WEBVTT - I’m Worth a Million... (S3 E10 "All or Nothing") 

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know are

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<v Speaker 1>you a Charlotte? Hello, everybody. We are just going to

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<v Speaker 1>have a little recap of All or Nothing. It's episode

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<v Speaker 1>three ten. It aired August thirteenth, in the year two

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<v Speaker 1>thousand and This is a really, really, really really good episode.

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<v Speaker 1>It's one of my all time favorite episodes. Directed by

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<v Speaker 1>Charles McDougal, one of my favorite directors, and written by

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<v Speaker 1>Jenny Banks, one of my favorite writers. And in this

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<v Speaker 1>episode we have great people. Of course, we have Corbett

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<v Speaker 1>it's playing Aiden. We've got Kyle playing Trey, we have

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<v Speaker 1>Franny playing Bunny. We have Josh Hamilton playing George, whom

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<v Speaker 1>I love so much. He's a great actor, you guys,

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<v Speaker 1>and his part's really funny. So this is the episode.

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<v Speaker 1>The gist of this episode is that this is when

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<v Speaker 1>Carrie has been cheating on Big. She has not confessed

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<v Speaker 1>to any of the friends that she has been doing this.

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<v Speaker 1>She is trying to just kind of move along with

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<v Speaker 1>Aiden as though it didn't happen, and focus on the

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<v Speaker 1>fact that she has a wonderful boyfriend. And then she'd

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<v Speaker 1>be walking along and she'll have these flashbacks of the

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<v Speaker 1>sex with big, and then she's like, oh God. And

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<v Speaker 1>she's really really good when she has these, because I mean,

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<v Speaker 1>we've all been there, and she's you know, internally riddled

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<v Speaker 1>with guilt and trying to kind of somehow muddle her

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<v Speaker 1>way through, and she's like, I'm never doing it again,

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<v Speaker 1>and you know whatnot, so let's.

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<v Speaker 2>Talk about it.

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<v Speaker 1>Basically, what happens is she's got these flashbacks. We come,

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<v Speaker 1>we start at Samantha's new apartment in the meatpacking district.

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<v Speaker 1>We're having this little like party.

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<v Speaker 2>Where one of the really funny, very.

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<v Speaker 1>Time type things we're talking about is how you can

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<v Speaker 1>have anything delivered, because Samantha says, I said, oh, did

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<v Speaker 1>you make these whatever we're eating, and she says, no,

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<v Speaker 1>I have them delivered, just like the dinner and the

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<v Speaker 1>drinks and the DVDs. And we're like, oh, you can

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<v Speaker 1>have DVD's delivered, Like it's it's so much the year

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<v Speaker 1>two thousand, it really makes me laugh. So she's like, yes,

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<v Speaker 1>you can have anything you want delivered. Yesterday I had

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<v Speaker 1>condoms delivered. And then someone says, I hope you didn't

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<v Speaker 1>have sex with the delivery guy and she's like no, anyway,

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<v Speaker 1>it's pretty entertaining, and she goes to the window. Samantha

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<v Speaker 1>goes to the window and her this is her beautiful

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<v Speaker 1>new apartment in the meatpacking district that she bought. She

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<v Speaker 1>goes to the window and she opens the window and

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<v Speaker 1>she kind of shouts to the meatpacking district like.

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<v Speaker 2>We've got it all.

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<v Speaker 1>Basically, she wakes up the next morning, she has these

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<v Speaker 1>huge windows, the sun is shining on her face, and

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<v Speaker 1>she is sick. Samantha is sick. We have rarely seen

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<v Speaker 1>Samantha sick. And she goes to try to shut the

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<v Speaker 1>curtains and she breaks her curtain rode. It falls on

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<v Speaker 1>her because she's kind of delirious because she's got a fever.

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<v Speaker 1>And so then it's like, breaks my heart. This whole

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<v Speaker 1>montage breaks my heart. She starts going through her black

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<v Speaker 1>book and calling the guys that she casually has sex

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<v Speaker 1>with and asking them if they could come over and

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<v Speaker 1>hang her curtain rod, and all of them say no.

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<v Speaker 1>It is really sad to watch. I felt really really

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<v Speaker 1>bad for her, and I fully relate to this because

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<v Speaker 1>it's tough being a single goal and having stuff break

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<v Speaker 1>around your house. And my advice is to call the

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<v Speaker 1>handyman I'm sure we all remember that Charlotte actually has

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<v Speaker 1>sex with her handyman in the second season because she's

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<v Speaker 1>so excited that he comes over and fixes something at

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<v Speaker 1>her house. I mean, I relate to all this. I

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<v Speaker 1>know it's probably very sexist for me to say this

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<v Speaker 1>or whatever, but it is very relatable, and.

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<v Speaker 2>I feel really bad for Samantha.

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<v Speaker 1>So eventually, luckily in the episode, Samantha calls Carrie and

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<v Speaker 1>Carrie does go over there to take care of her.

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<v Speaker 1>And I had fully forgotten that Samantha basically makes her

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<v Speaker 1>make the syrup that people in Atlanta drink, which is

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<v Speaker 1>like cold medicine codeine, which I don't think Samantha has,

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<v Speaker 1>and what's the drink, like Fanta or whatever. Yeah, it's

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<v Speaker 1>kind of funny. So she has Carrie make this medicine

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<v Speaker 1>for her, this drink, and she's like, give me my drink.

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<v Speaker 1>It's pretty funny. It's a pretty funny little scene. So

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<v Speaker 1>Carrie's over there with six Samantha. No wait, she confesses

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<v Speaker 1>after the party, I forgot. So once the girls leave

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<v Speaker 1>the party, it's just Carrie and Samantha, and Carrie decides

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<v Speaker 1>that Samantha is the person that she should confess to

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<v Speaker 1>because Samantha might not judge her, which of course she's right,

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<v Speaker 1>and Samantha is a very good listener and says, you know,

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<v Speaker 1>I'm not going to judge you, and Carrie says, like,

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<v Speaker 1>go ahead, go ahead, judge me just a little bit.

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<v Speaker 1>Samantha's like, not my style, and that I thought was

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<v Speaker 1>a really beautiful moment, and I think it's great to

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<v Speaker 1>have a friend who's not going to judge you. I

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<v Speaker 1>think that's important because obviously Carrie's being hard enough on herself,

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<v Speaker 1>which doctor Orna in our Companion episode this week does

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<v Speaker 1>say that Carrie feeling guilty is a sign of being

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<v Speaker 1>healthily integrated in your mind to your actions. So I

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<v Speaker 1>think that's very important that Carrie got the stamp of

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<v Speaker 1>approval of being a healthy person from doctor Orna. And

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<v Speaker 1>I want all the people who hate Carrie to hear that,

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<v Speaker 1>because if she was really a full narcissist, she would

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<v Speaker 1>probably not even feel guilty. That Orna didn't spit that out,

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<v Speaker 1>but I think that's really what she was saying, is

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<v Speaker 1>that they compartmentalized to the extent where they're not even

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<v Speaker 1>really necessarily aware of the things.

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<v Speaker 2>That they're doing.

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<v Speaker 1>That they shouldn't be doing, so they don't even feel guilt,

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<v Speaker 1>which is terrifying to think of.

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<v Speaker 2>So Carrie is not that person. She's not that person

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<v Speaker 2>at all.

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<v Speaker 1>So she confesses to Samantha before Samantha gets sick. Samantha

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<v Speaker 1>is a very good friend, does not judge her, and

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<v Speaker 1>then Carrie tells Samantha it's not so. Samantha says, so

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<v Speaker 1>you're having an affair and Carrie says, no, no, no, no,

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<v Speaker 1>it's just this one time. So you're like mhmm, because

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<v Speaker 1>of course we all know that's not true. Then Carry

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<v Speaker 1>goes after over there and takes care of her, which

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<v Speaker 1>is really adorable. Then Samantha's better and comes to my

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<v Speaker 1>engagement party, so we'll get to that in a second.

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<v Speaker 2>So we find Charlotte in Burgdorf's.

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<v Speaker 1>This is the scene I remember so well that I

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<v Speaker 1>talked to someone about Kyle. I guess we were in Burgdorf.

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<v Speaker 1>We had somehow hauled a big crane up there, and

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<v Speaker 1>Charletts wanted this shot, kind of an aerial tracking shot

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<v Speaker 1>through the China department. I don't know if you guys

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<v Speaker 1>remember in the first season, Charlotte goes out with the

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<v Speaker 1>guy that Carrie had dated because she thinks he's the

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<v Speaker 1>marrying type, but then she does not date him when

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<v Speaker 1>they see some china in a window and he doesn't

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<v Speaker 1>like the pattern that she likes. He likes a different

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<v Speaker 1>pattern that she does not approve of. Charlotte has some

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<v Speaker 1>very specific opinions about china patterns.

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<v Speaker 2>So we're in Burgdorf. I'm flipping this plate over.

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<v Speaker 1>I'm looking at it, and then I'm looking at who

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<v Speaker 1>made it, and we did it like thirty six times,

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<v Speaker 1>That's what I remember. And Kyle's there, and Kyle comes

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<v Speaker 1>over and looks at the china and says, I believe

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<v Speaker 1>He says fourteen hundred dollars, which does seem insane, but

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<v Speaker 1>apparently that is the actual price of the actual plate

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<v Speaker 1>that I was holding, which.

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<v Speaker 2>Is also like crazy. I don't think I.

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<v Speaker 1>Knew at the time that I'm like flipping over a

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<v Speaker 1>fourteen hundred dollars plate in burger If I think, I

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<v Speaker 1>would have been really scared. But Kyle Trey says, you know, oh,

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<v Speaker 1>you know. He kind of makes a space and he's like,

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<v Speaker 1>I can't afford that because we'll be eating ramen off

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<v Speaker 1>of this based on my china debt and Charlotte pouts

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<v Speaker 1>and then he's like, oh, I can't take that face.

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<v Speaker 1>And I'm like, see, this is all because I saw

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<v Speaker 1>Bunny do that alrighty thing, you know, where she put

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<v Speaker 1>his hand on his arm and then he does what

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<v Speaker 1>she wants. But it's not a good relationship situation to

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<v Speaker 1>be pouting to get what you want. So I was like, wow,

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<v Speaker 1>I blank that part out. That was interesting.

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<v Speaker 2>Tray's like, yeah, yeah, we'll register for that.

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<v Speaker 1>And then I say, did you do your wedding your

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<v Speaker 1>engagement party list and he says, oh, yeah, I almost forgot.

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<v Speaker 1>So he gets these papers out, he hands them to me,

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<v Speaker 1>he walks away. The China saleslady's looking at us. I

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<v Speaker 1>think because we kiss or something. She's like disapproving or whatever,

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<v Speaker 1>which was interesting. And then I look at the papers

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<v Speaker 1>and I see his really really messy handwriting, which I

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<v Speaker 1>was also interested in, like, I do not think that

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<v Speaker 1>that's Kyle's handwriting, but okay, and then I look at

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<v Speaker 1>a paper behind that and I say what's this and

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<v Speaker 1>he says, oh, that's.

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<v Speaker 2>A pre nup.

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<v Speaker 1>You know, it's just normal. Everyone in my family does one.

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<v Speaker 1>And I look kind of shocked. And then we he says, oh,

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<v Speaker 1>just have your lawyer look over it. We cut two

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<v Speaker 1>lunch with the girls. Who is my lawyer, Miranda, Miranda

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<v Speaker 1>Hobbs is my lawyer. She's reading over She's like, oh,

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<v Speaker 1>it's all standard. But Charlotte, Charlote's got some big eyes,

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<v Speaker 1>and she's like, but it's so unromantic. And basically she

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<v Speaker 1>I'm saying, like is it?

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<v Speaker 2>What do I do?

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<v Speaker 1>And Miranda's saying, oh, it's just normal. You know a

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<v Speaker 1>lot of people get prenups. Carrie's like, oh, yeah, a

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<v Speaker 1>lot of people get prenups. And Miranda says, you know,

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<v Speaker 1>this is just an opening offer. You can negotiate. And

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<v Speaker 1>I say, but I don't want to. It's not romantic.

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<v Speaker 1>And she says, oh, you know, it's pretty standard. And

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<v Speaker 1>then she goes, oh, but this is odd. He has

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<v Speaker 1>you on a on a vestment thing something like that.

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<v Speaker 1>I'm not, obviously not not versed in prenup language, where

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<v Speaker 1>if you have a boy you get oh here it

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<v Speaker 1>is here it is for every five years they're married,

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<v Speaker 1>she gets a percentage of five hundred thousand dollars over

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<v Speaker 1>thirty years. I mean, that's lame people. And obviously Charlotte

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<v Speaker 1>feels the same way. And then if Charlotte were to

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<v Speaker 1>have a boy child, she gets one hundred thousand dollars

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<v Speaker 1>free and clear. And then Carrie says, well, what does

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<v Speaker 1>she get for a girl? And Miranda says nada. And

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<v Speaker 1>as doctor Orna and I talk about, that is horrifying,

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<v Speaker 1>and for some reason Charlotte doesn't seem horrified.

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<v Speaker 2>Enough in that scene. I don't know why.

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<v Speaker 1>I don't know if I wanted to be horrified and

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<v Speaker 1>they didn't want me to be horrified, or if I'm

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<v Speaker 1>just generally upset and they didn't want me to be

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<v Speaker 1>specifically upset about that. But it does seem really fully

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<v Speaker 1>one hundred percent insane that somehow he would give me

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<v Speaker 1>one hundred thousand dollars if I had a boy baby,

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<v Speaker 1>but nothing if I had a girl baby.

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<v Speaker 2>What the heck? Man is just wacky.

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<v Speaker 1>And also, five hundred thousand dollars over thirty years, based

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<v Speaker 1>on every five years, that's a horrible deal.

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<v Speaker 2>That's a horrible deal. So I hadn't really thought.

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<v Speaker 1>About all these numbers, because back at the time, I

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<v Speaker 1>don't think I was paying attention to the numbers. I

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<v Speaker 1>think I was so stressed by the scene that I

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<v Speaker 1>knew was coming where I have to try to negotiate

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<v Speaker 1>with Bunny and the engagement party scene and I have

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<v Speaker 1>to say to her, I'm worth a million, which lives

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<v Speaker 1>on on the internet, which is of course a joy,

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<v Speaker 1>but at the time, so scared, you guys, to do

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<v Speaker 1>that scene, so scared, so weird to do a scene

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<v Speaker 1>where you're actually saying a number, a figure of money

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<v Speaker 1>that you're worth to marry someone.

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<v Speaker 2>It's very, very weird.

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<v Speaker 1>But when I watched the scene, I did really love

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<v Speaker 1>it because I love Franny Sternhagen, who's playing Bunny, and

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<v Speaker 1>I remember the scene because I was in such a panic,

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<v Speaker 1>and I remember Jenny talking to me about it. I

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<v Speaker 1>remember Charles talking about it, I remember Darren. I think

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<v Speaker 1>Michael Patrick, like so many people, had a lot of

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<v Speaker 1>ideas about how I was supposed to do it, and

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<v Speaker 1>I feel I feel like what they wanted was for

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<v Speaker 1>me to be very strong, and when I watched it,

0:11:40.880 --> 0:11:42.120
<v Speaker 1>I felt like I was strong.

0:11:41.920 --> 0:11:44.079
<v Speaker 2>Because I think just to even say it is strong.

0:11:44.440 --> 0:11:46.240
<v Speaker 1>But I don't know if I delivered it the way

0:11:46.240 --> 0:11:48.480
<v Speaker 1>they wanted, because I remember feeling at the time that

0:11:48.520 --> 0:11:50.200
<v Speaker 1>I hadn't done what they wanted.

0:11:50.440 --> 0:11:52.040
<v Speaker 2>But when I look back on it, I think I

0:11:52.080 --> 0:11:52.720
<v Speaker 2>did fine.

0:11:52.800 --> 0:11:54.640
<v Speaker 1>It's one of those ones where I'm like, see that

0:11:54.679 --> 0:11:57.280
<v Speaker 1>I was worried for no reason there. But I do

0:11:57.320 --> 0:11:59.200
<v Speaker 1>really like that scene because I don't feel like we

0:11:59.280 --> 0:12:02.320
<v Speaker 1>see stuff like that very often. And I also feel

0:12:02.400 --> 0:12:06.800
<v Speaker 1>like it is, of course showing us a lot about

0:12:06.800 --> 0:12:10.120
<v Speaker 1>that family that they would have this prenup that apparently

0:12:10.120 --> 0:12:13.719
<v Speaker 1>everyone in the family signs. That's kind of bonkers, right,

0:12:14.360 --> 0:12:16.760
<v Speaker 1>And I do feel like Charlotte should have been worried.

0:12:17.160 --> 0:12:20.000
<v Speaker 1>But I also feel like when I say I just

0:12:20.040 --> 0:12:21.720
<v Speaker 1>really love him and I want to marry him, I

0:12:21.720 --> 0:12:24.680
<v Speaker 1>do think that's one hundred percent true. And also what

0:12:24.720 --> 0:12:27.320
<v Speaker 1>I've forgotten is like I go to the girls to

0:12:27.360 --> 0:12:29.760
<v Speaker 1>tell them like, oh, I did it. I negotiated with

0:12:29.800 --> 0:12:34.240
<v Speaker 1>Bunny and I signed the papers, and they're like great, baby.

0:12:34.480 --> 0:12:36.319
<v Speaker 2>And then they don't call me baby. They say great.

0:12:36.679 --> 0:12:39.320
<v Speaker 1>And then Kyle comes and says, can I steal my bride?

0:12:39.320 --> 0:12:41.400
<v Speaker 1>And I go off with him and I kiss, and

0:12:41.440 --> 0:12:44.640
<v Speaker 1>I think Sir Jessica Carrey says something like at the

0:12:44.760 --> 0:12:46.440
<v Speaker 1>end of the episode, I think she says something like

0:12:46.559 --> 0:12:50.480
<v Speaker 1>and then there were three. I'm just like, oh God,

0:12:50.800 --> 0:12:53.439
<v Speaker 1>it seems like I'm leaving them. I totally forgot about that.

0:12:53.480 --> 0:12:56.000
<v Speaker 1>But we all know it doesn't last, so it's gonna

0:12:56.040 --> 0:12:58.280
<v Speaker 1>be fine, you guys. But I had a moment of panic.

0:12:58.360 --> 0:13:01.080
<v Speaker 1>I'm like, don't do that, Charlotte. Leave them, don't leave

0:13:01.080 --> 0:13:04.040
<v Speaker 1>them into a scary family. That's not smart. That's how

0:13:04.040 --> 0:13:05.840
<v Speaker 1>I felt watching it. I don't know how you guys

0:13:05.840 --> 0:13:08.480
<v Speaker 1>feel watching it, but that's how I felt. Okay, then

0:13:08.720 --> 0:13:10.400
<v Speaker 1>let's go back to Samantha for a second. Did I

0:13:10.440 --> 0:13:11.080
<v Speaker 1>carry everything?

0:13:11.280 --> 0:13:14.520
<v Speaker 2>Yes? I did? I did. Oh no, I forgot. She's sick.

0:13:14.720 --> 0:13:17.040
<v Speaker 1>Carrie goes over there to make her medicine for her.

0:13:17.240 --> 0:13:21.000
<v Speaker 1>Samantha says some totally crazy Charlotte like things. It was

0:13:21.200 --> 0:13:24.920
<v Speaker 1>I didn't remember this at all. She basically says I

0:13:25.000 --> 0:13:27.520
<v Speaker 1>should have gotten married because there's no one to hang

0:13:27.559 --> 0:13:30.880
<v Speaker 1>her curtain rod right, and Gary's just looking at her

0:13:30.920 --> 0:13:35.439
<v Speaker 1>like who are you? And then later on, thank goodness,

0:13:36.760 --> 0:13:38.880
<v Speaker 1>I mean, she just say we are all alone, Carrie,

0:13:39.000 --> 0:13:40.120
<v Speaker 1>and Carrie says, no, we're not.

0:13:40.200 --> 0:13:42.359
<v Speaker 2>We have each other, which is adorable.

0:13:42.679 --> 0:13:45.280
<v Speaker 1>And then luckily at the end, when Samantha feels better

0:13:45.360 --> 0:13:48.360
<v Speaker 1>to come to my engagement party, and Carrie says something like, yeah,

0:13:48.400 --> 0:13:51.079
<v Speaker 1>you were saying some crazy Charlotte like things. She says, oh, yeah,

0:13:51.120 --> 0:13:52.920
<v Speaker 1>I'm fine now you know I had a fever. And

0:13:52.920 --> 0:14:07.599
<v Speaker 1>you're like, oh, well, golly, that was scary. That was scary, Samantha.

0:14:08.200 --> 0:14:10.680
<v Speaker 1>So let's talk about Miranda for a second, because I

0:14:10.760 --> 0:14:12.760
<v Speaker 1>had remembered that Joshua was on the show. I'm a

0:14:12.760 --> 0:14:15.480
<v Speaker 1>big josh Hamilton fan, but I did not remember this

0:14:15.520 --> 0:14:17.840
<v Speaker 1>part at all. So when we're at the early scene

0:14:17.880 --> 0:14:22.920
<v Speaker 1>where Miranda is reading the prenup to me, this handsome lawyer.

0:14:22.640 --> 0:14:25.240
<v Speaker 2>Walks by and he's like, oh, you're working over lunch and.

0:14:25.160 --> 0:14:27.200
<v Speaker 1>She's like yeah, and he said, oh, you sent me

0:14:27.200 --> 0:14:29.760
<v Speaker 1>to this hip restaurant. And Carrie's like him and looks

0:14:29.760 --> 0:14:32.440
<v Speaker 1>at Samantha, I mean sorry, Miranda like, oh, you're not him,

0:14:32.880 --> 0:14:35.360
<v Speaker 1>which is also funny. And then it turns out they

0:14:35.360 --> 0:14:37.080
<v Speaker 1>have a date that night, so they go on the

0:14:37.160 --> 0:14:38.760
<v Speaker 1>date and then they make out in the hallway, but

0:14:38.800 --> 0:14:41.160
<v Speaker 1>then the guy has to go his character's name.

0:14:41.320 --> 0:14:45.840
<v Speaker 2>Let's see, his character's name is George.

0:14:46.360 --> 0:14:48.720
<v Speaker 1>George has to go back to Chicago where he lives,

0:14:49.080 --> 0:14:51.600
<v Speaker 1>and she says, you know what we do it agangst

0:14:51.640 --> 0:14:53.880
<v Speaker 1>is all very hot, and heavy in the hallway, and

0:14:53.920 --> 0:14:56.760
<v Speaker 1>he says, of course, I come and go all the time,

0:14:57.200 --> 0:15:00.400
<v Speaker 1>but there's also the phone, and she's like, okay. So

0:15:00.440 --> 0:15:04.280
<v Speaker 1>then they start having phone sex, and it's kind of.

0:15:06.040 --> 0:15:08.400
<v Speaker 2>I feel bad saying this. It's a little cliched.

0:15:08.560 --> 0:15:11.520
<v Speaker 1>Okay, it's a little cliched phone sex where I had

0:15:11.560 --> 0:15:14.560
<v Speaker 1>to think through, like what do people actually say?

0:15:15.000 --> 0:15:17.000
<v Speaker 2>And I feel like it. I guess if you have.

0:15:17.360 --> 0:15:21.080
<v Speaker 1>Never had sex with the person and then you're having

0:15:21.120 --> 0:15:24.160
<v Speaker 1>phone sex first, which kind of seems odd, but I

0:15:24.160 --> 0:15:26.320
<v Speaker 1>guess that might happen in life, then you might just

0:15:26.400 --> 0:15:28.440
<v Speaker 1>go to kind of like the stock things that you

0:15:28.480 --> 0:15:30.440
<v Speaker 1>would say, which I feel like is what they're doing.

0:15:30.760 --> 0:15:33.040
<v Speaker 1>But I also feel that in the year two thousand,

0:15:33.280 --> 0:15:36.160
<v Speaker 1>we have probably not seen characters on television show having

0:15:36.160 --> 0:15:38.000
<v Speaker 1>phone sex, right, so so I'm going to give our

0:15:38.040 --> 0:15:40.960
<v Speaker 1>writers a break there. But I did think, like, we

0:15:41.080 --> 0:15:43.240
<v Speaker 1>need to be more creative at our Phone sex was

0:15:43.280 --> 0:15:46.160
<v Speaker 1>really what I was thinking, because they were having basically

0:15:46.200 --> 0:15:49.240
<v Speaker 1>it seems like they're having phone sex every night, and

0:15:49.280 --> 0:15:53.240
<v Speaker 1>then the really entertaining thing happens, which is at.

0:15:53.080 --> 0:15:54.320
<v Speaker 2>One point, oh, I forgot this.

0:15:54.400 --> 0:15:57.640
<v Speaker 1>At one point, Miranda's having phone sex and I call

0:15:57.760 --> 0:16:01.080
<v Speaker 1>her about the prenupt to tell her that Bunny's not

0:16:01.120 --> 0:16:04.040
<v Speaker 1>going to negotiate, and I'm like, I'm in a panic

0:16:04.080 --> 0:16:06.320
<v Speaker 1>on the other line, but she's having phone sex. She's like, Charlotte,

0:16:06.320 --> 0:16:08.200
<v Speaker 1>I've got to go, and you can hear me trying

0:16:08.200 --> 0:16:10.360
<v Speaker 1>to talk to her and she clicks over right, which is.

0:16:10.400 --> 0:16:10.960
<v Speaker 2>Kind of funny.

0:16:11.400 --> 0:16:14.560
<v Speaker 1>Then the next time we see them having phone sex,

0:16:14.600 --> 0:16:17.920
<v Speaker 1>he gets another call and he clicks over and then

0:16:17.920 --> 0:16:21.600
<v Speaker 1>he comes back to continue the phone sex, but he's

0:16:22.240 --> 0:16:24.840
<v Speaker 1>skipped ahead in the phone sex to a part that

0:16:24.840 --> 0:16:28.000
<v Speaker 1>they weren't at, which alerts her that something is off,

0:16:28.040 --> 0:16:30.120
<v Speaker 1>and she's like, no, no, you were kissing my breast

0:16:30.440 --> 0:16:33.440
<v Speaker 1>and he's like, no, no, I was thrusting and she's like, no, no,

0:16:33.520 --> 0:16:33.960
<v Speaker 1>you weren't.

0:16:34.000 --> 0:16:35.680
<v Speaker 2>We hadn't gone to that, and then.

0:16:35.520 --> 0:16:38.680
<v Speaker 1>He goes, oh uh, and she says, wait a minute,

0:16:38.760 --> 0:16:41.320
<v Speaker 1>and she sits up. Are you having phone sex with

0:16:41.360 --> 0:16:44.600
<v Speaker 1>other people? And he's like, well, Miranda, we never said

0:16:44.600 --> 0:16:48.400
<v Speaker 1>that we were exclusive. Like he's kind of entertaining, and

0:16:48.920 --> 0:16:51.160
<v Speaker 1>that's the end of George. We don't get to see

0:16:51.240 --> 0:16:53.760
<v Speaker 1>Q Josh Hamilton again, which is kind of sad. And

0:16:53.920 --> 0:16:56.320
<v Speaker 1>apparently I read in the notes that he was in

0:16:56.360 --> 0:17:00.240
<v Speaker 1>the other room. He wasn't recorded pre recorded, And this

0:17:00.280 --> 0:17:02.840
<v Speaker 1>is something that we would very commonly do, especially in

0:17:02.880 --> 0:17:05.160
<v Speaker 1>the early days, Like if we had a phone conversation

0:17:05.920 --> 0:17:09.879
<v Speaker 1>that was in any way important, right, like, like I

0:17:09.920 --> 0:17:12.800
<v Speaker 1>mean really any phone conversation, if there was any way

0:17:12.880 --> 0:17:15.359
<v Speaker 1>that the other actor could be there, we would do

0:17:15.440 --> 0:17:18.119
<v Speaker 1>it that way. Because what you're left with if you

0:17:18.200 --> 0:17:19.840
<v Speaker 1>don't do it that way, you would never have a

0:17:19.880 --> 0:17:23.359
<v Speaker 1>pre recorded voice of the other person because that would

0:17:23.359 --> 0:17:26.199
<v Speaker 1>be weird. You would have the script supervisor read it.

0:17:26.240 --> 0:17:28.520
<v Speaker 1>But of course the script supervisor is probably a woman.

0:17:28.640 --> 0:17:31.840
<v Speaker 1>They normally are I don't know why, and they're just

0:17:31.880 --> 0:17:35.240
<v Speaker 1>reading it kind of like without emotion or whatever.

0:17:35.400 --> 0:17:36.920
<v Speaker 2>So it's hard to do your.

0:17:36.840 --> 0:17:39.119
<v Speaker 1>Performance in the same way that you would do it

0:17:39.560 --> 0:17:43.280
<v Speaker 1>with the actual other actor. Right. So like even if

0:17:43.359 --> 0:17:47.000
<v Speaker 1>it was you know, I don't remember if I also

0:17:47.119 --> 0:17:48.960
<v Speaker 1>was in the other room to call Miranda, I could

0:17:48.960 --> 0:17:50.960
<v Speaker 1>have been, but I also could have been on another

0:17:50.960 --> 0:17:53.520
<v Speaker 1>set doing another scene, right, So you're always trying to

0:17:53.600 --> 0:17:55.560
<v Speaker 1>make it work out that you're free for the time

0:17:55.600 --> 0:17:57.879
<v Speaker 1>that they need you to do the other off camera,

0:17:58.400 --> 0:18:02.119
<v Speaker 1>you know, voice, which is your your performance, your side

0:18:02.200 --> 0:18:05.800
<v Speaker 1>of the phone performance, right, But I remember, like I

0:18:05.840 --> 0:18:08.720
<v Speaker 1>have an argument with Miranda coming up down the line

0:18:08.800 --> 0:18:11.840
<v Speaker 1>where I say, I choose my choice. I choose my choice.

0:18:11.880 --> 0:18:14.520
<v Speaker 1>Do you guys remember that? I remember one hundred percent.

0:18:14.640 --> 0:18:18.320
<v Speaker 1>She came and sat on my apartment set so that

0:18:18.520 --> 0:18:21.120
<v Speaker 1>we could actually act with each other. I can't see

0:18:21.119 --> 0:18:23.159
<v Speaker 1>her because I'm on the phone, right, She's like behind

0:18:23.200 --> 0:18:25.160
<v Speaker 1>the wall. But you know, it makes a huge, huge

0:18:25.200 --> 0:18:28.320
<v Speaker 1>difference in your performance for phone conversations. I don't know

0:18:28.359 --> 0:18:30.320
<v Speaker 1>if everybody does that or not, but that's what we do.

0:18:30.920 --> 0:18:36.080
<v Speaker 1>That's what is preferable, I think. Anyway, Carrie, let's discuss.

0:18:36.400 --> 0:18:40.600
<v Speaker 1>Oh my goodness me, this is just like the height

0:18:40.760 --> 0:18:46.760
<v Speaker 1>of Carrie's really intense drama, but also the height of

0:18:46.840 --> 0:18:52.840
<v Speaker 1>Sarah Jessica's like incredible acting, like incredible acting. I felt

0:18:52.840 --> 0:18:56.520
<v Speaker 1>like it was so real and grounded what she always is.

0:18:56.600 --> 0:18:59.680
<v Speaker 1>But just the guilt when you're just like just can

0:18:59.800 --> 0:19:02.439
<v Speaker 1>eat hardly think straight because you feel so guilty. And

0:19:02.480 --> 0:19:05.680
<v Speaker 1>of course Aiden's just being super sweet, because that's always

0:19:05.680 --> 0:19:07.639
<v Speaker 1>how it is when you've done something bad to somebody.

0:19:07.680 --> 0:19:10.040
<v Speaker 1>They're being super sweet because they don't even know. It's

0:19:10.080 --> 0:19:14.320
<v Speaker 1>super interesting. So first we see Carrie and she's you know,

0:19:14.960 --> 0:19:17.160
<v Speaker 1>happy and kissing Aid and then she's saying that she's

0:19:17.200 --> 0:19:19.600
<v Speaker 1>going to go off with us, and he says, oh,

0:19:19.640 --> 0:19:23.480
<v Speaker 1>what do you guys talk about? And she says, oh,

0:19:23.560 --> 0:19:25.359
<v Speaker 1>you know, we braid each other's hair.

0:19:26.680 --> 0:19:27.600
<v Speaker 2>It's really funny.

0:19:27.880 --> 0:19:30.359
<v Speaker 1>And then he goes, well, don't you talk about the

0:19:30.440 --> 0:19:31.280
<v Speaker 1>Fellas and.

0:19:31.200 --> 0:19:34.520
<v Speaker 2>She's like, uh, well, you know, I guess it comes up.

0:19:34.720 --> 0:19:37.359
<v Speaker 1>Which I'm just laughing because, you know, this is like

0:19:37.440 --> 0:19:40.199
<v Speaker 1>the commentary about the show right at this point is that,

0:19:40.359 --> 0:19:43.080
<v Speaker 1>you know, we talk about men, and we talk about

0:19:43.080 --> 0:19:45.680
<v Speaker 1>men in the ways that people didn't used to think

0:19:45.720 --> 0:19:48.359
<v Speaker 1>women talk about men, which is all very interesting. And

0:19:48.400 --> 0:19:51.600
<v Speaker 1>then at some point he says something about his head

0:19:51.600 --> 0:19:54.560
<v Speaker 1>of hair or whatever. I can't remember why, and then

0:19:54.600 --> 0:19:56.880
<v Speaker 1>he says he's not losing any and then apparently later

0:19:56.920 --> 0:19:58.600
<v Speaker 1>in the show we're going to see some rogue and

0:19:58.600 --> 0:20:00.760
<v Speaker 1>there's gonna be some conversation about So that's one of

0:20:00.800 --> 0:20:02.960
<v Speaker 1>those things that the Internet would be very upset with now,

0:20:03.240 --> 0:20:05.879
<v Speaker 1>but we didn't have Instagram back in the olden days,

0:20:06.040 --> 0:20:09.360
<v Speaker 1>so we got away with it, I guess. But she's

0:20:09.359 --> 0:20:11.800
<v Speaker 1>all loveyw with them is basically what I'm trying to say.

0:20:11.920 --> 0:20:14.640
<v Speaker 1>Then she goes off to see us at Samantha's new apartment,

0:20:14.680 --> 0:20:17.320
<v Speaker 1>and then she ends up confessing to Samantha, and then

0:20:17.480 --> 0:20:19.440
<v Speaker 1>even though she wasn't supposed to see Aden that night,

0:20:19.720 --> 0:20:21.679
<v Speaker 1>she goes and knocks on his door, which was another

0:20:21.840 --> 0:20:24.639
<v Speaker 1>time that I thought about the now versus the then

0:20:25.119 --> 0:20:26.960
<v Speaker 1>when we were doing and just like that, we had

0:20:26.960 --> 0:20:32.160
<v Speaker 1>a scene where Chay knocks on Carrie's door and Miranda

0:20:32.240 --> 0:20:36.119
<v Speaker 1>opens it, and I personally got so many texts like

0:20:36.320 --> 0:20:39.560
<v Speaker 1>that would never happen. Why didn't Chae ring the bell

0:20:39.720 --> 0:20:42.679
<v Speaker 1>down on the street like it's real like in reality,

0:20:43.080 --> 0:20:45.320
<v Speaker 1>And I was like, oh my gosh, you guys like

0:20:46.359 --> 0:20:48.800
<v Speaker 1>sometimes someone's coming out the door and you go in

0:20:48.880 --> 0:20:51.440
<v Speaker 1>the door. But now that like in a New York

0:20:51.440 --> 0:20:53.040
<v Speaker 1>City building. I don't know if that made sense, but

0:20:53.080 --> 0:20:54.480
<v Speaker 1>like you know what I'm saying, sometimes you don't have

0:20:54.520 --> 0:20:56.800
<v Speaker 1>to use the intercom because you can just go anyway.

0:20:57.320 --> 0:20:58.919
<v Speaker 1>My main point that I want to make is that

0:20:58.960 --> 0:21:01.040
<v Speaker 1>now that I'm rewatching the show show, I'm realizing that

0:21:01.119 --> 0:21:02.600
<v Speaker 1>it happens.

0:21:02.400 --> 0:21:04.760
<v Speaker 2>All the time in our show.

0:21:05.200 --> 0:21:07.760
<v Speaker 1>Big shows up at Carrie's and just bangs on the door.

0:21:08.000 --> 0:21:10.600
<v Speaker 1>Carrie shows up at Biggs with all the different outfits.

0:21:10.680 --> 0:21:11.920
<v Speaker 1>You think he's buzzed your up.

0:21:12.040 --> 0:21:14.720
<v Speaker 2>No, people are not prepared and people show up at

0:21:14.720 --> 0:21:15.320
<v Speaker 2>their doors.

0:21:15.440 --> 0:21:18.160
<v Speaker 1>It's just what we did because you know why, it's

0:21:18.280 --> 0:21:21.800
<v Speaker 1>dead screen time to watch people buzz. Now. I do

0:21:21.880 --> 0:21:24.040
<v Speaker 1>remember other scenes in Carrie's out because Carrie has a

0:21:24.040 --> 0:21:27.040
<v Speaker 1>little intertercom by her door where people would buzz. So

0:21:27.119 --> 0:21:29.520
<v Speaker 1>I guess if it's something interesting, we would have them buzz.

0:21:29.680 --> 0:21:32.120
<v Speaker 1>But it's not something interesting. It's dead time. We don't

0:21:32.119 --> 0:21:34.000
<v Speaker 1>have time. We only have twenty five minutes to do

0:21:34.040 --> 0:21:36.040
<v Speaker 1>the whole show, right, So that's why we don't do it,

0:21:36.040 --> 0:21:37.880
<v Speaker 1>which is the same reason why we don't hug each

0:21:37.880 --> 0:21:39.920
<v Speaker 1>other every time we see each other or every time

0:21:39.920 --> 0:21:42.840
<v Speaker 1>we say goodbye. There is not screen time. There's no

0:21:42.960 --> 0:21:49.240
<v Speaker 1>hugging aloud. Anyway, back to this show, So Carrie ends

0:21:49.320 --> 0:21:51.080
<v Speaker 1>up going back to Aiden's apartment.

0:21:51.200 --> 0:21:51.800
<v Speaker 2>She comes in.

0:21:51.960 --> 0:21:54.480
<v Speaker 1>He's in a sheet, he's all adorable and he's like

0:21:54.640 --> 0:21:59.119
<v Speaker 1>massive sheet for his naked sleeping self. And she comes

0:21:59.119 --> 0:22:00.919
<v Speaker 1>in and you can tell she just so happy that

0:22:00.960 --> 0:22:02.760
<v Speaker 1>she has him and that he doesn't know the truth

0:22:02.760 --> 0:22:06.760
<v Speaker 1>about what she's been doing, and it's kind of sweet.

0:22:07.240 --> 0:22:09.679
<v Speaker 1>And then She's still struggling to try to get the

0:22:09.680 --> 0:22:12.320
<v Speaker 1>thoughts out of her mind a big and so she

0:22:12.400 --> 0:22:15.240
<v Speaker 1>does all this organizing in her apartment, wearing the cutest,

0:22:15.280 --> 0:22:19.240
<v Speaker 1>weirdest little green like jumpsuit, one of her very unique,

0:22:19.359 --> 0:22:22.840
<v Speaker 1>you know, at home outfits. She's smoking a lot, and

0:22:23.359 --> 0:22:25.400
<v Speaker 1>then she calls Big and she's like, we.

0:22:25.359 --> 0:22:26.640
<v Speaker 2>Need to talk about what happened.

0:22:26.840 --> 0:22:29.439
<v Speaker 1>And he's like now, and he's kind of his regular

0:22:29.520 --> 0:22:33.480
<v Speaker 1>dick self, if I might say, and she's like yes,

0:22:33.600 --> 0:22:36.000
<v Speaker 1>because you know, it was just a physical thing and

0:22:36.119 --> 0:22:38.840
<v Speaker 1>we are not going to be that immature and let

0:22:38.920 --> 0:22:39.560
<v Speaker 1>that rule us.

0:22:39.600 --> 0:22:40.680
<v Speaker 2>And he was like, we're not.

0:22:41.359 --> 0:22:43.919
<v Speaker 1>And she goes, no, we can, you know, go against

0:22:43.960 --> 0:22:46.320
<v Speaker 1>those urges. And he said, well, can you really do that?

0:22:46.880 --> 0:22:49.800
<v Speaker 2>And she's like yes. Cut to them in bed together.

0:22:50.080 --> 0:22:51.480
<v Speaker 2>So sad, so sad.

0:22:52.560 --> 0:22:55.040
<v Speaker 1>So I was really having a lot of mixed feelings

0:22:55.040 --> 0:22:57.679
<v Speaker 1>because I was on aid inside this whole episode. You know,

0:22:57.960 --> 0:23:00.280
<v Speaker 1>I don't know why. I guess it's just a on

0:23:00.320 --> 0:23:04.200
<v Speaker 1>the episode whose side I'm on. But they sleep together again,

0:23:04.520 --> 0:23:06.600
<v Speaker 1>and then Aiden's been out of town.

0:23:06.640 --> 0:23:07.160
<v Speaker 2>I left that out.

0:23:07.200 --> 0:23:09.359
<v Speaker 1>He had to take a chair to someone in Pennsylvania,

0:23:09.600 --> 0:23:12.120
<v Speaker 1>which I'm like, wait and just like that. I think

0:23:12.119 --> 0:23:13.919
<v Speaker 1>he goes to Virginia, which is where he lives, but

0:23:13.960 --> 0:23:15.639
<v Speaker 1>in this time he has to go to Pennsylvania in

0:23:15.680 --> 0:23:19.000
<v Speaker 1>the truck. It's all very it's all very. Aiden has

0:23:19.040 --> 0:23:32.440
<v Speaker 1>a lot of similar similar through lines. So Aiden comes

0:23:32.480 --> 0:23:35.320
<v Speaker 1>back and she's like, oh, I missed you so much,

0:23:36.040 --> 0:23:39.119
<v Speaker 1>and there's no sheets on the bed because they smelled

0:23:39.119 --> 0:23:41.440
<v Speaker 1>like Big. But Big had said he can smell Aiden

0:23:41.480 --> 0:23:43.720
<v Speaker 1>on the sheets, and she's so worried that Aidan's gonna

0:23:43.720 --> 0:23:46.639
<v Speaker 1>smell Big on the sheets, so she taken the sheets off.

0:23:47.160 --> 0:23:53.119
<v Speaker 1>And then, oh, Samantha, weirdly had said to Carrie in

0:23:53.160 --> 0:23:57.480
<v Speaker 1>the first scene, if Aiden hasn't said I love you yet,

0:23:57.520 --> 0:24:00.119
<v Speaker 1>then you're a free agent. And I thought that that

0:24:00.200 --> 0:24:02.840
<v Speaker 1>was so odd because why does Samantha care what the

0:24:02.840 --> 0:24:05.440
<v Speaker 1>guy is gonna say. Shouldn't it be up to the

0:24:05.520 --> 0:24:08.439
<v Speaker 1>woman if she's a free agent or not. Thought that

0:24:08.480 --> 0:24:12.160
<v Speaker 1>was really interesting. So then Aiden comes back and he says, Carrie,

0:24:12.200 --> 0:24:15.239
<v Speaker 1>I was thinking about something while I was gone, I

0:24:15.280 --> 0:24:17.240
<v Speaker 1>love you, and you can see carry just like man.

0:24:17.240 --> 0:24:19.880
<v Speaker 1>It's oh god, apparently now I'm not a free agent now.

0:24:19.960 --> 0:24:22.080
<v Speaker 1>And then she of course tells him that she loves him.

0:24:22.119 --> 0:24:28.520
<v Speaker 1>Back and then oh, this was so scary. It's like

0:24:28.600 --> 0:24:31.920
<v Speaker 1>maybe the next morning and the phone rings, and oh, Aiden,

0:24:32.280 --> 0:24:35.080
<v Speaker 1>proving he's so smart, is filling in the password the

0:24:35.240 --> 0:24:38.760
<v Speaker 1>sorry the crossword for her, which is like so impressive

0:24:38.800 --> 0:24:40.920
<v Speaker 1>because there's this whole through line with the crossword puzzle.

0:24:40.960 --> 0:24:42.960
<v Speaker 1>I don't know if you guys remember where carry walks

0:24:43.000 --> 0:24:44.760
<v Speaker 1>down the street and she sees Big on the street

0:24:44.760 --> 0:24:46.600
<v Speaker 1>and he's trying to do the crossword and she leans

0:24:46.600 --> 0:24:48.639
<v Speaker 1>over and tells him a word in the crossword and

0:24:48.720 --> 0:24:50.439
<v Speaker 1>he looks up at her like, well, I didn't know

0:24:50.480 --> 0:24:52.439
<v Speaker 1>you were so smart, which of course he should have

0:24:52.480 --> 0:24:55.280
<v Speaker 1>known because she's a writer. So in this particular scene,

0:24:55.359 --> 0:24:59.439
<v Speaker 1>Carrie's doing the crossword puzzle and Aiden leans over and

0:24:59.480 --> 0:25:03.280
<v Speaker 1>says and she says what and he says exotic animal

0:25:03.359 --> 0:25:06.200
<v Speaker 1>four down EMU and she goes, oh, well, I would

0:25:06.200 --> 0:25:08.520
<v Speaker 1>have gotten that, and he said, no, you wouldn't because

0:25:08.560 --> 0:25:10.679
<v Speaker 1>you have this word over here and it's wrong, and

0:25:10.720 --> 0:25:14.800
<v Speaker 1>I'm like, Aiden, awesome job. Then the phone rings.

0:25:15.119 --> 0:25:16.600
<v Speaker 2>She picks it up. It's Big.

0:25:16.680 --> 0:25:18.760
<v Speaker 1>He's like, I need to see you and she's like,

0:25:18.800 --> 0:25:22.840
<v Speaker 1>oh hey, Miranda, and you know, tries to carry it

0:25:22.840 --> 0:25:25.520
<v Speaker 1>off and he says, I'm downstairs and I'm coming out.

0:25:25.680 --> 0:25:28.080
<v Speaker 2>I'm coming up if you don't come out, and I'm like,

0:25:28.119 --> 0:25:29.560
<v Speaker 2>what a jerk, you know.

0:25:29.960 --> 0:25:32.840
<v Speaker 1>So then Carrie's got Aiden upstairs and Biggest downstairs on

0:25:32.880 --> 0:25:35.240
<v Speaker 1>the street, and we've already seen that he's willing to

0:25:35.359 --> 0:25:37.919
<v Speaker 1>just show up, right, So she goes down there and

0:25:37.920 --> 0:25:40.000
<v Speaker 1>she says she has to walk the dog, Pete, and

0:25:40.040 --> 0:25:42.040
<v Speaker 1>you know what's coming, you guys. This is one of

0:25:42.080 --> 0:25:47.280
<v Speaker 1>the most terrifying, terrifying storylines in the whole show.

0:25:47.359 --> 0:25:48.520
<v Speaker 2>I think she takes.

0:25:48.280 --> 0:25:51.480
<v Speaker 1>Pete, the adorable, innocent dog down with her. BIG's down

0:25:51.520 --> 0:25:54.880
<v Speaker 1>there wearing the weirdest like Hawaiian shirt. I don't even

0:25:54.960 --> 0:25:57.800
<v Speaker 1>understand what's happening with that shirt. And they're in the

0:25:57.840 --> 0:26:01.520
<v Speaker 1>beautiful village in the spring. It's gorgeous. Carrie's wearing her

0:26:01.560 --> 0:26:07.960
<v Speaker 1>adorable gym shorts and her red slides heels, and Big

0:26:08.080 --> 0:26:11.160
<v Speaker 1>is like, you know, I'm telling my wife tonight.

0:26:10.880 --> 0:26:14.040
<v Speaker 2>And she's like, no, don't do that. She gets really.

0:26:13.760 --> 0:26:16.040
<v Speaker 1>Mad, and she gets she kind of gestures with her

0:26:16.040 --> 0:26:18.320
<v Speaker 1>hands and then she looks down and Pete's not there.

0:26:18.400 --> 0:26:21.679
<v Speaker 2>He's run away. You guys. The anxiety I have watching

0:26:21.720 --> 0:26:22.280
<v Speaker 2>this scene.

0:26:22.400 --> 0:26:25.119
<v Speaker 1>I cannot live through it because I couldn't remember what

0:26:25.160 --> 0:26:25.919
<v Speaker 1>happened to Pete.

0:26:26.119 --> 0:26:28.040
<v Speaker 2>I was like, is Pete gonna be okay?

0:26:28.240 --> 0:26:30.399
<v Speaker 1>He's running through the West Village with all the cars

0:26:30.440 --> 0:26:33.520
<v Speaker 1>and all the people, and he's running full tilt, right.

0:26:33.920 --> 0:26:36.080
<v Speaker 1>So when she realizes he's gone, she runs in the

0:26:36.119 --> 0:26:39.960
<v Speaker 1>heels and they track along with her. The most gorgeous shots,

0:26:40.000 --> 0:26:43.360
<v Speaker 1>like the trees are blooming. It's just gorgeous. But it's

0:26:43.400 --> 0:26:46.560
<v Speaker 1>also terrifying because the dog is running through the traffic

0:26:46.840 --> 0:26:49.760
<v Speaker 1>and Big is running and huffing and puffing after her,

0:26:49.800 --> 0:26:51.480
<v Speaker 1>and I was like, Big needs to work out more,

0:26:51.680 --> 0:26:54.080
<v Speaker 1>That's what I was thinking. And then Carrie, of course,

0:26:54.080 --> 0:26:56.760
<v Speaker 1>because Sara Jessica is a pro, she is running in

0:26:56.760 --> 0:26:59.639
<v Speaker 1>those heels like nobody's business. And I'm just so happy

0:26:59.640 --> 0:27:01.800
<v Speaker 1>she didn't an ankle because there's not even an ankle

0:27:01.800 --> 0:27:04.399
<v Speaker 1>strap on the shoes, right, they're just slides and she's running.

0:27:04.520 --> 0:27:07.000
<v Speaker 1>But this is who the woman is, guys, she really

0:27:07.080 --> 0:27:09.959
<v Speaker 1>does this. It's impressive. So she runs, she runs, She

0:27:10.040 --> 0:27:14.719
<v Speaker 1>runs for three hours. She never calls Aiden, who's at

0:27:14.720 --> 0:27:17.439
<v Speaker 1>her house, because she doesn't have a cell phone, and

0:27:17.480 --> 0:27:20.159
<v Speaker 1>because she can't find his dog she thinks she's lost

0:27:20.280 --> 0:27:23.840
<v Speaker 1>his dog forever. Can you imagine, Oh my god, I

0:27:23.880 --> 0:27:27.280
<v Speaker 1>was dying. Then it starts to rain and she's wet

0:27:27.560 --> 0:27:30.120
<v Speaker 1>and her shirt is fully see through, which I did

0:27:30.119 --> 0:27:32.280
<v Speaker 1>not remember, you guys, And this was in our peasant

0:27:32.320 --> 0:27:34.760
<v Speaker 1>shirt phase. We all, she bought me some peasant shirts.

0:27:34.760 --> 0:27:36.840
<v Speaker 1>We wore a lot of peasant shirts this one summer.

0:27:37.520 --> 0:27:39.879
<v Speaker 1>And her shirt and her bra or sea through and

0:27:39.920 --> 0:27:42.040
<v Speaker 1>I'm like, does Sir Jesca know that that thing happened,

0:27:42.119 --> 0:27:45.480
<v Speaker 1>because I don't know if she knows, but I felt

0:27:45.480 --> 0:27:47.439
<v Speaker 1>something anxiety about that, but most of those really anxious

0:27:47.440 --> 0:27:51.320
<v Speaker 1>about Pete. She goes home in total defeat, and thank god,

0:27:51.560 --> 0:27:52.719
<v Speaker 1>Pete is there, you guys.

0:27:52.760 --> 0:27:56.000
<v Speaker 2>He's at the apartment. He found his way home. What

0:27:56.119 --> 0:27:56.639
<v Speaker 2>a relief.

0:27:57.080 --> 0:28:04.120
<v Speaker 1>And then Aiden says, basically, I can tell that you're cheating.

0:28:04.680 --> 0:28:07.520
<v Speaker 1>And she sits down and she looks crushed like she's

0:28:07.600 --> 0:28:11.080
<v Speaker 1>going to have to actually tell him. But what it

0:28:11.200 --> 0:28:15.320
<v Speaker 1>is is that he thinks she's been smoking cigarettes, and

0:28:15.400 --> 0:28:20.119
<v Speaker 1>so he says, you've been smoking, haven't you? And she's like, uhuh,

0:28:20.160 --> 0:28:23.199
<v Speaker 1>And the voiceover says something like it was true and

0:28:23.240 --> 0:28:25.800
<v Speaker 1>it was true. Of course it's not the whole truth,

0:28:26.040 --> 0:28:28.640
<v Speaker 1>but it was in fact true. So then she gets

0:28:28.640 --> 0:28:31.240
<v Speaker 1>away with it, but not for long, as we all know.

0:28:31.640 --> 0:28:33.919
<v Speaker 2>But it's so good. It's so good.

0:28:34.080 --> 0:28:36.160
<v Speaker 1>I mean, I can't even live through watching that dog

0:28:36.240 --> 0:28:38.880
<v Speaker 1>run through the village though, I can't even watch it.

0:28:38.880 --> 0:28:41.920
<v Speaker 1>It's just really stressful, but just so good, just so

0:28:42.040 --> 0:28:46.920
<v Speaker 1>incredibly good. Oh my gosh, Oh should we read her

0:28:47.000 --> 0:28:48.960
<v Speaker 1>really excellent voice over in the beginning.

0:28:49.040 --> 0:28:49.920
<v Speaker 2>It's so good.

0:28:50.200 --> 0:28:52.880
<v Speaker 1>I mean, this is one of those those episodes where

0:28:52.880 --> 0:28:55.840
<v Speaker 1>we were really I think cheating is just fascinating, is

0:28:55.840 --> 0:28:58.200
<v Speaker 1>that doctor Orner says. There's so many different reasons that

0:28:58.240 --> 0:29:01.600
<v Speaker 1>people cheat and different things why they might cheat or

0:29:01.600 --> 0:29:03.640
<v Speaker 1>what they might be trying to express. But I mean,

0:29:03.720 --> 0:29:06.640
<v Speaker 1>it's endlessly fascinating to me why people cheat and whether

0:29:06.680 --> 0:29:10.360
<v Speaker 1>they tell or don't tell, And you know, it's fascinating.

0:29:10.760 --> 0:29:17.200
<v Speaker 1>So this is Carrie's initial, you know, thought for her column.

0:29:17.680 --> 0:29:21.640
<v Speaker 1>Since the since birth, modern women have been told that

0:29:21.720 --> 0:29:25.840
<v Speaker 1>they can do and be anything we want, be an astronaut,

0:29:26.160 --> 0:29:28.959
<v Speaker 1>the head of an internet company, a stay at home mom.

0:29:29.360 --> 0:29:33.120
<v Speaker 1>There aren't any rules anymore, and the choices are endless,

0:29:33.400 --> 0:29:36.680
<v Speaker 1>and apparently they can all be delivered.

0:29:36.280 --> 0:29:37.120
<v Speaker 2>Right to your door.

0:29:37.720 --> 0:29:40.840
<v Speaker 1>But is it possible that we've gotten so spoiled by

0:29:40.960 --> 0:29:44.320
<v Speaker 1>choices that we've become unable to make one The part

0:29:44.320 --> 0:29:47.880
<v Speaker 1>of us knows that once you choose something one man,

0:29:48.160 --> 0:29:52.400
<v Speaker 1>one great apartment, one amazing job, another option goes away.

0:29:53.080 --> 0:29:57.480
<v Speaker 1>Are we a generation of women who can't choose just one?

0:29:57.520 --> 0:30:02.080
<v Speaker 1>From column ad? We all have too much to handle?

0:30:02.480 --> 0:30:06.239
<v Speaker 1>Or what's Samantha right? Can we have it all? And

0:30:06.360 --> 0:30:12.840
<v Speaker 1>I say no, we can't have it all, But I

0:30:12.840 --> 0:30:14.880
<v Speaker 1>think we can have it all, just at different times.

0:30:15.000 --> 0:30:18.160
<v Speaker 1>I think it doesn't. It's not possible to have it

0:30:18.240 --> 0:30:20.680
<v Speaker 1>all at once. That's what I think. That's what I

0:30:20.720 --> 0:30:24.040
<v Speaker 1>think we need to understand and give ourselves a break about,

0:30:24.080 --> 0:30:26.440
<v Speaker 1>Like you're doing one thing now and you can do

0:30:26.520 --> 0:30:29.160
<v Speaker 1>something else in the future, or maybe you used to

0:30:29.240 --> 0:30:31.040
<v Speaker 1>be focused on one thing, but then you can change

0:30:31.080 --> 0:30:33.000
<v Speaker 1>your focus to a different thing. But I do think

0:30:33.000 --> 0:30:35.320
<v Speaker 1>it's hard to focus on everything at once because there's

0:30:35.400 --> 0:30:38.280
<v Speaker 1>just there's always so much time and energy and something's

0:30:38.320 --> 0:30:38.959
<v Speaker 1>going to suffer.

0:30:39.240 --> 0:30:40.000
<v Speaker 2>That's what I think.

0:30:40.200 --> 0:30:43.080
<v Speaker 1>I hope that's not not a downer, that's like Kristin

0:30:43.160 --> 0:30:44.760
<v Speaker 1>not Charlotte, obviously.

0:30:45.040 --> 0:30:46.800
<v Speaker 2>But it's a really good episode.

0:30:46.800 --> 0:30:48.880
<v Speaker 1>I hope you guys enjoy it, Let me know your

0:30:48.920 --> 0:30:51.640
<v Speaker 1>thoughts on Instagram if you want to, and thanks for

0:30:51.720 --> 0:30:52.280
<v Speaker 1>joining us.

0:30:53.000 --> 0:30:55.440
<v Speaker 2>Bye,