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Speaker 1: Hi. I'm Kristin Davis, and I want to know are

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Speaker 1: you a Charlotte? Hi? Hi, everyone, welcome to Are You

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Speaker 1: a Charlotte? Today we have the amazing Amanda hersh She

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Speaker 1: is the founder, creator, and host of Not Skinny but

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Speaker 1: Not Fat, which is its whole brand, and she is

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Speaker 1: here today to rewatch or Are We Sluts? Which air

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Speaker 1: July sixteenth in the year two thousand and It was

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Speaker 1: directed by Nicole Holofsoner written by Cindy Schupack. I like

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Speaker 1: that intro because.

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Speaker 2: I feel like you personally have been on the forefront

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Speaker 2: of kind of navigating this new world that we live

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Speaker 2: in with what appears to be ease. So I would

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Speaker 2: love just a minute, you know, kind of description like

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Speaker 2: how did you build this whole brand?

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Speaker 1: Like you were so to start when you did.

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Speaker 3: I was smart, I guess, but I think it was

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Speaker 3: just out of pure And this is like advice that

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Speaker 3: I give people is like, my passion was so there

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Speaker 3: that when I started, it wasn't even like, let me

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Speaker 3: build this brand, and you know, it was like, if

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Speaker 3: this is a hobby, if this is a I do

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Speaker 3: this after work to fill my soul, then that's what

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Speaker 3: it is. If this gets me an opportunity or a

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Speaker 3: cool connection or I always thought like something good can

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Speaker 3: come of this, and I just kept going and going,

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Speaker 3: and this was like before TikTok or It's like, I know,

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Speaker 3: how old do I sound that it's like before TikTok.

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Speaker 1: Oh, I'm way older than you. So you know, roll

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Speaker 1: roll with it. I mean, I know you've been doing it.

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Speaker 3: By the way, you've been doing so good content wise,

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Speaker 3: you deserve all the props.

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Speaker 1: I feel like you've been thank you.

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Speaker 4: I trying it.

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Speaker 2: I try, but it's not easy, right, It's not easy

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Speaker 2: because for me, obviously you remember what it used to

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Speaker 2: be like, I mean, you started it not seeing that

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Speaker 2: fat in twenty sixteen, right, is that right?

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Speaker 4: Yeah?

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Speaker 1: So, I mean that was It doesn't seem like that

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Speaker 1: long ago.

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Speaker 2: But in some ways we're just moving so quickly now

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Speaker 2: in terms of the changing and for me, I've been

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Speaker 2: you know, Sex and City we started nineteen ninety eight,

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Speaker 2: which is insane, right, insane, And obviously I was acting

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Speaker 2: before that, and so just the amount of change that's

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Speaker 2: happened and me trying to just force myself to be

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Speaker 2: in the present. It's hard sometimes, you know, it's it's

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Speaker 2: like huh.

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Speaker 1: But on the other hand, I also feel like it's fun.

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Speaker 4: Yeah, like you get into it.

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Speaker 3: I can tell that you because I think like whether

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Speaker 3: or not somebody is helping you or forcing you or whatever,

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Speaker 3: it is, like you can tell when it's like okay,

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Speaker 3: but she gets it, like gets it, she's in it.

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Speaker 3: So you deserves the props because like even for me,

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Speaker 3: when I have to like lip sync the thing.

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Speaker 2: Oh I hurting, I mean, that's the funny thing. Yet

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Speaker 2: you have to find what you're comfortable with. And I

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Speaker 2: definitely have people helping me, and I love them very much,

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Speaker 2: and they would come, you know, with the list of

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Speaker 2: ideas and I'd just be like no, no, oh no, like,

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Speaker 2: you know, so stressed by it all. But once I

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Speaker 2: looked at it kind of almost like an acting, you know,

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Speaker 2: like a scene. You know, I have to look at

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Speaker 2: it like that, and then it can be fun and

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Speaker 2: like the lip syncing somehow frees me up, whereas some

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Speaker 2: of the other things I'm just like, oh, so self conscious.

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Speaker 3: You know. Well, maybe it's the actor in you, you know,

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Speaker 3: maybe it's like the let me get my lines, yep,

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Speaker 3: let me be like on on point and on time.

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Speaker 1: Yep.

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Speaker 4: But back to your question, it was just a passion.

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Speaker 3: That's amazing that that that I'm so happy that it's

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Speaker 3: where it's at today. But I was so naive and

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Speaker 3: like go with the flow and believing that like if

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Speaker 3: you keep doing something that you love, something good will

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Speaker 3: come of it.

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Speaker 4: Yeah.

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Speaker 3: So it's it was just like this really natural progression

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Speaker 3: that I'm just so happy about out. But it, you know,

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Speaker 3: when it started, like it like I think about even

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Speaker 3: you know, your show. It's like what I started by

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Speaker 3: doing was kind of watching shows and talking about that, right.

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Speaker 2: I was going to ask you what the kernel in

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Speaker 2: the beginning was like, was it just kind of like

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Speaker 2: your love for what you were watching in pop culture?

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Speaker 3: Yeah, it was like let's talk about, you know, what's

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Speaker 3: going on in pop culture. But also I would like

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Speaker 3: watch a show with people, so I would like film

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Speaker 3: the screen talk about it. You know, that's cool and

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Speaker 3: kind of that was not to give myself too much credit,

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Speaker 3: but nobody really was filming their ugly TV screen at

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Speaker 3: the time and then like flipping the camera because it

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Speaker 3: was like an old you know, it wasn't trying to

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Speaker 3: look pretty. It was just like filming a scene talking

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Speaker 3: about it and people really as you know, because even

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Speaker 3: think about rewatch podcasts, people love diving deeper talking even

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Speaker 3: if they've watched the show a million times, even if

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Speaker 3: you're late to it, because there are shows that I

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Speaker 3: not like timely about, like oh, let's watch the show

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Speaker 3: that everybody watched five years ago.

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Speaker 4: But it really build like this community of people that.

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Speaker 3: Like love to like dig in you know, yeah, and

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Speaker 3: I feel like it's more people than not that like

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Speaker 3: you know, all these after shows and like I said,

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Speaker 3: recap pods and like let's talk about it and let's

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Speaker 3: go back to it and let's so there's really like appetentunity.

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Speaker 4: For that, yeah, appetite for that.

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Speaker 1: Yeah.

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Speaker 3: So so it grew from there, amaze. It keeps some

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Speaker 3: kind of like changing and evolving. But my love for

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Speaker 3: like my podcast and talking to people like you is

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Speaker 3: really you know what I love because it's just so

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Speaker 3: fascinating to me, you know, loving it for so many

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Speaker 3: years and then getting to talk to the people that

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Speaker 3: are doing it, that are in it, that lived it. Yeah,

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Speaker 3: it all comes together.

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Speaker 1: I think is really fun too.

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Speaker 2: And I do love like it's a kind of a

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Speaker 2: really interesting, unexpected thing that you can now rewatch. I mean,

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Speaker 2: for me, I wanted to rewatch our show partly because

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Speaker 2: I felt like all these other people were, you know,

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Speaker 2: who don't have anything to do with the show, And

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Speaker 2: of course that's flattering that they even want to write.

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Speaker 2: But then I thought, well, wouldn't it be amazing for

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Speaker 2: us to be able to kind of go back in

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Speaker 2: time and talk about what it was like, because back

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Speaker 2: in the day we didn't really I feel like for us,

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Speaker 2: we felt like we shouldn't talk about the reality of

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Speaker 2: what it was like. We just wanted it to live

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Speaker 2: in a fantasy on the screen, right, And so like

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Speaker 2: if people would say, you know, oh, isn't it fun,

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Speaker 2: isn't it fun? We just say yes, when in fact

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Speaker 2: we're just deliriously exhausted and we've worked all night and

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Speaker 2: you know what I'm saying. But people, we felt like

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Speaker 2: we didn't want to necessarily like that we would seem

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Speaker 2: like we were complaining if we talked about the realities

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Speaker 2: of it. But I feel like now people are so

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Speaker 2: much more educated about what goes into making shows and films,

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Speaker 2: and you know, they're interested in the details, which I

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Speaker 2: think is really cool.

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Speaker 3: We're interested, but okay, so here's my thing. I feel

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Speaker 3: like sometimes we're too interesting, you know what I mean? Yeah,

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Speaker 3: yea yeah, because like even now, like I love like

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Speaker 3: what you're talking about personally, like the inside Baseball and

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Speaker 3: breaking the fourth wall and like all of it, like

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Speaker 3: give it to all to me, like I care about

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Speaker 3: every last detail. But I feel like there's something to

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Speaker 3: be said about, like exactly like your time of filming

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Speaker 3: it how mysterious, how chic that we didn't know fucking

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Speaker 3: every day? Yeah yeah, yeah, And now it's like every

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Speaker 3: actor that has a fucking kissing scene needs to talk

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Speaker 3: about the intimacy coordinator and we hear about it.

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Speaker 1: If you like the.

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Speaker 3: Intimation, if you use it, if you didn't use it,

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Speaker 3: And then, oh, you know what.

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Speaker 4: I hate the most when like let us live in.

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Speaker 3: The fantasy that these actors are in love and like

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Speaker 3: I don't care that you have a family and like

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Speaker 3: a husband.

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Speaker 1: Well that's a good point, that is a really good point.

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Speaker 3: And then they go in these press tours like actors

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Speaker 3: that play lovers that in the movie you're like, oh

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Speaker 3: my god, they're in love, like you want to believe

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Speaker 3: the sex scene, you want to live it, And then

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Speaker 3: are in a interview, being like, you know, it was

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Speaker 3: so technical, That's right. I love to say it was

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Speaker 3: all so technical. You know, it's not anything like you

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Speaker 3: think it is. You know, it's yes, And I'm like.

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Speaker 1: I are we losing something?

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Speaker 2: Are we losing something that is an integral part of

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Speaker 2: the audience experience by discussing it?

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Speaker 3: Yeah, And so there is that I've thought about this

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Speaker 3: because you can tell I've thought about it. Yeah, there's

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Speaker 3: that that I don't love and another thing that I

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Speaker 3: don't love. And I wonder how it was like when

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Speaker 3: you were filming is like the paparazzi.

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Speaker 1: I think it's terrible that.

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Speaker 4: We're seeing every guest star.

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Speaker 1: You know, you're seeing what they're wearing.

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Speaker 4: You're seeing what they're wearing.

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Speaker 1: They look mad? Are they mad at the scene? You

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Speaker 1: know what I'm saying. You're seeing so many.

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Speaker 3: Kissing scenes that maybe we're not supposed to see.

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Speaker 1: So yep, No, it's out of control.

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Speaker 4: It's it really is.

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Speaker 1: It's out of control. It's fully out of control. It

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Speaker 1: was out of control for us for a really long time.

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Speaker 2: But back when we were doing the original show, they

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Speaker 2: were there, you know, all day long with us, but

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Speaker 2: we didn't have social media, so it was which picture

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Speaker 2: did the magazine buy? Right, So you might see one

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Speaker 2: picture and maybe sometimes you'd see a picture that would

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Speaker 2: end up.

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Speaker 1: Like in a tabloid. And we would often be rehearsing

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Speaker 1: our lines, you know, with our script on our hand,

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Speaker 1: but maybe they would crop the script out so it

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Speaker 1: looked like we were arguing with each other when in fact,

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Speaker 1: you're just trying to remember your line, right, and then

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Speaker 1: they would read into it like Kristen's mad no whatever, nonsense,

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Speaker 1: you know what I'm saying, in like the lower the

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Speaker 1: lower tabloids, right, But you wouldn't see the whole day,

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Speaker 1: you know what I mean.

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Speaker 3: Now, it wouldn't circulate like it wouldn't be shared a

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Speaker 3: gazillion times one magazine you.

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Speaker 4: Saw it or you did.

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Speaker 2: Right right right right now, it's the whole you're just papered.

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Speaker 2: I mean, I also feel like it makes you for us,

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Speaker 2: the thing that was hard. We needed to be out

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Speaker 2: on the streets, right, that's part of our whole, you know,

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Speaker 2: brand and reason whatever. I don't know how to put it.

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Speaker 2: It's like integral to the fabric of our of our being,

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Speaker 2: of our show. And yet we knew if we were

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Speaker 2: out there. Everything was going to be documented, so then

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Speaker 2: it affected kind of like what scenes were inside versus

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Speaker 2: what scenes were outside. And then sometimes we would do

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Speaker 2: pretend scenes to throw people off. It just became a

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Speaker 2: whole other animal.

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Speaker 3: Oh wow, Do you think everyone's dealing with this, like

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Speaker 3: everyone who's filming now on the show?

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Speaker 1: I think depends on how much experience they have with it, right,

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Speaker 1: because I think for us, we did have this really

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Speaker 1: long history of the PEPs being with us where we

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Speaker 1: know their names and they eeded our craft services, which is.

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Speaker 2: You know, weird, but that's how it was, right, Like

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Speaker 2: they were just part in a weird way, like we

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Speaker 2: need their cooperation, right because like if they're in the shot,

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Speaker 2: obviously that's not a good take. So we had to

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Speaker 2: say like please, you.

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Speaker 1: Know, can you guys back up?

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Speaker 2: Like we need their help, and so we kind of

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Speaker 2: had to deal with it in a certain way. But

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Speaker 2: I don't know that everyone is used to that, right,

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Speaker 2: So I don't know that, for instance, their writers aren't

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Speaker 2: necessarily thinking about, Okay, now, blow by blow, this is

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Speaker 2: going to be documented and circulated. As you said, do

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Speaker 2: we want and Haway to be falling down the stairs publicly?

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Speaker 2: Or whatever, or should we put that scene inside or

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Speaker 2: you know what I'm saying.

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Speaker 4: Right, we were both thinking of Devil as product too.

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Speaker 2: Definitely, definitely, And I mean we know them, you know,

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Speaker 2: that's our costume designer and David Frankel is one of

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Speaker 2: our directors. But they hadn't been out there in a while,

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Speaker 2: so I don't know if they were really aware of

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Speaker 2: what they were walking into, you know what I mean,

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Speaker 2: they might have been.

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Speaker 1: I don't know.

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Speaker 2: It's interesting because I think on some level, I think

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Speaker 2: that studios feel like it's helpful, you know.

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Speaker 3: Like getting it promoted and like yeah, exposure. Yeah, but

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Speaker 3: like Devil where is proud of too? I mean I

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Speaker 3: get if you're doing something, but I mean we're gonna

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Speaker 3: be there, you know, like not sure you need it.

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Speaker 4: I know.

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Speaker 2: And I also feel like so much fun is in

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Speaker 2: the outfits and the interactions and you don't necessarily want

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Speaker 2: to know stuff, you know.

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Speaker 4: I don't don't.

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Speaker 1: I don't want to know.

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Speaker 3: I think I think a lot of people feel like that. Yeah,

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Speaker 3: So I don't know like how it can be avoided.

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Speaker 3: But yeah, some things were lost in this craziness and

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Speaker 3: some some stuff is too much. But I do love

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Speaker 3: like knowing kind of what happened. I feel like I

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Speaker 3: wonder if with you this is me like flipping the script.

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Speaker 1: For it, but like I expected it, but like.

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Speaker 3: If also the time away from the show and being

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Speaker 3: able to rewatch it, because in it makes sense, you're working,

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Speaker 3: you're this, you're that You're not able to see it

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Speaker 3: from the outside, but like are you able to see

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Speaker 3: from the outside now, Like damn, that was like iconic?

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Speaker 4: Like that is a one thing.

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Speaker 1: I mean, yes, yes, definitely.

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Speaker 2: I hate that word so much because I feel like

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Speaker 2: people use it so much now.

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Speaker 3: I know, but like, but but you text on the

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Speaker 3: City Diane Keaton, when I use that word for her

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Speaker 3: rest and peace, I.

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Speaker 1: Was like, she is an icon Oh you know, like yes, no,

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Speaker 1: that's inappropriate usage.

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Speaker 3: Yeah yeah, there are people and things that like are deserving.

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Speaker 4: But I agree with you on that too. It is

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Speaker 4: overused and it is it is.

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Speaker 2: And I think part of the reason that I don't

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Speaker 2: like that word so much is because even at the time,

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Speaker 2: people would use it to our faces and we'd.

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Speaker 1: Just be like, ah ah, you know what I'm saying.

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Speaker 2: Like during the original show and we just be like,

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Speaker 2: we're too young and new to use use that word. Also,

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Speaker 2: I think because we were in it right. So like,

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Speaker 2: on the one hand, I think on a certain level,

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Speaker 2: like we knew from the response right that things were powerful,

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Speaker 2: But until you have some time and some space to

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Speaker 2: look back, it's really hard to take it in, I think. So,

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Speaker 2: I think for me, like the joy part part of

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Speaker 2: the joy is connecting with people like yourselves and you know,

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Speaker 2: fans and unlikely fans, and then also people from our

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Speaker 2: show and being able to talk about what it means today,

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Speaker 2: which if you had told me in nineteen ninety eight

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Speaker 2: that we would be doing this, I never would have

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Speaker 2: believed you, you know, in a million hundred years.

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Speaker 1: And that's the power of the writing, I think, you know,

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Speaker 1: and the power of what the show was.

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Speaker 2: Like the idea of the show being about for you know,

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Speaker 2: powerful women who are all different but trying to navigate

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Speaker 2: you know, relationships and talking openly about it obviously a

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Speaker 2: great idea Darren Starr had and Kennice bushnel. But like

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Speaker 2: the fact that it hasn't been really replicated. I mean, yes,

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Speaker 2: there are definitely shows similar, right like now we have

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Speaker 2: I Love La or I don't know if we really

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Speaker 2: think that similar, But you know what I'm saying, like Girls,

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Speaker 2: you know, Insecure, I mean, I could keep going, but

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Speaker 2: and I love all of those shows, and I think

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Speaker 2: all of those shows have their own kind of identity

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Speaker 2: and DNA, you know, but they're at least they're women's perspectives,

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Speaker 2: which I love so much. You know, that's a show

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Speaker 2: that I want to watch all those shows because I

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Speaker 2: love a woman's perspective. But when we did it, the

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Speaker 2: fact that we weren't a soap opera, you know, was

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Speaker 2: the thing that was different, right, Like we made a

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Speaker 2: big effort not to be I don't know really even

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Speaker 2: how to categorize that, but right we were trying to

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Speaker 2: be a comedy and trying to tell the stories where

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Speaker 2: we would go from kind of the dramatic to the

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Speaker 2: comedic in a way that was not so soapy.

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Speaker 4: And like, god, only twenty three minutes, I know.

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Speaker 2: I know, when I look back on it, that part

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Speaker 2: really amazes me.

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Speaker 4: It's so short.

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Speaker 3: Like I I'm interviewing, like, come somebody from a reality

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Speaker 3: show today and every episode is an hour okay, wow

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Speaker 3: hour of reality TV en episode okay, And then I

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Speaker 3: got my homework for this, which is bested and and

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Speaker 3: it was.

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Speaker 1: I know, I know, I feel the same when I

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Speaker 1: watch it.

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Speaker 4: I was like, twenty three minutes.

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Speaker 1: Yeah, that's it, like so much story, right.

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Speaker 3: And so much story Like, no wonder people are binging

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Speaker 3: in now because it's freaking binge able.

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Speaker 4: I agree, I agree.

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Speaker 2: I'm so proud of it. You know, when I look back,

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Speaker 2: I mean, I am able to be much more objective

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Speaker 2: about it, I think at the time, because the thing,

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Speaker 2: the reality for us filming it was that it's twenty

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Speaker 2: to twenty three minutes. But to film it was very

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Speaker 2: hard because we had to do all the little scenes

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Speaker 2: that would connect by the voiceover to fit right. So

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Speaker 2: it was like the A storyline, B storyline, C storyline,

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Speaker 2: D storyline.

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Speaker 1: We're all part of the theme.

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Speaker 2: Especially in third season where we're watching now, everything's like

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Speaker 2: really gelled together, right, So it's like filming an hour

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Speaker 2: long show, but we don't have the time for an

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Speaker 2: hour long show, especially in the beginning, and then the

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Speaker 2: scenes are really short, right because she's connecting them through

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Speaker 2: her voiceover.

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Speaker 1: So when people would be like, oh, it's so fun

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Speaker 1: and you're on a sitcom, and.

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Speaker 2: We'd be like, well, we're not really on a sitcom.

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Speaker 2: We're on a single camera show. That's like doing a

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Speaker 2: film every week, you know, like a like a That

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Speaker 2: is what made it challenging to film it, but it's

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Speaker 2: also what made it great to watch it.

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Speaker 3: Yeah, now that you're saying that, I'm like, right, it's

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Speaker 3: like in the episode even that we watched, it's like

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Speaker 3: telling stories the same theme, similar theme, but like we

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Speaker 3: get to see you, Carrie, Samantha, and Miranda all going

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Speaker 3: through something, all in twenty three minute.

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Speaker 1: Wo I know, it is amazing to think about it.

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Speaker 2: And again I just go back to our writers and

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Speaker 2: how incredibly economical and smart they were.

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Speaker 1: And also the.

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Speaker 2: Thing that sometimes surprises me because what I remember is

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Speaker 2: the dialogue and having to really you know, the dialogue.

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Speaker 2: They wanted us to be like fast, fast, fast, you know,

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Speaker 2: like a old school kind of almost like Carol Lombard

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Speaker 2: or I don't know how to put it, but like quick, quick, quick, quick, right,

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Speaker 2: And so if we had a we didn't have one

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Speaker 2: in this in this episode, but like if we had

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Speaker 2: a long walk and talk with all of us, it

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Speaker 2: was like very challenging, you know, because.

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Speaker 1: We had to be on it.

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Speaker 2: We had to be walking and talking in those heels

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Speaker 2: and everything had to be fast, and then I would

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Speaker 2: have thought when I'm watching it, I'm surprised by how

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Speaker 2: many moments of silence there are.

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Speaker 3: But I think that, oh, you're really like you're watching

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Speaker 3: it from like so many different for sure.

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Speaker 1: For sure.

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Speaker 2: Well, I mean that's partly why actors don't like to

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Speaker 2: watch themselves, right, It is like we dissect and you know,

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Speaker 2: critique everything, right, But it's nice from this perspective of time,

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Speaker 2: right because I obviously cannot change my performance.

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Speaker 1: Now, do you know what I mean?

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Speaker 2: Not that you ever can, but you know what I'm saying,

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Speaker 2: Like it gives you a freedom to just look at

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Speaker 2: it like honestly, you know, in terms of all of

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Speaker 2: the things that are working, and every once in a

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Speaker 2: while think to myself, like I could.

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Speaker 1: Have been better in that scene. But whatever.

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Speaker 2: It's just that's how actors are, you know what I'm saying.

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Speaker 2: But I think it's like the reason that people I

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00:19:25,040 --> 00:19:27,200
Speaker 2: think there's a couple of reasons that people still love

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Speaker 2: the show, and the writing and the subject matter I

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Speaker 2: think is kind of like forever interesting relationships obviously, but

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Speaker 2: then I think the reason that people feel so connected

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Speaker 2: to the characters are these moments of silence.

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Speaker 4: Because I wish I noticed that. Now I'm like, damn it,

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Speaker 4: notice show.

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Speaker 1: You'll think about it. You'll think about it.

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Speaker 2: Like, for instance, Samantha's storyline. I had totally forgotten about

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Speaker 2: this one, which is part of also why it's interesting

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Speaker 2: for me to look back at the show.

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Speaker 1: There's some things I have no memory of. I remember

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Speaker 1: every moment of my storyline, which we will get to, and.

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Speaker 2: It's not one of my favorites. It is my probably

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Speaker 2: possibly least favorite. But that's okay. It wasn't as bad

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Speaker 2: when I look back at it as how I had

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Speaker 2: remembered it, you know, of course, because I had to

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Speaker 2: live it at the time. I have this dude shouting,

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Speaker 2: shouting obscenities in my face.

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Speaker 1: But we'll get to that.

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Speaker 2: But the thing about Samantha's storyline that I loved, I

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Speaker 2: had completely forgotten why she moved from the Upper east

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Speaker 2: Side to the meatpacking district. I had not remembered that

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Speaker 2: she had let one of her gentleman callers in late

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Speaker 2: at night and a criminal had followed him and like

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Speaker 2: robbed and beat a woman in her like an older

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Speaker 2: woman in her building. I had completely forgotten this, and

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Speaker 2: it was kind of sad, I thought, and also sad

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Speaker 2: that they all judge her in the way her neighbors

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Speaker 2: are so judgy. I had totally forgotten this. And it's

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Speaker 2: interesting because I feel like she has her Samantha blushed,

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Speaker 2: you know, but at the same time you can see

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Speaker 2: the hurt in her face, you know, in those quiet

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Speaker 2: moments in the elevator.

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Speaker 4: And yeah, where she's like self conscious.

439
00:21:09,320 --> 00:21:12,359
Speaker 2: Yeah, And it's interesting because I don't The thing that

440
00:21:12,440 --> 00:21:15,320
Speaker 2: I remember mostly about Samantha is the freedom. You know,

441
00:21:15,440 --> 00:21:19,320
Speaker 2: like such a powerful character and she is so free,

442
00:21:19,520 --> 00:21:22,960
Speaker 2: but at the same time, she's so human, and those

443
00:21:23,000 --> 00:21:26,040
Speaker 2: moments are kind of cutting, you know, like to see

444
00:21:26,040 --> 00:21:28,639
Speaker 2: her face and then see her try to kind of

445
00:21:28,640 --> 00:21:32,320
Speaker 2: put her cover back on, you know, like you know, how.

446
00:21:32,320 --> 00:21:34,359
Speaker 1: Dare they judge me? But at the same time you

447
00:21:34,359 --> 00:21:35,320
Speaker 1: can tell it hurts.

448
00:21:35,800 --> 00:21:37,959
Speaker 4: Yeah, that's so true.

449
00:21:38,160 --> 00:21:41,399
Speaker 3: That's but I feel like that's why people, you know,

450
00:21:41,480 --> 00:21:43,919
Speaker 3: connected with Samantha so much, because she is so like

451
00:21:44,040 --> 00:21:47,359
Speaker 3: multi layered. Like it's not just like, oh, I like

452
00:21:47,400 --> 00:21:49,960
Speaker 3: sleep with everyone and I don't care, you know. She

453
00:21:50,119 --> 00:21:53,760
Speaker 3: has those moments of like feeling and feeling like she

454
00:21:53,800 --> 00:21:55,960
Speaker 3: didn't care to like make out in front of the

455
00:21:56,520 --> 00:21:58,680
Speaker 3: elevator guy of you know, every day of the week.

456
00:21:58,800 --> 00:22:01,520
Speaker 1: But yeah, that montage is pretty hysterical.

457
00:22:01,640 --> 00:22:06,119
Speaker 3: I know, I know, I died over the elevator guy. Yeah,

458
00:22:06,800 --> 00:22:09,240
Speaker 3: but yeah, the minute that she has everyone in the

459
00:22:09,280 --> 00:22:13,400
Speaker 3: building judging her, Yeah, she wants out, nobody's kicking her out.

460
00:22:13,440 --> 00:22:15,840
Speaker 3: She doesn't. She doesn't want to feel judged. It doesn't

461
00:22:15,880 --> 00:22:18,160
Speaker 3: feel good for anyone.

462
00:22:18,440 --> 00:22:21,479
Speaker 1: No, of course, he doesn't feel good for anyone, for sure.

463
00:22:21,640 --> 00:22:22,560
Speaker 1: And I like that.

464
00:22:22,600 --> 00:22:24,680
Speaker 2: And I had totally forgotten about it. I had also

465
00:22:24,680 --> 00:22:28,159
Speaker 2: completely forgotten about the Miranda storyline with Steve where they

466
00:22:28,200 --> 00:22:29,160
Speaker 2: discuss how many.

467
00:22:28,920 --> 00:22:29,919
Speaker 1: People they got sex with.

468
00:22:30,359 --> 00:22:32,960
Speaker 2: And I also forgot about chlamydia. I forgot all about

469
00:22:32,960 --> 00:22:33,520
Speaker 2: this stuff.

470
00:22:33,960 --> 00:22:37,560
Speaker 3: So about Steve that I did remember that. You know,

471
00:22:37,800 --> 00:22:41,000
Speaker 3: your show has so many lines that are now I

472
00:22:41,040 --> 00:22:41,520
Speaker 3: can never.

473
00:22:41,400 --> 00:22:42,359
Speaker 4: Say iconic again.

474
00:22:42,440 --> 00:22:46,320
Speaker 3: But sorry, sorry, No, you're right, you're right, I'm with you.

475
00:22:47,280 --> 00:22:50,359
Speaker 3: So many lines that are like top you know, like

476
00:22:50,480 --> 00:22:52,000
Speaker 3: ones that you will remember forever.

477
00:22:52,119 --> 00:22:53,760
Speaker 4: They're in the go in the history books.

478
00:22:54,000 --> 00:22:56,040
Speaker 3: And I have to say for me personally, and I

479
00:22:56,160 --> 00:22:59,520
Speaker 3: wonder if for other people they're like what, I'm a

480
00:22:59,560 --> 00:23:00,919
Speaker 3: bar time and I'm cute.

481
00:23:01,160 --> 00:23:03,600
Speaker 1: Oh my god, yes, so good.

482
00:23:03,920 --> 00:23:05,159
Speaker 4: So good.

483
00:23:05,440 --> 00:23:08,000
Speaker 3: I feel like the minute because I like you, I

484
00:23:08,000 --> 00:23:10,960
Speaker 3: I kind of forgot the chlamoitya storyline everything, but the

485
00:23:11,040 --> 00:23:14,960
Speaker 3: minute Steve said like what, I'm a bytender and I'm cute.

486
00:23:15,040 --> 00:23:17,320
Speaker 4: I'm like I was brought back. I was brought back.

487
00:23:17,480 --> 00:23:21,720
Speaker 3: And I was like, that's like, I mean top top twenty, Like,

488
00:23:21,880 --> 00:23:24,400
Speaker 3: den't the lines that that that you remember?

489
00:23:24,600 --> 00:23:26,960
Speaker 1: And also like he's so interesting.

490
00:23:27,000 --> 00:23:30,200
Speaker 2: Steve is such an interesting character, and David does obviously

491
00:23:30,359 --> 00:23:35,040
Speaker 2: just incredibly brilliant job in terms of like the way

492
00:23:35,080 --> 00:23:38,639
Speaker 2: that he is within what they've written. You know, he

493
00:23:38,720 --> 00:23:43,000
Speaker 2: has so many, so many emotions play on his face

494
00:23:43,600 --> 00:23:44,280
Speaker 2: at so many.

495
00:23:44,320 --> 00:23:46,600
Speaker 3: By the way, I didn't remember if he like had

496
00:23:46,600 --> 00:23:47,679
Speaker 3: sex with a lot of people or not.

497
00:23:47,840 --> 00:23:47,919
Speaker 1: Me.

498
00:23:48,000 --> 00:23:49,960
Speaker 3: Man, he could have, and it could have went each

499
00:23:50,000 --> 00:23:52,240
Speaker 3: way for me. Like if you would have said you're

500
00:23:52,520 --> 00:23:54,720
Speaker 3: I'm a virgin, you're the first person.

501
00:23:54,880 --> 00:23:57,760
Speaker 2: Friend, I would have been like, Steve, you know, so

502
00:23:58,440 --> 00:24:00,920
Speaker 2: I thought he was going to say four, I really did.

503
00:24:01,119 --> 00:24:03,080
Speaker 1: I really did, I really really did.

504
00:24:03,359 --> 00:24:07,440
Speaker 4: That's where I was I was like, wait, what Steve, Steve?

505
00:24:07,800 --> 00:24:10,919
Speaker 3: I know then so and then when he does that line,

506
00:24:11,960 --> 00:24:13,200
Speaker 3: you know, it kind of comes.

507
00:24:13,240 --> 00:24:14,120
Speaker 4: It was really good.

508
00:24:14,400 --> 00:24:15,040
Speaker 1: It was really good.

509
00:24:15,040 --> 00:24:15,480
Speaker 4: I'm with you.

510
00:24:15,680 --> 00:24:18,119
Speaker 3: I was like, wait, like he's you know, he's like

511
00:24:18,160 --> 00:24:21,200
Speaker 3: one of those sweet loyal puppies that always has a girlfriend.

512
00:24:21,240 --> 00:24:23,320
Speaker 3: Like it's going to be a low number, and Miranda's

513
00:24:23,359 --> 00:24:27,680
Speaker 3: going to feel slutty, right, because that's the name of

514
00:24:27,680 --> 00:24:28,160
Speaker 3: the episode.

515
00:24:28,160 --> 00:24:28,639
Speaker 1: But right.

516
00:24:28,760 --> 00:24:31,679
Speaker 3: But yeah, that was surprising when he had a like

517
00:24:31,760 --> 00:24:34,040
Speaker 3: the kids say today, high body count.

518
00:24:34,640 --> 00:24:38,880
Speaker 1: Totally high body count for Steve. Wow, yes, and for Miranda.

519
00:24:39,200 --> 00:24:41,640
Speaker 2: So it kind of works out because for me, when

520
00:24:41,640 --> 00:24:43,760
Speaker 2: I watched that whole episode, first of all, I've totally

521
00:24:43,800 --> 00:24:45,040
Speaker 2: forgotten about the chlamydia.

522
00:24:45,400 --> 00:24:47,080
Speaker 1: I felt so bad for Miranda.

523
00:24:47,320 --> 00:24:49,880
Speaker 2: You know, it's like such a kind of a nightmare

524
00:24:49,920 --> 00:24:52,720
Speaker 2: thing for a woman that you go to the guynecologist

525
00:24:52,800 --> 00:24:54,639
Speaker 2: and all of a sudden they're like, oh, yes, and

526
00:24:54,680 --> 00:24:55,040
Speaker 2: you have.

527
00:24:54,920 --> 00:24:58,760
Speaker 1: A sexually transmitted disease. And I'm you know how horrible.

528
00:24:59,000 --> 00:25:00,760
Speaker 2: And she's been in this relation and with Steve for

529
00:25:00,800 --> 00:25:03,760
Speaker 2: a while and then she has to call everybody, which

530
00:25:03,800 --> 00:25:07,240
Speaker 2: is of course beyond mortifying. And I'd forgotten that it's

531
00:25:07,359 --> 00:25:11,040
Speaker 2: David Lansbury's character who gave it to her.

532
00:25:12,080 --> 00:25:13,240
Speaker 1: I'm so cranky.

533
00:25:13,280 --> 00:25:17,240
Speaker 2: That's David Lansbury. Yes, remember the angry guy, like he

534
00:25:17,400 --> 00:25:18,440
Speaker 2: was the shouting guy.

535
00:25:19,160 --> 00:25:23,800
Speaker 1: Oh yes, And she calls him and he's like what,

536
00:25:24,240 --> 00:25:27,199
Speaker 1: like he's really mad and she and she is Miranda.

537
00:25:27,320 --> 00:25:30,240
Speaker 2: Is so interesting to see Miranda get like shaken by somebody.

538
00:25:30,320 --> 00:25:31,120
Speaker 1: She stands up.

539
00:25:31,160 --> 00:25:33,560
Speaker 2: Do you remember she's on the phone, she's like rolling

540
00:25:33,600 --> 00:25:35,840
Speaker 2: the calls of all the guys, and you know, he's

541
00:25:35,880 --> 00:25:38,679
Speaker 2: like what you know, so mean right away, and she

542
00:25:38,800 --> 00:25:41,480
Speaker 2: stands up because she has like a physical memory of

543
00:25:41,560 --> 00:25:43,560
Speaker 2: him just yelling at her. I don't know if you

544
00:25:43,640 --> 00:25:46,080
Speaker 2: remember the episode. I think it was last season, season two,

545
00:25:46,280 --> 00:25:48,840
Speaker 2: and she kind of turns into like a she's like

546
00:25:48,920 --> 00:25:52,040
Speaker 2: waiting on him like a like a trad wife or something,

547
00:25:52,040 --> 00:25:53,600
Speaker 2: do you know what I mean? Like she's like just

548
00:25:53,640 --> 00:25:56,639
Speaker 2: trying to keep him calm because he just shouts at everybody.

549
00:25:57,119 --> 00:25:58,160
Speaker 1: It's super interesting.

550
00:25:58,520 --> 00:26:01,280
Speaker 2: So it's really so sad and also kind of hysterical

551
00:26:01,320 --> 00:26:03,040
Speaker 2: that he's the one who gave her chlamydia and that.

552
00:26:03,119 --> 00:26:04,840
Speaker 1: He he's like, yeah, I had it.

553
00:26:05,000 --> 00:26:05,159
Speaker 4: You know.

554
00:26:05,200 --> 00:26:09,359
Speaker 2: He doesn't even didn't call her like completely inconsiderate jerk.

555
00:26:09,800 --> 00:26:13,360
Speaker 3: It made me laugh that it made me laugh that

556
00:26:13,400 --> 00:26:16,800
Speaker 3: she called him from her law firm.

557
00:26:16,680 --> 00:26:20,160
Speaker 4: Office phone to his like whatever he does.

558
00:26:20,280 --> 00:26:23,600
Speaker 1: I think he's office or he's a finance Yeah, yeah, yeah.

559
00:26:23,440 --> 00:26:26,720
Speaker 3: He looks financing, he looks like I feel like those

560
00:26:26,720 --> 00:26:28,639
Speaker 3: are the moments because you were saying before, like the

561
00:26:28,680 --> 00:26:33,960
Speaker 3: show is so timeless in a lot of ways, you know,

562
00:26:34,240 --> 00:26:36,600
Speaker 3: like in the way that like even this episode, like

563
00:26:36,640 --> 00:26:39,120
Speaker 3: I don't think there's anything about it that that really

564
00:26:39,160 --> 00:26:40,359
Speaker 3: couldn't apply to today.

565
00:26:40,560 --> 00:26:40,720
Speaker 4: You know.

566
00:26:40,840 --> 00:26:43,919
Speaker 3: She could like with like wanting to sleep with somebody,

567
00:26:44,600 --> 00:26:47,880
Speaker 3: them waiting, you being all of that, feeling like a slut.

568
00:26:48,280 --> 00:26:52,959
Speaker 3: STDs haven't gone away. Yeah, so but like the but

569
00:26:53,000 --> 00:26:57,119
Speaker 3: then you're like office phone and office phone would never

570
00:26:57,359 --> 00:26:59,440
Speaker 3: happen today, you know what I mean.

571
00:26:59,640 --> 00:27:01,080
Speaker 1: Yeah, yeah, that's a good point.

572
00:27:01,119 --> 00:27:03,840
Speaker 2: And also just the phones in general, like when Samantha's

573
00:27:03,880 --> 00:27:05,479
Speaker 2: on that old fashioned phone.

574
00:27:05,760 --> 00:27:10,240
Speaker 4: What I know. It's a funny. I just actually posted

575
00:27:10,280 --> 00:27:11,159
Speaker 4: the other day.

576
00:27:11,600 --> 00:27:14,960
Speaker 3: I had this like flashback that like I used to

577
00:27:15,040 --> 00:27:17,760
Speaker 3: call my mom's office and ask for her as a kid,

578
00:27:18,040 --> 00:27:22,399
Speaker 3: you know, yeah, and like how embarrassing for my mom

579
00:27:22,480 --> 00:27:26,280
Speaker 3: that all day were three girls like I'm calling my

580
00:27:26,359 --> 00:27:28,639
Speaker 3: other sisters, calling my other sister, and we'd call for

581
00:27:28,720 --> 00:27:32,000
Speaker 3: anything like we want, like filter the calls and everyone

582
00:27:32,080 --> 00:27:34,760
Speaker 3: was like, oh my god, yes, like we used to

583
00:27:34,840 --> 00:27:38,639
Speaker 3: call our parents' office, you know, and and if it

584
00:27:38,640 --> 00:27:41,000
Speaker 3: couldn't get to them directly or like a secretary, was it,

585
00:27:41,080 --> 00:27:43,639
Speaker 3: whatever it was, it was like hi, and it was

586
00:27:43,720 --> 00:27:46,040
Speaker 3: It's just a different time. And I feel like, now,

587
00:27:46,240 --> 00:27:50,040
Speaker 3: even if you have an office phone, you're not making personal.

588
00:27:49,640 --> 00:27:52,920
Speaker 4: Calls off that phone. Now. Definitely, I'm not making STD

589
00:27:53,680 --> 00:27:54,879
Speaker 4: related calls off.

590
00:27:54,760 --> 00:27:56,080
Speaker 1: That definitely, definitely.

591
00:27:56,160 --> 00:27:58,040
Speaker 2: I just had a moment that I thought of and

592
00:27:58,160 --> 00:28:00,840
Speaker 2: just like that, when I'm trying to sell the painting

593
00:28:01,000 --> 00:28:07,600
Speaker 2: to Sam Smith and Rock calls over something really minor,

594
00:28:07,920 --> 00:28:10,439
Speaker 2: and I'm like, I'm trying to sell paint into Sam Smith,

595
00:28:11,200 --> 00:28:12,720
Speaker 2: and I'm like, why are you calling me? Like I

596
00:28:12,760 --> 00:28:15,200
Speaker 2: thought someone died, you know, I'm in a panic because

597
00:28:15,200 --> 00:28:18,399
Speaker 2: they're like Charlotte, you know, Roxton the call, and it

598
00:28:18,520 --> 00:28:20,760
Speaker 2: was very much a throwback to how it used to be,

599
00:28:20,840 --> 00:28:23,040
Speaker 2: which is interesting to think about because now we would

600
00:28:23,080 --> 00:28:23,560
Speaker 2: just text.

601
00:28:23,720 --> 00:28:27,160
Speaker 3: Right now, we would just text, yep, and you would

602
00:28:27,200 --> 00:28:29,720
Speaker 3: probably text about the c Yeah, you for sure would

603
00:28:29,720 --> 00:28:31,440
Speaker 3: text about the chlamythia.

604
00:28:31,000 --> 00:28:32,720
Speaker 1: Because you'd be too embarrassed to call.

605
00:28:33,119 --> 00:28:36,240
Speaker 3: I know, I wonder listen I'm not in the dating world,

606
00:28:36,640 --> 00:28:39,680
Speaker 3: so I'm I I probably don't have the you know,

607
00:28:39,720 --> 00:28:42,480
Speaker 3: the knowledge, but like do people do that, Like they

608
00:28:42,520 --> 00:28:44,080
Speaker 3: get an STD and they.

609
00:28:44,120 --> 00:28:46,520
Speaker 1: You know, it's their question next. Yeah, I don't know.

610
00:28:46,600 --> 00:28:49,000
Speaker 1: Do they go through their rolodex or their like app

611
00:28:50,200 --> 00:28:53,320
Speaker 1: they saying right, did I swife less?

612
00:28:53,360 --> 00:28:53,520
Speaker 2: Right?

613
00:28:53,760 --> 00:28:54,960
Speaker 4: Or who did I listen?

614
00:28:55,040 --> 00:28:58,680
Speaker 3: It is you know, there is a stigma around it,

615
00:28:58,720 --> 00:29:00,840
Speaker 3: but it is embarrassing. And what I love about Miranda

616
00:29:00,960 --> 00:29:05,480
Speaker 3: in this and just like shows you about Miranda, Like

617
00:29:05,920 --> 00:29:08,560
Speaker 3: she was not embarrassed to tell Steve. She was so

618
00:29:09,000 --> 00:29:10,800
Speaker 3: cool about it. Like if you need to watch an

619
00:29:10,840 --> 00:29:15,640
Speaker 3: instructional video on how to like handle telling a partner

620
00:29:15,760 --> 00:29:19,880
Speaker 3: like yes slap on this episode. Yeah yeah, because the

621
00:29:19,880 --> 00:29:23,480
Speaker 3: way she tells Steve and like is so cool. I agree,

622
00:29:23,520 --> 00:29:27,200
Speaker 3: he said a non issue and then it's like take care,

623
00:29:27,400 --> 00:29:29,880
Speaker 3: like you go test it out, make sure you're okay.

624
00:29:29,920 --> 00:29:32,200
Speaker 4: Like I was like I would have sex with her.

625
00:29:32,080 --> 00:29:35,239
Speaker 3: With the chlamittee in that moment because she was like

626
00:29:35,520 --> 00:29:37,400
Speaker 3: so freakin' cool about it.

627
00:29:37,480 --> 00:29:40,200
Speaker 2: I agree, And he's so childish about it. It's one

628
00:29:40,240 --> 00:29:42,400
Speaker 2: of those moments where she has to be the mom

629
00:29:42,720 --> 00:29:45,320
Speaker 2: which is interesting because he's like now now I don't

630
00:29:45,320 --> 00:29:48,240
Speaker 2: want to go, and she's like, no, you have to go.

631
00:29:48,600 --> 00:29:51,360
Speaker 2: She's like, you know, talking to your child, like you

632
00:29:51,520 --> 00:29:54,200
Speaker 2: have to go. And he's like, but why you already

633
00:29:54,240 --> 00:29:57,040
Speaker 2: have it? And he said, she says, because then you'll

634
00:29:57,080 --> 00:29:58,960
Speaker 2: just give it back to me, like she has to explain,

635
00:29:59,280 --> 00:30:03,120
Speaker 2: you know, be by. But I also, I mean, it's interesting.

636
00:30:03,200 --> 00:30:06,160
Speaker 2: It's hard not to think about where we know those

637
00:30:06,240 --> 00:30:09,719
Speaker 2: characters go, right, because obviously so much happens with Steven

638
00:30:09,760 --> 00:30:13,560
Speaker 2: Miranda as the years go on, and it's all so good,

639
00:30:14,200 --> 00:30:16,959
Speaker 2: Like you know, the movie with the Brooklyn Bridge pops

640
00:30:16,960 --> 00:30:18,959
Speaker 2: in my head, like so many different things pop in

641
00:30:18,960 --> 00:30:22,240
Speaker 2: my head when I'm watching them, and I think it's

642
00:30:22,920 --> 00:30:28,560
Speaker 2: the through line of their characters is so it holds

643
00:30:28,600 --> 00:30:32,600
Speaker 2: so true, you know, even with all the different situations

644
00:30:32,600 --> 00:30:35,400
Speaker 2: they find themselves in as the years go along. And

645
00:30:35,480 --> 00:30:38,400
Speaker 2: I really am impressed with the writers. I mean, I

646
00:30:38,440 --> 00:30:41,000
Speaker 2: say this a lot, but it is interesting to think about,

647
00:30:41,080 --> 00:30:45,680
Speaker 2: like how hard it would be to stay you know,

648
00:30:46,200 --> 00:30:50,200
Speaker 2: completely centered in who those characters are and what they've

649
00:30:50,200 --> 00:30:52,640
Speaker 2: been through for all these years.

650
00:30:53,200 --> 00:30:57,560
Speaker 3: Yeah, like as actors, right yeah, yeah, yeah, right, how.

651
00:30:57,440 --> 00:31:01,680
Speaker 4: Do you do that? How do you like transform back? Into.

652
00:31:02,000 --> 00:31:03,040
Speaker 1: I mean you click in.

653
00:31:03,280 --> 00:31:05,800
Speaker 2: As an actor, you just click back in, you know

654
00:31:05,800 --> 00:31:09,280
Speaker 2: what I'm saying, Like like there's like a muscle memory

655
00:31:09,360 --> 00:31:11,680
Speaker 2: type of a of a situation that comes over you.

656
00:31:11,760 --> 00:31:13,880
Speaker 2: But I think that the reason that we can click

657
00:31:13,920 --> 00:31:17,120
Speaker 2: back in is because the writers have held the truth

658
00:31:17,720 --> 00:31:22,360
Speaker 2: and written it honestly to where you don't have to think, like, wait.

659
00:31:22,440 --> 00:31:24,760
Speaker 1: Is this would I do this? Would I not do this?

660
00:31:25,000 --> 00:31:28,360
Speaker 2: Like like certainly for Harry and Charlotte, you know it's

661
00:31:28,440 --> 00:31:32,000
Speaker 2: I would never even it just lives, it has like

662
00:31:32,040 --> 00:31:34,120
Speaker 2: its own life, you know what I mean.

663
00:31:34,680 --> 00:31:40,360
Speaker 3: The only person that I don't know about that that

664
00:31:40,440 --> 00:31:43,360
Speaker 3: I that didn't that that like I feel like even

665
00:31:43,440 --> 00:31:49,880
Speaker 3: today seeing him in that episode, Aiden, tell me tell me?

666
00:31:50,320 --> 00:31:52,880
Speaker 4: Sorry? Can I can? I tell you my thoughts?

667
00:31:52,960 --> 00:31:55,400
Speaker 1: Of course that's why we're here, Okay, Okay.

668
00:31:55,560 --> 00:31:56,080
Speaker 4: I don't know.

669
00:31:56,200 --> 00:31:58,560
Speaker 3: It's like I missed that Aiden, and I missed that

670
00:31:58,680 --> 00:32:01,800
Speaker 3: knock and it just like it wasn't the same Aiden.

671
00:32:01,520 --> 00:32:04,120
Speaker 4: And then just like that, Oh really do you feel

672
00:32:04,120 --> 00:32:05,680
Speaker 4: that I do?

673
00:32:05,760 --> 00:32:09,080
Speaker 3: But like here are two options, like yeah, obviously, like

674
00:32:09,200 --> 00:32:13,120
Speaker 3: I witnessed my mom getting older, Like people get older,

675
00:32:13,280 --> 00:32:17,880
Speaker 3: they change, their personalities can change, they can become more,

676
00:32:18,080 --> 00:32:21,080
Speaker 3: you know of like certain qualities in them can can

677
00:32:21,240 --> 00:32:22,440
Speaker 3: become exacerbated.

678
00:32:22,600 --> 00:32:23,480
Speaker 4: Like nothing.

679
00:32:23,480 --> 00:32:26,000
Speaker 3: He has to be the same guy, right, but like

680
00:32:26,520 --> 00:32:29,080
Speaker 3: damn young Aiden.

681
00:32:28,960 --> 00:32:32,200
Speaker 1: Young Aiden, dreamy.

682
00:32:31,080 --> 00:32:35,600
Speaker 3: Like dreamy, the nook, the like romantic, the peat, like

683
00:32:35,640 --> 00:32:39,280
Speaker 3: it all worked, you know, like it was, it all worked.

684
00:32:39,440 --> 00:32:41,880
Speaker 3: And in this episode, by the way, in this episode

685
00:32:41,880 --> 00:32:55,880
Speaker 3: he was a little annoying, like young Aiden, So.

686
00:32:55,920 --> 00:32:58,760
Speaker 2: Let me ask you this, do you feel because obviously

687
00:32:58,960 --> 00:33:01,560
Speaker 2: I'm watching it, I don't remember a lot of it.

688
00:33:01,640 --> 00:33:04,200
Speaker 2: Like when I see John Corbet's little babyface.

689
00:33:04,440 --> 00:33:06,960
Speaker 1: I mean it really it.

690
00:33:07,560 --> 00:33:11,400
Speaker 2: Was such a baby, such a baby and like so

691
00:33:11,840 --> 00:33:14,240
Speaker 2: incredibly adorable, and it just kind of.

692
00:33:15,880 --> 00:33:17,720
Speaker 1: Brings home to me, like the.

693
00:33:19,280 --> 00:33:21,680
Speaker 2: Length that we've all been working together in like so

694
00:33:21,920 --> 00:33:24,600
Speaker 2: much like a flood of emotion, you know, when I

695
00:33:24,640 --> 00:33:27,960
Speaker 2: see the little babyface and I love it so much

696
00:33:28,040 --> 00:33:29,360
Speaker 2: and I'm trying to get him to come on the

697
00:33:29,440 --> 00:33:32,240
Speaker 2: pod and I haven't succeeded yet, but fingers crossed because

698
00:33:32,240 --> 00:33:34,280
Speaker 2: we've got to talk about all this stuff. But I

699
00:33:34,320 --> 00:33:40,040
Speaker 2: hate right, but I feel I feel unsure because I

700
00:33:40,080 --> 00:33:42,920
Speaker 2: don't feel like I've got an objectivity on and just

701
00:33:42,960 --> 00:33:45,440
Speaker 2: like that's Aiden, right, because we're still kind of I'm

702
00:33:45,520 --> 00:33:49,080
Speaker 2: not haven't processed a having you know, but I know

703
00:33:49,120 --> 00:33:51,120
Speaker 2: what you're saying, And let me ask you the question

704
00:33:51,440 --> 00:33:53,720
Speaker 2: that comes to my mind A couple a couple of things,

705
00:33:53,760 --> 00:33:56,360
Speaker 2: because when I was watching this particular aid in episode,

706
00:33:56,480 --> 00:34:00,400
Speaker 2: I was thinking that there's a like a controlling element

707
00:34:00,480 --> 00:34:00,840
Speaker 2: of him.

708
00:34:01,720 --> 00:34:03,760
Speaker 4: Do you know what I'm saying kind.

709
00:34:03,640 --> 00:34:03,840
Speaker 2: Of that.

710
00:34:05,520 --> 00:34:09,359
Speaker 3: Does kind of remain right throughout right? You know, I'm

711
00:34:09,360 --> 00:34:12,960
Speaker 3: saying he was annoying in this episode. I was like, Okay,

712
00:34:13,200 --> 00:34:17,520
Speaker 3: love the nook, love the like vibes, yeah, but did

713
00:34:17,719 --> 00:34:18,640
Speaker 3: not love.

714
00:34:19,719 --> 00:34:22,200
Speaker 4: You're right, Oh my god, this goes deep.

715
00:34:22,200 --> 00:34:25,000
Speaker 1: Right, But we didn't think this back in the day,

716
00:34:25,080 --> 00:34:26,680
Speaker 1: did we. I don't think we thought that.

717
00:34:27,239 --> 00:34:31,960
Speaker 3: We thought it was like big bad Aiden good? How

718
00:34:32,000 --> 00:34:35,640
Speaker 3: did she do this to like good Aiden? And then

719
00:34:35,680 --> 00:34:37,680
Speaker 3: there was that episode of him being super annoying with

720
00:34:37,719 --> 00:34:39,400
Speaker 3: like the construction that got us.

721
00:34:39,280 --> 00:34:41,560
Speaker 1: Like a little annoying, yes, yes.

722
00:34:42,239 --> 00:34:44,560
Speaker 3: But not like annoyed enough where we would like turn

723
00:34:44,600 --> 00:34:47,959
Speaker 3: on him, right, I think we just turned on him

724
00:34:48,280 --> 00:34:51,000
Speaker 3: in and and just like that, like we it didn't

725
00:34:51,000 --> 00:34:53,520
Speaker 3: happen in Texan City. Just like that, we started to

726
00:34:53,640 --> 00:34:58,879
Speaker 3: like ask questions, but no, here he was like, excuse me, sir,

727
00:34:59,400 --> 00:35:02,160
Speaker 3: why is it your decision by yourself?

728
00:35:02,440 --> 00:35:05,080
Speaker 4: Like when you're gonna penetrate.

729
00:35:04,600 --> 00:35:07,240
Speaker 1: Interesting right the bath?

730
00:35:07,440 --> 00:35:10,160
Speaker 3: If he didn't get in that bath, I know, let

731
00:35:10,200 --> 00:35:13,719
Speaker 3: me tell you if. Because again we talked about not remembering, right,

732
00:35:13,800 --> 00:35:16,000
Speaker 3: so I'm watching like not remembering did he get in

733
00:35:16,000 --> 00:35:18,840
Speaker 3: the bath or does he leave her there like a

734
00:35:18,920 --> 00:35:20,720
Speaker 3: loser in the bath?

735
00:35:21,560 --> 00:35:23,759
Speaker 4: Like by the way Carrie does.

736
00:35:23,800 --> 00:35:27,239
Speaker 3: She has these moments where she's you know, she goes

737
00:35:27,280 --> 00:35:29,880
Speaker 3: with the flow, you know, she gives into whatever the

738
00:35:29,920 --> 00:35:31,680
Speaker 3: man wants, a little too much.

739
00:35:31,680 --> 00:35:33,520
Speaker 1: Well because she doubts herself.

740
00:35:33,800 --> 00:35:37,120
Speaker 2: My reading of that was that because of the Big situation,

741
00:35:37,400 --> 00:35:41,520
Speaker 2: she inherently has a question of like maybe I really

742
00:35:41,600 --> 00:35:46,760
Speaker 2: do need to just do something different, right, like because

743
00:35:47,160 --> 00:35:50,359
Speaker 2: Big went so badly, you know, when there hasn't really

744
00:35:50,440 --> 00:35:53,400
Speaker 2: been anybody like great since then or whatever, right that

745
00:35:53,680 --> 00:35:56,759
Speaker 2: I can remember at least, so probably not, you know

746
00:35:56,760 --> 00:35:59,000
Speaker 2: what I'm saying, Like there's Jon bon Jovi or whatever,

747
00:35:59,040 --> 00:36:01,200
Speaker 2: like weird things have happened been since Big, you know.

748
00:36:01,680 --> 00:36:03,719
Speaker 2: And so then I think, just as a woman, you

749
00:36:03,760 --> 00:36:05,520
Speaker 2: start to think like, well, maybe I should just do

750
00:36:05,600 --> 00:36:06,760
Speaker 2: something totally.

751
00:36:06,360 --> 00:36:08,799
Speaker 3: Different, right, Maybe I should get in the bath by

752
00:36:08,840 --> 00:36:12,399
Speaker 3: myself and he's like at the door. But another thing

753
00:36:12,440 --> 00:36:14,239
Speaker 3: that annoyed me that he said because he got in

754
00:36:14,280 --> 00:36:17,680
Speaker 3: the bath, so that's good. But another thing that as

755
00:36:17,760 --> 00:36:21,600
Speaker 3: again a woman, I don't know how I would feel.

756
00:36:21,600 --> 00:36:25,000
Speaker 3: And I wonder how like women that are single and

757
00:36:25,080 --> 00:36:26,520
Speaker 3: like are in the mix right.

758
00:36:26,360 --> 00:36:27,000
Speaker 4: Now would feel.

759
00:36:27,040 --> 00:36:29,960
Speaker 3: But when he said to her like, the next time

760
00:36:30,000 --> 00:36:32,440
Speaker 3: I have sex, I want to have sex with somebody

761
00:36:32,440 --> 00:36:33,400
Speaker 3: that I care about.

762
00:36:33,560 --> 00:36:34,759
Speaker 4: I know you're like, so.

763
00:36:34,760 --> 00:36:39,000
Speaker 3: Then you're deducing, Like okay, then you don't care about me? Yeah, yeah,

764
00:36:39,040 --> 00:36:41,839
Speaker 3: And then he follows up with and I think I

765
00:36:41,960 --> 00:36:44,520
Speaker 3: can get to caring about you.

766
00:36:44,760 --> 00:36:46,960
Speaker 1: I know it was strange. I know it was strange

767
00:36:47,920 --> 00:36:48,479
Speaker 1: by the way.

768
00:36:48,719 --> 00:36:50,920
Speaker 3: I don't know, like Carrie doesn't have an ego, but

769
00:36:51,000 --> 00:36:52,319
Speaker 3: I would literally die.

770
00:36:52,360 --> 00:36:53,640
Speaker 4: I'd be like, what do you mean You're not in

771
00:36:53,680 --> 00:36:56,759
Speaker 4: love with me after a week? You know what I mean?

772
00:36:56,920 --> 00:36:58,480
Speaker 1: Like I do, I do know what you mean?

773
00:36:58,600 --> 00:37:02,160
Speaker 2: I think that I'm I'm single. I wouldn't really describe

774
00:37:02,160 --> 00:37:04,399
Speaker 2: myself as in the mix, but I am single, right,

775
00:37:04,480 --> 00:37:07,759
Speaker 2: so certainly as a woman. When I was watching it,

776
00:37:07,840 --> 00:37:11,080
Speaker 2: I also didn't remember any of this right, so I

777
00:37:11,239 --> 00:37:14,120
Speaker 2: was unclear on what was actually going to happen.

778
00:37:14,520 --> 00:37:17,279
Speaker 1: You know. I just remember that there was like a

779
00:37:17,360 --> 00:37:21,160
Speaker 1: series of fantastic outfits that she wears, do you know

780
00:37:21,239 --> 00:37:23,880
Speaker 1: what I mean, Like the skirt that's like slit, you know,

781
00:37:24,080 --> 00:37:25,719
Speaker 1: like her whole leg and showed like that.

782
00:37:25,800 --> 00:37:28,640
Speaker 3: Was hot, by the way, that really hot hot makeouts

783
00:37:28,680 --> 00:37:33,080
Speaker 3: in they give it to like Carrie, like the makeouts

784
00:37:33,080 --> 00:37:35,080
Speaker 3: because so many times, I, like I told you, I

785
00:37:35,120 --> 00:37:37,360
Speaker 3: get into things. So I'll watch shows and I'll really

786
00:37:37,400 --> 00:37:40,880
Speaker 3: look at the kissing. Yeah, and I'm a perv no,

787
00:37:41,239 --> 00:37:43,920
Speaker 3: but and I'll be like, I want to see the chemistry,

788
00:37:43,960 --> 00:37:46,040
Speaker 3: Like I want to believe that it's hot. So first

789
00:37:46,080 --> 00:37:48,399
Speaker 3: of all, their kissing chemistry is there, and then yeah,

790
00:37:48,480 --> 00:37:54,200
Speaker 3: his hand goes up that slitted the jeweled skirt or

791
00:37:54,239 --> 00:37:57,359
Speaker 3: what else is so beautiful and it really goes up

792
00:37:57,360 --> 00:38:00,040
Speaker 3: in there and it looks supernatural.

793
00:38:00,680 --> 00:38:01,440
Speaker 1: So natural.

794
00:38:01,440 --> 00:38:05,200
Speaker 2: Their chemistry is perfect and great, which is kind of

795
00:38:05,239 --> 00:38:10,080
Speaker 2: amazing because also the big chemistry is obviously amazing. So

796
00:38:10,560 --> 00:38:14,560
Speaker 2: I do think that that is you know, Sarah Jessica

797
00:38:15,520 --> 00:38:19,600
Speaker 2: just being so fucking good. Yeah, Like when I look back,

798
00:38:19,719 --> 00:38:23,200
Speaker 2: I mean, I tell you, I'm amazed at literally all

799
00:38:23,239 --> 00:38:25,560
Speaker 2: of us, but like they're just so good.

800
00:38:26,200 --> 00:38:29,279
Speaker 1: My co stars my people. They're so good. It is

801
00:38:29,360 --> 00:38:31,440
Speaker 1: so rewarding to watch.

802
00:38:31,920 --> 00:38:33,799
Speaker 2: And I think also because you're in it, right, and

803
00:38:33,840 --> 00:38:35,960
Speaker 2: we're just all trying to you know, like we get

804
00:38:36,000 --> 00:38:38,360
Speaker 2: through the hours of working till sunrise and you know,

805
00:38:38,520 --> 00:38:40,279
Speaker 2: like trying to figure out what we're gonna wear to

806
00:38:40,280 --> 00:38:41,680
Speaker 2: the things, and you know what I'm saying, there's so

807
00:38:41,760 --> 00:38:44,040
Speaker 2: much going on right that you don't get to really

808
00:38:44,040 --> 00:38:47,200
Speaker 2: appreciate each other's work in a way. So it's really

809
00:38:47,280 --> 00:38:50,200
Speaker 2: nice to see. And I mean John Corbett incredibly good,

810
00:38:50,360 --> 00:38:53,239
Speaker 2: like so good because the fact that he can say

811
00:38:53,239 --> 00:38:56,399
Speaker 2: these things. Because I also was like, wait, what You're

812
00:38:56,520 --> 00:38:58,759
Speaker 2: going to care about her?

813
00:38:59,239 --> 00:39:05,160
Speaker 4: Like, oh, like I really think I can. Yeah, one way,

814
00:39:05,920 --> 00:39:07,080
Speaker 4: I know, I know.

815
00:39:07,120 --> 00:39:10,359
Speaker 1: I was also thrown off and I felt like for her.

816
00:39:10,440 --> 00:39:13,040
Speaker 2: And I don't know if this is me projecting, it

817
00:39:13,160 --> 00:39:16,480
Speaker 2: definitely could be. I feel like for her, you know,

818
00:39:16,520 --> 00:39:19,640
Speaker 2: when the chemistry is so good, right, you kind of

819
00:39:19,760 --> 00:39:23,560
Speaker 2: can't you know, really think that straight, you know what

820
00:39:23,640 --> 00:39:26,440
Speaker 2: I'm saying. And I feel because she's she's so confused,

821
00:39:26,480 --> 00:39:28,320
Speaker 2: like when he's not there, She's like, wait a minute,

822
00:39:28,320 --> 00:39:29,280
Speaker 2: what am I doing?

823
00:39:29,320 --> 00:39:31,640
Speaker 1: What is happening? What is actually happening?

824
00:39:31,719 --> 00:39:34,560
Speaker 2: Right, which I definitely have felt so many times myself too,

825
00:39:34,680 --> 00:39:36,440
Speaker 2: Like when you're not in the presence of the person

826
00:39:37,000 --> 00:39:39,719
Speaker 2: and you're in your intellectual mind, you're like, this does

827
00:39:39,760 --> 00:39:40,439
Speaker 2: not make sense.

828
00:39:40,560 --> 00:39:41,560
Speaker 1: Why am I doing this?

829
00:39:41,640 --> 00:39:41,799
Speaker 4: Right?

830
00:39:41,840 --> 00:39:44,359
Speaker 2: But then when you're there, because the chemistry is there,

831
00:39:44,600 --> 00:39:47,040
Speaker 2: you're just like, yes, I want to do this, whatever

832
00:39:47,040 --> 00:39:49,000
Speaker 2: it is, it's going to work out because I think

833
00:39:49,040 --> 00:39:51,480
Speaker 2: the vibe, you know, is so powerful.

834
00:39:51,480 --> 00:39:53,680
Speaker 4: But then he ruins the vibe you know.

835
00:39:53,840 --> 00:39:56,279
Speaker 3: But then but then he like cuts the vibe every

836
00:39:56,320 --> 00:39:58,080
Speaker 3: time because of this new vie he does.

837
00:39:58,400 --> 00:40:01,479
Speaker 2: He does, but I think she is so not used

838
00:40:01,480 --> 00:40:03,839
Speaker 2: to that that she doesn't even really know what to do.

839
00:40:03,920 --> 00:40:06,000
Speaker 2: And I feel like, in some ways, and if you

840
00:40:06,040 --> 00:40:09,520
Speaker 2: think about Big, Big had all the power, right, and

841
00:40:09,600 --> 00:40:11,759
Speaker 2: so it was like her trying all the time to

842
00:40:12,000 --> 00:40:16,000
Speaker 2: kind of express herself and connect and get more out

843
00:40:16,000 --> 00:40:18,719
Speaker 2: of him, you know, that continual thing that you get

844
00:40:18,719 --> 00:40:21,520
Speaker 2: into sometimes with men, which I hope to God this

845
00:40:21,600 --> 00:40:24,279
Speaker 2: is changing, but I don't know if it is. Where

846
00:40:24,280 --> 00:40:26,279
Speaker 2: you're just trying to, you know, like, how do I

847
00:40:26,320 --> 00:40:27,600
Speaker 2: get them to talk about their feelings?

848
00:40:27,640 --> 00:40:28,719
Speaker 1: It's so impossible.

849
00:40:28,960 --> 00:40:33,120
Speaker 2: And then here's aiden who seems, you know, to be

850
00:40:34,120 --> 00:40:37,480
Speaker 2: so much more transparent, right, but then is also kind

851
00:40:37,520 --> 00:40:40,000
Speaker 2: of withholding in a different way. So I feel like

852
00:40:40,080 --> 00:40:43,719
Speaker 2: that must be something that Carrie is drawn to.

853
00:40:44,920 --> 00:40:47,480
Speaker 3: I wonder if like you do a f well you're

854
00:40:47,560 --> 00:40:50,200
Speaker 3: doing like a rewatch rewatch, but if yeah, if we

855
00:40:50,239 --> 00:40:53,959
Speaker 3: would see Aiden in kind of a different lens from

856
00:40:53,960 --> 00:40:56,719
Speaker 3: the get and see all these things in him that

857
00:40:56,840 --> 00:40:59,439
Speaker 3: maybe come out a little bit more later when he's

858
00:40:59,480 --> 00:41:03,759
Speaker 3: older and kids at everything. But we do know that

859
00:41:03,800 --> 00:41:06,680
Speaker 3: there are moments where he gets really jelly, where he

860
00:41:06,840 --> 00:41:10,640
Speaker 3: like forces his way into moving in together, where he

861
00:41:10,840 --> 00:41:14,319
Speaker 3: you know, is can't look past the big stuff, which

862
00:41:14,360 --> 00:41:17,879
Speaker 3: makes sense. Yeah, but it was really nice to see

863
00:41:17,920 --> 00:41:22,120
Speaker 3: baby John and the way he is, like just as

864
00:41:22,120 --> 00:41:25,759
Speaker 3: an actor, so good at like those moments of the

865
00:41:25,800 --> 00:41:29,359
Speaker 3: insane chemistry and the moments of just like telling her

866
00:41:29,400 --> 00:41:34,720
Speaker 3: the most like annoying, like devastating thing in the moment,

867
00:41:34,840 --> 00:41:38,880
Speaker 3: but in this like cute way of like I'm gonna

868
00:41:38,880 --> 00:41:39,560
Speaker 3: go home.

869
00:41:40,760 --> 00:41:42,360
Speaker 4: You know, I know, I know.

870
00:41:42,440 --> 00:41:43,400
Speaker 1: It's so strange.

871
00:41:43,640 --> 00:41:47,120
Speaker 3: Yeah, it's interesting Evan early morning, Like the way he

872
00:41:47,280 --> 00:41:49,799
Speaker 3: says it is just so you know, it's not like

873
00:41:50,800 --> 00:41:53,799
Speaker 3: an whole guy who's like I can't gotta go waking up,

874
00:41:53,840 --> 00:41:57,120
Speaker 3: but just the way he says it is like so disappointing,

875
00:41:57,920 --> 00:42:00,839
Speaker 3: and you're like, but why you know totally And then

876
00:42:01,040 --> 00:42:03,000
Speaker 3: and then it begs the question like which is the

877
00:42:03,000 --> 00:42:06,759
Speaker 3: whole episode of? And then Carrie asks herself, Wait, why

878
00:42:06,920 --> 00:42:09,359
Speaker 3: was I thinking that we needed to have sex after

879
00:42:09,760 --> 00:42:10,840
Speaker 3: less than a week and a half?

880
00:42:10,960 --> 00:42:14,160
Speaker 1: Like she like the right, which I feel like that.

881
00:42:14,400 --> 00:42:16,799
Speaker 2: And I haven't really done the apps, but I know

882
00:42:16,880 --> 00:42:20,279
Speaker 2: a bunch of people who have, and luckily know a

883
00:42:20,320 --> 00:42:22,719
Speaker 2: bunch of younger people, and I ask them questions like

884
00:42:22,800 --> 00:42:24,400
Speaker 2: what is the norm now?

885
00:42:24,480 --> 00:42:26,040
Speaker 1: Like I don't know what the norm is?

886
00:42:26,600 --> 00:42:31,120
Speaker 2: And someone someone said to me, a guy was telling

887
00:42:31,160 --> 00:42:33,640
Speaker 2: me about this this girl that he really liked and

888
00:42:33,680 --> 00:42:36,320
Speaker 2: he'd known her like he was not an app situation.

889
00:42:36,400 --> 00:42:39,600
Speaker 2: He'd been introduced by I think his uncle that she

890
00:42:40,200 --> 00:42:44,400
Speaker 2: wanted to have three dinner dates. And he was like what,

891
00:42:45,760 --> 00:42:49,600
Speaker 2: Like that was so much He was like, Wow, you're

892
00:42:49,640 --> 00:42:50,680
Speaker 2: really vetting this?

893
00:42:51,800 --> 00:42:53,000
Speaker 4: Oh my god.

894
00:42:53,040 --> 00:42:55,600
Speaker 3: But the thing is like, are we talking about this

895
00:42:55,840 --> 00:42:58,480
Speaker 3: or are we just letting? Like cause like with the

896
00:42:58,560 --> 00:43:02,760
Speaker 3: Carrie and Naden thing, it's like it's hot, it's heavy,

897
00:43:03,120 --> 00:43:05,840
Speaker 3: it's there, Just do it, like who cares?

898
00:43:05,880 --> 00:43:08,440
Speaker 4: Like what the thing is that you're doing. I don't know.

899
00:43:08,520 --> 00:43:11,640
Speaker 3: To me, it feels like, why are we putting so

900
00:43:11,800 --> 00:43:14,160
Speaker 3: much pressure on like that act?

901
00:43:14,239 --> 00:43:14,919
Speaker 4: You know what I mean?

902
00:43:15,120 --> 00:43:18,080
Speaker 1: I do know what you mean, like is there a time?

903
00:43:18,120 --> 00:43:21,160
Speaker 3: Because I know I follow some like you know, influencers

904
00:43:21,520 --> 00:43:24,439
Speaker 3: do some dating advice, and I'll see girls asking them

905
00:43:24,520 --> 00:43:28,480
Speaker 3: questions like when or how, and I just wonder, like

906
00:43:28,560 --> 00:43:32,880
Speaker 3: can things that just be like based on the vibe

907
00:43:32,920 --> 00:43:34,680
Speaker 3: and the chemistry.

908
00:43:34,120 --> 00:43:36,600
Speaker 2: I agree one hundred percent, one hundred percent, but I

909
00:43:36,680 --> 00:43:38,160
Speaker 2: also feel these.

910
00:43:37,960 --> 00:43:39,600
Speaker 1: Are questions that will never go.

911
00:43:39,640 --> 00:43:43,319
Speaker 3: Away exactly, which is why it's so good. But the

912
00:43:43,360 --> 00:43:46,160
Speaker 3: three dinner dates kills me, Like what if after three

913
00:43:46,200 --> 00:43:49,799
Speaker 3: dinner dates you see that like you know, he's a

914
00:43:49,880 --> 00:43:52,040
Speaker 3: turn off and he like has boogers all the time.

915
00:43:52,120 --> 00:43:55,319
Speaker 3: I don't know, then you're still having the sex, because.

916
00:43:55,840 --> 00:43:59,759
Speaker 2: What happened in this particular situation was that it was

917
00:44:00,080 --> 00:44:03,359
Speaker 2: I think also really different for him, and I think

918
00:44:03,440 --> 00:44:04,919
Speaker 2: sometimes there's something.

919
00:44:04,600 --> 00:44:06,440
Speaker 1: To be said. Let's say, like.

920
00:44:06,400 --> 00:44:09,719
Speaker 2: If you look at Carrie right, who's obviously like possibly

921
00:44:09,800 --> 00:44:13,320
Speaker 2: just the hottest person you know on the planet. Probably

922
00:44:13,400 --> 00:44:15,920
Speaker 2: she gets what she wants all the time. Meaning in

923
00:44:16,000 --> 00:44:19,760
Speaker 2: terms of the initial beginning of relationships right, not obviously

924
00:44:19,840 --> 00:44:22,959
Speaker 2: ultimately as we know from big but like this guy

925
00:44:23,000 --> 00:44:25,719
Speaker 2: that I'm talking about, I just think he's used to

926
00:44:25,719 --> 00:44:27,640
Speaker 2: getting what he wants, is my main point. So I

927
00:44:27,640 --> 00:44:29,800
Speaker 2: think the fact that this woman who was a little

928
00:44:29,800 --> 00:44:32,600
Speaker 2: older than him and they didn't meet on the app right,

929
00:44:32,680 --> 00:44:35,840
Speaker 2: like it was a much more kind of old fashioned

930
00:44:35,960 --> 00:44:39,839
Speaker 2: type situation. The fact that she actually held herself back,

931
00:44:39,880 --> 00:44:42,879
Speaker 2: I think made him kind of perk up and think like, oh,

932
00:44:42,920 --> 00:44:44,120
Speaker 2: this is different.

933
00:44:44,280 --> 00:44:45,480
Speaker 4: That may happen.

934
00:44:45,560 --> 00:44:49,520
Speaker 3: That's that's what is so interesting, Like it's I feel

935
00:44:49,520 --> 00:44:52,960
Speaker 3: like what I'm saying about following your kind of instinct

936
00:44:53,000 --> 00:44:55,480
Speaker 3: and if the chemistry is there, and if it's all happening,

937
00:44:55,520 --> 00:44:58,719
Speaker 3: then why why not why like stop yourself if that's

938
00:44:58,719 --> 00:45:01,680
Speaker 3: what you want. But then there also is this other

939
00:45:01,800 --> 00:45:05,759
Speaker 3: element of we do know that playing games kind of.

940
00:45:05,719 --> 00:45:08,240
Speaker 1: Works, right unfortunately, yes.

941
00:45:08,360 --> 00:45:12,640
Speaker 3: Like kind but yes it kind of works to be

942
00:45:12,800 --> 00:45:15,879
Speaker 3: like a little hard to get but not whatever that is,

943
00:45:16,600 --> 00:45:20,000
Speaker 3: and it kind of works to like hold off and

944
00:45:20,040 --> 00:45:22,680
Speaker 3: make them want it more than give it up. But

945
00:45:22,760 --> 00:45:25,160
Speaker 3: oh my god, that is so confusing also, like how

946
00:45:25,200 --> 00:45:27,280
Speaker 3: do you how do you compute it all together?

947
00:45:27,480 --> 00:45:30,759
Speaker 1: But maybe that's what Aiden's doing but.

948
00:45:30,719 --> 00:45:34,520
Speaker 3: Then you can say, maybe there is the person for

949
00:45:34,560 --> 00:45:37,440
Speaker 3: you that you don't have to play the games with

950
00:45:37,640 --> 00:45:39,240
Speaker 3: and that's like you're a person.

951
00:45:39,520 --> 00:45:40,880
Speaker 4: But that's what I want to believe that.

952
00:45:40,960 --> 00:45:43,080
Speaker 1: I want to believe it to Amanda, let's go with that.

953
00:45:43,560 --> 00:45:44,600
Speaker 1: I like the games.

954
00:45:44,719 --> 00:45:47,279
Speaker 2: I've never been good at the games. The games in

955
00:45:47,320 --> 00:45:49,200
Speaker 2: my mind are just less.

956
00:45:50,320 --> 00:45:53,239
Speaker 3: Yeah, So like, maybe there's like the person for you

957
00:45:53,480 --> 00:45:54,520
Speaker 3: that you can just be you.

958
00:45:55,000 --> 00:45:58,160
Speaker 1: Yes, they'll be them, Yes, like you'll let it be

959
00:45:58,320 --> 00:45:59,399
Speaker 1: organic and let.

960
00:45:59,400 --> 00:46:01,520
Speaker 3: It be organic and you don't have to pretend and

961
00:46:01,920 --> 00:46:05,040
Speaker 3: they don't have to pretend. And that's what I want

962
00:46:05,080 --> 00:46:06,319
Speaker 3: to That's what I want to believe.

963
00:46:06,440 --> 00:46:07,920
Speaker 1: I like it. I like it. Let's go with it.

964
00:46:07,960 --> 00:46:10,760
Speaker 2: I mean, I wonder, like when I was watching Aiden,

965
00:46:10,920 --> 00:46:14,319
Speaker 2: I I don't know if we're going to find out

966
00:46:14,400 --> 00:46:16,279
Speaker 2: more about him. I feel like for a long time

967
00:46:16,320 --> 00:46:18,200
Speaker 2: we we don't really.

968
00:46:18,000 --> 00:46:20,720
Speaker 1: Right, Like we just know how he is with Carrie.

969
00:46:21,440 --> 00:46:24,480
Speaker 2: Is coming where we find out that they're friends Steve

970
00:46:24,560 --> 00:46:25,120
Speaker 2: and Aid.

971
00:46:25,160 --> 00:46:26,120
Speaker 4: And then they open the.

972
00:46:26,080 --> 00:46:29,800
Speaker 2: Bar yep, which is all really interesting and I'd also

973
00:46:29,840 --> 00:46:33,040
Speaker 2: forgotten all of that. But it kind of I like

974
00:46:33,160 --> 00:46:35,239
Speaker 2: it and I want to know more, Like I kind

975
00:46:35,239 --> 00:46:36,440
Speaker 2: of want to know more about the men.

976
00:46:36,520 --> 00:46:37,800
Speaker 1: Now you know what I'm saying.

977
00:46:38,600 --> 00:46:41,120
Speaker 3: You know, when you talk about the show for someone,

978
00:46:41,120 --> 00:46:44,160
Speaker 3: I need to rewatch it too. But and we have

979
00:46:44,280 --> 00:46:47,200
Speaker 3: those lines like the Steve one. There's like a line

980
00:46:47,239 --> 00:46:51,279
Speaker 3: that's so random, but to me it applies to like

981
00:46:51,360 --> 00:46:53,080
Speaker 3: I think I've said it like.

982
00:46:53,000 --> 00:46:54,320
Speaker 4: Five times in the last month.

983
00:46:54,520 --> 00:46:58,000
Speaker 3: Wow, And I say it often, and I feel like

984
00:46:58,080 --> 00:47:00,560
Speaker 3: other people could get this. So there's the episode ware

985
00:47:00,600 --> 00:47:03,440
Speaker 3: and this is just like a random throwbag. There was

986
00:47:03,480 --> 00:47:06,879
Speaker 3: an episode where okay, so Big starts dating.

987
00:47:09,280 --> 00:47:10,359
Speaker 4: What was his wife's name?

988
00:47:11,680 --> 00:47:14,319
Speaker 3: Right starts I think, wait, was she the model that

989
00:47:14,360 --> 00:47:15,239
Speaker 3: he was in love with?

990
00:47:15,480 --> 00:47:18,560
Speaker 4: No? No, yeah, no, the model.

991
00:47:18,840 --> 00:47:20,839
Speaker 3: There was a model that he was in love with

992
00:47:21,440 --> 00:47:25,160
Speaker 3: where he was calling Carrie about her. Oh no, do

993
00:47:25,200 --> 00:47:27,560
Speaker 3: you remember this? There was a model that he loved. No,

994
00:47:27,800 --> 00:47:30,040
Speaker 3: he was calling Carry about and he would be like Carrie,

995
00:47:30,120 --> 00:47:31,880
Speaker 3: call Carry like the middle the night. He's like, the

996
00:47:31,920 --> 00:47:36,719
Speaker 3: problem is I can't reach her. She can reach me,

997
00:47:37,239 --> 00:47:40,200
Speaker 3: but I can't reach her. Oh no, no, don't remember.

998
00:47:40,239 --> 00:47:42,000
Speaker 3: And then he goes to the cabin with Aiden.

999
00:47:42,560 --> 00:47:43,440
Speaker 4: We're not there yet.

1000
00:47:43,600 --> 00:47:44,560
Speaker 1: I'm not there yet.

1001
00:47:44,600 --> 00:47:46,200
Speaker 4: Oh my god. Interesting.

1002
00:47:46,400 --> 00:47:49,520
Speaker 3: So jealous of whoever does this recap with you because

1003
00:47:49,560 --> 00:47:55,239
Speaker 3: that the cabin episode, oh so good, yaya when you

1004
00:47:55,239 --> 00:47:55,879
Speaker 3: get to the cabin.

1005
00:47:56,920 --> 00:47:57,920
Speaker 1: Yeah, we'll help me back on.

1006
00:47:58,080 --> 00:47:59,839
Speaker 4: Okay, call me back with the cabin episode and we'll

1007
00:47:59,840 --> 00:48:00,480
Speaker 4: get I.

1008
00:48:00,440 --> 00:48:05,960
Speaker 1: Remember the cabin episode being like beyond good. All right,

1009
00:48:06,000 --> 00:48:08,680
Speaker 1: we're having so much fun talking to Amanda that we're

1010
00:48:08,719 --> 00:48:11,120
Speaker 1: going to make a part two. Please join us later

1011
00:48:11,120 --> 00:48:15,480
Speaker 1: in the week on Are You a Charlotte