1 00:00:00,080 --> 00:00:03,120 Speaker 1: It's Taylor Swifton Avender Hayes on one or two point 2 00:00:03,160 --> 00:00:05,519 Speaker 1: seven Kiss FM, Los Angeles. 3 00:00:05,559 --> 00:00:07,360 Speaker 2: Thank you so much for having us on. It's Ryan 4 00:00:07,440 --> 00:00:08,240 Speaker 2: Seacrest with you. 5 00:00:08,360 --> 00:00:13,640 Speaker 1: It is Siciny and Tanya is a trending report before 6 00:00:13,640 --> 00:00:16,520 Speaker 1: we get into those Dodger tickets and then Jake Jillenhall 7 00:00:17,040 --> 00:00:18,400 Speaker 1: is going to join up. You know the thing about 8 00:00:18,440 --> 00:00:23,079 Speaker 1: Jake Jillenhall, He's in this new movie, The Covenant, and 9 00:00:23,880 --> 00:00:29,880 Speaker 1: I feel like he he only takes roles that he 10 00:00:30,040 --> 00:00:37,960 Speaker 1: has to physically, mentally and whatever's in between thrust himself. 11 00:00:37,560 --> 00:00:40,040 Speaker 2: Into submerged like submerge. 12 00:00:40,320 --> 00:00:43,919 Speaker 1: Yeah, it's like everything I feel like he's chosen is 13 00:00:44,040 --> 00:00:47,080 Speaker 1: so intense and rewarding to see back because you can 14 00:00:47,120 --> 00:00:50,920 Speaker 1: tell it's like, I mean, it's physically and mental. 15 00:00:51,200 --> 00:00:54,040 Speaker 2: It's not just acting. No, it totally is that. I 16 00:00:54,040 --> 00:01:00,680 Speaker 2: don't even know who Jake Jillenhall is. He has played 17 00:01:00,720 --> 00:01:02,000 Speaker 2: in these movies, right. 18 00:01:01,920 --> 00:01:04,840 Speaker 1: I know, because it's it's like you walk out of 19 00:01:04,880 --> 00:01:09,720 Speaker 1: a movie and you feel like that's right, we'll get 20 00:01:09,720 --> 00:01:12,840 Speaker 1: to him. He's coming, He's coming, He's coming. Jake Chillenhall 21 00:01:14,240 --> 00:01:17,319 Speaker 1: kind of a legend. M hmm, kind of a legend 22 00:01:17,360 --> 00:01:22,039 Speaker 1: Academy Award winner, A nice guy from everything I've heard 23 00:01:22,080 --> 00:01:25,600 Speaker 1: him on our show talk about all right, Tanya, tell 24 00:01:25,640 --> 00:01:27,759 Speaker 1: me you're grinning. Are you excited? 25 00:01:28,560 --> 00:01:32,119 Speaker 2: I am excited, That's all I did. Are you excited? 26 00:01:32,400 --> 00:01:35,720 Speaker 2: So I speak to Flora? Are you excited? My little niece? Okay, 27 00:01:35,720 --> 00:01:38,399 Speaker 2: tell me trening report. Let's get he's just speak to Georgia. Now, 28 00:01:38,440 --> 00:01:40,520 Speaker 2: you just speak to Flora the way I speak to 29 00:01:40,520 --> 00:01:43,080 Speaker 2: Georgia and Flora the same. Thank you. 30 00:01:43,200 --> 00:01:46,040 Speaker 1: Both are the youngsters in my life A little bit 31 00:01:46,760 --> 00:01:47,480 Speaker 1: little girls? 32 00:01:47,760 --> 00:01:49,160 Speaker 2: All right, let's go live. 33 00:01:49,240 --> 00:01:52,760 Speaker 3: Houston plays the teenage version of Van Palmer on the 34 00:01:52,800 --> 00:01:56,600 Speaker 3: popular show Yellow Jackets. It's on Showtime, and is currently 35 00:01:56,640 --> 00:02:00,960 Speaker 3: not planning to submit their performance for Emmy considering because 36 00:02:01,000 --> 00:02:04,400 Speaker 3: they are non binaries. So liv said, there's not a 37 00:02:04,440 --> 00:02:07,240 Speaker 3: place for me in the acting categories. It would be 38 00:02:07,360 --> 00:02:11,080 Speaker 3: inaccurate for me to submit myself as an actress. It 39 00:02:11,160 --> 00:02:13,240 Speaker 3: neither makes sense for me to be lumped in with 40 00:02:13,280 --> 00:02:16,200 Speaker 3: the boys. And so I do get it. Why do 41 00:02:16,240 --> 00:02:20,000 Speaker 3: we have a best actor and a Best actress? Why 42 00:02:20,040 --> 00:02:23,200 Speaker 3: isn't it just Best Actor and then double the amount 43 00:02:23,200 --> 00:02:25,600 Speaker 3: of nominees. But then I was thinking about it. And 44 00:02:25,600 --> 00:02:28,000 Speaker 3: then it would be half half of the people would 45 00:02:28,040 --> 00:02:29,560 Speaker 3: be winning, like just a winner. 46 00:02:29,880 --> 00:02:32,120 Speaker 2: Why don't we just create a non binary category? 47 00:02:33,120 --> 00:02:36,880 Speaker 3: So add on best on a category, best actress, best 48 00:02:36,919 --> 00:02:41,920 Speaker 3: non binary act Why not? That's not a bad idea. 49 00:02:42,040 --> 00:02:44,840 Speaker 1: I think this is something that all award shows are 50 00:02:44,840 --> 00:02:47,320 Speaker 1: probably talking about, and sure, what's the best way to 51 00:02:47,360 --> 00:02:47,919 Speaker 1: move forward? 52 00:02:47,919 --> 00:02:51,600 Speaker 2: Because it's a celebration of work. 53 00:02:51,720 --> 00:02:53,800 Speaker 1: I mean, no matter what format, right, no matter if 54 00:02:53,800 --> 00:02:56,640 Speaker 1: it's music or movies or TV, it's a celebration of work. 55 00:02:57,200 --> 00:03:00,240 Speaker 1: And in this case, if you don't identify with either, 56 00:03:01,040 --> 00:03:03,160 Speaker 1: do you not get celebrated for your work? 57 00:03:03,680 --> 00:03:05,840 Speaker 2: Or if you feel the way. 58 00:03:06,120 --> 00:03:10,240 Speaker 1: They do, you don't submit and so therefore you don't 59 00:03:10,240 --> 00:03:12,040 Speaker 1: get the celebration you would deserve. 60 00:03:12,040 --> 00:03:14,240 Speaker 2: But the work's still great, right right for to not submit. 61 00:03:14,440 --> 00:03:16,919 Speaker 2: So it's like they should just create a separate category 62 00:03:16,919 --> 00:03:17,280 Speaker 2: for people. 63 00:03:17,440 --> 00:03:19,360 Speaker 1: So I'm just coogling which awards semon is moving to 64 00:03:19,720 --> 00:03:23,960 Speaker 1: neutral acting categories. The Spirit Awards moved to gender neutral categories. 65 00:03:24,240 --> 00:03:26,359 Speaker 1: I follow in the footsteps of other award shows like the 66 00:03:26,400 --> 00:03:29,240 Speaker 1: goth Awards and MTV Movie and TV Awards. 67 00:03:29,639 --> 00:03:30,240 Speaker 2: Which did it? 68 00:03:30,680 --> 00:03:30,760 Speaker 1: So? 69 00:03:31,320 --> 00:03:33,560 Speaker 2: Okay? Are the Oscars? I wish you would have told 70 00:03:33,600 --> 00:03:36,080 Speaker 2: me earlier, I could have done all this for the show. 71 00:03:36,480 --> 00:03:39,360 Speaker 1: Turns out the Oscar Awards for non acting jobs are 72 00:03:39,640 --> 00:03:41,280 Speaker 1: gender neutral, and our. 73 00:03:42,280 --> 00:03:44,760 Speaker 3: Best director is just best director. 74 00:03:44,840 --> 00:03:48,080 Speaker 2: There's always been that way. I feel well. I think 75 00:03:48,600 --> 00:03:49,520 Speaker 2: this is a good point. 76 00:03:51,600 --> 00:03:55,680 Speaker 1: Whoever wants to be celebrated for their work should be 77 00:03:55,760 --> 00:03:58,640 Speaker 1: able to submit based on how they identify themselves. Right, So, 78 00:03:58,680 --> 00:04:01,960 Speaker 1: I think you'll see this this conversation more and. 79 00:04:01,920 --> 00:04:04,280 Speaker 3: More continue to develop. And yeah, and. 80 00:04:04,200 --> 00:04:07,840 Speaker 1: Some development in it too. Speaking of award shows, this 81 00:04:07,920 --> 00:04:11,040 Speaker 1: guy has bit at them all. I've talked to him 82 00:04:11,080 --> 00:04:15,760 Speaker 1: on the red carpet for several Jake Jollaho, were you 83 00:04:15,800 --> 00:04:17,200 Speaker 1: there when he won his Academy Award? 84 00:04:18,440 --> 00:04:19,320 Speaker 2: No, neither was. 85 00:04:19,320 --> 00:04:22,839 Speaker 1: I just seem like the right thing to ask, these 86 00:04:22,839 --> 00:04:24,280 Speaker 1: shows coming out of Hollywood here, right. 87 00:04:24,600 --> 00:04:25,680 Speaker 2: Were you there for it? 88 00:04:26,000 --> 00:04:27,640 Speaker 1: Yeah? I was there on the screen. I watched it, 89 00:04:28,760 --> 00:04:31,200 Speaker 1: watched it all right. He's coming on in a second. 90 00:04:31,200 --> 00:04:34,960 Speaker 1: Guy Ritchie's directed The Covenant in theaters. Now it's kiss