WEBVTT - We Care About Your EDM Feelings

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<v Speaker 1>It's am in the Saharaitan and you're listening to Night Call. Hello,

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<v Speaker 1>and welcome to Nightcall, a podcast to keep you company

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<v Speaker 1>during those strange days and lonely nights. My name is

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<v Speaker 1>Emily Oshida. I am in New York City, and with

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<v Speaker 1>me on the other end of the line in California,

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<v Speaker 1>I have Molly Lambert and tes Lynch in Los Angeles, California,

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<v Speaker 1>in a creepy garage. You know, there's some ghost air

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<v Speaker 1>going on over there's some ghost are We're in a

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<v Speaker 1>podcast garage, a classic classic Mark Marin style, a tradition. Um.

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<v Speaker 1>But Test warned me before we went in here. She

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<v Speaker 1>was like, yeah, everything's fine, except there's like a fencing

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<v Speaker 1>dummy in there that might scare you. Wait, is this

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<v Speaker 1>a different garage than you guys are Usually we're usually

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<v Speaker 1>in a house, and this week we're in a garage.

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<v Speaker 1>It's my garage and it's not a podcast garage, Okay,

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<v Speaker 1>it's it's a garage that I cannot get my car

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<v Speaker 1>into because I have a long, narrow driveway and it's scary.

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<v Speaker 1>So it became like a repository something room. It's abby hole,

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<v Speaker 1>a hobby hole. At some point it was determined, not

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<v Speaker 1>by me, that it needed a dummy for fencing practice,

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<v Speaker 1>made out of like a coat rack covered with like

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<v Speaker 1>a super scary sheet and some batting and it's just

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<v Speaker 1>kind of right behind us. When test set a fencing dummy,

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<v Speaker 1>I was like, I don't know what that means, but

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<v Speaker 1>I was picturing like a crash test dummy, which would

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<v Speaker 1>also be but this is literally it's just like a

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<v Speaker 1>human form, like a dressmaker's form, just like covered in

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<v Speaker 1>like a mummy sheet and wrapped so it looks like somebody.

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<v Speaker 1>It looks like a dead body, dead body standing up.

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<v Speaker 1>What who was Peter? I mean nex fencer is an

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<v Speaker 1>ex fencer. Wow, I didn't know that. He parried his

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<v Speaker 1>way into her heart. And then he was like, you know,

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<v Speaker 1>I think I'm gonna do like an art project and

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<v Speaker 1>create and I was just like, not in my house,

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<v Speaker 1>not in the house, get it out of the house.

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<v Speaker 1>He was like, garage it is. It's on a Christmas

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<v Speaker 1>tree stand. I'm going to take a picture of it. Um.

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<v Speaker 1>But even scarier maybe than the form of the body

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<v Speaker 1>is there's like a hand sticking up behind it. That's

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<v Speaker 1>a glove. I didn't notice. So it looks like there's

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<v Speaker 1>like a hand reaching out of the couch a little bit,

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<v Speaker 1>which adds to the spookiness. This would be very spooky

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<v Speaker 1>at night if you were alone. Yeah, that's like a

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<v Speaker 1>kind of form that seems benign during the day, and

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<v Speaker 1>then when it's silhouetted at night, it just looks like

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<v Speaker 1>a person the day. It's terrifying during the day. We're

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<v Speaker 1>in here right now, and it's a little I'm not

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<v Speaker 1>Joanna Gain, It's okay, I didn't not design this space. Well,

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<v Speaker 1>where's the ship lab? Where's the ship? Honestly, it would

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<v Speaker 1>be fun now that I'm in here for the first

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<v Speaker 1>time in a long time. It is a long story

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<v Speaker 1>why we're in the garage. It's very spacious, though, I

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<v Speaker 1>was gonna you know, this isn't like full of stuff.

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<v Speaker 1>There's like it's like a room, an empty room with

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<v Speaker 1>a body, and you're welcome. I think it might be

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<v Speaker 1>an escape room. It's yeah, come and leave for free

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<v Speaker 1>unless you cross me, and then we'll see and we'll

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<v Speaker 1>see where we are. So we test garage. So we

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<v Speaker 1>wanted to follow up real quick um with some feedback

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<v Speaker 1>that we got from a nightcall. A couple episodes ago

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<v Speaker 1>at this point. The call that we got about the

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<v Speaker 1>phone call, um a call about a call, the one

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<v Speaker 1>that had the ice cream truck music and the little

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<v Speaker 1>voice that said hello Hello, which sounded really um. Yeah,

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<v Speaker 1>I think that gave us all recent a recent episode,

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<v Speaker 1>but already a classic A nightcall, classic ice cream truck wow. Um.

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<v Speaker 1>When I was in New York, I heard so many

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<v Speaker 1>ice cream trucks and I thought about it every time.

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<v Speaker 1>Did you make any calls? Molly? Did? Know? I should?

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<v Speaker 1>That was a ripe opportunity. Didn't occur to me to

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<v Speaker 1>call any of you and ambiently leave terrifying ice cream

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<v Speaker 1>truck music, because but if you picked up and you'd

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<v Speaker 1>be like, why are you calling me? Molly? Molly? Um?

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<v Speaker 1>So yeah. A lot of our listeners told us to

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<v Speaker 1>check out a reply All episode that was pertinent to this.

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<v Speaker 1>This particular scam Um summarized, Yeah, so the collar on

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<v Speaker 1>reply All had had an issue that it sounded similar.

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<v Speaker 1>I'd be interested to hear from all our collar if

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<v Speaker 1>her story at all overlaps with this, because the main

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<v Speaker 1>difference for the caller and reply All is that she

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<v Speaker 1>was getting a bunch of calls and they were on

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<v Speaker 1>a toll free line at her office, so it wasn't

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<v Speaker 1>a cell phone, which I believe our listener had called

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<v Speaker 1>had gotten the call on a cell phone, because I

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<v Speaker 1>think she I remember her saying that she had been

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<v Speaker 1>in the car with friends when she decided to answer it.

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<v Speaker 1>But um so this person on reply all had gotten

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<v Speaker 1>a series of calls that she started recording, um because

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<v Speaker 1>they were these they just sounded like they were coming

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<v Speaker 1>from all these different places. They almost sounded like field

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<v Speaker 1>recordings of different spots, and they play them on the

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<v Speaker 1>show and it is kind of eerie, Like there's one,

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<v Speaker 1>there's a series of ones that are like at a

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<v Speaker 1>basketball game with a kid talking. There's some stuff that's

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<v Speaker 1>like seems to be out in a field and you

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<v Speaker 1>can hear something that sounds like a um like us

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<v Speaker 1>an arraid siren or something going off. It's just really

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<v Speaker 1>kind of eerie stuff that feels kind of creepy pasta

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<v Speaker 1>ish or something like just this sort of unexplainable uh

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<v Speaker 1>kinda I don't know, like found art type or something.

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<v Speaker 1>Um So, she she called and was asking about it.

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<v Speaker 1>So they investigated and um the thing that they kind

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<v Speaker 1>of figured it was, and they like went all the

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<v Speaker 1>way to like talking to an FBI agent who had

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<v Speaker 1>been assigned to this case, UM is that it's a

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<v Speaker 1>form of phone fraud. But that only applies, I think

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<v Speaker 1>with the UM the toll free number, because like these

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<v Speaker 1>people will put all these calls into these UM like

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<v Speaker 1>just kind of create a bot essentially that that sends

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<v Speaker 1>all these calls to these toll free lines and then

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<v Speaker 1>gets UM like has at one point along the chain

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<v Speaker 1>of towers and carriers. They get a kick back for

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<v Speaker 1>that call being sent through. So the longer you can

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<v Speaker 1>keep the person on the line, which was the reason

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<v Speaker 1>for like the weird recording, and have a longer call,

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<v Speaker 1>even if it means just like making it a minute

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<v Speaker 1>as opposed to thirty seconds. That all adds up to being,

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<v Speaker 1>you know, quite a bit of money potentially. I want

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<v Speaker 1>to know how much money that really is exactly? Well, yeah,

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<v Speaker 1>I mean they were they enough for the FBI to

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<v Speaker 1>get involved, because I think the phone fraud is fairly common,

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<v Speaker 1>but it's not something that's reported a lot because it's

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<v Speaker 1>kind of opaque and boring. But I think a lot

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<v Speaker 1>of UM like there's stuff where UM podcasts the phone

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<v Speaker 1>fraud scam. They keep you on the line as long

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<v Speaker 1>as like three hour podcasts. Yes, Um, I I think, well,

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<v Speaker 1>there are some cases of um of people doing uh

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<v Speaker 1>doing a phone fraud to fund terrorism because you can

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<v Speaker 1>just like do all these junk calls, but if you

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<v Speaker 1>get a kick back from the carrier, then it can

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<v Speaker 1>like totally add up. So um yeah. So this was

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<v Speaker 1>this was their theory about it, and they they more

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<v Speaker 1>or less solved it on on the show, even though

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<v Speaker 1>the lady still was getting calls, and one of the

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<v Speaker 1>guys who was involved in figuring out what was going

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<v Speaker 1>on said that there are so few people who would

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<v Speaker 1>know how to do this or have the like time

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<v Speaker 1>like He's like, this person has to be retired if

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<v Speaker 1>they're doing this, and probably worked in the telecom industry

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<v Speaker 1>because they know what you know, and yeah yeah, so

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<v Speaker 1>so they're like he was like, there's like five people

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<v Speaker 1>in the world and I've probably talked to them, like

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<v Speaker 1>who do this? Um, it was a very interesting that's interesting.

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<v Speaker 1>I wonder if that is what this is part of

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<v Speaker 1>or if it's its own thing, because my my immediate

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<v Speaker 1>response to that was that if you're going to call

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<v Speaker 1>somebody and you're trying to get them to stay on

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<v Speaker 1>the line and you do something creepy, and then you

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<v Speaker 1>keep calling back and it's like the same creepy thing

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<v Speaker 1>over and over again, such as an ice cream truck. Uh,

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<v Speaker 1>my response would be like hang up immediately the next

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<v Speaker 1>time they called, I wouldn't be like, I'm going to

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<v Speaker 1>stay on the line longer to see if like more

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<v Speaker 1>context reveals itself. The thing about the field recordings makes

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<v Speaker 1>more sense because it's like you would stay on the

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<v Speaker 1>line to try to gather protext, you know, is that

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<v Speaker 1>also why tell? I mean, this is maybe stupid, but

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<v Speaker 1>is that why there you'll often receive like telemarketing phone

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<v Speaker 1>calls with like such long lag. Yeah, definitely, that's why

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<v Speaker 1>people in telemarketing take a really long time to like

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<v Speaker 1>introduce themselves and say what they're doing. And sometimes I'll

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<v Speaker 1>stay on the line with them because I'm like, I

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<v Speaker 1>know you're getting paid longer than Yeah. Is that why

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<v Speaker 1>they have the lag? I thought that was just because

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<v Speaker 1>the calling machine had to have was taking time to

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<v Speaker 1>connect them. I thought it was just to make the

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<v Speaker 1>whole experience longer because because that lag is bad, because

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<v Speaker 1>because most people hang up, just hang up. Yeah, I

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<v Speaker 1>always talked to the telemarketers. I'm always trying to get

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<v Speaker 1>them to break the break the facade and like tell

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<v Speaker 1>me some personal detail about themselves. I do that occasionally,

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<v Speaker 1>but I you have to really catch me in the

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<v Speaker 1>right mood for me to stick around. I mean it's

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<v Speaker 1>that I never begrudged the person who's calling. I always

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<v Speaker 1>feel bad for them. It's just like I don't have

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<v Speaker 1>time to have this conversation right now. Hey, guys, Mother's

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<v Speaker 1>Day is coming up. What are you guys doing for

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<v Speaker 1>your mom's Well, my mom lives across the country for me,

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<v Speaker 1>which is terrible. And uh, I am definit only going

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<v Speaker 1>to be sending her flowers because she has been lamenting

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<v Speaker 1>the longest winter ever. So I'm going to hit her

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<v Speaker 1>with some flowers this year. Again, nothing feels more grown

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<v Speaker 1>than sending flowers to your mom for Mother's Day. I

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<v Speaker 1>can attest it's true. Um yeah, thanks thanks mom. So uh.

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<v Speaker 1>Pro Flowers is a really good place for all your

0:10:23.360 --> 0:10:26.880
<v Speaker 1>Mother's Day needs. You can go and pick out the

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<v Speaker 1>perfect bouquet. You can customize it any way you want,

0:10:30.080 --> 0:10:34.240
<v Speaker 1>go big or small, or as as as big as

0:10:34.240 --> 0:10:38.520
<v Speaker 1>your mother's Your your love for your mother is impossible.

0:10:38.720 --> 0:10:42.360
<v Speaker 1>But you could get close and why just stop at

0:10:42.360 --> 0:10:46.920
<v Speaker 1>Mother's Day. Moms deserve more than one day, so the

0:10:47.000 --> 0:10:51.600
<v Speaker 1>flowers will last seven whole days at least. That will

0:10:51.640 --> 0:10:54.920
<v Speaker 1>remind her that you're a good daughter and you love her.

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<v Speaker 1>So right now, our listeners can send one d colorful

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<v Speaker 1>Day shopping done for all the moms. You know. I

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<v Speaker 1>love you. Test is a mom too. Maybe we can

0:11:17.880 --> 0:11:20.600
<v Speaker 1>send Test some flowers. You absolutely should. I will accept

0:11:20.640 --> 0:11:24.480
<v Speaker 1>them gladly. I like Gardinia's. That's what I want. You

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<v Speaker 1>can also choose the delivery day you want and it's

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<v Speaker 1>going to be guaranteed to be delivered on that day

0:11:29.120 --> 0:11:32.920
<v Speaker 1>and you can get it delivered on Sunday, a k

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<v Speaker 1>A Mother's Day. So the only way to get one

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<v Speaker 1>colorful blooms with a free glass vase visit pro flowers

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<v Speaker 1>Flowers dot com and use the code nightcall. Did you

0:11:51.720 --> 0:11:54.920
<v Speaker 1>guys call into any weird eight hundred numbers or anything?

0:11:56.320 --> 0:12:01.560
<v Speaker 1>When like a kid like call a hotline? Oh, I

0:12:01.600 --> 0:12:05.720
<v Speaker 1>called hotlines. I feel like I called love line. Probably really,

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<v Speaker 1>I mean not, that's not yeah, I mean I think

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<v Speaker 1>I did. Like you calls on the phone, Did you

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<v Speaker 1>have a problem or you just wanted to call to

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<v Speaker 1>see what happened? I just wanted to say what's up?

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<v Speaker 1>I mean, I just have this memory of, like, you know,

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<v Speaker 1>if there was a number to call, calling it kind

0:12:19.360 --> 0:12:21.640
<v Speaker 1>of And I also tend to stay on with telemarketers.

0:12:21.679 --> 0:12:26.000
<v Speaker 1>Although the Windows PC there's a virus on your Windows computer,

0:12:26.480 --> 0:12:29.280
<v Speaker 1>it's gone. Every time I've had a real engagement, I

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<v Speaker 1>get so sad about that scam. What are you talking about?

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<v Speaker 1>I have a landline, so I get like a lot

0:12:35.080 --> 0:12:38.800
<v Speaker 1>of telemarketing calls. And there's this one scam where people's

0:12:38.960 --> 0:12:42.080
<v Speaker 1>you know, you're called by a supposed technician who says

0:12:42.120 --> 0:12:43.840
<v Speaker 1>that there's a problem that you have, like a virus

0:12:43.840 --> 0:12:46.880
<v Speaker 1>on your Windows computer, which of course the likelihood of

0:12:46.880 --> 0:12:49.600
<v Speaker 1>you having is not. You know, a lot of these

0:12:49.640 --> 0:12:52.360
<v Speaker 1>are targeted, well, these are targeted at older people. And

0:12:52.400 --> 0:12:54.400
<v Speaker 1>then they can kind of block you out of your

0:12:54.480 --> 0:12:58.480
<v Speaker 1>computer remotely if you have you know. So yeah, that's interesting.

0:12:59.360 --> 0:13:01.640
<v Speaker 1>But also I feel like the people who get into

0:13:01.679 --> 0:13:04.760
<v Speaker 1>those scams sometimes it's because they're lonely and they're like,

0:13:04.840 --> 0:13:07.160
<v Speaker 1>somebody called me. Oh, I mean, I don't know it

0:13:07.240 --> 0:13:10.839
<v Speaker 1>kind of praise on this boomer fear of like, you know,

0:13:11.160 --> 0:13:14.160
<v Speaker 1>the like computer vibe. I growing up, my dad was

0:13:14.200 --> 0:13:18.520
<v Speaker 1>so preoccupied with computer virus. Our listeners about your nightmare.

0:13:19.160 --> 0:13:23.360
<v Speaker 1>Oh well, this is off topic because it's not related

0:13:23.440 --> 0:13:27.600
<v Speaker 1>to fear and terror and nighttime. It's so over the weekend.

0:13:27.640 --> 0:13:29.560
<v Speaker 1>I took a nap. I feel pretty guilty about it.

0:13:29.640 --> 0:13:32.320
<v Speaker 1>I don't often you always feel really bad about it.

0:13:32.360 --> 0:13:35.160
<v Speaker 1>I took a nap, and of course I don't know

0:13:35.200 --> 0:13:37.079
<v Speaker 1>why I should have been doing other stuff. I took

0:13:37.120 --> 0:13:40.840
<v Speaker 1>a nap um and of course because it was a nap,

0:13:40.880 --> 0:13:43.560
<v Speaker 1>I had a nightmare, like a terrible nightmare, and I

0:13:43.600 --> 0:13:46.560
<v Speaker 1>only it was so brief that I only really remember

0:13:46.960 --> 0:13:49.160
<v Speaker 1>the point just before I woke up, where I had

0:13:49.200 --> 0:13:52.320
<v Speaker 1>my computer in my lab and blood just started gushing

0:13:52.320 --> 0:13:55.480
<v Speaker 1>out of all of the courts. It was the most

0:13:55.600 --> 0:13:59.320
<v Speaker 1>terrifying nightmare I've ever had. Like it was a very

0:13:59.360 --> 0:14:01.560
<v Speaker 1>it was awful. I was like, you saved that for

0:14:01.600 --> 0:14:05.000
<v Speaker 1>your Stephen King novels. Yeah, BE'TI ful? Scary image it was,

0:14:05.080 --> 0:14:07.000
<v Speaker 1>and I like I woke up and I was like,

0:14:07.040 --> 0:14:08.960
<v Speaker 1>what would I do if that happened? Like would I

0:14:09.000 --> 0:14:10.880
<v Speaker 1>take it to the Genius Bar? Like I know it

0:14:10.920 --> 0:14:13.439
<v Speaker 1>would be somehow my fault, Like the blood was like

0:14:13.640 --> 0:14:16.480
<v Speaker 1>my fault. I just was watching the original it the

0:14:16.520 --> 0:14:20.640
<v Speaker 1>TV movie one was so good. It is not good.

0:14:21.120 --> 0:14:23.840
<v Speaker 1>I'm sorry. We were talking about the Harry Anderson. Yeah,

0:14:24.040 --> 0:14:28.240
<v Speaker 1>oh my god. I watched it semi recently. I found

0:14:28.240 --> 0:14:31.600
<v Speaker 1>it to be like all borderline unwatchable, but you know,

0:14:31.680 --> 0:14:35.280
<v Speaker 1>it's so good, you're crazy. I also liked the stand

0:14:35.280 --> 0:14:37.400
<v Speaker 1>TV movie. Um, yeah, me too. I love all the

0:14:37.400 --> 0:14:41.480
<v Speaker 1>Stephen King TV movies. Team Stephen King TV movies on

0:14:41.480 --> 0:14:44.080
<v Speaker 1>the West Coast over here, all right, But I was

0:14:44.120 --> 0:14:47.280
<v Speaker 1>just gonna say the part in it when Beverly is

0:14:47.320 --> 0:14:50.400
<v Speaker 1>in the bathroom and the like balloon starts just like

0:14:50.440 --> 0:14:53.120
<v Speaker 1>a balloon starts inflating out of the sink and then

0:14:53.120 --> 0:14:55.200
<v Speaker 1>it just like pops and it's full of blood. Yeah,

0:14:55.800 --> 0:14:59.320
<v Speaker 1>super scary. Also, we were watching it and my boyfriend

0:14:59.360 --> 0:15:03.640
<v Speaker 1>was like, wait, is this about puberty could be? Did

0:15:03.680 --> 0:15:06.480
<v Speaker 1>you see the new It? Uh? No, I did not.

0:15:06.560 --> 0:15:10.680
<v Speaker 1>Actually they do that scene. The version of that scene

0:15:10.680 --> 0:15:12.480
<v Speaker 1>that's in the new one, I think is pretty great.

0:15:12.840 --> 0:15:15.360
<v Speaker 1>Uh it's you like the new It more than the

0:15:15.360 --> 0:15:18.360
<v Speaker 1>original It. It's a more competent movie. I would say, Yeah,

0:15:18.400 --> 0:15:21.560
<v Speaker 1>I mean I don't love it, but it's like there's

0:15:21.600 --> 0:15:26.920
<v Speaker 1>some scary stuff in it. Yeah, what I said, Oh man,

0:15:27.400 --> 0:15:31.400
<v Speaker 1>I'm just I'm riding for the original. Emily. How old

0:15:31.480 --> 0:15:33.280
<v Speaker 1>were you when you saw the original It? Oh? I

0:15:33.280 --> 0:15:35.200
<v Speaker 1>didn't see it until I was at an adult. I

0:15:35.240 --> 0:15:40.280
<v Speaker 1>mean there's the thing. Yeah, um, that would be it.

0:15:40.440 --> 0:15:44.280
<v Speaker 1>I saw it as an adult and a person who

0:15:44.360 --> 0:15:48.400
<v Speaker 1>writes about movies. So yeah, Like, all I'm saying is

0:15:48.440 --> 0:15:51.920
<v Speaker 1>if you saw Tim Curry as that clown, if you like,

0:15:52.040 --> 0:15:56.000
<v Speaker 1>turn the corner out of the Audio Boom office in

0:15:56.040 --> 0:15:58.240
<v Speaker 1>a moment and you see Tim Curry at that clown

0:15:58.280 --> 0:16:01.440
<v Speaker 1>in Times Square. Oh yeah, no, he's he's great, and

0:16:01.480 --> 0:16:04.400
<v Speaker 1>he's he's better than um, what's his face? The Scars

0:16:04.440 --> 0:16:10.640
<v Speaker 1>guard brother? Who's who's um Pennywise Elizabethan Rough? Yeah, um,

0:16:13.880 --> 0:16:15.760
<v Speaker 1>fancy clown. That's how you do. That's what I thought

0:16:15.840 --> 0:16:17.800
<v Speaker 1>was so funny. I was like, for the gritty reboot,

0:16:17.840 --> 0:16:20.760
<v Speaker 1>they gave him like an old timey, doesn't he have?

0:16:21.000 --> 0:16:24.000
<v Speaker 1>He had like a frilly thing going on in the

0:16:24.440 --> 0:16:28.160
<v Speaker 1>made it more Victorians. It's like one of those stiff collars.

0:16:28.200 --> 0:16:31.760
<v Speaker 1>It's like, yeah, so it's more baroque, say a little

0:16:32.240 --> 0:16:35.640
<v Speaker 1>a tad steampunk, speaking of things that belonged to a

0:16:35.680 --> 0:16:39.600
<v Speaker 1>certain time. Emily wrote a really, really, really great piece

0:16:39.640 --> 0:16:43.600
<v Speaker 1>on Vulture about E d M music and the recession.

0:16:44.120 --> 0:16:46.720
<v Speaker 1>I highly recommend you check it out. So, Emily, did

0:16:46.800 --> 0:16:50.760
<v Speaker 1>you want to talk about more about that? Yeah, so, yeah,

0:16:50.960 --> 0:16:55.800
<v Speaker 1>VICI passed away. I think it was a Thursday. It

0:16:55.880 --> 0:16:59.120
<v Speaker 1>was Thursday night and he was twenty eight years old.

0:16:59.200 --> 0:17:02.840
<v Speaker 1>But um, I think I that was when I saw

0:17:02.880 --> 0:17:06.280
<v Speaker 1>that that had happened. That was there are very few

0:17:06.320 --> 0:17:08.720
<v Speaker 1>deaths now, and it feels like there's another death every

0:17:08.840 --> 0:17:11.639
<v Speaker 1>every week. But that was one where I like, I

0:17:11.800 --> 0:17:15.120
<v Speaker 1>like like held out my computer like it was on fire.

0:17:15.160 --> 0:17:18.680
<v Speaker 1>It was like what, because I mean, yes, he's very young,

0:17:18.760 --> 0:17:22.479
<v Speaker 1>but it also just felt like, um, I don't know.

0:17:22.600 --> 0:17:26.439
<v Speaker 1>There it kind of felt like, uh, an end of

0:17:26.440 --> 0:17:29.399
<v Speaker 1>an era in a way. And I texted you guys

0:17:29.440 --> 0:17:33.399
<v Speaker 1>and Molly sent back the picture of from from Boogie

0:17:33.520 --> 0:17:36.639
<v Speaker 1>Nights where they have the Goodbye to the seventies Welcome

0:17:36.680 --> 0:17:41.920
<v Speaker 1>eighties banner. Um, and that is definitely what this feels like. Um.

0:17:42.119 --> 0:17:45.200
<v Speaker 1>And I and morbidly I was telling Sam, my coworker

0:17:45.280 --> 0:17:48.199
<v Speaker 1>on Slacker, was just like I was like, just for

0:17:48.280 --> 0:17:52.119
<v Speaker 1>writerally purposes, because I've always just been interested in writing

0:17:52.119 --> 0:17:55.520
<v Speaker 1>and thinking about a d M. Uh, and it feels

0:17:55.600 --> 0:17:57.760
<v Speaker 1>very much like it felt like it's on the downswing

0:17:57.920 --> 0:18:01.600
<v Speaker 1>for many years now, and I was always kind of

0:18:01.640 --> 0:18:04.080
<v Speaker 1>having my antenna out for the thing that would make

0:18:04.119 --> 0:18:06.840
<v Speaker 1>it feel like it was over, like you know, some

0:18:06.880 --> 0:18:10.080
<v Speaker 1>big club closing in Vegas, or or you know, some

0:18:10.200 --> 0:18:13.720
<v Speaker 1>drastic change to the lineup at Coachella or something like that.

0:18:14.200 --> 0:18:18.880
<v Speaker 1>And uh, and this, you know, kind of undoubtedly felt

0:18:18.880 --> 0:18:20.720
<v Speaker 1>like it was it. But it was certainly not what

0:18:20.800 --> 0:18:25.159
<v Speaker 1>I ever would have wanted to have happened or or

0:18:25.200 --> 0:18:29.600
<v Speaker 1>predicted or anything. So it was really shocking. Um. I

0:18:29.640 --> 0:18:32.280
<v Speaker 1>thought maybe the early I thought the first end of

0:18:32.440 --> 0:18:35.840
<v Speaker 1>d M was when people died on the hard Fest boat,

0:18:35.920 --> 0:18:39.159
<v Speaker 1>when that girl disappeared, you know, And then you realize

0:18:39.200 --> 0:18:43.280
<v Speaker 1>it happens that every festival, all one of the big

0:18:43.359 --> 0:18:47.480
<v Speaker 1>things was when they moved Electric Daisy Carnival from a

0:18:47.600 --> 0:18:50.919
<v Speaker 1>late of Vegas. Um. And part of the reason they

0:18:50.960 --> 0:18:53.600
<v Speaker 1>moved it was because they were like, too many underaged

0:18:53.680 --> 0:18:58.439
<v Speaker 1>kids are going right at the colasum huh. And some

0:18:58.560 --> 0:19:00.960
<v Speaker 1>of these raves that they do in like these giant

0:19:01.280 --> 0:19:04.119
<v Speaker 1>indoor arenas. I find that like that seems like the

0:19:04.160 --> 0:19:09.400
<v Speaker 1>worst possible to go to a raven. Uh. But yeah,

0:19:09.520 --> 0:19:13.040
<v Speaker 1>this obviously retired from performing a couple of years ago.

0:19:13.680 --> 0:19:17.760
<v Speaker 1>He had he had such bad issues with I think

0:19:17.840 --> 0:19:20.280
<v Speaker 1>drinking mostly. He said he had UM, he had his

0:19:20.320 --> 0:19:23.240
<v Speaker 1>like pancreas removed or something, and pink he had pancreatitis.

0:19:23.359 --> 0:19:26.159
<v Speaker 1>He was just having really really bad health problems and

0:19:26.200 --> 0:19:28.600
<v Speaker 1>he yeah, he was like maybe we'll come back when

0:19:28.640 --> 0:19:32.720
<v Speaker 1>I'm sixty. Yeah. People, somebody was saying, like, now this

0:19:32.800 --> 0:19:36.399
<v Speaker 1>turns uh. I took a pill and abisa into like

0:19:36.760 --> 0:19:40.080
<v Speaker 1>Hotel California that J Brooks. Yeah, No, it was it

0:19:40.160 --> 0:19:43.040
<v Speaker 1>was it was candle in the wind. It was candle

0:19:43.040 --> 0:19:49.359
<v Speaker 1>in the wind. Yeah. I know, but we respect you know,

0:19:49.560 --> 0:19:52.639
<v Speaker 1>we can just transpose it onto music that you like.

0:19:52.840 --> 0:19:57.240
<v Speaker 1>You can transpose it. Um. I was always trying to

0:19:57.240 --> 0:20:03.720
<v Speaker 1>get you to do a column called Eat Emily. Yeah,

0:20:04.119 --> 0:20:06.200
<v Speaker 1>well I always wanted it was one of these things

0:20:06.240 --> 0:20:08.240
<v Speaker 1>I always wanted to write about, and it was kind

0:20:08.240 --> 0:20:12.920
<v Speaker 1>of hard to like pitch in a convincing way like

0:20:12.960 --> 0:20:15.800
<v Speaker 1>why I thought it was interesting and like a handful

0:20:15.880 --> 0:20:17.800
<v Speaker 1>of us that like like the d M and we

0:20:18.000 --> 0:20:20.720
<v Speaker 1>talk about it, um. But you know, it's very much

0:20:20.760 --> 0:20:23.440
<v Speaker 1>like the way that it was talked about. I feel

0:20:23.440 --> 0:20:27.920
<v Speaker 1>like it was always like hair metal where ye um.

0:20:27.960 --> 0:20:30.639
<v Speaker 1>You know, there's obviously a lot of problems with the

0:20:30.760 --> 0:20:32.920
<v Speaker 1>d UM in terms of like what kinds of DJ

0:20:33.080 --> 0:20:35.280
<v Speaker 1>has become the biggest DJs in the world, and the

0:20:35.320 --> 0:20:40.359
<v Speaker 1>fact that they were all straight white guys, um, you know,

0:20:40.440 --> 0:20:44.160
<v Speaker 1>especially because dance music culture comes so much out of

0:20:44.680 --> 0:20:49.400
<v Speaker 1>queerness and uh non whiteness, and the fact that all

0:20:49.400 --> 0:20:52.399
<v Speaker 1>these big DJs were like Calvin Harris, you know, a

0:20:52.520 --> 0:20:56.520
<v Speaker 1>VICI diplo, Like all these guys are the same kind

0:20:56.520 --> 0:21:01.080
<v Speaker 1>of guy. Um. And you know, just sort of the

0:21:01.160 --> 0:21:06.160
<v Speaker 1>advent of like brow step and dance music becoming just

0:21:06.400 --> 0:21:10.200
<v Speaker 1>browy in a certain way. Um. Yeah, it became this

0:21:10.240 --> 0:21:12.600
<v Speaker 1>thing where it was like fat guys wanted to go

0:21:13.440 --> 0:21:15.760
<v Speaker 1>essentially to the disco, which felt like an interest in

0:21:15.880 --> 0:21:19.119
<v Speaker 1>her ecstasy. Yeah yeah, I mean that's what I like

0:21:19.200 --> 0:21:21.600
<v Speaker 1>about the movie Saturday Night Fever is it's about like

0:21:21.640 --> 0:21:24.560
<v Speaker 1>the end of disco when it is like meatheads in

0:21:24.560 --> 0:21:27.160
<v Speaker 1>the suburbs, you know, just using it to pick up women.

0:21:27.440 --> 0:21:30.760
<v Speaker 1>Going off of that, like, I was looking at some

0:21:30.800 --> 0:21:33.520
<v Speaker 1>old blog posts I had written, and like it's and

0:21:33.560 --> 0:21:35.119
<v Speaker 1>I was pointing this out at the time, and in

0:21:35.680 --> 0:21:38.600
<v Speaker 1>retrospect it feels even more soon that like Jersey Shore

0:21:38.720 --> 0:21:43.840
<v Speaker 1>was a great harbinger of e M because of yeah,

0:21:43.840 --> 0:21:48.000
<v Speaker 1>it was about house music in in the Bridge and

0:21:48.040 --> 0:21:50.560
<v Speaker 1>tunnel house music. Yeah yeah. I mean I argue with

0:21:50.560 --> 0:21:52.959
<v Speaker 1>my boyfriend a lot about Saturday Night Fever because I'm

0:21:53.000 --> 0:21:54.720
<v Speaker 1>always like, it's such a great movie and he's like,

0:21:54.720 --> 0:21:57.199
<v Speaker 1>it's a bad disco movie, which is true, you know,

0:21:57.760 --> 0:22:00.160
<v Speaker 1>and the person who wrote it was actually writing about

0:22:00.040 --> 0:22:03.080
<v Speaker 1>up the mod scene and just like transposible to details

0:22:03.119 --> 0:22:05.400
<v Speaker 1>to be about disco. And I'm like, that's what's good

0:22:05.400 --> 0:22:08.040
<v Speaker 1>about it. It It doesn't matter what the scene. But he's

0:22:08.080 --> 0:22:09.879
<v Speaker 1>he's very firm of like, yeah, but there are no

0:22:09.960 --> 0:22:12.880
<v Speaker 1>good disco movies. There's no movie about like Paradise Garage.

0:22:12.960 --> 0:22:16.760
<v Speaker 1>There's like fifty four and and just like why it's

0:22:16.800 --> 0:22:19.479
<v Speaker 1>so hard for people to make a good artifact about

0:22:20.320 --> 0:22:23.200
<v Speaker 1>uh dance music culture. And a lot of the best

0:22:23.200 --> 0:22:27.320
<v Speaker 1>things are documentaries, right, I mean down for any old

0:22:27.400 --> 0:22:31.080
<v Speaker 1>a d M documentary, not the one there was one

0:22:31.160 --> 0:22:34.520
<v Speaker 1>that was about like everyone going to a festival uh

0:22:34.760 --> 0:22:36.800
<v Speaker 1>and I can't remember even what the festival was, but

0:22:36.840 --> 0:22:39.840
<v Speaker 1>it was like just like a infomercial for the festival.

0:22:39.840 --> 0:22:43.240
<v Speaker 1>But it was actually really interesting. There is one wa um,

0:22:43.280 --> 0:22:46.159
<v Speaker 1>there's one people from all over the world going to

0:22:46.240 --> 0:22:49.480
<v Speaker 1>a festival and like following their stories. Well they did

0:22:49.560 --> 0:22:52.640
<v Speaker 1>do it. Um. They did an e d C documentary

0:22:52.840 --> 0:22:56.160
<v Speaker 1>a few years ago that was like because they do

0:22:56.320 --> 0:23:00.359
<v Speaker 1>like a kind of big like Victory lap clip every

0:23:00.400 --> 0:23:03.119
<v Speaker 1>year for a d C in Vegas where they show everything.

0:23:03.119 --> 0:23:05.640
<v Speaker 1>But then they did an actual feature length I think

0:23:05.680 --> 0:23:07.760
<v Speaker 1>I think it was because I think it was the

0:23:07.880 --> 0:23:12.199
<v Speaker 1>year that I was out there. Um and yeah, and

0:23:12.240 --> 0:23:14.000
<v Speaker 1>it is just an ad for I mean like the

0:23:14.040 --> 0:23:16.920
<v Speaker 1>Swedish House Mafia documentary, which I always recommend to anybody

0:23:16.920 --> 0:23:21.080
<v Speaker 1>because it's like so it really especially in light of

0:23:21.080 --> 0:23:26.040
<v Speaker 1>of Vici's death, like I think really sheds of pretty

0:23:26.160 --> 0:23:32.600
<v Speaker 1>uh like unflattering light not on them, accidental spinal tap yeah,

0:23:32.680 --> 0:23:35.520
<v Speaker 1>because it's like the people around them, you know, like

0:23:35.560 --> 0:23:38.080
<v Speaker 1>when you see what it's like, it's a lot actually,

0:23:38.119 --> 0:23:41.600
<v Speaker 1>like have you guys ever seen Cocksucker Blues the Rolling

0:23:41.600 --> 0:23:44.920
<v Speaker 1>Stones documentary. You're like, I'm not supposed to see it's

0:23:45.000 --> 0:23:48.919
<v Speaker 1>so good because it's just like really depressing. It's like

0:23:49.000 --> 0:23:53.399
<v Speaker 1>the height of the Rolling Stones, like Glamour and Coke Years,

0:23:53.560 --> 0:23:57.800
<v Speaker 1>and it's just like these super sad hangers on and

0:23:57.840 --> 0:24:00.879
<v Speaker 1>all these junkies following Keith Richards round, and it just

0:24:00.960 --> 0:24:04.040
<v Speaker 1>like makes being backstage and like just anyone who's not

0:24:04.080 --> 0:24:06.040
<v Speaker 1>the Rolling Stones and even the Rolling Stones because you're

0:24:06.080 --> 0:24:08.280
<v Speaker 1>like everyone's trying to get something from them. It just

0:24:08.359 --> 0:24:12.520
<v Speaker 1>feels so gross and like really demathologizes it because you're like, oh,

0:24:12.520 --> 0:24:15.920
<v Speaker 1>this would be like a horrible environment to be in

0:24:16.400 --> 0:24:20.040
<v Speaker 1>every day of your life. And with these DJs, especially

0:24:20.080 --> 0:24:22.240
<v Speaker 1>like a lot of them, you know, end up getting

0:24:22.280 --> 0:24:24.840
<v Speaker 1>sober because like to just be in the club every night,

0:24:24.880 --> 0:24:27.200
<v Speaker 1>you cannot be getting sucked up every night. And even

0:24:27.240 --> 0:24:29.399
<v Speaker 1>though that's like what the crowd might be there for,

0:24:29.800 --> 0:24:33.240
<v Speaker 1>you know, is to like have their party their brains out,

0:24:33.280 --> 0:24:37.040
<v Speaker 1>it's like it's you're at work, Yeah, you're in your office.

0:24:37.440 --> 0:24:39.159
<v Speaker 1>I mean that's the thing. Like they all are like

0:24:39.200 --> 0:24:41.160
<v Speaker 1>we don't drink or like we don't do drugs or anything.

0:24:41.160 --> 0:24:43.600
<v Speaker 1>And like first you're like, yeah, right, you're saying that

0:24:43.600 --> 0:24:45.840
<v Speaker 1>because you're in this documentary and you want to look

0:24:45.840 --> 0:24:48.000
<v Speaker 1>at But then you watch it and you're like, actually, no,

0:24:48.160 --> 0:24:50.960
<v Speaker 1>I believe you, and I understand why you wouldn't. Like

0:24:51.080 --> 0:24:53.720
<v Speaker 1>it just makes a lot of sense. Yeah. I profiled

0:24:53.760 --> 0:24:56.840
<v Speaker 1>Martin Garrick's when I was at MTV, who's like a

0:24:56.920 --> 0:25:03.119
<v Speaker 1>young Dutch super world star world Star or superstar dj

0:25:03.880 --> 0:25:07.320
<v Speaker 1>UM and yeah, I mean his just his schedule was

0:25:07.359 --> 0:25:09.879
<v Speaker 1>like so incredibly regimented, and he had just like a

0:25:09.880 --> 0:25:12.200
<v Speaker 1>lot of handlers who were like, you know whose job

0:25:12.200 --> 0:25:14.000
<v Speaker 1>it is to like wake him up and making sure

0:25:14.040 --> 0:25:16.240
<v Speaker 1>he goes to the next place. But it's also like

0:25:16.240 --> 0:25:19.240
<v Speaker 1>like I ended up feeling a weird kind of empathy

0:25:19.320 --> 0:25:21.560
<v Speaker 1>for him because I was like, even though this is

0:25:21.560 --> 0:25:23.320
<v Speaker 1>like the greatest life and he's living his dream, he

0:25:23.320 --> 0:25:25.159
<v Speaker 1>has like all these people on his payroll where like

0:25:25.200 --> 0:25:27.240
<v Speaker 1>he can't get sick or funk up or like their

0:25:27.560 --> 0:25:31.280
<v Speaker 1>you know, their days fucked, and he like has to

0:25:31.359 --> 0:25:33.240
<v Speaker 1>just be in like a different he has to be

0:25:33.359 --> 0:25:35.880
<v Speaker 1>like Vegas and then like you know, Antwerp the next

0:25:36.000 --> 0:25:39.880
<v Speaker 1>day and like Tokyo. I think that Martin Garrix's career

0:25:39.920 --> 0:25:43.199
<v Speaker 1>also it's like totally um follows the model of the

0:25:43.359 --> 0:25:45.720
<v Speaker 1>Vichy career where it's like he had the one song.

0:25:45.960 --> 0:25:49.080
<v Speaker 1>He had the one really just like kind of culture

0:25:49.960 --> 0:25:52.240
<v Speaker 1>not to the degree of levels, but like the song

0:25:52.320 --> 0:25:55.919
<v Speaker 1>that was a lot of places. Yeah, animals, and like

0:25:55.960 --> 0:25:58.359
<v Speaker 1>my argument for like why that was great also was

0:25:58.400 --> 0:25:59.960
<v Speaker 1>I was just like, how often do you hear install

0:26:00.040 --> 0:26:02.480
<v Speaker 1>metals become like a big song, you know, even though

0:26:02.480 --> 0:26:04.679
<v Speaker 1>instrumentals are so much a part of like d M,

0:26:04.680 --> 0:26:07.160
<v Speaker 1>it's like very rare for an instrumental song to become

0:26:07.160 --> 0:26:12.040
<v Speaker 1>a radio hit for whatever dumb reason. Um. Yeah, And

0:26:12.560 --> 0:26:14.919
<v Speaker 1>you know, I definitely have a weakness for like d

0:26:15.119 --> 0:26:17.879
<v Speaker 1>M and big room techno and super clubs and all

0:26:17.920 --> 0:26:19.639
<v Speaker 1>that stuff. Yeah, I've talked about like when I went

0:26:19.720 --> 0:26:22.760
<v Speaker 1>to see Martin Garrix. We went to like Caesar's Palace

0:26:22.800 --> 0:26:26.080
<v Speaker 1>to the super club and went in through the back entrance,

0:26:26.320 --> 0:26:29.160
<v Speaker 1>you know, and it was awesome. And then you know,

0:26:30.480 --> 0:26:33.440
<v Speaker 1>I was like, oh, this is this is good, Like

0:26:33.640 --> 0:26:37.000
<v Speaker 1>I am not too jaded for this ever. Um, well,

0:26:37.040 --> 0:26:40.320
<v Speaker 1>I mean I think that it's it's a weird um.

0:26:40.359 --> 0:26:42.879
<v Speaker 1>I mean I I wrote about this somewhat in the article,

0:26:42.920 --> 0:26:45.720
<v Speaker 1>but like I think that I think the levels was

0:26:45.760 --> 0:26:47.560
<v Speaker 1>sort of the one that broke it. But this whole

0:26:47.640 --> 0:26:52.359
<v Speaker 1>kind of um post recession. Uh, like people like us,

0:26:52.359 --> 0:26:55.080
<v Speaker 1>who I don't think that maybe prior to that, I

0:26:55.080 --> 0:26:57.880
<v Speaker 1>don't think either of us would have necessarily been like, oh,

0:26:57.960 --> 0:27:02.040
<v Speaker 1>we're gonna like Lee, you know, be glamorized by Vegas

0:27:02.119 --> 0:27:04.720
<v Speaker 1>superclubs and like think that that's the coolest thing, and

0:27:04.760 --> 0:27:07.440
<v Speaker 1>actually like forget about it. Tell me something. We bonded

0:27:07.440 --> 0:27:10.920
<v Speaker 1>over it greatly. Yeah, we're the ones who we both

0:27:10.960 --> 0:27:15.240
<v Speaker 1>like Las Vegas and like glitter. Yeah. But I feel

0:27:15.280 --> 0:27:18.240
<v Speaker 1>like the whole Vegas boom around that and the whole

0:27:18.320 --> 0:27:21.359
<v Speaker 1>culture and how it the way it just became the

0:27:21.440 --> 0:27:25.520
<v Speaker 1>part of the fabric of just like capitalist culture, just

0:27:25.560 --> 0:27:28.440
<v Speaker 1>like that there's a dubstep drop in like a Macy's

0:27:28.480 --> 0:27:32.080
<v Speaker 1>Thanksgiving Day sale ad or something like that. You know,

0:27:32.119 --> 0:27:35.639
<v Speaker 1>it just became the texture of everything and came to

0:27:35.720 --> 0:27:40.280
<v Speaker 1>signify like party, yeah, or like yeah, just some I

0:27:40.119 --> 0:27:41.800
<v Speaker 1>I don't know. I feel like I could spend the

0:27:41.800 --> 0:27:45.480
<v Speaker 1>next five years just trying to dissect what what it's signified.

0:27:45.560 --> 0:27:49.720
<v Speaker 1>But it didn't feel so processional. Music has changed. I

0:27:49.760 --> 0:27:51.960
<v Speaker 1>was just listening to Jonesy's jukebox on the way over,

0:27:52.080 --> 0:27:54.399
<v Speaker 1>as I often am, and like sometimes when I'm listening

0:27:54.400 --> 0:27:57.320
<v Speaker 1>to Jonesy's jukebox and I'm like, you know, they're playing

0:27:57.320 --> 0:28:00.639
<v Speaker 1>all the classic rock, I'm just like rock music is

0:28:00.720 --> 0:28:03.800
<v Speaker 1>kind of over, like it's been over for play some

0:28:03.840 --> 0:28:06.720
<v Speaker 1>weird stuff. He does give a lot of weird stuff,

0:28:06.760 --> 0:28:09.000
<v Speaker 1>but I'm like, I like this music, but also like,

0:28:09.160 --> 0:28:13.919
<v Speaker 1>does it sound like ragtime? Well, it's like jazz, dusty

0:28:14.119 --> 0:28:17.199
<v Speaker 1>dusty music. Yeah, it is like jazz. It's like a

0:28:17.240 --> 0:28:21.040
<v Speaker 1>specialty form. Uh. And it does feel like in order

0:28:21.119 --> 0:28:23.560
<v Speaker 1>for a band to like the next really big band,

0:28:23.840 --> 0:28:25.720
<v Speaker 1>I don't know, maybe we're going back to like DJs

0:28:25.760 --> 0:28:28.480
<v Speaker 1>and bands going back to rap rock. Yeah, I mean

0:28:29.040 --> 0:28:34.359
<v Speaker 1>now Ben just shook his head. Um, I mean a

0:28:34.480 --> 0:28:41.440
<v Speaker 1>nightcall band. We like rap rock and E d M.

0:28:41.480 --> 0:28:44.600
<v Speaker 1>If you grew up watching shows like Family Matters or

0:28:44.680 --> 0:28:47.080
<v Speaker 1>Full House and now I do not mean Fuller House

0:28:47.240 --> 0:28:50.280
<v Speaker 1>fo H. With that, you really need to hear Raised

0:28:50.280 --> 0:28:53.320
<v Speaker 1>by TV from Your Wolf. It's a really funny podcast.

0:28:53.400 --> 0:28:57.360
<v Speaker 1>It's hosted by comedians John Gabriel and Lauren Labkis. And

0:28:57.360 --> 0:28:59.560
<v Speaker 1>when they were growing up, these two watched a lot

0:28:59.600 --> 0:29:03.800
<v Speaker 1>of TV, like a lot of TV, and they cover

0:29:04.040 --> 0:29:08.720
<v Speaker 1>everything that you remember from your eighties and or nineties childhood,

0:29:08.720 --> 0:29:12.640
<v Speaker 1>including candy and commercials and toys, all the junk that

0:29:12.720 --> 0:29:14.480
<v Speaker 1>filled up your head if you grew up around then.

0:29:14.960 --> 0:29:18.719
<v Speaker 1>They just released a new season covering the beloved Nickelodeon

0:29:18.800 --> 0:29:21.959
<v Speaker 1>late night block Snick and Plus they're joined by guests

0:29:21.960 --> 0:29:25.720
<v Speaker 1>like Scott Ackerman from comedy Bang Bang, and other luminaries

0:29:25.760 --> 0:29:29.080
<v Speaker 1>and funny people from the comedy and podcast world. And

0:29:29.160 --> 0:29:31.600
<v Speaker 1>it's one of those podcasts that will make you laugh

0:29:31.640 --> 0:29:34.520
<v Speaker 1>embarrassingly on the subway when you think that nobody is

0:29:34.560 --> 0:29:38.080
<v Speaker 1>looking at you. So subscribe to Raise by TV now

0:29:38.120 --> 0:29:41.480
<v Speaker 1>in your favorite podcast app like Apple Podcast, Stitcher, or

0:29:41.520 --> 0:29:46.440
<v Speaker 1>wherever you listen to your podcasts now. They're are like parents,

0:29:46.520 --> 0:29:49.240
<v Speaker 1>especially like Brooklyn parents will send their kids to go

0:29:49.320 --> 0:29:51.320
<v Speaker 1>to rock school in the way that I feel like

0:29:51.400 --> 0:29:53.640
<v Speaker 1>we like our parents would encourage us to do jazz,

0:29:53.680 --> 0:29:55.320
<v Speaker 1>Like I didn't do jazz, but like I know a

0:29:55.320 --> 0:29:57.480
<v Speaker 1>lot of kids that I went high school with. It's like, oh,

0:29:57.600 --> 0:29:59.720
<v Speaker 1>you like play the trombone and then you joining the

0:29:59.800 --> 0:30:02.400
<v Speaker 1>jaz as like group at school or something. It's like

0:30:02.440 --> 0:30:05.360
<v Speaker 1>became a part of your formalized education instead of something

0:30:05.400 --> 0:30:07.760
<v Speaker 1>cool that you did when you weren't at school. And

0:30:07.840 --> 0:30:10.840
<v Speaker 1>I feel like that's sort of where because rock still

0:30:10.880 --> 0:30:14.080
<v Speaker 1>has that, like that theme of rock is that it's like,

0:30:14.160 --> 0:30:21.040
<v Speaker 1>you know, for the kids, like breaking away, you know, yeah,

0:30:21.080 --> 0:30:24.600
<v Speaker 1>it's I don't know, although I've been arguing with people

0:30:24.640 --> 0:30:26.840
<v Speaker 1>online about the band Greta van Fleet. Have you guys

0:30:26.880 --> 0:30:29.280
<v Speaker 1>heard them? They're like a bunch of twenty year olds

0:30:29.280 --> 0:30:31.520
<v Speaker 1>and they just sound exactly like led Zeppelin. And then

0:30:31.520 --> 0:30:33.200
<v Speaker 1>there was a something with Robert Plant where he's like,

0:30:33.200 --> 0:30:34.960
<v Speaker 1>I know where we got that voice. He took it

0:30:35.000 --> 0:30:40.120
<v Speaker 1>from me. Yeah, But Justin Bieber's been posting about them

0:30:40.120 --> 0:30:42.320
<v Speaker 1>a lot like Greta Van Fleet, but it's like it

0:30:42.360 --> 0:30:46.720
<v Speaker 1>does feel almost like it's like rock seventies rock cosplay

0:30:46.880 --> 0:30:49.520
<v Speaker 1>rather than like and it does feel like the last

0:30:49.560 --> 0:30:51.760
<v Speaker 1>iteration of rock that we even really got, which was

0:30:51.800 --> 0:30:54.800
<v Speaker 1>the you know, the New York uh meet me in

0:30:54.800 --> 0:30:59.640
<v Speaker 1>the Bathroom stuff, was also very like cosplay e reference

0:30:59.720 --> 0:31:03.280
<v Speaker 1>to end in like you know, we're a shitty gang

0:31:03.280 --> 0:31:08.480
<v Speaker 1>of four bands. I appreciated that E d M because

0:31:08.480 --> 0:31:10.320
<v Speaker 1>so much of that I was so like not into

0:31:10.640 --> 0:31:12.760
<v Speaker 1>the Strokes Wave stuff, I think because so much of

0:31:12.760 --> 0:31:16.080
<v Speaker 1>it was about like rich people posturing that they have

0:31:16.160 --> 0:31:19.160
<v Speaker 1>no money. Um, and E d M is like the opposite,

0:31:19.200 --> 0:31:22.000
<v Speaker 1>because it's like not rich people posturing that they're incredibly

0:31:22.000 --> 0:31:25.040
<v Speaker 1>wealthy for like one night. You know. It's like you

0:31:25.080 --> 0:31:26.880
<v Speaker 1>save up all your money and you go to the

0:31:26.880 --> 0:31:29.720
<v Speaker 1>club and get bottle service. Um. Although we did a

0:31:29.760 --> 0:31:33.920
<v Speaker 1>little bit see the dark side of it at Hakkasan recently. Yeah, yeah,

0:31:34.040 --> 0:31:37.560
<v Speaker 1>the the completely mobbed version of it. I mean I

0:31:37.600 --> 0:31:40.920
<v Speaker 1>didn't actually go to a club at in Vegas until

0:31:41.280 --> 0:31:45.560
<v Speaker 1>I was there to like, right, I never went um

0:31:45.600 --> 0:31:47.720
<v Speaker 1>for fun. When I went with you guys, that was

0:31:47.760 --> 0:31:50.200
<v Speaker 1>the first time I actually went, you know, on my

0:31:50.240 --> 0:31:55.120
<v Speaker 1>own accord. Um. I mostly preferred like going to festivals

0:31:55.120 --> 0:31:56.520
<v Speaker 1>and stuff for that kind of thing, because you could

0:31:56.520 --> 0:31:58.640
<v Speaker 1>just sort of wander and you're not all cramped in

0:31:58.680 --> 0:32:00.440
<v Speaker 1>this place where you have to spend some money on

0:32:00.480 --> 0:32:04.160
<v Speaker 1>alcohol or whatever. Um. And yeah, I mean I have

0:32:04.400 --> 0:32:07.480
<v Speaker 1>very I have great memories going to hard Fress with you,

0:32:08.360 --> 0:32:14.600
<v Speaker 1>great of going to Coachella a few times. Uh, I

0:32:14.640 --> 0:32:17.960
<v Speaker 1>was saying, like the night of the Avici's death was

0:32:18.000 --> 0:32:19.600
<v Speaker 1>announced that it was like, I want to be in

0:32:19.640 --> 0:32:23.560
<v Speaker 1>the Saharitant right now, just just like because it feels

0:32:23.640 --> 0:32:25.720
<v Speaker 1>like this day E d M died thing and I

0:32:25.760 --> 0:32:27.720
<v Speaker 1>just want to see what's going out, like what the

0:32:27.840 --> 0:32:30.960
<v Speaker 1>vibe is. If any if any night call listeners were

0:32:30.960 --> 0:32:36.280
<v Speaker 1>in the Saharitant on Friday, Uh what was that? Um?

0:32:36.320 --> 0:32:39.160
<v Speaker 1>Oh yeah it was four twenty then please um yeah,

0:32:39.400 --> 0:32:42.720
<v Speaker 1>give us a report from on the ground. I'm very interested. Yeah,

0:32:42.800 --> 0:32:46.560
<v Speaker 1>if you had a if you had an Avici emotional breakdown,

0:32:46.600 --> 0:32:50.000
<v Speaker 1>we would like to hear from you, because we are

0:32:50.080 --> 0:32:54.440
<v Speaker 1>we are our listeners, we are your friends, we are

0:32:54.480 --> 0:32:57.800
<v Speaker 1>your friends. We care about your d M feelings. I

0:32:57.840 --> 0:32:59.840
<v Speaker 1>thought one of the best things, Emily, that you kind

0:32:59.840 --> 0:33:02.440
<v Speaker 1>of talked about and described was that the kind of

0:33:02.480 --> 0:33:06.440
<v Speaker 1>like adrenaline that went on, you know, around the recession.

0:33:06.520 --> 0:33:09.240
<v Speaker 1>Being of an age where you don't like you're kind

0:33:09.240 --> 0:33:13.560
<v Speaker 1>of scraping your way into a career and needing to

0:33:13.720 --> 0:33:17.160
<v Speaker 1>like almost give yourself. It was almost just like kicking

0:33:17.200 --> 0:33:20.560
<v Speaker 1>your body and being like, you know, just keep going,

0:33:21.080 --> 0:33:23.000
<v Speaker 1>and I E d M is not like I'm not

0:33:23.040 --> 0:33:25.840
<v Speaker 1>like anti E d M. It's just not like it

0:33:25.880 --> 0:33:31.120
<v Speaker 1>doesn't get give me the feelings, like you know, I

0:33:32.720 --> 0:33:36.360
<v Speaker 1>know we like but I mean, but I connected to

0:33:36.400 --> 0:33:38.960
<v Speaker 1>everything like when you you know, we're writing about like

0:33:39.320 --> 0:33:42.680
<v Speaker 1>couch surfing and then just having to like you just

0:33:43.040 --> 0:33:45.719
<v Speaker 1>watch everything kind of collapse in an age where you

0:33:45.920 --> 0:33:48.440
<v Speaker 1>can't really handle seeing that. But at the same time,

0:33:48.600 --> 0:33:51.680
<v Speaker 1>I just thought that was like just what everyone's twenties were, like,

0:33:51.840 --> 0:33:53.880
<v Speaker 1>you know, I was like, oh, I was so excited

0:33:53.880 --> 0:33:56.200
<v Speaker 1>for my twenties always because I like watched too many

0:33:56.200 --> 0:34:00.440
<v Speaker 1>Sonic Youth videos and then they're like pretty to pressing

0:34:00.480 --> 0:34:04.600
<v Speaker 1>and suck, especially if you like can't you know, find

0:34:04.640 --> 0:34:07.960
<v Speaker 1>a steady job. It's like, well, I I can be rough.

0:34:08.000 --> 0:34:11.279
<v Speaker 1>But I just I conflated that with the recession because

0:34:11.280 --> 0:34:13.239
<v Speaker 1>I didn't it didn't occur to me that there was

0:34:13.440 --> 0:34:15.120
<v Speaker 1>ever a time when you could like get out of

0:34:15.120 --> 0:34:18.080
<v Speaker 1>college and get a job. Yeah, And I mean I

0:34:18.120 --> 0:34:21.400
<v Speaker 1>think also there's a key difference between like growing up

0:34:21.400 --> 0:34:23.640
<v Speaker 1>and being in your early twenties and having somebody like

0:34:23.719 --> 0:34:28.080
<v Speaker 1>Sonic Youth, like a kind of disaffected like uh and

0:34:28.080 --> 0:34:30.919
<v Speaker 1>and too cool for school and like you know, too

0:34:30.960 --> 0:34:33.080
<v Speaker 1>cool for your corporate culture or whatever, like for a

0:34:33.120 --> 0:34:38.919
<v Speaker 1>while anyway, uh, like band versus something that's just so

0:34:39.160 --> 0:34:43.200
<v Speaker 1>nakedly capitalist as dam, which I think is maybe kind

0:34:43.200 --> 0:34:46.120
<v Speaker 1>of the generational split on that, because maybe it was

0:34:46.200 --> 0:34:49.399
<v Speaker 1>just hard for some people to see why you could

0:34:49.400 --> 0:34:52.040
<v Speaker 1>ever like that the same reason people that just stay

0:34:52.040 --> 0:34:55.360
<v Speaker 1>in here metal, which is just like it's about fucking

0:34:55.480 --> 0:34:58.520
<v Speaker 1>party and yeah, and it's like not about it felt

0:34:58.520 --> 0:35:01.759
<v Speaker 1>so refreshing, I think because we were all poor and

0:35:01.800 --> 0:35:05.520
<v Speaker 1>like unable to imagine ever having ever being gamefully employed

0:35:05.600 --> 0:35:08.359
<v Speaker 1>or having any money, and so something that was just

0:35:08.440 --> 0:35:12.640
<v Speaker 1>so like yeah that felt such the opposite of reality,

0:35:12.719 --> 0:35:15.479
<v Speaker 1>but also wasn't trying. Like the last thing you would

0:35:15.480 --> 0:35:18.080
<v Speaker 1>want to listen to is like yeah, like like something

0:35:18.160 --> 0:35:21.080
<v Speaker 1>like like garage rock or like you know, people like

0:35:21.160 --> 0:35:23.440
<v Speaker 1>rich people pretending to be poor or something that's like

0:35:23.480 --> 0:35:26.600
<v Speaker 1>the furthest from like where you wanted to go with music.

0:35:26.640 --> 0:35:28.600
<v Speaker 1>I feel like at that time, you wanted to escape

0:35:28.640 --> 0:35:32.279
<v Speaker 1>to like the computer generated fantasy. Uh, and that is

0:35:32.320 --> 0:35:38.120
<v Speaker 1>what that is what Levels offered. Yeah, yeah, I mean

0:35:38.239 --> 0:35:41.719
<v Speaker 1>I was totally not like a pure rockist, but I

0:35:41.800 --> 0:35:44.480
<v Speaker 1>was definitely like an indie rock person throughout my life,

0:35:44.480 --> 0:35:46.680
<v Speaker 1>and then like after college was probably the first time

0:35:46.680 --> 0:35:49.000
<v Speaker 1>I started really like getting into dance music because it

0:35:49.040 --> 0:35:51.879
<v Speaker 1>just also felt so vast to me. I was like, yeah,

0:35:51.920 --> 0:35:53.960
<v Speaker 1>I don't even know where the entry point is, and

0:35:54.080 --> 0:35:59.320
<v Speaker 1>like warehouse parties are great, it's great. Uh, it's awesome

0:35:59.360 --> 0:36:03.040
<v Speaker 1>to be in a weird, sweaty church with a bunch

0:36:03.040 --> 0:36:06.879
<v Speaker 1>of people that are all just bonding over music. That's

0:36:06.880 --> 0:36:08.680
<v Speaker 1>the other thing I could talk about for a zillion

0:36:08.800 --> 0:36:11.319
<v Speaker 1>years is like the way it just all feels like

0:36:11.400 --> 0:36:14.640
<v Speaker 1>Hillsong after a certain point it's really hill Song. Well,

0:36:14.680 --> 0:36:17.839
<v Speaker 1>I think about that a lot because I'm really interested in, like,

0:36:18.040 --> 0:36:22.200
<v Speaker 1>you know, group dynamics, and weirdly these things cover just

0:36:22.280 --> 0:36:24.520
<v Speaker 1>all the things I'm interested in, from you know, E

0:36:24.640 --> 0:36:28.439
<v Speaker 1>d M to the Olympics. Yeah, you know, like there's

0:36:28.480 --> 0:36:32.360
<v Speaker 1>something scary about the power of crowds. We should I

0:36:32.360 --> 0:36:34.680
<v Speaker 1>should also say that hill Song is like justin Bieber's

0:36:34.719 --> 0:36:37.360
<v Speaker 1>church and like the big mega super church from Austria.

0:36:37.360 --> 0:36:40.800
<v Speaker 1>It's a mega church. There's something really comforting and amazing

0:36:40.840 --> 0:36:43.160
<v Speaker 1>about like losing yourself in a group that is also

0:36:43.239 --> 0:36:47.360
<v Speaker 1>really scary and the back and feeling like experiencing the

0:36:47.480 --> 0:36:50.759
<v Speaker 1>same feeling as a huge group of people and with E. D. M.

0:36:50.760 --> 0:36:54.480
<v Speaker 1>It's so based around the drop. It's like, yeah, you know,

0:36:54.640 --> 0:36:57.799
<v Speaker 1>it is like they revs up your serotonin, you know,

0:36:57.840 --> 0:36:59.920
<v Speaker 1>and like a really good I feel like a really

0:37:00.040 --> 0:37:02.480
<v Speaker 1>good DJ. You know, some of those super DJs are

0:37:02.520 --> 0:37:04.360
<v Speaker 1>not that good, and some of them are great. You know,

0:37:04.480 --> 0:37:06.400
<v Speaker 1>it really depends on who you're talking about. And I

0:37:06.480 --> 0:37:08.920
<v Speaker 1>won't name and shame, but you can feel free to

0:37:08.920 --> 0:37:13.480
<v Speaker 1>ask me all my real opinions. But yeah, a really

0:37:13.520 --> 0:37:16.160
<v Speaker 1>good DJ can like manipulate your brain waves in a

0:37:16.280 --> 0:37:21.000
<v Speaker 1>way that is so pleasurable and does take control, you know.

0:37:21.040 --> 0:37:23.080
<v Speaker 1>I mean, I guess the ideal is like something where

0:37:23.080 --> 0:37:26.440
<v Speaker 1>you have like some control, but like you're giving up

0:37:26.800 --> 0:37:30.759
<v Speaker 1>some control. Yeah, yeah, you're not totally just being manipulated.

0:37:30.840 --> 0:37:34.320
<v Speaker 1>You're like part of the manipulation of yourself. Yeah with

0:37:34.520 --> 0:37:38.600
<v Speaker 1>ru Yeah. Well. One of my favorite like recordings of

0:37:38.680 --> 0:37:42.120
<v Speaker 1>any A d M ever is UM an Above and

0:37:42.160 --> 0:37:45.400
<v Speaker 1>Beyond live recording. UM. I think it's like at Wimbley

0:37:45.560 --> 0:37:48.799
<v Speaker 1>or something like that, and UM and so you can

0:37:48.840 --> 0:37:51.239
<v Speaker 1>hear the crowd noise and it's like this remix of

0:37:51.280 --> 0:37:53.399
<v Speaker 1>like one of their really big songs and like as

0:37:53.440 --> 0:37:56.960
<v Speaker 1>it's building, something about the way the crowd is recorded

0:37:57.000 --> 0:37:59.640
<v Speaker 1>makes you just envision everybody being inside like a big

0:37:59.680 --> 0:38:02.520
<v Speaker 1>tilt world and everybody's like screaming and stuff and like

0:38:02.560 --> 0:38:04.520
<v Speaker 1>because they know the big thing is going to happen,

0:38:04.560 --> 0:38:08.759
<v Speaker 1>and it's like so joyous to listen to um yeah,

0:38:08.760 --> 0:38:11.320
<v Speaker 1>and like you know, and I remember being like going

0:38:11.400 --> 0:38:14.080
<v Speaker 1>to whatever, like a modest mouse show or something and

0:38:14.320 --> 0:38:16.840
<v Speaker 1>like two thousand two or two do three or whatever

0:38:17.239 --> 0:38:20.440
<v Speaker 1>and being and were probably there. Yeah, it was it

0:38:20.560 --> 0:38:26.640
<v Speaker 1>was all Tomorrow's parties, UM and being so irritated by

0:38:26.680 --> 0:38:29.360
<v Speaker 1>everybody around me who liked the band that I liked,

0:38:29.440 --> 0:38:31.880
<v Speaker 1>because I was like, fuck you, this is my band.

0:38:32.000 --> 0:38:35.200
<v Speaker 1>Like there's also there's like a thing in indie rock

0:38:35.280 --> 0:38:38.640
<v Speaker 1>that is the arms folded at the show thing. You know.

0:38:38.920 --> 0:38:43.160
<v Speaker 1>Like so much of gen X stuff was about like

0:38:43.400 --> 0:38:47.960
<v Speaker 1>not yeah, not selling out, but like not really experiencing

0:38:48.000 --> 0:38:50.560
<v Speaker 1>pleasure in anything that should give you a fun time,

0:38:50.680 --> 0:38:56.440
<v Speaker 1>being cooler than everybody, just punishing yourself, like punishing other

0:38:56.480 --> 0:39:02.080
<v Speaker 1>people withholding information and you know, and the way information

0:39:02.160 --> 0:39:05.040
<v Speaker 1>was dispersed was so different, Like mixtape culture did so

0:39:05.120 --> 0:39:07.160
<v Speaker 1>much come out of like you need someone to turn

0:39:07.160 --> 0:39:10.880
<v Speaker 1>you onto stuff you can't just find it yourself. And

0:39:10.920 --> 0:39:13.480
<v Speaker 1>then we were totally the kids from the LCD sound

0:39:13.520 --> 0:39:16.200
<v Speaker 1>System song who were like, Hey, I learned about all

0:39:16.200 --> 0:39:18.319
<v Speaker 1>this stuff on the internet and I know just as

0:39:18.440 --> 0:39:21.320
<v Speaker 1>much as you, And it didn't take me like any

0:39:21.400 --> 0:39:24.359
<v Speaker 1>money to create dig because that was the big thing

0:39:24.360 --> 0:39:26.160
<v Speaker 1>I always resented, was like, if you wanted to have

0:39:26.200 --> 0:39:27.960
<v Speaker 1>a great record collection, you had to have money to

0:39:28.000 --> 0:39:30.440
<v Speaker 1>spend so much money and have the time also to

0:39:30.640 --> 0:39:33.600
<v Speaker 1>like you, like, you know, go out and search for

0:39:33.680 --> 0:39:36.240
<v Speaker 1>records instead of going to your job at the coffee

0:39:36.280 --> 0:39:41.680
<v Speaker 1>shop or something. Okay, there, are you a fan of podcasts?

0:39:41.840 --> 0:39:44.120
<v Speaker 1>Probably you are if you're listening to this one, and

0:39:44.200 --> 0:39:46.800
<v Speaker 1>maybe there's a chance you've thought about starting your own.

0:39:47.360 --> 0:39:49.880
<v Speaker 1>But once you've recorded your show, what's the next step?

0:39:49.960 --> 0:39:52.959
<v Speaker 1>How are you going to reach listeners and build your audience? Well,

0:39:53.080 --> 0:39:57.120
<v Speaker 1>audio Boom can help with their monthly subscription plan for

0:39:57.160 --> 0:40:02.479
<v Speaker 1>hosting and distribution. With audio Boom subscription plan, you get

0:40:02.520 --> 0:40:05.719
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0:40:05.800 --> 0:40:09.759
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0:40:09.840 --> 0:40:14.960
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0:40:15.440 --> 0:40:18.840
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0:40:18.920 --> 0:40:22.200
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0:40:22.239 --> 0:40:26.520
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0:40:30.800 --> 0:40:32.600
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0:40:32.600 --> 0:40:35.719
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0:40:35.760 --> 0:40:38.400
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0:40:38.640 --> 0:40:41.440
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0:40:42.360 --> 0:40:46.040
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0:40:46.120 --> 0:40:49.359
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0:40:49.600 --> 0:40:52.719
<v Speaker 1>slash Start. Sign up now and get the support you

0:40:52.719 --> 0:40:55.919
<v Speaker 1>need to start your podcast today. That's audio boom dot

0:40:55.960 --> 0:41:01.359
<v Speaker 1>com slash Start. So trans issitioning from the end of

0:41:01.480 --> 0:41:05.160
<v Speaker 1>one era to another end of an era that feels

0:41:05.640 --> 0:41:10.200
<v Speaker 1>kind of connected to to this, Uh, we wanted to

0:41:10.200 --> 0:41:13.719
<v Speaker 1>talk a little bit about the end of Craigslist, personals

0:41:13.760 --> 0:41:18.160
<v Speaker 1>and back Page and what that means for the Internet

0:41:18.360 --> 0:41:20.800
<v Speaker 1>in the future. Well, we were talking last week about

0:41:21.040 --> 0:41:27.240
<v Speaker 1>UM right bell and kind of message board radio and

0:41:27.239 --> 0:41:31.520
<v Speaker 1>and the kind of equivalent on the Internet of of

0:41:31.800 --> 0:41:38.200
<v Speaker 1>places where really genuinely felt um not necessarily unmoderated, but

0:41:38.880 --> 0:41:45.200
<v Speaker 1>definitely not there for UM, like making people a ton

0:41:45.239 --> 0:41:48.280
<v Speaker 1>of money is more just like an open town square

0:41:48.800 --> 0:41:54.400
<v Speaker 1>where people could wave their respective free freak flags. UM.

0:41:54.440 --> 0:41:57.560
<v Speaker 1>And yeah, this so this was I think it was

0:41:57.600 --> 0:42:01.279
<v Speaker 1>at the end of March that this act uh basically

0:42:01.320 --> 0:42:06.760
<v Speaker 1>made it made uh it rendered Craigslist personals and back

0:42:06.760 --> 0:42:10.400
<v Speaker 1>Page more culpable in the case in cases of um

0:42:11.360 --> 0:42:15.880
<v Speaker 1>uh human trafficking and and and sex abuse and that

0:42:15.960 --> 0:42:20.200
<v Speaker 1>kind of stuff. UM, so that they would be considered

0:42:20.280 --> 0:42:23.680
<v Speaker 1>accessories to a crime if something was to pass through there.

0:42:24.080 --> 0:42:27.560
<v Speaker 1>So that is why, um those places had to shut

0:42:27.600 --> 0:42:32.040
<v Speaker 1>down their their services basically, which also made it so

0:42:32.080 --> 0:42:35.680
<v Speaker 1>that a lot of sex workers who were not trafficked

0:42:36.120 --> 0:42:39.080
<v Speaker 1>are out of a very vital part of how they

0:42:39.120 --> 0:42:44.160
<v Speaker 1>make their money, UM, which is obviously very bad. And UM,

0:42:43.719 --> 0:42:46.839
<v Speaker 1>I'm not sure where the activism is as far as

0:42:46.880 --> 0:42:48.920
<v Speaker 1>like or not where it is, but like you know

0:42:49.080 --> 0:42:50.880
<v Speaker 1>what the status is on trying to get it reverse

0:42:50.920 --> 0:42:53.040
<v Speaker 1>because I know that there's a big movement around that

0:42:53.160 --> 0:42:58.000
<v Speaker 1>right now. UM. Yeah, it seems crazy. It definitely feels

0:42:58.040 --> 0:43:01.600
<v Speaker 1>like trying to litigate the Internet and privacy in the

0:43:01.640 --> 0:43:04.640
<v Speaker 1>way that they're trying to do now is crazy because

0:43:04.680 --> 0:43:06.640
<v Speaker 1>you can't put it all back in the box. And

0:43:06.760 --> 0:43:08.839
<v Speaker 1>that's just what they are trying to do well. It's

0:43:08.840 --> 0:43:10.640
<v Speaker 1>so wild that you can do that. I mean, it's

0:43:10.680 --> 0:43:13.120
<v Speaker 1>not wild. I guess it's very predictable. But you can

0:43:13.160 --> 0:43:15.600
<v Speaker 1>do that for something like Craigslos personals because it's so

0:43:15.640 --> 0:43:19.680
<v Speaker 1>small and really not that much of a um economic force,

0:43:20.000 --> 0:43:23.359
<v Speaker 1>Whereas I think something like Facebook, which if you want

0:43:23.400 --> 0:43:26.319
<v Speaker 1>to talk about stuff on the Internet that has led

0:43:26.360 --> 0:43:32.080
<v Speaker 1>to a documentable harm uh is definitely more, has way

0:43:32.080 --> 0:43:35.080
<v Speaker 1>more going on there, including I'm sure some if you,

0:43:35.239 --> 0:43:37.960
<v Speaker 1>if you are are that concerned about sex trafficking, I'm

0:43:37.960 --> 0:43:40.120
<v Speaker 1>sure that you could probably tie some cases to Facebook.

0:43:40.200 --> 0:43:42.239
<v Speaker 1>That's the thing. It's like, you can't you know, they're

0:43:42.239 --> 0:43:47.080
<v Speaker 1>not like litigating people's private messages on like Instagram, on Twitter,

0:43:47.320 --> 0:43:50.960
<v Speaker 1>where you know, you could use all these things exactly

0:43:50.960 --> 0:43:54.279
<v Speaker 1>the same way. The fact that it's just Craigslist personals

0:43:54.280 --> 0:43:58.279
<v Speaker 1>and back Page, which yeah, are totally resources that sex

0:43:58.320 --> 0:44:04.000
<v Speaker 1>workers need to work safely, just feels like just part

0:44:04.040 --> 0:44:06.400
<v Speaker 1>of the part of the garbage time that we're in.

0:44:07.840 --> 0:44:10.040
<v Speaker 1>And Craigulous personal especially, I feel like that was just

0:44:10.080 --> 0:44:12.440
<v Speaker 1>one of the first things on the Internet. Yeah, it

0:44:12.480 --> 0:44:15.440
<v Speaker 1>feels like so early. It feels like this first flag

0:44:15.480 --> 0:44:19.839
<v Speaker 1>plant planted down or something like our missed encounters gone. Yeah,

0:44:20.480 --> 0:44:25.800
<v Speaker 1>a good question. Miss connections are still there. I believe

0:44:26.040 --> 0:44:29.279
<v Speaker 1>that is the one remaining part of um, of the

0:44:29.320 --> 0:44:33.239
<v Speaker 1>personals there. That's so fucking weird. Maybe there's a way

0:44:33.280 --> 0:44:38.879
<v Speaker 1>to migrate everybody who used personals onto andectioning right now,

0:44:39.000 --> 0:44:40.960
<v Speaker 1>I haven't I haven't looked, That's what I would do.

0:44:41.360 --> 0:44:44.440
<v Speaker 1>That's the thing without like the way you know, with

0:44:44.520 --> 0:44:49.160
<v Speaker 1>Sesta Fosta, which was a really evil bill that really

0:44:49.200 --> 0:44:52.520
<v Speaker 1>targeted sex workers, um, you know, and it's all these

0:44:52.680 --> 0:44:58.239
<v Speaker 1>horrible right wing idiots who are advocating for this kind

0:44:58.239 --> 0:45:01.200
<v Speaker 1>of stuff. Um, And it's so weird in the Trump

0:45:01.239 --> 0:45:06.120
<v Speaker 1>era obviously, where we have like sex workers who have

0:45:06.239 --> 0:45:09.320
<v Speaker 1>encountered Trump, you know, and just that those are the people,

0:45:09.400 --> 0:45:12.640
<v Speaker 1>the people that pay sex workers are also the people

0:45:12.680 --> 0:45:16.000
<v Speaker 1>that are like, this shouldn't exist, and if it exists,

0:45:16.040 --> 0:45:18.960
<v Speaker 1>it should be dangerous for the you know, I don't

0:45:19.000 --> 0:45:22.600
<v Speaker 1>know the way that this This just seems like such

0:45:22.600 --> 0:45:26.040
<v Speaker 1>a bad fix for any you know, I don't even

0:45:26.040 --> 0:45:28.680
<v Speaker 1>know how much of a real problem this is. And

0:45:28.719 --> 0:45:32.680
<v Speaker 1>in the meantime, it takes away this whole community, and

0:45:32.719 --> 0:45:36.799
<v Speaker 1>I think especially for LGPT people who are trying like

0:45:37.200 --> 0:45:40.440
<v Speaker 1>there's still that's still like a pretty vital place for

0:45:40.480 --> 0:45:45.040
<v Speaker 1>people to meet each other and um and to you know,

0:45:45.560 --> 0:45:49.200
<v Speaker 1>explore their needs and everything, and that it's like the

0:45:49.239 --> 0:45:51.359
<v Speaker 1>Internet that we talked about a lot of, like oh

0:45:51.360 --> 0:45:54.680
<v Speaker 1>the Internet where like people can meet that like need

0:45:54.760 --> 0:45:57.719
<v Speaker 1>to meet each other. You know that, Like wouldn't the

0:45:58.280 --> 0:46:02.920
<v Speaker 1>Innerne the Internet in North Inner North? That's like the

0:46:03.400 --> 0:46:10.080
<v Speaker 1>lame Internet after after the Inner North. Yeah, that the

0:46:10.080 --> 0:46:12.279
<v Speaker 1>promise of the Internet was like I'll be able to

0:46:12.320 --> 0:46:14.759
<v Speaker 1>find the other people that share my interest especially if

0:46:14.760 --> 0:46:16.960
<v Speaker 1>those interests are like things I need to keep secret

0:46:17.040 --> 0:46:20.520
<v Speaker 1>for like safety reasons. Yeah, you know. Yeah, and just

0:46:20.680 --> 0:46:23.759
<v Speaker 1>this idea that you're making it that much harder for

0:46:23.760 --> 0:46:26.719
<v Speaker 1>people because it's not like sex work is ever going

0:46:26.840 --> 0:46:30.560
<v Speaker 1>to stop or go away. You're just making these people's

0:46:30.600 --> 0:46:34.439
<v Speaker 1>lives like much more dangerous. And there's no there's no

0:46:34.560 --> 0:46:39.000
<v Speaker 1>real re um like replacement for any of those forums.

0:46:39.040 --> 0:46:42.600
<v Speaker 1>I mean, I was curious because I saw that this

0:46:42.640 --> 0:46:45.399
<v Speaker 1>had happened, and I went to go check on this

0:46:45.640 --> 0:46:48.400
<v Speaker 1>um this app, I guess you could call it that.

0:46:48.440 --> 0:46:50.239
<v Speaker 1>I did a story on a couple of years ago

0:46:50.400 --> 0:46:55.080
<v Speaker 1>called Olallah that's like a paid dating app um that

0:46:55.440 --> 0:46:57.960
<v Speaker 1>is based in Germany and they were trying to roll

0:46:58.000 --> 0:47:00.640
<v Speaker 1>out in the States, and I think that there was

0:47:00.719 --> 0:47:04.759
<v Speaker 1>a lot of legal problems with it obviously because of

0:47:04.800 --> 0:47:07.040
<v Speaker 1>the way that I heard they're like doing stings on

0:47:07.120 --> 0:47:10.560
<v Speaker 1>seeking arrangement and stuff like that. Yeah, just all of

0:47:10.600 --> 0:47:14.000
<v Speaker 1>these sites which I totally feel like should be allowed

0:47:14.080 --> 0:47:17.880
<v Speaker 1>to exist because who fucking cares if somebody is paying

0:47:17.920 --> 0:47:21.879
<v Speaker 1>for sex as long as everybody is getting paid, you know,

0:47:22.239 --> 0:47:25.200
<v Speaker 1>and can be safe. Well, the women who have started

0:47:25.239 --> 0:47:28.239
<v Speaker 1>OLAH like originally had a site or had an app

0:47:28.320 --> 0:47:31.200
<v Speaker 1>that was for that was four sex Workers where they

0:47:31.239 --> 0:47:34.719
<v Speaker 1>could advertise themselves and contact people and like you know,

0:47:34.760 --> 0:47:39.359
<v Speaker 1>have it be this sort of moderated messaging service, um.

0:47:39.440 --> 0:47:41.160
<v Speaker 1>And you could also report people and stuff like that.

0:47:41.200 --> 0:47:43.960
<v Speaker 1>But that you know does in in Berlin and um,

0:47:44.280 --> 0:47:47.440
<v Speaker 1>where you know, it's legal. Um, so it's it's very

0:47:47.480 --> 0:47:49.680
<v Speaker 1>different here. But that that didn't even last because people

0:47:49.680 --> 0:47:54.240
<v Speaker 1>were I think didn't want to have their names attached

0:47:54.280 --> 0:47:59.080
<v Speaker 1>to it, like the Johns didn't um. And Yeah, but

0:47:59.160 --> 0:48:01.520
<v Speaker 1>it just came such a thing where it was like

0:48:02.440 --> 0:48:04.719
<v Speaker 1>you know that for a while, when it was when

0:48:04.760 --> 0:48:06.880
<v Speaker 1>it was working, and when when people were using it

0:48:06.920 --> 0:48:08.200
<v Speaker 1>was like, Oh cool, I don't have to like stand

0:48:08.200 --> 0:48:11.680
<v Speaker 1>outside in the cold anymore or like potentially you know,

0:48:11.800 --> 0:48:14.279
<v Speaker 1>being an unsafe area. Yeah, that's the thing, is like

0:48:14.320 --> 0:48:19.000
<v Speaker 1>what we need is regulation and legalization, not like not

0:48:19.080 --> 0:48:22.759
<v Speaker 1>just shutting things down that you know, might be flawed

0:48:22.880 --> 0:48:25.959
<v Speaker 1>but serve a crucial purpose. And it does just seem

0:48:26.040 --> 0:48:29.000
<v Speaker 1>like they made it about trafficking in order to sort

0:48:29.040 --> 0:48:31.640
<v Speaker 1>of shove all this other stuff in, you know. And

0:48:31.680 --> 0:48:36.080
<v Speaker 1>a lot of people were calling out Bernie Sanders because

0:48:36.120 --> 0:48:40.239
<v Speaker 1>he voted for SASA fasta um, and then like retweeted

0:48:40.239 --> 0:48:43.120
<v Speaker 1>a Cardi B thing recently, and everybody was like, hey,

0:48:43.440 --> 0:48:46.080
<v Speaker 1>Cardi B was a stripper and a sex worker, and

0:48:46.160 --> 0:48:49.160
<v Speaker 1>like she just gave a whole speech about how like

0:48:49.960 --> 0:48:52.080
<v Speaker 1>sex workers at her level and like the strip club

0:48:52.160 --> 0:48:54.520
<v Speaker 1>don't get the same attention for like me too, stuff

0:48:54.520 --> 0:48:59.160
<v Speaker 1>that like Hollywood actresses might get. Uh And yeah, so

0:48:59.320 --> 0:49:02.839
<v Speaker 1>you know, fucking were trying to co opt that sucks. Um,

0:49:03.040 --> 0:49:08.000
<v Speaker 1>Cardi B for prez obviously, no no celebrities for president,

0:49:08.760 --> 0:49:13.640
<v Speaker 1>No celebrities for president. Miranda legalize it. Yeah that's Randa

0:49:13.719 --> 0:49:15.680
<v Speaker 1>fix the subway. That's as far as I guess. She

0:49:15.719 --> 0:49:19.000
<v Speaker 1>just wants to be governor. I you know, I was

0:49:19.040 --> 0:49:21.560
<v Speaker 1>suspicious until she started putting her money where her mouth

0:49:21.680 --> 0:49:25.160
<v Speaker 1>is and already, like even her presence is. I'm just saying,

0:49:25.280 --> 0:49:28.800
<v Speaker 1>everything Cardi B has done so far has been unprecedented,

0:49:28.960 --> 0:49:34.000
<v Speaker 1>so you know, and she loves FDR, So I am

0:49:34.040 --> 0:49:36.960
<v Speaker 1>will never rule out a Cardi B presidency. I have

0:49:37.080 --> 0:49:39.600
<v Speaker 1>to say I was a little shocked in that article.

0:49:40.080 --> 0:49:42.440
<v Speaker 1>I forget who wrote it now, but just the person

0:49:42.480 --> 0:49:45.600
<v Speaker 1>who who reported it didn't know that that FDR like

0:49:46.000 --> 0:49:49.359
<v Speaker 1>started Social Security. I was like, come on, guys, oh man,

0:49:49.520 --> 0:49:52.000
<v Speaker 1>like we need to know this. Maybe they were just

0:49:52.120 --> 0:49:55.960
<v Speaker 1>leading her to talk about it. Who who is that?

0:49:56.200 --> 0:50:02.239
<v Speaker 1>Franklin Delano Roosevelt? Tell me more? Um, yeah, no, I

0:50:02.280 --> 0:50:04.600
<v Speaker 1>mean she's great whatever. I mean, I don't need her

0:50:04.600 --> 0:50:06.600
<v Speaker 1>to run for president, but she's great and she should

0:50:06.640 --> 0:50:10.000
<v Speaker 1>continue talking about the New Deal. Um. I think she

0:50:10.080 --> 0:50:13.279
<v Speaker 1>deserves way better than to be president. To be honest, Yeah,

0:50:13.480 --> 0:50:15.920
<v Speaker 1>it turns out being president kind of sucks. Yeah, just

0:50:16.040 --> 0:50:18.759
<v Speaker 1>like being in a rock band or being an e

0:50:18.880 --> 0:50:23.080
<v Speaker 1>d M. There are all these glamorous jobs are actually

0:50:23.800 --> 0:50:27.000
<v Speaker 1>not that glamorous. But podcasting from a garage. Podcasting from

0:50:27.000 --> 0:50:35.960
<v Speaker 1>a garage, it keeps on two million, living the recession dream?

0:50:36.440 --> 0:50:38.080
<v Speaker 1>Did you say you're gonna flip it for two million?

0:50:38.080 --> 0:50:40.920
<v Speaker 1>Because you know that's how much Mark Marian is. I

0:50:40.920 --> 0:50:43.600
<v Speaker 1>haven't checked Redfish, and I haven't checked red did it close.

0:50:45.480 --> 0:50:47.520
<v Speaker 1>Everyone's just been posting about it because it's like the

0:50:47.560 --> 0:50:52.600
<v Speaker 1>famous podcasting garage, the podcast this is also a famous

0:50:52.160 --> 0:50:55.440
<v Speaker 1>podcasting garage. One day, one day it will be we're

0:50:55.440 --> 0:50:58.680
<v Speaker 1>gonna take a picture with the scary fencing Tommy to

0:50:58.760 --> 0:51:01.080
<v Speaker 1>show you all, and then take a picture here and

0:51:01.160 --> 0:51:04.880
<v Speaker 1>in the shiny audio boom studios, just to take a

0:51:04.920 --> 0:51:07.759
<v Speaker 1>picture with leather jackets so we can see what it

0:51:07.800 --> 0:51:10.880
<v Speaker 1>sounds like. It's some members only jacket. Also you should

0:51:10.880 --> 0:51:14.000
<v Speaker 1>know it's a leather members only jacket. Oh I say

0:51:14.080 --> 0:51:18.520
<v Speaker 1>members only jackets make a lot of noise. Dial can

0:51:18.640 --> 0:51:24.120
<v Speaker 1>hear them? Okay, let's get some nightcall members only jacket yea,

0:51:25.320 --> 0:51:27.800
<v Speaker 1>and then we'll wear them to the super Club together.

0:51:29.400 --> 0:51:31.440
<v Speaker 1>I'll drive you guys there and back and then we'll

0:51:31.480 --> 0:51:35.200
<v Speaker 1>do a choreographed answer team looking girls trip that we've

0:51:35.239 --> 0:51:39.400
<v Speaker 1>been practicing. Please, if anybody, if any of our listeners

0:51:39.440 --> 0:51:42.040
<v Speaker 1>have any ideas for merch that they'd like that they

0:51:42.040 --> 0:51:44.840
<v Speaker 1>would purchase from Nightcall. They should let us know because

0:51:44.880 --> 0:51:49.320
<v Speaker 1>that's a very real possibility on the Good Nightcall tinfoil hat. Yeah,

0:51:49.400 --> 0:51:51.680
<v Speaker 1>if we can have such a good idea, we have

0:51:51.800 --> 0:51:55.920
<v Speaker 1>a talent baseball hats and oh that's a great idea. Actually,

0:51:55.920 --> 0:51:57.680
<v Speaker 1>I saw a picture of art Bell. I was looking

0:51:57.680 --> 0:52:00.279
<v Speaker 1>at Art bell pictures for sourcing the art for last

0:52:00.280 --> 0:52:05.920
<v Speaker 1>week's podcast. There's really cute one of him. Also, like

0:52:06.080 --> 0:52:09.160
<v Speaker 1>one of him holding his cat. That's really good. Um.

0:52:09.200 --> 0:52:11.040
<v Speaker 1>I felt a real kinship to him because there are

0:52:11.040 --> 0:52:13.760
<v Speaker 1>a lot of pictures of him in a weird podcast

0:52:13.840 --> 0:52:18.200
<v Speaker 1>garage with a cat like us. So yeah, us millennials

0:52:19.040 --> 0:52:23.120
<v Speaker 1>reveal our nakedly capitalistic ambitions to sell you merchandise for

0:52:23.200 --> 0:52:26.120
<v Speaker 1>our podcast. That's what that's what the millennial dream is

0:52:26.160 --> 0:52:30.040
<v Speaker 1>all about. Like selling out and being genuine about it.

0:52:32.960 --> 0:52:37.480
<v Speaker 1>Good luck, there's a good bumper stick or two. Um,

0:52:37.520 --> 0:52:39.839
<v Speaker 1>but yeah, give us a call at two four oh

0:52:39.920 --> 0:52:43.759
<v Speaker 1>for six night. Um, give us your merch ideas. UM,

0:52:43.880 --> 0:52:48.120
<v Speaker 1>share your e d M memories ask for um, I

0:52:48.160 --> 0:52:52.640
<v Speaker 1>don't have emories. E d emories Yeah, um yeah, just

0:52:52.680 --> 0:52:56.399
<v Speaker 1>share your You can keep sending us ghost stories ghost

0:52:56.400 --> 0:52:59.480
<v Speaker 1>stories too. They've been drying if you have any alien stories,

0:52:59.520 --> 0:53:01.880
<v Speaker 1>I would have really transition to alien stories as one

0:53:01.960 --> 0:53:05.400
<v Speaker 1>advice advice. We love advice wants to give more advice,

0:53:05.480 --> 0:53:08.719
<v Speaker 1>not just me. You said you did too, so yeah,

0:53:08.840 --> 0:53:10.640
<v Speaker 1>give us a call or you can also send us

0:53:10.680 --> 0:53:15.319
<v Speaker 1>an email at Nightcall Podcast at gmail dot com and

0:53:15.360 --> 0:53:20.000
<v Speaker 1>our advice to you keep watching the guys never stop.

0:53:20.600 --> 0:53:23.160
<v Speaker 1>That's it for this week's Nightcall. You can follow us

0:53:23.160 --> 0:53:28.360
<v Speaker 1>on Twitter, skies for the drop. It's up there somewhere.

0:53:31.120 --> 0:53:34.000
<v Speaker 1>That's it for this week's Nightcall. You can follow us

0:53:34.040 --> 0:53:38.839
<v Speaker 1>on Twitter, at Nightcall Pod, Facebook, at Night Call Podcast, Instagram,

0:53:38.880 --> 0:53:41.279
<v Speaker 1>at Nightcall Podcast, and as always, give us a night

0:53:41.280 --> 0:53:44.520
<v Speaker 1>call at two four oh four six night. Please also

0:53:44.640 --> 0:53:48.000
<v Speaker 1>subscribe to us on Apple Podcasts and leave leave us

0:53:48.000 --> 0:53:50.160
<v Speaker 1>a rating and a review. If you are so inclined,

0:53:50.400 --> 0:53:53.279
<v Speaker 1>we think that you should. You should be inclined. And

0:53:53.360 --> 0:53:57.560
<v Speaker 1>that does it for this this week's show. Thanks y'all.

0:54:00.520 --> 0:54:03.240
<v Speaker 1>A little to loud how loud