1 00:00:00,120 --> 00:00:02,640 Speaker 1: What's going on to boy Willie north Pole. I'm excited. 2 00:00:02,640 --> 00:00:04,040 Speaker 1: You got to check me out right now. On the 3 00:00:04,080 --> 00:00:11,559 Speaker 1: Boutlet Care podcast, Man, we back Yo Boutlet Cab podcast. 4 00:00:11,640 --> 00:00:16,319 Speaker 1: Man Special guessing here my guy representing as maybe first 5 00:00:16,360 --> 00:00:20,599 Speaker 1: time here but first time yes Z what up? Man represent? Okay, 6 00:00:20,600 --> 00:00:21,079 Speaker 1: So we gott to. 7 00:00:21,040 --> 00:00:23,960 Speaker 2: Talk about So this album you just dropped is your 8 00:00:23,960 --> 00:00:24,840 Speaker 2: first album and how. 9 00:00:24,680 --> 00:00:29,080 Speaker 1: Long fifteen years? Man? So this is the first album 10 00:00:29,120 --> 00:00:35,400 Speaker 1: since to Connect Jesus fifteen years. I you know, I 11 00:00:35,440 --> 00:00:37,960 Speaker 1: had to get inspired. Man. You know I never stopped recording, right, 12 00:00:38,680 --> 00:00:41,040 Speaker 1: You're always recording, and I feel like never stopped being around. 13 00:00:42,159 --> 00:00:44,279 Speaker 1: I'm a true you know, I write, you know, that's 14 00:00:44,280 --> 00:00:46,040 Speaker 1: what I do. I've been recording since I was a kid. 15 00:00:46,080 --> 00:00:50,400 Speaker 1: But as far as you know, just you know I needed, 16 00:00:50,479 --> 00:00:53,880 Speaker 1: I didn't have nothing. It wasn't no motivation to you know, 17 00:00:53,960 --> 00:00:56,120 Speaker 1: drop this. And you know the game is like double Dutch. 18 00:00:56,800 --> 00:00:58,160 Speaker 1: You know, you got to know when to come in, 19 00:00:58,280 --> 00:01:00,080 Speaker 1: no when to come out. You know there's new, you know, 20 00:01:00,160 --> 00:01:04,920 Speaker 1: but what I'm representing right now, it's just basically bars right. 21 00:01:05,040 --> 00:01:05,920 Speaker 1: So we're back. 22 00:01:06,120 --> 00:01:09,360 Speaker 2: So for people who don't know man, obviously from my hometown, 23 00:01:09,480 --> 00:01:13,640 Speaker 2: you're kind of like, Yo, there was this era of 24 00:01:13,760 --> 00:01:17,280 Speaker 2: Arizona hip hop, which is was so crazy because it felt. 25 00:01:17,040 --> 00:01:17,640 Speaker 1: Like we made it. 26 00:01:17,840 --> 00:01:22,759 Speaker 2: Yeah, and it was when you signed with DTP hot Rod, 27 00:01:22,800 --> 00:01:27,080 Speaker 2: who's not necessarily from Arizona. It was more it was Sacramento. Yeah, 28 00:01:27,640 --> 00:01:30,360 Speaker 2: but at the time he was kind of banging easy. 29 00:01:31,120 --> 00:01:31,360 Speaker 1: Uh. 30 00:01:31,400 --> 00:01:33,240 Speaker 2: He signed a G unit. You were a part of. 31 00:01:33,920 --> 00:01:35,760 Speaker 2: I know you were kind of close with with with 32 00:01:35,880 --> 00:01:39,160 Speaker 2: Rod and Juice signed with the Game. All these things 33 00:01:39,200 --> 00:01:41,479 Speaker 2: happened kind of within the same I don't know year 34 00:01:41,480 --> 00:01:42,120 Speaker 2: and a half or so. 35 00:01:42,240 --> 00:01:43,520 Speaker 1: That was a crazy time. 36 00:01:43,760 --> 00:01:46,520 Speaker 2: Yeah, so it felt like, oh shits got some sho 37 00:01:47,080 --> 00:01:47,560 Speaker 2: But the. 38 00:01:47,520 --> 00:01:49,360 Speaker 1: Whole hot Rod situation happened first. 39 00:01:49,440 --> 00:01:50,960 Speaker 2: No, the hot Rod thing happened because I remember you 40 00:01:50,960 --> 00:01:53,240 Speaker 2: were like I was, I was riding with you, were 41 00:01:53,280 --> 00:01:56,240 Speaker 2: with him at fifty They started hating on Rod, who 42 00:01:56,360 --> 00:01:58,800 Speaker 2: was hating man A lot of people in Arizona. 43 00:01:58,840 --> 00:02:01,520 Speaker 1: Yeah, Man, I was like, no, were you his? Were 44 00:02:01,520 --> 00:02:04,000 Speaker 1: you hot Rods? Arizona protection at that time, I was, 45 00:02:04,040 --> 00:02:06,360 Speaker 1: I want to say protection, but I was becoming that 46 00:02:06,440 --> 00:02:09,720 Speaker 1: because you know, we started off on rough terms. Remember 47 00:02:09,760 --> 00:02:12,720 Speaker 1: I did the garbage disposal. Yes, I dissed everybody, right 48 00:02:13,240 --> 00:02:15,799 Speaker 1: This was before I was my brother. At this time, 49 00:02:15,880 --> 00:02:17,560 Speaker 1: I didn't even know Rod. You know what I'm saying. 50 00:02:17,560 --> 00:02:19,280 Speaker 1: He did a disc record. He was the only one 51 00:02:19,280 --> 00:02:22,200 Speaker 1: who responded. The niggas was scared, you know what I'm saying. 52 00:02:22,280 --> 00:02:26,480 Speaker 1: Rod responded, Uh, he called me something in the record. 53 00:02:26,760 --> 00:02:29,000 Speaker 1: You know what I'm saying, the B word. I ended 54 00:02:29,080 --> 00:02:30,919 Speaker 1: up At that time, I didn't. I didn't know that's 55 00:02:30,919 --> 00:02:33,280 Speaker 1: how this record, you know whatever. So I was taking it, 56 00:02:33,320 --> 00:02:35,080 Speaker 1: you know, a person, So I called him. I actually 57 00:02:35,160 --> 00:02:38,839 Speaker 1: had a conversation with him, and you know, started off rough, 58 00:02:38,919 --> 00:02:41,240 Speaker 1: but we ended up getting cool. Right, I'm just gonna 59 00:02:41,280 --> 00:02:44,160 Speaker 1: leave it at that. This was before all the hype, 60 00:02:44,280 --> 00:02:45,880 Speaker 1: So this was this was when he was working at 61 00:02:45,880 --> 00:02:48,480 Speaker 1: a call center. Was like, this is before fifty cent 62 00:02:48,560 --> 00:02:52,320 Speaker 1: even existed in our lives. So hold on, let me yeah, 63 00:02:53,080 --> 00:02:56,400 Speaker 1: this oh six, because I just dropped Garbag's Disposal, And 64 00:02:56,440 --> 00:02:58,440 Speaker 1: for the record, Garbage Disposal was a record where I 65 00:02:58,520 --> 00:03:00,560 Speaker 1: kind of aimed at every artists. 66 00:03:00,280 --> 00:03:02,240 Speaker 2: Who all, did you disc from Arizona back then? Just 67 00:03:02,240 --> 00:03:04,000 Speaker 2: so we I can age myself so I know who 68 00:03:04,040 --> 00:03:07,040 Speaker 2: was relevant enough to be anybody who had at list? 69 00:03:07,040 --> 00:03:10,760 Speaker 1: Did anybody who had anybody who had a name Hatlas 70 00:03:11,120 --> 00:03:12,880 Speaker 1: and all these dudes is my brother, by the way, 71 00:03:12,919 --> 00:03:14,560 Speaker 1: So I'm not trying to you know, did you just 72 00:03:14,680 --> 00:03:17,200 Speaker 1: iraq Irock is the only one that didn't get it? 73 00:03:17,240 --> 00:03:21,560 Speaker 1: I rock from my hood. Uh did Magic get it? 74 00:03:21,600 --> 00:03:25,320 Speaker 1: EMC Magic got it? Uh ninety eight, ninety two point three, 75 00:03:25,360 --> 00:03:29,280 Speaker 1: even got it? Bro survivalist, Survivalist got it. Bookie got it. 76 00:03:29,400 --> 00:03:32,480 Speaker 1: And this Bookie my brother right book so this but 77 00:03:32,480 --> 00:03:36,760 Speaker 1: but Bookie understood. Out of everybody, Bookie understood what was 78 00:03:36,840 --> 00:03:39,000 Speaker 1: what you were doing? He understood because I had a 79 00:03:39,000 --> 00:03:41,120 Speaker 1: cousin in the camp at the time to come on day. 80 00:03:41,120 --> 00:03:43,240 Speaker 1: He was an R and B singer over there with them. 81 00:03:43,680 --> 00:03:45,880 Speaker 1: So trying to think who was cracking back there? Everybody 82 00:03:45,960 --> 00:03:50,360 Speaker 1: a poke poke Apollo, follow the white dude and that's 83 00:03:50,360 --> 00:03:53,360 Speaker 1: my bro too. We all cool? What was up? 84 00:03:53,840 --> 00:03:55,920 Speaker 2: What was the the ballheaded white boy? 85 00:03:55,960 --> 00:04:00,000 Speaker 1: Mega? He was? He wasn't. I don't think the legend 86 00:04:00,120 --> 00:04:03,600 Speaker 1: just coming up right under the next generation, even though 87 00:04:03,600 --> 00:04:05,080 Speaker 1: we kind of the same age. He was kind of 88 00:04:05,080 --> 00:04:11,120 Speaker 1: coming up. But what was uh shout to him? There 89 00:04:11,160 --> 00:04:13,440 Speaker 1: was that whole like but those those were the main 90 00:04:13,520 --> 00:04:15,760 Speaker 1: rappers that I dissed at the time, and at that time, 91 00:04:16,080 --> 00:04:19,000 Speaker 1: you know, uh, full life records. They was killing it, 92 00:04:19,120 --> 00:04:22,440 Speaker 1: you know what i mean, survivalist. So anyway, it's hot. 93 00:04:22,520 --> 00:04:26,360 Speaker 1: Ride responded. I don't know why, but I ended up 94 00:04:27,000 --> 00:04:30,520 Speaker 1: getting at him on some whatever ship and he pulled 95 00:04:30,600 --> 00:04:33,760 Speaker 1: up to the studio actually, and he came to my studio. 96 00:04:33,800 --> 00:04:35,800 Speaker 1: He came to salt my studio. He actually had on 97 00:04:36,160 --> 00:04:39,120 Speaker 1: his call shiner clothes and everything fully dressed. Was it? 98 00:04:39,160 --> 00:04:41,680 Speaker 1: He Tellcare? Was it? He Tellcare? He was working at 99 00:04:41,680 --> 00:04:45,400 Speaker 1: I think it was, uh Tellcare was cracking everybody, and 100 00:04:45,720 --> 00:04:47,320 Speaker 1: you're trying to you know what I'm saying. I'm just saying, 101 00:04:47,320 --> 00:04:49,480 Speaker 1: this was the real thing. You know, this was really 102 00:04:49,560 --> 00:04:51,680 Speaker 1: like we was. We were just normal kids at this time, 103 00:04:51,760 --> 00:04:54,000 Speaker 1: you know what I mean. And so he came to 104 00:04:54,000 --> 00:04:56,320 Speaker 1: the studio. We met. This is after we we squashed 105 00:04:56,360 --> 00:04:58,880 Speaker 1: our beef whatever. By the week lady. He called me. 106 00:04:59,600 --> 00:05:01,760 Speaker 1: He's like, man, fifty called me. Man. I'm like what 107 00:05:01,880 --> 00:05:03,440 Speaker 1: He's like, yeah, man, he told me to quit my job. 108 00:05:04,320 --> 00:05:07,200 Speaker 1: I'm like word, He's like yeah, man, I'm going out there. 109 00:05:07,360 --> 00:05:08,800 Speaker 1: I'm like, get the fuck out of he said, yeah, 110 00:05:08,800 --> 00:05:10,680 Speaker 1: he want to talk to you too. I'm like, man, 111 00:05:10,680 --> 00:05:12,400 Speaker 1: get the fuck out of here. Because you don't even 112 00:05:12,400 --> 00:05:14,000 Speaker 1: know him, right, I don't even know Rod like that, 113 00:05:14,800 --> 00:05:17,880 Speaker 1: But this is how the universe worked. You get what 114 00:05:17,880 --> 00:05:19,799 Speaker 1: I'm saying, to get us together, you know what I'm saying. 115 00:05:19,839 --> 00:05:24,640 Speaker 1: So he ended up getting signed to fifty. I ended 116 00:05:24,720 --> 00:05:27,479 Speaker 1: up getting that call I was waiting for from fifty cent, right, 117 00:05:28,240 --> 00:05:30,200 Speaker 1: and then you ended up hanging out in his mansion. 118 00:05:30,240 --> 00:05:33,600 Speaker 1: And Yeah, fifty called me the next day like he 119 00:05:33,640 --> 00:05:35,360 Speaker 1: said he would. We talked on the phone for We 120 00:05:35,400 --> 00:05:37,960 Speaker 1: talked on the phone so long. I was like, Yo, bro, 121 00:05:38,000 --> 00:05:39,240 Speaker 1: I want to keep you on the phone this long. 122 00:05:39,320 --> 00:05:41,400 Speaker 1: I was. He was so goddamn cool when he was talking. 123 00:05:41,520 --> 00:05:42,640 Speaker 1: You know what I'm saying. He was like, yeah, I 124 00:05:42,640 --> 00:05:44,560 Speaker 1: want a new g unit you know, have you and 125 00:05:44,640 --> 00:05:46,240 Speaker 1: Rob blah. But he had this whole plan for me 126 00:05:46,320 --> 00:05:50,160 Speaker 1: riding Carnegie m You get what I'm saying. Carnegie, rest 127 00:05:50,200 --> 00:05:51,920 Speaker 1: the piece Carnegie. That's who gave me the body marked 128 00:05:51,960 --> 00:05:54,640 Speaker 1: up record Crazy Carnegie. Rest in peace to him, Carnegie 129 00:05:54,640 --> 00:05:58,720 Speaker 1: because he didn't have no tattoos. Yeah, so RP Carnegie. 130 00:05:59,320 --> 00:06:04,520 Speaker 1: So anyways, uh, rockets to fifty cent house. Fifty give 131 00:06:04,560 --> 00:06:07,600 Speaker 1: me a call. He fled me out. I didn't believe it. Man, 132 00:06:07,640 --> 00:06:09,880 Speaker 1: I get there first night in fifty cents house. Right, 133 00:06:10,680 --> 00:06:14,839 Speaker 1: you can't fight in this house. You can't can't bring 134 00:06:14,880 --> 00:06:16,720 Speaker 1: girls over there. You do know that type of shit 135 00:06:16,720 --> 00:06:20,920 Speaker 1: which is no normal. Yeah, Yo, getting a fight. It's 136 00:06:21,000 --> 00:06:23,800 Speaker 1: my first experience in fifties house. Yo, getting a fight. 137 00:06:23,839 --> 00:06:25,760 Speaker 1: The first night I get there, he's fighting some dude 138 00:06:25,800 --> 00:06:29,039 Speaker 1: in the house named Hove. Uh, they're fighting. I don't 139 00:06:29,080 --> 00:06:30,520 Speaker 1: know what if. I don't know if it was over 140 00:06:30,600 --> 00:06:33,440 Speaker 1: fifty center whatever. Well I'm not saying like that, but 141 00:06:33,480 --> 00:06:36,040 Speaker 1: I'm just saying they were fighting over something that had 142 00:06:36,040 --> 00:06:38,680 Speaker 1: to do with fifty Hole was the babysitter of the house. 143 00:06:39,200 --> 00:06:42,640 Speaker 1: So I see this situation kind of. I haven't met 144 00:06:42,640 --> 00:06:45,479 Speaker 1: fifty when I got there, he wasn't there yet. Next 145 00:06:45,520 --> 00:06:47,960 Speaker 1: morning he has an intercom and all he has a 146 00:06:48,000 --> 00:06:50,160 Speaker 1: conference phone in all of the rooms. I was staying 147 00:06:50,160 --> 00:06:53,480 Speaker 1: in his son's room. It's about fifteen rooms. Mike Tyson 148 00:06:53,520 --> 00:06:56,839 Speaker 1: old match. Yeah, it's in what like Connecticut? Yeah, yes, sir, 149 00:06:56,920 --> 00:06:59,520 Speaker 1: I think it's Hartford, Hartford, by Hartford, Yes, by Harford. 150 00:07:00,480 --> 00:07:02,960 Speaker 1: He called six o'clock in the morning, who's in my house? 151 00:07:03,560 --> 00:07:06,760 Speaker 1: Whoever's in my house? Coming to the conference room. We all 152 00:07:06,760 --> 00:07:08,600 Speaker 1: go to the conference room. Bro, I swear to God, 153 00:07:09,360 --> 00:07:11,040 Speaker 1: and I'm trying to I don't want to rush your 154 00:07:11,040 --> 00:07:13,120 Speaker 1: story because it was I gotta be detailed. Of course, 155 00:07:13,160 --> 00:07:16,119 Speaker 1: it gets fucking detailed. Bro. We're get in the conference 156 00:07:16,160 --> 00:07:17,600 Speaker 1: and were sitting at the table just like, this is 157 00:07:17,680 --> 00:07:20,960 Speaker 1: my first night at fifties house. Remember holing old boy 158 00:07:21,000 --> 00:07:23,920 Speaker 1: getting fight? Yo. Were all sitting here. Fifty walks in. 159 00:07:24,040 --> 00:07:26,760 Speaker 1: First time, he has on the hoodie. I'm like, damn, 160 00:07:26,800 --> 00:07:28,800 Speaker 1: everybody's scared of him. So I'm not saying nothing, and 161 00:07:28,800 --> 00:07:30,600 Speaker 1: they say, hey, what's up. I'm here, you know none 162 00:07:30,640 --> 00:07:33,680 Speaker 1: of that. He looked at Yao Yo, he like, what's up? 163 00:07:33,720 --> 00:07:37,760 Speaker 1: What happened? He looked at whole hole, didn't say nothing. 164 00:07:37,760 --> 00:07:41,600 Speaker 1: He's like, what happened? Then? Yao was like, son called 165 00:07:41,600 --> 00:07:47,360 Speaker 1: me a pussy or something. They had a fight in 166 00:07:47,360 --> 00:07:50,600 Speaker 1: a swimming pool. It was they had fifty had a 167 00:07:50,600 --> 00:07:53,239 Speaker 1: pool inside of his house. You get what I'm saying. 168 00:07:53,920 --> 00:07:56,920 Speaker 1: Uh Hold threw a chair at ya Yo. Yao caught 169 00:07:56,920 --> 00:07:59,920 Speaker 1: the fucking chair like superman. Yo had a cast on 170 00:08:00,080 --> 00:08:02,520 Speaker 1: his arm because he stabbed his He stabbed himself the 171 00:08:02,600 --> 00:08:05,040 Speaker 1: night before, cutting the hole in his Louisa Tom belt. 172 00:08:05,200 --> 00:08:07,280 Speaker 1: So he caught. So it was all kind of shit 173 00:08:07,360 --> 00:08:09,520 Speaker 1: going on in this nigga's house my first night. You 174 00:08:09,520 --> 00:08:12,360 Speaker 1: know what I'm saying. So fifty in Yao's having to 175 00:08:12,400 --> 00:08:15,160 Speaker 1: talk back and forth. He says, old boy calls him 176 00:08:15,160 --> 00:08:18,280 Speaker 1: a pussy as fifties talking to Yao, I swear to God. 177 00:08:18,320 --> 00:08:20,480 Speaker 1: He puts his hand on the big glass window like 178 00:08:20,520 --> 00:08:24,120 Speaker 1: Tony Montana like this. He said, what's the rules of 179 00:08:24,120 --> 00:08:29,080 Speaker 1: fighting in my house? Yao is like, there's no fighting 180 00:08:29,080 --> 00:08:32,360 Speaker 1: in your house. He said, do you think you're exempted? 181 00:08:33,400 --> 00:08:35,880 Speaker 1: I swear to God here. I swear to God all 182 00:08:35,880 --> 00:08:39,440 Speaker 1: my life. The niggas said you think you exempt Yeah? 183 00:08:39,440 --> 00:08:42,400 Speaker 1: He was like no. He said Monday, I'm calling Jimmy. 184 00:08:42,440 --> 00:08:45,760 Speaker 1: You're going to geffing and walked out. I swear to God. Right, 185 00:08:45,840 --> 00:08:48,000 Speaker 1: I'm like, who the fuck is Jimmy? Who the fuck 186 00:08:48,080 --> 00:08:50,120 Speaker 1: is geffing? That's what happened with the game, right, he 187 00:08:50,360 --> 00:08:53,960 Speaker 1: ended up going toff So fifty walk out of the room. 188 00:08:54,280 --> 00:08:56,640 Speaker 1: We have girls, we have all kinds of people at 189 00:08:56,640 --> 00:08:58,440 Speaker 1: we we don't even know who's at this table. I'm 190 00:08:58,480 --> 00:09:01,440 Speaker 1: sitting there, so I'm not remember I'm the new guy. 191 00:09:01,800 --> 00:09:04,360 Speaker 1: So now we're sitting here for about an hour. Everybody's 192 00:09:04,360 --> 00:09:06,440 Speaker 1: scared to talk. It's about thirty minutes after fifty walk 193 00:09:06,440 --> 00:09:09,400 Speaker 1: out exaggerated and I finally said something. I was like, 194 00:09:09,400 --> 00:09:11,839 Speaker 1: it's the meeting over. I was like, yeah, I guess. 195 00:09:12,080 --> 00:09:14,320 Speaker 1: Then everybody got it. That shit crazy. That was like 196 00:09:14,360 --> 00:09:17,840 Speaker 1: my first experience in fifty house. It was cool, though. 197 00:09:18,000 --> 00:09:21,000 Speaker 2: So you end up because hot Rode ends up signing 198 00:09:21,040 --> 00:09:21,640 Speaker 2: with g UNIT. 199 00:09:22,920 --> 00:09:25,680 Speaker 1: Be Easy comes out with Mary J. Blige, which was 200 00:09:25,679 --> 00:09:27,520 Speaker 1: pretty cool to have. I was in that video. Yeah, 201 00:09:27,559 --> 00:09:29,800 Speaker 1: somebody from Azy have a song Mary J Blige. It 202 00:09:29,880 --> 00:09:31,040 Speaker 1: was fucking pretty wild. 203 00:09:31,240 --> 00:09:35,000 Speaker 2: But then you end up signing to DTP right around 204 00:09:35,040 --> 00:09:39,880 Speaker 2: the time the Super bowls coming to Arizona. Uh yeah, 205 00:09:39,920 --> 00:09:42,800 Speaker 2: And then yeah, so how did you because because I'm 206 00:09:42,840 --> 00:09:44,640 Speaker 2: assuming fifty wanted to sign you, and then. 207 00:09:45,040 --> 00:09:47,839 Speaker 1: It's a transition. I'm going, now you want to transit, 208 00:09:47,840 --> 00:09:51,000 Speaker 1: I gotta give you more shit, Okay, go ahead. So 209 00:09:51,679 --> 00:09:54,640 Speaker 1: at this time I'm fully g UNIT. You can't say no. 210 00:09:54,679 --> 00:09:56,439 Speaker 1: I don't want to hear about no other labels. I'm 211 00:09:56,480 --> 00:09:59,120 Speaker 1: dis in game. I'm excited, you know what I'm saying, 212 00:09:59,280 --> 00:10:02,320 Speaker 1: Like I'm trying of really I'm riding for g on it, 213 00:10:02,400 --> 00:10:06,000 Speaker 1: right I'm living in fifties house. I just had a manager, 214 00:10:06,440 --> 00:10:09,800 Speaker 1: my manager, Tiffany, that's right now. She started one of 215 00:10:09,840 --> 00:10:12,120 Speaker 1: the management things. So she started asking me to send 216 00:10:12,120 --> 00:10:14,600 Speaker 1: me clothes and things like that to fifties house because 217 00:10:14,600 --> 00:10:17,000 Speaker 1: I was getting free shit. So I just had to 218 00:10:17,040 --> 00:10:19,840 Speaker 1: asked fifty I'm like, yo, can I get my manager 219 00:10:19,880 --> 00:10:22,839 Speaker 1: wants to send you know, materials to the house or whatever? 220 00:10:23,559 --> 00:10:25,240 Speaker 1: He said, Cool. Do I send it to the junior 221 00:10:25,240 --> 00:10:26,680 Speaker 1: at office or do I send it to your house? 222 00:10:27,160 --> 00:10:30,880 Speaker 1: He said, send it to the house. Cool. We're all 223 00:10:30,920 --> 00:10:35,080 Speaker 1: in the studio, me us a guy named Maserati Fox. 224 00:10:35,120 --> 00:10:37,920 Speaker 1: I actually talk about this song. It's called the Story 225 00:10:37,960 --> 00:10:40,679 Speaker 1: on my Connect album. I actually talked it was a guy, 226 00:10:40,760 --> 00:10:43,120 Speaker 1: Maserati Fox, Rest in peace. He passed away. By the way. 227 00:10:43,920 --> 00:10:47,240 Speaker 1: Mazi was a fool. This was fifties number one. He 228 00:10:47,320 --> 00:10:49,200 Speaker 1: just got a prison for murder, all kind of shit. 229 00:10:49,280 --> 00:10:50,640 Speaker 1: So as soon as he got out, he came straight 230 00:10:50,640 --> 00:10:52,839 Speaker 1: to the junior house, which we're all sharing the spot. 231 00:10:54,160 --> 00:10:56,559 Speaker 1: We're just the Arizona dudes, you know what I'm saying. 232 00:10:57,200 --> 00:11:01,400 Speaker 1: So me and Mazzi click Maserati Fox clip. He was 233 00:11:01,400 --> 00:11:04,480 Speaker 1: in a wheelchair. He was riding fifty rtvs hit his 234 00:11:04,559 --> 00:11:06,959 Speaker 1: leg or something. So he's in a wheelchair. So at 235 00:11:06,960 --> 00:11:09,360 Speaker 1: this time we're beefing with Fat Joe all these cats. 236 00:11:09,360 --> 00:11:12,679 Speaker 1: So whenever shit was going on, I'm pushing Maserati Fox 237 00:11:12,679 --> 00:11:14,600 Speaker 1: in a wheelchairs, you know what I mean. Like we 238 00:11:14,600 --> 00:11:17,000 Speaker 1: were cool at this time, but one time we were 239 00:11:17,040 --> 00:11:20,360 Speaker 1: all in the studio in New York or Connecticut. I 240 00:11:20,400 --> 00:11:22,880 Speaker 1: get a call. My little brother needs a ride to work, 241 00:11:23,480 --> 00:11:25,800 Speaker 1: just to ride to work from Phoenix. Right. I called 242 00:11:25,840 --> 00:11:27,600 Speaker 1: one of my little side pieces, Yo, can you get 243 00:11:27,600 --> 00:11:29,440 Speaker 1: my brother. He's gonna be downstairs. Da da da dah. 244 00:11:29,520 --> 00:11:32,080 Speaker 1: I'm organizing his ride to work for my little brother. 245 00:11:32,640 --> 00:11:34,960 Speaker 1: I get off the phone. Fox said, Yo, you're selling 246 00:11:35,000 --> 00:11:38,959 Speaker 1: drugs in fifty house. I said what He's like, you're 247 00:11:38,960 --> 00:11:42,120 Speaker 1: selling drugs in fifty house. I said, what are you 248 00:11:42,120 --> 00:11:44,240 Speaker 1: talking about? He said, I heard you blah blah blah blah, 249 00:11:44,280 --> 00:11:47,200 Speaker 1: you know, saying go downstairs and shit. I said, yo, man, 250 00:11:48,280 --> 00:11:50,120 Speaker 1: I'm just He said, yo, if you try, I said. 251 00:11:50,800 --> 00:11:52,760 Speaker 1: He said, if you're selling drugs out of fifty house, 252 00:11:52,760 --> 00:11:55,480 Speaker 1: he'll send you past Arizona. That's what he said, right, 253 00:11:55,880 --> 00:11:57,000 Speaker 1: I said, man, I was just trying to get my 254 00:11:57,000 --> 00:11:58,959 Speaker 1: little brother a rod to work whatever. So I'm not 255 00:11:59,000 --> 00:12:02,080 Speaker 1: even thinking about this conversation at all. Right, get a 256 00:12:02,080 --> 00:12:05,959 Speaker 1: phone call. We got to go to Eminem's video shoot. 257 00:12:06,160 --> 00:12:08,080 Speaker 1: It was the first time him and fifty did a song. 258 00:12:08,080 --> 00:12:10,840 Speaker 1: Who Won It with cash Is? I don't know if 259 00:12:10,840 --> 00:12:11,240 Speaker 1: you remember that? 260 00:12:11,280 --> 00:12:14,280 Speaker 2: Look, yeah that was that was on the Shady Records album. 261 00:12:14,400 --> 00:12:17,400 Speaker 1: We flew out there Detroit two day video shoot. 262 00:12:17,920 --> 00:12:19,360 Speaker 2: Not, by the way, not the first song made it. 263 00:12:19,559 --> 00:12:21,199 Speaker 2: Not the first time fifty and Eminem did a song. 264 00:12:21,360 --> 00:12:23,160 Speaker 1: This was the first time. For some reason, I think 265 00:12:23,200 --> 00:12:26,000 Speaker 1: this was like the first collabo if I'm not mistaken, 266 00:12:26,040 --> 00:12:28,440 Speaker 1: because this was the first that be Et was there. 267 00:12:29,000 --> 00:12:32,760 Speaker 2: No, No, this was where this was like patiently waiting and. 268 00:12:33,040 --> 00:12:34,880 Speaker 1: Okay, So this was they were making a big deal 269 00:12:34,920 --> 00:12:36,400 Speaker 1: out because MTV was there. 270 00:12:37,040 --> 00:12:39,559 Speaker 2: Because by Bio six o seven, that's like, I mean, 271 00:12:39,920 --> 00:12:42,000 Speaker 2: g Richard, get Richard, I try and came out in 272 00:12:42,040 --> 00:12:42,960 Speaker 2: like two thousand and two. 273 00:12:43,000 --> 00:12:45,959 Speaker 1: I think what was that two thousand and two? Yeah, 274 00:12:46,400 --> 00:12:48,680 Speaker 1: covers back there. So we look, we get to Detroit 275 00:12:48,720 --> 00:12:52,280 Speaker 1: for this video shoot, big deal two day video shoot. 276 00:12:52,520 --> 00:12:54,760 Speaker 1: First day I meet Eminem, everything is good. Second day 277 00:12:54,760 --> 00:12:56,280 Speaker 1: they leave me in the hotel. Was that album called 278 00:12:56,320 --> 00:12:57,680 Speaker 1: the re up. By the way, yeah, I think the 279 00:12:57,720 --> 00:13:00,920 Speaker 1: shady res I think the real Okay, go ahead. First 280 00:13:01,000 --> 00:13:05,320 Speaker 1: day went smooth. Second day, they leave me in the hotel. 281 00:13:05,400 --> 00:13:08,000 Speaker 1: I wake up. I'm like, where's everybody at? I get 282 00:13:08,040 --> 00:13:10,439 Speaker 1: a call from High Rock. I'm like, right, you know 283 00:13:10,440 --> 00:13:12,679 Speaker 1: where the fuck y'all at. He's like, yeah, I got 284 00:13:12,720 --> 00:13:14,240 Speaker 1: to talk to you. When I get back to the hotel. 285 00:13:14,880 --> 00:13:17,000 Speaker 1: I'm like, what for. He's like, I'm gonna talk to you. 286 00:13:17,120 --> 00:13:21,000 Speaker 1: I'm like, cool. He came back this when Blackberries were out, yeah, 287 00:13:21,040 --> 00:13:24,360 Speaker 1: and he's like, I got somebody need to ask you. Man. 288 00:13:24,440 --> 00:13:27,280 Speaker 1: He came to the hotel. He's like, what you're telling them? 289 00:13:27,360 --> 00:13:32,640 Speaker 1: Drugs out of fifty cent? I said this, fucking nigga 290 00:13:32,679 --> 00:13:35,480 Speaker 1: fox Man. So he's spreading that shit round man. So 291 00:13:35,520 --> 00:13:38,480 Speaker 1: I told the whole story. So he's like, man, we 292 00:13:38,520 --> 00:13:40,800 Speaker 1: got a call. We got to talk to fifty fifty 293 00:13:40,800 --> 00:13:42,839 Speaker 1: got an airplane ticket for you to go back to Arizona. 294 00:13:43,400 --> 00:13:46,200 Speaker 1: I was already gone, so shot Money had to come 295 00:13:46,240 --> 00:13:49,640 Speaker 1: get me. Seat Money came to get us. I tell 296 00:13:49,679 --> 00:13:51,839 Speaker 1: him the whole story on the way to this video shoot. 297 00:13:52,160 --> 00:13:55,000 Speaker 1: So now he's convinced I'm telling the truth. So now 298 00:13:55,000 --> 00:13:57,959 Speaker 1: we get there. He's like, there's a room stack Quo's 299 00:13:57,960 --> 00:14:00,240 Speaker 1: in there. Lloyd Banks. I'm gonna tell you why fucking 300 00:14:00,280 --> 00:14:04,800 Speaker 1: Lloyd Banks. Lloyd Banks? Ya yo, But everybody's in this 301 00:14:04,920 --> 00:14:08,480 Speaker 1: one room, this little green room, right, it's import Sean 302 00:14:08,559 --> 00:14:11,280 Speaker 1: Money is saying, you gotta talk to fifty cent. But 303 00:14:11,360 --> 00:14:12,960 Speaker 1: how am I gonna talk to fifty with all the 304 00:14:13,000 --> 00:14:16,840 Speaker 1: fucking MTV's here. You know, BT is here. You know, 305 00:14:16,840 --> 00:14:18,960 Speaker 1: he's not thinking about my ass, My Arizona nigga about 306 00:14:18,960 --> 00:14:22,280 Speaker 1: to send me back to Arizona. He's not. So Sean 307 00:14:22,360 --> 00:14:24,240 Speaker 1: Money was like, tell them what happened, Tell them what happened. 308 00:14:24,600 --> 00:14:26,160 Speaker 1: All the guys in, all the rappers in the room. 309 00:14:26,200 --> 00:14:27,880 Speaker 1: So I tell them what happened. I'm like, yeah, you know, 310 00:14:28,520 --> 00:14:31,240 Speaker 1: blah blah blahh you know he you know, Fox said this. 311 00:14:31,320 --> 00:14:34,400 Speaker 1: Fox said that this is why fuck with Lloyd Banks. 312 00:14:34,440 --> 00:14:37,880 Speaker 1: Banks was like, Man, why they gonna fuck with this nigga? 313 00:14:37,920 --> 00:14:39,200 Speaker 1: Like that? Man, this nigga is out here trying to 314 00:14:39,200 --> 00:14:40,880 Speaker 1: make music. Man, he from Arizona. He don't know none 315 00:14:40,920 --> 00:14:43,080 Speaker 1: of this ship out here. Man. Man, Fox a bully 316 00:14:43,080 --> 00:14:44,720 Speaker 1: man nigga always trying to you know, he just kind 317 00:14:44,720 --> 00:14:47,560 Speaker 1: of takeing up for me, right, fuck with Lloyd Banks? Yeah. Yo. 318 00:14:47,600 --> 00:14:52,560 Speaker 1: On the other hand, yea, Yo was like, son, you 319 00:14:52,640 --> 00:14:55,480 Speaker 1: just got to talk to fifth. He said, you just 320 00:14:55,520 --> 00:14:58,120 Speaker 1: may have to beg. We all had to. I said, 321 00:15:00,080 --> 00:15:03,640 Speaker 1: that's funny, am I give them too much? Yeah? So 322 00:15:04,880 --> 00:15:06,920 Speaker 1: he's like, you may have to beg. I said, y'all 323 00:15:07,000 --> 00:15:09,720 Speaker 1: niggas begg because he buy y'all bileies and ship. You 324 00:15:09,720 --> 00:15:11,800 Speaker 1: know what I'm saying. I'm just gonna tell him what happened. 325 00:15:13,880 --> 00:15:16,480 Speaker 1: So now he's fifties, is lunchtime, fifties, sitting in his 326 00:15:16,560 --> 00:15:18,800 Speaker 1: room with his publishers. He's eating a burrito and ship 327 00:15:19,640 --> 00:15:21,400 Speaker 1: and now I'm like, fuck, I gotta talk to him. 328 00:15:21,400 --> 00:15:24,440 Speaker 1: Playing about to leave, right, So I'm like, fuck it. 329 00:15:24,680 --> 00:15:26,920 Speaker 1: I walked in the room, Yo, Can I talked to you? Doug? 330 00:15:27,800 --> 00:15:31,440 Speaker 1: He looked at his publicist and the publishers, like do 331 00:15:31,520 --> 00:15:34,640 Speaker 1: I need to leave? He's like, no, You're good. He's like, 332 00:15:34,680 --> 00:15:37,640 Speaker 1: what's up. I was like, Bro, I would have to 333 00:15:37,640 --> 00:15:41,120 Speaker 1: be a stupid motherfucker to be having drugs sent to 334 00:15:41,200 --> 00:15:44,680 Speaker 1: your house to me, Yeah, for sure. Like I'm from Arizona, 335 00:15:44,720 --> 00:15:46,400 Speaker 1: but I know you know what I mean? Yeah, Like 336 00:15:46,520 --> 00:15:48,920 Speaker 1: you know what I mean. And I was like, I 337 00:15:48,960 --> 00:15:51,320 Speaker 1: can't explain to him, you know, the clothing situation on 338 00:15:51,360 --> 00:15:53,080 Speaker 1: my manager and stuff, because you got to think. I 339 00:15:53,120 --> 00:15:55,120 Speaker 1: just asked him could I get boxes sent to his house? 340 00:15:55,280 --> 00:16:01,880 Speaker 1: So on his head drugs. So that really fucked up 341 00:16:01,920 --> 00:16:05,480 Speaker 1: relationship at that time. So he was like he did 342 00:16:05,520 --> 00:16:08,680 Speaker 1: that little laugh. He was like, Fox just want to rap, 343 00:16:09,040 --> 00:16:10,840 Speaker 1: you know what I'm saying. He was like, I'm gonna 344 00:16:10,840 --> 00:16:12,720 Speaker 1: seeing you on Rod. I just got to get you 345 00:16:12,760 --> 00:16:14,960 Speaker 1: all off the house. So he ended up seeing me, 346 00:16:15,120 --> 00:16:19,000 Speaker 1: sending me and Rod to New York in a penthouse 347 00:16:19,200 --> 00:16:21,240 Speaker 1: and he let Fox stand in the house. I was upset. 348 00:16:21,240 --> 00:16:22,920 Speaker 1: I wanted to stay in the house. I wanted to work. 349 00:16:23,600 --> 00:16:25,800 Speaker 1: Rob was happy. Rob wanted to have the girls, you 350 00:16:25,840 --> 00:16:27,720 Speaker 1: know what I'm saying. I was like, no, man, I 351 00:16:27,760 --> 00:16:29,120 Speaker 1: was like, I wanted to get back in fifty house. 352 00:16:29,160 --> 00:16:30,600 Speaker 1: But at that time he was already tired of her. 353 00:16:30,680 --> 00:16:34,760 Speaker 1: So it was just like a weird relationship. I had him. 354 00:16:34,840 --> 00:16:37,440 Speaker 1: Then Tiffany, she kept calling me like she was like, 355 00:16:37,480 --> 00:16:39,280 Speaker 1: fucking from the beginning, get up out of there. I 356 00:16:39,280 --> 00:16:41,720 Speaker 1: can get your own record deal, I get your own situation. 357 00:16:42,480 --> 00:16:43,960 Speaker 1: We can do this, do that. But I was so 358 00:16:44,120 --> 00:16:47,360 Speaker 1: gun home. Fifty g on it in all the situation. I'm, 359 00:16:47,560 --> 00:16:50,600 Speaker 1: you know, fucking Academy Awards and he's the hottest artist 360 00:16:50,600 --> 00:16:52,240 Speaker 1: in the fucking world at this time. You know what 361 00:16:52,280 --> 00:16:55,600 Speaker 1: I'm saying, I'm not leaving this man's house. And then 362 00:16:55,680 --> 00:16:57,680 Speaker 1: she ended up talking to me. She ended up talking 363 00:16:57,760 --> 00:17:00,040 Speaker 1: me into asking him to leave pretty much if I 364 00:17:00,040 --> 00:17:02,800 Speaker 1: got that story correctcause that's sounded about right, And she 365 00:17:02,880 --> 00:17:05,040 Speaker 1: asked me to give her about six months, so I had. 366 00:17:05,080 --> 00:17:06,480 Speaker 1: That was the hardest thing too. I had to go 367 00:17:06,520 --> 00:17:09,119 Speaker 1: talk to Fifty about that, be like, hey, man, I'm out. No, 368 00:17:09,240 --> 00:17:12,399 Speaker 1: I didn't say it like that. I said, can I 369 00:17:12,400 --> 00:17:14,560 Speaker 1: talk to you man once again? You know what I'm saying? 370 00:17:15,320 --> 00:17:18,280 Speaker 1: He goes, I tell him my I told the situation. 371 00:17:18,400 --> 00:17:20,000 Speaker 1: I was like, you know, I've been in New York 372 00:17:20,000 --> 00:17:22,239 Speaker 1: because he remember, you send us to New York, and 373 00:17:22,280 --> 00:17:24,119 Speaker 1: I was in my feelings about not being back at 374 00:17:24,119 --> 00:17:25,560 Speaker 1: the house. So I was just like, you know, I 375 00:17:25,640 --> 00:17:28,000 Speaker 1: just kind of want to go back. I have a situation, 376 00:17:28,280 --> 00:17:31,680 Speaker 1: new management, you know, blah blah. He basically like you sure, 377 00:17:31,920 --> 00:17:36,440 Speaker 1: you know he sent me back, man? And I got 378 00:17:36,440 --> 00:17:40,040 Speaker 1: home and I put them all my faith into the 379 00:17:40,080 --> 00:17:43,280 Speaker 1: Family Tree Entertainment situation, which was with Tiffany and Blue 380 00:17:43,280 --> 00:17:45,520 Speaker 1: Michael Blue Williams. They used to manager out casting on them, 381 00:17:46,080 --> 00:17:50,360 Speaker 1: Big Sean Gucci. I ended up trusting them. They ended 382 00:17:50,440 --> 00:17:54,199 Speaker 1: up getting labels excited about me, had labels wanting to signing, 383 00:17:55,080 --> 00:17:58,359 Speaker 1: you know. And you know, so this is this before 384 00:17:58,440 --> 00:18:01,399 Speaker 1: Man Up Squad's the thing. This was Manham Squad was 385 00:18:01,400 --> 00:18:06,080 Speaker 1: already going on. Okay, Man of Squad was no, uh no, 386 00:18:06,600 --> 00:18:08,920 Speaker 1: I didn't meet Remember, I just met Rod. I didn't 387 00:18:08,920 --> 00:18:10,640 Speaker 1: get with Man of Squad two thousand and seven. That'sh 388 00:18:10,880 --> 00:18:12,920 Speaker 1: hot Rod happened in two thousand and six. So all 389 00:18:12,920 --> 00:18:16,159 Speaker 1: this is formulating into Manhim Squad got it because a 390 00:18:16,200 --> 00:18:18,719 Speaker 1: lot of because people were Man of Squad was grouping 391 00:18:18,800 --> 00:18:20,960 Speaker 1: up at this time when me and Rock, when I 392 00:18:21,000 --> 00:18:24,000 Speaker 1: got signed and when Rod got signed, people were really 393 00:18:24,080 --> 00:18:26,199 Speaker 1: like people that knew me from Arizona was coming to 394 00:18:26,240 --> 00:18:29,119 Speaker 1: me because of Rod's situation. So I was kind of 395 00:18:29,119 --> 00:18:31,840 Speaker 1: like an Arizona right, you know what I'm saying. They 396 00:18:31,840 --> 00:18:33,520 Speaker 1: were coming to me. So all these dudes were coming 397 00:18:33,520 --> 00:18:35,560 Speaker 1: around me. So I'm formulating the Man of Squad. I 398 00:18:35,600 --> 00:18:41,080 Speaker 1: knew phrase to phrase man Yeah or Peter Phrase man. Yeah, 399 00:18:41,240 --> 00:18:44,080 Speaker 1: that motherfucker was an alien. Yeah. He was the most 400 00:18:44,160 --> 00:18:45,800 Speaker 1: one of the most talented dudes I ever worked with. 401 00:18:46,440 --> 00:18:50,199 Speaker 1: You know, we brought Phrase to Atlanta, Tiffany and I. 402 00:18:50,320 --> 00:18:52,240 Speaker 1: He was cold man. We ended up getting him to 403 00:18:52,240 --> 00:18:55,159 Speaker 1: work with Bangladesh, who you know does records. Was that 404 00:18:55,760 --> 00:19:01,080 Speaker 1: it was you saying q Emir Jiggelow? Yeah, jig yeah, man. 405 00:19:01,320 --> 00:19:04,680 Speaker 1: Who wasn't in it all the all the top. Anybody 406 00:19:04,720 --> 00:19:08,960 Speaker 1: who even j times three bro, anybody who had a 407 00:19:09,119 --> 00:19:11,639 Speaker 1: name wanted to be a part of men up, that 408 00:19:11,760 --> 00:19:14,000 Speaker 1: had any type of talent. Do you feel like. 409 00:19:15,400 --> 00:19:18,679 Speaker 2: Because at that time it felt like there was like 410 00:19:19,400 --> 00:19:22,600 Speaker 2: the g Unit Black Wall Street thing, what led over 411 00:19:22,640 --> 00:19:26,040 Speaker 2: the Arizona. Was there like any any animosity towards Juice 412 00:19:26,040 --> 00:19:26,520 Speaker 2: at that time? 413 00:19:26,640 --> 00:19:30,960 Speaker 1: Yeah, yeah, that's the let me see what happened. And no, 414 00:19:30,960 --> 00:19:33,000 Speaker 1: no disrespect to Richie because Richie is my brother, No 415 00:19:33,040 --> 00:19:33,320 Speaker 1: for sure. 416 00:19:33,520 --> 00:19:35,320 Speaker 2: And I think also prior to that, wasn't he with 417 00:19:35,359 --> 00:19:40,320 Speaker 2: a Mari or was that after? This was before came after? 418 00:19:40,480 --> 00:19:42,960 Speaker 1: So when hot Rod and Juice mean excuse me, when 419 00:19:42,960 --> 00:19:45,840 Speaker 1: how Rod and Juice first got with game? Game went 420 00:19:46,000 --> 00:19:47,840 Speaker 1: fuck with Juice because of the hot Ross You this 421 00:19:47,920 --> 00:19:51,920 Speaker 1: before really even existed on with GTP. I'm cool with Rod. 422 00:19:52,600 --> 00:19:54,760 Speaker 1: I ended up me and Mike Rashid and Hot Rob 423 00:19:54,760 --> 00:19:57,560 Speaker 1: were in the car. Richie just had said fuck hoig 424 00:19:57,640 --> 00:20:01,000 Speaker 1: Rod on the song. You get what I'm saying. I 425 00:20:01,040 --> 00:20:04,840 Speaker 1: ended up seeing Richie at a barber shop. I'm in 426 00:20:04,840 --> 00:20:07,600 Speaker 1: the car with hot Rod and Michael Sheet. You get 427 00:20:07,640 --> 00:20:11,440 Speaker 1: what I'm saying, right. I ended up seeing Richie Mikerora Sheet. Yeah, 428 00:20:11,440 --> 00:20:13,800 Speaker 1: I said, Mikero Sheet, that's my brother. I ended up 429 00:20:13,800 --> 00:20:16,080 Speaker 1: seeing this nigga like the world knows a miss micro 430 00:20:16,119 --> 00:20:18,840 Speaker 1: Sheet just wor clear. So at the time that Richie 431 00:20:18,880 --> 00:20:22,080 Speaker 1: seen a hot Rod And I'm gonna say this real 432 00:20:22,200 --> 00:20:24,720 Speaker 1: vaguely because it ain't really know any really big of 433 00:20:24,720 --> 00:20:28,000 Speaker 1: a situation. But I see Richie at this time, I'm 434 00:20:28,000 --> 00:20:29,760 Speaker 1: hot because he just said fuck hot Roding and no, 435 00:20:29,880 --> 00:20:31,879 Speaker 1: fuck that. This nigga's gonna represent Arizona. I don't care 436 00:20:31,920 --> 00:20:33,240 Speaker 1: where you're from. Were gonna do this shit right. This 437 00:20:33,320 --> 00:20:35,080 Speaker 1: is the only thing we got. You don't have no 438 00:20:35,119 --> 00:20:37,359 Speaker 1: say sowing this shit. We're not doing this. That was 439 00:20:37,359 --> 00:20:39,720 Speaker 1: my whole argument with Richie at the time. Don't say 440 00:20:39,760 --> 00:20:41,720 Speaker 1: fuck him just because you're a game and he's with fifty. 441 00:20:41,840 --> 00:20:44,879 Speaker 1: Fuck with game and fifty is going through. That was 442 00:20:44,920 --> 00:20:46,960 Speaker 1: my argument. So it wasn't like I was trying to 443 00:20:46,960 --> 00:20:49,080 Speaker 1: take up for Rod. It was more like it was 444 00:20:49,080 --> 00:20:51,000 Speaker 1: moved together. Yeah, it was more like you're tripping, bro. 445 00:20:51,160 --> 00:20:53,760 Speaker 1: So when I seen him, you know, it started off 446 00:20:53,840 --> 00:20:56,320 Speaker 1: kind of confrontational. Whatever. He you know, try to shake 447 00:20:56,320 --> 00:20:57,680 Speaker 1: our hand. In the car, I got out. We were 448 00:20:57,680 --> 00:21:00,440 Speaker 1: talking and we kind of squared up a little bit. 449 00:21:00,840 --> 00:21:03,560 Speaker 1: Rob was in the car. You know what I'm saying, 450 00:21:04,480 --> 00:21:06,240 Speaker 1: you're a car. No, he was in Mica. We were 451 00:21:06,240 --> 00:21:08,800 Speaker 1: all in micro SHOT's car. So I'm talking, I'm doing 452 00:21:08,880 --> 00:21:12,440 Speaker 1: I'm doing mostly the talking for him. Rob. Window come down. 453 00:21:13,520 --> 00:21:17,360 Speaker 1: He finally starts talking. There's a little story behind that. 454 00:21:17,720 --> 00:21:20,760 Speaker 1: I don't know who rolled the window down. Somebody's telling 455 00:21:20,800 --> 00:21:23,879 Speaker 1: me that, you know what I'm saying, Somebody said somebody 456 00:21:23,920 --> 00:21:25,879 Speaker 1: needs to speak up for themselves. I don't know what happened, 457 00:21:25,880 --> 00:21:28,800 Speaker 1: but all I know is Rod window came down, and 458 00:21:28,840 --> 00:21:31,240 Speaker 1: he said, yeah, what's the problem, Bro, Because I'm outside 459 00:21:31,240 --> 00:21:34,960 Speaker 1: talking for him too, you know what I mean. He's 460 00:21:34,960 --> 00:21:37,560 Speaker 1: in the car, but his window comes down like he's 461 00:21:37,560 --> 00:21:40,879 Speaker 1: fucking Donald Trump in the back set. We're in a 462 00:21:40,920 --> 00:21:44,120 Speaker 1: magna mummy, you know what I'm saying. And so later 463 00:21:44,160 --> 00:21:46,359 Speaker 1: on I kind of figured out how the window came down. 464 00:21:46,440 --> 00:21:50,040 Speaker 1: But they're all talking and ship old boy, get out 465 00:21:50,080 --> 00:21:52,840 Speaker 1: the car juice. I'm like, so if everybody cool, we 466 00:21:52,880 --> 00:21:55,560 Speaker 1: all should be able to take pictures, right, you know 467 00:21:55,560 --> 00:21:58,399 Speaker 1: what I'm saying, We all take pictures. I never put 468 00:21:58,520 --> 00:22:00,399 Speaker 1: him out. We never put him out. Never had a 469 00:22:00,440 --> 00:22:04,000 Speaker 1: problem ever since. Right, we had some posters, you know 470 00:22:04,000 --> 00:22:06,120 Speaker 1: what I'm saying, and things like that. So from there 471 00:22:06,200 --> 00:22:08,360 Speaker 1: it was just kind of like me and Richie knew 472 00:22:08,359 --> 00:22:10,280 Speaker 1: why I was upset at that time. So ever since then, 473 00:22:10,320 --> 00:22:12,680 Speaker 1: me and Richie was cool, right, you know, Richie, Richie 474 00:22:12,760 --> 00:22:15,440 Speaker 1: is probably the most one of the most humblest, sure 475 00:22:16,160 --> 00:22:19,080 Speaker 1: real super amazing guy. Like I love that dude, you 476 00:22:19,119 --> 00:22:21,040 Speaker 1: know what I'm saying. At this time, he know, I 477 00:22:21,119 --> 00:22:22,920 Speaker 1: was on some we was on some rap ego shit. 478 00:22:23,040 --> 00:22:25,280 Speaker 1: This is the only reason I'm telling this story, Richie. 479 00:22:25,480 --> 00:22:27,000 Speaker 1: I'm not trying to make it seem like a punk 480 00:22:27,520 --> 00:22:30,240 Speaker 1: for sure, letting you know, I know, I'm telling the 481 00:22:30,240 --> 00:22:32,719 Speaker 1: whole story of how it built up to what it was. 482 00:22:33,160 --> 00:22:35,720 Speaker 2: Justice is the first guy who ever handed me money. 483 00:22:35,760 --> 00:22:37,320 Speaker 2: I've never made it. I'd never made a reign in 484 00:22:37,320 --> 00:22:39,359 Speaker 2: my life. And We're at Sonny's and Chandler and he 485 00:22:39,480 --> 00:22:41,080 Speaker 2: just handed me like five hundred dollars and ones and 486 00:22:41,119 --> 00:22:43,359 Speaker 2: he's like, you gotta throw it though, And I was like, 487 00:22:43,640 --> 00:22:46,440 Speaker 2: at the time, I didn't have anything, so I. 488 00:22:46,400 --> 00:22:50,520 Speaker 1: Was throwing it on and wasn't looking. Hey. I remember 489 00:22:50,520 --> 00:22:52,720 Speaker 1: one time I was stuffing some money. We was partying 490 00:22:52,760 --> 00:22:55,920 Speaker 1: a Luda and a JEZI was having a battle. Yeah. 491 00:22:55,920 --> 00:22:59,080 Speaker 1: I was like, yo, this is my first time going 492 00:22:59,119 --> 00:23:00,600 Speaker 1: out with him. Right now, I want some of them. 493 00:23:01,000 --> 00:23:02,720 Speaker 1: I need the money right now, all kind of ones 494 00:23:02,720 --> 00:23:04,800 Speaker 1: in my pocket. I had ship in my socks. It 495 00:23:04,920 --> 00:23:08,000 Speaker 1: was falling out. That's funny. That was amazing. 496 00:23:08,080 --> 00:23:12,920 Speaker 2: So, uh, fast forward, How does the Luther thing transpire? 497 00:23:14,200 --> 00:23:19,840 Speaker 1: If I'm not mistaken? Uh? Tiffany uh knew someone down 498 00:23:19,880 --> 00:23:22,600 Speaker 1: at DTP disturbed. She knew, No I was. I was 499 00:23:22,600 --> 00:23:27,359 Speaker 1: getting shocked with Jazzy fade outcast all them. Luda was 500 00:23:27,400 --> 00:23:31,439 Speaker 1: ready shocking them, were ready. Court Digger shout out to 501 00:23:31,440 --> 00:23:34,320 Speaker 1: court Digger. He was working down there. Him and Tiffany, 502 00:23:34,400 --> 00:23:36,680 Speaker 1: they were really cool. Even though she knew everybody in 503 00:23:36,680 --> 00:23:39,240 Speaker 1: the office. I don't know how Court took play, but 504 00:23:39,280 --> 00:23:41,960 Speaker 1: I think Court was actually playing the demo if I'm 505 00:23:41,960 --> 00:23:46,440 Speaker 1: not mistaken inside of the uh the office, body marked Yeah, 506 00:23:46,600 --> 00:23:50,680 Speaker 1: we'll talk about that. So look she's playing, he's playing 507 00:23:50,680 --> 00:23:55,439 Speaker 1: Body Marked Up. Jeff Dixon walks by that Shaka's uh 508 00:23:55,800 --> 00:24:01,040 Speaker 1: the other boss, Shaka's brother? Was it Shaka or Jeff one? Jeah? 509 00:24:01,280 --> 00:24:04,040 Speaker 1: He stops and said, who the hell is that? What's 510 00:24:04,080 --> 00:24:08,040 Speaker 1: this body? Body marked up? Whatever? Yeah, that was pretty 511 00:24:08,080 --> 00:24:10,280 Speaker 1: much it. Man, It's like the old record label story. 512 00:24:10,359 --> 00:24:14,359 Speaker 1: Somebody heard the demo? Yo was was body Marked Up? 513 00:24:14,480 --> 00:24:16,640 Speaker 2: Because I remember Carly made it like the street Heat 514 00:24:16,640 --> 00:24:19,040 Speaker 2: of the Week on Power was that prior to d 515 00:24:19,200 --> 00:24:19,439 Speaker 2: t P. 516 00:24:20,200 --> 00:24:23,920 Speaker 1: It was, yeah, shout that was that was an Arizona 517 00:24:23,960 --> 00:24:25,399 Speaker 1: street record. Yeah, it was that. 518 00:24:25,480 --> 00:24:27,280 Speaker 2: I remember. It's so crazy because we had so much 519 00:24:27,320 --> 00:24:29,359 Speaker 2: like it was that and then Iraq had that record. 520 00:24:29,359 --> 00:24:32,959 Speaker 2: What was the Irock record on his album class Fuss. 521 00:24:34,960 --> 00:24:40,000 Speaker 1: Swell Swell Way? Yeah, no, that sh it was hard. No, 522 00:24:40,119 --> 00:24:40,600 Speaker 1: it's crazy. 523 00:24:40,680 --> 00:24:43,959 Speaker 2: So you end up signing with Ludas it's a it's 524 00:24:44,000 --> 00:24:46,680 Speaker 2: a it's crazy because at that time, I remember you 525 00:24:46,720 --> 00:24:48,880 Speaker 2: were on the cover was a dub magazine. 526 00:24:48,520 --> 00:24:50,720 Speaker 1: With a dub Yes, sir. 527 00:24:50,720 --> 00:24:54,639 Speaker 2: That was there a special edition Double XL that got 528 00:24:54,680 --> 00:24:56,760 Speaker 2: passed up my tripping around Super Bowl and. 529 00:24:57,040 --> 00:24:58,680 Speaker 1: I was on Double XCEL. I was in the double 530 00:24:58,800 --> 00:25:04,800 Speaker 1: XEL was it was maybe Ozone Ozone with Julia Beverly exposed. 531 00:25:05,240 --> 00:25:07,679 Speaker 1: I have to expose. Fuck, I had an exposed cover 532 00:25:07,800 --> 00:25:11,760 Speaker 1: man exposed Man News I was, you know, the first 533 00:25:12,359 --> 00:25:14,760 Speaker 1: first rapper from Arizona pretty much on the cover of 534 00:25:14,800 --> 00:25:17,600 Speaker 1: News Times. Yeah, that's still big to get on the cover. 535 00:25:17,640 --> 00:25:19,399 Speaker 1: It's hard to get on cover of News Times, not 536 00:25:19,560 --> 00:25:20,960 Speaker 1: for sure. Yeah, I don't know. I can we do 537 00:25:21,000 --> 00:25:24,080 Speaker 1: it again? It's time to do it again New Times. 538 00:25:24,640 --> 00:25:26,639 Speaker 1: I mean, I obviously don't know about it now, but 539 00:25:26,760 --> 00:25:28,560 Speaker 1: back in the day, that ship was that was a 540 00:25:28,640 --> 00:25:31,159 Speaker 1: big deal. Easy yeh man, That's how I used to 541 00:25:31,200 --> 00:25:33,120 Speaker 1: find out what concerts are coming. You get that motherfucking 542 00:25:33,160 --> 00:25:34,440 Speaker 1: New Times and pools to go to the back and 543 00:25:34,520 --> 00:25:37,879 Speaker 1: be like, what's coming as Marquee, that's just crazy. So 544 00:25:38,680 --> 00:25:39,359 Speaker 1: it's so wild. 545 00:25:39,720 --> 00:25:43,280 Speaker 2: I'm living in Boise doing radio when you drop the 546 00:25:43,320 --> 00:25:47,719 Speaker 2: Connect and yeah, I think I bought like ten copies 547 00:25:47,760 --> 00:25:48,640 Speaker 2: of that album. 548 00:25:49,680 --> 00:25:55,040 Speaker 1: And I appreciate that. Man keV is a real Arizona vet. Y'all, 549 00:25:55,240 --> 00:25:58,000 Speaker 1: y'all don't know keV is really don't forget what you're 550 00:25:58,000 --> 00:26:00,399 Speaker 1: about to say, but keV, keV is a leg and 551 00:26:00,640 --> 00:26:02,440 Speaker 1: the fact that he's on the platform that he is 552 00:26:02,560 --> 00:26:05,680 Speaker 1: now and he's still being in on the block in 553 00:26:05,840 --> 00:26:08,960 Speaker 1: Arizona as much as you wouldn't even know he left, 554 00:26:09,119 --> 00:26:12,680 Speaker 1: he's tapped in with everything. Yeah, but much respect to 555 00:26:12,720 --> 00:26:15,880 Speaker 1: you man for what you're doing. Man, But no, it's 556 00:26:15,920 --> 00:26:17,960 Speaker 1: just crazy because it was such a big deal. 557 00:26:18,840 --> 00:26:21,160 Speaker 2: I feel like a record like Hood Dreamer was about 558 00:26:21,280 --> 00:26:24,400 Speaker 2: a year and a half or two early because Bob 559 00:26:24,600 --> 00:26:27,440 Speaker 2: was cracking on the mixtape scene, but he hadn't had 560 00:26:28,040 --> 00:26:30,200 Speaker 2: the record with Bruto yet. And I think if that 561 00:26:30,280 --> 00:26:34,600 Speaker 2: record would have dropped like even like because what was that? 562 00:26:34,840 --> 00:26:37,879 Speaker 1: That was? That was nine, right, So I think if 563 00:26:37,920 --> 00:26:39,960 Speaker 1: that what record it came out like one year later, 564 00:26:40,240 --> 00:26:42,960 Speaker 1: it would have been different because Hood Dreamer was crazy, Yeah, 565 00:26:43,240 --> 00:26:45,760 Speaker 1: and you had Bob on the fucking South Side before 566 00:26:45,840 --> 00:26:49,000 Speaker 1: he was fucking came too Broadway man on my Grandma 567 00:26:49,240 --> 00:26:54,400 Speaker 1: Crazy Came to Grandma's House was on the album, Neil Man, 568 00:26:54,440 --> 00:26:56,080 Speaker 1: it was it was it was really I have my 569 00:26:56,160 --> 00:26:58,680 Speaker 1: favorite producer in the world. I was able to work 570 00:26:58,680 --> 00:27:01,160 Speaker 1: with him. He's still one of my favorites. Bangladesh. Oh yeah, 571 00:27:01,440 --> 00:27:06,480 Speaker 1: shot to bangladeshsh was retarded. Still it's crazy. Like every 572 00:27:06,520 --> 00:27:08,240 Speaker 1: time I say that, I'm like, yeah, I've worked with 573 00:27:08,320 --> 00:27:08,920 Speaker 1: Bengli Desh. 574 00:27:09,080 --> 00:27:11,280 Speaker 2: So I think that, like, I want to get your 575 00:27:11,359 --> 00:27:15,240 Speaker 2: perspective on what went wrong with the Connect, why you 576 00:27:15,359 --> 00:27:17,720 Speaker 2: think it didn't do as well as we had all 577 00:27:17,760 --> 00:27:21,120 Speaker 2: hoped it to do, and why we had to wait 578 00:27:21,400 --> 00:27:24,760 Speaker 2: fifteen years because you were who we had all the 579 00:27:24,840 --> 00:27:27,600 Speaker 2: chips on the connect came and like the fact that 580 00:27:27,960 --> 00:27:30,159 Speaker 2: as I always looked at it as a w the 581 00:27:30,240 --> 00:27:33,520 Speaker 2: fact that we as at Arizona had a rapper drop 582 00:27:33,640 --> 00:27:36,159 Speaker 2: something on depth jam so crazy, and. 583 00:27:36,359 --> 00:27:39,560 Speaker 1: That's always the fact that that's always bro They came 584 00:27:39,680 --> 00:27:40,679 Speaker 1: down play what happened. 585 00:27:40,920 --> 00:27:42,680 Speaker 2: No, it was crazy, it was it was insane. I 586 00:27:42,800 --> 00:27:46,520 Speaker 2: just I just think that, like, obviously it didn't do 587 00:27:46,680 --> 00:27:49,440 Speaker 2: what we all wanted it to do. I think that 588 00:27:49,520 --> 00:27:51,440 Speaker 2: your career didn't do what all we all wanted it 589 00:27:51,520 --> 00:27:53,919 Speaker 2: to do. And I'm just curious You've had all these 590 00:27:54,000 --> 00:27:57,639 Speaker 2: years to kind of sit back, kind of assess what 591 00:27:57,760 --> 00:28:00,600 Speaker 2: do you think kind of went wrong with the Connect? 592 00:28:00,960 --> 00:28:03,920 Speaker 1: What went wrong with the Connect? There was a few things. 593 00:28:04,280 --> 00:28:06,720 Speaker 1: There's a lot of things. Brother, I'm sure it's not 594 00:28:06,800 --> 00:28:09,359 Speaker 1: just one thing. Let's start with body marked up. Just 595 00:28:09,440 --> 00:28:11,440 Speaker 1: remember that that question, so I can. I'm gonna go 596 00:28:11,480 --> 00:28:14,720 Speaker 1: through minutes just fast as I can. Body marked Up. 597 00:28:14,760 --> 00:28:17,360 Speaker 1: We had a sample clearance issue. That was number one, 598 00:28:17,720 --> 00:28:21,280 Speaker 1: big big sample clearance. Yeah. Well, Wayne was cool with it. Wayne. 599 00:28:21,400 --> 00:28:23,480 Speaker 1: Wayne was willing to do it again. Which record was 600 00:28:23,800 --> 00:28:28,440 Speaker 1: he said it on Soldier Desney Child Soldier not. But look, 601 00:28:28,720 --> 00:28:32,440 Speaker 1: Beyonce approved it, Matthew Knowles, Dark Child, everyone approved it. 602 00:28:32,480 --> 00:28:34,480 Speaker 1: There's only one rapper that didn't approve it, t I 603 00:28:34,880 --> 00:28:40,320 Speaker 1: t I didn't approve it. So we had fun. So 604 00:28:40,840 --> 00:28:42,720 Speaker 1: that was a year of bullshit. I had to wait, 605 00:28:43,360 --> 00:28:47,480 Speaker 1: you know what I'm saying. Yeah, ye, So that was 606 00:28:47,480 --> 00:28:48,800 Speaker 1: a year I had to wait, and I was seeing 607 00:28:48,840 --> 00:28:50,640 Speaker 1: TI here and there, you know what I'm saying. So 608 00:28:50,760 --> 00:28:54,000 Speaker 1: he wouldn't clear it just because of the Yeah, he 609 00:28:54,040 --> 00:28:55,840 Speaker 1: wouldn't because of the lutle beef. And by the time 610 00:28:55,920 --> 00:28:57,800 Speaker 1: he finally cleared it, I think we're moving on to 611 00:28:57,880 --> 00:28:59,920 Speaker 1: the next record. We was already on the next record. 612 00:29:00,960 --> 00:29:03,680 Speaker 1: So look that happened, right. Everything I did was ahead 613 00:29:03,680 --> 00:29:05,840 Speaker 1: of my time. G it was just moving too fast. 614 00:29:06,240 --> 00:29:07,840 Speaker 1: I'm just too good. I'm just too fucking good. I 615 00:29:07,880 --> 00:29:10,360 Speaker 1: guess that's what it was. My mom says, you know 616 00:29:10,400 --> 00:29:14,400 Speaker 1: what I'm saying. No, but seriously, we we do that. 617 00:29:14,560 --> 00:29:16,960 Speaker 1: Then we get number one Side Chick with Bobby Volentino. 618 00:29:17,600 --> 00:29:20,080 Speaker 1: You know what I'm saying. This song is a song, 619 00:29:20,160 --> 00:29:22,840 Speaker 1: a real song about a singer, a girl that I 620 00:29:22,920 --> 00:29:25,880 Speaker 1: was actually you know, it was a real record. It 621 00:29:25,960 --> 00:29:28,000 Speaker 1: wasn't a disrespectful record, you know what I'm saying. It 622 00:29:28,080 --> 00:29:29,680 Speaker 1: was kind of a love song if you listen to 623 00:29:29,720 --> 00:29:34,200 Speaker 1: the words. The video was shot love style. We actually 624 00:29:34,200 --> 00:29:36,400 Speaker 1: shot the video in La with Todd who does Rihanna 625 00:29:36,520 --> 00:29:38,800 Speaker 1: videos and all that stuff, which was cool. But we 626 00:29:38,920 --> 00:29:42,160 Speaker 1: do number one side Chick at this time, Little Wayne, 627 00:29:42,200 --> 00:29:44,720 Speaker 1: if I can fuck every girl in the world is out, 628 00:29:45,360 --> 00:29:47,960 Speaker 1: Pleasure Peed Boyfriend number two. All these songs are out. 629 00:29:48,520 --> 00:29:50,560 Speaker 1: But when I dropped number one Side Chick b t 630 00:29:50,720 --> 00:29:55,640 Speaker 1: get they banned me. Really because of that. You can 631 00:29:55,720 --> 00:29:58,840 Speaker 1: google it now to this day. Yes, I guess I'm 632 00:29:58,920 --> 00:30:02,080 Speaker 1: just what was the football guy? I guess he got 633 00:30:02,160 --> 00:30:05,240 Speaker 1: killed by a side chick. Oh, Steve, so he just 634 00:30:05,280 --> 00:30:07,200 Speaker 1: put the documentary out of it. Yeah, he got killed 635 00:30:07,200 --> 00:30:10,200 Speaker 1: by his side chick and I'm calling the song, you know, 636 00:30:10,640 --> 00:30:12,960 Speaker 1: number one side chick and it has nothing to do 637 00:30:13,120 --> 00:30:16,040 Speaker 1: with no one killing, no violence, no disrespect of a 638 00:30:16,120 --> 00:30:19,280 Speaker 1: woman or nothing, and they ban it. So that's another 639 00:30:19,400 --> 00:30:23,440 Speaker 1: record we had to. You know, we we couldn't really 640 00:30:23,480 --> 00:30:25,680 Speaker 1: get all the airplay and all the things that we 641 00:30:25,760 --> 00:30:26,520 Speaker 1: needed to get forward. 642 00:30:26,560 --> 00:30:28,640 Speaker 2: And I think I think y'all really should have put 643 00:30:28,680 --> 00:30:31,600 Speaker 2: a bag a body marked up. Fuck yeah, but or 644 00:30:31,680 --> 00:30:33,560 Speaker 2: had Wayne refucking. 645 00:30:33,480 --> 00:30:35,560 Speaker 1: Know, Wayne wanted to re say, redo it. We even 646 00:30:35,600 --> 00:30:38,160 Speaker 1: had slim Thug do it. Slim Thug did it, and 647 00:30:38,760 --> 00:30:40,440 Speaker 1: just so you know, I got it right here if 648 00:30:40,440 --> 00:30:41,480 Speaker 1: you ever want to hear it. Oh yeah, I got 649 00:30:41,560 --> 00:30:43,600 Speaker 1: to hear that. I got a version with slim Thug 650 00:30:43,760 --> 00:30:46,920 Speaker 1: body marked up. It was. It was. The actual remix 651 00:30:47,200 --> 00:30:49,000 Speaker 1: has a whole new beat that I'm releasing in twenty 652 00:30:49,040 --> 00:30:50,920 Speaker 1: twenty five. I haven't talked about it at all, but 653 00:30:51,000 --> 00:30:53,280 Speaker 1: it's fucking ridiculous. Yeah, I mean like that song is 654 00:30:53,360 --> 00:30:55,360 Speaker 1: like a new verse on it, and put a new 655 00:30:55,440 --> 00:30:58,360 Speaker 1: verse on it. But it's fucking ridiculous. It's produced by 656 00:30:58,440 --> 00:30:59,920 Speaker 1: Live Box, who's a platinum producer. Right. 657 00:31:00,000 --> 00:31:01,840 Speaker 2: Well, also, I think well, first of all, that og 658 00:31:01,960 --> 00:31:04,320 Speaker 2: beat those crazy. I also don't think it aged like 659 00:31:04,560 --> 00:31:07,520 Speaker 2: you listen to that song now you're like, wait until 660 00:31:07,520 --> 00:31:10,200 Speaker 2: you hear the new Body Marked Up version. Man, So 661 00:31:10,760 --> 00:31:13,080 Speaker 2: so you guys move on from Body Marked Up? Yeah, 662 00:31:13,560 --> 00:31:14,800 Speaker 2: the Bobby I remember. 663 00:31:14,520 --> 00:31:21,240 Speaker 1: You guys like, oh so then that happened with Bobby 664 00:31:21,320 --> 00:31:25,000 Speaker 1: Ontin though, right, yeah, it's okay, what else can happen? Right, 665 00:31:25,200 --> 00:31:27,720 Speaker 1: what else can happen? And goes wrong? Right? We drop 666 00:31:27,760 --> 00:31:33,080 Speaker 1: our album? Everybody's happy this nigga Michael Jackson decides to die. Yes, yes, 667 00:31:33,160 --> 00:31:35,640 Speaker 1: I remember I was living in Idaho, w and it happened. Bro. 668 00:31:35,720 --> 00:31:40,560 Speaker 1: I cried, Bro. We had billboards, interviews, radio set up. 669 00:31:41,120 --> 00:31:46,040 Speaker 1: Everything was canceled. Jeez, everything top ten, nothing, everything is 670 00:31:46,120 --> 00:31:51,080 Speaker 1: Michael Jackson. I had no room, Bro, Michael Jackson died. 671 00:31:51,160 --> 00:31:53,880 Speaker 1: That was the biggest artist in the United States something 672 00:31:53,920 --> 00:31:55,840 Speaker 1: in the world, in the world, in the world, you 673 00:31:55,920 --> 00:31:59,240 Speaker 1: get what I'm saying. Ever, probably probably so that's bigger 674 00:31:59,240 --> 00:32:02,000 Speaker 1: than the president. And so when he died, it's just like, okay, 675 00:32:02,120 --> 00:32:05,040 Speaker 1: and Willie's albums out. Yeah, it's all around the same time. 676 00:32:05,040 --> 00:32:07,080 Speaker 1: I remember, No, it wasn't the same time, my g 677 00:32:07,440 --> 00:32:10,960 Speaker 1: the same day crazy within the day or two almost 678 00:32:11,000 --> 00:32:12,680 Speaker 1: like it sucked the energy out of like well, hey 679 00:32:13,040 --> 00:32:16,080 Speaker 1: no and bad it being bad taste for me to 680 00:32:16,120 --> 00:32:19,640 Speaker 1: push my album while the world's morning. And you know 681 00:32:19,720 --> 00:32:21,240 Speaker 1: what's funny is a lot of people say, oh, he 682 00:32:21,320 --> 00:32:24,240 Speaker 1: always blaming it on Michael Jackson. I'm like, bro, it's 683 00:32:24,280 --> 00:32:28,760 Speaker 1: fucking Michael Jackson brother. So why not. 684 00:32:30,760 --> 00:32:33,440 Speaker 2: Try again and drop another album? Stick like what happened 685 00:32:33,480 --> 00:32:36,440 Speaker 2: with like you ended up leaving DTP. You know what, man, 686 00:32:36,560 --> 00:32:39,280 Speaker 2: did they end up dropping you? Like what happened where 687 00:32:39,320 --> 00:32:39,560 Speaker 2: you were? 688 00:32:39,840 --> 00:32:43,320 Speaker 1: Never got dropped, never got dropped. I don't know where 689 00:32:43,400 --> 00:32:45,560 Speaker 1: that come from. I hear that. By the way, it's 690 00:32:45,560 --> 00:32:48,400 Speaker 1: also not a bad thing to get dropped. Can I 691 00:32:48,560 --> 00:32:50,400 Speaker 1: talk keV. I'm just saying it. I just sooner. 692 00:32:50,520 --> 00:32:52,760 Speaker 2: But I'd like to point out, like in twenty twenty four, 693 00:32:53,320 --> 00:32:54,760 Speaker 2: it's a good thing when you get dropped. 694 00:32:54,960 --> 00:32:56,240 Speaker 1: Back in the day, when I used to say I 695 00:32:56,280 --> 00:32:57,760 Speaker 1: never got dropped, I used to get offend it. But 696 00:32:57,880 --> 00:33:01,600 Speaker 1: now I say, and if I dig it rock, look 697 00:33:01,880 --> 00:33:04,480 Speaker 1: look at what they did for me. Now. They set 698 00:33:04,560 --> 00:33:07,160 Speaker 1: my whole platform up. They made me a national star 699 00:33:07,320 --> 00:33:09,120 Speaker 1: at one point to where all people need to do 700 00:33:09,240 --> 00:33:11,480 Speaker 1: is hear that I'm back. You know how many people 701 00:33:11,480 --> 00:33:13,160 Speaker 1: are saying you it's do I remember him from Hood 702 00:33:13,240 --> 00:33:14,840 Speaker 1: Dreamer number once? They're picking their face. 703 00:33:14,920 --> 00:33:16,960 Speaker 2: It's funny because anytime I ever tell anybody like I'm 704 00:33:16,960 --> 00:33:18,880 Speaker 2: from Azy either, I was like, oh, yeah, that's a 705 00:33:19,440 --> 00:33:20,560 Speaker 2: what's it Walley. 706 00:33:20,360 --> 00:33:23,160 Speaker 1: North Post from there? Right? Who else? Did they say? Juice? 707 00:33:23,840 --> 00:33:25,680 Speaker 1: That's it? That's it. It's really those two. Like I 708 00:33:25,840 --> 00:33:29,040 Speaker 1: was saying, hats all to my boy Richie. Yeah, it's 709 00:33:29,080 --> 00:33:30,680 Speaker 1: really all too. I'm telling you if you talked like 710 00:33:30,760 --> 00:33:32,440 Speaker 1: hip hop dudes like they always say, you were juice 711 00:33:32,480 --> 00:33:35,600 Speaker 1: because we move, we're futuristic, we move around man or 712 00:33:35,720 --> 00:33:39,480 Speaker 1: fucking who else. I'm talking about from Arizona, Bro the future. 713 00:33:39,760 --> 00:33:42,640 Speaker 1: He's from Illinois, obviously, I'm talking about from Arizona Lanes, 714 00:33:42,640 --> 00:33:47,080 Speaker 1: where your grandma's from. I'm talking about Arizona. And you 715 00:33:47,200 --> 00:33:49,160 Speaker 1: be letting that little dude, what's the little MTV dude 716 00:33:49,160 --> 00:33:52,360 Speaker 1: that be coming up here and whatever talking about Arizona music? 717 00:33:52,920 --> 00:33:56,080 Speaker 1: What the fuck is his name? Oh? You mean the 718 00:33:56,120 --> 00:33:58,320 Speaker 1: guy who interviewed me here? Yeah, that guy. Him and 719 00:33:58,360 --> 00:34:00,640 Speaker 1: I had an interesting conversation. Let me say something about 720 00:34:00,680 --> 00:34:02,880 Speaker 1: this dude. I don't know. I'm j TV MJ. Shout 721 00:34:02,920 --> 00:34:04,560 Speaker 1: out to MJ. He reached out to me in my DM. 722 00:34:05,000 --> 00:34:07,640 Speaker 1: I'm cool with MJ, but these fucking artists he's bringing 723 00:34:07,760 --> 00:34:10,160 Speaker 1: up to your platform. Never he's I've never heard of these, 724 00:34:10,360 --> 00:34:12,400 Speaker 1: but he hasn't brought a single artist here well wherever 725 00:34:12,480 --> 00:34:16,319 Speaker 1: he's from, what he's doing is looking like it's looking 726 00:34:16,440 --> 00:34:19,279 Speaker 1: like Adam is involved. It looks like he's bringing these 727 00:34:19,520 --> 00:34:22,880 Speaker 1: his homies. I don't know who he's bringing. I don't know. 728 00:34:22,960 --> 00:34:24,680 Speaker 1: You didn't bring anybody here that I don't know, none 729 00:34:24,719 --> 00:34:27,920 Speaker 1: of these artists. So when when they're representing Arizona on 730 00:34:28,000 --> 00:34:31,600 Speaker 1: the platform and I'm not seeing names like Judge the Bass, 731 00:34:32,400 --> 00:34:35,840 Speaker 1: duf Fago, Dan g Uh, you know, just you know, 732 00:34:36,040 --> 00:34:39,840 Speaker 1: just artists that really Chris Kokesfire, Chris Coba, God, you 733 00:34:39,880 --> 00:34:42,320 Speaker 1: know what I'm saying. So it's just like be the ruler, 734 00:34:42,360 --> 00:34:43,839 Speaker 1: you know what I'm saying. So when you're saying when 735 00:34:43,880 --> 00:34:46,200 Speaker 1: these people, when I'm not seeing these artists and they're 736 00:34:46,200 --> 00:34:48,279 Speaker 1: only these type of platforms and I'm not hearing those now, 737 00:34:48,360 --> 00:34:50,120 Speaker 1: I just want to be clear. He didn't offend it. 738 00:34:50,239 --> 00:34:51,239 Speaker 1: He hasked to interview me. 739 00:34:51,320 --> 00:34:53,560 Speaker 2: I said, yeah, because I want to support up and coming, 740 00:34:53,880 --> 00:34:55,680 Speaker 2: you know, media personalities from Eazy. 741 00:34:56,440 --> 00:34:58,480 Speaker 1: He didn't bring any artists here. He just he has 742 00:34:58,560 --> 00:34:59,920 Speaker 1: to do an interview. I'm gona blame that shit on 743 00:35:00,120 --> 00:35:02,680 Speaker 1: I DOAM don't know though, Yeah he doesn't know. Yeah 744 00:35:02,719 --> 00:35:04,239 Speaker 1: he has to do an interview. And uh yeah, I 745 00:35:04,239 --> 00:35:06,719 Speaker 1: think dude bringing his homies up there. I mean I 746 00:35:06,760 --> 00:35:10,399 Speaker 1: don't know. I just know. Uh yeah. With that being said, 747 00:35:10,600 --> 00:35:12,640 Speaker 1: we're gonna rep this shit right as you gonna do 748 00:35:12,680 --> 00:35:14,239 Speaker 1: it right. And keV you know, I rep this shit 749 00:35:14,320 --> 00:35:16,200 Speaker 1: right for sure. And I don't play about where we're from. 750 00:35:16,520 --> 00:35:19,080 Speaker 1: But but let me know, man, like, at what point 751 00:35:19,120 --> 00:35:23,440 Speaker 1: in time do you get knocked off the rails where 752 00:35:23,480 --> 00:35:25,040 Speaker 1: you're like, I don't know if I'm going to put 753 00:35:25,040 --> 00:35:27,520 Speaker 1: any like like you know, fifteen years to drop an 754 00:35:27,560 --> 00:35:31,319 Speaker 1: album is a long time, yeah, man, Like I said, Man, 755 00:35:31,400 --> 00:35:36,320 Speaker 1: I really I never stopped recording. The game would have 756 00:35:36,360 --> 00:35:38,319 Speaker 1: to accept me when they were ready, Like I had 757 00:35:38,320 --> 00:35:40,759 Speaker 1: a lot of people, you know, I still went to QT. 758 00:35:40,960 --> 00:35:42,520 Speaker 1: I still went to these stores. I have to go 759 00:35:42,640 --> 00:35:45,640 Speaker 1: grocery shopping, right, these people know me. You know, I 760 00:35:45,680 --> 00:35:47,480 Speaker 1: can't get a regular job in areas. You know what 761 00:35:47,520 --> 00:35:50,000 Speaker 1: I'm saying. So it's just like they're like, so with 762 00:35:50,080 --> 00:35:52,759 Speaker 1: the music, man, what's going on? Man? You know, and 763 00:35:53,200 --> 00:35:54,960 Speaker 1: the people that really knew me, and I'll let them 764 00:35:55,000 --> 00:35:56,600 Speaker 1: hear stuff, and like, man, you need to drop that. 765 00:35:56,719 --> 00:35:59,600 Speaker 1: What are you doing? Right? Did you start to like 766 00:35:59,640 --> 00:36:02,040 Speaker 1: psych yourself out using I think I think it was. 767 00:36:02,080 --> 00:36:04,080 Speaker 1: I didn't think I was psyching myself. I think I 768 00:36:04,280 --> 00:36:08,880 Speaker 1: just wasn't into the whole industry, the smoking mirror situation. 769 00:36:09,000 --> 00:36:10,960 Speaker 1: When I'm an artist, brother, right, you know what I'm saying. 770 00:36:10,960 --> 00:36:15,480 Speaker 1: I'm a real artist, like Beethoven, concept artists. I like music, 771 00:36:15,560 --> 00:36:18,279 Speaker 1: I like violins, I like music. So it's like I 772 00:36:18,400 --> 00:36:20,279 Speaker 1: wanted to I was working on my autographs when I 773 00:36:20,320 --> 00:36:22,800 Speaker 1: was twelve years old. I wanted that life, that Hollywood. 774 00:36:22,880 --> 00:36:24,959 Speaker 1: I wanted that, and when I finally got a taste 775 00:36:25,000 --> 00:36:26,320 Speaker 1: of it, it was just kind of like, oh, I 776 00:36:26,360 --> 00:36:29,080 Speaker 1: don't know if this for me. It ain't that. It's 777 00:36:29,160 --> 00:36:31,319 Speaker 1: that the people that do good, they don't treat them right, 778 00:36:31,440 --> 00:36:33,680 Speaker 1: the Lauren Hills, the people that just want to really 779 00:36:33,760 --> 00:36:36,120 Speaker 1: make music. You get what I'm saying. There's people that 780 00:36:36,280 --> 00:36:39,440 Speaker 1: really I'm really a real MC right, you know, And 781 00:36:40,200 --> 00:36:42,840 Speaker 1: my mother think that My manager even said this, you 782 00:36:42,880 --> 00:36:45,759 Speaker 1: were just too normal. My mother said, you're a golden child. 783 00:36:46,160 --> 00:36:50,480 Speaker 1: You were, you know it. Just the way I'm shaping 784 00:36:50,560 --> 00:36:53,480 Speaker 1: myself to be now is perfect. If we were to 785 00:36:53,560 --> 00:36:55,680 Speaker 1: go back into the industry, I don't know, if you know, 786 00:36:55,719 --> 00:36:58,840 Speaker 1: I would love that opportunity to getting there again, but doing. 787 00:36:58,719 --> 00:37:00,960 Speaker 2: Anything like making sure on top of the reels and 788 00:37:01,000 --> 00:37:03,960 Speaker 2: the tiktoks and yeah, trying to you know that, at 789 00:37:03,960 --> 00:37:06,200 Speaker 2: the end of the day, you can't compete in today's 790 00:37:06,239 --> 00:37:07,720 Speaker 2: landscape if you're not doing all that stuff. 791 00:37:07,719 --> 00:37:09,360 Speaker 1: And a lot of the younger artists refuse to do 792 00:37:09,440 --> 00:37:11,520 Speaker 1: that kind of shit. Bro, I'm getting more hate from 793 00:37:11,520 --> 00:37:14,560 Speaker 1: young artists, which is dope. I love that whatever. No no, no, no, no, no, 794 00:37:14,840 --> 00:37:18,879 Speaker 1: listen what I'm just saying. When I know that I'm back, 795 00:37:19,719 --> 00:37:21,320 Speaker 1: the people that used to hate it in our generation, 796 00:37:21,440 --> 00:37:23,080 Speaker 1: they love us. They love that I'm back. They you know, 797 00:37:23,160 --> 00:37:24,920 Speaker 1: they feel bad, like really, you know we should have 798 00:37:25,920 --> 00:37:29,080 Speaker 1: that's we're getting full Arizona support with this new Wally way. Bro. 799 00:37:29,840 --> 00:37:32,000 Speaker 1: It's just some people that didn't know the younger generation. 800 00:37:32,080 --> 00:37:33,440 Speaker 1: They're like, how do you just come back and just 801 00:37:33,520 --> 00:37:36,120 Speaker 1: grab this ship? Because that's my that's you know, that's 802 00:37:36,160 --> 00:37:37,520 Speaker 1: my state. I don't know if you went back yet 803 00:37:37,800 --> 00:37:43,960 Speaker 1: that's really my ship now well respectfully, sure you you, 804 00:37:45,320 --> 00:37:46,560 Speaker 1: but we're taking it to another level. 805 00:37:46,960 --> 00:37:49,040 Speaker 2: I'm curious though, so the connect comes and goes, right, 806 00:37:49,840 --> 00:37:51,840 Speaker 2: what is do you have? What are the conversations like 807 00:37:51,920 --> 00:37:56,240 Speaker 2: with Shaka and Luda in terms of like I'm assuming 808 00:37:56,280 --> 00:38:00,320 Speaker 2: you you owe them more music? Not a lot of 809 00:38:00,360 --> 00:38:02,240 Speaker 2: times back then people were signing one offs. 810 00:38:03,080 --> 00:38:05,879 Speaker 1: No I was. I was. I signed a five record deal, 811 00:38:06,120 --> 00:38:07,440 Speaker 1: but I have the option to get out of the 812 00:38:08,080 --> 00:38:10,239 Speaker 1: deal after every album. So I was cleaning. So you 813 00:38:10,280 --> 00:38:12,120 Speaker 1: were able to have the same deal too. Chains at 814 00:38:12,520 --> 00:38:16,799 Speaker 1: Nice correct, So so when two Chains left after Play 815 00:38:16,840 --> 00:38:20,040 Speaker 1: a Circle, I was there. I remember when I was 816 00:38:20,080 --> 00:38:21,839 Speaker 1: in that video Don't for Bad. Yeah. 817 00:38:22,800 --> 00:38:24,200 Speaker 2: By the way, that song you had on what was 818 00:38:24,239 --> 00:38:24,840 Speaker 2: the song called. 819 00:38:24,760 --> 00:38:27,240 Speaker 1: Up the Homies? Called Up the Homies with Jane Classic 820 00:38:28,080 --> 00:38:30,920 Speaker 1: with the game, so you know, I introduced little Chris 821 00:38:31,000 --> 00:38:35,439 Speaker 1: to his wife. Oh nice? Yeah, So how that worked? Damn? 822 00:38:35,480 --> 00:38:39,080 Speaker 1: I went to the whole story by the end, okay, 823 00:38:39,600 --> 00:38:42,440 Speaker 1: Y said, don't tell that. Yeah, So yeah, like it 824 00:38:42,520 --> 00:38:45,919 Speaker 1: was that's how I ended up getting a great song. Yeah, 825 00:38:46,120 --> 00:38:47,960 Speaker 1: it was at Jaggal. It was that Pan terrorists. By 826 00:38:48,000 --> 00:38:49,879 Speaker 1: the way, you're a pan Terra veteran, aren't you. We Yeah, 827 00:38:49,880 --> 00:38:54,040 Speaker 1: we're good. Willie North pulled a pan Terra's vet. It 828 00:38:54,160 --> 00:38:56,640 Speaker 1: wasn't nothing bad, but yeah, so it's it's all love 829 00:38:56,680 --> 00:38:59,120 Speaker 1: from that camp. Yeah, for sure, shout out to disturbing 830 00:38:59,160 --> 00:38:59,479 Speaker 1: the piece. 831 00:39:00,880 --> 00:39:03,600 Speaker 2: It's crazy too because if you look at like where 832 00:39:03,920 --> 00:39:07,360 Speaker 2: everyone's kind of careers went during that era, it's like, 833 00:39:08,600 --> 00:39:12,560 Speaker 2: you know, obviously Juice has been active. Richie Evans uh 834 00:39:13,480 --> 00:39:15,759 Speaker 2: a hot rod, I think stopped making music. I think, 835 00:39:15,880 --> 00:39:18,320 Speaker 2: I mean, he's he's a fucking great guy. Obviously a 836 00:39:18,440 --> 00:39:23,640 Speaker 2: very funny follow on Instagram, but like I always had 837 00:39:23,640 --> 00:39:27,080 Speaker 2: a humor ship, Mike Rashid is fucking he's supposed. 838 00:39:26,760 --> 00:39:29,319 Speaker 1: To be here. He's gonna come fucking cracking. He's about 839 00:39:29,320 --> 00:39:30,120 Speaker 1: to come up here right now. 840 00:39:30,239 --> 00:39:31,719 Speaker 2: It was so funny because when I interviewed him, I 841 00:39:31,840 --> 00:39:33,719 Speaker 2: almost wanted to talk to him more about like, yo, 842 00:39:33,840 --> 00:39:35,759 Speaker 2: so what was it like back in the day when 843 00:39:35,800 --> 00:39:39,080 Speaker 2: you were saying cue and and more than I give 844 00:39:39,120 --> 00:39:40,520 Speaker 2: a fuck about his fitness. 845 00:39:40,160 --> 00:39:43,000 Speaker 1: Stuff and him have the best comeback stories ever and 846 00:39:43,400 --> 00:39:45,600 Speaker 1: you guys just you guys just put some shit out together, right, 847 00:39:45,640 --> 00:39:46,439 Speaker 1: But that's my best friend. 848 00:39:47,200 --> 00:39:49,120 Speaker 2: Well, yeah, His story is insane, the way he was 849 00:39:49,160 --> 00:39:51,200 Speaker 2: on the run and ship, Yeah, because he was, he 850 00:39:51,360 --> 00:39:53,120 Speaker 2: was buzzing in the city and then it's like he 851 00:39:53,200 --> 00:39:54,759 Speaker 2: just went away and then you realize, oh, he was 852 00:39:54,840 --> 00:39:55,239 Speaker 2: on the run. 853 00:39:55,440 --> 00:39:57,239 Speaker 1: Yeah, he had to switch his name and everything he 854 00:39:57,320 --> 00:39:59,440 Speaker 1: had to he went through it to get to the 855 00:39:59,520 --> 00:40:01,600 Speaker 1: point he he was becoming famous on the run. He 856 00:40:01,640 --> 00:40:05,160 Speaker 1: became a millionaire on the run. But okay, so he 857 00:40:05,239 --> 00:40:06,120 Speaker 1: finally cleared his head. 858 00:40:06,640 --> 00:40:09,279 Speaker 2: Are you guys, do you feel like you might have 859 00:40:09,360 --> 00:40:10,759 Speaker 2: inspired him to make music again? 860 00:40:13,120 --> 00:40:16,040 Speaker 1: You know what's funny, I don't know about him personally. 861 00:40:16,760 --> 00:40:18,600 Speaker 1: I hope, I hope I am. I mean, I hope 862 00:40:18,640 --> 00:40:20,439 Speaker 1: I help with his help with a lot of his music. 863 00:40:22,320 --> 00:40:24,120 Speaker 1: I think I think I can say yesterday, I think 864 00:40:24,160 --> 00:40:26,240 Speaker 1: he'll would be fair to say that I helped inspire 865 00:40:26,320 --> 00:40:27,759 Speaker 1: him because he came up to Phoenix to work with 866 00:40:27,840 --> 00:40:31,560 Speaker 1: me in the studio, to actually work with me. But 867 00:40:32,719 --> 00:40:35,120 Speaker 1: I'm getting a lot of calls. Even Rocket Dologist called 868 00:40:35,160 --> 00:40:38,080 Speaker 1: me and said that I inspired, that inspired. You know, 869 00:40:38,120 --> 00:40:40,480 Speaker 1: that's big, like a lot of ogs. A lot of 870 00:40:40,560 --> 00:40:43,800 Speaker 1: people that are saying that. I'm you know, so a 871 00:40:43,840 --> 00:40:45,719 Speaker 1: lot of people are saying that Willie thank you for 872 00:40:46,000 --> 00:40:47,920 Speaker 1: getting me excited to get back into the studio. And 873 00:40:48,239 --> 00:40:50,160 Speaker 1: I'm hearing that from a lot of people, and I 874 00:40:50,400 --> 00:40:53,279 Speaker 1: really wish that y'all can believe me when I say that, Man, 875 00:40:53,320 --> 00:40:55,360 Speaker 1: that is not bragging. That's and it's crazy because I 876 00:40:55,400 --> 00:40:58,200 Speaker 1: was getting these calls and these people I respect on 877 00:40:58,280 --> 00:41:00,600 Speaker 1: the street level, these are people that I respect on 878 00:41:00,719 --> 00:41:02,759 Speaker 1: a business level, and they're calling me to thank me 879 00:41:03,480 --> 00:41:06,600 Speaker 1: for what I'm doing right now. Shot to Iraq many. Yeah, 880 00:41:06,680 --> 00:41:08,400 Speaker 1: Rocke Dollar did a freestyle on my ear for like 881 00:41:08,520 --> 00:41:10,359 Speaker 1: twenty five minutes two days ago. Yeah. 882 00:41:10,440 --> 00:41:12,239 Speaker 2: Dog, he's one of my closest friends in the game. 883 00:41:12,320 --> 00:41:14,000 Speaker 2: And you know, his son was signing me for a 884 00:41:14,040 --> 00:41:15,240 Speaker 2: little bit Markel. 885 00:41:15,120 --> 00:41:18,000 Speaker 1: But just picture me going south to Markel. But just 886 00:41:18,040 --> 00:41:21,920 Speaker 1: picture Yeah, he's an alien. A picture I Rock coming 887 00:41:22,000 --> 00:41:24,279 Speaker 1: up to me to show me his new ship that 888 00:41:24,440 --> 00:41:26,520 Speaker 1: he's been wrapping. I'm like, letting me record it. I 889 00:41:26,960 --> 00:41:28,759 Speaker 1: was like, you know, I don't like the camera, but 890 00:41:28,920 --> 00:41:29,600 Speaker 1: he's doing that for me. 891 00:41:29,719 --> 00:41:31,680 Speaker 2: I remember how big of a deal was he put 892 00:41:31,719 --> 00:41:34,440 Speaker 2: out his album Die Rock Is a Classic, and he 893 00:41:35,760 --> 00:41:38,480 Speaker 2: he had a signing at Virgin Megastore at Arizona Mills 894 00:41:38,680 --> 00:41:40,319 Speaker 2: and I was on the street Team at the radio station. 895 00:41:40,360 --> 00:41:42,320 Speaker 1: I thought it was so cool that somebody from Arizona 896 00:41:42,360 --> 00:41:45,800 Speaker 1: had a signing. I got something for you. This is 897 00:41:45,840 --> 00:41:47,600 Speaker 1: something that I wanted to bring. Just when you just 898 00:41:47,640 --> 00:41:49,839 Speaker 1: said that, it just popped up something in my head. 899 00:41:50,600 --> 00:41:53,239 Speaker 1: I remember my first rap when I was eleven years 900 00:41:53,239 --> 00:41:54,560 Speaker 1: old that I wrote, you want to hear it? Sure, 901 00:41:55,200 --> 00:41:58,120 Speaker 1: isn't that cool? Eleven? Yeah? Eleven. I don't even think 902 00:41:58,120 --> 00:42:01,439 Speaker 1: Tiffany heard this. I was seven years old, right, These guys, 903 00:42:01,560 --> 00:42:05,239 Speaker 1: these old grown men were always having freestyles. I said, 904 00:42:05,280 --> 00:42:08,680 Speaker 1: one day, I'm a jump in that freestyle. So that 905 00:42:08,800 --> 00:42:10,080 Speaker 1: night I knew what time they're going to do with 906 00:42:10,120 --> 00:42:12,879 Speaker 1: the next day. And to get in you gotta like, hey, hey, 907 00:42:13,239 --> 00:42:15,640 Speaker 1: they gotta know you're coming. So the next day I 908 00:42:15,719 --> 00:42:18,600 Speaker 1: wrote my shit and all these grown men are rapping. 909 00:42:19,400 --> 00:42:22,560 Speaker 1: I come in with the hey hey. They go crazy, 910 00:42:22,640 --> 00:42:24,840 Speaker 1: They're like, oh, he's about to rap eleven year old Willie. 911 00:42:25,360 --> 00:42:28,440 Speaker 1: I said, I'm friggingy fresh, I'm chaking it, fiking and 912 00:42:28,520 --> 00:42:30,560 Speaker 1: taking too all the money that I'm making. And now 913 00:42:30,560 --> 00:42:32,120 Speaker 1: I will put you on the fry and pan just 914 00:42:32,239 --> 00:42:34,040 Speaker 1: like you, Bacon, I'm flybing the show. You know that 915 00:42:34,160 --> 00:42:36,000 Speaker 1: I will take you toe to toe and now I'm 916 00:42:36,040 --> 00:42:38,600 Speaker 1: a little crazy ass nigga now, you know, and people 917 00:42:38,680 --> 00:42:41,200 Speaker 1: say I'm living up. Oh wait, that's the way I 918 00:42:41,400 --> 00:42:46,000 Speaker 1: was raised on Broadway. Who first verse, I don't claim 919 00:42:46,080 --> 00:42:47,800 Speaker 1: that is where I was raised. The little nigga with 920 00:42:47,960 --> 00:42:50,200 Speaker 1: a flat top. You know, you can't fade because I'm 921 00:42:50,239 --> 00:42:52,040 Speaker 1: the type of kid that drops a caddy and when 922 00:42:52,120 --> 00:42:54,160 Speaker 1: I get loose, make a move. All these girls call 923 00:42:54,239 --> 00:42:56,160 Speaker 1: me daddy. And when I was young, I was the 924 00:42:56,239 --> 00:42:58,080 Speaker 1: hip hop bit. I said, I was a hip hop 925 00:42:58,160 --> 00:43:00,520 Speaker 1: TikTok girl. I said, curls are my girls? Knocked the 926 00:43:00,560 --> 00:43:04,480 Speaker 1: ass in the sandbox? Yo. That was my first bar 927 00:43:04,640 --> 00:43:07,160 Speaker 1: bro that I ever wrote. You grew up on twenty 928 00:43:07,200 --> 00:43:09,799 Speaker 1: fourth and Broadway. That crazy never wrote a white verse. 929 00:43:09,880 --> 00:43:11,960 Speaker 1: You were on twenty fourth Street and Broadway all my life. Yeah, 930 00:43:12,080 --> 00:43:13,040 Speaker 1: my grandma's from there. 931 00:43:13,160 --> 00:43:15,719 Speaker 2: My best friend Ramses grew up on baseline of twenty 932 00:43:15,760 --> 00:43:16,280 Speaker 2: fourth Street. 933 00:43:16,920 --> 00:43:17,120 Speaker 1: Jah. 934 00:43:17,360 --> 00:43:20,239 Speaker 2: Yeah, so we used to always fucking be be running 935 00:43:20,280 --> 00:43:23,040 Speaker 2: around that whole fucking hood, my whole childhood, just getting 936 00:43:23,080 --> 00:43:26,839 Speaker 2: in it. Bullshit, it's crazy driving through the south Side now, yeah, 937 00:43:26,960 --> 00:43:29,400 Speaker 2: so nice, just nice now, I mean it's not I mean, 938 00:43:29,560 --> 00:43:32,120 Speaker 2: but dude, like dude, this is nice. 939 00:43:32,200 --> 00:43:34,360 Speaker 1: It's nice for the tourist have that targeted. It's no 940 00:43:34,400 --> 00:43:36,960 Speaker 1: different from Burdbank though. No, but it's but it's crazy 941 00:43:37,040 --> 00:43:40,839 Speaker 1: to think like how like now there's like all these 942 00:43:40,920 --> 00:43:43,560 Speaker 1: new business brad shit used to be depressing over there. 943 00:43:44,080 --> 00:43:47,799 Speaker 1: It was I'm not gonna lie, it's crazy. It was bad. Uh. 944 00:43:48,239 --> 00:43:50,480 Speaker 1: You know, city councils doing. My uncle Mike Johnson, he 945 00:43:50,520 --> 00:43:51,759 Speaker 1: was a city council. He had a lot to do 946 00:43:51,920 --> 00:43:53,960 Speaker 1: cleaning it up over there to shut out Mike Johnson, 947 00:43:54,000 --> 00:43:55,800 Speaker 1: you know, was kid. It's crazy the south side. You 948 00:43:55,880 --> 00:43:57,960 Speaker 1: drive to the South Vice Mayor. I remember when this 949 00:43:58,000 --> 00:44:01,640 Speaker 1: ship was a field right here. The fuck Yeah? They 950 00:44:01,719 --> 00:44:06,040 Speaker 1: cleaning houses and Levine and ship. Yeah, man, Levine. I 951 00:44:06,080 --> 00:44:08,120 Speaker 1: always tell everybody everybody went and got a house in 952 00:44:08,200 --> 00:44:10,479 Speaker 1: Levine like Levine. Yeah, it's nice, but it ain't because 953 00:44:10,480 --> 00:44:13,120 Speaker 1: you run into some ship at that gas station that 954 00:44:13,200 --> 00:44:16,680 Speaker 1: quick trip. But have you fucked up in Levine? Yeah? QT, 955 00:44:16,960 --> 00:44:21,440 Speaker 1: have you fucked up? Talk to me? Uh. You have 956 00:44:21,719 --> 00:44:26,440 Speaker 1: a new record, the Chocolate Trollo MMMM, which is an 957 00:44:26,480 --> 00:44:29,759 Speaker 1: interesting title breakdown because you kind of broke it down 958 00:44:29,840 --> 00:44:32,279 Speaker 1: on the song. But just break down, like because we're 959 00:44:32,320 --> 00:44:35,840 Speaker 1: from Arizona, which is you know, fucking by all I 960 00:44:35,920 --> 00:44:43,680 Speaker 1: mean lots of Latinos. Check it out, man. So there's 961 00:44:43,680 --> 00:44:46,759 Speaker 1: a few reasons. Well I can officially say that he 962 00:44:48,360 --> 00:44:50,560 Speaker 1: let's start with Let's start with me. In my blood, 963 00:44:51,719 --> 00:44:53,760 Speaker 1: my mother has an accent. My mother is half Mexican, 964 00:44:53,960 --> 00:44:56,040 Speaker 1: excuse me, half looked out where I know where La 965 00:44:56,320 --> 00:44:58,520 Speaker 1: I say one front, you know what I'm saying. My 966 00:44:58,640 --> 00:45:01,239 Speaker 1: mother is half lo you know you know what I'm saying. 967 00:45:01,840 --> 00:45:06,200 Speaker 1: My grandmother is full so senior Loda Sonora actually no 968 00:45:06,320 --> 00:45:09,800 Speaker 1: Cinema Cinel. She's from Sinola, but she been here a 969 00:45:09,840 --> 00:45:11,759 Speaker 1: whole life. She Your mom's half Mexican. Yeah, my mom 970 00:45:11,840 --> 00:45:16,120 Speaker 1: is half Mexican. My grandfather is black. Yeah. Grandmother had 971 00:45:16,160 --> 00:45:20,640 Speaker 1: twenty three kids or having many kids. Right. Her whole 972 00:45:20,719 --> 00:45:24,239 Speaker 1: family lives in Arizona, right in California from fres and 973 00:45:24,320 --> 00:45:28,080 Speaker 1: Oda all Hispanics. You know what I'm saying. Cousin Papa's 974 00:45:28,120 --> 00:45:30,800 Speaker 1: alex alldemn So we got her whole side of the family, 975 00:45:31,400 --> 00:45:34,399 Speaker 1: including my grandmother. So now she my grandma has eighteen kids, 976 00:45:34,440 --> 00:45:37,120 Speaker 1: but my grandfather they're all half black, half Mexican. Right, 977 00:45:37,239 --> 00:45:40,960 Speaker 1: we're the chocolate Ccholos, got it. Everybody knows us on 978 00:45:41,040 --> 00:45:44,440 Speaker 1: Broadway as the chocolate Ccholos, pretty much everybody. My grandma 979 00:45:44,640 --> 00:45:49,040 Speaker 1: was the Broadway grandmother. Everyone loves my grandmother. I didn't. 980 00:45:49,080 --> 00:45:51,920 Speaker 1: I grew up to chodiso, tortillas and butter. You know 981 00:45:51,960 --> 00:45:53,759 Speaker 1: what I'm saying. That's how I grew up, Dotys. I'm 982 00:45:53,760 --> 00:45:55,960 Speaker 1: gonna se it that way. But you know, and but 983 00:45:56,160 --> 00:45:59,000 Speaker 1: all that shit, man, So just like when I and 984 00:45:59,400 --> 00:46:02,520 Speaker 1: so that's that part of chocolate clo. Yeah. And then 985 00:46:02,600 --> 00:46:06,600 Speaker 1: you got my best friends growing up Broadway. You know, 986 00:46:06,800 --> 00:46:11,080 Speaker 1: Broadway was a mixture of Hispanic and blacks. For sure. 987 00:46:11,200 --> 00:46:13,720 Speaker 1: They're not trying to act black. They were just Broadway gangsters. 988 00:46:14,200 --> 00:46:16,440 Speaker 1: Real ones went harder than a lot of us, you 989 00:46:16,480 --> 00:46:18,000 Speaker 1: know what I'm saying. And they were real about it. 990 00:46:18,400 --> 00:46:20,840 Speaker 1: Find sisters. We used to like their sisters. These are 991 00:46:20,920 --> 00:46:24,239 Speaker 1: people we grew up with. That's from the neighborhood. Never 992 00:46:24,320 --> 00:46:27,360 Speaker 1: is no separation type. I don't know what goes on 993 00:46:27,640 --> 00:46:30,680 Speaker 1: in different cities and states, but out there that was 994 00:46:30,719 --> 00:46:38,440 Speaker 1: always a good blend. So moving forward my flow, I've 995 00:46:38,520 --> 00:46:46,040 Speaker 1: always said something, I've always included the Hispanic Chicano Chicano Latina, Mexicane, 996 00:46:46,080 --> 00:46:47,680 Speaker 1: whatever you want to say into my music. I was 997 00:46:47,719 --> 00:46:50,680 Speaker 1: saying chocolate Colo fifteen years ago in my old demos, 998 00:46:50,880 --> 00:46:52,239 Speaker 1: you know what I mean. I was saying that. So 999 00:46:54,640 --> 00:46:57,839 Speaker 1: my manager, Tiffany, she's from Arizona, she was always saying 1000 00:46:58,000 --> 00:47:00,200 Speaker 1: from when I first got signed. She was like, we 1001 00:47:00,440 --> 00:47:02,680 Speaker 1: got to include them with everything we do, and that's 1002 00:47:02,719 --> 00:47:05,200 Speaker 1: what we do. You have a deal with Philiberto's. We're 1003 00:47:05,200 --> 00:47:08,120 Speaker 1: about to get into all that. It's Philiberto, Philip, but 1004 00:47:08,360 --> 00:47:13,399 Speaker 1: Phillies Man, Phillies, Yes, Philipbertho's. Shout out to Philip. My boys, 1005 00:47:13,440 --> 00:47:17,400 Speaker 1: Caesar Man family owned chain down there. They can't. That's 1006 00:47:17,440 --> 00:47:18,400 Speaker 1: the McDonald's. You know. 1007 00:47:18,760 --> 00:47:20,879 Speaker 2: I try to tell people, I'm listen, you consider joining 1008 00:47:20,920 --> 00:47:21,600 Speaker 2: about Phillies Food. 1009 00:47:21,640 --> 00:47:23,799 Speaker 1: It's always there, it's always open, and it's always there 1010 00:47:23,840 --> 00:47:25,640 Speaker 1: when you know it's Carnie inside up man. Man, I 1011 00:47:25,760 --> 00:47:28,600 Speaker 1: love that California burrito over there. But it's it's at 1012 00:47:28,640 --> 00:47:30,120 Speaker 1: the end of the day. That's why I was trying 1013 00:47:30,160 --> 00:47:32,000 Speaker 1: to say. If I've done something that no one has 1014 00:47:32,040 --> 00:47:35,680 Speaker 1: ever done, I've bridged the gap with the Hispanic community 1015 00:47:36,320 --> 00:47:39,840 Speaker 1: and what I'm I don't know. You know, my state, 1016 00:47:40,080 --> 00:47:42,880 Speaker 1: my areas responding to a beautiful right. You know what 1017 00:47:42,880 --> 00:47:44,600 Speaker 1: I'm saying. Love, They see what I'm doing. All my 1018 00:47:44,760 --> 00:47:47,800 Speaker 1: work is coming from the Hispanic community. They you know 1019 00:47:48,040 --> 00:47:51,200 Speaker 1: I'm doing to live and Die, to Live and Die 1020 00:47:51,400 --> 00:47:53,640 Speaker 1: La tour, that's always out here. They're comeing to Phoenix. 1021 00:47:53,800 --> 00:47:55,719 Speaker 1: Oh nice to shout out to live in down La. 1022 00:47:56,360 --> 00:47:58,200 Speaker 1: You know they be running it out here sometimes. You know, 1023 00:47:58,880 --> 00:48:02,879 Speaker 1: explain to me the last fifteen years from the Okay, 1024 00:48:02,920 --> 00:48:05,400 Speaker 1: let's say, like give me a rundown on kind of 1025 00:48:06,080 --> 00:48:09,120 Speaker 1: what you've been up to outside of recording. You know, 1026 00:48:09,239 --> 00:48:11,360 Speaker 1: I know you be on some entrepreneurship. I know you 1027 00:48:11,480 --> 00:48:13,480 Speaker 1: be hustling, Like, what have you been up to? Me 1028 00:48:13,719 --> 00:48:16,040 Speaker 1: being nosy? No, I'm just asking, bro. I feel like 1029 00:48:16,080 --> 00:48:18,440 Speaker 1: people want to know. It's like hiatus talk. Yeah you've 1030 00:48:18,440 --> 00:48:20,360 Speaker 1: been on this hiatus. Bro, the fuck you've been up to? No, 1031 00:48:20,480 --> 00:48:24,200 Speaker 1: you gotta pay the bills. Man? Oh man, do I 1032 00:48:24,320 --> 00:48:27,640 Speaker 1: go there? No? I can't go there. I mean it 1033 00:48:27,800 --> 00:48:30,399 Speaker 1: was real life, bro. Yeah, you know what I'm saying. 1034 00:48:30,480 --> 00:48:34,719 Speaker 1: I represent your generation of hip hop kV. I can't 1035 00:48:34,760 --> 00:48:37,279 Speaker 1: talk about what these kids are talking about. So I 1036 00:48:37,400 --> 00:48:39,839 Speaker 1: had to go through stuff to get to this level, 1037 00:48:39,880 --> 00:48:42,000 Speaker 1: to even want to come back to rap. You know, 1038 00:48:42,160 --> 00:48:43,440 Speaker 1: we're at the age like what the fuck I want 1039 00:48:43,440 --> 00:48:45,239 Speaker 1: to wrap for Like it ain't because of its old thing. 1040 00:48:45,280 --> 00:48:47,840 Speaker 1: It's because it's just like I'm not drilling, I'm not 1041 00:48:48,480 --> 00:48:51,160 Speaker 1: painting my hair purple, I'm not none of that. I'm 1042 00:48:51,160 --> 00:48:53,279 Speaker 1: not getting no tattoos on my face. I'm too clean 1043 00:48:53,440 --> 00:48:55,000 Speaker 1: for these dudes, you know what I'm saying. But at 1044 00:48:55,040 --> 00:48:58,200 Speaker 1: the same time, there's a lane that we need a 1045 00:48:58,320 --> 00:49:01,719 Speaker 1: voice in our generation. And that's because hip hop is 1046 00:49:01,800 --> 00:49:05,200 Speaker 1: young at all, fifty one, you know what I'm saying. 1047 00:49:05,200 --> 00:49:07,600 Speaker 1: It's fifty years. You know, they haven't had any grandpas 1048 00:49:07,680 --> 00:49:10,359 Speaker 1: or any of that, so there's no gap. You can't 1049 00:49:10,360 --> 00:49:12,399 Speaker 1: put a gap on something that was just burst into 1050 00:49:12,440 --> 00:49:14,720 Speaker 1: the world that's running the whole. By the way, tis 1051 00:49:14,760 --> 00:49:15,880 Speaker 1: a grandpa. Now. I just found that out. 1052 00:49:15,920 --> 00:49:18,600 Speaker 2: He's got three grandkids, which is fucking crazy. I heard 1053 00:49:18,640 --> 00:49:23,239 Speaker 2: that yesterday and I was like, what, I'm old anyway. 1054 00:49:23,320 --> 00:49:25,080 Speaker 1: So you got you got it. You got people like 1055 00:49:25,160 --> 00:49:27,279 Speaker 1: TI that's still hot, little One, you got Drake, these 1056 00:49:27,320 --> 00:49:30,640 Speaker 1: people are still hot, and Kanye's and all these other 1057 00:49:30,680 --> 00:49:32,680 Speaker 1: people that are still hot and that can still make 1058 00:49:32,719 --> 00:49:34,600 Speaker 1: great music. And you got other people that's trying to 1059 00:49:34,600 --> 00:49:36,520 Speaker 1: put cap on what they do. You know what I'm saying, 1060 00:49:36,520 --> 00:49:40,320 Speaker 1: that's not how it works. We are the forefathers, the lyricists, 1061 00:49:40,440 --> 00:49:43,600 Speaker 1: all these people, and I just happened to still be 1062 00:49:44,160 --> 00:49:47,279 Speaker 1: handsome as fucked look good. Drop some shit can rap 1063 00:49:47,360 --> 00:49:50,200 Speaker 1: better than all these niggas, And I'm coming back because 1064 00:49:50,200 --> 00:49:52,359 Speaker 1: it's not about age. It's about talent at this point. 1065 00:49:52,880 --> 00:49:54,279 Speaker 1: Yeah right around, No for sure. 1066 00:49:54,360 --> 00:49:56,279 Speaker 2: Yeah, so if it's about that, I think hip hop 1067 00:49:56,360 --> 00:49:57,600 Speaker 2: has been kind of ageless for a while. 1068 00:49:57,760 --> 00:49:57,960 Speaker 1: Yeah. 1069 00:49:57,960 --> 00:49:59,680 Speaker 2: The Change was kind of the first guy to show 1070 00:49:59,680 --> 00:50:00,360 Speaker 2: everybody like. 1071 00:50:00,960 --> 00:50:04,239 Speaker 1: No, no, no, no. Two Changs was the first for sure, 1072 00:50:04,360 --> 00:50:06,040 Speaker 1: like where you could be like, yo, I'm post thirty 1073 00:50:06,080 --> 00:50:09,160 Speaker 1: and popping the two chains. Come back story is what 1074 00:50:09,239 --> 00:50:11,560 Speaker 1: Willie north Poe was doing right now. I like attention, 1075 00:50:12,239 --> 00:50:15,359 Speaker 1: just pay attention. That's my bro. Yeah when I say 1076 00:50:15,440 --> 00:50:17,000 Speaker 1: we was on the tour bus roasting each other and 1077 00:50:17,320 --> 00:50:20,239 Speaker 1: playing circle days all that ship. Yeah that's my dude. Man, 1078 00:50:21,520 --> 00:50:22,400 Speaker 1: I need to do a song with him. 1079 00:50:22,400 --> 00:50:25,560 Speaker 2: Actually, do you after this out? Are you going to 1080 00:50:25,560 --> 00:50:27,719 Speaker 2: continue to drop music or you? Like I mean you 1081 00:50:27,800 --> 00:50:29,840 Speaker 2: said that you you just tease The body Marked Up 1082 00:50:30,040 --> 00:50:31,640 Speaker 2: Part two that was that was. 1083 00:50:31,719 --> 00:50:33,040 Speaker 1: That was I don't know why I brought that up. 1084 00:50:33,239 --> 00:50:35,560 Speaker 1: That was like so relevant to the other ship we 1085 00:50:35,600 --> 00:50:36,280 Speaker 1: got planned. 1086 00:50:36,160 --> 00:50:37,360 Speaker 2: You know for sure what I'm saying. But you have 1087 00:50:37,440 --> 00:50:39,120 Speaker 2: a bunch of other Like it's not like you're going 1088 00:50:39,160 --> 00:50:41,040 Speaker 2: to go away for fifteen years never again. 1089 00:50:41,160 --> 00:50:44,759 Speaker 1: Okay, I can't, right, you gotta think, bro, Yeah she's here. 1090 00:50:45,840 --> 00:50:49,239 Speaker 1: But I got three other people. I got a whole team, 1091 00:50:49,320 --> 00:50:52,240 Speaker 1: three or four other people, because you have another company, 1092 00:50:52,320 --> 00:50:54,680 Speaker 1: what was it called dark Star, dark Nation, dark Nation? 1093 00:50:54,920 --> 00:50:56,880 Speaker 1: But that was me. That was just that was me 1094 00:50:57,160 --> 00:50:59,120 Speaker 1: playing the double Dutch game, trying to figure it out. 1095 00:50:59,160 --> 00:51:01,120 Speaker 1: You get what I'm saying, worked because it was me 1096 00:51:01,239 --> 00:51:03,640 Speaker 1: coming back. So it caught a little buzz. I sold 1097 00:51:03,640 --> 00:51:05,439 Speaker 1: out hoodies and everything. But I didn't have a team 1098 00:51:05,480 --> 00:51:07,520 Speaker 1: behind me, right, you know. I was just doing all 1099 00:51:07,560 --> 00:51:08,880 Speaker 1: this shit, like, yo, the fuck. I didn't know what 1100 00:51:08,920 --> 00:51:10,480 Speaker 1: to do. I'm thinking, you just dropped music. I didn't 1101 00:51:10,480 --> 00:51:12,520 Speaker 1: have no plan what I do with the music. I 1102 00:51:12,680 --> 00:51:15,440 Speaker 1: wasn't had to have no video plans, right you know. 1103 00:51:15,680 --> 00:51:18,120 Speaker 1: So it just kind of like now I'm not throwing 1104 00:51:18,160 --> 00:51:20,400 Speaker 1: shit against the wall. Everything I got right now is 1105 00:51:20,440 --> 00:51:22,879 Speaker 1: strategic and we're never going to stop. I can't stop 1106 00:51:22,920 --> 00:51:25,680 Speaker 1: because I'm running. I'm running an engine for other people now. 1107 00:51:26,280 --> 00:51:29,759 Speaker 2: So after your guys' era and asy hip hop, there's 1108 00:51:29,840 --> 00:51:31,520 Speaker 2: the era that I had a lot to do with, 1109 00:51:31,640 --> 00:51:34,560 Speaker 2: and that was like the VI the rule of futuristic 1110 00:51:35,000 --> 00:51:39,000 Speaker 2: sincerely Collins wave that popped off right, Like I remember 1111 00:51:39,040 --> 00:51:41,640 Speaker 2: that I managed Collins for a few years and I 1112 00:51:41,719 --> 00:51:45,160 Speaker 2: hosted V's one of his first mixtapes, and Zach was 1113 00:51:45,400 --> 00:51:47,560 Speaker 2: you know, fuck he was a regular on our show 1114 00:51:47,640 --> 00:51:49,239 Speaker 2: and we did music together and I took him. 1115 00:51:49,120 --> 00:51:50,200 Speaker 1: Around to running. 1116 00:51:50,800 --> 00:51:54,279 Speaker 2: But what were your thoughts just from like being one 1117 00:51:54,320 --> 00:51:57,640 Speaker 2: of the guys from the city to watch kind of 1118 00:51:57,680 --> 00:52:01,480 Speaker 2: what those guys did, because that was like twenty twelve, thirteen, 1119 00:52:01,560 --> 00:52:05,359 Speaker 2: fourteen fifteen. It was definitely a different era. But all 1120 00:52:05,400 --> 00:52:07,440 Speaker 2: three of those guys, you know, fucking V signed a 1121 00:52:07,840 --> 00:52:11,200 Speaker 2: kid Ink, which was a big deal. Colin's at number 1122 00:52:11,239 --> 00:52:14,880 Speaker 2: one records at radio. Yeah, I could tell you juristics 1123 00:52:14,920 --> 00:52:17,759 Speaker 2: fucking got it. I think he's got an independent platinum record, 1124 00:52:17,920 --> 00:52:18,960 Speaker 2: at least a gold record. 1125 00:52:19,440 --> 00:52:22,279 Speaker 1: I gotta go to Bute Shots of Magic too. Way 1126 00:52:22,320 --> 00:52:24,200 Speaker 1: we talk, by the way I'll be talking. We can't 1127 00:52:24,200 --> 00:52:26,439 Speaker 1: forget about AMC Magic to Shot to Magic but shout 1128 00:52:26,480 --> 00:52:27,000 Speaker 1: out to Magic. 1129 00:52:27,360 --> 00:52:29,360 Speaker 2: I'm just curious, like, what what were your thoughts on 1130 00:52:29,440 --> 00:52:31,960 Speaker 2: that next era of asy hip hop that came. 1131 00:52:32,200 --> 00:52:36,759 Speaker 1: I felt like I felt like I wasn't like an 1132 00:52:36,840 --> 00:52:40,040 Speaker 1: Ol Bundy nigga dude walking around. J Rob shot to 1133 00:52:40,080 --> 00:52:42,239 Speaker 1: J Rob. I wasn't like the Ol Bundy dude with 1134 00:52:42,280 --> 00:52:43,960 Speaker 1: the football saying you know, this is what I could 1135 00:52:44,000 --> 00:52:45,759 Speaker 1: have done, I should have done, you know, anything like that. 1136 00:52:45,960 --> 00:52:49,080 Speaker 1: So I was always proud of Futuristic Colin this and 1137 00:52:49,160 --> 00:52:52,759 Speaker 1: all them. But I remember coming up, you know, Futuristic 1138 00:52:52,880 --> 00:52:54,560 Speaker 1: you know, he opened up for me a couples or 1139 00:52:54,640 --> 00:52:57,279 Speaker 1: whatever he always talked about that. I've done free versus 1140 00:52:57,400 --> 00:53:00,640 Speaker 1: for him just before you know, to take off and 1141 00:53:00,680 --> 00:53:03,239 Speaker 1: all that stuff. And I've done things for him that, 1142 00:53:03,520 --> 00:53:07,040 Speaker 1: you know, even as I was declining down and he 1143 00:53:07,160 --> 00:53:09,279 Speaker 1: was coming up, you know what I mean, I've done things. 1144 00:53:09,320 --> 00:53:12,000 Speaker 1: But I think as people were coming up, not him, 1145 00:53:12,200 --> 00:53:13,719 Speaker 1: but just a lot of everyone else, a lot a 1146 00:53:13,760 --> 00:53:16,400 Speaker 1: lot of people including him, actually, I felt like they 1147 00:53:16,480 --> 00:53:19,520 Speaker 1: just started forgetting do you get what I'm saying? And 1148 00:53:19,960 --> 00:53:21,560 Speaker 1: so when I was watching a lot of that ship 1149 00:53:21,680 --> 00:53:25,319 Speaker 1: going on, I was proud of him. I didn't want 1150 00:53:25,320 --> 00:53:27,320 Speaker 1: them beef I didn't want Collins and Futuristic beef and 1151 00:53:27,400 --> 00:53:29,040 Speaker 1: I thought that was kind of corny, but I did. 1152 00:53:29,520 --> 00:53:33,719 Speaker 1: I didn't. I never considered them in my lane lane se. 1153 00:53:33,760 --> 00:53:35,560 Speaker 1: I just you know, they were definitely like but I 1154 00:53:35,600 --> 00:53:38,600 Speaker 1: didn't the next era. They were the next asy era. 1155 00:53:38,719 --> 00:53:46,520 Speaker 1: And I really respected Zach and Jacob Owens movement. Oh yeah, 1156 00:53:47,080 --> 00:53:51,000 Speaker 1: like the videos. That was like a flawless, like Futuristic 1157 00:53:51,160 --> 00:53:54,040 Speaker 1: is the best at that. That's why I'd be telling 1158 00:53:54,080 --> 00:53:57,200 Speaker 1: people when they compare us, they always compare us. It 1159 00:53:57,280 --> 00:54:00,480 Speaker 1: was just two different things. He can't do anything done. 1160 00:54:01,040 --> 00:54:03,640 Speaker 1: You know the thing about it, he's as far as 1161 00:54:03,800 --> 00:54:06,239 Speaker 1: what he's done, he's I would I would love to 1162 00:54:06,520 --> 00:54:09,520 Speaker 1: have his whole blueprint, you get what I'm saying figured 1163 00:54:09,560 --> 00:54:11,719 Speaker 1: out right. Yeah, So that's what we're doing. And I 1164 00:54:11,800 --> 00:54:12,359 Speaker 1: know he just got off. 1165 00:54:12,440 --> 00:54:14,560 Speaker 2: He was just on a tour, you know, Zach still 1166 00:54:14,600 --> 00:54:16,399 Speaker 2: I mean, obviously he's pivoting a little bit more. He's 1167 00:54:16,400 --> 00:54:19,839 Speaker 2: still doing he's doing more Christian rap now and sign 1168 00:54:19,920 --> 00:54:22,800 Speaker 2: an artist and ship. But yeah, but that was that 1169 00:54:22,920 --> 00:54:24,520 Speaker 2: was just a pretty exciting pocket. 1170 00:54:25,000 --> 00:54:27,760 Speaker 1: He was hard. I told v what he was before 1171 00:54:27,960 --> 00:54:29,640 Speaker 1: you even messed with him. You know what I'm saying 1172 00:54:29,719 --> 00:54:32,120 Speaker 1: V kingam on studio. A lot of these j Rob 1173 00:54:32,200 --> 00:54:34,600 Speaker 1: Kanamo studio. A lot of these dudes came across me, brother, 1174 00:54:35,120 --> 00:54:36,480 Speaker 1: and I mean, I mean, I feel like it'd be 1175 00:54:36,520 --> 00:54:39,520 Speaker 1: hard to think what I'm saying, think about what I'm saying. Though. 1176 00:54:39,520 --> 00:54:41,880 Speaker 1: A lot of these dudes came across you know, and 1177 00:54:43,800 --> 00:54:46,560 Speaker 1: it's either you know, they don't, They're not gonna It's 1178 00:54:46,640 --> 00:54:51,239 Speaker 1: kind of like I always offered my service to people, 1179 00:54:51,960 --> 00:54:53,279 Speaker 1: but they only I feel like a lot of people 1180 00:54:53,320 --> 00:54:55,279 Speaker 1: only want my service if it's gonna value them. Now, 1181 00:54:55,280 --> 00:54:57,439 Speaker 1: I feel like everybody will want a song with Willie North, 1182 00:54:57,560 --> 00:54:59,960 Speaker 1: which I respect that, but that's not how it's gonna work. 1183 00:55:00,000 --> 00:55:02,439 Speaker 1: It's crazy because that's how the game goes sometimes. Yeah, 1184 00:55:02,840 --> 00:55:04,520 Speaker 1: nobody want to work on me four months ago. 1185 00:55:04,600 --> 00:55:07,440 Speaker 2: But you got to notate those type of people though 1186 00:55:08,440 --> 00:55:10,640 Speaker 2: cheers we talk about, like I see that ship all 1187 00:55:10,680 --> 00:55:14,359 Speaker 2: the time. It's like people when they're not quote unquote hot, 1188 00:55:14,640 --> 00:55:16,920 Speaker 2: you know, first forget, but that they catch your record's out. 1189 00:55:17,200 --> 00:55:18,960 Speaker 1: The phone starts to get picked out. That's I mean, 1190 00:55:19,040 --> 00:55:21,520 Speaker 1: it's cool, that's cool, but I've never I've never people 1191 00:55:21,640 --> 00:55:26,319 Speaker 1: You can't sleep on these Listen, there's fame. And then 1192 00:55:26,360 --> 00:55:29,680 Speaker 1: there's egotistical talent when you you know, knowing that what 1193 00:55:29,760 --> 00:55:31,239 Speaker 1: I'm good at what I do, I've been doing it 1194 00:55:31,280 --> 00:55:33,360 Speaker 1: since I was eleven. Bro, So when I hear the 1195 00:55:33,400 --> 00:55:35,279 Speaker 1: flaws and these dudes, and when I hear the ship 1196 00:55:35,360 --> 00:55:38,600 Speaker 1: and when I hear how they can easily, they'll try 1197 00:55:38,640 --> 00:55:41,480 Speaker 1: to write me out. There's a reason I got to 1198 00:55:41,560 --> 00:55:44,680 Speaker 1: a point of what I was because of the talent. Correct. 1199 00:55:45,360 --> 00:55:49,080 Speaker 1: So if they can keep that talent confined and you know, 1200 00:55:49,200 --> 00:55:51,160 Speaker 1: locked up with something they'll keep. No one is gonna 1201 00:55:51,239 --> 00:55:52,839 Speaker 1: come out and help Willy. Willy had to come out 1202 00:55:52,840 --> 00:55:55,000 Speaker 1: of the gutter by himself, you know what I'm saying. 1203 00:55:55,080 --> 00:55:57,400 Speaker 1: So that's that's where I stand. But now it's personal. 1204 00:55:57,560 --> 00:55:59,600 Speaker 1: So and I'm gonna keep making you know, I'm gonna 1205 00:55:59,680 --> 00:56:03,360 Speaker 1: keep making these bangers after bangers, story good great songs 1206 00:56:03,400 --> 00:56:06,520 Speaker 1: after great songs. The wheelchair is gonna come under my butt. 1207 00:56:06,680 --> 00:56:08,839 Speaker 1: I'm gonna be pushing it. I'm still be making great 1208 00:56:08,920 --> 00:56:11,440 Speaker 1: fucking music. We're just gonna keep going, bro, you know 1209 00:56:11,480 --> 00:56:12,719 Speaker 1: what I'm saying. And I'm gonna show them how to 1210 00:56:12,760 --> 00:56:15,440 Speaker 1: do this where I'm from for real, CAF Who who 1211 00:56:15,480 --> 00:56:18,200 Speaker 1: do you like? That's uh coming up right now. Out 1212 00:56:18,239 --> 00:56:22,640 Speaker 1: of Ez, out of a Z. The dude that went 1213 00:56:22,680 --> 00:56:26,400 Speaker 1: against V what's his name, ohs from New York. I 1214 00:56:26,440 --> 00:56:28,160 Speaker 1: know he's from New York, but he lives in Arizona 1215 00:56:28,200 --> 00:56:32,000 Speaker 1: right now. But he's an alien, one of the great 1216 00:56:32,120 --> 00:56:34,040 Speaker 1: I mean, he's one of the greatest rappers on the planet. 1217 00:56:34,120 --> 00:56:36,080 Speaker 1: Low key like when he's on his ship. It's crazy. 1218 00:56:36,520 --> 00:56:39,399 Speaker 1: I fuck with dude. I would do another. I would 1219 00:56:39,400 --> 00:56:43,000 Speaker 1: do a real record with I want to do a 1220 00:56:43,040 --> 00:56:45,440 Speaker 1: record them Magic. I think it's about time for that. 1221 00:56:46,680 --> 00:56:49,320 Speaker 1: Think about that. I think it's about time to do 1222 00:56:49,400 --> 00:56:51,840 Speaker 1: a record with Magic. Magic. Me and Magic got the 1223 00:56:52,320 --> 00:56:54,360 Speaker 1: I did a song called Back to Mexico when I 1224 00:56:54,440 --> 00:56:59,800 Speaker 1: was taking up for the SB ten. Uh. Yeah, so 1225 00:57:00,080 --> 00:57:03,279 Speaker 1: we're going through that stuff. I stood up for the 1226 00:57:03,360 --> 00:57:06,400 Speaker 1: Latino community and they all came out and I did 1227 00:57:06,480 --> 00:57:08,800 Speaker 1: a video and MC Magic actually got on that remix. 1228 00:57:08,920 --> 00:57:10,080 Speaker 1: So that was dope. Yeah. 1229 00:57:10,120 --> 00:57:12,400 Speaker 2: Magic's doing sixty sold out shows a year right now. 1230 00:57:12,560 --> 00:57:16,600 Speaker 2: It's crazy him bashing Uh little rob are just murdering 1231 00:57:16,640 --> 00:57:17,040 Speaker 2: it right now. 1232 00:57:17,240 --> 00:57:20,120 Speaker 1: Fucking so I would do one, you know, as far 1233 00:57:20,160 --> 00:57:23,120 Speaker 1: as who else, I want to do one with Alexus 1234 00:57:23,160 --> 00:57:25,640 Speaker 1: Bro alexis that's easy. We can do it tomorrow. We 1235 00:57:25,760 --> 00:57:29,320 Speaker 1: do it today, Bro, Alexus, don't be man ninety seconds away. 1236 00:57:29,800 --> 00:57:32,760 Speaker 1: But I told Alexus man my studios. I don't think 1237 00:57:33,840 --> 00:57:36,520 Speaker 1: cav we can talk or we don't. I try to 1238 00:57:36,560 --> 00:57:38,480 Speaker 1: give it. I try to get Alexus on the album. Bro. 1239 00:57:38,840 --> 00:57:40,520 Speaker 1: I guess I sent him the record. Man, I'm just 1240 00:57:40,560 --> 00:57:43,280 Speaker 1: saying he might not like the bunch of work scratch. Hey, 1241 00:57:43,520 --> 00:57:46,800 Speaker 1: if he didn't like it, then you got communicated, you 1242 00:57:46,840 --> 00:57:48,919 Speaker 1: know what I'm saying. But on top of that, yeah, 1243 00:57:49,280 --> 00:57:51,560 Speaker 1: he did reach out to work again. You know what 1244 00:57:51,600 --> 00:57:51,960 Speaker 1: I'm saying. 1245 00:57:53,120 --> 00:57:56,160 Speaker 2: The boys ten feet away is the studio he lives 1246 00:57:56,600 --> 00:57:57,120 Speaker 2: five seconds. 1247 00:57:58,080 --> 00:58:00,200 Speaker 1: That's only that's probably one of the that's in the 1248 00:58:00,200 --> 00:58:05,360 Speaker 1: studio right now. That's the only singer right now. Yeah. 1249 00:58:05,360 --> 00:58:07,680 Speaker 1: I think he's got talent. Talent. 1250 00:58:07,840 --> 00:58:10,400 Speaker 2: Yeah, my favorite rapper in Arizona right now that's on 1251 00:58:10,480 --> 00:58:11,160 Speaker 2: the come up. 1252 00:58:11,120 --> 00:58:14,880 Speaker 1: As Chris Coke. Yeah, Chris Coke's a fucking alien. And 1253 00:58:14,960 --> 00:58:18,720 Speaker 1: then I was watching Chris Coke Battles the other day. Man, 1254 00:58:18,800 --> 00:58:19,439 Speaker 1: he's he's good. 1255 00:58:19,560 --> 00:58:23,560 Speaker 2: There's there's a dude that's really I just got put 1256 00:58:23,600 --> 00:58:27,120 Speaker 2: on kid friendly. He's a Christian rapper though, but he's 1257 00:58:27,120 --> 00:58:29,160 Speaker 2: actually and I'm an atheist, so I don't relate to 1258 00:58:29,200 --> 00:58:31,080 Speaker 2: none of that ship. But he's not really like a 1259 00:58:31,160 --> 00:58:33,240 Speaker 2: Christian rapper like preaching. He just don't cuss in his bars. 1260 00:58:33,400 --> 00:58:34,720 Speaker 2: But he's fucking crazy. 1261 00:58:35,280 --> 00:58:38,560 Speaker 1: But yeah, this is this is I'm really trying to 1262 00:58:38,600 --> 00:58:40,800 Speaker 1: get out of the Arizona talk though. Man, I'm trying 1263 00:58:40,840 --> 00:58:45,400 Speaker 1: to we bigger than this. Calf in fifteen years we 1264 00:58:45,520 --> 00:58:47,680 Speaker 1: got a cover a lot. Bro Listen, I get you know, 1265 00:58:47,960 --> 00:58:51,320 Speaker 1: me stepping out. That's your fault, man, that is that 1266 00:58:51,440 --> 00:58:54,120 Speaker 1: my fault. That's your fucking fault. That's all y'all thought. 1267 00:58:54,520 --> 00:58:58,680 Speaker 1: Fucking you did hack your fucking laptop. No you did, 1268 00:58:58,760 --> 00:59:03,120 Speaker 1: by ten Calf, you did. And I bought album job 1269 00:59:03,120 --> 00:59:04,480 Speaker 1: and I gave them out at the radio play the 1270 00:59:04,520 --> 00:59:06,320 Speaker 1: record I had, like, I think I saw three. 1271 00:59:06,200 --> 00:59:08,080 Speaker 2: In the plastic in storage because I gave the other 1272 00:59:08,120 --> 00:59:09,240 Speaker 2: ones out, Thank you man. 1273 00:59:10,480 --> 00:59:10,920 Speaker 1: Yeah it was. 1274 00:59:11,240 --> 00:59:12,880 Speaker 2: I was living in Idaho. I went to some where 1275 00:59:12,920 --> 00:59:15,080 Speaker 2: did I go, Oh, there was a store out there called. 1276 00:59:16,640 --> 00:59:18,280 Speaker 1: Hastings. That's crazy. Yeah. 1277 00:59:18,760 --> 00:59:20,320 Speaker 2: Anyway, well listen, man, the new album is. 1278 00:59:20,320 --> 00:59:23,560 Speaker 1: Out broad with theater. People can go support it. I'm 1279 00:59:23,560 --> 00:59:27,280 Speaker 1: sure you got more visuals coming, uh, we just I 1280 00:59:27,400 --> 00:59:30,320 Speaker 1: just shot the chocolatelo video and I just shot my 1281 00:59:30,360 --> 00:59:30,919 Speaker 1: cook video. 1282 00:59:31,240 --> 00:59:33,480 Speaker 2: I mean, you're putting up tons of content, which is 1283 00:59:33,840 --> 00:59:35,600 Speaker 2: we shot the official videos. You know what I'm saying though, 1284 00:59:35,600 --> 00:59:37,000 Speaker 2: But even just like the content you're putting out is 1285 00:59:37,040 --> 00:59:37,880 Speaker 2: dope and it's consistent. 1286 00:59:38,280 --> 00:59:39,680 Speaker 1: We hit a million views and then I had a 1287 00:59:40,400 --> 00:59:42,720 Speaker 1: what seven thousand followers? I hit a million views with 1288 00:59:42,800 --> 00:59:44,560 Speaker 1: seven thousand followers? Do you know how good you have 1289 00:59:44,640 --> 00:59:47,520 Speaker 1: to be? Am I bragging? Do y'all think I'm being caught? 1290 00:59:47,560 --> 00:59:50,160 Speaker 1: I'm really proud of myself. Man, that's a big deal. Brother. 1291 00:59:50,240 --> 00:59:51,920 Speaker 1: You know what I'm saying. I got married off of 1292 00:59:51,960 --> 00:59:54,160 Speaker 1: this type of stuff. I'm happy off of this. You know, 1293 00:59:54,240 --> 00:59:57,880 Speaker 1: everything just came together. Like the way people are receiving 1294 00:59:57,960 --> 00:59:59,680 Speaker 1: my music right now is just the way I've always 1295 00:59:59,680 --> 01:00:02,200 Speaker 1: pictured it. M hm. So whatever happens from this point on, 1296 01:00:02,280 --> 01:00:03,880 Speaker 1: it is just gonna just be better for me. But 1297 01:00:04,000 --> 01:00:06,280 Speaker 1: right now I'm happy as fuck because the energy is crazy. 1298 01:00:06,680 --> 01:00:08,720 Speaker 1: That's good man. Anybody from back in the day reaching 1299 01:00:08,760 --> 01:00:10,720 Speaker 1: out like on the on the DTP side or on 1300 01:00:10,920 --> 01:00:14,000 Speaker 1: all of them g UNIT side, I ain't gonna say 1301 01:00:14,080 --> 01:00:16,240 Speaker 1: gun A couple of people from gun it reached out, 1302 01:00:16,640 --> 01:00:19,320 Speaker 1: but most of the camp from DTP reached out. I 1303 01:00:19,400 --> 01:00:21,680 Speaker 1: got a real call from DTP. One of the dudes, 1304 01:00:21,680 --> 01:00:23,280 Speaker 1: I ain't gonna say who, but he's like, man, they're watching, 1305 01:00:23,320 --> 01:00:26,280 Speaker 1: everybody's watching. That's dope. So that's dope. I mean, Tiffany's back. 1306 01:00:26,400 --> 01:00:28,800 Speaker 1: That's big. That's that's all I want. That's all she 1307 01:00:28,840 --> 01:00:30,240 Speaker 1: got to put you a hit maker. That's all I 1308 01:00:30,320 --> 01:00:32,720 Speaker 1: cared about. You have the hit maker Willie's song coming soon. 1309 01:00:33,000 --> 01:00:35,280 Speaker 1: Once I knew she came back. Because she can't manage 1310 01:00:35,320 --> 01:00:37,280 Speaker 1: something if it ain't if it don't want to be managed, 1311 01:00:37,440 --> 01:00:39,280 Speaker 1: I can ask her to manage me all day. Tiffany, 1312 01:00:39,360 --> 01:00:42,560 Speaker 1: what was the name of that weird promotionals company that 1313 01:00:42,720 --> 01:00:44,960 Speaker 1: was on you? You were a part of it, weren't 1314 01:00:44,960 --> 01:00:47,000 Speaker 1: You were passing out flyers and shipped some street team 1315 01:00:47,040 --> 01:00:49,440 Speaker 1: company back in the day. What was it? What was 1316 01:00:49,480 --> 01:00:49,920 Speaker 1: the name of it? 1317 01:00:52,520 --> 01:00:55,640 Speaker 2: Were you like hiring interns and ship I was an 1318 01:00:55,680 --> 01:01:01,320 Speaker 2: intern passing out flyers. I had a double bag of 1319 01:01:01,400 --> 01:01:04,320 Speaker 2: flyers that I was on. I was on Mason fucking 1320 01:01:04,360 --> 01:01:08,760 Speaker 2: Fiestam all passing out Yes. Wow, I just it's so 1321 01:01:08,840 --> 01:01:11,320 Speaker 2: funny because that light I didn't even I've never even 1322 01:01:11,320 --> 01:01:14,120 Speaker 2: thought of that until this very second. I was taking 1323 01:01:14,160 --> 01:01:17,920 Speaker 2: the motherfucking forty five the Broadway bus from fucking the 1324 01:01:18,040 --> 01:01:21,400 Speaker 2: South Side to Mesa, and I don't Yeah, that's crazy, 1325 01:01:21,400 --> 01:01:22,919 Speaker 2: because I think I heard about it on the radio. 1326 01:01:25,040 --> 01:01:25,240 Speaker 1: Yep. 1327 01:01:25,400 --> 01:01:29,760 Speaker 2: Yeah, shout to Tiffany Jay Arizona. Goat Tiffany. 1328 01:01:30,480 --> 01:01:34,360 Speaker 1: Oh man, man, come on man, rocking with the best. 1329 01:01:34,520 --> 01:01:35,200 Speaker 1: I appreciate you. 1330 01:01:35,520 --> 01:01:37,440 Speaker 2: Willie the new albums out, everyone goes support it, man, 1331 01:01:37,520 --> 01:01:39,400 Speaker 2: go buy it too. You gotta go onnes and put 1332 01:01:39,440 --> 01:01:40,960 Speaker 2: some money in your merchers out. 1333 01:01:41,080 --> 01:01:45,360 Speaker 1: Yep, the merchers out. We got the album is The 1334 01:01:45,480 --> 01:01:48,360 Speaker 1: album is is something that from what I'm hearing, there's 1335 01:01:48,400 --> 01:01:50,600 Speaker 1: no Skippers on it, you know, there's no Phillers. They 1336 01:01:50,720 --> 01:01:53,360 Speaker 1: calling it a classic. You got to get a menu 1337 01:01:53,440 --> 01:02:00,560 Speaker 1: item at Phillies. Yeah, get the pole chocolate kind of shit. 1338 01:02:00,800 --> 01:02:03,080 Speaker 1: We were talking about it, Yeah, we was talking about it. 1339 01:02:03,320 --> 01:02:05,560 Speaker 1: We're trying to get it, man, I'm fucking philibertos Many. 1340 01:02:05,920 --> 01:02:08,680 Speaker 2: They just sent me on slides in the mail. You said, what, 1341 01:02:08,880 --> 01:02:10,240 Speaker 2: They just sent me a bunch of ship in the 1342 01:02:10,280 --> 01:02:12,600 Speaker 2: mail because I shouted them out in the MC magic interview, 1343 01:02:12,640 --> 01:02:14,640 Speaker 2: so they said hello ship. I was like Hey, I 1344 01:02:14,680 --> 01:02:17,640 Speaker 2: guess I'll wear these filiberto swim trunks next time I'm 1345 01:02:17,640 --> 01:02:18,160 Speaker 2: on vacation. 1346 01:02:18,600 --> 01:02:20,080 Speaker 1: Right, I'm gonna give a couple of shots out if 1347 01:02:20,120 --> 01:02:21,960 Speaker 1: you go ahead. I want to give a shout out 1348 01:02:22,000 --> 01:02:24,640 Speaker 1: to Donnie or JEWELR who got me looking nice. You 1349 01:02:24,680 --> 01:02:26,240 Speaker 1: know what I'm saying. We don't get none of this back. 1350 01:02:26,280 --> 01:02:28,320 Speaker 1: And like, hey, my ship, what happened to your old chain? 1351 01:02:28,480 --> 01:02:30,240 Speaker 2: What was the story of someone snatched it out of 1352 01:02:30,240 --> 01:02:31,680 Speaker 2: your car while you were inside of a store, some 1353 01:02:31,800 --> 01:02:34,840 Speaker 2: Blockbuster you were in. I was gonna say Blockbuster, Blockbuster, 1354 01:02:35,000 --> 01:02:36,720 Speaker 2: you were in a Blockbuster and someone. 1355 01:02:36,640 --> 01:02:39,080 Speaker 1: Listen, somebody threw a spark plug to my fucking wing. 1356 01:02:39,200 --> 01:02:40,880 Speaker 1: I remember you told me they just bought the Kanye 1357 01:02:41,040 --> 01:02:43,280 Speaker 1: CD and you just about a brand new gun. Because 1358 01:02:43,280 --> 01:02:45,240 Speaker 1: this was like you had to ate the first time. Jim, 1359 01:02:45,440 --> 01:02:47,840 Speaker 1: I had a gym bag. Yes, I had a gym 1360 01:02:47,880 --> 01:02:49,520 Speaker 1: but I just got my disturbing the piece and my 1361 01:02:50,440 --> 01:02:54,360 Speaker 1: AZ piece. It was connecting diamonds. I had it in 1362 01:02:54,440 --> 01:02:56,920 Speaker 1: my gym back American Me was returning the movie. Bro, 1363 01:02:57,040 --> 01:03:00,120 Speaker 1: I walked there for five fucking minutes, five minutes. This 1364 01:03:00,240 --> 01:03:03,320 Speaker 1: chip just I don't know everybody, I don't know if 1365 01:03:03,360 --> 01:03:04,720 Speaker 1: she set it up. I don't know what. I don't 1366 01:03:04,720 --> 01:03:05,960 Speaker 1: think she did, but I had to cut her off 1367 01:03:06,000 --> 01:03:09,000 Speaker 1: after that, just just in case. I felt she was crying. 1368 01:03:09,520 --> 01:03:12,760 Speaker 1: But I went inside of the American. We dropped off 1369 01:03:12,800 --> 01:03:15,000 Speaker 1: the movie American. Me came out someone through a spark 1370 01:03:15,040 --> 01:03:18,880 Speaker 1: plug through my window. Whole gym bag was gone. Bro. 1371 01:03:19,440 --> 01:03:22,240 Speaker 1: I fucking then I had a shoulder next day after Celebrity, 1372 01:03:23,160 --> 01:03:24,880 Speaker 1: so I'm doing this whole show with no jewelry, and 1373 01:03:24,960 --> 01:03:26,840 Speaker 1: I felt like the people that took my shit was 1374 01:03:26,880 --> 01:03:30,040 Speaker 1: in there hunted. So I'm whoever the fuck No, I'm 1375 01:03:30,080 --> 01:03:32,600 Speaker 1: talking shit on the mic and shit and I'm like, man, 1376 01:03:33,880 --> 01:03:35,520 Speaker 1: you know, but that shit happened to me. I was. 1377 01:03:35,720 --> 01:03:37,440 Speaker 1: I was inside of a store for maybe not, but 1378 01:03:37,520 --> 01:03:39,240 Speaker 1: I never got robbed though, Man, no, no, no, I 1379 01:03:39,280 --> 01:03:40,040 Speaker 1: seeing happened to me. 1380 01:03:40,240 --> 01:03:42,800 Speaker 2: I fucking went to the bank. I had probably like 1381 01:03:42,880 --> 01:03:45,920 Speaker 2: twenty now, I had like sixteen bands on me and 1382 01:03:46,720 --> 01:03:49,160 Speaker 2: it was during COVID. Yeah, so you remember the bank 1383 01:03:49,240 --> 01:03:52,560 Speaker 2: lines during COVID were crazy. So I went to go 1384 01:03:53,360 --> 01:03:55,840 Speaker 2: deposit this cash. I was like, man, fuck this line. 1385 01:03:57,480 --> 01:03:59,440 Speaker 2: Someone that saw me with the blue deposit bag and 1386 01:03:59,480 --> 01:04:01,760 Speaker 2: it was fat fuck. So someone followed me. I went 1387 01:04:01,800 --> 01:04:04,920 Speaker 2: to a Kinkos to fucking get something notarized, and I'm like, 1388 01:04:05,080 --> 01:04:07,560 Speaker 2: legit in the kinkos for maybe a minute and a 1389 01:04:07,560 --> 01:04:10,280 Speaker 2: half and Alexis is with me, and I'm like, hey, yo, 1390 01:04:11,320 --> 01:04:13,440 Speaker 2: my window rolled down, go roll that ship up? Becomes 1391 01:04:13,440 --> 01:04:15,800 Speaker 2: bass like bro, shit's busted off. 1392 01:04:15,880 --> 01:04:19,440 Speaker 1: Yeah, I'm like, damn, got you to sixteen at my 1393 01:04:19,520 --> 01:04:21,479 Speaker 1: laptop and I bro was I wanted. 1394 01:04:21,840 --> 01:04:25,320 Speaker 2: I never wanted to take someone's life so badly. Yeah, 1395 01:04:25,560 --> 01:04:26,480 Speaker 2: I had money out there. 1396 01:04:26,480 --> 01:04:29,040 Speaker 1: I was like, yo, you know by you know Michael 1397 01:04:29,120 --> 01:04:33,440 Speaker 1: Jordan's stamped body marked up he did in My lion T. 1398 01:04:34,400 --> 01:04:36,640 Speaker 1: Michael Jordan had that happened, Man, I was on stage. 1399 01:04:36,720 --> 01:04:40,560 Speaker 1: I performed it. Uh, we're at it was a disturbing 1400 01:04:40,600 --> 01:04:43,439 Speaker 1: the peace party, Okay, Jordan's just there. Jordan was there. 1401 01:04:43,640 --> 01:04:45,720 Speaker 1: He actually pushed us to the side. Me and Chinky 1402 01:04:45,800 --> 01:04:47,720 Speaker 1: pushed us to the side. He had like forty women 1403 01:04:47,800 --> 01:04:50,600 Speaker 1: with him and they at our party. Michael Jordan had 1404 01:04:50,600 --> 01:04:52,920 Speaker 1: forty women. I say fifteen. Shout out to Jordan. Man 1405 01:04:53,560 --> 01:04:55,680 Speaker 1: pushed us to the side. Judge, Mathes run like that 1406 01:04:55,800 --> 01:04:58,120 Speaker 1: too at My lion T. I don't doubt it. Judge 1407 01:04:58,160 --> 01:05:01,160 Speaker 1: Matthes run like that Judge. Time met Judge Matthes, he 1408 01:05:01,240 --> 01:05:04,160 Speaker 1: pulled up in a van with fifteen females. Facts good 1409 01:05:04,200 --> 01:05:07,760 Speaker 1: for him. And he was with Metapeace with old boy 1410 01:05:08,080 --> 01:05:10,919 Speaker 1: around our test. That's my nig too shot at that time. 1411 01:05:11,040 --> 01:05:14,160 Speaker 1: That's big man. We'll support the album. Yeah, come by man. 1412 01:05:14,480 --> 01:05:16,360 Speaker 1: But Michael Jordan, just real quick, Michael Jordan said that 1413 01:05:16,400 --> 01:05:17,960 Speaker 1: body he was he was sitting behind me when I 1414 01:05:18,040 --> 01:05:20,280 Speaker 1: was rapping. Uh. They put him on the stage behind 1415 01:05:20,360 --> 01:05:22,400 Speaker 1: us and he tapped me on the shoulder and he's 1416 01:05:22,440 --> 01:05:24,920 Speaker 1: like that body marked up. But the body marked that 1417 01:05:24,960 --> 01:05:29,280 Speaker 1: their body. That's how he said. The m J stamp 1418 01:05:30,240 --> 01:05:31,120 Speaker 1: Much love, sir,