WEBVTT - #480 - Madeline Merlo on How Keith Urban Almost Made Her Crash Her Car

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<v Speaker 1>When Zach and I finished the production for A One

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<v Speaker 1>House Down, I knew that he knew him. I said,

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<v Speaker 1>would you text him this song and ask him to

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<v Speaker 1>play Soolow on it? And Zach was like, I'd give

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<v Speaker 1>it nineteen percent chance that he says yes, And I

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<v Speaker 1>said I'll take ninety percent and he said yes.

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<v Speaker 2>I did not know she was on Songland. Do you

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<v Speaker 2>know that? I didn't know that. Huh? And Songland just

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<v Speaker 2>took like really good songwriters. Her name is Madeline Merlow.

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<v Speaker 2>I really enjoyed talking with her. I have this thing

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<v Speaker 2>where I walked down to the studio if I've never

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<v Speaker 2>met the person, I knew what she looked like because

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<v Speaker 2>I'd seen her on Dustin Lynch's Instagram. And there's always

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<v Speaker 2>that first three or four minutes of any interview where

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<v Speaker 2>you're kind of like early in a boxing magic, kind

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<v Speaker 2>of circling each other their houses, gonna work. And I

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<v Speaker 2>feel like, at like three or four minutes we were like, oh, okay,

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<v Speaker 2>we got some stuff we can talk about. I thought

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<v Speaker 2>the clique, Yeah, there was a click, especially when she

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<v Speaker 2>was volunteering like her time in therapy, and I'm like, oh,

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<v Speaker 2>I can I can go there and that'll open us

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<v Speaker 2>up to a lot of other things, because that's as

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<v Speaker 2>vulnerable as it gets when you start talking about like

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<v Speaker 2>your feelings and your insecurities. And then it was like

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<v Speaker 2>I liked her, and so I thought it went pretty good.

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<v Speaker 2>She grew up in Maple Ridge, BC, Canada, which is

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<v Speaker 2>left side right Vancouver. She said, near Vancouver. That's like

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<v Speaker 2>the California version of Canada, way over there. Her father

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<v Speaker 2>was a funk musician, which we found out she wasn't

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<v Speaker 2>with him a lot. So I was like, hey, your

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<v Speaker 2>dad played, but she's like yeah, but so, and that's

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<v Speaker 2>when we were like, oh, what about Is it jeans

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<v Speaker 2>or is it environment? Is it a bit of both?

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<v Speaker 2>She had been wanted to sing forever and she sang

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<v Speaker 2>Somewhere over the Rainbow, and I was kind of it Somewhere.

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<v Speaker 2>There's a really cool story on one of the last

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<v Speaker 2>episodes we did too by Somewhere over the Rainbow Judy Garland,

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<v Speaker 2>who is that with with Randa Lee? Branda Lee? Yeah,

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<v Speaker 2>she said. Judy Garland gave her some great advice at

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<v Speaker 2>a hotel in Vegas. She went up to her and

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<v Speaker 2>was like, what you were a kid star, what do

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<v Speaker 2>you do. That's a good one. That's a good one.

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<v Speaker 2>Madelinemurlow signed Recordhill at eighteen. She did a bunch of

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<v Speaker 2>stuff in Canada and then came to the States, and

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<v Speaker 2>she kind of has a cool deal now where she's

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<v Speaker 2>a new artist here, but she's not so new in Canada,

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<v Speaker 2>so she lives here like she is. Fully she's a

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<v Speaker 2>Nashville artist, embraced at one hundred percent. But what's cool

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<v Speaker 2>is every once in a while she can pop back

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<v Speaker 2>home and do six seven shows and pair of bills. Yeah,

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<v Speaker 2>and they come back down, So like, that's cool. I

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<v Speaker 2>think that's it. I really enjoyed it. Hope you check

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<v Speaker 2>her out. I hope you like her music. Her name

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<v Speaker 2>is Madeline Murlow and that is also her Instagram and

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<v Speaker 2>TikTok name. Her song One House Down from the Girl

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<v Speaker 2>next Door, which I just felt was so clever, came

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<v Speaker 2>out on October eleventh. We featured it on The Women

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<v Speaker 2>to Buy Her Country. We've also featured bar Fight on

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<v Speaker 2>Women of Our Country. And here she is, mad Madelene

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<v Speaker 2>madeleyn Madeleine Merlou. Here you go, Madelin. How's it going good?

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<v Speaker 2>I saw good? I was watching just Dustin Lynch's Instagram.

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<v Speaker 2>You guys just did the opry. Yeah that's cool.

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<v Speaker 3>Last week.

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<v Speaker 2>Yeah, so I followed Dustin. What was it was that

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<v Speaker 2>like the first first time for you? Yeah?

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<v Speaker 3>That was my debut?

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<v Speaker 2>Oh cool? Yeah?

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<v Speaker 1>And then the first time because we have a song together,

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<v Speaker 1>the first time we ever played it?

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<v Speaker 2>What was that night? Like?

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<v Speaker 3>It was amazing? I was wreck though.

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<v Speaker 1>I was like not okay, Like when I first got there,

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<v Speaker 1>you do like a bunch of interviews and stuff, and

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<v Speaker 1>people were talking to me and I wasn't processing any information,

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<v Speaker 1>Like I was just freaking out. I just feel like

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<v Speaker 1>it's such a I don't know every artist I've looked

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<v Speaker 1>up to loved to have played that stage, and I've

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<v Speaker 1>just wanted it for so long, So I think.

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<v Speaker 3>I felt like the gravity of it. But then I

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<v Speaker 3>saw Dustin.

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<v Speaker 1>I'm like, how many times have you played? I'm freaking out?

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<v Speaker 1>He's like, oh, like hundreds, Like it's fine, wait you

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<v Speaker 1>saw that, Like sorry, When we were sound checking, he

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<v Speaker 1>came in and he was so mellow.

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<v Speaker 2>And I was just bumping him there and be like no, no, no,

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<v Speaker 2>we have a song together. Got it got to yeah, and.

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<v Speaker 1>Then he was like I don't know. He was so

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<v Speaker 1>mellow and so it like chilled me out a little bit.

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<v Speaker 2>The room's cool that they put you in the first

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<v Speaker 2>time because it's got all the quotes on it. It's

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<v Speaker 2>got like Taylor. Yeah, it's really the only one I

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<v Speaker 2>can remember. Yeah, because it's pretty that's a pretty large one.

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<v Speaker 2>And also it's Taylor too, for sure.

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<v Speaker 3>It's like, oh my god, I'm on the Oprey.

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<v Speaker 2>Yeah, how long ago did you know that you're going

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<v Speaker 2>to do the opry? They do any kind of like, hey, Madeline,

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<v Speaker 2>we're especially inviting you with me. I think they were like, hey,

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<v Speaker 2>somebody fell out, we jump in. I think that was

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<v Speaker 2>me my first time.

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<v Speaker 1>It was when we so me and Dustin were doing

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<v Speaker 1>liners for our song and it was like on the

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<v Speaker 1>teleprompter and I like, I like announced it to myself

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<v Speaker 1>kind of which was fun.

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<v Speaker 2>And you didn't know what was coming.

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<v Speaker 3>No.

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<v Speaker 1>I had gone in there a few months previous and

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<v Speaker 1>like met the staff and then you play some songs

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<v Speaker 1>and so I had hoped, but then I didn't hear anything.

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<v Speaker 1>So I was like, oh, oh my gosh, I like

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<v Speaker 1>do something and they hate me. I was scared, but they.

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<v Speaker 2>Did ask me, so you have your own parking spot. Yep,

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<v Speaker 2>do you keep the sign? Of course?

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<v Speaker 3>Yeah, I haven't hung it up yet, but I will

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<v Speaker 3>for sure.

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<v Speaker 2>And uh, what did you play?

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<v Speaker 1>I played well, Dustin and I did the duet at

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<v Speaker 1>the first first No, I did Champagne Night.

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<v Speaker 2>Which because you need to be so nervous the first one. Yeah,

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<v Speaker 2>with Dustin, that's too much comfortable somebody else you don't

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<v Speaker 2>you want to be so petrified nervous the first song, absolutely,

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<v Speaker 2>for sure, of course.

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<v Speaker 1>But yeah, I chose that song just because it like

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<v Speaker 1>kind of kicked open a lot of doors in town

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<v Speaker 1>for me, my mom, my sister, came so many like

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<v Speaker 1>friends and you know, my label.

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<v Speaker 3>Industry songwriters, just just the crew. It was good.

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<v Speaker 2>You'll like your second time way more than your first time.

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<v Speaker 3>I've heard that, Yeah, I think so.

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<v Speaker 1>I am like, as soon as it was done, it's

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<v Speaker 1>I mean, it's just it was so great. Everyone's so nice.

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<v Speaker 1>It's the very mellow thing. I was like, Man, I

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<v Speaker 1>wish I hadn't like freak out all day.

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<v Speaker 2>I can't wait to do it. And yeah, you have to.

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<v Speaker 2>But see, that's the thing. The first time, you're just

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<v Speaker 2>like like the first time that I played it. I

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<v Speaker 2>don't even remember the people like in the crowd. Yeah,

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<v Speaker 2>it was so nervous. Yeah, but like the second time,

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<v Speaker 2>it's kind of cool because there's not a cake and

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<v Speaker 2>all your label people aren't there, and we appreciate that

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<v Speaker 2>for the first time. Then like the eighth time, like

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<v Speaker 2>I show up ten minutes before and late right after,

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<v Speaker 2>and it's still awesome. Yeah, but now it's just like

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<v Speaker 2>you belong and they're super cool with you. But it

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<v Speaker 2>all starts at that first one, like congratulations, that's super cool.

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<v Speaker 2>How long have you been in town?

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<v Speaker 3>Almost seven years?

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<v Speaker 2>Okay, so long enough, but not so so long. The

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<v Speaker 2>pandemic kind of cuts a couple of years.

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<v Speaker 3>I think so too. I think it did.

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<v Speaker 1>I LL at least that's what I say. But yeah, yeah,

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<v Speaker 1>almost seven years.

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<v Speaker 2>You moved from where so.

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<v Speaker 1>I'm originally from forty minutes outside of Vancouver, Canada. Called

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<v Speaker 1>me for.

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<v Speaker 2>Ridge, which is like California. Yeah, exactly, like that side.

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<v Speaker 1>On the Yeah, west coast, Pacific, northwest, beautiful, small, blueberry town,

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<v Speaker 1>not a ton going on, And then.

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<v Speaker 2>I'm blueberry Town that real term. Yeah did you make

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<v Speaker 2>that up?

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<v Speaker 3>No, it's just like there's a lot of blueberry fields.

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<v Speaker 2>Oh, there literally are blueberry I thought there was like

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<v Speaker 2>some term I'd never heard. It was like a nice

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<v Speaker 2>lang blueberry town. Yeah, okay, okay, so you have blueberries there.

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<v Speaker 3>Yeah.

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<v Speaker 1>And then I moved to Toronto, which is like Canada's

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<v Speaker 1>like New York and lived there for like a year

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<v Speaker 1>and a half, and then Pat do u Hall moved

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<v Speaker 1>to Nashville.

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<v Speaker 2>When you moved to Toronto, what'd you do that for

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<v Speaker 2>what purpose?

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<v Speaker 1>I just wanted to there's more of like a music

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<v Speaker 1>scene and business scene in Toronto. There's just not I mean,

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<v Speaker 1>Canada is a very large country in size, but population why,

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<v Speaker 1>it's not very big. And when it came to like

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<v Speaker 1>my label was there and I felt like I could

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<v Speaker 1>put together a band, and I felt like a lot

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<v Speaker 1>of my shows were in that area, so it was more.

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<v Speaker 1>And also I was just young. I was like ready

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<v Speaker 1>to get out and just be on my own and

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<v Speaker 1>it was a harsh reality.

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<v Speaker 2>What prompted you to move to Nashville specifically?

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<v Speaker 3>I always wanted to.

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<v Speaker 1>I visited Nashville I think at like fifteen or sixteen

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<v Speaker 1>for the first time as soon as I figured out

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<v Speaker 1>there was like a magical way and where people came

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<v Speaker 1>and wrote songs for a living and yeah, and then

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<v Speaker 1>I was pretty determined. But as a Canadian, it's hard.

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<v Speaker 1>You need a visa, you can only stay for six

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<v Speaker 1>months without once. You kind of need a company to

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<v Speaker 1>like sign off on you. It's expensive. There's like a

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<v Speaker 1>lot of kind of hoops you got to jump through.

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<v Speaker 1>So I just like worked and saved up money and

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<v Speaker 1>had a career up in Canada and still do tour

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<v Speaker 1>it a lot and had a lot.

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<v Speaker 3>Of great experiences.

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<v Speaker 1>But it was always like, as soon as I could

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<v Speaker 1>move to Nashville, I was going to do it.

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<v Speaker 2>So did you need someone in the States to like

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<v Speaker 2>co sign mm hmm, not even use.

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<v Speaker 1>Kind of yeah, I mean it's a process, right. They

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<v Speaker 1>have to like basically vouch for you that like they'll

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<v Speaker 1>send you back if needed, and they're like low key

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<v Speaker 1>responsible for you and that they're going to supply you

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<v Speaker 1>with work. And so when I moved down, like I

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<v Speaker 1>didn't really have that, and so you just started like

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<v Speaker 1>harassing anyone that would like make eye contact with me and.

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<v Speaker 3>Be like listen to my song? Have you heard my song?

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<v Speaker 3>It was like this clock that was counting down.

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<v Speaker 2>You moved here without that. Yeah, so you basically had

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<v Speaker 2>six months. It was like the numbers dud, dude, it's

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<v Speaker 2>counting down. Yeah, I think it.

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<v Speaker 1>Like to play in the US, there's a visa call

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<v Speaker 1>to P two which will kind of like get you

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<v Speaker 1>in for like one specific show. So I think I

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<v Speaker 1>had one of those at the time, so didn't like

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<v Speaker 1>raise any red flags.

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<v Speaker 3>But that was done and the.

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<v Speaker 1>Clock had started, and I was like, Okay, I need

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<v Speaker 1>to get a publishing deal essentially.

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<v Speaker 2>And how did you go about getting that? You move here?

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<v Speaker 2>What was your apartment like? I'm always curious that people's

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<v Speaker 2>first Yeah, like the first like three months here? What

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<v Speaker 2>was your apartment like? And what were your first couple of,

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<v Speaker 2>you know, ventures out in the music world.

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<v Speaker 1>I lived in Midtown in one of like the little

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<v Speaker 1>apartments there.

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<v Speaker 3>I cried like every day. I had no friends and

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<v Speaker 3>no anybody.

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<v Speaker 2>No roommate, no.

0:09:40.360 --> 0:09:43.080
<v Speaker 1>I would listen to your guy's show actually, and I

0:09:43.120 --> 0:09:45.240
<v Speaker 1>listened to a ton of Bobby Cast and I felt

0:09:45.240 --> 0:09:47.080
<v Speaker 1>like you had the scoop on everything, and I had

0:09:47.120 --> 0:09:47.679
<v Speaker 1>no friends and.

0:09:47.640 --> 0:09:49.760
<v Speaker 2>So you guys were I was your friend? I just

0:09:49.840 --> 0:09:50.080
<v Speaker 2>you are?

0:09:50.679 --> 0:09:54.720
<v Speaker 1>Yes, Yeah, But honestly, it was like anyone like you'd

0:09:54.720 --> 0:09:55.720
<v Speaker 1>have one kind of friend.

0:09:56.120 --> 0:09:58.800
<v Speaker 3>I actually remember Hannah Ellis, who was an artist.

0:09:59.080 --> 0:10:01.760
<v Speaker 1>I had to write with her, and she invited me

0:10:01.800 --> 0:10:04.920
<v Speaker 1>to a party. I remember, and I was so scared

0:10:05.080 --> 0:10:06.760
<v Speaker 1>and I never forgot that she did that because I

0:10:06.800 --> 0:10:10.520
<v Speaker 1>was like literally knew nobody was petrified and just rolled up.

0:10:11.040 --> 0:10:15.560
<v Speaker 2>So how do you make friends? No, no, no, I've

0:10:15.559 --> 0:10:17.120
<v Speaker 2>been had to do it. It's hard to do. I

0:10:17.160 --> 0:10:19.520
<v Speaker 2>just wonder how you did it here and all your

0:10:19.520 --> 0:10:23.400
<v Speaker 2>friends are probably also competing or trying for the same

0:10:23.400 --> 0:10:23.960
<v Speaker 2>goals you have.

0:10:24.720 --> 0:10:27.720
<v Speaker 1>Yeah, I would say, I mean it's hard. I remember

0:10:27.760 --> 0:10:29.559
<v Speaker 1>being like, if you're at like a yoga class, do

0:10:29.559 --> 0:10:30.840
<v Speaker 1>you just like be like Hi?

0:10:31.160 --> 0:10:34.040
<v Speaker 3>Like, I mean, I'm awkward as it is. So I

0:10:34.040 --> 0:10:34.560
<v Speaker 3>don't really know.

0:10:34.600 --> 0:10:37.160
<v Speaker 1>I think through like song writing and then you meet

0:10:37.200 --> 0:10:39.880
<v Speaker 1>kind of one friend who introduces you to their friend

0:10:40.000 --> 0:10:41.640
<v Speaker 1>and you kind of click with people.

0:10:42.080 --> 0:10:43.839
<v Speaker 3>But I find that Nashville's pretty open.

0:10:43.880 --> 0:10:45.680
<v Speaker 1>Like when I moved to Toronto, I made like one

0:10:45.679 --> 0:10:46.880
<v Speaker 1>friend in like two years, like.

0:10:46.800 --> 0:10:48.439
<v Speaker 2>I had the whole time. You left one friend?

0:10:48.520 --> 0:10:50.200
<v Speaker 3>Yeah, like one friend I could call.

0:10:50.840 --> 0:10:53.440
<v Speaker 2>Did you do the n S A? I A And

0:10:53.480 --> 0:10:55.959
<v Speaker 2>I say, I deal on songwriters? Or how did you

0:10:56.000 --> 0:10:56.840
<v Speaker 2>get your first rites.

0:10:57.600 --> 0:11:00.440
<v Speaker 1>I like I had just known a couple people through

0:11:00.520 --> 0:11:02.280
<v Speaker 1>Canada because I would come down here and write with

0:11:02.320 --> 0:11:04.200
<v Speaker 1>a couple of people, like I knew Phil Barton and

0:11:04.320 --> 0:11:07.400
<v Speaker 1>knew like a few people. And then I went to

0:11:07.760 --> 0:11:11.240
<v Speaker 1>be my I went to ask cap and just was

0:11:11.240 --> 0:11:13.240
<v Speaker 1>like please, like just set me up with rights and

0:11:13.320 --> 0:11:16.000
<v Speaker 1>just started like compounding and then like can I jump

0:11:16.080 --> 0:11:17.559
<v Speaker 1>up with you and sing at the listening room or

0:11:17.600 --> 0:11:19.560
<v Speaker 1>can I do this? And just I felt like really

0:11:19.960 --> 0:11:22.679
<v Speaker 1>did everything I could to meet anyone, like going out,

0:11:22.920 --> 0:11:24.319
<v Speaker 1>if you were playing a show, I was going to

0:11:24.400 --> 0:11:25.920
<v Speaker 1>be there. I was just trying to talk to people,

0:11:25.960 --> 0:11:28.880
<v Speaker 1>and yeah, I just needed to be able to stay.

0:11:29.040 --> 0:11:31.079
<v Speaker 2>I'm assuming you beat your six month goal. Did you

0:11:31.080 --> 0:11:33.319
<v Speaker 2>get a publishing a deal before six months? Yeah? How close?

0:11:33.480 --> 0:11:39.080
<v Speaker 1>Yeah, I think so you can stay. I don't know

0:11:39.080 --> 0:11:40.719
<v Speaker 1>the exactly because you can stay in the US six

0:11:40.720 --> 0:11:41.280
<v Speaker 1>months at a time.

0:11:41.280 --> 0:11:42.920
<v Speaker 3>So I had gone home and then like would come

0:11:42.920 --> 0:11:43.520
<v Speaker 3>stack over.

0:11:43.600 --> 0:11:45.599
<v Speaker 2>So if you go home and push the button and

0:11:45.600 --> 0:11:48.200
<v Speaker 2>start over, yeah something as long as your like parents

0:11:48.200 --> 0:11:50.199
<v Speaker 2>out white, I'd make sure you didn't get a job,

0:11:50.240 --> 0:11:52.000
<v Speaker 2>so you had to come home. Yeah, I guess if

0:11:52.000 --> 0:11:53.640
<v Speaker 2>she doesn't get a job, she has to go home

0:11:53.679 --> 0:11:56.679
<v Speaker 2>every six months. Yeah, do you check in kind?

0:11:56.800 --> 0:11:57.360
<v Speaker 3>I mean I would.

0:11:57.400 --> 0:12:00.160
<v Speaker 1>I would go play shows in Canada mainly, and then

0:12:00.160 --> 0:12:01.880
<v Speaker 1>it would kind of like reset or I'd spent like

0:12:01.920 --> 0:12:04.680
<v Speaker 1>you be really strategic with like how much time you'd spend.

0:12:04.720 --> 0:12:08.480
<v Speaker 1>But I think it was like pretty close. Yea, yeah,

0:12:08.520 --> 0:12:13.440
<v Speaker 1>I'm so grateful. The company is called Delusion. They were like, sure,

0:12:13.480 --> 0:12:15.520
<v Speaker 1>we'll give you down. I was like, thank God, Like

0:12:15.679 --> 0:12:18.360
<v Speaker 1>it was just the most you know, amazing thing.

0:12:18.600 --> 0:12:20.960
<v Speaker 2>I had to vouch for someone from Australia for a

0:12:20.960 --> 0:12:23.120
<v Speaker 2>few years, okay, yeah, and so like I know the

0:12:23.160 --> 0:12:26.880
<v Speaker 2>process and I would write the letter like she's not

0:12:27.000 --> 0:12:31.120
<v Speaker 2>murdered anyone. Yeah, I believe in her. What was home

0:12:31.200 --> 0:12:32.839
<v Speaker 2>like for your dad as a musician.

0:12:33.000 --> 0:12:34.040
<v Speaker 3>Yeah, yeah, he was.

0:12:34.080 --> 0:12:37.920
<v Speaker 1>I wouldn't say he like fostered anything that I did,

0:12:37.960 --> 0:12:41.200
<v Speaker 1>but he I think hereditarily like passed down his gifts

0:12:41.200 --> 0:12:41.400
<v Speaker 1>to me.

0:12:41.520 --> 0:12:41.920
<v Speaker 3>I guess.

0:12:41.920 --> 0:12:45.160
<v Speaker 1>But my mom was really the one that saw something

0:12:45.200 --> 0:12:48.120
<v Speaker 1>in me. I was very tenacious and I wasn't like

0:12:48.720 --> 0:12:51.800
<v Speaker 1>the star ever, Like I was obsessed with it and

0:12:51.840 --> 0:12:54.319
<v Speaker 1>I would audition for everything, go to the talent shows

0:12:54.360 --> 0:12:56.520
<v Speaker 1>and do musical theater and I'd always get cast in

0:12:56.559 --> 0:12:59.280
<v Speaker 1>the course, and I'd always get third place or not

0:12:59.360 --> 0:13:02.640
<v Speaker 1>even play, and for whatever reason, I was just like, Okay,

0:13:02.920 --> 0:13:04.440
<v Speaker 1>what's next, Okay, I just gotta do this.

0:13:04.520 --> 0:13:06.839
<v Speaker 3>I just gotta do that. Like sometimes they look back,

0:13:06.920 --> 0:13:09.079
<v Speaker 3>I'm like, how like, Yeah, you.

0:13:09.040 --> 0:13:11.480
<v Speaker 2>Ever think why did I keep going if I never

0:13:12.000 --> 0:13:14.080
<v Speaker 2>got it? Yeah? I think about that with me too,

0:13:14.080 --> 0:13:15.839
<v Speaker 2>because I was never like the person. I was always

0:13:15.960 --> 0:13:17.640
<v Speaker 2>mid but I always tried.

0:13:17.960 --> 0:13:19.120
<v Speaker 3>Yes, Oh I always say that.

0:13:19.120 --> 0:13:21.240
<v Speaker 1>I say, like, I do be out here trying, like

0:13:21.280 --> 0:13:24.000
<v Speaker 1>I will try and try and try and failm film film,

0:13:24.200 --> 0:13:24.720
<v Speaker 1>keep trying.

0:13:24.760 --> 0:13:26.559
<v Speaker 2>Did your mom have musical background.

0:13:26.520 --> 0:13:29.280
<v Speaker 3>No, like not really. I think she just she was

0:13:29.360 --> 0:13:30.080
<v Speaker 3>just a rock star.

0:13:30.200 --> 0:13:32.800
<v Speaker 1>She she really pretty much raised me and my sister

0:13:32.920 --> 0:13:33.440
<v Speaker 1>on her own.

0:13:34.000 --> 0:13:37.520
<v Speaker 2>And so your parents were together, Uh No.

0:13:37.600 --> 0:13:39.520
<v Speaker 1>They got divorced when I was like kind of a

0:13:40.120 --> 0:13:41.720
<v Speaker 1>I think I was like twelve or thirty and you live.

0:13:41.640 --> 0:13:45.560
<v Speaker 2>With your mom mostly. So were there instruments? Did your

0:13:45.600 --> 0:13:47.480
<v Speaker 2>sister like music or did was it just like you're

0:13:47.480 --> 0:13:49.560
<v Speaker 2>just wondering why all of a sudden you love music?

0:13:49.800 --> 0:13:51.400
<v Speaker 2>It was genetic of it, you think.

0:13:51.360 --> 0:13:51.800
<v Speaker 3>I think so.

0:13:52.200 --> 0:13:54.400
<v Speaker 1>I think so, Like my dad had a guitar that

0:13:54.480 --> 0:13:58.520
<v Speaker 1>I would steal and play, and but I just like

0:13:58.640 --> 0:14:03.199
<v Speaker 1>loved music. I just remember feeling it's differently like I

0:14:03.200 --> 0:14:06.120
<v Speaker 1>remember listening to like an Eda James song and being

0:14:06.160 --> 0:14:08.960
<v Speaker 1>like feeling very emotional, like a really young age about

0:14:09.080 --> 0:14:12.040
<v Speaker 1>these songs, and it just felt like it mattered. And

0:14:13.760 --> 0:14:15.640
<v Speaker 1>then my dad loved music and he was involved in

0:14:15.720 --> 0:14:17.880
<v Speaker 1>music too, and I think I was the kid, you know,

0:14:17.960 --> 0:14:21.280
<v Speaker 1>really desperate for you know, their parents to pay attention

0:14:21.320 --> 0:14:23.640
<v Speaker 1>to them as well. I've still dealing with that in therapy,

0:14:23.680 --> 0:14:24.240
<v Speaker 1>but we'll see.

0:14:24.440 --> 0:14:25.880
<v Speaker 2>You know what's funny. I was talking to my friend

0:14:25.960 --> 0:14:29.600
<v Speaker 2>Eddie today today literally we were talking about some classic

0:14:29.680 --> 0:14:33.880
<v Speaker 2>rock stuff. It was way before I was born, and

0:14:34.240 --> 0:14:35.880
<v Speaker 2>he was like, how do you know the singers of

0:14:35.920 --> 0:14:38.960
<v Speaker 2>these songs? And so I don't know my real dad,

0:14:39.000 --> 0:14:43.360
<v Speaker 2>but my mom remarried my stepdad, And I said, well,

0:14:44.640 --> 0:14:47.400
<v Speaker 2>like I wanted any relationship at all of my stepdad. Yeah,

0:14:47.560 --> 0:14:50.320
<v Speaker 2>he loved classic rock. So I would memorize every song

0:14:50.800 --> 0:14:52.720
<v Speaker 2>we play. This thing where I just felt like he

0:14:52.760 --> 0:14:54.440
<v Speaker 2>would talk to me and pay me attention if I

0:14:54.600 --> 0:14:57.720
<v Speaker 2>knew every song and every artist. And you saying that,

0:14:57.920 --> 0:15:00.800
<v Speaker 2>I mean as basically a version the conversation I had

0:15:00.800 --> 0:15:04.280
<v Speaker 2>earlier because I thought, if I know all these songs

0:15:04.280 --> 0:15:06.480
<v Speaker 2>and all these artists, yeah, he'll have something he thinks

0:15:06.480 --> 0:15:09.200
<v Speaker 2>about he can talk about with me. And it feels

0:15:09.200 --> 0:15:13.200
<v Speaker 2>like a bit slightly different that you did music for

0:15:13.280 --> 0:15:15.560
<v Speaker 2>a bit of attention or at least some kind of love.

0:15:16.240 --> 0:15:18.320
<v Speaker 3>Yeah, I think it's certainly a combination.

0:15:19.200 --> 0:15:21.040
<v Speaker 1>When I talked to my therapist about that, she said,

0:15:21.080 --> 0:15:23.360
<v Speaker 1>you know, every villain has their origin story. That's what

0:15:23.400 --> 0:15:23.920
<v Speaker 1>she said to me.

0:15:24.840 --> 0:15:27.280
<v Speaker 2>I had therapy girl. Yeah, therapy boy have been for

0:15:27.320 --> 0:15:27.800
<v Speaker 2>a long time.

0:15:28.160 --> 0:15:28.880
<v Speaker 3>Game changer.

0:15:29.480 --> 0:15:33.040
<v Speaker 2>Why for you? When say win for you? Because I

0:15:33.040 --> 0:15:35.120
<v Speaker 2>think why is we'd be here for three hours because

0:15:35.120 --> 0:15:36.400
<v Speaker 2>I take over the conversation.

0:15:36.080 --> 0:15:37.960
<v Speaker 3>And yeah, me too, Me too.

0:15:38.840 --> 0:15:40.960
<v Speaker 1>I went for a few years and then I stopped,

0:15:41.000 --> 0:15:43.080
<v Speaker 1>and then I went for a few more years.

0:15:43.200 --> 0:15:44.760
<v Speaker 3>Mine was literally.

0:15:44.360 --> 0:15:48.200
<v Speaker 1>Like like it wasn't even like I needed help.

0:15:48.080 --> 0:15:50.680
<v Speaker 2>Very desperate shorty Canada. Did you start here? No?

0:15:50.760 --> 0:15:51.360
<v Speaker 3>I started here.

0:15:51.400 --> 0:15:54.000
<v Speaker 2>Actually, how were you introduced to it? I was.

0:15:54.080 --> 0:15:56.320
<v Speaker 1>I literally went to a doctor and I was like,

0:15:56.600 --> 0:15:59.760
<v Speaker 1>I am having five panic attacks a week, Like I

0:15:59.760 --> 0:16:02.560
<v Speaker 1>am out of control, Like physically I felt it physically.

0:16:02.720 --> 0:16:04.960
<v Speaker 1>I was like I don't know what's going on. I'm

0:16:05.320 --> 0:16:07.240
<v Speaker 1>like I don't want to leave my house, like, and

0:16:07.280 --> 0:16:10.280
<v Speaker 1>she was like, okay, okay, we need to like and

0:16:10.320 --> 0:16:12.400
<v Speaker 1>I ended up going to this place called center Stone,

0:16:13.160 --> 0:16:15.120
<v Speaker 1>which and this was like just such a god thing,

0:16:15.240 --> 0:16:17.400
<v Speaker 1>such a blessing. When I first moved to town, I

0:16:17.440 --> 0:16:19.280
<v Speaker 1>go to this I literally google I go this thing

0:16:19.320 --> 0:16:21.560
<v Speaker 1>called center Stone, and they're like, how much money do

0:16:21.600 --> 0:16:23.520
<v Speaker 1>you have? And I was like, I just moved here,

0:16:23.560 --> 0:16:26.560
<v Speaker 1>Like I'm like, uh, you know, I didn't have like anything,

0:16:26.640 --> 0:16:27.960
<v Speaker 1>and they were like, okay, then let's.

0:16:27.800 --> 0:16:29.440
<v Speaker 3>Take care of and they save my life.

0:16:29.480 --> 0:16:32.440
<v Speaker 2>One, I appreciate being open about that and even mentioning

0:16:32.480 --> 0:16:35.000
<v Speaker 2>therapy because it doesn't have the stigma that it used

0:16:35.000 --> 0:16:37.520
<v Speaker 2>to have. But I think a lot of people don't

0:16:37.560 --> 0:16:39.520
<v Speaker 2>want to mention it unless it's brought up and kind

0:16:39.520 --> 0:16:42.320
<v Speaker 2>of dragged out of them. So I really appreciate you

0:16:42.400 --> 0:16:45.360
<v Speaker 2>just even mentioning the facts out of nowhere, Like yeah, therapy,

0:16:45.480 --> 0:16:47.760
<v Speaker 2>it's a massive part of my life for sure. Didn't

0:16:47.760 --> 0:16:48.520
<v Speaker 2>even know what it was going on.

0:16:48.720 --> 0:16:50.760
<v Speaker 1>It's like you're I always say, and I always just

0:16:50.760 --> 0:16:54.320
<v Speaker 1>really encourage people and to go because I mean, sometimes

0:16:54.440 --> 0:16:56.560
<v Speaker 1>you're just carrying so much and sometimes you don't know

0:16:56.640 --> 0:16:58.680
<v Speaker 1>what you're carrying, But I felt like I had a

0:16:58.720 --> 0:17:00.960
<v Speaker 1>lot of resentment, a lot of anger, and I was

0:17:01.000 --> 0:17:03.160
<v Speaker 1>just dragging it around with me. It was affecting my

0:17:03.200 --> 0:17:05.679
<v Speaker 1>life so much and had a lot of you know,

0:17:05.800 --> 0:17:07.840
<v Speaker 1>just a ton of different things and to actually go

0:17:07.880 --> 0:17:08.639
<v Speaker 1>through and it's hard.

0:17:08.880 --> 0:17:11.000
<v Speaker 3>You stir it all up, and it's.

0:17:10.880 --> 0:17:14.400
<v Speaker 1>Even harder at first, but then it starts to feel

0:17:14.440 --> 0:17:16.560
<v Speaker 1>lighter and it's like you get your life back, you

0:17:16.600 --> 0:17:16.919
<v Speaker 1>really do?

0:17:17.200 --> 0:17:20.440
<v Speaker 2>Did they help you? Right? Meaning? And I want to

0:17:20.480 --> 0:17:23.640
<v Speaker 2>give you two versions. I felt if I got too

0:17:24.080 --> 0:17:28.760
<v Speaker 2>and this is not the correct term for someone that

0:17:28.800 --> 0:17:30.520
<v Speaker 2>goes into therapy, I thought if I got too right

0:17:30.600 --> 0:17:33.040
<v Speaker 2>or too correct, I would lose my edge. Yeah. I

0:17:33.080 --> 0:17:35.679
<v Speaker 2>really felt like I'm able to like produce this stuff,

0:17:36.000 --> 0:17:37.960
<v Speaker 2>create the stuff, right, these jokes, have these ideas and

0:17:37.960 --> 0:17:40.320
<v Speaker 2>these thoughts because I'm a little broken, and if I

0:17:40.320 --> 0:17:42.879
<v Speaker 2>can just say a little broken, then but if I

0:17:42.880 --> 0:17:45.560
<v Speaker 2>get if I'm fixed, nobody's ever fixed. That's what I thought.

0:17:45.720 --> 0:17:48.000
<v Speaker 2>If I'm fixed, I will not be able to have

0:17:48.040 --> 0:17:50.560
<v Speaker 2>the same creative edge that I did. Did you ever

0:17:50.600 --> 0:17:52.240
<v Speaker 2>worry about that a little bit?

0:17:52.359 --> 0:17:53.959
<v Speaker 3>Yeah?

0:17:54.280 --> 0:17:56.879
<v Speaker 1>But I think like, yeah, I mean at your like

0:17:57.040 --> 0:18:00.280
<v Speaker 1>rock bottom, obviously your like safety and like life is

0:18:00.320 --> 0:18:01.000
<v Speaker 1>like more important.

0:18:01.000 --> 0:18:04.600
<v Speaker 3>But I certainly feel like it's helped me more than.

0:18:04.520 --> 0:18:07.440
<v Speaker 1>Anything, just understanding, like I think as a songwriter, even

0:18:07.440 --> 0:18:07.960
<v Speaker 1>when I'm like.

0:18:08.000 --> 0:18:10.720
<v Speaker 3>In this situation, you just don't have as much perspective.

0:18:10.760 --> 0:18:12.359
<v Speaker 1>And so then when I'm out of the situation, I

0:18:12.400 --> 0:18:15.280
<v Speaker 1>can turn around and see, you know, what was happening,

0:18:15.560 --> 0:18:16.520
<v Speaker 1>and just.

0:18:16.440 --> 0:18:17.919
<v Speaker 3>Like a different perspective of it.

0:18:17.960 --> 0:18:19.800
<v Speaker 1>And I think that's what therapy does, is it like

0:18:19.880 --> 0:18:23.199
<v Speaker 1>opens stuff up and gives you perspectives on situations and

0:18:23.640 --> 0:18:27.680
<v Speaker 1>validates your experiences and your emotions and stuff to help

0:18:27.720 --> 0:18:29.680
<v Speaker 1>you understand them better, which I think makes me a

0:18:29.680 --> 0:18:30.320
<v Speaker 1>better songwriter.

0:18:30.520 --> 0:18:32.439
<v Speaker 2>I was very wrong about thinking I would lose my age,

0:18:32.480 --> 0:18:34.720
<v Speaker 2>and I agree with what you're saying, but I had

0:18:34.720 --> 0:18:38.640
<v Speaker 2>to I was very concerned that if I got right, yeah,

0:18:39.480 --> 0:18:42.000
<v Speaker 2>I would lose what got me to that point. But

0:18:42.080 --> 0:18:46.720
<v Speaker 2>then what I kind of learned was because therapies it's

0:18:46.800 --> 0:18:50.200
<v Speaker 2>weirdly intimate. Right, you don't know the person, oh for sure,

0:18:50.359 --> 0:18:53.439
<v Speaker 2>you're saying things and it's a dance. Especially when you

0:18:53.440 --> 0:18:55.719
<v Speaker 2>first go you're like, ah, do I trust you?

0:18:56.000 --> 0:18:57.840
<v Speaker 3>Yeah, You're like, do I omit this or what?

0:18:58.119 --> 0:19:00.600
<v Speaker 2>And then when I we would write and you know,

0:19:00.680 --> 0:19:02.359
<v Speaker 2>I don't write like you doub but I write comedy

0:19:02.359 --> 0:19:05.920
<v Speaker 2>stuff or just when i'd write books. It helped me be,

0:19:06.400 --> 0:19:09.280
<v Speaker 2>It helped me share more intimately exactly, so much more

0:19:09.280 --> 0:19:12.520
<v Speaker 2>so than it actually made me better. It was very

0:19:12.760 --> 0:19:15.359
<v Speaker 2>counter what I thought was going to happen. Yeah, because

0:19:15.400 --> 0:19:17.640
<v Speaker 2>of me going, I got to realize who I really am.

0:19:17.880 --> 0:19:21.840
<v Speaker 2>And also that being kind of open about it actually

0:19:22.359 --> 0:19:25.679
<v Speaker 2>allows more growth. And I wasn't as scared to share,

0:19:26.200 --> 0:19:29.200
<v Speaker 2>for sure. And co writes are very intimate times. But

0:19:29.320 --> 0:19:31.080
<v Speaker 2>you and somebody and you're like, here's what happened to me,

0:19:31.119 --> 0:19:32.880
<v Speaker 2>and it sucked, Like writing.

0:19:32.720 --> 0:19:35.359
<v Speaker 1>Intimates it, Oh yeah for sure, and you feel like, Okay,

0:19:35.359 --> 0:19:36.840
<v Speaker 1>I want to write this type of song and like

0:19:36.880 --> 0:19:38.720
<v Speaker 1>you got it's going to be the right room that

0:19:38.920 --> 0:19:41.080
<v Speaker 1>you know, some songwriters just have a gift of making

0:19:41.119 --> 0:19:43.000
<v Speaker 1>you feel very safe in the room until you kind

0:19:43.000 --> 0:19:45.240
<v Speaker 1>of save that for that. But I think that's exactly it.

0:19:45.240 --> 0:19:47.840
<v Speaker 1>It's like it's made me a more of an open person.

0:19:48.480 --> 0:19:51.400
<v Speaker 1>And I think with my little platform that I have,

0:19:51.440 --> 0:19:53.320
<v Speaker 1>I don't know, I mean, and you, I'm sure how

0:19:53.320 --> 0:19:56.480
<v Speaker 1>many people have heard your story and have fell seen

0:19:57.000 --> 0:19:58.679
<v Speaker 1>I mean, that's important. I mean, we're only here for

0:19:58.720 --> 0:20:00.119
<v Speaker 1>a short amount of time, and it's like, if you

0:20:00.160 --> 0:20:03.520
<v Speaker 1>can make one person feel like understood in their experiences

0:20:03.600 --> 0:20:05.240
<v Speaker 1>or in their story, like, that's pretty awesome.

0:20:05.760 --> 0:20:08.400
<v Speaker 4>Let's take a quick pause for a message from our sponsor,

0:20:17.240 --> 0:20:19.480
<v Speaker 4>and we're back on the Bobby Cast.

0:20:19.960 --> 0:20:22.520
<v Speaker 2>Can I see a very cliche question? You ever met

0:20:22.520 --> 0:20:23.080
<v Speaker 2>Sania Twain?

0:20:23.440 --> 0:20:23.720
<v Speaker 3>I have?

0:20:23.840 --> 0:20:26.240
<v Speaker 2>Yeah, that's the ultimate cliche Canadian question.

0:20:26.400 --> 0:20:26.840
<v Speaker 1>Yeah.

0:20:27.080 --> 0:20:29.000
<v Speaker 2>Yeah, at some point I was gonna ask it so licious.

0:20:29.280 --> 0:20:32.119
<v Speaker 1>I actually got to do at the Canadian Country Music Awards.

0:20:32.160 --> 0:20:34.360
<v Speaker 3>She was hosting, and I got to do a tribute

0:20:34.359 --> 0:20:36.720
<v Speaker 3>to her while she watched you.

0:20:37.119 --> 0:20:39.040
<v Speaker 1>She yeah, she comes on stage at the end, so

0:20:39.080 --> 0:20:40.440
<v Speaker 1>I have a photo of me and her.

0:20:40.600 --> 0:20:43.240
<v Speaker 2>Wait, you performed a tribute to her while she I

0:20:43.240 --> 0:20:45.800
<v Speaker 2>would die. I'd be a wreck. I was, I'd be

0:20:45.840 --> 0:20:46.120
<v Speaker 2>a wreck.

0:20:46.720 --> 0:20:48.760
<v Speaker 3>It was insane and what was sad too?

0:20:48.800 --> 0:20:50.320
<v Speaker 1>I mean we were It was me and two other

0:20:50.359 --> 0:20:52.720
<v Speaker 1>girls and we were all so nervous, like this is

0:20:52.760 --> 0:20:55.600
<v Speaker 1>as a Canadian girl, your hero, Like she was my

0:20:55.600 --> 0:20:56.320
<v Speaker 1>first concert.

0:20:56.520 --> 0:20:59.000
<v Speaker 3>She was like made me think I could do this.

0:20:59.080 --> 0:21:01.880
<v Speaker 3>The whole thing. We were rereaking out and then I remember.

0:21:01.680 --> 0:21:04.119
<v Speaker 1>Just like the trolls were like this is trash and

0:21:04.160 --> 0:21:07.040
<v Speaker 1>we got so much like hate and people just and

0:21:07.080 --> 0:21:10.800
<v Speaker 1>their opinions and stuff and you know they vocally sound

0:21:10.840 --> 0:21:12.800
<v Speaker 1>bad or whatever it was, and it was like we

0:21:12.800 --> 0:21:16.199
<v Speaker 1>were so nervous, Like it was just felt like the

0:21:16.240 --> 0:21:18.520
<v Speaker 1>biggest moment, you know, in our lives so far.

0:21:18.680 --> 0:21:20.600
<v Speaker 2>Remove the troll part for a second, because that had

0:21:20.640 --> 0:21:21.959
<v Speaker 2>to happen. You had to see that.

0:21:22.359 --> 0:21:25.399
<v Speaker 1>Yeah, for sure, a tribute you just you just get that,

0:21:25.440 --> 0:21:27.520
<v Speaker 1>because do you They don't feel like, yeah.

0:21:27.400 --> 0:21:29.280
<v Speaker 2>You can never do it as good as the original.

0:21:29.440 --> 0:21:33.480
<v Speaker 2>It's like a cover covers or it's like a sequel

0:21:33.560 --> 0:21:36.400
<v Speaker 2>to a movie. None of them are really as good

0:21:36.400 --> 0:21:38.320
<v Speaker 2>as the original because they're almost not allowed to be

0:21:38.320 --> 0:21:42.040
<v Speaker 2>because the original. So before, how did you feel while

0:21:42.080 --> 0:21:44.760
<v Speaker 2>you were doing it or how did you feel when

0:21:44.800 --> 0:21:46.480
<v Speaker 2>you were asked to do it? Because I think that's

0:21:46.520 --> 0:21:47.159
<v Speaker 2>pretty amazing.

0:21:47.400 --> 0:21:48.320
<v Speaker 3>It was insane.

0:21:48.480 --> 0:21:51.520
<v Speaker 1>I honestly think like there was I got a call

0:21:52.280 --> 0:21:54.040
<v Speaker 1>about like that it might be happening, and then I

0:21:54.080 --> 0:21:55.879
<v Speaker 1>remember I got a text from like the music director

0:21:56.000 --> 0:21:57.560
<v Speaker 1>was like, hey, so here's what you're going to be

0:21:57.560 --> 0:22:00.840
<v Speaker 1>singing it just like this very I sang one of

0:22:00.840 --> 0:22:05.240
<v Speaker 1>her new songs. So I mean I think one girl

0:22:05.320 --> 0:22:08.439
<v Speaker 1>started with man, I feel like a woman, Then I

0:22:08.440 --> 0:22:10.359
<v Speaker 1>forget the second one. Then I sang live spot to

0:22:10.400 --> 0:22:12.640
<v Speaker 1>get good, and then we sang Who's Then I sang

0:22:12.640 --> 0:22:14.240
<v Speaker 1>Who's bet of your boots Been under? And then she

0:22:14.320 --> 0:22:16.560
<v Speaker 1>came out after so we kind of like alded like

0:22:16.560 --> 0:22:17.800
<v Speaker 1>little bits of her songs.

0:22:18.000 --> 0:22:19.440
<v Speaker 2>Did she come out and rehearsal?

0:22:20.000 --> 0:22:22.280
<v Speaker 3>Yeah, Oh my gosh, she did. And she was so

0:22:22.600 --> 0:22:26.119
<v Speaker 3>like telling us like, oh, try this and try that

0:22:26.240 --> 0:22:26.560
<v Speaker 3>and like.

0:22:26.600 --> 0:22:30.359
<v Speaker 1>Walk on beat and was like very excited for us

0:22:30.480 --> 0:22:32.520
<v Speaker 1>and like a fun aunt is the only way like

0:22:32.560 --> 0:22:35.720
<v Speaker 1>I could explain it. She was. Yeah, she was awesome.

0:22:35.760 --> 0:22:36.840
<v Speaker 1>It was really really special.

0:22:37.000 --> 0:22:38.760
<v Speaker 2>What's a week like for you now?

0:22:40.880 --> 0:22:41.359
<v Speaker 3>Just depends.

0:22:41.359 --> 0:22:43.040
<v Speaker 1>I mean I feel like we've been on the road

0:22:43.160 --> 0:22:44.960
<v Speaker 1>a lot playing shows.

0:22:45.040 --> 0:22:46.960
<v Speaker 3>I still play a lot in Canada's.

0:22:46.480 --> 0:22:49.240
<v Speaker 1>Whiles a lot of times, you know, crossing the border up, up,

0:22:49.280 --> 0:22:50.040
<v Speaker 1>back and forth.

0:22:50.560 --> 0:22:52.600
<v Speaker 2>I still guarantee so bigger up there because you have

0:22:52.640 --> 0:22:56.200
<v Speaker 2>a history for sure. Yeah, that's awesome to be able

0:22:56.240 --> 0:22:57.159
<v Speaker 2>to go and make money.

0:22:57.400 --> 0:23:00.880
<v Speaker 1>Yeah it isn't Canadian dollars though, so anyway, have a backover.

0:23:01.440 --> 0:23:04.920
<v Speaker 1>It doesn't really shake out to what it is up there.

0:23:05.040 --> 0:23:07.840
<v Speaker 2>But do you know that you know the actual difference.

0:23:08.119 --> 0:23:10.240
<v Speaker 1>I think it's like seventy two cents to the dollar

0:23:10.440 --> 0:23:10.879
<v Speaker 1>or something.

0:23:11.240 --> 0:23:14.280
<v Speaker 2>But still you're probably making good enough up there to

0:23:14.320 --> 0:23:14.920
<v Speaker 2>take care of it.

0:23:15.080 --> 0:23:16.720
<v Speaker 3>For sure, able to do it. I mean touring. I

0:23:16.720 --> 0:23:19.360
<v Speaker 3>don't think people realize how expensive it is to.

0:23:19.320 --> 0:23:20.400
<v Speaker 2>Do again tour.

0:23:20.520 --> 0:23:21.160
<v Speaker 3>It's crazy.

0:23:21.240 --> 0:23:22.360
<v Speaker 2>I'm going to say the thing that I just said

0:23:22.359 --> 0:23:23.840
<v Speaker 2>a minute ago, and I'm so annoying when I do this.

0:23:23.880 --> 0:23:27.159
<v Speaker 2>But I was just having this conversation yesterday with my friend.

0:23:27.520 --> 0:23:30.800
<v Speaker 2>You know, George Burge is the artist. So George has

0:23:31.000 --> 0:23:32.840
<v Speaker 2>a number one song hit the song Mind on You,

0:23:32.920 --> 0:23:34.560
<v Speaker 2>and he has a song that's probably gonna be a

0:23:34.600 --> 0:23:37.720
<v Speaker 2>number one again. And he was talking about opening for

0:23:37.760 --> 0:23:41.360
<v Speaker 2>an artist and he was the baby act, and we

0:23:41.359 --> 0:23:43.880
<v Speaker 2>were talking about and this wasn't a microphone because George

0:23:43.920 --> 0:23:45.800
<v Speaker 2>is a dear friend of mine. He was like, we

0:23:45.800 --> 0:23:50.399
<v Speaker 2>were making just enough to almost break even. Yeah, like

0:23:50.440 --> 0:23:53.760
<v Speaker 2>taking oh big shows, but as the baby act, like

0:23:54.240 --> 0:23:57.960
<v Speaker 2>not a bus, a van, having to pay the band,

0:23:58.480 --> 0:24:01.199
<v Speaker 2>You're making fifteen hundred dollars a show. Yeah. And then

0:24:01.240 --> 0:24:03.040
<v Speaker 2>he's like, by the time we would get back, if

0:24:03.040 --> 0:24:05.960
<v Speaker 2>I was down seventy bucks, that was a win.

0:24:06.160 --> 0:24:08.120
<v Speaker 3>Oh, absolutely so when you talk about.

0:24:08.000 --> 0:24:10.080
<v Speaker 2>That, that's I mean, that's the reality of it. It's

0:24:10.119 --> 0:24:14.560
<v Speaker 2>hard to make money. Yeah, touring, just straight up for sure.

0:24:14.680 --> 0:24:16.680
<v Speaker 1>And it's gritty too, right, Like you're on the road

0:24:16.720 --> 0:24:19.440
<v Speaker 1>and you're in a van and you're driving and you're tired,

0:24:20.000 --> 0:24:22.600
<v Speaker 1>and then you come home and your nake in the

0:24:22.680 --> 0:24:23.760
<v Speaker 1>deficit and you're.

0:24:23.600 --> 0:24:26.040
<v Speaker 3>Like everyone else got paid and like it's.

0:24:25.880 --> 0:24:27.800
<v Speaker 1>My name on the thing, that's why we're all here.

0:24:28.000 --> 0:24:30.480
<v Speaker 1>It's like it's hard on like the psyche sometimes too,

0:24:30.960 --> 0:24:35.960
<v Speaker 1>but like it it's so enjoyable, like playing shows is

0:24:36.000 --> 0:24:39.280
<v Speaker 1>the best part of this whole thing that it somehow

0:24:39.280 --> 0:24:39.840
<v Speaker 1>like you're.

0:24:39.680 --> 0:24:40.399
<v Speaker 2>Just still do it.

0:24:40.400 --> 0:24:42.120
<v Speaker 3>I don't know, it's like it you really do love

0:24:42.119 --> 0:24:44.720
<v Speaker 3>it that much for you to do a full weekend

0:24:44.720 --> 0:24:46.600
<v Speaker 3>and be down seventy dollars and still be like.

0:24:46.560 --> 0:24:50.000
<v Speaker 2>That was sweet, though, Why do you keep going? I

0:24:50.000 --> 0:24:52.320
<v Speaker 2>don't know, Like, what's what's the ultimate goal?

0:24:54.040 --> 0:24:54.639
<v Speaker 3>Great question?

0:24:54.840 --> 0:24:58.800
<v Speaker 1>I feel like the with this business trying to understand

0:24:58.800 --> 0:25:00.600
<v Speaker 1>that the goal line just can take and used to

0:25:00.720 --> 0:25:03.200
<v Speaker 1>move like I mean, I would set goals for myself

0:25:03.240 --> 0:25:07.520
<v Speaker 1>and then hit the goals and then you're like okay,

0:25:07.560 --> 0:25:09.800
<v Speaker 1>like what's next. You don't even sit there and really

0:25:09.920 --> 0:25:11.640
<v Speaker 1>enjoy it. It's it's pretty crazy.

0:25:11.720 --> 0:25:14.399
<v Speaker 3>And so I don't know. I would love to just

0:25:14.440 --> 0:25:15.040
<v Speaker 3>be able to.

0:25:15.080 --> 0:25:19.760
<v Speaker 1>Like do this and make music and tour and play

0:25:19.800 --> 0:25:24.440
<v Speaker 1>shows and support a family and but yeah, I mean

0:25:24.480 --> 0:25:27.000
<v Speaker 1>putting like specific things, it's difficult. I've thought about that

0:25:27.000 --> 0:25:27.439
<v Speaker 1>a lot.

0:25:27.680 --> 0:25:29.159
<v Speaker 2>Are you able to enjoy successes?

0:25:30.600 --> 0:25:33.760
<v Speaker 1>Yeah, I think I think I have had a Like

0:25:33.800 --> 0:25:37.479
<v Speaker 1>I started super young, and I feel like my career

0:25:37.920 --> 0:25:40.399
<v Speaker 1>I've been like a few degrees of separation of like

0:25:40.520 --> 0:25:43.640
<v Speaker 1>really cool things for a while, Like I am such

0:25:43.680 --> 0:25:46.600
<v Speaker 1>a like inch by inch by inch by inch, like

0:25:46.640 --> 0:25:50.240
<v Speaker 1>it has gone so slow for me, and it's always

0:25:51.680 --> 0:25:57.119
<v Speaker 1>I mean, like, for example, my producer Zat Crowell, the

0:25:57.200 --> 0:26:00.480
<v Speaker 1>reason why we met is because that Dustin duet with

0:26:00.560 --> 0:26:02.600
<v Speaker 1>Mackenzie Porter that was like a six week number one.

0:26:02.680 --> 0:26:05.520
<v Speaker 3>I auditioned for that song and I thought I did

0:26:05.560 --> 0:26:06.920
<v Speaker 3>such a great job and it.

0:26:06.880 --> 0:26:08.320
<v Speaker 1>Went so well, and that's how I met Zach and

0:26:08.600 --> 0:26:11.640
<v Speaker 1>him obviously, like I didn't get that, but it led

0:26:11.720 --> 0:26:13.359
<v Speaker 1>to a relationship with us.

0:26:13.359 --> 0:26:15.960
<v Speaker 3>But like I was, like, I was so close.

0:26:16.080 --> 0:26:17.920
<v Speaker 1>That was such a huge song that you know could

0:26:17.920 --> 0:26:20.080
<v Speaker 1>have been me or before I signed because I'm over

0:26:20.119 --> 0:26:20.680
<v Speaker 1>at BBR.

0:26:20.760 --> 0:26:23.399
<v Speaker 3>Now I did a showcase in town. The labels came out.

0:26:23.480 --> 0:26:25.520
<v Speaker 1>Had one label literally looked me in the eem and

0:26:25.560 --> 0:26:27.920
<v Speaker 1>be like get ready, like Monday, there's gonna be a

0:26:28.200 --> 0:26:29.080
<v Speaker 1>deal on your table.

0:26:29.119 --> 0:26:31.200
<v Speaker 3>And I was like, oh my gosh.

0:26:31.240 --> 0:26:33.440
<v Speaker 1>And then they were like, we just signed another girl.

0:26:33.840 --> 0:26:37.439
<v Speaker 1>I was so crushed. I like remember just like dropping

0:26:37.440 --> 0:26:40.040
<v Speaker 1>my phone and just sobbing, like I was so close,

0:26:40.080 --> 0:26:41.920
<v Speaker 1>Like how did what happened over the weekend.

0:26:42.000 --> 0:26:44.280
<v Speaker 3>So there's been a few times that it's just.

0:26:44.240 --> 0:26:48.840
<v Speaker 1>Like gut hunt, you know, and then then something magical

0:26:48.880 --> 0:26:51.440
<v Speaker 1>happens and then folsy right back in again. And I've

0:26:51.440 --> 0:26:55.360
<v Speaker 1>had a lot of magical things and random incidences and

0:26:55.880 --> 0:26:58.159
<v Speaker 1>just opportunities fall my lap out of the sky at

0:26:58.160 --> 0:26:58.720
<v Speaker 1>the same time too.

0:26:58.840 --> 0:26:59.560
<v Speaker 3>That had been so great.

0:27:00.880 --> 0:27:02.840
<v Speaker 2>When let's use an example when BBR says, hey, we

0:27:02.880 --> 0:27:07.160
<v Speaker 2>want to sign you. Yeah, can you enjoy and celebrate

0:27:07.200 --> 0:27:08.760
<v Speaker 2>that before you start to worry about that?

0:27:09.280 --> 0:27:13.720
<v Speaker 1>Yeah, you know, it was cool. After that other label

0:27:13.880 --> 0:27:16.480
<v Speaker 1>didn't sign me, I went and bought a bottle of

0:27:16.520 --> 0:27:19.280
<v Speaker 1>champagne and wrote, we'll sign a US for record deal

0:27:19.359 --> 0:27:21.600
<v Speaker 1>and put it on. I was like to I'm like,

0:27:21.640 --> 0:27:23.600
<v Speaker 1>this is happening, Like I'm tired of this, like this

0:27:23.760 --> 0:27:25.800
<v Speaker 1>just needs to happen. And it was within the year

0:27:25.840 --> 0:27:27.600
<v Speaker 1>that I that they offered me a deal, which is

0:27:27.640 --> 0:27:31.400
<v Speaker 1>pretty cool. But yeah, I mean, yeah, you're stressed there

0:27:31.440 --> 0:27:33.520
<v Speaker 1>because there's like a long period of time where you're

0:27:33.520 --> 0:27:36.199
<v Speaker 1>in negotiations in the contracts the whole time, and then

0:27:36.240 --> 0:27:38.040
<v Speaker 1>people are like, did you get the contract yet? I'm like,

0:27:38.080 --> 0:27:40.600
<v Speaker 1>stop asking me that, like stress that they're going to

0:27:40.680 --> 0:27:42.400
<v Speaker 1>change their mind or it's not going to come through

0:27:42.600 --> 0:27:45.199
<v Speaker 1>or and then you get the deal and then you're like,

0:27:45.200 --> 0:27:46.240
<v Speaker 1>now you got to keep the deal.

0:27:46.240 --> 0:27:47.520
<v Speaker 3>It's just it never ends, you know.

0:27:47.640 --> 0:27:51.359
<v Speaker 2>Yeah, never For me, I'm I struggle. I can't control

0:27:51.359 --> 0:27:52.760
<v Speaker 2>my thoughts, but I try to control my thinking a

0:27:52.760 --> 0:27:55.679
<v Speaker 2>bit where I don't yeah, where I don't lose myself.

0:27:55.720 --> 0:27:58.560
<v Speaker 2>But if something happens, I'm pumped before I'm able to

0:27:58.600 --> 0:28:01.080
<v Speaker 2>really enjoy it, I'm like, Okay, well this will fall

0:28:01.080 --> 0:28:03.879
<v Speaker 2>apart if I don't abc like I really I've gotten

0:28:03.880 --> 0:28:05.280
<v Speaker 2>a little better at it, but I have trouble with

0:28:06.240 --> 0:28:08.720
<v Speaker 2>identifying why I should be happy about something before I

0:28:08.720 --> 0:28:10.320
<v Speaker 2>move the goalpost, because I know they're gonna I know

0:28:10.359 --> 0:28:12.120
<v Speaker 2>they're gonna move, just like you mentioned a minute ago,

0:28:12.640 --> 0:28:15.320
<v Speaker 2>they're gonna move. Yeah, if I get a TV show,

0:28:15.600 --> 0:28:17.000
<v Speaker 2>I should be happy for a minute that I just

0:28:17.000 --> 0:28:18.600
<v Speaker 2>got the show instead of worrying about how it's gona

0:28:18.600 --> 0:28:22.439
<v Speaker 2>fail if I don't get ratings exactly. Yeah, so now

0:28:22.880 --> 0:28:25.600
<v Speaker 2>there are lots of therapy. I can go, well, you're

0:28:25.640 --> 0:28:28.040
<v Speaker 2>really gonna unravel very soon. However, we're going to take

0:28:28.119 --> 0:28:31.120
<v Speaker 2>this day before we fully unravel. Yeah, and enjoy this

0:28:31.280 --> 0:28:32.639
<v Speaker 2>for sure. Would you do you feel like you're a

0:28:32.680 --> 0:28:34.200
<v Speaker 2>positive generally a positive person.

0:28:34.440 --> 0:28:36.840
<v Speaker 1>Yes, I do, yeah, And I think that's why I'm

0:28:36.920 --> 0:28:39.520
<v Speaker 1>able to still be here and still be doing it

0:28:39.560 --> 0:28:41.120
<v Speaker 1>and still be trying it, because.

0:28:40.920 --> 0:28:42.720
<v Speaker 3>I think it's like all about your attitude.

0:28:42.880 --> 0:28:45.360
<v Speaker 1>And at the end of the day, I mean, people

0:28:45.400 --> 0:28:47.840
<v Speaker 1>have hard jobs, you know, and I wake up and

0:28:47.880 --> 0:28:50.560
<v Speaker 1>write songs like I'm very blessed, like I'm really really lucky.

0:28:50.600 --> 0:28:52.680
<v Speaker 1>But I totally agree, Like the opera is a great

0:28:52.680 --> 0:28:55.840
<v Speaker 1>example of me like intentionally standing there being like I

0:28:55.920 --> 0:28:58.280
<v Speaker 1>set this goal for myself and I'm freaking here and

0:28:58.320 --> 0:29:00.480
<v Speaker 1>I'm standing in the circle and I accomplish what I did,

0:29:00.520 --> 0:29:03.360
<v Speaker 1>Like I felt very allowed myself to feel very very

0:29:03.360 --> 0:29:04.600
<v Speaker 1>proud of myself.

0:29:04.480 --> 0:29:06.640
<v Speaker 3>And celebrate that and will continue to.

0:29:07.600 --> 0:29:09.560
<v Speaker 1>So I feel like when it does happen for me,

0:29:09.640 --> 0:29:11.920
<v Speaker 1>it's gonna be really sweet because I've worked really hard

0:29:11.960 --> 0:29:15.960
<v Speaker 1>and waited my turn and put the work in. So yeah,

0:29:16.000 --> 0:29:18.880
<v Speaker 1>I feel like having a longer journey on the back

0:29:19.000 --> 0:29:21.400
<v Speaker 1>end just allows you to be more grateful for it

0:29:21.440 --> 0:29:23.920
<v Speaker 1>when it finally you know, you do get those opportunities

0:29:23.920 --> 0:29:24.240
<v Speaker 1>to come.

0:29:24.560 --> 0:29:26.120
<v Speaker 2>It's very nice of you to say, wait, I don't

0:29:26.120 --> 0:29:27.560
<v Speaker 2>feel like you've waited turn. I feel like you just

0:29:27.560 --> 0:29:30.080
<v Speaker 2>get up once you get knocked down, and yeah, you're

0:29:30.200 --> 0:29:34.360
<v Speaker 2>gonna eventually take your turn. Yeah, because you're not much

0:29:34.400 --> 0:29:38.040
<v Speaker 2>of a waiter. But I think you can't be a waiter.

0:29:38.240 --> 0:29:41.640
<v Speaker 2>You have to take the blows. Yeah, because in this world,

0:29:41.720 --> 0:29:45.480
<v Speaker 2>this industry, anything creative, the blows are going to happen life,

0:29:45.480 --> 0:29:47.480
<v Speaker 2>I mean life, and absolutely yeah, the blows are going.

0:29:47.680 --> 0:29:52.240
<v Speaker 2>And you know, it's never about if you're gonna get

0:29:52.240 --> 0:29:54.720
<v Speaker 2>back up, it's how quickly can you get back up?

0:29:54.720 --> 0:29:56.280
<v Speaker 2>If somebody called me and said you get a record deal,

0:29:56.520 --> 0:29:58.440
<v Speaker 2>and they call a couple of days laters, they never mind.

0:29:58.560 --> 0:30:01.239
<v Speaker 2>Yeah that sucks. Yeah, how do you trust anybody ever

0:30:01.280 --> 0:30:03.320
<v Speaker 2>again to say we're gonna work on a record deal

0:30:04.080 --> 0:30:06.920
<v Speaker 2>like that would be I would be burnt out immediately. Yeah,

0:30:06.920 --> 0:30:10.000
<v Speaker 2>I'm gonna ask another question you probably get asked, but

0:30:10.160 --> 0:30:15.800
<v Speaker 2>what's the my Little pone the cartoon then my Little Pony. Yeah,

0:30:16.000 --> 0:30:17.720
<v Speaker 2>you had a voice, so what was was that a

0:30:17.760 --> 0:30:21.120
<v Speaker 2>real job? Assistant job? What was the job?

0:30:21.200 --> 0:30:21.520
<v Speaker 3>No?

0:30:21.520 --> 0:30:24.640
<v Speaker 1>No, I honestly, this was so long ago, which is

0:30:24.720 --> 0:30:26.960
<v Speaker 1>just hilarious, like ten years ago, right, yeah, like it's

0:30:27.040 --> 0:30:29.239
<v Speaker 1>just floated around and I'll get comments to you on time,

0:30:29.320 --> 0:30:31.320
<v Speaker 1>be like your Sonata dusk and because.

0:30:31.080 --> 0:30:32.480
<v Speaker 2>That was that's how you say it, I wasn't gonna

0:30:32.480 --> 0:30:32.880
<v Speaker 2>try to say it.

0:30:32.920 --> 0:30:36.000
<v Speaker 1>Yes, So I sang the vocals like I sang a

0:30:36.000 --> 0:30:39.560
<v Speaker 1>lot of pad like harmony like vocals for the soundtrack

0:30:39.600 --> 0:30:41.440
<v Speaker 1>for this my Little Pony movie, and did all the

0:30:41.520 --> 0:30:44.920
<v Speaker 1>vocal parts for this pony named Sonata, and like it's

0:30:44.920 --> 0:30:47.680
<v Speaker 1>like my littling Battle of the Bands or something like that.

0:30:48.120 --> 0:30:50.560
<v Speaker 1>And I remember I made like a few thousand dollars

0:30:50.560 --> 0:30:52.840
<v Speaker 1>and I was like, this is so sick. This is like,

0:30:53.080 --> 0:30:55.000
<v Speaker 1>you know, I didn't have anything at the time, and

0:30:56.040 --> 0:30:58.280
<v Speaker 1>she has followed me around, you know, and people love

0:30:58.320 --> 0:30:58.760
<v Speaker 1>that movie.

0:30:58.840 --> 0:30:59.320
<v Speaker 3>I guess I.

0:30:59.280 --> 0:31:00.560
<v Speaker 2>Don't know, So how did you get that.

0:31:00.560 --> 0:31:01.720
<v Speaker 3>Job, I think.

0:31:01.840 --> 0:31:05.760
<v Speaker 1>So I was in this like vocal group, like a

0:31:05.800 --> 0:31:10.360
<v Speaker 1>glee club adjacent thing, and somebody in the group like,

0:31:10.960 --> 0:31:12.840
<v Speaker 1>I don't know, it was just a really random I

0:31:12.960 --> 0:31:14.840
<v Speaker 1>just got a call for They were like, oh, you're

0:31:14.840 --> 0:31:17.800
<v Speaker 1>a singer, and I remember I had like staying country

0:31:17.880 --> 0:31:20.120
<v Speaker 1>music and listened to it a ton and they kept

0:31:20.120 --> 0:31:22.360
<v Speaker 1>being like, okay, you have a little twang in your voice,

0:31:22.360 --> 0:31:23.400
<v Speaker 1>like stop singing it like that.

0:31:23.680 --> 0:31:25.080
<v Speaker 3>I was like, okay, I'm sorry.

0:31:24.840 --> 0:31:27.200
<v Speaker 2>And they wrote to check for a couple thousand bucks. Yeah. Yeah,

0:31:27.240 --> 0:31:30.560
<v Speaker 2>was it a one time thing? Another couple of things?

0:31:30.560 --> 0:31:34.120
<v Speaker 2>Because you did background vocals on Jelly Roll and Cole, Yeah,

0:31:34.120 --> 0:31:35.640
<v Speaker 2>a couple of their songs. You probably have done way

0:31:35.640 --> 0:31:38.400
<v Speaker 2>more than that. Yeah, So how did you get those jobs?

0:31:38.400 --> 0:31:39.880
<v Speaker 2>Were you just doing that generally, just trying to make

0:31:39.880 --> 0:31:40.440
<v Speaker 2>money at first?

0:31:40.880 --> 0:31:41.760
<v Speaker 3>Honestly what they.

0:31:41.640 --> 0:31:42.400
<v Speaker 2>Come do as the artist?

0:31:42.600 --> 0:31:42.840
<v Speaker 3>Yeah.

0:31:42.920 --> 0:31:43.000
<v Speaker 2>No.

0:31:43.200 --> 0:31:46.560
<v Speaker 1>So, so I started working with Zach and we were

0:31:46.600 --> 0:31:48.200
<v Speaker 1>writing together a bunch and.

0:31:50.120 --> 0:31:51.600
<v Speaker 3>He called me one day and he was like, I'm

0:31:51.640 --> 0:31:53.400
<v Speaker 3>doing Cole song. He's Carolina.

0:31:53.560 --> 0:31:55.880
<v Speaker 1>He's like a remake of this song from the nineties,

0:31:55.920 --> 0:31:58.080
<v Speaker 1>and I want to put Jody Messina's part in it

0:31:58.120 --> 0:32:01.160
<v Speaker 1>because it's in a different key. She's kind of like

0:32:01.600 --> 0:32:02.960
<v Speaker 1>sounds like a chipmunk or whatever, like.

0:32:02.920 --> 0:32:04.720
<v Speaker 3>Can you come proof of concept.

0:32:05.080 --> 0:32:06.640
<v Speaker 1>It's not going in the record, but I just want

0:32:06.640 --> 0:32:08.200
<v Speaker 1>to see what it would sound like if we can

0:32:08.240 --> 0:32:10.880
<v Speaker 1>like mimic her voice. And I remember I was like, okay,

0:32:11.000 --> 0:32:12.800
<v Speaker 1>so this is like I mean, I just get my car,

0:32:12.880 --> 0:32:15.000
<v Speaker 1>drive to Forest Hills or whatever and sing this thing

0:32:15.000 --> 0:32:16.240
<v Speaker 1>that's not going to be in the song.

0:32:16.680 --> 0:32:18.080
<v Speaker 2>No one's going to hear it placeholder.

0:32:18.200 --> 0:32:18.680
<v Speaker 3>Absolutely.

0:32:18.680 --> 0:32:20.840
<v Speaker 1>It's really high too, so I like squeak it out

0:32:21.320 --> 0:32:23.440
<v Speaker 1>and he's like, sweet, this sounds awesome, thank you, and

0:32:23.480 --> 0:32:26.160
<v Speaker 1>I leave. And then literally like a week later, he's

0:32:26.160 --> 0:32:27.760
<v Speaker 1>like cool, loves it, like it's going to stay.

0:32:27.760 --> 0:32:29.320
<v Speaker 3>And I was like, oh my gosh. And then became

0:32:29.360 --> 0:32:31.120
<v Speaker 3>like the biggest song ever.

0:32:31.200 --> 0:32:36.040
<v Speaker 1>And then Zach called me for the Jelly Row record.

0:32:36.760 --> 0:32:40.120
<v Speaker 1>I did some sam Hunt stuff. I've sang some and

0:32:40.200 --> 0:32:42.360
<v Speaker 1>dust and stuff. The new Chevrolet song that just went

0:32:42.480 --> 0:32:44.560
<v Speaker 1>number one with him and Jelly. That's me singing the

0:32:44.560 --> 0:32:47.520
<v Speaker 1>background of that song and Zach will just turn me

0:32:47.600 --> 0:32:49.520
<v Speaker 1>up and I'll be things, So do.

0:32:49.520 --> 0:32:52.160
<v Speaker 2>You sing that as loud and pure as possible? Right

0:32:52.240 --> 0:32:53.160
<v Speaker 2>then he just turns you down.

0:32:54.160 --> 0:32:57.240
<v Speaker 3>What do you mean? Yeah, oh yeah, yeah, I mean.

0:32:57.200 --> 0:32:58.680
<v Speaker 2>You're just singing the crap out of here.

0:32:58.720 --> 0:33:00.800
<v Speaker 3>He's like, just go off flake, just saying.

0:33:00.800 --> 0:33:02.600
<v Speaker 1>And that's the thing like I grew up listening to

0:33:03.080 --> 0:33:06.160
<v Speaker 1>Like I was obsessed. I really obsessed with Rascal Flats

0:33:06.160 --> 0:33:08.600
<v Speaker 1>and I would copy all of Gary's runs. And I

0:33:08.680 --> 0:33:11.680
<v Speaker 1>love Big Belters and Martina and singers and stuff. So

0:33:11.920 --> 0:33:14.640
<v Speaker 1>my favorite part of the recording process is the ad

0:33:14.760 --> 0:33:17.040
<v Speaker 1>lib track. I'm like, let me go, And that's what

0:33:17.160 --> 0:33:19.160
<v Speaker 1>Zach would do, like just sing like a bunch of stuff,

0:33:19.360 --> 0:33:21.200
<v Speaker 1>sing some harmonies, sing some ad libs.

0:33:21.480 --> 0:33:23.040
<v Speaker 3>So it's really creative, it's really fun.

0:33:23.080 --> 0:33:25.680
<v Speaker 1>And then I just get surprised about like what ends

0:33:25.720 --> 0:33:28.560
<v Speaker 1>up in it. And sometimes I feel like it's it

0:33:28.680 --> 0:33:30.560
<v Speaker 1>like adds a lot to it, and I'm yeah.

0:33:30.480 --> 0:33:32.680
<v Speaker 2>Grateful for Sometimes I think I called Zach and be like,

0:33:32.800 --> 0:33:34.120
<v Speaker 2>why do you turn me up a little bit? Yeah?

0:33:34.240 --> 0:33:36.560
<v Speaker 2>Like I was a little too low? Yeah, Like I really,

0:33:37.600 --> 0:33:39.200
<v Speaker 2>I know it's background, but give me, give me just

0:33:39.240 --> 0:33:40.000
<v Speaker 2>a little bit more.

0:33:40.080 --> 0:33:42.600
<v Speaker 1>Sometimes I'm like, there's a song on the New Jelly

0:33:42.640 --> 0:33:45.400
<v Speaker 1>Roll record that I sang some and I'm like listening,

0:33:45.400 --> 0:33:46.120
<v Speaker 1>I'm like, oh, I in here.

0:33:46.240 --> 0:33:47.360
<v Speaker 3>I can farely hear myself.

0:33:47.880 --> 0:33:51.280
<v Speaker 2>That's funny. Uh. What the ad libs are interesting. Some

0:33:51.320 --> 0:33:53.880
<v Speaker 2>people hate the ad libs because you have to be

0:33:53.960 --> 0:33:57.520
<v Speaker 2>vulnerable do ad libs, meaning you're just free to do

0:33:57.600 --> 0:34:01.040
<v Speaker 2>whatever you want. And to do great ad libs you

0:34:01.080 --> 0:34:05.480
<v Speaker 2>have to be stupid and great and bad and because

0:34:05.480 --> 0:34:08.480
<v Speaker 2>it's a playground. Yeah, and to nail it, you have

0:34:08.560 --> 0:34:09.279
<v Speaker 2>to experiment.

0:34:09.719 --> 0:34:12.440
<v Speaker 1>It's just like going for it. But it's what's the

0:34:12.520 --> 0:34:14.719
<v Speaker 1>craziest thing about it. And it's similar to you know,

0:34:14.840 --> 0:34:18.359
<v Speaker 1>keithur been ripping a guitar solo. It's coming to him

0:34:18.440 --> 0:34:22.120
<v Speaker 1>in real time through his brain to his hands and

0:34:22.160 --> 0:34:24.319
<v Speaker 1>out like it is happening in real time.

0:34:24.320 --> 0:34:25.200
<v Speaker 3>And same thing with that.

0:34:25.280 --> 0:34:27.279
<v Speaker 1>It's just like you're just singing and you're coming up

0:34:27.320 --> 0:34:30.040
<v Speaker 1>with these different notes and combinations and you just kind

0:34:30.080 --> 0:34:32.239
<v Speaker 1>of like let something else do it. And so it's

0:34:32.280 --> 0:34:36.040
<v Speaker 1>really fun, I think, but then you miss so hard.

0:34:35.800 --> 0:34:36.720
<v Speaker 3>And it's very embarrassing.

0:34:36.760 --> 0:34:37.840
<v Speaker 2>Yeah yeah for you very vulnerable.

0:34:37.960 --> 0:34:38.799
<v Speaker 3>Yeah, yeah, for sure.

0:34:38.880 --> 0:34:42.600
<v Speaker 2>But that's how you get greatness, is to allow the

0:34:42.640 --> 0:34:45.279
<v Speaker 2>opportunity for a disaster to happen. Like exactly. You don't

0:34:45.280 --> 0:34:48.280
<v Speaker 2>get the really great unless you make yourself so vulnerable

0:34:48.320 --> 0:34:49.560
<v Speaker 2>that you get kicked on the nuts. You don't have

0:34:49.640 --> 0:34:52.360
<v Speaker 2>nuts but me to get kicked on the nuts. Yeah,

0:34:52.760 --> 0:35:01.399
<v Speaker 2>so you act right, I had done. I didn't watch it,

0:35:01.640 --> 0:35:05.640
<v Speaker 2>but I mean, honestly, I didn't watch Country Crush.

0:35:05.800 --> 0:35:07.200
<v Speaker 1>Yeah, yeah, yeah, I didn't.

0:35:06.960 --> 0:35:09.359
<v Speaker 2>Watch it, but I watched a couple of clips of it,

0:35:09.840 --> 0:35:11.400
<v Speaker 2>and I didn't know if that was like something you

0:35:11.440 --> 0:35:14.400
<v Speaker 2>did it from being a kid all the way until now. No,

0:35:15.480 --> 0:35:17.279
<v Speaker 2>because of my little pony in the Country Crush, I

0:35:17.320 --> 0:35:18.120
<v Speaker 2>was just doing a homework.

0:35:18.640 --> 0:35:19.080
<v Speaker 3>I like it.

0:35:19.160 --> 0:35:19.719
<v Speaker 2>I like it.

0:35:19.960 --> 0:35:23.440
<v Speaker 1>No, I have just been a girl that will I

0:35:23.520 --> 0:35:26.320
<v Speaker 1>was terrified for that. I had no acting experience. I

0:35:26.360 --> 0:35:28.040
<v Speaker 1>think I did like something really Yeah, I did some

0:35:28.160 --> 0:35:31.400
<v Speaker 1>like commercial auditions and stuff, and then I did musical theater,

0:35:31.920 --> 0:35:34.840
<v Speaker 1>but they like heard me or saw me on the

0:35:34.840 --> 0:35:37.640
<v Speaker 1>internet and they were like, she looks like our character,

0:35:37.800 --> 0:35:39.120
<v Speaker 1>she sings like our character.

0:35:39.520 --> 0:35:40.160
<v Speaker 3>Can she act?

0:35:40.200 --> 0:35:44.080
<v Speaker 1>And I was like not really, and yeah, and we

0:35:44.120 --> 0:35:46.680
<v Speaker 1>did it. Jana Kreamer's in the movie as well, and

0:35:46.719 --> 0:35:48.840
<v Speaker 1>so it was awesome, Like it was a fun experience

0:35:48.840 --> 0:35:51.320
<v Speaker 1>and it actually the money I made for that movie,

0:35:51.640 --> 0:35:53.880
<v Speaker 1>which wasn't like a ton, but it was enough to

0:35:53.960 --> 0:35:56.640
<v Speaker 1>actually help me move to Nashville, so that's really cool.

0:35:56.719 --> 0:35:57.839
<v Speaker 3>I was like, I'll do it.

0:35:57.920 --> 0:36:01.520
<v Speaker 1>And it's like a silly Hallmark key movie where I

0:36:01.520 --> 0:36:04.000
<v Speaker 1>played a country singer, so it was easy to kind

0:36:04.000 --> 0:36:07.480
<v Speaker 1>of cosplay. But yeah, I'm not an actress. I'm just

0:36:07.600 --> 0:36:09.040
<v Speaker 1>somebody ready to work.

0:36:09.200 --> 0:36:12.879
<v Speaker 2>Nerve wrack jump into. It was that though, because again

0:36:13.000 --> 0:36:14.719
<v Speaker 2>have a very small window of acting. I did a

0:36:14.760 --> 0:36:17.040
<v Speaker 2>little movie once, Vanessa Hudgens, but I had like nine lines.

0:36:17.200 --> 0:36:17.399
<v Speaker 1>Yeah.

0:36:17.400 --> 0:36:19.080
<v Speaker 2>I did a bunch of Nashville where I started off

0:36:19.120 --> 0:36:20.640
<v Speaker 2>as an extra and then eventually that had me playing

0:36:20.640 --> 0:36:23.680
<v Speaker 2>myself doing lines with Connie Britton. But I felt I

0:36:23.760 --> 0:36:26.160
<v Speaker 2>go back to being vulnerable. I felt so vulnerable because

0:36:26.160 --> 0:36:28.080
<v Speaker 2>I'm with people who do this all the time. Yeah,

0:36:28.120 --> 0:36:29.959
<v Speaker 2>and their expectation is they should all nail it because

0:36:29.960 --> 0:36:32.320
<v Speaker 2>they're all professionals. And I get dragged in and they're like,

0:36:32.719 --> 0:36:35.399
<v Speaker 2>you have four lines with Connie Britton on Nashville, all

0:36:35.440 --> 0:36:37.040
<v Speaker 2>the camera, and I'm like, I just want to screw

0:36:37.080 --> 0:36:40.320
<v Speaker 2>this up. Yes, what was your feeling like acting?

0:36:41.480 --> 0:36:41.839
<v Speaker 3>I was.

0:36:42.120 --> 0:36:44.840
<v Speaker 1>I mean I was completely terrified for sure, and the

0:36:44.840 --> 0:36:46.680
<v Speaker 1>same thing I was just I felt really out of

0:36:46.680 --> 0:36:47.160
<v Speaker 1>my element.

0:36:47.200 --> 0:36:47.680
<v Speaker 3>Everybody.

0:36:47.719 --> 0:36:50.160
<v Speaker 1>I was the only non actor around, everybody knew what

0:36:50.160 --> 0:36:53.080
<v Speaker 1>they were doing, so I leaned really heavily on my

0:36:53.239 --> 0:36:53.680
<v Speaker 1>co star.

0:36:53.760 --> 0:36:54.800
<v Speaker 3>We became really good.

0:36:54.600 --> 0:36:57.239
<v Speaker 1>Friends, and I for like every line, I'd be like, wow,

0:36:57.239 --> 0:36:58.000
<v Speaker 1>should I say this?

0:36:58.080 --> 0:36:59.000
<v Speaker 3>Like I was so lost.

0:36:59.040 --> 0:37:01.440
<v Speaker 1>But I also think that there was like a level

0:37:01.480 --> 0:37:04.600
<v Speaker 1>of like naivity going into it, Like I really didn't know.

0:37:04.960 --> 0:37:07.960
<v Speaker 3>It's hard, long hour, like actors are. It is so

0:37:08.160 --> 0:37:09.160
<v Speaker 3>such a gritty thing to.

0:37:09.120 --> 0:37:12.839
<v Speaker 1>Do long hours, and you're really just having to just

0:37:12.880 --> 0:37:16.279
<v Speaker 1>like buy into the whole thing. And really, I mean

0:37:16.320 --> 0:37:19.120
<v Speaker 1>it's very impressive what they do. And so I felt

0:37:19.120 --> 0:37:21.840
<v Speaker 1>like I was like lost, in secure the whole process really,

0:37:21.880 --> 0:37:23.640
<v Speaker 1>but I did it.

0:37:23.800 --> 0:37:25.479
<v Speaker 2>Yeah. How do you feel about watching yourself back?

0:37:27.239 --> 0:37:29.040
<v Speaker 1>I don't know, it's hard. I think it's hard to

0:37:29.120 --> 0:37:31.080
<v Speaker 1>find the perspective. I mean now I watch a music

0:37:31.160 --> 0:37:32.840
<v Speaker 1>video back and I'm like, oh, like it's just I

0:37:32.840 --> 0:37:35.520
<v Speaker 1>don't like, I'm like, wow, so cool.

0:37:35.640 --> 0:37:39.000
<v Speaker 3>I'm too like, I don't know, self deprecating to really

0:37:39.440 --> 0:37:39.920
<v Speaker 3>enjoy it.

0:37:40.000 --> 0:37:41.879
<v Speaker 1>I mean, it is that movie is like a whole

0:37:41.920 --> 0:37:44.799
<v Speaker 1>market movie. It's supposed to be you know what it is.

0:37:46.480 --> 0:37:46.840
<v Speaker 2>Exactly.

0:37:46.920 --> 0:37:48.960
<v Speaker 3>It's very but it's supposed to be exactly.

0:37:49.160 --> 0:37:52.280
<v Speaker 1>Yeah, So I felt like, personally, I was pretty cringe,

0:37:52.320 --> 0:37:55.520
<v Speaker 1>but like that's also me and I think that about

0:37:55.560 --> 0:37:57.239
<v Speaker 1>myself mostly always, So I don't know.

0:37:57.719 --> 0:38:00.480
<v Speaker 2>I think the one house down from the Girl next

0:38:00.520 --> 0:38:03.319
<v Speaker 2>Door is such a so clever thank you who came

0:38:03.400 --> 0:38:06.040
<v Speaker 2>up with that? Me? That's it's so clever, Thank you

0:38:06.040 --> 0:38:07.759
<v Speaker 2>so much. We just put Mike, do we just put

0:38:07.760 --> 0:38:11.680
<v Speaker 2>it on something? Yes, Women Higher Country? So so I

0:38:11.719 --> 0:38:15.560
<v Speaker 2>programm Women of by Our Country the show, and so

0:38:15.600 --> 0:38:18.279
<v Speaker 2>I go through and listen to stuff, and I just

0:38:18.280 --> 0:38:19.960
<v Speaker 2>saw the title even before I listened to it. I

0:38:20.040 --> 0:38:22.360
<v Speaker 2>was like, that is so clever of a title, and

0:38:22.400 --> 0:38:25.239
<v Speaker 2>obviously the song is great. So I don't know how

0:38:25.280 --> 0:38:29.279
<v Speaker 2>where did that come from? Such a vague, stupid question,

0:38:29.320 --> 0:38:31.239
<v Speaker 2>but I really it's so clever. I like, like, what

0:38:31.320 --> 0:38:32.560
<v Speaker 2>was the genesis of even that thought?

0:38:32.680 --> 0:38:33.759
<v Speaker 3>Yeah? Thank you so much.

0:38:34.280 --> 0:38:34.440
<v Speaker 2>So.

0:38:34.719 --> 0:38:38.200
<v Speaker 1>The last single that I put out before this project

0:38:38.280 --> 0:38:40.799
<v Speaker 1>was a song called Makeup, and it's literally about like

0:38:40.880 --> 0:38:46.239
<v Speaker 1>breaking family, like trauma cycles essentially, and I felt like

0:38:46.239 --> 0:38:49.280
<v Speaker 1>I had more to say on it, but I wanted

0:38:49.320 --> 0:38:51.120
<v Speaker 1>it to be in more of a fun way. So

0:38:51.200 --> 0:38:52.600
<v Speaker 1>I feel like I could have written that song in

0:38:52.600 --> 0:38:54.920
<v Speaker 1>a bunch of different ways, but ultimately it's just about

0:38:54.960 --> 0:38:58.920
<v Speaker 1>feeling kind of like on the outside looking in, I

0:38:58.960 --> 0:39:01.640
<v Speaker 1>was very envious up of the other families and they

0:39:01.640 --> 0:39:03.920
<v Speaker 1>all looked really perfect to me, and mine wasn't. And

0:39:04.200 --> 0:39:06.520
<v Speaker 1>I had this kind of feeling that I carried around

0:39:06.560 --> 0:39:09.040
<v Speaker 1>with me that I was other or blemished in some

0:39:09.239 --> 0:39:13.040
<v Speaker 1>kind of way. And then I met my husband and

0:39:13.080 --> 0:39:16.360
<v Speaker 1>he is like the golden all American, you know boy,

0:39:16.600 --> 0:39:21.080
<v Speaker 1>and he saw my story as just like strength and

0:39:21.120 --> 0:39:24.080
<v Speaker 1>like resilience and just like I don't know, he really

0:39:24.120 --> 0:39:27.000
<v Speaker 1>like embraced it and thought it was really admirable of

0:39:27.040 --> 0:39:30.360
<v Speaker 1>everything that I had done, and he loved me for

0:39:30.400 --> 0:39:32.320
<v Speaker 1>exactly who I was, and so it just I felt

0:39:32.360 --> 0:39:34.640
<v Speaker 1>like it was like who knew? Like everything you were

0:39:34.680 --> 0:39:36.640
<v Speaker 1>looking for was one house now with the girl next door,

0:39:37.640 --> 0:39:39.879
<v Speaker 1>and like a line at it is like I wasn't

0:39:39.880 --> 0:39:41.439
<v Speaker 1>the daughter of the Joneses, but you saw the blue

0:39:41.440 --> 0:39:43.200
<v Speaker 1>sky in my hurricane. So it's just kind of like

0:39:43.239 --> 0:39:45.919
<v Speaker 1>I think true acceptance comes from within. But this song

0:39:46.000 --> 0:39:49.680
<v Speaker 1>is about somebody like loving you for you and your story,

0:39:51.040 --> 0:39:52.960
<v Speaker 1>and I think that can be really healing too.

0:39:53.239 --> 0:39:55.799
<v Speaker 2>I feel like I could be wrong, Like even talking

0:39:55.800 --> 0:39:58.640
<v Speaker 2>about that, you get a little bit emotional. Yeah, like

0:39:58.719 --> 0:40:00.399
<v Speaker 2>I felt like there you got a little little bit.

0:40:00.880 --> 0:40:02.919
<v Speaker 2>I just think the title is so clever, but also

0:40:02.920 --> 0:40:05.160
<v Speaker 2>I feel I feel it a bit too. When you're like, like,

0:40:07.040 --> 0:40:09.080
<v Speaker 2>there are things that I think I was ashamed of

0:40:09.320 --> 0:40:11.799
<v Speaker 2>growing up that My wife's like, dang, you actually did

0:40:11.840 --> 0:40:13.560
<v Speaker 2>that and got through that. Yeah, but I was so

0:40:13.640 --> 0:40:15.239
<v Speaker 2>ashamed of it like that, I didn't even want to

0:40:15.280 --> 0:40:18.760
<v Speaker 2>talk about it much less. I can't believe somebody would

0:40:18.880 --> 0:40:21.399
<v Speaker 2>think like you said that that's admirable.

0:40:21.560 --> 0:40:22.759
<v Speaker 3>It doesn't feel like that.

0:40:23.239 --> 0:40:26.560
<v Speaker 1>It's like yeah, but for somebody to be like dang,

0:40:26.640 --> 0:40:29.359
<v Speaker 1>like no, like you and look where you are now,

0:40:29.480 --> 0:40:33.080
<v Speaker 1>that is amazing, Like that makes you so special. And

0:40:33.160 --> 0:40:35.680
<v Speaker 1>so to kind of like switch the narrative and be like, yeah,

0:40:35.760 --> 0:40:38.040
<v Speaker 1>I am that person coming from where I came from,

0:40:38.080 --> 0:40:39.919
<v Speaker 1>and I'm excited about that now.

0:40:40.960 --> 0:40:43.600
<v Speaker 2>When you're like this is the name of the EP,

0:40:43.800 --> 0:40:46.520
<v Speaker 2>this is the song, were like, I nail that title. Yeah.

0:40:46.560 --> 0:40:47.399
<v Speaker 3>I walked in that day.

0:40:47.400 --> 0:40:49.279
<v Speaker 1>I was like, I've got a song title for you,

0:40:49.320 --> 0:40:51.120
<v Speaker 1>and the writers were like, let's go.

0:40:51.239 --> 0:40:53.239
<v Speaker 2>That's such a good title and concept that if I

0:40:53.239 --> 0:40:55.239
<v Speaker 2>had written it wrong this song, I would have kept

0:40:55.239 --> 0:40:56.520
<v Speaker 2>it and moved it and tried it again.

0:40:56.680 --> 0:40:57.120
<v Speaker 3>For sure.

0:40:57.280 --> 0:40:58.880
<v Speaker 1>And I and the thing was is I could have

0:40:58.880 --> 0:41:00.799
<v Speaker 1>written that song five times, Like it could have been

0:41:00.800 --> 0:41:03.239
<v Speaker 1>like a really sad, slow song, It could have been

0:41:03.239 --> 0:41:06.319
<v Speaker 1>all of these things. But I love the way that

0:41:06.360 --> 0:41:10.440
<v Speaker 1>it turned out, like it's so fun and empowering, but

0:41:10.560 --> 0:41:12.440
<v Speaker 1>in a very subtle way, like you don't listen to

0:41:12.480 --> 0:41:13.920
<v Speaker 1>it and feel all these emotions.

0:41:13.920 --> 0:41:18.560
<v Speaker 2>But for me, it does this project more than your

0:41:18.560 --> 0:41:21.320
<v Speaker 2>past work. Do you feel like you've been given freedom

0:41:21.360 --> 0:41:25.640
<v Speaker 2>to be more emotional in your songs and maybe say

0:41:25.719 --> 0:41:28.399
<v Speaker 2>things that have a little more nuance, or maybe you've

0:41:28.400 --> 0:41:31.080
<v Speaker 2>given yourself the freedom to do so. Do you feel that, Yes,

0:41:31.400 --> 0:41:31.920
<v Speaker 2>for sure.

0:41:32.080 --> 0:41:35.080
<v Speaker 1>I think it's so important. I mean, I just feel

0:41:35.080 --> 0:41:37.320
<v Speaker 1>like I'm just growing as a writer, growing and growing,

0:41:37.320 --> 0:41:39.120
<v Speaker 1>and my songs are just getting better and better. And

0:41:39.120 --> 0:41:41.600
<v Speaker 1>that's just as a result of my time here in

0:41:41.680 --> 0:41:46.360
<v Speaker 1>the community of songwriters my A and R. Actually, Katie Kirkover,

0:41:46.480 --> 0:41:48.560
<v Speaker 1>I was playing her some songs and she.

0:41:48.640 --> 0:41:49.839
<v Speaker 3>Was like, did you go through that?

0:41:50.160 --> 0:41:52.879
<v Speaker 1>And I was like, no, about like this other song

0:41:52.880 --> 0:41:54.239
<v Speaker 1>that I wrote, And She's like, I just want you

0:41:54.320 --> 0:41:55.720
<v Speaker 1>to start writing songs.

0:41:55.760 --> 0:41:59.279
<v Speaker 3>And I wrote songs that I'm like, I don't think

0:41:59.320 --> 0:42:00.879
<v Speaker 3>this heard just.

0:42:00.800 --> 0:42:04.560
<v Speaker 1>Really personal songs, very intimate songs, very looking back. I

0:42:04.640 --> 0:42:07.160
<v Speaker 1>kind of like looked at some experiences in love and

0:42:07.200 --> 0:42:08.640
<v Speaker 1>I'm like, I want to write about this, and like

0:42:08.680 --> 0:42:11.160
<v Speaker 1>this was a really cool thing and just really dove

0:42:11.239 --> 0:42:13.080
<v Speaker 1>in and I'm really proud of it, like as a

0:42:13.080 --> 0:42:16.320
<v Speaker 1>songwriter more than anything. But yeah, I mean, having a

0:42:16.400 --> 0:42:18.200
<v Speaker 1>label that just gives you permission to just kind of

0:42:18.200 --> 0:42:19.439
<v Speaker 1>go for it like that is really cool.

0:42:20.280 --> 0:42:32.759
<v Speaker 5>The Bobby Cast will be right back. This is the

0:42:32.760 --> 0:42:33.520
<v Speaker 5>Bobby Cast.

0:42:33.960 --> 0:42:35.520
<v Speaker 2>I want to ask you a hard question to answer,

0:42:36.280 --> 0:42:38.320
<v Speaker 2>and don't laugh it off. You to really try to

0:42:38.320 --> 0:42:40.760
<v Speaker 2>answer this question because I hate when I'm asked this question.

0:42:41.160 --> 0:42:42.960
<v Speaker 2>But why do you think that people like you?

0:42:47.640 --> 0:42:51.640
<v Speaker 3>I don't know. I mean, like immediately what popped in

0:42:51.680 --> 0:42:53.879
<v Speaker 3>my head? And I'm like, what do they?

0:42:54.080 --> 0:42:57.040
<v Speaker 1>I don't know? Which is just that says everything I guess,

0:42:58.120 --> 0:43:01.120
<v Speaker 1>But I think I think it's something about ony. I

0:43:01.160 --> 0:43:03.640
<v Speaker 1>think that I've had a few songs like in my

0:43:03.680 --> 0:43:06.160
<v Speaker 1>catalog where I've been very vulnerable and honest.

0:43:06.200 --> 0:43:07.239
<v Speaker 3>I think people connect to that.

0:43:07.400 --> 0:43:09.359
<v Speaker 2>Let's let's not talk about fans, Let's talk about your friends.

0:43:09.360 --> 0:43:12.919
<v Speaker 2>Why do you think your friends like you? Oh?

0:43:13.200 --> 0:43:14.799
<v Speaker 1>I think I'm a good friend. I think I show

0:43:14.920 --> 0:43:18.080
<v Speaker 1>up for people. I think that I'm not afraid to

0:43:18.400 --> 0:43:21.640
<v Speaker 1>ask hard questions. I think I like, I really desire

0:43:21.719 --> 0:43:26.120
<v Speaker 1>having a deep connection with people more than anything, Like

0:43:26.160 --> 0:43:28.200
<v Speaker 1>I want to have a real conversation. I don't want

0:43:28.200 --> 0:43:29.880
<v Speaker 1>to talk like about the weather. I want to kind

0:43:29.920 --> 0:43:32.800
<v Speaker 1>of get into it. And people are sometimes afraid to

0:43:32.840 --> 0:43:34.440
<v Speaker 1>have those conversations.

0:43:34.000 --> 0:43:34.480
<v Speaker 3>And I'm not.

0:43:34.560 --> 0:43:36.160
<v Speaker 1>And so I feel like I'm a friend that people

0:43:36.160 --> 0:43:37.880
<v Speaker 1>can go to and be like, I'm going through this

0:43:37.960 --> 0:43:40.359
<v Speaker 1>really hard thing, like I need some help, and I'm

0:43:40.400 --> 0:43:41.440
<v Speaker 1>like a safe place to do that.

0:43:43.360 --> 0:43:44.680
<v Speaker 2>Why do you think your husband loves you.

0:43:48.040 --> 0:43:50.520
<v Speaker 3>I think for maybe some of the same reasons.

0:43:50.520 --> 0:43:53.960
<v Speaker 1>Like he's like he has said before, like I felt

0:43:53.960 --> 0:43:55.960
<v Speaker 1>like I was asleep before I met you, Like I

0:43:56.000 --> 0:43:59.040
<v Speaker 1>feel like you kind of like opened this whole other

0:43:59.160 --> 0:44:03.759
<v Speaker 1>world and emotional world. And he grew up down here,

0:44:03.800 --> 0:44:06.640
<v Speaker 1>and I think like he was just in the system

0:44:06.719 --> 0:44:08.680
<v Speaker 1>kind of thinking like you know, you do this and

0:44:08.680 --> 0:44:11.000
<v Speaker 1>you do that, and everything is happens a certain way,

0:44:11.040 --> 0:44:12.400
<v Speaker 1>and this is what your life's going to look like.

0:44:12.440 --> 0:44:14.080
<v Speaker 1>And then we met and I was like, you can

0:44:14.120 --> 0:44:17.480
<v Speaker 1>do anything you want, Like you could be an astronaut.

0:44:17.520 --> 0:44:19.800
<v Speaker 1>Really if you wanted to like you could do anything,

0:44:20.160 --> 0:44:23.720
<v Speaker 1>and I think there's just like a freedom and strength.

0:44:23.760 --> 0:44:26.280
<v Speaker 1>And I think he was like very attracted to something

0:44:26.320 --> 0:44:29.360
<v Speaker 1>different than him, and he like kind of keeps me

0:44:29.400 --> 0:44:32.160
<v Speaker 1>grounded and on earth. And I think that I shake

0:44:32.200 --> 0:44:33.560
<v Speaker 1>it up and so we make a kid.

0:44:34.040 --> 0:44:35.640
<v Speaker 3>We make a good partnership, for sure.

0:44:35.800 --> 0:44:37.920
<v Speaker 2>I love that exercise because it's so hard to get

0:44:37.920 --> 0:44:40.200
<v Speaker 2>people to say nice things about themselves because they feel

0:44:40.239 --> 0:44:42.600
<v Speaker 2>like they're going to sound arrogant or cocky. And sometimes

0:44:42.640 --> 0:44:44.879
<v Speaker 2>people don't even know until they really think. It's hard.

0:44:45.160 --> 0:44:47.359
<v Speaker 3>That's a hard no. I was literally like, that's that's.

0:44:47.239 --> 0:44:49.360
<v Speaker 2>Why I press it with I'm serious. I'm being serious

0:44:49.360 --> 0:44:50.440
<v Speaker 2>about this, and I hate that.

0:44:50.480 --> 0:44:53.080
<v Speaker 1>The first thing that I thought was like do they

0:44:53.160 --> 0:44:55.959
<v Speaker 1>like which is just you know, same, which is sad

0:44:56.000 --> 0:44:57.560
<v Speaker 1>that it shouldn't be like that, because I know I

0:44:57.600 --> 0:44:59.600
<v Speaker 1>have I have great friends, I have great relationships in

0:44:59.640 --> 0:45:01.080
<v Speaker 1>my life, like I'm you know.

0:45:01.880 --> 0:45:04.840
<v Speaker 2>And sometimes you gotta sometimes I have to remind myself,

0:45:04.840 --> 0:45:08.120
<v Speaker 2>you know what I am kind of cool? Yeah, Like

0:45:08.200 --> 0:45:11.200
<v Speaker 2>I mean really, because I for sure constantly it's always

0:45:11.280 --> 0:45:13.759
<v Speaker 2>what is not good, what is not working? And so

0:45:13.960 --> 0:45:17.120
<v Speaker 2>my therapists was the same thing. What they ask me

0:45:17.120 --> 0:45:18.600
<v Speaker 2>a question to make me say something good, and it's

0:45:18.680 --> 0:45:22.200
<v Speaker 2>so uncomfortable totally. But then when I'm done, I'm like, oh,

0:45:22.200 --> 0:45:23.960
<v Speaker 2>I don't hate me as much as I thought I did.

0:45:24.520 --> 0:45:27.120
<v Speaker 2>Why do you think? Like you mentioned Dustin, you mentioned

0:45:27.200 --> 0:45:28.719
<v Speaker 2>Keith Urban, but you work with both those guys on

0:45:28.760 --> 0:45:31.520
<v Speaker 2>the project. Dustin is on the same label as you. Yeah,

0:45:31.680 --> 0:45:34.440
<v Speaker 2>so that's a natural. If he enjoys what you do,

0:45:34.560 --> 0:45:36.759
<v Speaker 2>you enjoy it he does. It's easy because you just

0:45:36.880 --> 0:45:40.279
<v Speaker 2>sign a couple of things. Everything's in house. What about Keith?

0:45:40.320 --> 0:45:41.560
<v Speaker 2>How did you guys start working together?

0:45:42.120 --> 0:45:46.080
<v Speaker 1>So when Zach and I finished the production for a

0:45:46.080 --> 0:45:49.799
<v Speaker 1>One House Down, I thought it sounded like reminiscent of

0:45:49.920 --> 0:45:52.440
<v Speaker 1>kind of like an old Keith song. And I literally

0:45:52.520 --> 0:45:55.640
<v Speaker 1>said to Zach I knew that he knew him. I said,

0:45:55.719 --> 0:45:57.680
<v Speaker 1>would you text him this song and ask him to

0:45:57.680 --> 0:46:01.320
<v Speaker 1>play soolo on it? And Zach was like, Okay, he's.

0:46:02.160 --> 0:46:04.279
<v Speaker 3>I don't know. I mean he's like, I'd give it.

0:46:04.320 --> 0:46:06.319
<v Speaker 1>Nineteen percent chance that he says yes, And I said

0:46:06.360 --> 0:46:08.560
<v Speaker 1>I'll take nineteen percent and he said yes.

0:46:08.920 --> 0:46:10.400
<v Speaker 3>So you just got to go like why not?

0:46:10.520 --> 0:46:12.959
<v Speaker 1>The worst he can say is no or like not reply,

0:46:13.120 --> 0:46:15.040
<v Speaker 1>But he replied and said the song is killer, like

0:46:15.080 --> 0:46:17.840
<v Speaker 1>I would love to And then you know, came that

0:46:17.880 --> 0:46:19.920
<v Speaker 1>week and I don't know why, Like Keith is like

0:46:20.239 --> 0:46:23.560
<v Speaker 1>very famous and like my hero, Like I don't know

0:46:23.600 --> 0:46:25.359
<v Speaker 1>why he heard that and was like, yeah, I'll play

0:46:25.400 --> 0:46:25.640
<v Speaker 1>on it.

0:46:25.680 --> 0:46:27.439
<v Speaker 3>That just I think says so much about him.

0:46:27.719 --> 0:46:29.960
<v Speaker 2>Okay, he's just like such a music. Why do you

0:46:29.960 --> 0:46:31.840
<v Speaker 2>think Keith Urban wanted I'm not going to let you

0:46:31.920 --> 0:46:35.360
<v Speaker 2>do that. Why do you think Keith Urban agreed to

0:46:35.360 --> 0:46:36.120
<v Speaker 2>play on your song?

0:46:37.120 --> 0:46:39.520
<v Speaker 1>I think because it's a great song. I think he's

0:46:39.560 --> 0:46:40.960
<v Speaker 1>a great song. It's a great idea.

0:46:41.680 --> 0:46:44.279
<v Speaker 2>I don't think you were being self deprecating there, like

0:46:44.440 --> 0:46:46.680
<v Speaker 2>to be like ha hambi, I mean we just naturally

0:46:46.680 --> 0:46:47.040
<v Speaker 2>go there.

0:46:47.120 --> 0:46:49.880
<v Speaker 1>No, I know, but it I do think that for

0:46:50.080 --> 0:46:51.960
<v Speaker 1>Keith to play on like I don't know if he's

0:46:52.000 --> 0:46:53.759
<v Speaker 1>ever seen my name before, you know what I mean,

0:46:53.840 --> 0:46:56.279
<v Speaker 1>for him to get this song of somebody even better

0:46:56.400 --> 0:46:58.120
<v Speaker 1>and hear it and be like I'm going to play

0:46:58.160 --> 0:47:00.560
<v Speaker 1>on that. This song is great, Like that is awesome.

0:47:00.640 --> 0:47:02.359
<v Speaker 1>I feel like that says so much about him, and

0:47:02.400 --> 0:47:04.920
<v Speaker 1>that also says so much about the song as well too.

0:47:05.000 --> 0:47:07.640
<v Speaker 2>Yeah that's really cool. Yeah, for sure, the first time

0:47:07.680 --> 0:47:10.479
<v Speaker 2>you heard it, Oh my gosh, where were you? Would

0:47:10.480 --> 0:47:11.960
<v Speaker 2>you listen to it only because you get file right

0:47:12.000 --> 0:47:12.279
<v Speaker 2>and it's.

0:47:12.200 --> 0:47:15.319
<v Speaker 1>Like yeah, yeah, yeah, I actually, well, I got a

0:47:15.400 --> 0:47:16.959
<v Speaker 1>video of him playing.

0:47:16.600 --> 0:47:21.759
<v Speaker 3>The solo crazy yeah on it's so good.

0:47:21.960 --> 0:47:24.040
<v Speaker 1>The video is amazing and he's just shredding it. I

0:47:24.080 --> 0:47:25.920
<v Speaker 1>don't know how many takes it. I feel like it

0:47:25.960 --> 0:47:29.680
<v Speaker 1>was one. It's so good and it's so Keith Urban,

0:47:29.800 --> 0:47:32.399
<v Speaker 1>Like it's like warn't weren't. Like it's everything I could

0:47:32.440 --> 0:47:34.480
<v Speaker 1>have wanted it to be. And I was literally driving

0:47:34.520 --> 0:47:35.560
<v Speaker 1>and almost crashed.

0:47:35.280 --> 0:47:36.040
<v Speaker 3>My car, no joke.

0:47:36.080 --> 0:47:38.480
<v Speaker 1>I was like, what, like because I just thought the

0:47:38.520 --> 0:47:41.080
<v Speaker 1>whole time, like something's gonna come up, like because I

0:47:41.120 --> 0:47:42.719
<v Speaker 1>knew he was coming on Monday to do it, and

0:47:42.760 --> 0:47:45.680
<v Speaker 1>I'm like, okay, but like he's freaking Keith Urban, Like

0:47:45.760 --> 0:47:47.880
<v Speaker 1>you know, Nicole is going to need him somewhere.

0:47:47.960 --> 0:47:49.920
<v Speaker 3>He's gonna like have to cancel. Like I don't know.

0:47:50.000 --> 0:47:51.279
<v Speaker 3>I was just scared, you know.

0:47:52.200 --> 0:47:54.440
<v Speaker 1>I keep my hopes on dreams on the floor of

0:47:54.520 --> 0:47:56.399
<v Speaker 1>the bars, on the floor, I always say. But then

0:47:56.480 --> 0:47:58.160
<v Speaker 1>and then Zach just sent me that video and I

0:47:58.200 --> 0:47:59.879
<v Speaker 1>was like, this is the greatest video I've ever seen.

0:48:00.000 --> 0:48:02.480
<v Speaker 2>It's super cool, it's awesome. There's six songs on the

0:48:02.800 --> 0:48:05.600
<v Speaker 2>on the EP. Did you was it at seven or eight?

0:48:05.680 --> 0:48:06.920
<v Speaker 2>Was it a three or four? And you had it

0:48:06.920 --> 0:48:08.720
<v Speaker 2>like we was to get to that number? What happened?

0:48:09.040 --> 0:48:12.120
<v Speaker 1>Yeah, I've never had a harder time picking songs for

0:48:12.239 --> 0:48:16.520
<v Speaker 1>a project. There's two that I'm like, are I guess

0:48:16.560 --> 0:48:19.280
<v Speaker 1>left on the cutting room floor that I love so much.

0:48:20.719 --> 0:48:22.880
<v Speaker 3>That I mean, I think that they'll have their story elsewhere.

0:48:22.920 --> 0:48:24.920
<v Speaker 1>But it was literally just you know, packaging it to

0:48:25.040 --> 0:48:29.080
<v Speaker 1>a digestible amount and having to choose, which was really tough.

0:48:29.840 --> 0:48:32.359
<v Speaker 2>So what's the goal in releasing music? Do you want to?

0:48:32.719 --> 0:48:35.640
<v Speaker 2>You have this Keith as an example, he will put

0:48:35.640 --> 0:48:39.200
<v Speaker 2>out singles like four or five of them over a

0:48:39.239 --> 0:48:41.279
<v Speaker 2>year and a half and never put out a project. Yeah,

0:48:41.320 --> 0:48:43.960
<v Speaker 2>and then finally he's like and here's the rest, Yeah,

0:48:44.000 --> 0:48:46.360
<v Speaker 2>and here's twelve songs after he's put out four or

0:48:46.400 --> 0:48:50.960
<v Speaker 2>five singles, Like, what is your desirable way to release music?

0:48:54.360 --> 0:48:56.359
<v Speaker 1>I mean, I think, like I like the way that

0:48:56.680 --> 0:48:59.680
<v Speaker 1>I think there's a science behind why people release music

0:48:59.680 --> 0:49:02.080
<v Speaker 1>the way they do. I feel like when an artist

0:49:02.080 --> 0:49:03.719
<v Speaker 1>goes dark for a minute and then they released one

0:49:03.760 --> 0:49:05.640
<v Speaker 1>song you're very excited about the one song, you fall

0:49:05.640 --> 0:49:07.319
<v Speaker 1>in love with the one song, they put another one out.

0:49:07.360 --> 0:49:09.960
<v Speaker 1>Then you get the projects Like I feel like ideally,

0:49:10.040 --> 0:49:11.080
<v Speaker 1>I mean, I really want to make.

0:49:11.000 --> 0:49:11.960
<v Speaker 3>A full length record.

0:49:12.040 --> 0:49:15.279
<v Speaker 1>That's of course a big dream of mine, and it

0:49:15.440 --> 0:49:18.360
<v Speaker 1>to how like a cohesive story, Like I feel like

0:49:18.360 --> 0:49:20.719
<v Speaker 1>that's really cool for it to feel like they all

0:49:20.760 --> 0:49:23.000
<v Speaker 1>make sense with each other, and it's very clear, like

0:49:23.000 --> 0:49:24.120
<v Speaker 1>what direction you're going in.

0:49:24.239 --> 0:49:25.799
<v Speaker 3>So that's like a huge goal.

0:49:26.880 --> 0:49:28.200
<v Speaker 1>But I just try to think of, like how do

0:49:28.320 --> 0:49:31.719
<v Speaker 1>I like to digest music. I remember years ago John

0:49:31.719 --> 0:49:33.080
<v Speaker 1>Mayer released Songs and Waves.

0:49:33.120 --> 0:49:33.719
<v Speaker 3>Do you remember that?

0:49:33.800 --> 0:49:35.279
<v Speaker 1>Like, I thought that was so cool and he I

0:49:35.280 --> 0:49:37.040
<v Speaker 1>think it was like three songs or four songs at

0:49:37.040 --> 0:49:37.359
<v Speaker 1>a time.

0:49:37.480 --> 0:49:39.879
<v Speaker 3>I love that because that was so amazing. I don't

0:49:39.920 --> 0:49:40.360
<v Speaker 3>know why.

0:49:40.800 --> 0:49:42.719
<v Speaker 1>And you were just so excited about the next wave

0:49:42.800 --> 0:49:44.160
<v Speaker 1>of songs that were gonna come out.

0:49:45.400 --> 0:49:46.839
<v Speaker 3>So I feel like there's like a bunch of different

0:49:46.880 --> 0:49:47.520
<v Speaker 3>ways to do it.

0:49:47.560 --> 0:49:50.600
<v Speaker 2>I used to be a big album guy, and then

0:49:50.840 --> 0:49:54.799
<v Speaker 2>I slowly, like TikTok culture take me over in that

0:49:54.880 --> 0:49:57.040
<v Speaker 2>I just don't have the attention span. Yeah, And what

0:49:57.239 --> 0:50:00.000
<v Speaker 2>happened was and I think that I was losing out

0:50:00.080 --> 0:50:01.360
<v Speaker 2>because there was a lot of great music that I

0:50:01.360 --> 0:50:04.440
<v Speaker 2>wouldn't get to mm hmm. And I think I would

0:50:05.000 --> 0:50:07.840
<v Speaker 2>miss out on great songs because I'd go through once

0:50:08.040 --> 0:50:11.120
<v Speaker 2>and save like three of them and really never give

0:50:11.200 --> 0:50:15.239
<v Speaker 2>songs an opportunity to breathe. Therefore, I missed out on

0:50:15.320 --> 0:50:17.200
<v Speaker 2>so many great songs. So then yeah, when John may

0:50:17.200 --> 0:50:19.000
<v Speaker 2>here did that, I loved it. Yeah, because it was

0:50:19.480 --> 0:50:22.560
<v Speaker 2>three songs listen to five or six times, really got

0:50:22.600 --> 0:50:23.920
<v Speaker 2>to and if I loved them, I keep them. If not,

0:50:24.200 --> 0:50:27.960
<v Speaker 2>where if somebody puts out twelve songs, I unfairly, yeah,

0:50:28.640 --> 0:50:31.360
<v Speaker 2>probably don't give them the attention that they deserve. And

0:50:31.400 --> 0:50:33.160
<v Speaker 2>I'm only gonna listen to twelve songs on an album

0:50:33.160 --> 0:50:35.120
<v Speaker 2>if I love love the artists too, Like I've got

0:50:35.160 --> 0:50:37.120
<v Speaker 2>to be an a plus fan to listen to an

0:50:37.200 --> 0:50:37.760
<v Speaker 2>entire album.

0:50:37.960 --> 0:50:40.200
<v Speaker 1>It's a lot like the double albums and stuff. It's

0:50:40.200 --> 0:50:42.240
<v Speaker 1>a lot, a lot of a lot of music to digest,

0:50:42.280 --> 0:50:42.720
<v Speaker 1>for sure.

0:50:43.680 --> 0:50:46.400
<v Speaker 2>So the rest of the year, like what happens between

0:50:46.400 --> 0:50:47.520
<v Speaker 2>now and like Christmas?

0:50:47.960 --> 0:50:50.319
<v Speaker 1>Yeah, I mean we I feel like we just got

0:50:50.360 --> 0:50:54.399
<v Speaker 1>back from our last IS show in Sacramento, But things

0:50:54.440 --> 0:50:57.000
<v Speaker 1>come up so often as well, So I don't want

0:50:57.000 --> 0:50:59.359
<v Speaker 1>to like say that, like, you know, there's always like, oh,

0:50:59.400 --> 0:51:02.040
<v Speaker 1>this person dropped out of this weekend of shows and stuff,

0:51:02.080 --> 0:51:05.200
<v Speaker 1>so who knows. But starting to write a little bit

0:51:05.239 --> 0:51:06.759
<v Speaker 1>and it's so crazy and like I just put this

0:51:06.760 --> 0:51:09.400
<v Speaker 1>thing out and it's like Okay, start writing again, like

0:51:09.440 --> 0:51:13.000
<v Speaker 1>what's mex which is exciting, and just continue to I

0:51:13.040 --> 0:51:16.200
<v Speaker 1>mean the world of like promotion is just like creating

0:51:16.239 --> 0:51:18.400
<v Speaker 1>content and new ideas and how do we you know,

0:51:18.440 --> 0:51:21.200
<v Speaker 1>get these songs heard and in a creative way and stuff.

0:51:21.239 --> 0:51:24.000
<v Speaker 1>So I think it's a lot of brainstorming, a lot

0:51:24.000 --> 0:51:25.520
<v Speaker 1>of filming, a lot of you.

0:51:25.480 --> 0:51:27.480
<v Speaker 2>Know, are you tick talking every day? Are you every

0:51:27.520 --> 0:51:30.080
<v Speaker 2>day trying to do something? Try to Yeah?

0:51:31.680 --> 0:51:31.879
<v Speaker 4>Yeah?

0:51:31.920 --> 0:51:33.800
<v Speaker 1>And I wouldn't say, like, I mean, I've had songs

0:51:33.840 --> 0:51:35.720
<v Speaker 1>do great on TikTok. I've got you know, a decent

0:51:35.880 --> 0:51:38.439
<v Speaker 1>you know, amount of followers and stuff on TikTok. It's

0:51:38.440 --> 0:51:43.319
<v Speaker 1>definitely like not my favorite thing about this, Like I mean,

0:51:43.360 --> 0:51:46.319
<v Speaker 1>I'd rather play the show and like do write the

0:51:46.360 --> 0:51:49.040
<v Speaker 1>song and record the music and stuff.

0:51:49.080 --> 0:51:51.640
<v Speaker 3>But I think it's cool that you can connect with

0:51:51.680 --> 0:51:53.120
<v Speaker 3>your fans every single day.

0:51:53.200 --> 0:51:56.160
<v Speaker 1>It's like the modern day putting your sometimes it's poster

0:51:56.320 --> 0:51:56.879
<v Speaker 1>on the well.

0:51:56.920 --> 0:51:58.600
<v Speaker 3>I mean I could go. I mean it's just such.

0:51:58.400 --> 0:52:02.080
<v Speaker 1>A secular thing goes around. It's like it's good and bad.

0:52:02.160 --> 0:52:06.040
<v Speaker 1>It's oversaturated. I feel like we're all just screaming into.

0:52:05.880 --> 0:52:09.360
<v Speaker 3>A canyon like lessen to I saw Please.

0:52:09.080 --> 0:52:11.640
<v Speaker 1>Like over and over. Like my whole news feed is

0:52:11.680 --> 0:52:14.800
<v Speaker 1>just like overwhelming. Because I follows somebody like artists and stuff.

0:52:14.840 --> 0:52:16.160
<v Speaker 1>It's it's a lot, for sure.

0:52:16.200 --> 0:52:18.360
<v Speaker 2>It is definitely a tool. That's how I have to

0:52:18.360 --> 0:52:20.879
<v Speaker 2>look at it. Yeah, because if it used wrong mm hmm,

0:52:21.400 --> 0:52:22.040
<v Speaker 2>it's terrible.

0:52:22.320 --> 0:52:22.760
<v Speaker 3>Yeah.

0:52:22.800 --> 0:52:24.240
<v Speaker 2>If used right, it's awesome.

0:52:24.440 --> 0:52:24.720
<v Speaker 3>Yeah.

0:52:24.760 --> 0:52:26.400
<v Speaker 2>And I kind of fit somewhere in the middle and

0:52:26.400 --> 0:52:27.960
<v Speaker 2>do it both ways. You know. I saw jelly roll

0:52:28.040 --> 0:52:30.520
<v Speaker 2>just like I'm out on Twitter. Yeah, that's such a

0:52:30.560 --> 0:52:33.439
<v Speaker 2>toxic place. Yeah, I now I don't respond to people

0:52:33.480 --> 0:52:37.120
<v Speaker 2>on Twitter anymore. Have them aren't even real anyway? Yeah,

0:52:37.200 --> 0:52:39.560
<v Speaker 2>I get way too, like I want to fight people.

0:52:39.920 --> 0:52:43.359
<v Speaker 3>It's but it's psychological violence. It's messed up.

0:52:43.480 --> 0:52:45.799
<v Speaker 1>It really is what people think that they can say

0:52:45.800 --> 0:52:48.839
<v Speaker 1>about other people. It surprises me every day when all

0:52:48.840 --> 0:52:51.480
<v Speaker 1>like read something and I'm like, who are you? Are

0:52:51.520 --> 0:52:54.880
<v Speaker 1>you like a regular person like who says like that

0:52:54.960 --> 0:52:56.759
<v Speaker 1>to anybody, it's it's unbelievable.

0:52:56.800 --> 0:52:59.759
<v Speaker 2>I've assigned myself to not responding, and I'm using it

0:52:59.800 --> 0:53:02.120
<v Speaker 2>as a tool because I think I gave it too

0:53:02.200 --> 0:53:07.440
<v Speaker 2>much of a space ye to actually worry about caring

0:53:07.480 --> 0:53:10.480
<v Speaker 2>about what people thought there. Yeah, when that place, it

0:53:10.480 --> 0:53:14.200
<v Speaker 2>doesn't matter if it's Facebook and Twitter's now assessble like

0:53:14.320 --> 0:53:18.440
<v Speaker 2>they want to not care. Yeah, they want it's it's

0:53:18.480 --> 0:53:22.279
<v Speaker 2>so like there's great from it and then there's really

0:53:22.400 --> 0:53:25.920
<v Speaker 2>terrible from it. Yeah, And I think if people going

0:53:25.920 --> 0:53:29.120
<v Speaker 2>into it understand that it's not real either way, the

0:53:29.120 --> 0:53:30.000
<v Speaker 2>best and the worst.

0:53:30.160 --> 0:53:30.560
<v Speaker 3>Totally.

0:53:30.960 --> 0:53:33.640
<v Speaker 1>Yeah, I think though I'm a little worried, Like I

0:53:33.640 --> 0:53:37.200
<v Speaker 1>feel like as artists and people in this industry were

0:53:37.200 --> 0:53:38.280
<v Speaker 1>often very insecure.

0:53:38.400 --> 0:53:40.239
<v Speaker 2>We're often while we do it, we're looking for love.

0:53:40.360 --> 0:53:43.120
<v Speaker 1>We're just looking for love. We're like very self deprecating,

0:53:43.280 --> 0:53:45.759
<v Speaker 1>like whatever. And now we're like kind of in front

0:53:45.760 --> 0:53:48.080
<v Speaker 1>of this camera with this filter on and we're staring

0:53:48.080 --> 0:53:51.560
<v Speaker 1>at ourselves all day, and like I'm like, I don't know, Like.

0:53:51.520 --> 0:53:52.360
<v Speaker 3>I just am worried.

0:53:52.400 --> 0:53:54.680
<v Speaker 1>I feel like we're all just so sensitive to and

0:53:54.719 --> 0:53:56.839
<v Speaker 1>then you're I mean, you're exposing yourself to all of that,

0:53:57.000 --> 0:54:00.239
<v Speaker 1>Like every single day. It's just it's an added like

0:54:00.280 --> 0:54:03.880
<v Speaker 1>a mental health element to this that I don't know.

0:54:03.960 --> 0:54:04.400
<v Speaker 3>It's hard.

0:54:04.480 --> 0:54:08.359
<v Speaker 1>I worry about, like I don't know some people with it,

0:54:08.440 --> 0:54:10.920
<v Speaker 1>like if they couldn't handle that aspect of it that

0:54:11.000 --> 0:54:12.879
<v Speaker 1>they bow out And you're like, I know, but you're

0:54:12.920 --> 0:54:15.359
<v Speaker 1>so talented, Like it shouldn't be whether or not you're

0:54:15.400 --> 0:54:18.439
<v Speaker 1>mentally strong enough to handle that.

0:54:18.680 --> 0:54:19.480
<v Speaker 3>Like, I don't know.

0:54:19.560 --> 0:54:21.040
<v Speaker 1>It just feels like we're going to miss out on

0:54:21.080 --> 0:54:22.120
<v Speaker 1>some really great artists.

0:54:22.400 --> 0:54:24.360
<v Speaker 2>I mean never thought about it like that. That's super interesting,

0:54:24.400 --> 0:54:28.520
<v Speaker 2>and that my generation was the first to really have

0:54:29.040 --> 0:54:34.120
<v Speaker 2>social media and so there was no mental health about

0:54:34.280 --> 0:54:35.759
<v Speaker 2>what happens because of it.

0:54:35.880 --> 0:54:36.440
<v Speaker 1>M hmmm.

0:54:36.640 --> 0:54:45.480
<v Speaker 2>Where I think now it has gotten extremely violent at

0:54:45.480 --> 0:54:48.319
<v Speaker 2>times online, but I think now there's an understanding though

0:54:48.320 --> 0:54:49.719
<v Speaker 2>of what it can do to people. And I think

0:54:49.719 --> 0:54:53.120
<v Speaker 2>we're now starting to see an understanding too of there

0:54:53.200 --> 0:54:57.640
<v Speaker 2>being a of a need for mental health understanding with

0:54:57.760 --> 0:54:59.719
<v Speaker 2>social media. Yeah, I didn't have that as a kid,

0:55:00.080 --> 0:55:01.800
<v Speaker 2>have that as a kid, you know, when we started

0:55:01.880 --> 0:55:04.960
<v Speaker 2>using it, But now hopefully, yeah, they're starting to be

0:55:04.960 --> 0:55:07.680
<v Speaker 2>an understanding of how it affects mental health, yes, and

0:55:07.719 --> 0:55:12.000
<v Speaker 2>that it's being taught. Maybe how do you hope so

0:55:12.360 --> 0:55:14.279
<v Speaker 2>I know? Otherwise it's just death. I can't look at

0:55:14.280 --> 0:55:18.560
<v Speaker 2>comments to anything I know. I start. I feel I

0:55:18.600 --> 0:55:22.640
<v Speaker 2>should feel liked on social media because I have a

0:55:22.640 --> 0:55:25.560
<v Speaker 2>big fun But I go on social media. I go

0:55:25.640 --> 0:55:28.560
<v Speaker 2>to like the by Bone Show page. I'm the most

0:55:28.600 --> 0:55:32.680
<v Speaker 2>hated man in America on my own page. It's so

0:55:32.880 --> 0:55:36.879
<v Speaker 2>bizarre where I go twice a year. That's it. Yeah,

0:55:36.920 --> 0:55:39.040
<v Speaker 2>And those are the rules I put on myself because

0:55:39.040 --> 0:55:40.640
<v Speaker 2>I know how it makes me feel. But it took

0:55:40.680 --> 0:55:41.839
<v Speaker 2>me a long time to get there because it did

0:55:41.840 --> 0:55:43.040
<v Speaker 2>not make me feel good. And I would just keep

0:55:43.080 --> 0:55:46.719
<v Speaker 2>going back, searching, wanting to get it. But it's but

0:55:46.800 --> 0:55:48.799
<v Speaker 2>that if that doesn't tell you, because we have, you

0:55:48.800 --> 0:55:50.360
<v Speaker 2>know whatever, a million amount of people. I'm just that

0:55:50.440 --> 0:55:53.040
<v Speaker 2>faith Facebook's I don't get on Facebook anyway, but just

0:55:53.040 --> 0:55:56.600
<v Speaker 2>an example. Yeah, it's ugly anyway, but I should go there.

0:55:57.400 --> 0:56:00.120
<v Speaker 2>That's a page that celebrates me and my friends and

0:56:00.200 --> 0:56:02.400
<v Speaker 2>what we've built. I'm the most hated man in America

0:56:02.440 --> 0:56:06.920
<v Speaker 2>on that page. It's so often. It should be the

0:56:06.920 --> 0:56:09.200
<v Speaker 2>one place I should go if I'm having a down.

0:56:09.040 --> 0:56:15.759
<v Speaker 1>Days the crap out of me come on, confusing it's

0:56:15.800 --> 0:56:16.280
<v Speaker 1>so confused.

0:56:16.280 --> 0:56:18.960
<v Speaker 3>It really is. That's so confusing on your own stuff.

0:56:19.120 --> 0:56:20.759
<v Speaker 2>The one thing I have learned about social media, though,

0:56:20.760 --> 0:56:22.759
<v Speaker 2>if you just do it consistently, your numbers go way up.

0:56:23.400 --> 0:56:25.960
<v Speaker 2>Like just like, continue to do it. I put up

0:56:25.960 --> 0:56:28.319
<v Speaker 2>the stupidest video the other day. I was like, let

0:56:28.320 --> 0:56:31.239
<v Speaker 2>me test this out, because you have you bring in

0:56:31.400 --> 0:56:33.920
<v Speaker 2>these consultants come in or people like an agency will

0:56:33.920 --> 0:56:35.080
<v Speaker 2>get on and be like, this is what we've learned

0:56:35.080 --> 0:56:38.000
<v Speaker 2>about the algorithm. Nobody knows anything. However, they'll go if

0:56:38.000 --> 0:56:40.080
<v Speaker 2>you do his post every day. So I was like,

0:56:40.120 --> 0:56:41.560
<v Speaker 2>I'm just gonna put up stuid stuff for a while.

0:56:42.000 --> 0:56:44.080
<v Speaker 2>And I put up the dumb like dumbest three videos

0:56:44.080 --> 0:56:47.520
<v Speaker 2>all three days, and they went crazy. I shouldn't care, right,

0:56:48.080 --> 0:56:50.440
<v Speaker 2>I just talked about mental health. I shouldn't care. I

0:56:50.440 --> 0:56:53.239
<v Speaker 2>still care, of course, but it's like if I just

0:56:53.239 --> 0:56:55.200
<v Speaker 2>put something stupid up sometimes I focus on it's going

0:56:55.239 --> 0:56:57.480
<v Speaker 2>to be great, yeah, or if I just put up

0:56:57.880 --> 0:57:00.120
<v Speaker 2>it should be quality over quantity. It's not. How if

0:57:00.120 --> 0:57:02.040
<v Speaker 2>you just thought up quantity, like you end up winning

0:57:02.040 --> 0:57:04.640
<v Speaker 2>that bull crab. Yeah, that's why it's bull crap totally,

0:57:04.719 --> 0:57:06.440
<v Speaker 2>and that's why some people are stars. Because they just

0:57:06.480 --> 0:57:10.879
<v Speaker 2>do quantity, not as so we do quality, especially you. Yeah,

0:57:10.880 --> 0:57:14.799
<v Speaker 2>I'm I'm a fan. I'm super happy that we were

0:57:14.840 --> 0:57:15.440
<v Speaker 2>able to do this.

0:57:15.680 --> 0:57:17.400
<v Speaker 3>Yeah, me too, thank you so much for having me.

0:57:17.520 --> 0:57:19.640
<v Speaker 2>I just again, the first time I saw One House

0:57:19.640 --> 0:57:23.240
<v Speaker 2>Down from the Girl next Door, I was like, that's

0:57:23.320 --> 0:57:27.720
<v Speaker 2>so clever. Everything has been written every single way. Yeah,

0:57:27.880 --> 0:57:30.840
<v Speaker 2>it feels like that, right, every song has been written

0:57:30.880 --> 0:57:35.120
<v Speaker 2>every way. And when I read that before, I was like, oh,

0:57:35.200 --> 0:57:36.680
<v Speaker 2>that's the holy p we were just going through music.

0:57:36.680 --> 0:57:38.960
<v Speaker 2>I was like that. I already liked the song before

0:57:39.000 --> 0:57:40.960
<v Speaker 2>I even heard it. I was like, if that's that concept,

0:57:41.200 --> 0:57:43.360
<v Speaker 2>I was just like lightning strike. So that did that

0:57:43.400 --> 0:57:43.600
<v Speaker 2>to me.

0:57:44.000 --> 0:57:45.600
<v Speaker 3>Oh I love that, Thank you so much.

0:57:46.280 --> 0:57:49.680
<v Speaker 2>So yeah, so check out. I mean that's the whole

0:57:49.720 --> 0:57:53.440
<v Speaker 2>name of the project. It's six songs. I don't know anything,

0:57:53.480 --> 0:57:56.800
<v Speaker 2>what about anything else. People should follow you on social media,

0:57:56.800 --> 0:57:59.320
<v Speaker 2>but only write nice comments.

0:57:59.360 --> 0:57:59.840
<v Speaker 3>Sensitive.

0:58:00.000 --> 0:58:02.000
<v Speaker 2>Okay, you have your name, which is nice because you

0:58:02.040 --> 0:58:03.080
<v Speaker 2>have a unique name.

0:58:03.320 --> 0:58:03.760
<v Speaker 3>Thank you.

0:58:03.880 --> 0:58:06.880
<v Speaker 2>Yes, I didn't get my name. Oh yeah, I know.

0:58:06.920 --> 0:58:09.240
<v Speaker 2>It sucks, mister Bobby Bones. They can't even get my

0:58:09.360 --> 0:58:13.440
<v Speaker 2>freaking name made La Marlowe. Hey, good job here, thank you.

0:58:13.640 --> 0:58:16.720
<v Speaker 2>That's cool and they we're playing bar fight, right, Mike, yep, sweet,

0:58:16.800 --> 0:58:18.479
<v Speaker 2>I love that one, I hope.

0:58:18.520 --> 0:58:22.120
<v Speaker 3>So it's good that one. I'm very proud of BLA.

0:58:22.120 --> 0:58:22.960
<v Speaker 3>Actually I'm proud.

0:58:22.760 --> 0:58:23.840
<v Speaker 2>Of all of them, but that was why I would

0:58:23.840 --> 0:58:26.000
<v Speaker 2>have been like, oh no, I hate that one. We're like,

0:58:26.000 --> 0:58:28.640
<v Speaker 2>why do we do this interview if you hate? Like, okay,

0:58:28.640 --> 0:58:30.800
<v Speaker 2>well dude, spend a second on that. Why did you

0:58:30.840 --> 0:58:32.840
<v Speaker 2>react that way? Why do you love bar fight? Oh?

0:58:33.040 --> 0:58:34.000
<v Speaker 3>I'm so proud of it.

0:58:34.400 --> 0:58:37.520
<v Speaker 1>I had this like very I mean, I was like,

0:58:37.960 --> 0:58:40.080
<v Speaker 1>remember it was like a middle of an idea. I'm like,

0:58:40.120 --> 0:58:41.720
<v Speaker 1>my heart and my mind are in a bar fight

0:58:41.800 --> 0:58:43.640
<v Speaker 1>over you, and I just am like, oh my gosh,

0:58:43.680 --> 0:58:45.880
<v Speaker 1>Like the heart is out of control, it's flipping tables,

0:58:45.920 --> 0:58:47.960
<v Speaker 1>it's like freaking out, and then the mind is like

0:58:48.080 --> 0:58:48.760
<v Speaker 1>running after it.

0:58:48.800 --> 0:58:50.800
<v Speaker 3>Like I had this whole like movie in my head and.

0:58:50.760 --> 0:58:52.280
<v Speaker 1>I was like, this is gonna be an epic song

0:58:52.640 --> 0:58:53.800
<v Speaker 1>and it was and it is.

0:58:53.960 --> 0:58:56.400
<v Speaker 2>That's pretty cool. I like, I like confident mad one. Yeah,

0:58:56.440 --> 0:58:57.000
<v Speaker 2>she's pretty cool.

0:58:57.000 --> 0:58:57.800
<v Speaker 3>I'm working on it.

0:58:58.200 --> 0:59:01.520
<v Speaker 2>Cool. All right, you guys follow at Madeline and I

0:59:01.560 --> 0:59:04.360
<v Speaker 2>will see you sometime very soon. I'm sure. All right,

0:59:04.440 --> 0:59:06.320
<v Speaker 2>if we had an applause room, we'd all applaud, but

0:59:06.360 --> 0:59:08.480
<v Speaker 2>we don't, so we just ended awkwardly perfect cool.

0:59:08.600 --> 0:59:09.440
<v Speaker 3>Love it.

0:59:10.800 --> 0:59:13.320
<v Speaker 5>Thanks for listening to a Bobby Cast production.