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Speaker 1: I believe everything is going.

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Speaker 2: Are you rolling on the quick Time? Donald?

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Speaker 1: No, I record on the Zoom? Still brody?

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Speaker 2: Oh you go old school since the beginning.

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Speaker 1: You know, since we started this bad Boy, I try

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Speaker 1: to keep it old school for all of the heads

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Speaker 1: out there. You know what I'm saying, For all you

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Speaker 1: old school heads out there, I keep it old school.

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Speaker 1: I don't. I don't subscribe to the quick Time. I don't.

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Speaker 1: I don't do that. I stick with the Zoom. I

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Speaker 1: have to. I have to travel with the zoom. Yeah,

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Speaker 1: you know I do. I have upgraded to the Sony camera.

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Speaker 1: But you know, looks good. And you talk about your stuff.

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Speaker 2: I don't want to talk about that ship. I don't

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Speaker 2: want to talk about how much I miss you, how much.

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Speaker 2: It's how long it's been since we've gathered.

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Speaker 3: It's been a year.

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Speaker 2: I don't know what it's going to air. But it's

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Speaker 2: January seventh, listeners. We haven't been together in a very

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Speaker 2: long time.

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Speaker 1: It's been a minute. I'm still sober.

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Speaker 2: I know, let's talk about this. Donald and I are

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Speaker 2: doing dry January. I started early. I think I started

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Speaker 2: the twenty seventh, So.

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Speaker 1: I started the thirtieth.

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Speaker 2: Okay, so and you're also off weed still, dude, I'm

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Speaker 2: so proud of you. How long for your weed?

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Speaker 1: Over a month? Now?

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Speaker 2: Underous applause? Daniel, that's the worst applause indeed, and an audience.

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Speaker 2: I just want to clarify. I'm not to each their own.

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Speaker 2: You love weed, you love weed, But my friend Donald

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Speaker 2: was smoking a fuck ton of weed, and I don't

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Speaker 2: think that I think doctors would agree that the amount

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Speaker 2: of weed he was smoking was not good for him.

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Speaker 1: I don't know you said, you said say that, but

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Speaker 1: the Surgeon General.

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Speaker 2: Is supposed to smoke weed morning to night. Bro.

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Speaker 1: I you know, I don't know all of that. That's

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Speaker 1: not what freaked me out about the surgeon General. What

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Speaker 1: the surgeon General said about alcohol is what freaked me out.

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Speaker 2: I'm also well, yeah, but yet you also stopped weed.

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Speaker 2: So what was your impact? What was your catalyst for that?

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Speaker 1: I was just doing it too much, and I wasn't

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Speaker 1: very present with my wife, and I wasn't present with

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Speaker 1: my children, and you know, I thought it was I

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Speaker 1: thought it was time. But I'll tell you, man, stopping

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Speaker 1: the weed threw me down. This this uh, what's the

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Speaker 1: what's the word I'm looking for? Paranoia, spiral. And I

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Speaker 1: went to the doctor and I freaking every blood test

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Speaker 1: I could possibly get.

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Speaker 2: All these things you got in your head about your

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Speaker 2: health after you got off.

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Speaker 1: Oh absolutely, because I started coughing all of these things.

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Speaker 1: I went to the doctor and took that blood test.

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Speaker 1: You can only take it when you're fifty. I forget

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Speaker 1: the name of it, but it tests for over fifty

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Speaker 1: types of cancer too. Yeah, and I did it, and

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Speaker 1: I'm cancer free. I'm here to report and say.

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Speaker 2: I still think you're saying like you beat cancer.

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Speaker 1: No. I mean, but no. Man, Like the way I

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Speaker 1: felt after the was out of my was trying to

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Speaker 1: leave my system. You know, it doesn't want to leave,

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Speaker 1: It's it wants to stay. It's like, what are you

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Speaker 1: doing you?

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Speaker 2: Yeah, well, dude, you were in serious withdrawal. I mean

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Speaker 2: you you were a morning to night smoker. How long

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Speaker 2: did did you feel withdrawal symptoms?

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Speaker 1: I still feel it now. It's it's you know, it's

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Speaker 1: a month and a half in and you know the

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Speaker 1: cravings have started back up. You know. I work out

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Speaker 1: at a gym and sometimes these cats come in. It's

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Speaker 1: a private gym, and sometimes these cats come in smelling

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Speaker 1: like loud, and that shit is like, oh, you smell

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Speaker 1: so good. But I know I don't want to do

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Speaker 1: that shit anymore, you know what I mean. And then

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Speaker 1: you know, since my birthday, all of this alcohol has

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Speaker 1: been in the house and it's you know, walking by

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Speaker 1: it and looking at it is is a bit torturous.

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Speaker 1: But I'm not going to throw it out because it's

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Speaker 1: so much money and I paid for it, and I

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Speaker 1: don't necessarily intend to ever drink again, like I don't

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Speaker 1: want to drink again, especially after with the after what

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Speaker 1: the surgeon General said. But you know, I have a

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Speaker 1: fear of not death, but just not being here for

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Speaker 1: my children, and so because of that.

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Speaker 2: Well, dude, I only am happy for you. I really

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Speaker 2: am happy for you because I know, I know you

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Speaker 2: and I love you, and I know that smoking weed

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Speaker 2: is something you've been relying on for a long time.

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Speaker 2: And I know how you're not the only morning to

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Speaker 2: evening smoker. I know, I know how hard it is

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Speaker 2: for people to kick it. Yeah, so I applaud you

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Speaker 2: for doing it. And then and then, you know, the

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Speaker 2: logical thing would be like, all right, I'll just I'll

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Speaker 2: just drink at night instead, and then you you're at

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Speaker 2: least auditioning giving that up too, So.

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Speaker 1: That's I'm not auditioning. I just don't want to drink anymore,

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Speaker 1: bro like after hearing about cancer, and you know, even

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Speaker 1: the foods we eat and stuff like that, like everything is.

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Speaker 1: You know, I'm a fifty year old man, and you

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Speaker 1: hate to say, yeah, man, like I have most of

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Speaker 1: my years most of the you know, I don't think

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Speaker 1: I'll live another fifty years. You know, it would be

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Speaker 1: great if I did, but the chances of doing that

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Speaker 1: are slim.

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Speaker 3: You know.

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Speaker 2: I lost my aunt recently. Sorry, I loved very much,

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Speaker 2: and she was I believe eighty five, and my dad

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Speaker 2: made it to eighty four, and I just he was

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Speaker 2: she was his sister, and I couldn't help but think like, wow,

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Speaker 2: so I've got like my family's trending towards the mid eighties. Yeah,

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Speaker 2: which means I've got thirty five ish left. I mean,

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Speaker 2: I hope I get more, but thirty five ish years left.

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Speaker 2: It's a crazy thing to think about. Like when you

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Speaker 2: get to be our age fifty, I'm going turn fifteen

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Speaker 2: in April. You started thinking about like, well, well, how

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Speaker 2: many do I got left? And then my aunt passed away.

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Speaker 2: She had a long, full life, and it was an

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Speaker 2: amazing person. But you can't help but think like, oh, God,

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Speaker 2: looks like my family's uh, my family's making it to

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Speaker 2: mid eighties.

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Speaker 1: Yeah, man, And nobody gets out of this alive. That's

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Speaker 1: the truth.

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Speaker 3: But life.

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Speaker 1: Yeah, that's a good body.

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Speaker 2: Put it on his shirt. Life. No one gets out alive.

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Speaker 1: Yeah, real talk.

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Speaker 2: But yeah, I'm trying to dry. January, I was in

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Speaker 2: New York. I'm having so much fun with the Lawrences

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Speaker 2: and with Andrew Watt and with Josh Raiden, and we

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Speaker 2: had a blast. I saw a bunch of great shows.

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Speaker 2: I highly recommend maybe Happy Ending with Darren Chris to people.

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Speaker 2: That show was fantastic anyway. But yeah, I came back

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Speaker 2: and I think I just get every year I find

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Speaker 2: myself surprised by it. But I think I get a

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Speaker 2: little Sorry, we're not really doing a comedy podcast yet.

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Speaker 2: We will, But I get a little bit of seasonal

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Speaker 2: depression around the end of December when it's like dark

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Speaker 2: where I live. It's like dark at four fifteen, and

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Speaker 2: I don't know, I just get down on the dumps

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Speaker 2: and so I just I always know when I get

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Speaker 2: to that place, I know all the things I can

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Speaker 2: throw at it, you know, I know how to throw

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Speaker 2: the kitchen sink at that melancholia. And for me, it's

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Speaker 2: I have to stop drinking. I have to start working

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Speaker 2: out more. I have to start eating right. And if

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Speaker 2: I do all these things, if I do and I meditate,

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Speaker 2: I I adopted a dog, which is I have officially

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Speaker 2: foster failed and adopting this wonderful dog, which is a

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Speaker 2: huge source of serotonin. So I know if I throw

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Speaker 2: the you know I saw on a cold bunch, all

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Speaker 2: these things that helped me, I, little by little can

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Speaker 2: get out of it. But I started feeling those those feelings.

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Speaker 1: You know, it's really easy to fall into that. It's

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Speaker 1: so easy to fall into that, especially at our age,

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Speaker 1: because you no longer feel invincible. You know, when we

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Speaker 1: were kids. When I was a kid, there's nothing you

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Speaker 1: could tell I was right too. I was pretty invincible

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Speaker 1: as a youth, you know what I mean, Like the

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Speaker 1: shit I did to my body and was able to

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Speaker 1: wake up the next morning and be like, you know

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Speaker 1: what I mean. Like, but as time goes on, you

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Speaker 1: realize that's them days are behind you. Now, it's about

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Speaker 1: you know, it's it's nature, not nurture. But you know,

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Speaker 1: I'm gonna try and nurture this ship as much as

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Speaker 1: I can.

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Speaker 2: You are nurturing yourself if you start taking actions that

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Speaker 2: are like, all right, what's gonna help me live the longest?

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Speaker 2: How do I know? There's so many podcasts and books

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Speaker 2: out there about like what should you be doing? If

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Speaker 2: you if you really do want to maximize your time?

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Speaker 2: What you should what should you be doing?

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Speaker 1: But it could all end? It could all end in

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Speaker 1: the next couple of minutes, you know what I mean.

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Speaker 1: That's how life is bro It could the freaking Earth

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Speaker 1: could get hit by a rock, or you know what

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Speaker 1: I mean.

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Speaker 2: Or you just have one of those mysterious things like

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Speaker 2: what happened to John Ritter, Like you just fucking don't know,

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Speaker 2: you just have like right, all of a sudden, bam,

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Speaker 2: you didn't know you had that gone. We should probably

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Speaker 2: just be more chipper for the people because it is

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Speaker 2: the new year, right Daniel. Daniel's here, Joel is having

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Speaker 2: Uh it's a very wind and some of the power

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Speaker 2: lines are down, and I think Joel has a power

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Speaker 2: line issue, right Daniel. Correct, we didn't.

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Speaker 1: Talk about Jersey like Jersey had UFOs and ship have

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Speaker 1: a lot to go out.

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Speaker 2: We can talk about that with Johnny. Because Johnny's a

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Speaker 2: Jersey boy, he'll be interested in that subject. Daniel, how

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Speaker 2: are you. How is your break? Your beer is very full?

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Speaker 2: Thank you, very very full. You know, me and the

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Speaker 2: wife spent the time we had off moving. We moved

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Speaker 2: from Queen's to Brooklyn, so now Brooklyn Nights, and we

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Speaker 2: like the area very much. We're very happy here. You

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Speaker 2: look like a Brooklyn Knight, thank you. Yeah, but we're

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Speaker 2: very happy here. We really like the area and it's

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Speaker 2: been it's been very kind to us as family here.

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Speaker 2: It's been nice. But I will say, you know, I

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Speaker 2: took the last three weeks of the year off intending

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Speaker 2: to relax, but then it was spent entirely packing boxes,

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Speaker 2: unpacking boxes, you know, setting up you know, facilities and whatnot.

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Speaker 2: So we had if we had a little bit of

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Speaker 2: time off, but not maybe as much as I would

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Speaker 2: have I would have liked. But happy to be here. Well,

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Speaker 2: congrats on your new place, thank you very much. John

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Speaker 2: To begin, we have so many topics to talk about.

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Speaker 2: We have to talk about how you've been gated, keeping doci.

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Speaker 1: From nobody has been gatekeeping DOCI.

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Speaker 2: I just learned the expression gatekeeping and I love it.

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Speaker 2: I have a lot I want to overuse it.

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Speaker 1: Well, if you think I'm gatekeeping DOCI, I don't want

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Speaker 1: you to think I'm gatekeeping Leangelo Ball Jello Ball's new

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Speaker 1: song is fire. Oh my gosh, it is fine. LeVar

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Speaker 1: Ball three.

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Speaker 2: For three Dan three for three subjects. I know the object, Daniel,

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Speaker 2: did you know about DOCI? I am familiar with DOCI.

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Speaker 2: Doci with two eyes. What do you mean if you're

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Speaker 2: like me and you're not hip, uh, if you're out

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Speaker 2: of the loop, you need to check out this young lady.

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Speaker 2: She is fantastic. D O E c H.

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Speaker 3: I I.

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Speaker 1: That is correct.

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Speaker 2: I know, I'm I know, I'm the last person to

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Speaker 2: say this, but she reminds me of Lauren Hill No

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Speaker 2: and that she can rap, she can sing, she's writing

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Speaker 2: it all. She's beautiful, she's fucking so talented.

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Speaker 1: She's extreme talented.

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Speaker 2: Her video that.

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Speaker 1: I sent you, she told her record label I'm going

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Speaker 1: to go away and write a record, and they were like,

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Speaker 1: well what do you have? She's like, on this date,

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Speaker 1: I'm going to drop a record. They were like, well,

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Speaker 1: what do you have? She was like, I have nothing,

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Speaker 1: but I'm going to go do it. And she went

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Speaker 1: away and did it, came back with it.

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Speaker 2: But I mean, I'm just blown away. I've been watching.

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Speaker 2: I went down a rabbit hole watching her little her

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Speaker 2: tiny desk thing, and her desk.

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Speaker 1: Was pretty good. Man, desk was fire dude.

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Speaker 2: And her music video do you remember the name of

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Speaker 2: the song that I sent you donald with like a

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Speaker 2: sitcom set, Yeah, Deniala's River.

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Speaker 1: That's a bunch of artists. That's a bunch of artists

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Speaker 1: on that though.

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Speaker 2: Like her music, yeah, or audience, go watch this music

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Speaker 2: video for Denial of the River. It is so innovative.

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Speaker 2: Kudos to the directors who I don't know who. I

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Speaker 2: assume it's their idea or it's her idea or both.

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Speaker 2: I don't know, but I thought it was so innovative

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Speaker 2: and cool. I was just smiling through the whole thing,

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Speaker 2: being like, Wow, what a talent, What an exciting new talent.

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Speaker 1: Very impressive. She's not very she's not new either. She's

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Speaker 1: been around for it.

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Speaker 2: But didn't she young? How old is she? Early twenties?

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Speaker 1: I don't know that, Dane.

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Speaker 2: Can you look a look? And I'm curious It reminded

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Speaker 2: me of Donald Glover, like when he came out with

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Speaker 2: This is America, but.

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Speaker 1: He had been around. That's the same thing Donald Glover had.

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Speaker 1: I stay woke, niggas creeping.

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Speaker 2: She's twenty six, twenty six. Well, I'm young and very

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Speaker 2: talented and exciting. All right, that's one topic.

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Speaker 1: Do you want to LiAngelo? Ball has dropped fire and

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Speaker 1: here it is for your listening pleasure.

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Speaker 2: I don't know who Leander and Ball.

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Speaker 1: I'm kind of fucking we heh okayeloet, Oh my god, Okay.

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Speaker 1: So he is a basketball player who his father, LaVar Ball,

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Speaker 1: was saying how his boys are the next stars in

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Speaker 1: the NBA. And one of them is the top, is

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Speaker 1: the number one All Star vote getter for guards this year.

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Speaker 1: The other one just made a comeback to the NBA

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Speaker 1: after being out for over a year. And now Leangelo,

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Speaker 1: who didn't make the who made the NBA but kind

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Speaker 1: of fell off in the NBA, made a record that's

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Speaker 1: so fire. You play that ship in the gym and

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Speaker 1: everybody's freaking dancing.

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Speaker 3: Wow.

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Speaker 2: It's so he came out of nowhere with a with

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Speaker 2: a with an album, and he's a basketball player.

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Speaker 1: And he's a basketball player. But the record is fire.

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Speaker 1: I think I slept LeVar three for three boy three

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Speaker 1: for three?

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Speaker 2: What is three for three mean?

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Speaker 1: He predict that they would all be stars, and he

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Speaker 1: was right three for three okay, And and he predicted

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Speaker 1: it when they were babies too, like when they were

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Speaker 1: you know one was.

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Speaker 2: You know one did o' donald. He manifested that.

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Speaker 1: He did matter, but he did it in such like

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Speaker 1: the most like craziest way. He was going on television saying,

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Speaker 1: my boy's gonna be this and my boy's gonna be that.

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Speaker 1: And people were like, slow your roll, bro, you don't

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Speaker 1: know what's gonna happen. And he was like, no, they're

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Speaker 1: gonna be better than such and such and bettter in

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Speaker 1: and so far three for three on his boys. All right,

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Speaker 1: if you're going to bet on anybody, I mean, I'm

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Speaker 1: a bet on my kids. But if you're going to

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Speaker 1: bet on anybody, that's the right bet.

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Speaker 2: I guess, well, make sure your kids are also learning

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Speaker 2: to wrap in addition to learning to be pro athletes.

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Speaker 1: It's part of the It is a part of the culture.

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Speaker 2: Now, did you watch I know you didn't watch the episode,

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Speaker 2: but I was on the show Bookie episode four. This yeah, Rocco,

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Speaker 2: not inspired by your son. But audience, check out the

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Speaker 2: show Bookie. It's really funny show. I'm a fan of

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Speaker 2: the show, and so I told Chuck Lori that and

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Speaker 2: then he wrote me this part and it's really funny. Donald.

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Speaker 2: I know you didn't watch the episode, but you watched

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Speaker 2: the clip I sent you. Of course, did you laugh?

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Speaker 1: I did? How was I?

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Speaker 2: That was fun right?

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Speaker 1: That's pretty impressive, dude. First of all, it's impressive that

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Speaker 1: Chuck Laurie jumped from multi cam to single cam.

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Speaker 2: That show is very funny. I don't. I mean, I

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Speaker 2: don't follow football, I don't follow betting, but I genuinely

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Speaker 2: liked the show. And you know, Sebastian Monascalco I find

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Speaker 2: him hilarious. Daniell you ever watch that show? I haven't yet,

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Speaker 2: but I see it's on Max, so I'll definitely give

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Speaker 2: it a look. All right, well check it out. You

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Speaker 2: can start with season two, episode four, and that will

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Speaker 2: make you love that one. Is Johnny here yet?

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Speaker 3: No? He is not? All right?

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Speaker 2: Good? I want to talk about the off because audience,

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Speaker 2: I have to admit something to you. I had seen

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Speaker 2: episodes of the Office in my life, but I've never

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Speaker 2: done a full watch of the series in a row,

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Speaker 2: and I told you I was having some melancholia, and

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Speaker 2: I thought, you know what everyone always says, this is

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Speaker 2: one of the funniest shows of all time. I'm gonna

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Speaker 2: this will pair nicely with my seasonal depression. And I

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Speaker 2: cannot tell you how fucking funny that show is. I

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Speaker 2: know I'm late to the party, everybody again. I had

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Speaker 2: seen episodes, but I had never done a full watch,

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Speaker 2: and I'm now I'm in season six, and it is

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Speaker 2: one of the funniest shows of all time.

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Speaker 1: Did you laugh when they do the Emperor talking to Anakin? Shit,

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Speaker 1: don't do it, Michael, and he has the hood over

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Speaker 1: his head.

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Speaker 2: I haven't gotten that yet.

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Speaker 1: That must be a Halloween episode.

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Speaker 2: Well I must be after where I am because I'm

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Speaker 2: in season six, not all the way to finish yet.

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Speaker 1: I think it might be earlier than that. But anyway,

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Speaker 1: that shit is fun.

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Speaker 2: I don't want it to be over.

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Speaker 1: Did you see the episode where Where Where? Where? Uh where?

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Speaker 1: Dwight comes in dressed as Jim.

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Speaker 2: Yes?

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Speaker 1: Did you watch the the the end credits when the

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Speaker 1: credits are rolling and he's doing Jim yeah, I mean,

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Speaker 1: looks that shit had me rolling too. Did you watch

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Speaker 1: the one where Oscar is thrown out of the closeted.

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Speaker 2: A witch hunt? That episode, and it's one of the

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Speaker 2: funniest fucking episodes in television I've ever seen. That episode

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Speaker 2: is one of the funniest episodes of television I've ever seen.

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Speaker 2: And I can't believe, By the way, when I'm done,

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Speaker 2: I'm gonna go watch these gag reels because the I

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Speaker 2: cannot believe that these actors are managed to not laugh.

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Speaker 2: I'm sure they laugh all the time, but they managed

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Speaker 2: to when Steve Carrell is doing his thing, and these

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Speaker 2: and these people all have their straight faces. I just

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Speaker 2: don't know. If I could do it, I would be biting.

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Speaker 2: I mean, we obviously you stapping with you, we stapping

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Speaker 2: on scrubs when it was bad. I would bite the

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Speaker 2: inside of my cheek. But I'm watching Steve Carrell and

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Speaker 2: I'm going I would not be able to not be

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Speaker 2: laughing through this. He's so I mean, obviously, the whole cast.

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Speaker 2: Everybody's brilliant. Everybody's brilliant. Everyone has their moment to shine. Everything.

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Speaker 2: Creed says, Creed is.

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Speaker 1: Like there, Creed is a freaking assassin.

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Speaker 2: But Creed is like their fucking Rob Maschio the time.

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Speaker 2: Yeause he got one line in episode and without fail,

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Speaker 2: I laugh every time.

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Speaker 1: Yeah.

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Speaker 2: I just watched an episode work called Murder Work where

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Speaker 2: they're where they're playing a murder mystery game and Creed

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Speaker 2: gets to work late, and when he arrives at work,

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Speaker 2: he says to Michael, sorry, I'm late, and Michael in

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Speaker 2: character is playing the murder game when he goes, there

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Speaker 2: has been a murder and we suspect you, and Creed goes, okay,

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Speaker 2: let me just put my things down and I'll be back,

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Speaker 2: and then you see him run to his car, and

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Speaker 2: I feel like we should do a rewatch of the office.

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Speaker 1: That's where you know what we said that early on?

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Speaker 2: I know that now I kind of want to do it.

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Speaker 2: I wish I had done. We should try it, listen.

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Speaker 2: We could audition and do like three episodes and see

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Speaker 2: if we enjoy it.

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Speaker 1: Absolutely.

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Speaker 2: Because I've been audience, I've been sending Donald clips. Some

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00:19:09,359 --> 00:19:11,239
Speaker 2: of them are like Chris shit, I can't believe they

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Speaker 2: did on television, and these episodes are still up on television.

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Speaker 2: But I will send Donald like video clips of what

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Speaker 2: I've been watching, and I'm like just laughing, like, oh

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Speaker 2: my god, I know what some of you are listening,

397
00:19:23,200 --> 00:19:25,320
Speaker 2: going like yeah, bro, we know The Office is funny.

398
00:19:25,520 --> 00:19:27,800
Speaker 2: But I feel like those of you out there who

399
00:19:27,800 --> 00:19:30,359
Speaker 2: are listening because you love Scrubs, and obviously Donald and

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00:19:30,359 --> 00:19:32,000
Speaker 2: I can't have that kind of relationship with the show

401
00:19:32,040 --> 00:19:34,639
Speaker 2: because we're in it, but I feel that with watching

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Speaker 2: The Office now, where I'm like, I'm so invested in

403
00:19:37,280 --> 00:19:42,000
Speaker 2: these people. Love I love this family. They're so bizarre.

404
00:19:42,040 --> 00:19:45,199
Speaker 2: But I'm sad to know I'm on season six and

405
00:19:45,240 --> 00:19:47,840
Speaker 2: it's gonna have an end, and I know there's a

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00:19:47,880 --> 00:19:50,720
Speaker 2: reboot happening. I know there's a reboot happening, but it

407
00:19:50,800 --> 00:19:52,800
Speaker 2: doesn't have the cast. I wish the cast was. I

408
00:19:52,840 --> 00:19:57,280
Speaker 2: wish they were doing it. I think it goes to eight,

409
00:19:57,359 --> 00:19:59,159
Speaker 2: but Correl's not on seven and eight. And I'm not

410
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Speaker 2: going to be a hater. I'm going to be open

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Speaker 2: to seven and eight. But I can't imagine the show

412
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Speaker 2: without Growl because to me, he's He's it's all about him.

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Speaker 1: He's hilarious when the dude asks him, when the HR

414
00:20:14,119 --> 00:20:17,359
Speaker 1: company comes in and they're asking him, all of these questions,

415
00:20:17,880 --> 00:20:19,840
Speaker 1: and they're trying to catch him out there and he's

416
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Speaker 1: doing his best not to fall off, and they're like,

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Speaker 1: what are Michael, what are the mountains? And he's he's

418
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Speaker 1: holding it in and he goes they rest upon me

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Speaker 1: Lady's chest.

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Speaker 2: Oh my god. The fact that when we were talking

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Speaker 2: to Brian Baumgartner, I, you know again, I had seen

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00:20:43,280 --> 00:20:46,200
Speaker 2: maybe a dozen episodes, But now I wish I could

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Speaker 2: have him back. I have so many more questions now

424
00:20:48,359 --> 00:20:51,199
Speaker 2: that I've fucking binge the whole thing. But man, that

425
00:20:51,240 --> 00:20:55,040
Speaker 2: guy is so funny and every single character actor on

426
00:20:55,080 --> 00:20:59,760
Speaker 2: that show has a moment to shine. And and I'm

427
00:20:59,760 --> 00:21:02,919
Speaker 2: so invested in Jim and Pam. I literally when Jim proposed,

428
00:21:03,000 --> 00:21:05,440
Speaker 2: I literally clutched my pearls. I was so caught off hard.

429
00:21:06,320 --> 00:21:08,639
Speaker 2: I was like, that's how invested it I was in

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Speaker 2: the show.

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00:21:09,000 --> 00:21:09,399
Speaker 3: I was like.

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Speaker 2: And then when they went to when they got married,

433
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Speaker 2: and I when they did the little thing with Niagara Falls,

434
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Speaker 2: I had like tears in my eyes. I was so invested.

435
00:21:16,040 --> 00:21:19,880
Speaker 1: Anyway, Amy Adams early on Amy Adams on.

436
00:21:19,840 --> 00:21:24,040
Speaker 2: The show, Amy Adams, there's so many funny, so many funny, uh,

437
00:21:24,720 --> 00:21:27,360
Speaker 2: guest stars and it's just a brilliant show. I think,

438
00:21:27,359 --> 00:21:28,919
Speaker 2: I'm now I'm going to go back, and you know,

439
00:21:29,040 --> 00:21:32,840
Speaker 2: it's funny. I never I never really watched the other

440
00:21:32,920 --> 00:21:35,639
Speaker 2: shows that people that love Scrubs would say are in

441
00:21:35,680 --> 00:21:39,120
Speaker 2: the spirit of Scrubs, like Community Again, I've seen episodes,

442
00:21:39,160 --> 00:21:41,680
Speaker 2: never the whole thing, Parks and rec I've seen episodes,

443
00:21:41,720 --> 00:21:43,440
Speaker 2: never the whole thing. But now I'm kind of inspired

444
00:21:43,440 --> 00:21:47,000
Speaker 2: and just start watching these shows because we've always heard

445
00:21:47,040 --> 00:21:50,040
Speaker 2: you and I like, you know, people that love Scrubs

446
00:21:50,040 --> 00:21:53,720
Speaker 2: often like these shows, and and you know, I just

447
00:21:53,760 --> 00:21:56,240
Speaker 2: never got around to like sitting and binging them, and

448
00:21:55,880 --> 00:21:56,680
Speaker 2: now I am.

449
00:21:57,240 --> 00:21:59,919
Speaker 1: That's the question though, the reason why these shows were

450
00:22:00,119 --> 00:22:03,000
Speaker 1: so great though, Also it's not just the It's not

451
00:22:03,040 --> 00:22:05,120
Speaker 1: just the actors on the show. The writing was so

452
00:22:05,160 --> 00:22:08,760
Speaker 1: cutting edge, you know, Grubbs writing was so cutting edge,

453
00:22:08,880 --> 00:22:12,080
Speaker 1: and this day and time, you know, you don't really

454
00:22:12,119 --> 00:22:17,320
Speaker 1: see this type of writing anymore. You don't see this edgy, edgy.

455
00:22:17,600 --> 00:22:20,200
Speaker 2: Well, you can't really be as edgy as as as

456
00:22:20,280 --> 00:22:24,040
Speaker 2: Scrubbs was and as The Office was any anymore. Obviously,

457
00:22:24,080 --> 00:22:26,119
Speaker 2: on I don't know what do you what are you

458
00:22:26,119 --> 00:22:27,800
Speaker 2: saying now? And you're saying you can I don't think

459
00:22:27,800 --> 00:22:31,560
Speaker 2: you can be Uh, what are you saying? I think

460
00:22:31,600 --> 00:22:33,840
Speaker 2: I think it's it. It feels like it's like a

461
00:22:33,840 --> 00:22:36,080
Speaker 2: different kind of edge now, you know, I look at

462
00:22:36,119 --> 00:22:38,639
Speaker 2: a lot of like animated shows these days, like, you know,

463
00:22:38,640 --> 00:22:40,600
Speaker 2: the kind of edge that like Rick and Morty does

464
00:22:40,920 --> 00:22:42,639
Speaker 2: is like it is its own kind of edgy in

465
00:22:42,680 --> 00:22:47,239
Speaker 2: a very I don't know edgy way. I think there

466
00:22:47,920 --> 00:22:52,000
Speaker 2: were racy There were racy jokes on the office. Larry

467
00:22:52,000 --> 00:22:54,240
Speaker 2: Wilmore was one of the head writers. I assume that

468
00:22:54,320 --> 00:22:59,679
Speaker 2: he was writing a lot of them. Uh they're hilarious.

469
00:23:00,640 --> 00:23:03,560
Speaker 2: I mean, Donald, you agree they're hilarious. But but now

470
00:23:03,760 --> 00:23:05,400
Speaker 2: some of them you go, oh, you couldn't. You could

471
00:23:05,400 --> 00:23:07,240
Speaker 2: definitely couldn't put that on a TV show, even if

472
00:23:07,240 --> 00:23:08,920
Speaker 2: for Larry Wilmore, you can't put that on a TV

473
00:23:08,960 --> 00:23:11,240
Speaker 2: show Now. I think the times change and people change

474
00:23:11,240 --> 00:23:11,639
Speaker 2: with them.

475
00:23:12,280 --> 00:23:14,760
Speaker 1: I do miss some of the edginess, And I know

476
00:23:14,920 --> 00:23:16,320
Speaker 1: I could get in trouble for saying that.

477
00:23:17,240 --> 00:23:19,800
Speaker 2: In trouble for saying you miss some edgy jokes. I mean,

478
00:23:19,880 --> 00:23:23,040
Speaker 2: you fucking Delirious is your favorite comedy special of all time?

479
00:23:23,320 --> 00:23:26,080
Speaker 1: It is one of my favorites, and raw that one

480
00:23:26,200 --> 00:23:28,919
Speaker 1: and Raw and Raw has some stuff where you know,

481
00:23:29,000 --> 00:23:30,560
Speaker 1: you can't tell that joke anymore.

482
00:23:30,840 --> 00:23:33,240
Speaker 2: No, not even Eddy could tell those jokes anymore.

483
00:23:34,280 --> 00:23:35,760
Speaker 1: Eddie would be like, no, I ain't saying that shit.

484
00:23:35,840 --> 00:23:36,360
Speaker 1: You crazy.

485
00:23:36,680 --> 00:23:40,160
Speaker 2: We want to announce we're going to have the director

486
00:23:40,800 --> 00:23:42,800
Speaker 2: of the year, one of the directors of the year,

487
00:23:42,880 --> 00:23:47,080
Speaker 2: John Chu and the editor of my friend Myron Kirstein

488
00:23:47,200 --> 00:23:49,880
Speaker 2: of Wicked on the show. That's a big get for us.

489
00:23:49,920 --> 00:23:52,640
Speaker 1: Donald, that's a huge git. Holy shit, I can't believe

490
00:23:52,680 --> 00:23:55,399
Speaker 1: we did it well. You did it, But I'm gonna

491
00:23:55,400 --> 00:23:57,760
Speaker 1: say we did it well. You can say.

492
00:23:57,880 --> 00:24:00,719
Speaker 2: You know, you and I have been talking about, you know,

493
00:24:00,920 --> 00:24:04,440
Speaker 2: getting guests that are that are were people we really admire.

494
00:24:04,840 --> 00:24:08,480
Speaker 2: We have been doing that obviously, but continuing to pursue people,

495
00:24:08,520 --> 00:24:11,400
Speaker 2: doesn't matter who they are, if they're a doctor, if

496
00:24:11,440 --> 00:24:13,720
Speaker 2: they're a sex therapist, or if they're a director we like,

497
00:24:13,800 --> 00:24:15,400
Speaker 2: but just trying to get people that we are really

498
00:24:15,440 --> 00:24:19,160
Speaker 2: interested in. And we are both very interested in John

499
00:24:19,240 --> 00:24:22,520
Speaker 2: chew and and and what a fantastic job he did

500
00:24:22,560 --> 00:24:23,040
Speaker 2: on Wicked.

501
00:24:23,680 --> 00:24:25,399
Speaker 1: What's his next movie that he's doing.

502
00:24:26,200 --> 00:24:27,720
Speaker 2: I know I read it by the way I read

503
00:24:27,760 --> 00:24:29,840
Speaker 2: that he's going to do Joseph, which you and I

504
00:24:29,920 --> 00:24:32,080
Speaker 2: really are too old for. But we need to audition

505
00:24:32,119 --> 00:24:33,160
Speaker 2: for him when he's on the show.

506
00:24:33,680 --> 00:24:38,159
Speaker 1: He's going to do technicolored dreamcro Yes, I don't know

507
00:24:38,160 --> 00:24:40,119
Speaker 1: if that's not his next that's not the next one.

508
00:24:40,160 --> 00:24:43,760
Speaker 1: There's something else that I've read that's like pretty exciting.

509
00:24:44,320 --> 00:24:46,520
Speaker 1: I don't know if it's a musical or not, but

510
00:24:46,640 --> 00:24:47,280
Speaker 1: if it is.

511
00:24:47,680 --> 00:24:48,199
Speaker 3: He does him.

512
00:24:48,240 --> 00:24:51,960
Speaker 1: Well, he's La La Land too, that would be awesome.

513
00:24:52,119 --> 00:24:53,600
Speaker 2: No, he's not. I think he's got a lot of

514
00:24:53,680 --> 00:24:58,879
Speaker 2: kids under five or something, which is insane to to

515
00:25:00,680 --> 00:25:03,240
Speaker 2: do what he did and have that many young children.

516
00:25:03,680 --> 00:25:06,399
Speaker 2: I mean, obviously it goes without saying they must have

517
00:25:06,480 --> 00:25:08,800
Speaker 2: help he and his wife, but to take on an

518
00:25:08,880 --> 00:25:12,320
Speaker 2: undertaking of the scale of wicked and have like, I

519
00:25:12,359 --> 00:25:13,840
Speaker 2: don't know what it is, Danel, Maybe you can look

520
00:25:13,840 --> 00:25:15,920
Speaker 2: it up. He's got like four kids under five or

521
00:25:15,960 --> 00:25:18,440
Speaker 2: something like that. Look it up.

522
00:25:20,280 --> 00:25:22,679
Speaker 1: I was disappointed at the Golden Globes, but I was

523
00:25:22,720 --> 00:25:24,640
Speaker 1: also very happy.

524
00:25:24,280 --> 00:25:26,800
Speaker 2: With what disappointed you.

525
00:25:27,280 --> 00:25:30,160
Speaker 1: Well, I wanted I wanted Arianna and Cynthia to win,

526
00:25:30,400 --> 00:25:33,159
Speaker 1: but the people who won I was very happy for. Like,

527
00:25:33,200 --> 00:25:36,520
Speaker 1: I was very happy that Demi Moore won. I was saying,

528
00:25:36,840 --> 00:25:38,920
Speaker 1: very happy that she won, you know what I mean,

529
00:25:39,200 --> 00:25:39,520
Speaker 1: And I.

530
00:25:39,560 --> 00:25:41,960
Speaker 2: Was very movie. Did you see the substance?

531
00:25:42,440 --> 00:25:44,160
Speaker 1: I did. I have not seen the substance.

532
00:25:44,160 --> 00:25:45,000
Speaker 2: I think you like it.

533
00:25:45,080 --> 00:25:48,119
Speaker 1: You got to see the sub but not just that.

534
00:25:48,200 --> 00:25:52,000
Speaker 1: I was very happy that Zoe Saldan won. Also, you

535
00:25:52,040 --> 00:25:55,440
Speaker 1: know what I mean That that was I was very

536
00:25:55,520 --> 00:25:56,359
Speaker 1: happy about that.

537
00:25:56,600 --> 00:26:00,000
Speaker 2: I saw that movie Emelia Perez, and she is wonderful

538
00:26:00,160 --> 00:26:03,880
Speaker 2: in it. She's a very very good actress and I'm

539
00:26:03,880 --> 00:26:07,840
Speaker 2: happy for her. And her speech was lovely. And by

540
00:26:07,840 --> 00:26:10,240
Speaker 2: the way, I don't think you'd like a million pairs

541
00:26:10,400 --> 00:26:13,119
Speaker 2: knowing you, but I think you will love the substance.

542
00:26:14,880 --> 00:26:18,200
Speaker 1: Well, yeah, man, I think I would like Amelia.

543
00:26:20,560 --> 00:26:21,479
Speaker 2: I don't like it.

544
00:26:21,480 --> 00:26:26,200
Speaker 1: It is a musical, and it is it's subtit what's

545
00:26:26,880 --> 00:26:29,200
Speaker 1: it's subtitled? And so i'd have to stand really close

546
00:26:29,240 --> 00:26:33,160
Speaker 1: to the screen so I could read the stand close.

547
00:26:33,200 --> 00:26:33,639
Speaker 2: I just saw you.

548
00:26:37,560 --> 00:26:39,040
Speaker 1: Yeah, but that's to read. Man.

549
00:26:39,480 --> 00:26:41,280
Speaker 2: Oh, then why didn't you get why didn't you also

550
00:26:41,359 --> 00:26:45,679
Speaker 2: get that's next? So you went to the doctor and

551
00:26:45,720 --> 00:26:47,920
Speaker 2: only got one pair of classes.

552
00:26:47,920 --> 00:26:50,080
Speaker 1: When you know, I went to the doctor and I

553
00:26:50,080 --> 00:26:51,800
Speaker 1: didn't go to the doctor. My wife was like, you

554
00:26:51,840 --> 00:26:53,440
Speaker 1: need readers because I was all readers.

555
00:26:53,920 --> 00:26:56,640
Speaker 2: Yeah, Oh, why don't you go to the ophthalmologist, my.

556
00:26:56,640 --> 00:26:58,480
Speaker 1: Friend, that's the next step.

557
00:26:58,280 --> 00:27:00,159
Speaker 2: Especially since you're checking in on all your.

558
00:27:00,200 --> 00:27:02,080
Speaker 1: Health, that's the next step.

559
00:27:02,200 --> 00:27:04,440
Speaker 2: Those glasses are cool. You got those readers though.

560
00:27:04,760 --> 00:27:05,359
Speaker 1: I like them.

561
00:27:05,880 --> 00:27:08,280
Speaker 2: What else can we talk about? Before we were waiting

562
00:27:08,280 --> 00:27:10,840
Speaker 2: for the legendary Johnny ce McGinley to join us, talk

563
00:27:10,880 --> 00:27:13,960
Speaker 2: about all things Johnny C. What else have you been

564
00:27:14,000 --> 00:27:14,880
Speaker 2: watching that you liked?

565
00:27:15,400 --> 00:27:16,240
Speaker 1: Skeleton Crew?

566
00:27:16,800 --> 00:27:21,040
Speaker 2: Skeleton Crew? Okay, it's that's a kid's Disney show, right.

567
00:27:20,960 --> 00:27:24,840
Speaker 1: It's a it's a Star Wars show that stars Jude

568
00:27:24,920 --> 00:27:28,919
Speaker 1: Law and a bunch of kids, and it is. I mean,

569
00:27:28,960 --> 00:27:32,200
Speaker 1: they don't need I'm gonna be me personally. I feel

570
00:27:32,200 --> 00:27:35,560
Speaker 1: like they've now found the stars of the next generation

571
00:27:35,680 --> 00:27:39,080
Speaker 1: for Star Wars. We don't need to worry about Ray Skywalker.

572
00:27:39,400 --> 00:27:42,000
Speaker 1: We don't need to worry about Finn or Poe, Damnren.

573
00:27:42,440 --> 00:27:45,040
Speaker 1: They can be in the background. Now, let's follow these

574
00:27:45,080 --> 00:27:49,000
Speaker 1: four kids on their adventure after whatever this show is,

575
00:27:49,320 --> 00:27:53,240
Speaker 1: it's supposed to tie into, you know, this grand movie

576
00:27:53,280 --> 00:27:57,240
Speaker 1: that's coming out later on that John Favareau and Dave

577
00:27:57,280 --> 00:28:02,080
Speaker 1: Filoni are putting together where they explain how Palpatine returns

578
00:28:02,320 --> 00:28:06,080
Speaker 1: in the in the later start in the Star Wars

579
00:28:06,160 --> 00:28:10,679
Speaker 1: sequel trilogy. Uh, but I think they found four really

580
00:28:10,760 --> 00:28:15,320
Speaker 1: good people to follow into the future and we don't

581
00:28:15,359 --> 00:28:18,600
Speaker 1: need to. It has nothing to do with Luke Skywalker.

582
00:28:18,640 --> 00:28:21,440
Speaker 1: It has nothing to do with you know, any of that.

583
00:28:21,960 --> 00:28:25,640
Speaker 1: These kids are so good and so smart and they're

584
00:28:25,680 --> 00:28:29,119
Speaker 1: playing this so well that I think this is the

585
00:28:29,160 --> 00:28:31,919
Speaker 1: future of Star Wars. I would stick to this instead

586
00:28:31,920 --> 00:28:35,320
Speaker 1: of trying to figure out how to you know, piece

587
00:28:35,400 --> 00:28:40,080
Speaker 1: together all of the you know, this puzzle that you know,

588
00:28:40,480 --> 00:28:43,920
Speaker 1: Ryan Johnson and JJ Abrams created when they decided to

589
00:28:44,680 --> 00:28:48,120
Speaker 1: you know, retcon some shit and you know, kill certain

590
00:28:48,160 --> 00:28:49,360
Speaker 1: people and stuff like that.

591
00:28:49,480 --> 00:28:53,840
Speaker 2: Like are they are they building another big Star Wars movie?

592
00:28:53,840 --> 00:28:56,239
Speaker 2: They must be, right, Like who's who's who's developing the

593
00:28:56,280 --> 00:28:59,440
Speaker 2: next like big Star Wars movie that can continue from

594
00:28:59,480 --> 00:29:00,360
Speaker 2: what jaj did.

595
00:29:00,840 --> 00:29:03,800
Speaker 1: It's Dave Filoney that's doing it. Dave is a he's

596
00:29:03,840 --> 00:29:06,080
Speaker 1: a master of Star Wars.

597
00:29:05,880 --> 00:29:08,000
Speaker 2: He's he's gonna he has the rains now for the

598
00:29:08,040 --> 00:29:09,920
Speaker 2: next big Star Wars movie.

599
00:29:10,400 --> 00:29:12,760
Speaker 1: Yeah, him and and fav and.

600
00:29:12,760 --> 00:29:15,920
Speaker 2: Who will be in it? From the from the cast.

601
00:29:15,920 --> 00:29:21,360
Speaker 1: Will it be that I don't that driver Adam Drivers

602
00:29:21,360 --> 00:29:22,040
Speaker 1: in Star Wars?

603
00:29:24,320 --> 00:29:26,040
Speaker 2: Is he's kylo Ren?

604
00:29:26,320 --> 00:29:26,440
Speaker 3: Right?

605
00:29:26,920 --> 00:29:29,440
Speaker 1: Oh that's right. Why did I not know that he's dead?

606
00:29:30,200 --> 00:29:31,560
Speaker 1: He's dead though, Wait, let's go.

607
00:29:31,600 --> 00:29:33,080
Speaker 2: But you were off weed and you didn't know Adam

608
00:29:33,160 --> 00:29:34,320
Speaker 2: Driver was in Star Wars.

609
00:29:34,520 --> 00:29:37,160
Speaker 1: I didn't know who Adam Driver was for a hot second, like,

610
00:29:37,200 --> 00:29:38,360
Speaker 1: who the fuck is Adam Driver?

611
00:29:38,440 --> 00:29:40,920
Speaker 2: That must be like a weed remnant like this just

612
00:29:40,960 --> 00:29:44,280
Speaker 2: like firing off in your brain for like this is

613
00:29:44,280 --> 00:29:46,080
Speaker 2: like your religion and I'm like, is Jesus in it?

614
00:29:46,120 --> 00:29:47,160
Speaker 2: And You're like, who's Jesus?

615
00:29:47,520 --> 00:29:51,840
Speaker 1: Yeah, dude? For like for like three weeks, I still

616
00:29:51,840 --> 00:29:55,120
Speaker 1: felt high, and every now and then I still get that.

617
00:29:55,160 --> 00:29:57,040
Speaker 2: I'm going to tell you that Adam Driver is in

618
00:29:57,120 --> 00:30:01,120
Speaker 2: Star Wars, right, he doesn't spoiler.

619
00:30:01,160 --> 00:30:03,240
Speaker 1: No, it's not a spoiler. He dies in the Rise of.

620
00:30:03,240 --> 00:30:07,800
Speaker 2: Skyp spoiler you Skywalker at my house?

621
00:30:07,880 --> 00:30:08,840
Speaker 1: What are you talking about?

622
00:30:09,880 --> 00:30:10,120
Speaker 3: Yeah?

623
00:30:10,200 --> 00:30:11,440
Speaker 2: Do you want to let my baby?

624
00:30:11,800 --> 00:30:13,080
Speaker 1: Yeah? I do want to see your babby.

625
00:30:13,080 --> 00:30:14,640
Speaker 2: She's eighty pounds. I gotta use both.

626
00:30:15,600 --> 00:30:24,160
Speaker 1: Oh, God, don't hurt your back, fat, don't get that Hernia. Hey, baby,

627
00:30:24,360 --> 00:30:25,120
Speaker 1: this is Penny.

628
00:30:25,240 --> 00:30:28,480
Speaker 2: Penny and say hi to the audience. Look at those eyes.

629
00:30:29,960 --> 00:30:30,760
Speaker 1: She's beautiful.

630
00:30:32,360 --> 00:30:40,400
Speaker 2: I love her. Okay, baby eighty pounds. Yeah, it's officially

631
00:30:40,440 --> 00:30:41,640
Speaker 2: a foster failed Donald.

632
00:30:42,000 --> 00:30:44,440
Speaker 1: If you did it, I'm gonna let it. I knew you.

633
00:30:44,640 --> 00:30:45,920
Speaker 1: I knew that's what it was gonna be.

634
00:30:46,160 --> 00:30:49,040
Speaker 2: Everyone did. Everyone on my Instagram was like, there's no

635
00:30:49,080 --> 00:30:50,400
Speaker 2: way you're giving this dog up.

636
00:30:52,600 --> 00:30:55,080
Speaker 1: I've made some really good Star Wars stuff. In my

637
00:30:56,040 --> 00:31:01,120
Speaker 1: animation room. I put my motion and control camera to

638
00:31:01,160 --> 00:31:03,160
Speaker 1: the test and it's doing its thing.

639
00:31:03,720 --> 00:31:05,840
Speaker 2: Really, you've got it figured out.

640
00:31:06,160 --> 00:31:08,360
Speaker 1: No, I have people come over to help me out.

641
00:31:08,400 --> 00:31:08,560
Speaker 1: I have.

642
00:31:08,640 --> 00:31:10,960
Speaker 2: But they're educating you. They're teaching you.

643
00:31:11,000 --> 00:31:13,920
Speaker 1: They are teaching me, and I am being educated. It's hard, man,

644
00:31:14,000 --> 00:31:18,400
Speaker 1: it's not I you know. I got into stop motion

645
00:31:18,480 --> 00:31:21,680
Speaker 1: animation because of my love of special effects and the

646
00:31:21,760 --> 00:31:24,760
Speaker 1: behind the scenes stuff that you see in your movies

647
00:31:24,880 --> 00:31:28,440
Speaker 1: like the Marvel movies and the Star Wars movies and

648
00:31:28,440 --> 00:31:31,880
Speaker 1: stuff like that. That's since a kid. If I didn't

649
00:31:31,880 --> 00:31:34,360
Speaker 1: become an actor, I probably would have went into that

650
00:31:34,960 --> 00:31:40,760
Speaker 1: and doing it as an older man, it's challenging. It's

651
00:31:40,920 --> 00:31:45,840
Speaker 1: very challenging to retain all of the knowledge that if

652
00:31:45,880 --> 00:31:48,000
Speaker 1: I was a young man, and I was learning it,

653
00:31:48,080 --> 00:31:50,360
Speaker 1: I would be able to breeze through.

654
00:31:50,640 --> 00:31:54,560
Speaker 2: But it probably helps to not be high when they're

655
00:31:54,600 --> 00:31:55,040
Speaker 2: teaching you.

656
00:31:55,680 --> 00:31:57,160
Speaker 1: Well, I'm not high anymore, you know.

657
00:31:57,240 --> 00:31:59,880
Speaker 2: I'm saying like, it probably helps your education to not

658
00:32:00,080 --> 00:32:04,320
Speaker 2: be like, you know, under the influence.

659
00:32:04,680 --> 00:32:06,280
Speaker 1: You want to hear something. So the stuff that I

660
00:32:06,360 --> 00:32:10,520
Speaker 1: learned when I was high, I've completely forgot. So it's like,

661
00:32:11,760 --> 00:32:15,200
Speaker 1: it's like, all right, how do I remember that? Like

662
00:32:15,240 --> 00:32:17,160
Speaker 1: I turned on all of my equipment because I had

663
00:32:17,160 --> 00:32:20,040
Speaker 1: it set up for this motion control shot for the

664
00:32:20,120 --> 00:32:25,000
Speaker 1: short that I'm working on, and we at the last,

665
00:32:25,440 --> 00:32:28,640
Speaker 1: at our last meeting or our last shoot, they set

666
00:32:28,680 --> 00:32:31,600
Speaker 1: the table back up so I can animate again, and

667
00:32:32,720 --> 00:32:34,640
Speaker 1: me trying to figure out how to move the motion

668
00:32:34,760 --> 00:32:38,120
Speaker 1: control rig has become you know, it has to be centered,

669
00:32:38,120 --> 00:32:40,440
Speaker 1: it needs to be zeroed. Like, there's so many things,

670
00:32:40,960 --> 00:32:42,880
Speaker 1: and I forgot all of it because when I learned it,

671
00:32:42,920 --> 00:32:46,880
Speaker 1: I was stoned to the bone. Wow, and now I'm sober.

672
00:32:47,400 --> 00:32:57,400
Speaker 1: Kids not even once kids. Shit, that sounds tasty.

673
00:32:57,600 --> 00:33:01,040
Speaker 2: Oh, sorry, I didn't mean to trigger you. I'm sorry.

674
00:33:01,440 --> 00:33:02,160
Speaker 2: I'm sorry.

675
00:33:03,760 --> 00:33:06,040
Speaker 1: I'm good. Though, I'm good. I don't want to do

676
00:33:06,080 --> 00:33:06,600
Speaker 1: it anymore.

677
00:33:07,280 --> 00:33:10,400
Speaker 2: Well, how your wife must be happy that you're trying

678
00:33:10,480 --> 00:33:10,880
Speaker 2: new things.

679
00:33:11,200 --> 00:33:13,560
Speaker 1: Well, she was, that's the crazy thing. Once, once I

680
00:33:13,560 --> 00:33:17,000
Speaker 1: got off of it, she was like, motherfucker, don't you

681
00:33:17,040 --> 00:33:20,360
Speaker 1: got something to animate now? Or you know, like because

682
00:33:20,360 --> 00:33:24,239
Speaker 1: I'm all of her, all her her more, And she's like,

683
00:33:24,400 --> 00:33:30,960
Speaker 1: ain't the Knicks playing or something? She can't take it.

684
00:33:31,080 --> 00:33:33,520
Speaker 2: She's like, you're giving her too much attention.

685
00:33:33,400 --> 00:33:34,400
Speaker 1: Too much attention.

686
00:33:34,680 --> 00:33:37,520
Speaker 2: Yeah, you need a lot of attention.

687
00:33:38,720 --> 00:33:39,120
Speaker 1: I do.

688
00:33:39,480 --> 00:33:42,560
Speaker 2: I love attention when I'm dating someone. I like lots

689
00:33:42,560 --> 00:33:44,480
Speaker 2: of attention to. But I give lots of attention.

690
00:33:45,360 --> 00:33:46,400
Speaker 1: Yes, so do I I like.

691
00:33:46,920 --> 00:33:48,760
Speaker 2: But your wife is like, get the funk away from me,

692
00:33:49,200 --> 00:33:50,320
Speaker 2: Go to your hobby.

693
00:33:50,920 --> 00:33:53,160
Speaker 1: Yeah, wife, you guys don't watch the same thing.

694
00:33:53,240 --> 00:33:56,040
Speaker 2: She doesn't cuddle you. You guys don't watch the same

695
00:33:56,080 --> 00:33:59,920
Speaker 2: thing either, right, No, how are your basketball teams doing?

696
00:34:00,800 --> 00:34:03,080
Speaker 1: The Knicks word doing good? They just lost three in

697
00:34:03,080 --> 00:34:03,560
Speaker 1: a row to.

698
00:34:04,640 --> 00:34:10,200
Speaker 2: You know, Bill Lawrence has some floor seats for the Lakers. Bullshit,

699
00:34:10,960 --> 00:34:12,719
Speaker 2: we haven't been invited yet.

700
00:34:13,239 --> 00:34:14,799
Speaker 1: Does he go? Does he use him?

701
00:34:15,000 --> 00:34:16,960
Speaker 2: Yes? I don't think he has every game, but he's

702
00:34:17,000 --> 00:34:19,080
Speaker 2: got lots of games.

703
00:34:19,120 --> 00:34:21,480
Speaker 1: Bill. If you're not using your tickets, hook, he doesn't.

704
00:34:21,360 --> 00:34:23,560
Speaker 2: See this show anymore, so it's fine.

705
00:34:24,000 --> 00:34:26,120
Speaker 1: He claims it's his podcast.

706
00:34:26,280 --> 00:34:28,560
Speaker 2: He claimed it's his podcast, but I don't think he

707
00:34:28,680 --> 00:34:31,720
Speaker 2: listens to it. And if he did, if he does,

708
00:34:32,040 --> 00:34:34,680
Speaker 2: Bill Donald and I would like to use your floor

709
00:34:34,719 --> 00:34:35,720
Speaker 2: seats for the Lakers.

710
00:34:36,080 --> 00:34:37,879
Speaker 1: Please, let's take a break.

711
00:34:37,960 --> 00:34:46,760
Speaker 2: We'll be right back after these fine words.

712
00:34:47,800 --> 00:34:53,120
Speaker 4: Here's some stories you're not show. We made about a

713
00:34:53,160 --> 00:35:13,760
Speaker 4: bunch of the storyt so yea here, yea.

714
00:35:05,920 --> 00:35:15,560
Speaker 2: Here hey man, Hello ladies and gentlemen, the legendary Johnny

715
00:35:15,560 --> 00:35:16,240
Speaker 2: c McGinley.

716
00:35:16,680 --> 00:35:17,760
Speaker 1: What's happening, star?

717
00:35:18,200 --> 00:35:18,640
Speaker 2: How are you?

718
00:35:18,880 --> 00:35:19,839
Speaker 3: Donald? Hellozachi?

719
00:35:20,160 --> 00:35:21,040
Speaker 2: Good to see you, sir.

720
00:35:24,320 --> 00:35:26,239
Speaker 3: I'm coming to you. I know this won't be for

721
00:35:26,360 --> 00:35:28,759
Speaker 3: a week or two. Where the Pacific Palisades are on

722
00:35:28,840 --> 00:35:30,839
Speaker 3: fire again. I get the fuck.

723
00:35:31,040 --> 00:35:33,440
Speaker 1: I can see the fire from my house. Man, this

724
00:35:33,480 --> 00:35:36,319
Speaker 1: ship is for real right now. Man, at the top

725
00:35:36,360 --> 00:35:37,000
Speaker 1: of the hill.

726
00:35:36,920 --> 00:35:38,040
Speaker 3: It's just go down there.

727
00:35:38,200 --> 00:35:41,080
Speaker 2: I'm really in the Palisades now. The last time Johnny

728
00:35:41,200 --> 00:35:44,080
Speaker 2: you were, you were dealing with the fire. We were

729
00:35:44,120 --> 00:35:46,000
Speaker 2: trying to audience. We were trying to have Johnny on

730
00:35:46,640 --> 00:35:49,160
Speaker 2: a few weeks ago before the holiday and then but

731
00:35:49,320 --> 00:35:51,919
Speaker 2: Malibu was having crazy fires.

732
00:35:52,520 --> 00:35:54,880
Speaker 3: Well it was raging here last night that wind. Did

733
00:35:54,960 --> 00:35:56,239
Speaker 3: you guys feel the wind in town?

734
00:35:56,640 --> 00:35:56,839
Speaker 1: Yeah?

735
00:35:56,840 --> 00:36:00,200
Speaker 3: Absolutely, Well, we don't live near each other, but on

736
00:36:00,360 --> 00:36:02,040
Speaker 3: the other side of the hill you must have been

737
00:36:02,080 --> 00:36:03,960
Speaker 3: feeling funnel through there.

738
00:36:04,280 --> 00:36:07,799
Speaker 1: It is amazing how powerful the wind is right now.

739
00:36:08,000 --> 00:36:13,480
Speaker 1: I've never seen a palm tree bend that much and

740
00:36:13,560 --> 00:36:16,560
Speaker 1: still like it looks like they're about to snap. That's

741
00:36:16,560 --> 00:36:20,319
Speaker 1: how much they're bending. Eighty miles per hour wind outside right.

742
00:36:20,239 --> 00:36:24,760
Speaker 2: Now, Johnny, Can you get fire insurance in Malibu? Still?

743
00:36:25,920 --> 00:36:29,520
Speaker 3: Some people can, some people can't. It's just randomly canceled

744
00:36:29,560 --> 00:36:33,080
Speaker 3: on you. And we still have it, but a lot

745
00:36:33,080 --> 00:36:35,759
Speaker 3: of my neighbors do not, and a whole lot you

746
00:36:35,800 --> 00:36:36,440
Speaker 3: can do about it.

747
00:36:36,480 --> 00:36:40,720
Speaker 2: You're completely gambling with your biggest investment. It's crazy.

748
00:36:41,680 --> 00:36:45,160
Speaker 3: Yes, I think if the fire what's in vogue is

749
00:36:45,200 --> 00:36:48,080
Speaker 3: if your fire insurance is taken away from you, people

750
00:36:48,160 --> 00:36:53,080
Speaker 3: start their own fund independent of that and tag it

751
00:36:53,160 --> 00:36:58,000
Speaker 3: specifically for replacement expenses. If you're in a position to

752
00:36:58,040 --> 00:36:59,840
Speaker 3: be able to do that, which is oh.

753
00:37:00,040 --> 00:37:02,120
Speaker 2: Of your Well, not everybody, I mean, I know everyone

754
00:37:02,160 --> 00:37:05,319
Speaker 2: assumes everyone in Malibu is wealthy because it's a very

755
00:37:05,360 --> 00:37:08,960
Speaker 2: expensive place to live, but I'm sure not everyone is,

756
00:37:09,040 --> 00:37:11,319
Speaker 2: of course, so how does they what do they do?

757
00:37:11,440 --> 00:37:14,239
Speaker 2: They just they're kind of gambling with their I mean,

758
00:37:14,320 --> 00:37:17,720
Speaker 2: the fires are so common, or the threat of fire

759
00:37:17,880 --> 00:37:20,200
Speaker 2: is so common. You know. I went went to Sean

760
00:37:20,280 --> 00:37:23,719
Speaker 2: Penn's house, who is your neighbor, once and he has

761
00:37:23,760 --> 00:37:30,000
Speaker 2: this incredible rig that is a pump and the intake

762
00:37:30,120 --> 00:37:32,839
Speaker 2: goes into your swimming pool. I know you know this

763
00:37:32,880 --> 00:37:35,120
Speaker 2: because you've been to his house, you're his friend. But

764
00:37:35,320 --> 00:37:37,840
Speaker 2: and then and then donald it then becomes a pump

765
00:37:37,920 --> 00:37:41,600
Speaker 2: that you can put out, put out your house by

766
00:37:41,600 --> 00:37:43,840
Speaker 2: pumping your pool water all over your house.

767
00:37:44,200 --> 00:37:45,680
Speaker 1: That's smart, that's smart.

768
00:37:45,719 --> 00:37:47,560
Speaker 2: You guys have honey, you need to get one of those. No,

769
00:37:47,640 --> 00:37:48,960
Speaker 2: you don't have a pool pool.

770
00:37:49,000 --> 00:37:51,800
Speaker 3: But I'm speaking to you today because I've spent the

771
00:37:51,880 --> 00:37:55,040
Speaker 3: last couple of weeks installing a generator.

772
00:37:55,480 --> 00:37:57,920
Speaker 1: Yes, I have the most important Yeah, yeah, I want to.

773
00:37:57,960 --> 00:38:00,640
Speaker 3: I want to get the factor right now is through

774
00:38:00,840 --> 00:38:01,279
Speaker 3: the roof?

775
00:38:01,400 --> 00:38:02,640
Speaker 2: Why because the powers out or no?

776
00:38:03,200 --> 00:38:05,640
Speaker 3: Oh yeah, power has pronounced since nine o'clock this morning.

777
00:38:06,000 --> 00:38:08,800
Speaker 2: So you you have, so it's powers. What percentage of

778
00:38:08,840 --> 00:38:09,239
Speaker 2: your house?

779
00:38:09,960 --> 00:38:13,240
Speaker 3: Well, I have the ice machine is off, the hothouse

780
00:38:13,360 --> 00:38:18,560
Speaker 3: is off, the shack is off all the all the

781
00:38:18,600 --> 00:38:22,319
Speaker 3: all the all the all your luxe.

782
00:38:22,080 --> 00:38:23,120
Speaker 2: Trappings are off.

783
00:38:24,760 --> 00:38:27,840
Speaker 3: Off. So there's a light to Are you gonna.

784
00:38:27,640 --> 00:38:30,080
Speaker 2: Be able to survive without your golf simulator and your

785
00:38:30,120 --> 00:38:31,240
Speaker 2: sauna ice plunge.

786
00:38:32,360 --> 00:38:33,080
Speaker 3: That's a good question.

787
00:38:33,160 --> 00:38:33,560
Speaker 2: Check now.

788
00:38:35,640 --> 00:38:37,440
Speaker 3: I'm gonna I'm gonna breathe.

789
00:38:37,320 --> 00:38:38,680
Speaker 2: By the way, I have one of those. And I

790
00:38:38,760 --> 00:38:40,960
Speaker 2: always feel bad because the power where I live goes

791
00:38:41,000 --> 00:38:44,839
Speaker 2: out often and and then the thing fire. Yeah, up

792
00:38:44,840 --> 00:38:47,160
Speaker 2: in the Hollywood Hills, Yeah, power goes out a bunch,

793
00:38:47,320 --> 00:38:51,439
Speaker 2: and but it kicks on and it's loud, and I'm

794
00:38:51,480 --> 00:38:54,239
Speaker 2: the only and I'm the only house lit up on

795
00:38:54,280 --> 00:38:57,360
Speaker 2: the block, and I feel I feel like a jerk

796
00:38:57,600 --> 00:39:02,879
Speaker 2: because I'm no one else has any power, but I'm

797
00:39:02,920 --> 00:39:04,600
Speaker 2: like fully lit up and making noise.

798
00:39:05,120 --> 00:39:08,040
Speaker 3: You know, it's this whole area where I live, and

799
00:39:08,719 --> 00:39:11,680
Speaker 3: Zaki is familiar. Donald, You've given me the cold shoulder

800
00:39:11,719 --> 00:39:15,200
Speaker 3: coming over. But this whole area is buzzing with generators

801
00:39:15,280 --> 00:39:15,640
Speaker 3: right now.

802
00:39:16,000 --> 00:39:20,120
Speaker 1: Yeah, Yeah, I'm surprised nobody has the solar generator you gotta.

803
00:39:20,200 --> 00:39:23,280
Speaker 3: You're gonna have to find out how much that pulls.

804
00:39:22,920 --> 00:39:24,399
Speaker 2: A lot of sun. You need a lot of sun.

805
00:39:24,440 --> 00:39:26,360
Speaker 2: You might not have the sun So.

806
00:39:26,680 --> 00:39:30,120
Speaker 3: In other words, the ten thousand watt thing that I bought,

807
00:39:30,400 --> 00:39:34,120
Speaker 3: Uh is a big Honda beast.

808
00:39:33,560 --> 00:39:36,200
Speaker 2: And is off the brand.

809
00:39:36,560 --> 00:39:40,200
Speaker 3: Yeah, it runs out gasol, runs off the gasoline.

810
00:39:40,280 --> 00:39:41,240
Speaker 2: No, Oh it does.

811
00:39:41,520 --> 00:39:42,640
Speaker 3: Mine runs on gasoline.

812
00:39:42,680 --> 00:39:44,200
Speaker 2: Oh, mine runs off the gas line.

813
00:39:45,239 --> 00:39:46,520
Speaker 3: Yes, you're very fancy.

814
00:39:46,960 --> 00:39:48,120
Speaker 1: You are very fancy.

815
00:39:48,200 --> 00:39:49,720
Speaker 2: Mine runs off the gas line.

816
00:39:49,760 --> 00:39:52,960
Speaker 1: And then if the cuts off the gas.

817
00:39:52,719 --> 00:39:55,360
Speaker 2: Oh A very good question, Donald, because if there's an earthquake.

818
00:39:55,400 --> 00:39:59,640
Speaker 2: We live in Los Angeles, the gas lines, Uh, they

819
00:39:59,719 --> 00:40:04,000
Speaker 2: have a earthquake protection thing that shuts the gas line off. Well,

820
00:40:04,080 --> 00:40:06,640
Speaker 2: then if you were smart enough to get a propane

821
00:40:07,040 --> 00:40:11,200
Speaker 2: backup tank, yeah, it will run off propane for X

822
00:40:11,239 --> 00:40:13,279
Speaker 2: amount of hours, depending on how much you're pulling on.

823
00:40:13,440 --> 00:40:15,080
Speaker 3: You know, when you talk to me this way, I

824
00:40:15,120 --> 00:40:17,080
Speaker 3: find you to be a sexy motherfucker.

825
00:40:17,200 --> 00:40:18,879
Speaker 2: Really you like this generator talk?

826
00:40:19,160 --> 00:40:19,480
Speaker 3: Dude?

827
00:40:19,560 --> 00:40:22,040
Speaker 1: I like this yourself. Shit.

828
00:40:22,120 --> 00:40:23,799
Speaker 2: I don't know if the audience is bored, but I

829
00:40:23,800 --> 00:40:25,680
Speaker 2: am so interested in house generators.

830
00:40:27,640 --> 00:40:29,719
Speaker 3: Any do it yourself hardware projects?

831
00:40:30,520 --> 00:40:33,520
Speaker 2: You got me, Well, I didn't do it myself. You

832
00:40:33,560 --> 00:40:37,120
Speaker 2: probably actually did some work. I have to confess that

833
00:40:37,160 --> 00:40:39,279
Speaker 2: I would not know how to do the work, but

834
00:40:39,320 --> 00:40:41,040
Speaker 2: I but I, but I did have a I do have.

835
00:40:40,960 --> 00:40:44,840
Speaker 1: A sex Johnny, you installed your generator.

836
00:40:44,680 --> 00:40:46,120
Speaker 3: I ran onto it under the house.

837
00:40:46,320 --> 00:40:46,520
Speaker 2: Yeah.

838
00:40:47,120 --> 00:40:50,160
Speaker 3: I did bring an electrician to rewire some of the board.

839
00:40:51,600 --> 00:40:54,000
Speaker 3: But that, of course. The deal is when you come

840
00:40:54,040 --> 00:40:57,319
Speaker 3: here as a vendor to do it project, I get

841
00:40:57,320 --> 00:41:00,400
Speaker 3: to help. Really, otherwise you can't come. I did that

842
00:41:00,440 --> 00:41:02,759
Speaker 3: with my contractory. I was going to put together a

843
00:41:02,760 --> 00:41:05,680
Speaker 3: big ass pergola, and I got the instructions. I was like,

844
00:41:05,719 --> 00:41:07,080
Speaker 3: I cannot do this alone.

845
00:41:07,080 --> 00:41:09,640
Speaker 2: This is this is I don't want the audience to

846
00:41:09,680 --> 00:41:12,359
Speaker 2: think like it's not like IKEA, like it was meant

847
00:41:12,400 --> 00:41:14,600
Speaker 2: to be put together by someone who knows what they're doing. Sure,

848
00:41:15,160 --> 00:41:16,879
Speaker 2: but I said to him, because he's my friend now,

849
00:41:17,000 --> 00:41:19,080
Speaker 2: I said I'd like to do it with you. And

850
00:41:19,120 --> 00:41:21,920
Speaker 2: he was like, he looked at me, like you're not

851
00:41:21,960 --> 00:41:23,480
Speaker 2: going to really do this. You're going to spend a

852
00:41:23,480 --> 00:41:25,239
Speaker 2: half hour and then get bored. Because it was like

853
00:41:25,280 --> 00:41:28,080
Speaker 2: a it was like a full day project. Absolutely, And

854
00:41:28,120 --> 00:41:30,359
Speaker 2: I helped him. I helped him and he taught me

855
00:41:30,440 --> 00:41:32,360
Speaker 2: a bunch of things and I had the best time.

856
00:41:32,640 --> 00:41:36,319
Speaker 3: And I liked that idea too, And it's been that

857
00:41:36,360 --> 00:41:38,359
Speaker 3: way all the way through. I was kind of the

858
00:41:38,360 --> 00:41:42,359
Speaker 3: co contractor in this house, because it's no different than

859
00:41:42,360 --> 00:41:47,040
Speaker 3: producing a film. You marshal men every morning, whatever their

860
00:41:47,680 --> 00:41:50,759
Speaker 3: specialty is, you marshal them in the right direction. And

861
00:41:50,880 --> 00:41:53,239
Speaker 3: I reserved the right to ask questions and help.

862
00:41:53,880 --> 00:41:54,840
Speaker 2: Yeah, but I can.

863
00:41:54,719 --> 00:41:57,080
Speaker 3: Take a phillip screwdrivers as well as the next guy.

864
00:41:57,160 --> 00:41:58,120
Speaker 3: Come on, give me a break.

865
00:41:58,719 --> 00:42:00,680
Speaker 2: Well, I felt like it was a was like it

866
00:42:00,760 --> 00:42:03,160
Speaker 2: was like taking our class, because I think that's great.

867
00:42:03,360 --> 00:42:05,359
Speaker 2: There were lots of things I didn't know, and he

868
00:42:05,400 --> 00:42:06,520
Speaker 2: was and he's the nicest guy.

869
00:42:06,560 --> 00:42:08,920
Speaker 3: And I know nothing but learn.

870
00:42:09,480 --> 00:42:09,800
Speaker 2: Yeah.

871
00:42:10,560 --> 00:42:11,000
Speaker 3: I like that.

872
00:42:11,000 --> 00:42:13,920
Speaker 1: It seems like you know a lot more than most

873
00:42:13,960 --> 00:42:16,719
Speaker 1: people do. Most people wouldn't dare try to set up

874
00:42:16,719 --> 00:42:19,439
Speaker 1: their own generator to their house.

875
00:42:19,560 --> 00:42:22,279
Speaker 3: Like but like we we'd lay the cement pad with

876
00:42:22,320 --> 00:42:25,840
Speaker 3: some rebar in it to put the uh. I've laid

877
00:42:25,920 --> 00:42:29,960
Speaker 3: tons of cement and that is that's comfortable to me.

878
00:42:30,520 --> 00:42:32,800
Speaker 3: Right then, I like for a little while, and I

879
00:42:32,960 --> 00:42:38,640
Speaker 3: love laying pipe. You're going seventy thirty.

880
00:42:38,680 --> 00:42:41,520
Speaker 1: I do. He's not lying, though, Johnny.

881
00:42:41,560 --> 00:42:44,240
Speaker 3: I do like to lay that, like to lay pipe.

882
00:42:44,600 --> 00:42:45,360
Speaker 1: Let's take a break.

883
00:42:45,400 --> 00:42:55,280
Speaker 2: We'll be right back after these fine words that Johnny,

884
00:42:55,320 --> 00:42:58,520
Speaker 2: how are you? How are things audiences should know about

885
00:42:58,640 --> 00:43:03,120
Speaker 2: Johnny C's podcast, asked Johnny tell them about your podcast

886
00:43:04,040 --> 00:43:07,480
Speaker 2: how they find it? It's Connective Tissue is the title.

887
00:43:08,520 --> 00:43:11,240
Speaker 2: I love it, you get some of the most incredible guests.

888
00:43:12,000 --> 00:43:14,480
Speaker 2: Just pitch it a little bit to our audience who

889
00:43:14,520 --> 00:43:16,360
Speaker 2: love you and might not know about your podcast.

890
00:43:16,640 --> 00:43:22,680
Speaker 3: Connective Tissue is an exploration of storytellers looking at storytelling.

891
00:43:23,160 --> 00:43:27,239
Speaker 3: It's that narrow Zachie came on, you were astonishing, Thank you.

892
00:43:27,840 --> 00:43:33,440
Speaker 3: And it's half an acting class, half a production class.

893
00:43:32,960 --> 00:43:38,640
Speaker 3: It's half how people became storytellers, what the tipping point was,

894
00:43:39,000 --> 00:43:43,160
Speaker 3: What is storytelling to them? How does doubt creep in?

895
00:43:44,600 --> 00:43:48,000
Speaker 3: Why are you doing it? Why be a storyteller? What

896
00:43:48,200 --> 00:43:52,120
Speaker 3: was the influences for the storytellers? And it's that narrow

897
00:43:52,280 --> 00:43:54,960
Speaker 3: a lane. I don't care about people's diets or who

898
00:43:54,960 --> 00:43:59,040
Speaker 3: they just broke up with. It's really about storytellers exploring storytelling.

899
00:43:59,560 --> 00:44:04,680
Speaker 3: And from Sean Penn to Zach Braff, to Randall Wallace

900
00:44:05,200 --> 00:44:09,759
Speaker 3: to Brian Hagelin, Keith, David Rory Kennedy, I've had on,

901
00:44:10,360 --> 00:44:13,799
Speaker 3: including Zackie, some of the most articulate people who can

902
00:44:13,840 --> 00:44:18,239
Speaker 3: explore storytelling that you can't turn it off. Have you

903
00:44:18,280 --> 00:44:19,520
Speaker 3: had them? Have you had an hour?

904
00:44:19,760 --> 00:44:20,880
Speaker 2: Didn't you have David Mammon?

905
00:44:21,960 --> 00:44:23,239
Speaker 3: No, David has not been on yet.

906
00:44:23,239 --> 00:44:24,480
Speaker 2: Okay, what about Oliver Stone.

907
00:44:25,480 --> 00:44:28,560
Speaker 3: Oliver, that's a big get.

908
00:44:29,160 --> 00:44:31,440
Speaker 2: But you've gotten some guts, dude. I was scrolling. I

909
00:44:31,480 --> 00:44:32,919
Speaker 2: haven't listened all of them. I listened to a bunch,

910
00:44:32,920 --> 00:44:35,719
Speaker 2: but I was scrolling your guests. And obviously because you're

911
00:44:35,960 --> 00:44:38,640
Speaker 2: beloved and have so many connections, but you've got some

912
00:44:38,760 --> 00:44:39,680
Speaker 2: amazing guests.

913
00:44:39,920 --> 00:44:42,399
Speaker 3: Eric Bogosian came on, and yes, that's whoy I was thinking.

914
00:44:43,080 --> 00:44:44,560
Speaker 2: I was thinking of Bogosian, and I.

915
00:44:44,880 --> 00:44:47,200
Speaker 3: Also Keith David coming on and being on the mount

916
00:44:47,280 --> 00:44:51,520
Speaker 3: rushmore of voiceover artists, and to have Keith explore what

917
00:44:51,560 --> 00:44:55,840
Speaker 3: he does when he's voicing those astonishing documentaries. He and

918
00:44:55,920 --> 00:44:59,759
Speaker 3: Peter Coyote, that's it. It's Peter Coyote and he does

919
00:44:59,840 --> 00:45:03,000
Speaker 3: the you the Proud, the Marines man.

920
00:45:03,040 --> 00:45:08,200
Speaker 1: He's freaking got a contract with the government. That's how amazing.

921
00:45:06,160 --> 00:45:08,080
Speaker 2: He said.

922
00:45:08,239 --> 00:45:09,879
Speaker 3: He's the man. He's also a dear friend of mine

923
00:45:10,040 --> 00:45:12,240
Speaker 3: and we've done a few together.

924
00:45:12,440 --> 00:45:14,120
Speaker 2: You got to get Oliver, dude, just because I know

925
00:45:14,160 --> 00:45:16,680
Speaker 2: it's a hard get and he's tricky, But I just

926
00:45:16,680 --> 00:45:19,640
Speaker 2: feel like everyone would want to tune in to hear

927
00:45:19,719 --> 00:45:22,480
Speaker 2: you and Oliver tell Platoon stories and Wall Street stories.

928
00:45:22,520 --> 00:45:25,520
Speaker 3: And Oliver is a different cat man. I don't know

929
00:45:25,520 --> 00:45:27,520
Speaker 3: how many stories he wants to talk about them.

930
00:45:30,680 --> 00:45:32,760
Speaker 1: Well, some of the stories that you told us about

931
00:45:32,840 --> 00:45:35,400
Speaker 1: working with him are amazing, dude, And and.

932
00:45:35,280 --> 00:45:38,799
Speaker 3: But that's me telling it. Oliver's Oliver's different. Oliver's a

933
00:45:38,800 --> 00:45:41,120
Speaker 3: different cat man. He is, in fact, the smartest guy

934
00:45:41,120 --> 00:45:44,880
Speaker 3: in the room. He doesn't suffer fools, and I'm not

935
00:45:45,040 --> 00:45:48,160
Speaker 3: sure if he would be interested in breaking down storytelling.

936
00:45:49,600 --> 00:45:52,400
Speaker 2: It's a great idea you should try, just because like,

937
00:45:52,480 --> 00:45:55,600
Speaker 2: I feel like he loves you and he would, you know,

938
00:45:55,760 --> 00:45:58,920
Speaker 2: I feel like Oliver Stone's not saying yes to most people,

939
00:45:58,960 --> 00:46:00,080
Speaker 2: but he might say yes to you.

940
00:46:00,080 --> 00:46:01,719
Speaker 3: You it's a great idea.

941
00:46:01,480 --> 00:46:03,600
Speaker 2: Donald and I are trying to you know, now, then

942
00:46:03,640 --> 00:46:06,440
Speaker 2: this we're in this new incarnation where we're having guests

943
00:46:06,440 --> 00:46:08,080
Speaker 2: on and trying to reach out to people that we

944
00:46:09,239 --> 00:46:12,040
Speaker 2: just find interesting. And for us, it could be anywhere

945
00:46:12,080 --> 00:46:13,839
Speaker 2: from a sex therapist to.

946
00:46:14,239 --> 00:46:15,720
Speaker 3: Uh, I heard the sex therapist.

947
00:46:15,960 --> 00:46:18,359
Speaker 2: Yeah, you've heard him too. We did two different ones.

948
00:46:18,440 --> 00:46:20,320
Speaker 3: I heard her. I heard the first and the second,

949
00:46:20,320 --> 00:46:21,040
Speaker 3: and what did your think?

950
00:46:21,440 --> 00:46:21,640
Speaker 2: Yeah?

951
00:46:22,120 --> 00:46:26,160
Speaker 3: Mate, Donald, so uncomfortable and where the line was that

952
00:46:26,200 --> 00:46:28,440
Speaker 3: you were allowed to go? And I'm listening, I'm going like,

953
00:46:28,719 --> 00:46:30,319
Speaker 3: is he gonna is he going to jump on this?

954
00:46:30,400 --> 00:46:32,280
Speaker 3: Is he going to jump on this? And you didn't

955
00:46:32,280 --> 00:46:36,840
Speaker 3: you exercise more restraint and more decorum than I've ever

956
00:46:37,520 --> 00:46:38,480
Speaker 3: I don't think I did.

957
00:46:38,520 --> 00:46:41,160
Speaker 1: I think they edited out a lot of the ship

958
00:46:41,200 --> 00:46:41,840
Speaker 1: that I said.

959
00:46:41,719 --> 00:46:45,080
Speaker 3: Oh, well you I thought you were on un behavior.

960
00:46:45,160 --> 00:46:46,799
Speaker 2: I think you are good behavior. The thing about the

961
00:46:46,800 --> 00:46:50,880
Speaker 2: sex therapist that's amazing is she she she her whole

962
00:46:50,880 --> 00:46:53,520
Speaker 2: thing is like, don't censor yourself, ask me anything you

963
00:46:53,520 --> 00:46:54,279
Speaker 2: want to ask me, no matter.

964
00:46:54,320 --> 00:46:56,279
Speaker 3: But her partner wasn't her partner on with her?

965
00:46:56,280 --> 00:46:58,319
Speaker 2: I don't know her husband, her husband doesn't whether.

966
00:46:58,480 --> 00:47:01,160
Speaker 3: Yeah, but that's liberating to be able to talk to

967
00:47:01,200 --> 00:47:03,160
Speaker 3: her with her husband on. It's quite It seemed to

968
00:47:03,160 --> 00:47:04,000
Speaker 3: liberate you guys.

969
00:47:05,160 --> 00:47:05,399
Speaker 1: Yeah.

970
00:47:05,520 --> 00:47:07,880
Speaker 2: So many of these issues are so taboo. Still people go,

971
00:47:08,120 --> 00:47:09,840
Speaker 2: I don't know how I want to ask this question,

972
00:47:09,920 --> 00:47:12,279
Speaker 2: but I'm embarrassed. I mean even even us, who are

973
00:47:12,920 --> 00:47:15,280
Speaker 2: or even what do I say? Even we even.

974
00:47:15,160 --> 00:47:17,640
Speaker 1: Us, even the two of us.

975
00:47:17,400 --> 00:47:19,920
Speaker 2: Even the two of us who are us two who

976
00:47:19,920 --> 00:47:25,880
Speaker 2: are pretty unfiltered, uncensored. I think she's wonderful because she

977
00:47:26,040 --> 00:47:29,080
Speaker 2: has this attitude of like, don't censor yourself, ask me anything,

978
00:47:29,120 --> 00:47:30,160
Speaker 2: anything that's on your mind.

979
00:47:30,440 --> 00:47:33,480
Speaker 3: Well as far as things being taboo, we now I

980
00:47:33,560 --> 00:47:37,000
Speaker 3: haven't been on this set yet, this given set, but

981
00:47:37,080 --> 00:47:41,160
Speaker 3: there are now intimacy coordinators on sets, and exactly you

982
00:47:41,239 --> 00:47:42,839
Speaker 3: just will you explain what that is?

983
00:47:43,440 --> 00:47:45,719
Speaker 2: Well, for those of you who don't know if you're

984
00:47:45,760 --> 00:47:48,120
Speaker 2: going to do a sex scene or anything involving nudity,

985
00:47:48,600 --> 00:47:51,719
Speaker 2: there's now a position on set to protect everyone, the

986
00:47:52,360 --> 00:47:56,000
Speaker 2: people not involved, the crew, the you know, particularly the

987
00:47:56,000 --> 00:48:00,359
Speaker 2: people who are involved, so that there isn't this known

988
00:48:00,480 --> 00:48:03,600
Speaker 2: territory of how is this going to go? I directed

989
00:48:03,800 --> 00:48:05,719
Speaker 2: a couple of scenes now with an intimacy corner, and

990
00:48:05,880 --> 00:48:08,360
Speaker 2: you did yeah. And the way it works is I

991
00:48:08,520 --> 00:48:10,719
Speaker 2: go to the intimacy corner and she says, what do

992
00:48:10,760 --> 00:48:13,720
Speaker 2: you expect this scene to be? And I said, okay,

993
00:48:13,840 --> 00:48:15,840
Speaker 2: I want. For example, in a Good Person, there's a

994
00:48:15,880 --> 00:48:19,520
Speaker 2: scene where a young man is making out with a

995
00:48:19,560 --> 00:48:25,440
Speaker 2: girl who's intoxicated and he's on the verge of he

996
00:48:25,560 --> 00:48:27,680
Speaker 2: is already crossing a line, so she says, what do

997
00:48:27,719 --> 00:48:28,880
Speaker 2: you what do you want this to be? Well, I

998
00:48:28,880 --> 00:48:30,600
Speaker 2: wanted to be X Y and Z and I picture

999
00:48:30,680 --> 00:48:33,520
Speaker 2: this and maybe he grabs her in this way and

1000
00:48:33,760 --> 00:48:36,640
Speaker 2: as detailed as possible. She then goes to the two

1001
00:48:36,680 --> 00:48:39,680
Speaker 2: actors and says, this is what the director has in mind,

1002
00:48:39,800 --> 00:48:42,719
Speaker 2: to each of them separately, and what do you have

1003
00:48:42,800 --> 00:48:45,480
Speaker 2: any problem with that? They She then comes back to

1004
00:48:45,520 --> 00:48:48,560
Speaker 2: me and says, here's what they are okay with, here's

1005
00:48:48,600 --> 00:48:51,479
Speaker 2: what you know. And then and then together on set

1006
00:48:51,520 --> 00:48:54,920
Speaker 2: when you're choreographing it, she is there and she is

1007
00:48:55,320 --> 00:48:58,640
Speaker 2: sort of being the liaison, if you will, because this

1008
00:48:58,719 --> 00:49:04,239
Speaker 2: is after, you know, decades of people feeling uncomfortable, so

1009
00:49:04,280 --> 00:49:05,240
Speaker 2: that is a new.

1010
00:49:05,160 --> 00:49:07,200
Speaker 3: And did it did the scene worked in your in

1011
00:49:07,239 --> 00:49:10,360
Speaker 3: your film? But did it work? Did the mechanics of

1012
00:49:10,400 --> 00:49:11,480
Speaker 3: it work on the day?

1013
00:49:12,560 --> 00:49:14,480
Speaker 2: Yeah? It was all great. I think it, you know,

1014
00:49:15,080 --> 00:49:19,560
Speaker 2: I think it protects everyone. Some people, you know, don't

1015
00:49:19,719 --> 00:49:22,120
Speaker 2: don't like it. Have been voiced not liking the system

1016
00:49:22,160 --> 00:49:23,400
Speaker 2: and saying, oh, come on.

1017
00:49:23,400 --> 00:49:26,240
Speaker 3: Has it robbed spontaneity in the frame?

1018
00:49:26,600 --> 00:49:28,719
Speaker 1: Yeah, you can't. You got to stick to what you

1019
00:49:29,160 --> 00:49:32,279
Speaker 1: I've had it. I've had an intimatecy coordinator twice. Oh

1020
00:49:32,320 --> 00:49:35,400
Speaker 1: you have yes, you have to stick to what you

1021
00:49:35,520 --> 00:49:37,040
Speaker 1: guys discussed.

1022
00:49:37,920 --> 00:49:40,440
Speaker 3: What if what if something is sparking for the two

1023
00:49:40,480 --> 00:49:44,680
Speaker 3: of us and for Bob and Susan, and all of

1024
00:49:44,719 --> 00:49:48,319
Speaker 3: a sudden, Susan is is is on a on a

1025
00:49:48,360 --> 00:49:52,120
Speaker 3: train of thought and a train of behavior that Bob

1026
00:49:52,719 --> 00:49:55,880
Speaker 3: it wasn't in the blueprint for Bob and now spontanated

1027
00:49:55,920 --> 00:49:56,320
Speaker 3: the frame.

1028
00:49:57,239 --> 00:49:57,759
Speaker 1: What about that?

1029
00:49:57,840 --> 00:50:00,239
Speaker 2: I think it's about communication. I think that Susan and

1030
00:50:00,480 --> 00:50:01,359
Speaker 2: could say like.

1031
00:50:01,480 --> 00:50:05,960
Speaker 1: Hey, you know it's all right if you do this, Yeah,

1032
00:50:06,040 --> 00:50:06,440
Speaker 1: you can.

1033
00:50:06,360 --> 00:50:08,680
Speaker 2: Grab my breast or this is hot. Why don't we

1034
00:50:08,719 --> 00:50:11,040
Speaker 2: do when we do another take? If it's okay with you,

1035
00:50:11,120 --> 00:50:13,040
Speaker 2: grab my I'm just pulling this on my au grab

1036
00:50:13,080 --> 00:50:15,840
Speaker 2: my breast and and then and I think it's just

1037
00:50:15,840 --> 00:50:20,800
Speaker 2: about like everything's fine as long as there's communication and

1038
00:50:21,280 --> 00:50:24,320
Speaker 2: people don't feel I think in the past, here's an example,

1039
00:50:24,680 --> 00:50:28,120
Speaker 2: women were feeling like they were being pushed to do

1040
00:50:28,239 --> 00:50:31,279
Speaker 2: things that they hadn't signed on to do, and and

1041
00:50:31,320 --> 00:50:33,080
Speaker 2: then they were being pushed to do so in front

1042
00:50:33,120 --> 00:50:35,640
Speaker 2: of the crew and in front of everyone they weren't

1043
00:50:35,680 --> 00:50:39,359
Speaker 2: and they weren't feeling safe or they're feeling pressured, and

1044
00:50:39,520 --> 00:50:42,840
Speaker 2: the goal I think is to is to eliminate anybody

1045
00:50:42,880 --> 00:50:46,200
Speaker 2: feeling uncomfortable or pressured into something they didn't sign up for.

1046
00:50:46,719 --> 00:50:52,080
Speaker 3: I think, in an SAT context, your your sex therapist

1047
00:50:52,320 --> 00:50:56,600
Speaker 3: is to couples as a intimacy coordinator is to actors.

1048
00:50:57,920 --> 00:51:01,200
Speaker 2: Yeah, I think that's that's right. It's about like, hey,

1049
00:51:01,239 --> 00:51:06,160
Speaker 2: we never talked about this. Yeah, there's probably some breakthroughs

1050
00:51:06,160 --> 00:51:09,720
Speaker 2: for us to have if we had honest talks about sex,

1051
00:51:09,760 --> 00:51:13,160
Speaker 2: because people stereotypically in the past haven't like sat down

1052
00:51:13,200 --> 00:51:15,680
Speaker 2: and talked about what they like and what they don't like.

1053
00:51:16,600 --> 00:51:19,400
Speaker 3: And it might allow one of the two people participating

1054
00:51:19,840 --> 00:51:24,960
Speaker 3: in an intimacy coordinator's coordination to put their duke's down,

1055
00:51:25,120 --> 00:51:28,080
Speaker 3: whether the guy has apprehension or the woman has apprehension,

1056
00:51:29,320 --> 00:51:32,759
Speaker 3: maybe you could lighten your burden there because of this

1057
00:51:32,800 --> 00:51:34,840
Speaker 3: third party. I don't know. I haven't been on that

1058
00:51:34,920 --> 00:51:35,480
Speaker 3: set yet.

1059
00:51:35,560 --> 00:51:38,719
Speaker 1: I will say, as I've gotten older, I don't necessarily

1060
00:51:38,800 --> 00:51:40,839
Speaker 1: like doing sex scenes and stuff like that. I mean,

1061
00:51:40,880 --> 00:51:44,839
Speaker 1: I dose that, I just I don't like it feels.

1062
00:51:45,200 --> 00:51:46,960
Speaker 1: It feels weird, you know what I mean. It feels

1063
00:51:46,960 --> 00:51:49,200
Speaker 1: weird to have all these people with cameras and everything

1064
00:51:49,239 --> 00:51:58,440
Speaker 1: on you. And I remember, I remember when the intimacy

1065
00:51:58,600 --> 00:52:00,880
Speaker 1: coordinator came in and they were like, we want to

1066
00:52:00,920 --> 00:52:04,040
Speaker 1: make sure we get a shot of you, not not

1067
00:52:04,560 --> 00:52:07,360
Speaker 1: a physical shot of it, but we want to show

1068
00:52:07,800 --> 00:52:10,279
Speaker 1: that you have now penetrated her. And I was like,

1069
00:52:10,440 --> 00:52:17,960
Speaker 1: oh my god Jesus, yeah exactly and uh and so then.

1070
00:52:17,840 --> 00:52:19,759
Speaker 2: You sort of had to act out that you were

1071
00:52:19,760 --> 00:52:20,960
Speaker 2: going inside of her.

1072
00:52:20,800 --> 00:52:21,759
Speaker 1: That I was going in.

1073
00:52:21,920 --> 00:52:24,759
Speaker 2: Yeah, okay, did you do that? Did you do that? Well?

1074
00:52:25,000 --> 00:52:25,719
Speaker 1: I think I.

1075
00:52:25,719 --> 00:52:27,319
Speaker 2: Show us, show us what it would look like.

1076
00:52:27,719 --> 00:52:36,200
Speaker 1: No, but but it was just I just remember it.

1077
00:52:36,280 --> 00:52:38,239
Speaker 2: I had to do that once too, in the last kiss.

1078
00:52:38,719 --> 00:52:40,960
Speaker 1: It feels weird, you know what I mean, It feels

1079
00:52:41,600 --> 00:52:45,640
Speaker 1: it's weird just to think about, you know, how I

1080
00:52:45,800 --> 00:52:49,880
Speaker 1: do it? Is it necessarily how the intimacy coordinator or

1081
00:52:49,920 --> 00:52:52,760
Speaker 1: the other person sees it. And so now you're acting

1082
00:52:52,960 --> 00:52:56,200
Speaker 1: like you know what I mean, you're it feels fake

1083
00:52:56,440 --> 00:52:59,759
Speaker 1: kind of like I don't mind an intimacy coordinator. You

1084
00:53:00,040 --> 00:53:03,240
Speaker 1: it makes me feel safe, but you know, clear to set,

1085
00:53:03,719 --> 00:53:05,160
Speaker 1: I just want the camera guy there.

1086
00:53:05,280 --> 00:53:09,080
Speaker 2: Well, part of it is, like, you know, making sure

1087
00:53:09,160 --> 00:53:11,520
Speaker 2: the intimacy coordinator is also there to like, make sure

1088
00:53:12,360 --> 00:53:14,640
Speaker 2: there's no need for this to be going to everyone's

1089
00:53:15,000 --> 00:53:16,320
Speaker 2: monitors and phones.

1090
00:53:18,040 --> 00:53:22,520
Speaker 3: You know, Uh, there was there an intimacy coordinator on Scrubs,

1091
00:53:22,640 --> 00:53:26,880
Speaker 3: so now no, No, I didn't know if maybe there was,

1092
00:53:26,920 --> 00:53:27,920
Speaker 3: and I wasn't aware of it.

1093
00:53:28,480 --> 00:53:30,120
Speaker 2: No, we were just doing.

1094
00:53:30,040 --> 00:53:32,120
Speaker 1: That was that was the wild West Man, and you

1095
00:53:32,200 --> 00:53:35,520
Speaker 1: and Judy were, and you and Sarah Zachie, you guys

1096
00:53:35,520 --> 00:53:37,680
Speaker 1: were wildly intimate.

1097
00:53:37,960 --> 00:53:40,279
Speaker 2: I know that Pete's episode. Me and Sarah, we were

1098
00:53:40,360 --> 00:53:42,640
Speaker 2: just like I couldn't believe even when we shot it.

1099
00:53:42,719 --> 00:53:44,520
Speaker 2: I was like, they're gonna put this on network TV

1100
00:53:45,200 --> 00:53:48,040
Speaker 2: like we were. We were that felt at the time

1101
00:53:48,360 --> 00:53:53,560
Speaker 2: very uh, very r rated for for for primetime television.

1102
00:53:53,600 --> 00:53:57,359
Speaker 3: But also d D and Judy were macin and yeah,

1103
00:53:57,400 --> 00:53:59,760
Speaker 3: I felt really safe all the time.

1104
00:54:00,080 --> 00:54:02,320
Speaker 2: But don't you put his tongue in her mouth?

1105
00:54:02,560 --> 00:54:05,040
Speaker 1: Very early on, No, she put her tongue in my mouth,

1106
00:54:05,400 --> 00:54:08,040
Speaker 1: and I made the mistake of saying, oh, she slipped

1107
00:54:08,040 --> 00:54:11,440
Speaker 1: me the tongue and it again. I never got it again.

1108
00:54:11,560 --> 00:54:15,080
Speaker 2: And that was that was That was like first season

1109
00:54:15,200 --> 00:54:20,200
Speaker 2: you were like, oh, first it was pilot episode, bro, Yeah,

1110
00:54:21,040 --> 00:54:23,320
Speaker 2: and then eight years later you never got tongue again.

1111
00:54:23,880 --> 00:54:27,880
Speaker 1: No, true, Yeah, but I felt so safe with Judy.

1112
00:54:27,960 --> 00:54:29,840
Speaker 1: Judy and I. I don't know if she felt the

1113
00:54:29,880 --> 00:54:32,600
Speaker 1: same way with me, but Judy and I we had

1114
00:54:32,600 --> 00:54:35,840
Speaker 1: a lot of sex scenes together. Oh, I never felt

1115
00:54:35,880 --> 00:54:39,239
Speaker 1: like it never felt like, you know, either one of

1116
00:54:39,320 --> 00:54:42,719
Speaker 1: us was out of control or either I can't speak

1117
00:54:42,760 --> 00:54:45,520
Speaker 1: for her, but it never felt like. I never felt

1118
00:54:46,280 --> 00:54:48,799
Speaker 1: I never felt conscious of my weight, you know, I

1119
00:54:48,840 --> 00:54:51,480
Speaker 1: never felt there's all of these things that come into play.

1120
00:54:52,120 --> 00:54:55,200
Speaker 1: I felt safe with Judy. I think that's the ultimate

1121
00:54:55,520 --> 00:54:58,080
Speaker 1: form of chemistry, is when you can feel safe no

1122
00:54:58,080 --> 00:55:01,160
Speaker 1: matter what, like whether we were kissing, whether we were talking,

1123
00:55:01,200 --> 00:55:03,479
Speaker 1: if I had scenes with Judy, I knew I was good.

1124
00:55:03,600 --> 00:55:07,680
Speaker 3: You know, did you guys give yourself a mandate for

1125
00:55:07,760 --> 00:55:12,840
Speaker 3: your course correction or or your pivot with with fake doctors?

1126
00:55:14,280 --> 00:55:17,359
Speaker 3: You really mean, boil it down to here's what we're

1127
00:55:17,360 --> 00:55:18,000
Speaker 3: going to do now.

1128
00:55:19,200 --> 00:55:22,000
Speaker 2: I think it really just became we want to talk

1129
00:55:22,040 --> 00:55:24,640
Speaker 2: to people we find interesting. I mean, I know that's

1130
00:55:24,719 --> 00:55:26,960
Speaker 2: that's not very narrow like, it's the opposite of what

1131
00:55:27,000 --> 00:55:29,799
Speaker 2: you're saying. You have a very very specific niche that's

1132
00:55:29,840 --> 00:55:32,960
Speaker 2: the that's the mandate for your own podcast. I think

1133
00:55:32,960 --> 00:55:36,960
Speaker 2: for Donald and I was like, obviously, we prefer people

1134
00:55:37,000 --> 00:55:39,479
Speaker 2: that make us laugh because you know, for the most part,

1135
00:55:40,120 --> 00:55:41,880
Speaker 2: not every episode, but for the most part it's a

1136
00:55:41,880 --> 00:55:44,279
Speaker 2: comedy podcast, so we like people that are that have

1137
00:55:44,320 --> 00:55:49,640
Speaker 2: a sense of humor. But you know, we we we

1138
00:55:49,719 --> 00:55:51,759
Speaker 2: have you know, we had the Surgeon General on that

1139
00:55:51,840 --> 00:55:55,640
Speaker 2: wasn't a laugh riot, but he was fascinating. And we

1140
00:55:55,680 --> 00:55:58,480
Speaker 2: had Professor Scott Galloway on it wasn't a laugh riot,

1141
00:55:58,480 --> 00:56:00,799
Speaker 2: but he's fast, fantastic. How was a good one? Right?

1142
00:56:00,920 --> 00:56:01,480
Speaker 3: It was great.

1143
00:56:01,680 --> 00:56:03,400
Speaker 2: So I just think that people that we go, it

1144
00:56:03,400 --> 00:56:05,680
Speaker 2: doesn't matter if you're an actor. We're not limited to

1145
00:56:06,320 --> 00:56:09,200
Speaker 2: famous people or actors, but just people that we go.

1146
00:56:09,560 --> 00:56:11,040
Speaker 2: I want to talk to that person. I think that's

1147
00:56:11,080 --> 00:56:11,560
Speaker 2: the goal is.

1148
00:56:11,920 --> 00:56:14,800
Speaker 3: I did the same thing with I opened up the

1149
00:56:15,160 --> 00:56:18,960
Speaker 3: aperture a little bit with storytellers, and I had on

1150
00:56:19,719 --> 00:56:22,640
Speaker 3: a real estate guy here in Malibu who has sold

1151
00:56:22,719 --> 00:56:25,720
Speaker 3: eight billion dollars in residential real estate.

1152
00:56:25,840 --> 00:56:26,719
Speaker 2: I know that guy's name.

1153
00:56:26,760 --> 00:56:29,120
Speaker 3: What is his name, I'll tell you in a second.

1154
00:56:29,200 --> 00:56:32,920
Speaker 3: And what he did that was so interesting is because

1155
00:56:32,960 --> 00:56:36,720
Speaker 3: of course a house comes with a story, and which

1156
00:56:36,840 --> 00:56:40,960
Speaker 3: realtor is telling that story in a way that resonates

1157
00:56:41,000 --> 00:56:45,239
Speaker 3: for this buyer more than the other guy told it.

1158
00:56:45,400 --> 00:56:47,960
Speaker 3: And I'm going to do the same thing with a

1159
00:56:48,040 --> 00:56:50,320
Speaker 3: venture capitalist. I'm going to do it with a doula.

1160
00:56:50,840 --> 00:56:54,399
Speaker 3: Because you're picking this doula to birth your child, which

1161
00:56:54,719 --> 00:56:56,800
Speaker 3: has to be the most important event in your life.

1162
00:56:56,960 --> 00:57:00,319
Speaker 3: Why'd you pick her? And what story did she tell

1163
00:57:00,360 --> 00:57:04,440
Speaker 3: you about her experience? How did how did her story

1164
00:57:05,440 --> 00:57:08,719
Speaker 3: calm you? And go? Oh? I want that person here

1165
00:57:08,760 --> 00:57:11,000
Speaker 3: with me in the bottom of the ninth when the

1166
00:57:11,040 --> 00:57:14,880
Speaker 3: bases are jacked. I want her coming into the pool,

1167
00:57:14,960 --> 00:57:19,280
Speaker 3: into the birthing tub with me. What story is she telling? Uh?

1168
00:57:20,120 --> 00:57:24,960
Speaker 3: His name is Chris Cortazo, Yes, Chris. What Chris said?

1169
00:57:25,000 --> 00:57:27,520
Speaker 3: What was so interesting? Because I kept trying to There's

1170
00:57:27,560 --> 00:57:31,400
Speaker 3: no gotcha in connective tissue, and so it allows storytellers

1171
00:57:31,400 --> 00:57:33,640
Speaker 3: to lower their dukes. I don't want to, I don't

1172
00:57:33,680 --> 00:57:37,280
Speaker 3: wanna ambush you. I really want to know, as Zachi,

1173
00:57:37,320 --> 00:57:40,440
Speaker 3: you were so unbelievably articulate when you came on. I

1174
00:57:40,480 --> 00:57:44,840
Speaker 3: really want to know specifically your relationship to storytelling and

1175
00:57:45,120 --> 00:57:47,920
Speaker 3: what Chris finally, instead of telling I call it the

1176
00:57:47,960 --> 00:57:50,560
Speaker 3: first date face. You know, sometimes we tell people what

1177
00:57:50,640 --> 00:57:53,760
Speaker 3: we think they want to hear. And I'm not interested

1178
00:57:53,760 --> 00:57:56,840
Speaker 3: in that. I really want to dig into storytelling as

1179
00:57:56,880 --> 00:58:00,880
Speaker 3: I did with you, Zachi. And when when Chris, when

1180
00:58:00,880 --> 00:58:05,200
Speaker 3: it was stripped away with Chris Cartaso this real estate savant,

1181
00:58:06,120 --> 00:58:08,840
Speaker 3: I said, well, but what's different about you? And he goes,

1182
00:58:09,360 --> 00:58:13,080
Speaker 3: I'm really nice, which is the exact opposite of what

1183
00:58:13,120 --> 00:58:17,560
Speaker 3: you associate with realtors who will slit each other's throats

1184
00:58:17,680 --> 00:58:22,560
Speaker 3: euphemistically to get a commission. And Chris was like, no.

1185
00:58:23,400 --> 00:58:26,400
Speaker 2: But he what he did was brilliant. I watched it happen,

1186
00:58:26,480 --> 00:58:29,840
Speaker 2: and there's a there's an area of Malibu that's that

1187
00:58:29,960 --> 00:58:33,360
Speaker 2: he little by little, he sort of bought all of it.

1188
00:58:33,480 --> 00:58:35,600
Speaker 2: I mean yeah, obviously off of his success. And then

1189
00:58:35,640 --> 00:58:38,680
Speaker 2: once he owned all of it, he just said, all right,

1190
00:58:38,760 --> 00:58:43,400
Speaker 2: this neighborhood is now this much more money, and and

1191
00:58:43,480 --> 00:58:45,520
Speaker 2: it was. I mean, I mean, it's only a move

1192
00:58:45,560 --> 00:58:50,840
Speaker 2: of power realtor could make. But you know, it's pretty

1193
00:58:50,840 --> 00:58:52,240
Speaker 2: impressive what he accomplished.

1194
00:58:52,320 --> 00:58:54,920
Speaker 3: But that's a part of his vision with the story

1195
00:58:54,960 --> 00:58:57,600
Speaker 3: he was telling. That's what I mean. There's connective tissue

1196
00:58:57,640 --> 00:59:00,240
Speaker 3: back to the story you're telling, and your capacity said,

1197
00:59:00,280 --> 00:59:04,360
Speaker 3: he is a storyteller to communicate your story, and so

1198
00:59:05,200 --> 00:59:08,320
Speaker 3: from Chris to this Duela I'm going to have on.

1199
00:59:09,000 --> 00:59:12,400
Speaker 3: It's really interesting to open up the scope of storytellers. Now,

1200
00:59:12,640 --> 00:59:16,040
Speaker 3: you can't just have random Bob or Sue on if

1201
00:59:16,080 --> 00:59:21,440
Speaker 3: they're not capable of articulating. So there is quite a

1202
00:59:21,440 --> 00:59:25,240
Speaker 3: bit of discretion I need to exercise with who I'm

1203
00:59:25,280 --> 00:59:28,840
Speaker 3: inviting on. If someone is shrugging and I don't know,

1204
00:59:29,000 --> 00:59:32,959
Speaker 3: I mean, you know, and all this bullshit, that doesn't work.

1205
00:59:33,280 --> 00:59:36,800
Speaker 3: I need someone who has capacity to articulate what their

1206
00:59:36,840 --> 00:59:37,320
Speaker 3: journey is.

1207
00:59:37,320 --> 00:59:38,640
Speaker 2: So you should have Bill Lawrence on.

1208
00:59:39,480 --> 00:59:40,360
Speaker 3: It's a hard get.

1209
00:59:41,160 --> 00:59:42,400
Speaker 2: You know, he's quite busy.

1210
00:59:42,640 --> 00:59:44,160
Speaker 3: She's a little busy. You know.

1211
00:59:44,240 --> 00:59:47,120
Speaker 2: It's funny. I was Bill a lot this holiday, and

1212
00:59:49,360 --> 00:59:52,520
Speaker 2: I can't really understand how he manages to do all

1213
00:59:52,560 --> 00:59:55,360
Speaker 2: that he's doing. Not only does he have his family

1214
00:59:55,720 --> 00:59:59,720
Speaker 2: that he's obviously so involved in and such a good dad,

1215
01:00:00,200 --> 01:00:02,920
Speaker 2: but he's got like six shows going, and I just

1216
01:00:03,400 --> 01:00:06,760
Speaker 2: it's hard enough to fathom being a showrunner of one show.

1217
01:00:07,720 --> 01:00:10,400
Speaker 2: And granted, he's got an amazing staff and an amazing

1218
01:00:10,440 --> 01:00:15,640
Speaker 2: team and lots of other incredible writers helping him and producers,

1219
01:00:15,720 --> 01:00:18,960
Speaker 2: our friend Randall being one of them, But man, I

1220
01:00:19,040 --> 01:00:21,680
Speaker 2: just it's hard to I watch it. My point is

1221
01:00:21,720 --> 01:00:24,040
Speaker 2: I watch it from the sidelines, and I'm like, fucking hell,

1222
01:00:24,240 --> 01:00:27,080
Speaker 2: Like one of those things would stress me out. You're

1223
01:00:27,080 --> 01:00:29,200
Speaker 2: talking about six things, yes, Donald.

1224
01:00:28,880 --> 01:00:31,400
Speaker 1: Does he do does he do them all at the

1225
01:00:31,440 --> 01:00:34,000
Speaker 1: same time? Or does he spread it out? That's the question.

1226
01:00:34,160 --> 01:00:37,640
Speaker 2: They're spread out. But for example multiple right now currently,

1227
01:00:37,680 --> 01:00:42,760
Speaker 2: just as an example, the Shrinking writers Room is going,

1228
01:00:42,880 --> 01:00:46,040
Speaker 2: and Shrinking's about to go into production. The writer's room

1229
01:00:46,080 --> 01:00:48,880
Speaker 2: for the new Corell show is going, and that's going

1230
01:00:48,920 --> 01:00:53,400
Speaker 2: to soon go into production. So there are multiple and

1231
01:00:53,400 --> 01:00:54,920
Speaker 2: then and then the other ones are like you know,

1232
01:00:55,640 --> 01:00:58,640
Speaker 2: you know, the Bad Monkey Season two is happening, but

1233
01:00:58,680 --> 01:01:00,400
Speaker 2: that's a little bit far out. But he's got to

1234
01:01:00,400 --> 01:01:03,560
Speaker 2: get writers writing those scripts. So it's they all.

1235
01:01:03,440 --> 01:01:08,120
Speaker 3: Overlap, plus the Ted Lasso reboot, yes, plus the Ted

1236
01:01:08,200 --> 01:01:11,560
Speaker 3: Last Possible Scrubs reboot, plus the Possible Scrubs.

1237
01:01:11,120 --> 01:01:14,840
Speaker 2: Reboot and more. That's five or six. Yeah, and then

1238
01:01:14,840 --> 01:01:18,840
Speaker 2: he's got other stuff that's happening too. But it's it's

1239
01:01:19,640 --> 01:01:21,320
Speaker 2: I don't know, I don't know how i'd sleep at night,

1240
01:01:21,440 --> 01:01:25,680
Speaker 2: let alone, let alone managing to find time for family

1241
01:01:25,760 --> 01:01:28,240
Speaker 2: and also your own recreation because you don't want to

1242
01:01:28,240 --> 01:01:30,560
Speaker 2: get so busy that your whole life is only working.

1243
01:01:30,800 --> 01:01:34,320
Speaker 3: It seems that on the drama side, Taylor Taylor Sheridan

1244
01:01:34,880 --> 01:01:37,720
Speaker 3: is of is cut from the same cloth as Bill

1245
01:01:37,880 --> 01:01:42,440
Speaker 3: in how prodigiously spread out he is?

1246
01:01:43,120 --> 01:01:44,360
Speaker 2: Do you watch those shows? John?

1247
01:01:44,800 --> 01:01:45,439
Speaker 3: Still love them?

1248
01:01:45,600 --> 01:01:47,680
Speaker 2: Really? I'm going to get on the Yellowstone train. I've

1249
01:01:47,720 --> 01:01:48,600
Speaker 2: not joined.

1250
01:01:48,440 --> 01:01:50,720
Speaker 3: Yellow Starting is good, but the guy's gotten better and

1251
01:01:50,760 --> 01:01:53,400
Speaker 3: better at his job. Landman with the Billy Bob Thornton,

1252
01:01:53,480 --> 01:01:59,400
Speaker 3: I hear, yeah, I'm gonna write that Lionis is as

1253
01:01:59,480 --> 01:02:02,000
Speaker 3: good as a Lioness and land Man is that?

1254
01:02:02,040 --> 01:02:04,040
Speaker 1: What is that the one with her and Nicole Kidman?

1255
01:02:05,360 --> 01:02:07,800
Speaker 3: Yes, and they're both great.

1256
01:02:08,760 --> 01:02:11,600
Speaker 2: Okay, I've been hearing this about Lioness and land Man.

1257
01:02:12,200 --> 01:02:15,120
Speaker 2: Lioness she goes under cover, right, and she's like an

1258
01:02:15,160 --> 01:02:15,919
Speaker 2: undercover ages.

1259
01:02:16,000 --> 01:02:20,200
Speaker 3: Yes, it's it's it's special Ops. It's missus mister and

1260
01:02:20,240 --> 01:02:26,600
Speaker 3: Missus Smith meets Special Ops. Mister and Missus Smith. When

1261
01:02:26,720 --> 01:02:29,840
Speaker 3: when Brad and Angelina and Joe Lee did it, it

1262
01:02:29,960 --> 01:02:32,760
Speaker 3: was a little tongue in cheek. Lioness is not this

1263
01:02:32,880 --> 01:02:35,320
Speaker 3: is the end of the world. This is desperately serious.

1264
01:02:35,560 --> 01:02:37,840
Speaker 2: I like that, But she she's.

1265
01:02:37,600 --> 01:02:42,280
Speaker 3: Trying to manage two teenage girls, a teenage girl and

1266
01:02:42,440 --> 01:02:45,960
Speaker 3: a younger one, and a marriage and being the head

1267
01:02:45,960 --> 01:02:49,760
Speaker 3: of a special ops group that is playing for real

1268
01:02:50,240 --> 01:02:52,040
Speaker 3: and it's fricking great.

1269
01:02:53,440 --> 01:02:54,200
Speaker 1: Let's take a break.

1270
01:02:54,240 --> 01:03:04,160
Speaker 2: We'll be right back after these fine words. Zach, Johnny,

1271
01:03:04,160 --> 01:03:06,720
Speaker 2: did you did you watch The Golden Globes? Do you

1272
01:03:06,800 --> 01:03:08,400
Speaker 2: have any favorite movies this year?

1273
01:03:09,480 --> 01:03:11,520
Speaker 3: I don't have favorite movies as much as I have

1274
01:03:11,560 --> 01:03:12,919
Speaker 3: favorite TV shows.

1275
01:03:13,600 --> 01:03:14,320
Speaker 1: You're a TV guy.

1276
01:03:14,360 --> 01:03:15,160
Speaker 2: What else are you watching?

1277
01:03:15,640 --> 01:03:19,680
Speaker 3: The guy the Michael Fassbender, who I'm endlessly fascinated by.

1278
01:03:19,800 --> 01:03:21,320
Speaker 1: Did you hear the Fastbender story?

1279
01:03:22,200 --> 01:03:28,720
Speaker 3: Doing a remake of a French uh undercover thing called

1280
01:03:28,760 --> 01:03:32,040
Speaker 3: the Agency? He's freaking great.

1281
01:03:32,400 --> 01:03:37,919
Speaker 1: Did you hear we don't need We went to Yes,

1282
01:03:37,960 --> 01:03:39,960
Speaker 1: we do. We went to Vegas and.

1283
01:03:40,360 --> 01:03:42,560
Speaker 2: Quick version because he heard the story.

1284
01:03:42,760 --> 01:03:47,520
Speaker 1: We went to Vegas and Michael Fastbender mistook young Zach

1285
01:03:47,600 --> 01:03:52,520
Speaker 1: Braff young for Dak Shephard and his way of mistaking.

1286
01:03:52,880 --> 01:03:55,520
Speaker 1: He goes, he came up to Zach and goes, I

1287
01:03:55,840 --> 01:03:59,800
Speaker 1: fucking love you. You're so amazing. Everything you do is great,

1288
01:04:00,200 --> 01:04:02,000
Speaker 1: and I love chips.

1289
01:04:02,400 --> 01:04:03,320
Speaker 2: Yeah he loves chips.

1290
01:04:06,040 --> 01:04:10,160
Speaker 1: Well, say Zachy, Well, first I was the one that

1291
01:04:10,200 --> 01:04:12,400
Speaker 1: said it. I was like, Doug, no, you're thinking to

1292
01:04:12,480 --> 01:04:13,240
Speaker 1: somebody else.

1293
01:04:13,760 --> 01:04:16,440
Speaker 2: But then Donald tried Donald being a sweet friend, trying

1294
01:04:16,440 --> 01:04:18,400
Speaker 2: to big up me. He was like, no, this is

1295
01:04:18,480 --> 01:04:23,720
Speaker 2: Zach Braff. He made gardens guard person. Well, Donald starts

1296
01:04:23,800 --> 01:04:25,640
Speaker 2: up listing my credits.

1297
01:04:25,560 --> 01:04:28,440
Speaker 1: And this he tried to walk away from us, like,

1298
01:04:28,720 --> 01:04:31,520
Speaker 1: oh my bad. I was like, no, motherfucker, you're not.

1299
01:04:31,800 --> 01:04:34,800
Speaker 2: Definitely, it's definitely one of the cringiest moments of my

1300
01:04:34,840 --> 01:04:38,920
Speaker 2: twenty twenty four especially because my my heart's sword, because

1301
01:04:38,920 --> 01:04:41,480
Speaker 2: I love him and respect him so much as a

1302
01:04:41,480 --> 01:04:44,960
Speaker 2: as a thespian, and he was he was talking to

1303
01:04:45,000 --> 01:04:48,520
Speaker 2: me as though I would talk to you know, scor

1304
01:04:49,320 --> 01:04:51,760
Speaker 2: and he was like, he was like what you do

1305
01:04:52,320 --> 01:04:57,280
Speaker 2: no one can do. And I'm thank you. I mean,

1306
01:04:57,320 --> 01:04:59,760
Speaker 2: he had like his hand on my chest and I

1307
01:04:59,760 --> 01:05:04,080
Speaker 2: would just glowing from the inside. And then he said,

1308
01:05:04,320 --> 01:05:09,240
Speaker 2: I mean chips, and I was like, oh my god.

1309
01:05:09,680 --> 01:05:12,640
Speaker 2: A So then I texted Dak Shepherd Johnny and I

1310
01:05:12,640 --> 01:05:15,400
Speaker 2: was like, it is important for you to know how

1311
01:05:15,480 --> 01:05:20,360
Speaker 2: much Michael Fassbender loves chips, because this compliment should not

1312
01:05:20,400 --> 01:05:21,120
Speaker 2: be wasted on.

1313
01:05:21,160 --> 01:05:23,200
Speaker 3: That was a righteous thing for you to do.

1314
01:05:23,360 --> 01:05:25,680
Speaker 2: Yeah, I was like, Bro, you need to know that

1315
01:05:25,720 --> 01:05:29,760
Speaker 2: this is clearly a movie that means a lot to him.

1316
01:05:29,920 --> 01:05:33,240
Speaker 3: I can also recommend the girl Kira Knightley Hell, I

1317
01:05:33,320 --> 01:05:33,720
Speaker 3: love her.

1318
01:05:34,000 --> 01:05:37,439
Speaker 2: Yeah, she has something doves blackdoves, black, doves black.

1319
01:05:37,680 --> 01:05:42,600
Speaker 3: She's freaking great. And the guy who was James Bond's

1320
01:05:42,720 --> 01:05:48,840
Speaker 3: new gadget guy for a second, Ben's name Ben. He's something. Yeah,

1321
01:05:48,880 --> 01:05:51,480
Speaker 3: he's a really handsome guy and he's great.

1322
01:05:51,920 --> 01:05:55,440
Speaker 2: Daniel. You there, we looked that up. Ben.

1323
01:05:55,600 --> 01:05:56,840
Speaker 3: He's such a good actor.

1324
01:05:57,040 --> 01:05:59,120
Speaker 2: Yeah he is. That's a good show. I watched that.

1325
01:05:59,120 --> 01:06:04,200
Speaker 3: One, and you can binge the whole thing. So yes,

1326
01:06:04,320 --> 01:06:09,200
Speaker 3: I am afraid this year I've been enjoying TV shows

1327
01:06:09,240 --> 01:06:11,400
Speaker 3: more than movies.

1328
01:06:11,440 --> 01:06:13,240
Speaker 1: To tell you the truth, all right, I gotta ask

1329
01:06:13,280 --> 01:06:14,360
Speaker 1: you both this question now.

1330
01:06:14,440 --> 01:06:15,680
Speaker 2: Okay, what was gonna happens?

1331
01:06:15,880 --> 01:06:20,000
Speaker 1: Right now? Okay, come down as of right now? Gohad

1332
01:06:20,200 --> 01:06:23,800
Speaker 1: if it was a movie or a television show that

1333
01:06:23,880 --> 01:06:29,680
Speaker 1: was offered up, go ahead, what are you going to take? No,

1334
01:06:29,800 --> 01:06:36,720
Speaker 1: they're both equally they're both equally impressive. You're going to

1335
01:06:36,760 --> 01:06:37,640
Speaker 1: go TV shows?

1336
01:06:37,680 --> 01:06:39,320
Speaker 2: What the TV show is going to mean? Not? The

1337
01:06:39,360 --> 01:06:41,280
Speaker 2: TV show is going to mean more work of doing

1338
01:06:41,280 --> 01:06:45,080
Speaker 2: the thing. You love. Yes, Daniel Ben with Shaw Ben,

1339
01:06:45,880 --> 01:06:47,640
Speaker 2: thank you. He's a phenomenal actor.

1340
01:06:48,000 --> 01:06:49,240
Speaker 3: That guy can throw.

1341
01:06:50,000 --> 01:06:52,880
Speaker 2: Yeah, I fucking love that guy. He was.

1342
01:06:53,040 --> 01:06:58,760
Speaker 3: He was Daniel Craig's new cue magic guy. That's it. Yeah, THQ.

1343
01:06:59,200 --> 01:07:01,680
Speaker 3: And he was great. He was so glib and he

1344
01:07:01,760 --> 01:07:04,480
Speaker 3: was great. He was really good and nominal in the

1345
01:07:04,560 --> 01:07:05,400
Speaker 3: Cure Knightly Thing.

1346
01:07:05,640 --> 01:07:08,400
Speaker 1: He was really good in Mary Pott Mary Poppins reboot too.

1347
01:07:08,440 --> 01:07:10,280
Speaker 1: He was actually played the dad in it, and he

1348
01:07:10,640 --> 01:07:13,760
Speaker 1: was I saw that. Yeah, I was the one person.

1349
01:07:14,240 --> 01:07:16,960
Speaker 1: I was the one person. But he was very dramatic

1350
01:07:17,000 --> 01:07:20,160
Speaker 1: in it, and he had the dramatic role in the

1351
01:07:20,200 --> 01:07:21,720
Speaker 1: movie and he did. He did a great job.

1352
01:07:21,840 --> 01:07:26,320
Speaker 2: Johnny Donald, may I have a question now? Yeah, go ahead, okay,

1353
01:07:26,320 --> 01:07:31,280
Speaker 2: thank you Johnny. As one of New Jersey's most beloved sons,

1354
01:07:31,720 --> 01:07:35,640
Speaker 2: what are your thoughts on New Jersey being infiltrated an

1355
01:07:35,640 --> 01:07:39,000
Speaker 2: attack by drones and you have aliens?

1356
01:07:39,080 --> 01:07:40,680
Speaker 1: Dude, what the fuck is going on?

1357
01:07:41,080 --> 01:07:45,200
Speaker 3: I have had more contradicting reports on this, and it's

1358
01:07:45,440 --> 01:07:49,480
Speaker 3: kind of fabulous to think that it is contact, isn't it.

1359
01:07:49,960 --> 01:07:50,880
Speaker 1: Yes, I believe so.

1360
01:07:52,040 --> 01:07:54,360
Speaker 3: It's easy to be cynical so quick, but it would

1361
01:07:54,360 --> 01:07:57,200
Speaker 3: be really great if they picked the Garden State.

1362
01:07:57,640 --> 01:07:59,640
Speaker 2: Yes, a touch point. It makes sense.

1363
01:08:00,040 --> 01:08:00,280
Speaker 1: MH.

1364
01:08:00,880 --> 01:08:03,600
Speaker 3: It told it, thmas Alva Edison was in there, Alan Old,

1365
01:08:03,760 --> 01:08:05,880
Speaker 3: Zach Braff, Johnny Jack Nicholson.

1366
01:08:06,160 --> 01:08:09,800
Speaker 2: Well, listen the world. Many people don't know this, but

1367
01:08:09,920 --> 01:08:14,240
Speaker 2: cinema itself began in West Orange, New Jersey. And there's

1368
01:08:14,280 --> 01:08:18,520
Speaker 2: a museum, and there's a museum there where Edison invented

1369
01:08:18,720 --> 01:08:21,320
Speaker 2: the film camera, and there's a there's a thing called

1370
01:08:21,320 --> 01:08:24,200
Speaker 2: the Black Mariah. I know this because not because of

1371
01:08:24,200 --> 01:08:26,599
Speaker 2: film school, because I, as a child, I was taken there,

1372
01:08:27,080 --> 01:08:31,599
Speaker 2: which was a room, a large room mini the first

1373
01:08:31,720 --> 01:08:33,519
Speaker 2: sound stage, if you will, not a sound stage, the

1374
01:08:33,560 --> 01:08:36,600
Speaker 2: first the first room you filmed in. And it was

1375
01:08:36,640 --> 01:08:40,280
Speaker 2: on a circular track with a retractable ceiling, and it

1376
01:08:40,280 --> 01:08:43,680
Speaker 2: would spin to find the sun wherever the sun was.

1377
01:08:43,800 --> 01:08:46,880
Speaker 2: You could rotate the room on the Black Mariah. You

1378
01:08:46,880 --> 01:08:48,160
Speaker 2: can look this up on the.

1379
01:08:48,080 --> 01:08:51,439
Speaker 3: Google and fucking date u Zuki you talk like this.

1380
01:08:51,800 --> 01:08:53,240
Speaker 3: I would generators.

1381
01:08:53,240 --> 01:08:55,280
Speaker 1: I would date you.

1382
01:08:55,320 --> 01:08:58,160
Speaker 2: I gotta find really a really nice woman version of

1383
01:08:58,240 --> 01:09:00,639
Speaker 2: Johnny c I would date it would.

1384
01:09:01,960 --> 01:09:05,400
Speaker 1: What is that Kim Peel sketch where they're boxers and

1385
01:09:05,439 --> 01:09:08,840
Speaker 1: they're talking at their on the other day and they're

1386
01:09:08,880 --> 01:09:13,960
Speaker 1: talking about the fight right before I'm talking yeah, and uh.

1387
01:09:14,320 --> 01:09:17,240
Speaker 1: One guy goes, all I'm saying, is we getting a ring.

1388
01:09:17,439 --> 01:09:19,960
Speaker 1: It's gonna be bam boom, I'm gonna knock you out.

1389
01:09:20,360 --> 01:09:23,000
Speaker 1: And then the other guy kind of doesn't Mike Tyson talking.

1390
01:09:23,040 --> 01:09:25,640
Speaker 1: He's like, listen, the only thing that's gonna happen is

1391
01:09:25,840 --> 01:09:27,479
Speaker 1: I'm gonna get in that ring and I'm gonna fuck

1392
01:09:27,560 --> 01:09:32,760
Speaker 1: you in the ass. He's like what he goes, He goes, yeah, man,

1393
01:09:32,760 --> 01:09:35,599
Speaker 1: he likes to get all in people's heads. He said, no, no, no,

1394
01:09:35,760 --> 01:09:38,000
Speaker 1: I'm not talking about getting in your head. I'm talking

1395
01:09:38,000 --> 01:09:41,960
Speaker 1: about getting in your asshole. I'm gonna I'm gonna love you.

1396
01:09:42,080 --> 01:09:44,280
Speaker 1: I'm gonna we're gonna go out on dates and we're

1397
01:09:44,280 --> 01:09:46,360
Speaker 1: gonna i'm gonna take you out and we're just when

1398
01:09:46,479 --> 01:09:48,640
Speaker 1: we're gonna get a couple that holds hands all the

1399
01:09:48,680 --> 01:09:52,360
Speaker 1: time and just when we get comfortable, and everybody's like

1400
01:09:52,439 --> 01:09:54,799
Speaker 1: looking at us, like, oh, there's such a sweet couple.

1401
01:09:55,000 --> 01:09:57,160
Speaker 1: They look like they go and do great things together.

1402
01:09:57,320 --> 01:10:00,479
Speaker 1: I'm gonna take you home and I'm gonna enjoy fucking you. Yes,

1403
01:10:03,360 --> 01:10:04,360
Speaker 1: you know what the you know what.

1404
01:10:04,400 --> 01:10:07,640
Speaker 3: The problem we send the old storytellers like Donald is

1405
01:10:07,880 --> 01:10:09,640
Speaker 3: I'm going to go watch this and it's not going

1406
01:10:09,680 --> 01:10:11,799
Speaker 3: to be half as good.

1407
01:10:13,000 --> 01:10:17,240
Speaker 2: We'll send when we get off the phone. It's hilarious.

1408
01:10:17,240 --> 01:10:20,559
Speaker 2: It makes you so sad that Jordan Peele seemingly doesn't

1409
01:10:20,600 --> 01:10:23,680
Speaker 2: want to do sketch comedy ever again, because he was

1410
01:10:23,720 --> 01:10:25,519
Speaker 2: one of the greats to ever do it. And it's

1411
01:10:25,560 --> 01:10:26,799
Speaker 2: the funniest fucking sketch.

1412
01:10:27,200 --> 01:10:27,519
Speaker 3: Hold on.

1413
01:10:27,520 --> 01:10:29,559
Speaker 2: All than I do these days is send each other

1414
01:10:29,680 --> 01:10:32,919
Speaker 2: on d MS back and forth, key and peel sketches.

1415
01:10:33,880 --> 01:10:35,360
Speaker 3: Oh well, put me in I want I want to

1416
01:10:35,360 --> 01:10:39,200
Speaker 3: be circled into as much as I should know.

1417
01:10:39,240 --> 01:10:42,720
Speaker 2: On that front, they were brilliant and and uh and

1418
01:10:42,800 --> 01:10:45,280
Speaker 2: on Instagram they sort of like cut them down, like

1419
01:10:45,400 --> 01:10:47,439
Speaker 2: just like a minute a minute of the sketch. So

1420
01:10:47,479 --> 01:10:48,360
Speaker 2: it's the funniest part.

1421
01:10:48,520 --> 01:10:52,760
Speaker 3: Did you guys make We do it different than than resolutions.

1422
01:10:52,760 --> 01:10:56,560
Speaker 3: We do intentions. We New Year's intentions. We have a

1423
01:10:56,640 --> 01:10:59,880
Speaker 3: bonfire down at the beach and tiny one since they're

1424
01:10:59,920 --> 01:11:02,880
Speaker 3: not in vogue, and then you write down your intention

1425
01:11:03,000 --> 01:11:04,479
Speaker 3: on a little piece of paper and then you throw

1426
01:11:04,479 --> 01:11:07,920
Speaker 3: it in the bonfire. Did you guys make any intentions

1427
01:11:08,200 --> 01:11:09,559
Speaker 3: for twenty twenty five.

1428
01:11:09,760 --> 01:11:12,000
Speaker 2: No, but we can right now in front of hundreds

1429
01:11:12,040 --> 01:11:13,720
Speaker 2: of thousands of people, Donald's go.

1430
01:11:14,560 --> 01:11:17,200
Speaker 1: I just want to get my health in check, my

1431
01:11:17,320 --> 01:11:20,400
Speaker 1: family's health in check, you know what I mean. Like,

1432
01:11:20,479 --> 01:11:23,160
Speaker 1: that's the that's the goal. I've already stopped drinking, I've

1433
01:11:23,160 --> 01:11:27,560
Speaker 1: stopped smoking marijuana. I've you know, going to the gym.

1434
01:11:27,960 --> 01:11:30,679
Speaker 1: I'm going to the gym every day now. I'm trying

1435
01:11:30,680 --> 01:11:32,280
Speaker 1: to get that. You know, I don't know if I'll

1436
01:11:32,280 --> 01:11:34,040
Speaker 1: get a six pack again, but I'm going to try

1437
01:11:34,120 --> 01:11:34,719
Speaker 1: not get.

1438
01:11:34,680 --> 01:11:36,599
Speaker 2: If we do a scream boot, I think you should

1439
01:11:36,600 --> 01:11:36,960
Speaker 2: be thin.

1440
01:11:38,400 --> 01:11:41,760
Speaker 1: You know, you never know. There's a lot, there's a

1441
01:11:41,840 --> 01:11:43,840
Speaker 1: rabbit hole of things that could be in the way

1442
01:11:43,880 --> 01:11:47,040
Speaker 1: of that. Like as far as you know, lactose intolerant

1443
01:11:47,080 --> 01:11:51,240
Speaker 1: and sillyac does the all of these things, Julia, not

1444
01:11:51,400 --> 01:11:54,160
Speaker 1: what's the where you where you're allergic to gluten? What's that?

1445
01:11:54,280 --> 01:11:56,320
Speaker 2: That's that's siliac. But you you would know if you

1446
01:11:56,320 --> 01:11:57,960
Speaker 2: have celiac, you have it. There's a test for it.

1447
01:11:58,120 --> 01:11:59,960
Speaker 2: You just might not. You might be gluten sensitive, but

1448
01:12:00,080 --> 01:12:01,799
Speaker 2: that's not going to inhibit your ability.

1449
01:12:01,880 --> 01:12:04,160
Speaker 3: But that's a good intention for twenty twenty five.

1450
01:12:04,240 --> 01:12:06,439
Speaker 1: I just want to get my health in check. I

1451
01:12:06,479 --> 01:12:09,479
Speaker 1: know I can't I know I can't nurture it because

1452
01:12:09,520 --> 01:12:12,439
Speaker 1: it's nature ultimately at the end of the day. But

1453
01:12:12,680 --> 01:12:16,280
Speaker 1: I want to do my best to keep my family

1454
01:12:16,640 --> 01:12:20,840
Speaker 1: and myself in good health. That's my intention for twenty

1455
01:12:21,000 --> 01:12:21,519
Speaker 1: twenty five.

1456
01:12:22,240 --> 01:12:23,160
Speaker 3: What about you, Jackie.

1457
01:12:23,320 --> 01:12:29,200
Speaker 2: I would like to to find love and all right

1458
01:12:29,240 --> 01:12:32,840
Speaker 2: on and start a family. If it's not too late

1459
01:12:32,880 --> 01:12:34,360
Speaker 2: for me. It might be too late for to sorrow family,

1460
01:12:34,400 --> 01:12:36,040
Speaker 2: I don't know, but if it's not too late, I'd

1461
01:12:36,120 --> 01:12:38,400
Speaker 2: like to have a family, start a family.

1462
01:12:38,400 --> 01:12:40,479
Speaker 3: What do you mean too late? Do you mean because

1463
01:12:40,520 --> 01:12:43,960
Speaker 3: you have do you do you have obstacles between your

1464
01:12:44,000 --> 01:12:45,439
Speaker 3: ears or what do you mean?

1465
01:12:46,720 --> 01:12:49,080
Speaker 2: I just mean I'm forty nine years old, and I

1466
01:12:49,720 --> 01:12:52,200
Speaker 2: know there's plenty of people who have children up until

1467
01:12:52,600 --> 01:12:56,840
Speaker 2: they die. But I just mean, you know, I'm in

1468
01:12:56,840 --> 01:12:58,760
Speaker 2: a place now where I'm like, I'm not sure. I'm

1469
01:12:58,800 --> 01:13:01,519
Speaker 2: on the fence if if I'm going to be someone

1470
01:13:02,400 --> 01:13:06,280
Speaker 2: that has children or not. I feel like I could

1471
01:13:06,320 --> 01:13:10,120
Speaker 2: be swayed either way depending on whom I fall in

1472
01:13:10,160 --> 01:13:14,200
Speaker 2: love with and what and what she wants. I feel

1473
01:13:14,200 --> 01:13:17,080
Speaker 2: like I could. I always thought I would definitely definitively

1474
01:13:17,120 --> 01:13:19,360
Speaker 2: have children. But now I feel like I've reached a

1475
01:13:19,400 --> 01:13:21,040
Speaker 2: place in an age where I'm like, I don't, I

1476
01:13:21,080 --> 01:13:22,840
Speaker 2: don't know it could it could fall either way, but

1477
01:13:22,840 --> 01:13:24,680
Speaker 2: I but I would like. I like the daydream of

1478
01:13:24,680 --> 01:13:25,840
Speaker 2: the idea of having a child.

1479
01:13:26,240 --> 01:13:29,439
Speaker 3: Donald, Did you know even early on, did you always

1480
01:13:29,479 --> 01:13:30,920
Speaker 3: know you were going to be a father, that you

1481
01:13:30,920 --> 01:13:31,880
Speaker 3: were going to be a papa Bear?

1482
01:13:32,479 --> 01:13:37,160
Speaker 1: No, I had no clue. I didn't. I was I

1483
01:13:37,520 --> 01:13:40,320
Speaker 1: I you know, No, I had no clue. But once

1484
01:13:40,360 --> 01:13:47,160
Speaker 1: it happened and I experienced it, it became It's really gratifying. It's,

1485
01:13:47,240 --> 01:13:50,479
Speaker 1: you know, watching yourself grow again. It really is like

1486
01:13:50,520 --> 01:13:51,439
Speaker 1: a time machine.

1487
01:13:51,600 --> 01:13:53,679
Speaker 3: You get to see you got better at it as

1488
01:13:53,800 --> 01:13:54,920
Speaker 3: things have progressed.

1489
01:13:56,000 --> 01:13:59,040
Speaker 1: No, I think I think I'm still learning. I think

1490
01:13:59,120 --> 01:14:01,040
Speaker 1: the mistakes that I made in the past I'm not

1491
01:14:01,040 --> 01:14:03,120
Speaker 1: going to make again. But I'm definitely.

1492
01:14:02,680 --> 01:14:05,759
Speaker 3: Think that qualifies as as learning and growing and getting

1493
01:14:05,800 --> 01:14:07,920
Speaker 3: better at it if you were to quantify it.

1494
01:14:08,320 --> 01:14:10,000
Speaker 1: But I could fuck these kids up. I could fuck

1495
01:14:10,040 --> 01:14:11,640
Speaker 1: up rock or a wild or two. I'm sure of it.

1496
01:14:11,720 --> 01:14:14,280
Speaker 1: You know, I don't want.

1497
01:14:14,160 --> 01:14:16,439
Speaker 3: Those against everything that you're about.

1498
01:14:16,560 --> 01:14:18,040
Speaker 2: I don't think you're going to do that. Dude, you're

1499
01:14:18,040 --> 01:14:19,920
Speaker 2: a really good dad. And also Casey keeps you on

1500
01:14:19,960 --> 01:14:20,559
Speaker 2: the right track.

1501
01:14:21,120 --> 01:14:23,679
Speaker 1: Yeah. Well, that's one thing that I did that I'm

1502
01:14:23,800 --> 01:14:26,799
Speaker 1: very proud of, is that I chose the right person finally,

1503
01:14:27,320 --> 01:14:30,320
Speaker 1: you know, I found the right one that you know,

1504
01:14:30,520 --> 01:14:34,559
Speaker 1: I was married before. I dated a bunch of chicks

1505
01:14:34,600 --> 01:14:36,760
Speaker 1: and all of that stuff. Chicks, I dated a bunch

1506
01:14:36,760 --> 01:14:39,320
Speaker 1: of women and all of that stuff. But at the

1507
01:14:39,400 --> 01:14:42,120
Speaker 1: end of the day, I found the right one and

1508
01:14:42,560 --> 01:14:43,880
Speaker 1: and I know it. Zach.

1509
01:14:43,920 --> 01:14:46,840
Speaker 2: I love you, Zach. I love you, like Zach was.

1510
01:14:46,840 --> 01:14:50,479
Speaker 3: Just saying when he was leaning into And this is

1511
01:14:50,520 --> 01:14:53,960
Speaker 3: the connective tissue, is Casey. It's a two way street man.

1512
01:14:54,960 --> 01:14:58,000
Speaker 3: It's it's a two pronged front. It ain't a solo act,

1513
01:14:58,760 --> 01:15:01,600
Speaker 3: otherwise you crash and burn. And for you, Zachi, to

1514
01:15:01,720 --> 01:15:04,400
Speaker 3: know that you're going to lean into someone else with

1515
01:15:04,720 --> 01:15:09,200
Speaker 3: Zach and whoever this other person is, that's at least

1516
01:15:09,200 --> 01:15:10,240
Speaker 3: you got the blueprint down.

1517
01:15:10,880 --> 01:15:12,680
Speaker 2: Well, yeah, I'm trying to put it. I'm trying to

1518
01:15:12,680 --> 01:15:17,439
Speaker 2: manifest it and find my partner, my person.

1519
01:15:18,040 --> 01:15:20,400
Speaker 1: The person that you can accept and the person that

1520
01:15:20,520 --> 01:15:25,960
Speaker 1: accepts you is the when it happens you can't fight it, though,

1521
01:15:26,000 --> 01:15:27,720
Speaker 1: you got to let it go, you know what I mean?

1522
01:15:27,920 --> 01:15:29,800
Speaker 3: Like, well, you can in fact fight it.

1523
01:15:30,240 --> 01:15:33,120
Speaker 1: But then you're fucking You're sabotaging yourself.

1524
01:15:33,360 --> 01:15:35,080
Speaker 3: Of course, but people do that every day.

1525
01:15:35,439 --> 01:15:36,080
Speaker 1: That's true.

1526
01:15:36,240 --> 01:15:38,400
Speaker 2: I do that. That is true, Johnny. What about you?

1527
01:15:38,400 --> 01:15:41,080
Speaker 2: What intention did you set for twenty twenty five?

1528
01:15:42,040 --> 01:15:44,679
Speaker 3: I took about four years off here very much on purpose,

1529
01:15:44,840 --> 01:15:53,280
Speaker 3: because I didn't like the sniveling, pedophile and Hitler leaders

1530
01:15:53,479 --> 01:15:57,800
Speaker 3: and this kind of stereotype that white middle aged men

1531
01:15:57,840 --> 01:16:00,439
Speaker 3: now are occupying in scripts, and so I turn everything

1532
01:16:00,479 --> 01:16:01,920
Speaker 3: down for the last three or four years because they

1533
01:16:01,920 --> 01:16:05,080
Speaker 3: didn't want to perpetuate whatever that stigma is. And also,

1534
01:16:05,200 --> 01:16:09,680
Speaker 3: now white middle edged men are stupid, and if you

1535
01:16:09,720 --> 01:16:12,120
Speaker 3: put me in front of a lens and say this,

1536
01:16:12,120 --> 01:16:15,600
Speaker 3: this face is stupid, it's bad casting. And so you

1537
01:16:15,640 --> 01:16:17,599
Speaker 3: get sent these things. And I didn't want to participate

1538
01:16:17,640 --> 01:16:20,160
Speaker 3: in that storytelling, and so I didn't. And so I

1539
01:16:20,200 --> 01:16:22,160
Speaker 3: got to be here for three or four years and

1540
01:16:22,760 --> 01:16:28,519
Speaker 3: help with really some foundational value structuring with the two

1541
01:16:28,520 --> 01:16:32,240
Speaker 3: girls and continue with MAXI, and everybody's in good shape.

1542
01:16:33,240 --> 01:16:34,920
Speaker 3: And so I was bold enough to say, I'm going

1543
01:16:35,000 --> 01:16:37,480
Speaker 3: to work my ass off this year as a storyteller,

1544
01:16:38,640 --> 01:16:40,479
Speaker 3: not that I'm going to take time off as parenting,

1545
01:16:40,520 --> 01:16:43,720
Speaker 3: but I am going to work fourteen and sixteen hour

1546
01:16:43,800 --> 01:16:44,280
Speaker 3: days again.

1547
01:16:45,280 --> 01:16:47,120
Speaker 1: Doesn't that and I'm good with it? Oh, I was

1548
01:16:47,160 --> 01:16:49,120
Speaker 1: want to say, doesn't that scare you? Because that kind

1549
01:16:49,120 --> 01:16:51,439
Speaker 1: of scares me now, Like I don't want to miss

1550
01:16:51,760 --> 01:16:54,080
Speaker 1: I want to work. Also, I definitely want to get

1551
01:16:54,120 --> 01:16:57,000
Speaker 1: out there and make shit happen. But I really enjoyed

1552
01:16:57,600 --> 01:17:01,960
Speaker 1: since COVID, I really enjoyed being present and home with

1553
01:17:02,040 --> 01:17:04,479
Speaker 1: my wife and children, you know what I mean?

1554
01:17:04,560 --> 01:17:07,639
Speaker 3: And yeah, and Daddy, mom, I drive everybody. I'm Daddy

1555
01:17:07,680 --> 01:17:10,040
Speaker 3: the driver. And what's great about being Daddy the driver?

1556
01:17:10,960 --> 01:17:14,320
Speaker 3: And there's a this is a two pronged participation response

1557
01:17:14,360 --> 01:17:17,160
Speaker 3: to you, Donald, what's great about being Daddy the drivers?

1558
01:17:17,439 --> 01:17:21,920
Speaker 3: People chat in the back uh to their friends because

1559
01:17:21,960 --> 01:17:26,040
Speaker 3: I'll drive their friends A B. There's no one else

1560
01:17:26,280 --> 01:17:29,200
Speaker 3: on the planet you're safe for driving with me because nothing,

1561
01:17:29,560 --> 01:17:35,759
Speaker 3: nothing is going to fucking happen and c unfortunately around here.

1562
01:17:35,880 --> 01:17:38,599
Speaker 3: And d I'm sure you're you got to be arriving

1563
01:17:38,640 --> 01:17:42,320
Speaker 3: at this pretty soon. I can hear a shot clock

1564
01:17:42,439 --> 01:17:45,679
Speaker 3: ticking to when the girls get their licenses and they're

1565
01:17:45,680 --> 01:17:47,400
Speaker 3: going to be the fuck out of here, just like

1566
01:17:47,479 --> 01:17:49,560
Speaker 3: I was when Zaki and I in Jersey, when you

1567
01:17:49,640 --> 01:17:53,120
Speaker 3: got your license, you were the fuck out. And that's

1568
01:17:53,160 --> 01:17:54,880
Speaker 3: going to happen around here. And they're not going to

1569
01:17:54,960 --> 01:17:58,599
Speaker 3: rely on me as much for simply getting them from

1570
01:17:58,680 --> 01:18:02,879
Speaker 3: transporting them for a to B and so I relish

1571
01:18:03,160 --> 01:18:05,599
Speaker 3: that responsibility. That is not a burden to me. It

1572
01:18:05,640 --> 01:18:08,439
Speaker 3: never has been. Uh. And so when there's four or five,

1573
01:18:08,720 --> 01:18:12,080
Speaker 3: you're back there and you're all chatty Kathy's I'm listening

1574
01:18:12,120 --> 01:18:17,920
Speaker 3: to every goddamn syllable and it's fantastic. But I know

1575
01:18:18,080 --> 01:18:20,880
Speaker 3: people are going to get their licenses here in a

1576
01:18:20,920 --> 01:18:23,639
Speaker 3: minute or two and I'm not going to be needed

1577
01:18:23,680 --> 01:18:25,960
Speaker 3: as much. And that makes me really sad.

1578
01:18:26,200 --> 01:18:28,040
Speaker 1: Yeah, it makes me sad to know that I got

1579
01:18:28,120 --> 01:18:32,120
Speaker 1: about eight years until they're definitely going to fucking bounce.

1580
01:18:32,200 --> 01:18:34,160
Speaker 1: They're out, bounce, stare out.

1581
01:18:34,520 --> 01:18:37,679
Speaker 3: It's in our DNA, It's it's in our back East

1582
01:18:37,760 --> 01:18:41,599
Speaker 3: DNA when you can bounce about. These kids are not

1583
01:18:41,720 --> 01:18:44,240
Speaker 3: going to be the I'm not casting this versions, but

1584
01:18:44,600 --> 01:18:47,679
Speaker 3: there's a disproportionate number of young people who move back

1585
01:18:47,680 --> 01:18:50,360
Speaker 3: into their people, their their parents' houses, and I get

1586
01:18:50,439 --> 01:18:54,439
Speaker 3: the socioeconomics of it. These two.

1587
01:18:56,200 --> 01:19:00,599
Speaker 1: Yah, yeah, I know the two I got right now.

1588
01:19:00,920 --> 01:19:05,200
Speaker 1: They pieces I can already tell. I can already tell.

1589
01:19:05,240 --> 01:19:07,160
Speaker 1: My daughter's like she's ready to go now.

1590
01:19:07,280 --> 01:19:07,920
Speaker 3: You know.

1591
01:19:08,760 --> 01:19:12,639
Speaker 1: It's ridiculous, man, And so yes, that's the one thing

1592
01:19:12,720 --> 01:19:15,320
Speaker 1: that scares me is I want to work, and I

1593
01:19:15,360 --> 01:19:18,560
Speaker 1: want to work really, I want. I still want to

1594
01:19:18,600 --> 01:19:22,040
Speaker 1: fulfill the dreams that I've had ever since I was

1595
01:19:22,080 --> 01:19:26,800
Speaker 1: a kid. I still want to pursue this craft to

1596
01:19:26,920 --> 01:19:31,160
Speaker 1: the fullest. But I don't want to miss out on

1597
01:19:31,280 --> 01:19:34,200
Speaker 1: the stuff that I've experienced in the last four years.

1598
01:19:34,560 --> 01:19:36,599
Speaker 1: The things that I've experienced in the last four years

1599
01:19:36,600 --> 01:19:40,880
Speaker 1: have been so amazing, watching Rocko play basketball, wild to

1600
01:19:40,960 --> 01:19:43,559
Speaker 1: getting into dance, you know what I mean. Like, there's

1601
01:19:43,600 --> 01:19:46,160
Speaker 1: just so many things, you know, being there for my

1602
01:19:46,240 --> 01:19:48,479
Speaker 1: other children when they needed me, you know what I mean.

1603
01:19:48,520 --> 01:19:54,000
Speaker 1: There's so many other things that that I got to experience,

1604
01:19:54,160 --> 01:19:57,799
Speaker 1: and I don't want to miss out on future stuff.

1605
01:19:57,920 --> 01:19:59,800
Speaker 1: But I do want to work. I want to work

1606
01:19:59,840 --> 01:20:00,639
Speaker 1: more more than anything.

1607
01:20:00,680 --> 01:20:03,680
Speaker 3: Right now, I'm choosing to believe will be in a

1608
01:20:03,720 --> 01:20:09,160
Speaker 3: position to find some modicum of balance. Whatever that looks like.

1609
01:20:09,200 --> 01:20:14,360
Speaker 3: I don't know, but I'm choosing to believe that, given

1610
01:20:14,439 --> 01:20:20,080
Speaker 3: our experienced position, we'll be able to exercise some decision making,

1611
01:20:20,120 --> 01:20:24,640
Speaker 3: that we'll be able to integrate both work and participating

1612
01:20:25,439 --> 01:20:27,759
Speaker 3: as a parent into the equation, don't.

1613
01:20:27,560 --> 01:20:30,720
Speaker 1: You I hope so Zach said something that really hit

1614
01:20:30,760 --> 01:20:33,520
Speaker 1: home for me. He was like, you know, I don't

1615
01:20:34,479 --> 01:20:39,400
Speaker 1: I haven't given up on life. This is like, I'm

1616
01:20:39,479 --> 01:20:43,479
Speaker 1: not don't quote, this isn't what he exactly said. I'm paraphrasing, obviously,

1617
01:20:43,520 --> 01:20:46,280
Speaker 1: but I don't want to spend the next few years

1618
01:20:46,320 --> 01:20:48,800
Speaker 1: being a workaholic, you know what I mean. I do

1619
01:20:48,840 --> 01:20:50,720
Speaker 1: want to work, but I don't want to be so

1620
01:20:51,439 --> 01:20:54,280
Speaker 1: stuck in my job that I'm missing everything that's coming

1621
01:20:54,320 --> 01:20:55,880
Speaker 1: and that passes in front of me.

1622
01:20:56,600 --> 01:20:59,960
Speaker 2: Yeah, but that's also my place where I feel like

1623
01:21:00,120 --> 01:21:05,360
Speaker 2: I've been since I was, you know, graduated college to

1624
01:21:05,520 --> 01:21:10,680
Speaker 2: now solely focused on on work and uh and and

1625
01:21:10,840 --> 01:21:13,760
Speaker 2: haven't yet had a chance to have a family. And

1626
01:21:13,840 --> 01:21:16,879
Speaker 2: so I'm in a different sort of slightly different priority

1627
01:21:16,920 --> 01:21:20,599
Speaker 2: list than you guys, because you guys have made beautiful

1628
01:21:20,640 --> 01:21:23,160
Speaker 2: families and I don't know, my mine's a little my

1629
01:21:23,439 --> 01:21:25,880
Speaker 2: life's a little backwards that way, but it's the same.

1630
01:21:25,960 --> 01:21:28,519
Speaker 1: It's the same conversation, Bro, you don't want to miss it.

1631
01:21:29,479 --> 01:21:30,520
Speaker 3: Is the same conversation.

1632
01:21:32,760 --> 01:21:35,800
Speaker 2: I just hope that I can find someone who is

1633
01:21:35,880 --> 01:21:39,320
Speaker 2: down to make babies with me. Uh, Donald, would you

1634
01:21:39,400 --> 01:21:41,519
Speaker 2: be willing to bear my children?

1635
01:21:42,600 --> 01:21:43,719
Speaker 1: It'll be an ass baby.

1636
01:21:46,400 --> 01:21:49,720
Speaker 2: I would love to get an ass baby in you.

1637
01:21:50,280 --> 01:21:53,360
Speaker 3: For for the uninformed, what I think I know what

1638
01:21:53,439 --> 01:21:55,320
Speaker 3: an ass baby is. What is an ass baby?

1639
01:21:55,360 --> 01:21:58,160
Speaker 2: An ass baby is a fantasy creature that can grow

1640
01:21:58,280 --> 01:22:02,320
Speaker 2: in Donald's asshole. I would grow in I would ejaculate

1641
01:22:02,400 --> 01:22:05,679
Speaker 2: in his rectum, and mysteriously, our baby would grow, even

1642
01:22:05,760 --> 01:22:07,880
Speaker 2: though he does not have a uterus in there. Something

1643
01:22:07,920 --> 01:22:11,439
Speaker 2: would happen. Some magic magic is involved.

1644
01:22:11,760 --> 01:22:15,040
Speaker 3: This is my first introduction to the concept of the as.

1645
01:22:15,560 --> 01:22:17,000
Speaker 2: Yeah, Donald and I would make.

1646
01:22:17,520 --> 01:22:21,200
Speaker 1: That's the first explanation of ass forever.

1647
01:22:21,520 --> 01:22:24,640
Speaker 2: Yes, that is what you're gonna have. Donald. If I

1648
01:22:24,720 --> 01:22:27,000
Speaker 2: don't find a wife in the next five years, I

1649
01:22:27,040 --> 01:22:29,080
Speaker 2: would like to tick you up on your offer to

1650
01:22:29,080 --> 01:22:29,439
Speaker 2: have enough.

1651
01:22:29,520 --> 01:22:34,680
Speaker 1: I didn't offer. I didn't offer my ass. I just

1652
01:22:34,760 --> 01:22:37,360
Speaker 1: warned you that if there were to be a baby,

1653
01:22:37,400 --> 01:22:37,680
Speaker 1: if you.

1654
01:22:37,600 --> 01:22:39,800
Speaker 2: Don't want my penis inside you, we could do a

1655
01:22:40,240 --> 01:22:43,600
Speaker 2: We could do Uh what do you call it? IVF

1656
01:22:43,840 --> 01:22:47,200
Speaker 2: where we just in vitro into your butthole with my

1657
01:22:47,240 --> 01:22:53,559
Speaker 2: seamen with like with a turkey baster. And on that note,

1658
01:22:53,560 --> 01:22:55,400
Speaker 2: I think we should wrap up. Johnny, we love you,

1659
01:22:55,680 --> 01:22:59,120
Speaker 2: so good to see you. Check out Johnny's podcast Connected Tissues,

1660
01:22:59,120 --> 01:23:02,360
Speaker 2: It's really good and Donald's kind Us Out.

1661
01:23:02,800 --> 01:23:05,200
Speaker 1: Album count Us In and Out five, six, seven.

1662
01:23:05,000 --> 01:23:10,400
Speaker 4: Eight Stories that show we made about a bunch of

1663
01:23:10,560 --> 01:23:14,400
Speaker 4: docs and nurses in Canada who love I said, here's

1664
01:23:14,439 --> 01:23:16,280
Speaker 4: the story next.

1665
01:23:16,400 --> 01:23:22,479
Speaker 1: All should know. So gadder round you here, yead around

1666
01:23:22,560 --> 01:23:25,200
Speaker 1: you here. O. Stuff we show is that