WEBVTT - TRENDING- Liv Hewson

0:00:00.080 --> 0:00:03.120
<v Speaker 1>It's Taylor Swifton Avender Hayes on one or two point

0:00:03.160 --> 0:00:05.519
<v Speaker 1>seven Kiss FM, Los Angeles.

0:00:05.559 --> 0:00:07.360
<v Speaker 2>Thank you so much for having us on. It's Ryan

0:00:07.440 --> 0:00:08.240
<v Speaker 2>Seacrest with you.

0:00:08.360 --> 0:00:13.640
<v Speaker 1>It is Siciny and Tanya is a trending report before

0:00:13.640 --> 0:00:16.520
<v Speaker 1>we get into those Dodger tickets and then Jake Jillenhall

0:00:17.040 --> 0:00:18.400
<v Speaker 1>is going to join up. You know the thing about

0:00:18.440 --> 0:00:23.079
<v Speaker 1>Jake Jillenhall, He's in this new movie, The Covenant, and

0:00:23.880 --> 0:00:29.880
<v Speaker 1>I feel like he he only takes roles that he

0:00:30.040 --> 0:00:37.960
<v Speaker 1>has to physically, mentally and whatever's in between thrust himself.

0:00:37.560 --> 0:00:40.040
<v Speaker 2>Into submerged like submerge.

0:00:40.320 --> 0:00:43.919
<v Speaker 1>Yeah, it's like everything I feel like he's chosen is

0:00:44.040 --> 0:00:47.080
<v Speaker 1>so intense and rewarding to see back because you can

0:00:47.120 --> 0:00:50.920
<v Speaker 1>tell it's like, I mean, it's physically and mental.

0:00:51.200 --> 0:00:54.040
<v Speaker 2>It's not just acting. No, it totally is that. I

0:00:54.040 --> 0:01:00.680
<v Speaker 2>don't even know who Jake Jillenhall is. He has played

0:01:00.720 --> 0:01:02.000
<v Speaker 2>in these movies, right.

0:01:01.920 --> 0:01:04.840
<v Speaker 1>I know, because it's it's like you walk out of

0:01:04.880 --> 0:01:09.720
<v Speaker 1>a movie and you feel like that's right, we'll get

0:01:09.720 --> 0:01:12.840
<v Speaker 1>to him. He's coming, He's coming, He's coming. Jake Chillenhall

0:01:14.240 --> 0:01:17.319
<v Speaker 1>kind of a legend. M hmm, kind of a legend

0:01:17.360 --> 0:01:22.039
<v Speaker 1>Academy Award winner, A nice guy from everything I've heard

0:01:22.080 --> 0:01:25.600
<v Speaker 1>him on our show talk about all right, Tanya, tell

0:01:25.640 --> 0:01:27.759
<v Speaker 1>me you're grinning. Are you excited?

0:01:28.560 --> 0:01:32.119
<v Speaker 2>I am excited, That's all I did. Are you excited?

0:01:32.400 --> 0:01:35.720
<v Speaker 2>So I speak to Flora? Are you excited? My little niece? Okay,

0:01:35.720 --> 0:01:38.399
<v Speaker 2>tell me trening report. Let's get he's just speak to Georgia. Now,

0:01:38.440 --> 0:01:40.520
<v Speaker 2>you just speak to Flora the way I speak to

0:01:40.520 --> 0:01:43.080
<v Speaker 2>Georgia and Flora the same. Thank you.

0:01:43.200 --> 0:01:46.040
<v Speaker 1>Both are the youngsters in my life A little bit

0:01:46.760 --> 0:01:47.480
<v Speaker 1>little girls?

0:01:47.760 --> 0:01:49.160
<v Speaker 2>All right, let's go live.

0:01:49.240 --> 0:01:52.760
<v Speaker 3>Houston plays the teenage version of Van Palmer on the

0:01:52.800 --> 0:01:56.600
<v Speaker 3>popular show Yellow Jackets. It's on Showtime, and is currently

0:01:56.640 --> 0:02:00.960
<v Speaker 3>not planning to submit their performance for Emmy considering because

0:02:01.000 --> 0:02:04.400
<v Speaker 3>they are non binaries. So liv said, there's not a

0:02:04.440 --> 0:02:07.240
<v Speaker 3>place for me in the acting categories. It would be

0:02:07.360 --> 0:02:11.080
<v Speaker 3>inaccurate for me to submit myself as an actress. It

0:02:11.160 --> 0:02:13.240
<v Speaker 3>neither makes sense for me to be lumped in with

0:02:13.280 --> 0:02:16.200
<v Speaker 3>the boys. And so I do get it. Why do

0:02:16.240 --> 0:02:20.000
<v Speaker 3>we have a best actor and a Best actress? Why

0:02:20.040 --> 0:02:23.200
<v Speaker 3>isn't it just Best Actor and then double the amount

0:02:23.200 --> 0:02:25.600
<v Speaker 3>of nominees. But then I was thinking about it. And

0:02:25.600 --> 0:02:28.000
<v Speaker 3>then it would be half half of the people would

0:02:28.040 --> 0:02:29.560
<v Speaker 3>be winning, like just a winner.

0:02:29.880 --> 0:02:32.120
<v Speaker 2>Why don't we just create a non binary category?

0:02:33.120 --> 0:02:36.880
<v Speaker 3>So add on best on a category, best actress, best

0:02:36.919 --> 0:02:41.920
<v Speaker 3>non binary act Why not? That's not a bad idea.

0:02:42.040 --> 0:02:44.840
<v Speaker 1>I think this is something that all award shows are

0:02:44.840 --> 0:02:47.320
<v Speaker 1>probably talking about, and sure, what's the best way to

0:02:47.360 --> 0:02:47.919
<v Speaker 1>move forward?

0:02:47.919 --> 0:02:51.600
<v Speaker 2>Because it's a celebration of work.

0:02:51.720 --> 0:02:53.800
<v Speaker 1>I mean, no matter what format, right, no matter if

0:02:53.800 --> 0:02:56.640
<v Speaker 1>it's music or movies or TV, it's a celebration of work.

0:02:57.200 --> 0:03:00.240
<v Speaker 1>And in this case, if you don't identify with either,

0:03:01.040 --> 0:03:03.160
<v Speaker 1>do you not get celebrated for your work?

0:03:03.680 --> 0:03:05.840
<v Speaker 2>Or if you feel the way.

0:03:06.120 --> 0:03:10.240
<v Speaker 1>They do, you don't submit and so therefore you don't

0:03:10.240 --> 0:03:12.040
<v Speaker 1>get the celebration you would deserve.

0:03:12.040 --> 0:03:14.240
<v Speaker 2>But the work's still great, right right for to not submit.

0:03:14.440 --> 0:03:16.919
<v Speaker 2>So it's like they should just create a separate category

0:03:16.919 --> 0:03:17.280
<v Speaker 2>for people.

0:03:17.440 --> 0:03:19.360
<v Speaker 1>So I'm just coogling which awards semon is moving to

0:03:19.720 --> 0:03:23.960
<v Speaker 1>neutral acting categories. The Spirit Awards moved to gender neutral categories.

0:03:24.240 --> 0:03:26.359
<v Speaker 1>I follow in the footsteps of other award shows like the

0:03:26.400 --> 0:03:29.240
<v Speaker 1>goth Awards and MTV Movie and TV Awards.

0:03:29.639 --> 0:03:30.240
<v Speaker 2>Which did it?

0:03:30.680 --> 0:03:30.760
<v Speaker 1>So?

0:03:31.320 --> 0:03:33.560
<v Speaker 2>Okay? Are the Oscars? I wish you would have told

0:03:33.600 --> 0:03:36.080
<v Speaker 2>me earlier, I could have done all this for the show.

0:03:36.480 --> 0:03:39.360
<v Speaker 1>Turns out the Oscar Awards for non acting jobs are

0:03:39.640 --> 0:03:41.280
<v Speaker 1>gender neutral, and our.

0:03:42.280 --> 0:03:44.760
<v Speaker 3>Best director is just best director.

0:03:44.840 --> 0:03:48.080
<v Speaker 2>There's always been that way. I feel well. I think

0:03:48.600 --> 0:03:49.520
<v Speaker 2>this is a good point.

0:03:51.600 --> 0:03:55.680
<v Speaker 1>Whoever wants to be celebrated for their work should be

0:03:55.760 --> 0:03:58.640
<v Speaker 1>able to submit based on how they identify themselves. Right, So,

0:03:58.680 --> 0:04:01.960
<v Speaker 1>I think you'll see this this conversation more and.

0:04:01.920 --> 0:04:04.280
<v Speaker 3>More continue to develop. And yeah, and.

0:04:04.200 --> 0:04:07.840
<v Speaker 1>Some development in it too. Speaking of award shows, this

0:04:07.920 --> 0:04:11.040
<v Speaker 1>guy has bit at them all. I've talked to him

0:04:11.080 --> 0:04:15.760
<v Speaker 1>on the red carpet for several Jake Jollaho, were you

0:04:15.800 --> 0:04:17.200
<v Speaker 1>there when he won his Academy Award?

0:04:18.440 --> 0:04:19.320
<v Speaker 2>No, neither was.

0:04:19.320 --> 0:04:22.839
<v Speaker 1>I just seem like the right thing to ask, these

0:04:22.839 --> 0:04:24.280
<v Speaker 1>shows coming out of Hollywood here, right.

0:04:24.600 --> 0:04:25.680
<v Speaker 2>Were you there for it?

0:04:26.000 --> 0:04:27.640
<v Speaker 1>Yeah? I was there on the screen. I watched it,

0:04:28.760 --> 0:04:31.200
<v Speaker 1>watched it all right. He's coming on in a second.

0:04:31.200 --> 0:04:34.960
<v Speaker 1>Guy Ritchie's directed The Covenant in theaters. Now it's kiss