1 00:00:00,320 --> 00:00:03,880 Speaker 1: Hello the Internet, and welcome to this episode of no 2 00:00:04,040 --> 00:00:07,320 Speaker 1: Res Trends to Get Excited. 3 00:00:07,440 --> 00:00:08,880 Speaker 2: This courtesy of Max. 4 00:00:08,600 --> 00:00:13,760 Speaker 1: Are on the Discord A little along the Watchtower, no 5 00:00:14,360 --> 00:00:18,880 Speaker 1: Trends to Get x Excited, Max R. 6 00:00:19,520 --> 00:00:20,280 Speaker 2: Who did it better? 7 00:00:20,440 --> 00:00:21,200 Speaker 1: Who did it better? 8 00:00:21,640 --> 00:00:21,840 Speaker 3: Mere? 9 00:00:21,920 --> 00:00:23,360 Speaker 1: Jimmy? Who do you think? Uh? 10 00:00:23,480 --> 00:00:25,760 Speaker 2: Wait, isn't it? But Bob Dylan wrote it? Right? 11 00:00:25,880 --> 00:00:29,080 Speaker 1: Bob Dylan wrote it, Jimmy performed it, and so did 12 00:00:29,240 --> 00:00:33,800 Speaker 1: Dave Matthews Band, which I have to admit I'm a 13 00:00:33,800 --> 00:00:37,800 Speaker 1: little more familiar with the Dave Matthews Band of it from. 14 00:00:37,920 --> 00:00:38,640 Speaker 2: Live at the Red Brock. 15 00:00:38,720 --> 00:00:41,720 Speaker 4: Did he really be like there must be some way 16 00:00:41,920 --> 00:00:48,559 Speaker 4: out of here, like Matthews exactly. 17 00:00:49,640 --> 00:00:54,040 Speaker 2: Somewhere addle headdle here up, don't go. 18 00:00:54,400 --> 00:00:57,400 Speaker 1: To the deep? Wow? 19 00:00:58,000 --> 00:01:04,399 Speaker 2: All right, I don't even think together? Yeah, lice to 20 00:01:04,440 --> 00:01:08,200 Speaker 2: go high love. The man has. 21 00:01:07,959 --> 00:01:11,759 Speaker 1: Vocal range, having any vocal range, he's got like funny 22 00:01:11,840 --> 00:01:15,319 Speaker 1: voice vocal range, like he's doing Muppet voices up there, 23 00:01:15,680 --> 00:01:20,720 Speaker 1: and god bless you know. Yep, forty thousand drunk teenagers 24 00:01:20,760 --> 00:01:21,440 Speaker 1: can't be wrong. 25 00:01:21,959 --> 00:01:24,760 Speaker 2: Nope, they never can be Never. Did we say who 26 00:01:24,800 --> 00:01:28,039 Speaker 2: we are? No? I think we're just I and you're 27 00:01:28,080 --> 00:01:28,800 Speaker 2: Jimmy Hendrix. 28 00:01:29,800 --> 00:01:35,200 Speaker 1: I'm David David Matthews, and these well, these miles are 29 00:01:35,240 --> 00:01:39,000 Speaker 1: some things that are trending. They got him, They got 30 00:01:39,040 --> 00:01:41,000 Speaker 1: a speaker, Baby, they did it, folks. 31 00:01:41,240 --> 00:01:45,240 Speaker 4: They settled on someone who had all of the requisite 32 00:01:45,319 --> 00:01:49,640 Speaker 4: qualities to be the Republican Speaker of the House. Insurrectionist 33 00:01:50,160 --> 00:01:59,440 Speaker 4: chack islamophobe, chack, yeah, homophobe, oh yeah, xenophobe. Oh yeah, 34 00:01:59,560 --> 00:02:04,600 Speaker 4: we'd check this. Yeah, I mean, it's it's the typical 35 00:02:04,600 --> 00:02:07,720 Speaker 4: thing of like marijuana will make you what's the first 36 00:02:07,760 --> 00:02:12,080 Speaker 4: puff is marijuana, the second one is heroin. But yeah, 37 00:02:12,120 --> 00:02:16,240 Speaker 4: Mike Johnson from Louisiana, who some people describe as just 38 00:02:16,320 --> 00:02:19,160 Speaker 4: Jim Jordan, like in a suit Jim. 39 00:02:19,120 --> 00:02:23,320 Speaker 1: Jordan, but he like wears glasses, he like looks boring, 40 00:02:25,320 --> 00:02:29,000 Speaker 1: and that it really feels like they have like that 41 00:02:29,200 --> 00:02:32,400 Speaker 1: is the calculation. He's like far right extremist, but he 42 00:02:32,560 --> 00:02:37,120 Speaker 1: looks like he's not. Maybe he looks like just a lawyer, 43 00:02:37,160 --> 00:02:40,080 Speaker 1: which he is a lawyer and in fact was like 44 00:02:40,120 --> 00:02:44,760 Speaker 1: one of the big proponents of getting Republicans behind Trump's 45 00:02:45,320 --> 00:02:47,320 Speaker 1: attempt to overturn the. 46 00:02:47,280 --> 00:02:50,760 Speaker 4: T So this guy's this guy's he's again, he's got 47 00:02:50,760 --> 00:02:56,480 Speaker 4: the requisite qualities again, his character check lower than snake nipples. 48 00:02:57,160 --> 00:03:00,160 Speaker 1: Snake nipples, that boy from the Louisiana. 49 00:03:00,520 --> 00:03:02,400 Speaker 2: We'll see what I mean, we'll see what this guy does. 50 00:03:02,639 --> 00:03:04,760 Speaker 2: It's it's gonna be predictable. 51 00:03:04,840 --> 00:03:08,040 Speaker 4: It's it's gonna be fucking chaos. But hey, they came together, 52 00:03:08,080 --> 00:03:09,440 Speaker 4: and who knows how long he will last? 53 00:03:09,760 --> 00:03:12,839 Speaker 1: There is you know, yeah, it's it feels like it's 54 00:03:12,880 --> 00:03:20,040 Speaker 1: just pure exhaustion embarrassment. Like they heard people repeatedly saying like, wow, 55 00:03:20,200 --> 00:03:23,880 Speaker 1: they really seem like their party might be on the 56 00:03:23,960 --> 00:03:27,080 Speaker 1: verge of collapse. They can't even go for someone, and 57 00:03:27,080 --> 00:03:29,840 Speaker 1: they were like, why don't we get behind the worst, 58 00:03:30,600 --> 00:03:33,000 Speaker 1: the worst one who kind of looks like he's not 59 00:03:33,680 --> 00:03:34,480 Speaker 1: a crazy person. 60 00:03:34,800 --> 00:03:37,760 Speaker 4: So yeah, I mean it's this is like he was 61 00:03:37,800 --> 00:03:40,760 Speaker 4: also remembering their time of like expunging Donald Trump's like 62 00:03:40,840 --> 00:03:43,040 Speaker 4: record and ship. He was like one of the people 63 00:03:43,080 --> 00:03:48,560 Speaker 4: pushing for that. So yep, there it is. So we'll 64 00:03:48,600 --> 00:03:51,280 Speaker 4: see what's what, We'll see how little is done and 65 00:03:51,400 --> 00:03:53,320 Speaker 4: who knows if there's a shutdown coming up. 66 00:03:53,360 --> 00:03:58,400 Speaker 1: But hey, they said you want some coke, there it 67 00:03:58,480 --> 00:03:58,760 Speaker 1: is there. 68 00:03:58,760 --> 00:04:00,080 Speaker 2: It is through him. 69 00:04:00,120 --> 00:04:00,920 Speaker 1: Of coke on the ground. 70 00:04:02,120 --> 00:04:04,160 Speaker 2: That's a reference to the departed. 71 00:04:04,360 --> 00:04:07,680 Speaker 1: So people the pilot who turned off the engine, the 72 00:04:07,800 --> 00:04:11,960 Speaker 1: fuel supply to the engine, off duty pilot, off duty, 73 00:04:12,120 --> 00:04:14,280 Speaker 1: offtuty pilot. He was not the pilot of the plane. 74 00:04:14,280 --> 00:04:16,000 Speaker 1: He was off duty, was sitting in the jump seat, 75 00:04:16,040 --> 00:04:18,479 Speaker 1: tried to turn off fuel to the engine. He was 76 00:04:18,520 --> 00:04:21,760 Speaker 1: having a mental health crisis. But the thing people are 77 00:04:21,760 --> 00:04:24,479 Speaker 1: focusing on is that he had taken what is being 78 00:04:24,560 --> 00:04:27,960 Speaker 1: described by CNN as magic mushrooms. 79 00:04:28,520 --> 00:04:32,240 Speaker 2: Are magic? Yeah, I mean yeah, it's every headline CNN. 80 00:04:32,279 --> 00:04:34,520 Speaker 4: Off duty pilot accused of trying to shut off Airliners 81 00:04:34,560 --> 00:04:37,279 Speaker 4: engine midflight. He took quote magic mushrooms forty eight hours before. 82 00:04:37,560 --> 00:04:40,200 Speaker 4: NBC off duty last Carolines plane pilot said he took 83 00:04:40,440 --> 00:04:42,920 Speaker 4: magic mushrooms forty eight hours before allegedly trying to shut 84 00:04:42,920 --> 00:04:44,920 Speaker 4: down the plane. Pilot who allegedly tried to shut off 85 00:04:44,920 --> 00:04:47,880 Speaker 4: engines hadn't. This is a better one from ABC News, 86 00:04:48,200 --> 00:04:50,080 Speaker 4: which is I think a little more important. Pilot who 87 00:04:50,080 --> 00:04:53,680 Speaker 4: allegedly tried to shut off engines hadn't slept in forty hours. 88 00:04:53,880 --> 00:04:54,880 Speaker 1: Yeah, that'll do you. 89 00:04:55,680 --> 00:04:56,680 Speaker 2: Because it's funny too. 90 00:04:56,680 --> 00:04:58,839 Speaker 4: In that CNN article where they're like, hey man, the 91 00:04:58,839 --> 00:05:02,240 Speaker 4: magic mushrooms, they talked to a fucking like like a 92 00:05:02,279 --> 00:05:05,960 Speaker 4: substance expert who's like, yeah, they the psilocybin probably wouldn't 93 00:05:05,960 --> 00:05:08,200 Speaker 4: have been in his system like that forty eight hours 94 00:05:08,279 --> 00:05:11,560 Speaker 4: later like anything. It's it's not like, you know, it's 95 00:05:11,560 --> 00:05:14,080 Speaker 4: like alcohol. It's like your body processes it and then 96 00:05:14,120 --> 00:05:17,039 Speaker 4: you're not drunk anymore. But yeah, maybe things can linger 97 00:05:17,120 --> 00:05:18,560 Speaker 4: along with the fact that he said he was like 98 00:05:18,640 --> 00:05:20,520 Speaker 4: I think having some kind of like panic attack too. 99 00:05:21,080 --> 00:05:23,920 Speaker 2: But everyone's going all in on the shrooms. 100 00:05:24,440 --> 00:05:27,159 Speaker 1: Well yeah, and it's not great. It's not great to 101 00:05:27,960 --> 00:05:31,080 Speaker 1: do psilocybin when you're going through a mental health crisis, 102 00:05:31,080 --> 00:05:35,320 Speaker 1: which it seems like this person did. So yeah, all 103 00:05:35,360 --> 00:05:39,400 Speaker 1: around scary story, but I don't don't. 104 00:05:39,520 --> 00:05:40,839 Speaker 2: Don't blame the psilocybin. 105 00:05:41,040 --> 00:05:44,080 Speaker 1: Yeah, it feels like this could be used to like 106 00:05:44,240 --> 00:05:47,839 Speaker 1: kind of throw water on a lot of exciting research 107 00:05:47,920 --> 00:05:52,400 Speaker 1: being done into clinical uses for psilocybin. Did not do 108 00:05:52,480 --> 00:05:54,440 Speaker 1: it clinically, would be. 109 00:05:54,640 --> 00:05:59,880 Speaker 2: No, no, probably a macro dose as well. But yeah, like, oh. 110 00:05:59,839 --> 00:06:04,640 Speaker 4: Here there's one big pharmanews dot com. Psilocybin almost killed 111 00:06:04,640 --> 00:06:07,279 Speaker 4: a plane full of airline passengers. 112 00:06:07,279 --> 00:06:09,599 Speaker 2: You that that sounds like that sounds like a headline, 113 00:06:09,600 --> 00:06:10,160 Speaker 2: they would. 114 00:06:09,920 --> 00:06:14,039 Speaker 1: Write, that's right. Uh, should we be getting ready for 115 00:06:14,279 --> 00:06:15,359 Speaker 1: a concert film boom? 116 00:06:15,560 --> 00:06:17,800 Speaker 2: Miles? Oh, should we tell? 117 00:06:18,040 --> 00:06:20,000 Speaker 1: People are telling me that's what I'm hearing from the 118 00:06:20,000 --> 00:06:24,920 Speaker 1: Hollywood Reporter. Okay, first news source that I check every morning, 119 00:06:24,920 --> 00:06:28,280 Speaker 1: every morning. But yeah, following the success of the Aras Tour, 120 00:06:28,760 --> 00:06:32,680 Speaker 1: movie industry analysts are expecting there there will be a 121 00:06:32,680 --> 00:06:37,360 Speaker 1: boom in concert films. We also have Beyonce's Renaissance Tour movie, 122 00:06:37,760 --> 00:06:41,640 Speaker 1: which was already scheduled to come out in December. I 123 00:06:41,680 --> 00:06:45,320 Speaker 1: think a big part of what we're seeing here is 124 00:06:45,880 --> 00:06:49,200 Speaker 1: that the artists are working directly with AMC and theater 125 00:06:49,400 --> 00:06:54,200 Speaker 1: chains and are in turn receiving in excess of fifty 126 00:06:54,240 --> 00:06:55,960 Speaker 1: percent of box office grosses. 127 00:06:57,640 --> 00:07:02,040 Speaker 2: Ho, that's good for them, that's the deal, and shout out. 128 00:07:02,080 --> 00:07:02,360 Speaker 2: I love that. 129 00:07:02,440 --> 00:07:04,440 Speaker 4: AMC is like, oh yeah, yeah, yeah, we can just 130 00:07:04,440 --> 00:07:06,760 Speaker 4: split that. I mean, yeah, we'll do sixty forty. Yeah 131 00:07:06,800 --> 00:07:09,560 Speaker 4: take forty because we don't we're not doing anything except distribution. 132 00:07:09,760 --> 00:07:11,120 Speaker 2: Yeah, yah, h okay. 133 00:07:11,400 --> 00:07:15,320 Speaker 1: Dolly Parton is going to be releasing her album into 134 00:07:15,560 --> 00:07:19,000 Speaker 1: Like she's having a listening first listen event with like 135 00:07:19,040 --> 00:07:23,400 Speaker 1: a couple behind the scenes, you know, video film things 136 00:07:23,760 --> 00:07:25,000 Speaker 1: for an upcoming album. 137 00:07:25,280 --> 00:07:27,600 Speaker 2: So it's a listening party in video. 138 00:07:27,360 --> 00:07:30,560 Speaker 1: Form in movie in movie theaters, which I don't know, 139 00:07:30,640 --> 00:07:33,800 Speaker 1: like seeing people dancing down in front of the screen 140 00:07:34,120 --> 00:07:36,960 Speaker 1: at the eras tour, like just being like this is 141 00:07:37,040 --> 00:07:40,200 Speaker 1: not like we shouldn't be having a conversation about movie 142 00:07:40,240 --> 00:07:43,440 Speaker 1: etiquette because this is not a movie going experience in 143 00:07:43,480 --> 00:07:47,320 Speaker 1: any traditional sense. This is like using a movie theater 144 00:07:47,560 --> 00:07:52,640 Speaker 1: for a different thing. Yeah, it's kind of cool, like it, Hey, 145 00:07:52,680 --> 00:07:55,080 Speaker 1: look there's a dance floor down right in front of 146 00:07:55,080 --> 00:07:59,240 Speaker 1: the screen. I do feel like the I've had this 147 00:07:59,280 --> 00:08:02,440 Speaker 1: thought before, and now it seems like it's like kind 148 00:08:02,520 --> 00:08:06,480 Speaker 1: of happening that, like the movie theater is an underutilized space, 149 00:08:07,120 --> 00:08:11,640 Speaker 1: like for sure, to only use this big public viewing 150 00:08:11,840 --> 00:08:18,760 Speaker 1: thing with like wildly expensive projection and sound systems only 151 00:08:18,880 --> 00:08:22,400 Speaker 1: to show like movies that just came out, so like 152 00:08:22,440 --> 00:08:25,160 Speaker 1: a tiny fraction of the movies that are available for 153 00:08:25,200 --> 00:08:28,400 Speaker 1: people to watch, which itself like movies are a tiny 154 00:08:28,440 --> 00:08:31,720 Speaker 1: fraction of the audio visual entertainment that's available for people 155 00:08:31,800 --> 00:08:34,600 Speaker 1: to watch and enjoy and experience. Like you know, there 156 00:08:34,640 --> 00:08:38,760 Speaker 1: are obviously, like the anniversary re releases and revival theaters 157 00:08:38,800 --> 00:08:42,560 Speaker 1: that show old movies, but it feels like that could 158 00:08:42,600 --> 00:08:46,080 Speaker 1: be something that would be used more mainstream, Like it 159 00:08:46,320 --> 00:08:48,600 Speaker 1: I could see a world in like ten years we're 160 00:08:48,600 --> 00:08:51,920 Speaker 1: looking back and being like, why did most theaters only 161 00:08:52,000 --> 00:08:56,280 Speaker 1: show a tiny like sliver like three movies that had 162 00:08:56,360 --> 00:08:59,080 Speaker 1: just come out? Like that feels weird to me? Why not, 163 00:08:59,760 --> 00:09:03,960 Speaker 1: Like have people who are great curators have like proven 164 00:09:04,000 --> 00:09:07,120 Speaker 1: themselves to be great curators like programming your theater on 165 00:09:07,160 --> 00:09:08,080 Speaker 1: a regular basis? 166 00:09:08,320 --> 00:09:10,600 Speaker 4: Yeah, And I think like it not just like to 167 00:09:10,640 --> 00:09:13,040 Speaker 4: the point where it doesn't have to be just film. 168 00:09:13,240 --> 00:09:16,160 Speaker 2: Like I'm always like, yeah, when there's like a big. 169 00:09:16,080 --> 00:09:18,480 Speaker 4: Like you know, like a like World Cup or something 170 00:09:18,520 --> 00:09:19,800 Speaker 4: like that happening, it was like, why don't you just 171 00:09:19,880 --> 00:09:22,199 Speaker 4: open up, Like why don't you could pack that theater 172 00:09:22,280 --> 00:09:24,719 Speaker 4: out if people want to just watch a game in that, 173 00:09:24,960 --> 00:09:28,400 Speaker 4: because look, it's basically a giant fucking TV. So if 174 00:09:28,440 --> 00:09:30,720 Speaker 4: you look at it that way, you could do all 175 00:09:30,840 --> 00:09:32,439 Speaker 4: kinds of different shit in there, not. 176 00:09:32,559 --> 00:09:35,160 Speaker 2: Just being like hey come watch Yeah, you know, I 177 00:09:35,160 --> 00:09:35,760 Speaker 2: think like like. 178 00:09:35,760 --> 00:09:39,120 Speaker 1: Toyed with that before, but now seems to be now 179 00:09:39,120 --> 00:09:44,240 Speaker 1: that like all of these you know, different uh, economic 180 00:09:44,400 --> 00:09:48,040 Speaker 1: like structures that have ruled how entertainment works for the 181 00:09:48,080 --> 00:09:52,360 Speaker 1: past six decades are like breaking down and you know, 182 00:09:52,480 --> 00:09:54,400 Speaker 1: not not always for the better. It feels like this 183 00:09:54,440 --> 00:09:56,520 Speaker 1: could be a way for people to just like work 184 00:09:56,559 --> 00:10:01,000 Speaker 1: directly with theaters and you know, use the natch abilities 185 00:10:01,040 --> 00:10:04,200 Speaker 1: of movie theaters, like right things cool. 186 00:10:04,800 --> 00:10:06,520 Speaker 4: Like what if you went and you could watch like 187 00:10:06,559 --> 00:10:10,440 Speaker 4: the first three episodes of like Watchmen, you know, like 188 00:10:10,600 --> 00:10:12,800 Speaker 4: in a theater and just kind of take it in that. 189 00:10:12,840 --> 00:10:14,319 Speaker 4: I mean like, I feel like there's so many ways 190 00:10:14,360 --> 00:10:16,760 Speaker 4: you could just like revive things that a ton of 191 00:10:16,760 --> 00:10:18,800 Speaker 4: people liked and be like, hey, hey, you want to 192 00:10:18,800 --> 00:10:22,000 Speaker 4: see that except in a theater. Yeah, as like Victors 193 00:10:21,960 --> 00:10:25,319 Speaker 4: Superdus a Victor's playing. What about Super Smash Bros. Tournament 194 00:10:25,440 --> 00:10:28,040 Speaker 4: in a movie theater? Yeah, you know, people come out 195 00:10:28,080 --> 00:10:30,000 Speaker 4: for shit like that. I'd go and fucking play FIFA 196 00:10:30,080 --> 00:10:32,320 Speaker 4: probably in a movie. The problem is I can't really 197 00:10:32,360 --> 00:10:34,200 Speaker 4: turn up in a movie there. That's the other thing 198 00:10:34,679 --> 00:10:37,560 Speaker 4: that would be you know nice if they made it 199 00:10:37,600 --> 00:10:39,719 Speaker 4: like truly like an all purpose venue. So yeah, you 200 00:10:39,720 --> 00:10:42,040 Speaker 4: can drink in there, you can eat in there, Yeah, 201 00:10:42,400 --> 00:10:43,160 Speaker 4: whatever you want to do. 202 00:10:43,280 --> 00:10:46,679 Speaker 1: That was what like we sometimes will runt out of 203 00:10:46,679 --> 00:10:49,319 Speaker 1: a theater and watch a movie like as a team, 204 00:10:49,760 --> 00:10:54,160 Speaker 1: you know, hang, hang and like it. The big thing 205 00:10:54,480 --> 00:10:56,080 Speaker 1: that is fun about that is like you can just 206 00:10:56,120 --> 00:10:59,680 Speaker 1: talk out out loud, you know, be and be obnoxious. 207 00:10:59,800 --> 00:11:01,440 Speaker 2: You're in the living room, yeah, with your. 208 00:11:01,320 --> 00:11:04,319 Speaker 1: Friends, because you know that your friends are as obnoxious 209 00:11:04,320 --> 00:11:04,760 Speaker 1: as you are. 210 00:11:05,080 --> 00:11:06,560 Speaker 4: Yeah, and then you're like, wait, did you guys hear 211 00:11:06,600 --> 00:11:07,960 Speaker 4: that what I just said about Elvis? 212 00:11:08,320 --> 00:11:11,240 Speaker 1: Everybody, shut the fuck up, shut a funny thing about Elvis. 213 00:11:11,280 --> 00:11:13,600 Speaker 2: Yeah, it's Nicole, Nicole. 214 00:11:15,120 --> 00:11:17,640 Speaker 1: We were the first ones to cheer for Nicole when 215 00:11:17,640 --> 00:11:20,080 Speaker 1: she came out at the beginning of the movie, cheering. 216 00:11:20,360 --> 00:11:34,760 Speaker 1: All right, let's take a quick break and and we're back. 217 00:11:34,920 --> 00:11:37,400 Speaker 2: We're back, We're back, all right. 218 00:11:37,440 --> 00:11:41,920 Speaker 1: Peter Richard Brown Tree StarCraft passed away at eighty one. 219 00:11:43,080 --> 00:11:50,160 Speaker 1: One of the greats to ever do it. Chucky. So 220 00:11:50,240 --> 00:11:52,720 Speaker 1: we were talking, We're talking child's play, Miles. 221 00:11:52,960 --> 00:11:55,520 Speaker 2: Yeah, yeah, yeah, that was. 222 00:11:55,640 --> 00:11:59,079 Speaker 1: That was earlier today and earlier dead day. I could 223 00:11:59,160 --> 00:12:01,920 Speaker 1: care that. I'm pretty your battery's done. Your battery's dying, 224 00:12:04,120 --> 00:12:08,880 Speaker 1: which is batteries out once. I know, I know, Joe, 225 00:12:09,520 --> 00:12:12,200 Speaker 1: I know, I know, Joe, kiss you, yeah, I know 226 00:12:12,240 --> 00:12:13,040 Speaker 1: you just want to kiss me. 227 00:12:13,120 --> 00:12:14,920 Speaker 2: I know. I know, let's get you to your bed. 228 00:12:15,120 --> 00:12:17,280 Speaker 1: So you did a little dive. And where where does 229 00:12:17,280 --> 00:12:17,840 Speaker 1: this come from? 230 00:12:17,880 --> 00:12:18,920 Speaker 2: I mean it was more so. 231 00:12:19,080 --> 00:12:22,200 Speaker 4: I just came across the headline about the origin story 232 00:12:22,200 --> 00:12:25,400 Speaker 4: of the Chucky movies, and like, I guess, at first 233 00:12:25,400 --> 00:12:28,080 Speaker 4: a lot of fans thought the Chucky Doll was based 234 00:12:28,080 --> 00:12:30,959 Speaker 4: on this story about someone called Robert that haunted doll, 235 00:12:31,559 --> 00:12:34,000 Speaker 4: and where a boy named Robert was given a doll 236 00:12:34,080 --> 00:12:36,439 Speaker 4: by like one of his like like the maids that 237 00:12:36,520 --> 00:12:40,280 Speaker 4: like worked for his family. And obviously this doll was 238 00:12:40,320 --> 00:12:43,760 Speaker 4: cursed with voodoo because the maid wanted to get payback 239 00:12:44,240 --> 00:12:47,040 Speaker 4: against the family for mistreating her. I'm like, hold on, 240 00:12:47,160 --> 00:12:49,240 Speaker 4: that might be the story, more so than blaming the 241 00:12:49,280 --> 00:12:54,680 Speaker 4: doll like for mistrading mistreating your domestic workers. And yeah, 242 00:12:54,720 --> 00:12:56,920 Speaker 4: but apparently like this doll was like haunted, would move 243 00:12:57,000 --> 00:12:59,120 Speaker 4: and yell and shit and do all kinds of freaky shit. 244 00:12:59,400 --> 00:13:02,360 Speaker 2: However, that is not the reason we have the Chucky movies. 245 00:13:02,400 --> 00:13:06,000 Speaker 4: Apparently the guy who came up with the film, Don Mancini, 246 00:13:06,120 --> 00:13:09,560 Speaker 4: which is not like a made up mob character. He 247 00:13:09,679 --> 00:13:13,119 Speaker 4: came up for the idea because of like the Cabbage Patch. 248 00:13:12,920 --> 00:13:15,320 Speaker 2: Kids boom that was going on yeah. 249 00:13:15,120 --> 00:13:17,920 Speaker 4: And like in nineteen I didn't realize I knew they were, 250 00:13:17,720 --> 00:13:19,599 Speaker 4: they were like popular, but did you know there was 251 00:13:19,640 --> 00:13:22,480 Speaker 4: like the like they called they called it the cabbage. 252 00:13:22,000 --> 00:13:23,080 Speaker 2: Patch kid riots. 253 00:13:23,400 --> 00:13:27,080 Speaker 4: Yeah, because parents were so like so turned up trying 254 00:13:27,080 --> 00:13:28,559 Speaker 4: to get their hands on cabbage patch kids. 255 00:13:28,559 --> 00:13:31,240 Speaker 1: One of my first pop culture memories is my older 256 00:13:31,280 --> 00:13:36,560 Speaker 1: sister being like it being a huge deal when she 257 00:13:36,720 --> 00:13:38,240 Speaker 1: finally got her cabbage patch kid. 258 00:13:38,360 --> 00:13:39,760 Speaker 4: Yo, this is what I just want to play a 259 00:13:39,760 --> 00:13:42,440 Speaker 4: clip from nineteen eighty three, like a local news clip 260 00:13:42,480 --> 00:13:46,720 Speaker 4: in Wilkesbury, Pennsylvania, where they talk about how like it's 261 00:13:46,760 --> 00:13:49,520 Speaker 4: the fucking it's just turn up city at the toy 262 00:13:49,559 --> 00:13:51,520 Speaker 4: store this wilkes. 263 00:13:51,280 --> 00:13:54,839 Speaker 3: Valley, Pennsylvania store, the pushing and shoving began. One woman 264 00:13:54,920 --> 00:13:56,840 Speaker 3: was knocked to the floor and stuffed a broken leg. 265 00:13:59,040 --> 00:14:01,320 Speaker 4: This guy's are yelling he's gotta stick and he's like 266 00:14:01,440 --> 00:14:02,680 Speaker 4: fighting customers back. 267 00:14:02,760 --> 00:14:05,360 Speaker 3: This scene has been repeated in hundreds of stores across 268 00:14:05,400 --> 00:14:09,960 Speaker 3: the country that advertise the Cabbage Patch Kids. The cabbage patch. 269 00:14:09,760 --> 00:14:12,160 Speaker 1: Anyway, it's just funny because dolls look like shit. They 270 00:14:12,240 --> 00:14:14,280 Speaker 1: kind of close up of the doll. The doll looks 271 00:14:14,320 --> 00:14:15,480 Speaker 1: like absolute shit. 272 00:14:15,679 --> 00:14:19,000 Speaker 4: Listen how this reporter actually describes how, like Whack the 273 00:14:19,040 --> 00:14:20,600 Speaker 4: cabbage Dollar is. 274 00:14:21,400 --> 00:14:25,240 Speaker 3: Our dolls about sixteen inches high. They don't walk, talk 275 00:14:25,480 --> 00:14:28,360 Speaker 3: with their pants, or grow hair. They don't do much 276 00:14:28,360 --> 00:14:28,880 Speaker 3: of anything. 277 00:14:29,800 --> 00:14:33,240 Speaker 2: Okay, they don't go peepy or sneak. 278 00:14:33,240 --> 00:14:34,680 Speaker 1: The thing that was cool about them is they give 279 00:14:34,680 --> 00:14:37,160 Speaker 1: you adoption papers when you get the cabbage patch. 280 00:14:37,000 --> 00:14:40,200 Speaker 2: Doll, right right, right exactly, So that was like cool. 281 00:14:40,280 --> 00:14:43,920 Speaker 4: That's the backdrop against which this guy came up with 282 00:14:43,960 --> 00:14:46,120 Speaker 4: the idea. So it and his whole thing was like 283 00:14:46,160 --> 00:14:47,800 Speaker 4: he wanted to be sort of like a tale about 284 00:14:47,800 --> 00:14:50,800 Speaker 4: how consumerism and advertising it can like lead to bad 285 00:14:50,840 --> 00:14:53,960 Speaker 4: things because in the movie, right, it's about getting like 286 00:14:53,960 --> 00:14:56,160 Speaker 4: one of these good guys dolls, but the mom is 287 00:14:56,160 --> 00:14:57,960 Speaker 4: so desperate in getting it she got to like just 288 00:14:58,240 --> 00:14:59,640 Speaker 4: buy like a yank one from a. 289 00:14:59,640 --> 00:15:02,760 Speaker 2: Dude on the street, which ends up being a murderous 290 00:15:02,920 --> 00:15:05,240 Speaker 2: chucky doll. Yeah. So yeah. 291 00:15:05,240 --> 00:15:07,320 Speaker 4: It turns out his dad was an advertising so from 292 00:15:07,360 --> 00:15:09,280 Speaker 4: like a very young age he always like looked at 293 00:15:09,280 --> 00:15:11,440 Speaker 4: these like commercials and the way things were marketed and 294 00:15:11,520 --> 00:15:12,880 Speaker 4: was like this is fucked up. 295 00:15:13,240 --> 00:15:15,640 Speaker 1: Like this there's a soullessness to it. What if you 296 00:15:15,840 --> 00:15:19,000 Speaker 1: build that soullessness with the soul of a serial killer. 297 00:15:19,120 --> 00:15:20,760 Speaker 2: Boom boom. 298 00:15:21,160 --> 00:15:27,680 Speaker 1: Yeah, it's tales oldest time, you know, but truly the 299 00:15:27,760 --> 00:15:30,640 Speaker 1: clip that we just showed, or that we just watched, 300 00:15:31,240 --> 00:15:34,960 Speaker 1: the person working at the store during the Cabbage Patch 301 00:15:35,080 --> 00:15:41,080 Speaker 1: Kid praise was having a complete like he's screaming at 302 00:15:41,120 --> 00:15:44,040 Speaker 1: the top of his lungs. Yeah, he's like left his 303 00:15:44,160 --> 00:15:46,000 Speaker 1: body and it's just it. 304 00:15:45,920 --> 00:15:48,400 Speaker 4: Looks like he's like he's trying to protect his family 305 00:15:48,440 --> 00:15:50,880 Speaker 4: from like a wolf pack attack, like with like a 306 00:15:51,000 --> 00:15:51,840 Speaker 4: with like a stick. 307 00:15:51,960 --> 00:15:54,520 Speaker 2: He's like that fuck back. It's a close on it. 308 00:15:54,600 --> 00:15:57,240 Speaker 1: It's a close up on his face. If they had 309 00:15:57,280 --> 00:16:00,200 Speaker 1: pulled back and he was swinging a torch around that 310 00:16:00,280 --> 00:16:03,680 Speaker 1: people like that, that would have felt like it covered 311 00:16:03,960 --> 00:16:05,960 Speaker 1: covered off on like the energy he was giving. 312 00:16:06,360 --> 00:16:08,200 Speaker 4: There's one more clip I just want to play, like 313 00:16:08,240 --> 00:16:10,680 Speaker 4: towards the end of that report where they're asking like 314 00:16:10,800 --> 00:16:12,840 Speaker 4: how it's just become like it's set off a collectible 315 00:16:12,880 --> 00:16:15,480 Speaker 4: boom and they ask like this one older woman who's 316 00:16:15,480 --> 00:16:17,520 Speaker 4: like in her seventies like about it, and she's like, 317 00:16:17,560 --> 00:16:18,040 Speaker 4: I hate it. 318 00:16:20,080 --> 00:16:21,680 Speaker 2: I don't like them. 319 00:16:22,520 --> 00:16:25,920 Speaker 3: I don't like them, I don't like their faces, but 320 00:16:26,080 --> 00:16:26,880 Speaker 3: I want one. 321 00:16:30,480 --> 00:16:36,640 Speaker 1: I don't like their faces, but I want one. I 322 00:16:36,680 --> 00:16:39,600 Speaker 1: don't like them, So I always assumed it was a 323 00:16:39,720 --> 00:16:43,480 Speaker 1: comment on the My Buddy dolls. Do you remember them? 324 00:16:43,680 --> 00:16:46,359 Speaker 2: Yeah, My Buddy's that song. 325 00:16:46,480 --> 00:16:51,880 Speaker 1: Is fully burnt into the neuropathways of my brain, and 326 00:16:52,400 --> 00:16:56,000 Speaker 1: that that's kind of who Chucky looks like, right, yeah, yeah, yeah, 327 00:16:56,040 --> 00:16:58,960 Speaker 1: it's like it's all yeah, yeah, yeah, there's like like 328 00:16:59,080 --> 00:17:01,840 Speaker 1: all of those things kind of swirled together to create 329 00:17:01,960 --> 00:17:04,639 Speaker 1: the Chucky as we know it. Yeah, I mean, I 330 00:17:04,640 --> 00:17:10,560 Speaker 1: think there's also like something about the nature of consumerism 331 00:17:10,560 --> 00:17:13,680 Speaker 1: and that instead of like having friends, you have a 332 00:17:13,720 --> 00:17:16,639 Speaker 1: toy that is a friend that like fills in for 333 00:17:17,320 --> 00:17:20,600 Speaker 1: this human connection that we used to have and for 334 00:17:20,800 --> 00:17:25,200 Speaker 1: something unnatural to slip in there. And that unnatural thing 335 00:17:25,240 --> 00:17:27,000 Speaker 1: to be the soul of a dead serial killer who 336 00:17:27,080 --> 00:17:30,080 Speaker 1: got shot on top of a doll exactly, you know, 337 00:17:30,440 --> 00:17:32,080 Speaker 1: is that what happens? He gets like shot in a 338 00:17:32,160 --> 00:17:33,800 Speaker 1: doll factory or something. 339 00:17:33,840 --> 00:17:36,040 Speaker 4: And then yeah, he like he and he uses voodoo 340 00:17:36,080 --> 00:17:37,959 Speaker 4: to put his soul in the doll after like a 341 00:17:38,000 --> 00:17:39,399 Speaker 4: cop gets him. 342 00:17:39,560 --> 00:17:42,280 Speaker 2: Yeah, yeah, because he can avoid it, can avoid accountability. 343 00:17:42,480 --> 00:17:44,560 Speaker 4: But yeah, it's uh, but it's true. I mean like 344 00:17:44,600 --> 00:17:47,080 Speaker 4: you think about the eighties man, like that we were 345 00:17:47,119 --> 00:17:49,400 Speaker 4: just bared in that shit, you know what I mean, 346 00:17:49,400 --> 00:17:52,280 Speaker 4: Like we were bombarded with commercials and ads that made 347 00:17:52,320 --> 00:17:54,119 Speaker 4: you feel like a total dick if you didn't have 348 00:17:54,160 --> 00:17:57,080 Speaker 4: a Teddy Ruckspin or a fucking glowworm or some shit. 349 00:17:57,640 --> 00:18:00,840 Speaker 4: So I you know, I see, I see that part, 350 00:18:00,880 --> 00:18:03,000 Speaker 4: and I didn't have a fucking glow worm or a 351 00:18:03,080 --> 00:18:04,280 Speaker 4: fucking Teddy ruckspin. 352 00:18:04,440 --> 00:18:07,000 Speaker 2: That's why I'm all fucked in the head. Now, that's right. 353 00:18:07,400 --> 00:18:10,680 Speaker 2: You're twisted, man, I'm real twisted freak man. I never 354 00:18:10,720 --> 00:18:15,600 Speaker 2: had no glow worm. I'm sick all right, feel bad tempo. 355 00:18:16,760 --> 00:18:19,640 Speaker 1: Those are some of the things that are trending on 356 00:18:19,680 --> 00:18:23,760 Speaker 1: this Wednesday, October twenty fifth. We are back tomorrow with 357 00:18:23,800 --> 00:18:26,520 Speaker 1: a whole less episode of oh H. Until then, be 358 00:18:26,680 --> 00:18:29,760 Speaker 1: kind to each other, be kind to yourselves, get the vaccine, 359 00:18:30,160 --> 00:18:32,600 Speaker 1: don't do nothing about white supremacy is and we will 360 00:18:32,640 --> 00:18:38,680 Speaker 1: talk to you all tomorrow. Fight bite