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Speaker 1: Hello Internet, and welcome to this afternoon edition of Trendrick

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Speaker 1: Lamar's Euphoria. Because it's a trending episode. And you know what,

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Speaker 1: Kendrick Lamar drop the track at eight twenty four am.

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Speaker 1: If you didn't pick up on all the details there

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Speaker 1: right after the People's Goat Lebron James was eliminated from

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Speaker 1: Championship contention, There's a lot in there and we are

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Speaker 1: going to get into that because I do think that

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Speaker 1: it's relevant and it is absolutely trending all over Twitter.

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Speaker 1: And who better to do that with than are very

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Speaker 1: very most favorite MC from the Zeitgeist universe, from the

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Speaker 1: podcasting universe. Not just an EMC, just a poet, a father,

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Speaker 1: a scholar, purveyor of fantastic coffee, mister Prop himself, Jason,

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Speaker 1: Do I call you Jason better? Can I just call you? Look?

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Speaker 2: The government's fine. You know what I'm saying. You can?

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Speaker 2: You can definitely do that.

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Speaker 3: You have crossed that threshold into being able to say.

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Speaker 1: Well, look, I'm gonna call you Prop anyway. Please welcome

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Speaker 1: Prop Prop. Thank you so much.

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Speaker 2: How's everybody feeling?

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Speaker 1: You know what I'm saying? Man, score Earth right now,

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Speaker 1: you've scorged Earth. Absolutely, we are going to get to that,

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Speaker 1: you know, because we have been texting each other NonStop

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Speaker 1: since the track came out, being I know, what did

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Speaker 1: he think he could accepted? This guy? What the ones?

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Speaker 1: So exactly, We're gonna have a bit of a moment

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Speaker 1: to do that. But first we are going to get

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Speaker 1: to some trending stories, because there is some pressing news

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Speaker 1: happening in our world outside of just you know, the

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Speaker 1: fun rap beefs that we have out here. The first

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Speaker 1: one is UCLA, my alma mater. It is trending because I,

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Speaker 1: like I referenced in other episodes, I was proud to

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Speaker 1: see that the students at UCLA have also created an

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Speaker 1: encampment in solidarity with the people of Palestine and also

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Speaker 1: urging the regents of the UC system to divest from

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Speaker 1: Israel if possible, and you know, on also advocating for

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Speaker 1: things like a ceasefire, but mostly it's about trying to

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Speaker 1: cut financial ties with an apartheid state. And it's been

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Speaker 1: a peaceful protest, uh And things were peaceful until last

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Speaker 1: night when a group of pro Israel pro Zionists demonstrators,

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Speaker 1: I guess counter protesters, I don't even know if they're

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Speaker 1: counter protesters. These people pulled up and just started attacking students,

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Speaker 1: breaking down the barricades, hitting them with bear mace, throwing

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Speaker 1: bricks into the encampment, like lobbing bricks over, like the

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Speaker 1: offences into the encampment, throwing fireworks. People are getting hit

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Speaker 1: over the head with two by fours, like full on

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Speaker 1: violent assaults recurring to peaceful student protesters. As the LAPD

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Speaker 1: and UCLA Campus Safety they did fucking nothing, they Yeah, honestly,

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Speaker 1: I think as many people were used this were basically

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Speaker 1: describing it as, you know, just just letting the goons

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Speaker 1: do the violence that maybe they would do. And they said,

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Speaker 1: you know what, we're gonna sit this one out. You guys,

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Speaker 1: go ahead and brutalize these peaceful protesters and guess what,

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Speaker 1: we'll just look the other way or laugh, which we.

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Speaker 2: Saw awesome, Like y'all shouldn't been out here.

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Speaker 1: Yeah, yeah, we had, I tell you, yeah exactly. It's

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Speaker 1: a really really hard to watch man like that. Quad

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Speaker 1: I had very fond memories of being on the campus

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Speaker 1: there and to see it turned into this like war

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Speaker 1: zone and is being reported on as like this sort

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Speaker 1: of like both sides the thing like on ABC News,

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Speaker 1: like because of the violence, classes have been canceled, and

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Speaker 1: it's like you aren't. No one is actually being sincere

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Speaker 1: in describing what's happening. That's like the most frustrating thing

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Speaker 1: with how the news has been covering all of this,

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Speaker 1: whether it's trying to just focus on and I'm not

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Speaker 1: denying I'm not saying there are no anti Semitic people

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Speaker 1: that are trying to co opt these There absolutely are.

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Speaker 1: But when you are focusing and dissengent, like for example

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Speaker 1: in Colombia, where there are people doing shit outside of

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Speaker 1: the campus and saying that that's part of the Columbia protest,

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Speaker 1: that's not accurate, and you're painting it with a different

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Speaker 1: brush and giving people a different idea of what's actually happening.

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Speaker 1: We're talking about peaceful protesters who are here, who do

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Speaker 1: not who are just as in senses most people are,

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Speaker 1: by seeing the violence unfold there and saying in the

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Speaker 1: way that they feel they can exert their power and influence,

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Speaker 1: they're saying, I'm trying to put an end to it,

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Speaker 1: and they're being attacked by just what fucking goons like

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Speaker 1: I don't know, somewhere there's just.

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Speaker 2: So much, like so many thoughts about that.

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Speaker 3: It's like you're just from just knowing, not even deep history,

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Speaker 3: but just like recent history. It was almost like we

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Speaker 3: knew this day was coming that, you know, we're told

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Speaker 3: from elementary school that like, what makes our country different

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Speaker 3: is you have free speech, and if you don't like

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Speaker 3: what's going on, you can vote, you can protest, you

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Speaker 3: can make your voice known. You know, you vote with

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Speaker 3: your wallet, you vote with your you know, you vote

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Speaker 3: with your feet. And then you go to college and

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Speaker 3: you're like, oh, word, okay, well yeah, here's our request

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Speaker 3: a little bit and I'm gonna spread my wings and

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Speaker 3: you're met with violence and it's like, well, I mean,

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Speaker 3: y'all were the ones that said And then the part

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Speaker 3: that even blows my mind to I'm like, I'm looking

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Speaker 3: at the faculty and staff, not necessarily the faculty, but

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Speaker 3: I'm looking at the adults in the room, and I'm like,

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Speaker 3: ain't you the kids like Vietnam War protesters and we're

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Speaker 3: theay college kids, Like don't you what's wrong with y'all's memory?

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Speaker 1: Like from what I remember, they weren't on the wrong

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Speaker 1: side of history protesting.

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Speaker 2: It seems like they were correct.

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Speaker 1: Huh, so that's what we're gonna do. Yeah, it's it's disheartening,

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Speaker 1: and like I said, you know, like I think it's

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Speaker 1: it's really troubling for people who are part of any

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Speaker 1: marginalized or press community because you know, this country, America

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Speaker 1: is a white supremacist capitalist patriarchy or an imperialist capitalist patriarchy,

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Speaker 1: however you want to do that. But you go, you

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Speaker 1: begin to push against any of those tenants, you will

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Speaker 1: be met with state violence. It just doesn't matter if

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Speaker 1: you were there to support those tenants, you will be

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Speaker 1: supported by the state. And it's like it's just very easy,

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Speaker 1: you know, Yeah, if you're running a drift of what

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Speaker 1: the true values are of the United States, if the

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Speaker 1: police are fucking you up or protecting you based on

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Speaker 1: exercising that right exactly.

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Speaker 3: Yeah, just taking a second to reflect to yourself to like, okay,

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Speaker 3: who's on my side of the fence, and and like

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Speaker 3: when at some point you should look at the look

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Speaker 3: down your bench on your side and be like, oh wait,

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Speaker 3: am I on the wrong team here? Like what's twelve?

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Speaker 3: Why is my jersey? Why are you wearing the same

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Speaker 3: jersey as me? You know, like a thin blue line

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Speaker 3: on my jersey.

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Speaker 1: Where that come from?

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Speaker 3: Yeah, you know, like that should be your warning sign

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Speaker 3: and be like wait, hold up, wait are we wait,

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Speaker 3: are we actually saying the same thing. Yeah, I don't

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Speaker 3: think we're saying the same thing. Wait, you know you should.

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Speaker 3: It should make give you pause.

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Speaker 1: You know, I just hope that I mean shut out.

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Speaker 1: At LA Times at least had an accurate description in

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Speaker 1: their headlines where they were did rightly describing that the

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Speaker 1: violence was one sided and coming from the supporters of

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Speaker 1: Israeli government. Uh, and like again we're talking full on.

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Speaker 1: They're like hitting kids over the head and shit, it's wild.

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Speaker 1: This is where we're at. And I really encourage everybody

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Speaker 1: to like, just like in twenty twenty when people wanted

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Speaker 1: to say fucking weird shit to try and obscure and

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Speaker 1: distract from what people are actually trying to say. Also,

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Speaker 1: we like, every time this happens, we have to be

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Speaker 1: able to articulate what is actually going on and not

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Speaker 1: letting these people completely change the narrative and try and

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Speaker 1: you know, completely discredit what is being.

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Speaker 3: Done at UCLA and at USC. These are like every

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Speaker 3: organizer that I know and have seen have been like yeah, no, come, come,

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Speaker 3: have lunch, come through, and it's like because it's a

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Speaker 3: camp and I know at USC they was doing like

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Speaker 3: anti Semitic classes, like inside of the thing they was

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Speaker 3: teaching like the history of anti Semitism and how.

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Speaker 1: We want to make sure that this is not what

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Speaker 1: we're saying.

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Speaker 3: They have to really put people yeah, like you know

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Speaker 3: they like these and yeah, these protesters were like, look,

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Speaker 3: this is not what we're saying.

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Speaker 2: This is why we're saying, here's the history of this.

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Speaker 3: You know, they have to understand, like you know what

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Speaker 3: I'm saying, Like yeah, yeah, like.

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Speaker 1: Many college campuses, because I think that's the other thing too.

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Speaker 1: We talked about this on yesterday's Trending episode is No

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Speaker 1: One is also acknowledging the fact that there are also

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Speaker 1: many Jewish students they also participating in this many Jewish people.

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Speaker 1: Jewish students are disturbed because they see the aggression of

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Speaker 1: the IDF and Netanyahu as being like that makes me

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Speaker 1: unsafe in the long run. If this is this is

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Speaker 1: the representation of a Jewish state is and people are

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Speaker 1: going to conflate the two and I don't that's not

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Speaker 1: what we're about. That's not what this religion is about,

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Speaker 1: but it's being you. And also by weaponizing anti Semitism,

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Speaker 1: that's the whole thing where they'd be like, oh, so

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Speaker 1: you're against the whole Jewish religion. It's like you're not.

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Speaker 2: Here, yeah, And now I can't Now I can't point

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Speaker 2: at it.

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Speaker 3: It's like when everything was when everything was human trafficking, right,

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Speaker 3: like when everything was that, It's like, now I can't

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Speaker 3: point out or everything's groomy.

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Speaker 1: Like everything's grooming, then nothing's grooming. Then nothing's groomy.

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Speaker 3: Now I can't actually point at anti Semitism and be like, yeah, no,

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Speaker 3: that actually is, you know, which.

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Speaker 1: Is why I do because then I remember how the

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Speaker 1: evolution of these sort of protests went too because then

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Speaker 1: even when you had Jewish voices for peace, they're like, no,

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Speaker 1: we're if you can call me anti semitic, I'm telling

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Speaker 1: you I'm against what's happening. And then they go, well

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Speaker 1: you're not Jewish or whatever, and then it's always a

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Speaker 1: moving goalpost. And again it's just what if you're in

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Speaker 1: service of oppression, then the police are there for you.

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Speaker 1: If you're trying to fight for equity, then the police

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Speaker 1: will always be against you. So a good, good formula

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Speaker 1: to just check around. Yeah, next story is RFK Junior.

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Speaker 1: He's trending now. This is this was sort of like

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Speaker 1: presented in like ooh, the Trump camp is sweating because RFK.

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Speaker 1: But a lot of polls show that Trump is comfortably

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Speaker 1: not comfortably. It's like six points ahead of Biden right now.

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Speaker 1: I wonder why I can't have anything to do with

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Speaker 1: these students are screaming about on campuses across the country.

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Speaker 1: But I guess recently he's starting to pop up. RFK

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Speaker 1: Junior is starting to pop up more and more on

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Speaker 1: these right wing outlets, Like he's becoming a main stay

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Speaker 1: on Fox News, a mainstay on News Max. He's now

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Speaker 1: starting to be like on Ben Shapiro's podcast talking to

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Speaker 1: Glenn Beck, he's talking to Megan Kelly, you know, the

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Speaker 1: just everyday pieces of shit. And while you.

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Speaker 4: Know, also while he's out there being like, you know,

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Speaker 4: fucking Biden, talking shit about Biden, you know, he's he's

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Speaker 4: definitely he's going after a very specific audience here, Like

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Speaker 4: especially when you go on these bro podcasts too, Yep,

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Speaker 4: you're kind of being like, look, you know, I'm not woke,

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Speaker 4: so why don't you vote for me. And that's where

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Speaker 4: I guess the Trump co Campaign manager has come in

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Speaker 4: to say, quote, it's concerning and beyond logic that there

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Speaker 4: are some conservative platforms that continue to give a voice

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Speaker 4: to someone that is called the NRA, a terrorist group

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Speaker 4: who believes in eliminating gas powered engines, believes in a

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Speaker 4: seventy percent tax bracket, and generally subscribes to the same

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Speaker 4: school of thought as Carl Marx.

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Speaker 1: Oh yeah, in both marks, baby, yeah, yeah, just oh

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Speaker 1: what exactly what.

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Speaker 2: Point at it?

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Speaker 1: I'm sorry? Are you? Can you please? Are you a

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Speaker 1: scholar of Marxist thoughts or no? Yeah? I just know

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Speaker 1: if I say the word, people are like, fuck that,

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Speaker 1: And that's just how it goes.

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Speaker 2: He's he's interesting to me, dude.

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Speaker 3: He's like, have you guys, okay, you guys, have you

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Speaker 3: watched I just finished it, the uh the Three Body

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Speaker 3: Problem on.

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Speaker 1: I started watching the first episode.

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Speaker 2: Yeah, recently.

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Speaker 3: I don't want to ruin it, sure, but I'm about

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Speaker 3: to kind of Okay.

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Speaker 1: So all right, spoiler alert, just spoileroiler alert.

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Speaker 2: Skip through this.

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Speaker 1: If you're sensitive to three Body Problem, you don't hear

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Speaker 1: nothing about it? Skip ahead one minute.

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Speaker 3: Yes, I won't tell you how the movie ends. But ultimately,

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Speaker 3: if you have the gravitational pulls of three bodies, whether

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Speaker 3: it's just two stars and a planet or three stars

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Speaker 3: and whatever they're gravitational pull and rotations are are, you

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Speaker 3: can't predict them. They're impossible to predict. That's called the

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Speaker 3: three body problem. So if you're on a planet that

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Speaker 3: has is too close to three different sons, you're gonna

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Speaker 3: get pulled into the gravitational pulls in different ways, so

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Speaker 3: you can't you can't predict whether your planet's going to

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Speaker 3: be you know what I'm saying. So that's that's a

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Speaker 3: three body problem. Yes, it's impredictable. You just you just

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Speaker 3: go wherever the gravity pulls you.

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Speaker 2: And to me, you get there problem here, three body problem.

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Speaker 3: I'm like, this is so, yes, the third body is

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Speaker 3: just throwing off the gravitational pull So like to try

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Speaker 3: to everybody for everybody, so to even try to even

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Speaker 3: predict what he's trying to do or who he's trying

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Speaker 3: to talk to. He's like, you can't this just this

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Speaker 3: guy is going to siphon off wherever he can. And

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Speaker 3: in some sense its brilliant, you know what I'm saying,

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Speaker 3: like I go wherever I don't because demand don't care,

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Speaker 3: Like are like wherever y'all?

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Speaker 2: Yeah, I go wherever y'all listen to.

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Speaker 1: He's he's like such a weird ass broken clock because

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Speaker 1: he says like he says ship that. I'm like, no,

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Speaker 1: that's true, Like you know, regulatory capture is a fucking issue,

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Speaker 1: like these climate things are an issue. And then he's

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Speaker 1: like but then you know, COVID was meant Chinese people

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Speaker 1: were IMMU like shut this, Oh my god. Yeah, it's

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Speaker 1: like out here.

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Speaker 3: Yeah, you was going good for a second. Ere yeah, and.

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Speaker 1: Let's not yeah, let's not forget. He was like the

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Speaker 1: poster child for the whole anti vax movement, like when

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Speaker 1: it cames, you know what I mean? So whatever RFK,

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Speaker 1: We'll see where you end up. But honestly, like I

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Speaker 1: know a lot of people will try and blame you

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Speaker 1: if Biden loses, But I honestly just with the way

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Speaker 1: this man is it right now, it's he's making it

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Speaker 1: very difficult for people to be like, like are you

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Speaker 1: hearing what people are saying? Like what if a responsive president?

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Speaker 1: You're not a responsive president right now? And I don't

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Speaker 1: wantucking Donald Trump to lose or to win. No Freudian slip.

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Speaker 1: Well no, like I don't want Trump to win. But

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Speaker 1: it's like but if and because of that, I'm like, motherfucker,

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Speaker 1: you need to figure out how to get served vote

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Speaker 1: for you.

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Speaker 3: Yes, help me, help you, like I just god damn it, man,

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Speaker 3: like I just you can't be like you're so frustrated

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Speaker 3: to where you're like, I mean, it's like, Doug is

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Speaker 3: the sky blue?

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Speaker 1: Like what is the lowest hanging fruit?

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Speaker 3: The lowest like this is and I'm like the lowest bro.

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Speaker 3: Just even if we talked about this on hother politics,

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Speaker 3: even if you just okay, the kids ain't gonna let

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Speaker 3: you get away with this. But even if you just

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Speaker 3: say the two words cease fire, like if you just

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Speaker 3: say that's the lowest hanging fruit. Right, But you're like, oh,

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Speaker 3: I'm mad about this.

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Speaker 1: I don't want you.

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Speaker 3: And you know we you know we really mad. And

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Speaker 3: you know I'm telling that, y'all. Who I old BB,

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Speaker 3: I'm not handed, I'm not I'm not going for it. Now,

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Speaker 3: come on over here to the to the candy store,

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Speaker 3: pick whatever gun you won't and I'm getting you'll be

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Speaker 3: careful because I'm mad, right, bro exactly and then take

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Speaker 3: away his dessert.

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Speaker 2: Man, like you're not really mad.

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Speaker 1: No, no, it's all it's all just optics. But the

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Speaker 1: thing is, like people are too tapped in now for

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Speaker 1: that kind of shit to work, Like the smoking mirrors,

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Speaker 1: it's not having the same effect. And also to the

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Speaker 1: point now where other congressmen are like, man, I got

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Speaker 1: like old little old white ladies also asking me what

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Speaker 1: the fuck is up with the ceasefire. So it's not

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Speaker 1: just it's not just like Arab Americans or Muslims. It's

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Speaker 1: it's like a bro, it's many people. The majority of

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Speaker 1: Democrats are.

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Speaker 3: Like yes, or like yeah, I was with you for

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Speaker 3: a little bit, you know what I'm saying, Like yeah,

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Speaker 3: it's like I was with you for a second there.

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Speaker 3: But I mean I'm all brou y'all. You ain't seeing

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Speaker 3: what I'm saying, Like you ain't have to you ain't had.

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Speaker 1: To kill them all, Like nope, yeah, yeah, yeah, it's

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Speaker 1: we'll see. Like I said every time, I'm like November,

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Speaker 1: take your time, take your time, Please take your time.

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Speaker 1: I don't have I don't have the strength right now.

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Speaker 2: Bro, Like that's I'm sorry, I know. We gotta move on.

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Speaker 3: But I'm like, again, low hanging fruit, like you can't.

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Speaker 3: I mean, you just you really finna just let this

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Speaker 3: abortion thing slip through your fingers, bro, Like yeah, that's

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Speaker 3: an easy one.

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Speaker 1: Well like, yeah, well they were fucking around too long

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Speaker 1: by being like if I'm president, I will do this

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Speaker 1: ship cut to your president, and you did not fucking

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Speaker 1: fire roll versus what like you didn't even you couldn't

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Speaker 1: even do that. So yeah, because again both parties, they

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Speaker 1: they're just playing in everybody's faces. They just wanted they

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Speaker 1: want to angle shit in front of people to get

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Speaker 1: them to the polls and then just take it out

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Speaker 1: and then but then something then you get some ship

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Speaker 1: like the Dobbs decision, and shit gets real and now

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Speaker 1: all of a sudden, like well it's really complicated, but there,

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Speaker 1: I mean, there's lives at stake here for.

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Speaker 3: Sure, man, Like that's really like you know, go to

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Speaker 3: state blowing a three to one lead right there?

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Speaker 1: Bro, Like, how you how you lo how you lose?

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Speaker 3: Dobs guys like this, Yeah, sixty years, don't you lost

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Speaker 3: the sixty?

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Speaker 2: Like how you love did.

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Speaker 1: A lot of time? Because again, it's easier to just

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Speaker 1: h raise the specter of the boogeyman than to actually

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Speaker 1: take care of shit because that we're not. Yeah, we're

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Speaker 1: not the we're not in the business of actually solving

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Speaker 1: problems here. All right, let's take a quick break so

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Speaker 1: we can regroup, re outher ourselves, center ourselves, so we

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Speaker 1: can come back and discuss objectively with no West Coast biases,

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Speaker 1: even though I have my Dodger blue on my four dome.

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Speaker 1: Right now is Kendrick Lamar and Drake Beef and we'll

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Speaker 1: be right back. And we're back. So look, I told

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Speaker 1: you so, but didn't I? Yes, is your.

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Speaker 2: Audience like up to speed? Do they know the whole

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Speaker 2: cheese made?

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Speaker 1: I guess here? Well, we'll keep it here. Yeah, for

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Speaker 1: those it okay. So if you are not interested in

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Speaker 1: hip hop, I get it. People have different flavors for you.

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Speaker 1: Let me put you onto something. Right now, we're talking

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Speaker 1: about the Drake and Kendrick Lamar Beef. Drake is now

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Speaker 1: like one of the I think the highest selling artists

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Speaker 1: of all time because he took over Michael Jackson's thing

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Speaker 1: and now he's like, I'm the king uh and said

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Speaker 1: he's the greatest ever. He's the goat. Kendrick Lamar has

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Speaker 1: taken exception to that. This is a very condensed version

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Speaker 1: because there's also there's like sneak dissing going on for years.

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Speaker 1: But anyway, for like Kendrick decade, Dave Kendrick has also

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Speaker 1: been like, you know, he released a track with Metro

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Speaker 1: Boomin in Future about a month ago, you know, basically

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Speaker 1: just taking just taking some general shots his way, him

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Speaker 1: and J Cole's way. J Cole entered the beef and

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Speaker 1: then he immediately said back, no and yo do yeah man, yeah, no, yeah,

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Speaker 1: I mean like I don't I don't want this. I

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Speaker 1: don't want this. I don't want this. I don't want it.

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Speaker 1: And you know what, I shouldn't. I shouldn't have even

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Speaker 1: recorded a distrack. He released a distrack to respond to Kendrick,

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Speaker 1: and then he pulled it because he said it didn't

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Speaker 1: feel right to him. He didn't believe in it. As

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Speaker 1: an artist. Then that's your progative as an artist. Fine,

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Speaker 1: other people.

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Speaker 3: He probably could have taken his time, but yeah, yeah, yeah.

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Speaker 1: Yeah, I get it. If you weren't feeling it, you

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Speaker 1: weren't feeling it.

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Speaker 2: And it was like Kendrick's line.

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Speaker 3: It for y'all that are interested Kendrick's line referencing Cole

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Speaker 3: was in reference to a song that Cole did with

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Speaker 3: Drake years ago, but are in that song was kind

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Speaker 3: of like a throwaway, like that's just one thing towards yeah, Cole.

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Speaker 3: So Cole could honestly be like, well, the verse ain't

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Speaker 3: about me, it's it's about you. Yeah, yeah, I really

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Speaker 3: don't have to because he's not even disn't me yeaheah.

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Speaker 1: But a lot of people were like, you know, in

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Speaker 1: their bag on his back, you do it anyway. So

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Speaker 1: then Drake basically released two response tracks, one using the

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Speaker 1: Ai vocals of Tupac Shakor, which did not go over

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Speaker 1: well with anybody in this part of the country or

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Speaker 1: even his estate, who were like, the season desist for

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Speaker 1: that's foolish, foolishness. And then Kendrick, they're like, all the

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Speaker 1: Drake fans are saying, when's Kendrick gonna drop? It's been

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Speaker 1: so long. TikTok, TikTok. Kendrick drop a track called Euphoria

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Speaker 1: six and a half minutes and it is scathing, I

403
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Speaker 1: would say, fishes.

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Speaker 3: And also yeah, also loving and like teaching, like teachable,

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Speaker 3: like this is a teachable moment just in the only

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Speaker 3: way that Kendrick can.

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Speaker 2: Yeah.

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Speaker 1: Yeah, Because there's a tweet from a rainio Ville for

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Speaker 1: those of y'all who listen to Victory like Merrow's podcast,

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Speaker 1: He's on that show. He tweeted basically to sum up, like,

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Speaker 1: where what the Drake this was versus the Kendrick response.

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Speaker 1: He said, Drake Colon, you wear small shoes, top makes

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Speaker 1: you do push ups. That's the person from top Dog,

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Speaker 1: the label that Kendrick was on, and I make more

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Speaker 1: money than you. Sort of like the distillation of Drake's

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Speaker 1: dis Yes, Kendricks would be the distillation to be this.

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Speaker 1: You have never been secure in your identity. A Canadian

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Speaker 1: cosplayer could never represent Black American culture. I'm raising my

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Speaker 1: kids and you can't relate. Yeah, different levels to their responses.

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Speaker 1: I don't know. I mean like, I don't know what

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Speaker 1: part you want to talk about specifically, Like for me,

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Speaker 1: I just I get that there's right now it seems

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Speaker 1: like most people are so entrenched in their fandom, Like

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Speaker 1: you have people who can't see past their fandom. Then

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Speaker 1: there are people who I'm like, I just love to

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Speaker 1: see this era of like rapp up, Like you say

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Speaker 1: something then you say something that you say something, you

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Speaker 1: say something because yeah, whether or not Drake takes an now,

429
00:21:08,280 --> 00:21:10,399
Speaker 1: it doesn't change the fact that he is the this

430
00:21:10,560 --> 00:21:10,959
Speaker 1: man's soul.

431
00:21:11,080 --> 00:21:15,800
Speaker 3: There's no yeah, yeah, there's yeah. Producer Brian's dropping dropping

432
00:21:15,800 --> 00:21:17,280
Speaker 3: stuff in here that I was going to say, like

433
00:21:17,359 --> 00:21:19,680
Speaker 3: I think there's there are some things to calibrate here.

434
00:21:19,720 --> 00:21:21,960
Speaker 3: First of all, to understand that, like, Okay, the number

435
00:21:21,960 --> 00:21:25,080
Speaker 3: one song on Billboard is Taylor Swift. She's also the

436
00:21:25,160 --> 00:21:28,159
Speaker 3: number two, three, four, she's she's the top ten. The

437
00:21:28,200 --> 00:21:31,400
Speaker 3: top ten songs on Billboard are Taylor Swift. So calibrate

438
00:21:31,440 --> 00:21:33,719
Speaker 3: the conversation with that for us, right, you know. And

439
00:21:33,760 --> 00:21:36,760
Speaker 3: then secondly, like you said, like overall, it's two grown men,

440
00:21:37,080 --> 00:21:39,240
Speaker 3: millionaires writing poems about each other for.

441
00:21:39,320 --> 00:21:40,720
Speaker 2: La guys, you're alive.

442
00:21:41,080 --> 00:21:42,119
Speaker 1: It's a wonderful.

443
00:21:42,280 --> 00:21:45,760
Speaker 3: Yeah, it's so even for us as fans to remember that,

444
00:21:45,920 --> 00:21:47,919
Speaker 3: like oh yeah, go cry on a bag of money,

445
00:21:48,000 --> 00:21:52,040
Speaker 3: like it's fine, you know, but yeah, but they I think, yeah,

446
00:21:52,160 --> 00:21:53,879
Speaker 3: But I was going to say, like there's a history

447
00:21:53,920 --> 00:21:57,959
Speaker 3: in hip hop, whether it was you know, ice Cube

448
00:21:58,040 --> 00:22:01,119
Speaker 3: and Easy E, whether it's right jay Z and Nas,

449
00:22:01,200 --> 00:22:03,720
Speaker 3: whether it's POC and Biggie like there's a history of.

450
00:22:05,600 --> 00:22:06,840
Speaker 1: Rule where.

451
00:22:08,440 --> 00:22:12,080
Speaker 3: Yeah and dis tracks have always been good for the

452
00:22:12,200 --> 00:22:15,440
Speaker 3: overall culture of hip hop because it brings out the

453
00:22:15,480 --> 00:22:18,400
Speaker 3: best in all of these artists. But I think specifically

454
00:22:18,400 --> 00:22:20,400
Speaker 3: with this one, why I think this is so important

455
00:22:20,480 --> 00:22:24,240
Speaker 3: is because they represent Kendrick and Drake have always represent

456
00:22:24,359 --> 00:22:26,359
Speaker 3: two opposite approaches.

457
00:22:26,320 --> 00:22:30,440
Speaker 1: To being tip hop stars. Yeah yeah, right, And because.

458
00:22:30,400 --> 00:22:33,520
Speaker 3: Kendrick Kendrick gan on Instagram like he don't post memes,

459
00:22:33,560 --> 00:22:36,280
Speaker 3: like he don't, he don't pop out, like he don't

460
00:22:36,320 --> 00:22:36,919
Speaker 3: do that, you know.

461
00:22:36,920 --> 00:22:39,639
Speaker 1: What I'm saying, and don't walk through none of that.

462
00:22:39,720 --> 00:22:41,560
Speaker 3: I don't do none of that, like I will give

463
00:22:41,560 --> 00:22:43,600
Speaker 3: you the bars and I'm going home. And then Drake

464
00:22:43,720 --> 00:22:46,640
Speaker 3: is obviously like he's a pop star, yeah.

465
00:22:46,560 --> 00:22:49,040
Speaker 1: And he's a child actor, so he's used to being

466
00:22:49,080 --> 00:22:51,600
Speaker 1: in the spotlight in a different way, and you know,

467
00:22:51,920 --> 00:22:53,880
Speaker 1: people take that for what it is and people say, well,

468
00:22:53,920 --> 00:22:56,480
Speaker 1: this is what Drake's more poping or whatever. Personally, it's

469
00:22:56,480 --> 00:22:58,720
Speaker 1: like I don't think you can really, I can't. I

470
00:22:58,720 --> 00:23:01,480
Speaker 1: don't compare them because are not the same. They're not

471
00:23:01,600 --> 00:23:06,200
Speaker 1: making the same kind of art, you know. I get like, yeah,

472
00:23:06,240 --> 00:23:08,680
Speaker 1: there's some like Drake bangers, you're like, oh, yeah, this

473
00:23:08,800 --> 00:23:11,160
Speaker 1: is shit's fun. It's a fun track, But is it like,

474
00:23:12,000 --> 00:23:15,200
Speaker 1: is it like Kendrick Lamar, like a pe Kendrick Lamar

475
00:23:15,320 --> 00:23:19,399
Speaker 1: kind of track? Is has you engaging with in a

476
00:23:19,400 --> 00:23:21,160
Speaker 1: different way? And again, this is a matter of taste.

477
00:23:21,160 --> 00:23:23,000
Speaker 1: I'm not saying objectively or whatever, but this is how

478
00:23:23,040 --> 00:23:26,000
Speaker 1: I relate to the music. And the beef is interesting

479
00:23:26,000 --> 00:23:28,400
Speaker 1: too because Kendrick is getting out a lot of other

480
00:23:28,720 --> 00:23:33,440
Speaker 1: critiques that people have about Drake, namely one about sort

481
00:23:33,520 --> 00:23:37,680
Speaker 1: of always like suddenly you're you're like a roadman from

482
00:23:37,720 --> 00:23:41,560
Speaker 1: the UK and you wrap like this or you're doing

483
00:23:41,600 --> 00:23:44,040
Speaker 1: this other kind of flavor and you're kind of constantly

484
00:23:44,359 --> 00:23:48,399
Speaker 1: sort of shape shifting and using. Yeah, people are like,

485
00:23:48,480 --> 00:23:51,960
Speaker 1: you know, you're kind of appropriating the culture without actually

486
00:23:52,240 --> 00:23:55,280
Speaker 1: sticking up for black people when things are actually happening,

487
00:23:55,480 --> 00:23:57,639
Speaker 1: or speaking about the culture in a way that feels

488
00:23:57,720 --> 00:23:59,960
Speaker 1: constructive rather than just being like, let me sort of

489
00:24:00,440 --> 00:24:02,800
Speaker 1: curate and cherry pick the things I like to sell

490
00:24:02,840 --> 00:24:04,080
Speaker 1: records and then that's it.

491
00:24:04,520 --> 00:24:05,680
Speaker 2: There's a sophistication.

492
00:24:05,920 --> 00:24:08,960
Speaker 3: Yeah, there's a sophistication of this conversation in the sense

493
00:24:09,000 --> 00:24:12,600
Speaker 3: that like, you know, I was sexing you the the

494
00:24:12,600 --> 00:24:16,159
Speaker 3: the corny analogy of like, you know, the captain of

495
00:24:16,200 --> 00:24:20,480
Speaker 3: football team dating the cheerleader, prom king, homecoming queen, homecoming king.

496
00:24:20,720 --> 00:24:22,440
Speaker 3: But all you want to do is like just kick

497
00:24:22,480 --> 00:24:25,399
Speaker 3: it behind the bungalows and smoke weed with the cool kids.

498
00:24:25,440 --> 00:24:26,440
Speaker 2: That's all that you want.

499
00:24:26,800 --> 00:24:30,439
Speaker 3: But all the cool kids are like you're lame and

500
00:24:30,480 --> 00:24:33,080
Speaker 3: it's fine, just go be the prom king, Like stop,

501
00:24:33,200 --> 00:24:35,440
Speaker 3: that's fine, Like it's fine, just go be that.

502
00:24:35,520 --> 00:24:37,720
Speaker 1: Like you will never be accepted by us.

503
00:24:38,000 --> 00:24:40,639
Speaker 3: And it's not that it's not that we're not trying

504
00:24:40,640 --> 00:24:42,680
Speaker 3: to excommunicate you, it's just that's.

505
00:24:42,440 --> 00:24:44,080
Speaker 2: Not who you are, you know.

506
00:24:44,520 --> 00:24:48,280
Speaker 3: So so so the conversation that Kendrick kicked it up

507
00:24:48,320 --> 00:24:51,919
Speaker 3: a notch is the saying the quiet thing out loud,

508
00:24:52,000 --> 00:24:54,760
Speaker 3: which is like you can't just put this on and

509
00:24:54,800 --> 00:24:58,080
Speaker 3: take it off, and it's and and yeah that insecurity

510
00:24:58,119 --> 00:24:58,800
Speaker 3: about like.

511
00:24:59,640 --> 00:25:05,560
Speaker 1: You right, yeah, right, yeah, you want all of this.

512
00:25:06,000 --> 00:25:09,399
Speaker 3: Kendrick is like I'm really from this and it comes

513
00:25:09,400 --> 00:25:11,200
Speaker 3: from an authenticity and it's like.

514
00:25:11,280 --> 00:25:14,639
Speaker 2: So stop, like just just stop being with you, not

515
00:25:14,960 --> 00:25:15,840
Speaker 2: like you know what I mean.

516
00:25:16,119 --> 00:25:20,520
Speaker 1: He's growing up in Compton, and living growing up in

517
00:25:20,520 --> 00:25:22,919
Speaker 1: Compton is a lot different than being a child actor

518
00:25:22,960 --> 00:25:27,520
Speaker 1: living in Toronto and the levels of racism are different,

519
00:25:27,560 --> 00:25:30,600
Speaker 1: like they're just they's just cultural differences. Yeah, and that's

520
00:25:30,640 --> 00:25:33,760
Speaker 1: why anyway, it's interesting again where everyone was like, oh, like,

521
00:25:33,800 --> 00:25:35,159
Speaker 1: it's not just going to be like sort of like

522
00:25:35,160 --> 00:25:37,280
Speaker 1: a simple you know, because if you think about the

523
00:25:37,320 --> 00:25:39,800
Speaker 1: last battle that Drake was in or beef he was

524
00:25:39,800 --> 00:25:42,320
Speaker 1: in was with a push of tea yeah, and he

525
00:25:42,480 --> 00:25:44,600
Speaker 1: was responding and push the t just basically came back

526
00:25:44,640 --> 00:25:46,760
Speaker 1: with like, here's a picture of you in blackface. I

527
00:25:46,800 --> 00:25:48,720
Speaker 1: don't know what's going on. Yeah, and you're actually a

528
00:25:48,840 --> 00:25:49,480
Speaker 1: terrible father.

529
00:25:49,760 --> 00:25:51,600
Speaker 4: And it was just sort of like like this person

530
00:25:51,720 --> 00:25:53,080
Speaker 4: was like oh yeah, but it was.

531
00:25:53,080 --> 00:25:56,000
Speaker 3: Almost like okay, that's okay kind of cheating, but it

532
00:25:56,040 --> 00:25:57,360
Speaker 3: definitely ended it like.

533
00:25:57,600 --> 00:26:00,280
Speaker 1: Yeah, yeah, yeah. And I think a lot of people

534
00:26:00,280 --> 00:26:03,040
Speaker 1: are wondering and people know now like Kendrick Lamar is witty,

535
00:26:03,080 --> 00:26:05,679
Speaker 1: and they're like all the memes and stuff on the internet,

536
00:26:05,840 --> 00:26:08,679
Speaker 1: like dag, you don't know if Kendrick Lamar might not

537
00:26:08,760 --> 00:26:10,919
Speaker 1: be the person to be. He's not. That's not the

538
00:26:10,920 --> 00:26:12,800
Speaker 1: tree you want to be barking up, no at all.

539
00:26:13,320 --> 00:26:17,920
Speaker 3: Yeah, And I just I appreciate like rappers rapping, and

540
00:26:18,280 --> 00:26:21,679
Speaker 3: you know, for y'all that know me and Miles like like,

541
00:26:21,800 --> 00:26:24,760
Speaker 3: we like I like my rappers rapping, if we like

542
00:26:24,840 --> 00:26:28,280
Speaker 3: throw parties in Long Beach, I want sometimes sometimes it's

543
00:26:28,359 --> 00:26:30,520
Speaker 3: been that ass. Oh you know what I'm saying. Sometimes

544
00:26:30,520 --> 00:26:34,040
Speaker 3: you want that because that's good these hands, that's great.

545
00:26:34,119 --> 00:26:36,440
Speaker 3: But then if it's like when I'm putting in my headphones,

546
00:26:36,760 --> 00:26:40,160
Speaker 3: if I want to hear somebody like really like love

547
00:26:40,240 --> 00:26:42,320
Speaker 3: the craft and love the art, I'm like, I'm not.

548
00:26:42,880 --> 00:26:44,359
Speaker 2: I'm not putting a Drake album on.

549
00:26:44,600 --> 00:26:48,120
Speaker 1: You know, like started from the bottom, isn't all right? No,

550
00:26:48,359 --> 00:26:50,320
Speaker 1: you know what I mean, like exactly the reason why?

551
00:26:50,640 --> 00:26:52,879
Speaker 1: And I know you're lying because you didn't start from

552
00:26:52,920 --> 00:26:55,520
Speaker 1: the bottom, you know. But then they're Drake fans who

553
00:26:55,520 --> 00:26:57,680
Speaker 1: are like his mom had to rent a basement apartment

554
00:26:57,720 --> 00:26:59,000
Speaker 1: that they lived in, and then that's what he was

555
00:26:59,000 --> 00:27:00,880
Speaker 1: referring to. And I'm like, and that's fine or whatever,

556
00:27:00,880 --> 00:27:02,520
Speaker 1: but like when you start talking about gun violence and

557
00:27:02,520 --> 00:27:06,240
Speaker 1: shit like that, that's life. Alai A learning past guests

558
00:27:06,280 --> 00:27:08,560
Speaker 1: we love on the show, she was like kind of

559
00:27:08,680 --> 00:27:12,560
Speaker 1: really stated it very succinctly in saying that, like this

560
00:27:12,760 --> 00:27:14,119
Speaker 1: this is a tweet from her because a lot of

561
00:27:14,200 --> 00:27:17,160
Speaker 1: Drake fans are like, you know, just up in arms

562
00:27:17,200 --> 00:27:19,480
Speaker 1: about people's analysis of what this track was. Quote. The

563
00:27:19,520 --> 00:27:21,440
Speaker 1: fact that Drake stands are trying to insist hip hop

564
00:27:21,520 --> 00:27:23,560
Speaker 1: a genre of culture created by black people to give

565
00:27:23,640 --> 00:27:26,760
Speaker 1: voice to black people and our experiences, shouldn't critique his

566
00:27:26,840 --> 00:27:30,600
Speaker 1: exploitation of blackness and people confirms why Kendrick said he's

567
00:27:30,640 --> 00:27:33,880
Speaker 1: speaking for the culture with his critiques of Drake. Non

568
00:27:33,960 --> 00:27:36,160
Speaker 1: black hip hop fans clearly need to hear this. Black

569
00:27:36,200 --> 00:27:38,520
Speaker 1: people and black culture will always be central to any

570
00:27:38,560 --> 00:27:40,960
Speaker 1: analysis of hip hop and rap music. Let go of

571
00:27:41,040 --> 00:27:43,879
Speaker 1: this colorblind analysis you want us to embrace just so

572
00:27:44,000 --> 00:27:46,240
Speaker 1: you feel like your opinion is equally valid when talking

573
00:27:46,320 --> 00:27:49,399
Speaker 1: hip hop. And look, I'm not saying people's analysis is

574
00:27:49,480 --> 00:27:52,119
Speaker 1: invalid or whatever, but there's a real when people are saying, like,

575
00:27:52,160 --> 00:27:54,600
Speaker 1: why are you talking about that, it's because that's that's

576
00:27:54,680 --> 00:27:57,000
Speaker 1: what hip hop was coming out of, you know, black

577
00:27:57,040 --> 00:28:00,200
Speaker 1: and brown people finding an art form that it's really.

578
00:28:01,600 --> 00:28:04,520
Speaker 3: And and in none of this, you know, Jay Call

579
00:28:04,640 --> 00:28:08,240
Speaker 3: is just as life skinned and nobody has any question

580
00:28:08,600 --> 00:28:15,040
Speaker 3: about his position and placement in the culture. And yeah, yeah,

581
00:28:15,160 --> 00:28:17,480
Speaker 3: it's like no one, no one questions that like, there

582
00:28:17,720 --> 00:28:21,960
Speaker 3: so there is a particular way a person carries themselves

583
00:28:22,560 --> 00:28:27,159
Speaker 3: that you know, I think any any person that is

584
00:28:28,119 --> 00:28:32,359
Speaker 3: remotely somewhat attractive and have been in a club with

585
00:28:32,760 --> 00:28:36,600
Speaker 3: drunk people, you know, when someone's complimenting you and when

586
00:28:36,640 --> 00:28:39,760
Speaker 3: someone's being slimy, you get and it might be the

587
00:28:39,840 --> 00:28:42,880
Speaker 3: same words, right, it might be the same words, Brian,

588
00:28:43,040 --> 00:28:44,920
Speaker 3: I see Brian, he brought it up the same thing,

589
00:28:45,040 --> 00:28:46,720
Speaker 3: same way like Marlon Kraft.

590
00:28:46,880 --> 00:28:48,200
Speaker 2: That's that's a white boy.

591
00:28:48,880 --> 00:28:51,960
Speaker 3: I've never questioned his place in culture, you know what

592
00:28:52,000 --> 00:28:54,320
Speaker 3: I'm saying, like because I'm like, there's there's no question

593
00:28:54,440 --> 00:28:58,200
Speaker 3: about who you are, because you carry yourself in a

594
00:28:58,280 --> 00:29:00,880
Speaker 3: way that's different, you know, and it it's like you

595
00:29:01,000 --> 00:29:02,280
Speaker 3: know what it is when you're looking at it. And

596
00:29:02,400 --> 00:29:05,640
Speaker 3: Drake has always been something for me that personally, I've

597
00:29:05,640 --> 00:29:07,440
Speaker 3: always had to bite my tongue about because I'm just like,

598
00:29:07,960 --> 00:29:10,840
Speaker 3: I feel like this is I don't want a rant here,

599
00:29:10,880 --> 00:29:13,080
Speaker 3: but this is the last thing I to say about

600
00:29:13,160 --> 00:29:15,920
Speaker 3: trying to get this thought out. It's like, when you're

601
00:29:16,000 --> 00:29:25,600
Speaker 3: someone like him who has been considered you know, traditionally attractive, right, successful,

602
00:29:26,680 --> 00:29:29,640
Speaker 3: You're like you weren't policed like the rest of us

603
00:29:29,880 --> 00:29:34,480
Speaker 3: ugly boys that were taught when stuff was corny, like

604
00:29:34,680 --> 00:29:36,840
Speaker 3: we were taught in seventh grade, like, don't do that

605
00:29:36,920 --> 00:29:38,400
Speaker 3: as corny, right, right, right?

606
00:29:38,560 --> 00:29:41,440
Speaker 1: He didn't learn that because the girl still giggled and

607
00:29:41,800 --> 00:29:44,400
Speaker 1: he was on TV and no matter what he did.

608
00:29:44,960 --> 00:29:47,240
Speaker 3: So then when you warming up, you know, in the

609
00:29:47,360 --> 00:29:51,440
Speaker 3: NCAA Finals on the University of the Kentucky team, I'm like, Brett,

610
00:29:51,440 --> 00:29:53,440
Speaker 3: did you go to Kentucky? Did you ever live in Kentucky?

611
00:29:53,640 --> 00:29:56,680
Speaker 3: Your family go to Kentucky? Like does anybody what connection

612
00:29:56,880 --> 00:29:59,720
Speaker 3: do you have to this? That's corny? Don't do that

613
00:30:00,240 --> 00:30:03,760
Speaker 3: right The idea of thinking I'm gonna do a AI tupac.

614
00:30:04,160 --> 00:30:06,680
Speaker 1: No one, we would all know.

615
00:30:07,440 --> 00:30:10,560
Speaker 3: Yeah, you would say, no, I'm not gonna do a

616
00:30:10,640 --> 00:30:13,760
Speaker 3: AI biggie, No, no, it's untouchable.

617
00:30:13,920 --> 00:30:17,440
Speaker 1: Like you you're again proving you're not really one of us. Man,

618
00:30:17,600 --> 00:30:20,000
Speaker 1: like you would know that doesn't understand the sacredness of

619
00:30:20,080 --> 00:30:22,640
Speaker 1: certain things and whatever. And that's where I think again,

620
00:30:22,760 --> 00:30:25,560
Speaker 1: that's why they're in different lanes. He is a celebrity

621
00:30:25,920 --> 00:30:28,440
Speaker 1: and he is able to do things like pull up

622
00:30:28,480 --> 00:30:30,800
Speaker 1: to you know, UK's basketball team, things like that because

623
00:30:30,800 --> 00:30:33,160
Speaker 1: he's he's a popping you're a star, And it's great,

624
00:30:33,320 --> 00:30:35,480
Speaker 1: he's a star, but he's a star and you and

625
00:30:35,640 --> 00:30:38,480
Speaker 1: you're not. You're not You're not a bad rapper. No,

626
00:30:38,760 --> 00:30:41,280
Speaker 1: but also when you have but these but this, but

627
00:30:41,400 --> 00:30:44,040
Speaker 1: this is what this beef has also revealed. It's like here,

628
00:30:44,080 --> 00:30:46,280
Speaker 1: there's really levels of this ship though also break like

629
00:30:46,440 --> 00:30:49,000
Speaker 1: you you absolutely have the gift of creating like great

630
00:30:49,040 --> 00:30:52,880
Speaker 1: hooks and albums that can chart. And Kendrick Lamar is

631
00:30:52,960 --> 00:30:56,800
Speaker 1: like just a grind MC who's in the trenches and

632
00:30:57,160 --> 00:31:00,560
Speaker 1: is just really takes yeah, take a just taking the

633
00:31:00,880 --> 00:31:02,360
Speaker 1: taking a series of people like oh what is like

634
00:31:02,400 --> 00:31:04,480
Speaker 1: a quintopole entendre on these things. It's like, man, he

635
00:31:04,640 --> 00:31:07,080
Speaker 1: kind of yeah, he's he's messing with that's how he

636
00:31:07,160 --> 00:31:09,840
Speaker 1: thinks about his own lyrics. So again, I just like

637
00:31:09,920 --> 00:31:12,240
Speaker 1: that again that all these things create the sort of

638
00:31:12,320 --> 00:31:14,360
Speaker 1: sequence of back and forth and been like here's a track,

639
00:31:14,640 --> 00:31:16,240
Speaker 1: is it fun? We get to talk about it, we

640
00:31:16,320 --> 00:31:18,560
Speaker 1: get to analyze it, we get to critique it. Yeah,

641
00:31:19,280 --> 00:31:21,800
Speaker 1: And again I think just like as long as it

642
00:31:21,880 --> 00:31:26,360
Speaker 1: stays as a music, like just keep it dying. This

643
00:31:26,520 --> 00:31:28,760
Speaker 1: is great, keep it keep it that it's every then

644
00:31:28,800 --> 00:31:31,160
Speaker 1: it's good. It's good for everybody, and I think getting

645
00:31:31,240 --> 00:31:33,080
Speaker 1: caught up. Although look like I was saying I'm a

646
00:31:33,120 --> 00:31:36,720
Speaker 1: fan of Kendrick, I'm from la I personally, and I

647
00:31:36,760 --> 00:31:38,400
Speaker 1: don't think that has anything to do with why I

648
00:31:38,480 --> 00:31:40,840
Speaker 1: believe Kendrick is just a more gift in m see.

649
00:31:40,880 --> 00:31:44,000
Speaker 1: I think objectively he is just in a different level lyrically.

650
00:31:44,600 --> 00:31:46,840
Speaker 1: But that's my take and that's how I feel. But

651
00:31:46,920 --> 00:31:48,400
Speaker 1: that's what I like to see because then you see

652
00:31:48,440 --> 00:31:50,400
Speaker 1: what Drake does and you're like, oh, okay, that that

653
00:31:50,600 --> 00:31:53,400
Speaker 1: was antagonistic. We'll see where it goes. Yeah, it doesn't

654
00:31:53,400 --> 00:31:54,320
Speaker 1: doesn't mean he can't wrap.

655
00:31:54,480 --> 00:31:57,800
Speaker 3: But it's just like in the arena, you're stepping in

656
00:31:58,520 --> 00:32:01,400
Speaker 3: the brilliance of it is to be like, I'm going

657
00:32:01,480 --> 00:32:04,360
Speaker 3: to go at the one thing you want, because you're right,

658
00:32:04,520 --> 00:32:06,960
Speaker 3: I don't have as many hits as you. You're absolutely correct,

659
00:32:07,080 --> 00:32:08,560
Speaker 3: So I'm not going to go pound for pound for that.

660
00:32:09,080 --> 00:32:12,000
Speaker 3: The one thing you want is our co sign and

661
00:32:12,160 --> 00:32:13,280
Speaker 3: you will never get it.

662
00:32:13,920 --> 00:32:17,360
Speaker 1: Yeah, yeah, yeah, you are not just a goon. Remember

663
00:32:17,480 --> 00:32:20,680
Speaker 1: that you're not a goon. And that's okay. Not everybody's

664
00:32:21,760 --> 00:32:23,920
Speaker 1: not a goon. I never claimed goon. I don't like

665
00:32:24,040 --> 00:32:24,360
Speaker 1: that life.

666
00:32:25,240 --> 00:32:28,160
Speaker 3: I am a nice boy, which is what Jay Cole did.

667
00:32:28,720 --> 00:32:31,920
Speaker 3: He's like, look, man, I'm a college I'm a college

668
00:32:32,000 --> 00:32:34,680
Speaker 3: kid that just wanted to smash girls like that's yeah,

669
00:32:35,200 --> 00:32:35,560
Speaker 3: that's all.

670
00:32:35,600 --> 00:32:37,200
Speaker 1: I'm a nice guy. I'm a nice guy.

671
00:32:37,200 --> 00:32:38,080
Speaker 2: I'm a conscious rapper.

672
00:32:38,680 --> 00:32:41,760
Speaker 1: So y'all got y'all have it. But anyway, I'm sure

673
00:32:41,800 --> 00:32:44,120
Speaker 1: this will continue and PROP will have to I'm sure

674
00:32:44,200 --> 00:32:46,360
Speaker 1: have to have you back as inevitably because I don't

675
00:32:46,360 --> 00:32:49,640
Speaker 1: think this is going to end uh with Kendrick. I don't.

676
00:32:49,640 --> 00:32:51,480
Speaker 1: I don't. I mean, who knows, but I have a

677
00:32:51,560 --> 00:32:55,360
Speaker 1: knowing based on Drake's meming and stuff that's happening right now.

678
00:32:55,520 --> 00:32:57,840
Speaker 1: He may be cooking something up.

679
00:32:58,080 --> 00:33:01,040
Speaker 2: My prediction is like this is or akin to This

680
00:33:01,200 --> 00:33:02,880
Speaker 2: isn't Biggie and Tupac.

681
00:33:03,040 --> 00:33:05,200
Speaker 3: This is more akin to like jay Z and nas

682
00:33:05,240 --> 00:33:07,720
Speaker 3: to where it's like we get ether, we get you

683
00:33:07,760 --> 00:33:10,960
Speaker 3: know what I mean, We get these classic songs that

684
00:33:11,160 --> 00:33:13,320
Speaker 3: show up and again push the culture forward.

685
00:33:13,600 --> 00:33:17,120
Speaker 2: I will say this though, like if we're talking about making.

686
00:33:17,040 --> 00:33:22,840
Speaker 3: Hits, memorable songs, catchy sing along, move the crowd, move

687
00:33:22,920 --> 00:33:26,160
Speaker 3: the club, the Eastern Seaboard in the South.

688
00:33:26,400 --> 00:33:26,920
Speaker 1: You have that.

689
00:33:27,240 --> 00:33:30,280
Speaker 3: I am a I bleed, I bleed California. Everybody knows. Like,

690
00:33:30,360 --> 00:33:32,600
Speaker 3: but you're not taking that, You're not. You can't take

691
00:33:32,640 --> 00:33:35,680
Speaker 3: that from them. However, if it comes to like taking

692
00:33:35,720 --> 00:33:39,480
Speaker 3: the gloves off and like I'm gonna teach your children

693
00:33:39,920 --> 00:33:44,040
Speaker 3: like like track, yes, it's it's got to be the

694
00:33:44,080 --> 00:33:46,720
Speaker 3: West Coast because I'm like, you have to cite Tupac,

695
00:33:46,920 --> 00:33:50,680
Speaker 3: who's I mean the first lyric out his mouth was

696
00:33:51,160 --> 00:33:53,640
Speaker 3: first I fucked your wife, Like that's the first bar,

697
00:33:54,520 --> 00:33:57,480
Speaker 3: Like that's where you're starting the song. Yeah, So like

698
00:33:57,800 --> 00:34:01,880
Speaker 3: like if anything, if it's distracts, like we does this, Yeah, yeah,

699
00:34:01,880 --> 00:34:03,680
Speaker 3: we're this is what we do out here. Yeah we

700
00:34:03,920 --> 00:34:09,279
Speaker 3: we don't have gloves on, there's no that's but that's

701
00:34:09,320 --> 00:34:11,200
Speaker 3: what's all. It's like it's like Game of Thrones. It's

702
00:34:11,200 --> 00:34:12,920
Speaker 3: like that's how the West Coast Kingdom is, and.

703
00:34:12,920 --> 00:34:14,080
Speaker 2: That's how the West Coast Kingdom.

704
00:34:14,120 --> 00:34:16,200
Speaker 1: We all have our different strengths and weaknesses, and that's

705
00:34:16,200 --> 00:34:17,880
Speaker 1: where we go from. I mean, yeah, look, we had

706
00:34:17,880 --> 00:34:20,040
Speaker 1: our we had our little moment too with with the hits,

707
00:34:20,080 --> 00:34:21,960
Speaker 1: but look it's it's coming back. We've got a lot

708
00:34:21,960 --> 00:34:23,319
Speaker 1: of artists though now I mean to have a lot

709
00:34:23,400 --> 00:34:24,320
Speaker 1: of artists now between.

710
00:34:24,320 --> 00:34:24,920
Speaker 2: It's a good time.

711
00:34:25,160 --> 00:34:27,160
Speaker 1: Yeah, it's a good time. We're all we're all winning.

712
00:34:27,239 --> 00:34:32,200
Speaker 1: But anyway, that is our old head Wrap Analysis episode

713
00:34:32,760 --> 00:34:34,960
Speaker 1: for you all. Thank you so much for listening. We

714
00:34:35,040 --> 00:34:37,279
Speaker 1: are going to be back tomorrow with a whole new episode.

715
00:34:38,000 --> 00:34:40,759
Speaker 1: Prop Thank you so much for joining me. Definitely check

716
00:34:40,760 --> 00:34:44,799
Speaker 1: out Hood Politics because it's a fantastic show and I'd

717
00:34:44,800 --> 00:34:47,279
Speaker 1: love to have you back and thanks for having me

718
00:34:47,680 --> 00:34:50,640
Speaker 1: of course. All right, well, long live hip hop. We'll

719
00:34:50,680 --> 00:34:51,760
Speaker 1: talk to you later. Bye.