1 00:00:18,840 --> 00:00:22,680 Speaker 1: Guys, we went out to our listeners with a bigger 2 00:00:22,720 --> 00:00:24,439 Speaker 1: ass than we've ever done before. 3 00:00:24,560 --> 00:00:25,600 Speaker 2: This was big. 4 00:00:25,840 --> 00:00:30,440 Speaker 1: This came out of the idea that you couldn't figure 5 00:00:30,480 --> 00:00:33,280 Speaker 1: out what mister Feenie's accent was. 6 00:00:34,840 --> 00:00:36,520 Speaker 3: I have since though it's Norwegian. 7 00:00:36,680 --> 00:00:41,160 Speaker 2: Clearly. Yeah, I'm willing to hear it. I don't hope truth. 8 00:00:42,320 --> 00:00:44,720 Speaker 1: But yes, A lot of people emailed and said that 9 00:00:44,760 --> 00:00:47,199 Speaker 1: they had a lot of thoughts about your impressions, and 10 00:00:47,240 --> 00:00:50,400 Speaker 1: so we went out to them and requested that they 11 00:00:50,479 --> 00:00:54,040 Speaker 1: send us their takes on mister Feenie's accent. 12 00:00:54,200 --> 00:00:56,880 Speaker 4: Yeah, normally we just asked for their opinion on something. 13 00:00:57,040 --> 00:00:59,800 Speaker 4: This we asked them to put in significantly more work. 14 00:01:00,080 --> 00:01:03,760 Speaker 1: Yeah, we gotta perform, Yes, a lot of voice memos. 15 00:01:04,640 --> 00:01:07,000 Speaker 1: But I thought it would be fun to sort of 16 00:01:07,040 --> 00:01:12,840 Speaker 1: set the bar low. Thank you great to have you 17 00:01:12,840 --> 00:01:16,200 Speaker 1: guys try it first. So I wrote you a script. 18 00:01:16,840 --> 00:01:18,880 Speaker 1: You did a little bit of rehearsal, a little bit 19 00:01:18,920 --> 00:01:21,040 Speaker 1: of practice as to think it would. 20 00:01:20,800 --> 00:01:21,840 Speaker 3: Sound, did we not. 21 00:01:22,240 --> 00:01:22,800 Speaker 5: I couldn't. 22 00:01:22,840 --> 00:01:24,319 Speaker 3: I can't get I can't do it either. 23 00:01:24,640 --> 00:01:34,119 Speaker 1: I heard I heard Danielle just saying man, man man. 24 00:01:34,520 --> 00:01:36,560 Speaker 1: I just heard her saying it over and over and 25 00:01:36,680 --> 00:01:38,800 Speaker 1: so yes, so I wrote you guys each a little thing. 26 00:01:38,880 --> 00:01:40,360 Speaker 1: You will start it off, and then we will get 27 00:01:40,400 --> 00:01:44,240 Speaker 1: into some of the voice memos. But who who's willing 28 00:01:44,319 --> 00:01:46,360 Speaker 1: to throw themselves into the volcano first? 29 00:01:46,520 --> 00:01:47,600 Speaker 3: Who wants to go first? 30 00:01:48,560 --> 00:01:48,960 Speaker 2: I don't. 31 00:01:49,040 --> 00:01:50,720 Speaker 6: I'll get mine out of the way then, just because 32 00:01:50,800 --> 00:01:53,520 Speaker 6: so for I should. I want to preface this by saying, 33 00:01:54,200 --> 00:01:56,360 Speaker 6: one of the nightmares of any voiceover actor is being 34 00:01:56,400 --> 00:01:59,440 Speaker 6: sick and having to record. And I am sick, so 35 00:01:59,680 --> 00:02:03,640 Speaker 6: I'm excuse me. Well no, I'm just gonna I'm gonna 36 00:02:03,720 --> 00:02:05,640 Speaker 6: use it. And so mister Feenie. 37 00:02:05,800 --> 00:02:08,919 Speaker 3: Is a cult, okay, as a cult as he's talking. 38 00:02:08,960 --> 00:02:09,960 Speaker 3: So here we go. 39 00:02:11,120 --> 00:02:15,639 Speaker 7: I'm gonna get into it, mister Matthews. Mister Matthews, personally, 40 00:02:15,639 --> 00:02:18,120 Speaker 7: I believe that a man, no matter where he comes from, 41 00:02:18,280 --> 00:02:22,760 Speaker 7: chooses his own path. And you have chosen to smoke 42 00:02:22,800 --> 00:02:26,680 Speaker 7: cigarettes in between scenes and watch mash reruns all day. 43 00:02:27,000 --> 00:02:29,440 Speaker 7: So drop a pin, young man, and watch out from 44 00:02:29,480 --> 00:02:34,639 Speaker 7: may Azalea's man. 45 00:02:37,880 --> 00:02:40,000 Speaker 3: I I know I'm trying to get the cad and 46 00:02:40,040 --> 00:02:40,280 Speaker 3: that was that. 47 00:02:40,600 --> 00:02:43,400 Speaker 6: The thing is, I was watching phoene clips all morning 48 00:02:43,440 --> 00:02:47,239 Speaker 6: and Bill has a very specific cadence to and it's 49 00:02:47,360 --> 00:02:50,679 Speaker 6: almost like broken up fragments of the line. 50 00:02:51,320 --> 00:02:52,839 Speaker 3: That's exactly what I was gonna say. 51 00:02:52,919 --> 00:02:56,240 Speaker 6: And I think part of it, frankly, is just his 52 00:02:56,560 --> 00:02:58,640 Speaker 6: natural pattern of speech. And I think part of it 53 00:02:58,680 --> 00:03:00,639 Speaker 6: is sometimes Bill trying to remember his lines. 54 00:03:02,040 --> 00:03:04,160 Speaker 3: So I think he does. I think he would do 55 00:03:04,240 --> 00:03:06,560 Speaker 3: that often because he was always so good with his lines. 56 00:03:06,600 --> 00:03:08,720 Speaker 6: I think he kind of takes that actor pause occasionally 57 00:03:08,720 --> 00:03:11,239 Speaker 6: in between things, and so, uh, yeah, you got to 58 00:03:11,240 --> 00:03:12,320 Speaker 6: get the cadence down as well. 59 00:03:12,320 --> 00:03:13,680 Speaker 3: So I apologize for the voice. 60 00:03:13,680 --> 00:03:15,120 Speaker 6: It's not it wouldn't have sounded like that, and I'm 61 00:03:15,120 --> 00:03:16,919 Speaker 6: gonna do a better one when I'm healthy. 62 00:03:17,000 --> 00:03:17,359 Speaker 8: There you go. 63 00:03:17,760 --> 00:03:19,720 Speaker 3: That was pretty good. I'm pretty impressed. 64 00:03:20,600 --> 00:03:20,840 Speaker 2: Writer. 65 00:03:21,480 --> 00:03:27,520 Speaker 5: Yeah, it's it's easier if I if I think about 66 00:03:28,000 --> 00:03:32,840 Speaker 5: the rhythm, the way that the Bill Daniels would pause, 67 00:03:33,720 --> 00:03:38,160 Speaker 5: let his words land. It's all about the r s 68 00:03:38,840 --> 00:03:43,760 Speaker 5: and the a's. They can't be too short nor too long. 69 00:03:44,280 --> 00:03:51,400 Speaker 5: It's erudite, educated, it's upper class, but never English. 70 00:03:51,680 --> 00:03:53,320 Speaker 2: Well, listen, I wrote you a script. 71 00:03:53,360 --> 00:03:57,200 Speaker 3: You're you're you're using words. I'm trying. 72 00:03:57,480 --> 00:04:02,280 Speaker 2: I sent you a script just before we went on. 73 00:04:02,640 --> 00:04:04,160 Speaker 5: Miss miss mister Hunter. 74 00:04:04,880 --> 00:04:04,960 Speaker 8: No. 75 00:04:05,000 --> 00:04:06,640 Speaker 9: See, I can't even do it. How does he start 76 00:04:06,760 --> 00:04:11,839 Speaker 9: Hunter Hunter Hunter a h U and mister Hunter. If 77 00:04:11,880 --> 00:04:18,520 Speaker 9: you let people's perceptions of you dictate your behavior, you 78 00:04:18,560 --> 00:04:23,359 Speaker 9: will never grow as a person. Person, you will never 79 00:04:23,520 --> 00:04:25,279 Speaker 9: grow as a person. 80 00:04:25,520 --> 00:04:26,720 Speaker 3: Per Nope, can't do it. 81 00:04:26,760 --> 00:04:30,440 Speaker 10: A little bit irish it is, you will never grow 82 00:04:31,320 --> 00:04:35,640 Speaker 10: as a person. And if you keep losing that leather 83 00:04:35,839 --> 00:04:41,200 Speaker 10: jacket and forgetting that this show is a romp, you'll 84 00:04:41,240 --> 00:04:46,680 Speaker 10: be eating salad for one. Have some dignity, man, it's 85 00:04:46,800 --> 00:04:47,400 Speaker 10: so hard. 86 00:04:47,880 --> 00:04:50,480 Speaker 3: It can't. It's like if I if I keep going 87 00:04:50,520 --> 00:04:52,880 Speaker 3: over and over, I might find it, you know. But 88 00:04:52,920 --> 00:04:57,120 Speaker 3: it's it's it's tough. It's a tough it's a tough accent. 89 00:04:57,440 --> 00:05:00,120 Speaker 1: We do have a listener who has an opinion on 90 00:05:00,200 --> 00:05:04,240 Speaker 1: writers impression of mister Feenie. Let's listen to that. 91 00:05:04,279 --> 00:05:05,000 Speaker 2: This is Andy. 92 00:05:05,680 --> 00:05:07,720 Speaker 11: Hey, what's that pod? Mets World? My name is Andy. 93 00:05:07,720 --> 00:05:10,839 Speaker 11: I'm a huge fan. Love the show, listen to every episode. 94 00:05:11,000 --> 00:05:14,720 Speaker 11: But I realized I cannot do a Feenie impression, but 95 00:05:14,760 --> 00:05:18,680 Speaker 11: I can do a writer impression. 96 00:05:22,160 --> 00:05:23,559 Speaker 12: What matters is our plan. 97 00:05:24,200 --> 00:05:26,520 Speaker 13: No one cared who I was till I put on 98 00:05:26,560 --> 00:05:28,840 Speaker 13: the Mars, of course. 99 00:05:28,800 --> 00:05:29,520 Speaker 3: But just kidding. 100 00:05:30,000 --> 00:05:32,160 Speaker 11: Awesome show, love it, keep it going can't wait to 101 00:05:32,200 --> 00:05:33,000 Speaker 11: hear more episodes. 102 00:05:34,480 --> 00:05:35,479 Speaker 10: I definitely slipped in. 103 00:05:37,400 --> 00:05:43,120 Speaker 3: Threeper losing it's I expect you to talk, mister Matthews. No, 104 00:05:43,160 --> 00:05:46,600 Speaker 3: I expect you to die. I can't wait to hear 105 00:05:46,680 --> 00:05:48,159 Speaker 3: Danielle because I think it's gonna be spot on. 106 00:05:48,279 --> 00:05:50,480 Speaker 4: No, Honestly, here's the biggest problem. 107 00:05:50,520 --> 00:05:54,440 Speaker 3: I don't know that. Isn't it good? I didn't. I didn't. 108 00:05:54,600 --> 00:05:56,840 Speaker 3: I didn't listen to him at all. I didn't do it. 109 00:05:56,880 --> 00:05:58,800 Speaker 3: I didn't do the prep that I was supposed to do. 110 00:05:59,520 --> 00:06:02,159 Speaker 4: I want to, and then you know, I just didn't. 111 00:06:02,279 --> 00:06:05,159 Speaker 4: So I don't have his voice in my head. Now 112 00:06:05,160 --> 00:06:07,839 Speaker 4: I have your will, your impression in my head, and 113 00:06:07,880 --> 00:06:11,039 Speaker 4: I have writer's impression in my head. So I'm gonna 114 00:06:11,080 --> 00:06:12,640 Speaker 4: just I'm gonna close my eye. I have to close 115 00:06:12,640 --> 00:06:14,160 Speaker 4: my eyes but also read at the same time. So 116 00:06:14,200 --> 00:06:15,680 Speaker 4: I don't know exactly how that's gonna work. 117 00:06:15,720 --> 00:06:23,560 Speaker 14: But Ms Lawrence, to me, a real hero is someone 118 00:06:24,000 --> 00:06:27,600 Speaker 14: who does the right thing when the right thing isn't 119 00:06:28,040 --> 00:06:33,000 Speaker 14: the easy thing to do, like parking a car in 120 00:06:33,040 --> 00:06:37,560 Speaker 14: your garage and fistooning yourself in costume jewelry. 121 00:06:38,320 --> 00:06:47,480 Speaker 3: Isn't that right? Queen of Samsung like so British, very yeah, 122 00:06:47,560 --> 00:06:49,360 Speaker 3: it's the it's the only thing I've got. 123 00:06:49,800 --> 00:06:52,080 Speaker 15: All of us are dropping or actually Will did so much, 124 00:06:52,120 --> 00:06:54,719 Speaker 15: but both Danielle and I drop into this lower. 125 00:06:58,040 --> 00:07:00,520 Speaker 4: No one, I'm not gonna sound anything like Phoenie like this, 126 00:07:00,800 --> 00:07:04,919 Speaker 4: I mean yeah, well yeah. 127 00:07:04,760 --> 00:07:06,359 Speaker 6: Because he's he's told us how he came up with 128 00:07:06,400 --> 00:07:08,120 Speaker 6: the accent and how he was a kid from Brooklyn 129 00:07:08,160 --> 00:07:10,280 Speaker 6: and it was he didn't like his Brooklyn accent and 130 00:07:10,720 --> 00:07:13,760 Speaker 6: somehow landed on that, we landed on Winchester. 131 00:07:13,960 --> 00:07:14,480 Speaker 5: He was an. 132 00:07:14,440 --> 00:07:18,120 Speaker 15: Understood a play where they were doing Boston accents, and 133 00:07:18,200 --> 00:07:20,920 Speaker 15: so he it's it's. 134 00:07:20,280 --> 00:07:21,520 Speaker 3: Not a Boston accent. 135 00:07:21,560 --> 00:07:24,320 Speaker 10: It's like, no, it's it drifts a little out over 136 00:07:24,400 --> 00:07:26,040 Speaker 10: the Atlantic, just just a bit. 137 00:07:26,200 --> 00:07:26,400 Speaker 12: You know. 138 00:07:26,440 --> 00:07:30,040 Speaker 6: What's interesting is it's it's if you watch John Adams. 139 00:07:30,320 --> 00:07:34,080 Speaker 6: Strangely enough, if you watch the HBO miniseries John Adams, 140 00:07:34,120 --> 00:07:36,360 Speaker 6: lots of accents like this in John Adams because it's 141 00:07:36,400 --> 00:07:39,760 Speaker 6: like right as we're it's not quite the Americanized version 142 00:07:39,760 --> 00:07:43,880 Speaker 6: of Boston yet, even highbrow Boston. And it's not English 143 00:07:43,960 --> 00:07:46,920 Speaker 6: because we've separated from the call from so it's like 144 00:07:47,040 --> 00:07:49,440 Speaker 6: right in the middle. It's it's it's absolutely its own dialect, 145 00:07:49,520 --> 00:07:52,160 Speaker 6: which is it's really a difficult one to capture. 146 00:07:52,280 --> 00:07:53,920 Speaker 3: Is there anyone else who does it? 147 00:07:53,920 --> 00:07:54,000 Speaker 16: It? 148 00:07:54,080 --> 00:07:57,240 Speaker 3: Literally, anyone else in the world who sounds like that, Yes, Winchester, 149 00:07:58,640 --> 00:07:59,680 Speaker 3: and he really does. 150 00:07:59,800 --> 00:08:02,800 Speaker 6: And and then when what's funny is other characters on 151 00:08:02,920 --> 00:08:05,640 Speaker 6: Mash then try to emulate him as as a joke, 152 00:08:05,920 --> 00:08:07,520 Speaker 6: and the only one who can even come close to 153 00:08:07,560 --> 00:08:09,080 Speaker 6: doing it is Alan. All the all the other ones 154 00:08:09,120 --> 00:08:12,920 Speaker 6: sound British, so even the actors in Mash can't get 155 00:08:12,920 --> 00:08:13,720 Speaker 6: this accent down. 156 00:08:13,760 --> 00:08:17,000 Speaker 3: It is such a very specific type of because it 157 00:08:17,040 --> 00:08:20,760 Speaker 3: is it's not you're the a's are soft but long. 158 00:08:21,400 --> 00:08:25,560 Speaker 6: You're you're ending every You're you're hitting the consonants of 159 00:08:25,680 --> 00:08:31,120 Speaker 6: every last word you're saying, you know, festooned. He's always 160 00:08:31,120 --> 00:08:34,760 Speaker 6: he's always ending every word very man. It's like you're 161 00:08:34,800 --> 00:08:39,280 Speaker 6: always finishing every word hard, but the word itself is soft. 162 00:08:39,320 --> 00:08:42,319 Speaker 3: It's it's a weird lin It's very strange, definitely difficult. 163 00:08:42,600 --> 00:09:01,920 Speaker 1: D let's find out. Uh, let's start with Vanessa. Here's 164 00:09:01,960 --> 00:09:03,360 Speaker 1: our first true impression. 165 00:09:04,280 --> 00:09:06,200 Speaker 7: I do want to let it be known that I've 166 00:09:06,240 --> 00:09:10,560 Speaker 7: been walking around my house parked cod in the garden 167 00:09:11,200 --> 00:09:12,680 Speaker 7: all freaking day. 168 00:09:13,920 --> 00:09:14,960 Speaker 3: Okay, I don't have much time. 169 00:09:15,000 --> 00:09:15,920 Speaker 5: I'm gonna really try. 170 00:09:17,440 --> 00:09:22,440 Speaker 17: Mister Matthews, mister hunt Park your cod my garden. 171 00:09:23,600 --> 00:09:28,720 Speaker 9: Man, mad mad man. 172 00:09:30,400 --> 00:09:33,720 Speaker 6: Again, that's the thing is, it's so easy to get 173 00:09:33,800 --> 00:09:36,000 Speaker 6: caricatury with it, which poes. 174 00:09:37,559 --> 00:09:40,480 Speaker 4: It is so much easier though, to actually try to 175 00:09:40,600 --> 00:09:43,360 Speaker 4: just get down one line that he says instead of 176 00:09:43,600 --> 00:09:48,000 Speaker 4: instead of using words he didn't say. But like, yeah, 177 00:09:48,080 --> 00:09:50,200 Speaker 4: like if we could just listen to one loop of 178 00:09:50,280 --> 00:09:52,280 Speaker 4: him saying the same sentence over and over again, we 179 00:09:52,320 --> 00:09:55,320 Speaker 4: may get close to just say that that one sentence. 180 00:09:55,320 --> 00:09:58,400 Speaker 4: We could mimic that, but like actually taking it and 181 00:09:58,440 --> 00:10:01,120 Speaker 4: then putting other words in it, I don't know how. 182 00:10:01,000 --> 00:10:01,360 Speaker 3: To do it. 183 00:10:01,360 --> 00:10:03,120 Speaker 6: It is well once you I mean, that's the thing is, 184 00:10:03,520 --> 00:10:06,600 Speaker 6: once you have an accent down, you should be able 185 00:10:06,640 --> 00:10:08,000 Speaker 6: to say just about. 186 00:10:07,760 --> 00:10:11,560 Speaker 3: Anything into it. Yeah, getting this accent down is really difficult. 187 00:10:11,360 --> 00:10:14,160 Speaker 1: Would you say, like other actors like Christopher walking like 188 00:10:14,200 --> 00:10:15,600 Speaker 1: it's kind of similar. 189 00:10:15,160 --> 00:10:17,679 Speaker 3: To but no, because walking is just you know, it 190 00:10:17,840 --> 00:10:19,400 Speaker 3: is what it is and you just kind of do 191 00:10:19,480 --> 00:10:23,600 Speaker 3: it rhythm. Yeah, it's the cadence of the thing. 192 00:10:23,640 --> 00:10:25,960 Speaker 6: But again, even walking, like I just finished walking there 193 00:10:26,160 --> 00:10:26,880 Speaker 6: and it ended. 194 00:10:26,960 --> 00:10:28,560 Speaker 3: John Travolta from Greece. 195 00:10:29,160 --> 00:10:31,240 Speaker 1: So it's because I think you're doing everyone does then 196 00:10:31,240 --> 00:10:33,080 Speaker 1: impression of someone doing an impression of walking. 197 00:10:33,000 --> 00:10:34,440 Speaker 3: Exactly, and they do. 198 00:10:34,600 --> 00:10:37,680 Speaker 6: You know, I walked around with this up my five years, 199 00:10:37,760 --> 00:10:39,240 Speaker 6: you know, like that kind of it's so yeah, you 200 00:10:39,280 --> 00:10:41,400 Speaker 6: always do somebody doing walking right. 201 00:10:41,440 --> 00:10:44,880 Speaker 1: Well, here's Jessica. I actually tagged this as a good impression. 202 00:10:44,920 --> 00:10:45,719 Speaker 1: So let's see what I. 203 00:10:45,679 --> 00:10:49,440 Speaker 2: Thought, Matthews. Let me break it to you. 204 00:10:49,600 --> 00:10:53,439 Speaker 18: Impressions of old characters like myself are pooled. People look 205 00:10:53,480 --> 00:10:56,040 Speaker 18: at you and think, hey, there's a guy who probably 206 00:10:56,040 --> 00:10:59,080 Speaker 18: thinks yoga is a top of soup. But here's the kicker. 207 00:10:59,360 --> 00:11:03,480 Speaker 18: Underneath all that questionable fashion and general confusion. You do, 208 00:11:03,640 --> 00:11:07,160 Speaker 18: mister Matthews, have a heart of gold. It's just buried 209 00:11:07,200 --> 00:11:08,960 Speaker 18: under a mountain of I don't know what I'm doing 210 00:11:08,960 --> 00:11:12,679 Speaker 18: with my life, mister Peenie. And honestly, if arak can 211 00:11:12,720 --> 00:11:15,400 Speaker 18: survive middle school, I think you can survive a little judgment, 212 00:11:15,679 --> 00:11:18,319 Speaker 18: isn't It's. 213 00:11:18,960 --> 00:11:21,320 Speaker 4: The rhythm of that one is really good. 214 00:11:21,480 --> 00:11:23,800 Speaker 6: And it just made me realize we shouldn't we made 215 00:11:23,800 --> 00:11:25,920 Speaker 6: a huge mistake, and that we shouldn't have been watching 216 00:11:25,920 --> 00:11:27,760 Speaker 6: Boy Meets World clips to get this down. We should 217 00:11:27,760 --> 00:11:29,760 Speaker 6: have been watching night Rider because it's. 218 00:11:29,640 --> 00:11:34,120 Speaker 3: Just his voice. Yeah, it's there's it's just a voiceover. 219 00:11:34,280 --> 00:11:38,679 Speaker 15: Well, it's also I'm realizing there's a difference between absorbing 220 00:11:38,720 --> 00:11:41,480 Speaker 15: the accent and making it your own with your own voice, 221 00:11:41,520 --> 00:11:43,880 Speaker 15: and doing an impression of Bill Daniel's voice. Those are 222 00:11:44,120 --> 00:11:47,480 Speaker 15: kind of two different things, and like they're both hard, 223 00:11:47,760 --> 00:11:49,480 Speaker 15: but you know, I yeah. 224 00:11:49,280 --> 00:11:52,000 Speaker 3: It's you want to learn the accent. That's what you want. 225 00:11:52,040 --> 00:11:53,439 Speaker 6: You want to learn the accent because when you learn 226 00:11:53,440 --> 00:11:56,240 Speaker 6: the accent, then you can say anything. It's it's instead 227 00:11:56,240 --> 00:11:58,640 Speaker 6: of just doing a Bill Daniel again. Daniel's right. If 228 00:11:58,640 --> 00:12:00,360 Speaker 6: we just keep listening to one line over and over again, 229 00:12:00,400 --> 00:12:02,120 Speaker 6: we can mimic it. We can mimic it, but that's 230 00:12:02,160 --> 00:12:02,640 Speaker 6: not the same. 231 00:12:02,840 --> 00:12:08,120 Speaker 1: Now here's Ashley. She modernized mister Feenie in the classroom. 232 00:12:08,520 --> 00:12:13,800 Speaker 19: Gutenberg invented the printing press in fourteen fifty, making print 233 00:12:13,920 --> 00:12:17,040 Speaker 19: available to the mass. What do you mean you can't 234 00:12:17,040 --> 00:12:22,240 Speaker 19: hand me turn on your camera, mister Hunter, I still 235 00:12:22,280 --> 00:12:29,679 Speaker 19: can't see you. Zoomed attention, mister Matthews. 236 00:12:29,840 --> 00:12:33,160 Speaker 3: Zoom attention. But that's that's British. She went straight up 237 00:12:33,559 --> 00:12:37,199 Speaker 3: to British. Yeah, yeah, yeah, it's such a difficult line. 238 00:12:37,400 --> 00:12:40,040 Speaker 10: It's the ending of words with R that are really 239 00:12:40,080 --> 00:12:42,880 Speaker 10: hard because he actually does end with an American R, 240 00:12:43,200 --> 00:12:47,280 Speaker 10: but he gets there through a British like right fowl sound. 241 00:12:47,360 --> 00:12:50,559 Speaker 2: It's so, here is Christopher. 242 00:12:52,120 --> 00:12:54,599 Speaker 20: There is no greater aspiration than to have love in 243 00:12:54,640 --> 00:12:58,480 Speaker 20: our lives. Mister Matthews. Romeo knew it and died for it. 244 00:12:58,880 --> 00:13:02,920 Speaker 20: Others know it and prepare salads, and those that don't 245 00:13:02,960 --> 00:13:05,680 Speaker 20: know it will sit in detention for the rest of 246 00:13:05,720 --> 00:13:06,319 Speaker 20: their lives. 247 00:13:07,640 --> 00:13:08,840 Speaker 3: That's pretty cool, pretty good. 248 00:13:09,240 --> 00:13:14,600 Speaker 6: It's kind of Steve bloom doing uh, doing a cartoon 249 00:13:14,679 --> 00:13:15,480 Speaker 6: voice a little bit different. 250 00:13:15,559 --> 00:13:17,439 Speaker 3: Yeah, it's a little yeah. 251 00:13:17,600 --> 00:13:19,480 Speaker 2: I also tagged this one is a good impression. This 252 00:13:19,559 --> 00:13:20,079 Speaker 2: is Daniel. 253 00:13:20,280 --> 00:13:25,160 Speaker 21: Let's see, mister Matthews come here. I already have my hamlet. 254 00:13:25,920 --> 00:13:28,120 Speaker 21: He may bump into the scenery, he may talk like 255 00:13:28,120 --> 00:13:30,960 Speaker 21: a hay seed. Oh I know tomorrow, he may show 256 00:13:31,040 --> 00:13:35,840 Speaker 21: up in KABOOKI makeup. Nevertheless, he is my hamlet. I do, however, 257 00:13:35,960 --> 00:13:37,480 Speaker 21: have an opening for a spear carrier. 258 00:13:38,480 --> 00:13:47,480 Speaker 3: That's not bad. 259 00:13:45,120 --> 00:13:49,880 Speaker 6: For a speak car The carrier also the the timbers 260 00:13:49,960 --> 00:13:52,760 Speaker 6: right too, So it's he was right on that was 261 00:13:53,600 --> 00:13:54,120 Speaker 6: a good one. 262 00:13:54,200 --> 00:13:55,079 Speaker 3: That's a good one so far. 263 00:13:55,160 --> 00:13:57,320 Speaker 2: That's the winner so far, even it could be Daniel. 264 00:13:57,400 --> 00:13:58,400 Speaker 2: This is Carolina. 265 00:14:00,160 --> 00:14:02,439 Speaker 17: Eric parked his car my garden. 266 00:14:02,559 --> 00:14:03,240 Speaker 2: How you doing. 267 00:14:03,320 --> 00:14:05,800 Speaker 17: My name is Carolina. I've been a fan of the 268 00:14:05,800 --> 00:14:08,280 Speaker 17: Pod for the past few months now and I love 269 00:14:08,280 --> 00:14:10,680 Speaker 17: what you do and I love the pod and just 270 00:14:10,920 --> 00:14:13,240 Speaker 17: I hope you're having a great day. And that was 271 00:14:13,280 --> 00:14:16,839 Speaker 17: my Phoenie impression. Thank you for listening that. 272 00:14:20,000 --> 00:14:20,920 Speaker 3: I don't know that it was. 273 00:14:24,320 --> 00:14:28,200 Speaker 4: Or when she was saying car in the garden it 274 00:14:28,240 --> 00:14:29,200 Speaker 4: was it was closer. 275 00:14:29,360 --> 00:14:33,400 Speaker 2: Yeah, okay, here's Brendan. Hello. 276 00:14:33,600 --> 00:14:37,560 Speaker 12: Pod means world. This is George Foeney. No, I'm not British. 277 00:14:37,640 --> 00:14:41,560 Speaker 12: I'm from Boston. Man. I need some advice. I'm trying 278 00:14:41,600 --> 00:14:44,080 Speaker 12: to retire and move to Jackson Hole, but I can't 279 00:14:44,120 --> 00:14:47,840 Speaker 12: sell my house. The neighbor's kid parked his carn my garden. 280 00:14:48,560 --> 00:14:50,960 Speaker 12: I just want to move away and enjoy my twilight 281 00:14:51,080 --> 00:14:54,520 Speaker 12: years in peace and quiet with a good book, because 282 00:14:54,560 --> 00:14:56,280 Speaker 12: that's the way. Uhha uh huh. 283 00:14:56,480 --> 00:15:02,920 Speaker 3: I like it. 284 00:15:03,000 --> 00:15:05,240 Speaker 2: Does he actually ever say park the car a week? 285 00:15:05,320 --> 00:15:07,240 Speaker 3: Because now I know that's the one that can start 286 00:15:08,840 --> 00:15:11,400 Speaker 3: parked his car in my garden? 287 00:15:12,000 --> 00:15:14,400 Speaker 1: I've listened to so many impressions I can't I can't 288 00:15:14,440 --> 00:15:29,640 Speaker 1: remember what the real lines are, right, Yeah, okay, here 289 00:15:29,960 --> 00:15:34,920 Speaker 1: is Eric, mister Matthews, good to see you, Kettle in 290 00:15:34,960 --> 00:15:35,320 Speaker 1: the hand. 291 00:15:35,440 --> 00:15:38,560 Speaker 22: I'm building the fence just a little bit higher now. 292 00:15:38,600 --> 00:15:40,280 Speaker 22: I figured you, of all people, would want to help 293 00:15:40,360 --> 00:15:43,200 Speaker 22: build up the Great Wall of FENI otherwise you may 294 00:15:43,240 --> 00:15:47,680 Speaker 22: feel subjected to more academic propaganda thrown over your side 295 00:15:47,680 --> 00:15:49,360 Speaker 22: of the fence, as if it were a home of 296 00:15:49,440 --> 00:15:54,040 Speaker 22: scholastic warfare, as I've heard you refer to it. Besides, 297 00:15:54,080 --> 00:15:56,200 Speaker 22: with the fence a little bit higher, I'm able to 298 00:15:56,280 --> 00:15:59,840 Speaker 22: protect the mango tree from mister Matthews on hand that. 299 00:15:59,760 --> 00:16:00,640 Speaker 17: Man, go man. 300 00:16:06,680 --> 00:16:09,120 Speaker 3: I think Daniel still got it. Though Daniel was right on. 301 00:16:09,520 --> 00:16:12,680 Speaker 2: It'd be hard to beat. But here is Madison. 302 00:16:13,800 --> 00:16:16,560 Speaker 23: What Pod meets World. I think mister Feenie would be 303 00:16:16,560 --> 00:16:20,200 Speaker 23: really disappointed in me because I waited till last minute 304 00:16:20,200 --> 00:16:22,480 Speaker 23: to record this and send it in. So this is 305 00:16:22,520 --> 00:16:26,320 Speaker 23: my best impression of mister Feenie lecturing Corey and Seawn 306 00:16:26,400 --> 00:16:31,360 Speaker 23: for procrastinating. Mister Matthews, mister Hunt, if you spend your 307 00:16:31,360 --> 00:16:34,240 Speaker 23: whole life waiting till the last minute to complete something 308 00:16:34,760 --> 00:16:37,680 Speaker 23: you'll never live up to your true potential. Thanks for 309 00:16:37,760 --> 00:16:38,800 Speaker 23: listening to my impression. 310 00:16:39,120 --> 00:16:41,000 Speaker 19: Watch out will there's a new voice actor in town. 311 00:16:41,080 --> 00:16:41,520 Speaker 11: Let you guys. 312 00:16:45,160 --> 00:16:48,120 Speaker 1: Can I tell you that a lot of people when 313 00:16:48,120 --> 00:16:51,160 Speaker 1: they got to that, they like it does help them 314 00:16:51,160 --> 00:16:54,200 Speaker 1: a lot. It's that like it's the one we just 315 00:16:54,200 --> 00:16:54,480 Speaker 1: listened to. 316 00:16:54,560 --> 00:16:57,440 Speaker 2: It's like you know what I'm talking about? 317 00:16:57,600 --> 00:16:59,640 Speaker 3: Yes, so yeah, and again that's it. 318 00:16:59,680 --> 00:17:01,760 Speaker 6: That's it tactic that voice actors use all the time. 319 00:17:02,560 --> 00:17:04,119 Speaker 6: Uh you know so, I remember when we were doing 320 00:17:04,160 --> 00:17:06,520 Speaker 6: Kim Possible, Johnny Demagio would always just have to say 321 00:17:06,520 --> 00:17:08,120 Speaker 6: one word. He'd just say the name of the bad 322 00:17:08,160 --> 00:17:10,200 Speaker 6: guy goes she go, and he'd be right into characters. 323 00:17:10,600 --> 00:17:12,080 Speaker 6: But you'd have to do that every time and then 324 00:17:12,119 --> 00:17:14,520 Speaker 6: boom the character's back and you can just get into it. So, yeah, 325 00:17:14,560 --> 00:17:17,399 Speaker 6: you can find those little things like uh, well, I mean, 326 00:17:17,440 --> 00:17:19,520 Speaker 6: perfect example, when we talk about Michael Jacobs went over 327 00:17:19,520 --> 00:17:21,280 Speaker 6: and go ba ba ba bah bah bah that if 328 00:17:21,320 --> 00:17:22,760 Speaker 6: we say it like that, then all of a sudden 329 00:17:22,800 --> 00:17:24,840 Speaker 6: you kind of get Michael Kadens and then you're him. 330 00:17:25,480 --> 00:17:27,760 Speaker 6: So you can have those little flags that will that'll 331 00:17:27,760 --> 00:17:28,639 Speaker 6: get you into the character. 332 00:17:28,960 --> 00:17:30,280 Speaker 2: Well, here's Brad. 333 00:17:31,760 --> 00:17:37,800 Speaker 24: Mister Matthews, we had an agreement. I have festooned myself 334 00:17:38,440 --> 00:17:43,719 Speaker 24: in costume jewelry, I have swilled your faux tea, and 335 00:17:43,760 --> 00:17:47,320 Speaker 24: now I must insist that you hold up your end 336 00:17:47,400 --> 00:17:50,920 Speaker 24: of the bargain. For the love of God, Man send 337 00:17:51,000 --> 00:17:59,920 Speaker 24: me my wet the T shirtel Daniel. 338 00:17:59,119 --> 00:18:06,040 Speaker 6: I have to have a Phoenie off between That's okay, 339 00:18:06,080 --> 00:18:07,760 Speaker 6: all right, so far we got Brad and Daniel in 340 00:18:07,800 --> 00:18:08,480 Speaker 6: the running. 341 00:18:08,880 --> 00:18:10,560 Speaker 2: Okay, a couple left. Here's Ryan. 342 00:18:12,480 --> 00:18:16,080 Speaker 8: Good morning, mister Matthews. I just wanted to let you 343 00:18:16,200 --> 00:18:20,439 Speaker 8: know a little history about myself. First of all, I 344 00:18:20,560 --> 00:18:24,320 Speaker 8: was born in nineteen twenty seven, coming out of a 345 00:18:24,400 --> 00:18:28,080 Speaker 8: worldwide pandemic. And I was born in the back of 346 00:18:28,119 --> 00:18:31,520 Speaker 8: a car, in the back of a cheers bar. And 347 00:18:31,560 --> 00:18:34,200 Speaker 8: that's all you need to know for right now. 348 00:18:34,960 --> 00:18:37,720 Speaker 2: Tootles, that was really good. 349 00:18:37,840 --> 00:18:40,040 Speaker 3: That was really good. I don't think it's better than 350 00:18:40,200 --> 00:18:41,240 Speaker 3: Daniel or Brad. 351 00:18:41,520 --> 00:18:46,960 Speaker 14: Is high, yes, but them is good. 352 00:18:47,040 --> 00:18:47,359 Speaker 2: Yes, right. 353 00:18:47,960 --> 00:18:50,479 Speaker 1: Ryan felt like it was Phoene doing a news report 354 00:18:50,600 --> 00:18:51,600 Speaker 1: in this one totally. 355 00:18:52,160 --> 00:18:52,600 Speaker 8: It's a. 356 00:18:56,640 --> 00:18:57,600 Speaker 3: Is that what it sounds like? 357 00:18:57,600 --> 00:18:57,639 Speaker 12: Like? 358 00:18:57,720 --> 00:19:04,479 Speaker 6: What in nineteen thirty Yeah, that's Cowieyeah, invade Poland. Mister Mathews, 359 00:19:04,520 --> 00:19:06,200 Speaker 6: mister Hunter. Now, if that's the way it's supposed to be, 360 00:19:06,240 --> 00:19:07,679 Speaker 6: then maybe by the thirties. If you do it like that, 361 00:19:07,680 --> 00:19:08,400 Speaker 6: then maybe that comes. 362 00:19:08,520 --> 00:19:10,720 Speaker 3: But then take that and throw it down. 363 00:19:10,920 --> 00:19:13,320 Speaker 15: Now if you slow it down, mister math and you 364 00:19:13,400 --> 00:19:14,879 Speaker 15: might land somewhere. 365 00:19:15,200 --> 00:19:19,560 Speaker 6: Mister you, if you do not know what's going, maybe 366 00:19:19,560 --> 00:19:22,000 Speaker 6: that's how you do it the night again, because if 367 00:19:22,000 --> 00:19:23,719 Speaker 6: you do it fast, it is the nineteenth and look 368 00:19:23,720 --> 00:19:24,800 Speaker 6: at it. 369 00:19:24,920 --> 00:19:27,080 Speaker 3: Oh my women with a job, what will happen next? 370 00:19:28,760 --> 00:19:32,080 Speaker 3: So if you do it like that, maybe okay, alright, 371 00:19:32,280 --> 00:19:34,360 Speaker 3: all right, you're ways to back and. 372 00:19:34,320 --> 00:19:37,840 Speaker 2: Do it yea behavior And here is Carolyn. 373 00:19:39,520 --> 00:19:42,960 Speaker 17: I have to buy some beer at Walmart, so I 374 00:19:43,040 --> 00:19:45,959 Speaker 17: must park the car so then I get home and 375 00:19:45,960 --> 00:19:47,000 Speaker 17: can stoop boon. 376 00:19:49,040 --> 00:19:51,560 Speaker 4: It's too hard for me to decide if that sounds 377 00:19:51,640 --> 00:19:56,600 Speaker 4: like it, because those are things Phoenie would never say. 378 00:19:56,680 --> 00:20:01,040 Speaker 1: So I wrote a note. I wrote, this is either 379 00:20:01,119 --> 00:20:02,520 Speaker 1: Foene or Forest Gun. 380 00:20:02,960 --> 00:20:04,679 Speaker 3: Well, you know you know who It sounds exactly like. 381 00:20:04,720 --> 00:20:09,640 Speaker 6: It sounds exactly like the the uh Warden from Cool. 382 00:20:09,440 --> 00:20:11,600 Speaker 2: Hand Luke, Oh, yes, yes, yeah, yeah. 383 00:20:11,640 --> 00:20:14,399 Speaker 6: Who's in the Motley or not Motley Crue Guns and 384 00:20:14,480 --> 00:20:16,879 Speaker 6: Roses song? What we've got here is a failure to 385 00:20:17,000 --> 00:20:19,560 Speaker 6: communicate sounds just like that one similar. 386 00:20:20,240 --> 00:20:24,000 Speaker 2: Here is Aaron who took a completely different turn on it. Hey, 387 00:20:24,000 --> 00:20:24,800 Speaker 2: Pod meets World. 388 00:20:24,840 --> 00:20:27,480 Speaker 16: This is Aaron calling from Vancouver, British Columbia. 389 00:20:28,200 --> 00:20:29,640 Speaker 2: This is my dramatic. 390 00:20:29,200 --> 00:20:32,520 Speaker 17: Reading of mister Feeney doing the Little Mermaid. 391 00:20:33,200 --> 00:20:42,120 Speaker 4: Some friend you turned out to be Sebastian. 392 00:20:42,280 --> 00:20:46,640 Speaker 3: Much some friend. That is great, you turned out to. 393 00:20:46,560 --> 00:20:53,000 Speaker 2: Be the leaders we have just too left. Here is Emily. 394 00:20:55,040 --> 00:20:59,159 Speaker 13: But god, I have had this Congress for ten years. 395 00:20:59,280 --> 00:21:04,280 Speaker 13: King George, Parliament have gold colleyed and dentle these colonies, 396 00:21:04,680 --> 00:21:08,480 Speaker 13: and still this Congress refuses to grant any of my 397 00:21:08,560 --> 00:21:11,760 Speaker 13: proposals on independence, even so much as the courtesy of 398 00:21:11,800 --> 00:21:15,399 Speaker 13: open debate. Good god, what the hell are they waiting for? 399 00:21:18,880 --> 00:21:19,080 Speaker 18: Yeah? 400 00:21:19,119 --> 00:21:24,840 Speaker 20: It was such a good movie, Adams. 401 00:21:25,880 --> 00:21:29,679 Speaker 1: Yeah, all right, our last one, This is our last 402 00:21:29,760 --> 00:21:31,840 Speaker 1: attempt to beat our two leaders right now. 403 00:21:31,840 --> 00:21:33,600 Speaker 2: But this is Marissa. 404 00:21:34,400 --> 00:21:36,600 Speaker 16: Hello, upon meets World. My name is Marissa, and this 405 00:21:36,720 --> 00:21:38,240 Speaker 16: is my impression of mister Feenie. 406 00:21:38,600 --> 00:21:40,080 Speaker 2: How funny would it be if it's perfect? 407 00:21:41,800 --> 00:21:43,880 Speaker 3: Bill Daniels, It's like, oh man. 408 00:21:44,680 --> 00:21:47,879 Speaker 16: You know, back in my day, we didn't have social 409 00:21:47,960 --> 00:21:52,879 Speaker 16: media or iPhones. We would have broidery, dial phones and 410 00:21:52,920 --> 00:21:57,440 Speaker 16: a little something called nature. Go outside and explore it. 411 00:22:00,920 --> 00:22:04,399 Speaker 3: Touch grass. I want to go home and stoop. 412 00:22:05,560 --> 00:22:06,920 Speaker 2: So do we listen to the. 413 00:22:07,680 --> 00:22:10,960 Speaker 3: Yeah, Daniel and Brad, Daniel and Brad yep, Brad. 414 00:22:10,720 --> 00:22:17,920 Speaker 24: First, mister Matthews, we had an agreement. I have festooned 415 00:22:18,200 --> 00:22:23,800 Speaker 24: myself in costume jewelry. I have swilled your faux tea, 416 00:22:24,680 --> 00:22:28,040 Speaker 24: and now I must insist that you hold up your 417 00:22:28,280 --> 00:22:31,000 Speaker 24: end of the bargain. For the love of God, man 418 00:22:31,760 --> 00:22:34,159 Speaker 24: send me my wet the T shirt. 419 00:22:35,040 --> 00:22:38,000 Speaker 3: Okay, very good, good, it's very good. 420 00:22:38,359 --> 00:22:39,119 Speaker 2: Here is Daniel. 421 00:22:40,640 --> 00:22:44,840 Speaker 21: Mister Matthews, come here. I already have my hamlet. He 422 00:22:44,880 --> 00:22:47,040 Speaker 21: may bump into the scenery. He may talk like a 423 00:22:47,040 --> 00:22:49,919 Speaker 21: hay seed, for I know tomorrow he may show up 424 00:22:49,920 --> 00:22:54,639 Speaker 21: in KABOOKI makeup. Nevertheless, he is my hamlet. I do, however, 425 00:22:54,760 --> 00:22:56,280 Speaker 21: have an opening for spear carrier. 426 00:22:58,640 --> 00:23:03,000 Speaker 6: Both of those are so good, amazing. Listen to Brad 427 00:23:03,359 --> 00:23:05,000 Speaker 6: say bargain one more time. 428 00:23:06,359 --> 00:23:12,400 Speaker 24: Mister Matthews, we had an agreement. I have festooned myself 429 00:23:13,040 --> 00:23:18,320 Speaker 24: in costume jewelry. I have swilled your faux tea, and 430 00:23:18,400 --> 00:23:21,960 Speaker 24: now I must insist that you hold up your end 431 00:23:22,000 --> 00:23:22,720 Speaker 24: of the bargain. 432 00:23:24,760 --> 00:23:27,439 Speaker 3: It's likely good, perfect, it's really good. 433 00:23:27,840 --> 00:23:28,960 Speaker 4: All right, one more time I want to hear the 434 00:23:29,000 --> 00:23:32,720 Speaker 4: other one one more time to yeah, we go, mister Matthews, 435 00:23:32,760 --> 00:23:33,280 Speaker 4: come here. 436 00:23:33,840 --> 00:23:37,320 Speaker 21: I already have my hamlet. He may bump into the scenery. 437 00:23:37,400 --> 00:23:40,560 Speaker 21: He may talk like a hay seed. Oh I know tomorrow, 438 00:23:40,600 --> 00:23:43,520 Speaker 21: he may show up in KABOOKI makeup. Nevertheless, he is 439 00:23:43,560 --> 00:23:46,720 Speaker 21: my hamlet. I do, however, have an opening for a 440 00:23:46,800 --> 00:23:47,480 Speaker 21: spear carrier. 441 00:23:48,280 --> 00:23:51,920 Speaker 3: Ash is the best? No, you see, I think it's 442 00:23:51,920 --> 00:23:54,359 Speaker 3: the first one. I think it's Brad and you'll to. 443 00:23:54,359 --> 00:23:55,000 Speaker 2: Break the tie. 444 00:23:55,200 --> 00:23:57,159 Speaker 3: Oh my gosh, this is really too tough. Can we 445 00:23:57,200 --> 00:23:59,200 Speaker 3: send them both a T shirt? Because they're both great? 446 00:23:59,640 --> 00:24:00,760 Speaker 3: Here here's what I would say. 447 00:24:00,880 --> 00:24:05,000 Speaker 6: The second one sounds a little more posh British, almost 448 00:24:05,080 --> 00:24:08,679 Speaker 6: like if Feenie were c three po as opposed to 449 00:24:08,760 --> 00:24:11,840 Speaker 6: the first one, which to me sounded like Bill's accent. 450 00:24:12,080 --> 00:24:13,560 Speaker 4: You know what I'll say, you know what I think? 451 00:24:13,600 --> 00:24:16,480 Speaker 4: What what the difference is? I think the second one, 452 00:24:17,359 --> 00:24:18,720 Speaker 4: who's which is Daniel? 453 00:24:18,800 --> 00:24:18,960 Speaker 2: Right? 454 00:24:19,280 --> 00:24:20,200 Speaker 3: Yeah? 455 00:24:20,280 --> 00:24:25,359 Speaker 4: I think Daniel is a slightly better actor than Brad. 456 00:24:25,880 --> 00:24:28,920 Speaker 4: So what we're what what we're that we love about 457 00:24:29,040 --> 00:24:33,000 Speaker 4: Daniels is that it really does sound like he even 458 00:24:33,000 --> 00:24:36,359 Speaker 4: holds for laughs. So the cadence is really good and 459 00:24:36,400 --> 00:24:40,360 Speaker 4: there's like an a real actor element to it. And 460 00:24:40,520 --> 00:24:43,760 Speaker 4: but I think Brad's accent is a little better, but 461 00:24:43,800 --> 00:24:47,680 Speaker 4: it's not delivered as well as Daniels. 462 00:24:47,720 --> 00:24:51,800 Speaker 3: So what's the question. Are we looking for Fenie impression? 463 00:24:53,440 --> 00:24:58,240 Speaker 6: Okay, if it's best Feenie impression, I don't know. 464 00:24:57,880 --> 00:24:59,120 Speaker 3: I'm gonna stick with. 465 00:24:59,040 --> 00:25:00,720 Speaker 6: My original, and I think I think Riders stick it 466 00:25:00,720 --> 00:25:02,320 Speaker 6: with his too. So Danielle, you're going to have to 467 00:25:02,320 --> 00:25:05,440 Speaker 6: break the tie because I think I think Brad with 468 00:25:05,480 --> 00:25:07,280 Speaker 6: some of those words, I think they're spot. 469 00:25:07,040 --> 00:25:08,120 Speaker 3: On, especially the start. 470 00:25:08,160 --> 00:25:10,280 Speaker 6: Can you play just the opening, just the mister Matthews 471 00:25:10,280 --> 00:25:15,240 Speaker 6: one more time for for Brad, mister Matthews, Now play it, 472 00:25:15,320 --> 00:25:17,120 Speaker 6: Now play it again for daniel. 473 00:25:17,600 --> 00:25:19,040 Speaker 21: Mister Matthews, come here. 474 00:25:21,119 --> 00:25:25,560 Speaker 6: It's tough, But I think the cadence of Brad's mister Matthews, 475 00:25:25,800 --> 00:25:28,080 Speaker 6: I think is like I see Bill doing that. 476 00:25:28,560 --> 00:25:32,560 Speaker 14: Yeah, it's so tough. 477 00:25:32,720 --> 00:25:33,200 Speaker 2: It is tough. 478 00:25:33,200 --> 00:25:35,439 Speaker 3: They're both great. They're both great, way better than I 479 00:25:35,480 --> 00:25:35,720 Speaker 3: can do. 480 00:25:36,080 --> 00:25:39,639 Speaker 4: I refuse to select only one. They both win, and 481 00:25:39,680 --> 00:25:41,200 Speaker 4: I would like to send them both a T shirt. 482 00:25:41,280 --> 00:25:44,000 Speaker 4: We don't have what the T shirt, but. 483 00:25:46,119 --> 00:25:47,240 Speaker 3: Will send just something. 484 00:25:47,720 --> 00:25:50,919 Speaker 2: I don't have a vote. I would have picked Daniel. Okay, 485 00:25:51,520 --> 00:25:52,400 Speaker 2: I don't have a vote. 486 00:25:52,200 --> 00:25:53,240 Speaker 3: Though, Is that the same one? 487 00:25:53,359 --> 00:25:53,520 Speaker 2: Wait? 488 00:25:53,560 --> 00:25:54,160 Speaker 3: Wait, who. 489 00:25:56,520 --> 00:25:57,159 Speaker 2: Picked Daniel? 490 00:25:58,280 --> 00:26:01,280 Speaker 1: My not my not my game though. Yeah, guys, I 491 00:26:01,320 --> 00:26:04,879 Speaker 1: want to thank everyone who's sent in. Man, this was 492 00:26:04,960 --> 00:26:07,560 Speaker 1: a big ask from everybody and we got hundreds. Again, 493 00:26:08,960 --> 00:26:12,600 Speaker 1: if you are either Brad or Daniel, just use your 494 00:26:12,600 --> 00:26:16,120 Speaker 1: old email and reply again so I see it. Send 495 00:26:16,119 --> 00:26:18,080 Speaker 1: you a T shirt and we appreciate it so much 496 00:26:18,160 --> 00:26:21,000 Speaker 1: and hopefully we'll get another voice memo show coming. 497 00:26:21,400 --> 00:26:24,919 Speaker 4: Yes, thank you so much everyone. You guys blew us 498 00:26:24,920 --> 00:26:28,240 Speaker 4: away as per us. Thank you all for joining us 499 00:26:28,280 --> 00:26:30,359 Speaker 4: for this episode of Pod Meets World. As always, you 500 00:26:30,359 --> 00:26:32,720 Speaker 4: can follow us on Instagram pod meets World Show. You 501 00:26:32,760 --> 00:26:35,240 Speaker 4: can send us your emails podmeets World Show at gmail 502 00:26:35,280 --> 00:26:37,080 Speaker 4: dot com and we've. 503 00:26:36,880 --> 00:26:40,040 Speaker 3: Got merch buy some merchman. 504 00:26:40,119 --> 00:26:43,480 Speaker 4: Podmeetsworldshow dot com will send us out. 505 00:26:43,800 --> 00:26:45,480 Speaker 3: We love you all, pod dismissed. 506 00:26:46,840 --> 00:26:49,600 Speaker 6: Pod Meets World is nheart podcast producer and hosted by 507 00:26:49,680 --> 00:26:53,800 Speaker 6: Daniel Fischel, Wilfordell and Ryder Strong. Executive producers Jensen Karp 508 00:26:53,880 --> 00:26:57,159 Speaker 6: and Amy Sugarman, Executive in charge of production, Danielle Romo, 509 00:26:57,480 --> 00:27:01,160 Speaker 6: producer and editor, tarasudbacksh Maddie Moore. 510 00:27:01,200 --> 00:27:03,560 Speaker 3: Engineer, and Boy Meets World super fan Easton Allen. 511 00:27:03,800 --> 00:27:05,960 Speaker 6: Our theme song is by Kyle Morton of Typhoon and 512 00:27:06,000 --> 00:27:08,440 Speaker 6: you can follow us on Instagram at Podmets World Show 513 00:27:08,720 --> 00:27:13,280 Speaker 6: or email us at Podmets Worldshow at gmail dot com