WEBVTT - In Case You Missed It: #16 - Brandon Ray

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<v Speaker 1>What episode away? I right, is that paper? Episode sixteen.

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<v Speaker 1>Welcome to episode sixteen in the Bobby Cast. I'm your host,

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<v Speaker 1>Bobby Cast. That's great here with Brandon Ray on Twitter,

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<v Speaker 1>Brandon Ray Music here right now? What's going on? Okay? So,

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<v Speaker 1>I think are talking a little different than any of

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<v Speaker 1>the talks that I've had with an artist before, because

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<v Speaker 1>I think with you, you're right in the middle of

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<v Speaker 1>the try like you're right in the middle of trying

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<v Speaker 1>to find your spot wherever it is in this industry

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<v Speaker 1>and in the past, that's what's cool about this. I

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<v Speaker 1>can do whatever I want. In the past, I've had

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<v Speaker 1>people who have made it as great songwriters, people who

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<v Speaker 1>have made it as artists, like you're just pretty mediocre

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<v Speaker 1>right now. Let's me to be honest. That's that's my

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<v Speaker 1>middle name. So listen, Brandon is one I've played him

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<v Speaker 1>on the show before, like he's that good. So um,

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<v Speaker 1>we'll talk to Brandon right after this message from Blue Apron.

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<v Speaker 1>Brandon Ray is here at Brandon Ray Music on Twitter

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<v Speaker 1>and Instagram. That sah all right, So let me tell you.

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<v Speaker 1>I want to start with today and kind of work

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<v Speaker 1>all the way back around because Brandon's an interesting story.

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<v Speaker 1>Brandon is so good. I said, hey, will you come

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<v Speaker 1>out and play a few shows with us with the

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<v Speaker 1>raging idiots? And he has And I really don't know

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<v Speaker 1>how good he was until we got on the road,

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<v Speaker 1>like our news good, and then he's like mind blowingly good.

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<v Speaker 1>Actually stand beside and playing. I don't just say that

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<v Speaker 1>about anybody, um, because I get to see everybody, so

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<v Speaker 1>bebian said Brandon. I'll play a song right now that

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<v Speaker 1>that Brandon has out. This is called American way. Here

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<v Speaker 1>we go, us down to freaking weekend him him a

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<v Speaker 1>sea baby. Brandon's also a fantastic guitar player. So I

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<v Speaker 1>play this this is that could be us from rand

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<v Speaker 1>A right good long, could be all right, welcome back

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<v Speaker 1>to the music now. Would like to be as honest

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<v Speaker 1>as possible as of right now. You do not have

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<v Speaker 1>a record deal. Not okay. So here you are, You're

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<v Speaker 1>in talent, you're grinding, you're playing, You're like of the

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<v Speaker 1>rest of Nashville. You're really good, and you don't have

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<v Speaker 1>a record deal right now. So what has that process

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<v Speaker 1>been like? Like, have you played for people? Like hey,

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<v Speaker 1>like I'm gonna talking about every time she played Kaylin Smith.

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<v Speaker 1>She played for some people and they all say no, no, no, no,

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<v Speaker 1>no no no, no, no no no, like whatever it

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<v Speaker 1>is right now? No, have you been through that where

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<v Speaker 1>you've played? They go, no, not right now. We We've

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<v Speaker 1>taken we've taken a little swing a couple of times.

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<v Speaker 1>But what do that mean? Like just you know people

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<v Speaker 1>like I have a publishing deal with Sony a TV,

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<v Speaker 1>which means you write, I write songs for a living

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<v Speaker 1>for you know, artists, for TV, film, sinks for you

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<v Speaker 1>know myself that Sony then takes those songs pitches them. Uh.

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<v Speaker 1>And what they have is an artist development branch inside

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<v Speaker 1>the publishing company that kind of does like a They

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<v Speaker 1>help you with recording, they help you with touring, Like

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<v Speaker 1>I've just booked a show with Jake Owen in Vegas.

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<v Speaker 1>You know it's gonna cost us much. I might lose

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<v Speaker 1>this much and they make up the difference like that. Okay,

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<v Speaker 1>so you have a publishing deal and that's how you

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<v Speaker 1>eat plus touring. Yes, so that's your job. But you're

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<v Speaker 1>you want to be an artist. I do. I you know,

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<v Speaker 1>right now for me is is building. It's it's the

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<v Speaker 1>the building phase of of touring my my butt off,

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<v Speaker 1>like every single weekend. I think I've been gone Thursday

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<v Speaker 1>through Sunday every weekend since February. And uh, it's so

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<v Speaker 1>important right now to to build that fan base, whether

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<v Speaker 1>it's it's being out with you guys, which I can't

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<v Speaker 1>thank you enough for inviting me out with the raging

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<v Speaker 1>idiots because it's been such a blast, Like the fans

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<v Speaker 1>show up. I mean every single show is sold out,

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<v Speaker 1>Like I don't think people will realize how how big

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<v Speaker 1>it is and how fun it is, and just those

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<v Speaker 1>chances and believers like you that that just say hey, man,

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<v Speaker 1>come hang and and then we get to know each

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<v Speaker 1>other and and you you you know, promote things for

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<v Speaker 1>me or you know, share a post of mine or

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<v Speaker 1>share a song on your show. It is it means

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<v Speaker 1>everything to someone like me because I don't have a label,

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<v Speaker 1>I don't have the radio supply work right now and uh,

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<v Speaker 1>right now you know in this for this for the

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<v Speaker 1>past six to eight months has been just grind and

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<v Speaker 1>just going town to town to town building, uh and

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<v Speaker 1>making believers out of everybody I play for, all of

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<v Speaker 1>the headliners I opened for, and even the club and

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<v Speaker 1>theater owners that I play talk about the headliners. The

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<v Speaker 1>eve before that, I said, hey, come out on the

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<v Speaker 1>road because I think it pretty good. Who have you

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<v Speaker 1>played for that You're like, dang this it was really cool. Recently, man,

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<v Speaker 1>there's there's been uh, just a lot of really cool people.

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<v Speaker 1>John Party has just kind of overwhelmed me with just

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<v Speaker 1>he's just such a nice guy and uh, his fan

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<v Speaker 1>base is just is growing rapidly. Definitely haven't get the

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<v Speaker 1>number one song and another great song. Yeah man, And

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<v Speaker 1>even before uh, I was playing with him even before

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<v Speaker 1>Boots went number one. I think it was in the

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<v Speaker 1>top twenty, and his fans knew every single word to

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<v Speaker 1>every song, even even like the B sides of his album.

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<v Speaker 1>You know, he'd be like, I want to take it

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<v Speaker 1>back to you know, one of my first releases and No.

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<v Speaker 1>Nine and he plays it and the crowd just takes over,

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<v Speaker 1>and Uh, so that just taught me. He's taught me

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<v Speaker 1>so much about just kindness and how to treat people.

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<v Speaker 1>And uh, guys like John Party, guys like keep More.

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<v Speaker 1>Martin McBride has had me out on a few runs,

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<v Speaker 1>which that was so cool, you know, getting to just

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<v Speaker 1>kind of be a part of a show that that

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<v Speaker 1>she's doing. And um, guys like David Neil. I'm going,

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<v Speaker 1>uh this weekend out in the Midwest doing some shows

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<v Speaker 1>and then next weekend with Frankie Ballard and uh, it's

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<v Speaker 1>just it's all about to hang, you know. I used

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<v Speaker 1>to play uh guitar for different artists in town, one

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<v Speaker 1>in particular being Brett Eldred. I think that's where we

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<v Speaker 1>met the first time. I think I was shooting a

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<v Speaker 1>TV thing with Brett where we lay in the bunk

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<v Speaker 1>together and you were playing guitar for Brett Elders. That's right. Yeah.

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<v Speaker 1>The thing about Brandon is I didn't like Brandon the

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<v Speaker 1>first time. I really hung out with it, like I thought,

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<v Speaker 1>what a douche bag for about two hours because what

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<v Speaker 1>happened was, now, this is the first story I didn't

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<v Speaker 1>I judged him simply on his hair, like because no, no,

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<v Speaker 1>it's actually I like it now. But it was spiked,

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<v Speaker 1>you know, and almost like Okay, dude, spiked there. Come on.

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<v Speaker 1>So he gets on with someone that I just think

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<v Speaker 1>is phenomenal, like Lucy Sylvia's went out with us on

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<v Speaker 1>the road and is quite possibly one of my favorite

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<v Speaker 1>people and artists in Nashville. Bobby, Bobby, thank you so

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<v Speaker 1>much for having me on the road, and thank you

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<v Speaker 1>so much for just being a great friend. So Lucy

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<v Speaker 1>sila and Brandon plays guitar for her, and I was like, hey,

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<v Speaker 1>just take the bus with us. I don't don't don't drive,

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<v Speaker 1>don't pay for expensive just get on the bus and

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<v Speaker 1>you can sleep on the box. And so that man,

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<v Speaker 1>it was a total douche and so and then of

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<v Speaker 1>the night it was just Brandon night, and we talked

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<v Speaker 1>about four hours. It was like a brand new couple,

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<v Speaker 1>you know, how you meet somebody and you're like, we

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<v Speaker 1>just talked all night long. I think I'm in love.

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<v Speaker 1>And that's how it was Brandon. And so you know,

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<v Speaker 1>with us, we either had Nat with the raging idiots

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<v Speaker 1>we think Natalie Stowball or Lindsay l Um and then

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<v Speaker 1>for some reason not for some reason, they're both phenomenal.

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<v Speaker 1>They were doing their own tours and I was like,

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<v Speaker 1>we need another player. Let's get Brandon because he was

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<v Speaker 1>And so now we'll just have Brandy come out with

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<v Speaker 1>them and listen, I don't have lead singer disease, which

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<v Speaker 1>means I don't have to sing all the time or

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<v Speaker 1>half the time. When you have somebody like Brandon, it's like,

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<v Speaker 1>all right, you're take it away. Here's Brandon. Everyone uh

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<v Speaker 1>and and Brandon like blows you away when he sings. Now,

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<v Speaker 1>let's go back for a second because I have some

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<v Speaker 1>stuff here. Um, this is a jingle called Let's Go Cubs.

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<v Speaker 1>So this is you and how and how long ago was?

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<v Speaker 1>This was? Oh seven, so almost ten years ago. Okay,

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<v Speaker 1>here we go. Yeah, okay, did you write did you

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<v Speaker 1>write that? That's terrible songs? But you're saying it well

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<v Speaker 1>and listen for me. I'm a diehard Cubs fan. And

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<v Speaker 1>it's weird too because I also liked Cardinals a lot,

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<v Speaker 1>and as you get older, you realize that I like

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<v Speaker 1>as a kid, I was not a Cardinal fan because

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<v Speaker 1>I was a Cubs fan. But then I had friends

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<v Speaker 1>that played for the Cardinals, and then I got to

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<v Speaker 1>know the organization, and so you know, I'm a diehard

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<v Speaker 1>Cubs fan. And I were talking about this minute ago,

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<v Speaker 1>like right now, you may hear this in a month

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<v Speaker 1>in the World Series. Maybe over maybe the Cups got swept,

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<v Speaker 1>maybe they wanted At this point, we don't know. It's

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<v Speaker 1>one zero. I'm a diehard Cups fan. And people are like, oh,

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<v Speaker 1>bandwagon ers, we hate him. I don't care if they're bandwagoners.

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<v Speaker 1>I don't care if you call me a bandwagoner because

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<v Speaker 1>I only care about my heart and right now, I

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<v Speaker 1>just want my heart to be full with the Cubs victory.

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<v Speaker 1>Like I haven't head this on this show, and I

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<v Speaker 1>don't know if I will or not, but I'm going

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<v Speaker 1>to Game four of the World Series because my whole

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<v Speaker 1>life I've been waiting for this. That's such a dream.

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<v Speaker 1>They haven't won in a hundred and eight years, and this,

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<v Speaker 1>this song probably kept them from winning other games, because

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<v Speaker 1>that's terrible. If they heard this, they were like, we

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<v Speaker 1>should suck like the song does, like the singer is

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<v Speaker 1>pretty good, but how much they pay to do this?

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<v Speaker 1>All right? I'm gonna be completely honest right now. Um,

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<v Speaker 1>I sang jingles for I was in a rock band

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<v Speaker 1>through high school and college. And I was trying to

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<v Speaker 1>go to college and touring with this rock band, and

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<v Speaker 1>I worked for this company called T M Century that

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<v Speaker 1>did jingles. They did everything from like radio tags like

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<v Speaker 1>any five five you know, all that kind of stuff

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<v Speaker 1>and stuff like this. You know where you submit, you know,

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<v Speaker 1>there's like hey, um, like they just said, Chicago Cubs,

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<v Speaker 1>they're looking for a cool new theme song to play

0:11:52.320 --> 0:11:56.760
<v Speaker 1>on their w J. We're gonna have you sing this anyway.

0:11:57.040 --> 0:11:59.960
<v Speaker 1>So this guy, this is the one of the riders.

0:12:00.400 --> 0:12:03.400
<v Speaker 1>I say that with quotes um the writer producers like, Hey,

0:12:04.000 --> 0:12:07.600
<v Speaker 1>I had just got done singing like Dave and Sandy

0:12:07.840 --> 0:12:11.520
<v Speaker 1>in the Morning, you know, some some awful song like that,

0:12:11.840 --> 0:12:15.280
<v Speaker 1>because hey, man, uh I got this Chicago Cubs pitch thing.

0:12:15.480 --> 0:12:18.080
<v Speaker 1>You know, they're looking for something. I was like, dude,

0:12:18.120 --> 0:12:20.199
<v Speaker 1>I love. I'm such a huge baseball fan. I was

0:12:20.240 --> 0:12:23.720
<v Speaker 1>telling you earlier, huge Texas Rangers fan. You know, watch

0:12:23.840 --> 0:12:25.839
<v Speaker 1>Nolan Ryan as a kid and all that, and I

0:12:25.960 --> 0:12:28.400
<v Speaker 1>was like, dude, let's do it. And so we recorded

0:12:28.440 --> 0:12:32.240
<v Speaker 1>this awful excuse for a song and it got picked up.

0:12:32.320 --> 0:12:36.319
<v Speaker 1>It was these picked up. I was so surprised and

0:12:36.679 --> 0:12:40.880
<v Speaker 1>kind of um, kind of sick about it because they

0:12:40.920 --> 0:12:44.839
<v Speaker 1>paid me forty dollars and that's it. So okay, So

0:12:45.040 --> 0:12:48.520
<v Speaker 1>you got paid a salary though to sing, no, you're

0:12:48.520 --> 0:12:53.439
<v Speaker 1>a contract and I got paid. They should have like

0:12:53.640 --> 0:12:56.679
<v Speaker 1>I should have paid them. I mean that. Listen listen.

0:12:56.720 --> 0:12:59.839
<v Speaker 1>I don't take any away from the vocal of that,

0:13:00.520 --> 0:13:04.400
<v Speaker 1>but listen when I go, Cubs Go, Go, Cubs go, like,

0:13:04.480 --> 0:13:07.320
<v Speaker 1>that's the one that I That's what when they win,

0:13:07.400 --> 0:13:09.960
<v Speaker 1>that's what they play. I was just doing my job. Man.

0:13:11.000 --> 0:13:12.760
<v Speaker 1>You talk about singing jingles, I think that's a fun

0:13:12.800 --> 0:13:14.439
<v Speaker 1>thing to talk about, because did you sing like a

0:13:14.520 --> 0:13:16.800
<v Speaker 1>frisky is the cat jingle? I did? Yeah, I sing,

0:13:17.360 --> 0:13:21.000
<v Speaker 1>I sing It's awful, you know, just this happy like

0:13:21.760 --> 0:13:25.400
<v Speaker 1>you know, little toy piano thing that and I have

0:13:25.640 --> 0:13:27.439
<v Speaker 1>I have a buddy in New York who runs a

0:13:28.000 --> 0:13:31.640
<v Speaker 1>music house that he does like Toyota Nissan for He's

0:13:31.640 --> 0:13:34.920
<v Speaker 1>done a ton of commercials and sometimes when they need

0:13:35.400 --> 0:13:38.280
<v Speaker 1>non union singers, he'll give me a call, and still

0:13:38.320 --> 0:13:40.120
<v Speaker 1>to this day, like he'll be like, hey man, you

0:13:40.160 --> 0:13:41.640
<v Speaker 1>know this company, they just want to do a one

0:13:41.720 --> 0:13:44.959
<v Speaker 1>time fee because you sing this thing and you know

0:13:45.080 --> 0:13:46.880
<v Speaker 1>it might get picked up, it might not. So I've

0:13:46.960 --> 0:13:50.160
<v Speaker 1>sing so many jingles that haven't gotten picked up, but

0:13:50.559 --> 0:13:52.839
<v Speaker 1>I've sing about you know, six or seven that that

0:13:52.960 --> 0:13:54.880
<v Speaker 1>got picked up. What has it got picked up? Like

0:13:54.960 --> 0:13:57.160
<v Speaker 1>I'm curious enough I would recognize any of them? Uh

0:13:57.360 --> 0:14:01.040
<v Speaker 1>so Miller Lite. There was a commercial back in I

0:14:01.160 --> 0:14:06.199
<v Speaker 1>think the twelve World Series where this guy was putting

0:14:06.200 --> 0:14:09.280
<v Speaker 1>a quarter in a jukebox and every time he would

0:14:09.320 --> 0:14:10.920
<v Speaker 1>hit a song he wanted to play, like Rocky, like

0:14:11.000 --> 0:14:14.120
<v Speaker 1>a Hurricane by the Scorpions. It would come up as

0:14:14.760 --> 0:14:18.719
<v Speaker 1>is it Eric Carmen who saying, oh, by myself, that

0:14:18.840 --> 0:14:20.400
<v Speaker 1>song will play, and I all I had to do

0:14:20.600 --> 0:14:24.200
<v Speaker 1>was just sing it, you know. And I'm sitting at

0:14:25.280 --> 0:14:27.960
<v Speaker 1>a bar in Cool Springs watching the World Series and

0:14:28.080 --> 0:14:29.560
<v Speaker 1>the guy was like, hey man, it's down to you

0:14:29.680 --> 0:14:32.440
<v Speaker 1>and another another guy. I don't know if you'll get it,

0:14:32.600 --> 0:14:35.160
<v Speaker 1>but check it out. And so I watch it exactly

0:14:35.280 --> 0:14:38.200
<v Speaker 1>Eric Carmen. He was up against Yeah, Eric Carmen himself.

0:14:38.920 --> 0:14:41.440
<v Speaker 1>He needs the money. No. Uh. And it played and

0:14:41.520 --> 0:14:43.680
<v Speaker 1>I was like, that's not me, Like that does not

0:14:43.800 --> 0:14:47.200
<v Speaker 1>sound like me. And and then he calls me, he's like,

0:14:47.280 --> 0:14:49.040
<v Speaker 1>did you hear it? I was like, yeah, it wasn't me.

0:14:49.120 --> 0:14:50.520
<v Speaker 1>He's like, no, it was you, dude. He's like, I

0:14:50.600 --> 0:14:53.280
<v Speaker 1>had to put this crazy compression thing on it, but

0:14:53.400 --> 0:14:55.400
<v Speaker 1>that's you. I was like, oh my god, So did

0:14:55.440 --> 0:14:57.320
<v Speaker 1>you get paid for that? But since you're not in union,

0:14:57.520 --> 0:14:59.600
<v Speaker 1>you get paid one time, one time? And that's what

0:15:00.040 --> 0:15:02.600
<v Speaker 1>what was that one? Do you remember it was? It

0:15:02.680 --> 0:15:05.200
<v Speaker 1>was a good amount. Over thousand dollars? Oh yeah, over

0:15:05.240 --> 0:15:08.640
<v Speaker 1>five thousand dollars? Wow? Really? Did? I have a buddy

0:15:08.640 --> 0:15:11.400
<v Speaker 1>who did a commercial for like four or something and

0:15:11.480 --> 0:15:14.200
<v Speaker 1>he made I did three commercials and made three hundred

0:15:14.240 --> 0:15:17.120
<v Speaker 1>and eighty thousand dollars. It's incredible. Yeah, And so he

0:15:17.240 --> 0:15:21.160
<v Speaker 1>made it and he invested in a band and lost

0:15:21.200 --> 0:15:23.640
<v Speaker 1>all and blew it all. I was like, you know,

0:15:23.680 --> 0:15:25.720
<v Speaker 1>I could have given you about a hundred investment idea

0:15:25.880 --> 0:15:31.600
<v Speaker 1>maybe Apple, I don't know, Walmart dunkin Donuts. Maybe you

0:15:31.680 --> 0:15:34.520
<v Speaker 1>pick Yahoo who just on a bankrupt that's your first instinct.

0:15:34.760 --> 0:15:37.160
<v Speaker 1>Maybe you had to look at your money? Should you should?

0:15:37.160 --> 0:15:39.000
<v Speaker 1>I need? I was thinking of Atlantis more set who

0:15:39.080 --> 0:15:42.280
<v Speaker 1>like invested early made like three fifty million dollars. At

0:15:42.320 --> 0:15:44.600
<v Speaker 1>a point in our life. Yah, who was the search engine?

0:15:44.720 --> 0:15:47.080
<v Speaker 1>It was like it wasn't Yahoo it but it was

0:15:47.120 --> 0:15:49.640
<v Speaker 1>like go to Yahoo, you know, so we would go

0:15:49.680 --> 0:15:52.640
<v Speaker 1>to Yahoo dot com. It was before Google, and you

0:15:52.800 --> 0:15:55.680
<v Speaker 1>searched on Yahoo. That's where we found. For a minute,

0:15:55.760 --> 0:15:59.200
<v Speaker 1>to ask Jeeves was the name you got to the

0:15:59.240 --> 0:16:02.440
<v Speaker 1>butler and to be like, Jeeves, where can I find

0:16:02.520 --> 0:16:04.880
<v Speaker 1>information on the scorpions or who things rock? You'd like

0:16:05.040 --> 0:16:09.080
<v Speaker 1>her this week? Yes? And Jeeves the butler would tell you.

0:16:09.520 --> 0:16:11.560
<v Speaker 1>But then Google took it up. Did you know Google

0:16:12.080 --> 0:16:16.280
<v Speaker 1>was called BackRub before it was called Google. Yah? It

0:16:18.880 --> 0:16:21.480
<v Speaker 1>the thing is and would it be okay, okay, we laugh,

0:16:22.040 --> 0:16:25.040
<v Speaker 1>but Google is a ridiculous word. And if you if

0:16:25.200 --> 0:16:27.760
<v Speaker 1>if if I was backrubbing something right now online and

0:16:27.840 --> 0:16:30.400
<v Speaker 1>I was like, hey, they almost called this thing Google,

0:16:30.760 --> 0:16:33.440
<v Speaker 1>would be like why would they pick it? This stupid thing?

0:16:33.480 --> 0:16:36.360
<v Speaker 1>When backrob is awesome? Hey, just BackRub it Yeah, that's

0:16:36.360 --> 0:16:39.680
<v Speaker 1>what would be like, Hey, I'm gonna backroub blue Apron

0:16:39.720 --> 0:16:42.000
<v Speaker 1>to see that. How you know how much it listen.

0:16:42.600 --> 0:16:44.520
<v Speaker 1>I don't hate BackRub. I know it sounds like you

0:16:44.680 --> 0:16:46.760
<v Speaker 1>hate it. I don't hate BackRub Randon. I think you're

0:16:46.800 --> 0:16:51.520
<v Speaker 1>being a little hater backgroub um. So you came you're

0:16:51.520 --> 0:16:54.320
<v Speaker 1>from Texas. So being from Texas and I can tell.

0:16:54.360 --> 0:16:55.800
<v Speaker 1>But I lived a long time in Texas and I

0:16:56.000 --> 0:16:59.920
<v Speaker 1>loved like Austin to me as home to Austin is

0:17:00.000 --> 0:17:04.600
<v Speaker 1>my favorite. It's so good and because the people are

0:17:04.680 --> 0:17:07.560
<v Speaker 1>just chill. But when you're in Texas, you have a

0:17:07.640 --> 0:17:10.040
<v Speaker 1>lot of influences. So there's a lot of country music

0:17:10.080 --> 0:17:12.320
<v Speaker 1>around you. There's a lot of Southern rock around you.

0:17:12.400 --> 0:17:15.200
<v Speaker 1>There's a lot of rock around you. So as you're

0:17:15.240 --> 0:17:17.120
<v Speaker 1>growing up, you were deciding kind of where you wanted

0:17:17.160 --> 0:17:19.199
<v Speaker 1>to go musically. Was it because a lot of your

0:17:19.240 --> 0:17:22.240
<v Speaker 1>friends were rock friends that you just said, I want

0:17:22.280 --> 0:17:24.119
<v Speaker 1>to do music, So I guess I'm gonna go and

0:17:24.200 --> 0:17:26.960
<v Speaker 1>try rock band. I didn't have any friends. No, I'm

0:17:26.960 --> 0:17:30.280
<v Speaker 1>just kidding, um No. I I originally wanted to be

0:17:31.000 --> 0:17:34.000
<v Speaker 1>a professional pitcher. I wanted to play baseball, professionally. I

0:17:34.280 --> 0:17:37.800
<v Speaker 1>played football, baseball, basketball, track, all that kind of stuff.

0:17:37.840 --> 0:17:40.880
<v Speaker 1>And um, I had to have two surgeries on my foot.

0:17:41.200 --> 0:17:43.160
<v Speaker 1>I have like two screws this long in my foot.

0:17:43.160 --> 0:17:45.520
<v Speaker 1>And so basically they're like, hey man, when you go

0:17:45.720 --> 0:17:48.480
<v Speaker 1>this long. People that are only listening to this, they

0:17:48.560 --> 0:17:51.720
<v Speaker 1>having no idea how long that is? This long? Yes, okay,

0:17:51.760 --> 0:17:54.879
<v Speaker 1>that long? Okay, now they see the second time you

0:17:54.920 --> 0:17:58.680
<v Speaker 1>go this long, and yes, go ahead anyway, So it

0:17:58.960 --> 0:18:01.760
<v Speaker 1>took me out of sports camp lately, and so naturally

0:18:01.800 --> 0:18:04.320
<v Speaker 1>I was I had to lay up with my foot

0:18:04.400 --> 0:18:06.440
<v Speaker 1>up in the air. You know. It was such a

0:18:06.520 --> 0:18:09.439
<v Speaker 1>major surgery. I had two surgeries. For six months at

0:18:09.440 --> 0:18:13.000
<v Speaker 1>a time, I couldn't do anything. And so I was like, well,

0:18:13.440 --> 0:18:17.000
<v Speaker 1>you know, my brother plays drums and and and for

0:18:17.280 --> 0:18:19.719
<v Speaker 1>you now even in this day, he lives here in Nashville,

0:18:19.760 --> 0:18:21.960
<v Speaker 1>and we we were about to meet up. And you

0:18:22.040 --> 0:18:24.159
<v Speaker 1>can definitely tell to Brandon's brother when you see them together,

0:18:24.520 --> 0:18:28.880
<v Speaker 1>like a yeah, that's right, he's he's like a foot

0:18:28.960 --> 0:18:32.760
<v Speaker 1>shorter though. Um but uh, I bought a guitar, a

0:18:32.880 --> 0:18:36.040
<v Speaker 1>cheap guitar um with with a little amp and everything,

0:18:36.280 --> 0:18:41.080
<v Speaker 1>and I would seriously watch Steve Ravan videos just on repeat,

0:18:41.160 --> 0:18:44.200
<v Speaker 1>and I just watched his Native Texas Native He's He's

0:18:44.240 --> 0:18:46.359
<v Speaker 1>the dude, and my dad loves Steve ra Van and

0:18:47.200 --> 0:18:50.240
<v Speaker 1>um so I started learning that stuff. But I also

0:18:50.320 --> 0:18:53.479
<v Speaker 1>started learning you know, a lot of my influences, like, uh,

0:18:53.600 --> 0:18:57.439
<v Speaker 1>you know, John Mellencamp, Metallica, Pantera, Garth Brooks, George Straight,

0:18:57.960 --> 0:19:00.560
<v Speaker 1>Joe Diffy, like my my house was a melting pot

0:19:00.640 --> 0:19:05.359
<v Speaker 1>of music. And I think our age, though, is that's like,

0:19:05.720 --> 0:19:09.960
<v Speaker 1>if you're one, how old you Okay, if you're twenty

0:19:10.160 --> 0:19:13.600
<v Speaker 1>seven or above, is when you started to have napster

0:19:13.760 --> 0:19:18.600
<v Speaker 1>affect your life. And it's when that's the minds of

0:19:18.680 --> 0:19:21.840
<v Speaker 1>everyone starting to change about music. We got lots of

0:19:21.960 --> 0:19:25.000
<v Speaker 1>influences more so than anybody else because we started to

0:19:25.000 --> 0:19:26.480
<v Speaker 1>be able to get it all the time, anywhere, fast

0:19:26.480 --> 0:19:29.040
<v Speaker 1>as we want and for free. Yeah I mean illegally

0:19:29.440 --> 0:19:31.640
<v Speaker 1>and and listen back in the day, not the interrupted story,

0:19:31.640 --> 0:19:33.760
<v Speaker 1>but I wanna go almost interrupted story. Back in the day,

0:19:33.760 --> 0:19:35.880
<v Speaker 1>I was so mad at Metallica for like for going

0:19:35.920 --> 0:19:38.960
<v Speaker 1>against there. I was like, Metallica sucks, they hate napster

0:19:39.240 --> 0:19:40.520
<v Speaker 1>and I get all the music for free, and I

0:19:40.600 --> 0:19:43.919
<v Speaker 1>deserve all the music for free. I was such an idiot.

0:19:44.240 --> 0:19:47.119
<v Speaker 1>I was an idiot, and Metallica was absolutely right, and

0:19:47.760 --> 0:19:50.240
<v Speaker 1>that's right. This is people creating music. You should have

0:19:50.320 --> 0:19:54.280
<v Speaker 1>to pay for this. And I stole like crazy. I

0:19:54.320 --> 0:19:56.119
<v Speaker 1>would just log on, hit the letter A, and then

0:19:56.160 --> 0:19:58.359
<v Speaker 1>download every song. I started with A all formats. I

0:19:58.400 --> 0:20:00.080
<v Speaker 1>would go to sleep at night and wake up but

0:20:01.080 --> 0:20:02.320
<v Speaker 1>started with the A and be like, let's see what

0:20:02.359 --> 0:20:05.640
<v Speaker 1>I like today, Like, I don't like ABBA, but I'll listen. Yes,

0:20:05.720 --> 0:20:08.040
<v Speaker 1>And I would yes. So you're listening to all these

0:20:08.080 --> 0:20:09.800
<v Speaker 1>types of music and you have a guitar and a

0:20:09.880 --> 0:20:12.520
<v Speaker 1>broken foot basically, so do you just start learning to

0:20:12.560 --> 0:20:15.760
<v Speaker 1>play guitar? I just I don't know what it was.

0:20:15.920 --> 0:20:18.959
<v Speaker 1>It was just almost like it was the only option.

0:20:19.840 --> 0:20:23.040
<v Speaker 1>You know. I didn't have sports anymore. I was horrible

0:20:23.080 --> 0:20:25.960
<v Speaker 1>in school, and so I wanted to start a band

0:20:26.040 --> 0:20:29.159
<v Speaker 1>with my brothers, and uh, there you go, come on

0:20:30.920 --> 0:20:33.639
<v Speaker 1>your brothers at the time. So I have two older brothers,

0:20:33.720 --> 0:20:36.040
<v Speaker 1>and I think I think that's why I had such

0:20:36.080 --> 0:20:38.560
<v Speaker 1>a such a big influence of music. They were they

0:20:38.600 --> 0:20:40.280
<v Speaker 1>were older than I was, and so you let's know

0:20:40.359 --> 0:20:44.600
<v Speaker 1>what they like, what they like. My my brother, oldest brother, Derek,

0:20:44.600 --> 0:20:47.480
<v Speaker 1>would bring Home like Aerosmith and uh, you know, like

0:20:47.840 --> 0:20:50.440
<v Speaker 1>the Eagles and Don Henley, who Don Henley is my

0:20:50.680 --> 0:20:54.120
<v Speaker 1>favorite songwriter of all time? And uh, you know boys

0:20:54.160 --> 0:20:56.080
<v Speaker 1>a summer, Heart of Matt, Heart of the Matter. That's

0:20:56.119 --> 0:20:59.600
<v Speaker 1>what made me want to write songs. And so being

0:20:59.680 --> 0:21:02.159
<v Speaker 1>here and out, just like you said, doing music for

0:21:02.200 --> 0:21:04.240
<v Speaker 1>a living. I look back. I'm like, man, I had

0:21:04.359 --> 0:21:07.119
<v Speaker 1>Bit Torrent, I had Morpheus, Napster, all that stuff. I

0:21:07.200 --> 0:21:11.200
<v Speaker 1>was stealing lots of virus. It was awful. Yeah. I

0:21:11.280 --> 0:21:16.320
<v Speaker 1>got in trouble a lot. But you know, um, it's crazy, man.

0:21:18.520 --> 0:21:23.040
<v Speaker 1>So you decide to being a rock band? Was a

0:21:23.160 --> 0:21:25.639
<v Speaker 1>rock band? Was that a punk band? It was? It

0:21:25.760 --> 0:21:27.520
<v Speaker 1>was kind of both. We started out as a rock

0:21:27.600 --> 0:21:29.800
<v Speaker 1>band and it kind of turned into, you know, one

0:21:29.840 --> 0:21:32.879
<v Speaker 1>of those pop punk bands. We uh, what was the

0:21:32.960 --> 0:21:35.520
<v Speaker 1>name of the band it was? It was called Crimson Soul.

0:21:35.560 --> 0:21:40.280
<v Speaker 1>Oh yeah, I have some of that here. Oh man,

0:21:40.359 --> 0:21:42.159
<v Speaker 1>how did you find this is called the Fight from

0:21:42.240 --> 0:21:48.439
<v Speaker 1>Crimson Soul? My favorite favorite punk band. Yeah, you'll look

0:21:48.440 --> 0:21:50.320
<v Speaker 1>at the school. I didn't look. I didn't see it.

0:21:50.359 --> 0:22:00.119
<v Speaker 1>I didn't see it, right, So did you let you

0:22:00.160 --> 0:22:02.040
<v Speaker 1>guys go on on the road? We did, man, So

0:22:02.280 --> 0:22:05.000
<v Speaker 1>in high school. It was just three of us, and uh,

0:22:05.640 --> 0:22:08.080
<v Speaker 1>you know, I would be in the marching band and

0:22:08.359 --> 0:22:10.680
<v Speaker 1>you were in the march A guy that I thought

0:22:10.720 --> 0:22:13.440
<v Speaker 1>was the douche bag for having and being so cool.

0:22:13.560 --> 0:22:17.520
<v Speaker 1>I thought he looked way and saw me and my

0:22:17.560 --> 0:22:19.520
<v Speaker 1>brother won the drum line. We played snare and all

0:22:19.600 --> 0:22:22.000
<v Speaker 1>that kind of stuff. So you were a drummer, I was. Yeah.

0:22:22.600 --> 0:22:24.240
<v Speaker 1>My brother Ryan taught me how to play drums, and

0:22:24.320 --> 0:22:26.760
<v Speaker 1>so did Derek. Derek was a drummer as well, and

0:22:26.880 --> 0:22:29.360
<v Speaker 1>so we were all on the drum line for Sin

0:22:29.480 --> 0:22:33.320
<v Speaker 1>High School. Go buffs Um and we would play, we

0:22:33.359 --> 0:22:35.639
<v Speaker 1>would do the halftime show, we'd we'd play all the

0:22:35.720 --> 0:22:38.120
<v Speaker 1>games and all that kind of stuff. And it's West

0:22:38.200 --> 0:22:41.639
<v Speaker 1>Texas like Big Spring Pick Spring millin Odessa and there.

0:22:41.800 --> 0:22:44.160
<v Speaker 1>I mean we were two a school, but we seriously

0:22:44.200 --> 0:22:48.959
<v Speaker 1>had a college side stadium because football, man, it's everything.

0:22:49.080 --> 0:22:51.080
<v Speaker 1>And so we would play that and then we would

0:22:51.080 --> 0:22:55.400
<v Speaker 1>go play a show either in our town that night

0:22:55.720 --> 0:22:58.920
<v Speaker 1>or sixty miles away like Midland. We play that, we

0:22:59.000 --> 0:23:01.159
<v Speaker 1>play a show, and we do at least two or

0:23:01.200 --> 0:23:04.080
<v Speaker 1>three shows a weekend. Like my parents, I don't know

0:23:04.840 --> 0:23:06.800
<v Speaker 1>what they were thinking. They were just like Oh yeah,

0:23:07.080 --> 0:23:09.880
<v Speaker 1>like go to school and you know, go play Friday, Saturday,

0:23:09.880 --> 0:23:12.600
<v Speaker 1>Sunday and come back you know. Um so that's kind

0:23:12.600 --> 0:23:15.320
<v Speaker 1>of how I kind of cut my teeth in playing

0:23:15.400 --> 0:23:18.120
<v Speaker 1>music in the grind of touring. And then we moved

0:23:18.160 --> 0:23:22.239
<v Speaker 1>to Denton. Big city. Oh yeah, big city right now,

0:23:22.400 --> 0:23:25.879
<v Speaker 1>the Dallas and my brother went to North Texas and

0:23:26.119 --> 0:23:29.480
<v Speaker 1>I tried to go to some like little uh community

0:23:29.520 --> 0:23:32.720
<v Speaker 1>college and tried to get an audio engineering degree. But

0:23:32.840 --> 0:23:35.760
<v Speaker 1>we ended up leaving Dent and we did the whole

0:23:36.520 --> 0:23:38.720
<v Speaker 1>Texas music scene, but we ended up going on the

0:23:38.760 --> 0:23:42.440
<v Speaker 1>Warp Tour for two for three years. Wow, you warped

0:23:42.480 --> 0:23:44.960
<v Speaker 1>toward it for three years? Oh my god, man, it was.

0:23:45.480 --> 0:23:48.600
<v Speaker 1>It was the coolest, most miserable time in my life.

0:23:48.800 --> 0:23:51.200
<v Speaker 1>Where were you? I'm at the Warp Tour because again

0:23:51.480 --> 0:23:55.320
<v Speaker 1>my background radio has been pop alternative, so I've been

0:23:55.359 --> 0:23:57.000
<v Speaker 1>to a bunch of Warp Tour shows. And how I worked,

0:23:57.119 --> 0:23:58.639
<v Speaker 1>I worked for everyone is like shall I started like

0:23:58.680 --> 0:24:01.480
<v Speaker 1>eleven am and it alway until the end, and that's

0:24:01.520 --> 0:24:03.720
<v Speaker 1>when like, you know, Blank wanted to play at the

0:24:03.760 --> 0:24:05.480
<v Speaker 1>very end. If they decide it's one of their shows,

0:24:05.600 --> 0:24:08.080
<v Speaker 1>they fly in and yes, yeah, but but really it's

0:24:08.080 --> 0:24:12.959
<v Speaker 1>a bunch of skateboarders and just bands all day long

0:24:13.040 --> 0:24:15.520
<v Speaker 1>that you've never heard of. So if the chef started

0:24:15.520 --> 0:24:18.360
<v Speaker 1>at eleven am and ended it midnight, what hour ship

0:24:18.440 --> 0:24:25.479
<v Speaker 1>did you guys? The first the first year we did this, Uh,

0:24:26.600 --> 0:24:30.520
<v Speaker 1>it's awful. We we seriously played like at at eleven

0:24:30.600 --> 0:24:34.160
<v Speaker 1>am with for nobody, and so the idea of warped tour,

0:24:34.560 --> 0:24:38.520
<v Speaker 1>you know, Uh Haley Haley Williams from Paramore. I think

0:24:38.600 --> 0:24:40.680
<v Speaker 1>she she had like a documentary and she she put

0:24:40.680 --> 0:24:42.920
<v Speaker 1>it all out there. But it's so real. You pass

0:24:43.000 --> 0:24:47.040
<v Speaker 1>out ten thousand flyers a day. You're just trying to

0:24:47.119 --> 0:24:50.760
<v Speaker 1>get two people to come to your stage and watch you, like,

0:24:51.280 --> 0:24:53.120
<v Speaker 1>just come, like, I know you want to go see

0:24:53.240 --> 0:24:55.679
<v Speaker 1>a Fallout boy later, but you know we're playing right

0:24:55.680 --> 0:24:58.000
<v Speaker 1>before him. Uh you should just come, like we'll give

0:24:58.040 --> 0:24:59.840
<v Speaker 1>you a T shirt like it was anything, you know,

0:25:00.359 --> 0:25:06.440
<v Speaker 1>So that was like the end of true music promotion,

0:25:06.680 --> 0:25:10.159
<v Speaker 1>like like giving a flyer to somebody and word of

0:25:10.280 --> 0:25:12.840
<v Speaker 1>mouth and now it's it's awesome with social media, but

0:25:13.800 --> 0:25:15.880
<v Speaker 1>that you know that time is no more. You don't

0:25:15.920 --> 0:25:20.680
<v Speaker 1>hand out That sucks. No, it's so bad. I'm so

0:25:21.040 --> 0:25:23.240
<v Speaker 1>sad we don't have to chart our own milk anymore

0:25:23.840 --> 0:25:30.919
<v Speaker 1>those days. Now we have grocery Manez Back when times

0:25:31.000 --> 0:25:38.960
<v Speaker 1>we're simpler and much better, probably made keikos dollars like horrible,

0:25:39.040 --> 0:25:43.240
<v Speaker 1>But it really taught me about promotion and and really

0:25:43.560 --> 0:25:46.840
<v Speaker 1>making fans and really the face to face eye contact

0:25:47.480 --> 0:25:50.960
<v Speaker 1>that you make, and and appreciating those people because they're

0:25:51.000 --> 0:25:54.440
<v Speaker 1>the people who are getting you those better slots on

0:25:54.560 --> 0:25:57.360
<v Speaker 1>that tour, or you know, when you come back into

0:25:57.400 --> 0:25:59.720
<v Speaker 1>that town, they're gonna come see you at that crappy

0:25:59.760 --> 0:26:03.119
<v Speaker 1>club you're playing at. You know, so you do Warped

0:26:03.160 --> 0:26:06.159
<v Speaker 1>Toy with your brothers or in this punk band, so

0:26:06.760 --> 0:26:09.240
<v Speaker 1>you're like, all right, this is not for me. So

0:26:09.400 --> 0:26:11.200
<v Speaker 1>basically we went out to l A. I lived out

0:26:11.200 --> 0:26:14.160
<v Speaker 1>in l A for about six months, and we had

0:26:14.320 --> 0:26:18.639
<v Speaker 1>a development deal with with Sony out over there, and

0:26:18.720 --> 0:26:20.720
<v Speaker 1>they had other bands like I don't know if you

0:26:20.800 --> 0:26:24.159
<v Speaker 1>remember a band called Forever the Sickest Kids, and it

0:26:24.520 --> 0:26:27.080
<v Speaker 1>was the whole MySpace age. He's a big Mike. Mike

0:26:27.119 --> 0:26:30.800
<v Speaker 1>did a punk podcast for years called the Everyday Destruction

0:26:30.880 --> 0:26:33.720
<v Speaker 1>Podcast that that's all they talked about was punk music.

0:26:33.720 --> 0:26:38.120
<v Speaker 1>It was terrible musically, it was terrible, like I admired

0:26:38.200 --> 0:26:39.600
<v Speaker 1>Mike for doing it, and I listened to it and

0:26:39.600 --> 0:26:41.280
<v Speaker 1>I'd be like hey dude, and I went but it

0:26:41.400 --> 0:26:43.959
<v Speaker 1>was like music, and I was like, this is awful.

0:26:44.000 --> 0:26:46.639
<v Speaker 1>Like I'll get in Mike's car and it's just that

0:26:46.920 --> 0:26:49.960
<v Speaker 1>mess of music like that you were playing right there,

0:26:50.119 --> 0:26:53.960
<v Speaker 1>like that that horrible, awful stuff. Yeah. Yes, so you

0:26:54.040 --> 0:26:56.640
<v Speaker 1>go to l A. You're doing you have a development deal,

0:26:56.880 --> 0:27:00.639
<v Speaker 1>so we're you know, with my Space. That was the

0:27:00.680 --> 0:27:02.719
<v Speaker 1>whole thing. So any label that came to you, they

0:27:02.720 --> 0:27:04.399
<v Speaker 1>were like, yeah. We were told we had to have

0:27:04.440 --> 0:27:09.000
<v Speaker 1>at least thirty five thousand daily plays on our MySpace

0:27:09.119 --> 0:27:11.639
<v Speaker 1>and we're like done. So we were up to like

0:27:11.720 --> 0:27:14.520
<v Speaker 1>forty tho spins every single day, you know, turning and

0:27:14.600 --> 0:27:16.920
<v Speaker 1>grinding and getting people to just come on board and

0:27:17.000 --> 0:27:20.480
<v Speaker 1>share our make it, make it your profile song or whatever.

0:27:21.040 --> 0:27:22.800
<v Speaker 1>And you know, we would play at the Roxy, we

0:27:23.000 --> 0:27:25.440
<v Speaker 1>play at at the Whiskey and all those places and

0:27:28.320 --> 0:27:32.200
<v Speaker 1>other people's l A experiences are different, um, but mine

0:27:32.280 --> 0:27:35.560
<v Speaker 1>was miserable and there was no community. There was no

0:27:35.840 --> 0:27:39.240
<v Speaker 1>support or encourage encouragement from anybody. So when we went

0:27:39.280 --> 0:27:42.240
<v Speaker 1>out and and started doing opening shows for fall Out

0:27:42.240 --> 0:27:44.879
<v Speaker 1>Boy and Sugar Colt and people like that. Um, it

0:27:44.960 --> 0:27:46.600
<v Speaker 1>was that same thing, you know, Oh you got to

0:27:46.640 --> 0:27:48.840
<v Speaker 1>two with Fall Boys, Like yeah, we played at five

0:27:49.000 --> 0:27:52.040
<v Speaker 1>thirty in the afternoon when the doors open for like

0:27:52.200 --> 0:27:54.520
<v Speaker 1>a hundred people, passed out our flyers and played at

0:27:54.560 --> 0:27:57.760
<v Speaker 1>the club next door for an after party, you know,

0:27:57.960 --> 0:28:01.080
<v Speaker 1>just to try to just capitalize on the opportunity and

0:28:01.200 --> 0:28:06.720
<v Speaker 1>man for us personally, the it was just dying and

0:28:07.320 --> 0:28:10.600
<v Speaker 1>I knew where I wanted to be, and I kept

0:28:10.680 --> 0:28:13.480
<v Speaker 1>making trips to Nashville and writing, and you know, starting

0:28:13.520 --> 0:28:16.280
<v Speaker 1>to get into the co writing thing. And you know,

0:28:16.520 --> 0:28:19.040
<v Speaker 1>I love country music. I love I love writing it,

0:28:19.119 --> 0:28:21.680
<v Speaker 1>I love singing it, and I love the fans because

0:28:21.720 --> 0:28:24.480
<v Speaker 1>they're die hard fans. With rock music, it was like

0:28:24.680 --> 0:28:28.040
<v Speaker 1>flavor of the week, you know. If you know, you'd

0:28:28.080 --> 0:28:30.600
<v Speaker 1>make all these fans, say in Tulsa, Oklahoma, and you'd

0:28:30.640 --> 0:28:32.680
<v Speaker 1>have a good turnout, and you come back two months

0:28:32.760 --> 0:28:35.879
<v Speaker 1>later and nobody cares, you know. With country, and this

0:28:36.080 --> 0:28:40.280
<v Speaker 1>is what I see all the time. It's so much

0:28:40.360 --> 0:28:45.120
<v Speaker 1>more artists driven. Pop is song driven. Rock is let's

0:28:45.120 --> 0:28:48.080
<v Speaker 1>just see what happens this month, like and that's that's

0:28:48.120 --> 0:28:51.239
<v Speaker 1>really the difference, Like like and pop it's like how

0:28:51.320 --> 0:28:53.840
<v Speaker 1>good is your song? And country like if once you

0:28:54.040 --> 0:28:57.920
<v Speaker 1>have fans that like that artist, there, the country music

0:28:57.960 --> 0:29:01.800
<v Speaker 1>listener is a loyal person listener, Like if you're a

0:29:01.920 --> 0:29:04.440
<v Speaker 1>Luke fan, and you've been a Luke fan, you will

0:29:04.520 --> 0:29:06.600
<v Speaker 1>always be a Luke fan the rest of your life.

0:29:07.160 --> 0:29:09.680
<v Speaker 1>If he may go to a polk album, but dang it,

0:29:09.720 --> 0:29:11.960
<v Speaker 1>you're gonna download that Luke record. It's gonna be the

0:29:12.000 --> 0:29:15.320
<v Speaker 1>walmart In in all its fans. But yes, country music

0:29:15.560 --> 0:29:18.000
<v Speaker 1>it is. It is about the artists. You need that

0:29:18.120 --> 0:29:19.760
<v Speaker 1>first song. You have to get those songs and get

0:29:19.800 --> 0:29:22.160
<v Speaker 1>you to get people noticed the artist. But once they're

0:29:22.240 --> 0:29:23.840
<v Speaker 1>in on the artist, and I have that in the

0:29:23.920 --> 0:29:27.640
<v Speaker 1>radio world too. It's like I have the greatest listeners

0:29:28.040 --> 0:29:32.000
<v Speaker 1>and I will do the worst segments, the worst, terrible segments,

0:29:32.600 --> 0:29:34.840
<v Speaker 1>and they'll be right there and the radios come in

0:29:34.880 --> 0:29:36.400
<v Speaker 1>and I'm like, I don't even know what people were listening.

0:29:36.400 --> 0:29:38.480
<v Speaker 1>I have no idea, Like we had a I looked

0:29:38.480 --> 0:29:40.320
<v Speaker 1>at last week show. They weren't that good. Can't believe

0:29:40.320 --> 0:29:43.280
<v Speaker 1>the ratings that you know, it's it's just a culture

0:29:43.400 --> 0:29:47.120
<v Speaker 1>of the town, the format, the music, and so you

0:29:47.200 --> 0:29:49.560
<v Speaker 1>moved to town because you realize that's kind of the

0:29:50.080 --> 0:29:51.960
<v Speaker 1>the environment that you want to be in. I mean,

0:29:52.080 --> 0:29:54.880
<v Speaker 1>is that the reason? Yeah? The community. I think it

0:29:55.000 --> 0:29:57.080
<v Speaker 1>was the biggest thing you know in the rock world,

0:29:57.600 --> 0:30:00.240
<v Speaker 1>uh in l A. And you know, just the the

0:30:00.320 --> 0:30:04.120
<v Speaker 1>whole culture of it was so just dark and it

0:30:04.240 --> 0:30:06.200
<v Speaker 1>was so lonely. You know, it was like every man

0:30:06.320 --> 0:30:10.800
<v Speaker 1>for himself, so cut throat. And here, you know it

0:30:10.960 --> 0:30:13.760
<v Speaker 1>is it is kind of competition, which listen, it's a

0:30:13.920 --> 0:30:17.360
<v Speaker 1>creative industry. There's always a ton of competition because there

0:30:17.400 --> 0:30:20.600
<v Speaker 1>are two slots and there are seven thousand people, so

0:30:20.800 --> 0:30:25.000
<v Speaker 1>it's always competitive. But it's not just music, any sort

0:30:25.040 --> 0:30:29.840
<v Speaker 1>of creative acting, any creative field. It's seven thousand people

0:30:29.840 --> 0:30:34.239
<v Speaker 1>going for two spots. But you're right, as competitive as

0:30:34.280 --> 0:30:38.200
<v Speaker 1>it is, this town is very warm and working together,

0:30:38.560 --> 0:30:43.720
<v Speaker 1>that's it. It's very encouraging, supportive. And you know, I

0:30:43.760 --> 0:30:46.760
<v Speaker 1>always say anytime I invite a friend of mine from

0:30:46.800 --> 0:30:49.640
<v Speaker 1>Texas or somewhere to come visit, half the time they

0:30:49.760 --> 0:30:52.280
<v Speaker 1>end up moving here because they feel the same way,

0:30:52.320 --> 0:30:54.240
<v Speaker 1>even if it's not music related. They're like, I just

0:30:54.720 --> 0:30:56.600
<v Speaker 1>I just love this town. I love the people, I

0:30:56.760 --> 0:31:00.400
<v Speaker 1>love just you know everything about it. When did you

0:31:00.440 --> 0:31:03.200
<v Speaker 1>move to Nashville two thousand nine. Okay, and so you

0:31:03.280 --> 0:31:05.440
<v Speaker 1>move here and you just started playing guitar for people,

0:31:06.000 --> 0:31:08.200
<v Speaker 1>and so I would go to writers writers nights and

0:31:08.440 --> 0:31:10.640
<v Speaker 1>writers rounds where, you know, if you don't know what

0:31:10.760 --> 0:31:13.320
<v Speaker 1>that is, there's four people on stage playing songs they

0:31:13.400 --> 0:31:15.840
<v Speaker 1>write one at a time and telling stories about them.

0:31:15.880 --> 0:31:18.440
<v Speaker 1>And I would just go and and want to learn,

0:31:18.760 --> 0:31:21.120
<v Speaker 1>you know. And so I started making friends, started co

0:31:21.280 --> 0:31:25.480
<v Speaker 1>writing with those friends and singing those demos, and so

0:31:26.760 --> 0:31:29.720
<v Speaker 1>my friends with publishing deals would turn those songs into

0:31:29.760 --> 0:31:32.080
<v Speaker 1>their publishers and they'd be like, Oh, who's the singing

0:31:32.120 --> 0:31:33.720
<v Speaker 1>Who is this the guy you wrote it with? They're

0:31:33.720 --> 0:31:35.960
<v Speaker 1>like yeah, And so that's how I kind of, you know,

0:31:36.120 --> 0:31:39.800
<v Speaker 1>got into that um getting a publishing deal and also

0:31:39.840 --> 0:31:42.960
<v Speaker 1>playing guitar for for different people. I still felt like

0:31:43.520 --> 0:31:45.640
<v Speaker 1>you're a better singer than you are anything else, which

0:31:45.680 --> 0:31:48.880
<v Speaker 1>is crazy, thanks because you're an elite singer and I

0:31:49.000 --> 0:31:50.320
<v Speaker 1>had no idea. I thought you were just a really

0:31:50.320 --> 0:31:53.080
<v Speaker 1>good guitar player. And then he started singing, and you're like, oh,

0:31:53.640 --> 0:31:55.200
<v Speaker 1>because all I'll do it raging age. I won't let

0:31:55.240 --> 0:31:57.120
<v Speaker 1>him saying until like after the second half of the show,

0:31:57.520 --> 0:31:59.040
<v Speaker 1>because then people will just be like, can he sing

0:31:59.160 --> 0:32:01.640
<v Speaker 1>some more? Like keep him? So he plays and he

0:32:01.760 --> 0:32:03.920
<v Speaker 1>kills it, and then as we get to the second half,

0:32:03.960 --> 0:32:05.880
<v Speaker 1>I'm like, all right, Brandon eurerope and then he just

0:32:06.040 --> 0:32:08.680
<v Speaker 1>crushes it like he was. I was watching your YouTube channel,

0:32:08.960 --> 0:32:11.680
<v Speaker 1>and again I don't both smoke, but I was watching

0:32:11.720 --> 0:32:14.080
<v Speaker 1>YouTube channel and there's a song from Sean Mindeth called Mercy.

0:32:14.440 --> 0:32:21.320
<v Speaker 1>I'm taking baby please Mercy seeing it ec on that

0:32:22.200 --> 0:32:24.760
<v Speaker 1>and Brandon is doing a cover of it, and I'm like,

0:32:25.240 --> 0:32:28.280
<v Speaker 1>god know he could sing, but it's so good. I'm safe.

0:32:28.480 --> 0:32:34.080
<v Speaker 1>Baby please ever mercy on me, take it easy on

0:32:34.400 --> 0:32:39.120
<v Speaker 1>my heart. Even though you don't mean hurt me, you

0:32:39.560 --> 0:32:45.880
<v Speaker 1>keep telling me up, but would you please Percy Mercy?

0:32:46.960 --> 0:32:56.840
<v Speaker 1>Oh my heart? Please Mercy Mercy? O my heart. That's

0:32:57.040 --> 0:32:58.880
<v Speaker 1>that's weird because you're such a good guitar player and

0:32:58.920 --> 0:33:00.880
<v Speaker 1>you're such a good singer to like, what do you

0:33:00.920 --> 0:33:06.200
<v Speaker 1>want to be known as? Everybody pigeonholes? Everybody everybody does? Yeah? Right,

0:33:06.280 --> 0:33:07.960
<v Speaker 1>And as you think about that, I'll give you an example.

0:33:08.000 --> 0:33:10.120
<v Speaker 1>I'm gonna go back to the Luke Bryant thing. Nobody

0:33:10.200 --> 0:33:13.600
<v Speaker 1>knows how good of an art like actual musician Luke

0:33:13.640 --> 0:33:15.880
<v Speaker 1>Brian is the general mass thinks he's a guy with

0:33:15.960 --> 0:33:17.840
<v Speaker 1>some good songs and gets down on stage and he dances,

0:33:17.880 --> 0:33:19.840
<v Speaker 1>but's on a good show. The guy will take a

0:33:19.880 --> 0:33:23.760
<v Speaker 1>guitar or take a piano and just crush it and

0:33:23.840 --> 0:33:26.640
<v Speaker 1>you're like, oh, I get it. Okay, this is why

0:33:26.720 --> 0:33:28.960
<v Speaker 1>he's phenomenal. This is why he gets to do what else?

0:33:29.280 --> 0:33:31.280
<v Speaker 1>This is why he gets to play mckamore in the

0:33:31.320 --> 0:33:33.080
<v Speaker 1>middle of a step because he was so good at

0:33:33.160 --> 0:33:37.960
<v Speaker 1>doing everything at the beginning. So okay, I'm pigeonholing you

0:33:38.080 --> 0:33:40.520
<v Speaker 1>into where where do you want a pigeon hole? Man?

0:33:41.480 --> 0:33:45.080
<v Speaker 1>That's that's such a crazy question because with everybody, even you,

0:33:45.200 --> 0:33:48.760
<v Speaker 1>there's so many layers to who you are. And the

0:33:48.920 --> 0:33:52.040
<v Speaker 1>more you the more you experience that artist, the more

0:33:52.120 --> 0:33:54.440
<v Speaker 1>you get to know those layers. Where you know seven

0:33:54.520 --> 0:33:56.400
<v Speaker 1>layers and someone a first impression though they don't get

0:33:57.000 --> 0:34:00.440
<v Speaker 1>don't you get layers? Throw seven at first? What's hilaryery?

0:34:00.480 --> 0:34:01.960
<v Speaker 1>You won't be able to get the first thing. Is

0:34:02.040 --> 0:34:04.960
<v Speaker 1>it the guy that's the fantastic singer or is the

0:34:05.000 --> 0:34:08.600
<v Speaker 1>guy who's the killer guitarist? I would say I would

0:34:08.600 --> 0:34:11.320
<v Speaker 1>say singer man. I mean I was gonna make it

0:34:11.360 --> 0:34:14.160
<v Speaker 1>be your answer. But yeah, like he's holding up a

0:34:14.200 --> 0:34:16.480
<v Speaker 1>sign right now, I'm really not, but it's gotta be

0:34:16.560 --> 0:34:19.840
<v Speaker 1>saying I gotta be. That's your first listening impression. Nobody.

0:34:20.120 --> 0:34:23.680
<v Speaker 1>I'm sorry, No, nobody really knows Keith Urban plays all

0:34:23.719 --> 0:34:28.400
<v Speaker 1>those solos, but he does about that. Nobody cares. Nobody

0:34:28.600 --> 0:34:31.440
<v Speaker 1>cares like it's amazing. Like me as a guitar player,

0:34:32.200 --> 0:34:34.640
<v Speaker 1>I listened to you know, if if Brad Pays it

0:34:34.680 --> 0:34:37.440
<v Speaker 1>comes on, or Keith Urban or you know, any of

0:34:37.480 --> 0:34:40.760
<v Speaker 1>those people, when that solo comes, I'm like, oh my god,

0:34:41.200 --> 0:34:44.160
<v Speaker 1>it's so good that the nerds like it, like it

0:34:44.280 --> 0:34:46.600
<v Speaker 1>like guys. But most people, they just wanna hear a

0:34:46.640 --> 0:34:49.759
<v Speaker 1>good song. They want to hear Keith Urban sing. You

0:34:49.800 --> 0:34:51.399
<v Speaker 1>know what I'm saying. They want to hear that song.

0:34:51.640 --> 0:34:53.960
<v Speaker 1>That's that's what they know, that's what they identify with.

0:34:54.560 --> 0:34:57.759
<v Speaker 1>And you know, if I'm up on stage playing and

0:34:57.840 --> 0:35:02.239
<v Speaker 1>I go into a solo, it's cool. But even with

0:35:02.320 --> 0:35:04.000
<v Speaker 1>guys like Keith Urban, when they go into a solo,

0:35:04.440 --> 0:35:06.560
<v Speaker 1>the people start looking side to side or start looking

0:35:06.600 --> 0:35:10.000
<v Speaker 1>at their phone because the singing aspect has to be there.

0:35:10.680 --> 0:35:12.480
<v Speaker 1>That's the first thing that hits their ears and that's

0:35:12.480 --> 0:35:15.040
<v Speaker 1>all they know. I listen. I'm not saying that I've

0:35:15.080 --> 0:35:17.880
<v Speaker 1>watched Urban, but I watched everybody solos for four hours.

0:35:17.960 --> 0:35:20.560
<v Speaker 1>It's amazing, Like that dude, he and I don't know.

0:35:20.680 --> 0:35:22.080
<v Speaker 1>You may hear this after the c m A is

0:35:22.239 --> 0:35:24.160
<v Speaker 1>like he made one entertime. I don't know what he's

0:35:24.160 --> 0:35:26.279
<v Speaker 1>gonna but that's one of the most that's it's such

0:35:26.320 --> 0:35:29.520
<v Speaker 1>a fantastic live artist. But that's what you can do too, Like,

0:35:29.719 --> 0:35:31.480
<v Speaker 1>once you get live, you can do all your stuff.

0:35:31.800 --> 0:35:34.279
<v Speaker 1>But people don't. Most people don't get to see people live.

0:35:34.960 --> 0:35:37.719
<v Speaker 1>Like percent people don't get to see Keith Urban live.

0:35:38.160 --> 0:35:39.800
<v Speaker 1>They just hear what's on the radio and become a

0:35:39.840 --> 0:35:41.200
<v Speaker 1>fan of I don't get to see a lot of

0:35:41.239 --> 0:35:42.919
<v Speaker 1>people alive because of my job. I get to see

0:35:42.960 --> 0:35:45.839
<v Speaker 1>him in the studio, but I don't. I saw Keith

0:35:45.960 --> 0:35:48.960
<v Speaker 1>Urban i Alreadio Music Festival for the first time play

0:35:49.000 --> 0:35:52.640
<v Speaker 1>a full show. It's a year ago, blown away. It's crazy,

0:35:52.680 --> 0:35:56.319
<v Speaker 1>and he'd played in my studio seven times. But also

0:35:56.360 --> 0:35:58.359
<v Speaker 1>a lot of people don't get to experience that side

0:35:58.400 --> 0:36:00.239
<v Speaker 1>of it too, So that's oh no, But you get

0:36:00.280 --> 0:36:03.240
<v Speaker 1>to experience what the studio stuff isn't it's it's ridiculous.

0:36:03.840 --> 0:36:05.640
<v Speaker 1>Sometimes I have to thought myself right in the NATS

0:36:05.680 --> 0:36:08.239
<v Speaker 1>because I'm like taking the moment, Like when Garth Brooks

0:36:08.280 --> 0:36:11.200
<v Speaker 1>comes in and play songs it's ridiculous and I can

0:36:11.280 --> 0:36:15.080
<v Speaker 1>touch him and he tells me to stop. Yah. Yeah yeah,

0:36:15.440 --> 0:36:18.880
<v Speaker 1>He's like stop touch So okay, here's listen to this.

0:36:18.960 --> 0:36:21.360
<v Speaker 1>Here's uh justin timber like cover of Drink You Away,

0:36:22.000 --> 0:36:39.080
<v Speaker 1>change track, try to track all these keep saying all

0:36:39.160 --> 0:36:46.640
<v Speaker 1>of this. Tell me, baby, it doesn't make a better

0:36:46.719 --> 0:36:51.919
<v Speaker 1>sim Now as you're hearing these covers, I'm gonna remind

0:36:51.960 --> 0:36:53.360
<v Speaker 1>you that you can go and you can download, you

0:36:53.440 --> 0:36:57.920
<v Speaker 1>can stream whatever. Brandon has two songs that are up now.

0:36:58.120 --> 0:37:02.240
<v Speaker 1>I mean I can wait breach he smokes Dad Town

0:37:02.520 --> 0:37:16.520
<v Speaker 1>to freaking American way that clap Baby come on, and

0:37:16.640 --> 0:37:24.600
<v Speaker 1>that can be us. That could be said. I like

0:37:24.719 --> 0:37:26.160
<v Speaker 1>to you do the covers, though, because you know what,

0:37:26.239 --> 0:37:29.120
<v Speaker 1>that's how you can attention. Some people are so against it,

0:37:29.200 --> 0:37:32.600
<v Speaker 1>and I respect that because that's their thing, and everybody

0:37:32.680 --> 0:37:35.120
<v Speaker 1>should have the right to what they want to be

0:37:35.160 --> 0:37:37.400
<v Speaker 1>as an artist. And there are artists whore like you

0:37:37.440 --> 0:37:39.400
<v Speaker 1>know what, The covers aren't for me. And I'm like, cool,

0:37:39.880 --> 0:37:42.080
<v Speaker 1>it's it's gonna be a little harder road, and I'm

0:37:42.080 --> 0:37:45.000
<v Speaker 1>glad you have that. But what you do is people

0:37:45.480 --> 0:37:49.520
<v Speaker 1>people google as a backroub, you know, the backup different artists,

0:37:49.719 --> 0:37:52.719
<v Speaker 1>the bund the background like covers of songs, and then

0:37:52.800 --> 0:37:55.120
<v Speaker 1>they may watch ten justin term like drink they're like,

0:37:55.160 --> 0:37:59.319
<v Speaker 1>holy crap, who's Brandon Ray dude? Which leads to your

0:37:59.680 --> 0:38:02.399
<v Speaker 1>music day, that's it man, And and during a live

0:38:02.480 --> 0:38:05.840
<v Speaker 1>show the same thing. Some some artists are like, no,

0:38:06.000 --> 0:38:08.759
<v Speaker 1>if I'm gonna open, I'm gonna do my songs, and

0:38:08.840 --> 0:38:12.759
<v Speaker 1>that's totally cool. But when you're the opening slot in

0:38:12.880 --> 0:38:16.560
<v Speaker 1>front of whoever, in front of John Party, Get More Whoever,

0:38:17.560 --> 0:38:20.160
<v Speaker 1>and those people have no idea who you are, you've

0:38:20.160 --> 0:38:22.560
<v Speaker 1>got to find a way to identify with them to

0:38:22.880 --> 0:38:25.880
<v Speaker 1>to to then introduce your own stuff that you're so

0:38:26.160 --> 0:38:29.040
<v Speaker 1>right on. I tell people all the time, never be

0:38:29.160 --> 0:38:32.520
<v Speaker 1>ashamed to cover because put your own spin on it.

0:38:32.719 --> 0:38:35.920
<v Speaker 1>People just want to hear stuff they know and like,

0:38:36.440 --> 0:38:39.520
<v Speaker 1>and if you're playing neither, and most times they don't

0:38:39.520 --> 0:38:42.200
<v Speaker 1>like new music right until it because that it needs

0:38:42.239 --> 0:38:45.440
<v Speaker 1>to be something they know or just freaking phenomenal and

0:38:45.480 --> 0:38:47.000
<v Speaker 1>it's hard for something to be phenomenal that you've never

0:38:47.080 --> 0:38:50.080
<v Speaker 1>heard before. It takes a few times, and so you

0:38:50.160 --> 0:38:52.200
<v Speaker 1>can nail them with a cover and you get a

0:38:52.200 --> 0:38:53.560
<v Speaker 1>little bit of credit. So look at me. Here, are

0:38:53.560 --> 0:38:56.399
<v Speaker 1>you do something yourself on a couple of those? All right? Cool? Yeah,

0:38:56.440 --> 0:39:01.399
<v Speaker 1>that's a bad cool not playing mombo number five, brand Um.

0:39:01.800 --> 0:39:04.800
<v Speaker 1>One of my favorite things that Brandon does is is

0:39:04.840 --> 0:39:07.960
<v Speaker 1>Donald Trump oppression is one of the best I've ever

0:39:08.040 --> 0:39:11.239
<v Speaker 1>heard of. Like, am I live because he'll send me

0:39:11.360 --> 0:39:14.680
<v Speaker 1>messages and wrong, I can't. I don't do it. But

0:39:15.920 --> 0:39:18.359
<v Speaker 1>we were on the did you watch the last one?

0:39:18.480 --> 0:39:21.560
<v Speaker 1>The sketch three where he's like, I talked to the

0:39:21.640 --> 0:39:24.080
<v Speaker 1>Mexican president Mr guacam all day. I didn't even see that.

0:39:24.239 --> 0:39:29.719
<v Speaker 1>You haven't seen that one? Okay, okay, we'll be talking wrong,

0:39:30.920 --> 0:39:32.960
<v Speaker 1>give us give us all Donald Trump here, So at

0:39:33.040 --> 0:39:35.839
<v Speaker 1>sound check at I believe the Arkansas Show. I don't

0:39:35.840 --> 0:39:38.040
<v Speaker 1>know if you notice, but I was like, my microphone

0:39:38.160 --> 0:39:43.560
<v Speaker 1>it's broken. Obama broke it, Hilary stole it. I win,

0:39:45.880 --> 0:39:49.200
<v Speaker 1>so band, it's microphone is broken. Can we get him

0:39:49.200 --> 0:39:51.600
<v Speaker 1>a new one? How does this work? Okay? Mr Trump?

0:39:51.880 --> 0:39:57.520
<v Speaker 1>Test check? It's wrong? It's all I am the best

0:39:57.840 --> 0:40:03.480
<v Speaker 1>singer on the planet Earth. What what would you say

0:40:03.480 --> 0:40:07.000
<v Speaker 1>to the people that don't agree with that? Mr? Trump? Listen,

0:40:07.200 --> 0:40:12.440
<v Speaker 1>I respect microphones more than anyone anyone on the Earth.

0:40:13.680 --> 0:40:20.040
<v Speaker 1>I'm bickly supportive of microphones. You're vaguely supportively, Okay. I

0:40:20.120 --> 0:40:23.359
<v Speaker 1>mean we get on the bus and we laugh so much,

0:40:24.280 --> 0:40:27.600
<v Speaker 1>like and I think a key and it's gonna sound stupid,

0:40:27.840 --> 0:40:30.120
<v Speaker 1>but you said it earlier, and I tell I was

0:40:30.200 --> 0:40:35.640
<v Speaker 1>doing a show called American Supergroup. Okay. So it's a

0:40:35.760 --> 0:40:39.040
<v Speaker 1>show where they're putting a band together and the hosts

0:40:39.080 --> 0:40:42.720
<v Speaker 1>are Jennifer Nettles not hosted judge Jennifer Nettles, Alo Black

0:40:43.320 --> 0:40:46.279
<v Speaker 1>Um who but who have become buds with. But he's

0:40:46.320 --> 0:40:50.120
<v Speaker 1>the voice on Wake Me Up When Things, Dude, he's

0:40:50.200 --> 0:40:55.480
<v Speaker 1>so good. It's allow Black, it's l king. Yeah. You

0:40:55.600 --> 0:40:57.320
<v Speaker 1>know she has xs and os and she's not different

0:40:57.400 --> 0:41:01.200
<v Speaker 1>for girls with dirks. And so they're the the judge.

0:41:01.200 --> 0:41:03.200
<v Speaker 1>I went into mentor the country band and they're like, hey,

0:41:03.239 --> 0:41:07.360
<v Speaker 1>tell us, how to you know do um be a band?

0:41:07.440 --> 0:41:10.560
<v Speaker 1>And and I'm listen, you're all good or you wouldn't

0:41:10.600 --> 0:41:12.560
<v Speaker 1>be here. But let me give you a big tip,

0:41:13.400 --> 0:41:18.440
<v Speaker 1>be a great hang. Those four letters are everything. If

0:41:18.600 --> 0:41:22.239
<v Speaker 1>people want you around, they have you around more. And

0:41:22.320 --> 0:41:25.600
<v Speaker 1>when you're around more, you get shots to do more things.

0:41:27.000 --> 0:41:34.040
<v Speaker 1>And Brandon's a great let hang. Sorry, And I think

0:41:34.239 --> 0:41:37.799
<v Speaker 1>that's also the environment of you know what we try

0:41:37.840 --> 0:41:39.600
<v Speaker 1>to do the raging its only bring people around them

0:41:39.640 --> 0:41:44.640
<v Speaker 1>are great hangs from Nikita Natalie stove All. I mean

0:41:45.200 --> 0:41:47.719
<v Speaker 1>I just today I got you know, Lindsay. L's now

0:41:47.840 --> 0:41:53.400
<v Speaker 1>my girlfriend. You are You're now You're now into that

0:41:53.440 --> 0:41:57.600
<v Speaker 1>special friends vib But I mean they're just such fun

0:41:57.719 --> 0:41:59.160
<v Speaker 1>people that I was like, let's another show. I'll have

0:41:59.160 --> 0:42:00.759
<v Speaker 1>a back again. There's some fun to hang around with.

0:42:01.080 --> 0:42:03.239
<v Speaker 1>Do congrats. By the way, I have a girlfriend, there's

0:42:03.239 --> 0:42:06.520
<v Speaker 1>no congratulate. You know. It shows me how big of

0:42:06.560 --> 0:42:08.720
<v Speaker 1>a loser I am. It's when I'm getting a thousand

0:42:08.760 --> 0:42:12.680
<v Speaker 1>congrats for getting a girlfriend, something most people do all

0:42:12.760 --> 0:42:17.240
<v Speaker 1>the time. Hey, dude, congrats congrats on driving to work today.

0:42:17.560 --> 0:42:20.759
<v Speaker 1>Wait wait, most people drive to work every day. Why

0:42:20.800 --> 0:42:23.719
<v Speaker 1>are you congratulating me on driving to work today? Like

0:42:23.800 --> 0:42:27.200
<v Speaker 1>the accomplishment? Yeah, it was a sweet that was like,

0:42:27.520 --> 0:42:30.160
<v Speaker 1>you know what, Bobby. It showed me that even normal

0:42:30.239 --> 0:42:32.640
<v Speaker 1>guys can get hot girls if normal guys have their

0:42:32.680 --> 0:42:34.320
<v Speaker 1>on radio showed New York Times best seller and you

0:42:34.360 --> 0:42:37.160
<v Speaker 1>know the band, and I was like, that's funny. That's

0:42:37.200 --> 0:42:40.560
<v Speaker 1>pretty funny. That's funny. Great. So okay, So here you

0:42:40.640 --> 0:42:43.319
<v Speaker 1>are now, like what's the goal as you sit right

0:42:43.360 --> 0:42:45.919
<v Speaker 1>here beside me, like like short term and long term?

0:42:48.160 --> 0:42:51.360
<v Speaker 1>Short term is uh? I just got married about a

0:42:51.440 --> 0:42:54.160
<v Speaker 1>year ago. You just had anniversary a few weeks ago,

0:42:54.640 --> 0:42:56.600
<v Speaker 1>and who knew me? And who? And I don't know

0:42:56.640 --> 0:42:59.120
<v Speaker 1>any dates and I don't care. I don't even care

0:42:59.120 --> 0:43:01.239
<v Speaker 1>about my stuff. Dude, when you showed up to my house,

0:43:01.280 --> 0:43:03.600
<v Speaker 1>it was so nice. Yeah, I was in a cupid outfit.

0:43:04.600 --> 0:43:11.239
<v Speaker 1>It was it was he was wearing a toga nothing else. Year. Yeah,

0:43:11.320 --> 0:43:13.719
<v Speaker 1>and it's it's just been it's been awesome, and you know,

0:43:13.880 --> 0:43:15.880
<v Speaker 1>being gone, you know, sometimes she gets to go with me.

0:43:16.000 --> 0:43:18.760
<v Speaker 1>She she sings backgrounds uh in the band and everything,

0:43:18.880 --> 0:43:24.120
<v Speaker 1>and um, you know, sometimes people set goals like I

0:43:24.200 --> 0:43:26.239
<v Speaker 1>want to buy, you know, the biggest house I could find.

0:43:26.239 --> 0:43:27.960
<v Speaker 1>I want to buy a car. I want to do

0:43:28.040 --> 0:43:31.359
<v Speaker 1>all this stuff honestly, Like I want to be able

0:43:31.400 --> 0:43:33.640
<v Speaker 1>to get to a point where my wife can quit

0:43:33.719 --> 0:43:38.000
<v Speaker 1>her job. She she manages and bartens and works her

0:43:38.040 --> 0:43:42.239
<v Speaker 1>butt off. Can I say something, oh, like a little bit.

0:43:42.360 --> 0:43:45.000
<v Speaker 1>I wasn't expecting the answer. I was like, I'm let

0:43:45.080 --> 0:43:47.920
<v Speaker 1>a deal, Stadius. The fact that you said that and

0:43:47.960 --> 0:43:50.120
<v Speaker 1>it came to you so instinction like that, your visceral

0:43:50.200 --> 0:43:52.880
<v Speaker 1>reaction was I'd like to get my wife to a

0:43:52.920 --> 0:43:55.120
<v Speaker 1>place where she can quit her job and just, dude,

0:43:55.880 --> 0:43:57.759
<v Speaker 1>you are a good dude like I was on the

0:43:58.840 --> 0:44:02.839
<v Speaker 1>I was the I was a douce this whole time.

0:44:03.000 --> 0:44:07.160
<v Speaker 1>It's the hair I know. No, man, I whatever capacity

0:44:07.560 --> 0:44:11.239
<v Speaker 1>uh that that my music can reach, I'll always be

0:44:11.360 --> 0:44:13.200
<v Speaker 1>thankful for the fact that it's come this far. The

0:44:13.239 --> 0:44:15.920
<v Speaker 1>fact that I'm sitting here with you is like, it's

0:44:15.920 --> 0:44:17.920
<v Speaker 1>amazing to cool. Yeah, I'm really cool with you. No,

0:44:18.080 --> 0:44:20.759
<v Speaker 1>you're like and Mike D's over here looking all cool.

0:44:21.280 --> 0:44:24.279
<v Speaker 1>You're you're right now. Remember this moment. I get to

0:44:24.320 --> 0:44:25.960
<v Speaker 1>take a picture of this and turn the lights on,

0:44:26.040 --> 0:44:28.680
<v Speaker 1>so he remembers this. This is probably the peak of

0:44:28.760 --> 0:44:36.720
<v Speaker 1>his life being on that Bobby Cat actually doing it. Actually,

0:44:36.760 --> 0:44:38.920
<v Speaker 1>we take a picture anyway and put put it online.

0:44:39.320 --> 0:44:41.520
<v Speaker 1>Do we pose or what? No? No, no, we just

0:44:41.600 --> 0:44:44.840
<v Speaker 1>continue doing this and it gets posted. So are you

0:44:44.920 --> 0:44:47.279
<v Speaker 1>sucking in? I have to suck in. I didn't you know,

0:44:48.280 --> 0:44:52.000
<v Speaker 1>a little too many doughnuts this week? No, uh whatever,

0:44:52.160 --> 0:44:54.960
<v Speaker 1>Like I said, whatever capacity the music goes to. I'm

0:44:55.040 --> 0:44:59.279
<v Speaker 1>so thankful for um being out with you guys, you

0:44:59.400 --> 0:45:01.640
<v Speaker 1>and Eddie. You and Eddie have taught me a lot

0:45:02.320 --> 0:45:08.080
<v Speaker 1>about that. Don't be yes here being so sincere and

0:45:08.160 --> 0:45:11.719
<v Speaker 1>I incorporate this into my live show now, Um that

0:45:12.040 --> 0:45:15.800
<v Speaker 1>you know, my attitude and and the the music that

0:45:15.840 --> 0:45:18.520
<v Speaker 1>I make, I really think caters to the to the

0:45:18.560 --> 0:45:21.640
<v Speaker 1>blue collar, the hard worker. You know, my dad was,

0:45:21.880 --> 0:45:23.759
<v Speaker 1>uh he worked thirty or five years for the union

0:45:23.800 --> 0:45:27.640
<v Speaker 1>Pacific Railroad, worked his butt off, putting food on the table.

0:45:27.719 --> 0:45:32.640
<v Speaker 1>My mom worked and you know, just just him being

0:45:32.680 --> 0:45:34.800
<v Speaker 1>gone all the all that time. And you know I

0:45:34.880 --> 0:45:38.000
<v Speaker 1>saw that and we were dirt poor, like we we

0:45:38.200 --> 0:45:44.160
<v Speaker 1>didn't have anything. And so having that example growing up,

0:45:44.280 --> 0:45:46.960
<v Speaker 1>and you know, going and playing for those crowds, you know,

0:45:47.000 --> 0:45:49.839
<v Speaker 1>I'm going to Iowa and Nebraska, Minnesota and all those

0:45:49.960 --> 0:45:53.480
<v Speaker 1>regions where people work sixty hours a week. They just

0:45:53.680 --> 0:45:56.239
<v Speaker 1>want to get off work, go to go to a show,

0:45:57.000 --> 0:45:59.479
<v Speaker 1>grab a beer or whatever with their with their friends

0:45:59.560 --> 0:46:02.279
<v Speaker 1>or their why and just chill and listen to some music,

0:46:02.680 --> 0:46:04.479
<v Speaker 1>and if we can be that escape for those people,

0:46:05.400 --> 0:46:09.640
<v Speaker 1>that's incredible. And what I was saying about you guys

0:46:10.000 --> 0:46:14.160
<v Speaker 1>is if at this, at this event that I'm playing,

0:46:14.480 --> 0:46:17.080
<v Speaker 1>wherever it is, if one person leaves with a smile

0:46:17.160 --> 0:46:20.440
<v Speaker 1>on their face, then I've done my job and I've

0:46:20.520 --> 0:46:22.840
<v Speaker 1>done what I'm here to do. I just want to

0:46:22.920 --> 0:46:25.520
<v Speaker 1>make people happy. I want them to forget about their

0:46:25.600 --> 0:46:28.480
<v Speaker 1>problems and their worries for forty five minutes. You know,

0:46:28.560 --> 0:46:31.880
<v Speaker 1>whatever has been you know, getting them down during the week, whatever,

0:46:32.400 --> 0:46:35.120
<v Speaker 1>you know, whatever problem they have, if they can just

0:46:35.360 --> 0:46:39.879
<v Speaker 1>escape that for forty five minutes, and that's that. That's

0:46:39.920 --> 0:46:43.320
<v Speaker 1>what we're here for, is to give that entertainment, to

0:46:43.480 --> 0:46:47.759
<v Speaker 1>give that that care and that just attention to those

0:46:47.840 --> 0:46:50.200
<v Speaker 1>people to where they can just have a great time

0:46:50.280 --> 0:46:51.920
<v Speaker 1>for a little bit and you know, they might have

0:46:52.000 --> 0:46:53.680
<v Speaker 1>to go back and do what they do, but at

0:46:53.719 --> 0:46:57.080
<v Speaker 1>least they had that. Do you still take shows and

0:46:57.280 --> 0:47:01.399
<v Speaker 1>lose money? Definitely a lot of artists that you wouldn't think.

0:47:01.920 --> 0:47:04.000
<v Speaker 1>Here's the thing too about artists is that even the

0:47:04.120 --> 0:47:06.239
<v Speaker 1>ones that because people hear a song and they're like, oh,

0:47:06.320 --> 0:47:09.840
<v Speaker 1>for sure, millionaires like I have artists friends who have

0:47:09.960 --> 0:47:13.759
<v Speaker 1>had one, two, three songs, and they're like, dude, I'm struggling.

0:47:14.400 --> 0:47:16.920
<v Speaker 1>Just because you get a song on the radio doesn't

0:47:16.960 --> 0:47:18.920
<v Speaker 1>mean you're rich. And then I have friends that they

0:47:18.960 --> 0:47:20.439
<v Speaker 1>go in there like I need to play the show

0:47:20.560 --> 0:47:23.480
<v Speaker 1>I needed, I needed to look its need to play well.

0:47:23.800 --> 0:47:26.160
<v Speaker 1>So I got to hire a band and they're paying

0:47:26.520 --> 0:47:28.799
<v Speaker 1>a thousand bucks. But the band's gonna cost me eight

0:47:28.880 --> 0:47:30.680
<v Speaker 1>hundred bucks and we have to drive. You have to fly,

0:47:31.160 --> 0:47:35.200
<v Speaker 1>so you lose money on shows. But but it's an investment.

0:47:35.880 --> 0:47:38.879
<v Speaker 1>It is it has to be. And if and if

0:47:38.920 --> 0:47:41.960
<v Speaker 1>you're if you're worried about losing money, you shouldn't be

0:47:42.040 --> 0:47:44.920
<v Speaker 1>doing this. If that's your only thing, if that's your

0:47:44.960 --> 0:47:47.600
<v Speaker 1>only thing is financial gain, then you might want to stop.

0:47:47.719 --> 0:47:49.840
<v Speaker 1>And that's let me tell you a funny story. And

0:47:49.920 --> 0:47:52.719
<v Speaker 1>that's for any creative industry. Like if you're getting into

0:47:52.760 --> 0:47:56.360
<v Speaker 1>it for money, get out. I went to a college

0:47:56.400 --> 0:47:59.280
<v Speaker 1>and spoke once and I went and I said, okay,

0:47:59.719 --> 0:48:01.640
<v Speaker 1>I I just want to be honest. The only thing

0:48:01.719 --> 0:48:05.080
<v Speaker 1>I have his mo authenticity. That's it. I'm not super

0:48:05.160 --> 0:48:07.839
<v Speaker 1>talented in any other way. So I said, okay, I'm

0:48:07.880 --> 0:48:10.000
<v Speaker 1>gonna just be honest with you guys, Like, if you're

0:48:10.080 --> 0:48:13.920
<v Speaker 1>here now and you're studying radio in college, get out,

0:48:14.120 --> 0:48:16.120
<v Speaker 1>like change your major. I want. I was at radio

0:48:16.200 --> 0:48:18.919
<v Speaker 1>class I was speaking to so obviouly the college wasn't

0:48:18.960 --> 0:48:21.400
<v Speaker 1>excited that I was telling all of their so they

0:48:21.480 --> 0:48:24.600
<v Speaker 1>banned me from speaking there. Yeah, remember that might ye

0:48:26.719 --> 0:48:28.759
<v Speaker 1>and and so. But the thing I would tell them is,

0:48:29.560 --> 0:48:32.080
<v Speaker 1>you know, listen, you don't you if you're gonna be

0:48:32.120 --> 0:48:34.320
<v Speaker 1>a music engineer, you're learning that, but you don't go

0:48:34.400 --> 0:48:37.960
<v Speaker 1>to college to be unless it's like Juilliard and you

0:48:38.040 --> 0:48:41.080
<v Speaker 1>can get in. You know, you know, you don't go

0:48:41.440 --> 0:48:45.120
<v Speaker 1>to you know, the University of North Texas to be

0:48:45.200 --> 0:48:48.080
<v Speaker 1>a rock star. You just get out and start rock

0:48:48.160 --> 0:48:51.200
<v Speaker 1>starring it. And so the same way with the radio

0:48:51.400 --> 0:48:54.960
<v Speaker 1>or acting or you know so. And also what I

0:48:55.000 --> 0:48:57.439
<v Speaker 1>say is, if there's any money in your mind, don't

0:48:57.600 --> 0:49:00.799
<v Speaker 1>you can't there's none in it. Even in this I've

0:49:00.840 --> 0:49:04.280
<v Speaker 1>been lucky. Frankly speaking, I'm one of the one percent

0:49:04.400 --> 0:49:07.839
<v Speaker 1>that I was just and a lot work, ethic, some luck,

0:49:08.360 --> 0:49:11.799
<v Speaker 1>and having great people around me. That's that's the big

0:49:11.920 --> 0:49:14.120
<v Speaker 1>Those three things are the biggest things. Like you've got

0:49:14.239 --> 0:49:18.240
<v Speaker 1>to show up, don't be a douche and surround yourself

0:49:18.640 --> 0:49:22.719
<v Speaker 1>with god so key people with the same goals as you,

0:49:22.920 --> 0:49:25.080
<v Speaker 1>and that that you work so well together with that

0:49:25.239 --> 0:49:27.040
<v Speaker 1>that shows with you. I mean, you have the same

0:49:27.640 --> 0:49:29.680
<v Speaker 1>team as you did in Austin. How many years ago

0:49:29.800 --> 0:49:32.640
<v Speaker 1>was that? I mean, I've had Amy for eleven years,

0:49:32.880 --> 0:49:36.920
<v Speaker 1>Lunchbox for twelve years, Eddie was my TV producer for ten.

0:49:37.040 --> 0:49:39.640
<v Speaker 1>They joined the radio show. Mike d was an intern,

0:49:39.760 --> 0:49:42.279
<v Speaker 1>Ray was an intern, Morgan was an intern. Like I

0:49:42.440 --> 0:49:45.160
<v Speaker 1>just do things with my people because I need good

0:49:45.200 --> 0:49:47.600
<v Speaker 1>people around me. I need people I trust. I didn't

0:49:47.600 --> 0:49:49.880
<v Speaker 1>do this. I worked. Let's see, I started about a

0:49:49.960 --> 0:49:55.560
<v Speaker 1>seventeen so I worked eight years making minimum wage, eight

0:49:55.880 --> 0:50:01.080
<v Speaker 1>years working minimum wage and loved it every freaking minute

0:50:01.200 --> 0:50:03.239
<v Speaker 1>of it, and would do it again and would have

0:50:03.360 --> 0:50:06.000
<v Speaker 1>kept doing it like I would have. I would have

0:50:06.160 --> 0:50:09.520
<v Speaker 1>just done radio and survived or gotten a second job

0:50:09.560 --> 0:50:12.120
<v Speaker 1>because I loved it so much. And that to people like, Okay,

0:50:12.120 --> 0:50:13.560
<v Speaker 1>I want to radio, I want to do music. The

0:50:13.560 --> 0:50:15.120
<v Speaker 1>first thing I say is would you do it for free?

0:50:15.480 --> 0:50:17.279
<v Speaker 1>Would you do it having to have another job? And

0:50:17.320 --> 0:50:19.920
<v Speaker 1>if answers yes, freaking go for it. It's the answers

0:50:19.960 --> 0:50:21.480
<v Speaker 1>no it's just not for you get out because not

0:50:22.360 --> 0:50:26.200
<v Speaker 1>a watch time, You're alwaste time. We're always what you're

0:50:26.200 --> 0:50:27.840
<v Speaker 1>gonna waste whatever you can do to get to this

0:50:27.920 --> 0:50:32.839
<v Speaker 1>other place in another lane. That's it. So for me, man, Uh,

0:50:33.760 --> 0:50:36.440
<v Speaker 1>I was out playing for Brett Eldredge. It was incredible

0:50:37.160 --> 0:50:39.680
<v Speaker 1>that guy. Yeah, that guy's are you playing lead? I

0:50:39.760 --> 0:50:45.600
<v Speaker 1>was playing lead, switching off with Greg this guy. No,

0:50:46.239 --> 0:50:49.360
<v Speaker 1>but you're seeing harmonies and stuff to do with Brett,

0:50:49.719 --> 0:50:52.480
<v Speaker 1>which Brett is an incredible singer. I mean, spot on

0:50:52.600 --> 0:50:55.480
<v Speaker 1>every single time. And uh, we got to do the

0:50:55.520 --> 0:50:58.680
<v Speaker 1>Taylor Swift Tour, which was incredible, you know. And how

0:50:58.840 --> 0:51:01.960
<v Speaker 1>was it dating Taylor? It was? It was weird, you know.

0:51:02.000 --> 0:51:05.680
<v Speaker 1>When I got pregnant, it was crazy. Um didn't make

0:51:05.719 --> 0:51:10.279
<v Speaker 1>the news though, I don't know. Yeah, that's weird. But uh,

0:51:10.560 --> 0:51:12.320
<v Speaker 1>in the middle of all that, you know, I was

0:51:12.400 --> 0:51:16.680
<v Speaker 1>like inside, I was like, okay, Like this is great,

0:51:17.160 --> 0:51:19.319
<v Speaker 1>this is really cool being able to be out here

0:51:19.360 --> 0:51:22.120
<v Speaker 1>and play guitar. But this is not why I moved here.

0:51:22.560 --> 0:51:25.759
<v Speaker 1>And a good friend of mine, Set England, who runs

0:51:25.840 --> 0:51:30.359
<v Speaker 1>Big Loud Shirt Publishing. He's also Florida Georgia Lions manager. Um,

0:51:30.600 --> 0:51:32.440
<v Speaker 1>I went and played some songs for him, you know,

0:51:32.480 --> 0:51:34.160
<v Speaker 1>and I was, you know, I just wanted some advice.

0:51:34.239 --> 0:51:36.000
<v Speaker 1>And he's like, dude, what are you doing playing for

0:51:36.080 --> 0:51:40.560
<v Speaker 1>other people? You need to quit today. I was like, well, dude,

0:51:40.560 --> 0:51:42.239
<v Speaker 1>we're about to go on the Keith Urban Tour, like

0:51:42.520 --> 0:51:44.800
<v Speaker 1>we were like opening, like it's it's big, you know.

0:51:45.640 --> 0:51:48.920
<v Speaker 1>And so I made the decision to quit. And a

0:51:48.960 --> 0:51:51.000
<v Speaker 1>couple of weeks later, I did a show like on

0:51:51.080 --> 0:51:52.440
<v Speaker 1>a second not a couple of weeks later you make

0:51:52.480 --> 0:51:53.640
<v Speaker 1>that decision to quit, do you have to go to

0:51:53.719 --> 0:51:55.960
<v Speaker 1>Brett and say, hey, dude, And how does he react

0:51:56.000 --> 0:51:58.200
<v Speaker 1>to it? Yeah, So I kind of came into the

0:51:58.239 --> 0:52:00.360
<v Speaker 1>whole thing. I let him know, you know, hey, I

0:52:00.440 --> 0:52:04.680
<v Speaker 1>have a publishing deal. Um, I'm doing the artist thing. Uh,

0:52:04.800 --> 0:52:07.480
<v Speaker 1>this is my ultimate goal. I can be here for

0:52:07.800 --> 0:52:10.040
<v Speaker 1>however long you need me to. But I just want

0:52:10.080 --> 0:52:12.279
<v Speaker 1>you to know that I have an exit plan. And

0:52:12.320 --> 0:52:14.080
<v Speaker 1>he's like, of course, man, He's like, I just love

0:52:14.120 --> 0:52:17.400
<v Speaker 1>having you around. You know, we we kill it together.

0:52:17.520 --> 0:52:22.719
<v Speaker 1>So hang get hang hang um and so they knew

0:52:22.920 --> 0:52:25.080
<v Speaker 1>and and it was it was such a great understanding,

0:52:25.120 --> 0:52:27.200
<v Speaker 1>you know. And then so I I did this show,

0:52:28.520 --> 0:52:32.239
<v Speaker 1>my solo show, and Seth and and the f GL

0:52:32.320 --> 0:52:35.680
<v Speaker 1>guys came out and um after the shows, like, hey man,

0:52:35.800 --> 0:52:37.560
<v Speaker 1>let's let's talk real quick. I was like, oh, Seth,

0:52:37.760 --> 0:52:39.920
<v Speaker 1>you know he's gonna tell me enjoyed it, you know.

0:52:40.600 --> 0:52:42.359
<v Speaker 1>And he goes, hey, man, you wanta you wanna play

0:52:42.400 --> 0:52:44.640
<v Speaker 1>guitar for f g L. I was like, you just

0:52:44.920 --> 0:52:48.640
<v Speaker 1>told me to quit. I was like, I'm so confused

0:52:48.719 --> 0:52:51.920
<v Speaker 1>right now, man, Like what is happening like? And he

0:52:51.960 --> 0:52:54.880
<v Speaker 1>goes listen, like they saw your performance, they dug it,

0:52:54.920 --> 0:52:56.879
<v Speaker 1>and they're like they need a guitar player. So I'm

0:52:56.920 --> 0:52:59.799
<v Speaker 1>just passing along the word. And so I was like, oh, man,

0:53:00.880 --> 0:53:03.600
<v Speaker 1>that's amazing like that, that's such a great opportunity. Cruiz

0:53:03.640 --> 0:53:06.120
<v Speaker 1>had went number one and all that stuff, and um,

0:53:06.520 --> 0:53:08.200
<v Speaker 1>I really took a lot of time to think about it.

0:53:08.440 --> 0:53:11.399
<v Speaker 1>That's not something you just take lightly. And I came

0:53:11.440 --> 0:53:15.680
<v Speaker 1>back to Seth and I said, man, your original advice

0:53:15.760 --> 0:53:18.520
<v Speaker 1>to me spoke to me so much that that's what

0:53:18.560 --> 0:53:21.360
<v Speaker 1>I'm gonna do. Like, I hope you guys find you

0:53:21.400 --> 0:53:23.640
<v Speaker 1>guys are gonna be fine, You'll find a guitar player,

0:53:23.719 --> 0:53:26.239
<v Speaker 1>but this is what I have to do. And um,

0:53:26.600 --> 0:53:30.919
<v Speaker 1>that was a defining moment for me, and I still

0:53:31.040 --> 0:53:34.560
<v Speaker 1>have that same drive times ten because it's not like

0:53:34.719 --> 0:53:36.680
<v Speaker 1>I have to make this happen, I have to make

0:53:36.760 --> 0:53:40.000
<v Speaker 1>the money and blah blah blah. No, it's because it's

0:53:40.080 --> 0:53:42.080
<v Speaker 1>running through my veins. It's what I want to do.

0:53:42.280 --> 0:53:44.280
<v Speaker 1>I'm about to get in a van and drive fourteen

0:53:44.320 --> 0:53:47.279
<v Speaker 1>hours to Iowa and play a show tomorrow night, and

0:53:47.600 --> 0:53:51.239
<v Speaker 1>play four more shows this weekend. I will probably break even,

0:53:51.760 --> 0:53:54.880
<v Speaker 1>maybe lose a little bit of money. Um, but the

0:53:54.960 --> 0:54:01.160
<v Speaker 1>opportunity is a great opportunity. A lot of money talked

0:54:01.160 --> 0:54:06.040
<v Speaker 1>to about. But I love it and I don't love

0:54:06.120 --> 0:54:09.880
<v Speaker 1>it as a hobby. I love it because it's the

0:54:10.040 --> 0:54:12.560
<v Speaker 1>only thing that I want to do and the only

0:54:12.640 --> 0:54:16.920
<v Speaker 1>thing that I can do. So, okay, you're out playing,

0:54:17.200 --> 0:54:20.320
<v Speaker 1>Like are you trying to make music? I like the

0:54:20.760 --> 0:54:24.000
<v Speaker 1>process of making music so you can get a record deal?

0:54:24.200 --> 0:54:27.200
<v Speaker 1>Like what what? What is that? Like? How do you

0:54:27.320 --> 0:54:29.040
<v Speaker 1>do it? What do you what do you do? What

0:54:30.200 --> 0:54:33.040
<v Speaker 1>do you do? I don't know. Yeah, it's it's different

0:54:33.080 --> 0:54:37.800
<v Speaker 1>for everybody. Everybody has a different path. Um. Some people

0:54:37.880 --> 0:54:41.120
<v Speaker 1>it's who they know. Some people it's how they're already

0:54:41.160 --> 0:54:44.160
<v Speaker 1>connected or whatever. And I think it is a big

0:54:44.280 --> 0:54:48.000
<v Speaker 1>mixture of everything, but it's listening to those people that

0:54:48.080 --> 0:54:51.680
<v Speaker 1>are closest to you and that are putting their lives

0:54:51.760 --> 0:54:54.279
<v Speaker 1>out on the line for you and sticking their neck

0:54:54.360 --> 0:54:57.360
<v Speaker 1>out for you. And that advice and that support and

0:54:57.480 --> 0:55:01.279
<v Speaker 1>encouragement is everything in the process. And so when you're

0:55:01.280 --> 0:55:05.080
<v Speaker 1>in the riding room, you've got to think about You've

0:55:05.080 --> 0:55:08.120
<v Speaker 1>got to always be yourself and you know you can't

0:55:08.200 --> 0:55:11.359
<v Speaker 1>fake real. And so whenever I go into the riding room,

0:55:11.400 --> 0:55:15.279
<v Speaker 1>whenever I get on stage, I'm gonna be me. I'll

0:55:15.320 --> 0:55:19.320
<v Speaker 1>be goofy, I'll cry, I'll say some dumb stuff, but

0:55:19.760 --> 0:55:22.640
<v Speaker 1>I'm always gonna be me and be authentic. Like you said,

0:55:22.880 --> 0:55:25.560
<v Speaker 1>do you still put your penis out? Do what? Do? What?

0:55:25.640 --> 0:55:28.080
<v Speaker 1>Put your penis out on stage? I mean you have

0:55:28.200 --> 0:55:30.600
<v Speaker 1>to do what you do, like not from Martinez shows,

0:55:30.640 --> 0:55:34.200
<v Speaker 1>but for like hip shows. Yeah, I mean America. Would

0:55:34.200 --> 0:55:36.560
<v Speaker 1>you write American Way with So this is the funny thing.

0:55:36.600 --> 0:55:39.480
<v Speaker 1>I didn't write American Way? What Kip? More so you

0:55:39.680 --> 0:55:48.560
<v Speaker 1>and yours. It's like so I never I write basically

0:55:48.600 --> 0:55:51.600
<v Speaker 1>every day and I love it and it's and it's

0:55:52.320 --> 0:55:55.759
<v Speaker 1>what I do. But Nick Brophy, who I started working

0:55:55.800 --> 0:55:59.240
<v Speaker 1>with production and all that kind of stuff. Nick also

0:55:59.360 --> 0:56:01.880
<v Speaker 1>mixes and was his kid, and he's like, dude, you

0:56:01.920 --> 0:56:03.600
<v Speaker 1>gotta check out this song, like Kip didn't put on

0:56:03.680 --> 0:56:05.480
<v Speaker 1>his record. I wrote it with Kip and Brett James,

0:56:05.560 --> 0:56:08.759
<v Speaker 1>who Brett James is a songwriting hero of mine. And

0:56:08.840 --> 0:56:10.759
<v Speaker 1>I heard it. I was like, dude, that's a cool

0:56:10.800 --> 0:56:13.680
<v Speaker 1>song man. And so when I left there, I was

0:56:13.719 --> 0:56:17.200
<v Speaker 1>like whatever. For a week, I was like, no, no, nay,

0:56:17.560 --> 0:56:21.279
<v Speaker 1>it was Lee Bow, just like you were doing were

0:56:21.360 --> 0:56:26.520
<v Speaker 1>Leo Leo, we sleep some more. That's not how it goes.

0:56:27.600 --> 0:56:30.040
<v Speaker 1>That's always seeing it, um. But I was just I

0:56:30.120 --> 0:56:31.680
<v Speaker 1>just kept thinking about I was like, listen, you know

0:56:34.080 --> 0:56:36.439
<v Speaker 1>that is this is That is the type of song

0:56:37.160 --> 0:56:39.839
<v Speaker 1>that I that I want to write and I want

0:56:39.880 --> 0:56:41.919
<v Speaker 1>to perform. So I probably tried to write that song

0:56:42.120 --> 0:56:44.040
<v Speaker 1>five or six times and it didn't work. It was

0:56:44.120 --> 0:56:47.319
<v Speaker 1>never the same as that, And so I asked Nick.

0:56:47.360 --> 0:56:48.759
<v Speaker 1>I was like, hey, man, like, would it be cool

0:56:48.760 --> 0:56:50.239
<v Speaker 1>if I just put my vocal on it and maybe

0:56:50.320 --> 0:56:53.480
<v Speaker 1>just start playing it out just see how people react

0:56:53.520 --> 0:56:55.719
<v Speaker 1>to it? Was of course, and Kip was cool with it,

0:56:55.920 --> 0:56:59.239
<v Speaker 1>and so I did that and the reaction was incredible,

0:56:59.800 --> 0:57:02.520
<v Speaker 1>and so I kind of It kind of taught me

0:57:02.560 --> 0:57:05.120
<v Speaker 1>to step away from myself for a second. Is that

0:57:05.239 --> 0:57:07.920
<v Speaker 1>hard to take somebody's song? That song? And so you

0:57:08.160 --> 0:57:10.440
<v Speaker 1>I thought you wrote it? Thanks, And I interview some

0:57:10.480 --> 0:57:12.759
<v Speaker 1>people I'm careful about going, hey, I know you wrote

0:57:12.800 --> 0:57:15.040
<v Speaker 1>this song. I'm always like, hey, this song that you

0:57:15.160 --> 0:57:17.600
<v Speaker 1>sing and that song and so you I thought you

0:57:17.600 --> 0:57:19.320
<v Speaker 1>wrote I don't think twice about it. Well, thanks man,

0:57:19.360 --> 0:57:22.160
<v Speaker 1>I mean, and that that was the goal because it

0:57:22.280 --> 0:57:24.560
<v Speaker 1>became so undeniable to me that I was like, man,

0:57:24.680 --> 0:57:27.720
<v Speaker 1>I I have to do something with this song, you know.

0:57:27.880 --> 0:57:31.680
<v Speaker 1>And so I did, and here we are. So what

0:57:31.760 --> 0:57:33.760
<v Speaker 1>about this other one here? That could be us? That

0:57:33.800 --> 0:57:37.920
<v Speaker 1>could be us? Um? Right, this one? Thank you? I

0:57:37.960 --> 0:57:41.880
<v Speaker 1>wrote it with a guy named Bobby's got a radio show.

0:57:42.000 --> 0:57:44.440
<v Speaker 1>This song is really good. This is that this song

0:57:44.600 --> 0:57:46.560
<v Speaker 1>is good like thanks man. This is like it reminds

0:57:46.600 --> 0:57:48.880
<v Speaker 1>me of like new age country Jack and Day and

0:57:48.880 --> 0:57:51.040
<v Speaker 1>the first one, right, this is this is like a

0:57:51.120 --> 0:57:54.800
<v Speaker 1>new age Jack and Diante. Man, this that could be us.

0:57:55.280 --> 0:57:58.200
<v Speaker 1>This and like this the feels a little bit in

0:57:58.320 --> 0:58:00.240
<v Speaker 1>the current situation now that I have a girlfriend, I'm like,

0:58:01.720 --> 0:58:04.520
<v Speaker 1>it makes you want to go get some flowers, maybe

0:58:04.560 --> 0:58:15.960
<v Speaker 1>watch a rom Com. It's great that we have like

0:58:16.040 --> 0:58:18.200
<v Speaker 1>three microphones in here. Mr Trump, what kind of music

0:58:18.280 --> 0:58:20.600
<v Speaker 1>do you listen to? You know, I try to listen

0:58:21.240 --> 0:58:24.640
<v Speaker 1>to what the world loves? Yeah, what what does the

0:58:24.720 --> 0:58:27.960
<v Speaker 1>world love? Like? I mean that's a pretty vague statement,

0:58:28.080 --> 0:58:30.000
<v Speaker 1>Mr Trump, Like you right for president? Like, I'm curious

0:58:30.040 --> 0:58:32.520
<v Speaker 1>what kind of music in your iPhone? Mr? Trump? What

0:58:32.600 --> 0:58:35.520
<v Speaker 1>do you listen to? A lot of spice girls? Yeah,

0:58:35.800 --> 0:58:38.000
<v Speaker 1>and your favorite spice girl would be which one? Um,

0:58:38.280 --> 0:58:47.640
<v Speaker 1>baby baby Brandon Ray has been here with us, do

0:58:47.880 --> 0:58:50.680
<v Speaker 1>good luck. I think you're at that place where it's

0:58:50.720 --> 0:58:56.320
<v Speaker 1>like you're finding yourself right now. You're grinding and you're

0:58:56.440 --> 0:58:59.120
<v Speaker 1>finding and I just see how good you are. And

0:58:59.200 --> 0:59:02.240
<v Speaker 1>I'm anxious to kind see where you land because it's

0:59:02.280 --> 0:59:06.400
<v Speaker 1>cool because you're really freaking good. You're really good. And

0:59:06.520 --> 0:59:09.040
<v Speaker 1>if you ever come out, Brandon's playing with us. I'm

0:59:09.080 --> 0:59:10.920
<v Speaker 1>trying to think. It's hard to get Brandon because he's

0:59:10.920 --> 0:59:14.920
<v Speaker 1>all over the place. I know you're doing Albuquerquequerque, which

0:59:15.000 --> 0:59:17.600
<v Speaker 1>sold down like three seconds. We're gonna like expand the theater.

0:59:18.480 --> 0:59:21.240
<v Speaker 1>I mean, I'm telling you, Albuquerque's nuts. We're gonna have

0:59:21.240 --> 0:59:23.200
<v Speaker 1>to break down some walls or something. Um, you just

0:59:23.320 --> 0:59:26.480
<v Speaker 1>kick up. Ode just turned out to the festival and

0:59:26.560 --> 0:59:29.000
<v Speaker 1>then we're playing Vegas again. So if you're in either

0:59:29.080 --> 0:59:32.080
<v Speaker 1>one of those places, or go to Brandon Ray that's

0:59:32.120 --> 0:59:34.720
<v Speaker 1>Twitter at Brandon Ray Music and go watch them for yourself.

0:59:35.160 --> 0:59:37.960
<v Speaker 1>But I'm just saying, like, dudes, for real, I mean,

0:59:38.000 --> 0:59:44.880
<v Speaker 1>anybody does things this song. Let's go cubs like I'm

0:59:44.920 --> 0:59:46.640
<v Speaker 1>a cut fan and I'm a little insult here. You

0:59:46.640 --> 0:59:50.320
<v Speaker 1>should be how bad that is? I need it? Actually

0:59:50.360 --> 0:59:55.600
<v Speaker 1>did that bad at Brandon Ray Music. At Brandon Ray Music. Dude,

0:59:55.640 --> 0:59:57.840
<v Speaker 1>good luck. I hope it goes great. You have a

0:59:57.920 --> 1:00:00.160
<v Speaker 1>good trip, nice little road trip ahead of it. Thanks man.

1:00:00.800 --> 1:00:04.840
<v Speaker 1>We're taking the bus van van. Did you see my text?

1:00:04.880 --> 1:00:07.520
<v Speaker 1>I'm in the creepy van out hey got her? Ear

1:00:07.640 --> 1:00:09.120
<v Speaker 1>Ladies like I'm so sorry to me Early, I'm like,

1:00:09.480 --> 1:00:17.440
<v Speaker 1>you're here, Early, I have an erection. Early say, I

1:00:17.480 --> 1:00:21.640
<v Speaker 1>don't even need a picture. That's um. Thank you and

1:00:22.960 --> 1:00:25.560
<v Speaker 1>good luck, my friend, good luck, Thank you so much.

1:00:25.600 --> 1:00:29.480
<v Speaker 1>All right, Brandon Ray Music on Twitter and Instagram. Also

1:00:29.560 --> 1:00:34.200
<v Speaker 1>thanks to Mr Trump for stopping by. I think you

1:00:34.640 --> 1:00:39.720
<v Speaker 1>you know you've exceeded everyone's expectations. And when people hear

1:00:39.760 --> 1:00:41.880
<v Speaker 1>this in a few weeks maybe your president. Oh no,

1:00:42.680 --> 1:00:49.440
<v Speaker 1>I mean, I mean, okay, that's cool. Alright, we're gonna go.

1:00:49.920 --> 1:00:53.240
<v Speaker 1>Um yeah, you know, speaking here just to say I'm

1:00:53.240 --> 1:00:55.560
<v Speaker 1>not full of crap. I did um. First of all,

1:00:55.600 --> 1:00:57.080
<v Speaker 1>I played Brandon stuff on the radio, so that just

1:00:57.080 --> 1:00:58.520
<v Speaker 1>tells you already I think he's good. I don't just

1:00:58.560 --> 1:01:00.760
<v Speaker 1>bring people on here. I don't think it's good. I

1:01:00.880 --> 1:01:03.520
<v Speaker 1>was driving down the I was heading to Georgia with

1:01:03.640 --> 1:01:06.520
<v Speaker 1>my band and it was seven thirty eight in the morning.

1:01:07.120 --> 1:01:09.280
<v Speaker 1>We had it up and we were just like flipping

1:01:09.320 --> 1:01:12.800
<v Speaker 1>out because like the feeling of hearing your song on

1:01:12.880 --> 1:01:16.000
<v Speaker 1>the radio for the first time or anytime is surreal.

1:01:16.200 --> 1:01:17.920
<v Speaker 1>And the fact that you did that, I can't I

1:01:18.040 --> 1:01:20.920
<v Speaker 1>can't thank you enough. Well, even like I've played covers

1:01:21.000 --> 1:01:23.000
<v Speaker 1>of Beers on the air, and then I did. I think, well,

1:01:23.000 --> 1:01:25.080
<v Speaker 1>I'm like, hey, these are the five artists that you

1:01:25.120 --> 1:01:27.280
<v Speaker 1>don't know yet but you need to know. And it

1:01:27.440 --> 1:01:29.920
<v Speaker 1>was you and Ryan be for a Walker heyes, and

1:01:30.000 --> 1:01:35.320
<v Speaker 1>Caitlin Smith and Cody Johnson, Oh yeah, Cody Johnson Eastern Texas.

1:01:36.040 --> 1:01:38.760
<v Speaker 1>Ryan is to ryan'son a Deer for the monent about

1:01:38.800 --> 1:01:40.720
<v Speaker 1>r Ryan Bieber, So where the gym working out right,

1:01:40.800 --> 1:01:43.720
<v Speaker 1>Ryan and I both are, and so Ryan lived in

1:01:43.720 --> 1:01:46.000
<v Speaker 1>Austin when I did. We moved here at the same time,

1:01:46.640 --> 1:01:49.560
<v Speaker 1>and so we're you know, whenever he goes hey, I'm like, yeah,

1:01:49.640 --> 1:01:53.120
<v Speaker 1>what's up. He goes, are you doing? I'm like, good,

1:01:53.120 --> 1:01:54.840
<v Speaker 1>how are you doing? There's good. I don't put it

1:01:54.880 --> 1:01:56.680
<v Speaker 1>together yet that it's Ryan because he's gonna work out

1:01:56.680 --> 1:01:59.840
<v Speaker 1>closed and I had it and it's like, hey, I

1:02:00.000 --> 1:02:02.280
<v Speaker 1>want I really appreciate you. I still don't know who

1:02:02.360 --> 1:02:03.640
<v Speaker 1>it is. I don't even know that it's an artist.

1:02:03.640 --> 1:02:07.120
<v Speaker 1>I'm like, I appreciate you too, man, you go, buddy,

1:02:07.840 --> 1:02:10.440
<v Speaker 1>I appreciate your spirit of working out as well my

1:02:10.600 --> 1:02:16.400
<v Speaker 1>workout friend Champ. And so his trainer was like this

1:02:16.600 --> 1:02:19.960
<v Speaker 1>Ryan Biever. I was like, dude, I'm such a yours

1:02:20.680 --> 1:02:22.520
<v Speaker 1>and like, we want to get Ryan up here too,

1:02:22.520 --> 1:02:24.640
<v Speaker 1>and he's you know, and if you're listening, check out

1:02:24.720 --> 1:02:29.760
<v Speaker 1>Ryan Biever that album that you're rated, Our Little Exit Prescription. Yeah,

1:02:30.080 --> 1:02:32.960
<v Speaker 1>it's phenomenal. Every song I was I was signed with

1:02:33.080 --> 1:02:36.280
<v Speaker 1>Ryan at a small publishing company. He just left there,

1:02:36.800 --> 1:02:38.760
<v Speaker 1>but we were on that uh in that company for

1:02:38.840 --> 1:02:42.440
<v Speaker 1>two years and all of those songs he wrote, you know,

1:02:42.960 --> 1:02:44.920
<v Speaker 1>to three years ago, and so I would hear the

1:02:44.920 --> 1:02:46.840
<v Speaker 1>work tapes, you know, the song if I had a

1:02:46.880 --> 1:02:48.480
<v Speaker 1>Horse and all these kind of I had. I have

1:02:48.600 --> 1:02:51.280
<v Speaker 1>the acoustic work tapes and I play him all the time.

1:02:51.360 --> 1:02:53.400
<v Speaker 1>And the fact that he came out with a record

1:02:53.520 --> 1:02:57.600
<v Speaker 1>like that, that just is incredible. Um he's he's you

1:02:57.680 --> 1:02:59.960
<v Speaker 1>gotta check him out, yea, check out Ryan, check out

1:03:00.240 --> 1:03:02.880
<v Speaker 1>Brandon Ray. Just to leave you on a little song

1:03:02.960 --> 1:03:06.320
<v Speaker 1>called American Way. And we were all week in a

1:03:06.360 --> 1:03:11.440
<v Speaker 1>slop stag town to freaking weekend. Come. I'm throwing all

1:03:12.160 --> 1:03:17.600
<v Speaker 1>him to y'all that it was baday baby, Ain't that

1:03:18.040 --> 1:03:26.160
<v Speaker 1>the American Way? I'm gonna make you please, I want

1:03:26.200 --> 1:03:28.880
<v Speaker 1>to see you put your hands off. Just got a

1:03:29.000 --> 1:03:32.240
<v Speaker 1>black guy from a scup of wind Hank. I'm gonna

1:03:32.280 --> 1:03:34.080
<v Speaker 1>we're gonna go now because the cup started playing just now.

1:03:34.440 --> 1:03:41.440
<v Speaker 1>We gotta go on. It's Game two. That's the theme song, man,

1:03:41.720 --> 1:03:44.280
<v Speaker 1>and that's the rap. Episode sixteen with Brandon Ray at

1:03:44.360 --> 1:03:47.520
<v Speaker 1>Brandon Ray Music. Thank you ol see episode seven Team

1:03:47.520 --> 1:03:48.720
<v Speaker 1>We'll thank you Bay