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Speaker 1: The volume. You ever notice how everything keeps going up?

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Speaker 1: have to play the will it go up soon?

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Speaker 2: Game?

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Speaker 1: Why because boost Mobile has unlimited talk, text data plan

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Speaker 1: and a price that will never go up.

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Speaker 2: In fact, it's the same price you'll pay for life.

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Speaker 3: So switch now for unlimited wireless at a price that

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Speaker 3: will never go up at boost Mobile.

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Speaker 1: After thirty gigabytes, customers may experience slower speeds. Customers will

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Speaker 1: pay twenty five dollars a month as long as it

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Speaker 1: remain active on a boost Mobile or limited plan. All right, man,

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Speaker 1: we back another episode of Club five to twenty podcasts.

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Speaker 1: I'm your host, miight, Miss DJ Wills, brought to you

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Speaker 1: by boost Mobile. You know the vibes gets you that

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Speaker 1: new IFO seventeen they'll put up to your crib and

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Speaker 1: hid the rest shot out to hard Rock back official

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Speaker 1: sponsor up Club five to twenty and five to twenty

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Speaker 1: in the morning. Be here the lays man made the

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Speaker 1: holidays with some people were broken. Man, We're gonna see

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Speaker 1: how these household shape up after the first year.

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Speaker 3: Man, hopefully y'all got to it in one able to

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Speaker 3: get your kids and some gifts. Man.

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Speaker 2: Yeah, but if they didn't have them kids, Christmas going.

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Speaker 3: Man, that's over with.

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Speaker 2: The real grilling for sure. Man, one more time for

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Speaker 2: the good people up in stock x.

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Speaker 3: Man.

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Speaker 1: Shout out to the family keeping the sitting nicely and

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Speaker 1: keeping us lace and last but certain at least, man,

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Speaker 1: shout out to the good people at chim Man making

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Speaker 1: money moves. For sure. We got to guess in the building.

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Speaker 1: But as usually, going to introduce him laught. To my

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Speaker 1: far left, we got my dog Bishop be hearing out

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Speaker 1: the prailees.

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Speaker 3: How you what nasty cool? And let's get to it. Man,

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Speaker 3: got no hometown here roll in the building.

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Speaker 2: Come on, man, it's our music guy right here. Man,

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Speaker 2: so we're gonna see what's going on. For sure.

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Speaker 1: To my right, we got my dog young not your

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Speaker 1: young tig. How you what chilling man like you said,

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Speaker 1: hometown hero in the building is about to be lit.

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Speaker 1: Come on, man, my nephew flashing back movies and stuff.

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Speaker 1: I said, okay, I remember you from can.

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Speaker 2: You for shure? Man?

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Speaker 1: Listen, man, we got a Naptown legend in the building,

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Speaker 1: big getting to it since he was a young gin man.

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Speaker 2: You see him on the screen.

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Speaker 1: You get here to music all the above, man, the superstar,

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Speaker 1: mister Trevor Jackson, big God.

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Speaker 3: Be here.

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Speaker 2: Man. I want to just say too on camera and

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Speaker 2: just to y'all. I'm probably y'all too. Man. This is

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Speaker 2: amazing what you guys have built and everybody knows the

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Speaker 2: show and just congratulations for doing some amazing repping the

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Speaker 2: city right love man for sure on some nap Town ship. Man.

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Speaker 2: What's town you're from? Man? Where'd you go to high

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Speaker 2: school at? So? I left before high school, but my

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Speaker 2: brother went to Pari Meridian. I went to Abraham Lincoln Elementary.

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Speaker 2: But like when I was like eight or nine, that's

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Speaker 2: when I started like moving around and touring and working

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Speaker 2: and stuff. But my family's from Marion, and then I

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Speaker 2: got family.

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Speaker 3: In like Greenwood area, Okay, a little bit all over

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Speaker 3: the city.

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Speaker 2: Yeah, exactly exactly. What's that like to start working at

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Speaker 2: a young age like that. You know what, I'm super

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Speaker 2: thankful for at the time, not putting too much weight

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Speaker 2: on it. I was just doing what I had fun doing,

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Speaker 2: you know. I wasn't like like, man, I got to

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Speaker 2: do this because I got to. I was just like, yo,

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Speaker 2: this is fun to do, right, And it just so

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Speaker 2: happens that transforms like you you know what you want

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Speaker 2: to do, but then as you get older, you learn

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Speaker 2: why you want to do it, and so yeah, man,

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Speaker 2: it's it was dope in that young and I just

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Speaker 2: I went through the training process that I feel like

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Speaker 2: people go to school years and years to get because

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Speaker 2: I was working with so many talented people, you know,

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Speaker 2: people that came from Alvin Ali or came from the

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Speaker 2: best music school or whatever. And I was just, you know,

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Speaker 2: always around greatness. So yeah, it was it was an

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Speaker 2: honor for sure.

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Speaker 1: Now we ain't gonna get too far into it, but

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Speaker 1: you know, see I joking this podcast. You know what

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Speaker 1: I'm saying. As a kid, you know what I'm saying,

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Speaker 1: he was making that chicken. Now these two just man

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Speaker 1: go back and forth. That's at that point. If I'm

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Speaker 1: the kid making the chicken, this is my house.

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Speaker 3: Oh y'all go you go pull that. But yeah, no,

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Speaker 3: what's the question.

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Speaker 1: How's that conversation I'm saying, shout out to the family.

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Speaker 1: You know what I'm saying the rent holder. Dad is like,

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Speaker 1: all right, now I'm making the bread. Now, yeah here

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Speaker 1: say you know what I'm saying. If I make the bread,

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Speaker 1: this is my house.

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Speaker 2: Yeah, I think it's a village man. For me, I'd

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Speaker 2: be nothing without my mom, my brother, my family, my

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Speaker 2: support system. And nothing really feels good if you can't

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Speaker 2: share it, you know what I'm saying. I always think

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Speaker 2: about even this is how I knew a type of

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Speaker 2: person I was. Anytime I have anything that's like delicious,

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Speaker 2: like food, water, I want to share, I'm like, yo,

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Speaker 2: you gotta try, right. And that's the same with money,

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Speaker 2: or that's the same with you know, anything in life.

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Speaker 2: I want to share good things and watch people that

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Speaker 2: I love enjoy those things. So is it my house? Sure,

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Speaker 2: but it's our house, you know, it's a house that

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Speaker 2: we helped build. And I'm never that person. I've never

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Speaker 2: been that person. I could never be, you know. But

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Speaker 2: there are you know, guidelines and boundaries that I think

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Speaker 2: as long as people respect each other.

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Speaker 3: But if you wanted to have a party and I

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Speaker 3: was like, no, no.

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Speaker 2: No, it's my pum thrown the party. How old am

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Speaker 2: I hold? Am I thirteen? No? No? No, no, no,

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Speaker 2: I don't think a kid is a kid, even if

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Speaker 2: he's making all the money. A kid is a kid.

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Speaker 2: I don't think a kid should make any grown person decisions.

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Speaker 3: Right, I love that.

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Speaker 2: Seventeen Yeah, seventeen. I'd rather eighteen, But seventeen I think

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Speaker 2: I would fight for it. But if my dad was like, no,

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Speaker 2: I guess you know what I'm saying. Perspect whatever, Dad

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Speaker 2: will make the money so I can die.

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Speaker 3: No, you take the trick, Steve to go over here again. U.

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Speaker 2: But it's like growing up? What's that like? You know,

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Speaker 2: have to go to school work, but you like on TV? Yeah,

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Speaker 2: it was to do chores on TV. I hated it, dude, school,

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Speaker 2: And I don't think it was because I was on TV.

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Speaker 2: I just I don't think I was built for the

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Speaker 2: school system, you know what I'm saying. I think a

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Speaker 2: lot of people weren't built for the school system. And

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Speaker 2: it's a thing that builds employees and not bosses and entrepreneurs,

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Speaker 2: and we all know the world is a lot of it.

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Speaker 2: It's been a lie, right, especially in the school system.

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Speaker 2: So I hated it because I just felt like I

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Speaker 2: was being forced to do things that I didn't love.

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Speaker 2: I was being forced to do things that didn't pique

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Speaker 2: my interest. And I knew I could do the things

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Speaker 2: they were asking me, you know. So like if a

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Speaker 2: teacher comes like, hey, give me six essays, I'm like,

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Speaker 2: I'll give you one essay and it's gonna be a

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Speaker 2: fire essay. But I'm not going to give you six

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Speaker 2: of them, because you know, I don't know. I hated school,

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Speaker 2: though I guess it sounded like that you didn't like school.

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Speaker 2: I hated it. Bro, if you could tell your professor

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Speaker 2: I hate I got one.

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Speaker 3: I got one tuble for it.

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Speaker 2: But I'm not gonna say it. I mean, I'd rather

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Speaker 2: draw a picture or something. You know what I'm saying.

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Speaker 3: What age did you know you wanted to become like

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Speaker 3: in this entertainment world?

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Speaker 2: I was like eight. I knew for I knew it

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Speaker 2: was what I was meant to do when I was eight,

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Speaker 2: because I was doing The Lion King the Broadway show,

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Speaker 2: and I remember I was I was looking at the

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Speaker 2: front row and everybody was just smiles right, and I

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Speaker 2: was left their fake smiles or real smiles. But while

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Speaker 2: I was on stage, people were enjoying life, you know

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Speaker 2: what I'm saying. And I just wanted to do that.

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Speaker 2: I want to bring that also now that I'm older,

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Speaker 2: I want to bring perseverance into that. I feel like

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Speaker 2: when you're young, you're like, oh, this is gonna happen.

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Speaker 2: It is going to happen. But once you go through

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Speaker 2: the real life stuff, it's the gas in the tank

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Speaker 2: gets low. And there's a lot of people that have

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Speaker 2: helped me through that. There's a lot of movies that

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Speaker 2: have helped me through that. So I want to create

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Speaker 2: projects and things like that too. You know, when people

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Speaker 2: are at that finish line about to give up, a man,

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Speaker 2: keep going, amen, keep on one more step. And that's

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Speaker 2: kind of the what I want to be remembered, you know,

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Speaker 2: as and what I want to represent because so many people.

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Speaker 2: Bro my grandfather died last Oh no, it was this year.

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Speaker 2: My grandfather died this year. But around the same time,

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Speaker 2: the Superman movie came out, and I was like down

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Speaker 2: and I was sad, but I went to see it.

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Speaker 2: I was like, I gotta keep going. You know what

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Speaker 2: I'm saying. I couldn't break down, you know. But so

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Speaker 2: things like that, I want to be a part of.

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Speaker 2: Sorry things, appreciate that.

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Speaker 1: I appreciate that what's that like on stage eight years

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Speaker 1: old and like you really getting your shit off, but

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Speaker 1: like like you really like what's that moment? Like because

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Speaker 1: you young, but did you realize that moment? Was that crazy?

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Speaker 1: Or did you have to get older? Realized how to

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Speaker 1: get older? I had to get older.

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Speaker 2: That's a big deal. Yeah, yeah, it was huge And

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Speaker 2: at that time I think too. That's why I feel

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Speaker 2: like I've been able to do what I've done because

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Speaker 2: I don't. I try not to put too much pressure

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Speaker 2: on the moment.

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Speaker 3: Yeah.

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Speaker 2: Whenever I do that, I like try to zoom out

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Speaker 2: and I remember the feelings when I'm on a plane,

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Speaker 2: or I remember those images you've seen on Instagram, like

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Speaker 2: this is the universe you pull up, this is the yox.

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Speaker 2: You know, it's like yo, you know, we can create

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Speaker 2: how we feel about something because you know, we don't

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Speaker 2: really know much. So it's like I don't know, man,

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Speaker 2: did you have like Homeboys or anything like that? Like

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Speaker 2: I had. Yeah, so people that were in it as well,

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Speaker 2: so like Lion King because it was tild labor laws

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Speaker 2: you had to have two similar was two dollars, So

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Speaker 2: there was girls and boys. We were young and so

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Speaker 2: we'd be you know doing school. So it'll be like

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Speaker 2: the first from eleven to four, we had school, have

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Speaker 2: an hour break, then you have the show. You work

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Speaker 2: the first hour of the show, you're on stage the

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Speaker 2: whole hour, and then the second hour you're sitting backstage

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Speaker 2: doing more school work. Then you probably get out of

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Speaker 2: the theater around eleven PM. You're on a high from

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Speaker 2: the show. Yeah, do that eight times a week. Hell,

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Speaker 2: I did that for three years. Cool.

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Speaker 3: Yeah, you did that for three years.

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Speaker 2: I did that for three and a half years, from

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Speaker 2: eight years old to eleven.

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Speaker 3: Yeah, it was meant to do this ship.

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Speaker 2: Yeah working Yeah, real job, no, real job. Yeah, I'm cool. Yeah, eight,

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Speaker 2: I was watching Progress listen New York. Now, this was

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Speaker 2: a tour, so it's the same Broadway shows everywhere. So

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Speaker 2: it's like I did two years on the East Coast

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Speaker 2: on the two, then I did a year on the

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Speaker 2: West Coast. No, bro, I think anything anybody wants to do,

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Speaker 2: they can do. You know what I'm saying.

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Speaker 1: Eight the moment they told me out there, I could.

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Speaker 3: But you you really don't know. For real, I knew

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Speaker 3: and it was lit. My dad used to make us

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Speaker 3: play basket the whole time. Yeah, I want to go

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Speaker 3: all that flight over there. You played basketball at the

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Speaker 3: same park. He dinna take you to Chicago, l A.

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Speaker 3: You don't know the difference. Different city they get the

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Speaker 3: weather's different.

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Speaker 2: You don't know.

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Speaker 3: Outside by the time he was seeing it was probably groovy.

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Speaker 3: We talk about him like.

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Speaker 2: We talk about toys. That's one thing I can be

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Speaker 2: super thankful for my mom. She always made sure I

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Speaker 2: was a kid too, you know, allowed me to I

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Speaker 2: was a skateboarder, I was heavy skateboarding. I played ball too,

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Speaker 2: But those are like my two things. And uh, at

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Speaker 2: one point she kind of was like because I started

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Speaker 2: getting more and more into skating and people were like,

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Speaker 2: hey man, these kids like can skateboard, Like what should

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Speaker 2: we do? And she kind of like saving. I was like,

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Speaker 2: you have to make a choice now, because I want

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Speaker 2: you to do what you really want. You want to skate,

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Speaker 2: you want to, you know, do the other thing. And

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Speaker 2: I'll say, I want to do the other thing. But

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Speaker 2: I love skating, you know, I mean mom, Yeah, she's

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Speaker 2: a great mom. Shout out, how did you balance?

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Speaker 3: Like I know you said your mom lets you be

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Speaker 3: a kid, but I'm sure when you got older it

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Speaker 3: got hard. A few to do, like, how did you

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Speaker 3: maintain your outside life and your entertainment.

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Speaker 2: There's no rule book on that, you know, kind of

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Speaker 2: trial and error, trialing area you feel me. But again,

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Speaker 2: I I always stay true to I think what I

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Speaker 2: wanted to do. I never felt enclosed or trapped by anything,

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Speaker 2: and I think living that way promotes happiness and promotes

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Speaker 2: peace and kind of you know, you're you're just in

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Speaker 2: a better space. But I feel like people who feel

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Speaker 2: like they're in a cage, whether it's their job or

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Speaker 2: whether it's oh I got to wear this or I

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Speaker 2: gotta do that, just people conform, you know what I'm

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Speaker 2: saying all the time, because they just want to like

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Speaker 2: you know, but I've never been able to do that,

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Speaker 2: and I think that's been a big impact on my work,

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Speaker 2: you know what I mean? Cool?

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Speaker 3: Cool?

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Speaker 2: Cool?

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Speaker 3: When did you start fucking with them? Girls?

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Speaker 2: Boy? Uh?

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Speaker 3: I want the real I'm trying to think.

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Speaker 2: I'm like, man five five.

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Speaker 3: So lit, I'm like, shit, how do you know how

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Speaker 3: to pick them?

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Speaker 2: Hey?

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Speaker 1: Man?

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Speaker 2: It's hall alright. I think especially in entertainment, in any

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Speaker 2: in any form, you know, whether it's sports or acting

284
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Speaker 2: or music, and especially the time that we are living

285
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Speaker 2: in is a lot of people are just uh, hypocrites

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Speaker 2: in the biggest sense of the words. Like the girl

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Speaker 2: that says she doesn't want the guys, the same girl

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Speaker 2: that's listening to the music that promotes and creates guys

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Speaker 2: like that. You know what I'm saying. It's like we

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Speaker 2: kind of live in a.

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Speaker 3: You know what I'm saying. That's right there. Yeah, but

292
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Speaker 3: he always don't have accountability, so that kind.

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Speaker 2: Of flows women on accountable. J That's the thing we

294
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Speaker 2: got to go to show. He does it. He loves it.

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Speaker 2: He always he always says that is lyrics. Yeah, you

296
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Speaker 2: gotta cheak because you can sing tu.

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Speaker 3: Yeah.

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Speaker 2: He was probably wild, and man, I respect it.

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Speaker 3: It's funny though.

300
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Speaker 2: You know, we all have that time where you wasn't

301
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Speaker 2: you know, it wasn't working. I feel like from like

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Speaker 2: age twelve to like sixteen, I was, you know, come on,

303
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Speaker 2: pick me. You know what I mean here, Like if

304
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Speaker 2: I do it, run, you know what I'm saying, real quickly,

305
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Speaker 2: you won't get no hold.

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Speaker 4: To a four years respect I mean, g for the

307
00:12:29,480 --> 00:12:35,160
Speaker 4: cameras I'm talking about this, no, but you know what

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Speaker 4: I mean, Like the one you wanted maybe.

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Speaker 2: Girl, but you know, the one I wanted, the one. Yeah,

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Speaker 2: every girl like I got that's four yea.

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Speaker 3: You you you hearm At that point you started that

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Speaker 3: hey you know, take you eight years.

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Speaker 2: And it went from it went from okay, let's put

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Speaker 2: it this way.

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Speaker 1: It went from here you get done.

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Speaker 2: It was alright to get the girl I wanted to

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Speaker 2: me not having to try. Maybe that's it's like I'd

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Speaker 2: be like, oh, I really want that, and yo. It

319
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Speaker 2: was more maybe performative or maybe I tried harder. And

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Speaker 2: then something turned where it was like, you know, to

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Speaker 2: do much. I just like, hey, how's it going? And

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Speaker 2: that's that's it? Damn my boy, my boy like that, yeah,

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Speaker 2: get the yes. Before I still had to be like,

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Speaker 2: come on, come on, come on.

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Speaker 1: That super flow, ain't you ain't got to say that.

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Speaker 3: I walk.

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Speaker 2: I don't know what you tell me.

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Speaker 1: Here, man, you have a roll a lot different things,

329
00:13:53,640 --> 00:13:56,360
Speaker 1: but Superfly. How was it like being the main man

330
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Speaker 1: in the movie? That movie?

331
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Speaker 2: That was an honor? Dude. I was twenty years old

332
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Speaker 2: and I did that. I was a baby, you know,

333
00:14:01,000 --> 00:14:03,760
Speaker 2: so it was really a dream come true. I grew

334
00:14:03,800 --> 00:14:06,240
Speaker 2: up watching The Matrix, I grew up watching Blade, so

335
00:14:06,559 --> 00:14:08,760
Speaker 2: wearing a long leather jacket and whipping ass was a

336
00:14:08,840 --> 00:14:11,640
Speaker 2: dream of mine that came true working on that project

337
00:14:11,920 --> 00:14:13,720
Speaker 2: and my dad. I remember when I was like seven

338
00:14:13,840 --> 00:14:15,520
Speaker 2: or eight years old, he made me watch that movie,

339
00:14:15,520 --> 00:14:17,680
Speaker 2: the Old One. Yeah. I was like, why is he

340
00:14:17,720 --> 00:14:20,160
Speaker 2: so excited for me to watch this? But I just

341
00:14:20,200 --> 00:14:22,800
Speaker 2: saw a lot of joy in his face and happiness

342
00:14:22,840 --> 00:14:24,720
Speaker 2: and it meant something to him. Even at that age,

343
00:14:24,760 --> 00:14:26,920
Speaker 2: I didn't know what it meant. So when I was auditioning,

344
00:14:27,080 --> 00:14:29,280
Speaker 2: they actually didn't want me to play the lead. They

345
00:14:29,280 --> 00:14:31,320
Speaker 2: want me to play the bad guy, the leader of

346
00:14:31,320 --> 00:14:33,160
Speaker 2: snow Patrol. And it was like one of the first

347
00:14:33,160 --> 00:14:34,560
Speaker 2: times I went into an audition. I was like, I

348
00:14:34,600 --> 00:14:37,440
Speaker 2: don't want to do this. I want to be the dude.

349
00:14:37,560 --> 00:14:39,680
Speaker 2: And they were like, well, well, you know, maybe here's

350
00:14:39,720 --> 00:14:41,240
Speaker 2: the sides and go and you can come back and read.

351
00:14:41,280 --> 00:14:44,480
Speaker 2: And that's kind of how that went down. Yeah, dude,

352
00:14:44,520 --> 00:14:45,480
Speaker 2: that was a dream come true.

353
00:14:45,520 --> 00:14:48,000
Speaker 1: Honestly, that's fire for popston On to be tacking with

354
00:14:48,040 --> 00:14:48,520
Speaker 1: the originals.

355
00:14:48,560 --> 00:14:49,880
Speaker 2: How did you tell him that you got the row?

356
00:14:50,240 --> 00:14:50,800
Speaker 3: I called him.

357
00:14:50,840 --> 00:14:53,200
Speaker 2: But then when we were at the premiere, me and

358
00:14:53,280 --> 00:14:55,840
Speaker 2: him had an awesome moment where we were watching it

359
00:14:55,880 --> 00:14:57,720
Speaker 2: and It was probably like my first time really watching,

360
00:14:57,720 --> 00:14:59,080
Speaker 2: you know, because when you do something you really want

361
00:14:59,080 --> 00:15:01,040
Speaker 2: to look at it. You like, you know, done all

362
00:15:01,080 --> 00:15:03,120
Speaker 2: these premiere screenings, I don't want to see it. But

363
00:15:03,160 --> 00:15:04,720
Speaker 2: for some reason, my dad was there. We built for

364
00:15:04,760 --> 00:15:06,240
Speaker 2: watching and then we looked at each other and we

365
00:15:06,360 --> 00:15:08,760
Speaker 2: laughed like twenty minutes, like throughout the whole thing, just

366
00:15:08,800 --> 00:15:11,520
Speaker 2: because we could not believe what was happening. It's like, Yo,

367
00:15:11,560 --> 00:15:14,000
Speaker 2: he's just like what, I'm like what, It's crazy, right,

368
00:15:14,640 --> 00:15:17,320
Speaker 2: there's a special moment for sure. Hell of a movie man.

369
00:15:17,960 --> 00:15:21,560
Speaker 1: He was a pimp at New Karate say, some people

370
00:15:21,560 --> 00:15:23,560
Speaker 1: are method actors. How did you get in that bad?

371
00:15:23,720 --> 00:15:24,480
Speaker 3: I've already done much.

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00:15:24,480 --> 00:15:26,000
Speaker 2: I've done much WUSS for a long time since I

373
00:15:26,120 --> 00:15:28,720
Speaker 2: was like yeah ten, So that part wasn't the more

374
00:15:28,720 --> 00:15:32,080
Speaker 2: difficult part. But I think, just yeah, just trying to

375
00:15:32,160 --> 00:15:34,600
Speaker 2: find a new person, a new character. It's funny because

376
00:15:34,600 --> 00:15:36,600
Speaker 2: a lot of people who met me after that were like, oh,

377
00:15:36,640 --> 00:15:39,360
Speaker 2: you don't talk like that, or I'm like, no, guys,

378
00:15:39,640 --> 00:15:40,280
Speaker 2: don't talk like.

379
00:15:40,240 --> 00:15:40,680
Speaker 3: That at all.

380
00:15:40,720 --> 00:15:45,120
Speaker 2: It's a character I was playing somebody else, or you know,

381
00:15:45,320 --> 00:15:47,440
Speaker 2: I have people really try and make plays with me. Also,

382
00:15:47,520 --> 00:15:50,040
Speaker 2: after seeing it. I'm like, guys, I don't this isn't

383
00:15:50,320 --> 00:15:51,120
Speaker 2: semi profession.

384
00:15:51,120 --> 00:15:51,760
Speaker 3: I don't know.

385
00:15:53,800 --> 00:15:54,640
Speaker 1: I was.

386
00:15:55,000 --> 00:15:56,760
Speaker 3: I was at the bowling all and the due walked.

387
00:15:56,680 --> 00:15:58,040
Speaker 2: Up in front. He's like, Yo, you should see what

388
00:15:58,040 --> 00:15:59,240
Speaker 2: I got in the trunk. And that's some stuff.

389
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Speaker 3: I said, Buddy, I'm trying to ball man.

390
00:16:01,880 --> 00:16:06,360
Speaker 4: Thank you, though, appreciate the luckless God bless.

391
00:16:07,920 --> 00:16:08,600
Speaker 3: Don't talk like.

392
00:16:13,680 --> 00:16:17,920
Speaker 1: You ain't got the where is We usually have a

393
00:16:17,920 --> 00:16:20,240
Speaker 1: bar tender on our show. She would drop all the

394
00:16:20,240 --> 00:16:23,280
Speaker 1: way to Mexico, so that's probably for sure.

395
00:16:24,880 --> 00:16:25,760
Speaker 2: She would have been great in that.

396
00:16:25,680 --> 00:16:30,200
Speaker 3: Movie for sure. Runner shout out the bar.

397
00:16:30,640 --> 00:16:33,680
Speaker 1: But that is hilarious though, because we all not judge people.

398
00:16:33,680 --> 00:16:36,600
Speaker 1: We all assume people are there. It's certain people ain't

399
00:16:36,600 --> 00:16:37,720
Speaker 1: no matter what they do, they're gonna be that.

400
00:16:38,200 --> 00:16:41,320
Speaker 3: Exactly from how they did Tyreek the Luttle Chris Game.

401
00:16:41,560 --> 00:16:44,040
Speaker 3: I felt bad for Buddy. I said, No, TV is real,

402
00:16:45,200 --> 00:16:48,200
Speaker 3: really be locked into that ship like guys to drive.

403
00:16:48,640 --> 00:16:50,320
Speaker 3: Is that the only time that you've ever been approached

404
00:16:50,360 --> 00:16:51,320
Speaker 3: like that about the road?

405
00:16:51,960 --> 00:16:52,000
Speaker 1: No?

406
00:16:52,120 --> 00:16:53,680
Speaker 2: I cant approached about a lot of stuff when I

407
00:16:53,760 --> 00:16:55,440
Speaker 2: was doing Brownish. Why you do something like that? I

408
00:16:55,520 --> 00:16:56,960
Speaker 2: get that all the time, My guys, it was in

409
00:16:57,000 --> 00:17:01,160
Speaker 2: the script. Did my job If I was creating Grown,

410
00:17:01,400 --> 00:17:04,320
Speaker 2: I've been making a lot more money now. They got

411
00:17:04,400 --> 00:17:06,600
Speaker 2: to be a good feeling though you did your jeft

412
00:17:06,640 --> 00:17:08,760
Speaker 2: So what people were like? Bolled in, like, yeah, yeah,

413
00:17:08,840 --> 00:17:12,800
Speaker 2: I'm super thankful man. I love fan interactions. I was

414
00:17:12,840 --> 00:17:14,520
Speaker 2: a fan first before I was an artist. I am

415
00:17:14,600 --> 00:17:17,359
Speaker 2: obsessed with movies, I'm obsessed with TV shows, I'm obsessed

416
00:17:17,400 --> 00:17:20,000
Speaker 2: with artists, so I really understand what it's like to

417
00:17:20,040 --> 00:17:21,399
Speaker 2: be on the other side. So whenever I meet a

418
00:17:21,480 --> 00:17:23,040
Speaker 2: fan or a person, I always trying to give them

419
00:17:23,080 --> 00:17:25,480
Speaker 2: all my attention, all my love because I know how

420
00:17:25,520 --> 00:17:28,000
Speaker 2: impacted I was when I was meeting somebody that I

421
00:17:28,200 --> 00:17:29,679
Speaker 2: looked up to. You know what I'm saying, you can

422
00:17:29,720 --> 00:17:32,000
Speaker 2: really change the course of somebody's life with one word,

423
00:17:32,119 --> 00:17:34,520
Speaker 2: with one high, with one hug. So when I see

424
00:17:34,560 --> 00:17:36,800
Speaker 2: these artists and people out here being rude and I

425
00:17:36,920 --> 00:17:38,800
Speaker 2: can't stand it, that's like you didn't ask me. But

426
00:17:38,920 --> 00:17:42,240
Speaker 2: that's when I'm just like, why, bro, why put the

427
00:17:42,280 --> 00:17:43,760
Speaker 2: cape on if you don't want to be Superman? Like,

428
00:17:43,840 --> 00:17:44,600
Speaker 2: it don't makes sense.

429
00:17:45,640 --> 00:17:46,040
Speaker 3: I like that.

430
00:17:46,080 --> 00:17:47,520
Speaker 1: I want to ask you this, did you catch off

431
00:17:47,560 --> 00:17:49,640
Speaker 1: FLA or any flag for being a burden, saying, oh yeah,

432
00:17:49,640 --> 00:17:50,200
Speaker 1: a bunch of flag.

433
00:17:50,280 --> 00:17:53,200
Speaker 2: Yeah. But that movie came out, the Greek community was

434
00:17:53,280 --> 00:17:55,080
Speaker 2: very upset about it. Yeah, they were very mad. Here's

435
00:17:55,119 --> 00:17:56,760
Speaker 2: how I look at that though. If I were to

436
00:17:56,800 --> 00:17:59,640
Speaker 2: make a movie about a basketball player who did steroids,

437
00:18:00,000 --> 00:18:02,760
Speaker 2: doesn't mean every basketball player does steroids, but this particular

438
00:18:02,840 --> 00:18:05,520
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439
00:18:06,480 --> 00:18:08,400
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440
00:18:08,760 --> 00:18:11,080
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441
00:18:11,840 --> 00:18:14,879
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442
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463
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464
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465
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466
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467
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470
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471
00:19:31,440 --> 00:19:33,280
Speaker 3: What was one of the hardest roles you can played?

472
00:19:33,920 --> 00:19:36,080
Speaker 2: Bernie says, I think was one of the hardest ones.

473
00:19:36,080 --> 00:19:38,600
Speaker 2: I think that's the deepest I've gone into something, you know,

474
00:19:39,280 --> 00:19:40,320
Speaker 2: where I didn't really feel like me.

475
00:19:42,200 --> 00:19:42,359
Speaker 3: You know.

476
00:19:42,840 --> 00:19:45,199
Speaker 2: It was just a process that I tried to make

477
00:19:45,280 --> 00:19:47,159
Speaker 2: even harder than it already was. I just tried to

478
00:19:47,800 --> 00:19:49,520
Speaker 2: not get sleep. I just tried to you know, put

479
00:19:49,560 --> 00:19:52,760
Speaker 2: myself in there in that space. So that was difficult.

480
00:19:53,800 --> 00:19:57,000
Speaker 2: And then also I did a Broadway New York City Center.

481
00:19:57,080 --> 00:19:58,960
Speaker 2: On Broadway, they have this like weak thing where they

482
00:19:59,000 --> 00:20:01,119
Speaker 2: bring back super old player and they bring it back

483
00:20:01,119 --> 00:20:02,480
Speaker 2: to Broadway for like maybe a week. And I did

484
00:20:02,520 --> 00:20:03,680
Speaker 2: the Tap Dance Kid, and that was one of the

485
00:20:03,680 --> 00:20:07,760
Speaker 2: hardest things I've ever done. Yeah, man, tapping for two hours,

486
00:20:07,880 --> 00:20:10,520
Speaker 2: learning eleven different songs. It was it was insane. Damn

487
00:20:10,840 --> 00:20:12,840
Speaker 2: yeah that's crazy. Ye yeah, it was nuts. It was nuts.

488
00:20:13,080 --> 00:20:14,760
Speaker 1: How do you like get out of that character? How

489
00:20:14,760 --> 00:20:15,960
Speaker 1: long does it take you to get out of that?

490
00:20:16,080 --> 00:20:17,960
Speaker 1: Like mo We talked to a couple of other actors

491
00:20:17,960 --> 00:20:20,440
Speaker 1: and they was like, man, it took me three months.

492
00:20:20,480 --> 00:20:22,320
Speaker 3: Again, I'm sure I couldn't get out of Yeah.

493
00:20:22,359 --> 00:20:25,639
Speaker 1: Yeah, still there, Bron good enough shout the Columbia we

494
00:20:25,680 --> 00:20:27,120
Speaker 1: talk We talked to Colombo.

495
00:20:31,119 --> 00:20:39,560
Speaker 2: Like y'all had that for how long?

496
00:20:39,680 --> 00:20:41,240
Speaker 3: How long do we you said?

497
00:20:41,720 --> 00:20:45,520
Speaker 2: Come out. I think me ship.

498
00:20:51,680 --> 00:20:54,840
Speaker 3: Me, dude, I'm just trying to think.

499
00:20:55,080 --> 00:20:58,639
Speaker 2: Maybe burning SAMs was maybe a week or so. But

500
00:20:58,760 --> 00:21:00,720
Speaker 2: also I don't I don't give too And I also

501
00:21:00,760 --> 00:21:02,720
Speaker 2: haven't had a role where I've had to go that crazy.

502
00:21:02,760 --> 00:21:04,680
Speaker 2: You know what I'm saying. I like when people change

503
00:21:04,680 --> 00:21:06,320
Speaker 2: the voice. I like when people change the walk. I

504
00:21:06,400 --> 00:21:08,399
Speaker 2: haven't had to do that yet. I would like to

505
00:21:08,600 --> 00:21:12,280
Speaker 2: for a project. So who knows if I go that

506
00:21:12,320 --> 00:21:13,639
Speaker 2: deep into a role how long it would take. But

507
00:21:13,760 --> 00:21:15,840
Speaker 2: so far it hasn't been too crazy for me. What's

508
00:21:15,880 --> 00:21:17,720
Speaker 2: the road that you wanted or almost had that you

509
00:21:17,760 --> 00:21:19,399
Speaker 2: didn't get with? What's the road that you didn't you

510
00:21:19,560 --> 00:21:24,400
Speaker 2: was nothing on? It'll being cool? Sorry seven more time?

511
00:21:24,480 --> 00:21:27,160
Speaker 2: What's one road you passed on? Okay? That being something?

512
00:21:27,200 --> 00:21:28,359
Speaker 2: What's wrong with that? You were like, dang, I was

513
00:21:28,400 --> 00:21:29,879
Speaker 2: trying to get it didn't work out, but it'd being

514
00:21:29,920 --> 00:21:33,600
Speaker 2: something crazy, bro, pretty much everything you've seen with a

515
00:21:33,680 --> 00:21:38,000
Speaker 2: black guy my age. I probably you know what I'm saying. Snowfall,

516
00:21:38,040 --> 00:21:41,080
Speaker 2: Remember I just for like eight times I got casted

517
00:21:41,160 --> 00:21:46,120
Speaker 2: by Sorry, I'm spacing Snowfall. Which role was you going

518
00:21:46,160 --> 00:21:51,000
Speaker 2: in for Snowfall? The main dude? Yeah, John Singleton casted

519
00:21:51,080 --> 00:21:53,159
Speaker 2: me and then he took the Castidy cast it to

520
00:21:53,240 --> 00:21:55,960
Speaker 2: Network and they were like, recast the whole thing in

521
00:21:56,040 --> 00:21:57,800
Speaker 2: the new cast, So you have So that was the

522
00:21:57,960 --> 00:22:00,000
Speaker 2: That would have been fun. But I think everything happened

523
00:22:00,080 --> 00:22:01,639
Speaker 2: for a reason. I think Danson is a beast. You

524
00:22:01,640 --> 00:22:04,200
Speaker 2: know what I'm saying, facts, and that's how it works.

525
00:22:04,240 --> 00:22:07,200
Speaker 2: And that's why I do love this industry for some

526
00:22:07,320 --> 00:22:08,920
Speaker 2: reasons that people may hate it, but I just think

527
00:22:08,960 --> 00:22:11,320
Speaker 2: everything is meant for who it's meant for, you know

528
00:22:11,320 --> 00:22:13,879
Speaker 2: what I'm saying, and it goes the way it's supposed

529
00:22:13,880 --> 00:22:16,120
Speaker 2: to go. So I'm super thankful every time I feel

530
00:22:16,119 --> 00:22:17,520
Speaker 2: like I really wanted something it didn't work out. It

531
00:22:17,600 --> 00:22:21,400
Speaker 2: made sense, it didn't happen for me, And even outside

532
00:22:21,440 --> 00:22:24,600
Speaker 2: of entertainment in life, whether that's a relationship or a

533
00:22:24,760 --> 00:22:26,800
Speaker 2: car or a place I've decided to move, but I

534
00:22:26,880 --> 00:22:29,080
Speaker 2: really wanted that and it just works out. You gotta

535
00:22:29,119 --> 00:22:30,080
Speaker 2: trust the trust the plan.

536
00:22:30,200 --> 00:22:32,200
Speaker 1: For sure, you were supposed to be our producer is

537
00:22:32,200 --> 00:22:34,040
Speaker 1: a jerk because he put it in Black Panther.

538
00:22:34,160 --> 00:22:35,840
Speaker 2: Did you see that, Jeff? I don't think that he

539
00:22:35,880 --> 00:22:38,560
Speaker 2: auditioned to be Black Panther. That is crazy. He said,

540
00:22:38,560 --> 00:22:40,800
Speaker 2: all black movie. He went a black panther, Black panther. Yeah,

541
00:22:40,800 --> 00:22:46,240
Speaker 2: that's messed up. That's mess spect now. But a dream

542
00:22:46,320 --> 00:22:49,600
Speaker 2: role is anything Marvel, anything DC. That's my dream. I'm

543
00:22:49,600 --> 00:22:52,280
Speaker 2: a I'm a nerd man. I'm obsessed with all of

544
00:22:52,359 --> 00:22:56,640
Speaker 2: those those characters and stories, and I want to play

545
00:22:56,680 --> 00:22:57,200
Speaker 2: one bad.

546
00:22:57,160 --> 00:22:59,600
Speaker 1: DJ know all that they ain't type in for the

547
00:22:59,640 --> 00:23:02,080
Speaker 1: Greenland reboot. I'm a little I already got them. Yeah,

548
00:23:03,480 --> 00:23:05,800
Speaker 1: it's gonna be hard, though, attacking with you. I'm the

549
00:23:05,800 --> 00:23:06,200
Speaker 1: home team.

550
00:23:06,359 --> 00:23:08,960
Speaker 2: Yeah, I appreciate it. I want to do I want

551
00:23:09,000 --> 00:23:10,520
Speaker 2: to do an older Mars and Riles. I want to

552
00:23:10,520 --> 00:23:12,240
Speaker 2: do a Silper Surfer. I want to do a blue

553
00:23:12,280 --> 00:23:17,399
Speaker 2: Marvel maybe, or a back Batman, the Black Batman. I

554
00:23:17,440 --> 00:23:20,320
Speaker 2: ain't gonna lie. He was talking about Ice Current just now.

555
00:23:24,480 --> 00:23:27,720
Speaker 2: It's some Ice Current. I gotta get you some comic books, man,

556
00:23:27,840 --> 00:23:34,360
Speaker 2: I ain't got you get You're good for life. Yeah,

557
00:23:35,680 --> 00:23:38,159
Speaker 2: but also I'm a fan of those. I feel like

558
00:23:38,160 --> 00:23:39,600
Speaker 2: a lot of people are like those are great actors,

559
00:23:39,600 --> 00:23:41,159
Speaker 2: and they put him in those mon But I've watched

560
00:23:41,200 --> 00:23:43,880
Speaker 2: those every single Marvel movie that comes out, every single

561
00:23:43,960 --> 00:23:47,320
Speaker 2: DC movie. I'm front Road, So just have someone that

562
00:23:47,400 --> 00:23:49,680
Speaker 2: passionate about it too played. I think he said Blade, Yeah,

563
00:23:49,680 --> 00:23:51,840
Speaker 2: that Blade movie never coming out. I don't believe him.

564
00:23:51,880 --> 00:23:55,159
Speaker 2: I'd love to play Blade too, son of Blade. Come on,

565
00:23:56,200 --> 00:23:58,280
Speaker 2: Blade would be crazy. Come on, you already got you

566
00:23:58,280 --> 00:24:00,480
Speaker 2: know what I'm saying. You him, Jacket than the kicks?

567
00:24:00,480 --> 00:24:01,840
Speaker 3: You good Blade?

568
00:24:01,920 --> 00:24:04,479
Speaker 2: This old boy in it last night. I ain't never

569
00:24:04,520 --> 00:24:07,680
Speaker 2: seen Blood. What was that? I ain't never seen any

570
00:24:07,720 --> 00:24:09,480
Speaker 2: of them, the first couple. I never seen Blade.

571
00:24:10,240 --> 00:24:11,440
Speaker 3: I'm really the wrong person.

572
00:24:11,560 --> 00:24:13,680
Speaker 2: He didn't watch movies. We're just talking about the black

573
00:24:13,680 --> 00:24:16,119
Speaker 2: superhir that brought Marvel to the forefront. That was Blade,

574
00:24:16,160 --> 00:24:18,720
Speaker 2: right before Marvel and games seen in the game Infinity War.

575
00:24:19,000 --> 00:24:24,600
Speaker 3: Yeah, Bro, that's why I'm fantastic. Watched it, Okay, I say,

576
00:24:24,640 --> 00:24:27,879
Speaker 3: I say fantastic for okakay, which I don't watch script

577
00:24:27,920 --> 00:24:33,680
Speaker 3: and stuff. Volume fantastic. I seemed like Volume thirty seven seven.

578
00:24:35,000 --> 00:24:38,920
Speaker 3: You know what fantastic, bro, I'm talking about thirty seven

579
00:24:39,760 --> 00:24:47,440
Speaker 3: the real fantastic home DVD.

580
00:24:49,600 --> 00:24:53,119
Speaker 2: Straight to the you get this, get this on your

581
00:24:53,160 --> 00:24:56,960
Speaker 2: local professional Bro, we can't do that.

582
00:24:57,320 --> 00:24:57,560
Speaker 3: Cool.

583
00:24:58,680 --> 00:25:04,080
Speaker 2: You're telling the bootleg version of the it's not gonna

584
00:25:04,080 --> 00:25:10,880
Speaker 2: be some just like that I got set up talk

585
00:25:10,920 --> 00:25:13,720
Speaker 2: to us about the music. Though, Man, I want to

586
00:25:13,800 --> 00:25:16,400
Speaker 2: work with like, oh man, I want to work with everybody. Dog,

587
00:25:16,440 --> 00:25:20,160
Speaker 2: I'm open. I like being inspired, so you know, new energy,

588
00:25:20,320 --> 00:25:22,240
Speaker 2: new new music is always fun. But I just dropped

589
00:25:22,240 --> 00:25:24,040
Speaker 2: an album. It's called I Love You Goodbye, the break

590
00:25:24,080 --> 00:25:26,280
Speaker 2: up album of all time. I'm super, super proud of

591
00:25:26,320 --> 00:25:29,119
Speaker 2: this project. It's the most vulnerable I've ever been on record,

592
00:25:29,840 --> 00:25:30,359
Speaker 2: and it.

593
00:25:30,480 --> 00:25:32,960
Speaker 3: Saved so he toxic, not me.

594
00:25:34,040 --> 00:25:35,720
Speaker 2: It's not me. No, nobody's toxic.

595
00:25:35,840 --> 00:25:41,280
Speaker 3: It just didn't work out, you know what I'm saying.

596
00:25:41,880 --> 00:25:44,040
Speaker 2: But I'm super just thankful because I was in it.

597
00:25:44,119 --> 00:25:46,040
Speaker 2: I was in a dark spot. Bro I tore my achilles.

598
00:25:46,560 --> 00:25:49,200
Speaker 2: I was after the breakup. Two weeks I tore my

599
00:25:49,240 --> 00:25:51,320
Speaker 2: achilles and then I had to come back to l A.

600
00:25:52,000 --> 00:25:54,320
Speaker 2: I was in a cast for like a week and

601
00:25:54,320 --> 00:25:56,280
Speaker 2: then I had surgery. But yeah, within like the first

602
00:25:56,400 --> 00:25:58,440
Speaker 2: two weeks after I got back, I made the album

603
00:25:58,480 --> 00:26:00,639
Speaker 2: and it just it helped me a lot. And so

604
00:26:00,840 --> 00:26:02,359
Speaker 2: again what I was talking about before, how I just

605
00:26:02,400 --> 00:26:04,920
Speaker 2: want to help people through those times. That's what this

606
00:26:05,040 --> 00:26:06,960
Speaker 2: album is. You're going through a breakup, press play on

607
00:26:07,080 --> 00:26:10,120
Speaker 2: this you'll hear a record, you'll understand, You'll connect with something.

608
00:26:10,160 --> 00:26:11,800
Speaker 2: And that's what I want to do, is just be

609
00:26:11,920 --> 00:26:13,600
Speaker 2: honest about my journey and share it.

610
00:26:14,520 --> 00:26:17,560
Speaker 3: I remember saying you on the remixes it was a

611
00:26:17,640 --> 00:26:19,800
Speaker 3: wild Oh yeah, boy trying to tap here.

612
00:26:19,960 --> 00:26:23,399
Speaker 1: I'll just be be doing my thing. Man, we love

613
00:26:23,560 --> 00:26:25,440
Speaker 1: RB music. I asked if you ever made a song

614
00:26:25,480 --> 00:26:26,920
Speaker 1: and then you got a call from somebody about it?

615
00:26:27,480 --> 00:26:32,000
Speaker 2: No, No, I will never be that specific. I'm saying.

616
00:26:32,600 --> 00:26:34,040
Speaker 2: They won't be a little call. They won't know who

617
00:26:34,080 --> 00:26:39,280
Speaker 2: it is saying I wanted to wonder eight and twelve. Good.

618
00:26:40,560 --> 00:26:44,760
Speaker 2: I bet you think this song is about. Now?

619
00:26:44,800 --> 00:26:45,600
Speaker 3: Are you a real coach?

620
00:26:45,640 --> 00:26:45,800
Speaker 2: Maan?

621
00:26:45,880 --> 00:26:46,960
Speaker 3: You just ripping the jacket?

622
00:26:47,040 --> 00:26:49,000
Speaker 2: Hey man, I'm from Indiana. I'm a coach fan. You

623
00:26:49,080 --> 00:26:51,280
Speaker 2: know what I'm saying. Now. Do I watch the coach player? No,

624
00:26:51,440 --> 00:26:53,360
Speaker 2: I don't watch them play every single time they play.

625
00:26:53,440 --> 00:26:56,640
Speaker 2: But I am from Indiana. You're going to the game. Yeah,

626
00:26:56,640 --> 00:26:58,639
Speaker 2: I'm going to the game. You got big duties at

627
00:26:58,680 --> 00:27:01,000
Speaker 2: the game? Yeah, I'm saying national anthem? Yeah?

628
00:27:01,119 --> 00:27:01,480
Speaker 3: Oh yeah.

629
00:27:02,720 --> 00:27:04,520
Speaker 1: Is there any pressure in the situation? Is like singing

630
00:27:04,560 --> 00:27:06,800
Speaker 1: it amongst that me? I know you've been on big stage.

631
00:27:06,920 --> 00:27:08,879
Speaker 2: Yeah, I just performed it the so far so that

632
00:27:09,040 --> 00:27:10,760
Speaker 2: was that was the most people I've ever seen in

633
00:27:10,800 --> 00:27:13,840
Speaker 2: front of seventy thousand people, Lucas, I ain't that many, right,

634
00:27:13,840 --> 00:27:17,800
Speaker 2: how many luks? So probably fifty fifty, fifty thousand, twenty thousand.

635
00:27:18,160 --> 00:27:20,600
Speaker 2: It's always I'm always feel a little pressure that when

636
00:27:20,600 --> 00:27:22,720
Speaker 2: I perform. You know what I'm saying. I always think

637
00:27:22,760 --> 00:27:25,680
Speaker 2: your last performance is your you know, matters the most.

638
00:27:25,760 --> 00:27:28,120
Speaker 2: It doesn't matter what you did before, So the most

639
00:27:28,160 --> 00:27:30,600
Speaker 2: important thing is your last performance. But yeah, it should

640
00:27:30,600 --> 00:27:33,120
Speaker 2: be fun, dude. I'm gonna be with my family, people

641
00:27:33,200 --> 00:27:35,840
Speaker 2: that I love and respect, and get to do it

642
00:27:35,880 --> 00:27:36,959
Speaker 2: for the city. So I'm stoked.

643
00:27:37,280 --> 00:27:40,040
Speaker 1: I'm hyped to go to that game of night and

644
00:27:40,160 --> 00:27:42,480
Speaker 1: National ends always winning because everybody's looking at you with

645
00:27:42,560 --> 00:27:43,800
Speaker 1: that more I was like, I know you've been say that.

646
00:27:43,880 --> 00:27:45,600
Speaker 1: I feel like that's a little nerve bouring when everybody

647
00:27:45,680 --> 00:27:47,880
Speaker 1: really looking at you because they just wait for somebody

648
00:27:47,920 --> 00:27:50,520
Speaker 1: to mess up. Oh yeah, for sure, Like what's the

649
00:27:50,600 --> 00:27:55,840
Speaker 1: old girl who with that? Fergie all listen? Y has

650
00:27:55,880 --> 00:27:59,600
Speaker 1: one of the worst National athms of all time, destroyed who.

651
00:28:00,280 --> 00:28:02,800
Speaker 2: Stopped in the middle of He was like, Carl, what

652
00:28:03,000 --> 00:28:04,000
Speaker 2: was it? Runner?

653
00:28:04,040 --> 00:28:04,520
Speaker 3: Winslow.

654
00:28:06,440 --> 00:28:10,400
Speaker 2: Carl, he was a sprinter. He's gotta look away.

655
00:28:13,160 --> 00:28:13,680
Speaker 3: Like the laboo.

656
00:28:15,040 --> 00:28:18,359
Speaker 2: You don't worry about. He got was a sprinter. Bro,

657
00:28:18,440 --> 00:28:23,040
Speaker 2: he's in the national anthem. Yeah, Carl, carlis one is nasty.

658
00:28:23,040 --> 00:28:24,359
Speaker 3: He's not reason being up here.

659
00:28:24,440 --> 00:28:25,240
Speaker 2: He slapped.

660
00:28:28,960 --> 00:28:35,680
Speaker 1: That tonight, brom cool bro handloaded up, Carl, hold on,

661
00:28:35,960 --> 00:28:37,560
Speaker 1: hold on what you're talking about.

662
00:28:39,760 --> 00:28:42,080
Speaker 5: I just want to see what he's talking about. I

663
00:28:42,120 --> 00:28:49,240
Speaker 5: don't think I've ever seen it. Yeah, hear me out

664
00:28:58,640 --> 00:29:14,560
Speaker 5: forgot the worst. Yeah, he never got the words.

665
00:29:15,080 --> 00:29:18,120
Speaker 2: You've ever seen that. I want to give him a hug.

666
00:29:18,640 --> 00:29:23,080
Speaker 3: That's a classic bro Bad Bad He's wrong as hell.

667
00:29:23,200 --> 00:29:25,200
Speaker 6: Man, he's a white man.

668
00:29:27,120 --> 00:29:30,720
Speaker 3: That's a classic video. First, that's the bulls are there?

669
00:29:30,760 --> 00:29:33,840
Speaker 1: Bro know he did in the presence of Michael Jordan's

670
00:29:33,840 --> 00:29:36,520
Speaker 1: He is really out of pocket to go that outfit.

671
00:29:36,680 --> 00:29:38,840
Speaker 2: Is crazy to you him to go.

672
00:29:38,960 --> 00:29:50,720
Speaker 3: Sing that anyway, Bro, But he said, music or acting, I.

673
00:29:50,760 --> 00:29:55,920
Speaker 2: Guess it depends. It depends on the role. It depends

674
00:29:55,960 --> 00:29:58,560
Speaker 2: on the role, right, how much the role demands. I

675
00:29:58,640 --> 00:30:02,600
Speaker 2: think music to me come a little bit easier just

676
00:30:02,680 --> 00:30:04,320
Speaker 2: because I feel like I have more hours in there.

677
00:30:04,360 --> 00:30:06,080
Speaker 2: You know, you work on a set when you get

678
00:30:06,240 --> 00:30:08,320
Speaker 2: booked for a job. But I'm in the studio every day,

679
00:30:08,320 --> 00:30:09,960
Speaker 2: you know what I'm saying. I'm working on music, I'm

680
00:30:10,000 --> 00:30:12,080
Speaker 2: listening to music, I'm editing a song, going back and

681
00:30:12,080 --> 00:30:15,360
Speaker 2: rewriting a song. So I'm always in there. So it

682
00:30:15,440 --> 00:30:17,719
Speaker 2: comes a little easier for sure, you know, and especially

683
00:30:17,720 --> 00:30:20,080
Speaker 2: when I have sessions and stuff like it just be flowing.

684
00:30:21,160 --> 00:30:22,000
Speaker 2: I absolutely love it.

685
00:30:22,920 --> 00:30:26,400
Speaker 1: Is there any differences in performing music and in performing

686
00:30:26,480 --> 00:30:28,760
Speaker 1: like say, a live play or a live action situation?

687
00:30:30,320 --> 00:30:32,720
Speaker 2: So sorry, seven more time? Is there any difference between

688
00:30:32,760 --> 00:30:33,120
Speaker 2: the two for you?

689
00:30:33,280 --> 00:30:34,600
Speaker 1: I know, obviously you're pretty good at what you do,

690
00:30:34,680 --> 00:30:36,160
Speaker 1: but is there a difference when you're performing your music

691
00:30:36,240 --> 00:30:37,680
Speaker 1: on stage or is it difference when you're like doing

692
00:30:37,720 --> 00:30:38,560
Speaker 1: a live play or something like that?

693
00:30:38,600 --> 00:30:43,520
Speaker 2: Is there differently a live play? Okay, okay, dude, I'm

694
00:30:43,560 --> 00:30:45,400
Speaker 2: gonna be honest. When I'm doing the play was one

695
00:30:45,400 --> 00:30:47,320
Speaker 2: of the hardest things because it's not just the song, right,

696
00:30:47,360 --> 00:30:49,640
Speaker 2: You're like remember to act and you're still dancing and

697
00:30:49,720 --> 00:30:51,240
Speaker 2: you're moving your breath work.

698
00:30:51,080 --> 00:30:51,360
Speaker 3: And all that.

699
00:30:51,760 --> 00:30:54,200
Speaker 2: Like that's just way more difficult. When I'm doing my music,

700
00:30:54,280 --> 00:30:56,000
Speaker 2: it's my show, and if I want to take a seat.

701
00:30:56,040 --> 00:30:57,680
Speaker 2: I'm wanna take a seat if I need some water,

702
00:30:57,720 --> 00:31:00,440
Speaker 2: and like hold on, you know what I mean? I can,

703
00:31:00,640 --> 00:31:02,080
Speaker 2: I can do what I want. But if it's someone

704
00:31:02,120 --> 00:31:05,040
Speaker 2: else production, I got to do the job for sure.

705
00:31:05,200 --> 00:31:07,440
Speaker 2: You no way. We did a commercial here the other day.

706
00:31:08,120 --> 00:31:10,000
Speaker 2: We had seventeen takes.

707
00:31:10,720 --> 00:31:13,320
Speaker 1: I said, two words, that's small, that's not that's not

708
00:31:13,400 --> 00:31:16,040
Speaker 1: that many takes for eight hours? Ain't no way, ain't

709
00:31:16,040 --> 00:31:17,240
Speaker 1: know what's for eight hours?

710
00:31:17,320 --> 00:31:19,520
Speaker 2: Bro? I got a spike for you.

711
00:31:19,640 --> 00:31:19,800
Speaker 3: Man.

712
00:31:19,840 --> 00:31:23,520
Speaker 2: He was an elite man. Hell now he got it.

713
00:31:23,600 --> 00:31:24,440
Speaker 3: Now he ate.

714
00:31:26,240 --> 00:31:27,719
Speaker 2: We did that for eight hours?

715
00:31:27,840 --> 00:31:31,720
Speaker 3: I said, complaining, I said, damn, I said, what's up?

716
00:31:31,840 --> 00:31:35,040
Speaker 2: Bro? Wait what I've been on set for seventeen hours?

717
00:31:35,080 --> 00:31:35,880
Speaker 2: Eighteen hours?

718
00:31:36,520 --> 00:31:36,680
Speaker 3: You know?

719
00:31:36,840 --> 00:31:37,000
Speaker 2: Man?

720
00:31:37,440 --> 00:31:37,760
Speaker 3: He man.

721
00:31:37,920 --> 00:31:40,280
Speaker 2: And it also depends too again it's like is it

722
00:31:40,400 --> 00:31:42,120
Speaker 2: something you really want to do? And that is a

723
00:31:42,200 --> 00:31:44,640
Speaker 2: difference too, like if we're doing it for because I've

724
00:31:44,640 --> 00:31:46,680
Speaker 2: definitely done something for money right where I'm like, Okay,

725
00:31:46,720 --> 00:31:48,040
Speaker 2: I just this ain't really what i want. But I'm

726
00:31:48,080 --> 00:31:50,360
Speaker 2: gonna get a little back off. This probably gonna be

727
00:31:50,480 --> 00:31:52,040
Speaker 2: looking at the phone a little more. But if it's

728
00:31:52,040 --> 00:31:53,920
Speaker 2: like yo, I'm getting to do this thing, you know,

729
00:31:54,400 --> 00:31:56,160
Speaker 2: it's a little bit different. So I guess it just

730
00:31:56,200 --> 00:31:57,600
Speaker 2: kind of depends on what it is.

731
00:31:57,680 --> 00:31:59,760
Speaker 3: Yeah, he could plaint the whole motherfucking day.

732
00:32:00,040 --> 00:32:00,360
Speaker 6: I did not.

733
00:32:01,240 --> 00:32:03,040
Speaker 1: I just asked why. I got two words and I

734
00:32:03,080 --> 00:32:08,400
Speaker 1: got to be here this long because I'm not I'm one.

735
00:32:08,480 --> 00:32:11,880
Speaker 1: I'm like ho in the booth, like one take, I

736
00:32:11,960 --> 00:32:12,200
Speaker 1: gave you.

737
00:32:12,240 --> 00:32:12,640
Speaker 2: What you need.

738
00:32:12,920 --> 00:32:15,080
Speaker 3: I got when I when he said I had to

739
00:32:15,080 --> 00:32:16,880
Speaker 3: think about it, like you did only say two words.

740
00:32:16,920 --> 00:32:18,479
Speaker 2: I said two words. I said, what up?

741
00:32:18,520 --> 00:32:18,600
Speaker 1: Bro?

742
00:32:20,240 --> 00:32:21,479
Speaker 2: Eight hours later? What up?

743
00:32:28,360 --> 00:32:30,360
Speaker 3: It's no disst. I just want to know what is

744
00:32:30,440 --> 00:32:33,160
Speaker 3: the point of all that time being taken up?

745
00:32:33,320 --> 00:32:36,480
Speaker 2: Like, well, that can also be this look. Sometimes there's

746
00:32:36,560 --> 00:32:38,960
Speaker 2: a because I've also been here, right. So when you're

747
00:32:39,000 --> 00:32:40,960
Speaker 2: working on a show, so like I'm gonna raising addim

748
00:32:41,040 --> 00:32:43,680
Speaker 2: right now, and you have different directors or grown as

749
00:32:43,760 --> 00:32:46,440
Speaker 2: you have different directors, sometimes they bring a director who

750
00:32:46,560 --> 00:32:49,240
Speaker 2: maybe yes, they've done stuff, but they might not know

751
00:32:49,280 --> 00:32:51,080
Speaker 2: what they want. And a lot of actors don't like

752
00:32:51,120 --> 00:32:53,560
Speaker 2: directors like that because you having here all day because

753
00:32:53,600 --> 00:32:55,240
Speaker 2: you don't know what you want. So you're trying to

754
00:32:55,280 --> 00:32:58,280
Speaker 2: cover your butt by shooting every shot, every angle, all

755
00:32:58,320 --> 00:33:00,080
Speaker 2: the wides, all the mediums. Let me come here so

756
00:33:00,160 --> 00:33:02,320
Speaker 2: that in the editing room you have more freedom. But

757
00:33:02,400 --> 00:33:05,040
Speaker 2: the best directors, to me, the best directors are actors

758
00:33:05,640 --> 00:33:08,360
Speaker 2: who who understand acting and understand what they need and

759
00:33:08,480 --> 00:33:09,800
Speaker 2: go in there and know the shots that they want

760
00:33:09,920 --> 00:33:12,240
Speaker 2: to be like okay, boom, all right, let's move in tighter, boom, okay,

761
00:33:12,280 --> 00:33:14,600
Speaker 2: let's turn around boom okay, and I need one word

762
00:33:14,600 --> 00:33:16,920
Speaker 2: of this boom instead of people like, oh, but what

763
00:33:17,040 --> 00:33:18,440
Speaker 2: if we you know what I mean? Now, we got

764
00:33:18,560 --> 00:33:19,760
Speaker 2: to be here while you trying to you know what

765
00:33:19,800 --> 00:33:22,520
Speaker 2: I'm saying, So I guess it just it depends on

766
00:33:22,600 --> 00:33:23,680
Speaker 2: the person to direct it.

767
00:33:23,960 --> 00:33:26,200
Speaker 3: No one is the best, you know what I mean? Boy,

768
00:33:26,600 --> 00:33:28,920
Speaker 3: he did it. We were just we never did it before.

769
00:33:29,040 --> 00:33:31,000
Speaker 3: So we were like, bro, we're only saying this, you know,

770
00:33:31,080 --> 00:33:33,440
Speaker 3: I mean, minimum work. Why the hell are we here

771
00:33:33,480 --> 00:33:36,120
Speaker 3: for a whole workships trust process. Man came out dope

772
00:33:36,160 --> 00:33:39,040
Speaker 3: as well. I gotta come out definitely being on y'all.

773
00:33:39,240 --> 00:33:44,520
Speaker 3: Fuddy actually love it. We love they no commercial.

774
00:33:46,040 --> 00:33:50,440
Speaker 2: I can't see it. Eight hours to do it was

775
00:33:50,480 --> 00:33:52,080
Speaker 2: like it was a one minute video.

776
00:33:52,880 --> 00:33:57,120
Speaker 1: Literally I said two words. I loved it, but I

777
00:33:57,200 --> 00:33:58,600
Speaker 1: just couldn't believe I had to be there a long.

778
00:33:58,760 --> 00:33:59,880
Speaker 3: I said, I ain't order ship.

779
00:34:01,640 --> 00:34:03,040
Speaker 2: You got to play it. Let me see, let me see.

780
00:34:03,200 --> 00:34:05,960
Speaker 1: Listen, we appreciate y'all. We'll catch y'all next time. Club

781
00:34:06,040 --> 00:34:10,759
Speaker 1: five to twenty we out all right, good stuff y'all, Yo.

782
00:34:10,760 --> 00:34:12,640
Speaker 2: What's good, Brod.

783
00:34:14,680 --> 00:34:17,200
Speaker 3: Welcome to the family. I left the care package by

784
00:34:17,239 --> 00:34:19,040
Speaker 3: your front door, so just go check it out. Let

785
00:34:19,040 --> 00:34:22,880
Speaker 3: me know what you think. Peace damn. We're pulling up alright.

786
00:34:22,719 --> 00:34:23,160
Speaker 1: With the ship.

787
00:34:24,600 --> 00:34:25,680
Speaker 2: Go be his goot lines.

788
00:34:28,880 --> 00:34:34,920
Speaker 3: Yeahs, family, man, I'm back. You got heay, Club five twenty,

789
00:34:35,640 --> 00:34:38,279
Speaker 3: it's the last outer gate.

790
00:34:38,400 --> 00:34:39,919
Speaker 2: Nasty hard in ten.

791
00:34:40,160 --> 00:34:41,399
Speaker 3: I'm wrong, he's wrong.

792
00:34:45,080 --> 00:34:47,840
Speaker 1: Welcome to the fan, though, Margret, and we appreciate your family,

793
00:34:48,160 --> 00:34:49,239
Speaker 1: like this history right here.

794
00:34:49,320 --> 00:34:51,000
Speaker 2: You know what I'm saying, y'all deserve it.

795
00:34:51,080 --> 00:34:55,360
Speaker 3: Bro the first podcast with a shoot deal. We're grateful.

796
00:34:58,080 --> 00:35:01,279
Speaker 2: Let's go black man, Let's go right on right man,

797
00:35:01,480 --> 00:35:04,200
Speaker 2: one time for the one time that's fire.

798
00:35:04,440 --> 00:35:07,640
Speaker 1: You want something, I get you some superstars, please, yeah, please, White,

799
00:35:08,480 --> 00:35:11,440
Speaker 1: you will let you pick your I take all white joints,

800
00:35:13,200 --> 00:35:15,480
Speaker 1: classic Paie respect.

801
00:35:15,840 --> 00:35:18,600
Speaker 2: They give it hard Howard. These every day those are cool.

802
00:35:18,640 --> 00:35:19,719
Speaker 2: Those are classics for sure.

803
00:35:20,160 --> 00:35:26,839
Speaker 3: Good dude right here, these are Yeah they're bad bunnies. Yeah,

804
00:35:26,960 --> 00:35:27,480
Speaker 3: bad bunnies.

805
00:35:28,040 --> 00:35:31,040
Speaker 2: I get the memo that man talking, man I.

806
00:35:31,040 --> 00:35:35,400
Speaker 3: Got now, okay we're here. Who we're talking about? How

807
00:35:35,800 --> 00:35:39,600
Speaker 3: he is? So? How many times are you gonna wear

808
00:35:39,600 --> 00:35:44,439
Speaker 3: a press shoes like throughout the week the same pair? Yeah?

809
00:35:44,840 --> 00:35:47,480
Speaker 2: Oh, however many times I feel like, you know what

810
00:35:47,480 --> 00:35:49,360
Speaker 2: I mean, I don't have like a real real I

811
00:35:49,400 --> 00:35:53,600
Speaker 2: don't have I don't have a rule. Sometimes, Oh you

812
00:35:53,760 --> 00:35:56,279
Speaker 2: prefer to be barefoot, But if I have to, that's

813
00:35:56,280 --> 00:35:58,880
Speaker 2: the kunk food coming out. If I have to wear shoes,

814
00:35:58,960 --> 00:36:01,920
Speaker 2: I'll probably wear ten or you too.

815
00:36:05,640 --> 00:36:07,319
Speaker 3: I ain't never been stuck on the show that one.

816
00:36:08,160 --> 00:36:11,520
Speaker 3: That haven't got me playing it right there? DJ? What

817
00:36:16,719 --> 00:36:17,160
Speaker 3: wrong with that?

818
00:36:17,360 --> 00:36:17,680
Speaker 6: Hey man?

819
00:36:17,719 --> 00:36:19,319
Speaker 2: I like to touch the grass, you know what I'm saying?

820
00:36:19,920 --> 00:36:21,799
Speaker 3: Grass or touch earthly good?

821
00:36:21,800 --> 00:36:23,520
Speaker 2: Because you know the bottom of the most ten shoes

822
00:36:23,600 --> 00:36:28,279
Speaker 2: is rubber disconnects you from it, it does. We ain't

823
00:36:28,280 --> 00:36:30,840
Speaker 2: do the science signs sigence behind it. You know. It

824
00:36:30,920 --> 00:36:32,880
Speaker 2: ain't a conductor as a muter and mutes the electricity.

825
00:36:33,560 --> 00:36:39,000
Speaker 1: Sorry's move on. He locked it for sure. I'm glad

826
00:36:39,040 --> 00:36:41,400
Speaker 1: you want some shoes in here. We appreciate you not

827
00:36:41,400 --> 00:36:42,479
Speaker 1: coming on the bare foot.

828
00:36:43,360 --> 00:36:46,160
Speaker 3: You need you as you walking around side l a

829
00:36:47,080 --> 00:36:59,040
Speaker 3: few shoes about they gotta fight before the player down,

830
00:36:59,120 --> 00:37:02,480
Speaker 3: be real, for real, real, you know, just the guy.

831
00:37:05,080 --> 00:37:05,520
Speaker 1: We love.

832
00:37:06,719 --> 00:37:07,440
Speaker 2: That's crazy.

833
00:37:08,160 --> 00:37:11,560
Speaker 1: What's it like Jordan's show with such a heavy coat following, because,

834
00:37:11,600 --> 00:37:13,400
Speaker 1: like I imagine that fan base. As soon as you

835
00:37:13,600 --> 00:37:16,400
Speaker 1: pop into an episode, they either hate you or love you,

836
00:37:16,480 --> 00:37:17,759
Speaker 1: but they locked in either way.

837
00:37:18,040 --> 00:37:22,000
Speaker 2: Yeah, thankfully it's been all love. And I think the

838
00:37:22,160 --> 00:37:24,719
Speaker 2: most amazing part is the people on that show Man,

839
00:37:24,920 --> 00:37:29,279
Speaker 2: the cast, the crew, top producers, but as people, not

840
00:37:29,480 --> 00:37:31,880
Speaker 2: just like what they do their job with. Like as people,

841
00:37:32,440 --> 00:37:36,800
Speaker 2: They're warm, they're welcoming, they're supportive, and that's all you

842
00:37:36,880 --> 00:37:38,879
Speaker 2: want as a as an actor. You want to feel

843
00:37:38,960 --> 00:37:41,279
Speaker 2: safe to make choices. You want to feel safe and

844
00:37:41,320 --> 00:37:43,680
Speaker 2: feel protected. Nobody wants me to look bad here. We

845
00:37:43,760 --> 00:37:46,440
Speaker 2: all want to win, you feel me. So it's it's

846
00:37:46,520 --> 00:37:48,160
Speaker 2: really an honor to be on that show and for

847
00:37:48,280 --> 00:37:50,880
Speaker 2: me coming off grown Ish and I'm always kind of

848
00:37:50,880 --> 00:37:52,759
Speaker 2: like particularly about the roles I picked right, you know,

849
00:37:52,960 --> 00:37:55,320
Speaker 2: so I was thankful that I get to play a

850
00:37:55,400 --> 00:37:57,800
Speaker 2: doctor on TV. And that is that is what a

851
00:37:57,840 --> 00:37:59,640
Speaker 2: lot of you know, young black men will see and

852
00:37:59,719 --> 00:38:02,479
Speaker 2: be like, I can do that. Also that's an option

853
00:38:02,600 --> 00:38:04,840
Speaker 2: as well. I don't have to be a rapper or

854
00:38:04,880 --> 00:38:06,719
Speaker 2: I don't have to nothing wrong with any of these

855
00:38:06,760 --> 00:38:08,719
Speaker 2: things I'm saying, you know what I'm saying, But there's

856
00:38:08,719 --> 00:38:10,400
Speaker 2: a lot of things that they put with this is

857
00:38:10,480 --> 00:38:12,000
Speaker 2: this is what you can do, and this is it

858
00:38:12,200 --> 00:38:14,200
Speaker 2: right here. So I like to always kind of widen

859
00:38:14,280 --> 00:38:16,920
Speaker 2: that space for young black men to see. So that's

860
00:38:16,960 --> 00:38:18,080
Speaker 2: thankful for it for sure as part.

861
00:38:18,120 --> 00:38:19,560
Speaker 1: And we were just talking about this, like, I mean,

862
00:38:19,600 --> 00:38:21,839
Speaker 1: obviously these shows is like the stories that our parents

863
00:38:21,920 --> 00:38:23,839
Speaker 1: grow up on and they're going to be owned long

864
00:38:23,920 --> 00:38:25,520
Speaker 1: after we go, so it's to be a part of that.

865
00:38:25,600 --> 00:38:26,240
Speaker 2: Lige is crazy.

866
00:38:26,280 --> 00:38:27,399
Speaker 1: But do you ever think we'll get to a point

867
00:38:27,400 --> 00:38:31,800
Speaker 1: to where we have black sitcoms like regularly again, like

868
00:38:31,880 --> 00:38:34,440
Speaker 1: we got Martin Oh yeah, yeah, yeah, yeah, can be

869
00:38:34,480 --> 00:38:37,879
Speaker 1: Fox sitcoms in general though kind of like dead.

870
00:38:38,239 --> 00:38:41,960
Speaker 2: They're kind of dead because people are too sensitive. That's why,

871
00:38:42,120 --> 00:38:43,920
Speaker 2: you know, I feel like sitcoms are just kind of

872
00:38:44,040 --> 00:38:47,160
Speaker 2: like families and what families would say in their crib,

873
00:38:47,239 --> 00:38:50,600
Speaker 2: which families wouldn't say out and you know public but

874
00:38:50,719 --> 00:38:52,360
Speaker 2: you it felt like you were in a you know,

875
00:38:52,760 --> 00:38:54,520
Speaker 2: being able to watch them through a hole in the wall.

876
00:38:54,560 --> 00:38:56,200
Speaker 2: And that's why people loved it, you know what I'm saying.

877
00:38:56,239 --> 00:38:59,480
Speaker 2: But now I think people are just too I don't know,

878
00:38:59,640 --> 00:39:01,080
Speaker 2: but that true. I mean I'm trying to think, what's

879
00:39:01,120 --> 00:39:03,920
Speaker 2: the last sitcom really that was Like, I mean, I

880
00:39:03,920 --> 00:39:06,120
Speaker 2: don't I wouldn't count Grownish as a sitcom. That's more

881
00:39:06,239 --> 00:39:08,440
Speaker 2: like a would you count like Blackish and Grunes sitcom?

882
00:39:08,880 --> 00:39:10,960
Speaker 2: I mean for this generation. I mean it was Qualify.

883
00:39:11,440 --> 00:39:13,839
Speaker 2: I don't think it is. It's not really sickcomy though,

884
00:39:13,880 --> 00:39:15,320
Speaker 2: you know what I mean, like a Martin or like

885
00:39:15,360 --> 00:39:16,040
Speaker 2: a Fresh Pants.

886
00:39:16,080 --> 00:39:19,080
Speaker 1: It's not like a yeah, I mean even something like

887
00:39:19,120 --> 00:39:21,759
Speaker 1: we were talking about it like Mike has had one,

888
00:39:21,800 --> 00:39:24,759
Speaker 1: Marlin had one, Like oh yeah, yeah that I remember that.

889
00:39:24,880 --> 00:39:25,960
Speaker 2: But we just don't get the same.

890
00:39:26,600 --> 00:39:28,799
Speaker 1: We're just not syndicated as well, Like being on them

891
00:39:28,840 --> 00:39:31,759
Speaker 1: shows was that ship, but it just molded a lot

892
00:39:31,760 --> 00:39:32,959
Speaker 1: of us don't know, but you be in the indust

893
00:39:33,000 --> 00:39:33,920
Speaker 1: I wonder that a thing.

894
00:39:34,080 --> 00:39:36,400
Speaker 2: But yeah, that makes sense. Yeah, yeah, no, I definitely

895
00:39:36,400 --> 00:39:40,840
Speaker 2: think it's a dying art. I also miss some sketch

896
00:39:40,880 --> 00:39:42,319
Speaker 2: shows like other than that, s and l remember when

897
00:39:42,320 --> 00:39:44,319
Speaker 2: we're young, like all that and all those different life

898
00:39:44,800 --> 00:39:47,120
Speaker 2: and people were seeing kids being super creative. I feel

899
00:39:47,120 --> 00:39:49,760
Speaker 2: like now it's either like super kitty stuff or grown stuff.

900
00:39:49,760 --> 00:39:53,600
Speaker 2: There's not like a in between, living color type thing.

901
00:39:53,680 --> 00:39:55,520
Speaker 3: You know what I'm saying. That's damn the streaming now

902
00:39:55,640 --> 00:39:56,400
Speaker 3: though you.

903
00:39:56,520 --> 00:39:58,560
Speaker 2: Think so, yeah, I mean you do do a lot

904
00:39:58,560 --> 00:39:59,440
Speaker 2: of sketches.

905
00:40:00,080 --> 00:40:04,160
Speaker 3: Likes and Drew and that kind of it's not the same,

906
00:40:04,200 --> 00:40:07,280
Speaker 3: but they give you that same, that same feel that player.

907
00:40:07,440 --> 00:40:11,520
Speaker 2: The mad TV is of the world looking like a man.

908
00:40:14,320 --> 00:40:16,520
Speaker 2: All that all that is the top tier show. All

909
00:40:16,600 --> 00:40:19,840
Speaker 2: that was great. Yeah, all that was fire.

910
00:40:19,840 --> 00:40:19,920
Speaker 1: Bro.

911
00:40:20,000 --> 00:40:23,839
Speaker 2: You guys have a favorite favorite childhood show, favorite childhood ship?

912
00:40:23,960 --> 00:40:24,080
Speaker 3: Bro?

913
00:40:24,200 --> 00:40:25,759
Speaker 2: I mean, what's the one that comes the top of

914
00:40:25,760 --> 00:40:28,360
Speaker 2: my had? Courgy Carly Dog was one. Cat Dog was.

915
00:40:28,360 --> 00:40:30,320
Speaker 3: One I used to watch and he had a different

916
00:40:30,360 --> 00:40:30,920
Speaker 3: TV than me.

917
00:40:31,719 --> 00:40:32,120
Speaker 2: That was all.

918
00:40:32,320 --> 00:40:35,680
Speaker 3: You didn't watchy Carly Dog. That is the purple Dog.

919
00:40:35,719 --> 00:40:40,440
Speaker 2: You've seen him before, right, hate Courage. Yeah you did

920
00:40:40,520 --> 00:40:41,359
Speaker 2: say you didn't like TV.

921
00:40:42,719 --> 00:40:46,440
Speaker 3: Well, I didn't watch cartoons. I seen him on like

922
00:40:46,520 --> 00:40:46,839
Speaker 3: a graph.

923
00:40:46,920 --> 00:40:49,680
Speaker 2: You've seen him, Yeah, you seen him the graphic. I

924
00:40:49,760 --> 00:40:53,160
Speaker 2: never watched the show that network that was between the

925
00:40:53,160 --> 00:40:54,120
Speaker 2: shows you want to watch.

926
00:40:56,280 --> 00:40:56,600
Speaker 3: Exactly.

927
00:40:56,600 --> 00:41:01,520
Speaker 2: I'm gonna go back Wrograss though great bag works his classes.

928
00:41:01,719 --> 00:41:04,799
Speaker 3: He was like, what's the one my boy Cartman? Uh oh,

929
00:41:06,000 --> 00:41:06,200
Speaker 3: the best?

930
00:41:06,400 --> 00:41:10,919
Speaker 2: That's why South Park and ricked Morty south Park? What's

931
00:41:10,960 --> 00:41:14,120
Speaker 2: the said Rick and Morty. I can't do that. I'm

932
00:41:14,120 --> 00:41:15,120
Speaker 2: picking Ricking Morty every day.

933
00:41:15,120 --> 00:41:18,719
Speaker 3: And I really grew up like watching Morena my brother

934
00:41:18,800 --> 00:41:19,000
Speaker 3: and me.

935
00:41:19,560 --> 00:41:23,279
Speaker 1: That was my ship, my brother and me with mister Cooper. Yeah,

936
00:41:23,440 --> 00:41:25,880
Speaker 1: see them type of shows. Bro, we don't even like

937
00:41:25,960 --> 00:41:27,960
Speaker 1: Malcolm and Eddie Shing like that. Like, man, we don't

938
00:41:28,000 --> 00:41:30,040
Speaker 1: get that. No more Man, remember dug on Everything, Remember

939
00:41:31,000 --> 00:41:34,960
Speaker 1: Richard Mardy, Rick Morty, Ricking more Morty Dark. No oh,

940
00:41:35,040 --> 00:41:36,240
Speaker 1: you gotta give it just one episode?

941
00:41:36,280 --> 00:41:39,760
Speaker 2: Just watch one caographic thirty minutes, thirty minutes, one episode,

942
00:41:39,880 --> 00:41:42,680
Speaker 2: not even twenty five. It's it's family Gouy type humor.

943
00:41:43,600 --> 00:41:46,839
Speaker 2: Got look way smarter. Like the concepts that they're talking

944
00:41:46,840 --> 00:41:49,800
Speaker 2: about in the show is like not far from what

945
00:41:49,880 --> 00:41:54,120
Speaker 2: could be happening today while we're here. Family guy, our Simpsons,

946
00:41:55,320 --> 00:41:57,880
Speaker 2: family guy. My dad would kill me for saying that

947
00:41:57,920 --> 00:41:59,919
Speaker 2: my dad loves the Simpsons, but I'll go family figure.

948
00:42:00,160 --> 00:42:02,680
Speaker 2: I like Family. I'm able to get into it quicker

949
00:42:02,880 --> 00:42:04,760
Speaker 2: than Simpsons. Like if I put a Simpson on Simpsons

950
00:42:04,800 --> 00:42:06,759
Speaker 2: episode on, I don't. I'm not really into it by

951
00:42:06,840 --> 00:42:08,680
Speaker 2: like the middle. But Family got like the first two jokes.

952
00:42:08,719 --> 00:42:10,279
Speaker 1: I'm like, ah, I'm in it, you know, if they

953
00:42:10,280 --> 00:42:12,120
Speaker 1: would go a while, But the Simsions have been a

954
00:42:12,400 --> 00:42:13,160
Speaker 1: very long family.

955
00:42:13,200 --> 00:42:15,520
Speaker 2: Guy got some jokes bro the top tier that you

956
00:42:15,560 --> 00:42:16,440
Speaker 2: can't repeat anywhere else.

957
00:42:16,520 --> 00:42:16,719
Speaker 3: Yeah.

958
00:42:16,800 --> 00:42:21,800
Speaker 2: Yeah, Simpsons knew the aliens, they knew all the future stuff.

959
00:42:22,320 --> 00:42:25,120
Speaker 2: I got everything right. Yeah that's now earlier.

960
00:42:25,200 --> 00:42:27,600
Speaker 1: So you mentioned you skateboard it, but you hoop as well,

961
00:42:28,000 --> 00:42:30,520
Speaker 1: saying the the kid we got you into basketball?

962
00:42:30,560 --> 00:42:32,759
Speaker 2: Who was your game? What's your game? Like? Who? My brother?

963
00:42:33,280 --> 00:42:34,879
Speaker 2: My brother? I was trying to be like my brother.

964
00:42:34,960 --> 00:42:37,640
Speaker 2: My brother Ian Jackson is a hooper. He's he's right

965
00:42:37,719 --> 00:42:39,560
Speaker 2: over there. But he was the first person I ever

966
00:42:39,600 --> 00:42:41,840
Speaker 2: seen play. My dad made me play and then I

967
00:42:42,040 --> 00:42:43,960
Speaker 2: loved it. And that's how I tore my achilles. So

968
00:42:44,000 --> 00:42:46,000
Speaker 2: me and basketball we gotta love hate relationship right now.

969
00:42:46,400 --> 00:42:48,279
Speaker 2: But I'm gonna get back in there. But I haven't

970
00:42:48,280 --> 00:42:49,080
Speaker 2: played in two years.

971
00:42:50,120 --> 00:42:53,719
Speaker 3: I uh yeah, I played against any actors anybody in

972
00:42:53,760 --> 00:42:54,320
Speaker 3: the entertainment.

973
00:42:54,640 --> 00:42:56,640
Speaker 2: Yeah, yeah, played against Chris. I played against all them.

974
00:42:57,040 --> 00:42:59,720
Speaker 2: I had the game that I had with the Beach Experience.

975
00:42:59,760 --> 00:43:01,759
Speaker 2: I had the most points, but nobody talked about that.

976
00:43:01,880 --> 00:43:04,600
Speaker 2: I had twenty six. Chris had twenty five. Talk about it,

977
00:43:04,680 --> 00:43:06,520
Speaker 2: but this was back then. I was like eighteen nine.

978
00:43:07,680 --> 00:43:11,720
Speaker 3: I'm just saying, yeah, yeah, yeah.

979
00:43:11,920 --> 00:43:14,520
Speaker 2: For real. And we played. We played at the Beachy Experience.

980
00:43:14,640 --> 00:43:15,960
Speaker 2: He found me on the last place and I'm.

981
00:43:15,800 --> 00:43:17,399
Speaker 6: Just kidding, kid, I'm still hurt.

982
00:43:17,400 --> 00:43:19,759
Speaker 2: You can tell too, mad it was. It was a

983
00:43:19,800 --> 00:43:22,719
Speaker 2: great game. They won by a few points, but I

984
00:43:22,760 --> 00:43:23,200
Speaker 2: didn't get it.

985
00:43:23,280 --> 00:43:24,239
Speaker 3: No, no love.

986
00:43:24,280 --> 00:43:26,480
Speaker 2: Trevor had the most points. Man even play the whole

987
00:43:26,600 --> 00:43:29,239
Speaker 2: the whole thing, twenty six. Oh, let's talk about it.

988
00:43:29,719 --> 00:43:31,399
Speaker 3: The only person I really here to talk about Hoop

989
00:43:31,480 --> 00:43:33,280
Speaker 3: is like Tank. Yeah, and Jay Valence.

990
00:43:33,840 --> 00:43:36,520
Speaker 2: I played with j I played with Jays sometimes. Jacob Hoop,

991
00:43:37,160 --> 00:43:43,279
Speaker 2: Jake and Hoop. He said, Jack, and who have you

992
00:43:43,320 --> 00:43:45,680
Speaker 2: been on R. B. Moundy podcast? Yeah, okay, so you

993
00:43:45,760 --> 00:43:51,000
Speaker 2: go now, jac and Hoop boys one on one? What's

994
00:43:51,040 --> 00:43:54,319
Speaker 2: the score? Me and Jay one on one? Where were

995
00:43:54,320 --> 00:43:58,840
Speaker 2: going to eleven? Thirteen? Eleven? We're gonna be like eleven eight. Okay,

996
00:43:59,080 --> 00:44:06,320
Speaker 2: leven let himself. Okay, yeah, man, I missed miss.

997
00:44:07,640 --> 00:44:09,160
Speaker 3: Talk about hoop all the time.

998
00:44:10,640 --> 00:44:14,839
Speaker 2: I've seen I've seen some footage. You know that's homie.

999
00:44:16,600 --> 00:44:20,719
Speaker 3: Coming from you. It's a little different, you know what

1000
00:44:20,760 --> 00:44:22,640
Speaker 3: I'm saying. I'm not not talking about NBA. Well, I'm

1001
00:44:22,680 --> 00:44:24,080
Speaker 3: just talking about like the entertainment.

1002
00:44:24,480 --> 00:44:28,400
Speaker 2: I was one of the best I think people entertainment

1003
00:44:28,440 --> 00:44:32,160
Speaker 2: that that playback when I when I was your peak,

1004
00:44:32,160 --> 00:44:34,160
Speaker 2: when I was peak right now.

1005
00:44:34,520 --> 00:44:37,280
Speaker 1: Obviously I don't count Davies because he played college basketball,

1006
00:44:37,560 --> 00:44:39,400
Speaker 1: but like Chris Brown was probably the best. I've seen.

1007
00:44:40,760 --> 00:44:45,520
Speaker 2: Chris Brown. I had never seen Broo game. He ain't

1008
00:44:45,560 --> 00:44:52,560
Speaker 2: better than christ No, you know, Chopper can hoop better

1009
00:44:52,600 --> 00:44:55,160
Speaker 2: than Chris, because I just I've seen him play more.

1010
00:44:55,200 --> 00:44:59,279
Speaker 3: But he's I love Chris, but I'm just saying he

1011
00:44:59,320 --> 00:45:01,800
Speaker 3: can hoop. He got jumper l he can l he

1012
00:45:01,880 --> 00:45:04,000
Speaker 3: can hoop, bro he can hoop, he got game.

1013
00:45:03,880 --> 00:45:06,160
Speaker 2: Because sometimes like people were young and athletic, but can

1014
00:45:06,280 --> 00:45:06,600
Speaker 2: he You.

1015
00:45:06,600 --> 00:45:10,640
Speaker 3: Know, I just seen him play against with Gilly and then.

1016
00:45:10,640 --> 00:45:13,840
Speaker 2: He break down a game. You think he Gilly, we're Gilly.

1017
00:45:13,960 --> 00:45:15,400
Speaker 2: I think Chris might be better than get.

1018
00:45:15,800 --> 00:45:17,840
Speaker 3: Yeah, for sure. Chris Brown is definitely better than Gilly.

1019
00:45:17,920 --> 00:45:21,080
Speaker 3: He can't shoot better? Nah, shoot can He can definitely

1020
00:45:21,080 --> 00:45:23,160
Speaker 3: shoot that pill. So dam I'm sure we gonna start

1021
00:45:23,160 --> 00:45:24,200
Speaker 3: bringing you up a conversation.

1022
00:45:25,680 --> 00:45:30,319
Speaker 2: I'm gonna get my laid back. It's mentally now, bro,

1023
00:45:30,400 --> 00:45:32,040
Speaker 2: I feel like my leg is back, but mentally I'm

1024
00:45:32,080 --> 00:45:35,319
Speaker 2: not back yet. Yeah, I'm still hurt. Man, He ain't

1025
00:45:35,360 --> 00:45:37,560
Speaker 2: hurt Overen Gym. You know what I'm saying. On the

1026
00:45:37,680 --> 00:45:39,480
Speaker 2: day that I decided to stretch, you know, he.

1027
00:45:39,520 --> 00:45:40,680
Speaker 3: Did the same thing I did.

1028
00:45:44,800 --> 00:45:47,680
Speaker 2: Right here, walked home. How long was your recovery? Press?

1029
00:45:49,800 --> 00:45:50,520
Speaker 2: But how long would he?

1030
00:45:51,320 --> 00:45:52,040
Speaker 3: Could you not walk?

1031
00:45:52,120 --> 00:45:52,160
Speaker 4: For?

1032
00:45:52,800 --> 00:45:55,000
Speaker 2: I couldn't walk by myself for probably about a month.

1033
00:45:55,520 --> 00:45:58,640
Speaker 3: I had like five Did you go to the hospital

1034
00:45:58,719 --> 00:45:59,400
Speaker 3: after it happened?

1035
00:45:59,520 --> 00:46:01,440
Speaker 2: Yeah, and it was so bad? Ask him when he

1036
00:46:01,520 --> 00:46:03,080
Speaker 2: went to the hospital. I went to the hospital, but

1037
00:46:03,200 --> 00:46:03,920
Speaker 2: my insurance told me.

1038
00:46:04,360 --> 00:46:06,919
Speaker 1: I told him deceimmer right, and it was like, yeah,

1039
00:46:07,000 --> 00:46:09,560
Speaker 1: so doctors for you broke niggas we don't work right now.

1040
00:46:09,840 --> 00:46:11,600
Speaker 1: So we're back in office after the first year, So

1041
00:46:11,680 --> 00:46:13,120
Speaker 1: you know I had You know what I'm saying, I

1042
00:46:13,480 --> 00:46:15,200
Speaker 1: did my all rehab. You know what I'm saying, I

1043
00:46:15,320 --> 00:46:20,799
Speaker 1: was walking, sorry, bro, get insurance to the doctor that.

1044
00:46:20,840 --> 00:46:24,040
Speaker 3: Absolutely absolutely his tour.

1045
00:46:27,800 --> 00:46:30,680
Speaker 2: Careful man to the hospital.

1046
00:46:30,800 --> 00:46:32,920
Speaker 3: They tell you that today is crazy.

1047
00:46:34,320 --> 00:46:48,920
Speaker 6: With me, A sham got away, I said about.

1048
00:46:48,640 --> 00:47:00,520
Speaker 2: All they go somewhere, get it out the mug. Oh man,

1049
00:47:00,640 --> 00:47:02,000
Speaker 2: it's yeah getting hurt.

1050
00:47:05,160 --> 00:47:06,080
Speaker 3: I had to shoot.

1051
00:47:05,840 --> 00:47:09,880
Speaker 2: Brunish with a peg leg. I looked like Captain Barbosa

1052
00:47:09,920 --> 00:47:12,840
Speaker 2: bro walking through set. Dude, Literally, I had to shoot.

1053
00:47:13,400 --> 00:47:15,120
Speaker 2: We have five episodes left and then I had to

1054
00:47:15,160 --> 00:47:18,040
Speaker 2: go on tour. So yeah, I still win. I still

1055
00:47:18,040 --> 00:47:20,440
Speaker 2: did it. And that's something too like I don't care,

1056
00:47:20,440 --> 00:47:25,880
Speaker 2: I'm gonna get it done. But it definitely was a

1057
00:47:26,000 --> 00:47:27,440
Speaker 2: hill I had to get over and I was kind

1058
00:47:27,440 --> 00:47:29,040
Speaker 2: of in the lowest point of my life again. That's

1059
00:47:29,040 --> 00:47:31,440
Speaker 2: when this all this music came and all of it

1060
00:47:31,600 --> 00:47:33,799
Speaker 2: kind of turned me into the person I am now.

1061
00:47:33,840 --> 00:47:35,800
Speaker 2: And I would do it a billion times again to

1062
00:47:36,200 --> 00:47:39,560
Speaker 2: to be where I'm at today mentally, physically, spiritually. You know.

1063
00:47:39,640 --> 00:47:42,080
Speaker 2: I would turn my keys a million time again because

1064
00:47:42,120 --> 00:47:44,000
Speaker 2: I needed to sit down. That's everybody that knew me

1065
00:47:44,160 --> 00:47:46,080
Speaker 2: was saying. They're like, oh God, just telling you to

1066
00:47:46,120 --> 00:47:48,719
Speaker 2: take a minute too fast. Yeah, we got you could

1067
00:47:49,120 --> 00:47:49,719
Speaker 2: vacation brother.

1068
00:47:49,760 --> 00:47:52,239
Speaker 1: I would I would have with a rub And I'm like,

1069
00:47:52,360 --> 00:47:55,000
Speaker 1: could we could have figured something else out if I.

1070
00:47:56,719 --> 00:47:57,160
Speaker 2: Sit out?

1071
00:47:58,320 --> 00:48:04,480
Speaker 1: Yeah, I would have done. Oh god, listen, we know

1072
00:48:04,560 --> 00:48:06,520
Speaker 1: you a y man man. What you got coming up soon?

1073
00:48:06,600 --> 00:48:07,080
Speaker 1: For his brother?

1074
00:48:07,239 --> 00:48:10,040
Speaker 2: Hey man, I'm probably gonna go on tour maybe around

1075
00:48:10,040 --> 00:48:13,520
Speaker 2: April time. Still on grays Anatomy every Thursday. Please check

1076
00:48:13,600 --> 00:48:15,600
Speaker 2: that out and go get the albumever you good bye,

1077
00:48:15,640 --> 00:48:19,000
Speaker 2: the greatest breakup album of all time, and we're just

1078
00:48:19,040 --> 00:48:21,640
Speaker 2: gonna keep going. Shout out Naptown, Shout out you guys again.

1079
00:48:21,680 --> 00:48:24,920
Speaker 2: Congratulations for this man, thanks for having me. Let's just

1080
00:48:25,000 --> 00:48:26,920
Speaker 2: be the first to many for sure. Sure Brush, I

1081
00:48:27,000 --> 00:48:27,680
Speaker 2: appreciate you. Man.

1082
00:48:27,760 --> 00:48:29,359
Speaker 1: Keep killing it for show Man. Before we get out

1083
00:48:29,360 --> 00:48:30,640
Speaker 1: of here, be here and tell the people that can

1084
00:48:30,680 --> 00:48:31,319
Speaker 1: grab some merch.

1085
00:48:31,360 --> 00:48:32,960
Speaker 3: Shout Club five twenty dot com.

1086
00:48:33,080 --> 00:48:34,600
Speaker 1: Baby, you know of ours man. Shout out to the

1087
00:48:34,640 --> 00:48:36,440
Speaker 1: good people over at stock x Man. Shout out to

1088
00:48:36,520 --> 00:48:40,200
Speaker 1: boost Mobile Man. Chime making money moves, making money moves

1089
00:48:40,239 --> 00:48:42,120
Speaker 1: right here. Man. My boy got hurt. Still, we ain't

1090
00:48:42,120 --> 00:48:44,719
Speaker 1: got that money, you know the O. Listen, we appreciate y'all.

1091
00:48:44,760 --> 00:48:47,640
Speaker 1: Will catch y'll next time. Club five to twenty the

1092
00:48:47,840 --> 00:48:48,240
Speaker 1: volume