WEBVTT - S3/E7 | Main Street

0:00:00.040 --> 0:00:07.440
<v Speaker 1>M Thirteen Days of Halloween, Devil's Night, a production of

0:00:07.440 --> 0:00:10.760
<v Speaker 1>I Heart three D Audio, Blumhouse Television and Grimm and

0:00:10.800 --> 0:00:29.120
<v Speaker 1>Mild from Aaron Mackey. Headphones recommended. Listener discretion advised. Are

0:00:29.120 --> 0:00:52.640
<v Speaker 1>you sleeping? Max? Come on? Is SAT? Weekend? H Yeah?

0:00:54.320 --> 0:01:08.520
<v Speaker 1>Drink this? What is it? Only water? Oh? Good? Ah?

0:01:09.280 --> 0:01:14.160
<v Speaker 1>My eyes full of smoke. Give it time. The burning

0:01:14.160 --> 0:01:28.040
<v Speaker 1>will stop for zero. Oh anybody? What happened? You passed

0:01:28.040 --> 0:01:32.960
<v Speaker 1>out from the heat? Take it slow? I'm all right?

0:01:34.360 --> 0:01:43.040
<v Speaker 1>Where are we? Out of danger? Here? You Goodboddy, good boy.

0:01:47.040 --> 0:01:51.960
<v Speaker 1>I can see the water tower, which means that's main street,

0:01:52.760 --> 0:01:56.960
<v Speaker 1>which means we're nearly home. How did I get here?

0:01:57.720 --> 0:02:01.720
<v Speaker 1>I thought we were miles away. M I carried you

0:02:02.840 --> 0:02:08.320
<v Speaker 1>and Arrow two and arrow two. You want to go

0:02:08.360 --> 0:02:11.359
<v Speaker 1>ahead and carry us the rest of the way? I

0:02:11.400 --> 0:02:19.519
<v Speaker 1>could know that was m hm. I don't mean to

0:02:19.560 --> 0:02:26.440
<v Speaker 1>be rude. I mean to say, thank you for not

0:02:26.600 --> 0:02:31.160
<v Speaker 1>leaving us behind. Why would I leave you behind? I

0:02:31.200 --> 0:02:34.160
<v Speaker 1>don't know what you would or wouldn't do. All I'm

0:02:34.160 --> 0:02:37.760
<v Speaker 1>trying to say is I appreciate what you did back there.

0:02:38.680 --> 0:02:43.280
<v Speaker 1>I think nothing of it, but erin I can take

0:02:43.320 --> 0:02:52.120
<v Speaker 1>it from here. I see so I guess you can

0:02:52.400 --> 0:02:57.400
<v Speaker 1>find your own way home. I am not sure. I

0:02:57.440 --> 0:03:03.280
<v Speaker 1>have never been here before. H Really, how's that seems

0:03:03.320 --> 0:03:08.519
<v Speaker 1>like you know your way around? Yes, it is strange.

0:03:09.480 --> 0:03:13.840
<v Speaker 1>I know the fields, the rails, the river, the night wind,

0:03:14.680 --> 0:03:19.760
<v Speaker 1>the outer places, the ways of coming and going. But

0:03:19.880 --> 0:03:23.480
<v Speaker 1>I suppose people like me do not make a lot

0:03:23.480 --> 0:03:43.640
<v Speaker 1>of trips into town. Maybe you could show me around, right, Yeah,

0:03:52.960 --> 0:03:57.200
<v Speaker 1>what is this building? That's the creamery where dad worked

0:03:57.240 --> 0:04:03.600
<v Speaker 1>before the accident, but it's closed now for Halloween. No,

0:04:04.440 --> 0:04:14.840
<v Speaker 1>for good. That's the bank it's close to. And here's

0:04:14.880 --> 0:04:26.040
<v Speaker 1>main Street. It's so quiet, Yes it is. Where is everybody?

0:04:27.240 --> 0:04:29.760
<v Speaker 1>Maybe they did as they were told and stayed off

0:04:29.800 --> 0:04:40.320
<v Speaker 1>the streets. I don't know if I believe that. So

0:04:41.720 --> 0:04:46.320
<v Speaker 1>earlier in the fields by the orchard, when me and

0:04:46.400 --> 0:04:52.400
<v Speaker 1>Narrow found you, what were you doing out there? That

0:04:52.600 --> 0:04:58.279
<v Speaker 1>is where you were, right? But what about you? I

0:04:58.360 --> 0:05:03.440
<v Speaker 1>suppose I was eating in a scarecrow costume for someone

0:05:03.480 --> 0:05:08.520
<v Speaker 1>to what get lost? They need your help, not for someone,

0:05:08.680 --> 0:05:13.640
<v Speaker 1>max for you. And again on the roadside, on the

0:05:13.720 --> 0:05:17.480
<v Speaker 1>train tracks, in that carnival, in that shanty town, and

0:05:17.720 --> 0:05:23.320
<v Speaker 1>under that bridge, Yes, waiting, why are you following me?

0:05:24.480 --> 0:05:27.040
<v Speaker 1>Maybe that is something you can answer for me. Max.

0:05:27.760 --> 0:05:30.800
<v Speaker 1>Why do you always need someone to save your life

0:05:30.800 --> 0:05:33.920
<v Speaker 1>everywhere you go? How should I know? All I can

0:05:33.960 --> 0:05:37.600
<v Speaker 1>figure out is you keep hurting people everywhere you go.

0:05:39.080 --> 0:05:41.560
<v Speaker 1>The boys in the field who wanted to kill you

0:05:41.600 --> 0:05:44.839
<v Speaker 1>over a few dollars, the ones at the fair pouring

0:05:44.960 --> 0:05:48.080
<v Speaker 1>sand down your throat. Did they not all want to

0:05:48.160 --> 0:05:55.360
<v Speaker 1>hurt you? I mean I guess yes. So what you're

0:05:55.400 --> 0:05:59.640
<v Speaker 1>like the shadow finding crime in the moonlight? It's a

0:06:00.160 --> 0:06:04.640
<v Speaker 1>just for me personally. Who knows what evil works and

0:06:04.800 --> 0:06:11.240
<v Speaker 1>the hearts of men? This is so weird. You needed me,

0:06:12.440 --> 0:06:14.840
<v Speaker 1>and so I came to help. I don't need you,

0:06:15.960 --> 0:06:21.640
<v Speaker 1>maybe not, but here I am anyway. The candy store

0:06:21.720 --> 0:06:27.760
<v Speaker 1>is open in the mood for something sweet? No, well maybe,

0:06:28.200 --> 0:06:37.760
<v Speaker 1>but it's not the time. It's just everything else looks closed. No,

0:06:38.960 --> 0:06:43.279
<v Speaker 1>it seems like someone is home. Is that the church?

0:06:43.960 --> 0:06:48.919
<v Speaker 1>The Bradbury Community Center? Yeah, but I don't want to

0:06:48.960 --> 0:06:54.479
<v Speaker 1>go anywhere near that place, no religion. They have a

0:06:54.520 --> 0:06:59.240
<v Speaker 1>party tonight, the Halloween safety party, and you do not

0:06:59.480 --> 0:07:03.320
<v Speaker 1>like these. It's the key kids off the streets. So

0:07:04.000 --> 0:07:08.400
<v Speaker 1>one it's for babies, and two I'm not trying to

0:07:08.440 --> 0:07:14.480
<v Speaker 1>go anywhere but home. We'll take the alley behind the pharmacy.

0:07:15.040 --> 0:07:17.520
<v Speaker 1>I thought you did not want me to follow you.

0:07:18.480 --> 0:07:21.280
<v Speaker 1>He said you would anyway, and I don't know how

0:07:21.320 --> 0:07:28.080
<v Speaker 1>I would stop you. You know this town well lived

0:07:28.080 --> 0:07:32.600
<v Speaker 1>here all my life. All the short cuts right like

0:07:32.680 --> 0:07:34.760
<v Speaker 1>at the end of this alley will come out behind

0:07:34.760 --> 0:07:39.560
<v Speaker 1>the fountain in the park. That old building that's the courthouse.

0:07:40.160 --> 0:07:44.520
<v Speaker 1>This is town square and next to it there's a

0:07:44.600 --> 0:07:48.360
<v Speaker 1>light on. That's the police station. Better stay away. It

0:07:48.360 --> 0:07:51.920
<v Speaker 1>seems like the cops are really hopped up tonight. Quick

0:07:52.280 --> 0:07:59.239
<v Speaker 1>ye officers, Officer six, you gotta help. It's my wife.

0:07:59.720 --> 0:08:02.240
<v Speaker 1>Hold on, Fred, I got my hands full already. But

0:08:02.400 --> 0:08:05.600
<v Speaker 1>but there's something wrong. She won't get off the phone.

0:08:06.360 --> 0:08:10.360
<v Speaker 1>The phone. You're gonna have to figure that one out yourself. No, no, no,

0:08:10.440 --> 0:08:12.760
<v Speaker 1>I mean like like she's got something wrong in the head.

0:08:13.360 --> 0:08:15.480
<v Speaker 1>She was calling her sister and then she gets on

0:08:15.640 --> 0:08:18.160
<v Speaker 1>with the operator and she just keeps talking in circles

0:08:18.200 --> 0:08:21.080
<v Speaker 1>all night, and it doesn't make any sense. What do

0:08:21.120 --> 0:08:23.400
<v Speaker 1>you want me to do? Knock her unconscious to save

0:08:23.400 --> 0:08:27.400
<v Speaker 1>you a phone bill. No, there's there's something wrong, fred, friend. Look,

0:08:27.560 --> 0:08:30.120
<v Speaker 1>I got buildings on fire, I got hell raisers beating

0:08:30.160 --> 0:08:32.400
<v Speaker 1>old ladies half to death. For god knows why. You

0:08:32.520 --> 0:08:34.720
<v Speaker 1>go home and work things out with your wife and

0:08:34.880 --> 0:08:38.640
<v Speaker 1>lock your doors. I'm not kidding every boy out past purfew.

0:08:38.800 --> 0:08:42.040
<v Speaker 1>We're resting on site. These little sons of bitches got

0:08:42.040 --> 0:08:45.599
<v Speaker 1>the devil in them? Who should go a different way?

0:08:46.120 --> 0:08:49.320
<v Speaker 1>I think it is best to stay hidden. We can

0:08:49.400 --> 0:08:57.120
<v Speaker 1>think second, there's less store friends this way. Damn that

0:08:57.160 --> 0:09:03.120
<v Speaker 1>way either, Okay, new plan? Does a payphone around the

0:09:03.120 --> 0:09:06.720
<v Speaker 1>corner outside the library. I'll call home. Maybe Mom? Can

0:09:06.760 --> 0:09:08.240
<v Speaker 1>you want of the neighbors to give her a writing

0:09:08.240 --> 0:09:30.640
<v Speaker 1>Compigasso four? I better make this quick great Mike's Mutual telephone.

0:09:30.800 --> 0:09:36.120
<v Speaker 1>This is your operator. Yeah, Hello, Hello, Please insert the

0:09:36.120 --> 0:09:38.120
<v Speaker 1>toll of five cents and I can complete your call

0:09:38.160 --> 0:09:42.240
<v Speaker 1>when ready. I already put in the money. I think

0:09:42.320 --> 0:09:45.920
<v Speaker 1>you haven't paid enough. Hello, I said, I already put

0:09:45.960 --> 0:09:49.520
<v Speaker 1>the money in. I'm sorry, sir, my toll indicator is dark.

0:09:49.920 --> 0:09:52.480
<v Speaker 1>Please insert five cents and then i'll take your number.

0:09:53.840 --> 0:09:56.640
<v Speaker 1>Already gave you all the coins they have, they're in

0:09:56.679 --> 0:09:59.480
<v Speaker 1>the machine. I'm sorry, sir. I'm not allowed to connect

0:09:59.480 --> 0:10:03.280
<v Speaker 1>to you until toll is paid, but I did. I'm trying.

0:10:04.360 --> 0:10:09.720
<v Speaker 1>You sound like someone I know. Hello, I'm trying to

0:10:09.760 --> 0:10:14.600
<v Speaker 1>call my parents. Hello, Yes, I understand. Would you like

0:10:14.720 --> 0:10:18.679
<v Speaker 1>me to reverse the charges? Oh? Yeah, can you do that?

0:10:19.240 --> 0:10:21.920
<v Speaker 1>No trouble at all. I'll take that number when you're ready.

0:10:22.679 --> 0:10:28.240
<v Speaker 1>It's clover Hill two three three nine. Who can I say?

0:10:28.360 --> 0:10:47.160
<v Speaker 1>Is calling? I'm their son? Max? Yea what color? Yeah,

0:10:47.200 --> 0:10:54.199
<v Speaker 1>I'm here. Your mother is on the line with us. Really, Mom,

0:10:54.200 --> 0:11:00.240
<v Speaker 1>it's Max. Are you there, car Max? You're already here. Long.

0:11:01.200 --> 0:11:08.600
<v Speaker 1>I can't tell what you're saying. It's you, mom. If

0:11:08.640 --> 0:11:11.000
<v Speaker 1>you can hear me, I'm at the pain phone off

0:11:11.040 --> 0:11:14.679
<v Speaker 1>Second Street by the library. Can you come get me?

0:11:15.280 --> 0:11:41.599
<v Speaker 1>Things are bad out here? Operator Hello, Hello, hello, um, hello, hello, hello, um.

0:11:41.640 --> 0:11:44.480
<v Speaker 1>I don't think that was the right number. I'm sorry

0:11:44.480 --> 0:11:48.120
<v Speaker 1>to hear that, so don't hang up. Okay, but you

0:11:48.160 --> 0:11:52.680
<v Speaker 1>still need to speak with someone, don't you. Yes, But

0:11:53.200 --> 0:11:55.560
<v Speaker 1>I couldn't tell what once you would talked with someone? Max.

0:11:55.960 --> 0:11:58.440
<v Speaker 1>In fact, there's someone here who would love to talk

0:11:58.480 --> 0:12:02.400
<v Speaker 1>to you right now. I think I think I need

0:12:02.440 --> 0:12:09.520
<v Speaker 1>to go Hello. Hello, oh hello, there's someone else on

0:12:09.559 --> 0:12:13.400
<v Speaker 1>the line, Max. And do you know what He's wanted

0:12:13.440 --> 0:12:16.320
<v Speaker 1>to talk to you for a long time. He has

0:12:16.360 --> 0:12:18.880
<v Speaker 1>a message for you, and he is almost ready to

0:12:18.880 --> 0:12:23.240
<v Speaker 1>share it. Max. He's listening now. Wouldn't you like to

0:12:23.280 --> 0:12:29.920
<v Speaker 1>say hello? No need to be shy, Hello, but I

0:12:30.040 --> 0:12:33.959
<v Speaker 1>needed to talk to you. I want you to listen

0:12:34.200 --> 0:12:37.360
<v Speaker 1>very clock. He's almost ready to talk to you now.

0:12:37.760 --> 0:12:40.880
<v Speaker 1>He has some very important things to tell you and

0:12:41.000 --> 0:12:44.640
<v Speaker 1>there's something he needs you to do. But it can

0:12:44.679 --> 0:12:49.040
<v Speaker 1>take a careful listener to understand him. In fact, you've

0:12:49.040 --> 0:12:53.520
<v Speaker 1>heard his voice before, but you probably didn't realize anyone

0:12:53.640 --> 0:12:57.439
<v Speaker 1>was speaking. Maybe when the water was running down the

0:12:57.480 --> 0:13:00.959
<v Speaker 1>gutter spout after the rain had finished, or in the

0:13:01.080 --> 0:13:04.000
<v Speaker 1>kiss when you start to match, you heard him say

0:13:04.040 --> 0:13:07.000
<v Speaker 1>your name. Many of his friends get to know him

0:13:07.080 --> 0:13:10.480
<v Speaker 1>between stations on the radio. Have you ever heard him

0:13:10.520 --> 0:13:14.840
<v Speaker 1>call out when you were playing with the radio wherever

0:13:14.920 --> 0:13:18.640
<v Speaker 1>it was? You thought it was just your imagination, But

0:13:19.080 --> 0:13:23.959
<v Speaker 1>it wasn't. Wasn't Now you know that was here and

0:13:24.960 --> 0:13:28.800
<v Speaker 1>that's our little secret. Now he doesn't blame you for

0:13:28.880 --> 0:13:32.800
<v Speaker 1>not listening before. Like I said, his voice can be

0:13:32.920 --> 0:13:36.120
<v Speaker 1>very hard to understand if you haven't already made friends.

0:13:36.640 --> 0:13:40.160
<v Speaker 1>But that's why at a great Sweet Will telephone, our

0:13:40.240 --> 0:13:43.400
<v Speaker 1>commitment is to help you. Here. Every voice as clear

0:13:43.559 --> 0:13:51.320
<v Speaker 1>as now, Max, be very still and listen. He's somewhere

0:13:51.440 --> 0:13:57.040
<v Speaker 1>down below. But oh, here he comes now much do

0:13:57.080 --> 0:14:02.319
<v Speaker 1>you feel that he's coming up? He's here, Max, he's

0:14:02.320 --> 0:14:08.400
<v Speaker 1>ready to talk to you. Say hello, Max. Give me that.

0:14:19.200 --> 0:14:23.880
<v Speaker 1>What was that it? It's like I caught in my head.

0:14:25.120 --> 0:14:29.480
<v Speaker 1>I couldn't hang up. What did they say? I can

0:14:29.600 --> 0:14:34.080
<v Speaker 1>barely remember. It was bad? They wanted me to do

0:14:34.240 --> 0:14:38.960
<v Speaker 1>something bad? Do you know to answer it? There's something

0:14:38.960 --> 0:14:41.920
<v Speaker 1>wrong with the phones tonight, with all of them. Do

0:14:42.000 --> 0:14:45.920
<v Speaker 1>not try to use one again. I won't, Jesus Christ.

0:14:46.840 --> 0:14:50.480
<v Speaker 1>But what was it? Lots of dangerous things have been

0:14:50.560 --> 0:14:58.520
<v Speaker 1>led loose tonight. I am not the only one, all right,

0:14:58.840 --> 0:15:19.640
<v Speaker 1>I guess we'll just have to walk luck. So, I

0:15:19.640 --> 0:15:23.480
<v Speaker 1>don't know how to put this. But you're not just

0:15:23.520 --> 0:15:31.640
<v Speaker 1>a guy, are you? You're something else? I think so.

0:15:31.640 --> 0:15:34.160
<v Speaker 1>So where did you come from before you were in

0:15:34.160 --> 0:15:40.200
<v Speaker 1>the field? Mm hmm? I do not know? What? How

0:15:40.240 --> 0:15:44.640
<v Speaker 1>can you not know? I do not know? You mean

0:15:44.880 --> 0:15:51.520
<v Speaker 1>you don't remember anything from before? Some things I remember

0:15:52.880 --> 0:16:00.680
<v Speaker 1>being underneath something, something heavy, pressing down, like being buried

0:16:01.200 --> 0:16:04.840
<v Speaker 1>under a mountain. We're at the bottom of the ocean.

0:16:06.440 --> 0:16:18.680
<v Speaker 1>And then and then what belief stop right there. M h,

0:16:20.000 --> 0:16:23.320
<v Speaker 1>stay here, I will take care of them. No, no,

0:16:23.480 --> 0:16:29.600
<v Speaker 1>we've got to run. I said, come on this way, Donald,

0:16:35.440 --> 0:16:42.600
<v Speaker 1>we can hide in the creamery I know when. Yeah,

0:16:52.320 --> 0:16:56.000
<v Speaker 1>all right, we should be safe in here. It's been

0:16:56.040 --> 0:17:02.640
<v Speaker 1>deserted since last year. This is where your father worked. Yeah,

0:17:02.840 --> 0:17:06.760
<v Speaker 1>over here, this is how they make powdered milk. He

0:17:06.800 --> 0:17:10.960
<v Speaker 1>should be One time the milk lousouthe evaporator and then

0:17:10.960 --> 0:17:16.000
<v Speaker 1>it goes into these tanks. They do something else, then

0:17:16.000 --> 0:17:18.720
<v Speaker 1>it gets turned into dust in the drying tower here.

0:17:19.920 --> 0:17:23.720
<v Speaker 1>I remember Dad used to say it was dangerous even

0:17:23.720 --> 0:17:27.919
<v Speaker 1>before the accident. He'd say, hot powdered milk might as

0:17:27.920 --> 0:17:31.520
<v Speaker 1>well be cold. Us one spark in there, and it's

0:17:31.560 --> 0:17:36.640
<v Speaker 1>called bluey, Thank you and good night. He was always

0:17:36.640 --> 0:17:40.479
<v Speaker 1>saying the tower was messed up, that was gonna up

0:17:40.520 --> 0:17:44.080
<v Speaker 1>and explode one day. But he kept coming to work

0:17:44.080 --> 0:17:48.919
<v Speaker 1>every morning anyway. I guess I always thought he was

0:17:49.000 --> 0:17:55.320
<v Speaker 1>joking until it happened. Dad was on the other side

0:17:55.320 --> 0:17:58.080
<v Speaker 1>of the floor, so he could have gotten hurt a

0:17:58.080 --> 0:18:01.119
<v Speaker 1>lot worse. His friend Jack got burned up in the

0:18:01.160 --> 0:18:04.720
<v Speaker 1>fire in her neighbor. Mr Glazer got hid in the

0:18:04.760 --> 0:18:07.760
<v Speaker 1>head by a piece of metal, and now his wife

0:18:07.760 --> 0:18:11.240
<v Speaker 1>has to remind him who he is ten times a day.

0:18:11.800 --> 0:18:16.240
<v Speaker 1>I guess he's kind of like you. I can't even

0:18:16.280 --> 0:18:25.240
<v Speaker 1>remember where he came from. I do remember. I remember

0:18:25.320 --> 0:18:33.600
<v Speaker 1>there were lots of us who others like me, others

0:18:34.080 --> 0:18:39.320
<v Speaker 1>of me. We were all huddled together in the dark,

0:18:40.480 --> 0:18:46.199
<v Speaker 1>like newborn mice in a litter. It was warm and loud,

0:18:47.240 --> 0:18:54.040
<v Speaker 1>touching all over, skin to skin. Then something terrible happened.

0:18:55.560 --> 0:19:00.080
<v Speaker 1>We were all torn apart, farther and farther away m

0:19:00.800 --> 0:19:07.240
<v Speaker 1>and the world got very cold and lonely and boring,

0:19:08.680 --> 0:19:13.240
<v Speaker 1>so boring. All I could do was sleep, And for

0:19:13.280 --> 0:19:20.800
<v Speaker 1>a long time nothing happened until I met you, and

0:19:20.920 --> 0:19:26.359
<v Speaker 1>then I was here. I remember in the field. My

0:19:26.440 --> 0:19:33.280
<v Speaker 1>first thought was realizing I had hands and that you

0:19:33.440 --> 0:19:40.280
<v Speaker 1>needed help. You had enemies, which meant I had enemies,

0:19:40.680 --> 0:19:48.760
<v Speaker 1>which meant everything finally made sense. Max. I think you

0:19:49.760 --> 0:19:55.639
<v Speaker 1>are the reason I exist. I I don't know what

0:19:55.760 --> 0:20:02.840
<v Speaker 1>to say, except that sounds crazy. I would not lie

0:20:02.880 --> 0:20:07.600
<v Speaker 1>to you. I don't think you would. But you kill

0:20:07.720 --> 0:20:12.080
<v Speaker 1>people to run them off the road and break their necks,

0:20:12.720 --> 0:20:16.119
<v Speaker 1>throw them off trains, light them on fire, and do

0:20:16.200 --> 0:20:22.880
<v Speaker 1>you do it all for me? Yes, for you. If

0:20:22.920 --> 0:20:26.200
<v Speaker 1>I hadn't told you to run, you would have killed

0:20:26.200 --> 0:20:30.720
<v Speaker 1>those cops by the library. I was planning on it. Well,

0:20:31.520 --> 0:20:35.160
<v Speaker 1>I don't want that, Do you understand? I don't care

0:20:35.280 --> 0:20:38.000
<v Speaker 1>if you think you're trying to help me. I don't

0:20:38.080 --> 0:20:41.640
<v Speaker 1>want you following me around murdering people everywhere I go.

0:20:43.400 --> 0:20:47.719
<v Speaker 1>You understand? So will you stop? I do not know?

0:20:48.160 --> 0:20:50.800
<v Speaker 1>What do you mean? I do not know if I

0:20:50.960 --> 0:20:55.199
<v Speaker 1>was stopped you don't know, then leave me the hell alone.

0:20:56.040 --> 0:20:59.520
<v Speaker 1>Can you just do that if you want? Well I do?

0:20:59.760 --> 0:21:03.320
<v Speaker 1>Are you sure? Yes? Get out of here. It's not

0:21:03.520 --> 0:21:10.760
<v Speaker 1>following me. I understand if I do not see you again.

0:21:11.720 --> 0:21:24.240
<v Speaker 1>Goodbye Max, Goodbye Basil, Basilo. Don't worry Arrow, We'll be

0:21:24.280 --> 0:21:28.879
<v Speaker 1>all right without him. Maybe we should just try to

0:21:28.920 --> 0:21:35.640
<v Speaker 1>hide out in here, sleep till morning. What do you think? Okay,

0:21:36.720 --> 0:21:43.720
<v Speaker 1>this spot looks soft enough. Come on, buddy, maybe tomorrow

0:21:44.119 --> 0:21:59.639
<v Speaker 1>everything would just sleep back to normal. Are you sleeping? Max?

0:22:03.119 --> 0:22:15.240
<v Speaker 1>Come on? I said, is it morning? Does it look

0:22:15.280 --> 0:22:18.000
<v Speaker 1>like morning? Your little piss aunt? Do you hear birds chirp?

0:22:18.040 --> 0:22:20.920
<v Speaker 1>And get up? You're trust passing. I was just trying

0:22:20.960 --> 0:22:26.080
<v Speaker 1>to rest your toil. Everything quieted down. Come on, hands

0:22:26.119 --> 0:22:31.360
<v Speaker 1>behind your back. I didn't do anything wrong. Oh, I'm sorry.

0:22:31.640 --> 0:22:34.680
<v Speaker 1>Is this your house? You're trust passing and you're I'll

0:22:34.720 --> 0:22:36.680
<v Speaker 1>pass curve for you. And if you're like every other

0:22:36.720 --> 0:22:39.400
<v Speaker 1>little teenage demon i've picked up tonight, you've probably done

0:22:39.440 --> 0:22:41.520
<v Speaker 1>things that would kill your mom if she found out.

0:22:41.760 --> 0:22:43.840
<v Speaker 1>You're going to the lock up until morning with the

0:22:43.880 --> 0:22:46.400
<v Speaker 1>rest of the riff raff. Then we can start out.

0:22:46.400 --> 0:22:50.840
<v Speaker 1>Who did what? Hey, went another one for the wagon?

0:22:51.040 --> 0:22:58.040
<v Speaker 1>All right, back, come on your jackasses. Wait, what about

0:22:58.040 --> 0:23:00.760
<v Speaker 1>my dog? I should have thought of that before you

0:23:00.800 --> 0:23:03.040
<v Speaker 1>went out tonight. Huh. Yeah. If he's a good dog,

0:23:03.080 --> 0:23:06.240
<v Speaker 1>he'll find his way home. But he don't look like

0:23:06.280 --> 0:23:12.760
<v Speaker 1>a good dog to me. Get out of here, your fleabag. Alright,

0:23:12.840 --> 0:23:19.919
<v Speaker 1>kid into the wagon, ero arrow, I'll find you, buddy.

0:23:24.080 --> 0:23:32.080
<v Speaker 1>You it's you. You're a kid from the fair Archie. Yeah,

0:23:32.359 --> 0:23:35.760
<v Speaker 1>that's right. What happened to you? What does it look like?

0:23:35.800 --> 0:23:38.159
<v Speaker 1>You fucking dunce? I mean cuffs, and they're taking me

0:23:38.200 --> 0:23:41.960
<v Speaker 1>to jail with the rest of these pistsoaked tobe. Shut up,

0:23:42.000 --> 0:23:45.200
<v Speaker 1>I'll kill all of you goddamn cockroaches, all of you.

0:23:45.560 --> 0:23:49.920
<v Speaker 1>Try me out. Yeah, and you, you dumb little Buckeye.

0:23:50.840 --> 0:23:53.760
<v Speaker 1>You're the reason I'm stuck in this rat trap. If

0:23:53.800 --> 0:23:56.399
<v Speaker 1>you would have just gotten that fucking bracelet like we said,

0:23:56.720 --> 0:23:58.480
<v Speaker 1>I never would have gone back to the fair. I

0:23:58.600 --> 0:24:00.439
<v Speaker 1>never would have gotten mixed up in the fire. I

0:24:00.520 --> 0:24:03.560
<v Speaker 1>never would have tangled with the cops. It's all your fault.

0:24:03.920 --> 0:24:07.080
<v Speaker 1>How is this my fault? God? Even if I'm out

0:24:07.080 --> 0:24:10.720
<v Speaker 1>by tomorrow, there's a jail stink you can't shake off.

0:24:10.720 --> 0:24:13.000
<v Speaker 1>People find out about this, they give me the boot

0:24:13.000 --> 0:24:16.239
<v Speaker 1>from Yale, they keep me out of law school. My

0:24:16.320 --> 0:24:22.600
<v Speaker 1>life is chicken ship and it's a door that doesn't

0:24:22.600 --> 0:24:25.399
<v Speaker 1>mean any sense. When they take these cuffs off me,

0:24:26.400 --> 0:24:29.200
<v Speaker 1>I swear to God, I'm gonna gouge you. Your little

0:24:29.320 --> 0:24:33.000
<v Speaker 1>veal calf eyes out you hear me? Breadline, Ninny gut,

0:24:33.320 --> 0:24:39.399
<v Speaker 1>you're dead, got it? Dad? Hey, go to hell. I

0:24:39.480 --> 0:24:42.920
<v Speaker 1>can't wait to see this kid looks like a Scrapperty

0:24:43.000 --> 0:24:46.159
<v Speaker 1>goes down squeak. After he's dead, I call first rifle

0:24:46.200 --> 0:24:48.840
<v Speaker 1>in his pocket. Free me alone. You think I won't

0:24:48.840 --> 0:24:50.920
<v Speaker 1>do it? They lock us up in a cell with dirty,

0:24:50.960 --> 0:24:54.160
<v Speaker 1>other hardhead punks, and your body turns up cold, face

0:24:54.240 --> 0:24:56.359
<v Speaker 1>down in the drain. How are they going to pay

0:24:56.440 --> 0:25:02.000
<v Speaker 1>with blame on me. You get it dead? Stop you're

0:25:02.000 --> 0:25:08.320
<v Speaker 1>gonna cry perci boy? Cut it out dead hell? Hell,

0:25:08.880 --> 0:25:12.880
<v Speaker 1>goddamn kid, quit your whiling. Nothing but big talk from

0:25:12.880 --> 0:25:15.520
<v Speaker 1>a stuff shirt. Cut your dirty mouth. You played, or

0:25:15.760 --> 0:25:23.880
<v Speaker 1>he won't do nothing? College boy ain't got the goods? Yeah?

0:25:26.760 --> 0:25:31.879
<v Speaker 1>Hellp it's this rath all right? How do you like

0:25:31.920 --> 0:25:35.320
<v Speaker 1>my foot on your chest? Buck eye? You tell me

0:25:35.359 --> 0:25:40.639
<v Speaker 1>to go to hell? Now? What's the matter kid? Cat's

0:25:40.880 --> 0:25:43.800
<v Speaker 1>your breath? Were you ready to say you're sorry? Well

0:25:43.840 --> 0:25:46.679
<v Speaker 1>it's too late. You're never gonna see your mama again.

0:25:47.359 --> 0:25:50.640
<v Speaker 1>Just my face until it all goes black? And how

0:25:50.640 --> 0:25:55.480
<v Speaker 1>do you like it? What's up saying? Uncle won't do

0:25:55.520 --> 0:26:04.960
<v Speaker 1>any good? Well? Who where the fun did you come from?

0:26:05.160 --> 0:26:17.040
<v Speaker 1>Let me shoot you? Max? Are you all right? Can

0:26:17.080 --> 0:26:21.040
<v Speaker 1>you just get us out of here? I can't Yeah,

0:26:27.880 --> 0:26:30.119
<v Speaker 1>I know a place we could cut me fracing off?

0:26:30.359 --> 0:26:37.480
<v Speaker 1>Come on, help, Hey, I wins. The rats are on

0:26:37.480 --> 0:26:48.600
<v Speaker 1>the run. Stop stop, Max, give me your hands. Let

0:26:48.640 --> 0:26:58.160
<v Speaker 1>me take this medal off your wrists. It feels better. Thanks, now,

0:26:58.240 --> 0:27:02.760
<v Speaker 1>wait here, when I finished one thing? No? Stop? What

0:27:03.040 --> 0:27:07.600
<v Speaker 1>is it you mean? You're going to kill him? But

0:27:07.680 --> 0:27:12.280
<v Speaker 1>he can't hurt us? Now, look, you chapped his eyes out.

0:27:13.000 --> 0:27:16.080
<v Speaker 1>What is he going to do? I only meant to

0:27:16.119 --> 0:27:21.480
<v Speaker 1>finish what I started. Well, you don't have to do that. Okay,

0:27:21.880 --> 0:27:25.560
<v Speaker 1>I'm giving you permission from now on, I'm giving you

0:27:25.600 --> 0:27:29.360
<v Speaker 1>permission to not finish what you started. But listen to me.

0:27:30.320 --> 0:27:34.840
<v Speaker 1>You said you think I'm the reason you exist, and

0:27:34.920 --> 0:27:40.960
<v Speaker 1>you said you wouldn't lie to me. Right. Yes, they

0:27:40.960 --> 0:27:45.960
<v Speaker 1>we're making a pact right now. This is like a contract.

0:27:46.880 --> 0:27:49.600
<v Speaker 1>I'll let you help me get home tonight, but you

0:27:49.680 --> 0:27:53.160
<v Speaker 1>have to promise you won't just up and kill people

0:27:53.200 --> 0:27:57.240
<v Speaker 1>anymore or sat the eze out or knock your teeth out,

0:27:57.520 --> 0:28:02.080
<v Speaker 1>or break their bones or any like that. Do you promise?

0:28:03.119 --> 0:28:07.040
<v Speaker 1>I understand, I know you understand, But do you promise?

0:28:09.840 --> 0:28:18.360
<v Speaker 1>I promise? All right, I guess we're partners. Then let's

0:28:18.400 --> 0:28:50.440
<v Speaker 1>go find my dog. Thirteen Days of Halloween Devil's Night

0:28:51.040 --> 0:28:56.320
<v Speaker 1>starring Carter Rockwood and Clancy Brown. Episode seven Main Street,

0:28:56.640 --> 0:29:01.160
<v Speaker 1>written by Joe McCormick and Alexander Williams, edited by Sosha.

0:29:01.640 --> 0:29:05.960
<v Speaker 1>Sound designed by Rima al Kali, featuring the voices of Stig,

0:29:06.000 --> 0:29:11.760
<v Speaker 1>Michael Eldred, Nicolas Takowski, Lauren vogelbaum On Gel masters Jeffrey Kennedy,

0:29:12.080 --> 0:29:17.720
<v Speaker 1>Vinnie Balbo and Gina Rickiki. Directed by Alexander Williams. Script

0:29:17.760 --> 0:29:22.040
<v Speaker 1>supervision by Nicolas Takowski. Casting by Sunday Bowling c s

0:29:22.120 --> 0:29:26.480
<v Speaker 1>A and Meg Mormon c s A. Production coordinator Wayna Calderon.

0:29:26.760 --> 0:29:31.400
<v Speaker 1>Production assistants Zoe Shay and Amber Ferris. Animal recording by

0:29:31.440 --> 0:29:36.400
<v Speaker 1>Ben James, closing theme by Rose Azerti. Loyalty Freak Music

0:29:36.560 --> 0:29:41.680
<v Speaker 1>dot Com Recorded at d G Entertainment in Los Angeles, California,

0:29:41.960 --> 0:29:46.520
<v Speaker 1>Engineered by Gary Forbes and Jody Abbott. Additional recording by

0:29:46.760 --> 0:29:52.040
<v Speaker 1>SoundBite Inc. In Atlanta, Georgia, Engineered by Chase Nixon, studio

0:29:52.160 --> 0:29:57.360
<v Speaker 1>manager Cathy Roberts and Burnt Orange Sound in Sara Sota, Florida.

0:29:57.600 --> 0:30:03.160
<v Speaker 1>Engineered by Matt de Seer. Executive producers Aaron Mankey, Noah Feinberg,

0:30:03.440 --> 0:30:08.960
<v Speaker 1>Chris Dicky, Matt Frederick and Alexander Williams. Supervising producers Trevor

0:30:09.000 --> 0:30:13.600
<v Speaker 1>Young and Josh Say. Producers Jesse Funk and rima Il Kali.

0:30:15.080 --> 0:30:17.840
<v Speaker 1>Thirteen Days of Halloween was created by Matt Frederick and

0:30:17.880 --> 0:30:21.640
<v Speaker 1>Alexander Williams and is a production of iHeart three D Audio,

0:30:21.800 --> 0:30:25.800
<v Speaker 1>Blumhouse Television, and Grim and Mild from Aaron Mackey. Learn

0:30:25.840 --> 0:30:28.560
<v Speaker 1>more about the show at Grimm and Mild dot com.

0:30:28.600 --> 0:30:31.840
<v Speaker 1>Slash thirteen days and find more podcasts from my heart

0:30:31.920 --> 0:30:35.120
<v Speaker 1>Radio by visiting the I heart Radio app, Apple Podcasts,

0:30:35.240 --> 0:30:37.240
<v Speaker 1>or wherever you listen to your favorite shows