WEBVTT - Weirdhouse Cinema: Thrilling Bloody Sword

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<v Speaker 1>Welcome to Stuff to Blow your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey you welcome to Weird House Cinema.

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<v Speaker 1>This is Roblam and this is Joe McCormick and who.

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<v Speaker 1>I'm gonna go ahead and apologize if I am not

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<v Speaker 1>at my best today because I just finished watching today's

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<v Speaker 1>movie and it is like it fired a poison dart

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<v Speaker 1>straight into my prefrontal cortex. This movie is awesome. It's

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<v Speaker 1>one of my favorites we've ever watched for this show.

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<v Speaker 1>But I feel like I have a significant impairment in

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<v Speaker 1>my ability to speak. Yes, Thrilling Bloody Sword will have

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<v Speaker 1>that effect on you. You should not drive after viewing

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<v Speaker 1>Thrilling Bloody Sword. You shouldn't attempt any kind of complicated

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<v Speaker 1>paperwork scenario. You should. You just have to let it

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<v Speaker 1>finish doing what it's doing to your brain. Yeah, if

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<v Speaker 1>you watch this movie, you should schedule nap time for afterwards. Yes,

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<v Speaker 1>some recovery time is required. After I saw it the

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<v Speaker 1>first time, I was rather proud of myself for thinking, like,

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<v Speaker 1>this is the first time I've watched a movie that

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<v Speaker 1>I would describe as face melting, which is usually um,

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<v Speaker 1>you know, how we might describe certain you know, metal

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<v Speaker 1>tracks and so forth. But then I've started looking around online.

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<v Speaker 1>I saw other people had the exact same reaction and

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<v Speaker 1>described it with the exacts the same terminology, of which

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<v Speaker 1>which means I wasn't as original. But this film is

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<v Speaker 1>having the same impact on so many people. Like there's

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<v Speaker 1>just something about it that just uh just utterly destroys

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<v Speaker 1>and remakes you. It is so unusual and so strong

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<v Speaker 1>and so fast. Well, it's like in a Whoosha movie

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<v Speaker 1>when the heroes first encounter the villain and like they're

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<v Speaker 1>overwhelmed by their by the strength and speed of their

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<v Speaker 1>martial arts, and it's like, how will we ever defeat them? Yeah? Yes,

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<v Speaker 1>that it's this is this is quite a film, one thrilling,

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<v Speaker 1>bloody sword. We've we've covered a handful of Hong Kong

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<v Speaker 1>films on Weirdolt Cinema before, but this is gonna be

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<v Speaker 1>our first taste of Taiwanese cinema, which is closely linked

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<v Speaker 1>to Hong Kong cinema and often features a lot of

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<v Speaker 1>Hong Kong cinema connections, actors and so forth, but it

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<v Speaker 1>has a vibe all its own. Taiwanese cinema. Um I

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<v Speaker 1>I checked out some of the special features on the

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<v Speaker 1>Thrilling Bloody Sword disc, including some material from Justin d

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<v Speaker 1>Clue of Gold Ninja video talking a bit about the

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<v Speaker 1>connection between Hong Kong cinema and Taiwanese cinema and the

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<v Speaker 1>way he describes it is that Hong Kong had already

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<v Speaker 1>really established itself in Taiwanese cinema is kind of trying

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<v Speaker 1>to catch up to a certain extent, and also trying

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<v Speaker 1>to up the anti on things like action sequences in

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<v Speaker 1>various films, also like creative decisions, and I think this

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<v Speaker 1>film would suggest creative weirdness, like what is something different

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<v Speaker 1>we can do that we can try and try and

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<v Speaker 1>create a film that just has not been seen before.

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<v Speaker 1>That's absolutely what this is. I would say that this

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<v Speaker 1>movie is less rooted in pre existing genres like action

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<v Speaker 1>or horror then we would see in in at least

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<v Speaker 1>the Hong Kong movies we've watched so far. This is

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<v Speaker 1>This creates a new genre almost too. I guess the

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<v Speaker 1>closest you could call it is maybe fantasy action, but

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<v Speaker 1>with some elements of science fiction in there. Yeah, and

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<v Speaker 1>it also seems to draw heavily on from is we'll

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<v Speaker 1>discuss a few different nith and folkloreic cycles. I think

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<v Speaker 1>there are some connections to be made to the fantasy

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<v Speaker 1>films of Russian filmmaker Alexander Rue, especially when it gets

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<v Speaker 1>down to bear transformation. But but yeah, this film stands

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<v Speaker 1>apart and gloriously so. Actually, I think that comparison is

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<v Speaker 1>incredibly apt. This is kind of like if you took

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<v Speaker 1>Morosco or Jack Frost and then added in a bunch

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<v Speaker 1>of martial arts action scenes. Yes, yeah, that's that's that's

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<v Speaker 1>definitely the vibe. So the title thrilling bloody Sword, I

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<v Speaker 1>do have to say, thrilling, yes, sword, Yes, not so

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<v Speaker 1>much bloody. There's not really any blood in this per se.

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<v Speaker 1>Probably the grossest goryous things in it or right at

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<v Speaker 1>the beginning and right at the end at the beginning

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<v Speaker 1>with a lady gives birth to like an alien meat pill,

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<v Speaker 1>and then at the end there's a bunch of disembodied

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<v Speaker 1>gory like flayed arms and legs that are flying around

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<v Speaker 1>attacking somebody. Yeah. The original title here is uh Shinjen

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<v Speaker 1>dong Shan, Who, which I believe translates to something like

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<v Speaker 1>the Divine Sword moves mountains and Rivers. But I've also

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<v Speaker 1>seen this film just referred to as the Thrilling Sword

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<v Speaker 1>or Heavenly Sword. But yeah, I still thrilling Bloody Sword

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<v Speaker 1>is a title that is distinctive, and it's a movie

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<v Speaker 1>that's distinctive, so I think ultimately it works. Now I'm wondering,

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<v Speaker 1>I'm sort of second guessing myself and wondering if I

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<v Speaker 1>over sold it and saying this movie is a genre

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<v Speaker 1>all to itself, because I guess you have a note

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<v Speaker 1>on this, and having read several other people on the

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<v Speaker 1>internet talk about it, I think some people think that

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<v Speaker 1>this fits into the category of WHUSHA films, right, like

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<v Speaker 1>this sort of historical chivalry based martial arts movies. Yeah,

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<v Speaker 1>I mean, and roughly so you could, you could. It

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<v Speaker 1>would not be improper to put it on shelf with

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<v Speaker 1>other who shoo movies. But I think most commentators seem

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<v Speaker 1>to indicate that this this it distinguishes itself a bit

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<v Speaker 1>more like drawing in, for instance, all of these various

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<v Speaker 1>fairy tale and mythic elements from various non Asian cultures,

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<v Speaker 1>Like there is essentially a multi headed dragon at one point,

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<v Speaker 1>and it's a very western looking dragon. Um, that's a

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<v Speaker 1>hydra basically. Yeah, yeah, so there are things like that

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<v Speaker 1>that that contribute to it. I've also I think it

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<v Speaker 1>was the clue that pointed out that also the action

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<v Speaker 1>in this film isn't as fluid as you might expect

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<v Speaker 1>from like pure action elms of the time period. But

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<v Speaker 1>it's still very thrilling action. Uh it's it's still it's

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<v Speaker 1>still amazing to behold. But I can I can sort

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<v Speaker 1>of see what he's getting out there about the about

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<v Speaker 1>the about the martial arts in the film. It's not

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<v Speaker 1>a pure martial arts spectacle. Yeah, well, a lot of

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<v Speaker 1>the martial arts are. Uh, I mean, there are a

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<v Speaker 1>couple of just straightforward fight scenes, but most of the

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<v Speaker 1>fighting in it is in some way sort of uh

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<v Speaker 1>thwarted or complicated by the presence of sorcery, which involves

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<v Speaker 1>a very funny and great special effects. Yes, the special

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<v Speaker 1>effects are. This is a film that is very ambitious

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<v Speaker 1>in its use of special effects at times perhaps too ambitious,

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<v Speaker 1>but like the ambitions, yes, oh it's so good. I mean,

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<v Speaker 1>it's um it's my favorite kind. It's like special effects

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<v Speaker 1>that it's not like they look quote convincing or quote realistic,

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<v Speaker 1>but these special effects are full of soul. They are

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<v Speaker 1>my favorite kind of effects in a movie. Uh. And

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<v Speaker 1>the other thing I didn't want to let pass by, though,

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<v Speaker 1>is that i'd say roughly a third of this movie

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<v Speaker 1>is a version of snow White and the Seven Dwarfs.

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<v Speaker 1>Oh gosh, yes, yes it is. It's a story full

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<v Speaker 1>of of cursed dwarf generals, evil sorcerers, monster attacks, jin

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<v Speaker 1>heavenly swords, miraculous birth by comment. There's so many elements

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<v Speaker 1>and I'm not even touching on all of the crazy

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<v Speaker 1>things that occur in this film. Now, you mentioned that

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<v Speaker 1>the movie is not as bloody as the title would suggest.

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<v Speaker 1>Did did you let your son watch this one? I

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<v Speaker 1>didn't know, Like I didn't watch it with like a

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<v Speaker 1>parents point of view. But is this movie okay for

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<v Speaker 1>kids or not? It's hard to be hard to say.

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<v Speaker 1>I mean, all parents will have to make that decision

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<v Speaker 1>for themselves. But content wise, I didn't think it was

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<v Speaker 1>that bad. I tried. I showed him a little bit

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<v Speaker 1>of it, and it was the It was one of

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<v Speaker 1>the comedic sequences with the dwarves, and then I skipped

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<v Speaker 1>ahead a bit to show him some of the action.

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<v Speaker 1>And mostly he's really into Miss mostly just commenting on

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<v Speaker 1>special effects at this point, whether he thinks something is

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<v Speaker 1>real or not. Um, and of course he was. He

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<v Speaker 1>was quick to say, well, that doesn't look like a

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<v Speaker 1>real monster, but he did like he did like the

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<v Speaker 1>monsters designs that we encounter. Well, that phase will pass.

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<v Speaker 1>But I think for the most part, this this feels

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<v Speaker 1>like a feature that was aimed at the entire family. Um.

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<v Speaker 1>That's the sense I get from it. This is this

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<v Speaker 1>is a family film, an action fantasy film, cobbling together

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<v Speaker 1>multiple fairytale traditions into just a single face melting fantasy adventure.

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<v Speaker 1>I don't know if it was intended to be just

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<v Speaker 1>so uh, And I mean it is just an intense spectacle,

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<v Speaker 1>and I guess that appeals to all ages. Okay, maybe

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<v Speaker 1>we should hear some trailer audio. Let's do it all

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<v Speaker 1>right now. A note on availability before we proceed here. Uh,

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<v Speaker 1>this may be one of the harder films to get

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<v Speaker 1>your hands on we've watched. There are some unofficial rips

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<v Speaker 1>out there, and I think a number of these are

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<v Speaker 1>in terrible quality, in part because they may be just

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<v Speaker 1>ripped off of television. But Golden Ninja Video did a

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<v Speaker 1>beautiful restoration of the only known thirty five millimeter footage

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<v Speaker 1>and it's all in this wonderful blu ray. As of

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<v Speaker 1>this recording, I believe they're out of stock and it's

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<v Speaker 1>unsure and when they'll restock. But you can preorder a

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<v Speaker 1>two pack that features Thrilling Bloody Sword plus Revengeful Swords

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<v Speaker 1>Woman Um. Otherwise, if you're Atlanta based, you can rent

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<v Speaker 1>it at Video Drome like we did UM and it

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<v Speaker 1>has actually played at a few cinemas here and there,

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<v Speaker 1>so you might be able to catch it on the

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<v Speaker 1>big screen if you're lucky. I will say again my

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<v Speaker 1>my personal opinion, personal recommendation, this one is worth seeking out.

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<v Speaker 1>Like if you hear it's playing at some at some

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<v Speaker 1>cinema nearby, it's worth making the trip. Yeah, this is

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<v Speaker 1>a film that you can do. You can sit down

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<v Speaker 1>and watch and intently study. But it also is just

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<v Speaker 1>a colorful, beautiful film. Like if you just want something

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<v Speaker 1>interesting to have playing in the background somewhere, I think

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<v Speaker 1>this is your movie. Okay, Rob From What Wizard's Mind

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<v Speaker 1>was Birth to the Months Stir That is Thrilling Bloody Sword.

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<v Speaker 1>This is the work of director writer Sin ye Chang,

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<v Speaker 1>who was born n and His main contribution to martial

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<v Speaker 1>arts cinema was as a writer with screenplay credits on

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<v Speaker 1>a bunch of films, including Black Belt Angels, Three's shaw

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<v Speaker 1>Len Versus Lama. This is the film with the Buddha

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<v Speaker 1>finger in it. For those of you are familiar with

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<v Speaker 1>that or that sample, there's a there's a wonderful track

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<v Speaker 1>from the uh from the from the artist Depth Charge

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<v Speaker 1>that used a lot of samples from this film, and

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<v Speaker 1>that was I think that was actually pre Woutang. But

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<v Speaker 1>I also wrote on three's The Challenge of the Ninja

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<v Speaker 1>nineteen seventy six is the eighteen Bronze Men. This is

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<v Speaker 1>where like Shaolin warriors battle these men who are painted

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<v Speaker 1>bronze and sometimes have big bronze heads. I haven't seen it,

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<v Speaker 1>but the trailer looks fantastic. Now as a director, he

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<v Speaker 1>only has ten credits did which include V eight Snake

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<v Speaker 1>in the Equal Shadow Too in nineteen seventy nine Kung

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<v Speaker 1>Fu Commandos. None of the other films, however, apparently matched

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<v Speaker 1>the tone and vision of Thrilling Bloody Sword, But as

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<v Speaker 1>as Justin n Clue explains, he had he was apparently

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<v Speaker 1>really admired for his ability to plot out martial arts action.

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<v Speaker 1>So like this this apparently when you get down to

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<v Speaker 1>like screenplay questions regarding many of these martial arts films,

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<v Speaker 1>there's a lot of leeway into like how how much

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<v Speaker 1>are they describing and um, and and apparently this is

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<v Speaker 1>a guy who was very into plotting out you know,

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<v Speaker 1>the action. Uh so he was who was sought after

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<v Speaker 1>for this. I'm gonna say that in its favor. Um.

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<v Speaker 1>I believe I've said this on the show before, but

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<v Speaker 1>you know, I'm I'm critical of a lot of action

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<v Speaker 1>scenes in movies because I think there is action choreography

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<v Speaker 1>out there that doesn't quite understand that action has to

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<v Speaker 1>be a drama, right. It needs to have beats, It

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<v Speaker 1>needs to have moments of interchanging power. There need to

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<v Speaker 1>be changes throughout it, Like you've got to keep it interesting.

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<v Speaker 1>It can't just be you know, essentially trading blows back

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<v Speaker 1>and forth in a sort of static, ongoing exchange. Uh.

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<v Speaker 1>And this movie gets that. The action scenes in this

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<v Speaker 1>movie have beats, they have drama, they have changes. It's

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<v Speaker 1>really good stuff. Yeah. And but but like you said,

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<v Speaker 1>it's not a pure martial arts film in that a

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<v Speaker 1>lot of it is the magic, and but the magic

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<v Speaker 1>has that kind of internal, well choreographed fight scene um

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<v Speaker 1>logic to it, where like if a new weapon is

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<v Speaker 1>introduced it means something. If a particular magic spell is

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<v Speaker 1>being invoked, you know, it's it's very much a part

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<v Speaker 1>of the plotting of of what's going on. I will

0:13:43.240 --> 0:13:46.120
<v Speaker 1>also say that, especially for a lot of the earlier

0:13:46.160 --> 0:13:49.120
<v Speaker 1>action scenes in the movie, I respect the restraint of

0:13:49.120 --> 0:13:51.400
<v Speaker 1>how short they are, like that they don't go on

0:13:51.600 --> 0:13:55.280
<v Speaker 1>forever just to eat up screen time. There's one really

0:13:55.320 --> 0:13:57.760
<v Speaker 1>awesome action scene earlier in the movie where a couple

0:13:57.800 --> 0:13:59.959
<v Speaker 1>of sorcerers kill a demon and it just takes a

0:14:00.080 --> 0:14:03.640
<v Speaker 1>few seconds, but it's an awesome scene. Yeah. Now, as

0:14:03.640 --> 0:14:05.440
<v Speaker 1>I continue here through some of the connections here, I

0:14:05.440 --> 0:14:07.400
<v Speaker 1>want to stress that this one was a little harder

0:14:07.400 --> 0:14:11.440
<v Speaker 1>to put together. The connections on the IMDb page for

0:14:11.520 --> 0:14:16.520
<v Speaker 1>this movie does not include character names, and the Hong

0:14:16.600 --> 0:14:20.600
<v Speaker 1>Kong uh Movie Database was it was a little more helpful,

0:14:20.920 --> 0:14:24.000
<v Speaker 1>but it doesn't have the character names for a number

0:14:24.000 --> 0:14:25.880
<v Speaker 1>of the actors in it, so some of these I

0:14:25.920 --> 0:14:27.880
<v Speaker 1>had to look at at photographs of the actors on

0:14:27.960 --> 0:14:30.240
<v Speaker 1>the Hong Kong Movie Database and sort of piece it together.

0:14:30.640 --> 0:14:33.840
<v Speaker 1>And I believe I got everything right, but there there's

0:14:33.840 --> 0:14:36.760
<v Speaker 1>also some differences on how how the names are reproduced

0:14:36.800 --> 0:14:40.440
<v Speaker 1>in UM in English on the two websites, so you'll

0:14:40.520 --> 0:14:41.720
<v Speaker 1>just have to bear with me, but I think we

0:14:41.800 --> 0:14:44.720
<v Speaker 1>got it mostly right here. Either way, I admire the attempt.

0:14:46.600 --> 0:14:49.600
<v Speaker 1>So there's a co writer listed on this dates unknown,

0:14:49.840 --> 0:14:52.760
<v Speaker 1>and this is their only credit on on both databases.

0:14:52.760 --> 0:14:56.280
<v Speaker 1>But there's a John Lung Ching or or Chang Singh

0:14:56.720 --> 0:14:59.600
<v Speaker 1>who is credited as being co writer. But let's get

0:14:59.640 --> 0:15:04.000
<v Speaker 1>into the cast here. So we have the princess. Is

0:15:04.000 --> 0:15:07.840
<v Speaker 1>it yr g? It sounded to me like like uh

0:15:07.880 --> 0:15:10.760
<v Speaker 1>so they spelled it in the subtitles why a U

0:15:11.240 --> 0:15:14.320
<v Speaker 1>r G, But it sounded to me more like yao

0:15:14.480 --> 0:15:18.120
<v Speaker 1>gi yao G. Alright, Well, the princess Yaogi, who we

0:15:18.160 --> 0:15:22.280
<v Speaker 1>may I may refer to as the princess played by

0:15:22.720 --> 0:15:25.160
<v Speaker 1>an actor that I don't have dates for either, and

0:15:25.240 --> 0:15:30.200
<v Speaker 1>this is of Fang Fang Fong. She was active from

0:15:31.280 --> 0:15:33.680
<v Speaker 1>through nine eight six and seems to have come back

0:15:33.720 --> 0:15:36.520
<v Speaker 1>for a role in two thousand nineteens the shooting of

0:15:36.640 --> 0:15:40.280
<v Speaker 1>three nineteen. In this film, she's very much in traditional

0:15:40.320 --> 0:15:43.920
<v Speaker 1>princess mode, but she does it well I also noticed

0:15:43.920 --> 0:15:46.840
<v Speaker 1>she was in a nineteen eighty five film titled Ghost Busting,

0:15:47.200 --> 0:15:49.800
<v Speaker 1>which I as seemed to be a supernatural comedy. I

0:15:49.800 --> 0:15:52.760
<v Speaker 1>included the poster for you here, Joe. It looks uh,

0:15:53.240 --> 0:15:56.440
<v Speaker 1>it looks impressive. Why does it have Sherlock Holmes on

0:15:56.480 --> 0:15:59.840
<v Speaker 1>the cover? I believe this is a ghost busting A

0:16:00.040 --> 0:16:02.600
<v Speaker 1>professor character in the film based on what I was

0:16:02.920 --> 0:16:06.320
<v Speaker 1>he's reading about it. He's dressed like Sherlock Holmes. Okay,

0:16:06.440 --> 0:16:08.440
<v Speaker 1>Buston makes me feel good. I want to see this

0:16:10.000 --> 0:16:12.120
<v Speaker 1>all right now. If you have a princess, you have

0:16:12.120 --> 0:16:14.240
<v Speaker 1>to have a prince, and that is the Prince Ya

0:16:14.400 --> 0:16:17.960
<v Speaker 1>June played by Lu Shang Chin, who was born in

0:16:18.040 --> 0:16:20.720
<v Speaker 1>nineteen fifty three, Taiwanese action star who's in a bunch

0:16:20.720 --> 0:16:23.840
<v Speaker 1>of wusha and fantasy movies. He played the Monkey King

0:16:23.880 --> 0:16:26.760
<v Speaker 1>in nine two is New Pilgrims to the West, and

0:16:26.800 --> 0:16:29.840
<v Speaker 1>also played the Monkey King again in its sequel, Monkey War.

0:16:30.360 --> 0:16:33.920
<v Speaker 1>He also appeared in nineteen nineties The Twelve Animals. Man

0:16:34.040 --> 0:16:37.080
<v Speaker 1>is he dashing in this? Yes? He has all the

0:16:37.120 --> 0:16:41.440
<v Speaker 1>handsome and uh and is very action oriented. A terrific

0:16:41.480 --> 0:16:44.920
<v Speaker 1>prince that you really want in their handling. Your thrilling,

0:16:44.920 --> 0:16:48.800
<v Speaker 1>bloody sword. Uh. Yes, so he's great. I would say, actually,

0:16:48.840 --> 0:16:51.400
<v Speaker 1>the whole cast in this movie is great. I didn't

0:16:51.440 --> 0:16:54.880
<v Speaker 1>notice a single performance I didn't like, But for me,

0:16:55.080 --> 0:16:59.479
<v Speaker 1>the standout performers are the two villains are two sorcerers.

0:16:59.600 --> 0:17:02.560
<v Speaker 1>I loved them. Yes, I think we have a new

0:17:03.160 --> 0:17:07.520
<v Speaker 1>occult power couple here. Uh they are the the the, the, the,

0:17:07.520 --> 0:17:11.960
<v Speaker 1>the evil Sorcerers. Also they were described as exorcists. Uh

0:17:12.000 --> 0:17:16.520
<v Speaker 1>it is Schaker and and uh, let's start with the

0:17:16.960 --> 0:17:22.639
<v Speaker 1>sorcerer here. Shaker played by Chang Ye Born. Yeah, it

0:17:22.640 --> 0:17:25.520
<v Speaker 1>makes an incredible villain here is Stern has kind of

0:17:25.520 --> 0:17:32.040
<v Speaker 1>a Christopher Lee esque face, big bushy eyebrows, long hair, again,

0:17:32.160 --> 0:17:35.560
<v Speaker 1>very stern, but also wonderful sorcerer robes. He has a

0:17:35.600 --> 0:17:38.960
<v Speaker 1>cool demon staff. He was just consistently one of my

0:17:39.040 --> 0:17:43.400
<v Speaker 1>favorite parts of the film. Uh yeah, just just wonderful performance. Here.

0:17:43.560 --> 0:17:46.520
<v Speaker 1>Active from the mid sixties through the mid nineties and

0:17:46.560 --> 0:17:48.720
<v Speaker 1>a ton of martial arts films as well as some

0:17:48.800 --> 0:17:51.879
<v Speaker 1>TV shows. Born in mainland China, he worked in a

0:17:51.960 --> 0:17:54.200
<v Speaker 1>bunch of Shop Brothers films, and I believe is now.

0:17:54.400 --> 0:17:56.920
<v Speaker 1>I was reading online that he's retired and living somewhere

0:17:56.920 --> 0:17:59.720
<v Speaker 1>in the Vancouver area, but he seemed to have a

0:17:59.760 --> 0:18:03.880
<v Speaker 1>pretty strong Ryan. He appeared in the eighteen Bronzemen alongside

0:18:03.920 --> 0:18:09.320
<v Speaker 1>Carter Wong and seventy six Carter Wong. Uh. Some view

0:18:09.520 --> 0:18:12.720
<v Speaker 1>listeners maybe may remember him from Big Trouble and Little China.

0:18:12.760 --> 0:18:15.960
<v Speaker 1>He plays Thunder Uh, the larger of the three storms.

0:18:16.240 --> 0:18:20.760
<v Speaker 1>Another muscle guy. Yeah, the big muscle guy that explodes. Um.

0:18:21.000 --> 0:18:24.520
<v Speaker 1>Changy was also in the nineteen sixty seven Shop Brothers

0:18:24.520 --> 0:18:27.200
<v Speaker 1>film King Kat, in which he plays the lead, and

0:18:27.280 --> 0:18:30.439
<v Speaker 1>he was a director on nineteen seventy threes Chinese Dragon,

0:18:30.880 --> 0:18:33.600
<v Speaker 1>in which he was also the lead. Changes is just

0:18:33.840 --> 0:18:36.840
<v Speaker 1>great in this he is cool as a cucumber. You

0:18:36.880 --> 0:18:39.960
<v Speaker 1>could imagine a different version of this character that was

0:18:40.080 --> 0:18:43.200
<v Speaker 1>very kind of well, you know, kind of mustache twirling

0:18:43.280 --> 0:18:48.359
<v Speaker 1>and uh and whiny. But no, they make him suave

0:18:48.359 --> 0:18:52.240
<v Speaker 1>and cool and uh. He like when he's making demands

0:18:52.240 --> 0:18:54.320
<v Speaker 1>on the King. I don't I don't ever recall him

0:18:54.320 --> 0:18:57.880
<v Speaker 1>getting visibly upset. It's like he knows he's in command

0:18:57.960 --> 0:19:01.879
<v Speaker 1>because he has the powers of darkness in his hands. Yeah. Yeah,

0:19:01.960 --> 0:19:04.920
<v Speaker 1>that's that is a good description. And you know he's

0:19:04.960 --> 0:19:07.800
<v Speaker 1>not doing it alone. Again, this is an ocult power couple.

0:19:08.119 --> 0:19:12.080
<v Speaker 1>We have an excellent sorceress and exorcist standing beside him.

0:19:12.560 --> 0:19:16.840
<v Speaker 1>Gear played by Elsa yang Hu Shan born in either

0:19:16.920 --> 0:19:20.120
<v Speaker 1>fifty two or fifty three, depending on which database you're

0:19:20.160 --> 0:19:24.360
<v Speaker 1>looking at. She was active from seventy six through eight six. Yeah,

0:19:24.400 --> 0:19:26.879
<v Speaker 1>and she's great in this as well, just vamping it

0:19:26.960 --> 0:19:32.120
<v Speaker 1>up with high fashion choices and terrific black magic. Um. Yeah,

0:19:32.200 --> 0:19:34.560
<v Speaker 1>she just she she also anytime she's on the screen,

0:19:34.680 --> 0:19:38.280
<v Speaker 1>I'm just completely entertained. The scene where she first showed up,

0:19:38.359 --> 0:19:41.240
<v Speaker 1>I feel like I was already loving the movie, but

0:19:41.320 --> 0:19:45.600
<v Speaker 1>my brain was just like snapped to attention because it

0:19:45.960 --> 0:19:50.399
<v Speaker 1>just immediately like heightens the like the weirdness and drama

0:19:50.920 --> 0:19:52.800
<v Speaker 1>because she shows up in the middle of a of

0:19:52.840 --> 0:19:56.000
<v Speaker 1>a court palace and um, She's like, Hi, I'm here

0:19:56.000 --> 0:19:58.280
<v Speaker 1>to kill your I'm here to solve your demon problem.

0:19:58.320 --> 0:20:00.119
<v Speaker 1>And the King's like, oh great, And one of his

0:20:00.200 --> 0:20:03.760
<v Speaker 1>advisors is like, I don't know if we should trust

0:20:03.800 --> 0:20:06.119
<v Speaker 1>a sorceress to handle the demon problem. What if we

0:20:06.160 --> 0:20:09.399
<v Speaker 1>get a nice, honest swordsman instead, And she just like

0:20:09.520 --> 0:20:11.879
<v Speaker 1>points her hand at the guy and makes his head

0:20:11.960 --> 0:20:16.960
<v Speaker 1>spin around three times. Yeah, it's amazing. Yeah, Yeah, she

0:20:17.240 --> 0:20:21.320
<v Speaker 1>just immediately owns the room through black magic. Uh so

0:20:22.320 --> 0:20:25.920
<v Speaker 1>the actor here also young who sean. Other notable roles

0:20:25.920 --> 0:20:28.800
<v Speaker 1>include the lead in nineteen eight Three's with the Challenge

0:20:28.800 --> 0:20:32.560
<v Speaker 1>of the Lady Ninja and another notable one that I'm

0:20:32.560 --> 0:20:34.639
<v Speaker 1>guessing hasn't traveled, as well as a lot of this

0:20:34.760 --> 0:20:39.159
<v Speaker 1>action fair that there's drama titled ku May a Woman,

0:20:39.560 --> 0:20:42.679
<v Speaker 1>in which she also starred. She also played Princess iron

0:20:42.720 --> 0:20:47.439
<v Speaker 1>Fan in that two Monkey King movie New Pilgrims to

0:20:47.480 --> 0:20:49.960
<v Speaker 1>the West. As I said earlier, I love the actors

0:20:49.960 --> 0:20:52.679
<v Speaker 1>playing both of the sorcerers that she she is a

0:20:52.720 --> 0:20:56.560
<v Speaker 1>perfect match for for Changi here, and she is just great.

0:20:56.640 --> 0:20:59.960
<v Speaker 1>Her screen presence is off the charts. So many cost

0:21:00.080 --> 0:21:02.000
<v Speaker 1>him changes too, Like you never know when she's going

0:21:02.040 --> 0:21:04.440
<v Speaker 1>to show up in an entirely new ensemble. Like one

0:21:04.480 --> 0:21:08.000
<v Speaker 1>second it's it's it's all crimson and gold, the next

0:21:08.240 --> 0:21:10.960
<v Speaker 1>section she's she's. The next scene, she's going to be

0:21:10.960 --> 0:21:14.280
<v Speaker 1>outfitted like an Egyptian queen. Uh, you never know what

0:21:14.320 --> 0:21:16.719
<v Speaker 1>you're gonna get, but it's gonna be fabulous, all right.

0:21:16.760 --> 0:21:21.560
<v Speaker 1>We mentioned the King. The king who's just completely bowled

0:21:21.600 --> 0:21:26.520
<v Speaker 1>over by these two is played by Chin Han, Hong

0:21:26.600 --> 0:21:30.480
<v Speaker 1>Kong actor who also wrote and directed a couple of features. Um,

0:21:30.600 --> 0:21:33.119
<v Speaker 1>his majesty here is a fun screen presence in this,

0:21:33.280 --> 0:21:36.720
<v Speaker 1>but again he's he's kind of constantly overwhelmed by either

0:21:37.359 --> 0:21:41.320
<v Speaker 1>emotional revelations or black magic. Yeah. I would say he's

0:21:41.359 --> 0:21:44.199
<v Speaker 1>sort of on the receiving end of everything crazy that

0:21:44.280 --> 0:21:47.040
<v Speaker 1>happens in this movie. He's always just there to react like,

0:21:47.080 --> 0:21:59.719
<v Speaker 1>oh no, but he's great in that role. All right.

0:22:00.320 --> 0:22:02.000
<v Speaker 1>We also have a ferry in this. We didn't even

0:22:02.000 --> 0:22:05.439
<v Speaker 1>mention the fairy, the little fairy in the forest, and um,

0:22:05.800 --> 0:22:09.560
<v Speaker 1>this is played by Shia ling Ling essentially is like

0:22:09.600 --> 0:22:14.240
<v Speaker 1>a tinker Bell esque spirit character, and so the characters

0:22:14.280 --> 0:22:18.560
<v Speaker 1>just played to bubbly excess. It's like a like a

0:22:18.760 --> 0:22:22.360
<v Speaker 1>like like very very tinker Bell, just like constant siren

0:22:22.640 --> 0:22:25.800
<v Speaker 1>going off in your head. Um, so, Ly's kind of

0:22:25.840 --> 0:22:30.680
<v Speaker 1>like kind of like Navvy and Ocarina of Time. Yeah,

0:22:31.000 --> 0:22:33.760
<v Speaker 1>uh so. Ling Ling was a Taiwanese actor whose credits

0:22:33.800 --> 0:22:39.800
<v Speaker 1>include Snake in The Equal Shadow Too is The Vampire Dominator,

0:22:39.880 --> 0:22:42.680
<v Speaker 1>which I've read is a non vampire film about ghosts

0:22:42.720 --> 0:22:45.879
<v Speaker 1>on the run from Dallas Exorcist. So that one sounds

0:22:45.920 --> 0:22:49.760
<v Speaker 1>kind of fun. But yeah, born ninety three. I feel

0:22:49.760 --> 0:22:53.480
<v Speaker 1>like her character is almost a little bit intentionally annoying.

0:22:53.600 --> 0:22:57.400
<v Speaker 1>But she she's great with it. Um but but she's

0:22:57.440 --> 0:23:00.520
<v Speaker 1>sort of like part of an ensemble of the the

0:23:00.720 --> 0:23:04.560
<v Speaker 1>well meaning dwellers of the forest who are set opposite

0:23:04.640 --> 0:23:10.160
<v Speaker 1>the evil sorcerers of the Palace. Yes, and she's she's

0:23:10.240 --> 0:23:13.119
<v Speaker 1>very helpful. She's more helpful than many fairy characters in

0:23:13.320 --> 0:23:16.320
<v Speaker 1>in various fantasies. She has so many solutions that shall

0:23:16.359 --> 0:23:19.760
<v Speaker 1>bust out, uh yeah, tremendous. Oh yeah, I mean our

0:23:19.800 --> 0:23:22.359
<v Speaker 1>hero could not succeed without her because when when the

0:23:22.359 --> 0:23:25.280
<v Speaker 1>Prince is doing battle with many enemies, it is only

0:23:25.320 --> 0:23:28.080
<v Speaker 1>through her insights that he is able to succeed, such

0:23:28.080 --> 0:23:30.879
<v Speaker 1>as like she realizes, Oh, you've got to stab this

0:23:31.040 --> 0:23:35.120
<v Speaker 1>uh this robot in the butt. Now, as we mentioned,

0:23:35.119 --> 0:23:39.800
<v Speaker 1>there's there are seven dwarves dwarves slash cursed generals in

0:23:39.800 --> 0:23:43.880
<v Speaker 1>this movie, and I don't know what their names are.

0:23:43.960 --> 0:23:45.720
<v Speaker 1>It was very difficult to figure out who is who

0:23:45.800 --> 0:23:48.000
<v Speaker 1>here because they're all just I think on the Hong

0:23:48.080 --> 0:23:51.440
<v Speaker 1>Kong movie database, who just listed as dwarves like dwarf, dwarf,

0:23:51.520 --> 0:23:55.240
<v Speaker 1>dwarf I know that one of them, this is the

0:23:55.600 --> 0:23:58.919
<v Speaker 1>I guess we might describe as FARTI. The dwarf is

0:23:59.080 --> 0:24:02.800
<v Speaker 1>played by Poo Lao who who lived nineteen fifty one

0:24:02.840 --> 0:24:06.159
<v Speaker 1>through five, who was a Taiwanese actor who seems to

0:24:06.200 --> 0:24:08.879
<v Speaker 1>have had a lot of comedic roles um in a

0:24:08.960 --> 0:24:10.800
<v Speaker 1>in a very in a short life and short career,

0:24:11.119 --> 0:24:13.879
<v Speaker 1>and he also directed a comedy in eighty one titled

0:24:13.880 --> 0:24:17.480
<v Speaker 1>The Taxi Driver. But this is I get the the

0:24:17.119 --> 0:24:19.760
<v Speaker 1>the the sense from these this bunch of actors playing

0:24:19.800 --> 0:24:23.360
<v Speaker 1>the dwarfs that they're all comedic actors and these are

0:24:23.400 --> 0:24:27.840
<v Speaker 1>all very over the top, slapsticky performances. This is not

0:24:28.080 --> 0:24:32.640
<v Speaker 1>dry humor, folks. No, now we mentioned the martial arts

0:24:32.680 --> 0:24:35.680
<v Speaker 1>connections here. The martial arts director on this was Chen

0:24:35.840 --> 0:24:40.000
<v Speaker 1>Shing who lived nineteen fifty one through It was a

0:24:40.000 --> 0:24:42.480
<v Speaker 1>member of the Shaw Brothers Venom Mob, who did a

0:24:42.480 --> 0:24:45.399
<v Speaker 1>lot of stunt work and choreography in such films as

0:24:45.480 --> 0:24:50.920
<v Speaker 1>nineteen five Deadly venoms Um, which established the Venom Mob

0:24:51.080 --> 0:24:53.440
<v Speaker 1>as one of the go to crews for martial arts

0:24:53.520 --> 0:24:56.560
<v Speaker 1>action during this time period, though he was not an

0:24:56.600 --> 0:24:59.880
<v Speaker 1>on screen venom in that film. If I remember correctly,

0:25:00.200 --> 0:25:03.200
<v Speaker 1>and then who finally the music. The music on this

0:25:03.280 --> 0:25:08.400
<v Speaker 1>movie uh comes to us from Mao shan Huang, who

0:25:08.440 --> 0:25:11.160
<v Speaker 1>was born in nineteen forty has something like three hundred

0:25:11.200 --> 0:25:14.840
<v Speaker 1>and seventy three composer credits on IMDb Active from nine.

0:25:17.440 --> 0:25:20.679
<v Speaker 1>Credits also include films like Challenge of the Lady Ninja

0:25:21.119 --> 0:25:25.120
<v Speaker 1>and Lantern Festival Adventure. I loved the music in this

0:25:25.240 --> 0:25:28.359
<v Speaker 1>because it was extremely varied. So some of it was

0:25:29.880 --> 0:25:31.720
<v Speaker 1>I don't know what the word for this genre is,

0:25:31.760 --> 0:25:36.080
<v Speaker 1>but something I recognize kind of um, you know, action

0:25:36.240 --> 0:25:39.520
<v Speaker 1>movie music with like drums and bass, but then with

0:25:39.640 --> 0:25:43.199
<v Speaker 1>a synthesizer leads and and had to kind of fantasy

0:25:43.320 --> 0:25:45.879
<v Speaker 1>flare about it. But then there was also just straight

0:25:45.960 --> 0:25:49.840
<v Speaker 1>up funk. Yes, when we're first introduced to the Dwarves,

0:25:50.320 --> 0:25:52.919
<v Speaker 1>we get this funky bass that sounds a heck of

0:25:52.920 --> 0:25:56.399
<v Speaker 1>a lot like David Bowie's track Fame, Like it sounds

0:25:56.440 --> 0:25:58.639
<v Speaker 1>like Fame's gonna start up at any second, but it doesn't.

0:25:58.800 --> 0:26:00.760
<v Speaker 1>There was one part where there was a baseline that

0:26:00.800 --> 0:26:03.520
<v Speaker 1>made me think it was gonna go, Hey, kids, rock

0:26:03.640 --> 0:26:08.480
<v Speaker 1>and rule. There's there's another scene where they're real t

0:26:08.680 --> 0:26:12.600
<v Speaker 1>he vibes to the score. Um, other times, it's just

0:26:12.720 --> 0:26:16.520
<v Speaker 1>glistening psychedelic synth work that really works well with the

0:26:16.560 --> 0:26:20.320
<v Speaker 1>film's sorcery. And then there there's one part part two.

0:26:20.320 --> 0:26:21.679
<v Speaker 1>I don't know if you caught this. It's later in

0:26:21.680 --> 0:26:24.520
<v Speaker 1>the film, but the tune of the score gets dangerously

0:26:24.560 --> 0:26:27.200
<v Speaker 1>close to star spangled banner, like, way closer to star

0:26:27.240 --> 0:26:31.200
<v Speaker 1>spangled banner than you would encounter in an American film. Um,

0:26:31.240 --> 0:26:34.680
<v Speaker 1>it doesn't, it doesn't completely commit, but it almos it's

0:26:34.720 --> 0:26:37.800
<v Speaker 1>almost star spangled banner. It's a very shocking moment. Wow,

0:26:37.960 --> 0:26:39.679
<v Speaker 1>I did not catch that, But now I want to

0:26:39.680 --> 0:26:41.480
<v Speaker 1>go back and watch it all over again, just to

0:26:41.760 --> 0:26:43.760
<v Speaker 1>just to find that part it had. There's like the

0:26:43.880 --> 0:26:46.520
<v Speaker 1>has has the very sweet music that plays when something

0:26:46.560 --> 0:26:50.720
<v Speaker 1>emotional is happening. There's also a little romantic saxophone thrown

0:26:50.760 --> 0:26:53.200
<v Speaker 1>in there. Um. So, like you said, it's all over

0:26:53.240 --> 0:26:56.520
<v Speaker 1>the place, but it's it's never boring, it's it's always great.

0:26:56.920 --> 0:26:58.480
<v Speaker 1>All right. Well, I guess if we're gonna talk about

0:26:58.520 --> 0:27:00.720
<v Speaker 1>some things from the plot, I have to say I

0:27:00.760 --> 0:27:04.520
<v Speaker 1>was enthralled with this movie before the action even began,

0:27:04.640 --> 0:27:09.320
<v Speaker 1>because the credits alone are just within seconds doing a

0:27:09.400 --> 0:27:13.639
<v Speaker 1>symphony of violent eccentricity throughout your brain. Uh. You know,

0:27:13.640 --> 0:27:16.960
<v Speaker 1>while the credits are rolling, you see a gold sword

0:27:17.160 --> 0:27:20.480
<v Speaker 1>made of pure energy, emitting bolts of lightning through like

0:27:20.520 --> 0:27:22.760
<v Speaker 1>a field of stars. And then you see a bunch

0:27:22.760 --> 0:27:25.880
<v Speaker 1>of things in photo negative, like so photo negative figures

0:27:25.920 --> 0:27:29.840
<v Speaker 1>in battle, including a hero in like a mini tentacled

0:27:29.880 --> 0:27:33.439
<v Speaker 1>head dress with armor befitting a god. Uh, and then

0:27:33.520 --> 0:27:36.760
<v Speaker 1>a hero who's doing battle with a pair of disembodied

0:27:36.800 --> 0:27:39.560
<v Speaker 1>feathery big bird arms. That's what it looks like originally.

0:27:39.600 --> 0:27:41.399
<v Speaker 1>I think you get a different idea later that they

0:27:41.440 --> 0:27:44.359
<v Speaker 1>might be a little gooey er um. You see a

0:27:44.800 --> 0:27:49.000
<v Speaker 1>flying ghost covered in ropes. You see a rapidly multiplying

0:27:49.119 --> 0:27:51.920
<v Speaker 1>vision of a horned demon with a gaping mouth of

0:27:52.080 --> 0:27:55.240
<v Speaker 1>all these teeth in it, and like a wizard smashing

0:27:55.680 --> 0:27:59.040
<v Speaker 1>what looked like clay pots with a staff. You see

0:27:59.040 --> 0:28:01.879
<v Speaker 1>a giant with a ash club doing you know, a

0:28:02.000 --> 0:28:06.040
<v Speaker 1>very righteous and bashioning of the camera lens, and then

0:28:06.040 --> 0:28:09.280
<v Speaker 1>a human shaped creature zooming around like a flying squirrel,

0:28:09.560 --> 0:28:12.400
<v Speaker 1>all still in photo negative. And then there's one part

0:28:12.440 --> 0:28:14.439
<v Speaker 1>where what it looked like at first to me was

0:28:14.520 --> 0:28:18.679
<v Speaker 1>a metal eyeball nipple shooting lasers into the blade of

0:28:18.680 --> 0:28:21.919
<v Speaker 1>a dagger. Uh. You see a giant pair of teeth

0:28:22.000 --> 0:28:24.720
<v Speaker 1>like those wind up chattered teeth flying through the air,

0:28:24.800 --> 0:28:27.520
<v Speaker 1>chomping at the hero. And then you see the hero

0:28:27.680 --> 0:28:30.679
<v Speaker 1>stabbing a giant in the butt with his sword. And

0:28:30.720 --> 0:28:33.880
<v Speaker 1>the meaning of all of these images will be revealed

0:28:33.880 --> 0:28:37.200
<v Speaker 1>in the film. Fortunately, these these are these are images

0:28:37.280 --> 0:28:39.840
<v Speaker 1>from the movie that we are about to view. It's

0:28:39.840 --> 0:28:42.360
<v Speaker 1>a clip show of the movie to come. And they

0:28:42.400 --> 0:28:44.840
<v Speaker 1>had the good sense to say, what's all the weirdest

0:28:44.880 --> 0:28:47.120
<v Speaker 1>stuff in the movie, let's put that in the credits.

0:28:49.600 --> 0:28:52.360
<v Speaker 1>But it it makes you question why, because it's not

0:28:52.400 --> 0:28:55.600
<v Speaker 1>like they needed to to get the weird out and

0:28:55.640 --> 0:28:57.160
<v Speaker 1>feel like, well, there's gonna be a break. It's not

0:28:57.200 --> 0:29:00.480
<v Speaker 1>gonna be weird for a while. No, it's almost immediately weird.

0:29:01.080 --> 0:29:03.120
<v Speaker 1>I can't imagine a scenario where they're like, I don't

0:29:03.120 --> 0:29:04.680
<v Speaker 1>know if people are going to stay in the theater,

0:29:04.720 --> 0:29:07.160
<v Speaker 1>they might try and leave. Uh. If the first thing

0:29:07.200 --> 0:29:09.240
<v Speaker 1>we show them is just a comment coming out of

0:29:09.240 --> 0:29:12.320
<v Speaker 1>the cosmos to impregnate a woman, let's address that. Okay,

0:29:12.360 --> 0:29:14.959
<v Speaker 1>So the first thing that happens when the plot actually

0:29:14.960 --> 0:29:19.200
<v Speaker 1>begins is you see space and you hear what sounds

0:29:19.200 --> 0:29:22.800
<v Speaker 1>like a heartbeat echoing through the primordial chaos waters. You know,

0:29:22.840 --> 0:29:25.400
<v Speaker 1>it's like an underwater kind of sound. And then we

0:29:25.440 --> 0:29:29.480
<v Speaker 1>see a fiery meteor shooting through space. Then a king

0:29:29.520 --> 0:29:31.920
<v Speaker 1>and a queen in a royal palace, and the king

0:29:32.040 --> 0:29:34.960
<v Speaker 1>is pacing back and forth in his throne room while

0:29:35.000 --> 0:29:38.640
<v Speaker 1>all of his advisers are gathered. He's obviously concerned, and

0:29:38.680 --> 0:29:41.400
<v Speaker 1>the queen is about to give birth. And at this

0:29:41.440 --> 0:29:44.040
<v Speaker 1>point I need to to drive home that this film

0:29:44.800 --> 0:29:48.360
<v Speaker 1>is not dubbed in English. It has subtitles, but the

0:29:48.400 --> 0:29:51.640
<v Speaker 1>subtitles are burnt in, so they're they're just a part

0:29:51.680 --> 0:29:55.320
<v Speaker 1>of the footage, and they're in both Mandarin and English,

0:29:55.480 --> 0:30:00.120
<v Speaker 1>and they're very rough subtitles at the times that are

0:30:00.160 --> 0:30:02.920
<v Speaker 1>kind of confusing and the way they're written. Also, they're

0:30:02.960 --> 0:30:07.040
<v Speaker 1>white and sometimes they're set against white backgrounds, so sometimes

0:30:07.040 --> 0:30:10.600
<v Speaker 1>you just cannot read what the line of dialogue is

0:30:10.640 --> 0:30:15.320
<v Speaker 1>even in rough translation. Yes, these subtitles feel rushed. I mean,

0:30:15.440 --> 0:30:18.320
<v Speaker 1>it's a it's definitely enough to figure out what's going

0:30:18.360 --> 0:30:21.600
<v Speaker 1>on in the movie, but sometimes the actual phrasing is

0:30:21.680 --> 0:30:24.360
<v Speaker 1>quite funny, right, like it's you're on the verge of

0:30:24.400 --> 0:30:28.440
<v Speaker 1>baby delivery queen. That's the line of dialogue or when

0:30:28.440 --> 0:30:31.160
<v Speaker 1>they're talking people. Various people keep talking to the king

0:30:31.240 --> 0:30:34.520
<v Speaker 1>and they address him as his majesty, as as if

0:30:34.560 --> 0:30:37.160
<v Speaker 1>to say, we think we have found your daughter, his Majesty,

0:30:37.640 --> 0:30:42.600
<v Speaker 1>And it's kind of unrelenting like everything else in the movie,

0:30:42.600 --> 0:30:44.800
<v Speaker 1>and it can definitely impact the language center of your

0:30:44.800 --> 0:30:47.479
<v Speaker 1>brain by the end of it. Yes, so the palace

0:30:47.520 --> 0:30:50.880
<v Speaker 1>starts shaking violently. Uh, there's the the approach of the

0:30:50.880 --> 0:30:54.360
<v Speaker 1>burning meteor, and then the meteor suddenly flies into the

0:30:54.400 --> 0:30:57.920
<v Speaker 1>palace and then flies at the queen and is seemingly

0:30:58.040 --> 0:31:03.120
<v Speaker 1>absorbed into her body, and then she immediately projectile gives

0:31:03.200 --> 0:31:06.160
<v Speaker 1>birth to what looks like a giant pill capsule made

0:31:06.160 --> 0:31:08.960
<v Speaker 1>of alien meat. And at this point you might wonder,

0:31:08.960 --> 0:31:11.080
<v Speaker 1>why are we in a Cronenberg film now, like this

0:31:11.160 --> 0:31:13.760
<v Speaker 1>is what what did I sign up for? Luckily, this

0:31:13.840 --> 0:31:16.320
<v Speaker 1>is about as as gross as it gets. Yeah, this

0:31:16.400 --> 0:31:18.280
<v Speaker 1>is the I don't know why they frontloaded it with that,

0:31:18.320 --> 0:31:20.480
<v Speaker 1>but that's the first thing, is the alien meat pill.

0:31:20.960 --> 0:31:23.800
<v Speaker 1>And then the king comes in and he sees it

0:31:23.840 --> 0:31:27.720
<v Speaker 1>and he's like a gross and he instantly concludes that

0:31:27.760 --> 0:31:30.800
<v Speaker 1>it is a devil, but an advisor says to him,

0:31:31.280 --> 0:31:33.560
<v Speaker 1>this is a quote from the subtitles. No he is

0:31:33.600 --> 0:31:36.960
<v Speaker 1>your son anyway. Uh. And the servants at the palace,

0:31:37.080 --> 0:31:39.280
<v Speaker 1>what they end up doing is that, I guess that

0:31:39.360 --> 0:31:41.880
<v Speaker 1>the King's orders, they take the alien meat pill and

0:31:41.920 --> 0:31:44.360
<v Speaker 1>they put it in a basket and set it in

0:31:44.400 --> 0:31:47.040
<v Speaker 1>a river where it is carried away by the current.

0:31:47.400 --> 0:31:48.920
<v Speaker 1>And I was like, wait a minute, this is the

0:31:48.960 --> 0:31:54.480
<v Speaker 1>story of Moses and also sort of of Perseus and Danny. Yeah. Yeah, Like,

0:31:54.480 --> 0:31:56.920
<v Speaker 1>like I say, this film cast a wide net for

0:31:57.040 --> 0:32:01.360
<v Speaker 1>its Folkloreican mythic influences, and very apparent by by what

0:32:01.440 --> 0:32:04.480
<v Speaker 1>happens next. Oh that's right. So it goes on down

0:32:04.480 --> 0:32:06.800
<v Speaker 1>the river and then we get a title says the

0:32:06.840 --> 0:32:10.560
<v Speaker 1>Seven Dwarfs of the Happy Forest, And wow, okay, so

0:32:10.600 --> 0:32:13.600
<v Speaker 1>the Seven Dwarfs here, Uh, just like snow White, the

0:32:13.640 --> 0:32:16.760
<v Speaker 1>Seven Dwarfs live in a forest in a hut with

0:32:16.840 --> 0:32:21.400
<v Speaker 1>a painted backdrop of like mountains and multicolored clouds. And

0:32:21.520 --> 0:32:24.680
<v Speaker 1>oh boy. I know I've probably babbled about this before,

0:32:24.680 --> 0:32:26.880
<v Speaker 1>but this is one of my all time favorite things.

0:32:26.960 --> 0:32:32.880
<v Speaker 1>I love a constructed indoor forest set. Like, uh, you know, overall,

0:32:32.920 --> 0:32:34.800
<v Speaker 1>the movie isn't as great as you'd want it to be.

0:32:34.840 --> 0:32:37.160
<v Speaker 1>But it's one of the best things about legend Ridley

0:32:37.200 --> 0:32:41.000
<v Speaker 1>Scott's legend is the built forest sets in that studio

0:32:42.040 --> 0:32:44.360
<v Speaker 1>or I think of Daego Bar or whatever. I don't

0:32:44.400 --> 0:32:48.160
<v Speaker 1>know why, but I just love a built forest. Uh So,

0:32:48.440 --> 0:32:51.200
<v Speaker 1>by the way, please right in with your favorite constructed

0:32:51.240 --> 0:32:53.800
<v Speaker 1>indoor forest sets and movies. I seek them out, so

0:32:53.880 --> 0:32:57.040
<v Speaker 1>send them my way. And yeah, they're creating this um

0:32:57.720 --> 0:33:00.400
<v Speaker 1>the you know, this rural habitat this this little farm

0:33:00.440 --> 0:33:03.520
<v Speaker 1>where all the dwarves live and they since it is

0:33:03.520 --> 0:33:07.240
<v Speaker 1>a farm, there is of course a rooster, an obvious puppet,

0:33:07.520 --> 0:33:12.680
<v Speaker 1>screeching and mandarin. It's fabulous. The rooster is horrifying. It

0:33:12.840 --> 0:33:16.120
<v Speaker 1>just it constantly cuts to it and it's like, I

0:33:16.160 --> 0:33:18.520
<v Speaker 1>guess it's a puppet. For some reason, I was thinking

0:33:18.520 --> 0:33:21.640
<v Speaker 1>of it as a robot. It's like a robot rooster

0:33:21.760 --> 0:33:26.480
<v Speaker 1>that is just screeching and screeching. It barely resembles it.

0:33:26.600 --> 0:33:28.440
<v Speaker 1>Like I'm not even sure now thinking back, is it

0:33:28.480 --> 0:33:30.840
<v Speaker 1>a chicken, Is it a female chicken? Is it a rooster?

0:33:31.160 --> 0:33:34.160
<v Speaker 1>I don't know. It's it's at least a bird, and

0:33:34.200 --> 0:33:36.000
<v Speaker 1>it's a great puppet. It's not it's not like a

0:33:36.040 --> 0:33:39.640
<v Speaker 1>bad puppet, but yeah, it's it's just as logical to

0:33:39.640 --> 0:33:42.960
<v Speaker 1>think of it as a robot versus an animal. Yeah,

0:33:43.400 --> 0:33:45.680
<v Speaker 1>so when we first meet the seven Dwarfs, they are

0:33:45.800 --> 0:33:50.040
<v Speaker 1>marching and counting the numbers one to seven, and then suddenly,

0:33:50.160 --> 0:33:54.320
<v Speaker 1>out of nowhere, the soundtrack changes to funk base and saxophone,

0:33:54.720 --> 0:33:57.880
<v Speaker 1>and we see the robot rooster squawking, and one of

0:33:57.920 --> 0:34:01.440
<v Speaker 1>the dwarfs with a fancy mustachh is dressed sort of

0:34:01.480 --> 0:34:04.360
<v Speaker 1>like Robin Hood, and he's shooting arrows in the sky.

0:34:04.640 --> 0:34:07.160
<v Speaker 1>And then one of them comes back down having skewered

0:34:07.200 --> 0:34:10.040
<v Speaker 1>a fish, and he looks at it and goes strange.

0:34:11.960 --> 0:34:14.879
<v Speaker 1>So I was trying to think, this movie never does

0:34:14.880 --> 0:34:17.520
<v Speaker 1>a thing where it like names all of the seven

0:34:17.600 --> 0:34:20.319
<v Speaker 1>Dwarfs and like introduces them individually. You just kind of

0:34:20.360 --> 0:34:22.680
<v Speaker 1>have to get a sense of them while it's rolling.

0:34:23.120 --> 0:34:25.680
<v Speaker 1>So there's like the goofy Robin Hood, who's the bow

0:34:25.719 --> 0:34:27.719
<v Speaker 1>and arrow guy, but I was also thinking of him

0:34:27.719 --> 0:34:30.080
<v Speaker 1>as handsome dwarf because he's, I don't know, he's got

0:34:30.080 --> 0:34:33.759
<v Speaker 1>a fancy mustache. But then there is the vain one

0:34:33.880 --> 0:34:37.120
<v Speaker 1>who is interested in his hair, and then there's the

0:34:37.160 --> 0:34:39.960
<v Speaker 1>guy who drinks a lot and has a big bald

0:34:40.040 --> 0:34:43.759
<v Speaker 1>spot and spits. And then there is the sleepy one,

0:34:44.480 --> 0:34:46.920
<v Speaker 1>and then there is the one who farts. There's like,

0:34:47.640 --> 0:34:51.040
<v Speaker 1>I guess he's he's farty friend, and like the rooster

0:34:51.200 --> 0:34:54.560
<v Speaker 1>literally has a line like the FARTI dwarf farts, and

0:34:54.600 --> 0:34:59.319
<v Speaker 1>then the rooster says it smells bad. And then I

0:34:59.320 --> 0:35:00.960
<v Speaker 1>think there are a couple of others and I don't

0:35:00.960 --> 0:35:03.600
<v Speaker 1>know what their deal was. One guy has a necklace

0:35:03.680 --> 0:35:07.319
<v Speaker 1>with like bagels or dumplings or something on it. Oh yeah,

0:35:07.360 --> 0:35:10.680
<v Speaker 1>he also has a mohawk. Mohawk, right, has the cool

0:35:10.719 --> 0:35:13.680
<v Speaker 1>hair style and he actually has more lines. He's one

0:35:13.680 --> 0:35:20.640
<v Speaker 1>of the more active fathers of the seven fathers. Here. Um,

0:35:20.920 --> 0:35:24.400
<v Speaker 1>there's also a guy with a tall hat. Um, but

0:35:24.440 --> 0:35:26.359
<v Speaker 1>I don't remember what he did as much. You gotta

0:35:26.360 --> 0:35:28.600
<v Speaker 1>have seven of them. They can't all have starring roles,

0:35:28.640 --> 0:35:31.400
<v Speaker 1>I guess. So the film seems to focus mostly on

0:35:31.400 --> 0:35:37.239
<v Speaker 1>on FARTI um, mohawk and also yeah, Robin hood yeah,

0:35:37.360 --> 0:35:40.759
<v Speaker 1>and baldy also the bald one. Yes. Yeah, Okay, So

0:35:41.160 --> 0:35:43.200
<v Speaker 1>we a couple of them are off in the river

0:35:43.320 --> 0:35:47.359
<v Speaker 1>and they discovered the alien space baby pill in the basket. Uh,

0:35:47.400 --> 0:35:48.960
<v Speaker 1>they like pick it up and they say, hey, we

0:35:49.000 --> 0:35:52.480
<v Speaker 1>picked up a big fleshball that's from the subtitles, and

0:35:52.600 --> 0:35:57.040
<v Speaker 1>they they discuss what to do with it. They they're like, oh,

0:35:57.120 --> 0:35:59.000
<v Speaker 1>you know, how should we deal with this? And they

0:35:59.040 --> 0:36:01.080
<v Speaker 1>said one of them says let's cook it, and another

0:36:01.120 --> 0:36:03.960
<v Speaker 1>says let's pickle it. But they eventually end up like

0:36:04.080 --> 0:36:07.960
<v Speaker 1>stabbing it with a knife, and then it steam pours

0:36:08.040 --> 0:36:10.960
<v Speaker 1>out of it, and then they realize, oh wow, it

0:36:11.120 --> 0:36:13.760
<v Speaker 1>is no longer an alien pill made of meat. Now

0:36:13.880 --> 0:36:16.640
<v Speaker 1>it's just a baby. It's just a regular human baby.

0:36:17.040 --> 0:36:19.880
<v Speaker 1>And they're like, oh wow, now now we're all going

0:36:19.920 --> 0:36:22.360
<v Speaker 1>to be it's now we're all gonna be fathers. And

0:36:22.400 --> 0:36:25.160
<v Speaker 1>they debate what to name it. They briefly consider the

0:36:25.280 --> 0:36:29.399
<v Speaker 1>name Demons, but then they settle on Yaoji, and then

0:36:29.440 --> 0:36:32.680
<v Speaker 1>we get seventeen years later. And by the way, a

0:36:32.760 --> 0:36:35.160
<v Speaker 1>thing that you must keep in mind while we're discussing

0:36:35.160 --> 0:36:38.840
<v Speaker 1>all of this is that everything in this movie happens fast,

0:36:39.120 --> 0:36:42.440
<v Speaker 1>and the cuts are very sudden, and the changes in

0:36:42.440 --> 0:36:46.160
<v Speaker 1>the action are very sudden. This movie does not do

0:36:46.360 --> 0:36:48.399
<v Speaker 1>I mean, occasionally it does, but most of the time

0:36:48.480 --> 0:36:51.800
<v Speaker 1>does not do a lot of like establishing new shots

0:36:51.800 --> 0:36:56.720
<v Speaker 1>and locations is just one thing straight into the next. Yeah. Yeah,

0:36:56.840 --> 0:37:00.719
<v Speaker 1>And so instantly seventeen years go by, and this is

0:37:00.760 --> 0:37:04.840
<v Speaker 1>where we get a monster attack, a fabulous cyclops monster.

0:37:05.200 --> 0:37:07.280
<v Speaker 1>That's right, So it shows us. I think it's supposed

0:37:07.320 --> 0:37:09.560
<v Speaker 1>to be an inn, like an inn and a tavern,

0:37:10.080 --> 0:37:12.719
<v Speaker 1>and a cyclops monster just attacks it. It's like a

0:37:12.719 --> 0:37:15.759
<v Speaker 1>monster with horns, and it's got one eye and then

0:37:15.760 --> 0:37:18.640
<v Speaker 1>it's got kissy lips. Yeah. Yeah, yeah. It has kind

0:37:18.640 --> 0:37:22.879
<v Speaker 1>of a turtle vibe to it. Uh, it's it's it's

0:37:22.880 --> 0:37:24.839
<v Speaker 1>a nice effect. I like this cost him a lot.

0:37:25.360 --> 0:37:29.120
<v Speaker 1>It starts rampaging immediately. There's a great scene where there's

0:37:29.160 --> 0:37:32.279
<v Speaker 1>this drunk man kind of uh stumbling through the inn

0:37:32.760 --> 0:37:36.480
<v Speaker 1>and he looks over and there's a paper screen um um,

0:37:36.560 --> 0:37:39.120
<v Speaker 1>and behind it we see the silhouette of the monster,

0:37:39.239 --> 0:37:41.400
<v Speaker 1>and for a second, the silhouette, I guess, kind of

0:37:41.440 --> 0:37:43.719
<v Speaker 1>looks like a woman. And so the drunk man's like, oh,

0:37:43.760 --> 0:37:45.440
<v Speaker 1>I'm gonna go check this out, and he pokes a

0:37:45.480 --> 0:37:48.800
<v Speaker 1>hole through the screen to peek, and then the monster

0:37:48.960 --> 0:37:52.480
<v Speaker 1>like reaches through and grabs him. It's wonderful, just eats him.

0:37:52.520 --> 0:37:53.960
<v Speaker 1>I think I don't know, it's hard to tell what

0:37:54.000 --> 0:37:57.040
<v Speaker 1>the monster is doing with people. I think it's eating people. Uh,

0:37:57.120 --> 0:38:00.440
<v Speaker 1>and we see, Okay, can anyone stop this rampaging eyeclops.

0:38:00.480 --> 0:38:02.879
<v Speaker 1>A couple of tough guys with weapons leap up, one

0:38:02.880 --> 0:38:05.719
<v Speaker 1>as an axe, one as a sword, but no, the

0:38:05.800 --> 0:38:10.200
<v Speaker 1>monster instantly dispatches them. So I guess that just establishes

0:38:10.239 --> 0:38:12.719
<v Speaker 1>that somewhere we I don't think it has told us

0:38:12.760 --> 0:38:14.880
<v Speaker 1>where this is, but somewhere there is an end with

0:38:14.920 --> 0:38:19.440
<v Speaker 1>a monster problem, right, and it's ongoing. Yeah, ongoing. Let's

0:38:19.480 --> 0:38:22.839
<v Speaker 1>go back to the to the forest. Just suddenly, uh,

0:38:22.880 --> 0:38:26.600
<v Speaker 1>we go back and now the alien meat pill has

0:38:26.719 --> 0:38:30.600
<v Speaker 1>become has grown up, and she's become a princess. And

0:38:30.680 --> 0:38:33.040
<v Speaker 1>now that she is is grown up, she lives in

0:38:33.040 --> 0:38:36.719
<v Speaker 1>the forest and she interacts with like magic stuff, like

0:38:36.719 --> 0:38:41.160
<v Speaker 1>a magic altar. Yep, the magic altar becomes important later.

0:38:41.400 --> 0:38:43.520
<v Speaker 1>I didn't understand what was going on with the magic

0:38:43.560 --> 0:38:45.920
<v Speaker 1>altar at first. I think it's described at first that

0:38:45.960 --> 0:38:48.399
<v Speaker 1>the altar keeps the devil away, keeps the devil from

0:38:48.480 --> 0:38:52.560
<v Speaker 1>capturing the dwarves. Uh. And essentially that's it. It's apparent

0:38:52.640 --> 0:38:55.680
<v Speaker 1>it's apparently a ward to keep certain evil forces away

0:38:55.880 --> 0:38:59.640
<v Speaker 1>that have a role in the Dwarfdom of these Seven

0:38:59.719 --> 0:39:03.480
<v Speaker 1>end of the Jewels. Yeah. Yeah, So she is down

0:39:03.480 --> 0:39:06.360
<v Speaker 1>by the river's edge when suddenly she meets a handsome

0:39:06.400 --> 0:39:10.360
<v Speaker 1>prince with sideburns, and I gotta say them when we

0:39:10.440 --> 0:39:13.799
<v Speaker 1>first meet him, the combination of the sideburns and the

0:39:13.800 --> 0:39:16.160
<v Speaker 1>fact that he's wearing like a white suit with these

0:39:16.160 --> 0:39:20.600
<v Speaker 1>wide lapels with inlaid designs made me think Elvis. I

0:39:20.640 --> 0:39:22.640
<v Speaker 1>also found it funny that in a movie so full

0:39:22.680 --> 0:39:26.320
<v Speaker 1>of magic, the princess's first major threat here is she

0:39:26.320 --> 0:39:28.319
<v Speaker 1>She almost falls in the water, and he's here to

0:39:28.400 --> 0:39:31.400
<v Speaker 1>save her. So it's not not like a monster attacks

0:39:31.400 --> 0:39:33.960
<v Speaker 1>in this scene or anything. But he's here, he's handsome.

0:39:34.200 --> 0:39:38.759
<v Speaker 1>She's immediately snooting. Yeah, absolutely instant falling in love. So

0:39:38.880 --> 0:39:42.000
<v Speaker 1>she they introduced themselves. She is Yogi and he is

0:39:42.080 --> 0:39:45.680
<v Speaker 1>your June of the your Chin Kingdom, and uh, I

0:39:45.719 --> 0:39:49.239
<v Speaker 1>think he's he's on his way to the palace of

0:39:49.280 --> 0:39:52.280
<v Speaker 1>the nearby king so that he can pay his respects

0:39:52.360 --> 0:39:55.480
<v Speaker 1>for the king's birthday. And so they walk back to

0:39:55.640 --> 0:39:59.160
<v Speaker 1>the seven Dwarf's hut, and immediately the robot chicken is

0:39:59.200 --> 0:40:05.200
<v Speaker 1>just mad, screeching, unleashed Um and the the the seven

0:40:05.320 --> 0:40:08.239
<v Speaker 1>dads here are initially quite skeptical of the prince when

0:40:08.239 --> 0:40:10.600
<v Speaker 1>they see him, but then Yeahchi explains that well, he's

0:40:10.680 --> 0:40:13.680
<v Speaker 1>royalty and he saved her life, and they soften up

0:40:13.719 --> 0:40:16.160
<v Speaker 1>real quick. They come around to the to the new boyfriend,

0:40:16.560 --> 0:40:18.960
<v Speaker 1>but of course the prince can't stay. He's he's on

0:40:18.960 --> 0:40:20.680
<v Speaker 1>a royal journey. He has to be on his way

0:40:20.719 --> 0:40:23.640
<v Speaker 1>to the palace, and so he leaves, and oh no,

0:40:23.840 --> 0:40:27.080
<v Speaker 1>the princesses, oh, she's pining for him, and the farting

0:40:27.160 --> 0:40:31.120
<v Speaker 1>dad says her daughter is sick with love and it's sad.

0:40:31.120 --> 0:40:33.319
<v Speaker 1>I think we get some of that sweet music playing here.

0:40:42.360 --> 0:40:45.120
<v Speaker 1>So next we cut back to the palace and the king,

0:40:45.360 --> 0:40:49.279
<v Speaker 1>and here we begin a sequence that is just bananas.

0:40:49.440 --> 0:40:51.120
<v Speaker 1>This is what I was talking about at the beginning,

0:40:51.120 --> 0:40:53.359
<v Speaker 1>where the part we're like, I mean, everything so far

0:40:53.440 --> 0:40:55.759
<v Speaker 1>has been great and weird and wonderful, but at this

0:40:55.840 --> 0:40:59.879
<v Speaker 1>part my brain kicked over into like a higher gear.

0:41:00.680 --> 0:41:03.120
<v Speaker 1>So we're in the courtroom of the palace and the

0:41:03.200 --> 0:41:05.680
<v Speaker 1>king announces he's troubled by a demon that has been

0:41:05.760 --> 0:41:09.040
<v Speaker 1>attacking the town. Is there any way they can defeat it?

0:41:09.080 --> 0:41:11.080
<v Speaker 1>I think they're talking about the you know the cyclops

0:41:11.120 --> 0:41:14.040
<v Speaker 1>from earlier, and uh, there there are notes of sort

0:41:14.080 --> 0:41:16.640
<v Speaker 1>of Bayo wolffish stuff here, like, you know, the king's

0:41:16.640 --> 0:41:20.240
<v Speaker 1>hall is under relentless assault. Can no one kill the monster?

0:41:20.640 --> 0:41:24.560
<v Speaker 1>And then enter a powerful warrior from far away. So

0:41:24.600 --> 0:41:27.280
<v Speaker 1>one of the advisors in the court says, his majesty,

0:41:27.480 --> 0:41:30.960
<v Speaker 1>a woman exorcist and named g R in the Wuchian

0:41:31.120 --> 0:41:35.880
<v Speaker 1>kingdom is overpowerful, which that sounds like a problem, but

0:41:35.920 --> 0:41:38.680
<v Speaker 1>I think they're just saying she's very strong. And the

0:41:38.800 --> 0:41:40.880
<v Speaker 1>king says, all right, you know, let's get her to

0:41:40.960 --> 0:41:44.040
<v Speaker 1>come in and deal with the demon. But she's already here.

0:41:44.680 --> 0:41:49.319
<v Speaker 1>Just crazy, witchy laughter fills the hall and the sorceress

0:41:49.400 --> 0:41:52.000
<v Speaker 1>appears in the middle of the throne room and then

0:41:52.040 --> 0:41:55.640
<v Speaker 1>instead of walking up to approach the throne, she repeatedly teleports.

0:41:56.600 --> 0:42:00.200
<v Speaker 1>She makes quite an entrance. Yes, she assures the king

0:42:00.239 --> 0:42:02.520
<v Speaker 1>that she has the power to defeat the demon. And

0:42:02.600 --> 0:42:04.480
<v Speaker 1>here's the part I was talking about where one advisor

0:42:04.560 --> 0:42:07.479
<v Speaker 1>is like, I'm concerned about the safety of civilians. Maybe

0:42:07.480 --> 0:42:10.319
<v Speaker 1>we don't want to trust a sorceress. And then she

0:42:10.480 --> 0:42:13.239
<v Speaker 1>just like twists his head off, like twists his head

0:42:13.280 --> 0:42:16.040
<v Speaker 1>around on his neck and kills him. I guess to

0:42:16.120 --> 0:42:19.480
<v Speaker 1>prove her trustworthiness. I don't know, but she curses him

0:42:19.480 --> 0:42:21.960
<v Speaker 1>to death, and then there's a guard who's like, hey,

0:42:22.040 --> 0:42:24.560
<v Speaker 1>you're not supposed to kill the imperial ministers, and he

0:42:24.640 --> 0:42:27.600
<v Speaker 1>draws his sword, but then she uses her magic to

0:42:27.640 --> 0:42:30.760
<v Speaker 1>make the sword fly from his hand through the air

0:42:30.880 --> 0:42:33.880
<v Speaker 1>and then back through his chest. But I guess she

0:42:34.040 --> 0:42:36.400
<v Speaker 1>turned it into a spectral sword or something, because he

0:42:36.440 --> 0:42:39.920
<v Speaker 1>appears unharmed. He's just very shocked. So she's ultimately just

0:42:39.960 --> 0:42:42.880
<v Speaker 1>proving what she could do if she needed to do it.

0:42:42.920 --> 0:42:45.800
<v Speaker 1>I don't I guess she didn't actually kill anybody here. Well, no,

0:42:45.960 --> 0:42:47.920
<v Speaker 1>I think she did kill the first guy. I think

0:42:47.960 --> 0:42:50.240
<v Speaker 1>she just didn't kill the second guy for some reason.

0:42:50.840 --> 0:42:53.759
<v Speaker 1>That the neck twisting guy. Okay, yeah, I mean I

0:42:53.760 --> 0:42:56.560
<v Speaker 1>could be wrong, No, I I the impression I got

0:42:56.640 --> 0:42:59.279
<v Speaker 1>was she actually twisted his head off, but she did

0:42:59.320 --> 0:43:03.560
<v Speaker 1>not actually skewer the guy with his own sword at

0:43:03.560 --> 0:43:05.800
<v Speaker 1>any rate. She makes a strong statement, I've got the

0:43:05.840 --> 0:43:08.839
<v Speaker 1>goods I can handle this demon, but by the way,

0:43:08.840 --> 0:43:11.120
<v Speaker 1>I also need to bring in another person on this one.

0:43:11.360 --> 0:43:13.680
<v Speaker 1>That's right. So she says she's going to capture the demon,

0:43:13.960 --> 0:43:17.480
<v Speaker 1>but she has a friend called Shacker who has magical

0:43:17.520 --> 0:43:20.279
<v Speaker 1>powers and he's going to help her, and the King's like,

0:43:20.360 --> 0:43:23.200
<v Speaker 1>oh great, another sorcerer will send for him, but once

0:43:23.200 --> 0:43:26.439
<v Speaker 1>again he's already here. So we get the shock her

0:43:26.480 --> 0:43:29.719
<v Speaker 1>reveal and wow, it's like a wrestling entrance. He has

0:43:29.800 --> 0:43:33.719
<v Speaker 1>his own funky theme music. The lights start flashing, and

0:43:33.760 --> 0:43:37.080
<v Speaker 1>he appears in both live action bodily form, but also

0:43:37.160 --> 0:43:40.760
<v Speaker 1>in animated form and an animated form, he's like blue

0:43:40.960 --> 0:43:43.759
<v Speaker 1>and he looks like a Marvel Comics dark wizard with

0:43:43.840 --> 0:43:48.520
<v Speaker 1>glowing eyes. It's like they're they're flashing to still images

0:43:48.680 --> 0:43:53.400
<v Speaker 1>from a glorious van mural of a wizard. Yes, and

0:43:53.480 --> 0:43:55.560
<v Speaker 1>I every time both times that I watched this and

0:43:55.680 --> 0:43:57.600
<v Speaker 1>I'm watching this film a couple of times I was

0:43:58.120 --> 0:44:00.080
<v Speaker 1>it was just like what, Like who should I know

0:44:00.239 --> 0:44:03.920
<v Speaker 1>that that image? Like what's going on? Uh, it's such

0:44:03.960 --> 0:44:08.080
<v Speaker 1>a strange to me choice, but it absolutely makes an impression. Yeah,

0:44:08.120 --> 0:44:09.719
<v Speaker 1>I know what you mean. It's almost like it was

0:44:09.840 --> 0:44:13.719
<v Speaker 1>intercutting with like a famous painting that we should recognize,

0:44:13.760 --> 0:44:16.920
<v Speaker 1>Like it's with like, you know, the Bosch painting of

0:44:17.280 --> 0:44:20.160
<v Speaker 1>Terror and Madness or something. Yeah, I don't know, but

0:44:20.280 --> 0:44:23.480
<v Speaker 1>I love it and again, he makes quite an entrance

0:44:23.960 --> 0:44:27.359
<v Speaker 1>and he's got this wonderful magic staff with that like

0:44:27.640 --> 0:44:30.440
<v Speaker 1>what a demon head on top of it. So you

0:44:30.480 --> 0:44:33.640
<v Speaker 1>instantly can tell this guy knows his exorcisms. She knows

0:44:33.640 --> 0:44:37.040
<v Speaker 1>her exorcisms. This, this is the occult power couple we

0:44:37.040 --> 0:44:39.279
<v Speaker 1>need to invest in as a kingdom. You do not

0:44:39.400 --> 0:44:41.560
<v Speaker 1>need to mess with these two. And the king says,

0:44:41.600 --> 0:44:44.520
<v Speaker 1>so you are powerful exorcists. Hope that you make it

0:44:45.480 --> 0:44:48.560
<v Speaker 1>um so onto business. They go out to beat the monster,

0:44:48.719 --> 0:44:52.880
<v Speaker 1>but also in doing so they do a sick costume change.

0:44:53.000 --> 0:44:57.640
<v Speaker 1>They look so cool. Yeah, the sorceress especially, like suddenly

0:44:57.640 --> 0:45:00.560
<v Speaker 1>she's wearing this terrific Egyptian themed out fit with this

0:45:00.680 --> 0:45:06.279
<v Speaker 1>like Egyptian like ancient Egyptian hairstyle. Absolutely wonderful. And then

0:45:06.320 --> 0:45:09.160
<v Speaker 1>how do they kill the demon? It's over very quick. Yeah,

0:45:09.239 --> 0:45:11.880
<v Speaker 1>Like they basically show up. There's the demons rampaging in

0:45:11.920 --> 0:45:15.880
<v Speaker 1>the streets, and uh, the sorcerer uses this kind of

0:45:16.000 --> 0:45:20.120
<v Speaker 1>napalm demon staff strike. He like does a few flourishes,

0:45:20.440 --> 0:45:23.759
<v Speaker 1>throws his demon staff and it just explodes in a

0:45:23.800 --> 0:45:27.399
<v Speaker 1>big fireball when it hits the demon boom. Done one

0:45:27.400 --> 0:45:29.719
<v Speaker 1>and done. It's over, and then they're right back in

0:45:29.719 --> 0:45:32.719
<v Speaker 1>the courtroom. Yeah, and she has another costume change. She's

0:45:32.719 --> 0:45:35.279
<v Speaker 1>wearing all red though she's gonna be back in the

0:45:35.280 --> 0:45:37.759
<v Speaker 1>Egyptian outfit again like the following scene. But she's a

0:45:37.800 --> 0:45:40.320
<v Speaker 1>sorcerers she can do what she wants. So for killing

0:45:40.360 --> 0:45:43.719
<v Speaker 1>the Cyclops demon, the king rewards them with official posts.

0:45:43.840 --> 0:45:47.040
<v Speaker 1>I think he makes the well, actually, I don't know

0:45:47.080 --> 0:45:49.320
<v Speaker 1>if this is fair. I don't notice that he rewards

0:45:49.360 --> 0:45:53.680
<v Speaker 1>the sorceress only the male sorcerer. Uh. He rewards Schaker

0:45:53.880 --> 0:45:58.120
<v Speaker 1>by making him a general. And the King's advisor has concerns.

0:45:58.200 --> 0:45:59.759
<v Speaker 1>He's like, I don't know if we should make these

0:46:00.040 --> 0:46:03.560
<v Speaker 1>for his generals. That would be kind of giving them

0:46:03.600 --> 0:46:06.760
<v Speaker 1>a lot of trust. But the King just dismisses these worries.

0:46:07.080 --> 0:46:09.800
<v Speaker 1>It'll be fine, and they seem great. And then literally

0:46:09.840 --> 0:46:12.360
<v Speaker 1>in the next shot, they're both cackling about what a

0:46:12.400 --> 0:46:15.680
<v Speaker 1>great idea it was to send the one ied demon

0:46:15.760 --> 0:46:18.560
<v Speaker 1>to terrify the people so that then they could gain

0:46:18.600 --> 0:46:22.240
<v Speaker 1>access to the palace by defeating it. Yeah, the advisor

0:46:22.360 --> 0:46:25.399
<v Speaker 1>is the only sensible person in the entire film. Um

0:46:25.600 --> 0:46:28.680
<v Speaker 1>that that basically the king never listens to him, except

0:46:28.719 --> 0:46:30.839
<v Speaker 1>a little bit maybe at the beginning concerning the child,

0:46:30.880 --> 0:46:32.319
<v Speaker 1>but for them. But when it comes to these the

0:46:32.320 --> 0:46:34.839
<v Speaker 1>sorcerer and the sorceress, he's like, no, no, no, I'm fine.

0:46:34.840 --> 0:46:36.960
<v Speaker 1>I trust them completely. Didn't you see how powerful they are?

0:46:37.320 --> 0:46:39.239
<v Speaker 1>And now we know they're up to no good? Right, right?

0:46:39.440 --> 0:46:41.440
<v Speaker 1>I wouldn't be fair to the advisor. I think later

0:46:41.520 --> 0:46:46.240
<v Speaker 1>on he does get his advice followed somewhat like after remember,

0:46:46.360 --> 0:46:48.600
<v Speaker 1>after he finds out about who the princess is, and

0:46:48.680 --> 0:46:51.239
<v Speaker 1>he want he tells the king. He's like, hey, I

0:46:51.280 --> 0:46:54.680
<v Speaker 1>think that's your daughter. Actually he's consistent. He has sound

0:46:54.719 --> 0:46:57.839
<v Speaker 1>counsel throughout the entire picture. Sometimes they listen to him,

0:46:58.120 --> 0:47:00.719
<v Speaker 1>sometimes they don't. That's right, But oh man, there is

0:47:00.760 --> 0:47:04.399
<v Speaker 1>such eye popping demon activity in the next scene. So

0:47:04.800 --> 0:47:07.239
<v Speaker 1>they go down in what I was thinking of the

0:47:07.239 --> 0:47:09.759
<v Speaker 1>whole movie as the basement. The sorcerers go to the

0:47:09.800 --> 0:47:12.600
<v Speaker 1>basement where they've got a big statue of a demon

0:47:12.640 --> 0:47:15.400
<v Speaker 1>with two faces, one face on the head and then

0:47:15.520 --> 0:47:18.120
<v Speaker 1>one face in like the belly or the crotch, and

0:47:18.160 --> 0:47:20.880
<v Speaker 1>like they talk about this because at one point the

0:47:21.280 --> 0:47:24.200
<v Speaker 1>sorcerer says to their demon, he's like, you've got too

0:47:24.200 --> 0:47:27.360
<v Speaker 1>many faces or something. Yeah, And then there are these big,

0:47:27.400 --> 0:47:31.319
<v Speaker 1>like paper machee giant human heads that may represent the

0:47:31.360 --> 0:47:34.040
<v Speaker 1>sorcerer and the sorceress that are like clutched in hands.

0:47:34.640 --> 0:47:38.239
<v Speaker 1>There's all this glorious red gel lighting. It is this

0:47:38.440 --> 0:47:41.759
<v Speaker 1>wonderful demon layer. And one thing I particularly loved is

0:47:41.800 --> 0:47:46.440
<v Speaker 1>that the design of this demonic altar it um, it

0:47:46.520 --> 0:47:48.960
<v Speaker 1>has a style like the artistic style here is not

0:47:49.360 --> 0:47:51.480
<v Speaker 1>It's not something you would necessarily I think see in

0:47:51.520 --> 0:47:56.319
<v Speaker 1>like traditional uh Chinese iconography, but it reminded me very

0:47:56.360 --> 0:48:01.440
<v Speaker 1>strongly of of decorations that I saw in Ending, China

0:48:01.600 --> 0:48:05.480
<v Speaker 1>at a haunted house, like a like a tourist attraction,

0:48:05.520 --> 0:48:07.759
<v Speaker 1>you know, at one of the parks there. It was

0:48:07.800 --> 0:48:10.480
<v Speaker 1>the same sort of style of outrageous looking demon head.

0:48:10.520 --> 0:48:12.239
<v Speaker 1>So I don't know if if this kind of uh

0:48:12.400 --> 0:48:14.799
<v Speaker 1>this style of decoration has a name, but you might

0:48:14.840 --> 0:48:16.640
<v Speaker 1>think if it I guess is like sort of like

0:48:16.719 --> 0:48:22.279
<v Speaker 1>Chinese halloween stylings. Um, but it it has. It's it's wonderful. Yeah,

0:48:22.280 --> 0:48:24.680
<v Speaker 1>this whole, this whole demon layer, and we learned the

0:48:24.680 --> 0:48:28.839
<v Speaker 1>demon's name. They serve Ah, do they say we are

0:48:28.880 --> 0:48:33.719
<v Speaker 1>your loyal lackeys for long? Yes, lackeys forever. But Okay,

0:48:33.800 --> 0:48:35.200
<v Speaker 1>what are they going to do down here. Well, they

0:48:35.239 --> 0:48:37.680
<v Speaker 1>do some rituals and they pledge their loyalty to the

0:48:37.719 --> 0:48:40.120
<v Speaker 1>demon ah do, and then they're like, hey, let's create

0:48:40.160 --> 0:48:43.239
<v Speaker 1>a nine headed siren. We need another monster. That's right,

0:48:43.280 --> 0:48:46.560
<v Speaker 1>I mean they've gotten so far with one uh monster,

0:48:46.680 --> 0:48:48.279
<v Speaker 1>con they've got to take it to the next level

0:48:48.360 --> 0:48:50.759
<v Speaker 1>introduce another monster that, of course they will have to

0:48:50.840 --> 0:48:54.080
<v Speaker 1>fight and then reap the benefits of having slain. But

0:48:54.160 --> 0:48:56.920
<v Speaker 1>it doesn't exactly go that way, does it. But we'll

0:48:56.960 --> 0:48:58.960
<v Speaker 1>get there in a second. So, first of all, there

0:48:59.040 --> 0:49:02.000
<v Speaker 1>is a scene where she's dad's try to make her

0:49:02.040 --> 0:49:05.560
<v Speaker 1>happy again, because you know, she's back in the forest.

0:49:05.640 --> 0:49:07.800
<v Speaker 1>She's love sick. She's fallen in love with the prince

0:49:07.880 --> 0:49:10.440
<v Speaker 1>but he's gone off on his own path and and

0:49:10.480 --> 0:49:12.400
<v Speaker 1>now all she can do is sit around in pine

0:49:12.440 --> 0:49:14.520
<v Speaker 1>for him. So she's so sad, and they, you know,

0:49:14.600 --> 0:49:17.040
<v Speaker 1>these are these are kind dads, these these are they're

0:49:17.080 --> 0:49:19.359
<v Speaker 1>good dads, and they want to help her out. So

0:49:19.560 --> 0:49:22.000
<v Speaker 1>they're like, I know, let's try to make her laugh

0:49:22.040 --> 0:49:26.000
<v Speaker 1>by doing animal impressions. Um. So they they spend a

0:49:26.080 --> 0:49:30.000
<v Speaker 1>long time seeing who can like be the funniest, like, uh,

0:49:30.360 --> 0:49:34.040
<v Speaker 1>rooster or ape. Yeah, the scene. This scene maybe goes

0:49:34.080 --> 0:49:36.359
<v Speaker 1>on a little too long, not that that I got

0:49:36.400 --> 0:49:38.880
<v Speaker 1>sick of it, but you can tell the music transition

0:49:38.960 --> 0:49:42.279
<v Speaker 1>to the sweet stuff while the comedic shenanigans were still

0:49:42.320 --> 0:49:45.759
<v Speaker 1>going on. But then they cut over and yeah, she's

0:49:45.760 --> 0:49:48.080
<v Speaker 1>feeling sad, and they realize it's not working. We've got

0:49:48.080 --> 0:49:50.880
<v Speaker 1>to help her in another way, right. I think they're

0:49:50.920 --> 0:49:53.240
<v Speaker 1>starting to get the picture. It's like, look, the only

0:49:53.320 --> 0:49:55.880
<v Speaker 1>solution here is we've got to get her together with

0:49:55.920 --> 0:49:58.400
<v Speaker 1>her prints. That's the only way she's gonna be happy.

0:49:58.440 --> 0:50:00.440
<v Speaker 1>But they know where the prince is. He's at the capital,

0:50:00.520 --> 0:50:03.280
<v Speaker 1>so they'll be able to follow up on that. Okay,

0:50:03.360 --> 0:50:05.239
<v Speaker 1>so what are they What are they gonna do to

0:50:05.360 --> 0:50:08.920
<v Speaker 1>kill the nine headed Siren? The King's like, there's more monsters?

0:50:08.920 --> 0:50:12.080
<v Speaker 1>Why why are we getting more monsters? Um? And this

0:50:12.120 --> 0:50:14.920
<v Speaker 1>time they suggest, I know, let's let's not waste our

0:50:14.920 --> 0:50:18.200
<v Speaker 1>best sorcerers on the monster. This time, let's send the

0:50:18.200 --> 0:50:21.520
<v Speaker 1>heroic young swordsman, the prince you're June, who is here

0:50:21.560 --> 0:50:24.400
<v Speaker 1>from a foreign land to celebrate the king's birthday. He

0:50:24.440 --> 0:50:27.960
<v Speaker 1>can kill the demon for us. And there's initially some concern.

0:50:28.040 --> 0:50:31.120
<v Speaker 1>I think they're like, oh, but he's like he's actually royal, Like,

0:50:31.160 --> 0:50:33.440
<v Speaker 1>we don't want to risk his life. But your June

0:50:33.480 --> 0:50:35.680
<v Speaker 1>comes out and says, no, no, I am skilled in

0:50:35.719 --> 0:50:38.319
<v Speaker 1>self defense. And you can tell the Sorcerer and the

0:50:38.360 --> 0:50:42.359
<v Speaker 1>Sorceress do not like this idea. This is um, this

0:50:42.480 --> 0:50:45.240
<v Speaker 1>is a kink in their plans. Uh. They are supposed

0:50:45.280 --> 0:50:47.879
<v Speaker 1>to be the go toos for dealing with demons, right,

0:50:47.960 --> 0:50:52.359
<v Speaker 1>So the young Prince goes out with uh several other

0:50:52.480 --> 0:50:55.719
<v Speaker 1>soldiers to fight the monster, and then there's this cool

0:50:55.760 --> 0:50:58.960
<v Speaker 1>scene where the the evil sorcerer Schacker is sort of

0:50:59.080 --> 0:51:02.840
<v Speaker 1>puppet control owling the nine headed Siren from the demon

0:51:02.920 --> 0:51:06.840
<v Speaker 1>basement while the Prince is fighting him. Yeah, the sorcery

0:51:06.840 --> 0:51:08.960
<v Speaker 1>in this film is all fabulous because there's a lot

0:51:09.000 --> 0:51:12.160
<v Speaker 1>of um, a lot of hand movements and moodras and

0:51:12.200 --> 0:51:15.560
<v Speaker 1>so forth, with wonderful kind of martial arts sound effects

0:51:15.560 --> 0:51:19.240
<v Speaker 1>to each movement, and then also the creation of magical

0:51:19.320 --> 0:51:22.080
<v Speaker 1>circles in the in the air in front of the

0:51:22.120 --> 0:51:25.520
<v Speaker 1>sorcerer or sorceress that they'll stick their hands through to

0:51:25.600 --> 0:51:29.560
<v Speaker 1>do the various incantations. So the magic is just richly

0:51:30.120 --> 0:51:33.720
<v Speaker 1>visually of fun to watch, and of course the Prince

0:51:33.760 --> 0:51:37.280
<v Speaker 1>wins the sword fight against the monster, and it's interesting

0:51:37.320 --> 0:51:40.680
<v Speaker 1>that the violence against the monster actually translates back to

0:51:40.920 --> 0:51:44.040
<v Speaker 1>the puppet master at actually to Chakur. Like at the

0:51:44.120 --> 0:51:46.520
<v Speaker 1>end of the fight, he's in his demon basement spitting

0:51:46.600 --> 0:51:49.920
<v Speaker 1>up blood. It's intense. So once again things are not

0:51:49.920 --> 0:51:53.600
<v Speaker 1>going according to plan. This this monster was was theirs

0:51:53.640 --> 0:51:56.600
<v Speaker 1>to slay and they couldn't even use this monster then

0:51:56.600 --> 0:51:59.560
<v Speaker 1>to slay this metlesome hero. So then we cut back

0:51:59.600 --> 0:52:02.200
<v Speaker 1>to the forest for a bit and here we get

0:52:02.280 --> 0:52:06.120
<v Speaker 1>the bunny fairy seed. Do you want to describe this, Well,

0:52:06.120 --> 0:52:08.680
<v Speaker 1>you know, she's she's doing what a princess may may

0:52:08.719 --> 0:52:11.719
<v Speaker 1>do oftentimes, just setting there, a bunny comes up to her.

0:52:11.840 --> 0:52:14.239
<v Speaker 1>She's feeling sad, so she picks up the bunny and

0:52:14.280 --> 0:52:17.520
<v Speaker 1>then she puts the bunny back down instead of I

0:52:17.520 --> 0:52:21.720
<v Speaker 1>guess what, killing the bunny. I don't beating it because

0:52:21.840 --> 0:52:25.240
<v Speaker 1>the because the thing is the bunny then transforms into

0:52:25.280 --> 0:52:27.880
<v Speaker 1>the fairy of the forest and did this tiny little

0:52:28.440 --> 0:52:32.200
<v Speaker 1>bubbly woman who then is like, yeah, you save me,

0:52:32.280 --> 0:52:34.239
<v Speaker 1>this is great. Let me make it up to you,

0:52:34.520 --> 0:52:36.640
<v Speaker 1>or maybe not save You didn't save me, but you

0:52:36.760 --> 0:52:38.520
<v Speaker 1>like spared me. I'm not I'm not really sure what

0:52:38.560 --> 0:52:41.680
<v Speaker 1>the trans The details of the transaction are here, but basically,

0:52:41.680 --> 0:52:43.840
<v Speaker 1>she's I am a fairy and now i am fully

0:52:43.880 --> 0:52:45.680
<v Speaker 1>introduced in this film, and I'm here to help you.

0:52:45.840 --> 0:52:48.560
<v Speaker 1>That's right. So I think the fairy is saying, I'm

0:52:48.600 --> 0:52:53.480
<v Speaker 1>so glad you didn't kill and eat me as a bunny. Um. So,

0:52:54.000 --> 0:52:56.239
<v Speaker 1>so anyway she gets she says, hey, I'll grant you

0:52:56.280 --> 0:52:59.120
<v Speaker 1>a wish. And what is the princess wish for? She

0:52:59.200 --> 0:53:01.600
<v Speaker 1>tells her she can win for a gym or a pearl,

0:53:02.360 --> 0:53:05.239
<v Speaker 1>but the princess says, no, all I want is to

0:53:05.280 --> 0:53:09.400
<v Speaker 1>be with my prince. And so together her, her dad's

0:53:09.560 --> 0:53:13.160
<v Speaker 1>in the forest, and the little Fairy, they conspire to

0:53:13.320 --> 0:53:17.680
<v Speaker 1>help Yogi win the heart of the prince. But let's see,

0:53:17.719 --> 0:53:20.920
<v Speaker 1>the fairy magically gives her a gown that would, let

0:53:21.000 --> 0:53:22.880
<v Speaker 1>you know, it's like Cinderella like. She can wear this

0:53:22.960 --> 0:53:27.360
<v Speaker 1>to the palace. And then the seven Dwarfs come up

0:53:27.400 --> 0:53:30.680
<v Speaker 1>with a plan to sneak her into the palace because

0:53:30.719 --> 0:53:33.400
<v Speaker 1>one of them knows the guards at the palace, and

0:53:33.440 --> 0:53:35.800
<v Speaker 1>they can sneak her in pretending to be a maid

0:53:36.000 --> 0:53:38.160
<v Speaker 1>so she can meet the prince again. Now you might

0:53:38.160 --> 0:53:40.440
<v Speaker 1>wonder why did the dwarves have all these connections it

0:53:41.320 --> 0:53:44.799
<v Speaker 1>They kind of begin to trickle the information here and

0:53:44.880 --> 0:53:47.239
<v Speaker 1>about the dwarves, but we eventually learned that they are

0:53:47.320 --> 0:53:51.279
<v Speaker 1>dwarves because they were cursed. They were seven generals. So

0:53:51.680 --> 0:53:53.719
<v Speaker 1>they even though they're in hiding and they're using a

0:53:53.760 --> 0:53:57.359
<v Speaker 1>magical altar to keep evildoers from finding out where they are,

0:53:57.600 --> 0:54:01.520
<v Speaker 1>they still have connections to uh, military individuals at the

0:54:01.560 --> 0:54:03.799
<v Speaker 1>palace and so forth. So I guess he was once

0:54:03.880 --> 0:54:16.440
<v Speaker 1>like the fartie general. I guess. Alright, So the princess

0:54:16.480 --> 0:54:19.000
<v Speaker 1>in filth rates the palace pretending to be a maid.

0:54:19.120 --> 0:54:22.040
<v Speaker 1>She meets the prince again, and things are going sort

0:54:22.080 --> 0:54:24.480
<v Speaker 1>of well in that regard, but then the sorceress g

0:54:24.800 --> 0:54:27.880
<v Speaker 1>r Is jealous. She goes to the demon statue in

0:54:27.880 --> 0:54:29.960
<v Speaker 1>the basement and she's like, I thought you said I

0:54:30.040 --> 0:54:34.719
<v Speaker 1>am the most charming girl, and the demon statue was like, uh, well, well,

0:54:34.760 --> 0:54:38.040
<v Speaker 1>well sorry, you were not the most I guess this

0:54:38.080 --> 0:54:40.200
<v Speaker 1>is supposed to be a kind of a mirror mirror

0:54:40.200 --> 0:54:43.759
<v Speaker 1>on the wall. Who's the fairest. Well this this leads

0:54:43.800 --> 0:54:47.320
<v Speaker 1>to a sort of cascade of political machinations in the palace,

0:54:47.400 --> 0:54:50.440
<v Speaker 1>but they all end up with the prince being transformed

0:54:50.480 --> 0:54:54.680
<v Speaker 1>into a bear, yes, transformed into a bear and caliported

0:54:54.719 --> 0:54:59.640
<v Speaker 1>into the forest by the Sorcerer. And oh my goodness,

0:54:59.760 --> 0:55:03.640
<v Speaker 1>this bear transformation, I absolutely love it. I think I'm

0:55:03.640 --> 0:55:08.560
<v Speaker 1>becoming a big fan of bad bear costumes and films. Um.

0:55:08.600 --> 0:55:12.360
<v Speaker 1>I recently watched the three film Adam and e Versus

0:55:12.360 --> 0:55:15.680
<v Speaker 1>the Cannibals that I briefly mentioned in our Fruit of

0:55:15.680 --> 0:55:19.920
<v Speaker 1>Paradise episode that has a tremendously bad bear costume in it.

0:55:20.560 --> 0:55:23.560
<v Speaker 1>I watched that just the other week. This film's bear

0:55:23.880 --> 0:55:26.520
<v Speaker 1>is much better than than the one in Adam and

0:55:26.560 --> 0:55:29.600
<v Speaker 1>e Versus the Cannibals. It's still kind of reminds me

0:55:29.640 --> 0:55:32.880
<v Speaker 1>of the mutated bear in the Prophecy, but also is

0:55:33.000 --> 0:55:35.759
<v Speaker 1>very much this um kind of I don't know, sloth bear,

0:55:35.840 --> 0:55:39.680
<v Speaker 1>sun bear. He's not very threatening, he's kind of cuddly. Um,

0:55:39.719 --> 0:55:42.200
<v Speaker 1>it's a it's a fun bear costume, but also it's

0:55:42.280 --> 0:55:45.520
<v Speaker 1>clearly a bear costume. Yeah. Yeah. And of course strong

0:55:45.560 --> 0:55:50.400
<v Speaker 1>connections here to Alexander rose Russian fantasy film Jack Frost,

0:55:50.680 --> 0:55:53.560
<v Speaker 1>because in that we also have a prince who has

0:55:53.640 --> 0:55:57.600
<v Speaker 1>turned into a bear where his voice sounds like Zoidberg. Right.

0:55:58.520 --> 0:56:01.000
<v Speaker 1>But in this one, like the bear is almost immediately

0:56:01.080 --> 0:56:06.719
<v Speaker 1>marching up to the farm house there of the seven dwarves,

0:56:06.960 --> 0:56:09.839
<v Speaker 1>and everybody's like, oh, I don't know what that's all about. Look,

0:56:09.880 --> 0:56:11.640
<v Speaker 1>there's a bear coming this way. We should be afraid.

0:56:11.719 --> 0:56:15.040
<v Speaker 1>But the Fairy she can tell. She can tell in

0:56:15.120 --> 0:56:18.319
<v Speaker 1>this kind of hilarious sequence where she sees that the

0:56:18.360 --> 0:56:20.279
<v Speaker 1>bear is not like a dancing bear, it's actually the

0:56:20.360 --> 0:56:23.240
<v Speaker 1>dancing Prince, and she's like, no, no, it's the prince.

0:56:23.520 --> 0:56:25.680
<v Speaker 1>We've got to help it. Yeah, that's what so she

0:56:26.480 --> 0:56:29.680
<v Speaker 1>so yeah, they reveal the backstory that the seven dwarfs

0:56:29.680 --> 0:56:33.600
<v Speaker 1>are originally generals, and then she and the fairy and

0:56:33.640 --> 0:56:35.960
<v Speaker 1>the generals are like, we know what to do. We

0:56:36.200 --> 0:56:38.759
<v Speaker 1>have to boil the bear in a magic potion and

0:56:38.800 --> 0:56:41.919
<v Speaker 1>a cauldron with the lid on for seven days. Yes,

0:56:41.960 --> 0:56:44.360
<v Speaker 1>he has to suffer in there for like seven days,

0:56:44.520 --> 0:56:46.160
<v Speaker 1>and he can't come out, you can't take the lid

0:56:46.200 --> 0:56:49.880
<v Speaker 1>off of it. But at the end he will be cured. Now, meanwhile,

0:56:49.920 --> 0:56:53.719
<v Speaker 1>there's another scene with the sorcerer and the Sorceress and

0:56:53.800 --> 0:56:55.719
<v Speaker 1>they're they're like, you know again, they're plotting, and they're

0:56:55.719 --> 0:56:57.960
<v Speaker 1>realizing we've got to do something about these um these

0:56:58.040 --> 0:57:00.960
<v Speaker 1>generals or the prince, the prince us and so forth,

0:57:01.320 --> 0:57:03.200
<v Speaker 1>and there's some talk of like, oh, we need to

0:57:03.239 --> 0:57:06.239
<v Speaker 1>find where they are and they're they're like no, no,

0:57:06.320 --> 0:57:09.240
<v Speaker 1>they have an exorcist alter, so we can't pinpoint their position.

0:57:09.560 --> 0:57:12.240
<v Speaker 1>We should send someone to destroy the altar, and pretty

0:57:12.320 --> 0:57:15.839
<v Speaker 1>much the next scene is the princess accidentally knocking over

0:57:15.920 --> 0:57:19.160
<v Speaker 1>the altar and thus incapacitating it. It was like, it's

0:57:19.200 --> 0:57:21.080
<v Speaker 1>a weird set up there, Like I thought they were

0:57:21.080 --> 0:57:23.440
<v Speaker 1>going to send some sort of lackey uh to you know,

0:57:23.480 --> 0:57:25.840
<v Speaker 1>to some sort of a spy or a magical animal.

0:57:25.920 --> 0:57:29.320
<v Speaker 1>But no, it just this problem solved itself, no additional

0:57:29.400 --> 0:57:32.160
<v Speaker 1>lackey required, right, And as soon as it happens, they

0:57:32.200 --> 0:57:35.760
<v Speaker 1>appear and they abduct the princess. Oh and then they

0:57:36.560 --> 0:57:40.280
<v Speaker 1>magically blow the top off of the cauldron too. So

0:57:40.320 --> 0:57:42.760
<v Speaker 1>now it's revealed that the prince is going to be

0:57:42.800 --> 0:57:45.720
<v Speaker 1>paralyzed because he didn't complete his bear bath. Oh but

0:57:45.960 --> 0:57:48.200
<v Speaker 1>wait he's not for some reason, right, Don't they do

0:57:48.280 --> 0:57:51.040
<v Speaker 1>something to help him the princess, I mean not the princess.

0:57:51.080 --> 0:57:53.880
<v Speaker 1>The fairy then says, oh, don't worry about it, I

0:57:53.920 --> 0:57:55.800
<v Speaker 1>have a solution, and she has some sort of a

0:57:55.880 --> 0:57:58.680
<v Speaker 1>potion that she gives him and he's fine. See, she's

0:57:58.720 --> 0:58:02.280
<v Speaker 1>just she solves problems. That's what a good fairy does. Yeah,

0:58:02.280 --> 0:58:05.280
<v Speaker 1>she's on top of it. But but but uh so

0:58:05.360 --> 0:58:08.520
<v Speaker 1>they so the sorcerers have kidnapped to the princess because

0:58:08.640 --> 0:58:11.960
<v Speaker 1>I think they're gonna use her in their plan for

0:58:12.400 --> 0:58:15.200
<v Speaker 1>usurpation of the throne. Because what do they want? Ultimately,

0:58:15.280 --> 0:58:17.280
<v Speaker 1>they want power, right, they want to be in charge.

0:58:17.680 --> 0:58:20.480
<v Speaker 1>So they take her to the demon basement and they

0:58:20.520 --> 0:58:24.120
<v Speaker 1>do a ritual and this scene will make you lose

0:58:24.160 --> 0:58:28.600
<v Speaker 1>your mind. Yes, there's dancing fire. The scynth just gets

0:58:28.680 --> 0:58:34.760
<v Speaker 1>really intense, flashing eyes, flying heads as they ask their

0:58:34.760 --> 0:58:38.160
<v Speaker 1>demon lord to quote dead in her soul. The goal

0:58:38.240 --> 0:58:40.840
<v Speaker 1>of this is to hypnotize her to say that she

0:58:40.920 --> 0:58:45.280
<v Speaker 1>will marry shack her the sorcerer. Um. So they take

0:58:45.280 --> 0:58:46.960
<v Speaker 1>her up to meet her father again, and by this

0:58:47.000 --> 0:58:50.040
<v Speaker 1>point the king has been convinced by his adviser that ah, yes,

0:58:50.160 --> 0:58:53.160
<v Speaker 1>this princess was the baby we put in the basket

0:58:53.200 --> 0:58:55.680
<v Speaker 1>and sent down the river. This is your daughter. So

0:58:55.760 --> 0:58:58.560
<v Speaker 1>the King's like, oh wow, it's wonderful to see you again. Daughter,

0:58:58.640 --> 0:59:02.320
<v Speaker 1>I'm so happy you're here. But the first thing, she's like, look,

0:59:02.360 --> 0:59:05.680
<v Speaker 1>I gotta marry the evil sorcerer. And the King's like, well, okay,

0:59:05.720 --> 0:59:08.120
<v Speaker 1>if that's what you want. But again it's only because

0:59:08.160 --> 0:59:12.720
<v Speaker 1>she's hypnotized. Uh. And here kind of begins a journey

0:59:12.800 --> 0:59:16.200
<v Speaker 1>of Adventures section of the movie because the Prince now

0:59:16.360 --> 0:59:19.200
<v Speaker 1>he's back at the in the forest. He becomes aware

0:59:19.240 --> 0:59:23.000
<v Speaker 1>of this via Bunny Fairy reconnaissance, and he's like, oh,

0:59:23.040 --> 0:59:25.320
<v Speaker 1>I've got to stop this from happening. So I've got

0:59:25.360 --> 0:59:28.600
<v Speaker 1>to make a journey to recruit several kinds of magical

0:59:28.680 --> 0:59:31.720
<v Speaker 1>help in order to save the princess. But the Bubbly

0:59:31.840 --> 0:59:34.520
<v Speaker 1>Fairy realizes he's not ready for this right now. He

0:59:34.560 --> 0:59:37.440
<v Speaker 1>needs he needs you. He like any hero in a story.

0:59:37.480 --> 0:59:40.560
<v Speaker 1>He needs special weapons, he needs special armor, and I've

0:59:40.560 --> 0:59:42.320
<v Speaker 1>got to send him on a side quest to get

0:59:42.360 --> 0:59:45.560
<v Speaker 1>those things. Okay, So I I've I think I forget

0:59:45.600 --> 0:59:47.280
<v Speaker 1>some of the quests. He goes on, what are these

0:59:47.360 --> 0:59:50.520
<v Speaker 1>quests that happened in rapid succession? Well, he has to

0:59:50.960 --> 0:59:53.560
<v Speaker 1>he has to swim right some sort of subterranean cave

0:59:53.760 --> 0:59:56.800
<v Speaker 1>in order to get the armor and the sword from

0:59:56.960 --> 0:59:59.600
<v Speaker 1>a skeleton he doesn't fight the skeleton or fight any

0:59:59.680 --> 1:00:02.680
<v Speaker 1>kind of Ardian It's just I guess, difficult to get there.

1:00:02.960 --> 1:00:05.120
<v Speaker 1>And then the skeleton talks to him. He is like, hey,

1:00:05.240 --> 1:00:08.360
<v Speaker 1>here you go. Take this is great armor, great sword.

1:00:08.440 --> 1:00:10.920
<v Speaker 1>I'm so glad somebody can use this. Oh yeah, I

1:00:10.960 --> 1:00:13.560
<v Speaker 1>think what it's the thunder sword and the magic armor.

1:00:13.600 --> 1:00:16.360
<v Speaker 1>And I think what the skeleton says is every trinkle

1:00:16.480 --> 1:00:19.160
<v Speaker 1>in my collection has magic power. I think that might

1:00:19.160 --> 1:00:22.040
<v Speaker 1>be a typo, yes, but the ideas that like every

1:00:22.040 --> 1:00:26.919
<v Speaker 1>detail of it, every cuff link, every every jewel uh

1:00:27.240 --> 1:00:29.600
<v Speaker 1>in the armor has some sort of a magical power.

1:00:29.720 --> 1:00:32.080
<v Speaker 1>Sometimes you don't know about it till later, Like later

1:00:32.080 --> 1:00:35.080
<v Speaker 1>on you'll hear more narration from the skeleton that will

1:00:35.080 --> 1:00:37.880
<v Speaker 1>inform our hero of how he can better utilize this

1:00:38.000 --> 1:00:42.480
<v Speaker 1>fabulous armor. That's right, And then he travels more. He

1:00:42.520 --> 1:00:45.840
<v Speaker 1>travels like into this strange desert with these spires of

1:00:46.000 --> 1:00:49.200
<v Speaker 1>rock that the ferry purchase on and they talk, and

1:00:49.240 --> 1:00:51.360
<v Speaker 1>at one point he goes into a cave and ends

1:00:51.440 --> 1:00:54.880
<v Speaker 1>up battling what I thought, we're bat demons. But then

1:00:55.000 --> 1:00:58.240
<v Speaker 1>also some of them look like frogman like they literally

1:00:58.280 --> 1:01:02.400
<v Speaker 1>have a diverse flippers on their hands, and feet. Um,

1:01:02.480 --> 1:01:04.800
<v Speaker 1>so they were doing what they could with the costuming here,

1:01:04.840 --> 1:01:07.000
<v Speaker 1>but I still think it looks it's it's pretty good.

1:01:07.600 --> 1:01:10.680
<v Speaker 1>Um And I was like, what are these supposed to be?

1:01:10.680 --> 1:01:13.920
<v Speaker 1>But according to the captions they were, they're not bats.

1:01:14.040 --> 1:01:18.960
<v Speaker 1>They were a bird and frogs Yeah, three frog sirens.

1:01:19.360 --> 1:01:21.880
<v Speaker 1>This is the second time that that siren is used

1:01:21.960 --> 1:01:25.000
<v Speaker 1>in the subtitles to note some sort of a monster.

1:01:25.160 --> 1:01:27.440
<v Speaker 1>So I feel like there's probably some sort of interesting

1:01:27.480 --> 1:01:31.080
<v Speaker 1>connection about like how monster becomes the word siren or

1:01:31.120 --> 1:01:35.080
<v Speaker 1>what word in Mandarin eventually becomes siren in this context.

1:01:35.120 --> 1:01:37.880
<v Speaker 1>But yeah, some sort of bird monster, some sort of

1:01:38.080 --> 1:01:41.720
<v Speaker 1>frog monsters. The bird monster looks better than the frog monsters.

1:01:41.720 --> 1:01:43.600
<v Speaker 1>I feel like they were they were running out of

1:01:44.320 --> 1:01:47.920
<v Speaker 1>funds or time or both to create these frog creatures.

1:01:47.960 --> 1:01:51.440
<v Speaker 1>But I don't know. The lighting is weird. The physical

1:01:51.440 --> 1:01:55.320
<v Speaker 1>performance of the frog sirens is is humorous, so it

1:01:55.320 --> 1:01:58.040
<v Speaker 1>it works. You were entertained by it. One off their

1:01:58.040 --> 1:02:00.840
<v Speaker 1>heads gets cut off and it's like it's like going

1:02:00.880 --> 1:02:03.120
<v Speaker 1>on my head and trying to grab it. It's wonderful.

1:02:03.280 --> 1:02:05.800
<v Speaker 1>Huh oh. And then while all this is going on,

1:02:05.920 --> 1:02:09.960
<v Speaker 1>the people back home are in peril because the sorcerers

1:02:10.000 --> 1:02:12.760
<v Speaker 1>imprisoned the king and the princess and their allies in

1:02:12.800 --> 1:02:15.880
<v Speaker 1>a magic circle and they're like, you must renounce your

1:02:15.920 --> 1:02:18.960
<v Speaker 1>throne and turn it over to me. And there he's

1:02:19.000 --> 1:02:24.560
<v Speaker 1>slowly like burning his advisors alive until he relents. Yeah,

1:02:24.640 --> 1:02:28.960
<v Speaker 1>it's the situation has has gotten rather intense at the capitol.

1:02:29.640 --> 1:02:34.600
<v Speaker 1>And then meanwhile they've also sent out warriors to battle

1:02:35.280 --> 1:02:39.400
<v Speaker 1>the prince for immortals. Okay, so maybe you caught more

1:02:39.400 --> 1:02:42.560
<v Speaker 1>of the context here. This is the battle where um,

1:02:42.640 --> 1:02:45.160
<v Speaker 1>where the prince and then some of his allies end

1:02:45.280 --> 1:02:50.400
<v Speaker 1>up fighting these these like statues or these automata. Yeah,

1:02:50.440 --> 1:02:52.360
<v Speaker 1>and this might be something that's kind of connected or

1:02:52.400 --> 1:02:55.680
<v Speaker 1>inspired by the eighteen Bronze Men film that I mentioned

1:02:55.720 --> 1:02:58.760
<v Speaker 1>earlier from seventies six, because when they first encountered them

1:02:58.800 --> 1:03:01.920
<v Speaker 1>that they're clearly at her standing still, you know, brandishing

1:03:01.920 --> 1:03:04.640
<v Speaker 1>their weapons, but they're kind of moving a little bit. Yeah,

1:03:04.680 --> 1:03:06.920
<v Speaker 1>they touch them, they hit them with their weapons, and

1:03:06.920 --> 1:03:09.640
<v Speaker 1>they just grew weapons. They seem useless against them, and

1:03:09.680 --> 1:03:11.480
<v Speaker 1>then they start battling and this is a this is

1:03:11.520 --> 1:03:14.880
<v Speaker 1>a fun uh fun group of villains here. For for

1:03:14.920 --> 1:03:18.040
<v Speaker 1>our hero, he also has like a few lackeys with him.

1:03:18.080 --> 1:03:20.120
<v Speaker 1>At this point warriors from the capitol who came to

1:03:20.120 --> 1:03:21.760
<v Speaker 1>get him and be like, hey, you should come. There's

1:03:21.800 --> 1:03:24.560
<v Speaker 1>a whole situation going on. Yeah, that's right. So among

1:03:24.640 --> 1:03:28.200
<v Speaker 1>these warriors, there's a big ogre with the club, there's

1:03:28.240 --> 1:03:31.560
<v Speaker 1>a guy with a mace that has a rotating drill bit,

1:03:32.480 --> 1:03:36.040
<v Speaker 1>there's a teleporting fighter with a spear and a shield,

1:03:36.400 --> 1:03:37.960
<v Speaker 1>and then I think I lost track of who the

1:03:37.960 --> 1:03:41.080
<v Speaker 1>fourth guy was. But for this this fight, the Prince

1:03:41.120 --> 1:03:45.200
<v Speaker 1>gets his thundersword charged up and he's trying to fight him,

1:03:45.240 --> 1:03:47.880
<v Speaker 1>and he's a very skilled warrior, but he just like

1:03:47.960 --> 1:03:50.720
<v Speaker 1>he can't beat him until the little Fairy of the

1:03:50.800 --> 1:03:54.760
<v Speaker 1>Forest uses her magic vision to see their weak points

1:03:54.800 --> 1:03:57.080
<v Speaker 1>and he's and she's like, oh, I see, you have

1:03:57.120 --> 1:03:58.960
<v Speaker 1>to hit this one in the armpit. You have to

1:03:59.000 --> 1:04:01.360
<v Speaker 1>hit this one in the mouth. And then the last

1:04:01.400 --> 1:04:03.680
<v Speaker 1>one is one who has to be hit in the anus.

1:04:03.680 --> 1:04:06.920
<v Speaker 1>Even though the subtitles say his quote hip, but that

1:04:07.040 --> 1:04:10.480
<v Speaker 1>is not what has shown. No, Nope, he clearly he

1:04:10.520 --> 1:04:12.440
<v Speaker 1>has to stab this one up the butt with the

1:04:13.040 --> 1:04:16.760
<v Speaker 1>Heavenly sword. And the scene in which this happens is

1:04:17.160 --> 1:04:22.320
<v Speaker 1>absolutely amazing because he does this fabulous martial arts Hong

1:04:22.440 --> 1:04:26.360
<v Speaker 1>Kong wire back flip thing, then slides underneath the monster

1:04:26.480 --> 1:04:29.160
<v Speaker 1>and then upward thrust with the sword and then picks

1:04:29.200 --> 1:04:32.240
<v Speaker 1>him up off the ground with the sword and then

1:04:32.640 --> 1:04:36.960
<v Speaker 1>the warrior explodes in a burst of brilliant fire. It's great.

1:04:37.080 --> 1:04:39.560
<v Speaker 1>And so after this there's another part where he has

1:04:39.600 --> 1:04:42.160
<v Speaker 1>to go into a temple and fight another magical guardian

1:04:42.200 --> 1:04:45.840
<v Speaker 1>of some kind. It's like hard to describe what it is.

1:04:45.880 --> 1:04:49.840
<v Speaker 1>It's like a flay. It's flayed body parts that don't

1:04:49.840 --> 1:04:52.040
<v Speaker 1>have the whole body with them, and they're flying around

1:04:52.080 --> 1:04:57.000
<v Speaker 1>attacking him. So like like bloody skinless legs and like

1:04:57.320 --> 1:05:02.160
<v Speaker 1>arms and teeth. Yeah, the the limbs they look they

1:05:02.200 --> 1:05:04.840
<v Speaker 1>look like, you know, gore, like fake gore, but they

1:05:04.880 --> 1:05:07.640
<v Speaker 1>also kind of look like fur. So I kept thinking

1:05:07.920 --> 1:05:10.880
<v Speaker 1>of them as the limbs of the meat muppet. They're

1:05:11.520 --> 1:05:15.520
<v Speaker 1>moving around, they're flying around, they're also being sneaky around him.

1:05:16.120 --> 1:05:19.520
<v Speaker 1>And this whole sequence where he's battling this guardian that

1:05:19.680 --> 1:05:23.720
<v Speaker 1>is all these pieces that then eventually comes together. Um,

1:05:23.960 --> 1:05:26.040
<v Speaker 1>it made me think of like the works of Clark

1:05:26.080 --> 1:05:29.240
<v Speaker 1>Ashton Smith and Robert E. Howard, where you know, one

1:05:29.240 --> 1:05:31.520
<v Speaker 1>of the things that when you mess with ancient sorcery

1:05:31.560 --> 1:05:33.880
<v Speaker 1>and ancient magic, you just have no idea what sort

1:05:33.920 --> 1:05:37.040
<v Speaker 1>of madness you're messing with. And this sequence just felt

1:05:37.120 --> 1:05:41.280
<v Speaker 1>just authentically just so weird, like this is some weird

1:05:41.400 --> 1:05:44.640
<v Speaker 1>magic that our heroes encountering here, and oh, we should

1:05:44.640 --> 1:05:47.360
<v Speaker 1>say why he's here. I believe the fairy has said,

1:05:47.360 --> 1:05:49.760
<v Speaker 1>oh yeah, if you want to defeat the evil sorcerer

1:05:49.760 --> 1:05:51.880
<v Speaker 1>and sorceress, you're gonna need some help. You need to

1:05:51.880 --> 1:05:56.160
<v Speaker 1>get this magic box. They imprisoned somebody, they betrayed some

1:05:56.280 --> 1:05:59.320
<v Speaker 1>magical being. The magical being is in the box. Go

1:05:59.520 --> 1:06:02.000
<v Speaker 1>here at the box, bring that with you to the

1:06:02.040 --> 1:06:04.960
<v Speaker 1>capitol when you go to defeat them. Okay, So he does.

1:06:05.080 --> 1:06:08.120
<v Speaker 1>He defeats this monster, he gets the box, he opens

1:06:08.160 --> 1:06:11.000
<v Speaker 1>it up, and then a guy comes out who is

1:06:11.120 --> 1:06:13.520
<v Speaker 1>kind of scary in his own right, and he's got

1:06:13.920 --> 1:06:17.200
<v Speaker 1>uh these two big like bald camel humps in the

1:06:17.240 --> 1:06:21.800
<v Speaker 1>middle of his head. Yeah, yeah, strong fengi vibes to

1:06:21.880 --> 1:06:24.360
<v Speaker 1>the head. Though to be clear, the farrengies wouldn't be

1:06:24.400 --> 1:06:27.480
<v Speaker 1>introduced told like eighty seven. I think, so no way

1:06:27.480 --> 1:06:30.120
<v Speaker 1>that was a connection. It reminded me a bit of

1:06:30.240 --> 1:06:34.880
<v Speaker 1>various illustrations of the divine farmer Shinnong, who has you know,

1:06:34.960 --> 1:06:38.480
<v Speaker 1>kind of like an ox like appearance to his otherwise

1:06:38.560 --> 1:06:42.040
<v Speaker 1>humanoid body. So he's like some often like little horns

1:06:42.080 --> 1:06:43.880
<v Speaker 1>poking through the top of his skull. So I kind

1:06:43.880 --> 1:06:48.520
<v Speaker 1>of got a vibe of of that character from this being.

1:06:48.760 --> 1:06:52.000
<v Speaker 1>But also clearly this is some sort of a gin

1:06:52.680 --> 1:06:54.360
<v Speaker 1>because it's you know, very much some sort of a

1:06:54.440 --> 1:06:58.560
<v Speaker 1>genie you trapped inside of a container. And now the

1:06:58.600 --> 1:07:01.000
<v Speaker 1>being has been freed and he's going to do a

1:07:01.040 --> 1:07:04.560
<v Speaker 1>solid for the individual who freed him, right, so they

1:07:04.640 --> 1:07:07.960
<v Speaker 1>together go back to the palace. Magically, there's like almost

1:07:08.000 --> 1:07:11.480
<v Speaker 1>a chase scene then where the genie like grabs the

1:07:11.480 --> 1:07:13.920
<v Speaker 1>guy pulls him into the box and then flies to

1:07:14.000 --> 1:07:17.200
<v Speaker 1>the palace with the fairy struggling to keep up. Oh yeah,

1:07:17.200 --> 1:07:19.080
<v Speaker 1>and then she's like wait, wait, I can't keep up,

1:07:19.120 --> 1:07:21.760
<v Speaker 1>and so the the gin hand comes out of the

1:07:21.760 --> 1:07:24.520
<v Speaker 1>box as it's flying through the air on obvious wires,

1:07:24.520 --> 1:07:28.320
<v Speaker 1>grabs her and it pulls her into the box as well. Again.

1:07:28.360 --> 1:07:31.320
<v Speaker 1>Just so the the the effects in this were just audacious,

1:07:31.320 --> 1:07:33.440
<v Speaker 1>like they're very ambitious in what they want to do

1:07:33.680 --> 1:07:36.440
<v Speaker 1>accomplish here. Now, of course, There is a big final

1:07:36.520 --> 1:07:39.760
<v Speaker 1>battle involving the Prince doing his his sword fighting, and

1:07:39.760 --> 1:07:43.080
<v Speaker 1>then also involving this this wizard genie being who has

1:07:43.080 --> 1:07:46.680
<v Speaker 1>been freed from the box fighting his fighting the the

1:07:46.680 --> 1:07:50.320
<v Speaker 1>wizards who betrayed him, and it's uh. I don't want

1:07:50.320 --> 1:07:52.959
<v Speaker 1>to describe it in too much detail. It's just a

1:07:52.960 --> 1:07:58.280
<v Speaker 1>absolutely wonderful showdown. It does involve the uh, the guy

1:07:58.360 --> 1:08:01.880
<v Speaker 1>freed from the box pointing at things with his middle finger. Yeah,

1:08:01.960 --> 1:08:05.600
<v Speaker 1>he starts using all sorts of crazy gin magic. Our

1:08:05.680 --> 1:08:09.560
<v Speaker 1>sorcerer and Sorceress who are now cornered. They have at

1:08:09.640 --> 1:08:12.440
<v Speaker 1>least one major costume change that occurs, and they're doing

1:08:12.440 --> 1:08:15.600
<v Speaker 1>a kind of tandem fighting. We get an awesome wizard

1:08:15.640 --> 1:08:19.120
<v Speaker 1>sword that's busted out by the Sorcerer, and the sorceress

1:08:19.120 --> 1:08:23.120
<v Speaker 1>also has like a fancy black magic dagger that she uses.

1:08:23.400 --> 1:08:27.400
<v Speaker 1>Just an epic battle proceeds uh to play out here

1:08:27.720 --> 1:08:31.479
<v Speaker 1>in the uh the Hall of the King. I think

1:08:31.520 --> 1:08:34.280
<v Speaker 1>I can say no more about thrilling Bloody Sword except

1:08:34.400 --> 1:08:38.840
<v Speaker 1>that it was absolutely wonderful, one of my favorites we've done. Yeah,

1:08:38.960 --> 1:08:41.559
<v Speaker 1>it should. You absolutely have to see it. It's just

1:08:41.800 --> 1:08:44.639
<v Speaker 1>a complete visual spectacle. And also the music is great

1:08:44.680 --> 1:08:47.920
<v Speaker 1>as well. Uh so see it, listen to it, learn

1:08:48.040 --> 1:08:51.439
<v Speaker 1>from it, be changed by it, be melted and remade,

1:08:51.439 --> 1:08:54.679
<v Speaker 1>and its likeness become an eternal lackey if the demon

1:08:54.720 --> 1:08:58.559
<v Speaker 1>I do. Yes. Oh man, there there's so many great

1:08:58.600 --> 1:09:01.040
<v Speaker 1>but like there's some wonderful, big caring moments between the

1:09:01.040 --> 1:09:04.519
<v Speaker 1>sorcerer and the sorceress and do Like the sorceress has

1:09:04.520 --> 1:09:06.040
<v Speaker 1>the bit of course where she's like, I thought you

1:09:06.040 --> 1:09:08.080
<v Speaker 1>said I was the most charming, and then there is

1:09:08.080 --> 1:09:10.479
<v Speaker 1>this whole bit where a dudes like, hey, Sorcerer, I

1:09:10.520 --> 1:09:12.639
<v Speaker 1>thought I told you to kill the prince and the princess,

1:09:12.640 --> 1:09:14.439
<v Speaker 1>and he's like, I have my own plan. I'm gonna

1:09:14.439 --> 1:09:16.160
<v Speaker 1>do what I want here, and then they get into

1:09:16.200 --> 1:09:18.120
<v Speaker 1>a big argument and it kind of comes to blows

1:09:18.680 --> 1:09:22.280
<v Speaker 1>um with the with various like demon icons sent out

1:09:22.280 --> 1:09:24.360
<v Speaker 1>against the sorcerer and he's having to battle him off

1:09:24.360 --> 1:09:27.360
<v Speaker 1>with his staff until finally the demon is the one

1:09:27.360 --> 1:09:29.040
<v Speaker 1>that's like, WHOA, well, we shouldn't be bickering. You know,

1:09:29.120 --> 1:09:30.679
<v Speaker 1>you need to get out there and fight that prince.

1:09:31.439 --> 1:09:36.920
<v Speaker 1>We're on the same side here, thrilling bloody sword all right,

1:09:37.200 --> 1:09:40.720
<v Speaker 1>So yeah, strong recommendation on this one. Uh, you have

1:09:41.040 --> 1:09:43.000
<v Speaker 1>find a way to see it and see it. All right,

1:09:43.000 --> 1:09:44.479
<v Speaker 1>We're gonna go and close the book on this one.

1:09:44.439 --> 1:09:46.120
<v Speaker 1>But I'd love to hear from anyone out there who

1:09:46.160 --> 1:09:49.519
<v Speaker 1>has thoughts on Thrilling Bloody Sword, if you've seen it recently,

1:09:49.640 --> 1:09:51.240
<v Speaker 1>or I'd love to hear from anyone who saw it

1:09:51.280 --> 1:09:54.360
<v Speaker 1>back in the nineteen eighties. Uh, definitely right in about

1:09:54.400 --> 1:09:58.760
<v Speaker 1>that if if you have details. But yeah, if you

1:09:58.760 --> 1:10:00.759
<v Speaker 1>want to listen to other episodes of at House Cinema,

1:10:01.000 --> 1:10:03.240
<v Speaker 1>it happens every Friday in the Stuff to Blow Your

1:10:03.240 --> 1:10:07.559
<v Speaker 1>Mind podcast feed. We're primarily a science podcast, but on

1:10:07.600 --> 1:10:10.040
<v Speaker 1>Friday's we set aside most serious concerns and we just

1:10:10.240 --> 1:10:14.400
<v Speaker 1>focus on a strange film. I will blog about these

1:10:14.439 --> 1:10:16.760
<v Speaker 1>movies over at SMUTA music dot com and if you

1:10:16.800 --> 1:10:19.760
<v Speaker 1>are a letterboxed user, that's l E T T E

1:10:19.920 --> 1:10:22.639
<v Speaker 1>R B o x D dot com. Uh, you'll find

1:10:22.680 --> 1:10:24.880
<v Speaker 1>us there. Our user name is weird House. We have

1:10:24.920 --> 1:10:27.720
<v Speaker 1>a fabulous list of all the movies we've covered thus far,

1:10:27.960 --> 1:10:30.800
<v Speaker 1>and we'll also generally sprinkle in the next one or

1:10:30.840 --> 1:10:33.120
<v Speaker 1>two movies we're going to cover, so you can sort

1:10:33.160 --> 1:10:35.120
<v Speaker 1>of get get a drop on what we're going to

1:10:35.200 --> 1:10:38.400
<v Speaker 1>discuss in case you want to watch something ahead of publication.

1:10:38.720 --> 1:10:41.760
<v Speaker 1>Huge thanks as always to our excellent audio producer Seth

1:10:41.840 --> 1:10:44.120
<v Speaker 1>Nicholas Johnson. If you would like to get in touch

1:10:44.160 --> 1:10:46.519
<v Speaker 1>with us with feedback on this episode or any other,

1:10:46.800 --> 1:10:49.559
<v Speaker 1>to suggest topic for the future, or just to say hello,

1:10:49.680 --> 1:10:52.320
<v Speaker 1>you can email us at contact at stuff to Blow

1:10:52.360 --> 1:11:01.800
<v Speaker 1>your Mind dot com. Stuff to Blow Your Mind is

1:11:01.880 --> 1:11:04.559
<v Speaker 1>production of I Heart Radio. For more podcasts for my

1:11:04.600 --> 1:11:07.680
<v Speaker 1>heart Radio, visit the iHeart Radio app, Apple Podcasts, or

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<v Speaker 1>wherever you listen to your favorite shows.