WEBVTT - Listener Mail: Dracula on the Moon

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind listener mail.

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<v Speaker 2>My name is Robert Lamb.

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<v Speaker 1>And I am Joe McCormick, and it's Monday, the day

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<v Speaker 1>of each week that we read back messages from the

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<v Speaker 1>Stuff to Blow Your Mind mail bag. A little note

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<v Speaker 1>at the top of today's episode Tomorrow. This week we

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<v Speaker 1>are going to be running a vault episode because it

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<v Speaker 1>is a holiday here in the United States. But we

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<v Speaker 1>will be back with all new episodes later this week.

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<v Speaker 1>But for today, we are going to feature some new messages. Rober,

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<v Speaker 1>you okay if I kick this thing off with the

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<v Speaker 1>message from Nathan about the Lesser of Two Crab Claws.

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<v Speaker 2>Oh yeah, crab content, Let's do it right.

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<v Speaker 1>At the top, Nathan says, Hey, Robert and Joe, I'm

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<v Speaker 1>a bit behind on Stuff to Blow Your Mind at

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<v Speaker 1>the moment, but just finished the Lesser of Two Crab

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<v Speaker 1>Claws from about a year ago, which dealt with body asymmetry.

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<v Speaker 1>It was great as usual. At the end of the

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<v Speaker 1>last episode in the series, you talked a bit about

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<v Speaker 1>differences between left and right handedness, which sparked an old memory.

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<v Speaker 1>I'm a big hockey fan and remembered a couple of

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<v Speaker 1>older articles mentioning that Canadian hockey players are more likely

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<v Speaker 1>to shoot left compared to the rest of the world.

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<v Speaker 1>About sixty to seventy percent of Canadian hockey players shoot

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<v Speaker 1>left compared to the rest of the world, which is

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<v Speaker 1>about sixty percent righty. The difference also carries over to golf,

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<v Speaker 1>and there are smaller oddities as well, like Quebec born

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<v Speaker 1>players being even more likely to shoot left, but British

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<v Speaker 1>Columbia skewing more to the right. There are a lot

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<v Speaker 1>of theories as to why, but no one's ever really

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<v Speaker 1>figured it out. Here as a couple of articles if

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<v Speaker 1>you're interested. Thanks for all your great work. My wife

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<v Speaker 1>Olivia and I have been big fans for years. All

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<v Speaker 1>the best, Nathan, Oh, thank you, Nathan. Yeah, this is

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<v Speaker 1>kind of interesting. I'd never heard of this before, so

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<v Speaker 1>there are Yeah, I was reading a bit about this.

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<v Speaker 1>It seems like there are various hypotheses, but none of

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<v Speaker 1>them really seems to make sense. One of them is

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<v Speaker 1>I was reading about this in the NPR article that

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<v Speaker 1>Nathan linked. I'll just read from it. They say, quote

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<v Speaker 1>one theory says it's because Canadians play hockey like a

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<v Speaker 1>bunch of three year olds when they're three years old

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<v Speaker 1>in a country devoted to the sport. That's about the

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<v Speaker 1>age Canadians first take up the stick, a much younger

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<v Speaker 1>start than Americans. Tats that young are more likely to

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<v Speaker 1>use their stronger hand to control the shot, which puts

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<v Speaker 1>the right hand at the top of the stick and

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<v Speaker 1>makes right handed kids into lefty shooters. Does that make sense, Like,

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<v Speaker 1>when you're small, you might use the opposite handedness for

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<v Speaker 1>shooting than you would if you're learning to shoot when

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<v Speaker 1>you're a bit larger compared to the stick itself.

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<v Speaker 2>Yeah, yeah, yeah, I mean sports are different when your

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<v Speaker 2>body's smaller.

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<v Speaker 1>Yeah, But I think there are reasons people question that explanation,

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<v Speaker 1>So ultimately, I think I think it is not known.

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<v Speaker 1>I was thinking there was going to be some cheeky

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<v Speaker 1>explanation like, I don't know, you know, Canadian players while

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<v Speaker 1>they're learning that they've got a hold of beer in

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<v Speaker 1>the right hand, so they're using the left. But I

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<v Speaker 1>don't know.

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<v Speaker 2>No, But that's interesting. Yeah. Yeah, there's a lot of

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<v Speaker 2>great stuff about left hand right handedness in humans out there.

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<v Speaker 2>I know we've covered in the show long ago, but

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<v Speaker 2>it would be interesting to dive back into some of

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<v Speaker 2>the There's a lot of theories regarding like hand to hand

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<v Speaker 2>combat and so forth, and you see that reflected and

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<v Speaker 2>various combat sports as well, like the idea that you know,

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<v Speaker 2>if you're a boxer and you're you're a righty, you're

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<v Speaker 2>mostly training to fight righty's right, and then here comes

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<v Speaker 2>a lefty. Meanwhile, you're a lefty. You're mostly training to

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<v Speaker 2>fight rightys, but you've got the advantage of being the lefty, etc.

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<v Speaker 2>That right, It gets a little more complicated than that, though.

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<v Speaker 1>That raises a question that I recall coming up for

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<v Speaker 1>about evolutionary theories having to do with throwing punches, and

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<v Speaker 1>that question was is throwing punches really very common in nature?

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<v Speaker 1>Is that like a natural fighting form that humans use

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<v Speaker 1>outside of the context of like an organized sport. I'm

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<v Speaker 1>not sure it is.

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<v Speaker 2>M We've discussed some of that in some of the

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<v Speaker 2>dealing with some of these hypotheses regarding the closed fist

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<v Speaker 2>and the evolution of the human hand.

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<v Speaker 1>I think this came up in the Crabclaw episode because

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<v Speaker 1>we were talking about that other hypothesis where the guy

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<v Speaker 1>suggested that maybe handedness evolved because of the positioning of

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<v Speaker 1>holding infants while trying to do something with one's free hand,

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<v Speaker 1>and that it was advantageous to hold the infant on

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<v Speaker 1>the left side of the chest, so the right handedness

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<v Speaker 1>would evolt. But I don't know. I haven't heard a

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<v Speaker 1>single theory that has been super convincing to me.

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<v Speaker 2>I'll say, all right, This next one comes to us

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<v Speaker 2>from Jeremy. Jeremy says, Hello, Robert and Joe. I know

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<v Speaker 2>you are fellow nerds and lovers of sci fi, but

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<v Speaker 2>I can't remember which of you is the bigger N. M.

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<v Speaker 2>Banks fan. You also regularly reference compendiums and encyclopedias of

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<v Speaker 2>sci fi lore, etc.

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<v Speaker 1>Rob is the big en M. Banks fan. I'm not opposed.

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<v Speaker 1>I just haven't gotten into him.

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<v Speaker 2>Banks' work is. It's harder to figure out a starting point,

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<v Speaker 2>necessarily because you have the culture books, which are you know,

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<v Speaker 2>this wonderful though at times humorous and absurd, but also

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<v Speaker 2>very hard sci fi at times. And the books don't

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<v Speaker 2>necessarily don't really need to be read in any order,

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<v Speaker 2>but they are all in a shared universe and occurring

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<v Speaker 2>at different times. Some books are better entries than others

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<v Speaker 2>some are better entries for certain readers than others. And

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<v Speaker 2>then he has a whole bunch of other fiction that

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<v Speaker 2>is either sci fi that is not connected to the culture.

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<v Speaker 2>And then he has a bunch of books that are

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<v Speaker 2>set in the real world, and at least one early

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<v Speaker 2>horror novel as well, The Loss Factory.

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<v Speaker 1>I think that is the one that proudly cites a

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<v Speaker 1>pull quote that says something like trash absolutely depraved. Yeah.

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<v Speaker 2>I mean it's a different beast than his later books,

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<v Speaker 2>for sure, But I remember enjoying that when at one point,

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<v Speaker 2>But I don't know if I would reread that. There

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<v Speaker 2>are still other Banks books I haven't read that I

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<v Speaker 2>need to get to anyway, Jeremy continues. He says, with

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<v Speaker 2>that in mind, are you aware that there will soon

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<v Speaker 2>be an inn M. Bank's book which celebrates his world building.

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<v Speaker 2>I am undecided as to whether to purchase this book,

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<v Speaker 2>as if you, or anything like me, you will have

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<v Speaker 2>formed your own ideas and concepts as to the appearance

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<v Speaker 2>of the habitats, aliens, spacecrafts, and planets that you don't

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<v Speaker 2>want disrupted your thoughts. Best regards, Jeremy, Well, thanks, Jeremy.

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<v Speaker 2>I looked this up. I had no idea that this

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<v Speaker 2>book was coming out, and I had not really looked

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<v Speaker 2>into the matter and read anywhere that Banks had illustrations

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<v Speaker 2>in his notes concerning the Culture setting. For those of

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<v Speaker 2>you not aware, Banks passed away several years ago, so

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<v Speaker 2>he's no longer with this, and there are no new

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<v Speaker 2>proper Banks novels, no more Culture novels. The last Culture

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<v Speaker 2>novel published before his death, So I didn't know this

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<v Speaker 2>was coming out. I'll say, for my own part, while

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<v Speaker 2>there are some books out there, fiction books that I

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<v Speaker 2>have a very clear vision of things in my head

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<v Speaker 2>off and I may even resist artistic interpretations of those things,

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<v Speaker 2>I would say that the way I imagine things in

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<v Speaker 2>the culture book books tends to be a little less defined.

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<v Speaker 2>It's hard to really put a finger on why, but

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<v Speaker 2>I guess for that reason, I'm all for it. Like

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<v Speaker 2>a bunch of cool illustrations or just insightful illustrations isn't

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<v Speaker 2>going to break anything for me, and it might make

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<v Speaker 2>me realize, oh, well, that's what he was getting at

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<v Speaker 2>with that, because there are a lot of There are

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<v Speaker 2>a lot of strange things in the Culture, things that

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<v Speaker 2>the Culture series, that things that are existing like on

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<v Speaker 2>a scale that you know, modern humans wouldn't be able

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<v Speaker 2>to fully comprehend that sort of thing. Advanced technology and

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<v Speaker 2>so forth.

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<v Speaker 1>I have nothing to add to that other than I

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<v Speaker 1>do love and illustrate did Encyclopedia always a lot of fun.

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<v Speaker 2>Yeah, I'd say for the most part these days, the

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<v Speaker 2>images and things don't really mess me up. I don't know.

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<v Speaker 2>There was a time when I was very touchy about

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<v Speaker 2>like Lord of the Rings stuff and which visual interpretations

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<v Speaker 2>I cared for the trums I didn't. But the strange

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<v Speaker 2>thing is with Dune, I've never really been that way.

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<v Speaker 2>I kind of like pick and choose. You know. It's

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<v Speaker 2>like when I reread Dune after the recent movie adaptation.

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<v Speaker 2>There were things that, you know, from that film that

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<v Speaker 2>found their way into the mental imagery of reading the book,

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<v Speaker 2>but other things that I just kind of like carried

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<v Speaker 2>over from previous readings, the ways that I'd pictured characters

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<v Speaker 2>in the past, or lined up with other adaptations and

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<v Speaker 2>so forth. So anyway, Jeremy, thanks for putting that on

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<v Speaker 2>our radar.

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<v Speaker 1>All right, This next message is from Spencer. Spencer says, Hi,

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<v Speaker 1>Robert and Joe, I was listening to your five point

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<v Speaker 1>twenty two edition of Listener Mail, and you put the

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<v Speaker 1>call out for anyone with not of a time traveling Dracula.

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<v Speaker 1>I don't even remember that. Okay, wait, were we talking

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<v Speaker 1>about Santo in the Treasure of Dracula? Was that it?

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<v Speaker 2>Yeah, Santa and the Treasure of Dracula came up because

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<v Speaker 2>somebody called us out for non including that in a

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<v Speaker 2>like an offhand list of time travel movies we've covered

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<v Speaker 2>on Weirdouse Cinema, and we were like, oh, yeah, our

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<v Speaker 2>bad Dracula, that is a time travel movie. And then

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<v Speaker 2>one of us uh asked the question, why don't we

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<v Speaker 2>see more time travel Dracula movies? And then I said, well,

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<v Speaker 2>I know Marvel Comics has their own Dracula. Marvel's Dracula.

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<v Speaker 2>I don't know for sure, but I bet he's time travel,

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<v Speaker 2>just because you have so many crazy things going on

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<v Speaker 2>in the Marvel universe.

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<v Speaker 1>All right, all right, Spencer says, I've been on a

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<v Speaker 1>multi year quest to read all the Marvel comics in

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<v Speaker 1>the order they were published, and I recently read Marvel's

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<v Speaker 1>Tomb of Dracula number five from nineteen seventy two, in

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<v Speaker 1>which Dracula has been revived in the then present day.

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<v Speaker 1>In issue number five, Dracula passes through the Demon Mirror

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<v Speaker 1>in nineteen seventy two and is transported to a nether

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<v Speaker 1>world filled with demons, only to re emerge back in

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<v Speaker 1>Transylvania a century or more earlier amid horse drawn carriages

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<v Speaker 1>and top hats. By the end of the issue, Dracula

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<v Speaker 1>and his pursuers passed back through the mirror and return

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<v Speaker 1>to the present day. Anyway, thank you for this delightful

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<v Speaker 1>opportunity to make use of this very obscure reference, and

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<v Speaker 1>thank you for churning fascinating content week after week. Best Spencer, Well,

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<v Speaker 1>that's awesome.

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<v Speaker 2>I knew that Marvel's Dracula would probably not fail us

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<v Speaker 2>on this count. I knew he had to have gotten

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<v Speaker 2>near some sort of a magical or sci fi time machine.

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<v Speaker 1>Do all comic book protagonists eventually time travel?

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<v Speaker 2>I think if they're around long enough, they've got If

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<v Speaker 2>they're around long enough, they're popular enough, they've got to

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<v Speaker 2>keep doing things, and the time machine is just there

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<v Speaker 2>waiting for them, you know, And you can never go

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<v Speaker 2>too far, say in like marvel comics, like everything crazy

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<v Speaker 2>has been done before, and if you do something too crazy.

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<v Speaker 2>It's like, no big deal, You've just you know, you

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<v Speaker 2>can kind of start again, either like officially in a

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<v Speaker 2>parallel universe or you know, through just by saying, hey,

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<v Speaker 2>here's a new starting point.

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<v Speaker 1>Didn't we already reach the point where they were like, okay, here,

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<v Speaker 1>I'm gonna blow your mind with my new idea for

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<v Speaker 1>for for the Green Lantern or whatever. He has no powers?

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<v Speaker 1>What if he has no superpowers?

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<v Speaker 2>Yeah?

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<v Speaker 1>Yeah?

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<v Speaker 2>What if he has superpowers all the time? What if

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<v Speaker 2>he's It's like any any variation has been explored. I

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<v Speaker 2>think at some point or another, there's very little we

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<v Speaker 2>could speculate on, even concerning Dracula that probably hasn't been done.

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<v Speaker 2>And I'll get to an example of that in a minute.

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<v Speaker 2>There's something I didn't even think that I wanted to see,

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<v Speaker 2>but it's been done.

0:11:47.600 --> 0:11:47.840
<v Speaker 1>Yeah.

0:11:47.880 --> 0:11:50.640
<v Speaker 2>So this is a great response, Spencer. Thank you for

0:11:50.679 --> 0:11:53.040
<v Speaker 2>taking it up on you to to read all these

0:11:53.080 --> 0:11:56.280
<v Speaker 2>comic books. I'm sure there are some spectacular highs and

0:11:56.360 --> 0:12:01.880
<v Speaker 2>some some really dismal lows in that. But yeah, I've

0:12:01.920 --> 0:12:05.280
<v Speaker 2>actually been poking around a little bit offhand for trying

0:12:05.280 --> 0:12:08.640
<v Speaker 2>to find an affordable omnibus of the Tomb of Dracula comics,

0:12:08.679 --> 0:12:11.640
<v Speaker 2>because you know, I'm just kind of interested in that

0:12:11.760 --> 0:12:16.320
<v Speaker 2>whole scene, like Dracula as a Marvel villain, and then

0:12:16.520 --> 0:12:19.199
<v Speaker 2>some of the various characters that kind of emerge from

0:12:19.240 --> 0:12:21.720
<v Speaker 2>those comics. Like I think that's where, if I'm not mistaken,

0:12:21.760 --> 0:12:26.040
<v Speaker 2>Blade emerges from that Moonnight emerges this from from that world,

0:12:26.640 --> 0:12:29.640
<v Speaker 2>and so yeah, I'm kind of interested in what all

0:12:29.679 --> 0:12:33.120
<v Speaker 2>he's been up to now Marvel's Dracula is still around.

0:12:34.040 --> 0:12:38.080
<v Speaker 1>I'm sorry you included a cover of the Marvel Tomb

0:12:38.160 --> 0:12:41.720
<v Speaker 1>of Dracula. And is this Blade saying I Am going

0:12:41.760 --> 0:12:45.080
<v Speaker 1>to stab you with this wooden knife?

0:12:45.240 --> 0:12:47.199
<v Speaker 2>Yeah, you know, I think the older comics, you know,

0:12:47.240 --> 0:12:50.839
<v Speaker 2>they're often a little more overt with the action, and

0:12:51.080 --> 0:12:53.720
<v Speaker 2>this is this is a very early Blade. This may

0:12:53.760 --> 0:12:55.319
<v Speaker 2>be I'm not I'm not certain. This may the one

0:12:55.559 --> 0:12:59.400
<v Speaker 2>I copy and pasted here. Might have been blades origin addition,

0:12:59.480 --> 0:13:00.920
<v Speaker 2>But yeah, he was as we've talked about on the

0:13:00.920 --> 0:13:03.240
<v Speaker 2>show before, he was different back in the seventies. He

0:13:03.360 --> 0:13:05.480
<v Speaker 2>was more in line with sort of some of the

0:13:06.120 --> 0:13:09.000
<v Speaker 2>action cinema of the day. M h. I believe he

0:13:09.040 --> 0:13:13.400
<v Speaker 2>also has teak wooden weapons in his origin, so hmmm,

0:13:14.679 --> 0:13:16.240
<v Speaker 2>which is kind of neat. I mean, you need wood

0:13:16.760 --> 0:13:20.840
<v Speaker 2>to stab a vampire in some versions of the tale.

0:13:21.040 --> 0:13:22.559
<v Speaker 1>Or you could be like the Blade in the movie

0:13:22.559 --> 0:13:25.360
<v Speaker 1>and just have silver everything. I guess that gets expensive.

0:13:26.080 --> 0:13:28.600
<v Speaker 2>Yeah, but it works, it really, it really worked for him.

0:13:28.600 --> 0:13:29.920
<v Speaker 2>But I don't know it. Be interested to see if

0:13:29.920 --> 0:13:32.520
<v Speaker 2>they ever actually make this, this New Blade movie. I

0:13:32.520 --> 0:13:34.199
<v Speaker 2>wonder if they're going to lean into the teak a

0:13:34.240 --> 0:13:36.360
<v Speaker 2>little bit in addition to the silver, Like if they're

0:13:36.400 --> 0:13:39.079
<v Speaker 2>gonna they seem to be, you know, going going into

0:13:39.120 --> 0:13:41.679
<v Speaker 2>some of the older stuff, some of the stuff that

0:13:41.840 --> 0:13:44.880
<v Speaker 2>got kind of changed when the original movies came out.

0:13:44.920 --> 0:13:49.280
<v Speaker 1>So we'll see, Okay, new idea. New Blade has a

0:13:49.400 --> 0:13:52.600
<v Speaker 1>side business where he makes money by selling colloidal silver

0:13:52.800 --> 0:13:56.160
<v Speaker 1>to to like suckers on the internet and conspiracy theorists

0:13:56.160 --> 0:13:57.240
<v Speaker 1>who think it's a panacea.

0:13:57.880 --> 0:13:59.280
<v Speaker 2>Well, you know, it is a it is a cure

0:13:59.280 --> 0:14:02.200
<v Speaker 2>all from Blade perspective, because it's slaves vampires, and that's

0:14:02.320 --> 0:14:03.440
<v Speaker 2>like that's the problem.

0:14:03.640 --> 0:14:03.800
<v Speaker 1>You know.

0:14:03.840 --> 0:14:06.760
<v Speaker 2>He's very laser focused on this one issue that would.

0:14:06.600 --> 0:14:09.680
<v Speaker 1>Be a great scam going so like he can say

0:14:09.679 --> 0:14:13.400
<v Speaker 1>he like Facebook targets vampires with ads about how it

0:14:13.440 --> 0:14:15.760
<v Speaker 1>will cure them of I don't know their sunlight allergy

0:14:15.880 --> 0:14:18.240
<v Speaker 1>or something, and then they just take the colloidal silver

0:14:18.320 --> 0:14:18.920
<v Speaker 1>and die.

0:14:19.440 --> 0:14:23.000
<v Speaker 2>Yeah, it's effortless. Now, obviously Blade's still around, and yep,

0:14:23.040 --> 0:14:26.680
<v Speaker 2>Marvel's Dracula is still around as well, though I've seen

0:14:26.720 --> 0:14:29.160
<v Speaker 2>different looks for him. I included two of these for

0:14:29.240 --> 0:14:32.360
<v Speaker 2>you to look at here, Joe. In some variations, he

0:14:32.400 --> 0:14:34.880
<v Speaker 2>definitely seems to have more in common with sort of

0:14:34.880 --> 0:14:38.280
<v Speaker 2>a like a dark fantasy idea of a vampire. It

0:14:38.280 --> 0:14:42.680
<v Speaker 2>looks a little bit more like the historic setting the

0:14:42.720 --> 0:14:46.520
<v Speaker 2>origin story is setting in Bromstoker's Dracula, or rather Francis

0:14:46.560 --> 0:14:50.800
<v Speaker 2>Ford Coppolo's Bromstoker's Dracula, and then in other depictions he

0:14:50.880 --> 0:14:53.560
<v Speaker 2>still has kind of that classic hammer horror look. And

0:14:55.680 --> 0:14:57.360
<v Speaker 2>the thing I love about both of these images I

0:14:57.400 --> 0:14:59.920
<v Speaker 2>pulled up is that in both of them, drac You

0:15:00.480 --> 0:15:04.520
<v Speaker 2>is like towering over a pile of superhero bodies. So

0:15:04.720 --> 0:15:09.280
<v Speaker 2>it really drives home that Dracula in the Marvel Comics universe,

0:15:09.560 --> 0:15:11.960
<v Speaker 2>he's not a bit player. He is a powerful entity,

0:15:12.000 --> 0:15:12.560
<v Speaker 2>which I like.

0:15:13.040 --> 0:15:16.240
<v Speaker 1>Yeah, in one of these, do I see like Storm,

0:15:16.400 --> 0:15:19.400
<v Speaker 1>Wolverine and Cyclops, Like he's got all the dead X

0:15:19.440 --> 0:15:20.280
<v Speaker 1>Men under him.

0:15:20.760 --> 0:15:23.240
<v Speaker 2>Yeah. Yeah again. You know, you can do whatever. There's

0:15:23.240 --> 0:15:26.280
<v Speaker 2>nothing too crazy in comic books because you can always say, well,

0:15:26.320 --> 0:15:28.040
<v Speaker 2>this was you know, this was a dream, this is

0:15:28.040 --> 0:15:30.360
<v Speaker 2>an alternate universe. I don't know. There's so many different

0:15:30.360 --> 0:15:31.000
<v Speaker 2>ways to spin it.

0:15:31.680 --> 0:15:33.440
<v Speaker 1>Yeah, okay, but in one of them he looks like

0:15:33.480 --> 0:15:35.480
<v Speaker 1>the Witcher, and then the other one he looks like

0:15:35.520 --> 0:15:37.360
<v Speaker 1>Christopher Lee in Horror of Dracula.

0:15:37.920 --> 0:15:40.280
<v Speaker 2>Yeah, yeah, I think it push comes to shove. I

0:15:40.280 --> 0:15:43.800
<v Speaker 2>like the Christopher Lee look better here? Now, one more,

0:15:43.880 --> 0:15:48.000
<v Speaker 2>one more thing, I guess. On Marvel's Dracula, I was again,

0:15:48.000 --> 0:15:50.240
<v Speaker 2>I haven't read any of these Tomb of Dracula comic books,

0:15:51.360 --> 0:15:55.200
<v Speaker 2>but I went to the Marvel wiki on Dracula, and

0:15:55.480 --> 0:15:58.600
<v Speaker 2>just one sentence just completely amazed me and set me

0:15:58.600 --> 0:16:02.640
<v Speaker 2>off in new directions. Quote Dracula remained low for several

0:16:02.720 --> 0:16:05.520
<v Speaker 2>years following that, he turned up later and met with

0:16:05.640 --> 0:16:07.880
<v Speaker 2>Victor von Doom on Earth's moon.

0:16:10.880 --> 0:16:14.440
<v Speaker 1>That that's really good. What does remained low mean? Like

0:16:14.480 --> 0:16:17.080
<v Speaker 1>he likes he was in hiding, or like he was

0:16:17.400 --> 0:16:19.480
<v Speaker 1>low like I don't know, in a bad place.

0:16:20.440 --> 0:16:22.680
<v Speaker 2>I mean, any Stracos there's always in a bad place,

0:16:22.720 --> 0:16:27.160
<v Speaker 2>I guess, but I guess maybe he was regaining his powers,

0:16:27.280 --> 0:16:30.320
<v Speaker 2>you know, laying low, getting off the radar of the

0:16:30.400 --> 0:16:34.360
<v Speaker 2>various superheroes and vampire slayers for a bit. And then yeah,

0:16:34.400 --> 0:16:36.240
<v Speaker 2>I look this up, and I don't know which comic

0:16:36.280 --> 0:16:38.480
<v Speaker 2>this was in or what the over arching story happens

0:16:38.520 --> 0:16:41.560
<v Speaker 2>to be. But here's the moon. Here's a part of

0:16:41.600 --> 0:16:45.479
<v Speaker 2>a lunar lander in the foreground. There's Earth in the background.

0:16:45.760 --> 0:16:48.280
<v Speaker 2>And here on the surface of the Moon we have

0:16:49.080 --> 0:16:51.880
<v Speaker 2>Dracula and we have Doctor Doom and they're in just

0:16:51.960 --> 0:16:54.239
<v Speaker 2>engaging in a casual villain conversation.

0:16:55.000 --> 0:16:58.120
<v Speaker 1>Behind them, you can see the US flag from the

0:16:58.160 --> 0:17:01.400
<v Speaker 1>moon landing. Just yeah.

0:17:01.480 --> 0:17:04.440
<v Speaker 2>So again, it's like I didn't even think to ask

0:17:04.520 --> 0:17:06.800
<v Speaker 2>that question. I wonder if Dracula has been to the

0:17:06.800 --> 0:17:10.200
<v Speaker 2>Moon in the Marvel cinematic I mean the Marvel comic universe,

0:17:10.280 --> 0:17:11.720
<v Speaker 2>And sure enough, he has.

0:17:12.080 --> 0:17:14.200
<v Speaker 1>But Doctor Doom's just mortal in me.

0:17:14.760 --> 0:17:16.800
<v Speaker 2>Oh, I can't you know, I can't remember. I know.

0:17:16.840 --> 0:17:19.040
<v Speaker 2>He's a mix of it's like a mix of science

0:17:19.040 --> 0:17:21.919
<v Speaker 2>and magic, so there's no telling what he's accomplished. Oh okay,

0:17:22.359 --> 0:17:24.199
<v Speaker 2>and then he has all those doom bots, so you know,

0:17:24.240 --> 0:17:26.200
<v Speaker 2>sometimes you think you've killed him but you haven't because

0:17:26.320 --> 0:17:27.560
<v Speaker 2>it's a doom bot.

0:17:28.040 --> 0:17:29.719
<v Speaker 1>Oh okay, I didn't realize that.

0:17:30.400 --> 0:17:32.159
<v Speaker 2>But there's a lot about doctor Doom I don't know,

0:17:32.240 --> 0:17:34.520
<v Speaker 2>so uh. You know, Spencer will have to straighten us

0:17:34.520 --> 0:17:44.040
<v Speaker 2>out on that as well. All right, This next one

0:17:44.080 --> 0:17:46.560
<v Speaker 2>here comes to us from Heather. Heather says Robert Joe.

0:17:46.680 --> 0:17:49.280
<v Speaker 2>I have listened to the podcasts core episodes for a

0:17:49.400 --> 0:17:51.760
<v Speaker 2>long long time, and I really appreciate all that you do.

0:17:51.840 --> 0:17:55.119
<v Speaker 2>You have helped me stay connected to that lifelong learner

0:17:55.440 --> 0:17:57.960
<v Speaker 2>that I dreamed of being in my college years. In

0:17:58.000 --> 0:17:59.919
<v Speaker 2>your recent listener mail, you mentioned the idea of doing

0:18:00.160 --> 0:18:03.359
<v Speaker 2>some weird house cinema episodes based on commercial films, theme

0:18:03.400 --> 0:18:07.280
<v Speaker 2>part films, or maybe others. This excites me. I'm usually

0:18:07.320 --> 0:18:09.280
<v Speaker 2>not into movies that are too weird because they get

0:18:09.359 --> 0:18:11.760
<v Speaker 2>nightmares easily. Also a bit of a callback to recent

0:18:11.800 --> 0:18:15.439
<v Speaker 2>episode topics. When you mentioned that special topic episode, I

0:18:15.480 --> 0:18:18.840
<v Speaker 2>was instantly reminded of the old science lab safety training

0:18:18.920 --> 0:18:21.560
<v Speaker 2>videos we watched in school. Kids in the video would

0:18:21.560 --> 0:18:24.879
<v Speaker 2>make comically bad mistakes, akin to the woman hit with

0:18:24.960 --> 0:18:28.240
<v Speaker 2>avalanche of tupperware container's bit that as seen on TV

0:18:28.359 --> 0:18:31.840
<v Speaker 2>ads use. I remember there being an infamously funny but

0:18:31.920 --> 0:18:37.879
<v Speaker 2>valid catat safety video that was played in Shop Class two,

0:18:38.320 --> 0:18:43.639
<v Speaker 2>which even made reference to egos and hangovers being safety concerns.

0:18:44.160 --> 0:18:46.919
<v Speaker 2>What makes these training videos notable to me is not

0:18:47.040 --> 0:18:50.119
<v Speaker 2>how corny they were, though that was the highlight in school.

0:18:50.320 --> 0:18:53.320
<v Speaker 2>It's notable because they worked. I can't tell you the

0:18:53.400 --> 0:18:56.160
<v Speaker 2>number of times I've been in my garage or yard

0:18:56.200 --> 0:19:00.280
<v Speaker 2>and thought to myself, waft to whif because of that

0:19:00.359 --> 0:19:04.239
<v Speaker 2>dumb video. Safety glasses, fire extinguishers, and even gloves are

0:19:04.280 --> 0:19:07.600
<v Speaker 2>readily available in my maker spaces because of the hold

0:19:07.760 --> 0:19:10.800
<v Speaker 2>those corny films half in my mind, they were pretty weird,

0:19:10.880 --> 0:19:12.960
<v Speaker 2>but that could have been what made them good. Thanks

0:19:13.000 --> 0:19:14.879
<v Speaker 2>again for everything you do, Heather.

0:19:15.119 --> 0:19:18.840
<v Speaker 1>Oh Thanks Heather oh Man. So this got me thinking

0:19:18.840 --> 0:19:20.679
<v Speaker 1>about a number of things. But when it comes to

0:19:20.760 --> 0:19:23.520
<v Speaker 1>like lab safety videos, I guess this is somewhat different.

0:19:23.560 --> 0:19:30.320
<v Speaker 1>But my mind immediately went to the ultimate lab educational

0:19:30.440 --> 0:19:35.520
<v Speaker 1>video parody, which is the British comedy series look Around You, which,

0:19:35.600 --> 0:19:37.879
<v Speaker 1>by the way, if you have never seen you should

0:19:37.920 --> 0:19:40.880
<v Speaker 1>immediately go and watch because it's one of my favorite

0:19:40.880 --> 0:19:42.160
<v Speaker 1>pieces of television. Ever.

0:19:43.000 --> 0:19:45.639
<v Speaker 2>Oh Yes, look Around You both seasons season one and

0:19:45.680 --> 0:19:47.640
<v Speaker 2>season two or each have a different feel to them,

0:19:47.920 --> 0:19:54.359
<v Speaker 2>different eras of educational films for the British populace in particular.

0:19:54.359 --> 0:19:56.640
<v Speaker 2>But you know, you don't have to have a background

0:19:56.640 --> 0:19:59.240
<v Speaker 2>in British television to enjoy them. They're they're excellent. I

0:20:00.000 --> 0:20:01.440
<v Speaker 2>I highly recommend all of them.

0:20:01.760 --> 0:20:04.880
<v Speaker 1>If you just watched the first episode on Calcium, you'll

0:20:04.920 --> 0:20:08.240
<v Speaker 1>finally understand why people are so dedicated to avoiding the

0:20:08.240 --> 0:20:09.359
<v Speaker 1>helvetica scenario.

0:20:09.800 --> 0:20:14.880
<v Speaker 2>Yeah, the helvetica scenario. Yeah, so much good stuff. Now,

0:20:15.000 --> 0:20:16.840
<v Speaker 2>another thing that comes to mind on all of this,

0:20:17.400 --> 0:20:20.520
<v Speaker 2>I don't remember a lot of watching a lot or

0:20:20.560 --> 0:20:23.000
<v Speaker 2>any of these as part of my education or part

0:20:23.040 --> 0:20:28.159
<v Speaker 2>of school or workplace safety so much. But through I

0:20:28.160 --> 0:20:31.760
<v Speaker 2>think rift tracks, I remember, of course watching shake Hands

0:20:31.760 --> 0:20:35.600
<v Speaker 2>with Danger, which is the kind of the industrial safety

0:20:35.680 --> 0:20:39.280
<v Speaker 2>video part excellence. You know, it's it's cheesy, it's got

0:20:39.280 --> 0:20:43.480
<v Speaker 2>a great guitar riff in it that don't know, it's

0:20:43.520 --> 0:20:46.800
<v Speaker 2>got a song, and then just exceedingly gory shots of

0:20:46.840 --> 0:20:52.440
<v Speaker 2>people making momentary mistakes and being a little bit careless

0:20:52.440 --> 0:20:55.080
<v Speaker 2>on the job and suffering for it in horrendous ways.

0:20:55.520 --> 0:20:59.359
<v Speaker 2>And yeah, it's watching it, especially via rift tracks, you

0:20:59.520 --> 0:21:02.159
<v Speaker 2>can't help laugh and snicker, but you're also you know,

0:21:02.240 --> 0:21:05.640
<v Speaker 2>cringing and caught crying out loud when the violence happens,

0:21:05.800 --> 0:21:09.040
<v Speaker 2>and yet some of it creeps through. They're still like

0:21:09.119 --> 0:21:11.120
<v Speaker 2>every now and then, when I'm doing something, I'll think,

0:21:11.160 --> 0:21:15.760
<v Speaker 2>shake hands with danger and sort of, you know, step

0:21:15.840 --> 0:21:17.920
<v Speaker 2>back a little bit from something that I was about

0:21:18.000 --> 0:21:19.600
<v Speaker 2>to maybe be a little bit careless with.

0:21:20.000 --> 0:21:22.920
<v Speaker 1>I actually back to Heather's message, was not familiar with

0:21:22.960 --> 0:21:25.920
<v Speaker 1>the lab safety mantra waft to whiff, But I guess

0:21:25.960 --> 0:21:28.840
<v Speaker 1>that means you it's what I've seen people do before you.

0:21:29.119 --> 0:21:32.560
<v Speaker 1>You sort of waft the top of a beaker towards

0:21:32.560 --> 0:21:34.960
<v Speaker 1>you so that you can sniff it rather than placing

0:21:34.960 --> 0:21:37.639
<v Speaker 1>your nose over it, because maybe if you place your

0:21:37.680 --> 0:21:39.879
<v Speaker 1>nose over it, you might get too much of the

0:21:41.119 --> 0:21:42.560
<v Speaker 1>smell if it's noxious.

0:21:43.080 --> 0:21:44.480
<v Speaker 2>Yeah, yeah, that's good.

0:21:44.840 --> 0:21:45.919
<v Speaker 1>I don't know, that's my guess.

0:21:46.000 --> 0:21:49.639
<v Speaker 2>Yeah, it's little things like that, you know that I

0:21:49.640 --> 0:21:51.800
<v Speaker 2>can see sticking in your mind and helping you out

0:21:51.840 --> 0:21:54.760
<v Speaker 2>a little bit throughout the rest of your life.

0:21:55.600 --> 0:21:56.040
<v Speaker 1>All right.

0:21:56.080 --> 0:21:57.480
<v Speaker 2>One that note, we're going to go ahead and close

0:21:57.520 --> 0:21:59.119
<v Speaker 2>the mail bag for today, but we'd love to hear

0:21:59.160 --> 0:22:03.679
<v Speaker 2>from everyone out there regarding Dracula in the Moon, safety videos,

0:22:05.320 --> 0:22:08.280
<v Speaker 2>past episodes, future episodes, left and right hand in this

0:22:08.359 --> 0:22:11.360
<v Speaker 2>crab clause, everything's on the table, so right in. We'd

0:22:11.359 --> 0:22:13.680
<v Speaker 2>love to hear from you. A reminder that listener mail

0:22:13.680 --> 0:22:16.320
<v Speaker 2>episodes publish every Monday. In the Stuff to Blow Your

0:22:16.359 --> 0:22:19.640
<v Speaker 2>Mind podcast feed Core episodes on Tuesdays and Thursday, short

0:22:19.640 --> 0:22:21.920
<v Speaker 2>form artifactor Monster Fact on Wednesdays and on Fridays, we

0:22:21.960 --> 0:22:23.840
<v Speaker 2>set aside most serious concerns to just talk about a

0:22:23.840 --> 0:22:26.520
<v Speaker 2>weird film on Weird House Cinema.

0:22:26.680 --> 0:22:30.760
<v Speaker 1>Huge thanks to our excellent audio producer JJ Posway. If

0:22:30.800 --> 0:22:32.240
<v Speaker 1>you would like to get in touch with us with

0:22:32.320 --> 0:22:34.720
<v Speaker 1>feedback on this episode or any other, to suggest a

0:22:34.800 --> 0:22:36.960
<v Speaker 1>topic for the future, or just to say hello, you

0:22:37.000 --> 0:22:40.000
<v Speaker 1>can email us at contact at stuff to Blow your

0:22:40.080 --> 0:22:49.640
<v Speaker 1>Mind dot com. Stuff to Blow Your Mind is production

0:22:49.760 --> 0:22:52.880
<v Speaker 1>of iHeartRadio. For more podcasts from my Heart Radio, visit

0:22:52.960 --> 0:22:55.960
<v Speaker 1>the iHeartRadio app, Apple Podcasts, or wherever you listen to

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<v Speaker 1>your favorite shows.