WEBVTT - #472 - Willy Northpole

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<v Speaker 1>What's going on to boy Willie north Pole. I'm excited.

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<v Speaker 1>You got to check me out right now. On the

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<v Speaker 1>Boutlet Care podcast, Man, we back Yo Boutlet Cab podcast.

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<v Speaker 1>Man Special guessing here my guy representing as maybe first

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<v Speaker 1>time here but first time yes Z what up? Man represent? Okay,

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<v Speaker 1>So we gott to.

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<v Speaker 2>Talk about So this album you just dropped is your

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<v Speaker 2>first album and how.

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<v Speaker 1>Long fifteen years? Man? So this is the first album

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<v Speaker 1>since to Connect Jesus fifteen years. I you know, I

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<v Speaker 1>had to get inspired. Man. You know I never stopped recording, right,

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<v Speaker 1>You're always recording, and I feel like never stopped being around.

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<v Speaker 1>I'm a true you know, I write, you know, that's

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<v Speaker 1>what I do. I've been recording since I was a kid.

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<v Speaker 1>But as far as you know, just you know I needed,

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<v Speaker 1>I didn't have nothing. It wasn't no motivation to you know,

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<v Speaker 1>drop this. And you know the game is like double Dutch.

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<v Speaker 1>You know, you got to know when to come in,

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<v Speaker 1>no when to come out. You know there's new, you know,

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<v Speaker 1>but what I'm representing right now, it's just basically bars right.

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<v Speaker 1>So we're back.

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<v Speaker 2>So for people who don't know man, obviously from my hometown,

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<v Speaker 2>you're kind of like, Yo, there was this era of

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<v Speaker 2>Arizona hip hop, which is was so crazy because it felt.

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<v Speaker 1>Like we made it.

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<v Speaker 2>Yeah, and it was when you signed with DTP hot Rod,

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<v Speaker 2>who's not necessarily from Arizona. It was more it was Sacramento. Yeah,

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<v Speaker 2>but at the time he was kind of banging easy.

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<v Speaker 1>Uh.

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<v Speaker 2>He signed a G unit. You were a part of.

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<v Speaker 2>I know you were kind of close with with with

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<v Speaker 2>Rod and Juice signed with the Game. All these things

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<v Speaker 2>happened kind of within the same I don't know year

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<v Speaker 2>and a half or so.

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<v Speaker 1>That was a crazy time.

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<v Speaker 2>Yeah, so it felt like, oh shits got some sho

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<v Speaker 2>But the.

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<v Speaker 1>Whole hot Rod situation happened first.

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<v Speaker 2>No, the hot Rod thing happened because I remember you

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<v Speaker 2>were like I was, I was riding with you, were

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<v Speaker 2>with him at fifty They started hating on Rod, who

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<v Speaker 2>was hating man A lot of people in Arizona.

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<v Speaker 1>Yeah, Man, I was like, no, were you his? Were

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<v Speaker 1>you hot Rods? Arizona protection at that time, I was,

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<v Speaker 1>I want to say protection, but I was becoming that

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<v Speaker 1>because you know, we started off on rough terms. Remember

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<v Speaker 1>I did the garbage disposal. Yes, I dissed everybody, right

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<v Speaker 1>This was before I was my brother. At this time,

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<v Speaker 1>I didn't even know Rod. You know what I'm saying.

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<v Speaker 1>He did a disc record. He was the only one

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<v Speaker 1>who responded. The niggas was scared, you know what I'm saying.

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<v Speaker 1>Rod responded, Uh, he called me something in the record.

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<v Speaker 1>You know what I'm saying, the B word. I ended

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<v Speaker 1>up At that time, I didn't. I didn't know that's

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<v Speaker 1>how this record, you know whatever. So I was taking it,

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<v Speaker 1>you know, a person, So I called him. I actually

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<v Speaker 1>had a conversation with him, and you know, started off rough,

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<v Speaker 1>but we ended up getting cool. Right, I'm just gonna

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<v Speaker 1>leave it at that. This was before all the hype,

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<v Speaker 1>So this was this was when he was working at

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<v Speaker 1>a call center. Was like, this is before fifty cent

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<v Speaker 1>even existed in our lives. So hold on, let me yeah,

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<v Speaker 1>this oh six, because I just dropped Garbag's Disposal, And

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<v Speaker 1>for the record, Garbage Disposal was a record where I

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<v Speaker 1>kind of aimed at every artists.

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<v Speaker 2>Who all, did you disc from Arizona back then? Just

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<v Speaker 2>so we I can age myself so I know who

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<v Speaker 2>was relevant enough to be anybody who had at list?

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<v Speaker 1>Did anybody who had anybody who had a name Hatlas

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<v Speaker 1>and all these dudes is my brother, by the way,

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<v Speaker 1>So I'm not trying to you know, did you just

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<v Speaker 1>iraq Irock is the only one that didn't get it?

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<v Speaker 1>I rock from my hood. Uh did Magic get it?

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<v Speaker 1>EMC Magic got it? Uh ninety eight, ninety two point three,

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<v Speaker 1>even got it? Bro survivalist, Survivalist got it. Bookie got it.

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<v Speaker 1>And this Bookie my brother right book so this but

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<v Speaker 1>but Bookie understood. Out of everybody, Bookie understood what was

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<v Speaker 1>what you were doing? He understood because I had a

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<v Speaker 1>cousin in the camp at the time to come on day.

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<v Speaker 1>He was an R and B singer over there with them.

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<v Speaker 1>So trying to think who was cracking back there? Everybody

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<v Speaker 1>a poke poke Apollo, follow the white dude and that's

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<v Speaker 1>my bro too. We all cool? What was up?

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<v Speaker 2>What was the the ballheaded white boy?

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<v Speaker 1>Mega? He was? He wasn't. I don't think the legend

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<v Speaker 1>just coming up right under the next generation, even though

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<v Speaker 1>we kind of the same age. He was kind of

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<v Speaker 1>coming up. But what was uh shout to him? There

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<v Speaker 1>was that whole like but those those were the main

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<v Speaker 1>rappers that I dissed at the time, and at that time,

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<v Speaker 1>you know, uh, full life records. They was killing it,

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<v Speaker 1>you know what i mean, survivalist. So anyway, it's hot.

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<v Speaker 1>Ride responded. I don't know why, but I ended up

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<v Speaker 1>getting at him on some whatever ship and he pulled

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<v Speaker 1>up to the studio actually, and he came to my studio.

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<v Speaker 1>He came to salt my studio. He actually had on

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<v Speaker 1>his call shiner clothes and everything fully dressed. Was it?

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<v Speaker 1>He Tellcare? Was it? He Tellcare? He was working at

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<v Speaker 1>I think it was, uh Tellcare was cracking everybody, and

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<v Speaker 1>you're trying to you know what I'm saying. I'm just saying,

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<v Speaker 1>this was the real thing. You know, this was really

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<v Speaker 1>like we was. We were just normal kids at this time,

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<v Speaker 1>you know what I mean. And so he came to

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<v Speaker 1>the studio. We met. This is after we we squashed

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<v Speaker 1>our beef whatever. By the week lady. He called me.

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<v Speaker 1>He's like, man, fifty called me. Man. I'm like what

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<v Speaker 1>He's like, yeah, man, he told me to quit my job.

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<v Speaker 1>I'm like word, He's like yeah, man, I'm going out there.

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<v Speaker 1>I'm like, get the fuck out of he said, yeah,

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<v Speaker 1>he want to talk to you too. I'm like, man,

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<v Speaker 1>get the fuck out of here. Because you don't even

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<v Speaker 1>know him, right, I don't even know Rod like that,

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<v Speaker 1>But this is how the universe worked. You get what

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<v Speaker 1>I'm saying, to get us together, you know what I'm saying.

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<v Speaker 1>So he ended up getting signed to fifty. I ended

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<v Speaker 1>up getting that call I was waiting for from fifty cent, right,

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<v Speaker 1>and then you ended up hanging out in his mansion.

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<v Speaker 1>And Yeah, fifty called me the next day like he

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<v Speaker 1>said he would. We talked on the phone for We

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<v Speaker 1>talked on the phone so long. I was like, Yo, bro,

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<v Speaker 1>I want to keep you on the phone this long.

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<v Speaker 1>I was. He was so goddamn cool when he was talking.

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<v Speaker 1>You know what I'm saying. He was like, yeah, I

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<v Speaker 1>want a new g unit you know, have you and

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<v Speaker 1>Rob blah. But he had this whole plan for me

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<v Speaker 1>riding Carnegie m You get what I'm saying. Carnegie, rest

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<v Speaker 1>the piece Carnegie. That's who gave me the body marked

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<v Speaker 1>up record Crazy Carnegie. Rest in peace to him, Carnegie

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<v Speaker 1>because he didn't have no tattoos. Yeah, so RP Carnegie.

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<v Speaker 1>So anyways, uh, rockets to fifty cent house. Fifty give

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<v Speaker 1>me a call. He fled me out. I didn't believe it. Man,

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<v Speaker 1>I get there first night in fifty cents house. Right,

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<v Speaker 1>you can't fight in this house. You can't can't bring

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<v Speaker 1>girls over there. You do know that type of shit

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<v Speaker 1>which is no normal. Yeah, Yo, getting a fight. It's

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<v Speaker 1>my first experience in fifties house. Yo, getting a fight.

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<v Speaker 1>The first night I get there, he's fighting some dude

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<v Speaker 1>in the house named Hove. Uh, they're fighting. I don't

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<v Speaker 1>know what if. I don't know if it was over

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<v Speaker 1>fifty center whatever. Well I'm not saying like that, but

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<v Speaker 1>I'm just saying they were fighting over something that had

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<v Speaker 1>to do with fifty Hole was the babysitter of the house.

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<v Speaker 1>So I see this situation kind of. I haven't met

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<v Speaker 1>fifty when I got there, he wasn't there yet. Next

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<v Speaker 1>morning he has an intercom and all he has a

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<v Speaker 1>conference phone in all of the rooms. I was staying

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<v Speaker 1>in his son's room. It's about fifteen rooms. Mike Tyson

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<v Speaker 1>old match. Yeah, it's in what like Connecticut? Yeah, yes, sir,

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<v Speaker 1>I think it's Hartford, Hartford, by Hartford, Yes, by Harford.

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<v Speaker 1>He called six o'clock in the morning, who's in my house?

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<v Speaker 1>Whoever's in my house? Coming to the conference room. We all

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<v Speaker 1>go to the conference room. Bro, I swear to God,

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<v Speaker 1>and I'm trying to I don't want to rush your

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<v Speaker 1>story because it was I gotta be detailed. Of course,

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<v Speaker 1>it gets fucking detailed. Bro. We're get in the conference

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<v Speaker 1>and were sitting at the table just like, this is

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<v Speaker 1>my first night at fifties house. Remember holing old boy

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<v Speaker 1>getting fight? Yo. Were all sitting here. Fifty walks in.

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<v Speaker 1>First time, he has on the hoodie. I'm like, damn,

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<v Speaker 1>everybody's scared of him. So I'm not saying nothing, and

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<v Speaker 1>they say, hey, what's up. I'm here, you know none

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<v Speaker 1>of that. He looked at Yao Yo, he like, what's up?

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<v Speaker 1>What happened? He looked at whole hole, didn't say nothing.

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<v Speaker 1>He's like, what happened? Then? Yao was like, son called

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<v Speaker 1>me a pussy or something. They had a fight in

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<v Speaker 1>a swimming pool. It was they had fifty had a

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<v Speaker 1>pool inside of his house. You get what I'm saying.

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<v Speaker 1>Uh Hold threw a chair at ya Yo. Yao caught

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<v Speaker 1>the fucking chair like superman. Yo had a cast on

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<v Speaker 1>his arm because he stabbed his He stabbed himself the

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<v Speaker 1>night before, cutting the hole in his Louisa Tom belt.

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<v Speaker 1>So he caught. So it was all kind of shit

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<v Speaker 1>going on in this nigga's house my first night. You

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<v Speaker 1>know what I'm saying. So fifty in Yao's having to

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<v Speaker 1>talk back and forth. He says, old boy calls him

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<v Speaker 1>a pussy as fifties talking to Yao, I swear to God.

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<v Speaker 1>He puts his hand on the big glass window like

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<v Speaker 1>Tony Montana like this. He said, what's the rules of

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<v Speaker 1>fighting in my house? Yao is like, there's no fighting

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<v Speaker 1>in your house. He said, do you think you're exempted?

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<v Speaker 1>I swear to God here. I swear to God all

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<v Speaker 1>my life. The niggas said you think you exempt Yeah?

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<v Speaker 1>He was like no. He said Monday, I'm calling Jimmy.

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<v Speaker 1>You're going to geffing and walked out. I swear to God. Right,

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<v Speaker 1>I'm like, who the fuck is Jimmy? Who the fuck

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<v Speaker 1>is geffing? That's what happened with the game, right, he

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<v Speaker 1>ended up going toff So fifty walk out of the room.

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<v Speaker 1>We have girls, we have all kinds of people at

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<v Speaker 1>we we don't even know who's at this table. I'm

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<v Speaker 1>sitting there, so I'm not remember I'm the new guy.

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<v Speaker 1>So now we're sitting here for about an hour. Everybody's

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<v Speaker 1>scared to talk. It's about thirty minutes after fifty walk

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<v Speaker 1>out exaggerated and I finally said something. I was like,

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<v Speaker 1>it's the meeting over. I was like, yeah, I guess.

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<v Speaker 1>Then everybody got it. That shit crazy. That was like

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<v Speaker 1>my first experience in fifty house. It was cool, though.

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<v Speaker 2>So you end up because hot Rode ends up signing

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<v Speaker 2>with g UNIT.

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<v Speaker 1>Be Easy comes out with Mary J. Blige, which was

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<v Speaker 1>pretty cool to have. I was in that video. Yeah,

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<v Speaker 1>somebody from Azy have a song Mary J Blige. It

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<v Speaker 1>was fucking pretty wild.

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<v Speaker 2>But then you end up signing to DTP right around

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<v Speaker 2>the time the Super bowls coming to Arizona. Uh yeah,

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<v Speaker 2>And then yeah, so how did you because because I'm

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<v Speaker 2>assuming fifty wanted to sign you, and then.

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<v Speaker 1>It's a transition. I'm going, now you want to transit,

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<v Speaker 1>I gotta give you more shit, Okay, go ahead. So

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<v Speaker 1>at this time I'm fully g UNIT. You can't say no.

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<v Speaker 1>I don't want to hear about no other labels. I'm

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<v Speaker 1>dis in game. I'm excited, you know what I'm saying,

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<v Speaker 1>Like I'm trying of really I'm riding for g on it,

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<v Speaker 1>right I'm living in fifties house. I just had a manager,

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<v Speaker 1>my manager, Tiffany, that's right now. She started one of

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<v Speaker 1>the management things. So she started asking me to send

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<v Speaker 1>me clothes and things like that to fifties house because

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<v Speaker 1>I was getting free shit. So I just had to

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<v Speaker 1>asked fifty I'm like, yo, can I get my manager

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<v Speaker 1>wants to send you know, materials to the house or whatever?

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<v Speaker 1>He said, Cool. Do I send it to the junior

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<v Speaker 1>at office or do I send it to your house?

0:10:27.160 --> 0:10:30.880
<v Speaker 1>He said, send it to the house. Cool. We're all

0:10:30.920 --> 0:10:35.080
<v Speaker 1>in the studio, me us a guy named Maserati Fox.

0:10:35.120 --> 0:10:37.920
<v Speaker 1>I actually talk about this song. It's called the Story

0:10:37.960 --> 0:10:40.679
<v Speaker 1>on my Connect album. I actually talked it was a guy,

0:10:40.760 --> 0:10:43.120
<v Speaker 1>Maserati Fox, Rest in peace. He passed away. By the way.

0:10:43.920 --> 0:10:47.240
<v Speaker 1>Mazi was a fool. This was fifties number one. He

0:10:47.320 --> 0:10:49.200
<v Speaker 1>just got a prison for murder, all kind of shit.

0:10:49.280 --> 0:10:50.640
<v Speaker 1>So as soon as he got out, he came straight

0:10:50.640 --> 0:10:52.839
<v Speaker 1>to the junior house, which we're all sharing the spot.

0:10:54.160 --> 0:10:56.559
<v Speaker 1>We're just the Arizona dudes, you know what I'm saying.

0:10:57.200 --> 0:11:01.400
<v Speaker 1>So me and Mazzi click Maserati Fox clip. He was

0:11:01.400 --> 0:11:04.480
<v Speaker 1>in a wheelchair. He was riding fifty rtvs hit his

0:11:04.559 --> 0:11:06.959
<v Speaker 1>leg or something. So he's in a wheelchair. So at

0:11:06.960 --> 0:11:09.360
<v Speaker 1>this time we're beefing with Fat Joe all these cats.

0:11:09.360 --> 0:11:12.679
<v Speaker 1>So whenever shit was going on, I'm pushing Maserati Fox

0:11:12.679 --> 0:11:14.600
<v Speaker 1>in a wheelchairs, you know what I mean. Like we

0:11:14.600 --> 0:11:17.000
<v Speaker 1>were cool at this time, but one time we were

0:11:17.040 --> 0:11:20.360
<v Speaker 1>all in the studio in New York or Connecticut. I

0:11:20.400 --> 0:11:22.880
<v Speaker 1>get a call. My little brother needs a ride to work,

0:11:23.480 --> 0:11:25.800
<v Speaker 1>just to ride to work from Phoenix. Right. I called

0:11:25.840 --> 0:11:27.600
<v Speaker 1>one of my little side pieces, Yo, can you get

0:11:27.600 --> 0:11:29.440
<v Speaker 1>my brother. He's gonna be downstairs. Da da da dah.

0:11:29.520 --> 0:11:32.080
<v Speaker 1>I'm organizing his ride to work for my little brother.

0:11:32.640 --> 0:11:34.960
<v Speaker 1>I get off the phone. Fox said, Yo, you're selling

0:11:35.000 --> 0:11:38.959
<v Speaker 1>drugs in fifty house. I said what He's like, you're

0:11:38.960 --> 0:11:42.120
<v Speaker 1>selling drugs in fifty house. I said, what are you

0:11:42.120 --> 0:11:44.240
<v Speaker 1>talking about? He said, I heard you blah blah blah blah,

0:11:44.280 --> 0:11:47.200
<v Speaker 1>you know, saying go downstairs and shit. I said, yo, man,

0:11:48.280 --> 0:11:50.120
<v Speaker 1>I'm just He said, yo, if you try, I said.

0:11:50.800 --> 0:11:52.760
<v Speaker 1>He said, if you're selling drugs out of fifty house,

0:11:52.760 --> 0:11:55.480
<v Speaker 1>he'll send you past Arizona. That's what he said, right,

0:11:55.880 --> 0:11:57.000
<v Speaker 1>I said, man, I was just trying to get my

0:11:57.000 --> 0:11:58.959
<v Speaker 1>little brother a rod to work whatever. So I'm not

0:11:59.000 --> 0:12:02.080
<v Speaker 1>even thinking about this conversation at all. Right, get a

0:12:02.080 --> 0:12:05.959
<v Speaker 1>phone call. We got to go to Eminem's video shoot.

0:12:06.160 --> 0:12:08.080
<v Speaker 1>It was the first time him and fifty did a song.

0:12:08.080 --> 0:12:10.840
<v Speaker 1>Who Won It with cash Is? I don't know if

0:12:10.840 --> 0:12:11.240
<v Speaker 1>you remember that?

0:12:11.280 --> 0:12:14.280
<v Speaker 2>Look, yeah that was that was on the Shady Records album.

0:12:14.400 --> 0:12:17.400
<v Speaker 1>We flew out there Detroit two day video shoot.

0:12:17.920 --> 0:12:19.360
<v Speaker 2>Not, by the way, not the first song made it.

0:12:19.559 --> 0:12:21.199
<v Speaker 2>Not the first time fifty and Eminem did a song.

0:12:21.360 --> 0:12:23.160
<v Speaker 1>This was the first time. For some reason, I think

0:12:23.200 --> 0:12:26.000
<v Speaker 1>this was like the first collabo if I'm not mistaken,

0:12:26.040 --> 0:12:28.440
<v Speaker 1>because this was the first that be Et was there.

0:12:29.000 --> 0:12:32.760
<v Speaker 2>No, No, this was where this was like patiently waiting and.

0:12:33.040 --> 0:12:34.880
<v Speaker 1>Okay, So this was they were making a big deal

0:12:34.920 --> 0:12:36.400
<v Speaker 1>out because MTV was there.

0:12:37.040 --> 0:12:39.559
<v Speaker 2>Because by Bio six o seven, that's like, I mean,

0:12:39.920 --> 0:12:42.000
<v Speaker 2>g Richard, get Richard, I try and came out in

0:12:42.040 --> 0:12:42.960
<v Speaker 2>like two thousand and two.

0:12:43.000 --> 0:12:45.959
<v Speaker 1>I think what was that two thousand and two? Yeah,

0:12:46.400 --> 0:12:48.680
<v Speaker 1>covers back there. So we look, we get to Detroit

0:12:48.720 --> 0:12:52.280
<v Speaker 1>for this video shoot, big deal two day video shoot.

0:12:52.520 --> 0:12:54.760
<v Speaker 1>First day I meet Eminem, everything is good. Second day

0:12:54.760 --> 0:12:56.280
<v Speaker 1>they leave me in the hotel. Was that album called

0:12:56.320 --> 0:12:57.680
<v Speaker 1>the re up. By the way, yeah, I think the

0:12:57.720 --> 0:13:00.920
<v Speaker 1>shady res I think the real Okay, go ahead. First

0:13:01.000 --> 0:13:05.320
<v Speaker 1>day went smooth. Second day, they leave me in the hotel.

0:13:05.400 --> 0:13:08.000
<v Speaker 1>I wake up. I'm like, where's everybody at? I get

0:13:08.040 --> 0:13:10.439
<v Speaker 1>a call from High Rock. I'm like, right, you know

0:13:10.440 --> 0:13:12.679
<v Speaker 1>where the fuck y'all at. He's like, yeah, I got

0:13:12.720 --> 0:13:14.240
<v Speaker 1>to talk to you. When I get back to the hotel.

0:13:14.880 --> 0:13:17.000
<v Speaker 1>I'm like, what for. He's like, I'm gonna talk to you.

0:13:17.120 --> 0:13:21.000
<v Speaker 1>I'm like, cool. He came back this when Blackberries were out, yeah,

0:13:21.040 --> 0:13:24.360
<v Speaker 1>and he's like, I got somebody need to ask you. Man.

0:13:24.440 --> 0:13:27.280
<v Speaker 1>He came to the hotel. He's like, what you're telling them?

0:13:27.360 --> 0:13:32.640
<v Speaker 1>Drugs out of fifty cent? I said this, fucking nigga

0:13:32.679 --> 0:13:35.480
<v Speaker 1>fox Man. So he's spreading that shit round man. So

0:13:35.520 --> 0:13:38.480
<v Speaker 1>I told the whole story. So he's like, man, we

0:13:38.520 --> 0:13:40.800
<v Speaker 1>got a call. We got to talk to fifty fifty

0:13:40.800 --> 0:13:42.839
<v Speaker 1>got an airplane ticket for you to go back to Arizona.

0:13:43.400 --> 0:13:46.200
<v Speaker 1>I was already gone, so shot Money had to come

0:13:46.240 --> 0:13:49.640
<v Speaker 1>get me. Seat Money came to get us. I tell

0:13:49.679 --> 0:13:51.839
<v Speaker 1>him the whole story on the way to this video shoot.

0:13:52.160 --> 0:13:55.000
<v Speaker 1>So now he's convinced I'm telling the truth. So now

0:13:55.000 --> 0:13:57.959
<v Speaker 1>we get there. He's like, there's a room stack Quo's

0:13:57.960 --> 0:14:00.240
<v Speaker 1>in there. Lloyd Banks. I'm gonna tell you why fucking

0:14:00.280 --> 0:14:04.800
<v Speaker 1>Lloyd Banks. Lloyd Banks? Ya yo, But everybody's in this

0:14:04.920 --> 0:14:08.480
<v Speaker 1>one room, this little green room, right, it's import Sean

0:14:08.559 --> 0:14:11.280
<v Speaker 1>Money is saying, you gotta talk to fifty cent. But

0:14:11.360 --> 0:14:12.960
<v Speaker 1>how am I gonna talk to fifty with all the

0:14:13.000 --> 0:14:16.840
<v Speaker 1>fucking MTV's here. You know, BT is here. You know,

0:14:16.840 --> 0:14:18.960
<v Speaker 1>he's not thinking about my ass, My Arizona nigga about

0:14:18.960 --> 0:14:22.280
<v Speaker 1>to send me back to Arizona. He's not. So Sean

0:14:22.360 --> 0:14:24.240
<v Speaker 1>Money was like, tell them what happened, Tell them what happened.

0:14:24.600 --> 0:14:26.160
<v Speaker 1>All the guys in, all the rappers in the room.

0:14:26.200 --> 0:14:27.880
<v Speaker 1>So I tell them what happened. I'm like, yeah, you know,

0:14:28.520 --> 0:14:31.240
<v Speaker 1>blah blah blahh you know he you know, Fox said this.

0:14:31.320 --> 0:14:34.400
<v Speaker 1>Fox said that this is why fuck with Lloyd Banks.

0:14:34.440 --> 0:14:37.880
<v Speaker 1>Banks was like, Man, why they gonna fuck with this nigga?

0:14:37.920 --> 0:14:39.200
<v Speaker 1>Like that? Man, this nigga is out here trying to

0:14:39.200 --> 0:14:40.880
<v Speaker 1>make music. Man, he from Arizona. He don't know none

0:14:40.920 --> 0:14:43.080
<v Speaker 1>of this ship out here. Man. Man, Fox a bully

0:14:43.080 --> 0:14:44.720
<v Speaker 1>man nigga always trying to you know, he just kind

0:14:44.720 --> 0:14:47.560
<v Speaker 1>of takeing up for me, right, fuck with Lloyd Banks? Yeah. Yo.

0:14:47.600 --> 0:14:52.560
<v Speaker 1>On the other hand, yea, Yo was like, son, you

0:14:52.640 --> 0:14:55.480
<v Speaker 1>just got to talk to fifth. He said, you just

0:14:55.520 --> 0:14:58.120
<v Speaker 1>may have to beg. We all had to. I said,

0:15:00.080 --> 0:15:03.640
<v Speaker 1>that's funny, am I give them too much? Yeah? So

0:15:04.880 --> 0:15:06.920
<v Speaker 1>he's like, you may have to beg. I said, y'all

0:15:07.000 --> 0:15:09.720
<v Speaker 1>niggas begg because he buy y'all bileies and ship. You

0:15:09.720 --> 0:15:11.800
<v Speaker 1>know what I'm saying. I'm just gonna tell him what happened.

0:15:13.880 --> 0:15:16.480
<v Speaker 1>So now he's fifties, is lunchtime, fifties, sitting in his

0:15:16.560 --> 0:15:18.800
<v Speaker 1>room with his publishers. He's eating a burrito and ship

0:15:19.640 --> 0:15:21.400
<v Speaker 1>and now I'm like, fuck, I gotta talk to him.

0:15:21.400 --> 0:15:24.440
<v Speaker 1>Playing about to leave, right, So I'm like, fuck it.

0:15:24.680 --> 0:15:26.920
<v Speaker 1>I walked in the room, Yo, Can I talked to you? Doug?

0:15:27.800 --> 0:15:31.440
<v Speaker 1>He looked at his publicist and the publishers, like do

0:15:31.520 --> 0:15:34.640
<v Speaker 1>I need to leave? He's like, no, You're good. He's like,

0:15:34.680 --> 0:15:37.640
<v Speaker 1>what's up. I was like, Bro, I would have to

0:15:37.640 --> 0:15:41.120
<v Speaker 1>be a stupid motherfucker to be having drugs sent to

0:15:41.200 --> 0:15:44.680
<v Speaker 1>your house to me, Yeah, for sure. Like I'm from Arizona,

0:15:44.720 --> 0:15:46.400
<v Speaker 1>but I know you know what I mean? Yeah, Like

0:15:46.520 --> 0:15:48.920
<v Speaker 1>you know what I mean. And I was like, I

0:15:48.960 --> 0:15:51.320
<v Speaker 1>can't explain to him, you know, the clothing situation on

0:15:51.360 --> 0:15:53.080
<v Speaker 1>my manager and stuff, because you got to think. I

0:15:53.120 --> 0:15:55.120
<v Speaker 1>just asked him could I get boxes sent to his house?

0:15:55.280 --> 0:16:01.880
<v Speaker 1>So on his head drugs. So that really fucked up

0:16:01.920 --> 0:16:05.480
<v Speaker 1>relationship at that time. So he was like he did

0:16:05.520 --> 0:16:08.680
<v Speaker 1>that little laugh. He was like, Fox just want to rap,

0:16:09.040 --> 0:16:10.840
<v Speaker 1>you know what I'm saying. He was like, I'm gonna

0:16:10.840 --> 0:16:12.720
<v Speaker 1>seeing you on Rod. I just got to get you

0:16:12.760 --> 0:16:14.960
<v Speaker 1>all off the house. So he ended up seeing me,

0:16:15.120 --> 0:16:19.000
<v Speaker 1>sending me and Rod to New York in a penthouse

0:16:19.200 --> 0:16:21.240
<v Speaker 1>and he let Fox stand in the house. I was upset.

0:16:21.240 --> 0:16:22.920
<v Speaker 1>I wanted to stay in the house. I wanted to work.

0:16:23.600 --> 0:16:25.800
<v Speaker 1>Rob was happy. Rob wanted to have the girls, you

0:16:25.840 --> 0:16:27.720
<v Speaker 1>know what I'm saying. I was like, no, man, I

0:16:27.760 --> 0:16:29.120
<v Speaker 1>was like, I wanted to get back in fifty house.

0:16:29.160 --> 0:16:30.600
<v Speaker 1>But at that time he was already tired of her.

0:16:30.680 --> 0:16:34.760
<v Speaker 1>So it was just like a weird relationship. I had him.

0:16:34.840 --> 0:16:37.440
<v Speaker 1>Then Tiffany, she kept calling me like she was like,

0:16:37.480 --> 0:16:39.280
<v Speaker 1>fucking from the beginning, get up out of there. I

0:16:39.280 --> 0:16:41.720
<v Speaker 1>can get your own record deal, I get your own situation.

0:16:42.480 --> 0:16:43.960
<v Speaker 1>We can do this, do that. But I was so

0:16:44.120 --> 0:16:47.360
<v Speaker 1>gun home. Fifty g on it in all the situation. I'm,

0:16:47.560 --> 0:16:50.600
<v Speaker 1>you know, fucking Academy Awards and he's the hottest artist

0:16:50.600 --> 0:16:52.240
<v Speaker 1>in the fucking world at this time. You know what

0:16:52.280 --> 0:16:55.600
<v Speaker 1>I'm saying, I'm not leaving this man's house. And then

0:16:55.680 --> 0:16:57.680
<v Speaker 1>she ended up talking to me. She ended up talking

0:16:57.760 --> 0:17:00.040
<v Speaker 1>me into asking him to leave pretty much if I

0:17:00.040 --> 0:17:02.800
<v Speaker 1>got that story correctcause that's sounded about right, And she

0:17:02.880 --> 0:17:05.040
<v Speaker 1>asked me to give her about six months, so I had.

0:17:05.080 --> 0:17:06.480
<v Speaker 1>That was the hardest thing too. I had to go

0:17:06.520 --> 0:17:09.119
<v Speaker 1>talk to Fifty about that, be like, hey, man, I'm out. No,

0:17:09.240 --> 0:17:12.399
<v Speaker 1>I didn't say it like that. I said, can I

0:17:12.400 --> 0:17:14.560
<v Speaker 1>talk to you man once again? You know what I'm saying?

0:17:15.320 --> 0:17:18.280
<v Speaker 1>He goes, I tell him my I told the situation.

0:17:18.400 --> 0:17:20.000
<v Speaker 1>I was like, you know, I've been in New York

0:17:20.000 --> 0:17:22.239
<v Speaker 1>because he remember, you send us to New York, and

0:17:22.280 --> 0:17:24.119
<v Speaker 1>I was in my feelings about not being back at

0:17:24.119 --> 0:17:25.560
<v Speaker 1>the house. So I was just like, you know, I

0:17:25.640 --> 0:17:28.000
<v Speaker 1>just kind of want to go back. I have a situation,

0:17:28.280 --> 0:17:31.680
<v Speaker 1>new management, you know, blah blah. He basically like you sure,

0:17:31.920 --> 0:17:36.440
<v Speaker 1>you know he sent me back, man? And I got

0:17:36.440 --> 0:17:40.040
<v Speaker 1>home and I put them all my faith into the

0:17:40.080 --> 0:17:43.280
<v Speaker 1>Family Tree Entertainment situation, which was with Tiffany and Blue

0:17:43.280 --> 0:17:45.520
<v Speaker 1>Michael Blue Williams. They used to manager out casting on them,

0:17:46.080 --> 0:17:50.360
<v Speaker 1>Big Sean Gucci. I ended up trusting them. They ended

0:17:50.440 --> 0:17:54.199
<v Speaker 1>up getting labels excited about me, had labels wanting to signing,

0:17:55.080 --> 0:17:58.359
<v Speaker 1>you know. And you know, so this is this before

0:17:58.440 --> 0:18:01.399
<v Speaker 1>Man Up Squad's the thing. This was Manham Squad was

0:18:01.400 --> 0:18:06.080
<v Speaker 1>already going on. Okay, Man of Squad was no, uh no,

0:18:06.600 --> 0:18:08.920
<v Speaker 1>I didn't meet Remember, I just met Rod. I didn't

0:18:08.920 --> 0:18:10.640
<v Speaker 1>get with Man of Squad two thousand and seven. That'sh

0:18:10.880 --> 0:18:12.920
<v Speaker 1>hot Rod happened in two thousand and six. So all

0:18:12.920 --> 0:18:16.159
<v Speaker 1>this is formulating into Manhim Squad got it because a

0:18:16.200 --> 0:18:18.719
<v Speaker 1>lot of because people were Man of Squad was grouping

0:18:18.800 --> 0:18:20.960
<v Speaker 1>up at this time when me and Rock, when I

0:18:21.000 --> 0:18:24.000
<v Speaker 1>got signed and when Rod got signed, people were really

0:18:24.080 --> 0:18:26.199
<v Speaker 1>like people that knew me from Arizona was coming to

0:18:26.240 --> 0:18:29.119
<v Speaker 1>me because of Rod's situation. So I was kind of

0:18:29.119 --> 0:18:31.840
<v Speaker 1>like an Arizona right, you know what I'm saying. They

0:18:31.840 --> 0:18:33.520
<v Speaker 1>were coming to me. So all these dudes were coming

0:18:33.520 --> 0:18:35.560
<v Speaker 1>around me. So I'm formulating the Man of Squad. I

0:18:35.600 --> 0:18:41.080
<v Speaker 1>knew phrase to phrase man Yeah or Peter Phrase man. Yeah,

0:18:41.240 --> 0:18:44.080
<v Speaker 1>that motherfucker was an alien. Yeah. He was the most

0:18:44.160 --> 0:18:45.800
<v Speaker 1>one of the most talented dudes I ever worked with.

0:18:46.440 --> 0:18:50.199
<v Speaker 1>You know, we brought Phrase to Atlanta, Tiffany and I.

0:18:50.320 --> 0:18:52.240
<v Speaker 1>He was cold man. We ended up getting him to

0:18:52.240 --> 0:18:55.159
<v Speaker 1>work with Bangladesh, who you know does records. Was that

0:18:55.760 --> 0:19:01.080
<v Speaker 1>it was you saying q Emir Jiggelow? Yeah, jig yeah, man.

0:19:01.320 --> 0:19:04.680
<v Speaker 1>Who wasn't in it all the all the top. Anybody

0:19:04.720 --> 0:19:08.960
<v Speaker 1>who even j times three bro, anybody who had a

0:19:09.119 --> 0:19:11.639
<v Speaker 1>name wanted to be a part of men up, that

0:19:11.760 --> 0:19:14.000
<v Speaker 1>had any type of talent. Do you feel like.

0:19:15.400 --> 0:19:18.679
<v Speaker 2>Because at that time it felt like there was like

0:19:19.400 --> 0:19:22.600
<v Speaker 2>the g Unit Black Wall Street thing, what led over

0:19:22.640 --> 0:19:26.040
<v Speaker 2>the Arizona. Was there like any any animosity towards Juice

0:19:26.040 --> 0:19:26.520
<v Speaker 2>at that time?

0:19:26.640 --> 0:19:30.960
<v Speaker 1>Yeah, yeah, that's the let me see what happened. And no,

0:19:30.960 --> 0:19:33.000
<v Speaker 1>no disrespect to Richie because Richie is my brother, No

0:19:33.040 --> 0:19:33.320
<v Speaker 1>for sure.

0:19:33.520 --> 0:19:35.320
<v Speaker 2>And I think also prior to that, wasn't he with

0:19:35.359 --> 0:19:40.320
<v Speaker 2>a Mari or was that after? This was before came after?

0:19:40.480 --> 0:19:42.960
<v Speaker 1>So when hot Rod and Juice mean excuse me, when

0:19:42.960 --> 0:19:45.840
<v Speaker 1>how Rod and Juice first got with game? Game went

0:19:46.000 --> 0:19:47.840
<v Speaker 1>fuck with Juice because of the hot Ross You this

0:19:47.920 --> 0:19:51.920
<v Speaker 1>before really even existed on with GTP. I'm cool with Rod.

0:19:52.600 --> 0:19:54.760
<v Speaker 1>I ended up me and Mike Rashid and Hot Rob

0:19:54.760 --> 0:19:57.560
<v Speaker 1>were in the car. Richie just had said fuck hoig

0:19:57.640 --> 0:20:01.000
<v Speaker 1>Rod on the song. You get what I'm saying. I

0:20:01.040 --> 0:20:04.840
<v Speaker 1>ended up seeing Richie at a barber shop. I'm in

0:20:04.840 --> 0:20:07.600
<v Speaker 1>the car with hot Rod and Michael Sheet. You get

0:20:07.640 --> 0:20:11.440
<v Speaker 1>what I'm saying, right. I ended up seeing Richie Mikerora Sheet. Yeah,

0:20:11.440 --> 0:20:13.800
<v Speaker 1>I said, Mikero Sheet, that's my brother. I ended up

0:20:13.800 --> 0:20:16.080
<v Speaker 1>seeing this nigga like the world knows a miss micro

0:20:16.119 --> 0:20:18.840
<v Speaker 1>Sheet just wor clear. So at the time that Richie

0:20:18.880 --> 0:20:22.080
<v Speaker 1>seen a hot Rod And I'm gonna say this real

0:20:22.200 --> 0:20:24.720
<v Speaker 1>vaguely because it ain't really know any really big of

0:20:24.720 --> 0:20:28.000
<v Speaker 1>a situation. But I see Richie at this time, I'm

0:20:28.000 --> 0:20:29.760
<v Speaker 1>hot because he just said fuck hot Roding and no,

0:20:29.880 --> 0:20:31.879
<v Speaker 1>fuck that. This nigga's gonna represent Arizona. I don't care

0:20:31.920 --> 0:20:33.240
<v Speaker 1>where you're from. Were gonna do this shit right. This

0:20:33.320 --> 0:20:35.080
<v Speaker 1>is the only thing we got. You don't have no

0:20:35.119 --> 0:20:37.359
<v Speaker 1>say sowing this shit. We're not doing this. That was

0:20:37.359 --> 0:20:39.720
<v Speaker 1>my whole argument with Richie at the time. Don't say

0:20:39.760 --> 0:20:41.720
<v Speaker 1>fuck him just because you're a game and he's with fifty.

0:20:41.840 --> 0:20:44.879
<v Speaker 1>Fuck with game and fifty is going through. That was

0:20:44.920 --> 0:20:46.960
<v Speaker 1>my argument. So it wasn't like I was trying to

0:20:46.960 --> 0:20:49.080
<v Speaker 1>take up for Rod. It was more like it was

0:20:49.080 --> 0:20:51.000
<v Speaker 1>moved together. Yeah, it was more like you're tripping, bro.

0:20:51.160 --> 0:20:53.760
<v Speaker 1>So when I seen him, you know, it started off

0:20:53.840 --> 0:20:56.320
<v Speaker 1>kind of confrontational. Whatever. He you know, try to shake

0:20:56.320 --> 0:20:57.680
<v Speaker 1>our hand. In the car, I got out. We were

0:20:57.680 --> 0:21:00.440
<v Speaker 1>talking and we kind of squared up a little bit.

0:21:00.840 --> 0:21:03.560
<v Speaker 1>Rob was in the car. You know what I'm saying,

0:21:04.480 --> 0:21:06.240
<v Speaker 1>you're a car. No, he was in Mica. We were

0:21:06.240 --> 0:21:08.800
<v Speaker 1>all in micro SHOT's car. So I'm talking, I'm doing

0:21:08.880 --> 0:21:12.440
<v Speaker 1>I'm doing mostly the talking for him. Rob. Window come down.

0:21:13.520 --> 0:21:17.360
<v Speaker 1>He finally starts talking. There's a little story behind that.

0:21:17.720 --> 0:21:20.760
<v Speaker 1>I don't know who rolled the window down. Somebody's telling

0:21:20.800 --> 0:21:23.879
<v Speaker 1>me that, you know what I'm saying, Somebody said somebody

0:21:23.920 --> 0:21:25.879
<v Speaker 1>needs to speak up for themselves. I don't know what happened,

0:21:25.880 --> 0:21:28.800
<v Speaker 1>but all I know is Rod window came down, and

0:21:28.840 --> 0:21:31.240
<v Speaker 1>he said, yeah, what's the problem, Bro, Because I'm outside

0:21:31.240 --> 0:21:34.960
<v Speaker 1>talking for him too, you know what I mean. He's

0:21:34.960 --> 0:21:37.560
<v Speaker 1>in the car, but his window comes down like he's

0:21:37.560 --> 0:21:40.879
<v Speaker 1>fucking Donald Trump in the back set. We're in a

0:21:40.920 --> 0:21:44.120
<v Speaker 1>magna mummy, you know what I'm saying. And so later

0:21:44.160 --> 0:21:46.359
<v Speaker 1>on I kind of figured out how the window came down.

0:21:46.440 --> 0:21:50.040
<v Speaker 1>But they're all talking and ship old boy, get out

0:21:50.080 --> 0:21:52.840
<v Speaker 1>the car juice. I'm like, so if everybody cool, we

0:21:52.880 --> 0:21:55.560
<v Speaker 1>all should be able to take pictures, right, you know

0:21:55.560 --> 0:21:58.399
<v Speaker 1>what I'm saying, We all take pictures. I never put

0:21:58.520 --> 0:22:00.399
<v Speaker 1>him out. We never put him out. Never had a

0:22:00.440 --> 0:22:04.000
<v Speaker 1>problem ever since. Right, we had some posters, you know

0:22:04.000 --> 0:22:06.120
<v Speaker 1>what I'm saying, and things like that. So from there

0:22:06.200 --> 0:22:08.360
<v Speaker 1>it was just kind of like me and Richie knew

0:22:08.359 --> 0:22:10.280
<v Speaker 1>why I was upset at that time. So ever since then,

0:22:10.320 --> 0:22:12.680
<v Speaker 1>me and Richie was cool, right, you know, Richie, Richie

0:22:12.760 --> 0:22:15.440
<v Speaker 1>is probably the most one of the most humblest, sure

0:22:16.160 --> 0:22:19.080
<v Speaker 1>real super amazing guy. Like I love that dude, you

0:22:19.119 --> 0:22:21.040
<v Speaker 1>know what I'm saying. At this time, he know, I

0:22:21.119 --> 0:22:22.920
<v Speaker 1>was on some we was on some rap ego shit.

0:22:23.040 --> 0:22:25.280
<v Speaker 1>This is the only reason I'm telling this story, Richie.

0:22:25.480 --> 0:22:27.000
<v Speaker 1>I'm not trying to make it seem like a punk

0:22:27.520 --> 0:22:30.240
<v Speaker 1>for sure, letting you know, I know, I'm telling the

0:22:30.240 --> 0:22:32.719
<v Speaker 1>whole story of how it built up to what it was.

0:22:33.160 --> 0:22:35.720
<v Speaker 2>Justice is the first guy who ever handed me money.

0:22:35.760 --> 0:22:37.320
<v Speaker 2>I've never made it. I'd never made a reign in

0:22:37.320 --> 0:22:39.359
<v Speaker 2>my life. And We're at Sonny's and Chandler and he

0:22:39.480 --> 0:22:41.080
<v Speaker 2>just handed me like five hundred dollars and ones and

0:22:41.119 --> 0:22:43.359
<v Speaker 2>he's like, you gotta throw it though, And I was like,

0:22:43.640 --> 0:22:46.440
<v Speaker 2>at the time, I didn't have anything, so I.

0:22:46.400 --> 0:22:50.520
<v Speaker 1>Was throwing it on and wasn't looking. Hey. I remember

0:22:50.520 --> 0:22:52.720
<v Speaker 1>one time I was stuffing some money. We was partying

0:22:52.760 --> 0:22:55.920
<v Speaker 1>a Luda and a JEZI was having a battle. Yeah.

0:22:55.920 --> 0:22:59.080
<v Speaker 1>I was like, yo, this is my first time going

0:22:59.119 --> 0:23:00.600
<v Speaker 1>out with him. Right now, I want some of them.

0:23:01.000 --> 0:23:02.720
<v Speaker 1>I need the money right now, all kind of ones

0:23:02.720 --> 0:23:04.800
<v Speaker 1>in my pocket. I had ship in my socks. It

0:23:04.920 --> 0:23:08.000
<v Speaker 1>was falling out. That's funny. That was amazing.

0:23:08.080 --> 0:23:12.920
<v Speaker 2>So, uh, fast forward, How does the Luther thing transpire?

0:23:14.200 --> 0:23:19.840
<v Speaker 1>If I'm not mistaken? Uh? Tiffany uh knew someone down

0:23:19.880 --> 0:23:22.600
<v Speaker 1>at DTP disturbed. She knew, No I was. I was

0:23:22.600 --> 0:23:27.359
<v Speaker 1>getting shocked with Jazzy fade outcast all them. Luda was

0:23:27.400 --> 0:23:31.439
<v Speaker 1>ready shocking them, were ready. Court Digger shout out to

0:23:31.440 --> 0:23:34.320
<v Speaker 1>court Digger. He was working down there. Him and Tiffany,

0:23:34.400 --> 0:23:36.680
<v Speaker 1>they were really cool. Even though she knew everybody in

0:23:36.680 --> 0:23:39.240
<v Speaker 1>the office. I don't know how Court took play, but

0:23:39.280 --> 0:23:41.960
<v Speaker 1>I think Court was actually playing the demo if I'm

0:23:41.960 --> 0:23:46.440
<v Speaker 1>not mistaken inside of the uh the office, body marked Yeah,

0:23:46.600 --> 0:23:50.680
<v Speaker 1>we'll talk about that. So look she's playing, he's playing

0:23:50.680 --> 0:23:55.439
<v Speaker 1>Body Marked Up. Jeff Dixon walks by that Shaka's uh

0:23:55.800 --> 0:24:01.040
<v Speaker 1>the other boss, Shaka's brother? Was it Shaka or Jeff one? Jeah?

0:24:01.280 --> 0:24:04.040
<v Speaker 1>He stops and said, who the hell is that? What's

0:24:04.080 --> 0:24:08.040
<v Speaker 1>this body? Body marked up? Whatever? Yeah, that was pretty

0:24:08.080 --> 0:24:10.280
<v Speaker 1>much it. Man, It's like the old record label story.

0:24:10.359 --> 0:24:14.359
<v Speaker 1>Somebody heard the demo? Yo was was body Marked Up?

0:24:14.480 --> 0:24:16.640
<v Speaker 2>Because I remember Carly made it like the street Heat

0:24:16.640 --> 0:24:19.040
<v Speaker 2>of the Week on Power was that prior to d

0:24:19.200 --> 0:24:19.439
<v Speaker 2>t P.

0:24:20.200 --> 0:24:23.920
<v Speaker 1>It was, yeah, shout that was that was an Arizona

0:24:23.960 --> 0:24:25.399
<v Speaker 1>street record. Yeah, it was that.

0:24:25.480 --> 0:24:27.280
<v Speaker 2>I remember. It's so crazy because we had so much

0:24:27.320 --> 0:24:29.359
<v Speaker 2>like it was that and then Iraq had that record.

0:24:29.359 --> 0:24:32.959
<v Speaker 2>What was the Irock record on his album class Fuss.

0:24:34.960 --> 0:24:40.000
<v Speaker 1>Swell Swell Way? Yeah, no, that sh it was hard. No,

0:24:40.119 --> 0:24:40.600
<v Speaker 1>it's crazy.

0:24:40.680 --> 0:24:43.959
<v Speaker 2>So you end up signing with Ludas it's a it's

0:24:44.000 --> 0:24:46.680
<v Speaker 2>a it's crazy because at that time, I remember you

0:24:46.720 --> 0:24:48.880
<v Speaker 2>were on the cover was a dub magazine.

0:24:48.520 --> 0:24:50.720
<v Speaker 1>With a dub Yes, sir.

0:24:50.720 --> 0:24:54.639
<v Speaker 2>That was there a special edition Double XL that got

0:24:54.680 --> 0:24:56.760
<v Speaker 2>passed up my tripping around Super Bowl and.

0:24:57.040 --> 0:24:58.680
<v Speaker 1>I was on Double XCEL. I was in the double

0:24:58.800 --> 0:25:04.800
<v Speaker 1>XEL was it was maybe Ozone Ozone with Julia Beverly exposed.

0:25:05.240 --> 0:25:07.679
<v Speaker 1>I have to expose. Fuck, I had an exposed cover

0:25:07.800 --> 0:25:11.760
<v Speaker 1>man exposed Man News I was, you know, the first

0:25:12.359 --> 0:25:14.760
<v Speaker 1>first rapper from Arizona pretty much on the cover of

0:25:14.800 --> 0:25:17.600
<v Speaker 1>News Times. Yeah, that's still big to get on the cover.

0:25:17.640 --> 0:25:19.399
<v Speaker 1>It's hard to get on cover of News Times, not

0:25:19.560 --> 0:25:20.960
<v Speaker 1>for sure. Yeah, I don't know. I can we do

0:25:21.000 --> 0:25:24.080
<v Speaker 1>it again? It's time to do it again New Times.

0:25:24.640 --> 0:25:26.639
<v Speaker 1>I mean, I obviously don't know about it now, but

0:25:26.760 --> 0:25:28.560
<v Speaker 1>back in the day, that ship was that was a

0:25:28.640 --> 0:25:31.159
<v Speaker 1>big deal. Easy yeh man, That's how I used to

0:25:31.200 --> 0:25:33.120
<v Speaker 1>find out what concerts are coming. You get that motherfucking

0:25:33.160 --> 0:25:34.440
<v Speaker 1>New Times and pools to go to the back and

0:25:34.520 --> 0:25:37.879
<v Speaker 1>be like, what's coming as Marquee, that's just crazy. So

0:25:38.680 --> 0:25:39.359
<v Speaker 1>it's so wild.

0:25:39.720 --> 0:25:43.280
<v Speaker 2>I'm living in Boise doing radio when you drop the

0:25:43.320 --> 0:25:47.719
<v Speaker 2>Connect and yeah, I think I bought like ten copies

0:25:47.760 --> 0:25:48.640
<v Speaker 2>of that album.

0:25:49.680 --> 0:25:55.040
<v Speaker 1>And I appreciate that. Man keV is a real Arizona vet. Y'all,

0:25:55.240 --> 0:25:58.000
<v Speaker 1>y'all don't know keV is really don't forget what you're

0:25:58.000 --> 0:26:00.399
<v Speaker 1>about to say, but keV, keV is a leg and

0:26:00.640 --> 0:26:02.440
<v Speaker 1>the fact that he's on the platform that he is

0:26:02.560 --> 0:26:05.680
<v Speaker 1>now and he's still being in on the block in

0:26:05.840 --> 0:26:08.960
<v Speaker 1>Arizona as much as you wouldn't even know he left,

0:26:09.119 --> 0:26:12.680
<v Speaker 1>he's tapped in with everything. Yeah, but much respect to

0:26:12.720 --> 0:26:15.880
<v Speaker 1>you man for what you're doing. Man, But no, it's

0:26:15.920 --> 0:26:17.960
<v Speaker 1>just crazy because it was such a big deal.

0:26:18.840 --> 0:26:21.160
<v Speaker 2>I feel like a record like Hood Dreamer was about

0:26:21.280 --> 0:26:24.400
<v Speaker 2>a year and a half or two early because Bob

0:26:24.600 --> 0:26:27.440
<v Speaker 2>was cracking on the mixtape scene, but he hadn't had

0:26:28.040 --> 0:26:30.200
<v Speaker 2>the record with Bruto yet. And I think if that

0:26:30.280 --> 0:26:34.600
<v Speaker 2>record would have dropped like even like because what was that?

0:26:34.840 --> 0:26:37.879
<v Speaker 1>That was? That was nine, right, So I think if

0:26:37.920 --> 0:26:39.960
<v Speaker 1>that what record it came out like one year later,

0:26:40.240 --> 0:26:42.960
<v Speaker 1>it would have been different because Hood Dreamer was crazy, Yeah,

0:26:43.240 --> 0:26:45.760
<v Speaker 1>and you had Bob on the fucking South Side before

0:26:45.840 --> 0:26:49.000
<v Speaker 1>he was fucking came too Broadway man on my Grandma

0:26:49.240 --> 0:26:54.400
<v Speaker 1>Crazy Came to Grandma's House was on the album, Neil Man,

0:26:54.440 --> 0:26:56.080
<v Speaker 1>it was it was it was really I have my

0:26:56.160 --> 0:26:58.680
<v Speaker 1>favorite producer in the world. I was able to work

0:26:58.680 --> 0:27:01.160
<v Speaker 1>with him. He's still one of my favorites. Bangladesh. Oh yeah,

0:27:01.440 --> 0:27:06.480
<v Speaker 1>shot to bangladeshsh was retarded. Still it's crazy. Like every

0:27:06.520 --> 0:27:08.240
<v Speaker 1>time I say that, I'm like, yeah, I've worked with

0:27:08.320 --> 0:27:08.920
<v Speaker 1>Bengli Desh.

0:27:09.080 --> 0:27:11.280
<v Speaker 2>So I think that, like, I want to get your

0:27:11.359 --> 0:27:15.240
<v Speaker 2>perspective on what went wrong with the Connect, why you

0:27:15.359 --> 0:27:17.720
<v Speaker 2>think it didn't do as well as we had all

0:27:17.760 --> 0:27:21.120
<v Speaker 2>hoped it to do, and why we had to wait

0:27:21.400 --> 0:27:24.760
<v Speaker 2>fifteen years because you were who we had all the

0:27:24.840 --> 0:27:27.600
<v Speaker 2>chips on the connect came and like the fact that

0:27:27.960 --> 0:27:30.159
<v Speaker 2>as I always looked at it as a w the

0:27:30.240 --> 0:27:33.520
<v Speaker 2>fact that we as at Arizona had a rapper drop

0:27:33.640 --> 0:27:36.159
<v Speaker 2>something on depth jam so crazy, and.

0:27:36.359 --> 0:27:39.560
<v Speaker 1>That's always the fact that that's always bro They came

0:27:39.680 --> 0:27:40.679
<v Speaker 1>down play what happened.

0:27:40.920 --> 0:27:42.680
<v Speaker 2>No, it was crazy, it was it was insane. I

0:27:42.800 --> 0:27:46.520
<v Speaker 2>just I just think that, like, obviously it didn't do

0:27:46.680 --> 0:27:49.440
<v Speaker 2>what we all wanted it to do. I think that

0:27:49.520 --> 0:27:51.440
<v Speaker 2>your career didn't do what all we all wanted it

0:27:51.520 --> 0:27:53.919
<v Speaker 2>to do. And I'm just curious You've had all these

0:27:54.000 --> 0:27:57.639
<v Speaker 2>years to kind of sit back, kind of assess what

0:27:57.760 --> 0:28:00.600
<v Speaker 2>do you think kind of went wrong with the Connect?

0:28:00.960 --> 0:28:03.920
<v Speaker 1>What went wrong with the Connect? There was a few things.

0:28:04.280 --> 0:28:06.720
<v Speaker 1>There's a lot of things. Brother, I'm sure it's not

0:28:06.800 --> 0:28:09.359
<v Speaker 1>just one thing. Let's start with body marked up. Just

0:28:09.440 --> 0:28:11.440
<v Speaker 1>remember that that question, so I can. I'm gonna go

0:28:11.480 --> 0:28:14.720
<v Speaker 1>through minutes just fast as I can. Body marked Up.

0:28:14.760 --> 0:28:17.360
<v Speaker 1>We had a sample clearance issue. That was number one,

0:28:17.720 --> 0:28:21.280
<v Speaker 1>big big sample clearance. Yeah. Well, Wayne was cool with it. Wayne.

0:28:21.400 --> 0:28:23.480
<v Speaker 1>Wayne was willing to do it again. Which record was

0:28:23.800 --> 0:28:28.440
<v Speaker 1>he said it on Soldier Desney Child Soldier not. But look,

0:28:28.720 --> 0:28:32.440
<v Speaker 1>Beyonce approved it, Matthew Knowles, Dark Child, everyone approved it.

0:28:32.480 --> 0:28:34.480
<v Speaker 1>There's only one rapper that didn't approve it, t I

0:28:34.880 --> 0:28:40.320
<v Speaker 1>t I didn't approve it. So we had fun. So

0:28:40.840 --> 0:28:42.720
<v Speaker 1>that was a year of bullshit. I had to wait,

0:28:43.360 --> 0:28:47.480
<v Speaker 1>you know what I'm saying. Yeah, ye, So that was

0:28:47.480 --> 0:28:48.800
<v Speaker 1>a year I had to wait, and I was seeing

0:28:48.840 --> 0:28:50.640
<v Speaker 1>TI here and there, you know what I'm saying. So

0:28:50.760 --> 0:28:54.000
<v Speaker 1>he wouldn't clear it just because of the Yeah, he

0:28:54.040 --> 0:28:55.840
<v Speaker 1>wouldn't because of the lutle beef. And by the time

0:28:55.920 --> 0:28:57.800
<v Speaker 1>he finally cleared it, I think we're moving on to

0:28:57.880 --> 0:28:59.920
<v Speaker 1>the next record. We was already on the next record.

0:29:00.960 --> 0:29:03.680
<v Speaker 1>So look that happened, right. Everything I did was ahead

0:29:03.680 --> 0:29:05.840
<v Speaker 1>of my time. G it was just moving too fast.

0:29:06.240 --> 0:29:07.840
<v Speaker 1>I'm just too good. I'm just too fucking good. I

0:29:07.880 --> 0:29:10.360
<v Speaker 1>guess that's what it was. My mom says, you know

0:29:10.400 --> 0:29:14.400
<v Speaker 1>what I'm saying. No, but seriously, we we do that.

0:29:14.560 --> 0:29:16.960
<v Speaker 1>Then we get number one Side Chick with Bobby Volentino.

0:29:17.600 --> 0:29:20.080
<v Speaker 1>You know what I'm saying. This song is a song,

0:29:20.160 --> 0:29:22.840
<v Speaker 1>a real song about a singer, a girl that I

0:29:22.920 --> 0:29:25.880
<v Speaker 1>was actually you know, it was a real record. It

0:29:25.960 --> 0:29:28.000
<v Speaker 1>wasn't a disrespectful record, you know what I'm saying. It

0:29:28.080 --> 0:29:29.680
<v Speaker 1>was kind of a love song if you listen to

0:29:29.720 --> 0:29:34.200
<v Speaker 1>the words. The video was shot love style. We actually

0:29:34.200 --> 0:29:36.400
<v Speaker 1>shot the video in La with Todd who does Rihanna

0:29:36.520 --> 0:29:38.800
<v Speaker 1>videos and all that stuff, which was cool. But we

0:29:38.920 --> 0:29:42.160
<v Speaker 1>do number one side Chick at this time, Little Wayne,

0:29:42.200 --> 0:29:44.720
<v Speaker 1>if I can fuck every girl in the world is out,

0:29:45.360 --> 0:29:47.960
<v Speaker 1>Pleasure Peed Boyfriend number two. All these songs are out.

0:29:48.520 --> 0:29:50.560
<v Speaker 1>But when I dropped number one Side Chick b t

0:29:50.720 --> 0:29:55.640
<v Speaker 1>get they banned me. Really because of that. You can

0:29:55.720 --> 0:29:58.840
<v Speaker 1>google it now to this day. Yes, I guess I'm

0:29:58.920 --> 0:30:02.080
<v Speaker 1>just what was the football guy? I guess he got

0:30:02.160 --> 0:30:05.240
<v Speaker 1>killed by a side chick. Oh, Steve, so he just

0:30:05.280 --> 0:30:07.200
<v Speaker 1>put the documentary out of it. Yeah, he got killed

0:30:07.200 --> 0:30:10.200
<v Speaker 1>by his side chick and I'm calling the song, you know,

0:30:10.640 --> 0:30:12.960
<v Speaker 1>number one side chick and it has nothing to do

0:30:13.120 --> 0:30:16.040
<v Speaker 1>with no one killing, no violence, no disrespect of a

0:30:16.120 --> 0:30:19.280
<v Speaker 1>woman or nothing, and they ban it. So that's another

0:30:19.400 --> 0:30:23.440
<v Speaker 1>record we had to. You know, we we couldn't really

0:30:23.480 --> 0:30:25.680
<v Speaker 1>get all the airplay and all the things that we

0:30:25.760 --> 0:30:26.520
<v Speaker 1>needed to get forward.

0:30:26.560 --> 0:30:28.640
<v Speaker 2>And I think I think y'all really should have put

0:30:28.680 --> 0:30:31.600
<v Speaker 2>a bag a body marked up. Fuck yeah, but or

0:30:31.680 --> 0:30:33.560
<v Speaker 2>had Wayne refucking.

0:30:33.480 --> 0:30:35.560
<v Speaker 1>Know, Wayne wanted to re say, redo it. We even

0:30:35.600 --> 0:30:38.160
<v Speaker 1>had slim Thug do it. Slim Thug did it, and

0:30:38.760 --> 0:30:40.440
<v Speaker 1>just so you know, I got it right here if

0:30:40.440 --> 0:30:41.480
<v Speaker 1>you ever want to hear it. Oh yeah, I got

0:30:41.560 --> 0:30:43.600
<v Speaker 1>to hear that. I got a version with slim Thug

0:30:43.760 --> 0:30:46.920
<v Speaker 1>body marked up. It was. It was. The actual remix

0:30:47.200 --> 0:30:49.000
<v Speaker 1>has a whole new beat that I'm releasing in twenty

0:30:49.040 --> 0:30:50.920
<v Speaker 1>twenty five. I haven't talked about it at all, but

0:30:51.000 --> 0:30:53.280
<v Speaker 1>it's fucking ridiculous. Yeah, I mean like that song is

0:30:53.360 --> 0:30:55.360
<v Speaker 1>like a new verse on it, and put a new

0:30:55.440 --> 0:30:58.360
<v Speaker 1>verse on it. But it's fucking ridiculous. It's produced by

0:30:58.440 --> 0:30:59.920
<v Speaker 1>Live Box, who's a platinum producer. Right.

0:31:00.000 --> 0:31:01.840
<v Speaker 2>Well, also, I think well, first of all, that og

0:31:01.960 --> 0:31:04.320
<v Speaker 2>beat those crazy. I also don't think it aged like

0:31:04.560 --> 0:31:07.520
<v Speaker 2>you listen to that song now you're like, wait until

0:31:07.520 --> 0:31:10.200
<v Speaker 2>you hear the new Body Marked Up version. Man, So

0:31:10.760 --> 0:31:13.080
<v Speaker 2>so you guys move on from Body Marked Up? Yeah,

0:31:13.560 --> 0:31:14.800
<v Speaker 2>the Bobby I remember.

0:31:14.520 --> 0:31:21.240
<v Speaker 1>You guys like, oh so then that happened with Bobby

0:31:21.320 --> 0:31:25.000
<v Speaker 1>Ontin though, right, yeah, it's okay, what else can happen? Right,

0:31:25.200 --> 0:31:27.720
<v Speaker 1>what else can happen? And goes wrong? Right? We drop

0:31:27.760 --> 0:31:33.080
<v Speaker 1>our album? Everybody's happy this nigga Michael Jackson decides to die. Yes, yes,

0:31:33.160 --> 0:31:35.640
<v Speaker 1>I remember I was living in Idaho, w and it happened. Bro.

0:31:35.720 --> 0:31:40.560
<v Speaker 1>I cried, Bro. We had billboards, interviews, radio set up.

0:31:41.120 --> 0:31:46.040
<v Speaker 1>Everything was canceled. Jeez, everything top ten, nothing, everything is

0:31:46.120 --> 0:31:51.080
<v Speaker 1>Michael Jackson. I had no room, Bro, Michael Jackson died.

0:31:51.160 --> 0:31:53.880
<v Speaker 1>That was the biggest artist in the United States something

0:31:53.920 --> 0:31:55.840
<v Speaker 1>in the world, in the world, in the world, you

0:31:55.920 --> 0:31:59.240
<v Speaker 1>get what I'm saying. Ever, probably probably so that's bigger

0:31:59.240 --> 0:32:02.000
<v Speaker 1>than the president. And so when he died, it's just like, okay,

0:32:02.120 --> 0:32:05.040
<v Speaker 1>and Willie's albums out. Yeah, it's all around the same time.

0:32:05.040 --> 0:32:07.080
<v Speaker 1>I remember, No, it wasn't the same time, my g

0:32:07.440 --> 0:32:10.960
<v Speaker 1>the same day crazy within the day or two almost

0:32:11.000 --> 0:32:12.680
<v Speaker 1>like it sucked the energy out of like well, hey

0:32:13.040 --> 0:32:16.080
<v Speaker 1>no and bad it being bad taste for me to

0:32:16.120 --> 0:32:19.640
<v Speaker 1>push my album while the world's morning. And you know

0:32:19.720 --> 0:32:21.240
<v Speaker 1>what's funny is a lot of people say, oh, he

0:32:21.320 --> 0:32:24.240
<v Speaker 1>always blaming it on Michael Jackson. I'm like, bro, it's

0:32:24.280 --> 0:32:28.760
<v Speaker 1>fucking Michael Jackson brother. So why not.

0:32:30.760 --> 0:32:33.440
<v Speaker 2>Try again and drop another album? Stick like what happened

0:32:33.480 --> 0:32:36.440
<v Speaker 2>with like you ended up leaving DTP. You know what, man,

0:32:36.560 --> 0:32:39.280
<v Speaker 2>did they end up dropping you? Like what happened where

0:32:39.320 --> 0:32:39.560
<v Speaker 2>you were?

0:32:39.840 --> 0:32:43.320
<v Speaker 1>Never got dropped, never got dropped. I don't know where

0:32:43.400 --> 0:32:45.560
<v Speaker 1>that come from. I hear that. By the way, it's

0:32:45.560 --> 0:32:48.400
<v Speaker 1>also not a bad thing to get dropped. Can I

0:32:48.560 --> 0:32:50.400
<v Speaker 1>talk keV. I'm just saying it. I just sooner.

0:32:50.520 --> 0:32:52.760
<v Speaker 2>But I'd like to point out, like in twenty twenty four,

0:32:53.320 --> 0:32:54.760
<v Speaker 2>it's a good thing when you get dropped.

0:32:54.960 --> 0:32:56.240
<v Speaker 1>Back in the day, when I used to say I

0:32:56.280 --> 0:32:57.760
<v Speaker 1>never got dropped, I used to get offend it. But

0:32:57.880 --> 0:33:01.600
<v Speaker 1>now I say, and if I dig it rock, look

0:33:01.880 --> 0:33:04.480
<v Speaker 1>look at what they did for me. Now. They set

0:33:04.560 --> 0:33:07.160
<v Speaker 1>my whole platform up. They made me a national star

0:33:07.320 --> 0:33:09.120
<v Speaker 1>at one point to where all people need to do

0:33:09.240 --> 0:33:11.480
<v Speaker 1>is hear that I'm back. You know how many people

0:33:11.480 --> 0:33:13.160
<v Speaker 1>are saying you it's do I remember him from Hood

0:33:13.240 --> 0:33:14.840
<v Speaker 1>Dreamer number once? They're picking their face.

0:33:14.920 --> 0:33:16.960
<v Speaker 2>It's funny because anytime I ever tell anybody like I'm

0:33:16.960 --> 0:33:18.880
<v Speaker 2>from Azy either, I was like, oh, yeah, that's a

0:33:19.440 --> 0:33:20.560
<v Speaker 2>what's it Walley.

0:33:20.360 --> 0:33:23.160
<v Speaker 1>North Post from there? Right? Who else? Did they say? Juice?

0:33:23.840 --> 0:33:25.680
<v Speaker 1>That's it? That's it. It's really those two. Like I

0:33:25.840 --> 0:33:29.040
<v Speaker 1>was saying, hats all to my boy Richie. Yeah, it's

0:33:29.080 --> 0:33:30.680
<v Speaker 1>really all too. I'm telling you if you talked like

0:33:30.760 --> 0:33:32.440
<v Speaker 1>hip hop dudes like they always say, you were juice

0:33:32.480 --> 0:33:35.600
<v Speaker 1>because we move, we're futuristic, we move around man or

0:33:35.720 --> 0:33:39.480
<v Speaker 1>fucking who else. I'm talking about from Arizona, Bro the future.

0:33:39.760 --> 0:33:42.640
<v Speaker 1>He's from Illinois, obviously, I'm talking about from Arizona Lanes,

0:33:42.640 --> 0:33:47.080
<v Speaker 1>where your grandma's from. I'm talking about Arizona. And you

0:33:47.200 --> 0:33:49.160
<v Speaker 1>be letting that little dude, what's the little MTV dude

0:33:49.160 --> 0:33:52.360
<v Speaker 1>that be coming up here and whatever talking about Arizona music?

0:33:52.920 --> 0:33:56.080
<v Speaker 1>What the fuck is his name? Oh? You mean the

0:33:56.120 --> 0:33:58.320
<v Speaker 1>guy who interviewed me here? Yeah, that guy. Him and

0:33:58.360 --> 0:34:00.640
<v Speaker 1>I had an interesting conversation. Let me say something about

0:34:00.680 --> 0:34:02.880
<v Speaker 1>this dude. I don't know. I'm j TV MJ. Shout

0:34:02.920 --> 0:34:04.560
<v Speaker 1>out to MJ. He reached out to me in my DM.

0:34:05.000 --> 0:34:07.640
<v Speaker 1>I'm cool with MJ, but these fucking artists he's bringing

0:34:07.760 --> 0:34:10.160
<v Speaker 1>up to your platform. Never he's I've never heard of these,

0:34:10.360 --> 0:34:12.400
<v Speaker 1>but he hasn't brought a single artist here well wherever

0:34:12.480 --> 0:34:16.319
<v Speaker 1>he's from, what he's doing is looking like it's looking

0:34:16.440 --> 0:34:19.279
<v Speaker 1>like Adam is involved. It looks like he's bringing these

0:34:19.520 --> 0:34:22.880
<v Speaker 1>his homies. I don't know who he's bringing. I don't know.

0:34:22.960 --> 0:34:24.680
<v Speaker 1>You didn't bring anybody here that I don't know, none

0:34:24.719 --> 0:34:27.920
<v Speaker 1>of these artists. So when when they're representing Arizona on

0:34:28.000 --> 0:34:31.600
<v Speaker 1>the platform and I'm not seeing names like Judge the Bass,

0:34:32.400 --> 0:34:35.840
<v Speaker 1>duf Fago, Dan g Uh, you know, just you know,

0:34:36.040 --> 0:34:39.840
<v Speaker 1>just artists that really Chris Kokesfire, Chris Coba, God, you

0:34:39.880 --> 0:34:42.320
<v Speaker 1>know what I'm saying. So it's just like be the ruler,

0:34:42.360 --> 0:34:43.839
<v Speaker 1>you know what I'm saying. So when you're saying when

0:34:43.880 --> 0:34:46.200
<v Speaker 1>these people, when I'm not seeing these artists and they're

0:34:46.200 --> 0:34:48.279
<v Speaker 1>only these type of platforms and I'm not hearing those now,

0:34:48.360 --> 0:34:50.120
<v Speaker 1>I just want to be clear. He didn't offend it.

0:34:50.239 --> 0:34:51.239
<v Speaker 1>He hasked to interview me.

0:34:51.320 --> 0:34:53.560
<v Speaker 2>I said, yeah, because I want to support up and coming,

0:34:53.880 --> 0:34:55.680
<v Speaker 2>you know, media personalities from Eazy.

0:34:56.440 --> 0:34:58.480
<v Speaker 1>He didn't bring any artists here. He just he has

0:34:58.560 --> 0:34:59.920
<v Speaker 1>to do an interview. I'm gona blame that shit on

0:35:00.120 --> 0:35:02.680
<v Speaker 1>I DOAM don't know though, Yeah he doesn't know. Yeah

0:35:02.719 --> 0:35:04.239
<v Speaker 1>he has to do an interview. And uh yeah, I

0:35:04.239 --> 0:35:06.719
<v Speaker 1>think dude bringing his homies up there. I mean I

0:35:06.760 --> 0:35:10.399
<v Speaker 1>don't know. I just know. Uh yeah. With that being said,

0:35:10.600 --> 0:35:12.640
<v Speaker 1>we're gonna rep this shit right as you gonna do

0:35:12.680 --> 0:35:14.239
<v Speaker 1>it right. And keV you know, I rep this shit

0:35:14.320 --> 0:35:16.200
<v Speaker 1>right for sure. And I don't play about where we're from.

0:35:16.520 --> 0:35:19.080
<v Speaker 1>But but let me know, man, like, at what point

0:35:19.120 --> 0:35:23.440
<v Speaker 1>in time do you get knocked off the rails where

0:35:23.480 --> 0:35:25.040
<v Speaker 1>you're like, I don't know if I'm going to put

0:35:25.040 --> 0:35:27.520
<v Speaker 1>any like like you know, fifteen years to drop an

0:35:27.560 --> 0:35:31.319
<v Speaker 1>album is a long time, yeah, man, Like I said, Man,

0:35:31.400 --> 0:35:36.320
<v Speaker 1>I really I never stopped recording. The game would have

0:35:36.360 --> 0:35:38.319
<v Speaker 1>to accept me when they were ready, Like I had

0:35:38.320 --> 0:35:40.759
<v Speaker 1>a lot of people, you know, I still went to QT.

0:35:40.960 --> 0:35:42.520
<v Speaker 1>I still went to these stores. I have to go

0:35:42.640 --> 0:35:45.640
<v Speaker 1>grocery shopping, right, these people know me. You know, I

0:35:45.680 --> 0:35:47.480
<v Speaker 1>can't get a regular job in areas. You know what

0:35:47.520 --> 0:35:50.000
<v Speaker 1>I'm saying. So it's just like they're like, so with

0:35:50.080 --> 0:35:52.759
<v Speaker 1>the music, man, what's going on? Man? You know, and

0:35:53.200 --> 0:35:54.960
<v Speaker 1>the people that really knew me, and I'll let them

0:35:55.000 --> 0:35:56.600
<v Speaker 1>hear stuff, and like, man, you need to drop that.

0:35:56.719 --> 0:35:59.600
<v Speaker 1>What are you doing? Right? Did you start to like

0:35:59.640 --> 0:36:02.040
<v Speaker 1>psych yourself out using I think I think it was.

0:36:02.080 --> 0:36:04.080
<v Speaker 1>I didn't think I was psyching myself. I think I

0:36:04.280 --> 0:36:08.880
<v Speaker 1>just wasn't into the whole industry, the smoking mirror situation.

0:36:09.000 --> 0:36:10.960
<v Speaker 1>When I'm an artist, brother, right, you know what I'm saying.

0:36:10.960 --> 0:36:15.480
<v Speaker 1>I'm a real artist, like Beethoven, concept artists. I like music,

0:36:15.560 --> 0:36:18.279
<v Speaker 1>I like violins, I like music. So it's like I

0:36:18.400 --> 0:36:20.279
<v Speaker 1>wanted to I was working on my autographs when I

0:36:20.320 --> 0:36:22.800
<v Speaker 1>was twelve years old. I wanted that life, that Hollywood.

0:36:22.880 --> 0:36:24.959
<v Speaker 1>I wanted that, and when I finally got a taste

0:36:25.000 --> 0:36:26.320
<v Speaker 1>of it, it was just kind of like, oh, I

0:36:26.360 --> 0:36:29.080
<v Speaker 1>don't know if this for me. It ain't that. It's

0:36:29.160 --> 0:36:31.319
<v Speaker 1>that the people that do good, they don't treat them right,

0:36:31.440 --> 0:36:33.680
<v Speaker 1>the Lauren Hills, the people that just want to really

0:36:33.760 --> 0:36:36.120
<v Speaker 1>make music. You get what I'm saying. There's people that

0:36:36.280 --> 0:36:39.440
<v Speaker 1>really I'm really a real MC right, you know, And

0:36:40.200 --> 0:36:42.840
<v Speaker 1>my mother think that My manager even said this, you

0:36:42.880 --> 0:36:45.759
<v Speaker 1>were just too normal. My mother said, you're a golden child.

0:36:46.160 --> 0:36:50.480
<v Speaker 1>You were, you know it. Just the way I'm shaping

0:36:50.560 --> 0:36:53.480
<v Speaker 1>myself to be now is perfect. If we were to

0:36:53.560 --> 0:36:55.680
<v Speaker 1>go back into the industry, I don't know, if you know,

0:36:55.719 --> 0:36:58.840
<v Speaker 1>I would love that opportunity to getting there again, but doing.

0:36:58.719 --> 0:37:00.960
<v Speaker 2>Anything like making sure on top of the reels and

0:37:01.000 --> 0:37:03.960
<v Speaker 2>the tiktoks and yeah, trying to you know that, at

0:37:03.960 --> 0:37:06.200
<v Speaker 2>the end of the day, you can't compete in today's

0:37:06.239 --> 0:37:07.720
<v Speaker 2>landscape if you're not doing all that stuff.

0:37:07.719 --> 0:37:09.360
<v Speaker 1>And a lot of the younger artists refuse to do

0:37:09.440 --> 0:37:11.520
<v Speaker 1>that kind of shit. Bro, I'm getting more hate from

0:37:11.520 --> 0:37:14.560
<v Speaker 1>young artists, which is dope. I love that whatever. No no, no, no, no, no,

0:37:14.840 --> 0:37:18.879
<v Speaker 1>listen what I'm just saying. When I know that I'm back,

0:37:19.719 --> 0:37:21.320
<v Speaker 1>the people that used to hate it in our generation,

0:37:21.440 --> 0:37:23.080
<v Speaker 1>they love us. They love that I'm back. They you know,

0:37:23.160 --> 0:37:24.920
<v Speaker 1>they feel bad, like really, you know we should have

0:37:25.920 --> 0:37:29.080
<v Speaker 1>that's we're getting full Arizona support with this new Wally way. Bro.

0:37:29.840 --> 0:37:32.000
<v Speaker 1>It's just some people that didn't know the younger generation.

0:37:32.080 --> 0:37:33.440
<v Speaker 1>They're like, how do you just come back and just

0:37:33.520 --> 0:37:36.120
<v Speaker 1>grab this ship? Because that's my that's you know, that's

0:37:36.160 --> 0:37:37.520
<v Speaker 1>my state. I don't know if you went back yet

0:37:37.800 --> 0:37:43.960
<v Speaker 1>that's really my ship now well respectfully, sure you you,

0:37:45.320 --> 0:37:46.560
<v Speaker 1>but we're taking it to another level.

0:37:46.960 --> 0:37:49.040
<v Speaker 2>I'm curious though, so the connect comes and goes, right,

0:37:49.840 --> 0:37:51.840
<v Speaker 2>what is do you have? What are the conversations like

0:37:51.920 --> 0:37:56.240
<v Speaker 2>with Shaka and Luda in terms of like I'm assuming

0:37:56.280 --> 0:38:00.320
<v Speaker 2>you you owe them more music? Not a lot of

0:38:00.360 --> 0:38:02.240
<v Speaker 2>times back then people were signing one offs.

0:38:03.080 --> 0:38:05.879
<v Speaker 1>No I was. I was. I signed a five record deal,

0:38:06.120 --> 0:38:07.440
<v Speaker 1>but I have the option to get out of the

0:38:08.080 --> 0:38:10.239
<v Speaker 1>deal after every album. So I was cleaning. So you

0:38:10.280 --> 0:38:12.120
<v Speaker 1>were able to have the same deal too. Chains at

0:38:12.520 --> 0:38:16.799
<v Speaker 1>Nice correct, So so when two Chains left after Play

0:38:16.840 --> 0:38:20.040
<v Speaker 1>a Circle, I was there. I remember when I was

0:38:20.080 --> 0:38:21.839
<v Speaker 1>in that video Don't for Bad. Yeah.

0:38:22.800 --> 0:38:24.200
<v Speaker 2>By the way, that song you had on what was

0:38:24.239 --> 0:38:24.840
<v Speaker 2>the song called.

0:38:24.760 --> 0:38:27.240
<v Speaker 1>Up the Homies? Called Up the Homies with Jane Classic

0:38:28.080 --> 0:38:30.920
<v Speaker 1>with the game, so you know, I introduced little Chris

0:38:31.000 --> 0:38:35.439
<v Speaker 1>to his wife. Oh nice? Yeah, So how that worked? Damn?

0:38:35.480 --> 0:38:39.080
<v Speaker 1>I went to the whole story by the end, okay,

0:38:39.600 --> 0:38:42.440
<v Speaker 1>Y said, don't tell that. Yeah, So yeah, like it

0:38:42.520 --> 0:38:45.919
<v Speaker 1>was that's how I ended up getting a great song. Yeah,

0:38:46.120 --> 0:38:47.960
<v Speaker 1>it was at Jaggal. It was that Pan terrorists. By

0:38:48.000 --> 0:38:49.879
<v Speaker 1>the way, you're a pan Terra veteran, aren't you. We Yeah,

0:38:49.880 --> 0:38:54.040
<v Speaker 1>we're good. Willie North pulled a pan Terra's vet. It

0:38:54.160 --> 0:38:56.640
<v Speaker 1>wasn't nothing bad, but yeah, so it's it's all love

0:38:56.680 --> 0:38:59.120
<v Speaker 1>from that camp. Yeah, for sure, shout out to disturbing

0:38:59.160 --> 0:38:59.479
<v Speaker 1>the piece.

0:39:00.880 --> 0:39:03.600
<v Speaker 2>It's crazy too because if you look at like where

0:39:03.920 --> 0:39:07.360
<v Speaker 2>everyone's kind of careers went during that era, it's like,

0:39:08.600 --> 0:39:12.560
<v Speaker 2>you know, obviously Juice has been active. Richie Evans uh

0:39:13.480 --> 0:39:15.759
<v Speaker 2>a hot rod, I think stopped making music. I think,

0:39:15.880 --> 0:39:18.320
<v Speaker 2>I mean, he's he's a fucking great guy. Obviously a

0:39:18.440 --> 0:39:23.640
<v Speaker 2>very funny follow on Instagram, but like I always had

0:39:23.640 --> 0:39:27.080
<v Speaker 2>a humor ship, Mike Rashid is fucking he's supposed.

0:39:26.760 --> 0:39:29.319
<v Speaker 1>To be here. He's gonna come fucking cracking. He's about

0:39:29.320 --> 0:39:30.120
<v Speaker 1>to come up here right now.

0:39:30.239 --> 0:39:31.719
<v Speaker 2>It was so funny because when I interviewed him, I

0:39:31.840 --> 0:39:33.719
<v Speaker 2>almost wanted to talk to him more about like, yo,

0:39:33.840 --> 0:39:35.759
<v Speaker 2>so what was it like back in the day when

0:39:35.800 --> 0:39:39.080
<v Speaker 2>you were saying cue and and more than I give

0:39:39.120 --> 0:39:40.520
<v Speaker 2>a fuck about his fitness.

0:39:40.160 --> 0:39:43.000
<v Speaker 1>Stuff and him have the best comeback stories ever and

0:39:43.400 --> 0:39:45.600
<v Speaker 1>you guys just you guys just put some shit out together, right,

0:39:45.640 --> 0:39:46.439
<v Speaker 1>But that's my best friend.

0:39:47.200 --> 0:39:49.120
<v Speaker 2>Well, yeah, His story is insane, the way he was

0:39:49.160 --> 0:39:51.200
<v Speaker 2>on the run and ship, Yeah, because he was, he

0:39:51.360 --> 0:39:53.120
<v Speaker 2>was buzzing in the city and then it's like he

0:39:53.200 --> 0:39:54.759
<v Speaker 2>just went away and then you realize, oh, he was

0:39:54.840 --> 0:39:55.239
<v Speaker 2>on the run.

0:39:55.440 --> 0:39:57.239
<v Speaker 1>Yeah, he had to switch his name and everything he

0:39:57.320 --> 0:39:59.440
<v Speaker 1>had to he went through it to get to the

0:39:59.520 --> 0:40:01.600
<v Speaker 1>point he he was becoming famous on the run. He

0:40:01.640 --> 0:40:05.160
<v Speaker 1>became a millionaire on the run. But okay, so he

0:40:05.239 --> 0:40:06.120
<v Speaker 1>finally cleared his head.

0:40:06.640 --> 0:40:09.279
<v Speaker 2>Are you guys, do you feel like you might have

0:40:09.360 --> 0:40:10.759
<v Speaker 2>inspired him to make music again?

0:40:13.120 --> 0:40:16.040
<v Speaker 1>You know what's funny, I don't know about him personally.

0:40:16.760 --> 0:40:18.600
<v Speaker 1>I hope, I hope I am. I mean, I hope

0:40:18.640 --> 0:40:20.439
<v Speaker 1>I help with his help with a lot of his music.

0:40:22.320 --> 0:40:24.120
<v Speaker 1>I think I think I can say yesterday, I think

0:40:24.160 --> 0:40:26.240
<v Speaker 1>he'll would be fair to say that I helped inspire

0:40:26.320 --> 0:40:27.759
<v Speaker 1>him because he came up to Phoenix to work with

0:40:27.840 --> 0:40:31.560
<v Speaker 1>me in the studio, to actually work with me. But

0:40:32.719 --> 0:40:35.120
<v Speaker 1>I'm getting a lot of calls. Even Rocket Dologist called

0:40:35.160 --> 0:40:38.080
<v Speaker 1>me and said that I inspired, that inspired. You know,

0:40:38.120 --> 0:40:40.480
<v Speaker 1>that's big, like a lot of ogs. A lot of

0:40:40.560 --> 0:40:43.800
<v Speaker 1>people that are saying that. I'm you know, so a

0:40:43.840 --> 0:40:45.719
<v Speaker 1>lot of people are saying that Willie thank you for

0:40:46.000 --> 0:40:47.920
<v Speaker 1>getting me excited to get back into the studio. And

0:40:48.239 --> 0:40:50.160
<v Speaker 1>I'm hearing that from a lot of people, and I

0:40:50.400 --> 0:40:53.279
<v Speaker 1>really wish that y'all can believe me when I say that, Man,

0:40:53.320 --> 0:40:55.360
<v Speaker 1>that is not bragging. That's and it's crazy because I

0:40:55.400 --> 0:40:58.200
<v Speaker 1>was getting these calls and these people I respect on

0:40:58.280 --> 0:41:00.600
<v Speaker 1>the street level, these are people that I respect on

0:41:00.719 --> 0:41:02.759
<v Speaker 1>a business level, and they're calling me to thank me

0:41:03.480 --> 0:41:06.600
<v Speaker 1>for what I'm doing right now. Shot to Iraq many. Yeah,

0:41:06.680 --> 0:41:08.400
<v Speaker 1>Rocke Dollar did a freestyle on my ear for like

0:41:08.520 --> 0:41:10.359
<v Speaker 1>twenty five minutes two days ago. Yeah.

0:41:10.440 --> 0:41:12.239
<v Speaker 2>Dog, he's one of my closest friends in the game.

0:41:12.320 --> 0:41:14.000
<v Speaker 2>And you know, his son was signing me for a

0:41:14.040 --> 0:41:15.240
<v Speaker 2>little bit Markel.

0:41:15.120 --> 0:41:18.000
<v Speaker 1>But just picture me going south to Markel. But just

0:41:18.040 --> 0:41:21.920
<v Speaker 1>picture Yeah, he's an alien. A picture I Rock coming

0:41:22.000 --> 0:41:24.279
<v Speaker 1>up to me to show me his new ship that

0:41:24.440 --> 0:41:26.520
<v Speaker 1>he's been wrapping. I'm like, letting me record it. I

0:41:26.960 --> 0:41:28.759
<v Speaker 1>was like, you know, I don't like the camera, but

0:41:28.920 --> 0:41:29.600
<v Speaker 1>he's doing that for me.

0:41:29.719 --> 0:41:31.680
<v Speaker 2>I remember how big of a deal was he put

0:41:31.719 --> 0:41:34.440
<v Speaker 2>out his album Die Rock Is a Classic, and he

0:41:35.760 --> 0:41:38.480
<v Speaker 2>he had a signing at Virgin Megastore at Arizona Mills

0:41:38.680 --> 0:41:40.319
<v Speaker 2>and I was on the street Team at the radio station.

0:41:40.360 --> 0:41:42.320
<v Speaker 1>I thought it was so cool that somebody from Arizona

0:41:42.360 --> 0:41:45.800
<v Speaker 1>had a signing. I got something for you. This is

0:41:45.840 --> 0:41:47.600
<v Speaker 1>something that I wanted to bring. Just when you just

0:41:47.640 --> 0:41:49.839
<v Speaker 1>said that, it just popped up something in my head.

0:41:50.600 --> 0:41:53.239
<v Speaker 1>I remember my first rap when I was eleven years

0:41:53.239 --> 0:41:54.560
<v Speaker 1>old that I wrote, you want to hear it? Sure,

0:41:55.200 --> 0:41:58.120
<v Speaker 1>isn't that cool? Eleven? Yeah? Eleven. I don't even think

0:41:58.120 --> 0:42:01.439
<v Speaker 1>Tiffany heard this. I was seven years old, right, These guys,

0:42:01.560 --> 0:42:05.239
<v Speaker 1>these old grown men were always having freestyles. I said,

0:42:05.280 --> 0:42:08.680
<v Speaker 1>one day, I'm a jump in that freestyle. So that

0:42:08.800 --> 0:42:10.080
<v Speaker 1>night I knew what time they're going to do with

0:42:10.120 --> 0:42:12.879
<v Speaker 1>the next day. And to get in you gotta like, hey, hey,

0:42:13.239 --> 0:42:15.640
<v Speaker 1>they gotta know you're coming. So the next day I

0:42:15.719 --> 0:42:18.600
<v Speaker 1>wrote my shit and all these grown men are rapping.

0:42:19.400 --> 0:42:22.560
<v Speaker 1>I come in with the hey hey. They go crazy,

0:42:22.640 --> 0:42:24.840
<v Speaker 1>They're like, oh, he's about to rap eleven year old Willie.

0:42:25.360 --> 0:42:28.440
<v Speaker 1>I said, I'm friggingy fresh, I'm chaking it, fiking and

0:42:28.520 --> 0:42:30.560
<v Speaker 1>taking too all the money that I'm making. And now

0:42:30.560 --> 0:42:32.120
<v Speaker 1>I will put you on the fry and pan just

0:42:32.239 --> 0:42:34.040
<v Speaker 1>like you, Bacon, I'm flybing the show. You know that

0:42:34.160 --> 0:42:36.000
<v Speaker 1>I will take you toe to toe and now I'm

0:42:36.040 --> 0:42:38.600
<v Speaker 1>a little crazy ass nigga now, you know, and people

0:42:38.680 --> 0:42:41.200
<v Speaker 1>say I'm living up. Oh wait, that's the way I

0:42:41.400 --> 0:42:46.000
<v Speaker 1>was raised on Broadway. Who first verse, I don't claim

0:42:46.080 --> 0:42:47.800
<v Speaker 1>that is where I was raised. The little nigga with

0:42:47.960 --> 0:42:50.200
<v Speaker 1>a flat top. You know, you can't fade because I'm

0:42:50.239 --> 0:42:52.040
<v Speaker 1>the type of kid that drops a caddy and when

0:42:52.120 --> 0:42:54.160
<v Speaker 1>I get loose, make a move. All these girls call

0:42:54.239 --> 0:42:56.160
<v Speaker 1>me daddy. And when I was young, I was the

0:42:56.239 --> 0:42:58.080
<v Speaker 1>hip hop bit. I said, I was a hip hop

0:42:58.160 --> 0:43:00.520
<v Speaker 1>TikTok girl. I said, curls are my girls? Knocked the

0:43:00.560 --> 0:43:04.480
<v Speaker 1>ass in the sandbox? Yo. That was my first bar

0:43:04.640 --> 0:43:07.160
<v Speaker 1>bro that I ever wrote. You grew up on twenty

0:43:07.200 --> 0:43:09.799
<v Speaker 1>fourth and Broadway. That crazy never wrote a white verse.

0:43:09.880 --> 0:43:11.960
<v Speaker 1>You were on twenty fourth Street and Broadway all my life. Yeah,

0:43:12.080 --> 0:43:13.040
<v Speaker 1>my grandma's from there.

0:43:13.160 --> 0:43:15.719
<v Speaker 2>My best friend Ramses grew up on baseline of twenty

0:43:15.760 --> 0:43:16.280
<v Speaker 2>fourth Street.

0:43:16.920 --> 0:43:17.120
<v Speaker 1>Jah.

0:43:17.360 --> 0:43:20.239
<v Speaker 2>Yeah, so we used to always fucking be be running

0:43:20.280 --> 0:43:23.040
<v Speaker 2>around that whole fucking hood, my whole childhood, just getting

0:43:23.080 --> 0:43:26.839
<v Speaker 2>in it. Bullshit, it's crazy driving through the south Side now, yeah,

0:43:26.960 --> 0:43:29.400
<v Speaker 2>so nice, just nice now, I mean it's not I mean,

0:43:29.560 --> 0:43:32.120
<v Speaker 2>but dude, like dude, this is nice.

0:43:32.200 --> 0:43:34.360
<v Speaker 1>It's nice for the tourist have that targeted. It's no

0:43:34.400 --> 0:43:36.960
<v Speaker 1>different from Burdbank though. No, but it's but it's crazy

0:43:37.040 --> 0:43:40.839
<v Speaker 1>to think like how like now there's like all these

0:43:40.920 --> 0:43:43.560
<v Speaker 1>new business brad shit used to be depressing over there.

0:43:44.080 --> 0:43:47.799
<v Speaker 1>It was I'm not gonna lie, it's crazy. It was bad. Uh.

0:43:48.239 --> 0:43:50.480
<v Speaker 1>You know, city councils doing. My uncle Mike Johnson, he

0:43:50.520 --> 0:43:51.759
<v Speaker 1>was a city council. He had a lot to do

0:43:51.920 --> 0:43:53.960
<v Speaker 1>cleaning it up over there to shut out Mike Johnson,

0:43:54.000 --> 0:43:55.800
<v Speaker 1>you know, was kid. It's crazy the south side. You

0:43:55.880 --> 0:43:57.960
<v Speaker 1>drive to the South Vice Mayor. I remember when this

0:43:58.000 --> 0:44:01.640
<v Speaker 1>ship was a field right here. The fuck Yeah? They

0:44:01.719 --> 0:44:06.040
<v Speaker 1>cleaning houses and Levine and ship. Yeah, man, Levine. I

0:44:06.080 --> 0:44:08.120
<v Speaker 1>always tell everybody everybody went and got a house in

0:44:08.200 --> 0:44:10.479
<v Speaker 1>Levine like Levine. Yeah, it's nice, but it ain't because

0:44:10.480 --> 0:44:13.120
<v Speaker 1>you run into some ship at that gas station that

0:44:13.200 --> 0:44:16.680
<v Speaker 1>quick trip. But have you fucked up in Levine? Yeah? QT,

0:44:16.960 --> 0:44:21.440
<v Speaker 1>have you fucked up? Talk to me? Uh. You have

0:44:21.719 --> 0:44:26.440
<v Speaker 1>a new record, the Chocolate Trollo MMMM, which is an

0:44:26.480 --> 0:44:29.759
<v Speaker 1>interesting title breakdown because you kind of broke it down

0:44:29.840 --> 0:44:32.279
<v Speaker 1>on the song. But just break down, like because we're

0:44:32.320 --> 0:44:35.840
<v Speaker 1>from Arizona, which is you know, fucking by all I

0:44:35.920 --> 0:44:43.680
<v Speaker 1>mean lots of Latinos. Check it out, man. So there's

0:44:43.680 --> 0:44:46.759
<v Speaker 1>a few reasons. Well I can officially say that he

0:44:48.360 --> 0:44:50.560
<v Speaker 1>let's start with Let's start with me. In my blood,

0:44:51.719 --> 0:44:53.760
<v Speaker 1>my mother has an accent. My mother is half Mexican,

0:44:53.960 --> 0:44:56.040
<v Speaker 1>excuse me, half looked out where I know where La

0:44:56.320 --> 0:44:58.520
<v Speaker 1>I say one front, you know what I'm saying. My

0:44:58.640 --> 0:45:01.239
<v Speaker 1>mother is half lo you know you know what I'm saying.

0:45:01.840 --> 0:45:06.200
<v Speaker 1>My grandmother is full so senior Loda Sonora actually no

0:45:06.320 --> 0:45:09.800
<v Speaker 1>Cinema Cinel. She's from Sinola, but she been here a

0:45:09.840 --> 0:45:11.759
<v Speaker 1>whole life. She Your mom's half Mexican. Yeah, my mom

0:45:11.840 --> 0:45:16.120
<v Speaker 1>is half Mexican. My grandfather is black. Yeah. Grandmother had

0:45:16.160 --> 0:45:20.640
<v Speaker 1>twenty three kids or having many kids. Right. Her whole

0:45:20.719 --> 0:45:24.239
<v Speaker 1>family lives in Arizona, right in California from fres and

0:45:24.320 --> 0:45:28.080
<v Speaker 1>Oda all Hispanics. You know what I'm saying. Cousin Papa's

0:45:28.120 --> 0:45:30.800
<v Speaker 1>alex alldemn So we got her whole side of the family,

0:45:31.400 --> 0:45:34.399
<v Speaker 1>including my grandmother. So now she my grandma has eighteen kids,

0:45:34.440 --> 0:45:37.120
<v Speaker 1>but my grandfather they're all half black, half Mexican. Right,

0:45:37.239 --> 0:45:40.960
<v Speaker 1>we're the chocolate Ccholos, got it. Everybody knows us on

0:45:41.040 --> 0:45:44.440
<v Speaker 1>Broadway as the chocolate Ccholos, pretty much everybody. My grandma

0:45:44.640 --> 0:45:49.040
<v Speaker 1>was the Broadway grandmother. Everyone loves my grandmother. I didn't.

0:45:49.080 --> 0:45:51.920
<v Speaker 1>I grew up to chodiso, tortillas and butter. You know

0:45:51.960 --> 0:45:53.759
<v Speaker 1>what I'm saying. That's how I grew up, Dotys. I'm

0:45:53.760 --> 0:45:55.960
<v Speaker 1>gonna se it that way. But you know, and but

0:45:56.160 --> 0:45:59.000
<v Speaker 1>all that shit, man, So just like when I and

0:45:59.400 --> 0:46:02.520
<v Speaker 1>so that's that part of chocolate clo. Yeah. And then

0:46:02.600 --> 0:46:06.600
<v Speaker 1>you got my best friends growing up Broadway. You know,

0:46:06.800 --> 0:46:11.080
<v Speaker 1>Broadway was a mixture of Hispanic and blacks. For sure.

0:46:11.200 --> 0:46:13.720
<v Speaker 1>They're not trying to act black. They were just Broadway gangsters.

0:46:14.200 --> 0:46:16.440
<v Speaker 1>Real ones went harder than a lot of us, you

0:46:16.480 --> 0:46:18.000
<v Speaker 1>know what I'm saying. And they were real about it.

0:46:18.400 --> 0:46:20.840
<v Speaker 1>Find sisters. We used to like their sisters. These are

0:46:20.920 --> 0:46:24.239
<v Speaker 1>people we grew up with. That's from the neighborhood. Never

0:46:24.320 --> 0:46:27.360
<v Speaker 1>is no separation type. I don't know what goes on

0:46:27.640 --> 0:46:30.680
<v Speaker 1>in different cities and states, but out there that was

0:46:30.719 --> 0:46:38.440
<v Speaker 1>always a good blend. So moving forward my flow, I've

0:46:38.520 --> 0:46:46.040
<v Speaker 1>always said something, I've always included the Hispanic Chicano Chicano Latina, Mexicane,

0:46:46.080 --> 0:46:47.680
<v Speaker 1>whatever you want to say into my music. I was

0:46:47.719 --> 0:46:50.680
<v Speaker 1>saying chocolate Colo fifteen years ago in my old demos,

0:46:50.880 --> 0:46:52.239
<v Speaker 1>you know what I mean. I was saying that. So

0:46:54.640 --> 0:46:57.839
<v Speaker 1>my manager, Tiffany, she's from Arizona, she was always saying

0:46:58.000 --> 0:47:00.200
<v Speaker 1>from when I first got signed. She was like, we

0:47:00.440 --> 0:47:02.680
<v Speaker 1>got to include them with everything we do, and that's

0:47:02.719 --> 0:47:05.200
<v Speaker 1>what we do. You have a deal with Philiberto's. We're

0:47:05.200 --> 0:47:08.120
<v Speaker 1>about to get into all that. It's Philiberto, Philip, but

0:47:08.360 --> 0:47:13.399
<v Speaker 1>Phillies Man, Phillies, Yes, Philipbertho's. Shout out to Philip. My boys,

0:47:13.440 --> 0:47:17.400
<v Speaker 1>Caesar Man family owned chain down there. They can't. That's

0:47:17.440 --> 0:47:18.400
<v Speaker 1>the McDonald's. You know.

0:47:18.760 --> 0:47:20.879
<v Speaker 2>I try to tell people, I'm listen, you consider joining

0:47:20.920 --> 0:47:21.600
<v Speaker 2>about Phillies Food.

0:47:21.640 --> 0:47:23.799
<v Speaker 1>It's always there, it's always open, and it's always there

0:47:23.840 --> 0:47:25.640
<v Speaker 1>when you know it's Carnie inside up man. Man, I

0:47:25.760 --> 0:47:28.600
<v Speaker 1>love that California burrito over there. But it's it's at

0:47:28.640 --> 0:47:30.120
<v Speaker 1>the end of the day. That's why I was trying

0:47:30.160 --> 0:47:32.000
<v Speaker 1>to say. If I've done something that no one has

0:47:32.040 --> 0:47:35.680
<v Speaker 1>ever done, I've bridged the gap with the Hispanic community

0:47:36.320 --> 0:47:39.840
<v Speaker 1>and what I'm I don't know. You know, my state,

0:47:40.080 --> 0:47:42.880
<v Speaker 1>my areas responding to a beautiful right. You know what

0:47:42.880 --> 0:47:44.600
<v Speaker 1>I'm saying. Love, They see what I'm doing. All my

0:47:44.760 --> 0:47:47.800
<v Speaker 1>work is coming from the Hispanic community. They you know

0:47:48.040 --> 0:47:51.200
<v Speaker 1>I'm doing to live and Die, to Live and Die

0:47:51.400 --> 0:47:53.640
<v Speaker 1>La tour, that's always out here. They're comeing to Phoenix.

0:47:53.800 --> 0:47:55.719
<v Speaker 1>Oh nice to shout out to live in down La.

0:47:56.360 --> 0:47:58.200
<v Speaker 1>You know they be running it out here sometimes. You know,

0:47:58.880 --> 0:48:02.879
<v Speaker 1>explain to me the last fifteen years from the Okay,

0:48:02.920 --> 0:48:05.400
<v Speaker 1>let's say, like give me a rundown on kind of

0:48:06.080 --> 0:48:09.120
<v Speaker 1>what you've been up to outside of recording. You know,

0:48:09.239 --> 0:48:11.360
<v Speaker 1>I know you be on some entrepreneurship. I know you

0:48:11.480 --> 0:48:13.480
<v Speaker 1>be hustling, Like, what have you been up to? Me

0:48:13.719 --> 0:48:16.040
<v Speaker 1>being nosy? No, I'm just asking, bro. I feel like

0:48:16.080 --> 0:48:18.440
<v Speaker 1>people want to know. It's like hiatus talk. Yeah you've

0:48:18.440 --> 0:48:20.360
<v Speaker 1>been on this hiatus. Bro, the fuck you've been up to? No,

0:48:20.480 --> 0:48:24.200
<v Speaker 1>you gotta pay the bills. Man? Oh man, do I

0:48:24.320 --> 0:48:27.640
<v Speaker 1>go there? No? I can't go there. I mean it

0:48:27.800 --> 0:48:30.399
<v Speaker 1>was real life, bro. Yeah, you know what I'm saying.

0:48:30.480 --> 0:48:34.719
<v Speaker 1>I represent your generation of hip hop kV. I can't

0:48:34.760 --> 0:48:37.279
<v Speaker 1>talk about what these kids are talking about. So I

0:48:37.400 --> 0:48:39.839
<v Speaker 1>had to go through stuff to get to this level,

0:48:39.880 --> 0:48:42.000
<v Speaker 1>to even want to come back to rap. You know,

0:48:42.160 --> 0:48:43.440
<v Speaker 1>we're at the age like what the fuck I want

0:48:43.440 --> 0:48:45.239
<v Speaker 1>to wrap for Like it ain't because of its old thing.

0:48:45.280 --> 0:48:47.840
<v Speaker 1>It's because it's just like I'm not drilling, I'm not

0:48:48.480 --> 0:48:51.160
<v Speaker 1>painting my hair purple, I'm not none of that. I'm

0:48:51.160 --> 0:48:53.279
<v Speaker 1>not getting no tattoos on my face. I'm too clean

0:48:53.440 --> 0:48:55.000
<v Speaker 1>for these dudes, you know what I'm saying. But at

0:48:55.040 --> 0:48:58.200
<v Speaker 1>the same time, there's a lane that we need a

0:48:58.320 --> 0:49:01.719
<v Speaker 1>voice in our generation. And that's because hip hop is

0:49:01.800 --> 0:49:05.200
<v Speaker 1>young at all, fifty one, you know what I'm saying.

0:49:05.200 --> 0:49:07.600
<v Speaker 1>It's fifty years. You know, they haven't had any grandpas

0:49:07.680 --> 0:49:10.359
<v Speaker 1>or any of that, so there's no gap. You can't

0:49:10.360 --> 0:49:12.399
<v Speaker 1>put a gap on something that was just burst into

0:49:12.440 --> 0:49:14.720
<v Speaker 1>the world that's running the whole. By the way, tis

0:49:14.760 --> 0:49:15.880
<v Speaker 1>a grandpa. Now. I just found that out.

0:49:15.920 --> 0:49:18.600
<v Speaker 2>He's got three grandkids, which is fucking crazy. I heard

0:49:18.640 --> 0:49:23.239
<v Speaker 2>that yesterday and I was like, what, I'm old anyway.

0:49:23.320 --> 0:49:25.080
<v Speaker 1>So you got you got it. You got people like

0:49:25.160 --> 0:49:27.279
<v Speaker 1>TI that's still hot, little One, you got Drake, these

0:49:27.320 --> 0:49:30.640
<v Speaker 1>people are still hot, and Kanye's and all these other

0:49:30.680 --> 0:49:32.680
<v Speaker 1>people that are still hot and that can still make

0:49:32.719 --> 0:49:34.600
<v Speaker 1>great music. And you got other people that's trying to

0:49:34.600 --> 0:49:36.520
<v Speaker 1>put cap on what they do. You know what I'm saying,

0:49:36.520 --> 0:49:40.320
<v Speaker 1>that's not how it works. We are the forefathers, the lyricists,

0:49:40.440 --> 0:49:43.600
<v Speaker 1>all these people, and I just happened to still be

0:49:44.160 --> 0:49:47.279
<v Speaker 1>handsome as fucked look good. Drop some shit can rap

0:49:47.360 --> 0:49:50.200
<v Speaker 1>better than all these niggas, And I'm coming back because

0:49:50.200 --> 0:49:52.359
<v Speaker 1>it's not about age. It's about talent at this point.

0:49:52.880 --> 0:49:54.279
<v Speaker 1>Yeah right around, No for sure.

0:49:54.360 --> 0:49:56.279
<v Speaker 2>Yeah, so if it's about that, I think hip hop

0:49:56.360 --> 0:49:57.600
<v Speaker 2>has been kind of ageless for a while.

0:49:57.760 --> 0:49:57.960
<v Speaker 1>Yeah.

0:49:57.960 --> 0:49:59.680
<v Speaker 2>The Change was kind of the first guy to show

0:49:59.680 --> 0:50:00.360
<v Speaker 2>everybody like.

0:50:00.960 --> 0:50:04.239
<v Speaker 1>No, no, no, no. Two Changs was the first for sure,

0:50:04.360 --> 0:50:06.040
<v Speaker 1>like where you could be like, yo, I'm post thirty

0:50:06.080 --> 0:50:09.160
<v Speaker 1>and popping the two chains. Come back story is what

0:50:09.239 --> 0:50:11.560
<v Speaker 1>Willie north Poe was doing right now. I like attention,

0:50:12.239 --> 0:50:15.359
<v Speaker 1>just pay attention. That's my bro. Yeah when I say

0:50:15.440 --> 0:50:17.000
<v Speaker 1>we was on the tour bus roasting each other and

0:50:17.320 --> 0:50:20.239
<v Speaker 1>playing circle days all that ship. Yeah that's my dude. Man,

0:50:21.520 --> 0:50:22.400
<v Speaker 1>I need to do a song with him.

0:50:22.400 --> 0:50:25.560
<v Speaker 2>Actually, do you after this out? Are you going to

0:50:25.560 --> 0:50:27.719
<v Speaker 2>continue to drop music or you? Like I mean you

0:50:27.800 --> 0:50:29.840
<v Speaker 2>said that you you just tease The body Marked Up

0:50:30.040 --> 0:50:31.640
<v Speaker 2>Part two that was that was.

0:50:31.719 --> 0:50:33.040
<v Speaker 1>That was I don't know why I brought that up.

0:50:33.239 --> 0:50:35.560
<v Speaker 1>That was like so relevant to the other ship we

0:50:35.600 --> 0:50:36.280
<v Speaker 1>got planned.

0:50:36.160 --> 0:50:37.360
<v Speaker 2>You know for sure what I'm saying. But you have

0:50:37.440 --> 0:50:39.120
<v Speaker 2>a bunch of other Like it's not like you're going

0:50:39.160 --> 0:50:41.040
<v Speaker 2>to go away for fifteen years never again.

0:50:41.160 --> 0:50:44.759
<v Speaker 1>Okay, I can't, right, you gotta think, bro, Yeah she's here.

0:50:45.840 --> 0:50:49.239
<v Speaker 1>But I got three other people. I got a whole team,

0:50:49.320 --> 0:50:52.240
<v Speaker 1>three or four other people, because you have another company,

0:50:52.320 --> 0:50:54.680
<v Speaker 1>what was it called dark Star, dark Nation, dark Nation?

0:50:54.920 --> 0:50:56.880
<v Speaker 1>But that was me. That was just that was me

0:50:57.160 --> 0:50:59.120
<v Speaker 1>playing the double Dutch game, trying to figure it out.

0:50:59.160 --> 0:51:01.120
<v Speaker 1>You get what I'm saying, worked because it was me

0:51:01.239 --> 0:51:03.640
<v Speaker 1>coming back. So it caught a little buzz. I sold

0:51:03.640 --> 0:51:05.439
<v Speaker 1>out hoodies and everything. But I didn't have a team

0:51:05.480 --> 0:51:07.520
<v Speaker 1>behind me, right, you know. I was just doing all

0:51:07.560 --> 0:51:08.880
<v Speaker 1>this shit, like, yo, the fuck. I didn't know what

0:51:08.920 --> 0:51:10.480
<v Speaker 1>to do. I'm thinking, you just dropped music. I didn't

0:51:10.480 --> 0:51:12.520
<v Speaker 1>have no plan what I do with the music. I

0:51:12.680 --> 0:51:15.440
<v Speaker 1>wasn't had to have no video plans, right you know.

0:51:15.680 --> 0:51:18.120
<v Speaker 1>So it just kind of like now I'm not throwing

0:51:18.160 --> 0:51:20.400
<v Speaker 1>shit against the wall. Everything I got right now is

0:51:20.440 --> 0:51:22.879
<v Speaker 1>strategic and we're never going to stop. I can't stop

0:51:22.920 --> 0:51:25.680
<v Speaker 1>because I'm running. I'm running an engine for other people now.

0:51:26.280 --> 0:51:29.759
<v Speaker 2>So after your guys' era and asy hip hop, there's

0:51:29.840 --> 0:51:31.520
<v Speaker 2>the era that I had a lot to do with,

0:51:31.640 --> 0:51:34.560
<v Speaker 2>and that was like the VI the rule of futuristic

0:51:35.000 --> 0:51:39.000
<v Speaker 2>sincerely Collins wave that popped off right, Like I remember

0:51:39.040 --> 0:51:41.640
<v Speaker 2>that I managed Collins for a few years and I

0:51:41.719 --> 0:51:45.160
<v Speaker 2>hosted V's one of his first mixtapes, and Zach was

0:51:45.400 --> 0:51:47.560
<v Speaker 2>you know, fuck he was a regular on our show

0:51:47.640 --> 0:51:49.239
<v Speaker 2>and we did music together and I took him.

0:51:49.120 --> 0:51:50.200
<v Speaker 1>Around to running.

0:51:50.800 --> 0:51:54.279
<v Speaker 2>But what were your thoughts just from like being one

0:51:54.320 --> 0:51:57.640
<v Speaker 2>of the guys from the city to watch kind of

0:51:57.680 --> 0:52:01.480
<v Speaker 2>what those guys did, because that was like twenty twelve, thirteen,

0:52:01.560 --> 0:52:05.359
<v Speaker 2>fourteen fifteen. It was definitely a different era. But all

0:52:05.400 --> 0:52:07.440
<v Speaker 2>three of those guys, you know, fucking V signed a

0:52:07.840 --> 0:52:11.200
<v Speaker 2>kid Ink, which was a big deal. Colin's at number

0:52:11.239 --> 0:52:14.880
<v Speaker 2>one records at radio. Yeah, I could tell you juristics

0:52:14.920 --> 0:52:17.759
<v Speaker 2>fucking got it. I think he's got an independent platinum record,

0:52:17.920 --> 0:52:18.960
<v Speaker 2>at least a gold record.

0:52:19.440 --> 0:52:22.279
<v Speaker 1>I gotta go to Bute Shots of Magic too. Way

0:52:22.320 --> 0:52:24.200
<v Speaker 1>we talk, by the way I'll be talking. We can't

0:52:24.200 --> 0:52:26.439
<v Speaker 1>forget about AMC Magic to Shot to Magic but shout

0:52:26.480 --> 0:52:27.000
<v Speaker 1>out to Magic.

0:52:27.360 --> 0:52:29.360
<v Speaker 2>I'm just curious, like, what what were your thoughts on

0:52:29.440 --> 0:52:31.960
<v Speaker 2>that next era of asy hip hop that came.

0:52:32.200 --> 0:52:36.759
<v Speaker 1>I felt like I felt like I wasn't like an

0:52:36.840 --> 0:52:40.040
<v Speaker 1>Ol Bundy nigga dude walking around. J Rob shot to

0:52:40.080 --> 0:52:42.239
<v Speaker 1>J Rob. I wasn't like the Ol Bundy dude with

0:52:42.280 --> 0:52:43.960
<v Speaker 1>the football saying you know, this is what I could

0:52:44.000 --> 0:52:45.759
<v Speaker 1>have done, I should have done, you know, anything like that.

0:52:45.960 --> 0:52:49.080
<v Speaker 1>So I was always proud of Futuristic Colin this and

0:52:49.160 --> 0:52:52.759
<v Speaker 1>all them. But I remember coming up, you know, Futuristic

0:52:52.880 --> 0:52:54.560
<v Speaker 1>you know, he opened up for me a couples or

0:52:54.640 --> 0:52:57.279
<v Speaker 1>whatever he always talked about that. I've done free versus

0:52:57.400 --> 0:53:00.640
<v Speaker 1>for him just before you know, to take off and

0:53:00.680 --> 0:53:03.239
<v Speaker 1>all that stuff. And I've done things for him that,

0:53:03.520 --> 0:53:07.040
<v Speaker 1>you know, even as I was declining down and he

0:53:07.160 --> 0:53:09.279
<v Speaker 1>was coming up, you know what I mean, I've done things.

0:53:09.320 --> 0:53:12.000
<v Speaker 1>But I think as people were coming up, not him,

0:53:12.200 --> 0:53:13.719
<v Speaker 1>but just a lot of everyone else, a lot a

0:53:13.760 --> 0:53:16.400
<v Speaker 1>lot of people including him, actually, I felt like they

0:53:16.480 --> 0:53:19.520
<v Speaker 1>just started forgetting do you get what I'm saying? And

0:53:19.960 --> 0:53:21.560
<v Speaker 1>so when I was watching a lot of that ship

0:53:21.680 --> 0:53:25.319
<v Speaker 1>going on, I was proud of him. I didn't want

0:53:25.320 --> 0:53:27.320
<v Speaker 1>them beef I didn't want Collins and Futuristic beef and

0:53:27.400 --> 0:53:29.040
<v Speaker 1>I thought that was kind of corny, but I did.

0:53:29.520 --> 0:53:33.719
<v Speaker 1>I didn't. I never considered them in my lane lane se.

0:53:33.760 --> 0:53:35.560
<v Speaker 1>I just you know, they were definitely like but I

0:53:35.600 --> 0:53:38.600
<v Speaker 1>didn't the next era. They were the next asy era.

0:53:38.719 --> 0:53:46.520
<v Speaker 1>And I really respected Zach and Jacob Owens movement. Oh yeah,

0:53:47.080 --> 0:53:51.000
<v Speaker 1>like the videos. That was like a flawless, like Futuristic

0:53:51.160 --> 0:53:54.040
<v Speaker 1>is the best at that. That's why I'd be telling

0:53:54.080 --> 0:53:57.200
<v Speaker 1>people when they compare us, they always compare us. It

0:53:57.280 --> 0:54:00.480
<v Speaker 1>was just two different things. He can't do anything done.

0:54:01.040 --> 0:54:03.640
<v Speaker 1>You know the thing about it, he's as far as

0:54:03.800 --> 0:54:06.239
<v Speaker 1>what he's done, he's I would I would love to

0:54:06.520 --> 0:54:09.520
<v Speaker 1>have his whole blueprint, you get what I'm saying figured

0:54:09.560 --> 0:54:11.719
<v Speaker 1>out right. Yeah, So that's what we're doing. And I

0:54:11.800 --> 0:54:12.359
<v Speaker 1>know he just got off.

0:54:12.440 --> 0:54:14.560
<v Speaker 2>He was just on a tour, you know, Zach still

0:54:14.600 --> 0:54:16.399
<v Speaker 2>I mean, obviously he's pivoting a little bit more. He's

0:54:16.400 --> 0:54:19.839
<v Speaker 2>still doing he's doing more Christian rap now and sign

0:54:19.920 --> 0:54:22.800
<v Speaker 2>an artist and ship. But yeah, but that was that

0:54:22.920 --> 0:54:24.520
<v Speaker 2>was just a pretty exciting pocket.

0:54:25.000 --> 0:54:27.760
<v Speaker 1>He was hard. I told v what he was before

0:54:27.960 --> 0:54:29.640
<v Speaker 1>you even messed with him. You know what I'm saying

0:54:29.719 --> 0:54:32.120
<v Speaker 1>V kingam on studio. A lot of these j Rob

0:54:32.200 --> 0:54:34.600
<v Speaker 1>Kanamo studio. A lot of these dudes came across me, brother,

0:54:35.120 --> 0:54:36.480
<v Speaker 1>and I mean, I mean, I feel like it'd be

0:54:36.520 --> 0:54:39.520
<v Speaker 1>hard to think what I'm saying, think about what I'm saying. Though.

0:54:39.520 --> 0:54:41.880
<v Speaker 1>A lot of these dudes came across you know, and

0:54:43.800 --> 0:54:46.560
<v Speaker 1>it's either you know, they don't, They're not gonna It's

0:54:46.640 --> 0:54:51.239
<v Speaker 1>kind of like I always offered my service to people,

0:54:51.960 --> 0:54:53.279
<v Speaker 1>but they only I feel like a lot of people

0:54:53.320 --> 0:54:55.279
<v Speaker 1>only want my service if it's gonna value them. Now,

0:54:55.280 --> 0:54:57.439
<v Speaker 1>I feel like everybody will want a song with Willie North,

0:54:57.560 --> 0:54:59.960
<v Speaker 1>which I respect that, but that's not how it's gonna work.

0:55:00.000 --> 0:55:02.439
<v Speaker 1>It's crazy because that's how the game goes sometimes. Yeah,

0:55:02.840 --> 0:55:04.520
<v Speaker 1>nobody want to work on me four months ago.

0:55:04.600 --> 0:55:07.440
<v Speaker 2>But you got to notate those type of people though

0:55:08.440 --> 0:55:10.640
<v Speaker 2>cheers we talk about, like I see that ship all

0:55:10.680 --> 0:55:14.359
<v Speaker 2>the time. It's like people when they're not quote unquote hot,

0:55:14.640 --> 0:55:16.920
<v Speaker 2>you know, first forget, but that they catch your record's out.

0:55:17.200 --> 0:55:18.960
<v Speaker 1>The phone starts to get picked out. That's I mean,

0:55:19.040 --> 0:55:21.520
<v Speaker 1>it's cool, that's cool, but I've never I've never people

0:55:21.640 --> 0:55:26.319
<v Speaker 1>You can't sleep on these Listen, there's fame. And then

0:55:26.360 --> 0:55:29.680
<v Speaker 1>there's egotistical talent when you you know, knowing that what

0:55:29.760 --> 0:55:31.239
<v Speaker 1>I'm good at what I do, I've been doing it

0:55:31.280 --> 0:55:33.360
<v Speaker 1>since I was eleven. Bro, So when I hear the

0:55:33.400 --> 0:55:35.279
<v Speaker 1>flaws and these dudes, and when I hear the ship

0:55:35.360 --> 0:55:38.600
<v Speaker 1>and when I hear how they can easily, they'll try

0:55:38.640 --> 0:55:41.480
<v Speaker 1>to write me out. There's a reason I got to

0:55:41.560 --> 0:55:44.680
<v Speaker 1>a point of what I was because of the talent. Correct.

0:55:45.360 --> 0:55:49.080
<v Speaker 1>So if they can keep that talent confined and you know,

0:55:49.200 --> 0:55:51.160
<v Speaker 1>locked up with something they'll keep. No one is gonna

0:55:51.239 --> 0:55:52.839
<v Speaker 1>come out and help Willy. Willy had to come out

0:55:52.840 --> 0:55:55.000
<v Speaker 1>of the gutter by himself, you know what I'm saying.

0:55:55.080 --> 0:55:57.400
<v Speaker 1>So that's that's where I stand. But now it's personal.

0:55:57.560 --> 0:55:59.600
<v Speaker 1>So and I'm gonna keep making you know, I'm gonna

0:55:59.680 --> 0:56:03.360
<v Speaker 1>keep making these bangers after bangers, story good great songs

0:56:03.400 --> 0:56:06.520
<v Speaker 1>after great songs. The wheelchair is gonna come under my butt.

0:56:06.680 --> 0:56:08.839
<v Speaker 1>I'm gonna be pushing it. I'm still be making great

0:56:08.920 --> 0:56:11.440
<v Speaker 1>fucking music. We're just gonna keep going, bro, you know

0:56:11.480 --> 0:56:12.719
<v Speaker 1>what I'm saying. And I'm gonna show them how to

0:56:12.760 --> 0:56:15.440
<v Speaker 1>do this where I'm from for real, CAF Who who

0:56:15.480 --> 0:56:18.200
<v Speaker 1>do you like? That's uh coming up right now. Out

0:56:18.239 --> 0:56:22.640
<v Speaker 1>of Ez, out of a Z. The dude that went

0:56:22.680 --> 0:56:26.400
<v Speaker 1>against V what's his name, ohs from New York. I

0:56:26.440 --> 0:56:28.160
<v Speaker 1>know he's from New York, but he lives in Arizona

0:56:28.200 --> 0:56:32.000
<v Speaker 1>right now. But he's an alien, one of the great

0:56:32.120 --> 0:56:34.040
<v Speaker 1>I mean, he's one of the greatest rappers on the planet.

0:56:34.120 --> 0:56:36.080
<v Speaker 1>Low key like when he's on his ship. It's crazy.

0:56:36.520 --> 0:56:39.399
<v Speaker 1>I fuck with dude. I would do another. I would

0:56:39.400 --> 0:56:43.000
<v Speaker 1>do a real record with I want to do a

0:56:43.040 --> 0:56:45.440
<v Speaker 1>record them Magic. I think it's about time for that.

0:56:46.680 --> 0:56:49.320
<v Speaker 1>Think about that. I think it's about time to do

0:56:49.400 --> 0:56:51.840
<v Speaker 1>a record with Magic. Magic. Me and Magic got the

0:56:52.320 --> 0:56:54.360
<v Speaker 1>I did a song called Back to Mexico when I

0:56:54.440 --> 0:56:59.800
<v Speaker 1>was taking up for the SB ten. Uh. Yeah, so

0:57:00.080 --> 0:57:03.279
<v Speaker 1>we're going through that stuff. I stood up for the

0:57:03.360 --> 0:57:06.400
<v Speaker 1>Latino community and they all came out and I did

0:57:06.480 --> 0:57:08.800
<v Speaker 1>a video and MC Magic actually got on that remix.

0:57:08.920 --> 0:57:10.080
<v Speaker 1>So that was dope. Yeah.

0:57:10.120 --> 0:57:12.400
<v Speaker 2>Magic's doing sixty sold out shows a year right now.

0:57:12.560 --> 0:57:16.600
<v Speaker 2>It's crazy him bashing Uh little rob are just murdering

0:57:16.640 --> 0:57:17.040
<v Speaker 2>it right now.

0:57:17.240 --> 0:57:20.120
<v Speaker 1>Fucking so I would do one, you know, as far

0:57:20.160 --> 0:57:23.120
<v Speaker 1>as who else, I want to do one with Alexus

0:57:23.160 --> 0:57:25.640
<v Speaker 1>Bro alexis that's easy. We can do it tomorrow. We

0:57:25.760 --> 0:57:29.320
<v Speaker 1>do it today, Bro, Alexus, don't be man ninety seconds away.

0:57:29.800 --> 0:57:32.760
<v Speaker 1>But I told Alexus man my studios. I don't think

0:57:33.840 --> 0:57:36.520
<v Speaker 1>cav we can talk or we don't. I try to

0:57:36.560 --> 0:57:38.480
<v Speaker 1>give it. I try to get Alexus on the album. Bro.

0:57:38.840 --> 0:57:40.520
<v Speaker 1>I guess I sent him the record. Man, I'm just

0:57:40.560 --> 0:57:43.280
<v Speaker 1>saying he might not like the bunch of work scratch. Hey,

0:57:43.520 --> 0:57:46.800
<v Speaker 1>if he didn't like it, then you got communicated, you

0:57:46.840 --> 0:57:48.919
<v Speaker 1>know what I'm saying. But on top of that, yeah,

0:57:49.280 --> 0:57:51.560
<v Speaker 1>he did reach out to work again. You know what

0:57:51.600 --> 0:57:51.960
<v Speaker 1>I'm saying.

0:57:53.120 --> 0:57:56.160
<v Speaker 2>The boys ten feet away is the studio he lives

0:57:56.600 --> 0:57:57.120
<v Speaker 2>five seconds.

0:57:58.080 --> 0:58:00.200
<v Speaker 1>That's only that's probably one of the that's in the

0:58:00.200 --> 0:58:05.360
<v Speaker 1>studio right now. That's the only singer right now. Yeah.

0:58:05.360 --> 0:58:07.680
<v Speaker 1>I think he's got talent. Talent.

0:58:07.840 --> 0:58:10.400
<v Speaker 2>Yeah, my favorite rapper in Arizona right now that's on

0:58:10.480 --> 0:58:11.160
<v Speaker 2>the come up.

0:58:11.120 --> 0:58:14.880
<v Speaker 1>As Chris Coke. Yeah, Chris Coke's a fucking alien. And

0:58:14.960 --> 0:58:18.720
<v Speaker 1>then I was watching Chris Coke Battles the other day. Man,

0:58:18.800 --> 0:58:19.439
<v Speaker 1>he's he's good.

0:58:19.560 --> 0:58:23.560
<v Speaker 2>There's there's a dude that's really I just got put

0:58:23.600 --> 0:58:27.120
<v Speaker 2>on kid friendly. He's a Christian rapper though, but he's

0:58:27.120 --> 0:58:29.160
<v Speaker 2>actually and I'm an atheist, so I don't relate to

0:58:29.200 --> 0:58:31.080
<v Speaker 2>none of that ship. But he's not really like a

0:58:31.160 --> 0:58:33.240
<v Speaker 2>Christian rapper like preaching. He just don't cuss in his bars.

0:58:33.400 --> 0:58:34.720
<v Speaker 2>But he's fucking crazy.

0:58:35.280 --> 0:58:38.560
<v Speaker 1>But yeah, this is this is I'm really trying to

0:58:38.600 --> 0:58:40.800
<v Speaker 1>get out of the Arizona talk though. Man, I'm trying

0:58:40.840 --> 0:58:45.400
<v Speaker 1>to we bigger than this. Calf in fifteen years we

0:58:45.520 --> 0:58:47.680
<v Speaker 1>got a cover a lot. Bro Listen, I get you know,

0:58:47.960 --> 0:58:51.320
<v Speaker 1>me stepping out. That's your fault, man, that is that

0:58:51.440 --> 0:58:54.120
<v Speaker 1>my fault. That's your fucking fault. That's all y'all thought.

0:58:54.520 --> 0:58:58.680
<v Speaker 1>Fucking you did hack your fucking laptop. No you did,

0:58:58.760 --> 0:59:03.120
<v Speaker 1>by ten Calf, you did. And I bought album job

0:59:03.120 --> 0:59:04.480
<v Speaker 1>and I gave them out at the radio play the

0:59:04.520 --> 0:59:06.320
<v Speaker 1>record I had, like, I think I saw three.

0:59:06.200 --> 0:59:08.080
<v Speaker 2>In the plastic in storage because I gave the other

0:59:08.120 --> 0:59:09.240
<v Speaker 2>ones out, Thank you man.

0:59:10.480 --> 0:59:10.920
<v Speaker 1>Yeah it was.

0:59:11.240 --> 0:59:12.880
<v Speaker 2>I was living in Idaho. I went to some where

0:59:12.920 --> 0:59:15.080
<v Speaker 2>did I go, Oh, there was a store out there called.

0:59:16.640 --> 0:59:18.280
<v Speaker 1>Hastings. That's crazy. Yeah.

0:59:18.760 --> 0:59:20.320
<v Speaker 2>Anyway, well listen, man, the new album is.

0:59:20.320 --> 0:59:23.560
<v Speaker 1>Out broad with theater. People can go support it. I'm

0:59:23.560 --> 0:59:27.280
<v Speaker 1>sure you got more visuals coming, uh, we just I

0:59:27.400 --> 0:59:30.320
<v Speaker 1>just shot the chocolatelo video and I just shot my

0:59:30.360 --> 0:59:30.919
<v Speaker 1>cook video.

0:59:31.240 --> 0:59:33.480
<v Speaker 2>I mean, you're putting up tons of content, which is

0:59:33.840 --> 0:59:35.600
<v Speaker 2>we shot the official videos. You know what I'm saying though,

0:59:35.600 --> 0:59:37.000
<v Speaker 2>But even just like the content you're putting out is

0:59:37.040 --> 0:59:37.880
<v Speaker 2>dope and it's consistent.

0:59:38.280 --> 0:59:39.680
<v Speaker 1>We hit a million views and then I had a

0:59:40.400 --> 0:59:42.720
<v Speaker 1>what seven thousand followers? I hit a million views with

0:59:42.800 --> 0:59:44.560
<v Speaker 1>seven thousand followers? Do you know how good you have

0:59:44.640 --> 0:59:47.520
<v Speaker 1>to be? Am I bragging? Do y'all think I'm being caught?

0:59:47.560 --> 0:59:50.160
<v Speaker 1>I'm really proud of myself. Man, that's a big deal. Brother.

0:59:50.240 --> 0:59:51.920
<v Speaker 1>You know what I'm saying. I got married off of

0:59:51.960 --> 0:59:54.160
<v Speaker 1>this type of stuff. I'm happy off of this. You know,

0:59:54.240 --> 0:59:57.880
<v Speaker 1>everything just came together. Like the way people are receiving

0:59:57.960 --> 0:59:59.680
<v Speaker 1>my music right now is just the way I've always

0:59:59.680 --> 1:00:02.200
<v Speaker 1>pictured it. M hm. So whatever happens from this point on,

1:00:02.280 --> 1:00:03.880
<v Speaker 1>it is just gonna just be better for me. But

1:00:04.000 --> 1:00:06.280
<v Speaker 1>right now I'm happy as fuck because the energy is crazy.

1:00:06.680 --> 1:00:08.720
<v Speaker 1>That's good man. Anybody from back in the day reaching

1:00:08.760 --> 1:00:10.720
<v Speaker 1>out like on the on the DTP side or on

1:00:10.920 --> 1:00:14.000
<v Speaker 1>all of them g UNIT side, I ain't gonna say

1:00:14.080 --> 1:00:16.240
<v Speaker 1>gun A couple of people from gun it reached out,

1:00:16.640 --> 1:00:19.320
<v Speaker 1>but most of the camp from DTP reached out. I

1:00:19.400 --> 1:00:21.680
<v Speaker 1>got a real call from DTP. One of the dudes,

1:00:21.680 --> 1:00:23.280
<v Speaker 1>I ain't gonna say who, but he's like, man, they're watching,

1:00:23.320 --> 1:00:26.280
<v Speaker 1>everybody's watching. That's dope. So that's dope. I mean, Tiffany's back.

1:00:26.400 --> 1:00:28.800
<v Speaker 1>That's big. That's that's all I want. That's all she

1:00:28.840 --> 1:00:30.240
<v Speaker 1>got to put you a hit maker. That's all I

1:00:30.320 --> 1:00:32.720
<v Speaker 1>cared about. You have the hit maker Willie's song coming soon.

1:00:33.000 --> 1:00:35.280
<v Speaker 1>Once I knew she came back. Because she can't manage

1:00:35.320 --> 1:00:37.280
<v Speaker 1>something if it ain't if it don't want to be managed,

1:00:37.440 --> 1:00:39.280
<v Speaker 1>I can ask her to manage me all day. Tiffany,

1:00:39.360 --> 1:00:42.560
<v Speaker 1>what was the name of that weird promotionals company that

1:00:42.720 --> 1:00:44.960
<v Speaker 1>was on you? You were a part of it, weren't

1:00:44.960 --> 1:00:47.000
<v Speaker 1>You were passing out flyers and shipped some street team

1:00:47.040 --> 1:00:49.440
<v Speaker 1>company back in the day. What was it? What was

1:00:49.480 --> 1:00:49.920
<v Speaker 1>the name of it?

1:00:52.520 --> 1:00:55.640
<v Speaker 2>Were you like hiring interns and ship I was an

1:00:55.680 --> 1:01:01.320
<v Speaker 2>intern passing out flyers. I had a double bag of

1:01:01.400 --> 1:01:04.320
<v Speaker 2>flyers that I was on. I was on Mason fucking

1:01:04.360 --> 1:01:08.760
<v Speaker 2>Fiestam all passing out Yes. Wow, I just it's so

1:01:08.840 --> 1:01:11.320
<v Speaker 2>funny because that light I didn't even I've never even

1:01:11.320 --> 1:01:14.120
<v Speaker 2>thought of that until this very second. I was taking

1:01:14.160 --> 1:01:17.920
<v Speaker 2>the motherfucking forty five the Broadway bus from fucking the

1:01:18.040 --> 1:01:21.400
<v Speaker 2>South Side to Mesa, and I don't Yeah, that's crazy,

1:01:21.400 --> 1:01:22.919
<v Speaker 2>because I think I heard about it on the radio.

1:01:25.040 --> 1:01:25.240
<v Speaker 1>Yep.

1:01:25.400 --> 1:01:29.760
<v Speaker 2>Yeah, shout to Tiffany Jay Arizona. Goat Tiffany.

1:01:30.480 --> 1:01:34.360
<v Speaker 1>Oh man, man, come on man, rocking with the best.

1:01:34.520 --> 1:01:35.200
<v Speaker 1>I appreciate you.

1:01:35.520 --> 1:01:37.440
<v Speaker 2>Willie the new albums out, everyone goes support it, man,

1:01:37.520 --> 1:01:39.400
<v Speaker 2>go buy it too. You gotta go onnes and put

1:01:39.440 --> 1:01:40.960
<v Speaker 2>some money in your merchers out.

1:01:41.080 --> 1:01:45.360
<v Speaker 1>Yep, the merchers out. We got the album is The

1:01:45.480 --> 1:01:48.360
<v Speaker 1>album is is something that from what I'm hearing, there's

1:01:48.400 --> 1:01:50.600
<v Speaker 1>no Skippers on it, you know, there's no Phillers. They

1:01:50.720 --> 1:01:53.360
<v Speaker 1>calling it a classic. You got to get a menu

1:01:53.440 --> 1:02:00.560
<v Speaker 1>item at Phillies. Yeah, get the pole chocolate kind of shit.

1:02:00.800 --> 1:02:03.080
<v Speaker 1>We were talking about it, Yeah, we was talking about it.

1:02:03.320 --> 1:02:05.560
<v Speaker 1>We're trying to get it, man, I'm fucking philibertos Many.

1:02:05.920 --> 1:02:08.680
<v Speaker 2>They just sent me on slides in the mail. You said, what,

1:02:08.880 --> 1:02:10.240
<v Speaker 2>They just sent me a bunch of ship in the

1:02:10.280 --> 1:02:12.600
<v Speaker 2>mail because I shouted them out in the MC magic interview,

1:02:12.640 --> 1:02:14.640
<v Speaker 2>so they said hello ship. I was like Hey, I

1:02:14.680 --> 1:02:17.640
<v Speaker 2>guess I'll wear these filiberto swim trunks next time I'm

1:02:17.640 --> 1:02:18.160
<v Speaker 2>on vacation.

1:02:18.600 --> 1:02:20.080
<v Speaker 1>Right, I'm gonna give a couple of shots out if

1:02:20.120 --> 1:02:21.960
<v Speaker 1>you go ahead. I want to give a shout out

1:02:22.000 --> 1:02:24.640
<v Speaker 1>to Donnie or JEWELR who got me looking nice. You

1:02:24.680 --> 1:02:26.240
<v Speaker 1>know what I'm saying. We don't get none of this back.

1:02:26.280 --> 1:02:28.320
<v Speaker 1>And like, hey, my ship, what happened to your old chain?

1:02:28.480 --> 1:02:30.240
<v Speaker 2>What was the story of someone snatched it out of

1:02:30.240 --> 1:02:31.680
<v Speaker 2>your car while you were inside of a store, some

1:02:31.800 --> 1:02:34.840
<v Speaker 2>Blockbuster you were in. I was gonna say Blockbuster, Blockbuster,

1:02:35.000 --> 1:02:36.720
<v Speaker 2>you were in a Blockbuster and someone.

1:02:36.640 --> 1:02:39.080
<v Speaker 1>Listen, somebody threw a spark plug to my fucking wing.

1:02:39.200 --> 1:02:40.880
<v Speaker 1>I remember you told me they just bought the Kanye

1:02:41.040 --> 1:02:43.280
<v Speaker 1>CD and you just about a brand new gun. Because

1:02:43.280 --> 1:02:45.240
<v Speaker 1>this was like you had to ate the first time. Jim,

1:02:45.440 --> 1:02:47.840
<v Speaker 1>I had a gym bag. Yes, I had a gym

1:02:47.880 --> 1:02:49.520
<v Speaker 1>but I just got my disturbing the piece and my

1:02:50.440 --> 1:02:54.360
<v Speaker 1>AZ piece. It was connecting diamonds. I had it in

1:02:54.440 --> 1:02:56.920
<v Speaker 1>my gym back American Me was returning the movie. Bro,

1:02:57.040 --> 1:03:00.120
<v Speaker 1>I walked there for five fucking minutes, five minutes. This

1:03:00.240 --> 1:03:03.320
<v Speaker 1>chip just I don't know everybody, I don't know if

1:03:03.360 --> 1:03:04.720
<v Speaker 1>she set it up. I don't know what. I don't

1:03:04.720 --> 1:03:05.960
<v Speaker 1>think she did, but I had to cut her off

1:03:06.000 --> 1:03:09.000
<v Speaker 1>after that, just just in case. I felt she was crying.

1:03:09.520 --> 1:03:12.760
<v Speaker 1>But I went inside of the American. We dropped off

1:03:12.800 --> 1:03:15.000
<v Speaker 1>the movie American. Me came out someone through a spark

1:03:15.040 --> 1:03:18.880
<v Speaker 1>plug through my window. Whole gym bag was gone. Bro.

1:03:19.440 --> 1:03:22.240
<v Speaker 1>I fucking then I had a shoulder next day after Celebrity,

1:03:23.160 --> 1:03:24.880
<v Speaker 1>so I'm doing this whole show with no jewelry, and

1:03:24.960 --> 1:03:26.840
<v Speaker 1>I felt like the people that took my shit was

1:03:26.880 --> 1:03:30.040
<v Speaker 1>in there hunted. So I'm whoever the fuck No, I'm

1:03:30.080 --> 1:03:32.600
<v Speaker 1>talking shit on the mic and shit and I'm like, man,

1:03:33.880 --> 1:03:35.520
<v Speaker 1>you know, but that shit happened to me. I was.

1:03:35.720 --> 1:03:37.440
<v Speaker 1>I was inside of a store for maybe not, but

1:03:37.520 --> 1:03:39.240
<v Speaker 1>I never got robbed though, Man, no, no, no, I

1:03:39.280 --> 1:03:40.040
<v Speaker 1>seeing happened to me.

1:03:40.240 --> 1:03:42.800
<v Speaker 2>I fucking went to the bank. I had probably like

1:03:42.880 --> 1:03:45.920
<v Speaker 2>twenty now, I had like sixteen bands on me and

1:03:46.720 --> 1:03:49.160
<v Speaker 2>it was during COVID. Yeah, so you remember the bank

1:03:49.240 --> 1:03:52.560
<v Speaker 2>lines during COVID were crazy. So I went to go

1:03:53.360 --> 1:03:55.840
<v Speaker 2>deposit this cash. I was like, man, fuck this line.

1:03:57.480 --> 1:03:59.440
<v Speaker 2>Someone that saw me with the blue deposit bag and

1:03:59.480 --> 1:04:01.760
<v Speaker 2>it was fat fuck. So someone followed me. I went

1:04:01.800 --> 1:04:04.920
<v Speaker 2>to a Kinkos to fucking get something notarized, and I'm like,

1:04:05.080 --> 1:04:07.560
<v Speaker 2>legit in the kinkos for maybe a minute and a

1:04:07.560 --> 1:04:10.280
<v Speaker 2>half and Alexis is with me, and I'm like, hey, yo,

1:04:11.320 --> 1:04:13.440
<v Speaker 2>my window rolled down, go roll that ship up? Becomes

1:04:13.440 --> 1:04:15.800
<v Speaker 2>bass like bro, shit's busted off.

1:04:15.880 --> 1:04:19.440
<v Speaker 1>Yeah, I'm like, damn, got you to sixteen at my

1:04:19.520 --> 1:04:21.479
<v Speaker 1>laptop and I bro was I wanted.

1:04:21.840 --> 1:04:25.320
<v Speaker 2>I never wanted to take someone's life so badly. Yeah,

1:04:25.560 --> 1:04:26.480
<v Speaker 2>I had money out there.

1:04:26.480 --> 1:04:29.040
<v Speaker 1>I was like, yo, you know by you know Michael

1:04:29.120 --> 1:04:33.440
<v Speaker 1>Jordan's stamped body marked up he did in My lion T.

1:04:34.400 --> 1:04:36.640
<v Speaker 1>Michael Jordan had that happened, Man, I was on stage.

1:04:36.720 --> 1:04:40.560
<v Speaker 1>I performed it. Uh, we're at it was a disturbing

1:04:40.600 --> 1:04:43.439
<v Speaker 1>the peace party, Okay, Jordan's just there. Jordan was there.

1:04:43.640 --> 1:04:45.720
<v Speaker 1>He actually pushed us to the side. Me and Chinky

1:04:45.800 --> 1:04:47.720
<v Speaker 1>pushed us to the side. He had like forty women

1:04:47.800 --> 1:04:50.600
<v Speaker 1>with him and they at our party. Michael Jordan had

1:04:50.600 --> 1:04:52.920
<v Speaker 1>forty women. I say fifteen. Shout out to Jordan. Man

1:04:53.560 --> 1:04:55.680
<v Speaker 1>pushed us to the side. Judge, Mathes run like that

1:04:55.800 --> 1:04:58.120
<v Speaker 1>too at My lion T. I don't doubt it. Judge

1:04:58.160 --> 1:05:01.160
<v Speaker 1>Matthes run like that Judge. Time met Judge Matthes, he

1:05:01.240 --> 1:05:04.160
<v Speaker 1>pulled up in a van with fifteen females. Facts good

1:05:04.200 --> 1:05:07.760
<v Speaker 1>for him. And he was with Metapeace with old boy

1:05:08.080 --> 1:05:10.919
<v Speaker 1>around our test. That's my nig too shot at that time.

1:05:11.040 --> 1:05:14.160
<v Speaker 1>That's big man. We'll support the album. Yeah, come by man.

1:05:14.480 --> 1:05:16.360
<v Speaker 1>But Michael Jordan, just real quick, Michael Jordan said that

1:05:16.400 --> 1:05:17.960
<v Speaker 1>body he was he was sitting behind me when I

1:05:18.040 --> 1:05:20.280
<v Speaker 1>was rapping. Uh. They put him on the stage behind

1:05:20.360 --> 1:05:22.400
<v Speaker 1>us and he tapped me on the shoulder and he's

1:05:22.440 --> 1:05:24.920
<v Speaker 1>like that body marked up. But the body marked that

1:05:24.960 --> 1:05:29.280
<v Speaker 1>their body. That's how he said. The m J stamp

1:05:30.240 --> 1:05:31.120
<v Speaker 1>Much love, sir,