1
00:00:00,160 --> 00:00:04,040
Speaker 1: You really love that. You really the taste of my asshole,

2
00:00:04,080 --> 00:00:09,119
Speaker 1: because you're always freaking commenting on this. I'm don't worry

3
00:00:09,119 --> 00:00:11,959
Speaker 1: about what I'm saying. Just worry about don't all those

4
00:00:12,000 --> 00:00:15,720
Speaker 1: beautiful clothes behind you shake it? Are you? I see

5
00:00:15,720 --> 00:00:19,480
Speaker 1: you're drinking water today, which I appreciate. You're not gonna

6
00:00:19,600 --> 00:00:21,960
Speaker 1: you know you're very high on the last episode and night.

7
00:00:22,160 --> 00:00:26,960
Speaker 1: I'm very high right now too, man. Great listen. I

8
00:00:27,000 --> 00:00:29,480
Speaker 1: don't know what you think. Fans liked it, though I

9
00:00:29,520 --> 00:00:32,599
Speaker 1: saw there was people saying, Zach, don't tell Donald not

10
00:00:32,640 --> 00:00:34,199
Speaker 1: to be high. It was funny. I just think when

11
00:00:34,240 --> 00:00:36,680
Speaker 1: you get too high, you get quiet, and everyone likes

12
00:00:36,720 --> 00:00:39,680
Speaker 1: your your your hilarious personality. I like to be I

13
00:00:39,720 --> 00:00:42,440
Speaker 1: like to I like to talk, but sometimes I'm gonna

14
00:00:42,440 --> 00:00:45,840
Speaker 1: be honest with you. Zach. You are a driving force

15
00:00:46,360 --> 00:00:49,839
Speaker 1: on this podcast, as well as Daniel and Joel and myself,

16
00:00:50,240 --> 00:00:53,560
Speaker 1: But you know you are the you are the mouth

17
00:00:53,720 --> 00:00:57,680
Speaker 1: of the show us as they say so I hope,

18
00:00:58,000 --> 00:01:01,520
Speaker 1: oh absolutely. And the great way, dude, our success is

19
00:01:01,680 --> 00:01:04,520
Speaker 1: because of our collective Well, I'm just steering the car.

20
00:01:04,560 --> 00:01:07,840
Speaker 1: We're all in the car together. But absolutely, I occasionally

21
00:01:07,840 --> 00:01:10,640
Speaker 1: bring us back to the point. Absolutely, And so my

22
00:01:10,720 --> 00:01:12,959
Speaker 1: point is sometimes it's all right if I just shut

23
00:01:13,000 --> 00:01:14,640
Speaker 1: the funk up, and no, I don't like it when

24
00:01:14,640 --> 00:01:19,840
Speaker 1: you shut up. I love the Mandalorian, I'm fine. Did

25
00:01:19,840 --> 00:01:22,200
Speaker 1: you watch it yet? I did? I did. It was enjoyable.

26
00:01:22,240 --> 00:01:24,760
Speaker 1: Robert Reguez is a fantastic director, and it was. It

27
00:01:24,800 --> 00:01:29,840
Speaker 1: did such a good job. Didn't really really really well made? Yeah, yeah, absolutely,

28
00:01:30,280 --> 00:01:34,160
Speaker 1: very well made, and uh you know it's it was.

29
00:01:33,959 --> 00:01:36,240
Speaker 1: It was great. But my point is, yeah, you know,

30
00:01:38,840 --> 00:01:42,040
Speaker 1: I have nothing to do right now. So other than

31
00:01:42,200 --> 00:01:46,600
Speaker 1: other than work. Other than work, which is spread out,

32
00:01:47,400 --> 00:01:50,280
Speaker 1: I have nothing other than my kids, which who are

33
00:01:50,320 --> 00:01:53,080
Speaker 1: in school. They are in school and then they go

34
00:01:53,240 --> 00:01:57,280
Speaker 1: play in some form or fashion. I have nothing. I

35
00:01:57,360 --> 00:02:02,440
Speaker 1: do nothing, So you know what I've decided all day,

36
00:02:03,200 --> 00:02:05,520
Speaker 1: all right, And I know there are a bunch of

37
00:02:05,560 --> 00:02:07,520
Speaker 1: people out there with me. I know you're out there

38
00:02:07,560 --> 00:02:10,400
Speaker 1: with me. And if you're growing it, good for you.

39
00:02:10,720 --> 00:02:13,560
Speaker 1: If you're paying for it, that sucks ass because I

40
00:02:13,600 --> 00:02:17,960
Speaker 1: know how expensive it is. It gives me upset how

41
00:02:18,040 --> 00:02:22,720
Speaker 1: expensive the weed industry is. But I will tell you this,

42
00:02:23,160 --> 00:02:28,720
Speaker 1: if you're growing it, good for you. Keep growing that stuff. Okay,

43
00:02:28,760 --> 00:02:31,720
Speaker 1: this has been a public service ann from Donald Fazon

44
00:02:31,919 --> 00:02:37,080
Speaker 1: encouraging you to grow cannabis sativa. It's the new crop,

45
00:02:37,160 --> 00:02:42,079
Speaker 1: it's no longer illegal. Federally, go for yours. They're working

46
00:02:42,160 --> 00:02:46,799
Speaker 1: on it, Go get it pass. I think I think

47
00:02:46,840 --> 00:02:51,320
Speaker 1: what Donald's is saying is please only grow marijuana where

48
00:02:51,360 --> 00:02:54,200
Speaker 1: it is legal in your state. Do not attempt. But

49
00:02:55,800 --> 00:02:59,320
Speaker 1: I think federally it they're trying to pass the law.

50
00:02:59,400 --> 00:03:04,079
Speaker 1: Now it finally made light and they're going to vote

51
00:03:04,080 --> 00:03:09,640
Speaker 1: on it, and hopefully if this happens, Oh my goodness, gracious,

52
00:03:10,120 --> 00:03:12,639
Speaker 1: it would be great to be able to grow as

53
00:03:12,720 --> 00:03:16,000
Speaker 1: much sweet as you want. Well, Donald, let's stop there,

54
00:03:16,080 --> 00:03:19,280
Speaker 1: because you live in in Los Angeles, where it is

55
00:03:19,360 --> 00:03:21,480
Speaker 1: legal to grow, and yet you don't grow. Why is that.

56
00:03:22,160 --> 00:03:25,480
Speaker 1: I don't have the property, like said some people do. Well,

57
00:03:25,520 --> 00:03:28,680
Speaker 1: you could have six pots. You could have the closet

58
00:03:28,680 --> 00:03:31,160
Speaker 1: with one pot. Yeah, but that's a lot of electricity.

59
00:03:31,200 --> 00:03:34,200
Speaker 1: I'd prefer to grow it outside, to be honest with you, Okay,

60
00:03:34,240 --> 00:03:36,880
Speaker 1: So if I gave you six ceramic pots, i'd be

61
00:03:37,000 --> 00:03:39,960
Speaker 1: I'd be the happiest man. I dare you, I dare you.

62
00:03:41,200 --> 00:03:43,440
Speaker 1: I'll give you. I'll give you the soil. Yeah, there

63
00:03:43,440 --> 00:03:46,040
Speaker 1: you go, there's six ceramic pots. That's your that's your present.

64
00:03:46,040 --> 00:03:47,480
Speaker 1: You're gonna have to take care of them. You have

65
00:03:47,520 --> 00:03:51,200
Speaker 1: to do. Listen, man, I'm all about listen. What what

66
00:03:51,200 --> 00:03:53,280
Speaker 1: what do we have to do right now? I need

67
00:03:53,320 --> 00:03:57,760
Speaker 1: another hobby between this, between animating, cutting plants and smoking

68
00:03:57,840 --> 00:03:59,720
Speaker 1: that shit? Are you kidding me? It's gonna be a

69
00:04:00,120 --> 00:04:04,760
Speaker 1: right years. Well listen, speaking of plants, I went for

70
00:04:04,880 --> 00:04:07,880
Speaker 1: my very first time to a Christmas tree yard. I

71
00:04:07,960 --> 00:04:10,880
Speaker 1: have never in forty five years. For those of you

72
00:04:10,880 --> 00:04:13,800
Speaker 1: who don't know, I was raised Jewish. My father took

73
00:04:13,840 --> 00:04:18,040
Speaker 1: it seriously. I am not a religious person. I am secular,

74
00:04:19,000 --> 00:04:22,680
Speaker 1: but my my girlfriend loves Christmas, and so it's my

75
00:04:22,760 --> 00:04:25,720
Speaker 1: first year going all out Christmas and I'm going in

76
00:04:27,279 --> 00:04:31,680
Speaker 1: good for you my whole life. I've seen family smiling

77
00:04:31,720 --> 00:04:35,520
Speaker 1: with the tree on their roof, playing the music, driving home,

78
00:04:35,640 --> 00:04:39,440
Speaker 1: and I'm like driving home passing them, being like, Oh,

79
00:04:39,480 --> 00:04:43,520
Speaker 1: where the fuck's the minorah is in the garage? Where's

80
00:04:43,560 --> 00:04:48,560
Speaker 1: our weird candelabra that we're gonna sing songs at? And

81
00:04:51,440 --> 00:04:53,720
Speaker 1: I'm gonna be lighting paper at all, I'm gonna be

82
00:04:53,800 --> 00:04:56,160
Speaker 1: lighting the minorah as well. It's going to be a

83
00:04:56,720 --> 00:04:58,960
Speaker 1: two faith household. But it was a lot of fun.

84
00:04:58,960 --> 00:05:01,000
Speaker 1: It was cute. We like, I picked out the tree,

85
00:05:01,160 --> 00:05:03,360
Speaker 1: and how great does it smell when you go to

86
00:05:03,480 --> 00:05:07,520
Speaker 1: smells amazing, wonderful. Right, we got an eight foot tall.

87
00:05:07,560 --> 00:05:09,880
Speaker 1: I wanted to get like the Grigantian one, but my

88
00:05:09,960 --> 00:05:12,520
Speaker 1: ceiling won't allow for that, so we got an eight footer.

89
00:05:12,600 --> 00:05:15,400
Speaker 1: He's pretty good. Everybody got their trees. Yet, did you

90
00:05:15,400 --> 00:05:19,080
Speaker 1: get your tree? Donald? Yeah? Casey went out and was like,

91
00:05:19,120 --> 00:05:21,680
Speaker 1: you know what, I'm sick of picking up pines. And

92
00:05:21,760 --> 00:05:23,599
Speaker 1: she got a nice tree. And let me tell you

93
00:05:23,640 --> 00:05:26,920
Speaker 1: something right now, it is not real, but it does

94
00:05:27,040 --> 00:05:30,159
Speaker 1: the trick. It is beautiful. You walk in at the

95
00:05:30,279 --> 00:05:32,840
Speaker 1: end of the year instead of having to sweep up pines,

96
00:05:33,080 --> 00:05:35,159
Speaker 1: I just take it apart, put it in a nice

97
00:05:35,200 --> 00:05:38,280
Speaker 1: little bag, put it in the closet. Next year. Oh

98
00:05:38,320 --> 00:05:41,200
Speaker 1: we need a new tree. Don't fret, go right back

99
00:05:41,240 --> 00:05:44,960
Speaker 1: into the closet. I don't like it. I don't like that. Well,

100
00:05:44,960 --> 00:05:47,200
Speaker 1: that's because I've had years and years and years of

101
00:05:47,200 --> 00:05:50,520
Speaker 1: picking out tree. This is your first time. I know,

102
00:05:50,800 --> 00:05:53,600
Speaker 1: I know you. I'm jaded. I'm jaded. I'm jaded. You're

103
00:05:53,640 --> 00:05:55,800
Speaker 1: also like, are you one of those people that would

104
00:05:55,800 --> 00:05:59,040
Speaker 1: put a fake lawn into Yeah, because then I can

105
00:05:59,080 --> 00:06:01,560
Speaker 1: take my golf club and hit off the fake lawn wor.

106
00:06:03,760 --> 00:06:05,760
Speaker 1: I know it's good for the water, but I don't

107
00:06:05,800 --> 00:06:08,200
Speaker 1: like a fake lawn. Joel and Daniel, are you doing

108
00:06:08,279 --> 00:06:12,480
Speaker 1: Christmas trees? Yes? Oh my god. That the only way

109
00:06:12,520 --> 00:06:14,919
Speaker 1: I'm going to survive the rest of this year was

110
00:06:14,920 --> 00:06:18,280
Speaker 1: by getting into Christmas. In mid October. We ordered all

111
00:06:18,279 --> 00:06:20,760
Speaker 1: my gifts. They already came. I had a big like

112
00:06:20,839 --> 00:06:23,440
Speaker 1: me and my friend wrapped all of our gifts. Last

113
00:06:23,480 --> 00:06:27,160
Speaker 1: Saturday was the pictures. We got really pretty paper from

114
00:06:27,200 --> 00:06:29,440
Speaker 1: paper source. They went out and got a real tree.

115
00:06:29,440 --> 00:06:32,479
Speaker 1: We're gonna do Christmas at their place, the fifteen foot ceilings,

116
00:06:32,480 --> 00:06:37,800
Speaker 1: so we got no shit. Oh my gosh, I say,

117
00:06:37,800 --> 00:06:39,599
Speaker 1: I saw some of those gargante Win ones and I

118
00:06:39,640 --> 00:06:41,359
Speaker 1: had envy. I was like, I want that one, but

119
00:06:41,400 --> 00:06:42,719
Speaker 1: I don't have the I don't have the head room.

120
00:06:43,200 --> 00:06:45,880
Speaker 1: Oh my gosh, you guys. One thing that you gotta

121
00:06:45,920 --> 00:06:48,080
Speaker 1: worry about when you get these big gass trees is

122
00:06:48,120 --> 00:06:51,400
Speaker 1: throwing them out, and you guys aren't paying. You guys

123
00:06:51,440 --> 00:06:55,800
Speaker 1: are thinking about just the glory of the magnific. There's

124
00:06:55,839 --> 00:06:57,960
Speaker 1: nothing to be happy about right now, and we can

125
00:06:58,000 --> 00:07:01,400
Speaker 1: decorate a tree. It's fun of all. Yes, Second of all,

126
00:07:01,400 --> 00:07:04,360
Speaker 1: you live in California, an amazing state, which allows you

127
00:07:04,400 --> 00:07:07,240
Speaker 1: to the here's like a disposal drop off places where

128
00:07:07,240 --> 00:07:10,080
Speaker 1: you drop off the tree and then they use it.

129
00:07:10,880 --> 00:07:14,200
Speaker 1: They're helping with flooding because they just like recycle the

130
00:07:14,240 --> 00:07:16,200
Speaker 1: trees after. That's awesome, But how do you get a

131
00:07:16,320 --> 00:07:19,680
Speaker 1: nine foot tree to this place? That's the listen when

132
00:07:19,720 --> 00:07:21,960
Speaker 1: you're all your friends are cinematographers. They know how to

133
00:07:22,040 --> 00:07:24,040
Speaker 1: use cables. They're like, you just grab it into a car,

134
00:07:24,640 --> 00:07:28,120
Speaker 1: good to go. It's bongees. If you've paid, if you've

135
00:07:28,160 --> 00:07:31,840
Speaker 1: paid before, you can tie a decent knot. If you're

136
00:07:31,880 --> 00:07:34,800
Speaker 1: handy with a set of tools, you know what to do.

137
00:07:35,080 --> 00:07:38,120
Speaker 1: I'm excited. I'm excited about my tree. And Daniel, are

138
00:07:38,120 --> 00:07:41,720
Speaker 1: you doing anything? Family is Jewish. My mom converted to

139
00:07:41,760 --> 00:07:44,239
Speaker 1: Judaism for my sisters bot Mitza when she was thirteen,

140
00:07:44,320 --> 00:07:48,400
Speaker 1: and since then we have not celebrated Christmas only Hanka. Yeah, no,

141
00:07:48,400 --> 00:07:50,520
Speaker 1: no tree anymore. Meet you and it is your girlfriend,

142
00:07:50,880 --> 00:07:53,240
Speaker 1: a Jewish gal. She is a Jewish gal as wall

143
00:07:53,320 --> 00:07:54,840
Speaker 1: Ye see, I'm on. You know what that means your

144
00:07:54,880 --> 00:07:57,200
Speaker 1: kids will get into the Kingdom of yahweh. You know that, right,

145
00:07:57,440 --> 00:08:00,160
Speaker 1: that's what I hear. I'm only yeah, I'm only doing

146
00:08:00,240 --> 00:08:05,360
Speaker 1: this because of dating a gal who loves Christmas. So

147
00:08:05,480 --> 00:08:07,720
Speaker 1: it's my first time really going all out. It's very fun.

148
00:08:07,800 --> 00:08:10,600
Speaker 1: It's a fun holiday. Guys. They have the Star of

149
00:08:10,720 --> 00:08:13,920
Speaker 1: David Treetopper that that you know, I thought would be

150
00:08:13,920 --> 00:08:16,600
Speaker 1: a nice touch. But would you be surprised to know

151
00:08:16,720 --> 00:08:20,600
Speaker 1: it's on back order? On on on, of course I

152
00:08:20,640 --> 00:08:24,120
Speaker 1: have a question ahead. You'd prefer just one day of

153
00:08:24,160 --> 00:08:29,560
Speaker 1: gifts instead of twelve nights of gifts? Yeah? I think

154
00:08:29,720 --> 00:08:33,560
Speaker 1: the way we've always done hanaka, even though you know

155
00:08:33,640 --> 00:08:36,880
Speaker 1: the concept is that you celebrate eight nights, we always

156
00:08:36,960 --> 00:08:39,000
Speaker 1: I mean eight nights, that's what I meant, eight crazy nights.

157
00:08:39,040 --> 00:08:41,439
Speaker 1: Eight nights. Yes, So we always did it as a family.

158
00:08:41,559 --> 00:08:43,280
Speaker 1: We would just we would, you know, find have one

159
00:08:43,320 --> 00:08:46,280
Speaker 1: big honka party night. But we you know, I've always

160
00:08:46,320 --> 00:08:49,240
Speaker 1: seen on in movies when people open their Christmas presents

161
00:08:49,280 --> 00:08:51,440
Speaker 1: that everyone just does it all at once. My family

162
00:08:51,440 --> 00:08:57,760
Speaker 1: doesn't mess with that. Everyone is like someone is opening

163
00:08:57,920 --> 00:09:01,320
Speaker 1: pay the tension out of our spec for the What

164
00:09:01,400 --> 00:09:04,400
Speaker 1: about you, Donald because I think it's Christmas story that

165
00:09:04,480 --> 00:09:07,040
Speaker 1: first planeted this in my mind that the kids come

166
00:09:07,040 --> 00:09:09,200
Speaker 1: down and they just ravage the tree and the parents

167
00:09:09,200 --> 00:09:13,440
Speaker 1: sit back and sip their coffee. And I was always like, well,

168
00:09:13,120 --> 00:09:17,520
Speaker 1: what seems like it's it's funny time, it's a ceremony.

169
00:09:17,600 --> 00:09:20,760
Speaker 1: It is definitely a ceremony. The ceremony definitely goes fast

170
00:09:21,840 --> 00:09:24,520
Speaker 1: when it's the kids, because they open their present and

171
00:09:24,520 --> 00:09:27,320
Speaker 1: they're already like it's like they as soon as the thing,

172
00:09:27,679 --> 00:09:29,800
Speaker 1: as soon as they see what it is, they're already

173
00:09:29,880 --> 00:09:33,280
Speaker 1: off to the next gift, regardless of if it's something

174
00:09:33,320 --> 00:09:36,800
Speaker 1: that they wanted or if it's you know, no matter

175
00:09:36,840 --> 00:09:40,240
Speaker 1: what it is, as soon as it's open, where's the

176
00:09:40,240 --> 00:09:42,200
Speaker 1: next one? I guess you got to be patient as

177
00:09:42,200 --> 00:09:43,920
Speaker 1: you're like, you put a lot of thought and or

178
00:09:44,040 --> 00:09:46,240
Speaker 1: money into that present and your kid just opens it

179
00:09:46,320 --> 00:09:48,720
Speaker 1: and they're like, Mimmissippi too miss to be toss it next,

180
00:09:48,800 --> 00:09:54,680
Speaker 1: And you're like, motherfucker, you know that is that's what happens.

181
00:09:55,080 --> 00:09:58,520
Speaker 1: That is, that is that is forever though, you know

182
00:09:58,520 --> 00:10:01,079
Speaker 1: what I mean? My grown kids do that shit, now,

183
00:10:01,160 --> 00:10:03,760
Speaker 1: you know what I mean? I remember I bought my

184
00:10:03,840 --> 00:10:10,520
Speaker 1: daughter a lovely bracelet. She turned twenty one. It was beautiful. No,

185
00:10:10,600 --> 00:10:16,600
Speaker 1: it's turned eighteen. Beautiful. She goes, Oh, wow, it's so beautiful.

186
00:10:16,640 --> 00:10:20,080
Speaker 1: I've yet to see her wear it. I don't like that.

187
00:10:21,000 --> 00:10:22,600
Speaker 1: And then so I went to her. I was like, Yo,

188
00:10:22,720 --> 00:10:24,160
Speaker 1: so what's up with that? You know I bought you

189
00:10:24,760 --> 00:10:27,320
Speaker 1: spent a lot of money on that bracelet. Yo, what

190
00:10:27,120 --> 00:10:30,280
Speaker 1: what the fuck? She goes, Dad, it's only for when

191
00:10:30,320 --> 00:10:33,040
Speaker 1: I go someplace. Do you know how stupid I'll look

192
00:10:33,120 --> 00:10:36,520
Speaker 1: walking around. I look like freaking like I'm trying to

193
00:10:36,559 --> 00:10:38,720
Speaker 1: be a rapper walking around with all that playing on.

194
00:10:38,800 --> 00:10:41,160
Speaker 1: You put so many there's so much diamonds in it.

195
00:10:41,240 --> 00:10:44,960
Speaker 1: I feel like a show. I hate when you know what,

196
00:10:45,080 --> 00:10:48,960
Speaker 1: I appreciate that. I appreciate that I did this girl

197
00:10:48,960 --> 00:10:52,040
Speaker 1: once and I got her. She was in the fancy

198
00:10:52,080 --> 00:10:56,400
Speaker 1: handbags and I and I tracked down like this. I mean,

199
00:10:56,880 --> 00:10:58,800
Speaker 1: I women in their handbags. I know it's a whole thing.

200
00:10:58,880 --> 00:11:01,160
Speaker 1: And I and I've I've gone, I've done a deep

201
00:11:01,200 --> 00:11:04,280
Speaker 1: dive in learning, like I know too much about handbags.

202
00:11:05,120 --> 00:11:07,400
Speaker 1: But this isn't my this isn't flow my current girlfriend.

203
00:11:07,440 --> 00:11:09,520
Speaker 1: But years ago I was getting a girl and she

204
00:11:09,679 --> 00:11:11,760
Speaker 1: was in the handbags and I found this like really

205
00:11:11,800 --> 00:11:14,080
Speaker 1: hard to get one, and it was like I was

206
00:11:14,120 --> 00:11:16,080
Speaker 1: so proud of myself. I was like, I got the

207
00:11:16,120 --> 00:11:19,040
Speaker 1: purse that nobody can get. She's gonna be so happy.

208
00:11:19,120 --> 00:11:22,240
Speaker 1: And I gave it to her and she was excited

209
00:11:22,280 --> 00:11:24,800
Speaker 1: in the moment and I was like, yeah, I came

210
00:11:24,920 --> 00:11:27,800
Speaker 1: through like that bag is so hard to get and

211
00:11:27,840 --> 00:11:30,920
Speaker 1: then like never saw it, never saw being used, never

212
00:11:30,920 --> 00:11:33,160
Speaker 1: saw being used. And then finally at some point I

213
00:11:33,240 --> 00:11:35,920
Speaker 1: was like, baby, how can you never like use that

214
00:11:36,320 --> 00:11:40,199
Speaker 1: that fancy person I got you? And she's like, oh sweet,

215
00:11:40,200 --> 00:11:45,800
Speaker 1: everybody has that bag now, and I was like, I

216
00:11:45,800 --> 00:11:52,800
Speaker 1: don't think this relationship is gonna be that's a wrap

217
00:11:52,880 --> 00:11:56,400
Speaker 1: right there. Oh man, it really made me feel like

218
00:11:56,480 --> 00:12:00,760
Speaker 1: ass where I'm sorry about that. So does anyone need

219
00:12:00,800 --> 00:12:05,920
Speaker 1: a pancy person? I do wonder what happened to all

220
00:12:05,960 --> 00:12:07,520
Speaker 1: of those bags though, you know what I mean. I

221
00:12:07,640 --> 00:12:09,960
Speaker 1: know I've bought a lot of bags in my day. Yeah,

222
00:12:10,000 --> 00:12:12,480
Speaker 1: just case you ever wear those. The thing about these

223
00:12:12,480 --> 00:12:15,319
Speaker 1: bags is your partner, whoever buys it for you, spends

224
00:12:15,360 --> 00:12:18,240
Speaker 1: like all this money on it, and then what they

225
00:12:18,320 --> 00:12:21,160
Speaker 1: just like use it once or twice? Right, watch more

226
00:12:21,200 --> 00:12:23,079
Speaker 1: than that it's like a season and then you never

227
00:12:23,120 --> 00:12:25,240
Speaker 1: see the bag. Yeah, it's a season. You can't wear

228
00:12:25,320 --> 00:12:28,079
Speaker 1: that bag. It was that last season's bag. I mean

229
00:12:28,080 --> 00:12:31,319
Speaker 1: that's what makes them special. It's like it's like any collectible,

230
00:12:31,440 --> 00:12:35,120
Speaker 1: you know, you're excited. Babies can't. I can't play with

231
00:12:35,120 --> 00:12:40,640
Speaker 1: that beanie baby anymore. Where where does the bag go? After? Yeah?

232
00:12:40,640 --> 00:12:44,360
Speaker 1: Where's the back? Where's on the level of the bag.

233
00:12:44,440 --> 00:12:47,040
Speaker 1: Some bags will go into the closet because we know

234
00:12:47,080 --> 00:12:49,120
Speaker 1: that they're going to come back into fashion or were

235
00:12:49,160 --> 00:12:51,400
Speaker 1: just really like, you know, maybe this's first special outfits

236
00:12:51,480 --> 00:12:54,479
Speaker 1: or whatever. Some bags will you know, be resold consignment

237
00:12:54,520 --> 00:12:56,960
Speaker 1: shops or sold up if they're like they're really you know,

238
00:12:57,280 --> 00:12:59,600
Speaker 1: it sounds like you guys are buying the very expensive

239
00:13:00,040 --> 00:13:02,160
Speaker 1: CARDI B level bags. Oh now you know how we do?

240
00:13:02,280 --> 00:13:04,080
Speaker 1: So you know how I do? You know how? Yeah?

241
00:13:04,160 --> 00:13:08,040
Speaker 1: Yeah exactly, And then some will end up in the trash.

242
00:13:08,120 --> 00:13:10,560
Speaker 1: I just feel sad when I buy the bag and

243
00:13:11,320 --> 00:13:15,920
Speaker 1: the bag never gets seen. That's very yeah, And it's

244
00:13:15,920 --> 00:13:18,640
Speaker 1: the man. You can't be like although I do, you

245
00:13:18,679 --> 00:13:21,400
Speaker 1: can't be like hung on. You don't think that the

246
00:13:21,440 --> 00:13:23,440
Speaker 1: bag I got you might look good with that, don't

247
00:13:23,679 --> 00:13:27,079
Speaker 1: maybe might be nice, be nice with this on psalmble.

248
00:13:27,920 --> 00:13:32,360
Speaker 1: Oh baby, that bag is so last season. Oh god,

249
00:13:32,440 --> 00:13:35,640
Speaker 1: that would hurt. Should we talk about scrubs? We should,

250
00:13:35,760 --> 00:13:38,200
Speaker 1: That's why people tune in, what I know. But before

251
00:13:38,200 --> 00:13:39,960
Speaker 1: we do that, I just want to say one thing

252
00:13:41,160 --> 00:13:56,920
Speaker 1: six seven eight about sure we made about any around

253
00:13:57,240 --> 00:14:07,720
Speaker 1: here yet around here. This was a supersized episode with

254
00:14:07,800 --> 00:14:10,319
Speaker 1: a very very big guest star, one of our biggest

255
00:14:10,360 --> 00:14:15,560
Speaker 1: in nine years, the living legend Michael J. Fox, my friend.

256
00:14:15,880 --> 00:14:19,520
Speaker 1: We tried to get him. I tried via. I was

257
00:14:19,560 --> 00:14:21,440
Speaker 1: waiting for the surprise. I thought you were gonna be

258
00:14:21,480 --> 00:14:24,360
Speaker 1: like and Dannon was gonna be like, and guys, well

259
00:14:24,640 --> 00:14:27,520
Speaker 1: here he's got one more. I'm not giving up yet

260
00:14:27,720 --> 00:14:29,800
Speaker 1: because you know Donald that I never give up until

261
00:14:30,560 --> 00:14:33,600
Speaker 1: it's over. And I you are not a quitter. I'm

262
00:14:33,640 --> 00:14:35,280
Speaker 1: not a quitter. Out a quitter. So we have one

263
00:14:35,280 --> 00:14:38,080
Speaker 1: more episode to try trying through his publicist because he's

264
00:14:38,080 --> 00:14:42,800
Speaker 1: promoting a book. Obviously Bill sent him an email, but

265
00:14:42,920 --> 00:14:46,480
Speaker 1: I don't know. But anyway, we love him. He's Oh

266
00:14:46,560 --> 00:14:49,240
Speaker 1: my god, he's so great on the show too. I'm

267
00:14:49,240 --> 00:14:51,720
Speaker 1: gonna I don't, I don't, I don't remember what the

268
00:14:51,720 --> 00:14:53,800
Speaker 1: show was about. I remember that he was on the show.

269
00:14:53,840 --> 00:14:56,280
Speaker 1: I didn't know. I didn't remember this episode at all. Yeah,

270
00:14:56,360 --> 00:14:59,480
Speaker 1: I didn't know what the episode was about. And that's

271
00:14:59,480 --> 00:15:03,880
Speaker 1: scene in oh our prep room right before the the

272
00:15:04,000 --> 00:15:06,960
Speaker 1: you know, before we go into demontage and everything just

273
00:15:07,000 --> 00:15:09,480
Speaker 1: so amazing. Let me get my notes and stuff out. Yeah,

274
00:15:09,520 --> 00:15:12,520
Speaker 1: I wanted to say that Bill. You know, Bill obviously

275
00:15:12,640 --> 00:15:15,440
Speaker 1: wrote this. He wrote this for Michael. He wrote this episode,

276
00:15:15,560 --> 00:15:18,560
Speaker 1: and he wrote this for Michael J. Fox, And I think,

277
00:15:18,960 --> 00:15:21,560
Speaker 1: you know, it goes without saying, but I'll see it anyway.

278
00:15:21,880 --> 00:15:27,080
Speaker 1: He was giving Michael an opportunity, I think, to vent

279
00:15:27,680 --> 00:15:32,400
Speaker 1: about his Parkinson's because that wonderful, incredibly acted scene. At

280
00:15:32,440 --> 00:15:37,040
Speaker 1: the end, of course, the character is just fucking fed

281
00:15:37,120 --> 00:15:40,160
Speaker 1: up and with hiding and trying to control his OCD.

282
00:15:41,160 --> 00:15:45,880
Speaker 1: But it's so clearly Michael also the human being having

283
00:15:45,880 --> 00:15:49,560
Speaker 1: a moment about, you know, saying fuck you to his Parkinson's.

284
00:15:50,600 --> 00:15:53,800
Speaker 1: That's such an It's such such amazing moments. And so

285
00:15:53,800 --> 00:15:56,320
Speaker 1: many Michael J. Fox moments too, you know what I mean,

286
00:15:56,440 --> 00:16:00,560
Speaker 1: Like there's one As an actor, you I love some

287
00:16:00,760 --> 00:16:04,760
Speaker 1: certain things that everybody loves, and Mike has Michael J.

288
00:16:04,880 --> 00:16:09,040
Speaker 1: Fox has so like, the list is ridiculous when you

289
00:16:09,120 --> 00:16:11,560
Speaker 1: say there are certain things that he does, Like, my

290
00:16:11,600 --> 00:16:18,880
Speaker 1: buddy Justin Long does a amazing Michael J. Fox, Like

291
00:16:18,920 --> 00:16:21,760
Speaker 1: he's a very good, you know, impressionist, Like he can

292
00:16:21,800 --> 00:16:24,680
Speaker 1: impersonate a lot of people. But one of his favorite

293
00:16:24,680 --> 00:16:28,040
Speaker 1: movies is Back to the Future, and we he and

294
00:16:28,080 --> 00:16:31,880
Speaker 1: I talk about it all the time, and dude, like,

295
00:16:32,560 --> 00:16:35,440
Speaker 1: it's not just like there's a reason why Michael J.

296
00:16:35,560 --> 00:16:38,520
Speaker 1: Fox was the number one movie star back in the day.

297
00:16:38,560 --> 00:16:40,360
Speaker 1: There's so many things. There's so many things that he

298
00:16:40,400 --> 00:16:43,600
Speaker 1: brings to the table that he you know, I'm so

299
00:16:43,680 --> 00:16:47,160
Speaker 1: happy that we had the opportunity to work with him because,

300
00:16:48,680 --> 00:16:51,040
Speaker 1: you know, this was a bucket list type of thing.

301
00:16:51,120 --> 00:16:53,080
Speaker 1: I know, I will probably never be in a Back

302
00:16:53,120 --> 00:16:55,600
Speaker 1: to the Future movie. The chances of that happening are

303
00:16:55,600 --> 00:17:00,240
Speaker 1: slim to none. But being able to work with Michael J. Fox,

304
00:17:00,320 --> 00:17:02,480
Speaker 1: somebody who's the reason one of the reasons why I'm

305
00:17:02,480 --> 00:17:04,960
Speaker 1: acting today, was a huge deal for me when he

306
00:17:05,000 --> 00:17:07,120
Speaker 1: showed up. And so that's saying when he walks into

307
00:17:07,119 --> 00:17:09,879
Speaker 1: the lobby, we're all standing there. That's real deal. You

308
00:17:09,920 --> 00:17:11,919
Speaker 1: know that it kind of felt like that, you know,

309
00:17:12,320 --> 00:17:14,199
Speaker 1: he was kind of inn a fishbowl because we all

310
00:17:14,280 --> 00:17:15,880
Speaker 1: kind of were like, I want to see if any

311
00:17:16,000 --> 00:17:18,040
Speaker 1: some of his magic will rub off on me. I

312
00:17:18,119 --> 00:17:21,800
Speaker 1: was so excited to meet him, right and he you know,

313
00:17:23,160 --> 00:17:26,760
Speaker 1: it's amazing as I understand that he really he was

314
00:17:26,800 --> 00:17:31,600
Speaker 1: on medication at the time to control his Parkinson's and

315
00:17:32,720 --> 00:17:34,520
Speaker 1: we were all we all didn't have to beat, you know,

316
00:17:34,640 --> 00:17:36,920
Speaker 1: because we were all so excited, and it was like,

317
00:17:37,600 --> 00:17:42,480
Speaker 1: he's so so crucial and and and to to us,

318
00:17:42,600 --> 00:17:45,040
Speaker 1: both of us wanting to be actors. I mean, Family

319
00:17:45,040 --> 00:17:47,879
Speaker 1: Ties when I was growing up, was the show he

320
00:17:48,000 --> 00:17:50,560
Speaker 1: was the star of and his comic timing was like

321
00:17:50,640 --> 00:17:53,480
Speaker 1: nobody else I'd ever seen in a in a sitcom,

322
00:17:54,000 --> 00:17:56,480
Speaker 1: and and then of course back to the Future, and

323
00:17:56,520 --> 00:17:58,560
Speaker 1: he was just the biggest star there was at a

324
00:17:58,560 --> 00:18:02,560
Speaker 1: certain point in our lives, and there he was coming

325
00:18:02,600 --> 00:18:05,720
Speaker 1: onto our show, and I think we were we didn't

326
00:18:06,119 --> 00:18:08,479
Speaker 1: know how to be. We also didn't know how ill

327
00:18:08,920 --> 00:18:11,280
Speaker 1: or not he was, so we didn't know how to

328
00:18:11,320 --> 00:18:14,000
Speaker 1: be with the Parkinsons of it all. And for the

329
00:18:14,040 --> 00:18:16,479
Speaker 1: most part, he was incredibly fine. You know, you can

330
00:18:16,560 --> 00:18:20,160
Speaker 1: see that he's he sort of uses his the movements

331
00:18:20,160 --> 00:18:22,960
Speaker 1: of the Parkinsons and put it into the character, and

332
00:18:23,040 --> 00:18:25,240
Speaker 1: other than a handful of times, I remember Donald that

333
00:18:25,320 --> 00:18:28,600
Speaker 1: he said Bill would say like he Michael needs a minute,

334
00:18:28,600 --> 00:18:32,000
Speaker 1: he's not feeling great, which maybe happened a few times

335
00:18:32,000 --> 00:18:36,679
Speaker 1: in two episodes. He was perfectly fine and capable of

336
00:18:36,720 --> 00:18:41,359
Speaker 1: delivering that incredible performance that he that he just did. Yeah,

337
00:18:42,000 --> 00:18:44,840
Speaker 1: do you want to do it to thirty second recap? Yes,

338
00:18:45,040 --> 00:18:47,119
Speaker 1: let's get into your thirty second recap and then we

339
00:18:47,200 --> 00:18:50,720
Speaker 1: will take a break and we will dive into the episode.

340
00:18:52,480 --> 00:18:55,719
Speaker 1: Marks gets set go. There's a new doctor in the

341
00:18:55,760 --> 00:18:58,919
Speaker 1: house and he knows everything. The Alpha was in the

342
00:18:58,920 --> 00:19:01,919
Speaker 1: hospital or threatened by him, but all are impressed with

343
00:19:01,960 --> 00:19:05,760
Speaker 1: his skills and abilities. This is the ultimate don't judge

344
00:19:05,760 --> 00:19:09,160
Speaker 1: a book by its cover. We're also into our own shit.

345
00:19:09,640 --> 00:19:12,199
Speaker 1: Our problem seemed to be so much more important than

346
00:19:12,240 --> 00:19:15,320
Speaker 1: other people's. Sometimes I feel like I'm hanging on by

347
00:19:15,359 --> 00:19:18,719
Speaker 1: a threat. What I show the world isn't necessarily who

348
00:19:18,800 --> 00:19:22,119
Speaker 1: I am. The best version of myself is what I

349
00:19:22,160 --> 00:19:26,919
Speaker 1: try to portray, but sometimes inside it's like a tornado.

350
00:19:28,359 --> 00:19:32,760
Speaker 1: M So you really related to the Michael J. Fox

351
00:19:32,840 --> 00:19:37,680
Speaker 1: character currently? I think everybody relates to that character. Sure,

352
00:19:37,720 --> 00:19:40,760
Speaker 1: but you said I so I'm just the well, I said,

353
00:19:40,760 --> 00:19:42,760
Speaker 1: I because I don't want to speak for everyone else.

354
00:19:42,800 --> 00:19:46,440
Speaker 1: This is a great opportunity for me to for one

355
00:19:46,560 --> 00:19:50,199
Speaker 1: to speak for one's self for myself, And so I

356
00:19:50,240 --> 00:19:54,080
Speaker 1: did I think that was really well said? Yes, I

357
00:19:54,240 --> 00:19:58,240
Speaker 1: bet a lot of people can relate to trying to

358
00:19:58,760 --> 00:20:02,360
Speaker 1: put their best face on something when they're really struggling.

359
00:20:02,359 --> 00:20:04,960
Speaker 1: There's a line that really stuck with me at the end,

360
00:20:05,000 --> 00:20:09,640
Speaker 1: when when he says everyone has their own burdens, and

361
00:20:10,720 --> 00:20:14,480
Speaker 1: you never know what anyone else is facing on, what's

362
00:20:14,480 --> 00:20:16,000
Speaker 1: going on in their day or what's going on in

363
00:20:16,000 --> 00:20:19,720
Speaker 1: their life. Here's a guy who's like a superstar doctor

364
00:20:19,840 --> 00:20:23,160
Speaker 1: and he's battling OCD so badly he can barely function,

365
00:20:23,760 --> 00:20:26,440
Speaker 1: but then when he zones in. I remember there being

366
00:20:26,440 --> 00:20:30,080
Speaker 1: a story about a surgeon who had turetts, who actually

367
00:20:30,119 --> 00:20:36,720
Speaker 1: had severe twitching and vocals ticks too, but also lots

368
00:20:36,720 --> 00:20:40,080
Speaker 1: of physical ticks, but the second he started surgery, none

369
00:20:40,080 --> 00:20:41,919
Speaker 1: of it happened, and he was like a genius surgeon.

370
00:20:42,680 --> 00:20:44,720
Speaker 1: And I felt like that that that must have been

371
00:20:45,160 --> 00:20:47,320
Speaker 1: something I bet was in Bill's mind as well when

372
00:20:47,359 --> 00:20:49,520
Speaker 1: he was writing this, We're Gonna go to break and

373
00:20:49,560 --> 00:20:51,680
Speaker 1: when we come back, we are going to break down

374
00:20:51,720 --> 00:20:54,040
Speaker 1: the episode. It's a super sized episode. There were two

375
00:20:54,040 --> 00:20:56,480
Speaker 1: different commercial breaks. I think this may have been the

376
00:20:56,520 --> 00:20:59,359
Speaker 1: first time that ever happened. Would you watch and you

377
00:20:59,400 --> 00:21:01,680
Speaker 1: watching it on I? I watched on iTunes and it

378
00:21:01,720 --> 00:21:03,720
Speaker 1: was a mistake. I gotta start watching the DVDs because

379
00:21:03,720 --> 00:21:06,640
Speaker 1: the whole episode doesn't work if you if if the

380
00:21:06,760 --> 00:21:10,040
Speaker 1: end montage song doesn't work, which I had to look

381
00:21:10,040 --> 00:21:12,560
Speaker 1: it up, it's coldplays Everything's Not Lost, which is a

382
00:21:12,680 --> 00:21:20,960
Speaker 1: fucking beautiful song. Just because I'm losing doesn't mean I'm lost.

383
00:21:21,440 --> 00:21:25,000
Speaker 1: That shit is fire songs, that's but that's not the song.

384
00:21:25,440 --> 00:21:28,800
Speaker 1: Oh it's not. That's another song called lost. This song

385
00:21:28,880 --> 00:21:32,560
Speaker 1: is called Everything's I was like, Everything's not, Like, come on,

386
00:21:36,760 --> 00:21:39,280
Speaker 1: I'm not doing it justice, No you're not. And I

387
00:21:39,440 --> 00:21:42,119
Speaker 1: was like, I don't know what that was. Everything's not

388
00:21:42,400 --> 00:21:48,960
Speaker 1: lost me, I promise you the song sounds better than that.

389
00:21:49,040 --> 00:21:50,879
Speaker 1: Everybody listening to the song after the show. It's a

390
00:21:50,880 --> 00:21:53,000
Speaker 1: great song, Everything's Not Lost, And it was not in

391
00:21:53,040 --> 00:21:55,560
Speaker 1: the iTunes cut that I watched, And so the end

392
00:21:55,560 --> 00:21:58,119
Speaker 1: montage did not move me at all because the song

393
00:21:58,240 --> 00:22:01,760
Speaker 1: that was there was thrown in by randall as we know,

394
00:22:02,080 --> 00:22:05,080
Speaker 1: and not a good song a moment. Okay, we'll be

395
00:22:05,160 --> 00:22:17,359
Speaker 1: right back. We'll be right back. Everything's not lost just

396
00:22:17,680 --> 00:22:22,480
Speaker 1: because I'm losing. That's another good song, but doesn't mean

397
00:22:23,160 --> 00:22:26,479
Speaker 1: I'm lost. I wish I could play it for you

398
00:22:26,480 --> 00:22:29,400
Speaker 1: guys right now, but but but it doesn't. I mean

399
00:22:30,040 --> 00:22:32,879
Speaker 1: I'm cross. I think how good this show would be

400
00:22:32,920 --> 00:22:34,119
Speaker 1: if all of a sudden I could just play the

401
00:22:34,119 --> 00:22:41,120
Speaker 1: song we're not allowed to I lost, like bas are

402
00:22:41,119 --> 00:22:46,080
Speaker 1: we allowed to play like dude, Daniel what like just

403
00:22:46,520 --> 00:22:48,600
Speaker 1: literally a split second of the song. Yeah, aren't allowed

404
00:22:48,640 --> 00:22:53,160
Speaker 1: to play like Yeah, it's so like wishy washy, honestly,

405
00:22:54,240 --> 00:22:59,359
Speaker 1: jaz real quick, real quick. No, I don't like these rules.

406
00:22:59,359 --> 00:23:00,919
Speaker 1: If we were, I wish we were allowed to be

407
00:23:00,960 --> 00:23:02,760
Speaker 1: like it now. He's a little snippet of that song.

408
00:23:02,920 --> 00:23:05,680
Speaker 1: But we got rules, everybody, guys, we got rules. So

409
00:23:05,720 --> 00:23:09,120
Speaker 1: here's some Taylor Swift. No. We got, by the way,

410
00:23:09,119 --> 00:23:12,040
Speaker 1: a lot of good feedback on Alaminade's song. Speaking of songs,

411
00:23:12,080 --> 00:23:14,280
Speaker 1: we can play a lot of people like alamonade song

412
00:23:14,960 --> 00:23:18,280
Speaker 1: fire Man. I'm telling you, guys, I love the man.

413
00:23:18,720 --> 00:23:22,080
Speaker 1: He's so grown now and I'm so proud of him.

414
00:23:22,080 --> 00:23:27,160
Speaker 1: And find him. We can find him wherever you find music.

415
00:23:27,560 --> 00:23:31,440
Speaker 1: Olami da phaise on yo olami day hy o l

416
00:23:33,640 --> 00:23:36,160
Speaker 1: oh l a m I d e. I almost forgot

417
00:23:36,200 --> 00:23:38,280
Speaker 1: how but if you want to search for his music,

418
00:23:38,320 --> 00:23:41,480
Speaker 1: it's the way you spell allamidae is o l A

419
00:23:41,960 --> 00:23:44,840
Speaker 1: m I n d no oh l a m I

420
00:23:45,080 --> 00:23:48,919
Speaker 1: d e. Okay that, but he's got a lot of

421
00:23:48,960 --> 00:23:51,920
Speaker 1: good songs, and he does, but he's really starting for

422
00:23:52,040 --> 00:23:55,840
Speaker 1: He's also very charming and h if you think Donald's charming,

423
00:23:57,000 --> 00:24:02,359
Speaker 1: oh my gosh. Anyway, get into the show. Your first

424
00:24:02,480 --> 00:24:06,280
Speaker 1: joke says why why it got to be color comedy?

425
00:24:06,760 --> 00:24:11,000
Speaker 1: Color right? Color commentating? Why I gotta be color commentating?

426
00:24:11,280 --> 00:24:15,719
Speaker 1: I didn't remember anything from this episode, made neither. I

427
00:24:15,760 --> 00:24:17,920
Speaker 1: also don't think it's a very good episode. I'm gonna

428
00:24:17,960 --> 00:24:20,720
Speaker 1: be outlandish and say that you don't think it's a

429
00:24:20,760 --> 00:24:24,400
Speaker 1: good episode. Well, I think Michael J. Fox's performance is wonderful,

430
00:24:24,440 --> 00:24:27,320
Speaker 1: and I think the Ted Janitor that whole thing with

431
00:24:27,359 --> 00:24:29,960
Speaker 1: the garbages and you didn't laugh at the Todd saying

432
00:24:30,119 --> 00:24:33,600
Speaker 1: at the Todd saying the xbox joke and then losing

433
00:24:34,240 --> 00:24:37,199
Speaker 1: losing the number one status in the hospital but not

434
00:24:37,280 --> 00:24:40,280
Speaker 1: giving a shit about that, caring that the xbox joke

435
00:24:40,320 --> 00:24:43,440
Speaker 1: didn't land that. Yeah, I'm there's moments I just don't

436
00:24:43,440 --> 00:24:46,239
Speaker 1: think it's fully great. But let's talk about laugh at

437
00:24:46,280 --> 00:24:50,399
Speaker 1: the janitor and wait, don't throw everything yet. Yes, you're

438
00:24:50,440 --> 00:24:52,240
Speaker 1: just gonna now you're just gonna quickly list all the

439
00:24:52,240 --> 00:24:55,000
Speaker 1: funny parts. Yes, I agree, there are so many of them.

440
00:24:55,080 --> 00:24:58,240
Speaker 1: So Todd says an xbox joke that is a basically

441
00:24:58,280 --> 00:25:03,320
Speaker 1: a sexual innuendo calling a vagina an xbox pretty much.

442
00:25:03,320 --> 00:25:05,080
Speaker 1: He was like, I'd like to stick my dick in

443
00:25:05,119 --> 00:25:07,399
Speaker 1: her xbox pretty much, is what he said, right, But

444
00:25:07,440 --> 00:25:10,359
Speaker 1: there's no woman around. So doctor Wenn is like, what

445
00:25:10,440 --> 00:25:12,720
Speaker 1: doesn't make any sense? The joke's not even a woman

446
00:25:12,760 --> 00:25:16,080
Speaker 1: around that you're making sexual innuendo about, and and and

447
00:25:16,080 --> 00:25:19,400
Speaker 1: then simultaneously tells him that he's no longer the best

448
00:25:19,400 --> 00:25:22,040
Speaker 1: surgeon in the hospital. And the only thing that the

449
00:25:22,160 --> 00:25:24,800
Speaker 1: high five Todd cares about is that he ruined. He

450
00:25:24,880 --> 00:25:31,720
Speaker 1: wasted the opportunity for a good xbox sexual innuendo joke. Yeah,

451
00:25:31,840 --> 00:25:34,679
Speaker 1: and he obsesses about it the whole show, the whole episode,

452
00:25:34,720 --> 00:25:37,679
Speaker 1: the whole episode, the whole episode that was funny that

453
00:25:37,800 --> 00:25:42,040
Speaker 1: made me laugh. Bill had the blonde hair that Cox

454
00:25:42,119 --> 00:25:44,600
Speaker 1: has in the flashback. So when we do a flashback

455
00:25:44,640 --> 00:25:47,399
Speaker 1: to how JD imagines doctor Cox was when he was

456
00:25:48,119 --> 00:25:51,400
Speaker 1: in when he was a med student, and he's got

457
00:25:51,440 --> 00:25:54,920
Speaker 1: this bleached blonde hair that I'm sure is inspired by

458
00:25:55,320 --> 00:25:58,560
Speaker 1: what when Bill was showrunning Spin City, That's what he

459
00:25:58,640 --> 00:26:00,640
Speaker 1: looked like he had. That's what he like. He had,

460
00:26:00,680 --> 00:26:05,440
Speaker 1: like short bleached blonde party boy fuck boy here by Wait,

461
00:26:05,440 --> 00:26:07,720
Speaker 1: what'd you call him a fuck boy? I think isn't

462
00:26:07,720 --> 00:26:09,320
Speaker 1: that what I isn't that what they call? Like? What's

463
00:26:09,359 --> 00:26:13,520
Speaker 1: a fun boy? Joel? What's the fun boy? I keep

464
00:26:13,560 --> 00:26:20,520
Speaker 1: hearing about it? Oh yeah, a fu yeah, stap it. No.

465
00:26:20,640 --> 00:26:22,800
Speaker 1: I just love that you you you were prepared to

466
00:26:22,840 --> 00:26:25,560
Speaker 1: answer it as intellectually and articulately as if I said, Joel,

467
00:26:25,640 --> 00:26:29,879
Speaker 1: how do you explain like the Panama Canal so a

468
00:26:30,000 --> 00:26:35,040
Speaker 1: foot boy good basically a boy who's wasting your time.

469
00:26:35,240 --> 00:26:38,600
Speaker 1: He's gonna tell you that he cares and is hanging out.

470
00:26:38,880 --> 00:26:41,679
Speaker 1: He's gonna tell you that he's on his ship. You know,

471
00:26:41,760 --> 00:26:44,200
Speaker 1: he's working hard. He's not doing any of those things.

472
00:26:44,400 --> 00:26:46,720
Speaker 1: He doesn't care. He's just out here being lass fair

473
00:26:46,760 --> 00:26:50,280
Speaker 1: with everybody else's heart too, all of his commitments. He's

474
00:26:50,320 --> 00:26:52,120
Speaker 1: just out here being a fun boy. So he's being

475
00:26:52,160 --> 00:26:54,320
Speaker 1: selfish and he's probably misleading a lot of women. A

476
00:26:54,359 --> 00:26:59,600
Speaker 1: fuck boy smash, but smashing a lot of Xbox Xbox

477
00:26:59,640 --> 00:27:02,360
Speaker 1: as well. He's doing it right, if he's if he's

478
00:27:02,359 --> 00:27:07,200
Speaker 1: good at he's a successful fuck boy. He's probably pound

479
00:27:07,400 --> 00:27:12,440
Speaker 1: pounding and a lot of Xbox. He's probably sticking. He's

480
00:27:12,480 --> 00:27:16,479
Speaker 1: probably sticking his contoystick, his joystick, his controller and an

481
00:27:16,600 --> 00:27:20,280
Speaker 1: Xbox yeah or two or three. Yeah. I never knew

482
00:27:20,280 --> 00:27:22,159
Speaker 1: really what the definition of fuck boy was, I think

483
00:27:22,640 --> 00:27:26,640
Speaker 1: because I guess I could have googled it, but I didn't.

484
00:27:26,720 --> 00:27:28,920
Speaker 1: Asking Joel, I think is the best option. Yeah. I

485
00:27:29,000 --> 00:27:32,840
Speaker 1: like Joel's definition was the very smart person Donald. Have

486
00:27:32,920 --> 00:27:36,040
Speaker 1: you ever been a fuck boy? No? Never in my life.

487
00:27:36,080 --> 00:27:41,160
Speaker 1: I like to hustle man, Right, Have I ever played?

488
00:27:41,200 --> 00:27:43,560
Speaker 1: Have I ever played? Have I ever played with the

489
00:27:43,600 --> 00:27:46,880
Speaker 1: woman's heart before? That's a different story. Yeah, but you've

490
00:27:46,880 --> 00:27:48,600
Speaker 1: also married a lot, so you didn't have too much

491
00:27:48,640 --> 00:27:52,679
Speaker 1: fuck boy opportunities. No, I didn't. I don't like the

492
00:27:52,800 --> 00:27:55,400
Speaker 1: term fuck boy either. Just all I respected. I mean

493
00:27:55,440 --> 00:27:58,960
Speaker 1: women had women, and I guess men who date fuck

494
00:27:59,000 --> 00:28:01,040
Speaker 1: boys too. I had to come up with a term, like,

495
00:28:01,200 --> 00:28:04,120
Speaker 1: there's a term for that. You're wasting my time. You're

496
00:28:04,119 --> 00:28:08,160
Speaker 1: making promises that you're not keeping. You're grow uping lots

497
00:28:08,160 --> 00:28:12,040
Speaker 1: of xboxes that aren't mine. You're a fuck boy. Stop

498
00:28:12,080 --> 00:28:16,159
Speaker 1: texting me late night? You up right, Joel? Yes? I

499
00:28:16,200 --> 00:28:18,840
Speaker 1: bet you a fuck boy? Is text a lot of girls?

500
00:28:18,880 --> 00:28:26,960
Speaker 1: You up at the same time? All right? So Randall, okay, okay,

501
00:28:27,280 --> 00:28:30,240
Speaker 1: Randall is his first first episode is Randall is a janitor.

502
00:28:30,720 --> 00:28:33,040
Speaker 1: He's been hired. We don't know why, We don't know

503
00:28:33,080 --> 00:28:35,840
Speaker 1: why how he got the job, but Randall has been hired,

504
00:28:35,880 --> 00:28:39,680
Speaker 1: and the janitor introduces him as his associate. Right now,

505
00:28:39,680 --> 00:28:42,200
Speaker 1: they run really fast by this, But it turns out

506
00:28:42,240 --> 00:28:44,200
Speaker 1: the reason they're on the roof is that they go

507
00:28:44,320 --> 00:28:48,880
Speaker 1: up there wrestle yea and the winner gets a beer.

508
00:28:48,920 --> 00:28:53,840
Speaker 1: And I know this only because Randall burped after right,

509
00:28:54,720 --> 00:28:57,320
Speaker 1: It's really random. First of all, they're telling their boss

510
00:28:57,440 --> 00:29:00,280
Speaker 1: that they go up to the roof to rustle, and

511
00:29:00,320 --> 00:29:03,480
Speaker 1: then we know that Randall, who was one third the

512
00:29:03,520 --> 00:29:06,240
Speaker 1: size of Neil, has won the wrestling match. And we

513
00:29:06,320 --> 00:29:09,800
Speaker 1: know this because he's burps, because he got his winner's beer.

514
00:29:10,120 --> 00:29:14,960
Speaker 1: He's got his winner's beer. So, I mean, this episode

515
00:29:15,000 --> 00:29:17,600
Speaker 1: has a lot of really fucking random stoner moments in it.

516
00:29:17,920 --> 00:29:20,680
Speaker 1: This was the most ultimate stoner moment. We could come

517
00:29:20,720 --> 00:29:23,280
Speaker 1: back to the birds, but this was the most stoner moment. Yeah,

518
00:29:23,960 --> 00:29:27,760
Speaker 1: if one more person says one main thing to me,

519
00:29:27,960 --> 00:29:32,400
Speaker 1: I swear I'll go and hurl myself off the roof.

520
00:29:33,000 --> 00:29:37,400
Speaker 1: Oh shut up, ted Okay, one other person. She didn't know.

521
00:29:37,680 --> 00:29:41,400
Speaker 1: She didn't hear the rules. It's it's it's Laverne. She

522
00:29:41,480 --> 00:29:43,720
Speaker 1: passes him and she goes, Oh shut up, Teddy goes, Okay,

523
00:29:43,760 --> 00:29:46,520
Speaker 1: one more person because she didn't hear the rules. She didn't.

524
00:29:50,360 --> 00:29:54,240
Speaker 1: That was funny, dude. We made so many jokes about death,

525
00:29:54,520 --> 00:29:57,520
Speaker 1: about people killing themselves on I know, I really I

526
00:29:57,560 --> 00:30:00,840
Speaker 1: feel weird just because of the time times and the

527
00:30:00,880 --> 00:30:05,120
Speaker 1: current suicide rate even laughing at these jokes. But yes,

528
00:30:05,240 --> 00:30:06,760
Speaker 1: there were a lot of There was a lot of

529
00:30:06,840 --> 00:30:11,040
Speaker 1: dark humor about ted being suicidal and yeah, and you

530
00:30:11,120 --> 00:30:12,960
Speaker 1: know he wants to end it, and he when he

531
00:30:13,040 --> 00:30:16,080
Speaker 1: jumps off the roof finally, he says, it's like a

532
00:30:16,600 --> 00:30:20,800
Speaker 1: It's like that shot from Doctor Strangelove when when when

533
00:30:20,880 --> 00:30:22,600
Speaker 1: you're reminding me of that for those of you who

534
00:30:22,640 --> 00:30:24,960
Speaker 1: know and love that movie. If not, you should see it.

535
00:30:25,360 --> 00:30:28,200
Speaker 1: But when when he's falling on the nuclear bomb and

536
00:30:28,240 --> 00:30:30,560
Speaker 1: so there's the shot of Ted falling, he's like, you

537
00:30:30,560 --> 00:30:34,280
Speaker 1: did it, You did it, Teddy. Here comes sweet relief

538
00:30:35,520 --> 00:30:39,040
Speaker 1: and he falls into all the garbage, and that we

539
00:30:39,120 --> 00:30:41,440
Speaker 1: learned where it was funny. We learned where the janitor

540
00:30:41,440 --> 00:30:43,640
Speaker 1: and Randall are hiding the garbage. And he goes is

541
00:30:44,040 --> 00:30:53,520
Speaker 1: this heaven? And Neil goes this garbage. That was a

542
00:30:53,640 --> 00:30:57,840
Speaker 1: very funny storyline. It the janitor, Kelso and Ted. That

543
00:30:57,920 --> 00:31:02,640
Speaker 1: was hilarious. Yeah, yeah, I agree. And I like that

544
00:31:02,880 --> 00:31:06,680
Speaker 1: the janitor finally has an assistant because you know, we

545
00:31:06,680 --> 00:31:09,280
Speaker 1: we we so far up to this point of assumed

546
00:31:09,320 --> 00:31:12,520
Speaker 1: he was cleaning the hospital alone other than the random

547
00:31:12,520 --> 00:31:20,680
Speaker 1: background person mopping the rug. Now this fantasy at nine

548
00:31:20,680 --> 00:31:23,560
Speaker 1: minutes in, I had absolutely no memory of doing this.

549
00:31:25,360 --> 00:31:27,920
Speaker 1: Michael J. Fox is operating on my brain while I'm

550
00:31:27,920 --> 00:31:31,920
Speaker 1: awake and I speak French. I make all sorts of

551
00:31:31,920 --> 00:31:35,920
Speaker 1: weird noises. You don't remember that, no memory of shooting that.

552
00:31:35,920 --> 00:31:38,320
Speaker 1: That seems like something you would remember. Yeah, you'd think

553
00:31:38,360 --> 00:31:42,160
Speaker 1: I remember being in a bald cap making random noises

554
00:31:42,320 --> 00:31:44,600
Speaker 1: because Michael J. Fox is operating on my brain but

555
00:31:44,640 --> 00:31:49,000
Speaker 1: I don't remember. Wow wow. So then it's funny. And

556
00:31:49,080 --> 00:31:52,280
Speaker 1: they showed Todd trying to re explain his Xbox joke

557
00:31:52,480 --> 00:31:58,000
Speaker 1: to Michael J. Fox, and Michael J. Fox goes, can

558
00:31:58,040 --> 00:32:00,560
Speaker 1: you go make an important call for me? He goes,

559
00:32:00,560 --> 00:32:04,160
Speaker 1: sure to who he goes to, anyone? Anyone, not just that.

560
00:32:04,320 --> 00:32:10,680
Speaker 1: Neil says, jamone, shamone, like Michael Jackson. What is he saying?

561
00:32:11,120 --> 00:32:13,520
Speaker 1: Because he's like, let's go, you know, because uh, they

562
00:32:13,600 --> 00:32:16,920
Speaker 1: get twenty five dollars for hiding for hiding the garbage, right,

563
00:32:17,280 --> 00:32:21,440
Speaker 1: and uh would have twenty eight dollars something like that,

564
00:32:22,080 --> 00:32:26,960
Speaker 1: and uh he gets the money, and the janitor says

565
00:32:27,000 --> 00:32:30,080
Speaker 1: to Randall, now let's go up to roof. Winner takes

566
00:32:30,120 --> 00:32:35,280
Speaker 1: all and and d yeah, let's go do it. They

567
00:32:35,360 --> 00:32:39,360
Speaker 1: never learn and the janitor goes walks away, goes shamone like,

568
00:32:40,080 --> 00:32:44,080
Speaker 1: I didn't know that. I didn't get Jackson reference. That's funny.

569
00:32:44,080 --> 00:32:46,520
Speaker 1: He does the Michael Jackson reference. I didn't know that

570
00:32:46,600 --> 00:32:49,320
Speaker 1: JD's obsessed with Pirates for I think for the first time,

571
00:32:49,360 --> 00:32:54,600
Speaker 1: he brings up Pirates quite a bit. Right, And then

572
00:32:54,640 --> 00:32:59,880
Speaker 1: we learned that JD's first girlfriend was a Carnie, right right.

573
00:33:02,000 --> 00:33:04,120
Speaker 1: As you fill out your as you figure out, as

574
00:33:04,120 --> 00:33:07,280
Speaker 1: you fill out your own the knowledge of JD as

575
00:33:07,320 --> 00:33:09,840
Speaker 1: a character. Today, I learned that the guy played for

576
00:33:09,920 --> 00:33:12,920
Speaker 1: nine years first girlfriend was a Carnie. I didn't know that.

577
00:33:12,960 --> 00:33:17,840
Speaker 1: I forgot that. What else do you get? Did you

578
00:33:17,880 --> 00:33:22,480
Speaker 1: really learn that coin trick? I guess so. I'm sure

579
00:33:22,520 --> 00:33:24,680
Speaker 1: I practiced that at like a poker table or something

580
00:33:24,720 --> 00:33:27,560
Speaker 1: like that. Right, It looked pretty looked pretty good at it.

581
00:33:27,840 --> 00:33:29,160
Speaker 1: At the end, you kind of had it down the

582
00:33:29,160 --> 00:33:31,600
Speaker 1: thing where you were, you know, Michael J. Fox is

583
00:33:31,720 --> 00:33:34,040
Speaker 1: showing that he's doing the coins fast on his hands.

584
00:33:34,080 --> 00:33:36,040
Speaker 1: I don't think that was Michael J. Fox. Though they

585
00:33:36,040 --> 00:33:38,120
Speaker 1: would have tied it together. They just cut to an

586
00:33:38,120 --> 00:33:40,280
Speaker 1: insert of someone doing it really well. I don't know.

587
00:33:40,320 --> 00:33:42,680
Speaker 1: I imagine he could do it. I imagine, you know,

588
00:33:42,720 --> 00:33:45,880
Speaker 1: in my mind, Michael J. Fox can do anything. You know. Yeah,

589
00:33:46,080 --> 00:33:48,880
Speaker 1: I had OCD as a child, not nearly as bad

590
00:33:48,880 --> 00:33:51,080
Speaker 1: as this character has it, but I would I would

591
00:33:51,080 --> 00:33:53,120
Speaker 1: do the thing with actually spoke about this on the

592
00:33:53,120 --> 00:33:56,960
Speaker 1: Mark Marin podcast that that's just there, but I would

593
00:33:57,000 --> 00:34:00,520
Speaker 1: do the tapping thing where I would just I would

594
00:34:00,560 --> 00:34:03,800
Speaker 1: tell my little kid brain, I'd be like, I'm pretty

595
00:34:03,840 --> 00:34:06,920
Speaker 1: sure there's no need to do this, but just to

596
00:34:06,960 --> 00:34:09,960
Speaker 1: be safe, I'm going to touch this thing five times.

597
00:34:10,040 --> 00:34:11,360
Speaker 1: And if I don't do it five times, I have

598
00:34:11,400 --> 00:34:17,200
Speaker 1: to start over. Yeah, okay, it's really horrible. And I

599
00:34:17,239 --> 00:34:23,080
Speaker 1: remember I remember even thinking as a little kid, like I,

600
00:34:23,080 --> 00:34:25,680
Speaker 1: if I don't like kiss my teddy bear ten times

601
00:34:25,760 --> 00:34:28,520
Speaker 1: as I leave my room, something bad might happen. Now

602
00:34:28,560 --> 00:34:31,040
Speaker 1: I know that that's ridiculous in my head I'm saying

603
00:34:31,040 --> 00:34:33,080
Speaker 1: at the time, but just to be safe, just to

604
00:34:33,080 --> 00:34:35,680
Speaker 1: cover my bases, I'm going to do it and then

605
00:34:35,719 --> 00:34:38,120
Speaker 1: you and then you'd walk out like, oh I didn't

606
00:34:38,120 --> 00:34:40,319
Speaker 1: The tenth kiss was like in the air. It wasn't

607
00:34:40,360 --> 00:34:42,920
Speaker 1: on his teddy bear head. So it shit like that, like,

608
00:34:43,040 --> 00:34:45,200
Speaker 1: you know, a more mild version of what this poor

609
00:34:45,280 --> 00:34:47,799
Speaker 1: character is dealing with. But so I I and I

610
00:34:48,120 --> 00:34:51,480
Speaker 1: grew out of that stuff, but I live. I did

611
00:34:51,560 --> 00:34:54,360
Speaker 1: experience it as a child. And if you're just hearing that,

612
00:34:54,440 --> 00:34:56,480
Speaker 1: you go, what what That doesn't make any sense, But

613
00:34:57,080 --> 00:34:59,080
Speaker 1: you convince yourself that you have to do it or

614
00:34:59,120 --> 00:35:03,480
Speaker 1: something bad will happen. Sounds very scary. It feels to

615
00:35:03,480 --> 00:35:06,640
Speaker 1: me like superstition, you know, like I was a lot

616
00:35:06,640 --> 00:35:08,560
Speaker 1: of it. For me at least, was no different than

617
00:35:08,640 --> 00:35:11,640
Speaker 1: people feel like, oh my god, I walked under a ladder,

618
00:35:11,640 --> 00:35:13,200
Speaker 1: I'm going to have bad luck. It was like how

619
00:35:13,239 --> 00:35:17,200
Speaker 1: to prevent you were trying to control? Right? Maybe maybe

620
00:35:17,280 --> 00:35:22,120
Speaker 1: maybe the ten minute the cheap fake doctor interpretation I

621
00:35:22,160 --> 00:35:24,680
Speaker 1: can do is this many years later, is that I

622
00:35:24,760 --> 00:35:26,879
Speaker 1: was growing up in a house and my parents were

623
00:35:26,880 --> 00:35:28,920
Speaker 1: going through a sort of a messy divorce, and I

624
00:35:28,960 --> 00:35:31,640
Speaker 1: was doing joint custody, and there was no nothing in

625
00:35:31,680 --> 00:35:38,080
Speaker 1: my childhood brain that I could control, And maybe perhaps

626
00:35:38,120 --> 00:35:41,000
Speaker 1: I was trying to force control onto something like I

627
00:35:41,000 --> 00:35:44,120
Speaker 1: can control this, right, what I mean? Yeah, no, I

628
00:35:44,160 --> 00:35:47,840
Speaker 1: totally get it. And then once you've finished kissing the

629
00:35:47,880 --> 00:35:50,600
Speaker 1: Teddy Bear ten times, would you feel great about Yeah,

630
00:35:50,600 --> 00:35:52,160
Speaker 1: you'd have a moment of like if when you finally

631
00:35:52,280 --> 00:35:54,120
Speaker 1: nail it, just like the character does when he finally

632
00:35:54,160 --> 00:35:57,600
Speaker 1: like sticks the landing of his entrance, you're like, oh, okay,

633
00:35:57,760 --> 00:36:01,560
Speaker 1: few until until the next challenge. Wow. You know, obviously

634
00:36:01,600 --> 00:36:03,759
Speaker 1: if you have a severe case of this like this

635
00:36:04,480 --> 00:36:07,200
Speaker 1: person does, it can There's not just the obsessive part

636
00:36:07,239 --> 00:36:10,880
Speaker 1: but there's the compulsion we're cleaning, constantly clean your hands.

637
00:36:10,880 --> 00:36:14,840
Speaker 1: You're always afraid that there's This is obviously COVID. Aside

638
00:36:15,600 --> 00:36:19,040
Speaker 1: obsessively washing your hands because you're so nervous that there's

639
00:36:19,160 --> 00:36:21,120
Speaker 1: there's germans on them. I had that as well. I

640
00:36:21,120 --> 00:36:25,680
Speaker 1: imagine COVID. COVID does make people develop OCD in some ways.

641
00:36:25,840 --> 00:36:28,720
Speaker 1: Of washing your hands. And I remember when it first started,

642
00:36:28,760 --> 00:36:31,560
Speaker 1: I washed my hands religiously, so much so to the

643
00:36:31,560 --> 00:36:34,359
Speaker 1: point that they were chapped, and mine are now too.

644
00:36:34,840 --> 00:36:37,719
Speaker 1: But I think, yeah, you can. I think that'll give you.

645
00:36:37,880 --> 00:36:39,839
Speaker 1: That'll give you a tiny semblance of what it's like

646
00:36:39,920 --> 00:36:42,239
Speaker 1: if you're in COVID now and you're constantly worried that

647
00:36:42,280 --> 00:36:44,799
Speaker 1: there's germs on your hands. It's like that, but all

648
00:36:44,880 --> 00:36:47,520
Speaker 1: the time, it's like taking a shower every time you

649
00:36:47,560 --> 00:36:49,120
Speaker 1: go out the house, you know what I mean. Like

650
00:36:49,440 --> 00:36:51,520
Speaker 1: if I go out the house, once I get back,

651
00:36:51,520 --> 00:36:53,440
Speaker 1: I'm like, I should take I should probably take a shower,

652
00:36:53,560 --> 00:36:55,400
Speaker 1: just to be safe, you know what I mean. And

653
00:36:55,400 --> 00:36:57,000
Speaker 1: then after the shower has done, it's like I have

654
00:36:57,120 --> 00:37:00,120
Speaker 1: my shield, my shield from thanks to Dawn, I have

655
00:37:00,239 --> 00:37:02,360
Speaker 1: my shield, you know what I mean? Are you doing

656
00:37:02,400 --> 00:37:04,759
Speaker 1: that are you showering every time you leave the house,

657
00:37:05,000 --> 00:37:07,000
Speaker 1: every time you come back in from the house. Damn

658
00:37:07,080 --> 00:37:09,400
Speaker 1: near pretty much. If I go to like let's say

659
00:37:09,440 --> 00:37:11,920
Speaker 1: I take let's say I go to the supermarket. When

660
00:37:11,920 --> 00:37:13,960
Speaker 1: I come back, I washed my body. It just sounds

661
00:37:14,080 --> 00:37:17,200
Speaker 1: it just sounds normal to do. For some reason, I

662
00:37:17,200 --> 00:37:20,359
Speaker 1: don't know, but it just seems like that's the right

663
00:37:20,360 --> 00:37:21,799
Speaker 1: thing to do. And I think it was because of

664
00:37:21,880 --> 00:37:26,000
Speaker 1: somebody who said, you have to treat this like they

665
00:37:26,080 --> 00:37:28,560
Speaker 1: treated Ebola. This was a doctor that said it. He

666
00:37:28,560 --> 00:37:32,560
Speaker 1: said he would come home, wash his clothes and body

667
00:37:33,360 --> 00:37:37,719
Speaker 1: outside and then go inside once COVID started. And so

668
00:37:37,840 --> 00:37:40,440
Speaker 1: when he said that, I was like, okay, I'll try that.

669
00:37:41,480 --> 00:37:45,920
Speaker 1: And then also with the wiping down the groceries and stuff, yeah,

670
00:37:45,920 --> 00:37:48,640
Speaker 1: we do that too. We still do that, even though

671
00:37:48,680 --> 00:37:52,200
Speaker 1: they say surface you know, getting it that way is

672
00:37:52,480 --> 00:37:54,839
Speaker 1: very difficult, but it worked when we started, and so

673
00:37:54,880 --> 00:37:57,040
Speaker 1: we're sticking to it. Yeah, we still wash all the

674
00:37:57,040 --> 00:38:00,879
Speaker 1: groceries when we like, like spray him and and wash

675
00:38:00,960 --> 00:38:03,000
Speaker 1: them down, let me bring them back in the house.

676
00:38:03,480 --> 00:38:06,160
Speaker 1: I mean, even if it's even if some people think

677
00:38:06,200 --> 00:38:09,640
Speaker 1: that's extreme, you know, I guess we're extreme. Yeah, still

678
00:38:09,640 --> 00:38:12,160
Speaker 1: do it every time too. I'm right there with you. Yeah.

679
00:38:12,719 --> 00:38:18,120
Speaker 1: Ken By the elevator was hilarious, where where he's talking

680
00:38:18,120 --> 00:38:21,040
Speaker 1: to you and then the elevator opens and he's like,

681
00:38:21,080 --> 00:38:23,239
Speaker 1: I will give you money if you can tell me

682
00:38:23,320 --> 00:38:25,920
Speaker 1: where the trash is, and you cover for the and

683
00:38:26,239 --> 00:38:30,120
Speaker 1: JD covers for the janitor, and as the doors closing,

684
00:38:30,160 --> 00:38:33,080
Speaker 1: he goes, thank you, and then he turned on he goes, huh,

685
00:38:33,120 --> 00:38:35,640
Speaker 1: and then somebody else comes and he goes, well, it's

686
00:38:35,760 --> 00:38:40,359
Speaker 1: this great timing by Ken. Like you, there's certain there's

687
00:38:40,400 --> 00:38:42,480
Speaker 1: certain things that happen, and it's that you take for granted,

688
00:38:42,600 --> 00:38:44,919
Speaker 1: like you know, beats like that are hard to come

689
00:38:44,960 --> 00:38:49,520
Speaker 1: by in television, you know, uh, And you take it

690
00:38:49,560 --> 00:38:53,839
Speaker 1: for granted. Good comedic moments that are simple like that

691
00:38:54,200 --> 00:38:56,440
Speaker 1: are hard to come by. And it has on the

692
00:38:56,520 --> 00:39:00,719
Speaker 1: cut too, I mean, you know the way not only

693
00:39:00,800 --> 00:39:02,880
Speaker 1: is it Kenn's timing, but it's also the timing of

694
00:39:02,920 --> 00:39:06,880
Speaker 1: cutting the camera angle right. It's it's so quick witted

695
00:39:07,000 --> 00:39:08,399
Speaker 1: and I mean it's just like it's got a it's

696
00:39:08,440 --> 00:39:11,320
Speaker 1: got a really funny pace to it, right. But that helps,

697
00:39:11,640 --> 00:39:14,440
Speaker 1: you know, that helps with a show that you said,

698
00:39:14,600 --> 00:39:17,399
Speaker 1: you know at the beginning didn't necessarily have that many

699
00:39:17,400 --> 00:39:20,720
Speaker 1: funny moments. That's a moment that you can manufacture something

700
00:39:21,680 --> 00:39:28,280
Speaker 1: with cuts and a genius actor like Ken Jenkins. I

701
00:39:27,200 --> 00:39:29,960
Speaker 1: I know you mentioned it, but I just thought that

702
00:39:30,000 --> 00:39:32,920
Speaker 1: the end monologue with Michael J. Fox was was just

703
00:39:32,960 --> 00:39:35,759
Speaker 1: really moving. I thought, he it just showed what a

704
00:39:35,800 --> 00:39:37,880
Speaker 1: wonderful actor he is. I mean, he's known for his

705
00:39:37,960 --> 00:39:42,160
Speaker 1: comedy and you know, first and foremost, I think, but

706
00:39:42,200 --> 00:39:46,000
Speaker 1: he's such a wonderful dramatic actor. Yeah, the scream of

707
00:39:46,000 --> 00:39:49,719
Speaker 1: frustration I felt that. I remember it happened, and I

708
00:39:50,040 --> 00:39:53,200
Speaker 1: sat up and looked at my wife, who was watching

709
00:39:53,239 --> 00:39:55,600
Speaker 1: the show with me, and I was like, holy shit,

710
00:39:55,680 --> 00:39:59,120
Speaker 1: I didn't we I never knew that we had. This

711
00:39:59,160 --> 00:40:02,040
Speaker 1: is one of those scenes that you wish for. You know,

712
00:40:02,320 --> 00:40:05,840
Speaker 1: there there are a lot of great Michael J. Fox moments.

713
00:40:06,160 --> 00:40:09,239
Speaker 1: One of my favorites is when and Family ties, when

714
00:40:09,600 --> 00:40:12,640
Speaker 1: he's writing a letter to his first girlfriend after he's

715
00:40:12,680 --> 00:40:15,600
Speaker 1: met this new girl and they're going through the montage

716
00:40:15,640 --> 00:40:18,440
Speaker 1: and the music's playing and he found a way to

717
00:40:18,440 --> 00:40:22,080
Speaker 1: write this Ladier whatever her name was, and he finds

718
00:40:22,120 --> 00:40:24,480
Speaker 1: a way to write this, you know, to tell this

719
00:40:25,120 --> 00:40:28,799
Speaker 1: to do this great monologue and still have comedy in it,

720
00:40:29,400 --> 00:40:31,719
Speaker 1: and you know, this was one of those moments where

721
00:40:31,760 --> 00:40:34,120
Speaker 1: there was none of it. And when he says this

722
00:40:34,160 --> 00:40:36,880
Speaker 1: is a weak moment for me, that ship was like,

723
00:40:37,880 --> 00:40:42,680
Speaker 1: you know, I pray, I pray that I'm never caught

724
00:40:42,680 --> 00:40:45,600
Speaker 1: in weak moments like those are those are for me

725
00:40:45,840 --> 00:40:50,759
Speaker 1: and me alone. And JD witnesses an icon in this

726
00:40:50,920 --> 00:40:55,520
Speaker 1: hospital's weak moment, and you know it shows what kind

727
00:40:55,520 --> 00:40:58,200
Speaker 1: of a man JD is too. He knows, okay, this

728
00:40:58,239 --> 00:41:00,920
Speaker 1: is between the two of us, because that's just one

729
00:41:00,960 --> 00:41:02,960
Speaker 1: of those things where you could go around and be like, look, man,

730
00:41:03,520 --> 00:41:05,960
Speaker 1: this ship is really hard. All of them see it. Actually,

731
00:41:05,960 --> 00:41:09,200
Speaker 1: you know, Cox sees it, and Turk sees it as well.

732
00:41:09,400 --> 00:41:14,080
Speaker 1: They all see this guy, and you know, I don't know.

733
00:41:14,120 --> 00:41:16,960
Speaker 1: It's just I pray that that never happens to me.

734
00:41:17,040 --> 00:41:20,640
Speaker 1: I pray that a bunch of people don't see me

735
00:41:20,680 --> 00:41:23,759
Speaker 1: at my weakest. You know, your friends can see you

736
00:41:23,800 --> 00:41:26,200
Speaker 1: at your weakest, you can allow Yeah, but JD's not this.

737
00:41:26,680 --> 00:41:29,120
Speaker 1: JD's not this guy. So you're seeing you're saying, you're

738
00:41:29,239 --> 00:41:31,359
Speaker 1: your co workers that you barely know. You don't want

739
00:41:31,400 --> 00:41:34,360
Speaker 1: you to see. I don't want your guard down. No,

740
00:41:34,920 --> 00:41:37,320
Speaker 1: I get it. I can't wait here. Quick break everybody,

741
00:41:37,360 --> 00:41:39,839
Speaker 1: and we'll be back with a very excited guess. We'll

742
00:41:39,880 --> 00:42:04,520
Speaker 1: be right back. And where bad? Where bad? All right? Stop,

743
00:42:05,200 --> 00:42:09,160
Speaker 1: I'm ready. You know, Hanaka is coming up, and uh,

744
00:42:09,400 --> 00:42:13,280
Speaker 1: would you get me? I'm gonna get you one present

745
00:42:13,400 --> 00:42:20,160
Speaker 1: for both Hanka and S five. No, I don't know

746
00:42:20,239 --> 00:42:23,480
Speaker 1: how to get a PS five frame my heart, but

747
00:42:25,239 --> 00:42:29,080
Speaker 1: but I'm gonna. I'm gonna get into my my oculus too. Finally,

748
00:42:30,520 --> 00:42:32,920
Speaker 1: ship good Man, and then we can all go to

749
00:42:33,040 --> 00:42:36,600
Speaker 1: the movies. Let's watch Woman, Let's watch one of the

750
00:42:36,600 --> 00:42:39,160
Speaker 1: Woman on Christmas Day together. Well, that's a good idea,

751
00:42:39,360 --> 00:42:41,000
Speaker 1: although I don't know if my girlfriend will be down

752
00:42:41,040 --> 00:42:43,360
Speaker 1: with me going into the corner and my virtual reality

753
00:42:43,480 --> 00:42:46,160
Speaker 1: goggles on christ I two have playoffs with my family

754
00:42:46,200 --> 00:42:48,600
Speaker 1: on Christmas Day, but I appreciate it. S family watch

755
00:42:48,680 --> 00:42:51,799
Speaker 1: movies with us, all right, let the guest in. Let's

756
00:42:51,840 --> 00:42:53,880
Speaker 1: talk to this coming in and say hi, say hi

757
00:42:53,960 --> 00:43:01,600
Speaker 1: to Alex. Give it up for hello God. Yeah, although

758
00:43:01,600 --> 00:43:03,080
Speaker 1: I don't know that. I don't know if Oprah has

759
00:43:03,160 --> 00:43:08,640
Speaker 1: that low baritone, but okay, I think it's called as

760
00:43:08,680 --> 00:43:19,319
Speaker 1: a French accentence. Alex, alright, no, they like unlatched, Okay,

761
00:43:19,440 --> 00:43:21,759
Speaker 1: everything babies. They're not only latch. They're fucking walking out

762
00:43:21,760 --> 00:43:23,560
Speaker 1: of the room. Some of them can walk at. They

763
00:43:23,680 --> 00:43:26,719
Speaker 1: fucking chose this moment to walk at. They threw the

764
00:43:26,800 --> 00:43:29,960
Speaker 1: titty down, down, They threw the titty down and jumped

765
00:43:30,000 --> 00:43:32,200
Speaker 1: down and walked out of the fucking room. Fucking took

766
00:43:32,239 --> 00:43:34,840
Speaker 1: the titty away from me. And the mom's like, and

767
00:43:34,880 --> 00:43:36,840
Speaker 1: the mom's like, honey, he's only a week old, and

768
00:43:37,080 --> 00:43:41,080
Speaker 1: baby's like, get out of here with that titty shit.

769
00:43:41,600 --> 00:43:47,640
Speaker 1: Alex Cardier, that's Alex. Are you French, my friend? I'm French. Yes, welcome.

770
00:43:47,960 --> 00:43:51,200
Speaker 1: I think you're our first French guest. Thunderous applause. Dam

771
00:43:53,640 --> 00:43:57,200
Speaker 1: Are you in French right now as we speak? I

772
00:43:57,320 --> 00:44:00,239
Speaker 1: am not. No, I've moved out of the country, moved

773
00:44:00,280 --> 00:44:03,320
Speaker 1: to a very exciting location that they think you guys like.

774
00:44:03,840 --> 00:44:08,040
Speaker 1: So I live in Amsterdam now. Like Amsterdam because that's

775
00:44:08,080 --> 00:44:10,279
Speaker 1: where they have lots of jazz lettuce and Donald loves

776
00:44:10,360 --> 00:44:12,719
Speaker 1: jazz lettuce. But I got lots of jazz lettics in

777
00:44:12,760 --> 00:44:15,279
Speaker 1: California now too. I know I Amsterdam has lost its

778
00:44:15,280 --> 00:44:17,759
Speaker 1: appeal to people like Donald and he can he can

779
00:44:17,840 --> 00:44:21,239
Speaker 1: get he can get Gonja real close to his house,

780
00:44:21,560 --> 00:44:23,440
Speaker 1: but they don't got the red light district. That that

781
00:44:23,640 --> 00:44:27,719
Speaker 1: in itself is a adventure. Yeah, we walked through the

782
00:44:27,760 --> 00:44:31,680
Speaker 1: red light district Donald not not to shopping. For those

783
00:44:31,680 --> 00:44:33,600
Speaker 1: of you who wonder, we were just taking in the

784
00:44:33,680 --> 00:44:38,520
Speaker 1: tourism it was. How is it? It's a very surreal

785
00:44:38,760 --> 00:44:42,319
Speaker 1: experience on earth to to to take in. I've never

786
00:44:42,400 --> 00:44:45,040
Speaker 1: seen anything quite like it. I think it's something you

787
00:44:45,160 --> 00:44:47,839
Speaker 1: do once. And yeah, I think that was enough. Yeah,

788
00:44:47,880 --> 00:44:49,640
Speaker 1: you don't really want to go back, right, it felt

789
00:44:49,680 --> 00:44:53,360
Speaker 1: sort of horrible. Actually, But unless you, unless you, unless

790
00:44:53,400 --> 00:44:58,040
Speaker 1: you met somebody and you know you frequent the situation. Yeah,

791
00:44:58,080 --> 00:45:00,880
Speaker 1: I don't. I listen, and I'm wrong with getting the

792
00:45:00,880 --> 00:45:03,680
Speaker 1: paycheck and being like I need to put fifteen aside

793
00:45:03,800 --> 00:45:09,040
Speaker 1: for Harriet. You're saying for your for in this scenario,

794
00:45:09,320 --> 00:45:14,440
Speaker 1: Harriet is his favorite call girl that's in a window. Well,

795
00:45:14,440 --> 00:45:16,560
Speaker 1: I don't know if he calls. I think he just

796
00:45:16,719 --> 00:45:21,480
Speaker 1: knocks on the window. Well, Barry Day, back in the day,

797
00:45:21,560 --> 00:45:24,520
Speaker 1: calling meant showing up as well as using the phone.

798
00:45:24,800 --> 00:45:27,560
Speaker 1: I'm gonna go call on Harriet, which would mean you're

799
00:45:27,560 --> 00:45:31,200
Speaker 1: gonna go visit Harriet. All right, mister Cordier, welcome to

800
00:45:31,239 --> 00:45:34,480
Speaker 1: the program, all the way from Amsterdam. Do you have

801
00:45:34,560 --> 00:45:36,520
Speaker 1: a question for any of us, and that could include

802
00:45:36,520 --> 00:45:39,320
Speaker 1: the legendary Daniel and Joel, not just a phase on it.

803
00:45:39,440 --> 00:45:44,520
Speaker 1: I yes, I do have a question. So based on

804
00:45:45,040 --> 00:45:48,720
Speaker 1: the show I've started watching Ted Lesso, which I thought

805
00:45:48,920 --> 00:45:52,360
Speaker 1: was amazing. I really enjoyed the show. And in the

806
00:45:52,440 --> 00:45:55,040
Speaker 1: middle of the show, and there's maybe here my spoil

807
00:45:55,160 --> 00:45:59,400
Speaker 1: ardert there is at some point a breakup scene and

808
00:45:59,719 --> 00:46:02,440
Speaker 1: what chings this breakup scene? I thought it was so

809
00:46:02,640 --> 00:46:06,759
Speaker 1: well done, like the feelings I was feeling everything. It

810
00:46:06,920 --> 00:46:10,000
Speaker 1: made me wonder, what do you guys think is the

811
00:46:10,120 --> 00:46:15,200
Speaker 1: best breakup scene? Slash also love story in TV and

812
00:46:15,360 --> 00:46:20,520
Speaker 1: movie history? Oh, great question, I have two. Well, so

813
00:46:20,640 --> 00:46:24,120
Speaker 1: I have a great everybody knows I love La La Land.

814
00:46:24,360 --> 00:46:27,319
Speaker 1: All right, that is that's a great love story. Has

815
00:46:27,360 --> 00:46:30,520
Speaker 1: a pretty decent breakup scene, because that's sometimes how breakups happen,

816
00:46:31,120 --> 00:46:33,680
Speaker 1: where it's just like you don't see it coming and

817
00:46:33,760 --> 00:46:36,000
Speaker 1: then all of a sudden you're no longer together. But

818
00:46:37,239 --> 00:46:41,040
Speaker 1: it is not my all time favorite. Alex that us

819
00:46:41,719 --> 00:46:47,160
Speaker 1: mister Cordier, Yeah, go ahead. When Harry met Sally. It's

820
00:46:47,520 --> 00:46:51,040
Speaker 1: my opinion of a flawless love story. I could watch

821
00:46:51,120 --> 00:46:54,520
Speaker 1: that movie now. I could watch it. I watched it

822
00:46:54,800 --> 00:46:58,000
Speaker 1: so many times as a kid when I was growing up,

823
00:46:58,600 --> 00:47:01,839
Speaker 1: but now I watch it and it still holds up.

824
00:47:01,880 --> 00:47:04,719
Speaker 1: When Harry met Sally still to this day, one of

825
00:47:04,800 --> 00:47:06,560
Speaker 1: my favorite love stories of all time. But he said

826
00:47:06,560 --> 00:47:09,680
Speaker 1: breakup scene specifically, didn't you, Alex Quay have a great

827
00:47:09,760 --> 00:47:12,800
Speaker 1: They have a great breakup scene where Billy Crystal is

828
00:47:12,880 --> 00:47:18,520
Speaker 1: eating salad. Okay, I My first thing that comes to

829
00:47:18,560 --> 00:47:20,600
Speaker 1: my mind is Anny Hall, because it's a it's a

830
00:47:20,719 --> 00:47:22,920
Speaker 1: favorite movie of mine, and it's a movie I was

831
00:47:23,040 --> 00:47:25,400
Speaker 1: raised on, and I thought it was such an honest

832
00:47:26,040 --> 00:47:33,239
Speaker 1: take on how how sometimes a breakup can happen and

833
00:47:33,560 --> 00:47:35,920
Speaker 1: you not either one of you really wants it to happen,

834
00:47:36,080 --> 00:47:40,480
Speaker 1: but you kind of reached the end of your of

835
00:47:40,600 --> 00:47:43,360
Speaker 1: the road. There's kind of nowhere else to go for

836
00:47:43,600 --> 00:47:47,600
Speaker 1: for whatever horrible reasons. You could still even be in love,

837
00:47:47,920 --> 00:47:50,680
Speaker 1: but there's just too many obstacles and and and and

838
00:47:50,920 --> 00:47:55,200
Speaker 1: too many roadblocks and and at the end of any Hall,

839
00:47:55,960 --> 00:48:00,239
Speaker 1: there's this moment where he meets up with her again

840
00:48:00,360 --> 00:48:05,320
Speaker 1: to have coffee, and it's so sad you know that

841
00:48:05,360 --> 00:48:07,320
Speaker 1: they're not going to get back together. Sorry spoilers, but

842
00:48:07,320 --> 00:48:09,040
Speaker 1: if you haven't seen any hall by now, you should

843
00:48:09,040 --> 00:48:14,080
Speaker 1: still go see it. But but it's it's heartbreaking because

844
00:48:14,400 --> 00:48:17,560
Speaker 1: we've all been there where you you know, you're sitting

845
00:48:17,640 --> 00:48:20,759
Speaker 1: with an ex partner and there's all those feelings could

846
00:48:20,800 --> 00:48:22,919
Speaker 1: be still there, but you know it's probably not gonna

847
00:48:22,920 --> 00:48:24,799
Speaker 1: you're not gonna get back together, and you both walk

848
00:48:24,880 --> 00:48:28,120
Speaker 1: off and smile. And I just thought that's really a

849
00:48:28,160 --> 00:48:34,000
Speaker 1: beautiful articulation of of a breakup that where it's not like, oh,

850
00:48:34,080 --> 00:48:36,280
Speaker 1: someone wronged me and it's over and fuck that person,

851
00:48:36,680 --> 00:48:40,320
Speaker 1: where there's still all those feelings. It's just circumstance. The

852
00:48:40,400 --> 00:48:41,920
Speaker 1: right we weren't in the right place at the right time,

853
00:48:41,960 --> 00:48:45,359
Speaker 1: and so circumstance breaks you up. Circum well, circum that's

854
00:48:45,400 --> 00:48:47,920
Speaker 1: a different story. But usually when you break up with somebody,

855
00:48:47,960 --> 00:48:50,600
Speaker 1: all of those feelings that you had that you're talking

856
00:48:50,640 --> 00:48:53,120
Speaker 1: about that the good feelings, there's just as many of

857
00:48:53,200 --> 00:48:55,279
Speaker 1: those feelings the bad feelings, and the minute one of

858
00:48:55,320 --> 00:48:58,279
Speaker 1: those things happened, you remember right away, and that's why

859
00:48:58,480 --> 00:49:00,279
Speaker 1: we broke up right then and there, I know, But

860
00:49:00,360 --> 00:49:02,120
Speaker 1: how do you ever had a break up Donald, I mean,

861
00:49:02,200 --> 00:49:04,560
Speaker 1: of course, every I'm sure most people listening have had

862
00:49:04,600 --> 00:49:06,719
Speaker 1: the bad breakup kind. We're like, fuck that person, they

863
00:49:06,800 --> 00:49:08,640
Speaker 1: did something wrong and there's just too much and you

864
00:49:08,800 --> 00:49:10,600
Speaker 1: argue too much. You remember, I'm talking about the kind

865
00:49:10,680 --> 00:49:14,160
Speaker 1: where it's like, you know what, this isn't gonna work out,

866
00:49:14,480 --> 00:49:19,440
Speaker 1: probably because of logistics and circumstances or whatever. But I'm

867
00:49:19,480 --> 00:49:24,040
Speaker 1: not friends with any of my ex girlfriends. Okay, I

868
00:49:24,120 --> 00:49:26,680
Speaker 1: can't be friends either. Yeah, so what's You're done? You're

869
00:49:26,719 --> 00:49:29,120
Speaker 1: done so far, so far in my life, it has

870
00:49:29,200 --> 00:49:33,920
Speaker 1: not happened. Yeah. So, Alex, are you saying that because

871
00:49:35,080 --> 00:49:38,640
Speaker 1: they feelings are still too it would be too impossible

872
00:49:38,719 --> 00:49:42,000
Speaker 1: to just be a friend with them. Yeah, you don't

873
00:49:42,000 --> 00:49:44,960
Speaker 1: hang out with your exes? Yeah? Yeah, exactly. I mean

874
00:49:45,120 --> 00:49:48,320
Speaker 1: I'm not trying to hang out with them. Go ahead, Alex, Sorry, right, No,

875
00:49:48,440 --> 00:49:50,480
Speaker 1: I mean staying friends for me? Does? It doesn't make sense?

876
00:49:50,520 --> 00:49:53,120
Speaker 1: You know, Like I have enough friends in my life

877
00:49:53,160 --> 00:49:56,000
Speaker 1: that I don't want to stay friends with my ex partner.

878
00:49:57,320 --> 00:50:00,040
Speaker 1: I don't see the point training Yeah, I agree. I

879
00:50:00,040 --> 00:50:02,240
Speaker 1: don't mean to imply that I'm buddy buddy well my excess.

880
00:50:02,320 --> 00:50:05,680
Speaker 1: I just mean that he asked for a breakup in

881
00:50:05,760 --> 00:50:07,680
Speaker 1: a film that was most impact That was the most

882
00:50:07,719 --> 00:50:09,440
Speaker 1: impactful to me, And I guess it was that one

883
00:50:09,520 --> 00:50:11,959
Speaker 1: because I in a in a way in a sense

884
00:50:12,080 --> 00:50:14,520
Speaker 1: like since Donald always references La la land, you kind

885
00:50:14,560 --> 00:50:16,279
Speaker 1: of help can't help but think like oh, but like,

886
00:50:16,400 --> 00:50:18,480
Speaker 1: oh man, if the stars are aligned, they're so perfect

887
00:50:18,520 --> 00:50:21,800
Speaker 1: for each other, and I really am rooting for them together.

888
00:50:21,920 --> 00:50:24,920
Speaker 1: But this is sort of satisfying and unique as a

889
00:50:25,000 --> 00:50:28,279
Speaker 1: cinema experience that they're not going to be together, because

890
00:50:28,320 --> 00:50:30,480
Speaker 1: that feels real and that feels life as opposed to

891
00:50:30,640 --> 00:50:33,719
Speaker 1: us as a happy ending. And I felt that with

892
00:50:33,760 --> 00:50:38,560
Speaker 1: Annie Hall, how about you, Joel h Yeah, Blue Valentine

893
00:50:38,760 --> 00:50:45,120
Speaker 1: is the most impactful. Oh my god, another right completely

894
00:50:45,200 --> 00:50:47,640
Speaker 1: blank with no idea what was going to happen. And

895
00:50:47,680 --> 00:50:50,480
Speaker 1: then at the end, I was a mess of a

896
00:50:50,600 --> 00:50:55,400
Speaker 1: human being, you know, because it's, oh my gosh, like

897
00:50:55,480 --> 00:50:59,279
Speaker 1: the way that movie deconstructs a relationship and shows not

898
00:50:59,480 --> 00:51:04,480
Speaker 1: just the the emotional struggle, but like a kid was involved,

899
00:51:04,560 --> 00:51:05,879
Speaker 1: and like, how do you walk away from a child

900
00:51:05,880 --> 00:51:07,920
Speaker 1: who's only known you as a parent when you can

901
00:51:07,960 --> 00:51:10,239
Speaker 1: no longer be with the mom and you're not that

902
00:51:10,400 --> 00:51:13,920
Speaker 1: child's biological parent. Like he was hard, he was all

903
00:51:14,000 --> 00:51:16,360
Speaker 1: in until he found out he wasn't the parent. He

904
00:51:16,520 --> 00:51:18,400
Speaker 1: was still willing to fight until he found out he

905
00:51:18,520 --> 00:51:20,200
Speaker 1: wasn't the parent, and then he was like, you know what,

906
00:51:21,040 --> 00:51:23,040
Speaker 1: that's it. I have nothing to hold on too. I

907
00:51:23,080 --> 00:51:25,520
Speaker 1: mean that whole hotel scene, like right at the end

908
00:51:25,719 --> 00:51:28,480
Speaker 1: where they're not sure if they're trying to fight or

909
00:51:28,680 --> 00:51:31,680
Speaker 1: like have sex or make love. Like it's so much

910
00:51:31,960 --> 00:51:35,319
Speaker 1: chaos in like them trying to stay together that you're

911
00:51:35,360 --> 00:51:37,800
Speaker 1: almost relieved when they break up and it you're so heartbroken.

912
00:51:38,040 --> 00:51:39,640
Speaker 1: That movie's a lot. I watched it one time. I'll

913
00:51:39,680 --> 00:51:42,200
Speaker 1: never watch it again. I was my heart can't take

914
00:51:42,280 --> 00:51:44,920
Speaker 1: things like this, but it was good to me. Powerful.

915
00:51:45,200 --> 00:51:48,000
Speaker 1: Another one for those of those for me was Manchester

916
00:51:48,120 --> 00:51:52,239
Speaker 1: by the Sea. You see the Oh boy nap after

917
00:51:52,320 --> 00:51:54,759
Speaker 1: that film. Yeah, it's a very very very hard movie

918
00:51:54,800 --> 00:51:57,920
Speaker 1: to watch without without spoilers, I'll just tiptoe around and

919
00:51:58,040 --> 00:52:00,520
Speaker 1: see the film. It's it's a very powerful story. But

920
00:52:01,080 --> 00:52:04,920
Speaker 1: when two ex lovers years later run into each other

921
00:52:05,560 --> 00:52:09,919
Speaker 1: Casey Affleck and Michelle Williams, they've been apart a long

922
00:52:10,000 --> 00:52:12,319
Speaker 1: time and she has a new baby and they run

923
00:52:12,360 --> 00:52:15,480
Speaker 1: into each other on the street, and I think one

924
00:52:15,520 --> 00:52:27,680
Speaker 1: of the most painful scenes in many years, what about you,

925
00:52:27,920 --> 00:52:31,920
Speaker 1: sir Daniel. I am admittedly having trouble coming up with

926
00:52:32,000 --> 00:52:34,359
Speaker 1: a satisfying answer. But what I will use as an

927
00:52:34,400 --> 00:52:38,200
Speaker 1: example of what I think of as heartbreak is in

928
00:52:38,280 --> 00:52:43,440
Speaker 1: a Simpsons episode Lisa's substitute, when her teacher played by

929
00:52:43,920 --> 00:52:49,120
Speaker 1: Dustin Hoffman so empowers her to be herself, to be someone,

930
00:52:49,440 --> 00:52:52,880
Speaker 1: to just come into her own and when he is

931
00:52:52,960 --> 00:52:55,160
Speaker 1: no longer the substitute teacher and he's getting on the

932
00:52:55,239 --> 00:52:57,560
Speaker 1: train and she's like, wait, where are you going? I

933
00:52:57,840 --> 00:53:01,959
Speaker 1: need you, and he gives her the note that says

934
00:53:02,239 --> 00:53:05,120
Speaker 1: anytime you need me, just look at this note. It

935
00:53:05,239 --> 00:53:08,799
Speaker 1: says you are Lisa Simpson. And that is just such

936
00:53:08,800 --> 00:53:13,680
Speaker 1: a beautiful It was a beautiful departure, a beautiful relationship

937
00:53:14,160 --> 00:53:16,600
Speaker 1: moving apart at that moment. And it's not it's of

938
00:53:16,680 --> 00:53:19,359
Speaker 1: course not a romantic relationship, and it's a very it's

939
00:53:19,440 --> 00:53:22,239
Speaker 1: different than a usual breakup. But that was such a

940
00:53:22,440 --> 00:53:26,000
Speaker 1: heart breaking moment for me. And what is you know,

941
00:53:27,160 --> 00:53:30,080
Speaker 1: a comedic show traditionally, and that's my favorite. Well, that

942
00:53:30,200 --> 00:53:31,839
Speaker 1: was great. You gave me, You gave me full body

943
00:53:31,920 --> 00:53:33,719
Speaker 1: goose bumps when you said that, so it must have

944
00:53:33,760 --> 00:53:38,320
Speaker 1: been good live it was pretty great, man. I love movies.

945
00:53:38,560 --> 00:53:44,040
Speaker 1: All right, sir, mister Coldier, Monsieur Cordier, it's time for

946
00:53:44,600 --> 00:53:50,680
Speaker 1: the everyone, every French person in Amsterdam's favorite segment. It's

947
00:53:50,760 --> 00:53:56,800
Speaker 1: time too fix your life? All right? How can we

948
00:53:56,880 --> 00:54:00,640
Speaker 1: help you, sir? We're here to help free therapy also. Well.

949
00:54:00,719 --> 00:54:02,239
Speaker 1: First of all, I want to to say that I've

950
00:54:02,239 --> 00:54:04,520
Speaker 1: been listening to you guys in the beginning of the podcast,

951
00:54:04,840 --> 00:54:11,600
Speaker 1: really really loving the show us you Mary and you know.

952
00:54:11,760 --> 00:54:14,520
Speaker 1: So it's it's helping, you know, through the day. But

953
00:54:15,400 --> 00:54:17,400
Speaker 1: I feel like at the time I'm really going in

954
00:54:17,520 --> 00:54:21,480
Speaker 1: circles in my apartment. I'm running out of things to do.

955
00:54:21,840 --> 00:54:25,080
Speaker 1: I tried new things. I tried learning Dutch, for example,

956
00:54:25,600 --> 00:54:28,200
Speaker 1: which is good for I mean, I've been living in

957
00:54:28,239 --> 00:54:30,399
Speaker 1: the country for seven years and I didn't really speak

958
00:54:30,440 --> 00:54:33,920
Speaker 1: any touch. So I'm getting there. But it's more, you know, now,

959
00:54:34,480 --> 00:54:38,239
Speaker 1: getting active and fighting the routine. Do you guys have

960
00:54:38,320 --> 00:54:41,239
Speaker 1: any advice? I got great advice for you. Right before

961
00:54:41,239 --> 00:54:43,239
Speaker 1: you answer, Are you allowed to go out in amsterday?

962
00:54:43,880 --> 00:54:45,520
Speaker 1: We are allowed to go out here. I mean everything

963
00:54:45,640 --> 00:54:47,800
Speaker 1: is closed bos and restaurants are closed, so there's not

964
00:54:48,080 --> 00:54:50,080
Speaker 1: much to do. But we are allowed. You're allowed to

965
00:54:50,120 --> 00:54:54,239
Speaker 1: walk around, and it's not like Paris where you need

966
00:54:54,280 --> 00:54:57,840
Speaker 1: to note no. No, Alright, go ahead, I've got great

967
00:54:57,880 --> 00:55:01,279
Speaker 1: news for you. He doesn't want to not We're not.

968
00:55:01,480 --> 00:55:04,880
Speaker 1: We're not just coming on Tuesdays anymore. We're coming on Thursdays. Now,

969
00:55:05,440 --> 00:55:08,279
Speaker 1: that's great. Ye are here to help you. That we

970
00:55:08,360 --> 00:55:10,960
Speaker 1: are here to help you in that way we're gonna be.

971
00:55:11,080 --> 00:55:13,279
Speaker 1: People got really mad when we went down to one.

972
00:55:13,800 --> 00:55:17,320
Speaker 1: We had we let people down. I didn't have anything

973
00:55:17,400 --> 00:55:19,480
Speaker 1: to catch up on anymore. Like I was following the

974
00:55:19,640 --> 00:55:22,359
Speaker 1: one a week easily to a week. I always had

975
00:55:22,400 --> 00:55:24,960
Speaker 1: some backup, but I was missing that. Yeah, well we're

976
00:55:25,000 --> 00:55:26,840
Speaker 1: coming back at you with the next room one to

977
00:55:27,600 --> 00:55:30,560
Speaker 1: distract you for at least an hour and a half

978
00:55:31,160 --> 00:55:35,600
Speaker 1: at the most an hour or two hours. Uh so

979
00:55:36,239 --> 00:55:39,600
Speaker 1: there's that second dude, you gotta get out and you

980
00:55:39,719 --> 00:55:43,200
Speaker 1: gotta freaking uh switch up the routine. I know the

981
00:55:43,280 --> 00:55:45,239
Speaker 1: routine might be just getting out and do something. It

982
00:55:45,480 --> 00:55:47,480
Speaker 1: really can be as simple as going a different way

983
00:55:47,560 --> 00:55:53,279
Speaker 1: on your walk, you know, taking a different route. Yeah,

984
00:55:53,320 --> 00:55:54,520
Speaker 1: you run out of a lot of things that you

985
00:55:54,640 --> 00:55:56,320
Speaker 1: run out of things to do. But what's great is

986
00:55:56,400 --> 00:55:58,279
Speaker 1: that sometimes some of the things that you did in

987
00:55:58,360 --> 00:56:01,680
Speaker 1: the beginning that you aren't doing anymore, we like to

988
00:56:01,760 --> 00:56:04,440
Speaker 1: revisit those. Like we were playing a lot of basketball

989
00:56:04,520 --> 00:56:06,640
Speaker 1: in the beginning, and then we stopped, and now we're

990
00:56:06,680 --> 00:56:09,160
Speaker 1: starting to play basketball again in our house. And so

991
00:56:09,880 --> 00:56:15,680
Speaker 1: there's you know, there's yeah, as mundane as it sounds,

992
00:56:15,840 --> 00:56:19,720
Speaker 1: as the route, as as as routine as everything sounds,

993
00:56:19,800 --> 00:56:22,640
Speaker 1: you have to figure out a way to chop it

994
00:56:22,719 --> 00:56:25,759
Speaker 1: up and switch it up. And what about learning an

995
00:56:25,800 --> 00:56:31,360
Speaker 1: instrument that's great for me, that's great. I don't know, Alex.

996
00:56:31,400 --> 00:56:34,040
Speaker 1: I don't talking to Alex, not you, Alex. I'm just

997
00:56:34,080 --> 00:56:35,920
Speaker 1: trying to I'm just trying to pitch ideas. Because you

998
00:56:36,040 --> 00:56:39,560
Speaker 1: have the fortitude and the and the conviction to start

999
00:56:39,680 --> 00:56:42,320
Speaker 1: learning a language, which means you're at least able to

1000
00:56:42,760 --> 00:56:45,120
Speaker 1: commit to a new thing and and and learn it.

1001
00:56:46,520 --> 00:56:47,880
Speaker 1: I don't know about you, but I always wish I

1002
00:56:47,920 --> 00:56:51,400
Speaker 1: could put the piano, and I started and and then

1003
00:56:51,480 --> 00:56:53,920
Speaker 1: I got a job and got distracted and stopped learning

1004
00:56:53,960 --> 00:56:56,200
Speaker 1: how to put the piano. So I've been thinking lately

1005
00:56:57,400 --> 00:56:59,920
Speaker 1: that I'm you know, we're going to be in the

1006
00:57:01,440 --> 00:57:03,040
Speaker 1: a lot longer. It might be good to take on

1007
00:57:03,320 --> 00:57:06,160
Speaker 1: something brand new, Like it's like a new chapter of Quarantine.

1008
00:57:06,719 --> 00:57:08,920
Speaker 1: In this chapter, I'm going to start piano lessons back

1009
00:57:09,000 --> 00:57:11,439
Speaker 1: up again, which I'm sure you can do over zoom

1010
00:57:11,800 --> 00:57:13,239
Speaker 1: or something like that. I mean, that's just an idea,

1011
00:57:13,280 --> 00:57:15,200
Speaker 1: because who the heck doesn't want to play an instrument?

1012
00:57:15,760 --> 00:57:17,400
Speaker 1: Oh no, good da. I mean, one of the things

1013
00:57:17,440 --> 00:57:21,000
Speaker 1: I missed most about regular life, let's say, is bodying.

1014
00:57:21,200 --> 00:57:23,480
Speaker 1: I'm still He's a great place for for clubbing, and

1015
00:57:23,720 --> 00:57:26,280
Speaker 1: I really like techno music, so I was thinking, you know,

1016
00:57:26,360 --> 00:57:30,400
Speaker 1: why not start trying to dj or that's a great idea.

1017
00:57:31,320 --> 00:57:34,640
Speaker 1: That's a great idea, Daniel, Dan support, Daniel support on

1018
00:57:34,720 --> 00:57:38,320
Speaker 1: that one. Daniel, Do you like techno? I adore techno.

1019
00:57:38,440 --> 00:57:41,439
Speaker 1: I was an electronic house music DJ before I before

1020
00:57:41,480 --> 00:57:44,480
Speaker 1: I started, you know, in the podcasting world, and unfortunately

1021
00:57:44,520 --> 00:57:46,040
Speaker 1: Amsterdam was a place I never got to go to

1022
00:57:46,400 --> 00:57:48,400
Speaker 1: for performance. I have visited. It was one of my

1023
00:57:48,440 --> 00:57:51,560
Speaker 1: favorite places, but DJing was a lot of fun. I

1024
00:57:51,600 --> 00:57:54,160
Speaker 1: would say, start putting together music that you like to

1025
00:57:54,240 --> 00:57:57,439
Speaker 1: listen to and start analyzing it, thinking about your music

1026
00:57:57,520 --> 00:57:59,920
Speaker 1: in a different way, start thinking about it instead of

1027
00:58:00,080 --> 00:58:01,560
Speaker 1: just oh, I like the song, where I like this song,

1028
00:58:01,800 --> 00:58:04,360
Speaker 1: start thinking about like how fast is this song? And

1029
00:58:04,560 --> 00:58:07,360
Speaker 1: what other songs are the same speed, And all of

1030
00:58:07,400 --> 00:58:09,360
Speaker 1: a sudden you'll put together a playlist of ten to

1031
00:58:09,480 --> 00:58:12,680
Speaker 1: fifteen songs that can all seamlessly work together, played one

1032
00:58:12,760 --> 00:58:15,800
Speaker 1: after another, and start to make your djaying, start to

1033
00:58:15,840 --> 00:58:17,640
Speaker 1: make it real before you even pick up a set

1034
00:58:17,680 --> 00:58:19,880
Speaker 1: of decks. Just start putting together songs. You're like, I

1035
00:58:20,040 --> 00:58:21,720
Speaker 1: like these songs, and then you realize that they all

1036
00:58:21,800 --> 00:58:23,760
Speaker 1: work together. And then once you step up to the decks,

1037
00:58:23,840 --> 00:58:25,760
Speaker 1: the whole process is so much easier. And Daniel, if

1038
00:58:25,800 --> 00:58:29,800
Speaker 1: you wanted to get, like, what's a relatively inexpensive deck

1039
00:58:29,920 --> 00:58:31,960
Speaker 1: that he could get if you wanted to like practice

1040
00:58:32,000 --> 00:58:36,560
Speaker 1: at home, I would say that, you know, unfortunately djaying

1041
00:58:37,080 --> 00:58:41,000
Speaker 1: is in general kind of prohibitively expensive. There are very

1042
00:58:41,200 --> 00:58:43,200
Speaker 1: cheap plastic decks so you can get for companies like

1043
00:58:43,280 --> 00:58:46,720
Speaker 1: Newmark Pioneer has the DDJ four hundred and all of

1044
00:58:46,800 --> 00:58:48,920
Speaker 1: their DDJ lineup or things you can plug into your

1045
00:58:48,960 --> 00:58:51,200
Speaker 1: laptop and they work great with Serato or record box.

1046
00:58:51,760 --> 00:58:55,680
Speaker 1: That said, in my personal opinion, I would just spring

1047
00:58:55,800 --> 00:58:58,840
Speaker 1: for the x DJ RX. It is a one thousand

1048
00:58:58,920 --> 00:59:02,440
Speaker 1: dollar djaying device. It is all in one. It is

1049
00:59:02,520 --> 00:59:04,560
Speaker 1: the decks, it's the mixer and you just plug it

1050
00:59:04,640 --> 00:59:06,440
Speaker 1: into a speaker system and it's it's all there. You

1051
00:59:06,480 --> 00:59:09,000
Speaker 1: don't need a laptop, you don't need another device, and

1052
00:59:09,360 --> 00:59:11,520
Speaker 1: the way that you use it, it allows you to practice.

1053
00:59:11,600 --> 00:59:14,720
Speaker 1: If you say, wanted to DJ at an actual club,

1054
00:59:14,840 --> 00:59:16,680
Speaker 1: or if your friend had a set of CDJs and

1055
00:59:16,760 --> 00:59:18,200
Speaker 1: you want to go over there, you bring your USB,

1056
00:59:18,280 --> 00:59:19,720
Speaker 1: you pop it in and it's the same thing that

1057
00:59:19,760 --> 00:59:22,120
Speaker 1: you were doing on your device at home. Well, that's

1058
00:59:22,240 --> 00:59:24,320
Speaker 1: very that's very And aren't there apps as well? Like

1059
00:59:24,400 --> 00:59:26,320
Speaker 1: if he doesn't have the a thousand bucks right now,

1060
00:59:27,120 --> 00:59:29,560
Speaker 1: what's a good app? He could practice on record box

1061
00:59:29,720 --> 00:59:33,520
Speaker 1: and Serato, record box with serato, or to say record

1062
00:59:33,560 --> 00:59:35,840
Speaker 1: box and serato you beat me to it? Yes, I

1063
00:59:35,960 --> 00:59:38,320
Speaker 1: was going to say Serato and then record box, but yes,

1064
00:59:40,240 --> 00:59:43,040
Speaker 1: well there you go, dude. You are going to learn Dutch.

1065
00:59:43,280 --> 00:59:45,880
Speaker 1: You were going to become the most badass techno DJ.

1066
00:59:46,240 --> 00:59:48,120
Speaker 1: And you know what's going to happen, Alex when you're

1067
00:59:48,160 --> 00:59:50,280
Speaker 1: living your best life at the club DJing and you're

1068
00:59:50,280 --> 00:59:53,240
Speaker 1: surrounded by all the fun people in your life. And

1069
00:59:53,440 --> 00:59:56,360
Speaker 1: COVID's over, you're gonna go. Thank fuck. I learned how

1070
00:59:56,400 --> 00:59:59,880
Speaker 1: to become a badass techno DJ during quarantine. Not only that,

1071
01:00:00,040 --> 01:00:02,080
Speaker 1: Not only that, he's not only gonna learn Dutch, and

1072
01:00:02,200 --> 01:00:04,200
Speaker 1: he's not only gonna be a DJ, he's also going

1073
01:00:04,240 --> 01:00:05,760
Speaker 1: to pick up the piano. He's gonna learn how to

1074
01:00:05,760 --> 01:00:10,760
Speaker 1: play the piano well his DJ set. He's gonna drop

1075
01:00:11,080 --> 01:00:15,600
Speaker 1: in with the little piano solo Liberachi style and then

1076
01:00:15,680 --> 01:00:21,120
Speaker 1: bring the beat back right. That's pretty. Then to face

1077
01:00:21,200 --> 01:00:24,360
Speaker 1: the routine, I will buy the golf semenator. There you get,

1078
01:00:25,600 --> 01:00:28,240
Speaker 1: he's got golf simulator money, Then go get that fucking thing.

1079
01:00:28,320 --> 01:00:34,120
Speaker 1: Da go get sick. So you're welcome. You're welcome, sir,

1080
01:00:34,600 --> 01:00:38,520
Speaker 1: Welcome Alex. When you're when you're your life has been fixed.

1081
01:00:38,560 --> 01:00:40,520
Speaker 1: You know why? We just gave you at least two

1082
01:00:40,640 --> 01:00:43,640
Speaker 1: fun new hobbies to take on and and when and

1083
01:00:43,760 --> 01:00:46,600
Speaker 1: when COVID's over, you're gonna go. If it wasn't for COVID,

1084
01:00:46,880 --> 01:00:50,160
Speaker 1: I wouldn't be exing my face off with this beautiful

1085
01:00:50,200 --> 01:00:57,320
Speaker 1: model right now. Wow, love it. You're all right? Listen,

1086
01:00:57,360 --> 01:00:59,120
Speaker 1: I think we did the show. But yeah, we did

1087
01:00:59,200 --> 01:01:00,920
Speaker 1: the show. So Alex you can stay for the end,

1088
01:01:01,440 --> 01:01:03,360
Speaker 1: stay for the outro. Yeah, you get to stay for

1089
01:01:03,400 --> 01:01:05,240
Speaker 1: the Actually, because you're gonna be a DJ, you're gonna

1090
01:01:05,240 --> 01:01:10,560
Speaker 1: need to practice counting into your techno track. Yes, Actually, Daniel,

1091
01:01:10,760 --> 01:01:13,600
Speaker 1: do you have any like public domain techno tracks we

1092
01:01:13,600 --> 01:01:16,840
Speaker 1: could lay down here? I can certainly find one. Okay,

1093
01:01:16,960 --> 01:01:20,120
Speaker 1: Daniel's gonna lay down some techno track right here, all right,

1094
01:01:20,520 --> 01:01:23,640
Speaker 1: and it's gonna what kind of beat permitted, Donald, Daniel,

1095
01:01:23,680 --> 01:01:25,680
Speaker 1: what do you think the be permitt ding ding ding

1096
01:01:25,840 --> 01:01:29,240
Speaker 1: ding ding ding ding ding. That's pretty fast. Let's say like,

1097
01:01:29,320 --> 01:01:32,640
Speaker 1: let's say like one twenty eight eight doesn't have to

1098
01:01:32,800 --> 01:01:35,520
Speaker 1: match the the No, but he can do it. He

1099
01:01:35,560 --> 01:01:37,200
Speaker 1: can do halftime. I can make it. I can make

1100
01:01:37,240 --> 01:01:39,520
Speaker 1: it work. Baby don't want Yeah, all right, so there

1101
01:01:39,600 --> 01:01:42,720
Speaker 1: we go. You done anyway? Whenever I want to make

1102
01:01:42,800 --> 01:01:44,760
Speaker 1: fun of whenever I want to make fun of that,

1103
01:01:44,920 --> 01:01:46,520
Speaker 1: this kind of music, I don't even know the difference

1104
01:01:46,520 --> 01:01:49,440
Speaker 1: between all these types of fucking club house techno. So

1105
01:01:49,520 --> 01:02:01,640
Speaker 1: I just go thing low. I went to Loim. Tell

1106
01:02:01,720 --> 01:02:03,800
Speaker 1: me to loom is beautiful, but don't go in New

1107
01:02:03,840 --> 01:02:06,120
Speaker 1: Year's if you don't want to hear at breakfast and

1108
01:02:06,280 --> 01:02:10,440
Speaker 1: then and then like mother, don't tell me you want me.

1109
01:02:11,000 --> 01:02:17,280
Speaker 1: I don't want to hear yes on Alex. All right,

1110
01:02:17,400 --> 01:02:19,960
Speaker 1: so Daniel's got the track going. Alex, this is your

1111
01:02:20,120 --> 01:02:23,400
Speaker 1: very first set. You're gonna count us into our theme song.

1112
01:02:23,720 --> 01:02:25,720
Speaker 1: Thank you everybody for listening. We love you very much.

1113
01:02:25,760 --> 01:02:28,120
Speaker 1: We'll see you next time. Here me go count us

1114
01:02:28,200 --> 01:02:36,400
Speaker 1: in Alex sories about shore we made about a bunch

1115
01:02:36,480 --> 01:02:45,720
Speaker 1: of docs and nurses, can he sories never so gat

1116
01:02:45,920 --> 01:02:53,840
Speaker 1: around here, yea around here, m