00:22:08,800 Speaker 1: there and run the college radio station, drive to my 451 00:22:08,840 --> 00:22:12,480 Speaker 1: real radio station job an hour away, work until midnight 452 00:22:12,560 --> 00:22:14,080 Speaker 1: or one am, depending on what I would get on 453 00:22:14,119 --> 00:22:17,280 Speaker 1: the commercials, drive an hour back to eat a waffle house. 454 00:22:17,720 --> 00:22:20,080 Speaker 1: But every three or four nights a week, I'll stop 455 00:22:20,320 --> 00:22:25,160 Speaker 1: and grab dinner. I was. My dinner was at Popeye Chicken, 456 00:22:25,600 --> 00:22:27,359 Speaker 1: and I think about giving the chicken strips with that. 457 00:22:27,359 --> 00:22:31,879 Speaker 1: That's that that Marty grown mustard. Oh my goodness, you 458 00:22:31,960 --> 00:22:34,879 Speaker 1: at one point eight billion dollars for that. I do 459 00:22:34,960 --> 00:22:37,920 Speaker 1: love that. And and I would wilfile House. It's funny, now, 460 00:22:38,000 --> 00:22:39,320 Speaker 1: you know. Lindsay and I went to waffile House for 461 00:22:39,400 --> 00:22:43,240 Speaker 1: Valentine's Day. It was first of all, it was fun 462 00:22:43,320 --> 00:22:47,000 Speaker 1: because we enjoyed just going and it not being hoity 463 00:22:47,080 --> 00:22:49,400 Speaker 1: toity and it not be It was just a fun 464 00:22:49,480 --> 00:22:52,199 Speaker 1: thing to do. And only gos me twenty eight dollars, Like, 465 00:22:52,280 --> 00:22:54,360 Speaker 1: don't I don't think that that wasn't a cool part 466 00:22:54,359 --> 00:22:56,440 Speaker 1: of it. Didn't have to go blow because what restaurants 467 00:22:56,440 --> 00:22:58,000 Speaker 1: do is they see you coming and they know it's 468 00:22:58,040 --> 00:23:01,119 Speaker 1: Valentine's Day and it sucks for guys, and they no, sorry, 469 00:23:01,119 --> 00:23:03,240 Speaker 1: we got a special playing menu. It's eighty bucks a person, 470 00:23:03,560 --> 00:23:05,520 Speaker 1: and you're like, oh, I can't not pay it because 471 00:23:05,600 --> 00:23:07,359 Speaker 1: I got a girl and I gotta show off at 472 00:23:07,400 --> 00:23:12,680 Speaker 1: least not not no Wilfaster's twenty dollars for the whole mill. 473 00:23:13,359 --> 00:23:14,919 Speaker 1: And so it was amazing in so many ways. It 474 00:23:14,960 --> 00:23:16,680 Speaker 1: was amazing, Like we had a good time and we 475 00:23:16,720 --> 00:23:19,160 Speaker 1: had someone show up. There were a lot of listeners 476 00:23:19,160 --> 00:23:22,080 Speaker 1: there because I was talking about on the air, and 477 00:23:22,520 --> 00:23:24,080 Speaker 1: someone brought me a shirt that said I missed my 478 00:23:24,119 --> 00:23:27,199 Speaker 1: girlfriend s. Do you wonder where I came from? Or 479 00:23:27,200 --> 00:23:31,760 Speaker 1: did you know? I thought you? Yeah, so she because 480 00:23:31,800 --> 00:23:35,000 Speaker 1: I said on the air that my girlfriend asked me, 481 00:23:35,040 --> 00:23:36,480 Speaker 1: hey she was gone for like four days, because hey, 482 00:23:36,480 --> 00:23:37,800 Speaker 1: you missed me, And I was like, not, not really, 483 00:23:38,040 --> 00:23:40,760 Speaker 1: and I was serious. I wasn't even joking because I 484 00:23:40,840 --> 00:23:43,919 Speaker 1: was we weren't gone long enough. Two weeks after they 485 00:23:44,000 --> 00:23:46,040 Speaker 1: probably like, yeah, what did miss you a little bit? 486 00:23:46,480 --> 00:23:49,000 Speaker 1: Two weeks the heart girls fonder. The heart didn't even 487 00:23:49,040 --> 00:23:50,720 Speaker 1: have a chance to grow fond, Like the heart was 488 00:23:50,720 --> 00:23:54,120 Speaker 1: still pretty much in the same spot in that four days, 489 00:23:54,119 --> 00:23:56,480 Speaker 1: only four days, and I was busy too, and so 490 00:23:57,200 --> 00:23:58,840 Speaker 1: I feel only that wasn't the right thing to say 491 00:23:58,960 --> 00:24:01,760 Speaker 1: you should never. So she brought me a shirt A look, 492 00:24:01,800 --> 00:24:03,720 Speaker 1: it was really funny. This is that I missed my girlfriend. 493 00:24:04,160 --> 00:24:06,119 Speaker 1: I was wearing it today, the first time I had 494 00:24:06,160 --> 00:24:07,320 Speaker 1: had it on. But yeah, she brought it to me 495 00:24:07,359 --> 00:24:09,679 Speaker 1: at Walble House, so I thought that was fun. I 496 00:24:09,680 --> 00:24:11,879 Speaker 1: have a couple of songs up here. I saw you 497 00:24:11,880 --> 00:24:14,320 Speaker 1: tweet about Landa del Rey. Yeah, and you're like, I'm 498 00:24:14,359 --> 00:24:16,199 Speaker 1: not a big Landa del Ray fan, yeah, but I 499 00:24:16,240 --> 00:24:18,080 Speaker 1: do like this song. I also, I'm not a big 500 00:24:18,160 --> 00:24:20,840 Speaker 1: land of Delray fan, but I haven't heard this song. 501 00:24:20,920 --> 00:24:23,080 Speaker 1: That their song like what is the one you have here? Love? 502 00:24:24,760 --> 00:24:38,800 Speaker 1: You get dressed to go back to the cosage? It sucks, dude, 503 00:24:38,840 --> 00:24:42,879 Speaker 1: you know, like it doesn't get you down to the down. 504 00:24:43,240 --> 00:24:44,960 Speaker 1: It sounds like everything It doesn't suck. It is like 505 00:24:45,040 --> 00:24:47,280 Speaker 1: it sounds like everything else. Landa del Ray I thought 506 00:24:47,280 --> 00:24:49,160 Speaker 1: it was. That's why I didn't like her in the past, 507 00:24:49,160 --> 00:24:51,720 Speaker 1: because it's very slow, very loungey. But for some reason 508 00:24:51,760 --> 00:24:54,199 Speaker 1: that song you like, I liked it could dude, they 509 00:24:54,240 --> 00:24:56,840 Speaker 1: could grow on me. It did grow. Yeah, first listen, 510 00:24:56,880 --> 00:24:58,080 Speaker 1: I didn't like it, and I was like, wait, let 511 00:24:58,119 --> 00:24:59,800 Speaker 1: me hear that again. And then it just kind of 512 00:24:59,840 --> 00:25:02,919 Speaker 1: like all her songs sound exactly the same to me, 513 00:25:03,560 --> 00:25:07,080 Speaker 1: Like you know what that being said? I do like 514 00:25:07,160 --> 00:25:11,879 Speaker 1: Summertime Sadness the one song, but the picked up version 515 00:25:11,920 --> 00:25:14,200 Speaker 1: or the Florida I don't mind the slow version. Really 516 00:25:16,160 --> 00:25:18,919 Speaker 1: her dad and you made Google? This is a former 517 00:25:19,600 --> 00:25:23,080 Speaker 1: NFL team owner. Maybe the Jets are giants, like she's 518 00:25:23,080 --> 00:25:26,280 Speaker 1: super rich, super rich family, yeah, Google, and it all right? 519 00:25:26,440 --> 00:25:32,040 Speaker 1: Kissed me happy before you go. Some of times sad, 520 00:25:35,080 --> 00:25:43,359 Speaker 1: I just wanted you to know, David, I got my 521 00:25:43,520 --> 00:25:51,600 Speaker 1: red dress tonight. Sam's love, but like the don't have 522 00:25:51,840 --> 00:26:18,080 Speaker 1: a real bad style. Sell her Daddy, iss me, kiss 523 00:26:18,160 --> 00:26:39,280 Speaker 1: me f I just find hey luck is her un 524 00:26:39,600 --> 00:26:42,280 Speaker 1: owner r NFL team or something? I don't know? M hm, 525 00:26:43,240 --> 00:26:48,600 Speaker 1: Well the domain developer, yeah, begin web domain is a 526 00:26:48,680 --> 00:26:53,840 Speaker 1: nineties self made entrepreneur type in Lanta, del ready in 527 00:26:53,880 --> 00:27:00,320 Speaker 1: New York Jets because something she's got some tied to that. 528 00:27:01,200 --> 00:27:02,800 Speaker 1: Do you ever feel like artists that come from a 529 00:27:02,800 --> 00:27:05,880 Speaker 1: ton of money, like you're like, hmmm, you had a 530 00:27:05,960 --> 00:27:07,879 Speaker 1: net to fall back on, so it's easier for you 531 00:27:07,920 --> 00:27:09,320 Speaker 1: to go try and you respect him with the less 532 00:27:09,359 --> 00:27:10,800 Speaker 1: like let's just be a real Do you feel that way? 533 00:27:10,840 --> 00:27:12,720 Speaker 1: I do what did. The headlines says she didn't receive 534 00:27:12,760 --> 00:27:16,080 Speaker 1: any money. I never really, but even if she did, 535 00:27:16,119 --> 00:27:18,880 Speaker 1: and she had that like, even even if she got 536 00:27:19,000 --> 00:27:21,399 Speaker 1: zero dollars, she still had to fall into had she 537 00:27:21,440 --> 00:27:27,679 Speaker 1: needed it. Any luck there anyway, her dad was always 538 00:27:27,720 --> 00:27:33,400 Speaker 1: And it's not a fair thing to say because whatever. However, 539 00:27:33,760 --> 00:27:36,320 Speaker 1: it does feel like people that are come from rich 540 00:27:36,359 --> 00:27:39,000 Speaker 1: families like they get to go out and do things 541 00:27:39,080 --> 00:27:41,639 Speaker 1: risky and not have to worry about it, and so 542 00:27:41,680 --> 00:27:47,399 Speaker 1: they get to have good equipment and no stress of 543 00:27:48,280 --> 00:27:51,400 Speaker 1: having to make it or not eat and that kind 544 00:27:51,440 --> 00:27:53,240 Speaker 1: of thing. That's all right, you know what it really 545 00:27:53,280 --> 00:27:57,159 Speaker 1: it's always gonna tweet anyway. There's some time with the 546 00:27:57,240 --> 00:27:59,520 Speaker 1: Landa del Ray in the NFL team. I don't even 547 00:27:59,520 --> 00:28:01,639 Speaker 1: know why, or maybe there isn't. Maybe I'm just nuts. 548 00:28:02,359 --> 00:28:05,040 Speaker 1: There's a big Sean song man no favorite with the 549 00:28:05,040 --> 00:28:07,960 Speaker 1: eminem verse in it, and I put this online. You 550 00:28:07,960 --> 00:28:09,760 Speaker 1: see the big fight on Instagram when I put this up, 551 00:28:10,320 --> 00:28:13,120 Speaker 1: Holy crap. Like two weeks ago, I was like, when 552 00:28:13,160 --> 00:28:15,320 Speaker 1: you play eminem on your song, it's not your song anymore. 553 00:28:15,359 --> 00:28:16,960 Speaker 1: I don't care if what's your song or not, it's 554 00:28:17,040 --> 00:28:19,960 Speaker 1: not your song anymore. Because Eminem comes in and destroys 555 00:28:20,000 --> 00:28:24,400 Speaker 1: whatever you do. And Loe Wayne learned that like two 556 00:28:24,440 --> 00:28:27,399 Speaker 1: years ago, and then heem came in and said it 557 00:28:27,480 --> 00:28:30,160 Speaker 1: was out and Lee Wayne didn't exist anymore in that track, 558 00:28:30,200 --> 00:28:33,359 Speaker 1: and I think I think Loe Wayne, jay Z and 559 00:28:33,520 --> 00:28:35,560 Speaker 1: him on the same track and Emine it was like 560 00:28:35,640 --> 00:28:39,360 Speaker 1: the Eminem Show. And so Big Sean comes out and 561 00:28:39,600 --> 00:28:42,400 Speaker 1: there's a right and listen, Eminem is known to go 562 00:28:42,400 --> 00:28:44,080 Speaker 1: after Big I'm gonna go over thirty a bit because 563 00:28:44,280 --> 00:28:46,200 Speaker 1: this while Emin there's no one to go after people 564 00:28:46,200 --> 00:28:48,040 Speaker 1: in songs. Sometimes he just doesn't because it gets his 565 00:28:48,080 --> 00:28:50,000 Speaker 1: name out there. And he's going after Trump in this one. 566 00:28:50,840 --> 00:28:53,440 Speaker 1: And all I said was, first of all, if Eminem 567 00:28:53,480 --> 00:28:55,880 Speaker 1: saying something, you're offended, you just want to be offended 568 00:28:55,880 --> 00:28:57,360 Speaker 1: at what he's saying right now because he's been doing 569 00:28:57,360 --> 00:29:00,000 Speaker 1: this for twenty years, like going after the biggest people 570 00:29:00,360 --> 00:29:03,280 Speaker 1: in politics and pop culture and everything. Like, you just 571 00:29:03,320 --> 00:29:05,400 Speaker 1: can't get offended about what Eminem says. You either enjoy 572 00:29:05,480 --> 00:29:07,320 Speaker 1: him or you don't like. And all I said it 573 00:29:07,400 --> 00:29:10,880 Speaker 1: was he's changing his style now that I think he's 574 00:29:10,880 --> 00:29:14,920 Speaker 1: a great rapper of all time. And it's weird to 575 00:29:15,000 --> 00:29:17,760 Speaker 1: think that Eminem like a white guy is a great 576 00:29:17,800 --> 00:29:21,240 Speaker 1: dropper of all time, just speaking frankly, and I asked Charlomagne, 577 00:29:21,280 --> 00:29:23,120 Speaker 1: the guy who works at the breakfast club. I had 578 00:29:23,120 --> 00:29:24,280 Speaker 1: to put him on the ears of the hip hop 579 00:29:24,280 --> 00:29:25,840 Speaker 1: guy because here I am, what do I know? And 580 00:29:25,880 --> 00:29:27,280 Speaker 1: he was like, you can put him in the conversation 581 00:29:27,320 --> 00:29:29,520 Speaker 1: for sure. He said, it's taste, but Eminem could be 582 00:29:29,560 --> 00:29:31,920 Speaker 1: the great rapper of all time. And so this is 583 00:29:31,960 --> 00:29:34,120 Speaker 1: big Sean with Eminem no favor and what I need 584 00:29:34,160 --> 00:29:37,560 Speaker 1: from him, no favors, click to big break gotta break 585 00:29:37,560 --> 00:29:39,800 Speaker 1: it because he's a his low key with the snake 586 00:29:39,800 --> 00:29:42,720 Speaker 1: and faking everything line. Does he come in and take it? 587 00:29:43,520 --> 00:29:48,200 Speaker 1: And what I need from him, no favors, no favors. 588 00:29:48,600 --> 00:29:52,000 Speaker 1: If she was flavor, I won't save him. No taste, 589 00:29:52,040 --> 00:29:56,560 Speaker 1: but stop later. Fuck you looking daan hater. I saw 590 00:29:56,640 --> 00:29:59,640 Speaker 1: him eyes like a nas paper, trying to copy my 591 00:29:59,720 --> 00:30:02,120 Speaker 1: slack like a cheating glassmate. I'll be the last phase 592 00:30:02,200 --> 00:30:04,080 Speaker 1: you see when you pass, when you get your fucking 593 00:30:04,160 --> 00:30:07,240 Speaker 1: nast crated like a math paper. So ahead of my time, 594 00:30:07,400 --> 00:30:10,760 Speaker 1: late means i'm early my ages reversing. I'm basically thirty. Amazingly, 595 00:30:10,800 --> 00:30:14,440 Speaker 1: Sirdy Zany and Birdy, Brandy and nerdy, blatantly derby, insanely perverted, 596 00:30:14,520 --> 00:30:17,160 Speaker 1: rape and scurvy. They blame me for murdering Jamie Lee Curtis, 597 00:30:17,200 --> 00:30:18,680 Speaker 1: that I put a face in the furnace, beating with 598 00:30:18,720 --> 00:30:21,120 Speaker 1: a spacey the a piece of furniture, a b to thermus. 599 00:30:22,120 --> 00:30:24,200 Speaker 1: It may be disturbing. What I'm saying is prince worthy, 600 00:30:24,240 --> 00:30:27,240 Speaker 1: but I'm illinating on Bergie says number eighty one. Shirley. 601 00:30:27,280 --> 00:30:29,240 Speaker 1: I'm turning into the air and her Nanda's a raat 602 00:30:29,240 --> 00:30:32,600 Speaker 1: state of emergency, the planets having panic attacks. Prady's returning. 603 00:30:32,640 --> 00:30:34,880 Speaker 1: Matter of fact, I'm maybe deserving of a pat on 604 00:30:34,920 --> 00:30:39,320 Speaker 1: the back of No does it inexplicable stomach crowd from 605 00:30:39,320 --> 00:30:41,400 Speaker 1: the pit of it like a fucking terry you're hitting 606 00:30:42,160 --> 00:30:44,400 Speaker 1: I'm talking about. Take the vulgarity out, Take out the 607 00:30:44,520 --> 00:30:48,160 Speaker 1: references to air Hernandez who kill people like there are 608 00:30:48,160 --> 00:30:50,440 Speaker 1: a lots of reasons you defended. But nobody does what 609 00:30:50,560 --> 00:30:52,600 Speaker 1: Eminem does, and he's getting better as he gets older. 610 00:30:52,640 --> 00:30:56,280 Speaker 1: It's crazy. Clamp postal with a lamp postal handle. Shut up, 611 00:30:56,280 --> 00:30:59,280 Speaker 1: a damn pot cutter, a sandal, a candle putter, a candle, 612 00:30:59,400 --> 00:31:03,920 Speaker 1: rubber beat, lannel, suck up some hands but pants over covered, 613 00:31:04,600 --> 00:31:08,040 Speaker 1: hand over the mouth and no smother tramp them but 614 00:31:08,120 --> 00:31:12,840 Speaker 1: the land road but the band lamb wring about him, 615 00:31:12,840 --> 00:31:15,280 Speaker 1: he's he bends words and ways that nobody else does 616 00:31:15,600 --> 00:31:18,880 Speaker 1: and really didn't do. Now everybody's bending everything and it's 617 00:31:18,880 --> 00:31:20,640 Speaker 1: a thing, and it was the thing a little, but 618 00:31:20,760 --> 00:31:23,920 Speaker 1: he's completely shifted and too. He rhymes in weird places 619 00:31:23,920 --> 00:31:27,440 Speaker 1: where people don't rhyme. He'll rhyme in the middle and 620 00:31:27,760 --> 00:31:29,560 Speaker 1: rhyme in the middle for a while, then start rhyming 621 00:31:29,600 --> 00:31:31,360 Speaker 1: at the end and you're just like, whoa, he just 622 00:31:31,360 --> 00:31:35,120 Speaker 1: completely flipped the whole verb. What Eminem does is it's 623 00:31:35,200 --> 00:31:38,720 Speaker 1: just the next level. And he consistently brings his game 624 00:31:38,880 --> 00:31:40,880 Speaker 1: like he's on a Big Sean track, and Big Seans 625 00:31:42,520 --> 00:31:45,240 Speaker 1: as legitimate as anyone, Like a big John Big Sean 626 00:31:45,280 --> 00:31:47,480 Speaker 1: put out in the music. I was like, oh, big trag. 627 00:31:48,960 --> 00:31:52,080 Speaker 1: You can't put him in to Big Break, but it 628 00:31:52,120 --> 00:31:53,840 Speaker 1: does show that he has a lot of company. Was like, 629 00:31:53,840 --> 00:31:56,120 Speaker 1: I do respect Big Shan. Put him in song, it 630 00:31:56,160 --> 00:31:58,000 Speaker 1: would be like me going, I got this new song on, 631 00:31:58,160 --> 00:31:59,960 Speaker 1: put your stable. He's gotta singing in it with me 632 00:32:01,160 --> 00:32:03,200 Speaker 1: like if Chris this scres tabled a song for now 633 00:32:03,240 --> 00:32:06,400 Speaker 1: and like I can't really but still like that's crazy 634 00:32:06,520 --> 00:32:10,640 Speaker 1: what I need from click to big break, gotta break it, 635 00:32:10,880 --> 00:32:12,280 Speaker 1: see all, I've got to tweet me, by the way, 636 00:32:12,800 --> 00:32:16,440 Speaker 1: and they said Bobby Jones, shout out Bobby Jones. Yeah 637 00:32:17,120 --> 00:32:19,800 Speaker 1: all right, so we're gonna evaluate this audio and make 638 00:32:19,840 --> 00:32:22,760 Speaker 1: sure it's all good. We've got a new gold Mike. Um, 639 00:32:23,440 --> 00:32:27,120 Speaker 1: this is just rolling along. Appreciate everybody listens to this. 640 00:32:27,680 --> 00:32:30,920 Speaker 1: Appreciate everybody listens to the morning show. U just just 641 00:32:31,000 --> 00:32:32,640 Speaker 1: thank you for everything. I'm actually gonna head out and 642 00:32:32,640 --> 00:32:34,640 Speaker 1: go do some yoga now, which I mean I'm start 643 00:32:34,680 --> 00:32:38,560 Speaker 1: to get okay, yet I don't like, let's he's going 644 00:32:38,600 --> 00:32:41,040 Speaker 1: with me tonight. I'm like going with her that much. 645 00:32:42,320 --> 00:32:45,040 Speaker 1: There's my safe stone because they always tell her how 646 00:32:45,040 --> 00:32:48,000 Speaker 1: good she is, and I'm like the opposite, I'm getting better, 647 00:32:48,080 --> 00:32:50,400 Speaker 1: but I'm not good, Like I don't know those words 648 00:32:50,440 --> 00:32:53,720 Speaker 1: even like let's get in coming the opposite now and 649 00:32:53,760 --> 00:32:55,040 Speaker 1: I'm like, all right, now watch it. And then the 650 00:32:55,120 --> 00:32:57,880 Speaker 1: next one's like let's get in Boca, Like Sonna, I'm like, 651 00:32:57,920 --> 00:32:59,640 Speaker 1: what the what don't you get like how do you 652 00:32:59,680 --> 00:33:01,240 Speaker 1: even hear? Are the difference in the words much less 653 00:33:01,240 --> 00:33:04,960 Speaker 1: than the different poses? Because they're all ancient Indian? Why 654 00:33:04,960 --> 00:33:08,440 Speaker 1: can't we just create American words for them. We're in America. 655 00:33:08,800 --> 00:33:10,320 Speaker 1: We don't have to call them crazy words. It's not 656 00:33:10,360 --> 00:33:12,920 Speaker 1: like we're having to learn this crazy language. And so 657 00:33:14,800 --> 00:33:16,760 Speaker 1: they all the time company and they adjust my body 658 00:33:16,800 --> 00:33:18,920 Speaker 1: in front of her, and she smiles whenever they do, 659 00:33:19,120 --> 00:33:21,240 Speaker 1: because I come over me like, okay, be of a grandma. 660 00:33:21,280 --> 00:33:22,720 Speaker 1: I'm like, I'm a little boo boo. It's like, okay, 661 00:33:22,720 --> 00:33:26,160 Speaker 1: boo boo, take a move back this little there, And 662 00:33:26,200 --> 00:33:28,640 Speaker 1: I'm like, God, feels so stupid. And then she's over there, 663 00:33:28,720 --> 00:33:32,560 Speaker 1: nail in the pose and she's snickers. Whatever. I get 664 00:33:32,600 --> 00:33:34,120 Speaker 1: over it. I do have to go work out. I 665 00:33:34,200 --> 00:33:38,240 Speaker 1: appreciate you guys, thanks for listening to show. Like I said, um, 666 00:33:38,360 --> 00:33:40,360 Speaker 1: thanks listening to body cast. I don't know what we're 667 00:33:40,360 --> 00:33:42,200 Speaker 1: gonna do. People already talking about the fiftieth episode. We 668 00:33:42,200 --> 00:33:47,840 Speaker 1: gotta make that big by note dust, He says, hello, speak, 669 00:33:50,160 --> 00:33:56,320 Speaker 1: Let let me hear you. If you're gonna talk talk 670 00:33:57,120 --> 00:34:04,800 Speaker 1: what this so down? So speak? There you go, dog 671 00:34:04,840 --> 00:34:12,520 Speaker 1: works hey, sneak whatever, dude, you know we didn't care 672 00:34:12,520 --> 00:34:15,480 Speaker 1: anymore back in the day, speak like crazy, we have 673 00:34:15,560 --> 00:34:19,400 Speaker 1: full conversations. I'd be like what we like. I'd be like, 674 00:34:19,400 --> 00:34:23,040 Speaker 1: you're good to be like, all right, we're out, thank you, 675 00:34:23,320 --> 00:34:25,400 Speaker 1: and I'll see you on the road. Funny and alone. 676 00:34:25,640 --> 00:34:28,719 Speaker 1: I'll see it out this summer and late year, raging 677 00:34:28,760 --> 00:34:31,600 Speaker 1: idiots coming back right now. We're going through wardrobes. We're 678 00:34:31,600 --> 00:34:33,440 Speaker 1: gonna have matching. We're doing the whole thing now. We're 679 00:34:33,440 --> 00:34:38,040 Speaker 1: trying to be like like a the backstree boys and 680 00:34:38,160 --> 00:34:40,440 Speaker 1: like where the matching clothes and listen, because if you 681 00:34:40,440 --> 00:34:43,280 Speaker 1: can't be that good, you might as well look funny, 682 00:34:43,600 --> 00:34:45,840 Speaker 1: you know what I mean. So there's that and thank you. 683 00:34:45,920 --> 00:34:49,719 Speaker 1: We'll see you guys soon, alright, chack chack, see you 684 00:34:49,800 --> 00:34:55,640 Speaker 1: next time. I do have to say. Bailey Bryant came in, man, 685 00:34:55,840 --> 00:35:00,160 Speaker 1: she loves she started wrapping along with no problem m 686 00:35:00,160 --> 00:35:04,359 Speaker 1: from Chancing. I was like, that's funny, Like so if 687 00:35:04,360 --> 00:35:08,200 Speaker 1: you cant chancelsen to Bailey Bryan when listen that win 688 00:35:08,320 --> 00:35:10,600 Speaker 1: you guys to have a nightmare. Bobby Kavin thirty, I 689 00:35:10,680 --> 00:35:17,239 Speaker 1: don't have to pick up on me alright, like Mr 690 00:35:17,280 --> 00:35:25,680 Speaker 1: Bobby boones On Instagram, so you got fine