WEBVTT - 101: Sweet Baby w/ Shonda Rhimes

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with Higheartradio.

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<v Speaker 2>Scandal Rewatch, Posaz and Katie.

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<v Speaker 3>Gee, Katy.

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<v Speaker 4>Oh it's happening.

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<v Speaker 1>Oh man, we are actually here. We're doing the Scandal

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<v Speaker 1>Rewatch podcast Unpacking the Toolbox together together.

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<v Speaker 5>I mean, don't get me wrong, I am very excited

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<v Speaker 5>to rewatch episodes, which we have to tell you guys

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<v Speaker 5>how it's been going. And we've been wanting to do

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<v Speaker 5>a rewatch podcast and hang out with our fans. Are

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<v Speaker 5>gladiators who we have missed for far too long. But really,

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<v Speaker 5>this is just my excuse to hang out with my

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<v Speaker 5>favorite person on the planet.

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<v Speaker 1>Same. We just want to hang out together so we

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<v Speaker 1>could talk shit and reminisce about one of the best

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<v Speaker 1>shows on television. Yes, do you remember when the last

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<v Speaker 1>time you watched like a Scandal episode? Well?

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<v Speaker 4>Are you kidding?

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<v Speaker 5>Okay, First of all, it has been ten years. We

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<v Speaker 5>just celebrated the ten year anniversary of the pilot era.

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<v Speaker 6>That's crazy.

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<v Speaker 5>I don't think I have watched like I don't think

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<v Speaker 5>I've watched any episodes of you.

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<v Speaker 1>I don't think so either. You know, there was a

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<v Speaker 1>moment there where they were still playing, like on ABC

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<v Speaker 1>or SURE where I'd be flipping through channels and catch

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<v Speaker 1>a glimpse. But I wouldn't I wouldn't stay. I would

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<v Speaker 1>be I would sort of, you know, smile inside and

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<v Speaker 1>sort of chuckle to myself, but then move on. I

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<v Speaker 1>would didn't sit there and watch the whole episode. But

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<v Speaker 1>being able to do that for the podcast was like

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<v Speaker 1>a gift mat I have.

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<v Speaker 5>To say again, like the biggest When I was like,

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<v Speaker 5>we're doing this scandal rewatch podcast. It's called Unpacking the Toolbox, which,

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<v Speaker 5>let's just take a moment. That is a freaking great title.

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<v Speaker 1>It is the best title. I love it so much.

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<v Speaker 5>It's so Huck and Quinn. It's so Huckleberry Quinn. It's

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<v Speaker 5>so right for the gladiators, the oji. Gladiators. You know

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<v Speaker 5>about our toolbox, you know about Huck and his tools.

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<v Speaker 4>It's great. Okay, So I'm packing the toolbox.

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<v Speaker 1>And there's a toolbox emoji now on Instagram.

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<v Speaker 4>There's a toolbox emoji.

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<v Speaker 5>So gladiators, suit the fuck up, tell your friends about

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<v Speaker 5>this fucking podcast, and make sure you put the toolbox

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<v Speaker 5>emoji when you do so. Yes, but right quick, I

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<v Speaker 5>was like mostly excited to hang out with you because

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<v Speaker 5>I'm obsessed with you and I think you're the most special,

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<v Speaker 5>perfect human ever born, which I think you guys who

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<v Speaker 5>watched the show know that Quinn and had a very

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<v Speaker 5>special connection. But I was most freaked out about going

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<v Speaker 5>back and watching the episodes.

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<v Speaker 4>I was like, I don't know, I.

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<v Speaker 1>Was freaked out, and they're low key excited because I

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<v Speaker 1>was like, sometimes I'm like, sometimes I do enjoy watching myself,

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<v Speaker 1>but I don't want like somebody to walk in and

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<v Speaker 1>be like, you're watching yourself. So I was like every

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<v Speaker 1>time Mikey would walk in, I'd be like, well, I

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<v Speaker 1>have to do this for work. This is for work,

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<v Speaker 1>you know.

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<v Speaker 5>See, I fucking hate watching myself.

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<v Speaker 4>You couldn't pay me.

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<v Speaker 5>Well, you could pay me a million dollars or do so,

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<v Speaker 5>but I don't really like watching myself. And I was concerned,

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<v Speaker 5>like is ten years too long or too short? Like

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<v Speaker 5>what is the perfect amount to be watching the show.

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<v Speaker 5>And because of this podcast, going back and rewatching these episodes,

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<v Speaker 5>because G and I are taking this podcast very seriously.

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<v Speaker 5>We are we are doing our research. We are watching

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<v Speaker 5>the episodes backwards and forwards. We have amazing guests coming in, yes,

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<v Speaker 5>to talk about their experiences and their process and how

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<v Speaker 5>this whole thing went down.

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<v Speaker 4>But I am loving the episode.

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<v Speaker 6>Me too shocked about.

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<v Speaker 1>It, like I don't remember shit, I don't remember. I

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<v Speaker 1>don't remember these episodes. I mean, I remember moments and

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<v Speaker 1>scenes here and there. But I'm enjoying it so much.

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<v Speaker 4>Got gee too.

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<v Speaker 1>And I feel like we were so caught up while

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<v Speaker 1>we were shooting it. But now going back and being

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<v Speaker 1>able to watch it without any distractions, It's.

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<v Speaker 6>Such a good show.

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<v Speaker 4>It's so good, and I feel like a gladiator.

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<v Speaker 5>Yes, with a gladiator, I said, Quinn says gladiator in

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<v Speaker 5>a suit. She wants to be a fucking gladiator in

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<v Speaker 5>a suit in the pilot. But we were so in

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<v Speaker 5>it when we were making the show, and then when

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<v Speaker 5>we would even watch the episodes. Back then, we were

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<v Speaker 5>so obsessed with tweeting that we really didn't focus and

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<v Speaker 5>give my full attention to watching the episodes.

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<v Speaker 4>And right now going back.

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<v Speaker 5>And watching these episodes, I am such a man, I

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<v Speaker 5>am such a fan, so excited.

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<v Speaker 4>I am such an og gladiator.

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<v Speaker 5>I love everyone's characters, the writing, the way that it

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<v Speaker 5>was shot, the ins and outs.

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<v Speaker 4>I'm just grateful already.

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<v Speaker 6>And what's good.

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<v Speaker 1>I want to say real quick too, that what's good

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<v Speaker 1>about this podcast is even if you haven't rewatched the show,

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<v Speaker 1>you're still gonna freaking enjoy the podcast because that's how

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<v Speaker 1>fucking nutty and like fun and crazy and kooky me

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<v Speaker 1>and Katie are getting on this podcast.

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<v Speaker 4>Yeah we have fun.

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<v Speaker 1>Yes, but if you can rewatch Scandal on Hulu, because

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<v Speaker 1>it really is a freaking amazing show like no other.

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<v Speaker 4>Yeah, it holds up. That's one thing.

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<v Speaker 5>I mean, I'm sure so many actors artists watch stuff

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<v Speaker 5>they've shot in the past and like, oh wow, this

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<v Speaker 5>thing is just coming gone and it doesn't really hold up.

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<v Speaker 5>Scandal one hundred percent holds up. I am watching all

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<v Speaker 5>the other critically claimed shows right.

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<v Speaker 4>Now and Scandal is just as good.

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<v Speaker 3>If not better.

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<v Speaker 6>It's better.

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<v Speaker 4>Yes, you yourself a favor.

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<v Speaker 5>Listen to the podcast, rewatch the episodes, hang out with us.

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<v Speaker 5>Every episode is going to be such a fucking good time.

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<v Speaker 5>It's me and g hanging out shooting the shit. Yes,

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<v Speaker 5>we are talking about plot. We have guests that come

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<v Speaker 5>on that talk about their processes. We talk about what

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<v Speaker 5>we ate for lunch, we talk about farts, we talk

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<v Speaker 5>about crying, we talk about sex, we talk about tearstick,

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<v Speaker 5>we talk about every single amazing actor, guest star, co star,

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<v Speaker 5>and every horror film they've ever been in thanks to

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<v Speaker 5>Germo Daz. Yeah, and then we just like hang out,

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<v Speaker 5>make you laugh, have a good time, and feel like

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<v Speaker 5>the Scandal fam is all back together again exactly again.

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<v Speaker 6>It's all back together.

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<v Speaker 1>And this is our first freaking show.

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<v Speaker 5>It's the first podcast we've ever done.

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<v Speaker 4>We are going back in time.

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<v Speaker 5>It's the ten year anniversary since the pilot aired and

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<v Speaker 5>drastically changed.

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<v Speaker 4>All of our lives. Really.

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<v Speaker 5>Yeah, and Gemo and I are wearing our tg T

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<v Speaker 5>and Gemo.

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<v Speaker 4>Delicious licious.

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<v Speaker 1>I'm wearing a season two Scandal like baseball jersey type

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<v Speaker 1>situation sands like the undershirt because it's too damn tight.

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<v Speaker 1>Because this is old as hell, so.

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<v Speaker 4>We deserve all the applause that we are fitting.

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<v Speaker 5>We are going to be bringing out on this podcast

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<v Speaker 5>all the vintage throwback Scandal things we got. Yeah, Okay, Gee,

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<v Speaker 5>take me back to where you were in your life

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<v Speaker 5>before Huck, What the heck were you doing?

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<v Speaker 1>Honestly, I was at a point in my life where

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<v Speaker 1>I was no joke, like I need a job, Like

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<v Speaker 1>I really need a job. I was doing, you know,

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<v Speaker 1>guest spots, and I I was I was still doing

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<v Speaker 1>Weeds at the time, but I was recurring on Weeds,

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<v Speaker 1>so it wasn't a steady gig, you know what I mean.

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<v Speaker 6>I loved being.

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<v Speaker 1>On Weeds, but I was at that point in my

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<v Speaker 1>life where I was like, I really need to book

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<v Speaker 1>something significant.

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<v Speaker 6>That's where I was in my life.

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<v Speaker 1>So when Scandal came along, I was like fucking like,

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<v Speaker 1>oh man, thank god.

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<v Speaker 6>Where were you? Do you remember where you were at?

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<v Speaker 5>Like right before, Oh my god, I was twenty eight.

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<v Speaker 5>I just goten engaged to Adam Shapiro.

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<v Speaker 1>At him, sweet sweet Adam.

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<v Speaker 4>You know, and I was a baby sitter. Wah whoa

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<v Speaker 4>wah wah wah.

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<v Speaker 1>And you'd been doing that for years, right like you

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<v Speaker 1>were in Nanny for a long time.

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<v Speaker 5>I was a waitress for a decade and then I

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<v Speaker 5>couldn't handle the food service industry anymore in Los Angeles

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<v Speaker 5>because I would always wait on people that I was

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<v Speaker 5>auditioning for. Literally, like I would have like screen tests

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<v Speaker 5>and be auditioning, and then I would be like asking for.

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<v Speaker 4>Their drink order.

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<v Speaker 3>And yeah, exactly true.

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<v Speaker 5>And so I was like, Oh, I could still babysit

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<v Speaker 5>and pay my rent that way, but at least it's

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<v Speaker 5>like behind closed doors and not as embarrassing. And so

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<v Speaker 5>I was nannying for a very very fancy, high falutint

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<v Speaker 5>family when the call for scandal came in and I

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<v Speaker 5>remember being like, Oh, my god, her name is Quinn

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<v Speaker 5>and my middle name is Quinn, and maybe that's a

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<v Speaker 5>sign from.

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<v Speaker 4>The universe that this is my part?

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<v Speaker 5>Can this please be my part? Can this please save

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<v Speaker 5>me from this? And similar to you, like I had

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<v Speaker 5>been working, but not at the level you had been working,

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<v Speaker 5>But I had been you know, I had done a

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<v Speaker 5>bunch of guest stars. I had recurred on a couple shows.

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<v Speaker 5>I had booked a pilot that didn't go Like there

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<v Speaker 5>were some things, but it was never ever, ever steady

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<v Speaker 5>enough where I could give up my side hustle exactly yeah.

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<v Speaker 1>And I was at that place where I was like,

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<v Speaker 1>am I gonna have to get aside hustle? No, like

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<v Speaker 1>right before this, oh yeah, yeah, yeah, yeah.

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<v Speaker 4>Yeah, yeah, I don't believe it.

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<v Speaker 1>Oh yeah, you know how it is for actors, It

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<v Speaker 1>ebbs and flows like it's.

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<v Speaker 4>The craziest, it's feast or famine.

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<v Speaker 1>Yeah, you make good money and then that shit, that

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<v Speaker 1>job ends and you're like, Okay, I have no idea

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<v Speaker 1>what's next because we just got to go back to

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<v Speaker 1>the drawing board, go back to auditioning.

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<v Speaker 6>Yeah, do you.

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<v Speaker 4>Remember the first time you and I met?

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<v Speaker 6>Katie? I don't remember, do you?

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<v Speaker 4>How dare you?

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<v Speaker 5>Neither?

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<v Speaker 4>Do I? I remember?

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<v Speaker 1>I feel like you've always like we've always been connected,

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<v Speaker 1>and you've always sort of been in my life since

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<v Speaker 1>scandal started. So I but I don't remember exactly the moment.

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<v Speaker 1>Was it at Prospect Studios where we werehearsed.

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<v Speaker 4>It had to have been, but I don't remember either.

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<v Speaker 1>Okay, you don't think, but I feel like me and

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<v Speaker 1>you like gravitated towards each other, like emotionally and physically

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<v Speaker 1>probably as well. We were like I love this girl,

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<v Speaker 1>Like I feel like that happened right away.

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<v Speaker 5>Yeah, we neither one of us may be able to

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<v Speaker 5>remember the exact moment we met, but I do know

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<v Speaker 5>that from the jump it was a love and a

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<v Speaker 5>soulmate connection of like we are going to travel this

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<v Speaker 5>life together.

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<v Speaker 1>Yes, And then and then we had that tumultuous affair.

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<v Speaker 1>But that's that's neither here nor there. We'll save that

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<v Speaker 1>for the podcast. I love it to get it.

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<v Speaker 5>Yeah, guys, keep listening. You can hear about me and

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<v Speaker 5>Girmou's affair. I am in love with you though, and

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<v Speaker 5>how could you not be? And I also just think

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<v Speaker 5>we had those scenes in the pilot together. I feel

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<v Speaker 5>like we have died that scene in the pilot where

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<v Speaker 5>we were in the bathroom and you said, we don't

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<v Speaker 5>cry here and you're a stray dog and Olivia takes us.

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<v Speaker 1>But we also got the best scoop like me and

0:11:02.440 --> 0:11:03.840
<v Speaker 1>me and you always had the scoop.

0:11:04.000 --> 0:11:05.360
<v Speaker 6>Remember, sometimes we'd be on.

0:11:05.320 --> 0:11:09.080
<v Speaker 1>Set talking talking about stuff or having telling a story

0:11:09.200 --> 0:11:12.560
<v Speaker 1>or some bochinche. Bochincha is like scoop and Spanish, and

0:11:12.559 --> 0:11:14.679
<v Speaker 1>they Carrie Carrie has serious fomo.

0:11:14.960 --> 0:11:17.200
<v Speaker 4>Oh yeah, she's always the last to know.

0:11:17.520 --> 0:11:19.760
<v Speaker 1>But also Carrie would hear us and be we'd be

0:11:19.920 --> 0:11:23.000
<v Speaker 1>so into telling into what we were talking about that

0:11:23.120 --> 0:11:24.880
<v Speaker 1>she would feel that energy and walk.

0:11:24.720 --> 0:11:26.480
<v Speaker 6>Over and be like, what are you guys talking about?

0:11:26.800 --> 0:11:29.000
<v Speaker 1>Tell me and we'd be like, by.

0:11:28.880 --> 0:11:31.600
<v Speaker 5>The way, that would be everybody and you and I

0:11:31.679 --> 0:11:33.839
<v Speaker 5>we could talk. You guys will see as we get

0:11:33.840 --> 0:11:35.839
<v Speaker 5>into the Scandal Rewatch podcast, Garmo and I can talk

0:11:35.840 --> 0:11:38.600
<v Speaker 5>for one hundred thousand hours about absolutely nothing and it's

0:11:38.640 --> 0:11:41.120
<v Speaker 5>hilarious and we love it. But that was how the

0:11:41.320 --> 0:11:43.920
<v Speaker 5>entire seven years of Scandal was. And he and I

0:11:43.960 --> 0:11:47.960
<v Speaker 5>are always talking, having fun, gossiping whatever, and everyone always

0:11:48.080 --> 0:11:49.880
<v Speaker 5>gravitated towards.

0:11:49.520 --> 0:11:53.680
<v Speaker 4>Our our energy, just like yeah, yeah, right man.

0:11:53.920 --> 0:11:56.800
<v Speaker 5>They always entergy. So we always have the scoop. We

0:11:56.880 --> 0:12:01.160
<v Speaker 5>knew what everybody was up to without the redo. Let's

0:12:01.240 --> 0:12:06.880
<v Speaker 5>get this this premiere red carpet first episode of the

0:12:06.880 --> 0:12:10.160
<v Speaker 5>Scandal Rewatch podcast, unpacking the toolbox off and running to

0:12:10.200 --> 0:12:10.640
<v Speaker 5>the races.

0:12:11.440 --> 0:12:13.800
<v Speaker 4>Numero una, we have got.

0:12:13.840 --> 0:12:17.200
<v Speaker 5>Episode one oh one, titled Sweet Baby. It aired on

0:12:17.240 --> 0:12:21.839
<v Speaker 5>April fifth in twenty twelve. It was written by Shonda Rimes.

0:12:21.480 --> 0:12:25.559
<v Speaker 1>And it was directed by the brilliant Paul mcgwigin.

0:12:25.440 --> 0:12:28.360
<v Speaker 5>Guest starring Wes Brown is Sally Saint, James Amy k

0:12:28.440 --> 0:12:30.080
<v Speaker 5>Harmon is Ariel Massey.

0:12:29.960 --> 0:12:34.520
<v Speaker 1>Brian Resmussen is Howie, Alan Coleman is Vlad and Marrek

0:12:34.559 --> 0:12:35.960
<v Speaker 1>Probosk as ost. Good.

0:12:36.280 --> 0:12:40.240
<v Speaker 5>All you gladiators listening know that one of the most

0:12:40.280 --> 0:12:43.160
<v Speaker 5>important key elements of the special sauce. That made scandal

0:12:43.200 --> 0:12:47.199
<v Speaker 5>scandal was the scandal pace at which we told stories.

0:12:47.240 --> 0:12:50.240
<v Speaker 5>So let us warm your ears up and your heart's

0:12:50.320 --> 0:12:54.000
<v Speaker 5>up by telling you weekly the synopsis of each episode

0:12:54.000 --> 0:12:56.280
<v Speaker 5>that we're gonna dive into, and we're gonna tell you

0:12:56.360 --> 0:12:57.880
<v Speaker 5>the synopsis of that episode.

0:12:58.000 --> 0:12:59.559
<v Speaker 4>Yeh, in scandal pace.

0:12:59.679 --> 0:13:01.200
<v Speaker 6>Give it to him. Let's give it to him.

0:13:02.040 --> 0:13:04.319
<v Speaker 5>When Quinn Perkin starts a new job at crisis management firm,

0:13:04.360 --> 0:13:06.400
<v Speaker 5>Olivia Popen associates she must stay on her toes to

0:13:06.480 --> 0:13:08.079
<v Speaker 5>navigate the tricky cases they handle.

0:13:08.200 --> 0:13:10.480
<v Speaker 1>The latest kind of OPA Sully Saint James stumbles into

0:13:10.520 --> 0:13:12.160
<v Speaker 1>the office, distraught and covered in the blood of his

0:13:12.200 --> 0:13:14.640
<v Speaker 1>dead girlfriend, adamant that he didn't kill her, but tight

0:13:14.720 --> 0:13:15.800
<v Speaker 1>lipped on the details.

0:13:16.080 --> 0:13:18.320
<v Speaker 5>Meanwhile, the White House is facing a scandal with the

0:13:18.320 --> 0:13:20.320
<v Speaker 5>President and an aid and who else is brought in

0:13:20.360 --> 0:13:21.080
<v Speaker 5>to fix the problem.

0:13:21.160 --> 0:13:25.600
<v Speaker 4>But Olivia Pope, that's what I'm talking about. Guys, it's

0:13:25.640 --> 0:13:27.000
<v Speaker 4>been a while. G and I. We need to do

0:13:27.040 --> 0:13:28.000
<v Speaker 4>our vocal warm up.

0:13:28.240 --> 0:13:28.720
<v Speaker 3>Do you need to do?

0:13:28.760 --> 0:13:35.120
<v Speaker 1>Her bams his fist against the post. He still insists

0:13:35.160 --> 0:13:36.840
<v Speaker 1>he sees the ghosts, remember that.

0:13:36.760 --> 0:13:41.360
<v Speaker 5>One, But it's amazing. Oh my god, I'm obsessed with it. Okay,

0:13:41.360 --> 0:13:43.880
<v Speaker 5>so we'll jog your memories. Every episode, we'll tell you

0:13:44.200 --> 0:13:47.240
<v Speaker 5>the title, the director, the guest stars, the co stars,

0:13:47.320 --> 0:13:51.400
<v Speaker 5>the synopsis in Scandal pace, and some episodes we're gonna

0:13:51.400 --> 0:13:53.880
<v Speaker 5>have guests. Some episodes we ain't gonna have guests.

0:13:54.120 --> 0:13:57.680
<v Speaker 4>But this episode we got to guest. And now we

0:13:57.720 --> 0:13:58.560
<v Speaker 4>need a drum roll.

0:13:58.720 --> 0:14:02.160
<v Speaker 1>People, Oh, I can't wait.

0:14:02.280 --> 0:14:03.600
<v Speaker 4>We don't even need a drum roll.

0:14:03.679 --> 0:14:08.400
<v Speaker 5>We also need a full on Stevie Wonder song, the

0:14:08.440 --> 0:14:13.400
<v Speaker 5>Franklin Song, or any of the amazing songs that Scandal

0:14:13.440 --> 0:14:16.120
<v Speaker 5>had to key up the Queen.

0:14:16.559 --> 0:14:18.920
<v Speaker 1>I'm doing a little shuffle in my seat because I'm

0:14:18.920 --> 0:14:21.239
<v Speaker 1>excited the Queen of Television.

0:14:21.440 --> 0:14:25.680
<v Speaker 5>For the inaugural episode, we pull out the biggie.

0:14:25.240 --> 0:14:26.640
<v Speaker 1>The big guns.

0:14:26.760 --> 0:14:31.400
<v Speaker 5>Yes one, the only, the most special Queen Bee herself

0:14:32.200 --> 0:14:37.840
<v Speaker 5>shut on rides. Hello, so funny, and we need to

0:14:37.840 --> 0:14:39.400
<v Speaker 5>take a picture of this. But we're drinking out of

0:14:39.440 --> 0:14:41.800
<v Speaker 5>our gladiator wine cups. It's too early in the morning

0:14:41.800 --> 0:14:44.640
<v Speaker 5>to actually be drinking. Chattanuve debris.

0:14:45.360 --> 0:14:47.680
<v Speaker 1>Who gave us these glasses? Did we get them from?

0:14:47.920 --> 0:14:50.200
<v Speaker 1>Was it production that gifted these I don't even remember.

0:14:50.320 --> 0:14:51.840
<v Speaker 3>You might have come from the network.

0:14:51.920 --> 0:14:54.680
<v Speaker 5>I don't know, maybe wow, Well, you know what, there's

0:14:54.720 --> 0:14:58.400
<v Speaker 5>gonna be hopefully a real opportunity for merch with this podcast,

0:14:58.440 --> 0:15:02.480
<v Speaker 5>because this is a great wine. Shanda, can you tell

0:15:02.560 --> 0:15:05.280
<v Speaker 5>us about where you got this idea, the origin story

0:15:05.280 --> 0:15:07.960
<v Speaker 5>of Scandal Meeting Judy Smith writing the pilot.

0:15:08.400 --> 0:15:11.440
<v Speaker 3>So I was busy at the time with Gray's and

0:15:11.480 --> 0:15:15.160
<v Speaker 3>I think also private practice, and Betsy was like, I

0:15:15.240 --> 0:15:17.920
<v Speaker 3>met this incredible woman, she got this incredible job. I

0:15:17.920 --> 0:15:19.920
<v Speaker 3>wanted to talk to you about it. And I was like,

0:15:20.040 --> 0:15:21.960
<v Speaker 3>I don't have time for this, you know, I'm just

0:15:22.000 --> 0:15:23.960
<v Speaker 3>too busy and I wasn't thinking about creating another show.

0:15:24.720 --> 0:15:27.280
<v Speaker 4>No, you already had to yeah, too much to do.

0:15:27.600 --> 0:15:30.040
<v Speaker 3>So Betsy said, just sit with her for like a

0:15:30.040 --> 0:15:33.840
<v Speaker 3>half an hour. So Judy Smith came in. She's this amazing,

0:15:33.880 --> 0:15:37.000
<v Speaker 3>formidable woman who basically always wears white, sat down and

0:15:37.040 --> 0:15:38.960
<v Speaker 3>started talking to me about her job. And the more

0:15:39.000 --> 0:15:40.440
<v Speaker 3>she talked to me about the job, the more I

0:15:40.520 --> 0:15:43.520
<v Speaker 3>was like, this is fascinating, this life of a fixer.

0:15:43.520 --> 0:15:46.480
<v Speaker 3>Because Judy had been like the fixer for the White

0:15:46.480 --> 0:15:49.040
<v Speaker 3>House during the Bush era, Bush two era, and she

0:15:49.080 --> 0:15:52.720
<v Speaker 3>had all these amazing stories and I was sort of

0:15:53.200 --> 0:15:55.480
<v Speaker 3>dazzled by the stories. I thought they were amazing. She'd

0:15:55.480 --> 0:15:57.920
<v Speaker 3>represented Mountica Lewinsky, you know, that whole thing, like she'd

0:15:57.920 --> 0:15:59.720
<v Speaker 3>done a lot. And we ended up talking not for

0:15:59.720 --> 0:16:02.240
<v Speaker 3>a half hour, but like for four hours or something like that.

0:16:02.520 --> 0:16:02.800
<v Speaker 1>Wow.

0:16:02.880 --> 0:16:04.840
<v Speaker 3>Oh. And by the time we were done talking, I

0:16:04.880 --> 0:16:07.240
<v Speaker 3>was like, I can see like seventy episodes easy, Like

0:16:07.280 --> 0:16:09.080
<v Speaker 3>I can see exactly what those episodes would be.

0:16:09.120 --> 0:16:09.360
<v Speaker 1>Wow.

0:16:09.600 --> 0:16:09.960
<v Speaker 3>Yeah.

0:16:10.000 --> 0:16:12.920
<v Speaker 5>And then did you just go off and write? Was

0:16:12.960 --> 0:16:14.720
<v Speaker 5>it like an easy thing to write?

0:16:14.760 --> 0:16:17.160
<v Speaker 4>Was it? Was it hard to get it out of

0:16:17.160 --> 0:16:17.600
<v Speaker 4>your brain?

0:16:18.000 --> 0:16:20.000
<v Speaker 3>No? You know, I think it was pretty easy to

0:16:20.000 --> 0:16:22.680
<v Speaker 3>write because I kind of understood the character I was making.

0:16:22.720 --> 0:16:24.240
<v Speaker 3>Once I let go of the fact that it didn't

0:16:24.240 --> 0:16:26.840
<v Speaker 3>have to be exactly Judy that I could play, I

0:16:26.840 --> 0:16:29.000
<v Speaker 3>felt really good about the character I was making, And

0:16:29.040 --> 0:16:31.720
<v Speaker 3>then all the other characters became really clear to me

0:16:31.800 --> 0:16:33.160
<v Speaker 3>really fast, which was great.

0:16:33.200 --> 0:16:37.440
<v Speaker 4>Thank God for us, Thank God for you.

0:16:37.800 --> 0:16:40.840
<v Speaker 3>Judy was there to like tell me how she did

0:16:40.880 --> 0:16:42.600
<v Speaker 3>her job, Like I'd call her and ask for like

0:16:42.600 --> 0:16:45.080
<v Speaker 3>like tiny details about how she did her job. And

0:16:45.080 --> 0:16:47.720
<v Speaker 3>that's what really made the series, I think special, is

0:16:48.360 --> 0:16:51.680
<v Speaker 3>the fact that we had somebody real informing us right.

0:16:51.560 --> 0:16:53.320
<v Speaker 5>First of all, she gave us all of her business

0:16:53.320 --> 0:16:55.320
<v Speaker 5>cards when we started. I remember that and I was like,

0:16:55.400 --> 0:16:58.240
<v Speaker 5>please Lord, let us never have to use this, like

0:16:58.280 --> 0:16:59.120
<v Speaker 5>I don't want to call it.

0:16:59.160 --> 0:17:01.880
<v Speaker 1>Didn't she come to like one of our first rehearsals

0:17:01.960 --> 0:17:05.159
<v Speaker 1>at Prospect Studios. I think we rehearsed the show like

0:17:05.200 --> 0:17:06.840
<v Speaker 1>it was a play, and I remember her being there.

0:17:06.840 --> 0:17:08.840
<v Speaker 1>I think that's when she gave us her business cards

0:17:08.880 --> 0:17:10.560
<v Speaker 1>and we were all like, oh my god, this is

0:17:10.640 --> 0:17:13.159
<v Speaker 1>d Judy Smith. This is who Olivia Pope is loosely

0:17:13.200 --> 0:17:15.720
<v Speaker 1>based on, and obviously on the show, like you know,

0:17:15.760 --> 0:17:17.800
<v Speaker 1>Olivia Pope has an affair with the president. Obviously that

0:17:17.840 --> 0:17:19.240
<v Speaker 1>didn't happen with Judy Smith.

0:17:19.080 --> 0:17:22.040
<v Speaker 5>Right, this woman has to go around being like scandals

0:17:22.040 --> 0:17:22.959
<v Speaker 5>based on my life.

0:17:23.040 --> 0:17:25.439
<v Speaker 4>But I did not sleep with Bush Senior or junior.

0:17:25.600 --> 0:17:28.200
<v Speaker 3>Inspired by inspired by my job is what I kept

0:17:28.240 --> 0:17:30.320
<v Speaker 3>telling her to say, Yes, yes.

0:17:30.200 --> 0:17:32.160
<v Speaker 4>Yes, that's great, inspired by my job.

0:17:32.280 --> 0:17:34.520
<v Speaker 1>So when you were when you were listening to her story, Seanda,

0:17:34.880 --> 0:17:37.720
<v Speaker 1>did it just sort of come into your brain that

0:17:38.280 --> 0:17:40.480
<v Speaker 1>you kind of went off and then started thinking, oh,

0:17:40.560 --> 0:17:42.840
<v Speaker 1>they these two characters can have an affair and it

0:17:42.920 --> 0:17:45.399
<v Speaker 1>sort of grew from there. Where did that sort of

0:17:45.840 --> 0:17:46.359
<v Speaker 1>come from.

0:17:46.840 --> 0:17:49.320
<v Speaker 3>When I'm making a show or making writing a script,

0:17:49.320 --> 0:17:51.520
<v Speaker 3>I always think, what's the worst thing that could happen

0:17:51.680 --> 0:17:54.359
<v Speaker 3>for these two people, Like what's the worst.

0:17:54.200 --> 0:17:57.240
<v Speaker 1>Way for things to go so great, so good?

0:17:57.280 --> 0:17:59.200
<v Speaker 3>Which is you know how Huck ended up like a

0:17:59.359 --> 0:18:01.440
<v Speaker 3>violent kill and you know what I mean? But what's

0:18:01.480 --> 0:18:03.720
<v Speaker 3>the worst way to go? And the worst way I

0:18:03.720 --> 0:18:05.760
<v Speaker 3>could think of was if you're representing a girl from

0:18:05.800 --> 0:18:07.200
<v Speaker 3>the White House, because it really started with me having

0:18:07.200 --> 0:18:09.280
<v Speaker 3>like a little Monicolwinski story. I was like, the worst

0:18:09.320 --> 0:18:11.159
<v Speaker 3>thing is that you've been having a secret affair with

0:18:11.200 --> 0:18:13.159
<v Speaker 3>this man and now you discover that this is just

0:18:13.160 --> 0:18:13.760
<v Speaker 3>how he plays.

0:18:14.200 --> 0:18:15.160
<v Speaker 4>Yeah, that's not good.

0:18:15.640 --> 0:18:17.840
<v Speaker 5>But when you wrote the pilot, did you have any

0:18:17.920 --> 0:18:22.800
<v Speaker 5>idea that the fits Olivia phenomenon, the one minute to

0:18:22.920 --> 0:18:26.560
<v Speaker 5>the take off your clothes, the chemistry beyond epic proportions

0:18:26.600 --> 0:18:27.600
<v Speaker 5>would be what it was.

0:18:28.359 --> 0:18:30.399
<v Speaker 3>Not when I wrote it. Not when I wrote it,

0:18:30.400 --> 0:18:32.359
<v Speaker 3>And I remember the studio calling me up and the

0:18:32.359 --> 0:18:34.639
<v Speaker 3>network calling me up and saying, can we love it?

0:18:34.640 --> 0:18:36.760
<v Speaker 3>Can you just take out one little part like can't

0:18:36.800 --> 0:18:38.600
<v Speaker 3>you just be friends with the president? Could you not

0:18:38.680 --> 0:18:43.560
<v Speaker 3>have the affair? I remember saying, Olivia, Pope is going

0:18:43.600 --> 0:18:46.320
<v Speaker 3>to have sex on the White Houvel office desk in

0:18:46.480 --> 0:18:48.640
<v Speaker 3>the first season of this series. And if you don't

0:18:48.680 --> 0:18:50.240
<v Speaker 3>want that, then I'm not doing the series.

0:18:51.000 --> 0:18:52.840
<v Speaker 4>I'm obsessed with it, no way.

0:18:53.600 --> 0:18:56.240
<v Speaker 3>And then when we were shooting it, you know, the

0:18:56.359 --> 0:18:59.800
<v Speaker 3>chemistry with Carrie and Tony was crazy, Like I was

0:19:00.280 --> 0:19:02.959
<v Speaker 3>like that that that scene in the Oval office at

0:19:02.960 --> 0:19:05.680
<v Speaker 3>the end. I was not expecting that much amazing chemistry.

0:19:05.720 --> 0:19:08.440
<v Speaker 3>I mean, Tony's so incredible and so was Carrie, but

0:19:08.480 --> 0:19:11.439
<v Speaker 3>I just wasn't expecting it to be that like that fire,

0:19:11.640 --> 0:19:12.720
<v Speaker 3>you know, it was great. Yeah.

0:19:12.960 --> 0:19:16.000
<v Speaker 5>I remember showing up that night just to watch the

0:19:16.040 --> 0:19:18.320
<v Speaker 5>shooting of it, which I was like, I think, I

0:19:18.400 --> 0:19:20.320
<v Speaker 5>think we have to talk about the whole pilot experience,

0:19:20.320 --> 0:19:22.440
<v Speaker 5>but I think that scene in the Oval where they

0:19:22.480 --> 0:19:25.240
<v Speaker 5>make out and they're like hiding where the cameras can't

0:19:25.280 --> 0:19:27.520
<v Speaker 5>see them, that was our last night of shooting, and

0:19:27.560 --> 0:19:29.160
<v Speaker 5>I remember being like, I just want to go because

0:19:29.200 --> 0:19:31.720
<v Speaker 5>I just never want this to end. And I remember

0:19:31.760 --> 0:19:34.080
<v Speaker 5>being there behind the monitor watching and it was you

0:19:34.080 --> 0:19:34.800
<v Speaker 5>could hear a pit.

0:19:34.920 --> 0:19:39.360
<v Speaker 1>I mean, yeah, I'm hiding in the curtains, Like it

0:19:39.400 --> 0:19:40.600
<v Speaker 1>was so intense.

0:19:41.000 --> 0:19:43.560
<v Speaker 5>So on, it was so on all I want to

0:19:43.560 --> 0:19:45.600
<v Speaker 5>say is how did you cast Quinn and Hauck Know, we'll.

0:19:45.440 --> 0:19:48.480
<v Speaker 3>Get that's good stuff, though.

0:19:48.600 --> 0:19:55.560
<v Speaker 5>We will be back with more after the break. Okay,

0:19:55.640 --> 0:19:59.280
<v Speaker 5>So how did you cast Olivia Pope? Like did a

0:19:59.320 --> 0:20:00.880
<v Speaker 5>lot of people for that role?

0:20:01.320 --> 0:20:03.200
<v Speaker 3>Well, let's be clear, and I don't think even think

0:20:03.200 --> 0:20:04.840
<v Speaker 3>I realized how big of a deal this was. But

0:20:04.880 --> 0:20:06.480
<v Speaker 3>it was the first leading role for a woman of

0:20:06.520 --> 0:20:09.320
<v Speaker 3>color and a drama in like thirty seven years or something.

0:20:09.720 --> 0:20:13.440
<v Speaker 3>So one thing I was very clear about was there

0:20:13.440 --> 0:20:16.040
<v Speaker 3>are so many actresses who've never gotten this shot. Like,

0:20:16.080 --> 0:20:19.119
<v Speaker 3>we're not turning anybody away, Like if you were of note,

0:20:19.200 --> 0:20:21.879
<v Speaker 3>we are not turning you away. So it felt like

0:20:22.280 --> 0:20:25.399
<v Speaker 3>it was this like march of like fifty like some

0:20:25.440 --> 0:20:28.119
<v Speaker 3>of the most incredible actresses I'd ever seen showing up

0:20:28.119 --> 0:20:30.359
<v Speaker 3>at our office, and it was amazing to watch. It

0:20:30.400 --> 0:20:33.439
<v Speaker 3>also broke my heart because why should it have to

0:20:33.440 --> 0:20:33.800
<v Speaker 3>be this way?

0:20:33.800 --> 0:20:35.119
<v Speaker 1>So you could only cast one?

0:20:35.200 --> 0:20:35.720
<v Speaker 6>Yeah, and I.

0:20:35.720 --> 0:20:39.199
<v Speaker 3>Could only cast one. And so it came down to

0:20:39.920 --> 0:20:44.200
<v Speaker 3>Carrie Anicanoni Rose I love it, and Jill Scott, three

0:20:44.200 --> 0:20:47.240
<v Speaker 3>women who could out more different, close.

0:20:47.840 --> 0:20:50.360
<v Speaker 5>Be more different. Also would love to see a show

0:20:50.400 --> 0:20:51.600
<v Speaker 5>with the three of them.

0:20:52.280 --> 0:20:55.160
<v Speaker 3>But I loved them all and I loved everybody's performance

0:20:55.200 --> 0:20:58.800
<v Speaker 3>as Olivia Pope. I really did. And I just kept thinking, like,

0:20:59.359 --> 0:21:01.760
<v Speaker 3>would show my writing because I'm writing a different show

0:21:01.760 --> 0:21:03.199
<v Speaker 3>for each one of these women. It just felt like

0:21:03.359 --> 0:21:05.639
<v Speaker 3>it was going to fundamentally be different for every for

0:21:05.720 --> 0:21:09.040
<v Speaker 3>every woman. And in the end, I sat down with

0:21:09.080 --> 0:21:11.840
<v Speaker 3>Carrie and I remember thinking like, she's too pretty, like

0:21:12.200 --> 0:21:15.040
<v Speaker 3>somebody this powerful, like doesn't get it get away with

0:21:15.080 --> 0:21:17.840
<v Speaker 3>being and I was, which was so wrong with me?

0:21:18.119 --> 0:21:19.800
<v Speaker 3>And then I sat down with Carrie and she talked

0:21:19.880 --> 0:21:22.920
<v Speaker 3>politics like nobody's business for like an hour, and I

0:21:23.680 --> 0:21:25.040
<v Speaker 3>got it entirely immediately.

0:21:25.480 --> 0:21:27.080
<v Speaker 4>Yeah, that was the whole and I get it.

0:21:27.119 --> 0:21:31.120
<v Speaker 5>I mean, Carrie Washington is an alien of remarkable beauty.

0:21:31.240 --> 0:21:34.119
<v Speaker 3>It's like yes, yeah, yeah, No one looks like that.

0:21:34.359 --> 0:21:37.640
<v Speaker 4>Yeah no, no one looks like that. No one has

0:21:37.720 --> 0:21:38.960
<v Speaker 4>bone structure like that.

0:21:39.119 --> 0:21:44.840
<v Speaker 5>I mean, she's gorgeous, and she's also incredibly politically active

0:21:44.840 --> 0:21:47.000
<v Speaker 5>and an activist and all these things that really lined

0:21:47.080 --> 0:21:50.480
<v Speaker 5>up for the perfect Olivia Pope. I mean, yeah, yeah,

0:21:50.880 --> 0:21:54.119
<v Speaker 5>this pilot, the amount of slow mo walking scenes in

0:21:54.160 --> 0:21:55.359
<v Speaker 5>a white Coat is.

0:21:57.440 --> 0:21:58.280
<v Speaker 4>The greatest.

0:21:59.280 --> 0:22:03.560
<v Speaker 5>Oh, it just satisfies every part of your being watching it.

0:22:05.240 --> 0:22:07.199
<v Speaker 3>Is it's like it's like the dream life in a

0:22:07.200 --> 0:22:08.200
<v Speaker 3>way that you want to live.

0:22:08.400 --> 0:22:12.119
<v Speaker 5>Yeah, hell yeah, Shonda, did the Studio Network know that

0:22:12.200 --> 0:22:14.720
<v Speaker 5>Olivia Pope was a black woman or no when you

0:22:14.760 --> 0:22:15.200
<v Speaker 5>wrote it?

0:22:15.600 --> 0:22:17.280
<v Speaker 3>So I want to be clear. When I went in

0:22:17.359 --> 0:22:20.480
<v Speaker 3>to pitch this, I told Channing, I said, and she's

0:22:20.520 --> 0:22:22.439
<v Speaker 3>going to be black because Judy Smith is black. And

0:22:22.520 --> 0:22:25.399
<v Speaker 3>Channing just nodded, and I don't I think, like me,

0:22:26.000 --> 0:22:27.680
<v Speaker 3>she didn't think as Channing's a woman of color. I

0:22:27.680 --> 0:22:30.080
<v Speaker 3>don't think she thought like I better go warn everybody

0:22:30.119 --> 0:22:32.359
<v Speaker 3>or anything like this is not a problem, right. And

0:22:32.440 --> 0:22:34.760
<v Speaker 3>so when they picked up the pilot, the head of

0:22:34.800 --> 0:22:37.280
<v Speaker 3>casting called me and was like, Connie Britton would be

0:22:37.320 --> 0:22:40.280
<v Speaker 3>the perfect choice for this role. And I said, I

0:22:40.320 --> 0:22:43.520
<v Speaker 3>adore Connie Britton. She would be except Olivia Pope is black.

0:22:44.119 --> 0:22:47.440
<v Speaker 3>And it was like this long moment of silence.

0:22:49.440 --> 0:22:51.760
<v Speaker 1>Wow, wow, Yeah, I was just going to bring up

0:22:51.800 --> 0:22:54.840
<v Speaker 1>what you brought up before, like like the casting process

0:22:54.840 --> 0:22:57.280
<v Speaker 1>for the rest of the of the cast. I remember

0:22:57.320 --> 0:22:59.800
<v Speaker 1>for going in for Huck and I remember getting this

0:23:00.920 --> 0:23:04.200
<v Speaker 1>and being like super pissed off that I was even

0:23:04.760 --> 0:23:06.720
<v Speaker 1>being considered for this because I think the character was

0:23:06.720 --> 0:23:09.600
<v Speaker 1>described as like in his like fifties, like mid fifties.

0:23:09.600 --> 0:23:11.720
<v Speaker 1>I was like, I was like thirty nine at the time,

0:23:11.720 --> 0:23:13.760
<v Speaker 1>and now I'm fifty one, and I'm like, is the

0:23:13.840 --> 0:23:14.679
<v Speaker 1>new twenty like?

0:23:15.600 --> 0:23:17.640
<v Speaker 6>But at the time, I was like, what the fuck?

0:23:17.680 --> 0:23:18.600
<v Speaker 6>They wouldn't why.

0:23:18.720 --> 0:23:20.560
<v Speaker 4>You're like, how dare you think I'm fifty?

0:23:20.720 --> 0:23:20.880
<v Speaker 2>Yeah?

0:23:20.920 --> 0:23:22.800
<v Speaker 1>I just felt I wasn't right for I remember going

0:23:22.880 --> 0:23:26.720
<v Speaker 1>into the audition to read for you, Shondaan for Linda Lowe,

0:23:26.800 --> 0:23:28.560
<v Speaker 1>and I think there was somebody else in the room

0:23:29.000 --> 0:23:32.359
<v Speaker 1>and just being like, gonna do my best. And you

0:23:32.400 --> 0:23:35.640
<v Speaker 1>wrote this like brilliant monologue and the character was obsessed

0:23:35.680 --> 0:23:38.520
<v Speaker 1>with like little figurines that were all over his desk.

0:23:38.560 --> 0:23:39.560
<v Speaker 1>I don't know if you remember that.

0:23:39.960 --> 0:23:42.440
<v Speaker 3>Yeah, I had to write something just to cast the

0:23:42.520 --> 0:23:45.600
<v Speaker 3>role because didn't say much and I knew that eventually

0:23:45.640 --> 0:23:48.720
<v Speaker 3>he would. Yeah, I knew eventually he would. So I

0:23:48.720 --> 0:23:49.800
<v Speaker 3>wrote this monologue.

0:23:49.840 --> 0:23:52.000
<v Speaker 1>Oh it was so good. And then so I did

0:23:52.000 --> 0:23:54.960
<v Speaker 1>the monologue and then we just all kind of sat

0:23:54.960 --> 0:23:56.760
<v Speaker 1>there in silence for a minute, and you looked at

0:23:56.760 --> 0:23:59.080
<v Speaker 1>me and said, you're a very interesting actor.

0:23:59.880 --> 0:24:02.960
<v Speaker 6>I remember that so clearly, and I was like, oh,

0:24:03.400 --> 0:24:03.800
<v Speaker 6>thank you.

0:24:03.840 --> 0:24:06.560
<v Speaker 1>And then I left. And then you know, another odd

0:24:06.560 --> 0:24:08.880
<v Speaker 1>thing that happened with casting, It was that you you

0:24:08.960 --> 0:24:11.600
<v Speaker 1>cast I think most of us, at least me, after

0:24:11.840 --> 0:24:14.840
<v Speaker 1>just one audition. There wasn't a lot of fanfare. You know,

0:24:15.119 --> 0:24:18.119
<v Speaker 1>we didn't test for it, but you just knew. And

0:24:18.200 --> 0:24:20.480
<v Speaker 1>the fact that you got this whole cast together that

0:24:20.560 --> 0:24:24.879
<v Speaker 1>has such amazing chemistry and it all just freaking was Oh,

0:24:24.960 --> 0:24:28.640
<v Speaker 1>it was so special, Like, but I know Katie's stories.

0:24:28.240 --> 0:24:30.880
<v Speaker 3>Like Katie's story is crazy, but didn't.

0:24:30.560 --> 0:24:32.359
<v Speaker 1>You first tell her that she didn't get it?

0:24:32.680 --> 0:24:34.960
<v Speaker 5>So they called me in and I think I'm going

0:24:35.000 --> 0:24:40.160
<v Speaker 5>to test and they say, Seanda says, you can see

0:24:40.160 --> 0:24:42.960
<v Speaker 5>this on the behind the scenes DVD of Seasons.

0:24:43.560 --> 0:24:44.600
<v Speaker 1>That's right, that's right.

0:24:44.840 --> 0:24:45.640
<v Speaker 4>See my audition.

0:24:47.760 --> 0:24:51.640
<v Speaker 5>She gave me the part and I cried, real, real,

0:24:51.760 --> 0:24:53.560
<v Speaker 5>ugly cried, and I.

0:24:53.600 --> 0:24:55.280
<v Speaker 3>Loved it so much. It was like it was like

0:24:55.359 --> 0:24:57.159
<v Speaker 3>the most fun thing I ever got to do is

0:24:57.200 --> 0:24:59.520
<v Speaker 3>to like deliver good news to somebody. You know, it's

0:24:59.560 --> 0:24:59.960
<v Speaker 3>just lovely.

0:25:00.240 --> 0:25:01.800
<v Speaker 4>And then I said, what am I supposed to do?

0:25:01.840 --> 0:25:04.600
<v Speaker 5>And you said, someone's gonna call you and there's going

0:25:04.640 --> 0:25:06.359
<v Speaker 5>to be a wardrobe fitting and there's going to be

0:25:06.359 --> 0:25:06.880
<v Speaker 5>a table read.

0:25:06.920 --> 0:25:09.400
<v Speaker 4>I was like, there's gonna be a people read.

0:25:11.240 --> 0:25:13.960
<v Speaker 3>Okay. I didn't first tell her that she didn't get it.

0:25:14.000 --> 0:25:16.639
<v Speaker 3>What I said was she came in to do the test,

0:25:17.160 --> 0:25:18.320
<v Speaker 3>and then we brought her in the room and we

0:25:18.359 --> 0:25:21.119
<v Speaker 3>already had the camera rolling, and I said, Kittie, you're

0:25:21.280 --> 0:25:22.639
<v Speaker 3>you know I swelled you let you know you're not

0:25:22.640 --> 0:25:24.639
<v Speaker 3>going to be able to test for this part. And

0:25:24.680 --> 0:25:28.880
<v Speaker 3>she was like just so politely, like like trying really hard,

0:25:28.880 --> 0:25:31.040
<v Speaker 3>and we see her dying a little bit inside, and

0:25:31.080 --> 0:25:32.520
<v Speaker 3>I was like, you guess we're just gonna give it

0:25:32.520 --> 0:25:35.080
<v Speaker 3>to you, and she was like she like went crazy.

0:25:35.160 --> 0:25:36.600
<v Speaker 3>It was. It was so much fun.

0:25:36.680 --> 0:25:40.600
<v Speaker 5>Oh my, I've never I mean, that's your you know,

0:25:40.880 --> 0:25:44.160
<v Speaker 5>you've won the lottery. You know you've here's your car,

0:25:44.160 --> 0:25:45.879
<v Speaker 5>and you're I mean, it was insane. It was so

0:25:46.280 --> 0:25:48.440
<v Speaker 5>but even bigger than that because it had been something

0:25:48.440 --> 0:25:50.320
<v Speaker 5>I'd wanted and worked for. I think when I was

0:25:50.359 --> 0:25:53.080
<v Speaker 5>twenty three or something, I said to someone, I just

0:25:53.160 --> 0:25:54.280
<v Speaker 5>want to work with Shonda Ryan.

0:25:54.800 --> 0:25:56.120
<v Speaker 1>Oh my god.

0:25:56.480 --> 0:25:56.879
<v Speaker 3>But Shonda.

0:25:56.960 --> 0:26:04.600
<v Speaker 5>Most actors have to go through nine like like prereads, callbacks, producers, tests,

0:26:04.960 --> 0:26:08.240
<v Speaker 5>different sides, different looks, where's something else, come meet this person?

0:26:08.359 --> 0:26:11.399
<v Speaker 1>It is awful, and then you start to shoot the

0:26:11.400 --> 0:26:13.679
<v Speaker 1>show and there's like not really that much chemistry or

0:26:13.680 --> 0:26:16.720
<v Speaker 1>this show is not that great after all that bs,

0:26:16.800 --> 0:26:18.480
<v Speaker 1>you know what I mean, that's a good point.

0:26:18.600 --> 0:26:20.159
<v Speaker 3>Yeah, you put in all that work and then you're like,

0:26:20.280 --> 0:26:23.480
<v Speaker 3>uh No. For me, it was like I knew, and

0:26:23.720 --> 0:26:26.240
<v Speaker 3>I'm very honest, I knew when I saw you, like

0:26:26.680 --> 0:26:29.080
<v Speaker 3>what I was like, this is perfect, Like this is

0:26:29.119 --> 0:26:31.200
<v Speaker 3>exactly what I was looking for. When I said, say,

0:26:31.240 --> 0:26:33.399
<v Speaker 3>well Katie, I knew when I saw her that was

0:26:33.440 --> 0:26:36.080
<v Speaker 3>exactly what we're waiting for. And because she was newer,

0:26:37.000 --> 0:26:39.280
<v Speaker 3>the network was like, she needs to test. And then

0:26:39.359 --> 0:26:41.080
<v Speaker 3>Linda Luwi and I went at the network and we're like,

0:26:41.119 --> 0:26:42.920
<v Speaker 3>we're not doing a test, Like we're not doing that.

0:26:42.960 --> 0:26:44.879
<v Speaker 3>Like's the only person who's getting this Getting off of

0:26:44.960 --> 0:26:48.200
<v Speaker 3>this part. I use a lot of I'm not making

0:26:48.200 --> 0:26:50.080
<v Speaker 3>this pilot a lot to get what I wanted, which

0:26:50.119 --> 0:26:51.040
<v Speaker 3>is not very mature.

0:26:51.119 --> 0:26:51.639
<v Speaker 1>I love it.

0:26:51.720 --> 0:26:52.239
<v Speaker 6>I love it.

0:26:52.280 --> 0:26:53.760
<v Speaker 4>Garamon and I talk about this all the time.

0:26:54.000 --> 0:26:57.400
<v Speaker 5>So for you listening, Shanda is usually not on set

0:26:57.440 --> 0:27:01.840
<v Speaker 5>because she's really busy writing a new number of other reasons.

0:27:03.160 --> 0:27:06.440
<v Speaker 5>But for our pilot, which I think took three two

0:27:06.600 --> 0:27:09.399
<v Speaker 5>or three weeks to make Shonda was there for every

0:27:09.560 --> 0:27:11.880
<v Speaker 5>single frame we shot nights.

0:27:12.920 --> 0:27:15.440
<v Speaker 4>It was cold. We were in a really.

0:27:15.480 --> 0:27:21.440
<v Speaker 5>Dank, downtown cool place that we then built and made

0:27:21.800 --> 0:27:23.920
<v Speaker 5>into Olivia Popen Associates on a stage.

0:27:24.200 --> 0:27:27.120
<v Speaker 4>Do you have any what are your memories from being there?

0:27:27.920 --> 0:27:30.159
<v Speaker 4>For those? I mean we were up all night loopy?

0:27:30.280 --> 0:27:35.840
<v Speaker 3>Oh yeah, yeah, I remember, like one. I remember being

0:27:35.840 --> 0:27:38.480
<v Speaker 3>there to make sure everybody talked fast enough? Do you

0:27:38.480 --> 0:27:41.000
<v Speaker 3>know what I mean? It was really my big word

0:27:41.080 --> 0:27:43.119
<v Speaker 3>was everyone's not going to talk fast enough. And part

0:27:43.119 --> 0:27:44.800
<v Speaker 3>of that talk fast enough was simply that I had

0:27:44.800 --> 0:27:46.159
<v Speaker 3>written a really long pilot.

0:27:46.600 --> 0:27:47.720
<v Speaker 6>You were like, y'all got to talk.

0:27:47.640 --> 0:27:49.120
<v Speaker 4>Quick, We're not cutting this out.

0:27:49.520 --> 0:27:49.920
<v Speaker 1>Yeah.

0:27:49.960 --> 0:27:52.159
<v Speaker 3>I felt like the pace of this show, like the

0:27:52.200 --> 0:27:54.359
<v Speaker 3>pace of how these people live their lives. You know,

0:27:54.640 --> 0:27:57.600
<v Speaker 3>White House could be slower, but Pope Associates was like

0:27:57.640 --> 0:28:01.440
<v Speaker 3>this speeding thing, and I wanted that to happen. I mean,

0:28:01.800 --> 0:28:04.160
<v Speaker 3>it was so interesting because I just met Paul mcgigan.

0:28:04.280 --> 0:28:06.760
<v Speaker 3>I didn't know him. I just had loved his pilot

0:28:06.800 --> 0:28:09.720
<v Speaker 3>Sherlock and the work he'd done there, and we talked

0:28:09.760 --> 0:28:12.080
<v Speaker 3>for a long time. But I was also there to

0:28:12.160 --> 0:28:14.200
<v Speaker 3>like sort of go like, what what's he doing, what's

0:28:14.200 --> 0:28:16.160
<v Speaker 3>he choosing to do? What's the look going to be?

0:28:16.160 --> 0:28:19.800
<v Speaker 3>Because I really don't Yeah, I don't talk in visuals.

0:28:19.840 --> 0:28:21.840
<v Speaker 3>I really just you know, talk in story and what

0:28:21.880 --> 0:28:25.120
<v Speaker 3>I'm thinking. And so to watch him translate that was great,

0:28:25.320 --> 0:28:27.120
<v Speaker 3>you know, it was a really great experience.

0:28:27.320 --> 0:28:29.320
<v Speaker 1>Yeah, I have in my notes one of one of

0:28:29.359 --> 0:28:33.040
<v Speaker 1>the other characters on the show was were these panels

0:28:33.760 --> 0:28:36.480
<v Speaker 1>that are our DP started to incorporate into shooting, do

0:28:36.520 --> 0:28:39.200
<v Speaker 1>you remember, Katie. Like we would do our traditional coverage

0:28:39.600 --> 0:28:42.040
<v Speaker 1>of the scene, and then somebody would call out panels

0:28:42.400 --> 0:28:44.600
<v Speaker 1>and then they would bring out these sort of beveled

0:28:44.680 --> 0:28:47.720
<v Speaker 1>pieces of thick glass and they would stand the characters

0:28:47.760 --> 0:28:50.479
<v Speaker 1>be behind these glasses and the camera would sort of

0:28:50.760 --> 0:28:53.800
<v Speaker 1>you know travel, you know, side side to side, and

0:28:53.840 --> 0:28:55.800
<v Speaker 1>it just gave it this like sexy, like sort of

0:28:55.960 --> 0:28:58.560
<v Speaker 1>dangerous like voyeous unique look.

0:28:58.680 --> 0:29:01.600
<v Speaker 3>Yeah, h voyeuristic feet. Yeah, that's so true.

0:29:01.640 --> 0:29:04.920
<v Speaker 5>And the colors like what they created, the dark blues

0:29:04.960 --> 0:29:08.920
<v Speaker 5>and grays, and like it just seemed really not poppy.

0:29:09.080 --> 0:29:10.680
<v Speaker 4>It didn't seem bright at all.

0:29:10.760 --> 0:29:13.440
<v Speaker 5>It seemed sort of like underground, like all this stuff

0:29:13.440 --> 0:29:14.560
<v Speaker 5>we were going and was going on.

0:29:14.680 --> 0:29:17.280
<v Speaker 1>Yeah, and like you mentioned, Katie Are where we shot

0:29:17.320 --> 0:29:20.240
<v Speaker 1>the pilot. It was this amazing location in downtown LA

0:29:20.960 --> 0:29:25.320
<v Speaker 1>and they were these these uh, cracked pieces of windows. Yes,

0:29:25.600 --> 0:29:29.040
<v Speaker 1>that which which now looking back at the watching the

0:29:29.080 --> 0:29:31.360
<v Speaker 1>show again, watching it back, I was thinking, it's so

0:29:31.440 --> 0:29:34.120
<v Speaker 1>symbolic of all the cast of characters, right, because we're

0:29:34.120 --> 0:29:37.160
<v Speaker 1>all cracked and broken and leaking. Like I remember, we

0:29:37.200 --> 0:29:39.320
<v Speaker 1>would have to put photos up on those pieces of

0:29:39.360 --> 0:29:41.720
<v Speaker 1>glass and sometimes it was a struggle because it was

0:29:41.840 --> 0:29:43.600
<v Speaker 1>raining outside and they had to figure out a way

0:29:43.600 --> 0:29:45.880
<v Speaker 1>to get the pictures to stick because they were all

0:29:45.920 --> 0:29:49.560
<v Speaker 1>these cracks. And then they created that on the stages. Oh,

0:29:49.560 --> 0:29:50.800
<v Speaker 1>it was so wonderful.

0:29:51.160 --> 0:29:53.560
<v Speaker 3>They replicated that so beautifully. That freaked me out how

0:29:53.600 --> 0:29:54.200
<v Speaker 3>well they did that.

0:29:54.400 --> 0:29:58.000
<v Speaker 4>Yes, oh my god, everybody. And you know what's cool.

0:29:58.120 --> 0:30:02.280
<v Speaker 5>Everyone really stuck with it like seven years. I don't

0:30:02.320 --> 0:30:04.080
<v Speaker 5>you know, we just really didn't have a lot of

0:30:04.160 --> 0:30:09.360
<v Speaker 5>turnover in terms of like head of wardrobe production. Like

0:30:09.480 --> 0:30:12.520
<v Speaker 5>everyone believed in it. And I don't know how you

0:30:12.600 --> 0:30:15.360
<v Speaker 5>built this team. I know you've talked about this like

0:30:15.640 --> 0:30:18.520
<v Speaker 5>a no asshole policy, but like it really felt like

0:30:19.560 --> 0:30:20.480
<v Speaker 5>the cast.

0:30:20.240 --> 0:30:23.280
<v Speaker 4>And the crew was just a machine. Like we were

0:30:23.360 --> 0:30:24.760
<v Speaker 4>so tight we still are.

0:30:24.920 --> 0:30:27.760
<v Speaker 5>I mean, it's really when I see someone from Scandal,

0:30:28.160 --> 0:30:30.520
<v Speaker 5>like a Mary Howard or Lime producing or a Tom

0:30:30.600 --> 0:30:34.320
<v Speaker 5>Verikar producing director or someone I'm emotional like I'm it

0:30:34.520 --> 0:30:37.240
<v Speaker 5>really felt like a family early on.

0:30:37.520 --> 0:30:38.440
<v Speaker 4>How did you do that?

0:30:38.720 --> 0:30:38.960
<v Speaker 6>One?

0:30:39.200 --> 0:30:41.920
<v Speaker 3>I think Betsy and I did our homework. At least

0:30:41.960 --> 0:30:44.120
<v Speaker 3>two people had to say you weren't an asshole for

0:30:44.200 --> 0:30:47.479
<v Speaker 3>us to hire you. At least two outside people had

0:30:47.480 --> 0:30:50.040
<v Speaker 3>to vouch for, like your personality or who you were

0:30:50.080 --> 0:30:52.640
<v Speaker 3>as a person, because you know, people are always lovely

0:30:52.720 --> 0:30:56.040
<v Speaker 3>to me, but then I find out that they're horrible

0:30:56.040 --> 0:31:00.600
<v Speaker 3>to the pas or they're you know, I'm like that

0:31:00.600 --> 0:31:03.040
<v Speaker 3>Great's a bad set. And then we had Mary Howard,

0:31:03.360 --> 0:31:06.160
<v Speaker 3>who I've learned, if you want your set to run

0:31:06.440 --> 0:31:08.360
<v Speaker 3>the way you would run your set, find somebody who

0:31:08.360 --> 0:31:10.360
<v Speaker 3>shares the same mindset as you. And Mary was all

0:31:10.400 --> 0:31:14.240
<v Speaker 3>about creating like a family environment and a comfortable environment

0:31:14.240 --> 0:31:16.640
<v Speaker 3>for everyone to work in and making everybody feel valued.

0:31:17.280 --> 0:31:19.840
<v Speaker 3>And then we got Lin Paolo to do the costumes,

0:31:19.880 --> 0:31:22.640
<v Speaker 3>and she was already somebody that you know, I had

0:31:22.680 --> 0:31:25.240
<v Speaker 3>been really into and loving her work, and it was

0:31:25.320 --> 0:31:27.280
<v Speaker 3>great to get her too. So it was it was

0:31:27.320 --> 0:31:29.520
<v Speaker 3>just this nice building process. I still work with Lynn

0:31:29.520 --> 0:31:29.960
<v Speaker 3>to this day.

0:31:30.200 --> 0:31:32.200
<v Speaker 5>Everyone told me, because I was sort of the baby,

0:31:32.240 --> 0:31:36.720
<v Speaker 5>that like, you know, you really better enjoy this because this,

0:31:36.840 --> 0:31:38.840
<v Speaker 5>you know, the Tonys and the Jeffs, like this is

0:31:38.960 --> 0:31:41.680
<v Speaker 5>this is this is lightning in a bottle.

0:31:41.720 --> 0:31:42.440
<v Speaker 4>Like we've had.

0:31:42.400 --> 0:31:45.560
<v Speaker 5>Very long careers and we've moved from group to group

0:31:46.000 --> 0:31:49.840
<v Speaker 5>and cast to cast, and this is so magical.

0:31:49.880 --> 0:31:52.000
<v Speaker 4>We used to get all the press used to come

0:31:52.080 --> 0:31:52.680
<v Speaker 4>up to us and be.

0:31:52.640 --> 0:31:57.760
<v Speaker 1>Like, come on, so fung out like each other.

0:31:57.920 --> 0:32:00.479
<v Speaker 5>Yeah, come on, this cannot be real. And I'm like,

0:32:00.560 --> 0:32:02.719
<v Speaker 5>it is real. I don't know what to tell you.

0:32:02.720 --> 0:32:04.440
<v Speaker 5>We're obsessed with each other. We go to events and

0:32:04.440 --> 0:32:05.840
<v Speaker 5>we only talk to each other. We don't even want

0:32:05.840 --> 0:32:06.680
<v Speaker 5>to talk to anybody else.

0:32:08.640 --> 0:32:12.880
<v Speaker 1>We also had so many amazing moments outside of shooting

0:32:12.920 --> 0:32:15.720
<v Speaker 1>the show, Like we went to so many events, and

0:32:15.840 --> 0:32:18.640
<v Speaker 1>one memory that's that stuck out. I think Katie and

0:32:18.720 --> 0:32:21.560
<v Speaker 1>I talked about this a few days ago, was we

0:32:21.600 --> 0:32:25.560
<v Speaker 1>went to this Glad Awards event where myself, Katie, and

0:32:25.640 --> 0:32:29.520
<v Speaker 1>Carrie were presenting an award to you, Shonda was a

0:32:29.560 --> 0:32:34.680
<v Speaker 1>Glad Award I forget. Yeah, And we had so much

0:32:34.680 --> 0:32:36.760
<v Speaker 1>fun and I wrote the thing that sticks out for

0:32:36.800 --> 0:32:39.320
<v Speaker 1>me is we were after the awards. We were on

0:32:39.360 --> 0:32:42.200
<v Speaker 1>the dance floor just dancing it up with you and

0:32:42.680 --> 0:32:47.080
<v Speaker 1>me and Katie and my boyfriend Mike was there, and

0:32:47.120 --> 0:32:48.960
<v Speaker 1>at one point roke, I don't think I ever told

0:32:48.960 --> 0:32:51.120
<v Speaker 1>you this car Katie, or maybe I did, But at

0:32:51.120 --> 0:32:54.080
<v Speaker 1>one point we're dancing Shaunda and this dude sort of

0:32:54.080 --> 0:32:55.960
<v Speaker 1>shimmys up and saddles up in front of me and

0:32:56.000 --> 0:32:58.720
<v Speaker 1>starts dancing, and he's getting a little flirty, and you

0:32:58.800 --> 0:33:00.800
<v Speaker 1>walked up to him and you said he got a man.

0:33:02.400 --> 0:33:03.240
<v Speaker 6>Do you remember that?

0:33:03.800 --> 0:33:08.080
<v Speaker 1>I did, And I remember at that moment thinking, oh

0:33:08.160 --> 0:33:11.360
<v Speaker 1>my god, this is such a down woman, like she's

0:33:11.360 --> 0:33:14.120
<v Speaker 1>got my back. I loved it so much. But also

0:33:14.240 --> 0:33:15.880
<v Speaker 1>cut to like later on that night, me and Mike

0:33:16.000 --> 0:33:26.320
<v Speaker 1>had a threesome with that guy. Really, yes, yes, do that,

0:33:26.880 --> 0:33:29.680
<v Speaker 1>but but me and Mike still talk about it to

0:33:29.720 --> 0:33:32.720
<v Speaker 1>this day. Mike adores you, and he was like, oh

0:33:32.760 --> 0:33:35.280
<v Speaker 1>my god, I fucking love Seanna that she did that

0:33:35.360 --> 0:33:37.600
<v Speaker 1>and stepped in and was like nope, he's got a minute.

0:33:38.000 --> 0:33:39.440
<v Speaker 1>Oh it was so amazing.

0:33:40.480 --> 0:33:43.160
<v Speaker 5>So we do the pilot and then we wait to

0:33:43.200 --> 0:33:44.920
<v Speaker 5>hear about if we're going to get a season one

0:33:44.960 --> 0:33:47.360
<v Speaker 5>and we get six episode order?

0:33:47.440 --> 0:33:48.560
<v Speaker 4>How did you feel about that?

0:33:49.200 --> 0:33:51.720
<v Speaker 3>I was pissed. I mean, I will just say that

0:33:51.800 --> 0:33:54.200
<v Speaker 3>I was pissed. I was like, did I not deliver

0:33:54.360 --> 0:33:56.160
<v Speaker 3>you know, one hundred episodes of Scandal for I mean,

0:33:56.160 --> 0:33:58.280
<v Speaker 3>Gray's Anatomy for you? Did I not give you one

0:33:58.360 --> 0:34:01.680
<v Speaker 3>hundred episodes of Private Practice? Like that? Fuck? And I

0:34:01.760 --> 0:34:04.240
<v Speaker 3>was mad. I was really mad. But I was also like,

0:34:05.080 --> 0:34:08.080
<v Speaker 3>it's gonna keep going. And so we had fun writing

0:34:08.080 --> 0:34:09.560
<v Speaker 3>it that season because we knew that we were like

0:34:09.600 --> 0:34:11.080
<v Speaker 3>sort of writing the hell out of the show for

0:34:11.120 --> 0:34:13.319
<v Speaker 3>our lives, like get it all in there just in case.

0:34:14.000 --> 0:34:15.839
<v Speaker 3>But I also loved it. So I was like, they're

0:34:15.880 --> 0:34:17.160
<v Speaker 3>gonna they're gonna pick it up.

0:34:17.480 --> 0:34:19.440
<v Speaker 1>Do you remember when the show was called? Was it

0:34:19.560 --> 0:34:22.719
<v Speaker 1>when the show was called Damage Control before it called

0:34:23.200 --> 0:34:24.200
<v Speaker 1>Do you remember that.

0:34:24.640 --> 0:34:26.359
<v Speaker 3>It wasn't the real name though that was the name

0:34:26.400 --> 0:34:27.320
<v Speaker 3>we put on spongs.

0:34:27.480 --> 0:34:30.400
<v Speaker 1>You know, I didn't know that.

0:34:30.880 --> 0:34:34.520
<v Speaker 5>Either I thought damage Control was the name that just

0:34:34.520 --> 0:34:36.160
<v Speaker 5>didn't get approved by the studio, or.

0:34:37.600 --> 0:34:38.800
<v Speaker 4>I thought no idea.

0:34:39.600 --> 0:34:43.040
<v Speaker 3>I learned that after you know Grays that after that

0:34:43.560 --> 0:34:46.399
<v Speaker 3>that we called that the entitleedchon Rhymes Project. We called

0:34:46.400 --> 0:34:48.799
<v Speaker 3>Para Practice entitle toon Rhymes Project, and I was like,

0:34:48.840 --> 0:34:50.440
<v Speaker 3>I need a name that doesn't have my name and

0:34:50.520 --> 0:34:51.600
<v Speaker 3>it you know what I mean, Like I wanted to

0:34:51.640 --> 0:34:54.239
<v Speaker 3>try to build it out. I think now all of

0:34:54.280 --> 0:34:55.440
<v Speaker 3>our shows have code names.

0:34:55.640 --> 0:34:59.799
<v Speaker 5>When we we had no idea that Damage Control was

0:34:59.840 --> 0:35:03.200
<v Speaker 5>just like a placeholder. And I think Quinn Perkins was

0:35:03.280 --> 0:35:06.920
<v Speaker 5>Quinn Riley and Harrison wasn't Harrison, right, it was Harrison.

0:35:07.800 --> 0:35:09.239
<v Speaker 3>Yeah, it was once I got to know you guys

0:35:09.280 --> 0:35:10.719
<v Speaker 3>that I decided what your last names were.

0:35:12.719 --> 0:35:13.160
<v Speaker 1>I love it.

0:35:13.440 --> 0:35:13.520
<v Speaker 2>Yo.

0:35:13.640 --> 0:35:16.640
<v Speaker 1>Can we can we talk about like rewatching the show?

0:35:17.080 --> 0:35:19.040
<v Speaker 1>Me and Katie keep texting each other and we're like,

0:35:19.080 --> 0:35:22.080
<v Speaker 1>oh my god, this show is so freaking good. And

0:35:22.200 --> 0:35:25.000
<v Speaker 1>but one person that sticks out for us is Columbus

0:35:25.040 --> 0:35:29.160
<v Speaker 1>Short because he is like freaking like magic on this

0:35:29.320 --> 0:35:33.360
<v Speaker 1>show and it's just such a thrill to watch him work, right, Katie,

0:35:33.400 --> 0:35:35.600
<v Speaker 1>He's like genius in front of the camera.

0:35:35.920 --> 0:35:39.920
<v Speaker 3>Like I absolutely loved writing for him and watching him

0:35:39.960 --> 0:35:42.399
<v Speaker 3>work because he was he was genius behind the camera,

0:35:42.440 --> 0:35:44.120
<v Speaker 3>I mean in front of the camera, the stuff he

0:35:44.200 --> 0:35:46.680
<v Speaker 3>would do and then just the little tiny things.

0:35:46.800 --> 0:35:50.600
<v Speaker 5>We're making a did it of like some sound with

0:35:50.640 --> 0:35:54.520
<v Speaker 5>his like he was so musical and rhythmic, and which

0:35:54.640 --> 0:35:58.080
<v Speaker 5>worked so well with Scandal because you wrote such musical

0:35:58.120 --> 0:36:01.200
<v Speaker 5>scripts where pace was such a had such a musicality

0:36:01.280 --> 0:36:03.120
<v Speaker 5>that he just leaned into.

0:36:02.880 --> 0:36:05.000
<v Speaker 3>That and he had such a talent for that. Yeah,

0:36:05.080 --> 0:36:08.520
<v Speaker 3>the two of you were great. I remember watching you too. Yeah,

0:36:08.560 --> 0:36:10.560
<v Speaker 3>the first time doing that scene. It was great.

0:36:10.920 --> 0:36:14.480
<v Speaker 4>I had never been so nervous in my life, but

0:36:14.600 --> 0:36:18.720
<v Speaker 4>you Yeah, he was very nervous.

0:36:18.840 --> 0:36:21.040
<v Speaker 5>He was putting on a front for me of being

0:36:21.080 --> 0:36:23.319
<v Speaker 5>like I'm cool, I'm cool, and I'm like, you are

0:36:23.400 --> 0:36:26.000
<v Speaker 5>shitting bricks, dude, Like this is Shonda Rhimes is sitting

0:36:26.040 --> 0:36:28.000
<v Speaker 5>over there and Betsy Beers is sitting over there, and

0:36:28.040 --> 0:36:30.120
<v Speaker 5>I think they have a stopwatch and we need to

0:36:30.120 --> 0:36:31.160
<v Speaker 5>be cool and we need.

0:36:31.040 --> 0:36:35.239
<v Speaker 4>To get this And it was absolutely terrifying.

0:36:35.719 --> 0:36:38.160
<v Speaker 1>Is it true that did you audition Columbus or is

0:36:38.160 --> 0:36:41.080
<v Speaker 1>he like the one actor that did not audition. I

0:36:41.120 --> 0:36:42.839
<v Speaker 1>thought I had heard something about that.

0:36:43.120 --> 0:36:45.359
<v Speaker 4>I feel like he was offered it, but maybe I'm wrong.

0:36:45.400 --> 0:36:46.160
<v Speaker 4>That's what I had heard too.

0:36:46.320 --> 0:36:48.719
<v Speaker 3>No, I feel like he came in and auditioned, or

0:36:48.760 --> 0:36:49.359
<v Speaker 3>at least came.

0:36:49.239 --> 0:36:50.800
<v Speaker 1>In and met Oh gotcha.

0:36:50.880 --> 0:36:52.919
<v Speaker 3>Yeah, yeah, yeah, I think I know that he came

0:36:52.960 --> 0:36:56.560
<v Speaker 3>in and then then we, like, like everybody else, I

0:36:56.600 --> 0:36:57.560
<v Speaker 3>just knew that he was right.

0:36:57.840 --> 0:37:00.960
<v Speaker 5>Yeah, yeah, we thought when we were Now that we're

0:37:00.960 --> 0:37:04.959
<v Speaker 5>embarking on the Scandal Rewatch podcast, Unpacking the Toolbox, I'm

0:37:05.000 --> 0:37:07.640
<v Speaker 5>so excited to hang out with our Scandal family is

0:37:07.680 --> 0:37:12.680
<v Speaker 5>really the point. And honestly, I'm gonna be real, real, honest.

0:37:12.719 --> 0:37:14.799
<v Speaker 5>Right now, I was like, Oh, the only thing I

0:37:14.960 --> 0:37:17.640
<v Speaker 5>really don't want to do is watch Scandal because I'm

0:37:17.680 --> 0:37:19.440
<v Speaker 5>scared that I'm have going to watch something and I

0:37:19.480 --> 0:37:21.640
<v Speaker 5>don't think I'm good or look at what I used

0:37:21.640 --> 0:37:23.319
<v Speaker 5>to look like, or look at it. You know, you're

0:37:23.360 --> 0:37:25.960
<v Speaker 5>just it's all wrapped up in actor bull crap and

0:37:26.000 --> 0:37:27.960
<v Speaker 5>like whatever, And I don't know if it's gonna be

0:37:27.960 --> 0:37:28.960
<v Speaker 5>fun for me to do this.

0:37:30.840 --> 0:37:32.680
<v Speaker 4>I could not be more wrong.

0:37:32.880 --> 0:37:34.280
<v Speaker 1>It's so much fun.

0:37:34.600 --> 0:37:36.879
<v Speaker 3>Yeah, I have the experience of feeling like I'd never

0:37:36.920 --> 0:37:39.799
<v Speaker 3>actually seen the show that everybody talks about. Yes, you know,

0:37:39.920 --> 0:37:42.439
<v Speaker 3>because I was always writing in or one episode ahead

0:37:42.520 --> 0:37:44.960
<v Speaker 3>or editing one episode behind, like and it was I

0:37:45.000 --> 0:37:48.239
<v Speaker 3>was too worried about like making everything perfect, so I

0:37:48.239 --> 0:37:50.160
<v Speaker 3>couldn't really like I could watch the show when we

0:37:50.160 --> 0:37:52.719
<v Speaker 3>were all together and we were like, you know, doing

0:37:52.719 --> 0:37:56.400
<v Speaker 3>our live to Yeah, but I couldn't watch it just

0:37:56.440 --> 0:37:58.440
<v Speaker 3>like on my own, like it was too much. And

0:37:58.480 --> 0:38:00.719
<v Speaker 3>so when I sat down to watch again, which was

0:38:00.800 --> 0:38:03.200
<v Speaker 3>not that long and probably right a little bit before

0:38:03.239 --> 0:38:07.920
<v Speaker 3>you started watching it again, it was surreal because I

0:38:07.920 --> 0:38:11.319
<v Speaker 3>could actually like see and enjoy the stories that were told.

0:38:11.520 --> 0:38:13.200
<v Speaker 3>Of some of the stories, it was so funny. I

0:38:13.239 --> 0:38:15.319
<v Speaker 3>was like, that's what happened. Oh my god.

0:38:17.440 --> 0:38:18.040
<v Speaker 6>Right, it's the.

0:38:18.000 --> 0:38:20.799
<v Speaker 5>Same when they say like thorn Gate and like all

0:38:20.840 --> 0:38:23.640
<v Speaker 5>these things, I don't even think I understood what the

0:38:23.680 --> 0:38:24.520
<v Speaker 5>hell was going on.

0:38:24.760 --> 0:38:28.839
<v Speaker 4>Like it's really this has been such a gift.

0:38:28.920 --> 0:38:30.680
<v Speaker 5>This podcast is such a gift, and all of you

0:38:30.719 --> 0:38:33.600
<v Speaker 5>gladiators who are listening right now, like, give yourself the

0:38:33.640 --> 0:38:35.480
<v Speaker 5>gift of going back and watching the show, or if

0:38:35.520 --> 0:38:37.319
<v Speaker 5>you've never seen it, tell a friend to watch it.

0:38:37.360 --> 0:38:41.120
<v Speaker 5>Because the show holds up. It is better than all

0:38:41.160 --> 0:38:45.440
<v Speaker 5>the shows watch And I'm taking myself out of it.

0:38:45.480 --> 0:38:48.000
<v Speaker 5>I'm saying when I just sit and watch like Kerry

0:38:48.120 --> 0:38:50.080
<v Speaker 5>Washington and Tony Goldwyn do their thing, I mean, because

0:38:50.120 --> 0:38:52.040
<v Speaker 5>what's cool about the show. There's a white House half

0:38:52.040 --> 0:38:53.960
<v Speaker 5>and there's an Opa half, So I can you know,

0:38:54.000 --> 0:38:56.320
<v Speaker 5>I'm watching the show. I don't really remember the opay stuff.

0:38:56.320 --> 0:38:57.560
<v Speaker 5>But then there's a whole part of the show that

0:38:57.600 --> 0:39:03.040
<v Speaker 5>I have nothing to do with, and it's so freaking good.

0:39:03.640 --> 0:39:06.200
<v Speaker 5>Oh my god, I can't believe what you made, Shonda,

0:39:06.320 --> 0:39:06.840
<v Speaker 5>I can't.

0:39:07.120 --> 0:39:09.480
<v Speaker 3>But also you have to remember that, like I had

0:39:09.560 --> 0:39:13.040
<v Speaker 3>this the writing the writing staff for that show was

0:39:13.120 --> 0:39:17.200
<v Speaker 3>like every best writer I'd ever worked with, which is

0:39:17.200 --> 0:39:19.880
<v Speaker 3>really what that was. How did you know that people

0:39:19.880 --> 0:39:22.640
<v Speaker 3>in Jonaline stay. They tend to stay because ay, they

0:39:22.680 --> 0:39:24.520
<v Speaker 3>know they're gonna have a job, but be like, they

0:39:24.520 --> 0:39:26.600
<v Speaker 3>tend to stay because they I hope that they liked

0:39:26.640 --> 0:39:29.239
<v Speaker 3>it there. But what happened was is we'd have like

0:39:29.719 --> 0:39:31.880
<v Speaker 3>we'd have like Seve who went to MIT and was

0:39:31.920 --> 0:39:34.520
<v Speaker 3>like telling us all the technical stuff we had. We

0:39:34.600 --> 0:39:37.040
<v Speaker 3>had a journalist Matt had been a journalist, you know,

0:39:37.160 --> 0:39:39.120
<v Speaker 3>on the press pool, and tell us all that stuff

0:39:39.360 --> 0:39:41.680
<v Speaker 3>and the things that that room came up with just

0:39:41.719 --> 0:39:43.600
<v Speaker 3>by themselves. I'd come, I'd leave, and I'd come back

0:39:43.640 --> 0:39:45.640
<v Speaker 3>to the room and I'd be like, holy crap, that's amazing.

0:39:45.960 --> 0:39:48.799
<v Speaker 3>Like they just had a gift for building that show.

0:39:49.200 --> 0:39:53.839
<v Speaker 5>It was brilliant, brilliant minds that were just again sort

0:39:53.880 --> 0:39:55.759
<v Speaker 5>of like the cast, they just really and most of

0:39:55.800 --> 0:39:58.040
<v Speaker 5>them stuck with us. I mean when we when we've

0:39:58.040 --> 0:40:00.279
<v Speaker 5>been doing research on the show. In the series, I mean,

0:40:00.360 --> 0:40:04.680
<v Speaker 5>I'm reading names of writers and directors who you've taken

0:40:04.960 --> 0:40:07.280
<v Speaker 5>from a million episodes of Scandal, but then I worked

0:40:07.280 --> 0:40:09.640
<v Speaker 5>with most of them on inventing Anna, Like you know

0:40:09.640 --> 0:40:10.040
<v Speaker 5>what I mean.

0:40:10.400 --> 0:40:11.319
<v Speaker 4>It's really.

0:40:12.920 --> 0:40:15.959
<v Speaker 1>Even guest stars, guest stars that came on Scandal. When

0:40:16.200 --> 0:40:18.880
<v Speaker 1>I would do researching Google people for for the podcast

0:40:18.880 --> 0:40:20.600
<v Speaker 1>and be like, oh my god, they did a bunch

0:40:20.600 --> 0:40:23.919
<v Speaker 1>of Gray's episodes, a bunch of Private Practice episodes, like yeah,

0:40:24.160 --> 0:40:26.439
<v Speaker 1>like you said, they keep you bring them back, it's

0:40:26.560 --> 0:40:28.439
<v Speaker 1>it and they want to keep coming back.

0:40:28.760 --> 0:40:30.920
<v Speaker 3>I like to work with people who I like to

0:40:30.960 --> 0:40:32.319
<v Speaker 3>work with, do you know what I mean, Like if

0:40:32.360 --> 0:40:35.120
<v Speaker 3>I've had a great experience with you, I mean I

0:40:35.200 --> 0:40:37.239
<v Speaker 3>work with Jeff Perry like any day of the week,

0:40:37.239 --> 0:40:38.920
<v Speaker 3>every day, are yeah, yeah.

0:40:38.800 --> 0:40:39.399
<v Speaker 6>You know what I mean?

0:40:39.560 --> 0:40:43.000
<v Speaker 4>Like, so would all of us rank God, mister Magoo.

0:40:45.640 --> 0:40:47.800
<v Speaker 3>I love that he had to play such a different

0:40:47.840 --> 0:40:50.760
<v Speaker 3>character than he played before and was like so amazing.

0:40:50.840 --> 0:40:53.359
<v Speaker 5>Yeah, yes, and him at the table reads he has

0:40:53.400 --> 0:40:57.040
<v Speaker 5>like eight thousand glasses, like he's near sighted and far sighted,

0:40:57.080 --> 0:40:58.960
<v Speaker 5>I don't know what's going on, and he has to

0:40:58.960 --> 0:41:02.359
<v Speaker 5>hold his cell phone a C and then.

0:41:02.239 --> 0:41:03.680
<v Speaker 4>The script has to be a certain way.

0:41:03.719 --> 0:41:06.279
<v Speaker 5>But the crazy thing is it all looks wild and

0:41:06.320 --> 0:41:07.960
<v Speaker 5>then you sit down for the table read and you're

0:41:08.000 --> 0:41:10.440
<v Speaker 5>getting a three hundred and fifty dollars ticket front row

0:41:10.440 --> 0:41:13.600
<v Speaker 5>seat to a Broadway show where his even his table

0:41:13.640 --> 0:41:14.680
<v Speaker 5>read acting.

0:41:14.920 --> 0:41:18.719
<v Speaker 1>Is epic, Yes, epic, yeah.

0:41:18.440 --> 0:41:20.279
<v Speaker 4>And just absolutely incredible.

0:41:21.640 --> 0:41:24.080
<v Speaker 3>I'm gonna say this. I remember the episode where he

0:41:24.120 --> 0:41:27.440
<v Speaker 3>gives that long monologue to Fits about what's going to

0:41:27.480 --> 0:41:31.680
<v Speaker 3>happen to him if he lets this control. You pick

0:41:31.680 --> 0:41:33.600
<v Speaker 3>out that pizel that your father gave you, and you're

0:41:33.600 --> 0:41:37.000
<v Speaker 3>gonna shoot yourself like that whole thing. And I was

0:41:37.040 --> 0:41:39.880
<v Speaker 3>I remember the table read being like I wrote that,

0:41:39.960 --> 0:41:41.840
<v Speaker 3>Holy shit. I never thought it was going to be that. Like,

0:41:42.080 --> 0:41:44.200
<v Speaker 3>never thought it was going to be that. I had

0:41:44.200 --> 0:41:45.719
<v Speaker 3>a lot of that with you guys, though. I had

0:41:45.760 --> 0:41:47.440
<v Speaker 3>a lot of experiences where I was like, they just

0:41:47.560 --> 0:41:50.120
<v Speaker 3>elevated the material in a crazy, amazing way.

0:41:50.600 --> 0:41:52.600
<v Speaker 5>How did you know that monologues were going to work

0:41:52.600 --> 0:41:54.920
<v Speaker 5>on the show. I mean, monologues are very rare. I

0:41:55.480 --> 0:41:58.680
<v Speaker 5>don't think I've ever seen TV shows with the amount

0:41:58.840 --> 0:42:01.960
<v Speaker 5>of you know, you would have a character talk, single

0:42:02.040 --> 0:42:04.480
<v Speaker 5>space page for two pag you know, spa.

0:42:05.960 --> 0:42:09.120
<v Speaker 3>That's why I worked right, But in a lot of

0:42:09.120 --> 0:42:11.560
<v Speaker 3>ways because you said everything so fast. It did make

0:42:11.600 --> 0:42:14.600
<v Speaker 3>it work because there was none of that like overacting

0:42:14.640 --> 0:42:16.880
<v Speaker 3>that people accidentally do when they have a monolog or

0:42:16.920 --> 0:42:19.719
<v Speaker 3>the long pauses that they think mean something like, you

0:42:19.760 --> 0:42:22.360
<v Speaker 3>guys just threw yourselves into it. We're so natural about

0:42:22.360 --> 0:42:24.120
<v Speaker 3>it totally.

0:42:24.160 --> 0:42:26.560
<v Speaker 4>Who came up with the camera shutter sound?

0:42:27.320 --> 0:42:30.319
<v Speaker 3>I don't even remember. I think mcgwigan came up with

0:42:30.360 --> 0:42:33.600
<v Speaker 3>it with the editor in the director's cut. I'm pretty

0:42:33.600 --> 0:42:35.960
<v Speaker 3>sure because it was already there. It was already there

0:42:35.960 --> 0:42:38.360
<v Speaker 3>when I got it. I'm pretty sure. You have to

0:42:38.360 --> 0:42:40.399
<v Speaker 3>ask Scott Collins, who does all our post production. He'll

0:42:40.440 --> 0:42:41.080
<v Speaker 3>remember exactly.

0:42:41.280 --> 0:42:42.640
<v Speaker 5>Oh, we have to have him on, we have to

0:42:42.680 --> 0:42:44.880
<v Speaker 5>have him on. But that is so iconic. Whenever I

0:42:44.920 --> 0:42:45.279
<v Speaker 5>heard like.

0:42:45.239 --> 0:42:48.680
<v Speaker 1>It's so sandal, yeah, I think scandal. Yeah.

0:42:48.840 --> 0:42:53.760
<v Speaker 4>Did you know the music was going to be like seventies? Yeah?

0:42:53.840 --> 0:42:55.919
<v Speaker 3>Like it was the music I was listening to while

0:42:55.960 --> 0:42:57.920
<v Speaker 3>writing the pilot. I listened to a lot of Stevie

0:42:57.920 --> 0:42:59.840
<v Speaker 3>Wonder and I listened to a lot of Arretha Franklin,

0:43:00.239 --> 0:43:03.799
<v Speaker 3>and I don't know, like Washington is such a it's

0:43:03.800 --> 0:43:06.080
<v Speaker 3>such a political city, but it's also like a very

0:43:06.120 --> 0:43:08.080
<v Speaker 3>black city, do you know what I mean? Like the

0:43:08.120 --> 0:43:11.040
<v Speaker 3>population of people of color is huge, And it felt

0:43:11.080 --> 0:43:13.160
<v Speaker 3>like there was like that was the soul of Washington

0:43:13.200 --> 0:43:16.279
<v Speaker 3>to me, Like it felt and it resonated me, and

0:43:16.360 --> 0:43:18.680
<v Speaker 3>I enjoyed using that mesh it's and.

0:43:18.760 --> 0:43:21.359
<v Speaker 1>I love how the music sort of plays against what's

0:43:21.400 --> 0:43:24.200
<v Speaker 1>happening on screen, you know what I mean, because hucklebhucking

0:43:24.280 --> 0:43:26.400
<v Speaker 1>Quinn will be torturing someone and you're hearing, you know,

0:43:26.760 --> 0:43:30.520
<v Speaker 1>like and be like yeah, like the Temptations or whatever.

0:43:31.320 --> 0:43:32.640
<v Speaker 1>So it works so so well.

0:43:32.719 --> 0:43:34.360
<v Speaker 5>No, we would always say when we would start to

0:43:34.480 --> 0:43:37.000
<v Speaker 5>like solve the case at OPA, I would always be

0:43:37.120 --> 0:43:45.600
<v Speaker 5>like at the cor or like very superstitious, you know,

0:43:45.840 --> 0:43:47.840
<v Speaker 5>just be like like this is what's going to.

0:43:47.880 --> 0:43:50.360
<v Speaker 4>Come on right now. And it was so iconic.

0:43:50.480 --> 0:43:53.120
<v Speaker 3>I think I used literally every last one of Stevie

0:43:53.200 --> 0:43:57.000
<v Speaker 3>Wonder songs in the shot, and almost without with the

0:43:57.040 --> 0:44:00.200
<v Speaker 3>exception of like her true like gospel shirt singing, every

0:44:00.280 --> 0:44:01.880
<v Speaker 3>last one of readA Franklin songs.

0:44:02.160 --> 0:44:03.000
<v Speaker 6>Are you kidding?

0:44:03.280 --> 0:44:06.480
<v Speaker 1>Oh wow, I love that, didn't Stevie wand to write

0:44:06.520 --> 0:44:08.600
<v Speaker 1>something specifically for Scandal.

0:44:08.640 --> 0:44:10.400
<v Speaker 6>At the very end, he.

0:44:10.280 --> 0:44:12.560
<v Speaker 3>Wrote the song for the finale. And when you get

0:44:12.600 --> 0:44:14.239
<v Speaker 3>to talking about the finale, I will come back on

0:44:14.280 --> 0:44:19.759
<v Speaker 3>and tell the process, please wonder, which was inanely amazing.

0:44:20.760 --> 0:44:23.200
<v Speaker 4>I mean, just to do You're going to have to

0:44:23.200 --> 0:44:25.239
<v Speaker 4>come on and tell us about the ending.

0:44:25.000 --> 0:44:25.479
<v Speaker 3>Of the show.

0:44:25.880 --> 0:44:27.000
<v Speaker 6>We'll be right back, guys.

0:44:30.840 --> 0:44:32.479
<v Speaker 5>Things that were in the middle of the seven years

0:44:32.480 --> 0:44:34.920
<v Speaker 5>get a little mushy, and I'm so excited to be

0:44:35.000 --> 0:44:37.520
<v Speaker 5>watching these episodes again to remind myself of what was

0:44:37.560 --> 0:44:40.000
<v Speaker 5>going on. But what's stuck so much in my head

0:44:40.080 --> 0:44:44.400
<v Speaker 5>is the pilot. I can it's and then the finale.

0:44:44.560 --> 0:44:48.520
<v Speaker 5>I just remember so much about the beginning and the

0:44:48.600 --> 0:44:49.480
<v Speaker 5>end of this show.

0:44:49.560 --> 0:44:54.279
<v Speaker 3>And there a few episodes I remember really vividly, just

0:44:54.400 --> 0:45:01.840
<v Speaker 3>really vividly, honestly, not episode was so dear to me

0:45:02.000 --> 0:45:04.759
<v Speaker 3>and I was so proud of it and the way

0:45:04.800 --> 0:45:07.160
<v Speaker 3>it came out and the work everybody did. That was

0:45:07.200 --> 0:45:07.880
<v Speaker 3>a big one.

0:45:08.200 --> 0:45:11.040
<v Speaker 1>Yeah, that was another one that you came to set

0:45:11.080 --> 0:45:14.400
<v Speaker 1>and you sat on set for those monologs every character

0:45:14.480 --> 0:45:16.719
<v Speaker 1>did to to Huck, and I remember all of us

0:45:16.760 --> 0:45:18.360
<v Speaker 1>being like, well, I was like, I just got to

0:45:18.400 --> 0:45:20.600
<v Speaker 1>sit on the ground and keep repeting every fifty two.

0:45:20.880 --> 0:45:24.719
<v Speaker 1>Y'all got to remember, like, you know, ninety lines, f you.

0:45:25.120 --> 0:45:27.520
<v Speaker 5>I got my monologue at six pm the night before

0:45:27.520 --> 0:45:29.919
<v Speaker 5>and I was first up. I used to take hits

0:45:29.960 --> 0:45:31.600
<v Speaker 5>like that all the time. But honestly, I was so

0:45:32.920 --> 0:45:33.920
<v Speaker 5>I was like, I can do it.

0:45:34.080 --> 0:45:36.000
<v Speaker 4>Like I can do it, you know, Like.

0:45:35.960 --> 0:45:37.680
<v Speaker 5>They used to call me the closer because I was

0:45:37.680 --> 0:45:39.520
<v Speaker 5>the youngest, and they would give me the like eleven

0:45:39.560 --> 0:45:41.839
<v Speaker 5>pm scene on a Friday night and you'd be like,

0:45:42.560 --> 0:45:44.480
<v Speaker 5>I didn't give that to Jeff, give it to me.

0:45:44.640 --> 0:45:46.040
<v Speaker 4>I can do it. I can do it.

0:45:46.360 --> 0:45:48.960
<v Speaker 1>But Seawanda, what were your other episodes that you that

0:45:49.040 --> 0:45:50.880
<v Speaker 1>sort of stick out? They remembered.

0:45:52.120 --> 0:45:55.880
<v Speaker 3>The Trail two Wait Happy Birthday, Mister President, where we

0:45:55.920 --> 0:45:56.720
<v Speaker 3>shot the president.

0:45:57.040 --> 0:46:00.040
<v Speaker 4>Oh my gosh.

0:45:59.200 --> 0:46:01.839
<v Speaker 3>That was one of my most favorite things that we did,

0:46:01.960 --> 0:46:04.600
<v Speaker 3>just because of what I got to do with the

0:46:04.600 --> 0:46:07.239
<v Speaker 3>information of what happens when a president is shot, and

0:46:07.320 --> 0:46:10.720
<v Speaker 3>because of just the pain it played out for everybody,

0:46:10.719 --> 0:46:12.520
<v Speaker 3>which was so great, and what happened to Hawk and

0:46:12.520 --> 0:46:16.680
<v Speaker 3>all that stuff. White Hats Back On, which was the

0:46:16.680 --> 0:46:22.600
<v Speaker 3>finale of season two where at the end she says dad, dad. Yeah,

0:46:22.800 --> 0:46:25.520
<v Speaker 3>remember that Tepe. That public reading we did during while

0:46:25.520 --> 0:46:27.560
<v Speaker 3>the finale was airing, we did, you guys did a

0:46:27.600 --> 0:46:30.200
<v Speaker 3>reading like in front of an audience was amazing.

0:46:30.239 --> 0:46:33.719
<v Speaker 5>Every single person that I've talked to that was in

0:46:33.760 --> 0:46:36.720
<v Speaker 5>the audience that night, who was like friends or family

0:46:36.800 --> 0:46:40.120
<v Speaker 5>or Adam, my husband, they remember it as one of

0:46:40.200 --> 0:46:45.400
<v Speaker 5>the most special and out of body like theater experiences

0:46:45.440 --> 0:46:49.720
<v Speaker 5>they've ever had. When we were reading the script, Joe Morton,

0:46:49.840 --> 0:46:53.719
<v Speaker 5>Olivia Pope says dad to pop U Pope and then I.

0:46:53.800 --> 0:46:55.000
<v Speaker 3>Came out of their seats.

0:46:55.400 --> 0:46:56.279
<v Speaker 6>I remember that.

0:46:56.400 --> 0:46:59.319
<v Speaker 1>I remember de Wie Allen being like, oh, Debbie Allen's up.

0:47:00.160 --> 0:47:04.080
<v Speaker 5>The audience was screaming, pointing at us. We were pointing

0:47:04.080 --> 0:47:06.480
<v Speaker 5>at them. Everybody was screaming. I lost my voice for

0:47:06.520 --> 0:47:10.240
<v Speaker 5>like a month. It was so great, Yeah, and so special.

0:47:10.520 --> 0:47:12.600
<v Speaker 5>I also remember the abortion episode.

0:47:13.040 --> 0:47:15.040
<v Speaker 3>Oh that's on my list, that's on my list. That's

0:47:15.040 --> 0:47:18.960
<v Speaker 3>a Christmas episode. Maybe it's cold outside.

0:47:18.200 --> 0:47:21.960
<v Speaker 4>So I remember, of course, yeah, that was my favorite.

0:47:21.960 --> 0:47:24.799
<v Speaker 3>It was, but also because of what like it was

0:47:24.840 --> 0:47:27.839
<v Speaker 3>our Christmas episode and we got to watch Mellie filibuster

0:47:28.320 --> 0:47:30.680
<v Speaker 3>and like it just felt like we were women in

0:47:30.719 --> 0:47:33.840
<v Speaker 3>so many different ways. It was great. And because you know,

0:47:33.880 --> 0:47:38.280
<v Speaker 3>I feel like I write a show where I'm deconstructing

0:47:38.320 --> 0:47:41.319
<v Speaker 3>what love is, like I'm trying to rip the lid

0:47:41.320 --> 0:47:43.319
<v Speaker 3>off the fairy tale. And what's funny is is that

0:47:43.400 --> 0:47:46.080
<v Speaker 3>everybody buys the fairy tale when I tell it every time,

0:47:46.440 --> 0:47:47.920
<v Speaker 3>and then when I rip the lid off and they're like,

0:47:48.200 --> 0:47:51.400
<v Speaker 3>what do you mean he isn't happy? Like did you

0:47:51.480 --> 0:47:54.040
<v Speaker 3>not see the way he treats her like this stuff?

0:47:54.080 --> 0:47:57.000
<v Speaker 1>And also that's real life, right, Like real life isn't

0:47:57.040 --> 0:47:58.880
<v Speaker 1>tied up in a pretty bow. Yeah.

0:47:59.000 --> 0:48:01.480
<v Speaker 3>No, they're not fairy tales. It's just not fairy tales.

0:48:02.200 --> 0:48:05.440
<v Speaker 3>Randy read super freaking Julia. Do you remember that one

0:48:05.920 --> 0:48:08.520
<v Speaker 3>that was That was when Olivia comes back and you have,

0:48:08.719 --> 0:48:13.160
<v Speaker 3>first of all, you have the Harrison's funeral. Remember, Yeah,

0:48:14.360 --> 0:48:16.920
<v Speaker 3>Hawet's working as like an Apple genius or something.

0:48:17.080 --> 0:48:21.280
<v Speaker 6>That's right. That's right, Katie.

0:48:21.320 --> 0:48:23.359
<v Speaker 3>Your character was the only one trying to like pull

0:48:23.400 --> 0:48:24.160
<v Speaker 3>everybody together.

0:48:24.560 --> 0:48:27.640
<v Speaker 1>Yes, I remember that ship That was fun.

0:48:27.800 --> 0:48:29.919
<v Speaker 3>You would become like a mini Olivia, Pope, you become

0:48:29.960 --> 0:48:32.000
<v Speaker 3>like a Minia Livy. I loved that episode. That made

0:48:32.040 --> 0:48:32.680
<v Speaker 3>me really happen.

0:48:34.520 --> 0:48:36.360
<v Speaker 5>I can't wait to get to all these episodes. I

0:48:36.400 --> 0:48:37.319
<v Speaker 5>can't even stand it.

0:48:37.800 --> 0:48:41.320
<v Speaker 3>A lawn chair, run a launch chair.

0:48:41.480 --> 0:48:43.960
<v Speaker 4>And run when she gets kidnapped.

0:48:44.160 --> 0:48:47.360
<v Speaker 3>That was amazing, and that was a lawn Share episode.

0:48:47.520 --> 0:48:50.000
<v Speaker 4>The guest stars and the stories.

0:48:51.280 --> 0:48:53.840
<v Speaker 5>That you tell us a little bit about how you

0:48:53.880 --> 0:48:56.600
<v Speaker 5>always felt, and we always felt like you, you and

0:48:56.640 --> 0:48:59.719
<v Speaker 5>the writers room more ahead of the news cycle, like

0:48:59.760 --> 0:49:01.000
<v Speaker 5>why would you write something?

0:49:01.160 --> 0:49:03.200
<v Speaker 4>And then some shit would happen and we would be

0:49:03.239 --> 0:49:04.840
<v Speaker 4>like wait what Yeah.

0:49:04.600 --> 0:49:06.719
<v Speaker 3>Well, part of that is that, like the people in

0:49:06.760 --> 0:49:10.160
<v Speaker 3>my room were crazy intelligent, and so they would they

0:49:10.160 --> 0:49:13.359
<v Speaker 3>would like extrapolate something to its extreme degree and be like,

0:49:13.640 --> 0:49:15.520
<v Speaker 3>what if there was this Thornngate thing that was spying

0:49:15.520 --> 0:49:17.400
<v Speaker 3>and everybody through their computers and their phone. Wow, And

0:49:17.440 --> 0:49:19.480
<v Speaker 3>we were like, that can never happen, And so it

0:49:19.640 --> 0:49:21.600
<v Speaker 3>was like, technically it can, and tell us all why

0:49:21.600 --> 0:49:24.520
<v Speaker 3>I could, and then we'd do it, and then literally

0:49:24.600 --> 0:49:28.239
<v Speaker 3>we'd find out that that's something that actually happened, like

0:49:28.400 --> 0:49:30.680
<v Speaker 3>unveiled that they had done something like that. There were

0:49:30.719 --> 0:49:33.960
<v Speaker 3>so many times that happened, with so many different stories,

0:49:34.000 --> 0:49:36.360
<v Speaker 3>and it was so weird to us because we felt

0:49:36.360 --> 0:49:38.719
<v Speaker 3>like we were making up the craziest stuff we could

0:49:38.760 --> 0:49:42.520
<v Speaker 3>think of, and then it was just yeah, yeah, it

0:49:42.600 --> 0:49:44.840
<v Speaker 3>got bad when we had we were making up like

0:49:45.000 --> 0:49:47.600
<v Speaker 3>crazy presidential candidates and then that stuff happened.

0:49:47.880 --> 0:49:51.480
<v Speaker 1>Yeah, Hollis Doyle, oh my god.

0:49:52.320 --> 0:49:52.880
<v Speaker 6>It was great.

0:49:53.160 --> 0:49:55.640
<v Speaker 5>You know, we we've heard some of your most memorable

0:49:55.680 --> 0:49:57.680
<v Speaker 5>episodes of the series. But she and I have some

0:49:57.840 --> 0:50:01.160
<v Speaker 5>questions that came up from watching the pilot. First of all,

0:50:01.400 --> 0:50:04.120
<v Speaker 5>where does gladiator in a suit come from?

0:50:04.320 --> 0:50:06.200
<v Speaker 3>I made that up. I made that up. I just

0:50:06.280 --> 0:50:08.040
<v Speaker 3>loved the way it sounded. It's one day in my head,

0:50:08.080 --> 0:50:10.120
<v Speaker 3>I was like gladiators, Like, it just sounded good to me.

0:50:11.200 --> 0:50:13.960
<v Speaker 3>What I loved was how we got to like put

0:50:13.960 --> 0:50:17.439
<v Speaker 3>that information down and that we told the story through

0:50:17.440 --> 0:50:19.640
<v Speaker 3>the eyes of Quinn. What was important about that was

0:50:19.920 --> 0:50:22.880
<v Speaker 3>nobody who was watching the show knew anything about this world,

0:50:23.000 --> 0:50:24.239
<v Speaker 3>you know what I mean. They didn't know what a

0:50:24.320 --> 0:50:26.240
<v Speaker 3>fixer ud, they didn't know how any of it worked,

0:50:26.320 --> 0:50:29.040
<v Speaker 3>and so we had a new person there to learn

0:50:29.080 --> 0:50:31.560
<v Speaker 3>everything for us, which I thought was really important.

0:50:31.920 --> 0:50:35.279
<v Speaker 5>Did Judy Smith say things I trust my gut or

0:50:35.360 --> 0:50:36.799
<v Speaker 5>is this stuff you also made up?

0:50:37.440 --> 0:50:39.319
<v Speaker 3>Judy Smith says, trust your gut. Your gut will tell

0:50:39.320 --> 0:50:41.000
<v Speaker 3>you everything you need to know. That was one of

0:50:41.040 --> 0:50:43.120
<v Speaker 3>the first things I wrote down in my notes from

0:50:43.120 --> 0:50:45.480
<v Speaker 3>my meeting with her. That's the thing she always said.

0:50:45.640 --> 0:50:47.520
<v Speaker 3>She said that, and she said stand in your truth.

0:50:47.800 --> 0:50:50.200
<v Speaker 3>Those are the two that I always held onto. Yeah.

0:50:50.400 --> 0:50:52.960
<v Speaker 3>Never like don't lie. It's the same thing, don't lie, never.

0:50:52.840 --> 0:50:53.600
<v Speaker 1>Tell a lie.

0:50:54.200 --> 0:50:57.600
<v Speaker 3>Yeah wow. And then I loved like and it's I

0:50:57.600 --> 0:50:59.160
<v Speaker 3>don't know if it was aired in the broadcast show

0:50:59.160 --> 0:51:00.480
<v Speaker 3>because it was too long, but I made them put

0:51:00.520 --> 0:51:03.040
<v Speaker 3>it in for the DVD. In any subsequent errings, Huck

0:51:03.120 --> 0:51:06.279
<v Speaker 3>basically says to her, you know, we're all damaged, you know,

0:51:06.320 --> 0:51:08.359
<v Speaker 3>like everybody here is damage to like, get used to it.

0:51:08.920 --> 0:51:10.440
<v Speaker 1>Yeah, And I say that.

0:51:10.680 --> 0:51:12.279
<v Speaker 3>Yeah. That was one of my favorite scenes. And when

0:51:12.280 --> 0:51:15.040
<v Speaker 3>I loved about it was it just told you who

0:51:15.040 --> 0:51:17.000
<v Speaker 3>everyone was like. And when I wrote that.

0:51:17.000 --> 0:51:19.759
<v Speaker 1>Scene, what I was just gonna say. He says, we're

0:51:19.800 --> 0:51:20.760
<v Speaker 1>all stray dogs.

0:51:20.960 --> 0:51:21.439
<v Speaker 3>That's right.

0:51:21.640 --> 0:51:23.480
<v Speaker 1>Yeah, Oh my god.

0:51:23.560 --> 0:51:25.839
<v Speaker 3>That's what I loved about that was when I wrote it,

0:51:26.000 --> 0:51:28.440
<v Speaker 3>I wasn't thinking as much about that, But the minute

0:51:28.480 --> 0:51:31.000
<v Speaker 3>I wrote that line, I was like, Oh, what are

0:51:31.120 --> 0:51:33.480
<v Speaker 3>what's everybody's problem? Like, how did they come to.

0:51:33.440 --> 0:51:37.640
<v Speaker 4>A living Everyone's from the Misfits. Everyone's from the Misfit Toys.

0:51:37.280 --> 0:51:39.759
<v Speaker 1>And boy did you deliver? Did you give it to us?

0:51:39.960 --> 0:51:42.080
<v Speaker 1>Oh my god, that.

0:51:41.960 --> 0:51:46.359
<v Speaker 3>Whole speech that Olivia gives to Amanda Tanner. You think

0:51:46.400 --> 0:51:48.680
<v Speaker 3>she's this lovely person and then she just decimates her

0:51:48.680 --> 0:51:50.680
<v Speaker 3>and you see what her job really is.

0:51:50.800 --> 0:51:53.400
<v Speaker 4>Oh yeah, yeah, she's the devil. It's horrible.

0:51:53.480 --> 0:51:55.480
<v Speaker 3>She's the one who she needs to make things happen.

0:51:55.600 --> 0:51:58.040
<v Speaker 3>She's the person who handles stuff, so she has to

0:51:58.080 --> 0:52:00.239
<v Speaker 3>handle it whatever way works. And I just remember like

0:52:00.280 --> 0:52:02.520
<v Speaker 3>the devastation on Quinn's face and the way it was

0:52:02.560 --> 0:52:03.960
<v Speaker 3>shot so well done.

0:52:04.040 --> 0:52:06.600
<v Speaker 5>Yeah, I had no idea that scene was like that.

0:52:06.800 --> 0:52:08.920
<v Speaker 5>I remember being like, oh, you know, my your line,

0:52:08.960 --> 0:52:10.919
<v Speaker 5>your line, your line, my line. I like didn't work

0:52:10.920 --> 0:52:13.439
<v Speaker 5>that hard on that scene because I don't have any lines, right,

0:52:13.480 --> 0:52:15.080
<v Speaker 5>which is the worst doctor ever.

0:52:15.120 --> 0:52:15.840
<v Speaker 3>I understand that.

0:52:16.760 --> 0:52:21.759
<v Speaker 5>I remember standing back there and Liza, you know, she's

0:52:21.800 --> 0:52:23.840
<v Speaker 5>so good at being emotional, and she's.

0:52:23.680 --> 0:52:26.360
<v Speaker 4>Working on her amazing so upset.

0:52:26.040 --> 0:52:29.200
<v Speaker 5>And you know, Carrie has this this epic monologue that

0:52:29.200 --> 0:52:31.520
<v Speaker 5>you were talking about about, Oh is this a nice dog?

0:52:31.960 --> 0:52:33.960
<v Speaker 5>And then she goes through like, oh that stint where

0:52:33.960 --> 0:52:38.680
<v Speaker 5>your mom was in the nuthouse and and it would

0:52:38.719 --> 0:52:40.520
<v Speaker 5>be easier and better for you if you just got

0:52:40.520 --> 0:52:42.359
<v Speaker 5>the hell out of here type of thing. And then

0:52:42.360 --> 0:52:44.239
<v Speaker 5>I remember Paul coming up to me and being like,

0:52:44.320 --> 0:52:47.200
<v Speaker 5>this is obviously my acting wasn't that great, but he

0:52:47.239 --> 0:52:48.720
<v Speaker 5>came up to me and said, like, this.

0:52:48.680 --> 0:52:51.759
<v Speaker 4>Is shut up, I said. He basically was like.

0:52:52.360 --> 0:52:55.919
<v Speaker 5>We are understanding the stakes of this scene and how

0:52:56.239 --> 0:52:58.680
<v Speaker 5>fucked up this is through you and your eyes.

0:52:58.719 --> 0:52:59.400
<v Speaker 4>And I was like, oh.

0:52:59.280 --> 0:52:59.839
<v Speaker 1>Crap, I do.

0:53:02.719 --> 0:53:03.279
<v Speaker 4>I have to feel?

0:53:04.000 --> 0:53:06.680
<v Speaker 5>And then Olivia does the slow mo in the white

0:53:06.840 --> 0:53:10.080
<v Speaker 5>jacket from Lynn Pallow and gets on the phone and

0:53:10.120 --> 0:53:12.640
<v Speaker 5>she just says it's handled, and then it goes to

0:53:12.719 --> 0:53:15.120
<v Speaker 5>Quinn's face and she just is like, I can't even

0:53:15.160 --> 0:53:19.560
<v Speaker 5>believe I'm working for this woman. She's this is this

0:53:19.600 --> 0:53:21.520
<v Speaker 5>is all like this. She's kind of the devil but

0:53:21.600 --> 0:53:23.440
<v Speaker 5>also the hero, which is how.

0:53:25.120 --> 0:53:29.520
<v Speaker 3>What effected it was an exterior scene and that everybody, everybody,

0:53:29.520 --> 0:53:33.080
<v Speaker 3>Bob Woodward, everybody was like, when are you in DC

0:53:33.239 --> 0:53:34.960
<v Speaker 3>shooting the show? And I was like, We're never in

0:53:35.040 --> 0:53:36.000
<v Speaker 3>DC shooting the show.

0:53:36.040 --> 0:53:40.120
<v Speaker 1>That's all fake, And how amazing did that department do you?

0:53:40.239 --> 0:53:40.319
<v Speaker 3>Like?

0:53:40.360 --> 0:53:42.359
<v Speaker 1>People would come up to us all the time and

0:53:42.400 --> 0:53:44.080
<v Speaker 1>be like, Yo, when are you guys gonna be in

0:53:44.160 --> 0:53:44.680
<v Speaker 1>DC again?

0:53:44.760 --> 0:53:46.480
<v Speaker 6>You're why are you here? Don't you guys shoot the

0:53:46.480 --> 0:53:47.000
<v Speaker 6>show in DC?

0:53:47.120 --> 0:53:49.800
<v Speaker 1>And we'd always be like, no, it's all green screen

0:53:50.320 --> 0:53:53.160
<v Speaker 1>and that that team that did that, that work was

0:53:53.239 --> 0:53:54.280
<v Speaker 1>just stellar.

0:53:54.360 --> 0:53:58.840
<v Speaker 3>I mean, yeah, people really Washingtonians really believe we're shooting

0:53:58.880 --> 0:54:02.080
<v Speaker 3>in DC. And I remember, I mean, my favorite thing

0:54:02.120 --> 0:54:04.120
<v Speaker 3>that we got to do was, Hey, it's awesome to

0:54:04.120 --> 0:54:05.839
<v Speaker 3>have a job where you get to write interior white

0:54:05.840 --> 0:54:08.200
<v Speaker 3>House and then they build you a white House that

0:54:09.040 --> 0:54:10.960
<v Speaker 3>I literally played in the Oval Office for like a

0:54:11.000 --> 0:54:16.600
<v Speaker 3>billion years. But even better was like writing like the

0:54:16.640 --> 0:54:19.719
<v Speaker 3>interior resident in the White House residence, and then like

0:54:19.760 --> 0:54:22.839
<v Speaker 3>the balcony, and we got to go to the White

0:54:22.880 --> 0:54:25.480
<v Speaker 3>House and film what it actually looked like from the

0:54:25.480 --> 0:54:29.399
<v Speaker 3>balcony and usually just rebuild it had never been done before,

0:54:29.480 --> 0:54:30.440
<v Speaker 3>which was so cool.

0:54:30.920 --> 0:54:32.759
<v Speaker 6>Wow, wow, God.

0:54:32.760 --> 0:54:35.560
<v Speaker 5>We didn't shoot the show in DC because when we

0:54:35.600 --> 0:54:38.720
<v Speaker 5>did go there it was so cold. We would complain

0:54:38.760 --> 0:54:40.600
<v Speaker 5>about being in wool codes and it being so hot.

0:54:40.680 --> 0:54:44.120
<v Speaker 5>But honestly, I prefer that to the one episode we

0:54:44.120 --> 0:54:46.720
<v Speaker 5>did in DC where I was holding gear Moo's ears

0:54:46.800 --> 0:54:49.800
<v Speaker 5>from become from Huck's ears from turning into icicle turning.

0:54:50.239 --> 0:54:50.439
<v Speaker 1>Yeah.

0:54:50.520 --> 0:54:52.800
<v Speaker 5>Also, we could have never shot the show there Scandal,

0:54:53.800 --> 0:54:57.000
<v Speaker 5>the cast of Scandal I can hide, but it was

0:54:57.080 --> 0:54:59.440
<v Speaker 5>like you were a beatle when we got when the

0:54:59.480 --> 0:55:02.040
<v Speaker 5>cast of got dropped into d C, or when Shonda

0:55:02.120 --> 0:55:04.239
<v Speaker 5>Rhimes gets dropped into d C and you're on a

0:55:04.239 --> 0:55:05.000
<v Speaker 5>political show.

0:55:05.480 --> 0:55:08.960
<v Speaker 3>It was crazy watching the reactions there. That was amazing.

0:55:09.400 --> 0:55:11.960
<v Speaker 3>One of the best things for me was like I

0:55:12.120 --> 0:55:15.480
<v Speaker 3>was all about a shooting in La everything because I

0:55:15.520 --> 0:55:17.640
<v Speaker 3>had kids, People had kids, people, and it was the

0:55:17.680 --> 0:55:19.440
<v Speaker 3>show went on, people had more and more kids, and

0:55:19.480 --> 0:55:22.440
<v Speaker 3>I just felt like people's lifestyles should not be like

0:55:22.960 --> 0:55:24.520
<v Speaker 3>standing in the middle of Washington, d C. In the

0:55:24.520 --> 0:55:25.920
<v Speaker 3>middle of the night hoping you can get home at

0:55:25.920 --> 0:55:26.239
<v Speaker 3>some point.

0:55:27.280 --> 0:55:30.400
<v Speaker 1>And it wasn't only like fans on the street or

0:55:30.440 --> 0:55:33.160
<v Speaker 1>fans that watch the show was it was like people

0:55:33.280 --> 0:55:36.320
<v Speaker 1>in DC, like when we went and met like Obama

0:55:36.360 --> 0:55:40.439
<v Speaker 1>and the first Lady Michelle Obama, like hearing her tell

0:55:40.560 --> 0:55:42.520
<v Speaker 1>me and tell all of us, Oh my god, I

0:55:42.560 --> 0:55:44.600
<v Speaker 1>was just watching an episode as they would do in

0:55:44.600 --> 0:55:47.080
<v Speaker 1>my hair and makeup. I was like, what, like the

0:55:47.080 --> 0:55:49.880
<v Speaker 1>people that were in that world were watching our show.

0:55:50.520 --> 0:55:53.799
<v Speaker 3>It was so surreal to me, so surreal that like

0:55:54.480 --> 0:55:59.239
<v Speaker 3>actual Washingtonian people. I mean I remember George Bush Junior

0:55:59.239 --> 0:56:02.759
<v Speaker 3>calling up Jadie Smith and saying, you know, we didn't

0:56:02.760 --> 0:56:06.080
<v Speaker 3>really have an affair, right, and like them laughing about it. Yeah,

0:56:06.440 --> 0:56:09.240
<v Speaker 3>I was. My mind was blown. My mind was blown.

0:56:10.360 --> 0:56:11.279
<v Speaker 6>I didn't know that.

0:56:12.440 --> 0:56:13.960
<v Speaker 1>Oh my god.

0:56:14.520 --> 0:56:16.160
<v Speaker 5>I think it was such a gift that we sort

0:56:16.200 --> 0:56:18.440
<v Speaker 5>of also that scandal.

0:56:18.440 --> 0:56:19.120
<v Speaker 4>It was sort of a.

0:56:19.080 --> 0:56:22.200
<v Speaker 5>Slow burn that people caught onto the show. I mean,

0:56:22.200 --> 0:56:23.120
<v Speaker 5>it really wasn't.

0:56:22.960 --> 0:56:24.440
<v Speaker 3>Into It was very helpful.

0:56:24.520 --> 0:56:27.000
<v Speaker 5>I think we got to a place where we weren't

0:56:27.000 --> 0:56:30.080
<v Speaker 5>this like overnight thing, so we had sort of but

0:56:30.160 --> 0:56:32.160
<v Speaker 5>we were obsessed with the show and doing a good

0:56:32.239 --> 0:56:34.319
<v Speaker 5>job and doing the best we could, and we got

0:56:34.360 --> 0:56:37.520
<v Speaker 5>to really make it in this sort of bubble where

0:56:37.520 --> 0:56:40.479
<v Speaker 5>people weren't looking. And then by the time everyone started looking.

0:56:40.520 --> 0:56:42.680
<v Speaker 5>I can remember being on red Carpet and they would say, like,

0:56:43.600 --> 0:56:46.080
<v Speaker 5>what does it feel like to be on a hit show? Yeah,

0:56:46.080 --> 0:56:47.840
<v Speaker 5>I'd be like, wait are we we are?

0:56:48.280 --> 0:56:50.640
<v Speaker 4>Like I just was so like, what right?

0:56:50.719 --> 0:56:52.600
<v Speaker 3>Because it was such a slow burn. It was such

0:56:52.600 --> 0:56:53.280
<v Speaker 3>a slow burn.

0:56:53.840 --> 0:56:56.400
<v Speaker 1>But also, yeah, I feel like Katie, like none of

0:56:56.480 --> 0:56:58.799
<v Speaker 1>us ever got cocky about it like no one ever

0:56:58.840 --> 0:57:02.359
<v Speaker 1>got cocky. Every season we'd be like, oh my god,

0:57:02.400 --> 0:57:04.200
<v Speaker 1>I hope we get picked up. It was never like, ah,

0:57:04.280 --> 0:57:07.480
<v Speaker 1>we're we're fucking in like this is whatever. We're a hit,

0:57:07.560 --> 0:57:08.960
<v Speaker 1>fuck this ship, We're the best.

0:57:09.120 --> 0:57:09.520
<v Speaker 6>It was.

0:57:09.719 --> 0:57:11.319
<v Speaker 1>We wanted to just be there.

0:57:12.239 --> 0:57:15.960
<v Speaker 6>I love it.

0:57:16.200 --> 0:57:20.720
<v Speaker 5>How do you think, like everyone says the show why

0:57:20.760 --> 0:57:23.800
<v Speaker 5>it was so magical a lot, is that because our

0:57:25.040 --> 0:57:28.960
<v Speaker 5>lead showrunner, boss Shonda Rhimes, and our lead actor Kerry

0:57:29.040 --> 0:57:32.240
<v Speaker 5>Washington are number one, the two of you. You know,

0:57:32.280 --> 0:57:36.080
<v Speaker 5>ship rolls downhill and that just never happened on our show.

0:57:36.280 --> 0:57:40.040
<v Speaker 5>How did you and Carrie make a world where that

0:57:40.200 --> 0:57:42.880
<v Speaker 5>was the case for so long? Because everyone would say

0:57:42.880 --> 0:57:45.400
<v Speaker 5>in the beginning, wait till season four, you're all going

0:57:45.480 --> 0:57:46.400
<v Speaker 5>to funcate each other.

0:57:47.640 --> 0:57:50.000
<v Speaker 3>Like, do you remember on the pilot the first day

0:57:50.040 --> 0:57:51.480
<v Speaker 3>we ever shot the show. On the pilot, we were

0:57:51.480 --> 0:57:53.480
<v Speaker 3>on the graves and anatomy set shoot in the hospital scenes,

0:57:53.960 --> 0:57:56.640
<v Speaker 3>and you said, or maybe it wasn't the pilot, maybe

0:57:56.640 --> 0:57:57.920
<v Speaker 3>it was episode two, No, I think it was, Yeah,

0:57:57.960 --> 0:58:03.600
<v Speaker 3>it pilot. It was the pilot. Yeah, you say, I'm

0:58:03.640 --> 0:58:07.040
<v Speaker 3>never ever going to be like going to not be grateful,

0:58:07.560 --> 0:58:09.320
<v Speaker 3>And I remember pulling out my phone and being like,

0:58:09.360 --> 0:58:11.640
<v Speaker 3>can you say that again into my camera. I was

0:58:11.680 --> 0:58:15.439
<v Speaker 3>so sure that like in four years amaze, she would

0:58:15.480 --> 0:58:17.360
<v Speaker 3>be like complaining about her trailer or something.

0:58:17.920 --> 0:58:20.640
<v Speaker 4>We none of us were like that, none of us.

0:58:20.560 --> 0:58:22.520
<v Speaker 3>I really, but yeah say it.

0:58:23.160 --> 0:58:24.840
<v Speaker 1>So I was just gonna say. Cary would do stuff

0:58:24.880 --> 0:58:27.960
<v Speaker 1>like when we were done shooting a scene, she would

0:58:28.000 --> 0:58:31.960
<v Speaker 1>stop everyone and ask for silence and thank all the background,

0:58:32.360 --> 0:58:35.920
<v Speaker 1>thank our crew. Like the stuff that Carrie would do

0:58:36.160 --> 0:58:39.280
<v Speaker 1>just made the sets so special and so inviting and

0:58:39.320 --> 0:58:41.960
<v Speaker 1>so warm and kind, and that's so rare, you know.

0:58:42.600 --> 0:58:44.920
<v Speaker 3>I think in my opinion, I feel like, and I

0:58:44.960 --> 0:58:46.840
<v Speaker 3>don't remember that Carrie actually said this to me or not,

0:58:46.880 --> 0:58:48.720
<v Speaker 3>but this is what I assumed that she had been

0:58:48.760 --> 0:58:50.400
<v Speaker 3>on a lot of sets and seen all kinds of

0:58:50.440 --> 0:58:53.400
<v Speaker 3>behavior and knew when when it was good and when

0:58:53.400 --> 0:58:55.280
<v Speaker 3>it was bad, Like knew the feeling because if you're

0:58:55.320 --> 0:58:57.520
<v Speaker 3>like just starting out, you know what that feels like

0:58:57.600 --> 0:59:01.160
<v Speaker 3>when some number one is horrible and sort of had

0:59:01.200 --> 0:59:04.040
<v Speaker 3>vowed to never be bad number one. And also I

0:59:04.080 --> 0:59:06.920
<v Speaker 3>think she felt the entire weight of the pressure of

0:59:06.960 --> 0:59:09.560
<v Speaker 3>being like the first black lead actress and a drama

0:59:09.600 --> 0:59:11.320
<v Speaker 3>and not wanting that to be like and she.

0:59:11.440 --> 0:59:11.960
<v Speaker 1>Was a bitch.

0:59:12.840 --> 0:59:15.600
<v Speaker 4>Absolutely, Oh I've never thought about that.

0:59:15.920 --> 0:59:17.040
<v Speaker 1>They would have ran with that.

0:59:18.080 --> 0:59:20.000
<v Speaker 3>And she was just a lovely person to begin with.

0:59:20.040 --> 0:59:23.880
<v Speaker 3>But she really worked hard to remain humble and to

0:59:23.960 --> 0:59:26.960
<v Speaker 3>keep everybody around her like feeling good about what they

0:59:26.960 --> 0:59:28.400
<v Speaker 3>were doing as well, to make sure it felt like

0:59:28.440 --> 0:59:29.440
<v Speaker 3>a group effort.

0:59:29.640 --> 0:59:32.040
<v Speaker 5>The fact that she never complained about those fucking shoes.

0:59:32.120 --> 0:59:35.840
<v Speaker 5>I would have lost my mind, like for seven years

0:59:35.880 --> 0:59:39.000
<v Speaker 5>cramming her little foot into six inch high heels.

0:59:39.120 --> 0:59:43.080
<v Speaker 4>I but Shanda, you never you are always the same.

0:59:43.160 --> 0:59:45.280
<v Speaker 5>You and Betsy would call these meeting, we would do

0:59:45.320 --> 0:59:46.920
<v Speaker 5>table reads and then you would say, okay, I'd like

0:59:46.960 --> 0:59:48.800
<v Speaker 5>all the actors to stay after for ten minutes, to

0:59:48.800 --> 0:59:49.560
<v Speaker 5>which we would all be like.

0:59:49.520 --> 0:59:50.840
<v Speaker 4>Oh my god, oh my god, we're in trouble. Please

0:59:50.840 --> 0:59:51.720
<v Speaker 4>don't let us be in trouble.

0:59:51.880 --> 0:59:53.960
<v Speaker 5>But we would sit there and you would always say

0:59:54.000 --> 0:59:56.800
<v Speaker 5>it would be like, you know, if anything comes up,

0:59:56.920 --> 0:59:58.840
<v Speaker 5>or you want to talk about anything, or we should

0:59:58.880 --> 1:00:02.040
<v Speaker 5>be your first call. Like I never had somebody in

1:00:02.080 --> 1:00:03.720
<v Speaker 5>the middle of the night like you need help, someone

1:00:03.720 --> 1:00:07.040
<v Speaker 5>gets an exit, somebody to like, calm us, let us

1:00:07.200 --> 1:00:09.480
<v Speaker 5>help you. We are all in this together. And it

1:00:09.520 --> 1:00:14.120
<v Speaker 5>was just seemed like a very supportive I don't know,

1:00:14.160 --> 1:00:16.240
<v Speaker 5>I learned so much. I think you've sent us all

1:00:16.320 --> 1:00:20.320
<v Speaker 5>out into our other jobs to really expect nothing less

1:00:20.400 --> 1:00:24.120
<v Speaker 5>than the behavior and the vibe that we created for

1:00:24.160 --> 1:00:25.280
<v Speaker 5>ourselves on that show.

1:00:26.120 --> 1:00:29.520
<v Speaker 3>I feel really lucky because I had the experience of

1:00:29.800 --> 1:00:32.480
<v Speaker 3>never working on TV before writing a show and having

1:00:32.520 --> 1:00:34.880
<v Speaker 3>it be like a crazy out of the box hit

1:00:34.920 --> 1:00:37.720
<v Speaker 3>where all of these actors became famous overnight and chase

1:00:38.040 --> 1:00:41.040
<v Speaker 3>by paparazzi and stuff, and that was great, and I

1:00:41.880 --> 1:00:43.720
<v Speaker 3>didn't know how to handle any of that, you know

1:00:43.800 --> 1:00:46.480
<v Speaker 3>what I mean. Like, I learned that through the process

1:00:46.560 --> 1:00:49.040
<v Speaker 3>of working there every day, and it was great to

1:00:49.080 --> 1:00:51.480
<v Speaker 3>be able to bring that knowledge to the table, you know,

1:00:51.520 --> 1:00:53.840
<v Speaker 3>and say this is what it is. And that was

1:00:53.880 --> 1:00:55.800
<v Speaker 3>so much. It just made it so much better. I

1:00:55.840 --> 1:00:58.680
<v Speaker 3>want to also credit Mary Howard, because really the line

1:00:58.680 --> 1:01:02.560
<v Speaker 3>producer really does have everything to do with the feel

1:01:02.680 --> 1:01:05.840
<v Speaker 3>and the atmosphere on a set, and I think that

1:01:06.200 --> 1:01:08.120
<v Speaker 3>she was incredibly valuable in that process.

1:01:08.680 --> 1:01:10.480
<v Speaker 5>Yes, and you were also like, this show is so

1:01:10.560 --> 1:01:12.880
<v Speaker 5>important and your health is so important. But you all

1:01:12.920 --> 1:01:15.240
<v Speaker 5>and Mary Howard were also like, and your families are

1:01:15.240 --> 1:01:18.920
<v Speaker 5>super important. Like it was always like, you know, she

1:01:19.040 --> 1:01:21.040
<v Speaker 5>was working, if someone was going through anything at home,

1:01:21.200 --> 1:01:25.440
<v Speaker 5>or you know, people had things going on. She was

1:01:25.600 --> 1:01:28.640
<v Speaker 5>very much She's a very family oriented. I think everybody

1:01:28.840 --> 1:01:29.439
<v Speaker 5>was on the show.

1:01:29.640 --> 1:01:32.000
<v Speaker 3>I think that was the thing. Like she was family oriented,

1:01:32.040 --> 1:01:35.800
<v Speaker 3>we were family oriented. It felts normal, it really did.

1:01:37.120 --> 1:01:40.360
<v Speaker 5>Is there anything in closing? Can you please come back

1:01:40.400 --> 1:01:41.680
<v Speaker 5>on the Scandal Rewatch podcast?

1:01:41.760 --> 1:01:45.160
<v Speaker 3>Yes, you guys want me to like, I love this,

1:01:45.320 --> 1:01:46.480
<v Speaker 3>I love that you're doing it.

1:01:46.600 --> 1:01:48.080
<v Speaker 1>I'm I love it awesome.

1:01:48.800 --> 1:01:50.800
<v Speaker 5>Well, I think it's going to give I think that

1:01:50.840 --> 1:01:54.600
<v Speaker 5>our gladiators who have been just laying dormant for years,

1:01:54.680 --> 1:01:57.480
<v Speaker 5>looking for a place to go and geek out and

1:01:57.520 --> 1:01:59.840
<v Speaker 5>wear their gladiator shirts and drink out of their gladiator

1:02:00.280 --> 1:02:02.680
<v Speaker 5>and eat their popcorn and wine and rewatch the shows

1:02:02.720 --> 1:02:05.480
<v Speaker 5>and tell people who haven't seen it to sit their

1:02:05.480 --> 1:02:08.680
<v Speaker 5>asses down and go watch it. And it's been such

1:02:08.760 --> 1:02:10.400
<v Speaker 5>a gift to Gama and I to go back and

1:02:10.440 --> 1:02:10.960
<v Speaker 5>watch this.

1:02:11.000 --> 1:02:14.760
<v Speaker 3>Show beyond Yeah, I think for I think for like gladiators,

1:02:14.760 --> 1:02:16.640
<v Speaker 3>I always just want to say, like gladiators, like this

1:02:16.680 --> 1:02:19.080
<v Speaker 3>is where you're going to get the inside scoop, you know,

1:02:19.280 --> 1:02:22.720
<v Speaker 3>like stuff that was that we've never talked about, Yeah.

1:02:22.000 --> 1:02:23.920
<v Speaker 5>Don't you want to know that Germo Diaz had a

1:02:23.960 --> 1:02:26.800
<v Speaker 5>threesome in the night that we presented, Shonda Rhymes with

1:02:26.840 --> 1:02:27.640
<v Speaker 5>her glad aboard.

1:02:28.560 --> 1:02:29.280
<v Speaker 3>That's amazing.

1:02:29.960 --> 1:02:36.800
<v Speaker 5>You're welcome everyone things we didn't know.

1:02:37.160 --> 1:02:40.480
<v Speaker 1>So since Twitter was such a massive thing for Scandal, Shonda,

1:02:40.600 --> 1:02:43.040
<v Speaker 1>we're we're going to finish this episode and do this

1:02:43.200 --> 1:02:46.200
<v Speaker 1>in many episodes by reading some of the best tweets

1:02:46.200 --> 1:02:47.520
<v Speaker 1>surrounding the Scandal moment.

1:02:47.600 --> 1:02:52.880
<v Speaker 5>Tweetweetweet, twetweeted at the time, tweeters the time, Yeah, tweets

1:02:52.880 --> 1:02:53.680
<v Speaker 5>at the time.

1:02:54.680 --> 1:02:57.880
<v Speaker 1>On April fourth and twenty twelve, actually, Shonda Rhymes tweeted,

1:02:58.400 --> 1:03:00.760
<v Speaker 1>this is the best ad for Scandal ever. Thank you

1:03:00.800 --> 1:03:03.440
<v Speaker 1>for the Scandal cake. And it's a picture of a

1:03:03.520 --> 1:03:08.000
<v Speaker 1>cake and they actually drew Carrie Washington on the cake

1:03:08.040 --> 1:03:09.880
<v Speaker 1>and it says, my gut tells me everything I need

1:03:09.920 --> 1:03:13.800
<v Speaker 1>to know. Watch Scandal Thursday's ten at ten. Who made

1:03:13.840 --> 1:03:15.240
<v Speaker 1>that cake, Seanda, do you remember?

1:03:15.200 --> 1:03:19.080
<v Speaker 3>I have no idea? It literally just appeared in our offices. Again,

1:03:19.280 --> 1:03:21.520
<v Speaker 3>shut up, but we're so excited by it.

1:03:22.320 --> 1:03:24.640
<v Speaker 6>And then you tweeted again, Shonda.

1:03:24.720 --> 1:03:29.200
<v Speaker 1>A few minutes later or later that day, the Gray's

1:03:29.200 --> 1:03:32.080
<v Speaker 1>anatomy Scandal riders couldn't take it. They had to eat

1:03:32.080 --> 1:03:34.160
<v Speaker 1>the Scandal cake and it's a picture of half of

1:03:34.200 --> 1:03:34.960
<v Speaker 1>the cake gone.

1:03:35.440 --> 1:03:39.480
<v Speaker 3>Yeah. I was like, let's just preserve it as this

1:03:39.520 --> 1:03:40.120
<v Speaker 3>beautiful thing.

1:03:40.160 --> 1:03:42.040
<v Speaker 5>And then he just had to eat it and it

1:03:42.320 --> 1:03:43.439
<v Speaker 5>looked delicious.

1:03:43.800 --> 1:03:45.760
<v Speaker 3>It was quite good. I think everybody thought it was

1:03:45.840 --> 1:03:47.440
<v Speaker 3>quite good. That's hilarious.

1:03:48.240 --> 1:03:51.080
<v Speaker 5>Then you also tweeted on April third, twenty twelve, Shonda

1:03:51.120 --> 1:03:54.040
<v Speaker 5>Rhymes tweeted, meet at Judy Smith, the woman behind at

1:03:54.040 --> 1:03:56.840
<v Speaker 5>scandalabc's Olivia Pope, and get your copy of her new

1:03:56.880 --> 1:03:59.720
<v Speaker 5>book Good Self, Bad Self at Amazon.

1:04:00.640 --> 1:04:01.640
<v Speaker 6>Wow.

1:04:01.720 --> 1:04:03.320
<v Speaker 4>Oh, we already had this shirt.

1:04:03.920 --> 1:04:07.560
<v Speaker 5>Marco who is a who is a key player at

1:04:07.560 --> 1:04:12.720
<v Speaker 5>shandalin Mark Marco Esquivel already posted a picture of gladiator

1:04:12.720 --> 1:04:15.040
<v Speaker 5>and sweatshirts, and it was a sweatshirt picture that says,

1:04:15.040 --> 1:04:16.600
<v Speaker 5>do you want to be a gladiator in a suit?

1:04:16.640 --> 1:04:18.640
<v Speaker 4>We were all having marched.

1:04:19.080 --> 1:04:21.680
<v Speaker 3>Yes, we were having march from the beginning, which is crazy.

1:04:22.280 --> 1:04:24.720
<v Speaker 1>And can you talk about how how they named us

1:04:24.760 --> 1:04:29.120
<v Speaker 1>the our fans became our gladiators, right Like someone on

1:04:29.160 --> 1:04:31.840
<v Speaker 1>Twitter just ran with that and then all of a sudden,

1:04:32.280 --> 1:04:35.000
<v Speaker 1>it was like the gladiators and that's that's that's so.

1:04:35.480 --> 1:04:38.520
<v Speaker 1>That was such a memorable moment, right, and that that

1:04:38.640 --> 1:04:40.960
<v Speaker 1>has stuck around too, because people will still come up

1:04:41.000 --> 1:04:42.760
<v Speaker 1>to me on the street now and be like, yeah, yo,

1:04:42.840 --> 1:04:44.520
<v Speaker 1>I'm a gladiator, I'm a gladiator.

1:04:44.760 --> 1:04:47.160
<v Speaker 4>Oh yeah, I get that all the time.

1:04:47.520 --> 1:04:49.800
<v Speaker 3>What I loved about that, and I thought was so

1:04:50.160 --> 1:04:54.240
<v Speaker 3>at the time, especially Twitter, was about the fans coming

1:04:54.240 --> 1:04:57.000
<v Speaker 3>together and deciding things like now. I think they put

1:04:57.000 --> 1:05:00.160
<v Speaker 3>out like for other shows, they put out like tested hashtag,

1:05:00.200 --> 1:05:03.520
<v Speaker 3>which I didn't understand, like we don't on the side

1:05:03.520 --> 1:05:07.480
<v Speaker 3>of the hashtags. The fans. Yeah, they came up with

1:05:07.560 --> 1:05:11.560
<v Speaker 3>Huckleberry Quinn. They came up with it's not our job, No,

1:05:12.120 --> 1:05:13.560
<v Speaker 3>it's their community.

1:05:13.840 --> 1:05:14.360
<v Speaker 4>I forget.

1:05:14.480 --> 1:05:17.480
<v Speaker 5>Was it your idea or Carrie's idea for all of

1:05:17.560 --> 1:05:18.480
<v Speaker 5>us to be on Twitter.

1:05:19.160 --> 1:05:21.360
<v Speaker 3>I think that Carrie, if I remember correctly, I think

1:05:21.440 --> 1:05:23.600
<v Speaker 3>Carrie came to me and said it would be really

1:05:23.600 --> 1:05:26.360
<v Speaker 3>cool if we all got on Twitter and tweeted the shows.

1:05:26.680 --> 1:05:28.920
<v Speaker 3>And then I remember then she just said it like

1:05:28.920 --> 1:05:31.000
<v Speaker 3>that and like backed away, and then I remember sitting

1:05:31.000 --> 1:05:32.440
<v Speaker 3>at a table and being like, you're all gonna get

1:05:32.440 --> 1:05:32.880
<v Speaker 3>on Twitter.

1:05:33.520 --> 1:05:35.520
<v Speaker 6>We're going to help you do something and we did.

1:05:35.600 --> 1:05:36.960
<v Speaker 1>We were like, we got to get on Twitter.

1:05:37.280 --> 1:05:39.520
<v Speaker 3>But once again, as usual, Carrie was right.

1:05:39.720 --> 1:05:42.280
<v Speaker 4>It was right, She was right, She was right.

1:05:43.080 --> 1:05:45.200
<v Speaker 1>Do you remember do you remember us following I started

1:05:45.240 --> 1:05:48.400
<v Speaker 1>following everybody on Twitter, Katie, like even like fans. I

1:05:48.480 --> 1:05:51.200
<v Speaker 1>was like follow and but now you know you can't

1:05:51.200 --> 1:05:53.440
<v Speaker 1>do that. But but I remember fans.

1:05:53.600 --> 1:05:55.919
<v Speaker 4>We had no idea what we were doing. We sent

1:05:56.000 --> 1:06:01.600
<v Speaker 4>Jeff Perry out onto Twitter and he did great, did

1:06:01.720 --> 1:06:05.080
<v Speaker 4>great him like sitting next to Jeff being like this

1:06:05.160 --> 1:06:06.800
<v Speaker 4>is how you do it? Or Joe Morton, I.

1:06:06.800 --> 1:06:10.320
<v Speaker 5>Mean people, yes, and they came up with their own

1:06:10.360 --> 1:06:13.800
<v Speaker 5>sort of Twitter personalities, like Joe Morton tweeted sort of

1:06:13.800 --> 1:06:17.360
<v Speaker 5>like pop u Pope, these like y like cryptic, crypto

1:06:17.760 --> 1:06:20.360
<v Speaker 5>big posts.

1:06:20.400 --> 1:06:23.320
<v Speaker 3>My favorite Twitter thing that ever happened wasn't I don't.

1:06:23.440 --> 1:06:25.480
<v Speaker 3>I don't know that anybody else really knows this. But

1:06:25.640 --> 1:06:28.400
<v Speaker 3>Scott Foley had been playing Jake, this bad guy for

1:06:28.440 --> 1:06:32.200
<v Speaker 3>a while and the audience hated him and he didn't

1:06:32.200 --> 1:06:34.440
<v Speaker 3>complain about it or anything, but like the tweets were

1:06:34.440 --> 1:06:37.600
<v Speaker 3>clear the audience just wanted him dead. And so I

1:06:37.680 --> 1:06:41.640
<v Speaker 3>wrote this episode where he gets thrown into that the

1:06:41.720 --> 1:06:44.960
<v Speaker 3>b six thirteen the whole or whatever, and I know,

1:06:45.040 --> 1:06:47.320
<v Speaker 3>and then Olivia comes in because it's like the president

1:06:47.360 --> 1:06:49.200
<v Speaker 3>thinks that he killed his son. And then Olivia comes

1:06:49.240 --> 1:06:51.760
<v Speaker 3>in and he gives the speech that like he says,

1:06:51.760 --> 1:06:53.720
<v Speaker 3>it's okay if you don't choose me, and then he

1:06:53.760 --> 1:06:56.160
<v Speaker 3>gives her the number of the account that he wants

1:06:56.200 --> 1:06:57.760
<v Speaker 3>her to get the money to his mom and all

1:06:57.760 --> 1:07:00.920
<v Speaker 3>the stuff. And I literally, I'm Scott sit with me

1:07:00.960 --> 1:07:02.560
<v Speaker 3>and like when the scene came on, I was like,

1:07:02.600 --> 1:07:04.960
<v Speaker 3>watch your Twitter feed, just watch it. Like I was like,

1:07:05.080 --> 1:07:07.160
<v Speaker 3>it's going to go from I hate this dude to

1:07:07.560 --> 1:07:10.800
<v Speaker 3>oh my god, Jake is amazing. And it literally just

1:07:10.840 --> 1:07:14.080
<v Speaker 3>like that. It took three minutes. Wow, Twitter to entirely

1:07:14.200 --> 1:07:16.960
<v Speaker 3>change its tune. And I was like, Twitter is a powerful,

1:07:17.080 --> 1:07:17.960
<v Speaker 3>powerful force.

1:07:18.400 --> 1:07:19.800
<v Speaker 4>It was past tense.

1:07:19.880 --> 1:07:23.280
<v Speaker 5>If your character was against Olivia Pope, you were getting

1:07:23.640 --> 1:07:26.600
<v Speaker 5>Twitter death threats, or if your character was coming at

1:07:26.600 --> 1:07:29.760
<v Speaker 5>all in the middle of fits and Olivia, you forget it.

1:07:29.880 --> 1:07:31.600
<v Speaker 3>Yeah, that was so crazy.

1:07:31.840 --> 1:07:34.440
<v Speaker 4>It was just it was a movement. It was just

1:07:35.000 --> 1:07:35.320
<v Speaker 4>a thing.

1:07:35.320 --> 1:07:38.480
<v Speaker 1>And then people like Oprah Winfrey and like Bette Middlers

1:07:38.560 --> 1:07:42.560
<v Speaker 1>and Rihanna started tweeting also about the show Mariah Carey,

1:07:42.720 --> 1:07:44.240
<v Speaker 1>and we were like, what is happening.

1:07:44.680 --> 1:07:46.880
<v Speaker 3>Prince once put on a suit and send a picture

1:07:46.880 --> 1:07:48.640
<v Speaker 3>of himself that said Gladiator in a suit.

1:07:48.920 --> 1:07:49.960
<v Speaker 6>You know that didn't.

1:07:51.840 --> 1:07:53.520
<v Speaker 3>I'm gonna send it to you because I have a

1:07:54.240 --> 1:07:57.200
<v Speaker 3>screen because I went, you know, Prince was everything. He

1:07:57.240 --> 1:07:58.600
<v Speaker 3>also sent me a list of songs that would be

1:07:58.640 --> 1:07:59.720
<v Speaker 3>okay for me to use on the show.

1:08:00.280 --> 1:08:01.280
<v Speaker 6>Did you ever use one?

1:08:01.960 --> 1:08:04.600
<v Speaker 3>Yes? When well, it's so sad because when Prince died,

1:08:04.640 --> 1:08:06.880
<v Speaker 3>I did an episode that was all my whole the

1:08:06.880 --> 1:08:09.800
<v Speaker 3>whole night of television that Thursday night was all Princess.

1:08:10.800 --> 1:08:18.280
<v Speaker 5>Yeah, that is the loveliest thing. I mean when that's

1:08:18.320 --> 1:08:20.840
<v Speaker 5>how we also started to feel like, oh, the show's

1:08:20.880 --> 1:08:22.920
<v Speaker 5>happening when someone would come into work and be like

1:08:22.920 --> 1:08:25.439
<v Speaker 5>did you see Like Rihanna tweeted that she's watching the show.

1:08:25.760 --> 1:08:29.479
<v Speaker 5>I can remember being it carries l women in Hollywood

1:08:29.520 --> 1:08:31.120
<v Speaker 5>dinner and I was sitting next to hing Mon and

1:08:31.160 --> 1:08:33.439
<v Speaker 5>she was like, my husband and I sit and we

1:08:33.479 --> 1:08:36.240
<v Speaker 5>watch the show. I'm like, are you talking about David Bowie?

1:08:36.560 --> 1:08:40.920
<v Speaker 4>David Bowie is sitting and watching Scandal. I mean, this

1:08:41.000 --> 1:08:43.200
<v Speaker 4>is crazy.

1:08:44.320 --> 1:08:47.160
<v Speaker 3>I freaked out when when missus Obama and the President

1:08:47.240 --> 1:08:49.559
<v Speaker 3>were like, like, we have some we have some things

1:08:49.600 --> 1:08:53.320
<v Speaker 3>to tell you about the show about the White House

1:08:53.360 --> 1:08:54.960
<v Speaker 3>because MS Mom was like, you're not getting it right.

1:08:55.000 --> 1:08:55.880
<v Speaker 1>You gotta get it right.

1:08:55.920 --> 1:08:56.799
<v Speaker 4>And it was great.

1:08:57.479 --> 1:08:59.680
<v Speaker 5>She was like, this is what the private residence looked like,

1:08:59.720 --> 1:09:02.160
<v Speaker 5>this is where the stairs are like, this is like,

1:09:02.200 --> 1:09:03.960
<v Speaker 5>this is how the White Houses set up.

1:09:04.000 --> 1:09:05.800
<v Speaker 3>Show me how we were making the door using the

1:09:05.800 --> 1:09:07.640
<v Speaker 3>doors in correctly, like doing the window panes on the

1:09:07.640 --> 1:09:10.040
<v Speaker 3>doors incorrectly, and I came back to change them.

1:09:10.160 --> 1:09:12.519
<v Speaker 4>Yeah, oh my god. That is amazing.

1:09:12.680 --> 1:09:16.280
<v Speaker 5>My god, this show man, the things we learned on it,

1:09:16.400 --> 1:09:19.639
<v Speaker 5>the people it brought together. Shanda, thank you for being

1:09:19.720 --> 1:09:22.800
<v Speaker 5>the first guest on the Scandal Rewatch podcast.

1:09:23.040 --> 1:09:23.360
<v Speaker 1>Thank you.

1:09:24.680 --> 1:09:26.360
<v Speaker 3>I will show up for you anytime. You know. I

1:09:26.400 --> 1:09:28.840
<v Speaker 3>love you, guys, Scandal.

1:09:28.400 --> 1:09:31.960
<v Speaker 1>Fan, So yeah, Yandal, that's right.

1:09:33.960 --> 1:09:36.320
<v Speaker 4>For life and we love you.

1:09:36.880 --> 1:09:39.680
<v Speaker 5>Thank you for writing this show that turns out when

1:09:39.720 --> 1:09:41.040
<v Speaker 5>you watch it all over again.

1:09:41.320 --> 1:09:42.479
<v Speaker 1>Yes, it's still great.

1:09:43.000 --> 1:09:45.559
<v Speaker 3>Yeah, that's awesome.

1:09:45.600 --> 1:09:50.280
<v Speaker 1>Thank you, Thank you. Of course it's our pleasure.

1:09:50.360 --> 1:09:50.880
<v Speaker 2>You kidding.

1:09:51.080 --> 1:09:56.200
<v Speaker 1>Oh my god, I'm just so so great.

1:09:56.560 --> 1:10:00.240
<v Speaker 5>We're so filled up that I need to keep going

1:10:00.240 --> 1:10:01.080
<v Speaker 5>with my gladiator.

1:10:01.360 --> 1:10:03.360
<v Speaker 1>Right, I'm gonna pour some whiskey in my in my

1:10:03.760 --> 1:10:04.320
<v Speaker 1>coke zero.

1:10:04.400 --> 1:10:06.200
<v Speaker 4>Now it's only ten to fifteen. Is that too early

1:10:06.240 --> 1:10:07.040
<v Speaker 4>to have a shoat to move to.

1:10:07.320 --> 1:10:08.599
<v Speaker 1>No, it's also a Thursday.

1:10:08.640 --> 1:10:10.960
<v Speaker 4>I don't know what that means, but it's here's another

1:10:11.120 --> 1:10:12.120
<v Speaker 4>see it's tg T.

1:10:12.760 --> 1:10:15.320
<v Speaker 5>I'll have you all this that The first episode Get

1:10:15.320 --> 1:10:18.759
<v Speaker 5>to Rewatch Podcasts Unpacking the Toolbox with guests Shanda Rhimes,

1:10:18.840 --> 1:10:22.080
<v Speaker 5>was recorded on a fucking Thursday.

1:10:21.720 --> 1:10:24.120
<v Speaker 1>And Katie has a shirt that says hashtag tg I

1:10:24.240 --> 1:10:26.320
<v Speaker 1>T remember this, Oh my god.

1:10:26.200 --> 1:10:29.080
<v Speaker 5>And we're drinking out of our gladiator cups and I

1:10:29.120 --> 1:10:30.920
<v Speaker 5>cannot remember for the life of me.

1:10:31.160 --> 1:10:34.760
<v Speaker 4>What was the name of the made up wine on Scandal?

1:10:35.200 --> 1:10:35.439
<v Speaker 6>Oh?

1:10:35.760 --> 1:10:38.880
<v Speaker 4>Like, I don't know. I knew Betsy Beers would know this.

1:10:39.080 --> 1:10:41.479
<v Speaker 5>See this whole This whole podcast is not about me

1:10:41.520 --> 1:10:43.800
<v Speaker 5>texting people, but it is because I want to find

1:10:43.800 --> 1:10:45.920
<v Speaker 5>out the correct things I wrote. Sorry about you so

1:10:46.000 --> 1:10:48.360
<v Speaker 5>early doing Scandal podcast. What was the fake, made up

1:10:48.400 --> 1:10:49.920
<v Speaker 5>name of the wine again? Because I'm gonna pretend to

1:10:49.960 --> 1:10:51.960
<v Speaker 5>drink it on the podcast. It was shot to move

1:10:52.000 --> 1:10:55.840
<v Speaker 5>to Pop and it was called Chateau do Belet Wow,

1:10:55.840 --> 1:10:58.040
<v Speaker 5>which is complete bullshit and not made up.

1:10:58.120 --> 1:11:00.639
<v Speaker 1>I love that Betsy remembered that Betsy knew that.

1:11:00.800 --> 1:11:04.360
<v Speaker 5>Well because she was the person who they went She's

1:11:04.400 --> 1:11:06.760
<v Speaker 5>a she knows a lot about fancy wine, and I

1:11:06.800 --> 1:11:09.400
<v Speaker 5>think the story goes is like the writer's room reached

1:11:09.400 --> 1:11:10.600
<v Speaker 5>out to her and was like, what would be a

1:11:10.640 --> 1:11:13.760
<v Speaker 5>really fancy, insanely priced bottle of wine that Olivia Pope

1:11:13.760 --> 1:11:14.839
<v Speaker 5>will drinking?

1:11:15.360 --> 1:11:16.320
<v Speaker 3>Yeah?

1:11:15.560 --> 1:11:19.960
<v Speaker 5>Yeah, mine this morning is cranberry juice that's old as fuck,

1:11:20.040 --> 1:11:22.759
<v Speaker 5>and I found in the back of my and Carrie

1:11:22.760 --> 1:11:24.240
<v Speaker 5>never drank cranberry juice onset.

1:11:24.320 --> 1:11:26.599
<v Speaker 4>She drank grape juice, really right.

1:11:26.560 --> 1:11:28.839
<v Speaker 1>I don't know whatever had the less sugar.

1:11:29.280 --> 1:11:32.160
<v Speaker 5>Yeah, I think her fake wine was grape juice, which

1:11:32.160 --> 1:11:33.479
<v Speaker 5>I think she like loved.

1:11:33.560 --> 1:11:37.320
<v Speaker 4>I remember Carrie being like this crape juice is so delicious.

1:11:38.520 --> 1:11:39.160
<v Speaker 3>I love this.

1:11:39.479 --> 1:11:40.040
<v Speaker 4>But Yo, the.

1:11:40.000 --> 1:11:43.280
<v Speaker 5>Scandal Rewatch podcast, you guys better to tell your friends

1:11:43.280 --> 1:11:47.000
<v Speaker 5>because it's fire. We have every single guest, an amazing

1:11:47.080 --> 1:11:49.639
<v Speaker 5>person you could want who starred on Scandal or start

1:11:49.680 --> 1:11:53.000
<v Speaker 5>behind the scenes on Scandal, some secret guests coming up

1:11:53.040 --> 1:11:54.280
<v Speaker 5>that you are not going to want to miss.

1:11:54.280 --> 1:11:56.439
<v Speaker 1>You're going to get all the scoop, all the scoop

1:11:56.479 --> 1:11:58.720
<v Speaker 1>from behind the scenes at parties.

1:11:58.920 --> 1:12:04.080
<v Speaker 5>Yes, and Gary and I are so grateful to have

1:12:04.160 --> 1:12:07.080
<v Speaker 5>this show and it's been such a gift and we're

1:12:07.080 --> 1:12:08.679
<v Speaker 5>so excited to be on this ride with you guys,

1:12:08.760 --> 1:12:10.720
<v Speaker 5>and we love you.

1:12:11.000 --> 1:12:13.280
<v Speaker 1>And we want you guys to get hooked on rewatching

1:12:13.320 --> 1:12:14.679
<v Speaker 1>the show like we are now.

1:12:14.720 --> 1:12:17.840
<v Speaker 5>Oh my gosh, everyone, tune in next week to episode

1:12:17.960 --> 1:12:22.280
<v Speaker 5>one oh two of Scandal. Dirty little secrets.

1:12:22.479 --> 1:12:26.320
<v Speaker 1>We all got them, We all got them. Better tell

1:12:26.400 --> 1:12:33.120
<v Speaker 1>somebody bye. Thank you guys for joining us on Unpacking

1:12:33.120 --> 1:12:36.559
<v Speaker 1>the Toolbox. If you enjoyed the show, please subscribe, share

1:12:36.600 --> 1:12:39.120
<v Speaker 1>with your friends, rate, or leave us a review.

1:12:39.280 --> 1:12:43.200
<v Speaker 5>Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan,

1:12:43.520 --> 1:12:47.280
<v Speaker 5>Tyler Klang, and Gabrielle Collins. Our producer and editor is

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<v Speaker 5>Vince de Johnny, with music by Chad Fisher.

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<v Speaker 1>Scandal is a production of ABC Signature, and you can

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<v Speaker 1>follow along by rewatching Scandal on Hulu.

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<v Speaker 5>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 5>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

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<v Speaker 5>the iHeartRadio app or anywhere you subscribe to your favorite shows.